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Lulu
2CD
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Audio CD, Import, December 6, 2019
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Track Listings
Disc: 1
1 | Brandenburg Gate |
2 | The View |
3 | Pumping Blood |
4 | Mistress Dread |
5 | Iced Honey |
6 | Cheat on Me |
Disc: 2
1 | Frustration |
2 | Little Dog |
3 | Dragon |
4 | Junior Dad |
Editorial Reviews
Lulu was inspired by German expressionist writer Frank Wedekind's plays "Earth Spirit" and "Pandora's Box," which tell a story of a young abused dancer's life and relationships and are now collectively known as the "Lulu Plays." Since their publication in the early 1900's, the plays have been the inspiration for a silent film ("Pandora's Box," 1929), an opera, and countless other creative endeavors.
Originally the lyrics and musical landscape were sketched out by Lou for a theatrical production in Berlin, but after coming together with the 'Tallica boys for the Rock and Roll Hall of Fame concerts in New York in 2009 all guilty parties knew they wanted to make more music together. Lou was inspired enough by that performance to recently ask the band to join him in taking his theatrical Lulu piece to the next level and so starting in early May of this year they were all camped out recording at HQ studios in Northern California, bringing us to today and ten complete songs.
Product details
- Is Discontinued By Manufacturer : No
- Product Dimensions : 4.88 x 5.59 x 0.47 inches; 4.16 Ounces
- Manufacturer : Warner Bros.
- Item model number : 22852826
- Original Release Date : 2011
- Date First Available : September 23, 2011
- Label : Warner Bros.
- ASIN : B005NPLXJ4
- Number of discs : 2
- Best Sellers Rank: #37,002 in CDs & Vinyl (See Top 100 in CDs & Vinyl)
- #1,171 in Hard Rock (CDs & Vinyl)
- Customer Reviews:
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Disc 1:
1. Bradenburg Gate, 4/5: This is my least favorite song on the album. James's "small town girl" chant is just too cheesy for me. While the guitars are pretty good, I just can't find it in myself to give this song a 5/5.
2. The View, 5/5: Ah, if it isn't the song that the world heard first and shunned the album for. Lou's vocals aren't at their peak here. Yes, it sounds like poetry, as most of Lulu does, but it's not that bad a song. The riffs are good, all three or four of them. This is one of my top five tracks on the album.
3. Pumping Blood, 5/5: Another top five track. While Lou's "pumpin' blood" chant at the beginning sounds a bit like he's saying "pumpkin blugh", he makes up for it in lyrical intellect and content. I love the anxiety and anger in this track.
4. Mistress Dread, 4/5: This is between my seventh and eighth place song. It's a really close race between this song and "Cheat on Me". It's a thrashy track, not very catchy though. I find it hard to get into this song, but it's still good.
5. Iced Honey, 5/5: The catchiest song on the whole album. I love the "iced honey" parts of the lyrics. I make this my fifth place song, simply because the top four are far better, in my opinion.
6. Cheat On Me, 4/5: Again, it's a close race between this song and "Mistress Dread". It's not a bad song by any means, but again, to me, it's not enough to crack the top five.
And so begins Disc 2, where the continuum begins to take over and song lengths increase beyond ten minutes...
7. Frustration, 5/5: I love the odd intro. It's really creepy, like nails on a chalkboard. The lyrics contradicting themselves between hatred and admiration were a good way to go. The riff is pretty catch as well.
8. Little Dog, 4/5: The guitars being 99% acoustic song makes this a bottom three song, not saying I only prefer heavy guitars. It's a nice song, but to me, the riff isn't too good. The lyrics are good, but they're overshadowed by the riff.
9. Dragon, 5/5: I love this song. The riff is great. The lyrics are great. It's aggressive. It's just great.
10. Junior Dad, 5/5: Nineteen minutes and twenty-eight seconds. Ladies and gentlemen, that's the official song length of "Junior Dad". But don't let that discourage you, this song is a great piece of music. The lyrics are at their peak for the album and, while it drones on for almost twelve minutes to the end of the song after the vocals end, the continuum is absolutely beautiful.
My song rankings (it was really hard to decide the order of the top four):
1. Pumping Blood
2. The View
3. Dragon
4. Junior Dad
5. Iced Honey
6. Frustration
7. Cheat On Me
8. Mistriss Dread
9. Little Dog
10. Bradenburg Gate
Album overall grade (out of 100): 92, A-.
That being said, this album is definately abstract art. It takes someone who appreciates abstract art to love this album.
It took me more than one listen to figure this out. Mea culpa. Anyone who knows anything about 20th Century/21st Century musical composition should have gotten it. It's not a Metallica record. When we listen to great composers like Varese, Stravinsky, Anderson, Glass, Eno and a host of others, it makes sense. The cheap sniping against Lou being older is real darned dumb. Like a good wine, he got better as he got older. This is way better than the classical interpretations of the same source.
For the adult, this is in some respects a metal version of Lou's Berlin. Remember when that came out? Critics assailed it. Now it's regular on the top of the lists of best records ever made. I suspect Lulu will rise to that rank.
Yes, it is sharp and angular. Yes, it drones. "Sister Ray," anyone? This is what Lou does, when he's not harnessed to a typical pop song format, which he did perfectly well, too. Metallica churns subdued but profound phrasing sometimes, thunderous riffing and drumming. Lou's guitar is without parallel. The piece as a whole challenges the listener to think about our inner demons through Lou's lyrics, and our musical expectations of what music can incorporate. For a record representing the hell of human possibility, it's heaven to a seasoned ear.
Added:
Oh, and Lou does sing, in places where appropriate. The other stuff is recitative. But listen to Junior Dad, and if that doesn't bring tears to your eyes as Lou, damn him, writing his own epitaph...well, bang a head, I guess.
It is always the case that when someone tries something quite different, there are riots in the mind of a lot of us, me included. I hated Roxy Music before I became a fanatic, for instance. So please give another listen down the road apiece. Picasso incited riots. Stravinsky incited riots. John Cage incited riots. We won't be on the street (as those guys inspired) or move beyond the 'net for our riots, but...it's a clear indication that someone is doing something really unique and important.
Trust me. This will go down with Street Hassle and Berlin and Legendary Hearts...and so many others.
Goodbye, Lou. Berlin saved my life. I wish only that in my own writings I can send something up to where you are now.
Buddy
Top reviews from other countries
ルーズな隙間を多分に設けたダイナミックなROCKビートと、ルー御大のスポークンワードのような独特な歌唱で、時に激しく、時に静かに駆け抜ける充実の2枚組。予測不能な展開が実に心地好い好盤となりました。
速くけたたましいだけがROCKじゃあないよ。時々どうしようもなく聴きたくなるこのGROOVE。即興的な演奏と、うねるような落差の大きいダイナミズム。
BLACK ALBUM→ROAD→REROADを通過して来たからこそ辿り着けた境地。
天国のルー・リード後大も、さぞ誇らしげなことでしょう。。
Il se compose d'une poésie très originale,lourde et violente, déclamée sur un arrangement féroce qui en accentue la scansion. Imaginez Allen Ginsberg déclamant Howl, par exemple, avec un choeur métallique hurlant chaque strophe en écho, et vous aurez une idée de ce qu'est Lulu. C'est une oeuvre d'avant-garde, qui n'est pas réservée à tout public. Sans culture littéraire, ni musicale - je pense notamment au Lulu d'Alban Berg et à la pièce de Wedekind, et sans connaissance de la Beat Generation, il est difficile d'accès. Sans compréhension du texte anglais, il est impénétrable : autant écouter Ossip Mandelstam déclamer les Cahiers de Voronej en russe sans comprendre un traître mot.
Le mérite est immense. Lou Reed se contrefout du commerce, de lui-même, des clichés. Sa voix est certes très âgée, un peu comme celle de Bukowski à la fin de sa vie, mais l'intention est vraie et la sincérité totale. Et c'est bien cela l'art authentique. Metallica se lance ici dans la plus avancée des avant-gardes, démontrant par là que l'Art, le vrai, ne se trouve pas où les critiques rémunérés par les maisons de disques croient pouvoir le placer pour le détruire et faire plaisir à la masse. J'ai autant d'intérêt à écouter Lulu, qu'à entendre le Poème électronique d'Edgar Varese ou à lire la poésie d'Artaud ou de Ferlinghetti.
Alors, il reste tout ce torrent d'insultes qui s'est déversé sur cet album. Mais est-ce un problème ? Le Sacre du Printemps de Stravinsky a été hué à sa création en 1900, tout comme le Déserts de Varese en 1951. Aujourd'hui,n'importe quel snobinard vous dira que ce sont des chefs d'oeuvre universels. Quant au premier album de Velvet Underground, il a connu lui aussi l'échec à sa sortie. Même Andy Warhol fut insulté à ses débuts, ce que, du reste, il trouvait très amusant.
Tout dépend donc de ce que vous cherchez. Si vous chercher du rock commercial ou du hard rock défouloir bien en cadence (einz, zwei, drei !), et si de surcroît vous ne comprenez pas ou ne lisez pas l'anglais, alors vous allez détester cet album. Mieux vaut ne pas vous en approcher. En revanche, si vous voulez entendre tout ce qui énerve le "système" des maisons de disques, ce système que composent la médiocrité ambiante, le conformisme et le fascisme de la décérébration, en un mot si vous voulez l'ivresse et la peur de la LIBERTE, de l'art authentique, alors écoutez donc. Vous y êtes. Et vous serez de ceux qui pourront dire dans 30 ans, quand tout le monde dira avec assurance "Lulu, celui de Berg ou celui de Lou Reed ? Celui de Lou Reed, mais bien sûr ! quel génie ! quelle époque...", vous pourrez vous dire, en effet, que vous aviez de l'avance. Et que vous, en 1900, vous n'auriez pas sifflé Stravinsky.