Past Shows:
STARTING 5 PRODUCTIONS is pleased to announce Terrance McNally’s WHERE HAS TOMMY FLOWERS GONE, directed by Laura Braza. WHERE HAS TOMMY FLOWERS GONE will play a three-week limited engagement at Off-Broadway’s Workshop Theater (312 W 36th St Fourth Floor New York, NY 10018). Performances begin Thursday, November 30 and continue through Sunday, December 17. Opening Night is Saturday, December 2 (7:30 p.m.). $18 tickets available at http://www.brownpapertickets.com/event/3102624
Constructed as a series of vignettes, skits and brief incidents, the play portrays the life and attitude of one Tommy Flowers—irrepressible cut-up, determined freeloader and disenchanted rebel against society. In the course of his adventures he befriends a destitute old actor, acquires an oversized sheep dog (his best friend) and finds love with a beautiful music student (whom he meets in the ladies' room at Bloomingdale's). But as Tommy moves from scene to scene, his bright red shopping bag at the ready for pilfering and his agile wit poised to hoodwink everyone in sight, we also glimpse the root causes of his alienation—his ailing, complaining mother back home; an unhappily married brother; a former girlfriend who has settled for a suffocating domesticity; and a venturing forth that has brought more rejection than acceptance. In the end, betrayed yet again, but still buoyantly defiant, Tommy devises his final rip-off—a bomb to blow him, and at least some small portion of a world he cannot accept, into oblivion.
An Off-Broadway success, selected by Time magazine as one of the ten best plays of the year, this biting, hilarious, touching and totally original work captures the essence of the "now generation," from flower children to violent revolutionaries. "…a boisterously funny, rueful, sentimental, raunchy and outrageous work…It is also consistently entertaining." —NY Daily News. "…clever and very funny…Mr. McNally is a nimble writer for the stage, with a God-given knack for telling scenes and sharp, immediate characterizations…" —The New Yorker. "He seems to have his finger on the pulse of the below thirty generation." —Variety.
The production stars David Gow (Eugene O’Neill Center, Duke Theater, 14th St Y) as Tommy Flowers, Emma Geer (Lincoln Center, Shakespeare and Company) as Nedda Lemon, Daniel O’Shea (State of Grace, Streets of Gold) as Ben, Sam Garber (Flea Theater, New Conservatory Theater) as Arnold, Al Fallick (Somebody’s Darling, We’re Working On It) as Men, Emily Kitchens (Yale Repertory Theater, California Shakespeare Theater) as Women, and Meagan Kimberly Smith (Blindspot, The Tale of Four ) as Girls.
The production features scenic design by Zach Serafin and Mariah Pepper Berkowitz is the stage manager.
WHERE HAS TOMMY FLOWERS GONE plays the following regular schedule through Sunday, December 17:
Thursdays at 7:30 p.m.
Fridays at 7:30 p.m.
Saturdays at 7:30 p.m.
Sundays at 7:30 p.m.
Tickets are $18 and are now available online at http://www.brownpapertickets.com/event/3102624
or by calling 1-800-838-3006. Tickets may also be purchased in-person at the box office ½ hour prior to the performance.
Running Time: 2 Hours
BIOGRAPHIES
LAURA BRAZA (Director) is the Artistic Director of the Attic Theater Company as well as a freelance director and teaching artist. NYC: Moonchildren, Dark Rapture, Wonderful World, This One Time In Last Chance, The Time of Your Life, The Tutors, The Notebook of Trigorin, Strictly Dishonorable, the dreamer examines his pillow, and On The Verge (Or the Geography of Yearning) (all for The Attic Theater Company); Friend of the Devil and If I Were You (Harold Clurman Theater); work at NYMF, FringeNYC, Dixon Place, Atlantic Theater Company’s Stage II, InGenius Theater Festival, and Sam French OOB. . Regional: Grounded, Souvenir, and the upcoming Always...Patsy Cline (Milwaukee Repertory Theater), The Dispute and If You Give a Pig a Pancake (Hangar Theater). She has also worked extensively as a guest director for both UNCSA and NYU/Tisch&Stella Adler. Drama League Directors Project Alumnus. Teaching Artist, UNCSA. BFA: NYU. Up next: the world premiere of Jericho by Michael Weller with The Attic Theater Company. www.theattictheaterco.com
TERRENCE MCNALLY (Playwright) has been described as "a probing and enduring dramatist" and "one of the greatest contemporary playwrights the theater world has yet produced". He has received the Tony Award for Best Play for Love! Valour! Compassion! and Master Class, as well as the Tony Award for Best Book of a Musical for Kiss of the Spider Woman and Ragtime. His other accolades include an Emmy Award, two Guggenheim Fellowships, a Rockefeller Grant, four Drama Desk Awards, two Lucille Lortel Awards, two Obie Awards, three Hull-Warriner Awards, and a citation from the American Academy of Arts and Letters. He is a recipient of the Dramatists Guild Lifetime Achievement Award as well as the Lucille Lortel Lifetime Achievement Award. In 2016, the Lotos Club honored McNally at their annual "State Dinner," which has previously honored such luminaries as W.S. Gilbert and Arthur Sullivan, George M. Cohan, Moss Hart, Richard Rodgers and Oscar Hammerstein, Saul Bellow, and Arthur Miller. In addition to his award-winning plays and musicals, he also written two operas, multiple screenplays, teleplays, and a memoir.
Constructed as a series of vignettes, skits and brief incidents, the play portrays the life and attitude of one Tommy Flowers—irrepressible cut-up, determined freeloader and disenchanted rebel against society. In the course of his adventures he befriends a destitute old actor, acquires an oversized sheep dog (his best friend) and finds love with a beautiful music student (whom he meets in the ladies' room at Bloomingdale's). But as Tommy moves from scene to scene, his bright red shopping bag at the ready for pilfering and his agile wit poised to hoodwink everyone in sight, we also glimpse the root causes of his alienation—his ailing, complaining mother back home; an unhappily married brother; a former girlfriend who has settled for a suffocating domesticity; and a venturing forth that has brought more rejection than acceptance. In the end, betrayed yet again, but still buoyantly defiant, Tommy devises his final rip-off—a bomb to blow him, and at least some small portion of a world he cannot accept, into oblivion.
An Off-Broadway success, selected by Time magazine as one of the ten best plays of the year, this biting, hilarious, touching and totally original work captures the essence of the "now generation," from flower children to violent revolutionaries. "…a boisterously funny, rueful, sentimental, raunchy and outrageous work…It is also consistently entertaining." —NY Daily News. "…clever and very funny…Mr. McNally is a nimble writer for the stage, with a God-given knack for telling scenes and sharp, immediate characterizations…" —The New Yorker. "He seems to have his finger on the pulse of the below thirty generation." —Variety.
The production stars David Gow (Eugene O’Neill Center, Duke Theater, 14th St Y) as Tommy Flowers, Emma Geer (Lincoln Center, Shakespeare and Company) as Nedda Lemon, Daniel O’Shea (State of Grace, Streets of Gold) as Ben, Sam Garber (Flea Theater, New Conservatory Theater) as Arnold, Al Fallick (Somebody’s Darling, We’re Working On It) as Men, Emily Kitchens (Yale Repertory Theater, California Shakespeare Theater) as Women, and Meagan Kimberly Smith (Blindspot, The Tale of Four ) as Girls.
The production features scenic design by Zach Serafin and Mariah Pepper Berkowitz is the stage manager.
WHERE HAS TOMMY FLOWERS GONE plays the following regular schedule through Sunday, December 17:
Thursdays at 7:30 p.m.
Fridays at 7:30 p.m.
Saturdays at 7:30 p.m.
Sundays at 7:30 p.m.
Tickets are $18 and are now available online at http://www.brownpapertickets.com/event/3102624
or by calling 1-800-838-3006. Tickets may also be purchased in-person at the box office ½ hour prior to the performance.
Running Time: 2 Hours
BIOGRAPHIES
LAURA BRAZA (Director) is the Artistic Director of the Attic Theater Company as well as a freelance director and teaching artist. NYC: Moonchildren, Dark Rapture, Wonderful World, This One Time In Last Chance, The Time of Your Life, The Tutors, The Notebook of Trigorin, Strictly Dishonorable, the dreamer examines his pillow, and On The Verge (Or the Geography of Yearning) (all for The Attic Theater Company); Friend of the Devil and If I Were You (Harold Clurman Theater); work at NYMF, FringeNYC, Dixon Place, Atlantic Theater Company’s Stage II, InGenius Theater Festival, and Sam French OOB. . Regional: Grounded, Souvenir, and the upcoming Always...Patsy Cline (Milwaukee Repertory Theater), The Dispute and If You Give a Pig a Pancake (Hangar Theater). She has also worked extensively as a guest director for both UNCSA and NYU/Tisch&Stella Adler. Drama League Directors Project Alumnus. Teaching Artist, UNCSA. BFA: NYU. Up next: the world premiere of Jericho by Michael Weller with The Attic Theater Company. www.theattictheaterco.com
TERRENCE MCNALLY (Playwright) has been described as "a probing and enduring dramatist" and "one of the greatest contemporary playwrights the theater world has yet produced". He has received the Tony Award for Best Play for Love! Valour! Compassion! and Master Class, as well as the Tony Award for Best Book of a Musical for Kiss of the Spider Woman and Ragtime. His other accolades include an Emmy Award, two Guggenheim Fellowships, a Rockefeller Grant, four Drama Desk Awards, two Lucille Lortel Awards, two Obie Awards, three Hull-Warriner Awards, and a citation from the American Academy of Arts and Letters. He is a recipient of the Dramatists Guild Lifetime Achievement Award as well as the Lucille Lortel Lifetime Achievement Award. In 2016, the Lotos Club honored McNally at their annual "State Dinner," which has previously honored such luminaries as W.S. Gilbert and Arthur Sullivan, George M. Cohan, Moss Hart, Richard Rodgers and Oscar Hammerstein, Saul Bellow, and Arthur Miller. In addition to his award-winning plays and musicals, he also written two operas, multiple screenplays, teleplays, and a memoir.
Bruce Willis (Moonlighting, Die Hard, Misery on Broadway) and The Burgess Group have announced the limited engagement Off-Broadway run of MUST, a compelling new play about Billy the Kid and Pat Garret written by Charles Cissel and directed by Gabriel Vega Weissman, October 30th – November 19th at The Theater at St. Clements (423 W 46th St). Mr. Fred Zollo (Tony-award winning producer of Once, The Goat, or Who is Sylvia?, Private Lives, Angels in America) assisted in the development of the production, and calls Mr. Cissel is “a striking new voice in the American Theater.” The official opening night will be on Monday, November 6th. www.musttheplay.com
In the New Mexican desert, on the night before his murder, Billy the Kid is restless and alone. As he reflects on the relationships that have informed his life, he conjures his mother, his lover, Sheriff Pat Garrett and the man he thinks might be his father. Through memories, visions and feverish dreams, he confronts each of them. As he gains real insight into their lives and struggles, he discovers how he went from being a normal kid in New York City to being the notorious gunfighter Billy The Kid. At sunrise, he MUST face Garrett with this newfound understanding of life, purpose and infamy.
“I’m quite excited to get behind Cissel’s new play MUST,” says Mr. Willis. “It looks at Billy the Kid through a unique eye. It’s a character study, with the exhilarating landscape of New Mexico as a backdrop.”
Director Gabriel Vega Weissman elaborates that “MUST is a play about human nature, mortality, fate and purpose. I think Charles has written a play that speaks to some of our deepest fears. He navigates this story of Billy the Kid one of American history’s most notorious figures, with gestures to Cormac McCarthy, playwrights such as Shepard, Beckett and Lorca and the feeling of a classic western like High Noon or The Searchers. The play is matched with an extraordinary cast and design team. We can’t wait to bring it to New York audiences.”
The cast of MUST features Brendan Dooling (TV’s The Carrie Diaries) as Billy The Kid, John Clarence Stewart (TV’s Gotham & Netflix’s Luke Cage), Meredith Antoian (TV’s Younger and & Here We Wait), Mark Elliot Wilson (We Need To Talk About Kevin) and Sally Ann Triplett (Finding Neverland, The Last Ship, Carrie on Broadway). Casting is by Chad Eric Murnane, CSA.
Charles Cissel (Playwright) has had six plays produced in New York City: WALLOP, Organic Shrapnel, God Steeling, Home Sweet Home/Crack, Rosa Rugosa/Touch Me and Splatter. As an actor he has been in three Tennessee Williams, three Greek Tragedies, two Albees, one Odets, one O'Neill and one Shakespeare.
Gabriel Vega Weissman (Director) is a Brooklyn based director and playwright. He has directed and developed work with the Williamstown Theatre Festival, Bucks County Playhouse, Hangar Theatre, National Black Theatre, NYMF, University of Scranton, New York City Children’s Theatre and Edinburgh Festival Fringe among others. Associate directing credits include Broadway productions of Long Day’s Journey Into Night, China Doll, and The Winslow Boy. He is an alum of the Drama League Director’s Project, Lincoln Center Directors Lab and Manhattan Theatre Club Directing Fellowship. Gabriel has written several plays with Brian Reno, including their collection of shorts, Loose Canon, which premiered at the Scranton Shakespeare Festival and played sold out runs at the New York City International Fringe Festival and SoHo Playhouse. Loose Canon won the Fringe Festival’s TheatreMania Audience Choice Favorite Award is now licensed by Dramatists Play Service.
MUST features scenic design by Alexander Woodward, lighting design by Zach Blane, costume design by Brooke Cohen Brown and sound design by Emma Wilk.
Bruce Willis (Producer) has demonstrated incredible versatility in a career that has included such diverse characterizations as the prizefighter in Quentin Tarantino's “Pulp Fiction” (1994 Palme D'Or winner at Cannes), the philandering contractor in Robert Benton's “Nobody's Fool”, the heroic time traveler in Terry Gilliam's “12 Monkeys”, the traumatized Vietnam veteran in Norman Jewison's “In Country”, the compassionate child psychologist in M. Night Shyamalan's Oscar®-nominated “The Sixth Sense” (for which he won the People's Choice Award) and his signature role, Detective John McClane, in the “Die Hard” pentalogy. Following studies at Montclair State College's prestigious theater program, the New Jersey native honed his craft in several stage plays and countless television commercials, before landing the leading role in Sam Shepard's 1984 stage drama “Fool for Love”, a run which lasted for 100 performances off-Broadway. Willis next won international stardom and several acting awards, including Emmy® and Golden Globe® honors, for his starring role as private eye David Addison on the hit television series "Moonlighting," winning the role over 3,000 other contenders. At the same time, he made his motion picture debut opposite Kim Basinger in Blake Edwards' romantic comedy “Blind Date.” In 1988, he originated the role of John McClane in the blockbuster film, “Die Hard”, one of the highest-grossing releases of that year. He later reprised the character in four sequels: “Die Hard: Die Harder (1990)”, “Die Hard: With A Vengeance” (1995's global box-office champ), “Live Free, Die Hard” (one of the box-office hits of summer 2007) and “A Good Day To Die Hard” (2013). His wide array of film roles includes collaborations with such respected filmmakers as Michael Bay (Armageddon), M. Night Shyamalan (The Sixth Sense, Unbreakable), Alan Rudolph (Mortal Thoughts, Breakfast of Champions), Walter Hill(Last Man Standing), Robert Benton (Billy Bathgate, Nobody's Fool), Rob Reiner (The Story of Us), Edward Zwick (The Siege), Luc Besson (The Fifth Element), Barry Levinson(Bandits, What Just Happened), Robert Zemeckis (Death Becomes Her) and Robert Rodriguez (Sin City, Grind House). Other motion picture credits include “Red”, “The Jackal”, “Mercury Rising”, “Hart's War”, “The Whole Nine Yards” (and its sequel The Whole Ten Yards), “The Kid”, “Tears of the Sun”, “Hostage”, “16 Blocks”, “Alpha Dog”, “Lucky Number Slevin” and “Perfect Stranger”. He also voiced the character of the wise-cracking infant, Mikey, in “Look Who's Talking” and “Look Who's Talking Too” as well as the lead characters RJ & Spike in the animated hit features “Over the Hedge” and “Rugrats Go Wild!” In 2012, Willis successfully added to his credits, two critically acclaimed films: director Wes Anderson's “Moonrise Kingdom”, for which Willis and the film received Independent Film Award nominations, and director Rian Johnson's sci-fi thriller “Looper”, co-starring Joseph Gordon Levitt. Most Recently, he appeared on Broadway in Stephen King’s Misery.
Performances of MUST are from October 30th through November 19th. Opening night is Monday, November 6th at 7PM.
Tickets are $45 to $65. View full performance schedule and purchase tickets at https://web.ovationtix.com/trs/pr/979546.
In the New Mexican desert, on the night before his murder, Billy the Kid is restless and alone. As he reflects on the relationships that have informed his life, he conjures his mother, his lover, Sheriff Pat Garrett and the man he thinks might be his father. Through memories, visions and feverish dreams, he confronts each of them. As he gains real insight into their lives and struggles, he discovers how he went from being a normal kid in New York City to being the notorious gunfighter Billy The Kid. At sunrise, he MUST face Garrett with this newfound understanding of life, purpose and infamy.
“I’m quite excited to get behind Cissel’s new play MUST,” says Mr. Willis. “It looks at Billy the Kid through a unique eye. It’s a character study, with the exhilarating landscape of New Mexico as a backdrop.”
Director Gabriel Vega Weissman elaborates that “MUST is a play about human nature, mortality, fate and purpose. I think Charles has written a play that speaks to some of our deepest fears. He navigates this story of Billy the Kid one of American history’s most notorious figures, with gestures to Cormac McCarthy, playwrights such as Shepard, Beckett and Lorca and the feeling of a classic western like High Noon or The Searchers. The play is matched with an extraordinary cast and design team. We can’t wait to bring it to New York audiences.”
The cast of MUST features Brendan Dooling (TV’s The Carrie Diaries) as Billy The Kid, John Clarence Stewart (TV’s Gotham & Netflix’s Luke Cage), Meredith Antoian (TV’s Younger and & Here We Wait), Mark Elliot Wilson (We Need To Talk About Kevin) and Sally Ann Triplett (Finding Neverland, The Last Ship, Carrie on Broadway). Casting is by Chad Eric Murnane, CSA.
Charles Cissel (Playwright) has had six plays produced in New York City: WALLOP, Organic Shrapnel, God Steeling, Home Sweet Home/Crack, Rosa Rugosa/Touch Me and Splatter. As an actor he has been in three Tennessee Williams, three Greek Tragedies, two Albees, one Odets, one O'Neill and one Shakespeare.
Gabriel Vega Weissman (Director) is a Brooklyn based director and playwright. He has directed and developed work with the Williamstown Theatre Festival, Bucks County Playhouse, Hangar Theatre, National Black Theatre, NYMF, University of Scranton, New York City Children’s Theatre and Edinburgh Festival Fringe among others. Associate directing credits include Broadway productions of Long Day’s Journey Into Night, China Doll, and The Winslow Boy. He is an alum of the Drama League Director’s Project, Lincoln Center Directors Lab and Manhattan Theatre Club Directing Fellowship. Gabriel has written several plays with Brian Reno, including their collection of shorts, Loose Canon, which premiered at the Scranton Shakespeare Festival and played sold out runs at the New York City International Fringe Festival and SoHo Playhouse. Loose Canon won the Fringe Festival’s TheatreMania Audience Choice Favorite Award is now licensed by Dramatists Play Service.
MUST features scenic design by Alexander Woodward, lighting design by Zach Blane, costume design by Brooke Cohen Brown and sound design by Emma Wilk.
Bruce Willis (Producer) has demonstrated incredible versatility in a career that has included such diverse characterizations as the prizefighter in Quentin Tarantino's “Pulp Fiction” (1994 Palme D'Or winner at Cannes), the philandering contractor in Robert Benton's “Nobody's Fool”, the heroic time traveler in Terry Gilliam's “12 Monkeys”, the traumatized Vietnam veteran in Norman Jewison's “In Country”, the compassionate child psychologist in M. Night Shyamalan's Oscar®-nominated “The Sixth Sense” (for which he won the People's Choice Award) and his signature role, Detective John McClane, in the “Die Hard” pentalogy. Following studies at Montclair State College's prestigious theater program, the New Jersey native honed his craft in several stage plays and countless television commercials, before landing the leading role in Sam Shepard's 1984 stage drama “Fool for Love”, a run which lasted for 100 performances off-Broadway. Willis next won international stardom and several acting awards, including Emmy® and Golden Globe® honors, for his starring role as private eye David Addison on the hit television series "Moonlighting," winning the role over 3,000 other contenders. At the same time, he made his motion picture debut opposite Kim Basinger in Blake Edwards' romantic comedy “Blind Date.” In 1988, he originated the role of John McClane in the blockbuster film, “Die Hard”, one of the highest-grossing releases of that year. He later reprised the character in four sequels: “Die Hard: Die Harder (1990)”, “Die Hard: With A Vengeance” (1995's global box-office champ), “Live Free, Die Hard” (one of the box-office hits of summer 2007) and “A Good Day To Die Hard” (2013). His wide array of film roles includes collaborations with such respected filmmakers as Michael Bay (Armageddon), M. Night Shyamalan (The Sixth Sense, Unbreakable), Alan Rudolph (Mortal Thoughts, Breakfast of Champions), Walter Hill(Last Man Standing), Robert Benton (Billy Bathgate, Nobody's Fool), Rob Reiner (The Story of Us), Edward Zwick (The Siege), Luc Besson (The Fifth Element), Barry Levinson(Bandits, What Just Happened), Robert Zemeckis (Death Becomes Her) and Robert Rodriguez (Sin City, Grind House). Other motion picture credits include “Red”, “The Jackal”, “Mercury Rising”, “Hart's War”, “The Whole Nine Yards” (and its sequel The Whole Ten Yards), “The Kid”, “Tears of the Sun”, “Hostage”, “16 Blocks”, “Alpha Dog”, “Lucky Number Slevin” and “Perfect Stranger”. He also voiced the character of the wise-cracking infant, Mikey, in “Look Who's Talking” and “Look Who's Talking Too” as well as the lead characters RJ & Spike in the animated hit features “Over the Hedge” and “Rugrats Go Wild!” In 2012, Willis successfully added to his credits, two critically acclaimed films: director Wes Anderson's “Moonrise Kingdom”, for which Willis and the film received Independent Film Award nominations, and director Rian Johnson's sci-fi thriller “Looper”, co-starring Joseph Gordon Levitt. Most Recently, he appeared on Broadway in Stephen King’s Misery.
Performances of MUST are from October 30th through November 19th. Opening night is Monday, November 6th at 7PM.
Tickets are $45 to $65. View full performance schedule and purchase tickets at https://web.ovationtix.com/trs/pr/979546.
Conrad Fischer and The Angle Project are pleased to announce the world premiere of LOST AND GUIDED, written and directed by Irene Kapustina. LOST AND GUIDED will play a four-week limited engagement Thu, Aug 3rd at 7:00pm through Sun, Aug 27th at 7:00pm at Under St. Marks (94 St. Marks Place, New York, NY 10009). Opening Night is Sat, Aug 5th at 7:00pm. Tickets are $20 ($25 at the door) and are available at www.lostandguided.com or by calling 800-901-7173.
Critics are cordially invited Fri, Aug 4th at 7:00pm, and Opening Night Sat, Aug 5th at 7:00pm
(and any subsequent performances).
The lives of four young Syrians are changed forever after anti-government protests transpire in the city of Daraa. Throughout the next six years, each of them is forced to undergo a unique and heroic journey, while the turmoil in their country erupts into a full-fledged civil war. From the Middle East to the streets of New Orleans, Lost and Guided is a universal story of love, friendship, and the struggle for happiness. Based on transcripts from writer-director Irene Kapustina’s interviews with Syrian refugees living in the US.
Starring Doga Celik, Susan Cohen Destefano, Mischa Ipp, Alex Kattan, Mouna R’Miki, Shayan Sobhian, and Jarrod Zayas.
Featuring scenic design, costume, and lighting design by Wesley Cornwell, sound design by Adam Cuthbért, and digital design by Tasha A.F. Lemley. Sabrina Morabito is the stage manager, Alex Kattan is the assistant director, and Isabel Moore is the production assistant.
Lost and Guided plays the following schedule through August 27th:
Thursdays at 7pm
Fridays at 7pm
Saturdays at 7pm
Sundays at 7pm
Tickets are $20 ($25 at the door) and are now available online at www.lostandguided.com or by calling 800-901-7173. Tickets may also be purchased in-person at the theater ½ hour prior to performances.
Running Time: 90 minutes
Direct link to purchase tickets: https://www.lostandguided.com/dates/
Media Kit
Critics are cordially invited Fri, Aug 4th at 7:00pm, and Opening Night Sat, Aug 5th at 7:00pm
(and any subsequent performances).
The lives of four young Syrians are changed forever after anti-government protests transpire in the city of Daraa. Throughout the next six years, each of them is forced to undergo a unique and heroic journey, while the turmoil in their country erupts into a full-fledged civil war. From the Middle East to the streets of New Orleans, Lost and Guided is a universal story of love, friendship, and the struggle for happiness. Based on transcripts from writer-director Irene Kapustina’s interviews with Syrian refugees living in the US.
Starring Doga Celik, Susan Cohen Destefano, Mischa Ipp, Alex Kattan, Mouna R’Miki, Shayan Sobhian, and Jarrod Zayas.
Featuring scenic design, costume, and lighting design by Wesley Cornwell, sound design by Adam Cuthbért, and digital design by Tasha A.F. Lemley. Sabrina Morabito is the stage manager, Alex Kattan is the assistant director, and Isabel Moore is the production assistant.
Lost and Guided plays the following schedule through August 27th:
Thursdays at 7pm
Fridays at 7pm
Saturdays at 7pm
Sundays at 7pm
Tickets are $20 ($25 at the door) and are now available online at www.lostandguided.com or by calling 800-901-7173. Tickets may also be purchased in-person at the theater ½ hour prior to performances.
Running Time: 90 minutes
Direct link to purchase tickets: https://www.lostandguided.com/dates/
Media Kit
Dark Prophet Productions in association with Broadway Bound Theatre Festival are pleased to announce the world premiere of CONVICTED, written and directed by Riley Thomas (Stuck, Wearing Black). CONVICTED will play Fri, Aug 4th at 12:30pm, Fri, Aug 11th at 7:30pm, and Mon, Aug 14th at 4:00pm, at The Theater at the 14th Street Y (344 East 14th Street at 1st Avenue, New York, NY 10003). Tickets are $25 ($30 at the door) and are available at www.broadwayboundfestival.com or by calling 646-395-4310.
“Convicted plays like an LGBTQ Law & Order episode. It's a call to action to the LGBTQ community to challenge us to do more to connect with the people who don't believe in gay rights.” -- shares playwright and director Riley Thomas -- “I was really interested in writing a play that expanded what we usually see from gay characters. This show necessitates most of the characters being gay, but it's not about romance or angst or coming out. I wanted to write about issues that matter to the community, that unite us, that challenge us and that represent us more fully.”
After discovering one of her subordinates has been accused of a brutal murder, Amy, the local director of an LGBT advocacy organization, must help the detectives piece together what happened. As the circumstances start to unravel, one question left to answer is how far should someone go for what they believe?
Starring Dylan Boyd* (Bway: Finding Neverland), Nandita Chandra (Film/TV: Falling Water, The Leftovers), David M. Farrington, Jennifer Knox* (Film/TV: The Dark Knight), Lacretta* (Bway: Disaster! Tour; The Book of Mormon), Steven Maier (Film/TV: Falling Water, Billions), Rachel Kara Pérez* (Latin Grammy Nominee), Sabina Petra* (Tour: Beauty and the Beast).
CONVICTED plays the following three performances:
Friday, August 4th at 12:30pm
Friday, August 11th at 7:30pm
Monday, August 14th at 4:00pm
Tickets are $25 ($30 at the door) and are available at www.broadwayboundfestival.com or by calling 646-395-4310. Tickets may also be purchased in-person at the theater ½ hour prior to performances.
Running Time: 90 minutes
Direct link to purchase tickets: https://14streety.secure.force.com/ticket#details_a0S36000003FI2JEAW
“Convicted plays like an LGBTQ Law & Order episode. It's a call to action to the LGBTQ community to challenge us to do more to connect with the people who don't believe in gay rights.” -- shares playwright and director Riley Thomas -- “I was really interested in writing a play that expanded what we usually see from gay characters. This show necessitates most of the characters being gay, but it's not about romance or angst or coming out. I wanted to write about issues that matter to the community, that unite us, that challenge us and that represent us more fully.”
After discovering one of her subordinates has been accused of a brutal murder, Amy, the local director of an LGBT advocacy organization, must help the detectives piece together what happened. As the circumstances start to unravel, one question left to answer is how far should someone go for what they believe?
Starring Dylan Boyd* (Bway: Finding Neverland), Nandita Chandra (Film/TV: Falling Water, The Leftovers), David M. Farrington, Jennifer Knox* (Film/TV: The Dark Knight), Lacretta* (Bway: Disaster! Tour; The Book of Mormon), Steven Maier (Film/TV: Falling Water, Billions), Rachel Kara Pérez* (Latin Grammy Nominee), Sabina Petra* (Tour: Beauty and the Beast).
CONVICTED plays the following three performances:
Friday, August 4th at 12:30pm
Friday, August 11th at 7:30pm
Monday, August 14th at 4:00pm
Tickets are $25 ($30 at the door) and are available at www.broadwayboundfestival.com or by calling 646-395-4310. Tickets may also be purchased in-person at the theater ½ hour prior to performances.
Running Time: 90 minutes
Direct link to purchase tickets: https://14streety.secure.force.com/ticket#details_a0S36000003FI2JEAW
BOOMERANG THEATRE COMPANY is pleased to present LOVELESS TEXAS, a new musical set during the Great Depression, inspired by Shakespeare’s Love’s Labour’s Lost, with book and direction by Cailin Heffernan, and music & lyrics by Henry Aronson. LOVELESS TEXAS will play a three-week limited engagement at The Sheen Center (18 Bleecker Street New York, NY 10012). Performances begin Wednesday , September 6th and continue through Sunday September 24th. Opening Night is Saturday, September 9th (8:00 pm). Tickets are $32 - $42 (includes $2 facility fee) at www.sheencenter.org
Press are invited Thu, Sept 7th at 8:00pm; Fri, Sept 8th at 8:00pm; and Sat, Sept 9th at 8:00 pm (Opening Night), and any subsequent performances.
Loveless Texas tells the story of two brothers in 1920 Texas… the elder is King Navarre, responsible oil man and cattle rancher, and the younger is Berowne Navarre, playboy and rascal. With the onset of the Great Depression, King enlists Berowne and his college buddies Duke and Bubba to a contract of three years employment...with the condition of no romance, no drinking, no carousing, no gambling. When four intelligent and beautiful women arrive and demand an audience, all contracts are open for re-negotiation.
Loveless Texas is a traditional book musical, with a score in a variety of traditional Americana styles, encompassing Texas swing, bluegrass, blues, Cajun waltz and two-step, and cowboy yodels. It is a fun, joyous, affirmative celebration of the power of love.
Cast will be announced at a later date. The production features set design by Evan Hill, costume design by Cheryl McCarron, lighting design by Michael O’Connor, sound design by Ian Wehrle. Character movement by Dan Renkin, and Theresa McElwee is the vocal coach.
Loveless Texas plays the following performances through Sunday, September 24th:
Thu, Sept 7th at 8:00 pm
Fri, Sept 8th at 8:00 pm
Saturday, Sept 9th at 8:00 pm
Friday, Sept 10th at 2:30pm and 7:00 pm
Tue, Sept 12th at 8:00 pm
Wed, Sept 13th at 8:00 pm
Thu, Sept 14th at 8:00 pm
Fri, Sept 15th at 8:00 pm
Sat, Sept 16th at 2:30 pm and 8:00 pm
Sun, Sept 17th at 2:30 pm and 7:00 pm
Tue, Sept 19th at 8:00 pm
Wed, Sept 20th at 8:00 pm
Thu, Sept 21th at 8:00 pm
Fri, Sept 22dn at 8:00 pm
Sat, Sept 23rd at 2:30pm and 8:00 pm
Sun, Sept 24th at 2:30pm
Tickets are $32 - $42 (includes $2 facility fee) and are now available online at www.sheencenter.org. Tickets may also be purchased in-person at the theater ½ hour prior to performance.
Running Time: 2 hours and 20 minutes with one intermission.
Website for Tickets: https://sheencenter.org/shows/loveless/
Company Website: https://www.boomerangtheatre.org/
MEDIA KIT
Press are invited Thu, Sept 7th at 8:00pm; Fri, Sept 8th at 8:00pm; and Sat, Sept 9th at 8:00 pm (Opening Night), and any subsequent performances.
Loveless Texas tells the story of two brothers in 1920 Texas… the elder is King Navarre, responsible oil man and cattle rancher, and the younger is Berowne Navarre, playboy and rascal. With the onset of the Great Depression, King enlists Berowne and his college buddies Duke and Bubba to a contract of three years employment...with the condition of no romance, no drinking, no carousing, no gambling. When four intelligent and beautiful women arrive and demand an audience, all contracts are open for re-negotiation.
Loveless Texas is a traditional book musical, with a score in a variety of traditional Americana styles, encompassing Texas swing, bluegrass, blues, Cajun waltz and two-step, and cowboy yodels. It is a fun, joyous, affirmative celebration of the power of love.
Cast will be announced at a later date. The production features set design by Evan Hill, costume design by Cheryl McCarron, lighting design by Michael O’Connor, sound design by Ian Wehrle. Character movement by Dan Renkin, and Theresa McElwee is the vocal coach.
Loveless Texas plays the following performances through Sunday, September 24th:
Thu, Sept 7th at 8:00 pm
Fri, Sept 8th at 8:00 pm
Saturday, Sept 9th at 8:00 pm
Friday, Sept 10th at 2:30pm and 7:00 pm
Tue, Sept 12th at 8:00 pm
Wed, Sept 13th at 8:00 pm
Thu, Sept 14th at 8:00 pm
Fri, Sept 15th at 8:00 pm
Sat, Sept 16th at 2:30 pm and 8:00 pm
Sun, Sept 17th at 2:30 pm and 7:00 pm
Tue, Sept 19th at 8:00 pm
Wed, Sept 20th at 8:00 pm
Thu, Sept 21th at 8:00 pm
Fri, Sept 22dn at 8:00 pm
Sat, Sept 23rd at 2:30pm and 8:00 pm
Sun, Sept 24th at 2:30pm
Tickets are $32 - $42 (includes $2 facility fee) and are now available online at www.sheencenter.org. Tickets may also be purchased in-person at the theater ½ hour prior to performance.
Running Time: 2 hours and 20 minutes with one intermission.
Website for Tickets: https://sheencenter.org/shows/loveless/
Company Website: https://www.boomerangtheatre.org/
MEDIA KIT
LITTLE SHADOW PRODUCTIONS, in association with HERE, proudly presents THE FLATIRON HEX, co-written and performed by James Godwin (Henson Alternative's Off-Broadway’s Stuffed and Unstrung), co-written and directed by Tom Burnett (Uncle Jimmy’s Dirty Basement). The four-week limited engagement will be at HERE in the Dorothy B. Williams Theater, located at 145 6th Ave. (enter on Dominick, 1 Block South of Spring), as part of the SubletSeries@HERE, a curated rental program, which provides artists with subsidized space and equipment, as well as, technical support. Performances begin Thursday, September 7th and continue through Saturday, September 30, 2017. For Tickets and Information: visit here.org or call 212-352-3101.
Critics are cordially invited Thu, Sept 7th at 7pm, Fri, Sept 8th at 7pm, Fri, Sept 8th at 10:30pm, and the Press Opening Night performance on Sat, Sept 9th at 7pm
(and any subsequent performance upon request).
Inspired by speculative fiction and neo-noir, The Flatiron Hex is peek inside a parallel world infected with intelligent viruses and paranoia. Set in NYORG, a city in the middle of a swamp, and told through puppets, the The Flatiron Hex is the story of Wylie Walker, a contract shaman, who uses his unusual talents to troubleshoot and maintain NYORG’s interweb biotechnology.
Elements of the fantastic collide with the everyday to become evocative of a magical reality. Due to the haunted land and sentient mainframes, Wylie faces many occult adversaries. Storms constantly threaten to destroy NYORG, but a secret feature of the Flatiron building keeps the storms at bay, as long as the cloud-code is cracked and the correct ritual procedure is followed. Resulting in a blood-soaked comedic quest of redemption and sacrifice.
Featuring lighting design by Jay Ryan, sound design by Tom Burnett, and puppet design by James Godwin. Ceili Clemens is the production stage manager, and Jean Marie Keevins is the producer.
FLATIRON HEX plays the following schedule through Sat, September 30th:
Tuesdays at 7 pm
Wednesdays at 7 pm
Fridays at 7 pm and 10:30 pm
Saturdays at 7pm
Tickets are $25: visit here.org or call 212-352-3101.
HERE is located at 145 6th Avenue (enter on Dominick, 1 Block South of Spring), New York, NY 10013
Suitable for ages 15 and up.
Running Time: 80 minutes
Direct link to purchase tickets: here.org/shows/detail/1940/
Show website: www.theflatironhex.com
Producing company website: www.littleshadowproductions.com
Online Media Kit
The Flatiron Hex is playing in repertory with The Joshua Show: Episode 2 also presented by Little Shadow Productions in association with HERE, as part of the SubletSeries@HERE. To learn more visit here.org/shows/detail/1939/
Critics are cordially invited Thu, Sept 7th at 7pm, Fri, Sept 8th at 7pm, Fri, Sept 8th at 10:30pm, and the Press Opening Night performance on Sat, Sept 9th at 7pm
(and any subsequent performance upon request).
Inspired by speculative fiction and neo-noir, The Flatiron Hex is peek inside a parallel world infected with intelligent viruses and paranoia. Set in NYORG, a city in the middle of a swamp, and told through puppets, the The Flatiron Hex is the story of Wylie Walker, a contract shaman, who uses his unusual talents to troubleshoot and maintain NYORG’s interweb biotechnology.
Elements of the fantastic collide with the everyday to become evocative of a magical reality. Due to the haunted land and sentient mainframes, Wylie faces many occult adversaries. Storms constantly threaten to destroy NYORG, but a secret feature of the Flatiron building keeps the storms at bay, as long as the cloud-code is cracked and the correct ritual procedure is followed. Resulting in a blood-soaked comedic quest of redemption and sacrifice.
Featuring lighting design by Jay Ryan, sound design by Tom Burnett, and puppet design by James Godwin. Ceili Clemens is the production stage manager, and Jean Marie Keevins is the producer.
FLATIRON HEX plays the following schedule through Sat, September 30th:
Tuesdays at 7 pm
Wednesdays at 7 pm
Fridays at 7 pm and 10:30 pm
Saturdays at 7pm
Tickets are $25: visit here.org or call 212-352-3101.
HERE is located at 145 6th Avenue (enter on Dominick, 1 Block South of Spring), New York, NY 10013
Suitable for ages 15 and up.
Running Time: 80 minutes
Direct link to purchase tickets: here.org/shows/detail/1940/
Show website: www.theflatironhex.com
Producing company website: www.littleshadowproductions.com
Online Media Kit
The Flatiron Hex is playing in repertory with The Joshua Show: Episode 2 also presented by Little Shadow Productions in association with HERE, as part of the SubletSeries@HERE. To learn more visit here.org/shows/detail/1939/
GEORAMA: AN AMERICAN PANORAMA TOLD ON 3 MILES OF CANVAS, as an official selection of the 2017 New York Musical Festival, is pleased to announce the New York premiere production of GEORAMA, music and lyrics by Matt Schatz & Jack Herrick, musical direction by Jacob Yates, and directed by book writer West Hyler. GEORAMA will play a limited engagement at Off-Broadway’s Peter Jay Sharp Theater at Playwrights Horizon (416 West 42nd Street, NYC). Performances begin Wednesday, August 2 and continue through Sunday, August 6.
In the 1850s John Banvard did more to elevate fine arts than any single American artist before him. Banvard was the most famous living painter in the world and the first millionaire artist, world-renowned for his three-mile long moving panorama celebrating the majesty of the Mighty Mississippi. Today an examination of reference books will not turn up a single mention of his name. John Banvard, the greatest artist of his time, has been utterly obliterated by history. This musical tells his story.
The production stars Randy Blair* (Original Hipolito/Elton John in Broadway’s Amelie) as Taylor, P.J. Griffith* (American Idiot, Mamma Mia, We Will Rock You) as John Banvard, Jillian Louis* (It Shoulda Been You, Cheers, Flambe Dreams) as Elizabeth, Ana Marcu (90201; The Musical) as Musician 2, and Jacob Yates (Georama, Dreamgirls) as Musician 1. More actors to be announced. *Performing courtesy of Actors’ Equity Association.
The production features projection design by Jason Thompson, costume design by Whitney Locher, and lighting design by Ann Wrightson. Lisa Klages* is the production stage manager. Mark McDaniels is the General Manager, Ulmer Theatricals is the Management Supervisor, Hannah Lang is the Company Manager, Amanda Connor is the Assistant Director and Katie Rosin/Kampfire PR is doing the publicity.
GEORAMA plays the following schedule:
Tickets are $27.50 and are now available online at www.nymf.org or by calling 212-352-3101. Tickets may also be purchased in-person at theater ½ hour prior to performance
Running Time: 85 minutes
Website: http://www.georamamusical.com
http://www.nymf.org/festival/2017-events/georama-american-panorama-told-3-miles-canvas
VIDEOS
https://www.youtube.com/watch?v=i3TZkh2g_rw
https://www.youtube.com/watch?v=VzMLfdVz8EQ
https://www.youtube.com/watch?v=wdxZS9YAaYE
In the 1850s John Banvard did more to elevate fine arts than any single American artist before him. Banvard was the most famous living painter in the world and the first millionaire artist, world-renowned for his three-mile long moving panorama celebrating the majesty of the Mighty Mississippi. Today an examination of reference books will not turn up a single mention of his name. John Banvard, the greatest artist of his time, has been utterly obliterated by history. This musical tells his story.
The production stars Randy Blair* (Original Hipolito/Elton John in Broadway’s Amelie) as Taylor, P.J. Griffith* (American Idiot, Mamma Mia, We Will Rock You) as John Banvard, Jillian Louis* (It Shoulda Been You, Cheers, Flambe Dreams) as Elizabeth, Ana Marcu (90201; The Musical) as Musician 2, and Jacob Yates (Georama, Dreamgirls) as Musician 1. More actors to be announced. *Performing courtesy of Actors’ Equity Association.
The production features projection design by Jason Thompson, costume design by Whitney Locher, and lighting design by Ann Wrightson. Lisa Klages* is the production stage manager. Mark McDaniels is the General Manager, Ulmer Theatricals is the Management Supervisor, Hannah Lang is the Company Manager, Amanda Connor is the Assistant Director and Katie Rosin/Kampfire PR is doing the publicity.
GEORAMA plays the following schedule:
- Wednesday, August 2, 2017 at 8:00 pm
- Friday, August 4, 2017 at 2:00 pm
- Friday, August 4, 2017 at 5:30 pm
- Saturday, August 5, 2017 at 9:00 pm
- Sunday, August 6, 2017 at 5:30 pm
Tickets are $27.50 and are now available online at www.nymf.org or by calling 212-352-3101. Tickets may also be purchased in-person at theater ½ hour prior to performance
Running Time: 85 minutes
Website: http://www.georamamusical.com
http://www.nymf.org/festival/2017-events/georama-american-panorama-told-3-miles-canvas
VIDEOS
https://www.youtube.com/watch?v=i3TZkh2g_rw
https://www.youtube.com/watch?v=VzMLfdVz8EQ
https://www.youtube.com/watch?v=wdxZS9YAaYE
CLUTCH PRODUCTIONS, in association with JOSIAH GRIMM, is pleased to announce the world premiere production of Maggie Moore and Julia Sears’ BULLET CATCHERS, with music directed by Yeujia Low, directed by Julia Sears. BULLET CATCHERS will play a limited engagement at Off-Broadway’s Judson Memorial Church (55 Washington Square Park South). Performances begin Thursday, July 20 (7:30 p.m.) and continue through Saturday, August 5. Opening Night is Saturday, July 22 (7 p.m.). Tickets are $20 at www.bulletcatcherstheplay.com/tickets. Press are invited July 20, 21, 22 and any subsequent performance.
A 'bullet catcher' is Army slang for an infantryman. They live and die on the frontlines and carry this nickname like a badge of honor. It’s a sacrifice that few are willing to make. The honorable men who volunteer for this service don’t take it lightly. Neither do the women.
Set in the not too distant future, BULLET CATCHERS follows the first official mixed gender infantry unit in the U.S. Army, from training to deployment. In the throes of war, they must face what it means to be a soldier, a unit, and a part of history. Told in part through dance, music, and poetry, BULLET CATCHERS is a new, collaboratively written play based on interviews with current service members and veterans, as well as members of our own ensemble.
All the stars of the production have been involved with the creation of the piece and are credited as co-writers, additionally those marked with an M are military veterans. The production stars Adrienne BrammerM (Blueprint Specials at Intrepid Sea, Air & Space Museum; Our Trojan War at BAM) as Sergeant Kalli Kovas/Co-writer/Veteran Liaison, Rebecca Hirota* (Vietgone at Manhattan Theatre Club; Romeo & Juliet at Classic Stage Company) as Sergeant Athena Pajau Yan Kostopolis /Co-writer, Sandra W. LeeM (The Home Show at Lincoln Center; Interabang at Ars Nova) as ATÉ/ Co-writer, Jay Myers* (Comedy of Errors, Twelfth Night at Seattle Shakespeare Company; Waiting for Godot at Arts on the Waterfront) as Specialist Richard Lampido /Co-writer, Victoria Nassif* (Measure for Measure at New York Classical Theatre; Artaud Artaud at New Works at Signature; Much Ado About Nothing at Shakespeare Theatre of New Jersey) as Lieutenant Anouk Eshara /Co-Writer, Jessica Vera* (The Gruesomely Merry Adventures of Nell Dash at Hudson Guild; Artaud Artaud at New Works at Signature) as Lieutenant Colonel Maya De Los Santos/Co-writer, Emma Walton (Wives Tale at Exquisite Corpse Company; Bathroom Etiquette at Manhattan Theater Club) as Private First Class Joan Boudica/Co-writer, and Damion WilliamsM (Blueprint Specials at The Public Theater) as Private First Class Reo/Co-writer.
The production features lighting design by Kelley Shih. Almeda Beynon is the sound designer and Phillip Rudy* is the production stage manager.
BULLET CATCHERS plays the following regular schedule through Saturday, August 5:
Thursday, July 20 @ 7:30pm
Friday, July 21 @ 7:00pm
Saturday, July 22 @ 7:00pm
Sunday, July 23 @ 7:00pm
Tuesday, July 25 @ 7:30pm
Wednesday, July 26 @ 7:30pm
Thursday, July 27 @ 7:30pm
Friday, July 28 @ 8:00pm
Saturday, July 29 @ 8:00pm
Sunday, July 30 @ 3:00pm
Thursday, August 3 @ 7:30pm
Friday, August 4 @ 8:00pm
Saturday, August 5 @ 2:00pm and 7:00pm
Tickets are $20 and are now available online at www.bulletcatcherstheplay.com/tickets. Tickets may also be purchased in-person at the theater ½ hour prior to performance.
Running Time: 100 minutes
Website: www.clutchproductions.org
www.bulletcatcherstheplay.com
A 'bullet catcher' is Army slang for an infantryman. They live and die on the frontlines and carry this nickname like a badge of honor. It’s a sacrifice that few are willing to make. The honorable men who volunteer for this service don’t take it lightly. Neither do the women.
Set in the not too distant future, BULLET CATCHERS follows the first official mixed gender infantry unit in the U.S. Army, from training to deployment. In the throes of war, they must face what it means to be a soldier, a unit, and a part of history. Told in part through dance, music, and poetry, BULLET CATCHERS is a new, collaboratively written play based on interviews with current service members and veterans, as well as members of our own ensemble.
All the stars of the production have been involved with the creation of the piece and are credited as co-writers, additionally those marked with an M are military veterans. The production stars Adrienne BrammerM (Blueprint Specials at Intrepid Sea, Air & Space Museum; Our Trojan War at BAM) as Sergeant Kalli Kovas/Co-writer/Veteran Liaison, Rebecca Hirota* (Vietgone at Manhattan Theatre Club; Romeo & Juliet at Classic Stage Company) as Sergeant Athena Pajau Yan Kostopolis /Co-writer, Sandra W. LeeM (The Home Show at Lincoln Center; Interabang at Ars Nova) as ATÉ/ Co-writer, Jay Myers* (Comedy of Errors, Twelfth Night at Seattle Shakespeare Company; Waiting for Godot at Arts on the Waterfront) as Specialist Richard Lampido /Co-writer, Victoria Nassif* (Measure for Measure at New York Classical Theatre; Artaud Artaud at New Works at Signature; Much Ado About Nothing at Shakespeare Theatre of New Jersey) as Lieutenant Anouk Eshara /Co-Writer, Jessica Vera* (The Gruesomely Merry Adventures of Nell Dash at Hudson Guild; Artaud Artaud at New Works at Signature) as Lieutenant Colonel Maya De Los Santos/Co-writer, Emma Walton (Wives Tale at Exquisite Corpse Company; Bathroom Etiquette at Manhattan Theater Club) as Private First Class Joan Boudica/Co-writer, and Damion WilliamsM (Blueprint Specials at The Public Theater) as Private First Class Reo/Co-writer.
The production features lighting design by Kelley Shih. Almeda Beynon is the sound designer and Phillip Rudy* is the production stage manager.
BULLET CATCHERS plays the following regular schedule through Saturday, August 5:
Thursday, July 20 @ 7:30pm
Friday, July 21 @ 7:00pm
Saturday, July 22 @ 7:00pm
Sunday, July 23 @ 7:00pm
Tuesday, July 25 @ 7:30pm
Wednesday, July 26 @ 7:30pm
Thursday, July 27 @ 7:30pm
Friday, July 28 @ 8:00pm
Saturday, July 29 @ 8:00pm
Sunday, July 30 @ 3:00pm
Thursday, August 3 @ 7:30pm
Friday, August 4 @ 8:00pm
Saturday, August 5 @ 2:00pm and 7:00pm
Tickets are $20 and are now available online at www.bulletcatcherstheplay.com/tickets. Tickets may also be purchased in-person at the theater ½ hour prior to performance.
Running Time: 100 minutes
Website: www.clutchproductions.org
www.bulletcatcherstheplay.com
MULTISTAGES, in association with Dr. Judy Kuriansky and Jane Velez-Mitchell, is pleased to announce the award-winning musical, TEMPLE OF THE SOULS, co-written by poet Anita Velez-Mitchell, platinum-winning composers Dean Landon and Anika Paris, and MultiStages Artistic Director Lorca Peress. Peress will also direct, with musical direction by Bruce Baumer, choreography by Enrique Brown, and visual design by Obie-winner Jan Hartley. TEMPLE OF THE SOULS will play a limited engagement as part of the New York Musical Festival at Off-Broadway’s The Acorn Theatre at Theatre Row (410 W. 42nd St., NY, NY 10036). Performances begin Wednesday, July 19 and continue until Sunday, July 23. Press are invited to all performances.
TEMPLE OF THE SOULS is a time-traveling love story set in the mystical El Yunque rain forest, caves, and valleys of Puerto Rico. We open on a present-day tour through an ancient cave known to be inhabited by Taíno Souls, the indigenous people who once ruled the island. Two tourists become entranced by a Taíno cave drawing of legendary lovers, and are magically transported back in time to the 16th Century as the lovers, Guario, a young Taíno runaway, and Amada, the daughter of a Conquistador. They meet by chance during the raucous San Juan Bautista Fiesta, but their union is thwarted by the intolerant world around them. To escape, they run to the Temple of the Souls where nightmares and dreams come true. With a forbidden love that is stronger than death and the blending of two worlds, they change the face of Puerto Rico forever.
The production features Noellia Hernandez* and Andres Quintero* as Amada and Guario; Danny Bolero* (Joseph and The Amazing… (1993 Revival), In The Heights) as Conquistador Don Severo, Lorraine Velez* (Broadway Mimi in Rent, revival of Dreamgirls) as the Taino Nana; Jacob Gutierrez* (Light in the Piazza, Aladdin) as Nemesio; Ensemble: Ari Aaron* Jorge Enrique Barranco* Theresa Burns* Catalina Gaglioti, Val Nuccio, Isabel Plana, Miguel A. Sierra* and Robert Zelaya* (Nat’l Tour Kinky Boots).
The production is executive produced by Dr. Judy Kuriansky, associate produced by Jane Velez-Mitchell and features scenic design by Jennifer Varbalow, projection design by Jan Hartley, mask design by Marla Speer, costume design by Lisa Renee Jordan, and lighting design by Jason Fok. Kenneth Goodwin is the sound designer and C. Renee Alexander is the AEA stage manager.
TEMPLE OF THE SOULS plays the following schedule:
Tickets are $27.50 and are now available online at www.nymf.org or by calling 212-352-3101. Tickets may also be purchased in-person at theater one hour prior to performance
Running Time: 110 minutes
Website: nymf.org/templeofthesouls
www.multistages.org
www.templeofthesouls.com
TEMPLE OF THE SOULS is a time-traveling love story set in the mystical El Yunque rain forest, caves, and valleys of Puerto Rico. We open on a present-day tour through an ancient cave known to be inhabited by Taíno Souls, the indigenous people who once ruled the island. Two tourists become entranced by a Taíno cave drawing of legendary lovers, and are magically transported back in time to the 16th Century as the lovers, Guario, a young Taíno runaway, and Amada, the daughter of a Conquistador. They meet by chance during the raucous San Juan Bautista Fiesta, but their union is thwarted by the intolerant world around them. To escape, they run to the Temple of the Souls where nightmares and dreams come true. With a forbidden love that is stronger than death and the blending of two worlds, they change the face of Puerto Rico forever.
The production features Noellia Hernandez* and Andres Quintero* as Amada and Guario; Danny Bolero* (Joseph and The Amazing… (1993 Revival), In The Heights) as Conquistador Don Severo, Lorraine Velez* (Broadway Mimi in Rent, revival of Dreamgirls) as the Taino Nana; Jacob Gutierrez* (Light in the Piazza, Aladdin) as Nemesio; Ensemble: Ari Aaron* Jorge Enrique Barranco* Theresa Burns* Catalina Gaglioti, Val Nuccio, Isabel Plana, Miguel A. Sierra* and Robert Zelaya* (Nat’l Tour Kinky Boots).
The production is executive produced by Dr. Judy Kuriansky, associate produced by Jane Velez-Mitchell and features scenic design by Jennifer Varbalow, projection design by Jan Hartley, mask design by Marla Speer, costume design by Lisa Renee Jordan, and lighting design by Jason Fok. Kenneth Goodwin is the sound designer and C. Renee Alexander is the AEA stage manager.
TEMPLE OF THE SOULS plays the following schedule:
- Wednesday, July 19, 2017 at 8:00 pm
- Thursday, July 20, 2017 at 5:00 pm
- Friday, July 21, 2017 at 1:00 pm
- Saturday, July 22, 2017 at 9:00 pm
- Sunday, July 23, 2017 at 5:00 pm
Tickets are $27.50 and are now available online at www.nymf.org or by calling 212-352-3101. Tickets may also be purchased in-person at theater one hour prior to performance
Running Time: 110 minutes
Website: nymf.org/templeofthesouls
www.multistages.org
www.templeofthesouls.com
MAGIC VENTURES LLC, in association with the New York Musical Festival, is pleased to announce the world premiere production of new musical, NIGHT TIDE, with music by Nathania Wibowo, book & lyrics by Taylor Tash, music direction by Andy Peterson, and directed/choreographed by Luis Villabon. NIGHT TIDE will play a limited engagement as part of the New York Musical Festival at Peter Jay Sharp Theater (416 West 42nd Street). Performances begin Monday, July 17 and continue through Saturday, July 22. Press are invited to all performances, starting July 20.
Inspired by the B-movie of the same title, NIGHT TIDE tells the kitschy and compelling tale of Johnny Drake, a lonely naval sailor. While enjoying his first shore leave in a spooky, run-down seaside resort town, he meets Mora, a seductive and mysterious young woman who performs as a mermaid in the sideshow. Johnny immediately becomes smitten with Mora, but he soon discovers that she may actually be a real siren of the sea, and she may have lured her previous boyfriends to their watery graves...
The production stars Ya Han Chang* (Off-Broadway Sayonara; Pan Asian Rep) as Rocky, Charly Dannis (Off-Broadway Fatty Fatty No Friends; Mind The Art/54 Below) as Ellen, Patrick Dunn* (Nat’l Tour Waitress, Graceland’s #3 Elvis Impersonator) as Johnny, Rebecca Hoodwin* (Broadway The Pajama Game) as Madam Romanovitch, Tara Martinez (Off-Broadway Travis Tanner the Musical; Soho Playhouse) as Mora, Rick Roemer* (Nat’l Tour Shenandoah) as Captain Murdock, Josh Sassanella* (Broadway Rock of Ages and Spider Man) as Odd Sam, and Kissy Simmons* (Broadway The Lion King; TV: Smash, 30Rock) as Stormy.
The production features scenic design by David Starr (50Cent, Beyonce, Kevin Hart), stage effects designed by Bill Smith’s Magic Ventures (Dolly Parton, David Copperfield, Penn & Teller) costume design by Jessa-Raye Court, and lighting design by Chris Steckel. Joan Wyatt is the stage manager.
NIGHT TIDE plays the following schedule:
Tickets are $27.50 and are now available online at nymf.org/nighttide or by calling 212-352-3101. Tickets may also be purchased in-person at theater one hour prior to performance
Running Time: 105 minutes
Website: nighttidethemusical.com
Inspired by the B-movie of the same title, NIGHT TIDE tells the kitschy and compelling tale of Johnny Drake, a lonely naval sailor. While enjoying his first shore leave in a spooky, run-down seaside resort town, he meets Mora, a seductive and mysterious young woman who performs as a mermaid in the sideshow. Johnny immediately becomes smitten with Mora, but he soon discovers that she may actually be a real siren of the sea, and she may have lured her previous boyfriends to their watery graves...
The production stars Ya Han Chang* (Off-Broadway Sayonara; Pan Asian Rep) as Rocky, Charly Dannis (Off-Broadway Fatty Fatty No Friends; Mind The Art/54 Below) as Ellen, Patrick Dunn* (Nat’l Tour Waitress, Graceland’s #3 Elvis Impersonator) as Johnny, Rebecca Hoodwin* (Broadway The Pajama Game) as Madam Romanovitch, Tara Martinez (Off-Broadway Travis Tanner the Musical; Soho Playhouse) as Mora, Rick Roemer* (Nat’l Tour Shenandoah) as Captain Murdock, Josh Sassanella* (Broadway Rock of Ages and Spider Man) as Odd Sam, and Kissy Simmons* (Broadway The Lion King; TV: Smash, 30Rock) as Stormy.
The production features scenic design by David Starr (50Cent, Beyonce, Kevin Hart), stage effects designed by Bill Smith’s Magic Ventures (Dolly Parton, David Copperfield, Penn & Teller) costume design by Jessa-Raye Court, and lighting design by Chris Steckel. Joan Wyatt is the stage manager.
NIGHT TIDE plays the following schedule:
- Monday, July 17, 2017 at 8:00 pm
- Thursday, July 20, 2017 at 5:00 pm
- Friday, July 21, 2017 at 1:00 pm
- Saturday, July 22, 2017 at 5:00 pm
- Saturday, July 22, 2017 at 9:00 pm
Tickets are $27.50 and are now available online at nymf.org/nighttide or by calling 212-352-3101. Tickets may also be purchased in-person at theater one hour prior to performance
Running Time: 105 minutes
Website: nighttidethemusical.com
VIA BROOKLYN is pleased to announce the award-winning production of Patrick Barlow’s THE 39 STEPS, directed by Craig J. George. THE 39 STEPS will play a limited engagement at the Southampton Cultural Center (25 Pond Ln, Southampton, NY 11968). Performances begin Thursday, July 13 and continue through Sunday, July 30. Opening Night is Saturday, July 15 (7 p.m.).
The 39 Steps has been winning awards and entertaining audiences both on Broadway, Off-Broadway, the West End and around the world, since 2008. The play is a hilarious lampooning of Alfred Hitchcock’s classic murder mystery thriller where four actors play over 50 characters: complete with fast changes, shadow puppets, fog machines, projections, dubious accents, and swarthy mustaches.
The production stars Rafe Terrizzi* (Candide directed by Hal Prince; Lincoln Center), Hannah Tova Wolff (Women Are Crazy, Because Men are A**holes directed by Brad Gottfred; Cherry Lane), Ian Harkins* (Forever; ABC Network), and Cori Hundt* (PTP/NYC - Atlantic Stage 2).
The production features scenic and projection design by T. Paul Lowry, costume design by Glenna Ryer, and lighting design by John Salutz. Rafe Terrizzi is the sound designer and Jessi Cotter* is the stage manager.
THE 39 STEPS plays the following performances through July 30th:
July 15th at 7pm
July 17th at 7pm
July 20th at 7pm
July 21st at 7pm
July 22nd at 7pm
July 24th at 7pm
July 27th at 7pm
July 28th at 7pm
July 29th at 7pm
July 30th at 2:30pm
SPECIAL EVENTS:
July, 2nd, 2017 5pm at Southampton Arts Center: A Night of Hitchcock: A Talk, A Teaser, And A Screening of 'The 39 Steps'
July 15th, 2017 9pm Murder Mystery Opening Night Party at Veteran's Memorial Hall
Tickets are $28, students $20, and are now available online at www.viabrooklyn.org or by calling 866-811-4111. Tickets may also be purchased in-person at the Southampton Cultural Center during their office hours Monday - Saturday 11am - 2:30 pm or ½ hour prior to performance.
Running Time: 90 minutes, no intermission
Website: www.viabrooklyn.org
Media Kit
The 39 Steps has been winning awards and entertaining audiences both on Broadway, Off-Broadway, the West End and around the world, since 2008. The play is a hilarious lampooning of Alfred Hitchcock’s classic murder mystery thriller where four actors play over 50 characters: complete with fast changes, shadow puppets, fog machines, projections, dubious accents, and swarthy mustaches.
The production stars Rafe Terrizzi* (Candide directed by Hal Prince; Lincoln Center), Hannah Tova Wolff (Women Are Crazy, Because Men are A**holes directed by Brad Gottfred; Cherry Lane), Ian Harkins* (Forever; ABC Network), and Cori Hundt* (PTP/NYC - Atlantic Stage 2).
The production features scenic and projection design by T. Paul Lowry, costume design by Glenna Ryer, and lighting design by John Salutz. Rafe Terrizzi is the sound designer and Jessi Cotter* is the stage manager.
THE 39 STEPS plays the following performances through July 30th:
July 15th at 7pm
July 17th at 7pm
July 20th at 7pm
July 21st at 7pm
July 22nd at 7pm
July 24th at 7pm
July 27th at 7pm
July 28th at 7pm
July 29th at 7pm
July 30th at 2:30pm
SPECIAL EVENTS:
July, 2nd, 2017 5pm at Southampton Arts Center: A Night of Hitchcock: A Talk, A Teaser, And A Screening of 'The 39 Steps'
July 15th, 2017 9pm Murder Mystery Opening Night Party at Veteran's Memorial Hall
Tickets are $28, students $20, and are now available online at www.viabrooklyn.org or by calling 866-811-4111. Tickets may also be purchased in-person at the Southampton Cultural Center during their office hours Monday - Saturday 11am - 2:30 pm or ½ hour prior to performance.
Running Time: 90 minutes, no intermission
Website: www.viabrooklyn.org
Media Kit
EVERYTHING RHYMES WITH BLORANGE is pleased to announce the premiere of the new musical MATTHEW MCCONAUGHEY VS THE DEVIL: AN AMERICAN MYTH as an offical selection of the New York Musical Fesitval’s Next Link Project. MATTHEW MCCONAUGHEY VS THE DEVIL: AN AMERICAN MYTH with Book by Emilie Landmann & Carrie Morgan; Music by Jonathan Quesenberry; Lyrics by Carrie Morgan & Jonathan Quesenberry; Choreography by Billy Griffin; Musical Direction by Kristin Stowell; and Directed by Tom Caruso will play a limited engagement at at Off-Broadway’s Acorn Theatre at Theatre Row (410 W. 42nd St., NY, NY 10036). Performances begin Monday, July 10 and continue until Sunday, July 16. Press are invited to all performances, starting Friday July 14 at 10:30am.
MATTHEW MCCONAUGHEY VS. THE DEVIL: AN AMERICAN MYTH is a Faustian comedy that dares to ask the question, “How the hell did Matthew McConaughey win an Academy Award?”
This show recounts how the RomCom starring stoner became an A-list award winner. Matthew has a loyal agent, his best friend Woody, and his beloved bongos. Now all he needs is to be taken seriously as an actor. Enter a demon with a deal from the Devil himself. Friendship, love and loyalty are all tested in this hell-raising adventure to win Matthew the Oscar...and save his soul.
The production stars Jennifer Blood (Matilda, Gentleman’s Guide...) as Penny, Max Crumm (Disaster!, Grease) as Woody, Lesli Margherita (Olivier Award-Winner for Zorro The Musical,, Matilda) as Mephistopheles, Wayne Wilcox (The Normal Heart, Coram Boy) as Matthew, and the ensemble includes Cameisha Cotton, Koh Mochizuki, David Park, Frankie Shin, Riza Takahashi, and Nicole Vande Zande.
The production features scenic design by James Fenton, costume design by Daryl Stone, and lighting design by Zach Blane. Andrew Keister is the sound designer, Victoria Navarro is the production stage manager, Kassey Pratt is the assistant stage manager, Evan Bernardin is the general manager, Gwynne Richmond is the company manager, Michael Cassara is the casting director, and Kampfire PR is the publicist.
MATTHEW MCCONAUGHEY VS THE DEVIL: AN AMERICAN MYTH plays the following schedule:
Tickets are $27.50 and are now available online at www.nymf.org or by calling 212-352-3101. Tickets may also be purchased in-person at theater ½ hour prior to performance
Running Time: 90 minutes
Website: matthewmcconaugheyvsthedevil.com
MATTHEW MCCONAUGHEY VS. THE DEVIL: AN AMERICAN MYTH is a Faustian comedy that dares to ask the question, “How the hell did Matthew McConaughey win an Academy Award?”
This show recounts how the RomCom starring stoner became an A-list award winner. Matthew has a loyal agent, his best friend Woody, and his beloved bongos. Now all he needs is to be taken seriously as an actor. Enter a demon with a deal from the Devil himself. Friendship, love and loyalty are all tested in this hell-raising adventure to win Matthew the Oscar...and save his soul.
The production stars Jennifer Blood (Matilda, Gentleman’s Guide...) as Penny, Max Crumm (Disaster!, Grease) as Woody, Lesli Margherita (Olivier Award-Winner for Zorro The Musical,, Matilda) as Mephistopheles, Wayne Wilcox (The Normal Heart, Coram Boy) as Matthew, and the ensemble includes Cameisha Cotton, Koh Mochizuki, David Park, Frankie Shin, Riza Takahashi, and Nicole Vande Zande.
The production features scenic design by James Fenton, costume design by Daryl Stone, and lighting design by Zach Blane. Andrew Keister is the sound designer, Victoria Navarro is the production stage manager, Kassey Pratt is the assistant stage manager, Evan Bernardin is the general manager, Gwynne Richmond is the company manager, Michael Cassara is the casting director, and Kampfire PR is the publicist.
MATTHEW MCCONAUGHEY VS THE DEVIL: AN AMERICAN MYTH plays the following schedule:
- Monday, July 10, 2017 at 7:00 pm
- Friday, July 14, 2017 at 10:30 am
- Friday, July 14, 2017 at 2:00 pm
- Saturday, July 15, 2017 at 5:00 pm
- Saturday, July 15, 2017 at 9:00 pm
- Sunday, July 16, 2017 at 1:00 pm
- Sunday, July 16, 2017 at 9:00 pm
Tickets are $27.50 and are now available online at www.nymf.org or by calling 212-352-3101. Tickets may also be purchased in-person at theater ½ hour prior to performance
Running Time: 90 minutes
Website: matthewmcconaugheyvsthedevil.com
WHEELHOUSE THEATER COMPANY is pleased to announce their unique rendition of the Henrik Ibsen classic, AN ENEMY OF THE PEOPLE, directed by Jeff Wise. AN ENEMY OF THE PEOPLE will play a three-week limited engagement at the Gene Frankel Theater (24 Bond Street). Performances begin Friday, June 9 and continue through Saturday, June 24. Opening Night is Friday, June 16 (8 p.m.). Press are invited, Monday, June 12 at 8pm, Wednesday, June 14 at 8pm, Thursday, June 15 at 8pm, and Friday, June 16 at 8pm (and any subsequent performance). $18 tickets are available at http://anenemyofthepeople.bpt.me
AN ENEMY OF THE PEOPLE is a meditation on the foundation of a small town’s democratic system, the tyranny of the majority, and the poisoning nature of bureaucracy and economic self interest. When Dr. Thomas Stockman makes an alarming discovery, the water supply to his small town’s healing spa baths is poisoned with dangerous bacteria, causing significant illness to those that utilize the facility, he is eager to share the share the news with his brother Peter, the town’s mayor and Chairman of the Board of Baths. Relieved at the life-saving discovery, he prepares a manuscript, which is met with significant resistance, first by the Mayor, then by the editors of the People's Messenger, and ultimately by the town as a whole. In the end, as Dr. Stockman declares, "the strongest man in the world is the man who stands alone."
The production stars Michael Schantz* (Othello, NYTW) as Thomas Stockman, Ben Graney* (War Horse, The Heidi Chronicles) as Hovstad, Craig Wesley Divino* (Breathing Time, From White Plains) as Peter Stockman, Stacey Linnartz* (God Of Vengeance, TBG) as Mrs. Stockman, Joshua David Robinson* (X: Or, Betty Shabazz v. the Nation, The Acting Company) as Aslaksan and Christina Toth* (Lazarus, NYTW) as Petra. *Performing courtesy of Actor’s Equity Association.
The production features scenic design by Brittany Vasta, costume design by Christopher Metzger, and lighting design by Drew Florida. Carly Levin* is the production stage manager.
AN ENEMY OF THE PEOPLE plays the following regular schedule through Saturday, June 24:
Wednesdays at 8 p.m.
Thursdays at 8 p.m.
Fridays at 8 p.m.
Saturdays at 8 p.m.
There is an additional performance on Monday, June 12 at 8:00pm and on Saturday, June 17 at 2:00pm
Tickets are $18 and are now available online at http://anenemyofthepeople.bpt.me. Tickets may also be purchased in-person at the theater’s box office ½ hour prior to performance.
Running Time: 90 minutes (no intermission)
Website: www.wheelhousetheater.com
Media Kit with photos from past productions
AN ENEMY OF THE PEOPLE is a meditation on the foundation of a small town’s democratic system, the tyranny of the majority, and the poisoning nature of bureaucracy and economic self interest. When Dr. Thomas Stockman makes an alarming discovery, the water supply to his small town’s healing spa baths is poisoned with dangerous bacteria, causing significant illness to those that utilize the facility, he is eager to share the share the news with his brother Peter, the town’s mayor and Chairman of the Board of Baths. Relieved at the life-saving discovery, he prepares a manuscript, which is met with significant resistance, first by the Mayor, then by the editors of the People's Messenger, and ultimately by the town as a whole. In the end, as Dr. Stockman declares, "the strongest man in the world is the man who stands alone."
The production stars Michael Schantz* (Othello, NYTW) as Thomas Stockman, Ben Graney* (War Horse, The Heidi Chronicles) as Hovstad, Craig Wesley Divino* (Breathing Time, From White Plains) as Peter Stockman, Stacey Linnartz* (God Of Vengeance, TBG) as Mrs. Stockman, Joshua David Robinson* (X: Or, Betty Shabazz v. the Nation, The Acting Company) as Aslaksan and Christina Toth* (Lazarus, NYTW) as Petra. *Performing courtesy of Actor’s Equity Association.
The production features scenic design by Brittany Vasta, costume design by Christopher Metzger, and lighting design by Drew Florida. Carly Levin* is the production stage manager.
AN ENEMY OF THE PEOPLE plays the following regular schedule through Saturday, June 24:
Wednesdays at 8 p.m.
Thursdays at 8 p.m.
Fridays at 8 p.m.
Saturdays at 8 p.m.
There is an additional performance on Monday, June 12 at 8:00pm and on Saturday, June 17 at 2:00pm
Tickets are $18 and are now available online at http://anenemyofthepeople.bpt.me. Tickets may also be purchased in-person at the theater’s box office ½ hour prior to performance.
Running Time: 90 minutes (no intermission)
Website: www.wheelhousetheater.com
Media Kit with photos from past productions
MYCARL PRODUCTIONS, in association with KAMPFIRE FILMS and FRIGID New York @ Horse Trade, is pleased to announce once monthly comedy performance of No, I’M the Worst!!!, created by Kevin R. Free and hosted by Todd Alan Crain. No, I’M the Worst!!! Plays the second Monday of the month at the Kraine Theater (85 E 4th St.). $20 tickets are available at http://www.mycarl.org/no-im-the-worst.
In three dirty rounds, three despicable storytellers compete to tell the most ribald, raunchy, taboo and true tales, hoping to be named The Worst in the room. It's a storytelling competition with a trashy twist.
The rotating cast will include comedy notables and dignitaries, to be announced.
No, I’M The Worst! performs the second Monday of each month at 7:30pm, (with the exception of April and May) Jan 9; Feb13; Mar 13; *Apr 24; *May 15; June 12; July 10; Aug 14.
Tickets are $20 and are now available online at http://www.mycarl.org/no-im-the-worst. Tickets may also be purchased in-person at the theater ½ hour prior to performance.
Running Time: 75 minutes
Website: http://www.mycarl.org/no-im-the-worst
www.horseTRADE.info
In three dirty rounds, three despicable storytellers compete to tell the most ribald, raunchy, taboo and true tales, hoping to be named The Worst in the room. It's a storytelling competition with a trashy twist.
The rotating cast will include comedy notables and dignitaries, to be announced.
No, I’M The Worst! performs the second Monday of each month at 7:30pm, (with the exception of April and May) Jan 9; Feb13; Mar 13; *Apr 24; *May 15; June 12; July 10; Aug 14.
Tickets are $20 and are now available online at http://www.mycarl.org/no-im-the-worst. Tickets may also be purchased in-person at the theater ½ hour prior to performance.
Running Time: 75 minutes
Website: http://www.mycarl.org/no-im-the-worst
www.horseTRADE.info
Convergences Theatre Collective is pleased to announce A MEXICAN AFFAIR will be adding additional performances to their previously announced ‘Cinco de Mayo Celebration’ at The Paper Factory Hotel’s Rose Room in Long Island City (37-06 36th Street, Queens, NY 11101). An evening of delicious food, music, candid stories, and spicy romance, created and performed by Rafa Reyes (Awarded Cultural Representative of Veracruz), with arrangements by musical director Felipe Fournier (two-time Grammy Awards nominee; One time Latin Grammy Awards nominee), and directed by Jeremy Williams (The Woman Who Was Me). Tickets start at $25 (VIP tables and bottle service also available) and can be purchased online at http://roseroom.nyc or by calling 718-706-8636. Doors open one hour prior to performance for dinner and drinks.
A MEXICAN AFFAIR will play the following performances through August 11th:
Rafa Reyes celebrates the relationship of his native Mexico and the United States, and the beautiful cultural influences between both countries. An evening featuring popular Jazz tunes written by Mexican and American composers. The thrilling fusion of rhythms and musical influences work in tandem with the Paper Factory Hotel’s Rose Room fusion of architecture and design. An adventure filled with passion, heartbreak, and a little dirty mambo! A Mexican Affair will offer an exquisite evening of great food and entertainment for a truly unique New York experience.
Created and performed by Rafa Reyes. Featuring Felipe Fournier on vibraphone, Dan Martínez (Supermambo!) on bass, Hugo Moreno (The Filmharmonic Brass, Jarana Beat, The Gregorio Uribe Big Band, Le Train Bleu, Marlboro Music Festival) on trumpet, Joel Mateo (Chembo Corniel Quintet, Jan Kus, Mixtura, Oasis) on drums, and percussionists Guillermo Barrón.
Running Time: 70 Minutes
Subway Directions: R, M lines to 36th Street Station in Queens.
Media Kit: https://drive.google.com/drive/u/0/folders/0B8HuemLZxEs8NmZ2ckQ2V0lBYkU
A MEXICAN AFFAIR will play the following performances through August 11th:
- Fri, May 5 at 9:30pm -Cinco de Mayo Celebration
Featuring special guest vocalist Lauren Langbaum (West Side Story - Arkansas Shakespeare Theatre), percussionist Jhair Sala (Pedrito Martinez Group) and percussionist Rubén Coca (Heineken Jazz Fest).
- Fri, June 2 at 9:30pm
Featuring special guest vocalist Melissa Denize.
- Fri, July 7 at 9:30pm
- Fri, August 11 at 9:30pm
Rafa Reyes celebrates the relationship of his native Mexico and the United States, and the beautiful cultural influences between both countries. An evening featuring popular Jazz tunes written by Mexican and American composers. The thrilling fusion of rhythms and musical influences work in tandem with the Paper Factory Hotel’s Rose Room fusion of architecture and design. An adventure filled with passion, heartbreak, and a little dirty mambo! A Mexican Affair will offer an exquisite evening of great food and entertainment for a truly unique New York experience.
Created and performed by Rafa Reyes. Featuring Felipe Fournier on vibraphone, Dan Martínez (Supermambo!) on bass, Hugo Moreno (The Filmharmonic Brass, Jarana Beat, The Gregorio Uribe Big Band, Le Train Bleu, Marlboro Music Festival) on trumpet, Joel Mateo (Chembo Corniel Quintet, Jan Kus, Mixtura, Oasis) on drums, and percussionists Guillermo Barrón.
Running Time: 70 Minutes
Subway Directions: R, M lines to 36th Street Station in Queens.
Media Kit: https://drive.google.com/drive/u/0/folders/0B8HuemLZxEs8NmZ2ckQ2V0lBYkU
THEATERLAB and CONVERGENCES THEATRE COLLECTIVE are pleased to announce the return of The Woman Who Was Me, written by Peter Grandbois, performed by Liz Stanton*, and directed by Jeremy Williams (Babel, A Mexican Affair). The Woman Who Was Me will play a limited engagement Wed, May 24th at 7:00pm through Sun, June 11th at 2:00pm at TheaterLab NYC (357 West 36th Street, New York, NY 10018). Opening Night is Saturday, May 27th at 8:00pm. Tickets are $25 ($20 Students/Seniors) and are available at www.theaterlabnyc.com or by calling 866-811-4111.
Critics are cordially invited Wed, May 24th at 7:00pm; Thu, May 25th at 7:00pm; Fri, May 26th at 8:00pm; and Opening Night Sat, May 27th at 8:00pm (and any subsequent performances).
The kiss of a stranger awakens the desire and creativity of a middle-aged wife, mother, teacher, and writer, launching her on a journey exploring a life outside conventional marriage, motherhood, and sexual appetite. Her identity fragments as she embarks on a sexual odyssey filled with risk, questioning, and confused boundaries. In wandering, how can she put down roots, find a voice, and craft a new story of herself and those with whom she shares a kinship?
Women’s Voices, Women’s Choices
Act 2 is You! Liz Stanton will be joined by different special guests at each performance of The Woman Who Was Me, to have a conversation with the audience about the many choices women make throughout life, consciously and unconsciously. A host will lead the dialogue between the special guest, Liz, and you. The conversation will be based on themes within the play including: Creativity, Self-love, Motherhood, Identity, Marriage, Sex/Desire/Fulfillment, Wanting more. Special guests will be announced at a later date.
The Woman Who Was Me is performed by Liz Stanton*.
Featuring scenic design by WT McRae, costume design by Natalie Loveland, and lighting design by Kate Jaworski. K’Sandra Sampson is the production stage manager, and Sylvia Brown is the dramaturge.
The Woman Who Was Me plays the following schedule through June 11**:
Wednesday, May 24th at 7pm
Thursday, May 25th at 7pm
Friday, May 26th at 8pm
Saturday, May 27th at 8pm
Thursday, June 1st at 7pm
Friday, June 2nd at 8pm
Saturday, June 3rd at 8pm
Sunday, June 4th at 2pm
Wednesday, June 7th at 7pm
Friday, June 9th at 8pm
Saturday, June 10th at 8pm
Sunday, June 11th at 2pm
Tickets are $25 ($20 Students/Seniors) and are now available online at www.theaterlabnyc.com by calling 866-811-4111. Tickets may also be purchased in-person at the theater ½ hour prior to performances.
Running Time: Two hours with one intermission (Running time includes Women’s Voices, Women’s Choices)
Direct link to purchase tickets: https://web.ovationtix.com/trs/pr/971465
Website: http://www.convergencescollective.org/the-woman-who-was-me.html
Media Kit: https://drive.google.com/drive/u/0/folders/0B8HuemLZxEs8SC1POWZzck1tRzA
*Appearing Courtesy of Actors’ Equity Association.
Critics are cordially invited Wed, May 24th at 7:00pm; Thu, May 25th at 7:00pm; Fri, May 26th at 8:00pm; and Opening Night Sat, May 27th at 8:00pm (and any subsequent performances).
The kiss of a stranger awakens the desire and creativity of a middle-aged wife, mother, teacher, and writer, launching her on a journey exploring a life outside conventional marriage, motherhood, and sexual appetite. Her identity fragments as she embarks on a sexual odyssey filled with risk, questioning, and confused boundaries. In wandering, how can she put down roots, find a voice, and craft a new story of herself and those with whom she shares a kinship?
Women’s Voices, Women’s Choices
Act 2 is You! Liz Stanton will be joined by different special guests at each performance of The Woman Who Was Me, to have a conversation with the audience about the many choices women make throughout life, consciously and unconsciously. A host will lead the dialogue between the special guest, Liz, and you. The conversation will be based on themes within the play including: Creativity, Self-love, Motherhood, Identity, Marriage, Sex/Desire/Fulfillment, Wanting more. Special guests will be announced at a later date.
The Woman Who Was Me is performed by Liz Stanton*.
Featuring scenic design by WT McRae, costume design by Natalie Loveland, and lighting design by Kate Jaworski. K’Sandra Sampson is the production stage manager, and Sylvia Brown is the dramaturge.
The Woman Who Was Me plays the following schedule through June 11**:
Wednesday, May 24th at 7pm
Thursday, May 25th at 7pm
Friday, May 26th at 8pm
Saturday, May 27th at 8pm
Thursday, June 1st at 7pm
Friday, June 2nd at 8pm
Saturday, June 3rd at 8pm
Sunday, June 4th at 2pm
Wednesday, June 7th at 7pm
Friday, June 9th at 8pm
Saturday, June 10th at 8pm
Sunday, June 11th at 2pm
Tickets are $25 ($20 Students/Seniors) and are now available online at www.theaterlabnyc.com by calling 866-811-4111. Tickets may also be purchased in-person at the theater ½ hour prior to performances.
Running Time: Two hours with one intermission (Running time includes Women’s Voices, Women’s Choices)
Direct link to purchase tickets: https://web.ovationtix.com/trs/pr/971465
Website: http://www.convergencescollective.org/the-woman-who-was-me.html
Media Kit: https://drive.google.com/drive/u/0/folders/0B8HuemLZxEs8SC1POWZzck1tRzA
*Appearing Courtesy of Actors’ Equity Association.
Lauren Ferebee
BOOMERANG THEATRE COMPANY is pleased to announce the world premiere of The Reckless Season, written by Lauren Ferebee (co-artistic director Rebellious Subjects Theatre) and directed by Dominic D’Andrea (producing artistic director The One Minute Play Festival). The Reckless Season will play a limited engagement from Friday, April 21st through Sunday, May 7th, 2017 at TheaterLab NYC (357 West 36th Street, New York, NY 10018). Opening NIght is Monday, April 24th at 7:00 pm Tickets are $25 and available at boomerangtheatre.org.
Critics are cordially invited Saturday, April 22nd at 8:00 pm; Sunday, April 23rd at 7:00 pm; and Opening Night Monday, April 24th at 7:00pm (and any subsequent performances).
It’s 2008 in small town USA, and there is nothing Norman Rockwell about it. Lisa and Simon used to be soldiers, but they're trying to put all that behind them. Except Simon's mother just committed suicide, Lisa's marriage is falling apart, the local meth dealer won't leave them alone and the only calm person in town is Simon's odd brother Terry, who spends all his time playing video games. Wrestling with the aftermath of death, and realization that no one knows what comes next, these four Americans grasp toward adulthood in a place they dream of leaving.
Starring Chase Burnett (Black and Blue - FringeNYC), Brian Morvant* (A.R. Gurney’s Screen Play - The Flea), Trace Pope (Deployed the Musical - Gallery Players) and Amanda Tudor* (The Milk Train Doesn’t Stop Here Anymore - Roundabout Theatre Company).
Featuring set design by Scott Tedmon-Jones, costume design by Viviane Galloway, lighting design by Kia Rogers, sound design by Andy Evan Cohen, and projections by Philip Emeott.
*Appearing Courtesy of Actors’ Equity Association.
The Reckless Season plays the following schedule through Sun, May 7th:
Fri, April 21st at 8:00 pm
Sat, April 22nd at 8:00 pm
Sun, April 23rd at 7:00 pm
Mon, April 24th at 7:00 pm
Thu, April 27th at 8:00 pm
Fri, April 28th at 8:00 pm
Sat, April 29th at 8:00 pm
Sun, April 30th at 7:00 pm
Mon, May 1st at 7:00 pm
Wed, May 3rd at 8:00 pm
Thu, May 4th at 8:00 pm
Fri, May 5th at 8:00 pm
Sat, May 6th at 8:00 pm
Sun, May 7th at 7:00 pm
Tickets are $25 and are now available online at www.boomerangtheatre.org or by calling 866-811-4111. Tickets may also be purchased in-person at the theater ½ hour prior to performances.
Running Time: 2 hours with one intermission.
Direct link to purchase tickets: https://web.ovationtix.com/trs/pr/970603
Website: www.boomerangtheatre.org
Media Kit: https://drive.google.com/drive/u/0/folders/0B8HuemLZxEs8YjdQdVBHWTVxbGc
Critics are cordially invited Saturday, April 22nd at 8:00 pm; Sunday, April 23rd at 7:00 pm; and Opening Night Monday, April 24th at 7:00pm (and any subsequent performances).
It’s 2008 in small town USA, and there is nothing Norman Rockwell about it. Lisa and Simon used to be soldiers, but they're trying to put all that behind them. Except Simon's mother just committed suicide, Lisa's marriage is falling apart, the local meth dealer won't leave them alone and the only calm person in town is Simon's odd brother Terry, who spends all his time playing video games. Wrestling with the aftermath of death, and realization that no one knows what comes next, these four Americans grasp toward adulthood in a place they dream of leaving.
Starring Chase Burnett (Black and Blue - FringeNYC), Brian Morvant* (A.R. Gurney’s Screen Play - The Flea), Trace Pope (Deployed the Musical - Gallery Players) and Amanda Tudor* (The Milk Train Doesn’t Stop Here Anymore - Roundabout Theatre Company).
Featuring set design by Scott Tedmon-Jones, costume design by Viviane Galloway, lighting design by Kia Rogers, sound design by Andy Evan Cohen, and projections by Philip Emeott.
*Appearing Courtesy of Actors’ Equity Association.
The Reckless Season plays the following schedule through Sun, May 7th:
Fri, April 21st at 8:00 pm
Sat, April 22nd at 8:00 pm
Sun, April 23rd at 7:00 pm
Mon, April 24th at 7:00 pm
Thu, April 27th at 8:00 pm
Fri, April 28th at 8:00 pm
Sat, April 29th at 8:00 pm
Sun, April 30th at 7:00 pm
Mon, May 1st at 7:00 pm
Wed, May 3rd at 8:00 pm
Thu, May 4th at 8:00 pm
Fri, May 5th at 8:00 pm
Sat, May 6th at 8:00 pm
Sun, May 7th at 7:00 pm
Tickets are $25 and are now available online at www.boomerangtheatre.org or by calling 866-811-4111. Tickets may also be purchased in-person at the theater ½ hour prior to performances.
Running Time: 2 hours with one intermission.
Direct link to purchase tickets: https://web.ovationtix.com/trs/pr/970603
Website: www.boomerangtheatre.org
Media Kit: https://drive.google.com/drive/u/0/folders/0B8HuemLZxEs8YjdQdVBHWTVxbGc
The Canadian Film Centre’s Media Lab (CFC Media Lab), Seneca’s School of Creative Arts and Animation, and the Art Gallery of Ontario (AGO) are pleased to announce their groundbreaking virtual reality (VR) collaboration, Small Wonders: The VR Experience.
The exhibition Small Wonders: Gothic Boxwood Miniatures, which runs through May 21st, brings together for the first time some 50 rare boxwood carvings from museums and private collections across Europe and North America. The exhibition offers new insight into the methods of production and cultural significance of these awe-inspiring works of art. Small enough to fit in the palm of the hand, these tiny masterpieces depict complex scenes with elegance and precision. Without fail, they inspire viewers to ask how a person could have possibly made them, a question that can only be answered today and a challenge perfect for VR technology.
“Much of the success of new VR will hinge upon the quality of experiences being created. Everyone is searching for that sublime encounter one can only have in VR. With the boxwood miniatures and their high-resolution scans, we have found the perfect, transcendent landscape to explore in this medium,” says Ana Serrano, Chief Digital Officer, CFC, and Producer, Small Wonders: The VR Experience.
The AGO, CFC Media Lab and Seneca’s School of Creative Arts and Animation partnered to create Small Wonders: The VR Experience. Using one of the AGO’s micro-computed topography (micro-CT) scans of the miniatures, the creative and technical team led by interactive artist and designer, Priam Givord, developed an experience specifically for the HTC Vive platform. Viewers can explore the intricate carvings of the prayer bead from various angles and in detail otherwise inaccessible to the human eye. The soundtrack, Treasures of Devotion: Spiritual Songs in Northern Europe 1500-1540, echoes the ambience of the wider show. The result: VR enriches the contemplative and immersive experience.
Barbara Drake Boehm, the Paul and Jill Ruddock Senior Curator for The Met Cloisters said: “At first glance, the VR experience might seem anomalous in the medieval ambiance of The Met Cloisters. But, thanks to the efforts of the CFC Media Lab, Seneca and the AGO, VR opens a portal through which our visitors can tumble in to a tiny world, and sense the meditative power that these centuries-old works of art were intended
to convey.”
Small Wonders: The VR Experience was created by Lisa Ellis, Conservator of Sculpture and Decorative Arts (AGO); VR Creative and Technical Director Priam Givord (Interactive Artist/Designer); VR Producers Ana Serrano (CFC Media Lab) and Mark Jones (Seneca College); VR Technical Team Craig Alguire, Morgan Young (Quantum Capture) and Tyrone Melkitoy (Mobius Interactive); Composer/Vocalist Anne Azema, Artistic Director (The Boston Camerata); Narrator Gillian McIntyre; and Micro-CT Scanner Andrew Nelson, Associate Professor of Anthropology, Sustainable Archaeology (Western University).
The exhibition continues at The Met Cloisters through May 21, 2017, but the VR experience will only run during public hours, February 24–27. To learn more about the Small Wonders exhibition and to plan your visit, go to: http://www.metmuseum.org/exhibitions/listings/2017/small-wonders
At The Met Cloisters, Small Wonders: Gothic Boxwood Miniatures is made possible by the Michel David-Weill Fund. It was organized by the Art Gallery of Ontario, Toronto; The Metropolitan Museum of Art, New York; and the Rijksmuseum, Amsterdam.
The exhibition Small Wonders: Gothic Boxwood Miniatures, which runs through May 21st, brings together for the first time some 50 rare boxwood carvings from museums and private collections across Europe and North America. The exhibition offers new insight into the methods of production and cultural significance of these awe-inspiring works of art. Small enough to fit in the palm of the hand, these tiny masterpieces depict complex scenes with elegance and precision. Without fail, they inspire viewers to ask how a person could have possibly made them, a question that can only be answered today and a challenge perfect for VR technology.
“Much of the success of new VR will hinge upon the quality of experiences being created. Everyone is searching for that sublime encounter one can only have in VR. With the boxwood miniatures and their high-resolution scans, we have found the perfect, transcendent landscape to explore in this medium,” says Ana Serrano, Chief Digital Officer, CFC, and Producer, Small Wonders: The VR Experience.
The AGO, CFC Media Lab and Seneca’s School of Creative Arts and Animation partnered to create Small Wonders: The VR Experience. Using one of the AGO’s micro-computed topography (micro-CT) scans of the miniatures, the creative and technical team led by interactive artist and designer, Priam Givord, developed an experience specifically for the HTC Vive platform. Viewers can explore the intricate carvings of the prayer bead from various angles and in detail otherwise inaccessible to the human eye. The soundtrack, Treasures of Devotion: Spiritual Songs in Northern Europe 1500-1540, echoes the ambience of the wider show. The result: VR enriches the contemplative and immersive experience.
Barbara Drake Boehm, the Paul and Jill Ruddock Senior Curator for The Met Cloisters said: “At first glance, the VR experience might seem anomalous in the medieval ambiance of The Met Cloisters. But, thanks to the efforts of the CFC Media Lab, Seneca and the AGO, VR opens a portal through which our visitors can tumble in to a tiny world, and sense the meditative power that these centuries-old works of art were intended
to convey.”
Small Wonders: The VR Experience was created by Lisa Ellis, Conservator of Sculpture and Decorative Arts (AGO); VR Creative and Technical Director Priam Givord (Interactive Artist/Designer); VR Producers Ana Serrano (CFC Media Lab) and Mark Jones (Seneca College); VR Technical Team Craig Alguire, Morgan Young (Quantum Capture) and Tyrone Melkitoy (Mobius Interactive); Composer/Vocalist Anne Azema, Artistic Director (The Boston Camerata); Narrator Gillian McIntyre; and Micro-CT Scanner Andrew Nelson, Associate Professor of Anthropology, Sustainable Archaeology (Western University).
The exhibition continues at The Met Cloisters through May 21, 2017, but the VR experience will only run during public hours, February 24–27. To learn more about the Small Wonders exhibition and to plan your visit, go to: http://www.metmuseum.org/exhibitions/listings/2017/small-wonders
At The Met Cloisters, Small Wonders: Gothic Boxwood Miniatures is made possible by the Michel David-Weill Fund. It was organized by the Art Gallery of Ontario, Toronto; The Metropolitan Museum of Art, New York; and the Rijksmuseum, Amsterdam.
NYLON FUSION THEATRE COMPANY and CLOVERLEAF COLLECTIVE are pleased to present the return of Lowell Byers’ LUFT GANGSTER, directed by Tony Award winning director Austin Pendleton (Broadway’s The Little Foxes, The Runner Stumbles, Shelter, Spoils of War). LUFT GANGSTER will play a limited engagement at the Sheen Center (18 Bleecker St, New York, NY 10012) as part of their “War Is Hell” Theatre Series (recently featured in New York Magazine’s ‘Things To Do in NY’). Performances began Friday, March 31 and continue through Sunday, April 30. Opening Night was Saturday, April 1 (8 p.m.).
After bailing out of his crippled B-24 bomber under heavy fire from German forces, waist gunner Lou Fowler is captured by the Nazis. Incarcerated along with other Allied fliers in an inhumane Nazi prison camp, where POW’s view new prisoners with suspicion as possible Nazi infiltrators, Lou has to heal his own battle injuries, as his captors treat him as just another ‘Luft Gangster’ - a term Joseph Goebbels created as propaganda to convince the German nation that all American flyers were actual criminals released from prison by the US government in order to fight in World War II.
As Lou endures the hellish and unsanitary conditions of prison camp life, subsisting on what could barely be described as food and enduring unspeakable cruelty, surviving to escape becomes his only goal. In a time and place where men on both sides of the war were stripped of all things civilized, the human cost of war is brought front and center.
The production stars Ralph Byers (Broadway original production of Big River, and revival of The Music Man), Lowell Byers (The Twenty-Seventh Man - Old Globe dir. by Barry Edelstein; The Mousetrap - ASF), Eric T. Miller (MOPE - EST; Blacklist), Andy Truschinski (Broadway revival of The Heidi Chronicles; National Tour of War Horse), Noel Joseph Allain (Founding Artistic Director Bushwick Starr; Law and Order: SVU), Seth James (Hamlet - Teatro Delle Due, You Never Can Tell - TS Studios), Paul Bomba (Gotham, The Deuce), Casandera M.J. Lollar (The Runner Stumbles Off B-way; Queen - Summer Shorts), Sean Hoagland (MacBeth - Secret Theatre; The Elephant Man - El Centro Theatre), and Gabe Bettio (Three Sisters - Classic Stage Co. dir. by Austin Pendleton, The Woodsman - dir. by Alex Dinelaris).
Featuring set design by Tijana Bjelajac* (Broadway’s Spider-Man: Turn Off the Dark; Othello - Actors Shakespeare Project), costume design by Debbi Hobson (Unmentionables - NY IT Awards Outstanding Costume Design recipient), lighting design by Wilburn Bonnell* (Orpheus in the Berkshires - Williamstown Theatre Festival; Half Moon Bay), and sound design by Jeanne Travis* (Cagney: The Musical - Off Broadway; Death for Five Voices - Prospect Theatre Company). Jenn Jacobs* (Boy - Keen Company) is the stage manager, and Lori Kee* (The Chaplin Plays; Tennessee) is the assistant director. Co-produced by Ivette Dumeng (The Chaplin Plays; Half Moon Bay).
*Sound designer member of IATSE. Set designer and lighting designer are members of United Scenic Artists.
Tickets are $35 and are now available online at www.SheenCenter.org or by calling 866-811-4111. Tickets may also be purchased in-person at the theater ½ hour prior to performance.
Running Time: 95 minutes
Website: http://sheencenter.org/shows/luftgangster
Link to Media Kit with Photos: https://drive.google.com/drive/u/0/folders/0B8HuemLZxEs8MFJrNU1kaFdOalE
Watch - A Message from WWII Veteran and POW Louis Fowler:
https://www.youtube.com/watch?v=b-GIJnWUdIA
After bailing out of his crippled B-24 bomber under heavy fire from German forces, waist gunner Lou Fowler is captured by the Nazis. Incarcerated along with other Allied fliers in an inhumane Nazi prison camp, where POW’s view new prisoners with suspicion as possible Nazi infiltrators, Lou has to heal his own battle injuries, as his captors treat him as just another ‘Luft Gangster’ - a term Joseph Goebbels created as propaganda to convince the German nation that all American flyers were actual criminals released from prison by the US government in order to fight in World War II.
As Lou endures the hellish and unsanitary conditions of prison camp life, subsisting on what could barely be described as food and enduring unspeakable cruelty, surviving to escape becomes his only goal. In a time and place where men on both sides of the war were stripped of all things civilized, the human cost of war is brought front and center.
The production stars Ralph Byers (Broadway original production of Big River, and revival of The Music Man), Lowell Byers (The Twenty-Seventh Man - Old Globe dir. by Barry Edelstein; The Mousetrap - ASF), Eric T. Miller (MOPE - EST; Blacklist), Andy Truschinski (Broadway revival of The Heidi Chronicles; National Tour of War Horse), Noel Joseph Allain (Founding Artistic Director Bushwick Starr; Law and Order: SVU), Seth James (Hamlet - Teatro Delle Due, You Never Can Tell - TS Studios), Paul Bomba (Gotham, The Deuce), Casandera M.J. Lollar (The Runner Stumbles Off B-way; Queen - Summer Shorts), Sean Hoagland (MacBeth - Secret Theatre; The Elephant Man - El Centro Theatre), and Gabe Bettio (Three Sisters - Classic Stage Co. dir. by Austin Pendleton, The Woodsman - dir. by Alex Dinelaris).
Featuring set design by Tijana Bjelajac* (Broadway’s Spider-Man: Turn Off the Dark; Othello - Actors Shakespeare Project), costume design by Debbi Hobson (Unmentionables - NY IT Awards Outstanding Costume Design recipient), lighting design by Wilburn Bonnell* (Orpheus in the Berkshires - Williamstown Theatre Festival; Half Moon Bay), and sound design by Jeanne Travis* (Cagney: The Musical - Off Broadway; Death for Five Voices - Prospect Theatre Company). Jenn Jacobs* (Boy - Keen Company) is the stage manager, and Lori Kee* (The Chaplin Plays; Tennessee) is the assistant director. Co-produced by Ivette Dumeng (The Chaplin Plays; Half Moon Bay).
*Sound designer member of IATSE. Set designer and lighting designer are members of United Scenic Artists.
Tickets are $35 and are now available online at www.SheenCenter.org or by calling 866-811-4111. Tickets may also be purchased in-person at the theater ½ hour prior to performance.
Running Time: 95 minutes
Website: http://sheencenter.org/shows/luftgangster
Link to Media Kit with Photos: https://drive.google.com/drive/u/0/folders/0B8HuemLZxEs8MFJrNU1kaFdOalE
Watch - A Message from WWII Veteran and POW Louis Fowler:
https://www.youtube.com/watch?v=b-GIJnWUdIA
Lifewise Productions has announced that it will stage Mickele Hogan’s MOURNING THE LIVING, a new drama directed by Alan Souza about caregivers of those afflicted with Alzheimer’s disease, April 7th thru April 22nd at the Dorothy Strelsin Theatre at 312 West 36th Street in Manhattan. The official opening is on Thursday, April 13th at 8PM.
MOURNING THE LIVING is a new play about caregivers: the complexities they face, the choices they navigate, and the struggle to uphold obligations without losing sight of the potential in their individual futures.
The production is Mickele Hogan's first full-length play. Last year, the play received its world premiere in the Thespis Theater Festival. The play was also featured in the Huffington Post, Fiscal Times and a podcast episode of Agewyz media. "Mourning the Living" was inspired by Hogan's own experience as a caregiver for a woman with dementia while working for Home Instead Senior Care as well as other caregivers' experiences.
Playwright Mickele Hogan began her career as an actor, but her passion for theater threw her into many other roles behind the scenes. Her first full-length play received its world premiere in the Thespis Theater Festival last year. She is a founding member of the Joust Theater Company and has served as an actor, writer, director and producer. Past written works include: Nevermind (Atlantic’s Stage 2), Wasn’t Me (Soho Rep/Walkerspace), I Said “Yes.” (13th St. Theater.) As an actor, her favorite credits include: The Velveteen Rabbit (Atlantic Theater Company), The Love of the Nightingale (Insomnium Theater Company), and The Rules (The Joust Theater Company). She received her BFA from NYU: Tisch School of the Arts/Atlantic Acting School. www.MickeleHogan.com
Alan Souza is a freelance Stage Director, who makes his home in NYC. He recently directed the world premiere of the play Mourning the Living for the NY Theatre Festival, which will be revived off-Broadway in 2017. Other upcoming projects: the world premiere play Multiple Family Dwelling for the NJ Repertory Company, a modern-age telling of My Fair Lady for the Olney Theatre in DC, a workshop of the new musical Love and Real Estate for Amas Musical Theatre and a madcap re-imagining of Joseph….and his Rainbow Frock for Drury Lane Theatre/Chicago. Alan has directed plays and musicals for Drury Lane Theatre/Chicago, Laguna Playhouse, Arkansas Repertory, Walnut Street Theatre, The New Theatre, Maltz Jupiter Theatre, Virginia Musical Theatre, Human Race Theatre Company, 3D Theatricals, Texas Shakespeare Festival, and the John W. Engeman Theater at Northport. He was nominated for the 2008 Carbonell Award and has received multiple Edgerton Foundation Grants for new works. Alan has also directed original benefit performances on Broadway, for the Actors Fund of America and the Christopher Reeve Foundation. He is a frequent Guest Artist at University Drama Programs throughout the Country and is a Director and Teaching Artist for the Broadway Dreams Foundation. www.alansouza.net
The cast of MOURNING THE LIVING features Jennifer Rau, Craig D'Amico, Christopher Bolan, Mary Leggio and Caroline Aimetti.
The production features lighting design by Patrick Bakalli, stage management by Lexi Langs and costume design by Kelly Le Vine. The assistant stage manager is Peter Royston. Production Assistant is John Anthony Gorman and the Lighting Assistant is Andrew Carr.
Performances are on 4/7 at 8PM; 4/8 at 2PM and 8PM; 4/9 at 3PM; 4/11 at 7PM; 4/12 at 8PM; 4/13 at 8PM; 4/14 at 8PM; 4/15 at 2PM and 8PM; 4/16 at 3PM; 4/18 at 7PM; 4/19 at 8PM; 4/20 at 8PM; 4/21 at 8PM; 4/22 at 2PM and 8PM.
Tickets are $27 and can be purchased online at: https://m.ovationtix.com/pr/969851
The Dorothy Strelsin Theatre is located within the Abingdon Theatre Arts Complex, located at 312 West 36th St. between Eighth and Ninth Avenues.
MOURNING THE LIVING is a new play about caregivers: the complexities they face, the choices they navigate, and the struggle to uphold obligations without losing sight of the potential in their individual futures.
The production is Mickele Hogan's first full-length play. Last year, the play received its world premiere in the Thespis Theater Festival. The play was also featured in the Huffington Post, Fiscal Times and a podcast episode of Agewyz media. "Mourning the Living" was inspired by Hogan's own experience as a caregiver for a woman with dementia while working for Home Instead Senior Care as well as other caregivers' experiences.
Playwright Mickele Hogan began her career as an actor, but her passion for theater threw her into many other roles behind the scenes. Her first full-length play received its world premiere in the Thespis Theater Festival last year. She is a founding member of the Joust Theater Company and has served as an actor, writer, director and producer. Past written works include: Nevermind (Atlantic’s Stage 2), Wasn’t Me (Soho Rep/Walkerspace), I Said “Yes.” (13th St. Theater.) As an actor, her favorite credits include: The Velveteen Rabbit (Atlantic Theater Company), The Love of the Nightingale (Insomnium Theater Company), and The Rules (The Joust Theater Company). She received her BFA from NYU: Tisch School of the Arts/Atlantic Acting School. www.MickeleHogan.com
Alan Souza is a freelance Stage Director, who makes his home in NYC. He recently directed the world premiere of the play Mourning the Living for the NY Theatre Festival, which will be revived off-Broadway in 2017. Other upcoming projects: the world premiere play Multiple Family Dwelling for the NJ Repertory Company, a modern-age telling of My Fair Lady for the Olney Theatre in DC, a workshop of the new musical Love and Real Estate for Amas Musical Theatre and a madcap re-imagining of Joseph….and his Rainbow Frock for Drury Lane Theatre/Chicago. Alan has directed plays and musicals for Drury Lane Theatre/Chicago, Laguna Playhouse, Arkansas Repertory, Walnut Street Theatre, The New Theatre, Maltz Jupiter Theatre, Virginia Musical Theatre, Human Race Theatre Company, 3D Theatricals, Texas Shakespeare Festival, and the John W. Engeman Theater at Northport. He was nominated for the 2008 Carbonell Award and has received multiple Edgerton Foundation Grants for new works. Alan has also directed original benefit performances on Broadway, for the Actors Fund of America and the Christopher Reeve Foundation. He is a frequent Guest Artist at University Drama Programs throughout the Country and is a Director and Teaching Artist for the Broadway Dreams Foundation. www.alansouza.net
The cast of MOURNING THE LIVING features Jennifer Rau, Craig D'Amico, Christopher Bolan, Mary Leggio and Caroline Aimetti.
The production features lighting design by Patrick Bakalli, stage management by Lexi Langs and costume design by Kelly Le Vine. The assistant stage manager is Peter Royston. Production Assistant is John Anthony Gorman and the Lighting Assistant is Andrew Carr.
Performances are on 4/7 at 8PM; 4/8 at 2PM and 8PM; 4/9 at 3PM; 4/11 at 7PM; 4/12 at 8PM; 4/13 at 8PM; 4/14 at 8PM; 4/15 at 2PM and 8PM; 4/16 at 3PM; 4/18 at 7PM; 4/19 at 8PM; 4/20 at 8PM; 4/21 at 8PM; 4/22 at 2PM and 8PM.
Tickets are $27 and can be purchased online at: https://m.ovationtix.com/pr/969851
The Dorothy Strelsin Theatre is located within the Abingdon Theatre Arts Complex, located at 312 West 36th St. between Eighth and Ninth Avenues.
ATHENA THEATRE COMPANY is pleased to announce the world premiere production of Tom Block’s SUB-BASEMENT, directed by Hunter Bird. SUB-BASEMENT will play a limited engagement at IRT Theater (154 Christopher st. NYC #3B). Performances began Friday, March 24 and continue through Saturday, April 15. Opening Night was Monday, March 27 (7 p.m.).
What is the place of art and imagination in our increasingly Orwellian society? SUB-BASEMENT follows Adrienne, a former poet now Royal Canadian Mounted Police trainee, on an absurdist odyssey to find her true purpose amidst the dark corners of New York City, the depths of the Drama Book Shop, and her muddled past. Her voyage is guided by Gustav (a one-time climatologist) and Arnaud (an erstwhile poet), all while being pursued by Simon, who (unbeknownst to her) is set on becoming her fiancé. Are we ever free of the disappointments of the past, and can we escape the expectation of our parents? Join on a voyage deep into Adrienne's psyche -- and try to discover what life's really about.
The production stars Patrick K. Dooley (Lake Homo High with Bowen Yang at The Annoyance Theatre) as Simon, Veronique Ory (The Man Under; 59E59) as Adrienne, Barry Phillips (Orange is the New Black) as Arnaud, and Zenon Zeleniuch (Perfect Crime; Snapple) as Gustav.
SUB-BASEMENT plays the following regular schedule through Saturday, April 15:
Thursdays at 8 p.m.
Fridays at 8 p.m.
Saturdays at 8 p.m.
Sundays at 3 p.m.
Additional Performances: Monday, March 27 at 7pm and Wednesday, April 12 at 8pm
Tickets are $25 and are now available online at www.BrownPaperTickets.com. Tickets may also be purchased in-person at the theater ½ hour prior to performance.
Running Time: 90 minutes
Website: www.AthenaTheatre.com
What is the place of art and imagination in our increasingly Orwellian society? SUB-BASEMENT follows Adrienne, a former poet now Royal Canadian Mounted Police trainee, on an absurdist odyssey to find her true purpose amidst the dark corners of New York City, the depths of the Drama Book Shop, and her muddled past. Her voyage is guided by Gustav (a one-time climatologist) and Arnaud (an erstwhile poet), all while being pursued by Simon, who (unbeknownst to her) is set on becoming her fiancé. Are we ever free of the disappointments of the past, and can we escape the expectation of our parents? Join on a voyage deep into Adrienne's psyche -- and try to discover what life's really about.
The production stars Patrick K. Dooley (Lake Homo High with Bowen Yang at The Annoyance Theatre) as Simon, Veronique Ory (The Man Under; 59E59) as Adrienne, Barry Phillips (Orange is the New Black) as Arnaud, and Zenon Zeleniuch (Perfect Crime; Snapple) as Gustav.
SUB-BASEMENT plays the following regular schedule through Saturday, April 15:
Thursdays at 8 p.m.
Fridays at 8 p.m.
Saturdays at 8 p.m.
Sundays at 3 p.m.
Additional Performances: Monday, March 27 at 7pm and Wednesday, April 12 at 8pm
Tickets are $25 and are now available online at www.BrownPaperTickets.com. Tickets may also be purchased in-person at the theater ½ hour prior to performance.
Running Time: 90 minutes
Website: www.AthenaTheatre.com
ENSEMBLE STUDIO THEATRE (EST) (William Carden, Artistic Director, Paul A. Slee, Executive Director), in association with The Alfred P. Sloan Foundation (Doron Weber, Vice-President, Programs), is proud to announce SPILL, written and directed by Leigh Fondakowski (The Laramie Project, The People’s Temple). SPILL will begin performances on March 8, 2017, followed by an opening set for March 16, 2017 for a limited run through April 2, 2017 at EST’s Curt Dempster Theatre (545 W. 52 nd Street).
SPILL is based on the events surrounding the 2010 British Petroleum (BP) oil spill, the largest environmental disaster in U.S. history. Created from interviews, testimony, court documents, and media accounts collected in the aftermath of the spill, SPILL follows the story of the 2010 explosion on board the oil rig Deepwater Horizon and the devastating impact of the 87-day spill on the coastal communities and marine life of Louisiana.
The cast of SPILL will feature Michael Cullen (Exit Strategy), Vince Gatton (The Temperamentals), Alex Grubbs (SeaWife), Molly McAdoo (Kansas City Choir Boy), Maurice McRae (Collapse), Ronald Alexander Peet (Kentucky), Kelli Simpkins (I Think I Like Girls), and Greg Steinbruner (Light, A Dark Comedy).
SPILL will feature scenic design by Sarah Lambert (No Need for Seudction), lighting design by Nick Francone (Kentucky), and costume design by Suzanne Chesney (Fast Company), sound design by Lee Kinney (Homos, Or Everyone in America), projection design by David Bengali (Square Peg Round Hole), and original compositions by Gary Grundei.
Tickets range from $25 to $50 and are on sale now at www.ensemblestudiotheatre.org or by calling 866-811-4111. Student, senior, and EST Ensemble Member tickets are also available for $30. The performance schedule is as follows: Monday, Wednesday, Thursday, Friday at 7pm; Saturday at 2pm and 7pm; Sunday at 5pm.
SPILL is based on the events surrounding the 2010 British Petroleum (BP) oil spill, the largest environmental disaster in U.S. history. Created from interviews, testimony, court documents, and media accounts collected in the aftermath of the spill, SPILL follows the story of the 2010 explosion on board the oil rig Deepwater Horizon and the devastating impact of the 87-day spill on the coastal communities and marine life of Louisiana.
The cast of SPILL will feature Michael Cullen (Exit Strategy), Vince Gatton (The Temperamentals), Alex Grubbs (SeaWife), Molly McAdoo (Kansas City Choir Boy), Maurice McRae (Collapse), Ronald Alexander Peet (Kentucky), Kelli Simpkins (I Think I Like Girls), and Greg Steinbruner (Light, A Dark Comedy).
SPILL will feature scenic design by Sarah Lambert (No Need for Seudction), lighting design by Nick Francone (Kentucky), and costume design by Suzanne Chesney (Fast Company), sound design by Lee Kinney (Homos, Or Everyone in America), projection design by David Bengali (Square Peg Round Hole), and original compositions by Gary Grundei.
Tickets range from $25 to $50 and are on sale now at www.ensemblestudiotheatre.org or by calling 866-811-4111. Student, senior, and EST Ensemble Member tickets are also available for $30. The performance schedule is as follows: Monday, Wednesday, Thursday, Friday at 7pm; Saturday at 2pm and 7pm; Sunday at 5pm.
On Friday, March 31, 2017, The League of Professional Theatre Women (LPTW), a not-for-profit organization committed to promoting visibility and increasing opportunities for women in the professional theatre, is pleased to recognize the talents of six outstanding women: Carol Hall, Linda Cho, Lilieana Blain-Cruz, Liesl Tommy, Jess Chayes and Emily Simoness. The awards will be presented at the League’s 2017 Awards Celebration, hosted by Tamara Tunie, held at 6:30 pm on Friday, March 31 at The TimesCenter (242 West 41st Street), with the Big Mingle happening directly after at Sardi’s (234 West 44th Street, 2nd floor). Tickets to attend the Awards Ceremony & Big Mingle reception are $85-$300. All tickets are available online at https://web.ovationtix.com/trs/pe.c/10144002.
Carol Hall, composer/lyricist/playwright, creator of the Broadway musical The Best Little Whorehouse in Texas which won two Drama Desk Awards and a Grammy nomination for its cast album, will be presented with The Lifetime Achievement Award by Julie Gilbert (novelist, biographer, playwright and teacher. National Book Critic’s Circle Award Nomination for Ferber: A Biography of Edna Ferber and Her Circle (Doubleday) and a Pulitzer Prize nomination for Opposite Attraction: The Lives of Erich Maria Remarque and Paulette Goddard (Pantheon)).
The Ruth Morley Design Award was initiated in 1998 in honor of costume designer Ruth Morley, one of the profession's leading designers for theatre and film who also served on the LPTW Board of Directors. It is given annually to an outstanding female theatre designer in the field of costumes, scenery, lighting, or special effects. This year the award will be presented by Darko Tresnjak (2014 Tony, Drama Desk, and Outer Critics Circle awards for his direction of A Gentleman’s Guide to Love and Murder) to costume designer Linda Cho his current collaborator on Anastasia and who won a Tony Award for Tresnjak’s production of A Gentleman’s Guide to Love and Murder.
The Josephine Abady Award is given in memory of Josephine R. Abady, a stage and artistic director, and leader of the nonprofit theatre movement in the United States. The award is given annually to a woman theatre artist who has created work of cultural diversity. This year's recipient is the director Lileana Blain-Cruz (Suzan Lori-Parks' The Death of the Last Black Man in the Whole Entire World, Signature Theater).
The Lee Reynolds Award, in memory of producer and League member Lee Reynolds, is given annually to a woman or women active in any aspect of theatre whose work through the medium of theatre has helped to illuminate the possibilities for social, cultural or political change. Liesl Tommy, Tony-Nominated director of the Broadway and Public Theater productions of Danai Gurira’s Eclipsed starring Academy Award winner Lupita Nyong’o, receives this year’s award.
In April 1999, the LPTW received a bequest from the Lucille Lortel estate to establish a fund which would be given annually to “an aspiring woman in any discipline of theatre who is showing great creative promise and deserves recognition and encouragement.” This year's award will be given to Jess Chayes, Co-Artistic Director of The Assembly.
The LPTW Lucille Lortel Visionary Award, which also receives a grant from the aforementioned fund, is given on occasion to an aspiring woman working in any discipline of theatre outside traditional production who exemplifies creative promise and deserves recognition and encouragement. This year's award goes to SPACE on Ryder Farm’s Emily Simoness for her record of innovative commitment to inclusion and equity in development and support of artists.
Early bird tickets to attend the Awards Ceremony & Big Mingle reception are $85 for members and $100 for non-members until March 13th. After March 13th, tickets will be $100 for members and $135 for non-members. VIP tickets are also available for $275-$300. All tickets are available online at https://web.ovationtix.com/trs/pe.c/10144002
Carol Hall, composer/lyricist/playwright, creator of the Broadway musical The Best Little Whorehouse in Texas which won two Drama Desk Awards and a Grammy nomination for its cast album, will be presented with The Lifetime Achievement Award by Julie Gilbert (novelist, biographer, playwright and teacher. National Book Critic’s Circle Award Nomination for Ferber: A Biography of Edna Ferber and Her Circle (Doubleday) and a Pulitzer Prize nomination for Opposite Attraction: The Lives of Erich Maria Remarque and Paulette Goddard (Pantheon)).
The Ruth Morley Design Award was initiated in 1998 in honor of costume designer Ruth Morley, one of the profession's leading designers for theatre and film who also served on the LPTW Board of Directors. It is given annually to an outstanding female theatre designer in the field of costumes, scenery, lighting, or special effects. This year the award will be presented by Darko Tresnjak (2014 Tony, Drama Desk, and Outer Critics Circle awards for his direction of A Gentleman’s Guide to Love and Murder) to costume designer Linda Cho his current collaborator on Anastasia and who won a Tony Award for Tresnjak’s production of A Gentleman’s Guide to Love and Murder.
The Josephine Abady Award is given in memory of Josephine R. Abady, a stage and artistic director, and leader of the nonprofit theatre movement in the United States. The award is given annually to a woman theatre artist who has created work of cultural diversity. This year's recipient is the director Lileana Blain-Cruz (Suzan Lori-Parks' The Death of the Last Black Man in the Whole Entire World, Signature Theater).
The Lee Reynolds Award, in memory of producer and League member Lee Reynolds, is given annually to a woman or women active in any aspect of theatre whose work through the medium of theatre has helped to illuminate the possibilities for social, cultural or political change. Liesl Tommy, Tony-Nominated director of the Broadway and Public Theater productions of Danai Gurira’s Eclipsed starring Academy Award winner Lupita Nyong’o, receives this year’s award.
In April 1999, the LPTW received a bequest from the Lucille Lortel estate to establish a fund which would be given annually to “an aspiring woman in any discipline of theatre who is showing great creative promise and deserves recognition and encouragement.” This year's award will be given to Jess Chayes, Co-Artistic Director of The Assembly.
The LPTW Lucille Lortel Visionary Award, which also receives a grant from the aforementioned fund, is given on occasion to an aspiring woman working in any discipline of theatre outside traditional production who exemplifies creative promise and deserves recognition and encouragement. This year's award goes to SPACE on Ryder Farm’s Emily Simoness for her record of innovative commitment to inclusion and equity in development and support of artists.
Early bird tickets to attend the Awards Ceremony & Big Mingle reception are $85 for members and $100 for non-members until March 13th. After March 13th, tickets will be $100 for members and $135 for non-members. VIP tickets are also available for $275-$300. All tickets are available online at https://web.ovationtix.com/trs/pe.c/10144002
THE UMBRELLA is pleased to announce the world premiere production of DYNAMIC ALPINE SEXUAL, in an exclusive limited engagement at The Umbrella Factory (200 Morgan Avenue, 2nd Floor, Brooklyn, NY 11237). Created by and starring Jordan Sarah, performances begin Friday, March 31 and continue through Saturday, April 1. SPECIAL JOURNALIST PREVIEW: Thursday, March 30 at 7pm, please accept our invitation.
DYNAMIC ALPINE SEXUAL, is an immersive multimedia theatrical experience. Situated in a hexagonal set, with three panels of video screens augmenting the action, music videos and live action interludes tell the story of an oblivious ski legend, Dirk Dassler (Jordan Sarah), who at the height of his fame, grapples with preposterous and privileged personal crises.
Set to the score of the DYNAMIC ALPINE SEXUAL album, this parody of the “lifestyle genre”, follows an anti-hero skiing legend, Dirk Dassler, who sabotages a high flying career to follow a deluded dream that finds him back where he started, albeit with his soul and dreams crushed.
DYNAMIC ALPINE SEXUAL, the album, is more than the overwhelming rush you get while hurling yourself carelessly down a mountainside, or the effect your distinguished accolades have on securing the world's most discriminating sexual participants. It's a way of being that governs your very soul.
Produced by the dynamic duo behind the Rinsed nightlife events, Dan Wender and Blacky II, the production features scenic and lighting design by Chris Lunney, costume design by Vestment, and stage fabrication by Vitek Glinski and Bob Gallucci. The website is designed by Ana Giraldo Wingler.
DYNAMIC ALPINE SEXUAL plays the following schedule:
Friday, March 31 at 7pm, 9pm and 11pm
Saturday, April 1 at 5pm, 7pm, 9pm, 11pm
Tickets are $15 which include a free beverage and a digital download of the DAS album. Tickets are avalable online at http://rinsed.it/events/dynamic-alpine-sexual/ and the album is available at https://theumbrella.bandcamp.com/album/dynamic-alpine-sexual.
Running Time: 60 minutes
Website: www.dynamicalpinesexual.com
Location: The Umbrella Factory, 200 Morgan Ave, 2 Fl, Brooklyn NY 11237
DAS Video: https://vimeo.com/206345405/1f8d10362f
DYNAMIC ALPINE SEXUAL, is an immersive multimedia theatrical experience. Situated in a hexagonal set, with three panels of video screens augmenting the action, music videos and live action interludes tell the story of an oblivious ski legend, Dirk Dassler (Jordan Sarah), who at the height of his fame, grapples with preposterous and privileged personal crises.
Set to the score of the DYNAMIC ALPINE SEXUAL album, this parody of the “lifestyle genre”, follows an anti-hero skiing legend, Dirk Dassler, who sabotages a high flying career to follow a deluded dream that finds him back where he started, albeit with his soul and dreams crushed.
DYNAMIC ALPINE SEXUAL, the album, is more than the overwhelming rush you get while hurling yourself carelessly down a mountainside, or the effect your distinguished accolades have on securing the world's most discriminating sexual participants. It's a way of being that governs your very soul.
Produced by the dynamic duo behind the Rinsed nightlife events, Dan Wender and Blacky II, the production features scenic and lighting design by Chris Lunney, costume design by Vestment, and stage fabrication by Vitek Glinski and Bob Gallucci. The website is designed by Ana Giraldo Wingler.
DYNAMIC ALPINE SEXUAL plays the following schedule:
Friday, March 31 at 7pm, 9pm and 11pm
Saturday, April 1 at 5pm, 7pm, 9pm, 11pm
Tickets are $15 which include a free beverage and a digital download of the DAS album. Tickets are avalable online at http://rinsed.it/events/dynamic-alpine-sexual/ and the album is available at https://theumbrella.bandcamp.com/album/dynamic-alpine-sexual.
Running Time: 60 minutes
Website: www.dynamicalpinesexual.com
Location: The Umbrella Factory, 200 Morgan Ave, 2 Fl, Brooklyn NY 11237
DAS Video: https://vimeo.com/206345405/1f8d10362f
The premier International Human Rights Art Festival, New York City’s first arts-advocacy festival of its kind, will be presented by The Institute of Prophetic Activist Art, co-sponsored and housed at Dixon Place (161A Chrystie St, NYC). The Festival will take place March 3-5, 2017. Television producer and Presidential Medal of the Arts Winner, Norman Lear, is Advising Producer, and joins a roster of United States Senators, Congressman and local politicians on the list of honorary co-sponsors of the event. Tickets are $10-25 and are now available online with full schedule and participant information at www.dixonplace.org.
The International Human Rights Art Festival will bring together more than 70 artists producing more than 40 events, all of them oriented toward advocacy. Artistic media will include theatre, performance, dance, spoken word, painting, photography, music, literary arts, workshops, panel discussions, a kidsfest (hands-on activities to introduce children to using art for socially-transformative purpose), film and others. Rigorously curated for quality as well as content, the event includes some of New York’s most passionate rising artist-activists. It will raise social, cultural and political issues, as well as offering gentle, positive responses through thoughtful beauty and political and social thinking.
Bessie Award-winning Choreographer Joya Powell of Movement of the People Dance Company is amongst the talented artists who will be showcasing their work at the festival. Additional artists include: Playwright Mashuq Deen (New Dramatists Fellow 2022) who brings the story of his own transgender journey as a member of a traditional South Asian family; Playwright Catherine Filloux, winner of more than 40 awards for playwriting, activism and peace work, brings her latest piece to the Festival stage, on its way to a full run at La Mama, where she is Playwright in Residence; Musician Ari Gold, a Billboard Top 10 Recording Artist, Independent Music Award Winner, USA Songwriting Competition Grand Prize Winner, and a 3-time Outmusic “Visionary Award” recipient by the LGBT Academy of Recording Arts, presents his autobiographical look at his journey from Orthodox Jew to heterodox gay pop star; Oscar-nominated filmmaker Josh Fox best known for his 2010 documentary, Gasland will bring his latest film, How to Let Go; Award-winning, (Rauschenberg Foundation, Drama League, LMCC etc.) New York-based collective of artists and scientists, Superhero Clubhouse, working at the intersection of environmentalism and theater, introduces their latest endeavor, Pluto; five different dance companies are creating world premiere works, commissioned by the festival, incorporating human rights texts; Performance artist James Leonard has created a unique manner of raising awareness of climate change: climate change divination readings in a handmade tent, which will be installed at Dixon Place throughout the weekend; Muslim Women Speak panel will include Muslim women from around the world as they metaphorically unveil themselves, discussing what it means to be Muslim woman living in America; and finally the KidsFest with kids-run, hands-on activities introducing children to advocacy art on both Saturday and Sunday mornings. It will also include three art groups working especially with children and human rights. Further information on some of the participants is included below.
The Festival will use passionate, tough, unforgiving beauty to create social energy to catalyze collective action on social concerns, promote equality for racial, ethnic and religious groups, advocate for specific policy change in issues such as climate change, LGBT and disability laws, religious tolerance and other issues. Additionally, it will use workshops, discussions and other hands-on activities to inspire nearly 2000 audience members (including child participants in the “kidsfest”) to learn how to use their own creative agency to advocate for positive policy changes and realize their power and capacity for greater civic engagement.
This is the first human rights art festival in the long and vibrant history of New York City’s cultural scene. It is only the second professional, international human rights art festival in the United States--the other being the one produced by Tom Block in 2010, as the Amnesty International Human Rights Art Festival.
In addition to Mr. Lear, Honorary Co-Sponsors include Senator Bernie Sanders (VT), Senator Charles E. Schumer (NY), Senator Kirsten Gillibrand (NY), Senator Ben Cardin (MD), Senator Susan Collins (ME), Senator Chris Van Hollen (MD), Congressman and Civil Rights Hero John Lewis (GA), Congresswoman Nydia Velazquez (NY), Congressman Jamie Raskin (MD), Chinese Human Rights Defender and Democracy Activist Wei JingSheng, NY State Assemblywoman Deborah Glick, , and New York City Councilman and Majority Leader Jimmy Van Bramer.
International Human Rights Art Festival takes place at Dixon Place (161A Chrystie St, NYC) from March 3-5, 2017.
Dixon Place is located at 161A Chrystie Street (between Rivington and Delancey Streets), in Manhattan’s Lower East Side (By subway: B/D to Grand, F to 2nd Ave, J/Z to Bowery, 6 to Spring St, M to Essex St).
Tickets are $10-25 and are now available online at www.dixonplace.org.
The International Human Rights Art Festival will bring together more than 70 artists producing more than 40 events, all of them oriented toward advocacy. Artistic media will include theatre, performance, dance, spoken word, painting, photography, music, literary arts, workshops, panel discussions, a kidsfest (hands-on activities to introduce children to using art for socially-transformative purpose), film and others. Rigorously curated for quality as well as content, the event includes some of New York’s most passionate rising artist-activists. It will raise social, cultural and political issues, as well as offering gentle, positive responses through thoughtful beauty and political and social thinking.
Bessie Award-winning Choreographer Joya Powell of Movement of the People Dance Company is amongst the talented artists who will be showcasing their work at the festival. Additional artists include: Playwright Mashuq Deen (New Dramatists Fellow 2022) who brings the story of his own transgender journey as a member of a traditional South Asian family; Playwright Catherine Filloux, winner of more than 40 awards for playwriting, activism and peace work, brings her latest piece to the Festival stage, on its way to a full run at La Mama, where she is Playwright in Residence; Musician Ari Gold, a Billboard Top 10 Recording Artist, Independent Music Award Winner, USA Songwriting Competition Grand Prize Winner, and a 3-time Outmusic “Visionary Award” recipient by the LGBT Academy of Recording Arts, presents his autobiographical look at his journey from Orthodox Jew to heterodox gay pop star; Oscar-nominated filmmaker Josh Fox best known for his 2010 documentary, Gasland will bring his latest film, How to Let Go; Award-winning, (Rauschenberg Foundation, Drama League, LMCC etc.) New York-based collective of artists and scientists, Superhero Clubhouse, working at the intersection of environmentalism and theater, introduces their latest endeavor, Pluto; five different dance companies are creating world premiere works, commissioned by the festival, incorporating human rights texts; Performance artist James Leonard has created a unique manner of raising awareness of climate change: climate change divination readings in a handmade tent, which will be installed at Dixon Place throughout the weekend; Muslim Women Speak panel will include Muslim women from around the world as they metaphorically unveil themselves, discussing what it means to be Muslim woman living in America; and finally the KidsFest with kids-run, hands-on activities introducing children to advocacy art on both Saturday and Sunday mornings. It will also include three art groups working especially with children and human rights. Further information on some of the participants is included below.
The Festival will use passionate, tough, unforgiving beauty to create social energy to catalyze collective action on social concerns, promote equality for racial, ethnic and religious groups, advocate for specific policy change in issues such as climate change, LGBT and disability laws, religious tolerance and other issues. Additionally, it will use workshops, discussions and other hands-on activities to inspire nearly 2000 audience members (including child participants in the “kidsfest”) to learn how to use their own creative agency to advocate for positive policy changes and realize their power and capacity for greater civic engagement.
This is the first human rights art festival in the long and vibrant history of New York City’s cultural scene. It is only the second professional, international human rights art festival in the United States--the other being the one produced by Tom Block in 2010, as the Amnesty International Human Rights Art Festival.
In addition to Mr. Lear, Honorary Co-Sponsors include Senator Bernie Sanders (VT), Senator Charles E. Schumer (NY), Senator Kirsten Gillibrand (NY), Senator Ben Cardin (MD), Senator Susan Collins (ME), Senator Chris Van Hollen (MD), Congressman and Civil Rights Hero John Lewis (GA), Congresswoman Nydia Velazquez (NY), Congressman Jamie Raskin (MD), Chinese Human Rights Defender and Democracy Activist Wei JingSheng, NY State Assemblywoman Deborah Glick, , and New York City Councilman and Majority Leader Jimmy Van Bramer.
International Human Rights Art Festival takes place at Dixon Place (161A Chrystie St, NYC) from March 3-5, 2017.
Dixon Place is located at 161A Chrystie Street (between Rivington and Delancey Streets), in Manhattan’s Lower East Side (By subway: B/D to Grand, F to 2nd Ave, J/Z to Bowery, 6 to Spring St, M to Essex St).
Tickets are $10-25 and are now available online at www.dixonplace.org.
RUDDY PRODUCTIONS is pleased to announce the world premiere production of ORION, written by Matthew MacLachlan (ADULTish) and directed by Joshua Warr (Sing No Evil; Joshing Around). ORION will play a limited engagement at The Studio Theatre at Theatre Row (410 West 42nd Street, New York, NY 10036). Performances begin Tuesday, February 14 and continue through Saturday, March 4. Opening Night is Tuesday, February 14 (7:00 p.m.).
Critics are invited Tuesday, February 14 at 7:00pm (Opening Night); Wednesday, February 15 at 8:00 pm; Thursday, February 16 at 8:00pm; Friday, February 17 at 8:00pm; Saturday, February 18 at 2:00pm and 8:00pm (and any subsequent performance).
“You know when you’re driving and you make a wrong turn? You don’t know you made a wrong turn but you can feel it?” Sam and Gwen can't quite make their relationship, or their break up, work. While their closest friends seem to have everything figured out, they struggle to find their role in each other's lives. It’s the ultimate battle of head versus heart, in Matthew MacLachlan’s new contemporary love story.
Starring Scott Brieden as Scott, Amanda Jones as Gwen, Blake Merriman as Sam, and Simone Serra as Abby.
The production features scenic design by Alaina Hernandez, and Katie Healy is the production manager. Poster design by Adam Towers.
ORION plays the following schedule through Saturday, March 4*:
Wednesdays at 8:00pm
Thursdays at 8:00pm
Fridays at 8:00pm
Saturdays at 2:00pm and 8:00pm
Sundays at 3:00pm
*There is one Tuesday night performance on February 14th at 7:00 pm (Opening Night).
Tickets to ORION are $23.00 and available online at Telecharge.com or by calling 212-239-6200. Tickets may also be purchased in-person at the Theatre Row box office. Discount tickets for students (with code TRRUDDYSTU) and seniors (with code TRRUDDYSEN) are $18.00 and available online at TelechargeOffers.com or by calling 212-947-8844. Ticket prices include a $2.25 Restoration Fee.
Running Time: 90 Minutes
Website: https://www.ruddyproductions.org/
Direct link General Admission Tickets: https://www.telecharge.com/Off-Broadway/Orion/Overview?&aid=ven000193900
Direct link Student Discount Tickets:
https://www.telechargeoffers.com/go.aspx?MD=2001&MC=TRRUDDYSTU&AID=VEN000193900&cm_mmc=Theatre-Row-_-affiliate-_-web-_-VEN000193900&cm_mmca1=venue
Direct link Senior Discount Tickets:
https://www.telechargeoffers.com/go.aspx?MD=2001&MC=TRRUDDYSEN&AID=VEN000193900&cm_mmc=Theatre-Row-_-affiliate-_-web-_-VEN000193900&cm_mmca1=venue
Media Kit: https://drive.google.com/drive/u/0/folders/0B8HuemLZxEs8V29sSjEyblJhME0
Critics are invited Tuesday, February 14 at 7:00pm (Opening Night); Wednesday, February 15 at 8:00 pm; Thursday, February 16 at 8:00pm; Friday, February 17 at 8:00pm; Saturday, February 18 at 2:00pm and 8:00pm (and any subsequent performance).
“You know when you’re driving and you make a wrong turn? You don’t know you made a wrong turn but you can feel it?” Sam and Gwen can't quite make their relationship, or their break up, work. While their closest friends seem to have everything figured out, they struggle to find their role in each other's lives. It’s the ultimate battle of head versus heart, in Matthew MacLachlan’s new contemporary love story.
Starring Scott Brieden as Scott, Amanda Jones as Gwen, Blake Merriman as Sam, and Simone Serra as Abby.
The production features scenic design by Alaina Hernandez, and Katie Healy is the production manager. Poster design by Adam Towers.
ORION plays the following schedule through Saturday, March 4*:
Wednesdays at 8:00pm
Thursdays at 8:00pm
Fridays at 8:00pm
Saturdays at 2:00pm and 8:00pm
Sundays at 3:00pm
*There is one Tuesday night performance on February 14th at 7:00 pm (Opening Night).
Tickets to ORION are $23.00 and available online at Telecharge.com or by calling 212-239-6200. Tickets may also be purchased in-person at the Theatre Row box office. Discount tickets for students (with code TRRUDDYSTU) and seniors (with code TRRUDDYSEN) are $18.00 and available online at TelechargeOffers.com or by calling 212-947-8844. Ticket prices include a $2.25 Restoration Fee.
Running Time: 90 Minutes
Website: https://www.ruddyproductions.org/
Direct link General Admission Tickets: https://www.telecharge.com/Off-Broadway/Orion/Overview?&aid=ven000193900
Direct link Student Discount Tickets:
https://www.telechargeoffers.com/go.aspx?MD=2001&MC=TRRUDDYSTU&AID=VEN000193900&cm_mmc=Theatre-Row-_-affiliate-_-web-_-VEN000193900&cm_mmca1=venue
Direct link Senior Discount Tickets:
https://www.telechargeoffers.com/go.aspx?MD=2001&MC=TRRUDDYSEN&AID=VEN000193900&cm_mmc=Theatre-Row-_-affiliate-_-web-_-VEN000193900&cm_mmca1=venue
Media Kit: https://drive.google.com/drive/u/0/folders/0B8HuemLZxEs8V29sSjEyblJhME0
CONVERGENCES THEATRE COLLECTIVE is pleased to announce the world premiere production of BABEL, co-created by WT McRae (Peter and the Wolf, Long Island Philharmonic; The True nature of Love, Oberon Theatre Ensemble) and co-created and directed by Jeremy Williams (Murrow, Phoenix Theatre Ensemble; West Side Story, Arkansas Shakespeare Theatre). BABEL will play a limited engagement at The Theater at the 14th Street Y (344 East 14th Street, New York, NY 10003). Performances begin Wednesday, January 18 and continue through Sunday, February 5. Opening Night is Sunday, January 22 (7:30 p.m.). Tickets range in price from $15-$70 and are available at http://www.14streety.org/babel. Critics are invited Wednesday January 18 at 7:30pm, Friday January 20 at 8pm; Saturday, January 21 at 2pm and Sunday January 22 at 7:30pm (and any subsequent performance).
BABEL is a physical spectacle that reinvents one of the oldest stories in the world: The Tower of Babel, told through Acrobatic Dance Theater. It calls upon diverse perspectives of the story to reveal ambition, grief, and healing within the complexity of the human condition.
The company of 22 powerful dancers build the world of the play, a sculpture garden of bodies. Sitting in three quarter round, the audience is immersed in the tower where performers climb, fly and play--building it so high that it offends the gods. The tower is destroyed, the people divided, and given separate languages so that they cannot collaborate to build again. Conflict separates humanity--yet they persevere and continue to build together despite the challenges of communication and identity. BABEL embodies the human desire to create, to connect, and to collaborate to overcome adversity building ambitious towers again and again.
The ensemble includes Leo Abel, Argelia Arreola, Casey Beauchamp, Bruce Brackett, Melissa Denize, Olney Edmondson, Michael Eisenstein, Mark Ferrando, Brooke Ferris, Nora Gustuson, Jenna Hokanson, Eiko Kawashima, Sydney Ippolito, Charlie Kilgore, Zachary Koval, Ana Carolina Lima, Erica Lindegren, Melana Lloyd, Devin McDuffee, Rafa Reyes, Marisol Kimberly Rosa-Shapiro, Liz Stanton, and Juliana Suaide.
The production features music composed by Julie Zhu and Robert Fleitz (Juilliard Orchestra, The New Juilliard Ensemble, The Imperial Symphony Orchestra, Tampa Bay Symphony), costume design by Natalie Loveland (Up and Away - Lincoln Center), lighting design by Jay Ryan (Obie Award Recipient - Big Dance Theater; Eva Adamson Award for Excellence in Lighting Design; Phoebe Award Recipient), and design collaboration/photography by Lloyd Mulvey.
BABEL plays the following schedule through Sunday, February 5:
Wednesday, January 18th at 7:30pm
Friday, January 20th at 8:00pm
Saturday, January 21st at 2:00pm
Sunday, January 22nd at 7:30pm (Opening Night)
Tuesday, January 24th at 7:30pm
Thursday, January 26th at 7:30pm (LGBT Night)
Saturday, January 28th at 8:00pm
Sunday, January 29th at 2:00pm
Monday, January 30th at 7:30pm
Wednesday, February 1st at 7:30pm
Thursday, February 2nd at 2:00pm
Friday, February 3rd at 8:00pm
Saturday, February 4th at 2:00pm
Sunday, February 5th at 7:30pm
Tickets are $70 - Premium, $35 - General, $25 - Student/Senior/Military, $15 - Youth (12 and under) and are now available online at http://www.14streety.org/babel or by calling 646-395-4310. Tickets may also be purchased in-person at the theater ½ hour prior to performances.
Running Time: 75 Minutes
Website: www.convergencescollective.org
Media Kit: https://drive.google.com/drive/u/0/folders/0B8HuemLZxEs8Y1dqdl9OcHAyQm8
BABEL is a physical spectacle that reinvents one of the oldest stories in the world: The Tower of Babel, told through Acrobatic Dance Theater. It calls upon diverse perspectives of the story to reveal ambition, grief, and healing within the complexity of the human condition.
The company of 22 powerful dancers build the world of the play, a sculpture garden of bodies. Sitting in three quarter round, the audience is immersed in the tower where performers climb, fly and play--building it so high that it offends the gods. The tower is destroyed, the people divided, and given separate languages so that they cannot collaborate to build again. Conflict separates humanity--yet they persevere and continue to build together despite the challenges of communication and identity. BABEL embodies the human desire to create, to connect, and to collaborate to overcome adversity building ambitious towers again and again.
The ensemble includes Leo Abel, Argelia Arreola, Casey Beauchamp, Bruce Brackett, Melissa Denize, Olney Edmondson, Michael Eisenstein, Mark Ferrando, Brooke Ferris, Nora Gustuson, Jenna Hokanson, Eiko Kawashima, Sydney Ippolito, Charlie Kilgore, Zachary Koval, Ana Carolina Lima, Erica Lindegren, Melana Lloyd, Devin McDuffee, Rafa Reyes, Marisol Kimberly Rosa-Shapiro, Liz Stanton, and Juliana Suaide.
The production features music composed by Julie Zhu and Robert Fleitz (Juilliard Orchestra, The New Juilliard Ensemble, The Imperial Symphony Orchestra, Tampa Bay Symphony), costume design by Natalie Loveland (Up and Away - Lincoln Center), lighting design by Jay Ryan (Obie Award Recipient - Big Dance Theater; Eva Adamson Award for Excellence in Lighting Design; Phoebe Award Recipient), and design collaboration/photography by Lloyd Mulvey.
BABEL plays the following schedule through Sunday, February 5:
Wednesday, January 18th at 7:30pm
Friday, January 20th at 8:00pm
Saturday, January 21st at 2:00pm
Sunday, January 22nd at 7:30pm (Opening Night)
Tuesday, January 24th at 7:30pm
Thursday, January 26th at 7:30pm (LGBT Night)
Saturday, January 28th at 8:00pm
Sunday, January 29th at 2:00pm
Monday, January 30th at 7:30pm
Wednesday, February 1st at 7:30pm
Thursday, February 2nd at 2:00pm
Friday, February 3rd at 8:00pm
Saturday, February 4th at 2:00pm
Sunday, February 5th at 7:30pm
Tickets are $70 - Premium, $35 - General, $25 - Student/Senior/Military, $15 - Youth (12 and under) and are now available online at http://www.14streety.org/babel or by calling 646-395-4310. Tickets may also be purchased in-person at the theater ½ hour prior to performances.
Running Time: 75 Minutes
Website: www.convergencescollective.org
Media Kit: https://drive.google.com/drive/u/0/folders/0B8HuemLZxEs8Y1dqdl9OcHAyQm8
The Congressional Award honoree Hypokrit Theatre Company and Junoon Performing Arts, are pleased to present DEVDAS (The Lover) choreographed by Swarali Karulkar, and CHOKER BALI (The Passion Play), written by Partha Chatterjee and directed by Arpita Mukherjee. Two Indian classics re-imagined and running in repertory at The Theater for the New City (155 1st Avenue, New York, NY 10003), November 4th through the 20th, 2016. Opening Night is November 4th, 2016 at 7:00pm (Devdas), and 8:30pm (Chokher Bali).
Press are cordially invited
Opening Night Fri, Nov 4th at 7:00pm (Devdas) and 8:30pm (Chokher Bali);
Sun, Nov 6th at 2:00pm and 7:00pm (Devdas);
Sun, Nov 6 at 3:30pm and 8:30pm (Chokher Bali);
Mon, Nov 7th at 7:00pm (Devdas) and 8:30pm (Chokher Bali);
Tue, Nov 8th at 7:00pm (Devdas) and 8:30pm (Chokher Bali).
(And any subsequent performance upon request)
DEVDAS (The Lover)
The iconic Indian tale has always had a man at the center of it – Devdas – the symbol of love and loss. The story of the tragic hero is told from the point of view of the women that loved him in this ballet set in modern India. Through the use of original music composed by Aalap Desai and innovative Indo-contemporary choreography by star choreographer Swarali Karulkar, Hypokrit Theatre Company brings to the stage the oldest Indian love story, as its never been seen before, where women rule, and love and loss is just a transaction.
Featuring Shivani Badgi, Adam Bourque, Francesca Genovese, Rehan Qureshi, Chandan Hingorani, Swarali Karulkar, Devon Lubar, Aditya Madiraju, Sharayu Mahale, Sonia Mukherji, Mally Reber, Irene Sivianes, and Ruby Verma.
DEVDAS plays the following regular schedule through November 20th, 2016:
Tuesdays through Fridays at 7:00 pm
Saturdays at 2:00 pm
Sundays at 2:00 pm and 7:00 pm
There is one Monday performance on November 7th at 7:00pm
CHOKHER BALI (The Passion Play)
An exploration of the life of widows in 20th century Calcutta and one widow in particular, Binodini, who finds herself entangled in a forbidden love triangle. Adapted by Dr. Partha Chatterjee from Rabindranath Tagore’s novel, this story about female desire in the domestic sphere is adapted as a Greek tragedy. With the use of world music and movement by renowned choreographer Rujuta Vaidya, director Arpita Mukherjee presents Tagore’s most daring tale as an alive and present, contemporary work of art.
Featuring Kabir Chopra, Morgan DeTogne, Alisha Desai, Gautam Gurnani, Vaibhav Jain, Gerrard Lobo (Master of None), Maryan Newbury, Shubhra Prakash (Monsoon Wedding), Matthew Provenza, Mahima Saigal, Monique Sanchez (Drunk Shakespeare), Zenobia Shroff (Ek Main Aur Ekk Tu, Little Zizou), Rupi Sood, Rita Suri, and Sarah Suzuki.
CHOKHER BALI plays the following regular schedule through November 20th, 2016:
Tuesdays through Fridays at 8:30 pm
Saturdays at 3:30 pm
Sundays at 3:30 pm and 8:30 pm
There is one Monday performance on November 7th at 8:30pm
Tickets for Devdas and Chokher Bali are $50.00 ($70.00 Combo Price available) and can be purchased at www.hypokritnyc.org/nov2016rep/
Theater for the New City is located at 155 1st Avenue, New York, NY 10003
Press are cordially invited
Opening Night Fri, Nov 4th at 7:00pm (Devdas) and 8:30pm (Chokher Bali);
Sun, Nov 6th at 2:00pm and 7:00pm (Devdas);
Sun, Nov 6 at 3:30pm and 8:30pm (Chokher Bali);
Mon, Nov 7th at 7:00pm (Devdas) and 8:30pm (Chokher Bali);
Tue, Nov 8th at 7:00pm (Devdas) and 8:30pm (Chokher Bali).
(And any subsequent performance upon request)
DEVDAS (The Lover)
The iconic Indian tale has always had a man at the center of it – Devdas – the symbol of love and loss. The story of the tragic hero is told from the point of view of the women that loved him in this ballet set in modern India. Through the use of original music composed by Aalap Desai and innovative Indo-contemporary choreography by star choreographer Swarali Karulkar, Hypokrit Theatre Company brings to the stage the oldest Indian love story, as its never been seen before, where women rule, and love and loss is just a transaction.
Featuring Shivani Badgi, Adam Bourque, Francesca Genovese, Rehan Qureshi, Chandan Hingorani, Swarali Karulkar, Devon Lubar, Aditya Madiraju, Sharayu Mahale, Sonia Mukherji, Mally Reber, Irene Sivianes, and Ruby Verma.
DEVDAS plays the following regular schedule through November 20th, 2016:
Tuesdays through Fridays at 7:00 pm
Saturdays at 2:00 pm
Sundays at 2:00 pm and 7:00 pm
There is one Monday performance on November 7th at 7:00pm
CHOKHER BALI (The Passion Play)
An exploration of the life of widows in 20th century Calcutta and one widow in particular, Binodini, who finds herself entangled in a forbidden love triangle. Adapted by Dr. Partha Chatterjee from Rabindranath Tagore’s novel, this story about female desire in the domestic sphere is adapted as a Greek tragedy. With the use of world music and movement by renowned choreographer Rujuta Vaidya, director Arpita Mukherjee presents Tagore’s most daring tale as an alive and present, contemporary work of art.
Featuring Kabir Chopra, Morgan DeTogne, Alisha Desai, Gautam Gurnani, Vaibhav Jain, Gerrard Lobo (Master of None), Maryan Newbury, Shubhra Prakash (Monsoon Wedding), Matthew Provenza, Mahima Saigal, Monique Sanchez (Drunk Shakespeare), Zenobia Shroff (Ek Main Aur Ekk Tu, Little Zizou), Rupi Sood, Rita Suri, and Sarah Suzuki.
CHOKHER BALI plays the following regular schedule through November 20th, 2016:
Tuesdays through Fridays at 8:30 pm
Saturdays at 3:30 pm
Sundays at 3:30 pm and 8:30 pm
There is one Monday performance on November 7th at 8:30pm
Tickets for Devdas and Chokher Bali are $50.00 ($70.00 Combo Price available) and can be purchased at www.hypokritnyc.org/nov2016rep/
Theater for the New City is located at 155 1st Avenue, New York, NY 10003
MANHATTAN THEATRE WORKS and GOODE PRODUCTIONS in association with THE THEATER AT THE 14TH STREET Y, proudly present the triumphant return of Anaïs Nin Goes to Hell by David Stallings (Outstanding Original Full-Length Script, Dark Water - NY IT Awards), directed by Antonio Minino (Outstanding Director nominee, Scene/Unseen - PCTF Awards), as part of The Theater Series at The 14th Street Y. Anaïs Nin Goes to Hell will play a three week limited engagement from Friday, October 14th through Saturday, October 29th, 2016 at The Theater at the 14th Street Y (344 East 14th Street, New York, NY 10003). Opening night is Saturday, October 15th at 8:00 pm. Tickets are $18.00 ($15.00 Students and seniors) and can be purchased online by visiting www.14streety.org/anaisnin or by calling 646-395-4310.
Press are cordially invited Saturday, October 15th at 8:00 pm (Opening Night); Sunday, October 16th at 3:00 pm; Tuesday, October 18th at 8:00 pm; and Wednesday, October 19th at 8:00 pm. (and any subsequent performance upon request).
Anaïs Nin Goes to Hell is an existential comedy centered around some of the most powerful and memorable women of history (Queen Victoria, Cleopatra, Andromeda, Heloise, Joan of Arc) as they wait on an island in the river Styx for the final leg of their soul’s journey to eternal peace or damnation. Their monotonous afterlife is shaken up when women’s lib icon and erotica writer Anaïs Nin arrives to the island planting seeds of change.
An earlier version of the play received a workshop production as part the 2008 New York International Fringe Festival. Winner of the 2nd Biennial Arthur W. Stone New Play Award - Louisiana Tech University; winner of the 1st Prize Boston Theatre Works - 2007 UnBound Festival; Semi-finalist 2008 Princess Grace Awards. Selected as Best Script, Best Leading Actress, and Best Supporting Actress in the 2008 Best of OffOffOff.com’s Best of FringeNYC.
Starring Hannah Seusy (Outstanding Actress, J Train - PCTF Awards), Mel House* (Outstanding Actress, In the Bones - NY IT Awards), Mlé Chester (TV’s Vinyl and Blue Bloods), Madalyn McKay*, Stephanie Willing (The Jade Bracelet, Peking Opera Festival, China), Nylda Mark* (Women of Troy - Edinburgh Fringe Festival), Amanda Jones* (Marie Antoinette: The Color of Flesh - 45th Street Theater and Caldwell Theatre; Walking Down Broadway - Mint Theater), James Edward Becton* (Playing with Fire - The Negro Ensemble Company; Macbeth - The Classic Theatre of Harlem), and Richard Lindenfelzer* (Anything Goes - National Tour).
Featuring set design by Blair Mielnik, lighting design by Dan Gallagher, costume design by Izzy Fields, and sound design by Martha Goode (Executive Producer). The production’s line producer is Collin Bradley, the production stage manager is Rachel Denise April, and Natalie Marmol is the assistant director.
Anaïs Nin Goes to Hell plays the following schedule through October 29:
Tuesdays at 8:00 pm
Wednesdays at 8:00 pm
Thursdays at 8:00 pm
Fridays at 8:00 pm
Saturdays at 8:00 pm
Sundays at 3:00 pm
Tickets are $18.00 ($15.00 Students and seniors) and can be purchased online by visiting www.14streety.org/anaisnin or by calling 646-395-4310.
Media Kit:
https://drive.google.com/folderview?id=0B8HuemLZxEs8Vm1DcWFtNTJZTDQ&usp=sharing&tid=0B__qWZFLE00QblFOVTFGUkJhNmM
Running Time: 2 hours and one intermission.
*Appearing courtesy of Actors’ Equity Association.
Press are cordially invited Saturday, October 15th at 8:00 pm (Opening Night); Sunday, October 16th at 3:00 pm; Tuesday, October 18th at 8:00 pm; and Wednesday, October 19th at 8:00 pm. (and any subsequent performance upon request).
Anaïs Nin Goes to Hell is an existential comedy centered around some of the most powerful and memorable women of history (Queen Victoria, Cleopatra, Andromeda, Heloise, Joan of Arc) as they wait on an island in the river Styx for the final leg of their soul’s journey to eternal peace or damnation. Their monotonous afterlife is shaken up when women’s lib icon and erotica writer Anaïs Nin arrives to the island planting seeds of change.
An earlier version of the play received a workshop production as part the 2008 New York International Fringe Festival. Winner of the 2nd Biennial Arthur W. Stone New Play Award - Louisiana Tech University; winner of the 1st Prize Boston Theatre Works - 2007 UnBound Festival; Semi-finalist 2008 Princess Grace Awards. Selected as Best Script, Best Leading Actress, and Best Supporting Actress in the 2008 Best of OffOffOff.com’s Best of FringeNYC.
Starring Hannah Seusy (Outstanding Actress, J Train - PCTF Awards), Mel House* (Outstanding Actress, In the Bones - NY IT Awards), Mlé Chester (TV’s Vinyl and Blue Bloods), Madalyn McKay*, Stephanie Willing (The Jade Bracelet, Peking Opera Festival, China), Nylda Mark* (Women of Troy - Edinburgh Fringe Festival), Amanda Jones* (Marie Antoinette: The Color of Flesh - 45th Street Theater and Caldwell Theatre; Walking Down Broadway - Mint Theater), James Edward Becton* (Playing with Fire - The Negro Ensemble Company; Macbeth - The Classic Theatre of Harlem), and Richard Lindenfelzer* (Anything Goes - National Tour).
Featuring set design by Blair Mielnik, lighting design by Dan Gallagher, costume design by Izzy Fields, and sound design by Martha Goode (Executive Producer). The production’s line producer is Collin Bradley, the production stage manager is Rachel Denise April, and Natalie Marmol is the assistant director.
Anaïs Nin Goes to Hell plays the following schedule through October 29:
Tuesdays at 8:00 pm
Wednesdays at 8:00 pm
Thursdays at 8:00 pm
Fridays at 8:00 pm
Saturdays at 8:00 pm
Sundays at 3:00 pm
Tickets are $18.00 ($15.00 Students and seniors) and can be purchased online by visiting www.14streety.org/anaisnin or by calling 646-395-4310.
Media Kit:
https://drive.google.com/folderview?id=0B8HuemLZxEs8Vm1DcWFtNTJZTDQ&usp=sharing&tid=0B__qWZFLE00QblFOVTFGUkJhNmM
Running Time: 2 hours and one intermission.
*Appearing courtesy of Actors’ Equity Association.
GOOD WORKS PRODUCTIONS in association with AIZZAH FATIMA proudly present the premiere of The Lady Liberty Theater Festival, featuring Aizzah Fatima’s critically-acclaimed solo show Dirty Paki Lingerie, presented alongside two short plays by Monica Bauer: Lady Liberty’s Worst Day Ever and No Irish Need Apply. The three week limited engagement will take place at Urban Stages (259 West 30th Street, New York, NY 10001) from Wednesday, September 7th through Sunday, September 25th, 2016. On Sunday, September 11th, 2016 the festival will present a day of free staged readings that focus on the Muslim experience in America. Tickets range from $15.00 - $30.00, for more information visit www.ladylibertytheaterfestival.com
Press are cordially invited Wed, Sept 7th at 8:00 pm; Thu, Sep 8th at 8:00 pm (Opening Night); Fri, Sep 9th at 8:00 pm; Sat, Sep 10th at 8:00 pm; and Sun, Sep 11th at 2:00 pm. (and any subsequent performance upon request).
The Lady Liberty Theater Festival presents a trio of exciting immigration short plays aimed at curing the disease of Islamophobia in America, tied together by the ideals represented in the Statue of Liberty.
Dirty Paki Lingerie by Aizzah Fatima, directed by Erica Gould, interweaves the stories of six American-Muslim women, aged 6 to 65, all portrayed by Fatima in a virtuosic performance. Drawing from real-life incidents and one-on-one interviews with Pakistani-American women. Joining Dirty Paki Lingerie are two shorts by award-winning playwright Monica Bauer, directed by Cheryl King: Lady Liberty's Worst Day Ever, starring Frances McGarry as the Statue of Liberty, and J. Dolan Byrnes as her agent, Vinnie. He breaks the news to Lady Liberty that she's been purchased by Donald Trump, and is going to be rebranded as the Trump Statue of Liberty. Watch her fight back!; and No Irish Need Apply (recently seen at The Kennedy Center in DC, and the Irish Arts Center in Manhattan), starring Ali Andre Ali as a Syrian refugee looking for a job in Queens, and Frances McGarry as Joan Fitzgerald, a crusty old woman who needs help running her bodega.
The Lady Liberty Theater Festival will also include back to back free staged readings on Sunday, September 11th, 2016 from 12:00 pm to 6:00 pm. Confirmed readings include What They Heard by Mona Mansour, directed by Kareem Fahmy; The Higher Education of Khalid Amir and Anne Frank in the Gaza Strip by Monica Bauer, directed by Glory Kadigan. The readings are free but donations will be collected on behalf of the International Rescue Committee for their work with Syrian refugees. For schedule information and full line up visit www.ladylibertytheaterfestival.com
The Lady Liberty Theater Festival plays the following schedule through September 25th**:
Wednesdays at 8:00 pm
Thursdays at 8:00 pm
Fridays at 8:00 pm
Saturdays at 8:00 pm
Sundays at 2:00 pm
**Schedule Exceptions: On Sunday, September 11th from 12:00 pm to 6:00 pm the festival will present various staged readings. On this day there will be no performances of Dirty Paki Lingerie, Lady Liberty’s Worst Day or No Irish Need Apply. There will no performances on Friday, September 16th.
Tickets range from $15.00 -$30.00, for more information visit www.ladylibertytheaterfestival.com
Direct link tickets: http://www.brownpapertickets.com/event/2579422
Watch a Promo from Dirty Paki Lingerie:
https://www.youtube.com/watch?v=3d-R6QbRWo8
Watch a Promo from No Irish Need Apply:
https://www.youtube.com/watch?v=pG9q-asMQBM
Media Kit: https://drive.google.com/folderview?id=0BykpzBOsirH_cERaYjZEd1g0bzA&usp=sharing&tid=0B__qWZFLE00QblFOVTFGUkJhNmM
Urban Stages is located at 259 West 30th Street, New York, NY 10001
Running Time: Two hours with one intermission (Running time of readings vary).
Press are cordially invited Wed, Sept 7th at 8:00 pm; Thu, Sep 8th at 8:00 pm (Opening Night); Fri, Sep 9th at 8:00 pm; Sat, Sep 10th at 8:00 pm; and Sun, Sep 11th at 2:00 pm. (and any subsequent performance upon request).
The Lady Liberty Theater Festival presents a trio of exciting immigration short plays aimed at curing the disease of Islamophobia in America, tied together by the ideals represented in the Statue of Liberty.
Dirty Paki Lingerie by Aizzah Fatima, directed by Erica Gould, interweaves the stories of six American-Muslim women, aged 6 to 65, all portrayed by Fatima in a virtuosic performance. Drawing from real-life incidents and one-on-one interviews with Pakistani-American women. Joining Dirty Paki Lingerie are two shorts by award-winning playwright Monica Bauer, directed by Cheryl King: Lady Liberty's Worst Day Ever, starring Frances McGarry as the Statue of Liberty, and J. Dolan Byrnes as her agent, Vinnie. He breaks the news to Lady Liberty that she's been purchased by Donald Trump, and is going to be rebranded as the Trump Statue of Liberty. Watch her fight back!; and No Irish Need Apply (recently seen at The Kennedy Center in DC, and the Irish Arts Center in Manhattan), starring Ali Andre Ali as a Syrian refugee looking for a job in Queens, and Frances McGarry as Joan Fitzgerald, a crusty old woman who needs help running her bodega.
The Lady Liberty Theater Festival will also include back to back free staged readings on Sunday, September 11th, 2016 from 12:00 pm to 6:00 pm. Confirmed readings include What They Heard by Mona Mansour, directed by Kareem Fahmy; The Higher Education of Khalid Amir and Anne Frank in the Gaza Strip by Monica Bauer, directed by Glory Kadigan. The readings are free but donations will be collected on behalf of the International Rescue Committee for their work with Syrian refugees. For schedule information and full line up visit www.ladylibertytheaterfestival.com
The Lady Liberty Theater Festival plays the following schedule through September 25th**:
Wednesdays at 8:00 pm
Thursdays at 8:00 pm
Fridays at 8:00 pm
Saturdays at 8:00 pm
Sundays at 2:00 pm
**Schedule Exceptions: On Sunday, September 11th from 12:00 pm to 6:00 pm the festival will present various staged readings. On this day there will be no performances of Dirty Paki Lingerie, Lady Liberty’s Worst Day or No Irish Need Apply. There will no performances on Friday, September 16th.
Tickets range from $15.00 -$30.00, for more information visit www.ladylibertytheaterfestival.com
Direct link tickets: http://www.brownpapertickets.com/event/2579422
Watch a Promo from Dirty Paki Lingerie:
https://www.youtube.com/watch?v=3d-R6QbRWo8
Watch a Promo from No Irish Need Apply:
https://www.youtube.com/watch?v=pG9q-asMQBM
Media Kit: https://drive.google.com/folderview?id=0BykpzBOsirH_cERaYjZEd1g0bzA&usp=sharing&tid=0B__qWZFLE00QblFOVTFGUkJhNmM
Urban Stages is located at 259 West 30th Street, New York, NY 10001
Running Time: Two hours with one intermission (Running time of readings vary).
PEACHPIE PRODUCTIONS proudly presents the world premiere of the dystopian musical Crashlight, written and directed by Celeste Makoff, with musical arrangements and orchestrations by Trevor Bumgarner, and choreography by Kaitlyn Moise. Crashlight will play a three week limited engagement from Thursday, August 25th through Sunday, September 11th, 2016 at the Cherry Lane Theatre (38 Commerce Street, New York, NY 10014). Opening night is Saturday, August 27th at 7:00 pm. Tickets are $30.00 ($22.00 Students and seniors) and can be purchased online by visiting www.crashlightnyc.com or by calling 212-352-3101.
Press are cordially invited Thursday, August 25th at 7:00 pm; Friday, August 25th at 7:00 pm; Saturday, August 27th at 7:00 pm (Opening NIght); and Sunday August 28th at 7:00 pm.
(and any subsequent performance upon request).
"The music I wrote for Crashlight was inspired by the stories of North Korean defectors.” -shares creator Celeste Makoff - “My hope with this musical is that the audience remembers how fortunate we are to have the freedom to write, read, listen to music, and educate ourselves on the world without risking our lives."
Tens of millions of people in a dystopian future have only three minutes of sunlight a day. This small amount of light is controlled by a fascist dictator; master of propaganda, power and control by censorship. After discovering that someone in the sky hides the light away, a courageous illegal violin maker armed with her music, ventures out in the dark in an attempt to reveal a beautiful freedom to those who don’t even know one exists.
Starring Andy Dispensa (The Commedia Cinderella), Rylee Doiron, Robert DiDomenico (Shakespeare in Space), Alexis Ebers (The Christians), Rachel Ferretti, Lindsay Gitter (Taylor Mac’s A 24-Decade History of Popular Music), Ivy Idzakovich, Chandler James, Lynnsey Lewis, Kaitlyn Moise, Marisa Roper, Caleb Schaaf, and Cara Treacy.
Featuring set design by Adam Crinson, costume design by Shirlee Idzakovich, sound design by Sean Kiely and Ian O’loughlin, film direction and production design by Aaron Duffy. Kaitlyn Miller is the production stage manager, Maria Puglisi is the assistant choreographer, and Elizabeth Earhart is the production assistant. Graphic design by Paul Nunez.
Crashlight plays the following schedule through September 11th:
Thursdays at 7:00 pm
Fridays at 7:00 pm
Saturdays at 7:00 pm
Sundays at 7:00 pm (the performance on Sun, Sep 11th is at 2:00 pm)
Tickets are $30.00 ($22.00 Students and seniors) and can be purchased online by visiting www.crashlightnyc.com or by calling 212-352-3101.
Media Kit:
https://drive.google.com/folderview?id=0B8HuemLZxEs8aUp2LXdlNGM2dzA&usp=sharing&tid=0B__qWZFLE00QblFOVTFGUkJhNmM
Take a look at one of the propaganda films featured in Crashlight:
https://www.youtube.com/watch?v=2mAUhr29b4g&feature=youtu.be
Take a listen to “Runaway” and “Who Out There” from Crashlight:
https://soundcloud.com/user-43103100
Running Time: Two hours with one intermission.
Press are cordially invited Thursday, August 25th at 7:00 pm; Friday, August 25th at 7:00 pm; Saturday, August 27th at 7:00 pm (Opening NIght); and Sunday August 28th at 7:00 pm.
(and any subsequent performance upon request).
"The music I wrote for Crashlight was inspired by the stories of North Korean defectors.” -shares creator Celeste Makoff - “My hope with this musical is that the audience remembers how fortunate we are to have the freedom to write, read, listen to music, and educate ourselves on the world without risking our lives."
Tens of millions of people in a dystopian future have only three minutes of sunlight a day. This small amount of light is controlled by a fascist dictator; master of propaganda, power and control by censorship. After discovering that someone in the sky hides the light away, a courageous illegal violin maker armed with her music, ventures out in the dark in an attempt to reveal a beautiful freedom to those who don’t even know one exists.
Starring Andy Dispensa (The Commedia Cinderella), Rylee Doiron, Robert DiDomenico (Shakespeare in Space), Alexis Ebers (The Christians), Rachel Ferretti, Lindsay Gitter (Taylor Mac’s A 24-Decade History of Popular Music), Ivy Idzakovich, Chandler James, Lynnsey Lewis, Kaitlyn Moise, Marisa Roper, Caleb Schaaf, and Cara Treacy.
Featuring set design by Adam Crinson, costume design by Shirlee Idzakovich, sound design by Sean Kiely and Ian O’loughlin, film direction and production design by Aaron Duffy. Kaitlyn Miller is the production stage manager, Maria Puglisi is the assistant choreographer, and Elizabeth Earhart is the production assistant. Graphic design by Paul Nunez.
Crashlight plays the following schedule through September 11th:
Thursdays at 7:00 pm
Fridays at 7:00 pm
Saturdays at 7:00 pm
Sundays at 7:00 pm (the performance on Sun, Sep 11th is at 2:00 pm)
Tickets are $30.00 ($22.00 Students and seniors) and can be purchased online by visiting www.crashlightnyc.com or by calling 212-352-3101.
Media Kit:
https://drive.google.com/folderview?id=0B8HuemLZxEs8aUp2LXdlNGM2dzA&usp=sharing&tid=0B__qWZFLE00QblFOVTFGUkJhNmM
Take a look at one of the propaganda films featured in Crashlight:
https://www.youtube.com/watch?v=2mAUhr29b4g&feature=youtu.be
Take a listen to “Runaway” and “Who Out There” from Crashlight:
https://soundcloud.com/user-43103100
Running Time: Two hours with one intermission.
Patriot Act Presidential Road Trip 2016...Live! is pleased to announce the New York premiere of two-time FringeNMYC winning solo performer Mike Schlitt’s PATRIOT ACT, as part of the 20th annual New York International Fringe Festival - FringeNYC performing on Friday August 19 @ 2:00pm, Sunday August 21 @ 3:45pm, Wednesday August 24 @ 9:15pm, Saturday August 27 @ 9:15pm, and Sunday August 28 @ 5:15pm at Alpha Omega Theatrical Dance Company (70 East 4th Street – Lower Level -- Bowery & 2nd Avenue). The $18 tickets are available at FRINGENYC.ORG.
PATRIOT ACT is a comedic theatrical roller-coaster ride through United States’ history and an invitation for audiences to activate their citizenship and let their voices be heard in a celebration of art, advocacy, action (+ puppets).
Writer/Performer Mike Schlitt, an upbeat, inspirational TED TALKing, white male of privilege, stumping for America, can restore anyone’s faith in American Democracy in just 47 minutes. He starts a countdown clock, then proceeds to tell his tale with the help of puppet sidekicks, Thomas Jefferson and John Adams. Mike exposes the gap between the promise of America and it’s’ flawed execution. When the clock runs out, he asks the audience to choose sides for a rabble rousing, free-wheeling audience-driven “Raucous Caucus”. Discussions on activism, democracy and governance ensue, seeds are planted--participatory democracy is hard at work.
PATRIOT ACT Presidential Road Trip 2016…Live! is one disgruntled American’s bold attempt to experience democracy in action. In 2016, Mike Schlitt embarks upon a national electoral listening tour, traveling the country as we select our next President. It’s an experiment in performance, journalism, civic participation, and intimately sane conversations in (sometimes) insane circumstances. Through radio commentary, public debate, podcasts, democracy salons, voter registration drives and a live interactive performance of the show PATRIOT ACT, Mike is exploring our shared histories, learning what the 99% think of our Democratic process, and figuring out exactly what it means to be an American citizen today.
PATRIOT ACT is campaign managed by Ashley Sparks and Kevin Corstange, spin doctored by Michael John Garcés and Mark Valdez, with coalition advisment by Tracy Young and image consulting by Shawn Stoner.
PATRIOT ACT will play the following performances as part of the 20th annual New York International Fringe Festival (FringeNYC):
FRI AUGUST 19 @ 2:00pm
SUN AUGUST 21 @ 3:45pm
WED AUGUST 24 @ 9:15pm
SAT AUGUST 27 @ 9:15pm
SUN AUGUST 28 @ 5:15pm
Tickets are $18.00 and will be available for purchase online or on your smartphone up to 30min prior to the performance at www.fringenyc.org. Tickets may also be purchased in person at FringeCentral the day prior to the performance, or at the performance venue 15min prior to the performance (credit card only).
VENUE #10: Alpha Omega Theatrical Dance Company
70 East 4th Street – Lower Level
(Bowery & 2nd Avenue)
Running Time: 80 minutes. 50 min solo performance + 30 minute audience engagement "raucous- caucus"
Electronic Media Kit with Photos
For more information visit http://www.fringenyc.org/basic_page.php?ltr=P or www.mikeschlitt.com
PATRIOT ACT is a comedic theatrical roller-coaster ride through United States’ history and an invitation for audiences to activate their citizenship and let their voices be heard in a celebration of art, advocacy, action (+ puppets).
Writer/Performer Mike Schlitt, an upbeat, inspirational TED TALKing, white male of privilege, stumping for America, can restore anyone’s faith in American Democracy in just 47 minutes. He starts a countdown clock, then proceeds to tell his tale with the help of puppet sidekicks, Thomas Jefferson and John Adams. Mike exposes the gap between the promise of America and it’s’ flawed execution. When the clock runs out, he asks the audience to choose sides for a rabble rousing, free-wheeling audience-driven “Raucous Caucus”. Discussions on activism, democracy and governance ensue, seeds are planted--participatory democracy is hard at work.
PATRIOT ACT Presidential Road Trip 2016…Live! is one disgruntled American’s bold attempt to experience democracy in action. In 2016, Mike Schlitt embarks upon a national electoral listening tour, traveling the country as we select our next President. It’s an experiment in performance, journalism, civic participation, and intimately sane conversations in (sometimes) insane circumstances. Through radio commentary, public debate, podcasts, democracy salons, voter registration drives and a live interactive performance of the show PATRIOT ACT, Mike is exploring our shared histories, learning what the 99% think of our Democratic process, and figuring out exactly what it means to be an American citizen today.
PATRIOT ACT is campaign managed by Ashley Sparks and Kevin Corstange, spin doctored by Michael John Garcés and Mark Valdez, with coalition advisment by Tracy Young and image consulting by Shawn Stoner.
PATRIOT ACT will play the following performances as part of the 20th annual New York International Fringe Festival (FringeNYC):
FRI AUGUST 19 @ 2:00pm
SUN AUGUST 21 @ 3:45pm
WED AUGUST 24 @ 9:15pm
SAT AUGUST 27 @ 9:15pm
SUN AUGUST 28 @ 5:15pm
Tickets are $18.00 and will be available for purchase online or on your smartphone up to 30min prior to the performance at www.fringenyc.org. Tickets may also be purchased in person at FringeCentral the day prior to the performance, or at the performance venue 15min prior to the performance (credit card only).
VENUE #10: Alpha Omega Theatrical Dance Company
70 East 4th Street – Lower Level
(Bowery & 2nd Avenue)
Running Time: 80 minutes. 50 min solo performance + 30 minute audience engagement "raucous- caucus"
Electronic Media Kit with Photos
For more information visit http://www.fringenyc.org/basic_page.php?ltr=P or www.mikeschlitt.com
MOTHERLODE THEATRE, RCT Theatres, in association with Wales Millennium Centre, and Arts Council Wales, presents the US premiere of THE GOOD EARTH at The Flea Theater. This acclaimed Welsh folk play with music is directed by “one of the most powerful and influential women in Welsh theatre” (Wales Online), Rachael Boulton (director of Blackout at the Royal National Theatre in London) . The limited New York engagement, prior to its World Tour, will play the upstairs space at The Flea Theater, 41 White Street, New York, NY 10013. Performances begin Wednesday, August 17th and continue through Saturday, September 3rd, 2016. Opening Night is Wednesday, August 24th at 7:00 pm. Tickets are available at www.theflea.org.
Press cordially invited Sat, Aug 20th at 3:00 pm, Sat, August 20th at 7:00 pm, Mon, August 22nd at 7:00 pm, Tue, August 23rd at 7:00 pm, and Wed, August 24th at 7: 00 pm (Opening Night)
(and any subsequent performance).
Inspired by true events, The Good Earth is the explosive new story of a Welsh village fighting to save their homes and mountain unravelled through physical theatre akin to the Welsh-trained Frantic Assembly, new writing and Welsh folk song, bringing to life a valley torn apart by their council, big business and eventually themselves.
The piece was developed in residency in the Rhondda Valley, Wales, working with one of the few still standing ex-mining theatres of the 1800’s to tell the story of a family, who against all odds, fought for what they believed in.
The play is bilingual with all songs sung in Welsh. The songs were first recorded in New York in 1965 by Welsh language activist Dr. Meredydd Evans.
Featuring Rachael Boulton, Anni Dafydd, Kate Elis, Gwenllian Higginson (Forever Young - Young Vic Theatre, London; England’s Dreaming - Unicorn Theatre, London) and Michael Humphrey (War Horse - World Tour).
The production is musical directed by Max Mackintosh and features scenic/costume design by Buddug James Jones, lighting design by Katy Morrison, and graphic design and illustration by Tom Flannery. Jason Rost is the New York Associate Producer and Matt Davies is the general manager.
The Good Earth plays the following schedule through September 3rd (please note 7:00pm curtain):
Mondays at 7:00 pm
Tuesdays at 7:00 pm
Wednesdays at 7:00 pm
Thursdays at 7:00 pm
Fridays at 7:00 pm
Saturdays at 3:00 pm and 7:00 pm
Tickets are $25.00 ($15 rush; $35 premium) and are now available online at theflea.org or by calling 866-811-4111. Tickets may also be purchased in person at The Flea Theater.
The Flea Theater is located at 41 White Street (between Broadway and Church Street), New York, NY 10013
Subway: Accessible from the A/C/E, N/R/Q, 6, J/M/Z to Canal Street or the 1 to Franklin Street.
Running Time: 1 hour and 20 minutes (No intermission).
Website: http://motherlodetheatre.com/thegoodearth
Watch and Listen: https://vimeo.com/137543540
Press cordially invited Sat, Aug 20th at 3:00 pm, Sat, August 20th at 7:00 pm, Mon, August 22nd at 7:00 pm, Tue, August 23rd at 7:00 pm, and Wed, August 24th at 7: 00 pm (Opening Night)
(and any subsequent performance).
Inspired by true events, The Good Earth is the explosive new story of a Welsh village fighting to save their homes and mountain unravelled through physical theatre akin to the Welsh-trained Frantic Assembly, new writing and Welsh folk song, bringing to life a valley torn apart by their council, big business and eventually themselves.
The piece was developed in residency in the Rhondda Valley, Wales, working with one of the few still standing ex-mining theatres of the 1800’s to tell the story of a family, who against all odds, fought for what they believed in.
The play is bilingual with all songs sung in Welsh. The songs were first recorded in New York in 1965 by Welsh language activist Dr. Meredydd Evans.
Featuring Rachael Boulton, Anni Dafydd, Kate Elis, Gwenllian Higginson (Forever Young - Young Vic Theatre, London; England’s Dreaming - Unicorn Theatre, London) and Michael Humphrey (War Horse - World Tour).
The production is musical directed by Max Mackintosh and features scenic/costume design by Buddug James Jones, lighting design by Katy Morrison, and graphic design and illustration by Tom Flannery. Jason Rost is the New York Associate Producer and Matt Davies is the general manager.
The Good Earth plays the following schedule through September 3rd (please note 7:00pm curtain):
Mondays at 7:00 pm
Tuesdays at 7:00 pm
Wednesdays at 7:00 pm
Thursdays at 7:00 pm
Fridays at 7:00 pm
Saturdays at 3:00 pm and 7:00 pm
Tickets are $25.00 ($15 rush; $35 premium) and are now available online at theflea.org or by calling 866-811-4111. Tickets may also be purchased in person at The Flea Theater.
The Flea Theater is located at 41 White Street (between Broadway and Church Street), New York, NY 10013
Subway: Accessible from the A/C/E, N/R/Q, 6, J/M/Z to Canal Street or the 1 to Franklin Street.
Running Time: 1 hour and 20 minutes (No intermission).
Website: http://motherlodetheatre.com/thegoodearth
Watch and Listen: https://vimeo.com/137543540
MyCarl Productions, in association with KAMPFIRE FILMS, is pleased to announce the world premiere production of Kevin R. Free’s NIGHT OF THE LIVING N-WORD!!, directed by Nicole A. Watson as part of the 20th annual New York International Fringe Festival - FringeNYC. NIGHT OF THE LIVING N-WORD!! will perform on Tuesday August 16 @ 2pm, Wednesday August 17 @ 9:15pm, Saturday August 20 @ 7:15pm, Tuesday August 23 @ 9:30pm, and Friday August 26 @ 4:30pm at the Players Theater (115 MacDougal Street).
There's nothing scarier than a white woman bent on saving a race! When guests at Channing's party go missing, Barbra holds the key. A slasher-comedy with a bloody point. You can bury the N-Word; can you make it DIE?!
NIGHT OF THE LIVING N-WORD!! is a socially-relevant comedy with a sharp point. The play, a parody of the horror movies “Night of the Living Dead” and “April Fool’s Day” contributes to the conversation happening in and around black theater and the #BlackLivesMatter movement about police brutality and blackness under the white gaze.
The production stars Aaron Parker Fouhey (Are You Not Entertained?) as Channing, Obie Award-winner Kevin R. Free (The Fantasticks; The Fire This Time Festival; Gemma & The Bear!) as Ben, Eevin Hartsough (New York Neo-Futurists; Gemma & The Bear!) as Barbra, Romeo Lacandola, Stanley Wayne Mathis (Book of Mormon National Tour; Bway: Nice Work If You Can Get It, Wonderful Town, Kiss Me, Kate, You’re A Good Man, Charlie Brown, The Lion King, Jelly’s Last Jam and Oh, Kay!) and T. Thompson (The Messiah Complex).
NIGHT OF THE LIVING N_WORD will play the following performances as part of the 20th annual New York International Fringe Festival (FringeNYC):
TUE AUGUST 16 @ 2pm
WED AUGUST 17 @ 9:15pm
SAT AUGUST 20 @ 7:15pm
TUE AUGUST 23 @ 9:30pm
FRI AUGUST 26 @ 4:30pm
Tickets are $18.00 and will be available for purchase online or on your smartphone up to 30min prior to the performance at www.fringenyc.org. Tickets may also be purchased in person at FringeCentral the day prior to the performance, or at the performance venue 15min prior to the performance (credit card only).
For more information visit
http://www.fringenyc.org/basic_page.php?ltr=N#NIGHTO
VENUE #13: Players Theatre
115 MacDougal Street
(West 3rd and Bleecker)
Running Time: 99 minutes
Electronic Media Kit with Photos
There's nothing scarier than a white woman bent on saving a race! When guests at Channing's party go missing, Barbra holds the key. A slasher-comedy with a bloody point. You can bury the N-Word; can you make it DIE?!
NIGHT OF THE LIVING N-WORD!! is a socially-relevant comedy with a sharp point. The play, a parody of the horror movies “Night of the Living Dead” and “April Fool’s Day” contributes to the conversation happening in and around black theater and the #BlackLivesMatter movement about police brutality and blackness under the white gaze.
The production stars Aaron Parker Fouhey (Are You Not Entertained?) as Channing, Obie Award-winner Kevin R. Free (The Fantasticks; The Fire This Time Festival; Gemma & The Bear!) as Ben, Eevin Hartsough (New York Neo-Futurists; Gemma & The Bear!) as Barbra, Romeo Lacandola, Stanley Wayne Mathis (Book of Mormon National Tour; Bway: Nice Work If You Can Get It, Wonderful Town, Kiss Me, Kate, You’re A Good Man, Charlie Brown, The Lion King, Jelly’s Last Jam and Oh, Kay!) and T. Thompson (The Messiah Complex).
NIGHT OF THE LIVING N_WORD will play the following performances as part of the 20th annual New York International Fringe Festival (FringeNYC):
TUE AUGUST 16 @ 2pm
WED AUGUST 17 @ 9:15pm
SAT AUGUST 20 @ 7:15pm
TUE AUGUST 23 @ 9:30pm
FRI AUGUST 26 @ 4:30pm
Tickets are $18.00 and will be available for purchase online or on your smartphone up to 30min prior to the performance at www.fringenyc.org. Tickets may also be purchased in person at FringeCentral the day prior to the performance, or at the performance venue 15min prior to the performance (credit card only).
For more information visit
http://www.fringenyc.org/basic_page.php?ltr=N#NIGHTO
VENUE #13: Players Theatre
115 MacDougal Street
(West 3rd and Bleecker)
Running Time: 99 minutes
Electronic Media Kit with Photos
THE PLAYWRITING COLLECTIVE, in association with HERE ARTS CENTER, proudly presents Joshua Young’s WHO MOURNS FOR BOB THE GOON?, directed by Lucia Bellini. The four week limited engagement will be at HERE Arts Center (145 Avenue of the Americas, New York, NY 10013) as part of the Sublet Series at HERE. Performances begin Sat, July 20 and continue through Tue, August 13, 2016. Opening Night is Thursday, July 28th at 8:30 pm. Tickets are available at www.here.org or by calling 212-352-3101.
Press are cordially invited Wed, July 20 at 8:30 pm, Thu, July 21 at 8:30 pm, Fri, July 22 at 8:30 pm, Sat, July 23 at 8:30 pm, Sun, July 24 at 4:00 pm, Wed, July 27 at 8:30 pm, and Opening Night Thu, July 28 at 8:30 pm. (and any subsequent performance upon request).
Bob believes he is the Joker Henchman from the '89 Batman, Bob The Goon, and no one in his PTSD therapy group can convince him otherwise. The reason--the veterans in this special group also believe they are, or were, third tier comic book characters--the less heroic and most obscure. All begins to unravel when an ex-pilot, Langly, joins despite her belief that she is from the anime world, not a comic.
Who Mourns for Bob the Goon? uses projections to create the worlds of the play. In one moment the audience could be in a real world, amusement park setting and then transform into a fantastical realm such as "The Spectre's Realm" which the character Jim thinks he inhabits.
The production features costume design by Jenny O’Donnell, lighting design by Miriam Crowe, and projection/video design by Joshua Young (IATSE, Video 100 Years of Post MoMA Film Exhibition 2015, Guggenheim's Works In Process: Rafael Lozano-Hemmer - Project Levels of Nothingness, Karole Armitage's The Blue Rider in Performance, Robert Wilson's Watermill Quintet, Phillip Glass’ Icarus at the Edge of Time). Laura Ramadei is the general manager.
Who Mourns for Bob the Goon? plays the following schedule through August 13th:
Wednesdays through Saturdays at 8:30 pm
Sundays at 4:00 pm
Tickets are $20 and are now available online at www.here.org or by calling 212-352-3101. Tickets may also be purchased in person at the HERE Arts Center box office.
HERE Arts Center is located at 145 Avenue of the Americas, New York, NY 10013
Running Time: 2 hours
Website: http://www.whomournsforbobthegoon.com/
Press are cordially invited Wed, July 20 at 8:30 pm, Thu, July 21 at 8:30 pm, Fri, July 22 at 8:30 pm, Sat, July 23 at 8:30 pm, Sun, July 24 at 4:00 pm, Wed, July 27 at 8:30 pm, and Opening Night Thu, July 28 at 8:30 pm. (and any subsequent performance upon request).
Bob believes he is the Joker Henchman from the '89 Batman, Bob The Goon, and no one in his PTSD therapy group can convince him otherwise. The reason--the veterans in this special group also believe they are, or were, third tier comic book characters--the less heroic and most obscure. All begins to unravel when an ex-pilot, Langly, joins despite her belief that she is from the anime world, not a comic.
Who Mourns for Bob the Goon? uses projections to create the worlds of the play. In one moment the audience could be in a real world, amusement park setting and then transform into a fantastical realm such as "The Spectre's Realm" which the character Jim thinks he inhabits.
The production features costume design by Jenny O’Donnell, lighting design by Miriam Crowe, and projection/video design by Joshua Young (IATSE, Video 100 Years of Post MoMA Film Exhibition 2015, Guggenheim's Works In Process: Rafael Lozano-Hemmer - Project Levels of Nothingness, Karole Armitage's The Blue Rider in Performance, Robert Wilson's Watermill Quintet, Phillip Glass’ Icarus at the Edge of Time). Laura Ramadei is the general manager.
Who Mourns for Bob the Goon? plays the following schedule through August 13th:
Wednesdays through Saturdays at 8:30 pm
Sundays at 4:00 pm
Tickets are $20 and are now available online at www.here.org or by calling 212-352-3101. Tickets may also be purchased in person at the HERE Arts Center box office.
HERE Arts Center is located at 145 Avenue of the Americas, New York, NY 10013
Running Time: 2 hours
Website: http://www.whomournsforbobthegoon.com/
THE NEW YORK MUSICAL FESTIVAL and HYPOKRIT THEATRE COMPANY are pleased to present Eh Dah? Questions for my Father, a new solo musical by Egyptian American performing artist Aya Aziz. Eh Dah? - Questions for my Father will play a limited engagement at the June Havoc Theatre (312 W 36th St, New York, NY 10018) as part of The New York Musical Festival. Performances are Tuesday, July 19th at 8:00 pm, Wednesday, July 20th at 1:00 pm, Saturday, July 23rd at 9:00 pm, Sunday, July 24th at 9:00 pm, and Thursday, July 28th at 9:00 pm.
“Ghetto-Hippie-Arab-Commie-China Doll” Aya was shaped by the eclectic community of New York City. But Aya’s father, an Egyptian-American world-traveler, remained a mystery, as did her Muslim family. In this solo musical, Aya enacts the world she came from and the family she went in search of. With a range of accents, voices, and zany characters, Aya’s story deals with contemporary conflicts – identity, the culture war, Islamophobia, all while asking Eh Dah – what is this?!
Sameer Garg is the general manager, and Kyle Rosenberg (Broadway’s upcoming Monsoon Wedding) is the technical director and production stage manager. Produced by Arpita Mukherjee (Artistic Director and Co-Founder of Hypokrit Theatre Company) and Shubhra Prakash (co-founder of Hypokrit Theatre Company). Brinda Dixit is the artistic associate. Press representation by Kampfire PR.
Individual tickets are $29.50 (includes $2.00 facility fee), NYMF Passes are also available. For more information visit
http://www.nymf.org
Website: http://nymf.org/ehdah/
Clips: Take a look at highlights from Eh Dah? Questions for my Father: https://www.facebook.com/hypokrittheatre/videos/1719354171670039/
The June Havoc Theatre is located at 312 W 36th Suite 1, NY, NY 10018
“Ghetto-Hippie-Arab-Commie-China Doll” Aya was shaped by the eclectic community of New York City. But Aya’s father, an Egyptian-American world-traveler, remained a mystery, as did her Muslim family. In this solo musical, Aya enacts the world she came from and the family she went in search of. With a range of accents, voices, and zany characters, Aya’s story deals with contemporary conflicts – identity, the culture war, Islamophobia, all while asking Eh Dah – what is this?!
Sameer Garg is the general manager, and Kyle Rosenberg (Broadway’s upcoming Monsoon Wedding) is the technical director and production stage manager. Produced by Arpita Mukherjee (Artistic Director and Co-Founder of Hypokrit Theatre Company) and Shubhra Prakash (co-founder of Hypokrit Theatre Company). Brinda Dixit is the artistic associate. Press representation by Kampfire PR.
Individual tickets are $29.50 (includes $2.00 facility fee), NYMF Passes are also available. For more information visit
http://www.nymf.org
Website: http://nymf.org/ehdah/
Clips: Take a look at highlights from Eh Dah? Questions for my Father: https://www.facebook.com/hypokrittheatre/videos/1719354171670039/
The June Havoc Theatre is located at 312 W 36th Suite 1, NY, NY 10018
The League of Professional Theatre Women is pleased to present CARMEN DE LAVALLADE, actress, dancer, choreographer, for the next Oral History interview. LAVALLADE will sit down with dance journalist, DEBORAH JOWITT to discuss her large body of work. The event will take place on Monday, June 27, 2016 at 6:00 pm in the Bruno Walter Auditorium of the New York Public Library for the Performing Arts on 65th Street & Amsterdam Avenue. Admission is free, but seats will be on a first-come-first-seated basis.
Betty Corwin, who produces the Oral History series with Pat Addiss and Ludovica Villar-Hauser, is "delighted that Carmen De Lavallade, who has an unparalleled career in dance, theatre film and television, has agreed to be interviewed by Deborah Jowitt, dancer, choreographer and writer, for our next Oral History program on June 27th. Ms De Lavallade, known for her grace and elegance, has performed on the world's greatest stages, has been a dance and theatre treasure for more than six decades and is an inspiration to other artists in the truest sense of the word."
The League has major support from the Edith Meiser Foundation covering interviews with such notables as Billie Allen, Mercedes Ruehl, Tyne Daly, Patti LuPone, Christine Ebersole, Kia Corthron, Donna Murphy, Frances McDormand, and many others. The ongoing Oral History Project chronicles and documents the contributions of significant theatre women in many fields. The interviews are videotaped and preserved for posterity in the Theatre on Film and Tape Archive at the New York Public Library for the Performing Arts at Lincoln Center.
This program is made possible, in part, with public funds from the NYC Department of Cultural Affairs, in partnership with the City Council, and with funds from the NYS Council on the Arts, a state agency, with the support of Governor Andrew M. Cuomo
Carmen de Lavallade has had an unparalleled career in dance, theater, film and television beginning in her hometown of Los Angeles performing with the Lester Horton Dance Theater. While in Los Angeles, she appeared in four movies, including Carmen Jones (1954) with Dorothy Dandridge and Odds Against Tomorrow (1959) with Harry Belafonte. She appeared as a dancer in the Broadway production of House of Flowers. Her dance career includes having ballets created for her by Lester Horton, Geoffrey Holder, Alvin Ailey, Glen Tetley, John Butler and Agnes de Mille. She has choreographed for many companies and has had an extensive acting career as a member of the Yale Repertory Theatre and the American Repertory Theatre, performing in numerous Off-Broadway productions. She and her husband, Geoffrey Holder, were the subjects of the film Carmen & Geoffrey (2005), which chronicled their sixty year partnership and artistic legacy. Ms. de Lavallade received the Dance Magazine Award in 1964, an honorary doctorate of Fine Arts from the Juilliard School in 2007, the Duke Ellington Fellowship Award, and the Dance USA Award in 2010. Carmen is the recent recipient of the 2016 Obie Award for Lifetime Achievement. In 1999, she was also named by the Dance Heritage Coalition as one of America’s 100 Irreplaceable Dance Treasures. Carmen de Lavallade has been an incomparable dance and theater treasure for more than six decades. In her eighties and still performing with a supreme level of grace and elegance, she is an icon in the truest sense of the word – inspiring generations of artists and audiences.
Deborah Jowitt began to dance professionally in the 1950s and to choreograph in the 1960s. She wrote about dance for The Village Voice from 1967 to 2011 and currently writes for artsjournal.com. She has published two collections, Dance Beat (1977) and The Dance in Mind (1985), as well as Time and the Dancing Image (1988) and Jerome Robbins: His Life, His Theater, His Dance (2004). Her current project is a critical biography of Martha Graham. Her essays have appeared in numerous journals and anthologies, She lectures and conducts workshops worldwide and teaches in the Dance Department of New York University’s Tisch School of the Arts.
ABOUT LPTW:
The League of Professional Theatre Women is a not-for-profit 501 (c)(3) organization. It presents numerous events each year as part of its mission to promote visibility and increase opportunities for women in the field. None of its work is possible without generous philanthropic support. The League, celebrating its thirty-third anniversary, boasts a membership of more than 500 women representing a diverse group of theatre professionals in both the for-profit and not-for-profit sectors. League members are actors, administrators, agents, arrangers, casting directors, choreographers, company managers, composers, critics, designers, directors, dramaturgs, dramatists, educators, general managers, historians, journalists, librettists, lyricists, press agents, playwrights, producers, stage managers, and theatre technicians. To find out more about how you can support its endeavors, please visit the website www.theatrewomen.org and click on the “Support Us” tab.
# # #
Betty Corwin, who produces the Oral History series with Pat Addiss and Ludovica Villar-Hauser, is "delighted that Carmen De Lavallade, who has an unparalleled career in dance, theatre film and television, has agreed to be interviewed by Deborah Jowitt, dancer, choreographer and writer, for our next Oral History program on June 27th. Ms De Lavallade, known for her grace and elegance, has performed on the world's greatest stages, has been a dance and theatre treasure for more than six decades and is an inspiration to other artists in the truest sense of the word."
The League has major support from the Edith Meiser Foundation covering interviews with such notables as Billie Allen, Mercedes Ruehl, Tyne Daly, Patti LuPone, Christine Ebersole, Kia Corthron, Donna Murphy, Frances McDormand, and many others. The ongoing Oral History Project chronicles and documents the contributions of significant theatre women in many fields. The interviews are videotaped and preserved for posterity in the Theatre on Film and Tape Archive at the New York Public Library for the Performing Arts at Lincoln Center.
This program is made possible, in part, with public funds from the NYC Department of Cultural Affairs, in partnership with the City Council, and with funds from the NYS Council on the Arts, a state agency, with the support of Governor Andrew M. Cuomo
Carmen de Lavallade has had an unparalleled career in dance, theater, film and television beginning in her hometown of Los Angeles performing with the Lester Horton Dance Theater. While in Los Angeles, she appeared in four movies, including Carmen Jones (1954) with Dorothy Dandridge and Odds Against Tomorrow (1959) with Harry Belafonte. She appeared as a dancer in the Broadway production of House of Flowers. Her dance career includes having ballets created for her by Lester Horton, Geoffrey Holder, Alvin Ailey, Glen Tetley, John Butler and Agnes de Mille. She has choreographed for many companies and has had an extensive acting career as a member of the Yale Repertory Theatre and the American Repertory Theatre, performing in numerous Off-Broadway productions. She and her husband, Geoffrey Holder, were the subjects of the film Carmen & Geoffrey (2005), which chronicled their sixty year partnership and artistic legacy. Ms. de Lavallade received the Dance Magazine Award in 1964, an honorary doctorate of Fine Arts from the Juilliard School in 2007, the Duke Ellington Fellowship Award, and the Dance USA Award in 2010. Carmen is the recent recipient of the 2016 Obie Award for Lifetime Achievement. In 1999, she was also named by the Dance Heritage Coalition as one of America’s 100 Irreplaceable Dance Treasures. Carmen de Lavallade has been an incomparable dance and theater treasure for more than six decades. In her eighties and still performing with a supreme level of grace and elegance, she is an icon in the truest sense of the word – inspiring generations of artists and audiences.
Deborah Jowitt began to dance professionally in the 1950s and to choreograph in the 1960s. She wrote about dance for The Village Voice from 1967 to 2011 and currently writes for artsjournal.com. She has published two collections, Dance Beat (1977) and The Dance in Mind (1985), as well as Time and the Dancing Image (1988) and Jerome Robbins: His Life, His Theater, His Dance (2004). Her current project is a critical biography of Martha Graham. Her essays have appeared in numerous journals and anthologies, She lectures and conducts workshops worldwide and teaches in the Dance Department of New York University’s Tisch School of the Arts.
ABOUT LPTW:
The League of Professional Theatre Women is a not-for-profit 501 (c)(3) organization. It presents numerous events each year as part of its mission to promote visibility and increase opportunities for women in the field. None of its work is possible without generous philanthropic support. The League, celebrating its thirty-third anniversary, boasts a membership of more than 500 women representing a diverse group of theatre professionals in both the for-profit and not-for-profit sectors. League members are actors, administrators, agents, arrangers, casting directors, choreographers, company managers, composers, critics, designers, directors, dramaturgs, dramatists, educators, general managers, historians, journalists, librettists, lyricists, press agents, playwrights, producers, stage managers, and theatre technicians. To find out more about how you can support its endeavors, please visit the website www.theatrewomen.org and click on the “Support Us” tab.
# # #
On June 15th at 6pm, The League of Professional Theatre Women (LPTW), a not-for-profit organization promoting visibility and increased opportunities for women in the field, will lead an equality march through Times Square to advocate for equal representation of women in theatre, the fourth annual Women Stage The World.
“Women buy two-thirds of the tickets and represent 65% of the audience,” said Mahayana Landowne, theatre director and board member of the League of Professional Theatre Women. “The irony is that 80% of the time, the storytelling on stage is shaped by men’s voices, not women’s. We march for parity--equal representation of women in all areas of the theatre.”
On Tuesday, June 15th, at 6pm Broadway theatregoers will see women parading and advocating for equal representation in theatre. Many parading will be wearing costumes in honor of famous women who set the stage: you may recognize the likes of Dorothy Parker, Katharine Cornell, Aphra Behn, Margo Jones, Lady Gregory or Hallie Flanagan, director of the WPA Theatre. In celebration and solidarity, an Advocacy Anthem has been written by composer/lyricist Sheilah Rae. To learn more about the program and parade route, visit www.theatrewomen.org.
Women Stage the World, an advocacy project of the LPTW, is designed to educate the public about the role women play in creating theatre and the gender barriers they face as men continue to outnumber women by 4 to 1 in key roles such as playwright, director and designer.
Women Stage the World will prompt ticket-buyers to ask three questions as they make buying decisions:
(1) Who wrote, directed and designed this play?
(2) What is this theatre’s track record in giving opportunities to women?
(3) How can you spread the word and promote women’s voices?
Like the suffragettes before them, Women Stage the World empowers women and men to become aware, take action and influence others. There is good news in this story, several New York theatres have impressive track records in producing work by women including Playwrights Horizons, New York Theatre Workshop, Three Graces, New Georges and The Women’s Project.
“In a field that is influenced by existing networks and long-standing relationships, artistic directors and literary managers need to find ways to remain open to work by women artists,” said Karen Eterovich, secretary of the Advocacy Committee of the LPTW. They offer up the example of symphony orchestras that moved to a “blind audition” where women and men audition behind screens. It has more than doubled the number of female concert musicians employed professionally around the country.
ABOUT LPTW:
The League of Professional Theatre Women is a not-for-profit 501 (c)(3) organization. It presents numerous events each year as part of its mission to promote visibility and increase opportunities for women in the field. None of its work is possible without generous philanthropic support. The League, celebrating its thirty-third anniversary, now boasts a membership of nearly 500 women representing a diversity of theatre professionals in both the for-profit and not-for-profit sectors. League members are actors, administrators, agents, arrangers, casting directors, choreographers, company managers, composers, critics, designers, directors, dramaturgs, dramatists, educators, general managers, historians, journalists, librettists, lyricists, press agents, playwrights, producers, stage managers, and theatre technicians. To find out more about how you can support its endeavors, please visit the website www.theatrewomen.org and click on the “Support Us” tab.
Black Box Studios proudly presents a new production of The Pillowman, by award-winning Irish playwright Martin McDonagh (B’way: The Cripple of Inishmaan, A Behanding in Spokane, The Lieutenant of Inishmore, The Lonesome West, The Beauty Queen of Leenane), directed by Black Box Performing Arts Center’s artistic director, Matt Okin. The Pillowman will play a two week engagement from April 7 through April 17th, 2016 at Teaneck’s Black Box Performing Arts Center (200 Walraven Dr. (just off Palisade Ave), Teaneck, NJ 07666). Tickets are $18 ($15 Students) and are available at www.blackboxnynj.com/pillowman or by calling 201-357-2221.
"It's cutting-edge theater that one would normally need to 'go over the GBW' for, right here in central Teaneck,” shares artistic director Matt Okin.
The Pillowman is a dark comedy about the interrogation of a fiction writer, in an unnamed totalitarian state, whose gruesome Brothers Grimm style short stories have eerie similarities to local horrific child murders.
Featuring Laura Alba, Haia Bchiri, Sam Cancelarich, Huey Esquire, Nate Murphy, Nava Plaut, Jeffrey Roth and Sean Tivenan.
With set design and lighting design by Frank Avellino, and Gerard Bourcier. The production stage manager, costume and special effects designer is Haia Bchiri; and Yonatan Gordon is the stage manager.
The Pillowman plays the following performances through Sunday, April 17th:
Thursday, April 7th at 8pm
Friday, April 8th at 8pm
Saturday, April 9th at 9pm
Sunday, April 10th at 7:30pm
Thursday, April 14th at 8pm
Friday, April 15th at 8pm
Saturday, April 16th at 9pm
Sunday, April 17th at 7:30pm
Tickets are $18.00 ($15 Students), and are now available at www.blackboxnynj.com/pillowman/ or by calling 201-357-2221. Tickets may also be purchased at the venue.
Black Box Performing Arts Center is located at 200 Walraven Dr. (just off Palisade Ave), Teaneck, NJ 07666.
Advisory: The Pillowman contains mature language and violence is depicted on stage that is not suitable for children under the age of 14.
Direct link to purchase tickets: https://apps.vendini.com/ticket-software.html?t=tix&e=739e56ae2ae6ef303a1dcf39085a9e4f&vqitq=6a311bd3-8e60-421e-8ca6-59532286b811&vqitp=31e96249-9f9c-47db-b9ec-149f2494b127&vqitts=1458226846&vqitc=vendini&vqite=itl&vqitrt=Safetynet&vqith=665a41f5dc7441e687e7d8c5fc040d6b
"It's cutting-edge theater that one would normally need to 'go over the GBW' for, right here in central Teaneck,” shares artistic director Matt Okin.
The Pillowman is a dark comedy about the interrogation of a fiction writer, in an unnamed totalitarian state, whose gruesome Brothers Grimm style short stories have eerie similarities to local horrific child murders.
Featuring Laura Alba, Haia Bchiri, Sam Cancelarich, Huey Esquire, Nate Murphy, Nava Plaut, Jeffrey Roth and Sean Tivenan.
With set design and lighting design by Frank Avellino, and Gerard Bourcier. The production stage manager, costume and special effects designer is Haia Bchiri; and Yonatan Gordon is the stage manager.
The Pillowman plays the following performances through Sunday, April 17th:
Thursday, April 7th at 8pm
Friday, April 8th at 8pm
Saturday, April 9th at 9pm
Sunday, April 10th at 7:30pm
Thursday, April 14th at 8pm
Friday, April 15th at 8pm
Saturday, April 16th at 9pm
Sunday, April 17th at 7:30pm
Tickets are $18.00 ($15 Students), and are now available at www.blackboxnynj.com/pillowman/ or by calling 201-357-2221. Tickets may also be purchased at the venue.
Black Box Performing Arts Center is located at 200 Walraven Dr. (just off Palisade Ave), Teaneck, NJ 07666.
Advisory: The Pillowman contains mature language and violence is depicted on stage that is not suitable for children under the age of 14.
Direct link to purchase tickets: https://apps.vendini.com/ticket-software.html?t=tix&e=739e56ae2ae6ef303a1dcf39085a9e4f&vqitq=6a311bd3-8e60-421e-8ca6-59532286b811&vqitp=31e96249-9f9c-47db-b9ec-149f2494b127&vqitts=1458226846&vqitc=vendini&vqite=itl&vqitrt=Safetynet&vqith=665a41f5dc7441e687e7d8c5fc040d6b
GALLERY OF ANGELS, INC. is pleased to announce the world premiere production of William Kernen’s AND OTHER FAIRY TALES..., directed by Kernen. AND OTHER FAIRY TALES... will play a four week limited engagement at The Workshop Theater (312 W 36th, NYC 10018). Performances begin Thursday, April 28 and continue through Sunday, May 22. Opening Night is Thursday, April 28 at (7:30 p.m.).$18 tickets are available at https://www.artful.ly/store/events/8681
Ann, a woman of surprisingly well preserved beauty, attends the funeral of a man she hasn’t seen in 40 years, since the day she vanished from his life. A message from her deceased lover sends Ann on an expressionistic odyssey back through her life, which brings her face to face with herself as a beautiful six year old girl full of promise, an 18 year old young woman bent on revenge and a 30 year old woman faced with a desperate decision. Seen at four ages (often simultaneously), Ann struggles toward an unexpected self realization, but redemption proves possible in the form of a shocking, beautiful surprise hidden in the message from her lover’s grave.
The production stars Diane Perell* (Gladys in 42nd Street at Kennedy Center and A Chorus Line at Shubert Theatre), as Ann-present, Karen Stanion*(Reasons to Live at Provincetown theatre, The Pillowman at Astoria Performing Arts Center) as Ann-30, Andrea Fantauzzi (lead in feature film Adira) as Ann-18, Elle Campagna (short film Dodo Titi) as Ann-6, Matt Saxton* (upcoming feature film Wolf), as Brian, and Lue McWilliams* (multi award winning film Naked as We Came) as Martha.
The production features scenic design by Angelica Borrero, costume design by Paras Terzis, and lighting design by Jason Fok. Korey Sanders is the stage manager.
AND OTHER FAIRY TALES... plays the following regular schedule through Sunday, May 22:
Thursdays at 7:30 p.m.
Fridays at 7:30 p.m.
Saturdays at 7:30 p.m.
Sundays at 3 p.m.
Tickets are $18 and are now available online at www.WilliamKernen.com. Tickets may also be purchased in-person at the theater, 1⁄2 hour prior to performance.
Running Time: 90 minutes, no intermission
Website: www.WilliamKernen.com
Ann, a woman of surprisingly well preserved beauty, attends the funeral of a man she hasn’t seen in 40 years, since the day she vanished from his life. A message from her deceased lover sends Ann on an expressionistic odyssey back through her life, which brings her face to face with herself as a beautiful six year old girl full of promise, an 18 year old young woman bent on revenge and a 30 year old woman faced with a desperate decision. Seen at four ages (often simultaneously), Ann struggles toward an unexpected self realization, but redemption proves possible in the form of a shocking, beautiful surprise hidden in the message from her lover’s grave.
The production stars Diane Perell* (Gladys in 42nd Street at Kennedy Center and A Chorus Line at Shubert Theatre), as Ann-present, Karen Stanion*(Reasons to Live at Provincetown theatre, The Pillowman at Astoria Performing Arts Center) as Ann-30, Andrea Fantauzzi (lead in feature film Adira) as Ann-18, Elle Campagna (short film Dodo Titi) as Ann-6, Matt Saxton* (upcoming feature film Wolf), as Brian, and Lue McWilliams* (multi award winning film Naked as We Came) as Martha.
The production features scenic design by Angelica Borrero, costume design by Paras Terzis, and lighting design by Jason Fok. Korey Sanders is the stage manager.
AND OTHER FAIRY TALES... plays the following regular schedule through Sunday, May 22:
Thursdays at 7:30 p.m.
Fridays at 7:30 p.m.
Saturdays at 7:30 p.m.
Sundays at 3 p.m.
Tickets are $18 and are now available online at www.WilliamKernen.com. Tickets may also be purchased in-person at the theater, 1⁄2 hour prior to performance.
Running Time: 90 minutes, no intermission
Website: www.WilliamKernen.com
THE PHOENIX THEATRE ENSEMBLE is pleased to announce the New York Premiere production of Joseph Vitale’s MURROW, starring Joseph Menino, and directed by Jeremy Williams. MURROW will play a limited engagement at The Wild Project (195 East 3rd Street, NYC). Performances begin Wednesday, May 4 and continue through Sunday, May 22. Opening Night is Saturday, May 7 (8 p.m.). Tickets are $25 at www.OvationTix.com or 2123522101.
“Murrow,” a onecharacter play in two acts, traces the life of famed broadcast journalist Edward R. Murrow from his beginnings as a young man growing up in Washington State, to his entry into radio with the fledgling CBS radio network, to his famed broadcasts from London during the “blitz,” to his on air showdown with Senator Joseph McCarthy in 1954. The play ends as Murrow is forced off the air by his onetime friend and mentor Bill Paley when Murrow’s penchant for controversial programs becomes too risky for the CBS Corporation to bear. More than just a biography of one of the icons of American journalism, “Murrow” is ultimately a powerful, scathing indictment of the modern corporate-media complex.
The production features scenic design by W.T. McRae and lighting design by Kate Jaworski. Liz Stanton is the sound designer. Video projection designer and stage management are TBD.
MURROW plays the following regular schedule through Sunday, May 22:
Wednesdays at 8 p.m.
Thursdays at 8 p.m.
Fridays at 8 p.m.
Saturdays at 2 p.m. and 8 p.m.
Sundays at 3 p.m.
There is an additional performance on Tuesday, May 17 at 8 p.m.
The performance on Wednesday May 11 is at 2 p.m. (not 8 p.m.)
Tickets are $25 and are now available online at www.OvationTix.com or by calling 8668114111.
Tickets may also be purchased in person at the theater 1⁄2 hour prior to performance.
Running Time: 90 minutes
Website: http://www.phoenixtheatreensemble.org/murrow/
www.MurrowThePlay.com
Post-Show Symposiums:
May 5 at 8pm: Eric Alterman is Distinguished Professor of English and Journalism, Brooklyn
College, City University of New York, and Professor of Journalism at the CUNY Graduate School of
Journalism. He is also “The Liberal Media” columnist for The Nation.
May 7 at 8pm: Leonard Jacobs is the founder and editor of the Clyde Fitch Report, a blog on arts
and politics. http://www.clydefitchreport.com/
May 17 at 8pm: Samuel Freedman is the head of Ethics in Journalism and Columbia School of
Journalism. http://www.journalism.columbia.edu/profile/36samuelfreedman/10
more TBD
“Murrow,” a onecharacter play in two acts, traces the life of famed broadcast journalist Edward R. Murrow from his beginnings as a young man growing up in Washington State, to his entry into radio with the fledgling CBS radio network, to his famed broadcasts from London during the “blitz,” to his on air showdown with Senator Joseph McCarthy in 1954. The play ends as Murrow is forced off the air by his onetime friend and mentor Bill Paley when Murrow’s penchant for controversial programs becomes too risky for the CBS Corporation to bear. More than just a biography of one of the icons of American journalism, “Murrow” is ultimately a powerful, scathing indictment of the modern corporate-media complex.
The production features scenic design by W.T. McRae and lighting design by Kate Jaworski. Liz Stanton is the sound designer. Video projection designer and stage management are TBD.
MURROW plays the following regular schedule through Sunday, May 22:
Wednesdays at 8 p.m.
Thursdays at 8 p.m.
Fridays at 8 p.m.
Saturdays at 2 p.m. and 8 p.m.
Sundays at 3 p.m.
There is an additional performance on Tuesday, May 17 at 8 p.m.
The performance on Wednesday May 11 is at 2 p.m. (not 8 p.m.)
Tickets are $25 and are now available online at www.OvationTix.com or by calling 8668114111.
Tickets may also be purchased in person at the theater 1⁄2 hour prior to performance.
Running Time: 90 minutes
Website: http://www.phoenixtheatreensemble.org/murrow/
www.MurrowThePlay.com
Post-Show Symposiums:
May 5 at 8pm: Eric Alterman is Distinguished Professor of English and Journalism, Brooklyn
College, City University of New York, and Professor of Journalism at the CUNY Graduate School of
Journalism. He is also “The Liberal Media” columnist for The Nation.
May 7 at 8pm: Leonard Jacobs is the founder and editor of the Clyde Fitch Report, a blog on arts
and politics. http://www.clydefitchreport.com/
May 17 at 8pm: Samuel Freedman is the head of Ethics in Journalism and Columbia School of
Journalism. http://www.journalism.columbia.edu/profile/36samuelfreedman/10
more TBD
The award winning Astoria Performing Arts Center (APAC) is pleased to present THE 25TH ANNUAL PUTNAM COUNTY SPELLING BEE, with music & lyrics by William Finn, book by Rachel Sheinkin, conceived by Rebecca Feldman, additional material by Jay Reiss, choreographed by Misha Shields, music directed by Michael Ferrara, directed by Artistic Director Dev Bondarin. The limited engagement will be at Good Shepherd United Methodist Church, 3044 Crescent St (@30th Rd), in Astoria, Queens. Performances begin Thursday, May 5 and continue through Saturday, May 28. Tickets are available at www.apacny.org.
Each member of a lovable, eclectic group of middle schoolers is eager to win the spelling bee. During the proceedings, led by our fearless leaders Rona and Vice Principal Panch, we meet shy Olive, returning champ Chip, distractible Leaf, overachiever Marcy, activist Logainne, and self assured William and his “magic foot.” Through spelling and hilarious song, the struggles and dreams of the participants are revealed and explored as we root for each one. With a tuneful score and lyrics by William Finn (Falsettos, A New Brain) and a heartfelt, funny book by Rachel Sheinkin, this show leaves us laughing as we are each able to see ourselves in the characters and remember a time when we too put everything on the line to win it all.
THE 25TH ANNUAL PUTNAM COUNTY SPELLING BEE is based on Rebecca Feldman’s improvisational play CREPUSCULE and was first workshopped at Barrington Stage Company in 2004. Directed by James Lapine and choreographed by Dan Knetchges, the original New York production opened in 2005 at Second Stage. The production transferred to Broadway where it ran at the Circle in the Square for almost three years winning two Tony Awards Best Book and Best Featured Actor. Since then the show has been performed across the country and all over the world.
The production stars Becca Andrews* (Grease; St. Louis MUNY, A Chorus Line; Maltz Jupiter) as Olive Ostrovsky, Emily Borromeo* (NBC's The Sing Off, NYMF's F***ing Hipsters) as Marcy Park, Heslens Estevez (Spring Awakening; Colony Theater Miami) as Logainne Schwartz and grubenierre, Patrick Halley* (The Misanthrope; The Pearl Theatre, Good People; Cleveland Playhouse) as William Barfee, Billy Lowrimore (Brother Brother; Abrams Art Center) as Mitch Mahoney, Stephen Mark (NYMF's The Calico Buffalo, National Tour of Anything Goes) as Chip Tolentino, Lee Slobotkin* (National Tour of Wicked) as Leaf Conybear, Lindsie VanWinkle* (Nevermore; Off B'way at New World Stages, National Tour of White Christmas) as Rona Lisa Peretti, and Matt Welsh* (APAC's Merrily We Roll Along, The Full Monty; Human Race Theater) as Vice Principal Douglas Panch. *Performing courtesy of Actors’ Equity Association. AEA approved Showcase.
The production features scenic design by Tim McMath (B’way’s Fun Home (Associate), Magic Trick (Caps Lock Theatre)), costume design by Jennifer Jacob (B'way's She Loves Me (Assistant), APAC's Merrily We Roll Along), and lighting design by Adam Honoré (Dancing With the Movies National Tour). Arielle Edwards (APAC's Merrily We Roll Along) is the sound designer, Kaye Blankenship is the props designer and Nicole Richards is the production stage manager.
THE 25TH ANNUAL PUTNAM COUNTY SPELLING BEE plays the following schedule:
Thursday at 8pm
Friday at 8pm
Saturday at 2pm and 8pm
Tickets are $18 and are now available online at www.apacny.org. Tickets may also be purchased in person at the box office 1⁄2 hour prior to performance.
Running Time: 2 hours, with one intermission
Website: http://www.apacny.org/showsandevents/currentseason20152016/the25thannual-
putnamcountyspellingbee/
Each member of a lovable, eclectic group of middle schoolers is eager to win the spelling bee. During the proceedings, led by our fearless leaders Rona and Vice Principal Panch, we meet shy Olive, returning champ Chip, distractible Leaf, overachiever Marcy, activist Logainne, and self assured William and his “magic foot.” Through spelling and hilarious song, the struggles and dreams of the participants are revealed and explored as we root for each one. With a tuneful score and lyrics by William Finn (Falsettos, A New Brain) and a heartfelt, funny book by Rachel Sheinkin, this show leaves us laughing as we are each able to see ourselves in the characters and remember a time when we too put everything on the line to win it all.
THE 25TH ANNUAL PUTNAM COUNTY SPELLING BEE is based on Rebecca Feldman’s improvisational play CREPUSCULE and was first workshopped at Barrington Stage Company in 2004. Directed by James Lapine and choreographed by Dan Knetchges, the original New York production opened in 2005 at Second Stage. The production transferred to Broadway where it ran at the Circle in the Square for almost three years winning two Tony Awards Best Book and Best Featured Actor. Since then the show has been performed across the country and all over the world.
The production stars Becca Andrews* (Grease; St. Louis MUNY, A Chorus Line; Maltz Jupiter) as Olive Ostrovsky, Emily Borromeo* (NBC's The Sing Off, NYMF's F***ing Hipsters) as Marcy Park, Heslens Estevez (Spring Awakening; Colony Theater Miami) as Logainne Schwartz and grubenierre, Patrick Halley* (The Misanthrope; The Pearl Theatre, Good People; Cleveland Playhouse) as William Barfee, Billy Lowrimore (Brother Brother; Abrams Art Center) as Mitch Mahoney, Stephen Mark (NYMF's The Calico Buffalo, National Tour of Anything Goes) as Chip Tolentino, Lee Slobotkin* (National Tour of Wicked) as Leaf Conybear, Lindsie VanWinkle* (Nevermore; Off B'way at New World Stages, National Tour of White Christmas) as Rona Lisa Peretti, and Matt Welsh* (APAC's Merrily We Roll Along, The Full Monty; Human Race Theater) as Vice Principal Douglas Panch. *Performing courtesy of Actors’ Equity Association. AEA approved Showcase.
The production features scenic design by Tim McMath (B’way’s Fun Home (Associate), Magic Trick (Caps Lock Theatre)), costume design by Jennifer Jacob (B'way's She Loves Me (Assistant), APAC's Merrily We Roll Along), and lighting design by Adam Honoré (Dancing With the Movies National Tour). Arielle Edwards (APAC's Merrily We Roll Along) is the sound designer, Kaye Blankenship is the props designer and Nicole Richards is the production stage manager.
THE 25TH ANNUAL PUTNAM COUNTY SPELLING BEE plays the following schedule:
Thursday at 8pm
Friday at 8pm
Saturday at 2pm and 8pm
Tickets are $18 and are now available online at www.apacny.org. Tickets may also be purchased in person at the box office 1⁄2 hour prior to performance.
Running Time: 2 hours, with one intermission
Website: http://www.apacny.org/showsandevents/currentseason20152016/the25thannual-
putnamcountyspellingbee/
Voyage Theater Company is proud to present August Strindberg’s THE PELICAN, directed by Charles C. Bales and Wayne Maugans (actor in Broadway’s August: Osage County). The strictly limited engagement is at Fourth Street Theatre (83 East 4th Street, NYC 10003). Performances begin Thursday, May 5 and continue through Saturday, May 14. Opening night is Friday, May 6 at 8 p.m.
Press are invited to any evening or matinee performance starting Friday, May 6, 2016. Tickets are $18 and are available now through VTC’s website: http://voyagetheatercompany.org/currentseason/.
THE PELICAN is a rarely produced and little known psychological drama by seminal Swedish playwright August Strindberg which tells the story of an evil mother who lets her son and daughter go hungry while she lives the high life. When her husband dies and her daughter gets married, the mother’s life of greed and excess is revealed. Unwilling to take responsibility, she sets in motion a series of tragic events. This searing drama about familial politics and economic inequality is just as provocative today as it was when it was first produced in 1907.
The production stars Mary Round (VTC Artistic Associate, member of The Living Theatre) as The Mother, Thomas Brazzle* (Shakespeare and Company) as The Son In Law, Malka Wallick as The Daughter, Pauline Walsh as The Servant, and Nicholas Westemeyer as The Son.
*Actors’ Equity Association.
The production features scenic and costume design by Peri Grabin Leong and lighting design by Olivia Edery. Dan Henry Bøhler is sound and video designer, Kalle Westerling is dramaturg, Tessa Flannery is assistant director, and Olivia Edery and Gladys Maldonado are stage managers.
THE PELICAN plays the following schedule from Thursday, May 5 through Saturday, May 14: Tue-
Sat at 8 p.m.; Sat-Sun at 3 p.m. Running time is 75 minutes, no intermission
Tickets are $18 (students/seniors $12) and are available online now at the following EventBrite link: http://www.eventbrite.com/e/voyagetheatercompanypresentsauguststrindbergsthepelican-
tickets23833786497.
Tickets may also be purchased in person at the theater’s box office 1⁄2 hour prior to performance.
Press are invited to any evening or matinee performance starting Friday, May 6, 2016. Tickets are $18 and are available now through VTC’s website: http://voyagetheatercompany.org/currentseason/.
THE PELICAN is a rarely produced and little known psychological drama by seminal Swedish playwright August Strindberg which tells the story of an evil mother who lets her son and daughter go hungry while she lives the high life. When her husband dies and her daughter gets married, the mother’s life of greed and excess is revealed. Unwilling to take responsibility, she sets in motion a series of tragic events. This searing drama about familial politics and economic inequality is just as provocative today as it was when it was first produced in 1907.
The production stars Mary Round (VTC Artistic Associate, member of The Living Theatre) as The Mother, Thomas Brazzle* (Shakespeare and Company) as The Son In Law, Malka Wallick as The Daughter, Pauline Walsh as The Servant, and Nicholas Westemeyer as The Son.
*Actors’ Equity Association.
The production features scenic and costume design by Peri Grabin Leong and lighting design by Olivia Edery. Dan Henry Bøhler is sound and video designer, Kalle Westerling is dramaturg, Tessa Flannery is assistant director, and Olivia Edery and Gladys Maldonado are stage managers.
THE PELICAN plays the following schedule from Thursday, May 5 through Saturday, May 14: Tue-
Sat at 8 p.m.; Sat-Sun at 3 p.m. Running time is 75 minutes, no intermission
Tickets are $18 (students/seniors $12) and are available online now at the following EventBrite link: http://www.eventbrite.com/e/voyagetheatercompanypresentsauguststrindbergsthepelican-
tickets23833786497.
Tickets may also be purchased in person at the theater’s box office 1⁄2 hour prior to performance.
NEW YORK NEOFUTURISTS are pleased to announce the world premiere production of Yolanda K. Wilkinson’s BIBLE STUDY FOR HEATHENS, directed by Joey Rizzolo. BIBLE STUDY FOR HEATHENS will play a limited engagement at Off-Broadway’s Judson Memorial Church Loft (55 Washington Square South NY, NY 10012). Performances begin Tuesday, May 10 and continue through Thursday, May 26. Opening Night is Saturday, May 14 (8 p.m.). $18 tickets are available at nynf.org. Press are invited to all performances starting Thursday, May 12.
Is the search for divinity itself divine? BIBLE STUDY FOR HEATHENS investigates the American religious experience through one woman's unwavering exploration of worship in the 21st century by means of ritual, tradition, games, and reenactments. An honest and revelatory new play that chronicles New York NeoFuturist Yolanda K. Wilkinson's personal journey and study of 10 religions.
The production features technical direction and lighting design by Sarah Livant, and scenic design by Joey Rizzolo. Kyra Sims is the general manager, and Nikki Castle is the stage manager.
BIBLE STUDY FOR HEATHENS plays the following regular schedule through Thursday, May 26:
Tuesdays at 8 p.m.
Thursdays at 8 p.m.
Fridays at 8 p.m.
Saturdays at 8 p.m.
Sundays at 3 p.m. and 8 p.m.
Tickets are $18 available now online at www.nynf.org or by calling 8668114111. Tickets may also be purchased inperson at the theater 1⁄2 hour prior to performance.
Running Time: 70 minutes, no intermission
Website: www.nynf.org
Is the search for divinity itself divine? BIBLE STUDY FOR HEATHENS investigates the American religious experience through one woman's unwavering exploration of worship in the 21st century by means of ritual, tradition, games, and reenactments. An honest and revelatory new play that chronicles New York NeoFuturist Yolanda K. Wilkinson's personal journey and study of 10 religions.
The production features technical direction and lighting design by Sarah Livant, and scenic design by Joey Rizzolo. Kyra Sims is the general manager, and Nikki Castle is the stage manager.
BIBLE STUDY FOR HEATHENS plays the following regular schedule through Thursday, May 26:
Tuesdays at 8 p.m.
Thursdays at 8 p.m.
Fridays at 8 p.m.
Saturdays at 8 p.m.
Sundays at 3 p.m. and 8 p.m.
Tickets are $18 available now online at www.nynf.org or by calling 8668114111. Tickets may also be purchased inperson at the theater 1⁄2 hour prior to performance.
Running Time: 70 minutes, no intermission
Website: www.nynf.org
AXS GROUP is pleased to introduce THE MOTONES... and THE JERSEYS...
Who will win the ultimate 60’s music battle MOTONES VS. JERSEYS, written and directed by Kenny Moten. The audience chooses the winner at the end of an evening of 60’s song and dance, MOTONES VS. JERSEYS will play a six performances only in a limited engagement at Lone Tree Arts Center (10075 Commons St, Lone Tree, CO 80124). Performances begin Friday, May 20 and continue through Sunday, May 29. Opening Night is Friday, May 20 (7:30 p.m.).
MOTONES VS. JERSEYS plays the following schedule:
May 20th; May 21st; May 27th; May 28th @ 7:30pm,
May 22nd; May 29th @ 2:30pm,
Tickets are $57.00 Premium, $51.00 standard, $33.00 Front Row and are now available online at http://www.lonetreeartscenter.org/showinfo.php?id=383 or by calling 720.509.1000. Tickets may also be purchased inperson at the Theatre Row Box Office, 10:00am 4:00pm weekdays and one hour prior to performances.
Running Time: 2 hours (with 15 minute intermission)
Website: www.motonesvsjerseys.com
http://www.lonetreeartscenter.org/showinfo.php?id=383
The Motones are playing the following upcoming concerts: ICON Awards on March 18, 2016, Crescent in Greenwood Village in June, The Broadmoor on New Year's Eve 2016.
Who will win the ultimate 60’s music battle MOTONES VS. JERSEYS, written and directed by Kenny Moten. The audience chooses the winner at the end of an evening of 60’s song and dance, MOTONES VS. JERSEYS will play a six performances only in a limited engagement at Lone Tree Arts Center (10075 Commons St, Lone Tree, CO 80124). Performances begin Friday, May 20 and continue through Sunday, May 29. Opening Night is Friday, May 20 (7:30 p.m.).
MOTONES VS. JERSEYS plays the following schedule:
May 20th; May 21st; May 27th; May 28th @ 7:30pm,
May 22nd; May 29th @ 2:30pm,
Tickets are $57.00 Premium, $51.00 standard, $33.00 Front Row and are now available online at http://www.lonetreeartscenter.org/showinfo.php?id=383 or by calling 720.509.1000. Tickets may also be purchased inperson at the Theatre Row Box Office, 10:00am 4:00pm weekdays and one hour prior to performances.
Running Time: 2 hours (with 15 minute intermission)
Website: www.motonesvsjerseys.com
http://www.lonetreeartscenter.org/showinfo.php?id=383
The Motones are playing the following upcoming concerts: ICON Awards on March 18, 2016, Crescent in Greenwood Village in June, The Broadmoor on New Year's Eve 2016.
Brooklyn, NY – January 21, 2016: Letter of Marque Theater Company, the young ensemble theater company known for staging the President’s Execution of Edward Snowden, an ongoing series of underground performance parties, and offering all of its work at little or no cost to their audiences, is presenting DOUBLE FALSEHOOD, directed by Andrew Borthwick-Leslie. First published in 1727 by Lewis Theobald, new research indicates that DOUBLE FALSEHOOD, might have actually been written by William Shakespeare and John Fletcher. DOUBLE FALSEHOOD will play a five week limited engagement from Saturday, March 5th through Saturday, April 9th, 2016 at The Irondale Center (85 S. Oxford St. Brooklyn, NY 11217). Opening Night is Saturday, March 12th at 7:30 p.m.
Press are cordially invited Tuesday, March 8th at 7:30 p.m., Wednesday, March 9th at 7:30 p.m., Thursday, March 10th at 7:30 p.m., Friday, March 11th at 7:30 p.m., and Opening Night Saturday, March 12th at 7:30 p.m.
(And any subsequent performance upon request).
“I’ve directed much of the Shakespeare canon so digging into this new text for the year has been thrilling. The female characters of Violante and Leonora have a depth of wisdom and intelligence about the dreadful double standards young women face that rings too clearly now.” -- shares director Andrew Borthwick-Leslie -- ”To work carefully and intensely with this terrific ensemble over such a long period has been rewarding but also disturbing about how little our understanding of gender roles and the influence of class has really changed.”
Double Falsehood follows two brave female protagonists, Violante and Leonora, and two contrasting leading men, Julio of honorable and modest birth, and Henriquez an aristocratic villain. The story starts with Henriquez, heir to the Duke Angelo of Spain, as he exploits his social privilege to scheme his way around beautiful women, greedy fathers and honorable brotherhoods, resulting in a disturbing yet enlightening tale of self-repentance and discovery within family, honor, madness, lust and relationships.
Featuring Ariel Estrada*, Tom Giordano*, Montana Lampert Hoover, Adam Huff, Nolan Kennedy, Zach Libresco, Poppy Liu, Scarlet Maressa Rivera, and Welland Scripps.
With scenic design by Steven Brenman, costume design by Claire Townsend, lighting design by Joe Doran*, musical direction by Nolan Kennedy, and fight choreography by Michael Toomey. Andrea Wales* is the stage manager, Libby Jensen is the production manager, Karen Ng is the company manager, Lynde Rosario is the dramaturg and assistant director, and Corinna May is the vocal coach.
*Appearing Courtesy of Actors’ Equity Association.
DOUBLE FALSEHOOD plays the following regular schedule through Sat, April 9th:
Tuesdays at 7:30 p.m.
Wednesdays at 7:30 p.m.
Thursdays at 7:30 p.m.
Fridays at 7:30 p.m.
Saturdays at 7:30 p.m.
A limited number of tickets will be given away free of charge to the general public (Regular Price: $20.00 General Admission, and $50.00 VIP). To learn more visit www.lomtheater.org
Running Time: Two hours with one intermission.
The Irondale Center is located at 85 S Oxford St, Brooklyn, NY 11217
Subway Directions: C train to Lafayette Avenue; B, D, M, N, Q, R, 2, 3, 4, 5 train to Atlantic Avenue/Pacific Street; G train to Fulton Street.
Full Frontal Pre-Show Panel Discussions, Post-Show Talk Backs and Lady Play’s Unstaged Reading Series:
Aside from crafting a story of love, trust, honor and violence using a rare, classic text, Letter of Marque Theater Company wishes to engage Brooklyn communities in a conversation to end rape culture, by conjoining live art and social change. To achieve this goal they will be implementing three expert “Full Frontal” panels with guests such as Council Member Laurie Cumbo and author/feminist Carol Gilligan (named one of Time Magazine’s most influential Americans), weekly post-show talk backs, and the Lady Play’s Unstaged Reading Series. Full schedule and guests to be announced soon.
“By creating a platform to discuss the strategies we can employ to change our culture away from a rape culture, we hope to start a continuous dialogue with the community. In order to foster an impactful conversation we must bring together as many people as possible” -- shares dramaturg and assistant director Lynde Rosario --“Through art we ask questions, through discourse we answer them.”
Press are cordially invited Tuesday, March 8th at 7:30 p.m., Wednesday, March 9th at 7:30 p.m., Thursday, March 10th at 7:30 p.m., Friday, March 11th at 7:30 p.m., and Opening Night Saturday, March 12th at 7:30 p.m.
(And any subsequent performance upon request).
“I’ve directed much of the Shakespeare canon so digging into this new text for the year has been thrilling. The female characters of Violante and Leonora have a depth of wisdom and intelligence about the dreadful double standards young women face that rings too clearly now.” -- shares director Andrew Borthwick-Leslie -- ”To work carefully and intensely with this terrific ensemble over such a long period has been rewarding but also disturbing about how little our understanding of gender roles and the influence of class has really changed.”
Double Falsehood follows two brave female protagonists, Violante and Leonora, and two contrasting leading men, Julio of honorable and modest birth, and Henriquez an aristocratic villain. The story starts with Henriquez, heir to the Duke Angelo of Spain, as he exploits his social privilege to scheme his way around beautiful women, greedy fathers and honorable brotherhoods, resulting in a disturbing yet enlightening tale of self-repentance and discovery within family, honor, madness, lust and relationships.
Featuring Ariel Estrada*, Tom Giordano*, Montana Lampert Hoover, Adam Huff, Nolan Kennedy, Zach Libresco, Poppy Liu, Scarlet Maressa Rivera, and Welland Scripps.
With scenic design by Steven Brenman, costume design by Claire Townsend, lighting design by Joe Doran*, musical direction by Nolan Kennedy, and fight choreography by Michael Toomey. Andrea Wales* is the stage manager, Libby Jensen is the production manager, Karen Ng is the company manager, Lynde Rosario is the dramaturg and assistant director, and Corinna May is the vocal coach.
*Appearing Courtesy of Actors’ Equity Association.
DOUBLE FALSEHOOD plays the following regular schedule through Sat, April 9th:
Tuesdays at 7:30 p.m.
Wednesdays at 7:30 p.m.
Thursdays at 7:30 p.m.
Fridays at 7:30 p.m.
Saturdays at 7:30 p.m.
A limited number of tickets will be given away free of charge to the general public (Regular Price: $20.00 General Admission, and $50.00 VIP). To learn more visit www.lomtheater.org
Running Time: Two hours with one intermission.
The Irondale Center is located at 85 S Oxford St, Brooklyn, NY 11217
Subway Directions: C train to Lafayette Avenue; B, D, M, N, Q, R, 2, 3, 4, 5 train to Atlantic Avenue/Pacific Street; G train to Fulton Street.
Full Frontal Pre-Show Panel Discussions, Post-Show Talk Backs and Lady Play’s Unstaged Reading Series:
Aside from crafting a story of love, trust, honor and violence using a rare, classic text, Letter of Marque Theater Company wishes to engage Brooklyn communities in a conversation to end rape culture, by conjoining live art and social change. To achieve this goal they will be implementing three expert “Full Frontal” panels with guests such as Council Member Laurie Cumbo and author/feminist Carol Gilligan (named one of Time Magazine’s most influential Americans), weekly post-show talk backs, and the Lady Play’s Unstaged Reading Series. Full schedule and guests to be announced soon.
“By creating a platform to discuss the strategies we can employ to change our culture away from a rape culture, we hope to start a continuous dialogue with the community. In order to foster an impactful conversation we must bring together as many people as possible” -- shares dramaturg and assistant director Lynde Rosario --“Through art we ask questions, through discourse we answer them.”
THE PERFORMING ARTS CENTER, PURCHASE COLLEGE is pleased to present STATE STREET BALLET’S CARMEN, choreography by William Soleau, music by George Bizet, and musical arrangement by Rodion Shchedrin. The performance will be Saturday, April 9, 2016 at 8:00pm in the Concert Hall at The PAC, 735 Anderson Hill Road, Purchase, NY 10577. Tickets are $50-$70, on sale at 914-251-6200 and https://tickets.artscenter.org/single/eventDetail.aspx?p=5536.
A red dress. It hints of passion, jealousy, desire. That one red dress, clinging to a beautiful dancer, embodies all of the elements of Carmen, the classic tragic tale of the Gypsy and her obsessive lover. State Street Ballet’s fulllength production is told through contemporary ballet, with both classical and modern influences, choreographed by William Soleau to the rich score by Georges Bizet. State Street Ballet, a vibrant and innovative dance company based in Santa Barbara, is known for melding familiar story lines with exciting movement to give familiar tales a modern, passionate, and unique twist.
The ballet features costume design by A. Christina Giannini, scenic artwork by Stefania Piazzo, lighting and set design by Mark Somerfield.
* * *
TICKETS: $70 / $50
Tickets: https://tickets.artscenter.org/single/eventDetail.aspx?p=5536
ADDRESS: 735 Anderson Hill Road, Purchase, NY 10577
WEBSITE: www.ArtsCenter.org or http://w.statestreetballet.com/index.php?id=196
914-251-6200
A red dress. It hints of passion, jealousy, desire. That one red dress, clinging to a beautiful dancer, embodies all of the elements of Carmen, the classic tragic tale of the Gypsy and her obsessive lover. State Street Ballet’s fulllength production is told through contemporary ballet, with both classical and modern influences, choreographed by William Soleau to the rich score by Georges Bizet. State Street Ballet, a vibrant and innovative dance company based in Santa Barbara, is known for melding familiar story lines with exciting movement to give familiar tales a modern, passionate, and unique twist.
The ballet features costume design by A. Christina Giannini, scenic artwork by Stefania Piazzo, lighting and set design by Mark Somerfield.
* * *
TICKETS: $70 / $50
Tickets: https://tickets.artscenter.org/single/eventDetail.aspx?p=5536
ADDRESS: 735 Anderson Hill Road, Purchase, NY 10577
WEBSITE: www.ArtsCenter.org or http://w.statestreetballet.com/index.php?id=196
914-251-6200
THE ACTORS’ TEMPLE is pleased to present a reading of the new musical from Alex Lippard, David Lee, and Ron Passaro, QUEEN OF MEAN: THE RISE AND FALL OF LEONA HELMSLEY, based on the NY Times bestselling biography by Ransdell Pierson. Starring Tony Nominee Tovah Feldshuh as Leona Helmsley, the first performance on Monday, April 4 at 7:30 pm is already sold-out, so an additional performance on Thursday, April 7, at 7:30 pm has been added. The Actors’ Temple is located at 339 West 47th Street, between 8th and 9th Avenue. Tickets vary in prices and are available at www.theactorstemple.org/events.
A rollicking and emotionally gripping portrait of Leona Helmsley, QUEEN OF MEAN colorfully depicts the Faustian rise—and scandalous fall from grace—of the notorious Manhattan hotelier. Does getting what we want bring happiness? What does it feel like to be rich and powerful? Why would someone with everything stop at nothing to have more? With rampant corporate malfeasance and income inequality on the rise, these questions have never been more relevant. However, what ultimately makes QUEEN OF MEAN compelling is the enormously colorful leading lady, her fascinating rise to power, and the emotional relatability of her drive, her passions, and her shortcomings. We cheer her, envy her, ache for her, and watch in gleeful horror as she crosses lines we ourselves would not cross.
In addition to Ms. Feldshuh, also cast are Broadway performers Jennifer Allen (The Bridges of Madison County, Sister Act), Samia Mounts (BAM’s The Source), SoaraJoye Ross (Les Misérables, Dance of the Vampires), Danny Rutigliano (Born Yesterday, The Best Little Whorehouse Goes Public), Mark Teich (Off-Broadway: Killer Joe), Frank Vlastnik (Big, Sweet Smell of Success), Lenny Wolpe (Wicked, The Drowsy Chaperone), and Matt Wolpe (US Tour Once).
Part of HOT NIGHTS @ A COOL SHUL, a new series that seeks to stimulate dialogue about American and global Jewish culture through engaging, entertaining and thought provoking films, play readings, cabaret acts, musical performances, and panel discussions. Produced by Joan Finkelstein and Carol Ostrow.
FALL IN LOVE WITH LOVE is on Monday, March 21, 2016 at 7:30 pm
Tickets are $20 in advance, $25 at the door, $15 for AT members and students under age 18 and are now available online at www.theactorstemple.org/events or by calling 2122456975.
Running Time: 95 minutes
Website: www.theactorstemple.org
A rollicking and emotionally gripping portrait of Leona Helmsley, QUEEN OF MEAN colorfully depicts the Faustian rise—and scandalous fall from grace—of the notorious Manhattan hotelier. Does getting what we want bring happiness? What does it feel like to be rich and powerful? Why would someone with everything stop at nothing to have more? With rampant corporate malfeasance and income inequality on the rise, these questions have never been more relevant. However, what ultimately makes QUEEN OF MEAN compelling is the enormously colorful leading lady, her fascinating rise to power, and the emotional relatability of her drive, her passions, and her shortcomings. We cheer her, envy her, ache for her, and watch in gleeful horror as she crosses lines we ourselves would not cross.
In addition to Ms. Feldshuh, also cast are Broadway performers Jennifer Allen (The Bridges of Madison County, Sister Act), Samia Mounts (BAM’s The Source), SoaraJoye Ross (Les Misérables, Dance of the Vampires), Danny Rutigliano (Born Yesterday, The Best Little Whorehouse Goes Public), Mark Teich (Off-Broadway: Killer Joe), Frank Vlastnik (Big, Sweet Smell of Success), Lenny Wolpe (Wicked, The Drowsy Chaperone), and Matt Wolpe (US Tour Once).
Part of HOT NIGHTS @ A COOL SHUL, a new series that seeks to stimulate dialogue about American and global Jewish culture through engaging, entertaining and thought provoking films, play readings, cabaret acts, musical performances, and panel discussions. Produced by Joan Finkelstein and Carol Ostrow.
FALL IN LOVE WITH LOVE is on Monday, March 21, 2016 at 7:30 pm
Tickets are $20 in advance, $25 at the door, $15 for AT members and students under age 18 and are now available online at www.theactorstemple.org/events or by calling 2122456975.
Running Time: 95 minutes
Website: www.theactorstemple.org
- APRIL FOOLS- No joke, you do not want to miss COLIN MOCHRIE & BRAD SHERWOOD: TWO MAN GROUP the stars of TV’s “Whose Line Is It Anyway?” coming to THE PERFORMING ARTS CENTER, PURCHASE COLLEGE on Friday, April 1, 2016 at 8:00pm. The performance will be in the Concert Hall at The PAC, 735 Anderson Hill Road, Purchase, NY 10577. Tickets are $45$60, on sale at 9142516200 and https://tickets.artscenter.org/single/eventDetail.aspx?p=5610.
The stars of TV’s “Whose Line Is It Anyway?” – the imaginative mammal Colin Mochrie (Latin name: Hilaritycus Smoothius) and the savant of self amusement Brad Sherwood (Latin name: Cranius Giganticum) – will have you splitting your sides for 90 minutes of hilarious improvised comedy and song. And what better day for it than April Fool’s Day? No joke – you do not want to miss this one.
* * *
TICKETS: $60 / $50 / $45
Tickets: https://tickets.artscenter.org/single/eventDetail.aspx?p=5610
ADDRESS: 735 Anderson Hill Road, Purchase, NY 10577
914-251-6200
WEBSITE: www.ArtsCenter.org or http://www.colinandbradshow.com/
The stars of TV’s “Whose Line Is It Anyway?” – the imaginative mammal Colin Mochrie (Latin name: Hilaritycus Smoothius) and the savant of self amusement Brad Sherwood (Latin name: Cranius Giganticum) – will have you splitting your sides for 90 minutes of hilarious improvised comedy and song. And what better day for it than April Fool’s Day? No joke – you do not want to miss this one.
* * *
TICKETS: $60 / $50 / $45
Tickets: https://tickets.artscenter.org/single/eventDetail.aspx?p=5610
ADDRESS: 735 Anderson Hill Road, Purchase, NY 10577
914-251-6200
WEBSITE: www.ArtsCenter.org or http://www.colinandbradshow.com/
CAROL OSTROW AND THE ACTORS’ TEMPLE BOARD OF DIRECTORS is pleased to announce their annual benefit FALLING IN LOVE WITH LOVE music directed by JOSEPH THALKIN. FALLING IN LOVE WITH LOVE, starring Anna Bergman and featuring Nat Chandler will be Monday, March 21, 2016 at 7:30 pm at The Actors’ Temple (339 West 47th Street, between 8th and 9th Avenue). Tickets vary in prices and are available at www.theactorstemple.org/events. Fall in love again, or for the first time, at the Actors’ Temple!
Fall in Love with the Actors' Temple while being serenaded with LOVE SONGS BY RICHARD RODGERS. Rodgers and Hammerstein were Actors' Temple members, who wrote important songs about discrimination and hatred in America, such as South Pacific's “You've Got to Be Taught”, which even the Anti Defamation League uses in their campaigns. Richard Rodgers was an American genius. It is the Actors' Temple honor to pay tribute to his talent and courage utilizing his gorgeous music.
“Richard Rodgers and Oscar Hammerstein’s music is still popular and thriving on Broadway with the 2015 Best Musical Revival of The King & I and last year we celebrated the 50th Anniversary of The Sound of Music,” states Bergman. “Rodgers’ melodies and the poetic lyrics of his collaborators: Hammerstein, Hart, Sondheim, Charnin and Harnick are enduring, timeless and so romantic. Let’s bring back romance!"
“Our once beautiful “jewel of a shul”, is trying to keep its doors opened. Listed on the National Register of Historic Places, built in 1917, it is falling into terrible disrepair,” explains Ostrow. “It is more than a building. It is our show business heritage. The stars who built this Temple paved the way for Jewish actors, dancers, comedians, directors, and producers to be taken seriously and to have careers in New York. If those old walls could talk, we would be screaming with laughter or crying our eyes out with the likes of Sophie Tucker, Edward G. Robinson, The Three Stooges, The Ritz Brothers, Marx Brothers, Milton Berle, Shelly Winters and sooooo many more.”
The production features lighting and sound design by Josh Iacovelli. Jana Llynn is the stage manager.
FALL IN LOVE WITH LOVE is on Monday, March 21, 2016 at 7:30 pm Tickets are $50$1000 and are now available online at www.theactorstemple.org/events or by calling 212-245-6975. Tickets $250+ include a private preshow dinner at Da Rosina.
Running Time: 2 hours
Website: www.theactorstemple.org
Fall in Love with the Actors' Temple while being serenaded with LOVE SONGS BY RICHARD RODGERS. Rodgers and Hammerstein were Actors' Temple members, who wrote important songs about discrimination and hatred in America, such as South Pacific's “You've Got to Be Taught”, which even the Anti Defamation League uses in their campaigns. Richard Rodgers was an American genius. It is the Actors' Temple honor to pay tribute to his talent and courage utilizing his gorgeous music.
“Richard Rodgers and Oscar Hammerstein’s music is still popular and thriving on Broadway with the 2015 Best Musical Revival of The King & I and last year we celebrated the 50th Anniversary of The Sound of Music,” states Bergman. “Rodgers’ melodies and the poetic lyrics of his collaborators: Hammerstein, Hart, Sondheim, Charnin and Harnick are enduring, timeless and so romantic. Let’s bring back romance!"
“Our once beautiful “jewel of a shul”, is trying to keep its doors opened. Listed on the National Register of Historic Places, built in 1917, it is falling into terrible disrepair,” explains Ostrow. “It is more than a building. It is our show business heritage. The stars who built this Temple paved the way for Jewish actors, dancers, comedians, directors, and producers to be taken seriously and to have careers in New York. If those old walls could talk, we would be screaming with laughter or crying our eyes out with the likes of Sophie Tucker, Edward G. Robinson, The Three Stooges, The Ritz Brothers, Marx Brothers, Milton Berle, Shelly Winters and sooooo many more.”
The production features lighting and sound design by Josh Iacovelli. Jana Llynn is the stage manager.
FALL IN LOVE WITH LOVE is on Monday, March 21, 2016 at 7:30 pm Tickets are $50$1000 and are now available online at www.theactorstemple.org/events or by calling 212-245-6975. Tickets $250+ include a private preshow dinner at Da Rosina.
Running Time: 2 hours
Website: www.theactorstemple.org
Black Box Studios is pleased to announce the two-week extension of The Tale of the Dragon’s Tail, created and directed by Josh Kammerman, and based on a story developed by the Apple Tree Players. The Tale of the Dragon’s Tail, an adventure musical for the kid in all of us, returns with four more performances on Sunday, March 6th and Sunday, March 13th, 2016 at 11:30am and 1:30pm. The Tale of the Dragon’s Tail performs at Teaneck’s new culture hub, the Black Box Performing Arts Center (200 Walraven Dr. (just off Palisade Ave), Teaneck, NJ 07666). Tickets are $12-15 and are available at www.BlackBoxNYNJ.com or by calling 201-357-2221.
In The Tale of the Dragon’s Tail, a prince and princess meet and fall in love at first sight, but right as they are about to plan their nuptials, two evil and very incompetent wizards cast a spell on the princess that convinces her the only way she can marry the prince is if he brings her the tail of a ferocious dragon.
Follow the prince as he embarks on a wild journey to break the spell, and meets along the way lots of colorful characters, including a funny map seller, an ogre, a mysterious old lady, a giant and eventually the dragon with the tail that can break the spell.
An interactive adventure musical full of action, fun and dance for the whole family.
The Tale of the Dragon’s Tail returns with the following four performances:
Sunday, March 6th at 11:30am and 1:30pm
Sunday, March 13th at 11:30am and 1:30pm
Tickets are $12.00 (Kids) and $15.00 (Adults), and are now available at www.BlackBoxNYNJ.com or by calling 201-357-2221. Tickets may also be purchased at the venue.
Black Box Performing Arts Center is located at 200 Walraven Dr. (just off Palisade Ave), Teaneck, NJ 07666.
FREE PARKING
The Tale of the Dragon’s Tail is suitable for ages 5 and up.
Running Time: 50min
Direct link to purchase tickets: https://apps.vendini.com/ticket-software.html?t=tix&e=5b99deaed53849095ad447abd299c0fc&vqitq=01f30f3a-59c4-477c-ab5a-a35ddf652737&vqitp=e1a9eb69-9491-4e99-a9a4-0192049aa266&vqitts=1456240237&vqitc=vendini&vqite=itl&vqitrt=Safetynet&vqith=9e975e73e810dead3c58c1fbd074fa6e
In The Tale of the Dragon’s Tail, a prince and princess meet and fall in love at first sight, but right as they are about to plan their nuptials, two evil and very incompetent wizards cast a spell on the princess that convinces her the only way she can marry the prince is if he brings her the tail of a ferocious dragon.
Follow the prince as he embarks on a wild journey to break the spell, and meets along the way lots of colorful characters, including a funny map seller, an ogre, a mysterious old lady, a giant and eventually the dragon with the tail that can break the spell.
An interactive adventure musical full of action, fun and dance for the whole family.
The Tale of the Dragon’s Tail returns with the following four performances:
Sunday, March 6th at 11:30am and 1:30pm
Sunday, March 13th at 11:30am and 1:30pm
Tickets are $12.00 (Kids) and $15.00 (Adults), and are now available at www.BlackBoxNYNJ.com or by calling 201-357-2221. Tickets may also be purchased at the venue.
Black Box Performing Arts Center is located at 200 Walraven Dr. (just off Palisade Ave), Teaneck, NJ 07666.
FREE PARKING
The Tale of the Dragon’s Tail is suitable for ages 5 and up.
Running Time: 50min
Direct link to purchase tickets: https://apps.vendini.com/ticket-software.html?t=tix&e=5b99deaed53849095ad447abd299c0fc&vqitq=01f30f3a-59c4-477c-ab5a-a35ddf652737&vqitp=e1a9eb69-9491-4e99-a9a4-0192049aa266&vqitts=1456240237&vqitc=vendini&vqite=itl&vqitrt=Safetynet&vqith=9e975e73e810dead3c58c1fbd074fa6e
The Award-Winning Astoria Performing Arts Center (APAC) is pleased to announce the world premiere production of ASTORIA STORIES, directed by Artistic Director Dev Bondarin. A collaborative production of plays and musicals written by Kari Bentley-Quinn, Nathan Brisby & Lizzie Hagstedt, Ty Defoe & Tidtaya Sinutoke, Dyan Flores, Ben Gassman, Holly Hepp-Galván, Alexander Sage Oyen, Christopher Torres, and Kathleen Warnock celebrating the area of Queens that APAC calls home. The limited engagement will be at Good Shepherd United Methodist Church, 30-44 Crescent St (@30th Rd), in Astoria, Queens. (*Sunday February 22nd @ 7:30pm performance will be at Museum of the Moving Image.) Performances begin Friday, February 19 and continue through Saturday, February 27.
Astoria Park, the Bohemian Beer Garden, Socrates Sculpture Park. Each iconic Astoria location tells a story….
ASTORIA STORIES celebrates the places we know and love and explores how they transform, affect, and engage residents and visitors. In a neighborhood rife with history, nine short plays and musicals bridge the past with the ever-changing present. Featuring the work of Queens-based writers and performed by an ensemble of actors, this production will pay homage to the area of NYC that APAC calls home.
According to Bondarin, “Writers were asked to take a familiar Astoria location and to write a 10 minute piece centered around that place. This workshop production will run the gamut from public spaces, stores, to cultural sites unlocking the unique landscape of the neighborhood.”
In addition to their performances at Good Shepherd United Methodist Church, ASTORIA STORIES marks the first time that APAC will be performing in the Kaufman Arts District. On Sunday, February 22nd at 7:30pm, APAC will be presenting ASTORIA STORIES at Museum of the Moving Image, 36-01 35 Avenue, Astoria, Queens. “This is what being part of a creative community is all about,” said Tracy Capune, Vice President of Kaufman Astoria Studios. “We founded the Kaufman Arts District to celebrate all the different arts organizations that have come together in this neighborhood. To have the Astoria Performing Arts Center, one of those organizations that makes its home here, present a work that in turn celebrates Astoria is a great treat. We’re really looking forward to ASTORIA STORIES.”
Casting to be announced at a later date.
The production features music direction by James Higgins, props design by Katie White, and lighting design by Dan Jobbins.
ASTORIA STORIES plays the following schedule:
Friday February 19th @ 8pm
Saturday February 20th @ 2pm
Saturday February 20th @ 8pm
Sunday February 22nd @ 7:30pm ** at Museum of the Moving Image
Friday February 26th @ 8pm
Saturday February 27th @ 2pm
Saturday February 27th @ 8pm
Tickets are $10 and are now available online at www.apacny.org. Tickets may also be purchased in person at the box office ½ hour prior to performance.
Running Time: 100 minutes
Website: http://www.apacny.org/shows-and-events/current-season-2015-2016/astoria-stories/
Astoria Park, the Bohemian Beer Garden, Socrates Sculpture Park. Each iconic Astoria location tells a story….
ASTORIA STORIES celebrates the places we know and love and explores how they transform, affect, and engage residents and visitors. In a neighborhood rife with history, nine short plays and musicals bridge the past with the ever-changing present. Featuring the work of Queens-based writers and performed by an ensemble of actors, this production will pay homage to the area of NYC that APAC calls home.
According to Bondarin, “Writers were asked to take a familiar Astoria location and to write a 10 minute piece centered around that place. This workshop production will run the gamut from public spaces, stores, to cultural sites unlocking the unique landscape of the neighborhood.”
In addition to their performances at Good Shepherd United Methodist Church, ASTORIA STORIES marks the first time that APAC will be performing in the Kaufman Arts District. On Sunday, February 22nd at 7:30pm, APAC will be presenting ASTORIA STORIES at Museum of the Moving Image, 36-01 35 Avenue, Astoria, Queens. “This is what being part of a creative community is all about,” said Tracy Capune, Vice President of Kaufman Astoria Studios. “We founded the Kaufman Arts District to celebrate all the different arts organizations that have come together in this neighborhood. To have the Astoria Performing Arts Center, one of those organizations that makes its home here, present a work that in turn celebrates Astoria is a great treat. We’re really looking forward to ASTORIA STORIES.”
Casting to be announced at a later date.
The production features music direction by James Higgins, props design by Katie White, and lighting design by Dan Jobbins.
ASTORIA STORIES plays the following schedule:
Friday February 19th @ 8pm
Saturday February 20th @ 2pm
Saturday February 20th @ 8pm
Sunday February 22nd @ 7:30pm ** at Museum of the Moving Image
Friday February 26th @ 8pm
Saturday February 27th @ 2pm
Saturday February 27th @ 8pm
Tickets are $10 and are now available online at www.apacny.org. Tickets may also be purchased in person at the box office ½ hour prior to performance.
Running Time: 100 minutes
Website: http://www.apacny.org/shows-and-events/current-season-2015-2016/astoria-stories/
National Festival of the States featuring MOUNTAIN VIEW HIGH SCHOOL CHORALE AND ORCHESTRAS, Mason Schreiber, Choir Conductor and Dr. Walter Temme, Orchestra Conductor. These nationally recognized ensembles will be featured in their own debut concert performing works by Samuel Barber, Ernest Bloch, P. I. Tchaikovsky, Antonio Vivaldi, and more on Wednesday, February 24, 2016 at 7:00pm at Carnegie Hall (881 7th Avenue, New York, NY 10019). Tickets are FREE but must be reserved in advance at www.musiccelebrations.com/mountain-view-carnegie-hall or by calling 1-800-395-2036. Bring your family and friends to Carnegie Hall for free and enjoy a great concert featuring the world-renowned students from Mountain View High School in Mesa, Arizona.
The Chorale is comprised of 81 singers, approximately 10 voices on each part. The ensemble is highly select and includes many well rounded students, including artists, athletes, student council officers, scholars, actors, and instrumental musicians. The Chorale has recently toured Northern Arizona and Northern California, recording at such sites as Trinity Episcopal Church, Pasadena United Methodist Church and Skywalker Studios on George Lucas' estate. They also were one of three choirs in the world invited to sing at the 200th anniversary of the death of composer Franz Joseph Haydn in Vienna Austria in 2009.
The Mountain View Chamber Orchestras have built a reputation of performance excellence throughout Arizona and the Southwest since the school opened in 1976. Over the last 19 years, the program has grown from two to five orchestras giving its 200 plus strings students a comprehensive orchestral experience. The orchestra program at Mountain View features two training orchestras and three festival orchestras. Of these, the Symphony regularly performs works from the standard symphonic literature and the Chamber Orchestra is highly acclaimed internationally for its performances at major performances festivals. The orchestras have performed twice (2001, 2010) at the Midwest International Band and Orchestra Clinic in Chicago, honor performances (2003, 2005,2009, 2010, 2014) at the Arizona Music Educators Association In-Service Conference, as well as international orchestra festivals in Russia (2006) and Austria (2009).
Choir Repertoire
Musik's Empire Lloyd Pfautsch
Fergus and Molly Vijay Singh
She Who Makes Her Meaning Known Joan Szymko
Super Flumina Babylonis Palestrina
Kalinda Sydney Guillaume
John Saw Duh Numbuh Robert Shaw and Alice Parker
Nyon Nyon Jake Runestad
Chamber Orchestra
Souvenir de Florence (movement 1), P. I. Tchaikovsky
Adagio for Strings, Samuel Barber
Symphony Strings
Five Variants on Dives and Lazarus, R. Vaughan Williams
Concerto Grosso for String Orchestra with Piano Obligato (select movements), Ernest Bloch
Choir and Orchestra Combined:
Gloria, Antonio Vivaldi
MOUNTAIN VIEW HIGH SCHOOL CHORALE AND ORCHESTRAS performs one night only at Carnegie Hall, Wednesday, February 24, 2016, at 7:00pm.
Tickets are FREE. Please reserve in advance at www.musiccelebrations.com/mountain-view-carnegie-hall or by calling 1-800-395-2036
Running Time: 2 hours
Concert Website: www.musiccelebrations.com/mountain-view-carnegie-hall
School Website: http://www.mpsaz.org/
The Chorale is comprised of 81 singers, approximately 10 voices on each part. The ensemble is highly select and includes many well rounded students, including artists, athletes, student council officers, scholars, actors, and instrumental musicians. The Chorale has recently toured Northern Arizona and Northern California, recording at such sites as Trinity Episcopal Church, Pasadena United Methodist Church and Skywalker Studios on George Lucas' estate. They also were one of three choirs in the world invited to sing at the 200th anniversary of the death of composer Franz Joseph Haydn in Vienna Austria in 2009.
The Mountain View Chamber Orchestras have built a reputation of performance excellence throughout Arizona and the Southwest since the school opened in 1976. Over the last 19 years, the program has grown from two to five orchestras giving its 200 plus strings students a comprehensive orchestral experience. The orchestra program at Mountain View features two training orchestras and three festival orchestras. Of these, the Symphony regularly performs works from the standard symphonic literature and the Chamber Orchestra is highly acclaimed internationally for its performances at major performances festivals. The orchestras have performed twice (2001, 2010) at the Midwest International Band and Orchestra Clinic in Chicago, honor performances (2003, 2005,2009, 2010, 2014) at the Arizona Music Educators Association In-Service Conference, as well as international orchestra festivals in Russia (2006) and Austria (2009).
Choir Repertoire
Musik's Empire Lloyd Pfautsch
Fergus and Molly Vijay Singh
She Who Makes Her Meaning Known Joan Szymko
Super Flumina Babylonis Palestrina
Kalinda Sydney Guillaume
John Saw Duh Numbuh Robert Shaw and Alice Parker
Nyon Nyon Jake Runestad
Chamber Orchestra
Souvenir de Florence (movement 1), P. I. Tchaikovsky
Adagio for Strings, Samuel Barber
Symphony Strings
Five Variants on Dives and Lazarus, R. Vaughan Williams
Concerto Grosso for String Orchestra with Piano Obligato (select movements), Ernest Bloch
Choir and Orchestra Combined:
Gloria, Antonio Vivaldi
MOUNTAIN VIEW HIGH SCHOOL CHORALE AND ORCHESTRAS performs one night only at Carnegie Hall, Wednesday, February 24, 2016, at 7:00pm.
Tickets are FREE. Please reserve in advance at www.musiccelebrations.com/mountain-view-carnegie-hall or by calling 1-800-395-2036
Running Time: 2 hours
Concert Website: www.musiccelebrations.com/mountain-view-carnegie-hall
School Website: http://www.mpsaz.org/
BREAD ARTS COLLECTIVE is pleased to announce the return of RISE & FALL, adapted from the Brecht by Ian Storey and BREAD, with original music by Andrew Lynch, directed by Eric Powell Holm and Katie Melby.
After a successful premiere last March, RISE & FALL returns to play a limited engagement at People Lounge (163 Allen Street, New York, NY 10002) from September 13th through November 22nd, 2015 every Sunday night at 8:00 pm (Doors open at 7:30 pm). Opening Night is Saturday, September 13th. Tickets are $10.00 - $20.00 suggested donation (plus one drink minimum at the bar). Reservations are strongly encouraged. To learn more visit breadartscollective.com/rise--fall
Press cordially invited Sunday, September 13th at 8 p.m., and Sunday, September 20 at 8 p.m. (and any subsequent performance).
RISE & FALL is a punk-speed bacchanalian party-show following the story of Jimmy Gallagher and his chorus of Alaskan cowboys, criminals on-the-run, and ladies of the night as he tries to create a new, perfect society.
Playwright Ian Storey shared in an essay for Culturebot, “When I was approached in 2013 by director Eric Powell Holm to do an adaptation for his company (Bread Arts Collective) and space, it was an unthinking certitude that lead me to Bertolt Brecht’s Rise and Fall (of the City of Mahagonny): this was the play of the moment… Brecht intended to go out of the Reich making theater with a sledgehammer. Bread’s production embraced this wildly, to the point that the script itself made little difference to their (and particularly the brilliant Katie Melby as Jimmy) perfect encapsulation of the play’s – and our moment’s, – Zeitgeist.”
“The story is about a group of criminals on-the-run who decide to stop in their tracks and create a new, perfect society. This community happens to reside in a bar, People Lounge, so drinking is naturally built into the show.” -- shared Kelly Klein in an interview with li88y inc. -- “We have original music by our member Andrew Lynch that fluctuates between ballad and punk-rock sensibilities. And, as a troupe of performers, we immerse the audience in our world by direct interaction, creative staging, and DIY lighting… We may not be reinventing the wheel with this model but we are certainly trying to turn it on it’s head and get a new generation of theatre-goers to come on out, have a drink, and see some pretty fantastic stuff.”
Featuring Katie Melby (Basil Twist’s The Rite of Spring - Lincoln Center) as Jimmy Gallagher, Lyndsey Anderson (Let Him Eat Steak - The Barrow Group) as Hank, Toni Ann DeNoble (NBC’s Shades of Blue; Las Meninas - Irondale Center) as Trinity Moses, John Egan (The Rivals - The Pearl Theater; The Subject Was Roses - The Kennedy Center) as Jake, Kate Gunther (Drunk Shakespeare) as Jenny, Kelly Klein (The Diary of Anne Frank National Tour - Barter Theatre; Taking Woodstock film - Dir Ang Lee) as Willy the Veep, Benjamin Lewis (Happy Sauce -Minnesota Fringe) as Joe, and Andrew Lynch (Musical Theatre Factory) as Cadence Dakota Begbick.
RISE & FALL plays the following regular schedule through November 22nd:
Sundays at 8:00 pm
Doors open at 7:30pm and audiences are strongly encouraged to arrive early and to stick around after the show to mingle with the cast of characters.
Tickets are $10.00 - $20.00 suggested donation (plus one drink minimum at the bar). Reservations are strongly encouraged. To learn more visit www.breadartscollective.com/rise--fall
Running Time: 60 minutes
People Lounge is located at 163 Allen Street, New York, NY 10002 (between Stanton and Rivington).
After a successful premiere last March, RISE & FALL returns to play a limited engagement at People Lounge (163 Allen Street, New York, NY 10002) from September 13th through November 22nd, 2015 every Sunday night at 8:00 pm (Doors open at 7:30 pm). Opening Night is Saturday, September 13th. Tickets are $10.00 - $20.00 suggested donation (plus one drink minimum at the bar). Reservations are strongly encouraged. To learn more visit breadartscollective.com/rise--fall
Press cordially invited Sunday, September 13th at 8 p.m., and Sunday, September 20 at 8 p.m. (and any subsequent performance).
RISE & FALL is a punk-speed bacchanalian party-show following the story of Jimmy Gallagher and his chorus of Alaskan cowboys, criminals on-the-run, and ladies of the night as he tries to create a new, perfect society.
Playwright Ian Storey shared in an essay for Culturebot, “When I was approached in 2013 by director Eric Powell Holm to do an adaptation for his company (Bread Arts Collective) and space, it was an unthinking certitude that lead me to Bertolt Brecht’s Rise and Fall (of the City of Mahagonny): this was the play of the moment… Brecht intended to go out of the Reich making theater with a sledgehammer. Bread’s production embraced this wildly, to the point that the script itself made little difference to their (and particularly the brilliant Katie Melby as Jimmy) perfect encapsulation of the play’s – and our moment’s, – Zeitgeist.”
“The story is about a group of criminals on-the-run who decide to stop in their tracks and create a new, perfect society. This community happens to reside in a bar, People Lounge, so drinking is naturally built into the show.” -- shared Kelly Klein in an interview with li88y inc. -- “We have original music by our member Andrew Lynch that fluctuates between ballad and punk-rock sensibilities. And, as a troupe of performers, we immerse the audience in our world by direct interaction, creative staging, and DIY lighting… We may not be reinventing the wheel with this model but we are certainly trying to turn it on it’s head and get a new generation of theatre-goers to come on out, have a drink, and see some pretty fantastic stuff.”
Featuring Katie Melby (Basil Twist’s The Rite of Spring - Lincoln Center) as Jimmy Gallagher, Lyndsey Anderson (Let Him Eat Steak - The Barrow Group) as Hank, Toni Ann DeNoble (NBC’s Shades of Blue; Las Meninas - Irondale Center) as Trinity Moses, John Egan (The Rivals - The Pearl Theater; The Subject Was Roses - The Kennedy Center) as Jake, Kate Gunther (Drunk Shakespeare) as Jenny, Kelly Klein (The Diary of Anne Frank National Tour - Barter Theatre; Taking Woodstock film - Dir Ang Lee) as Willy the Veep, Benjamin Lewis (Happy Sauce -Minnesota Fringe) as Joe, and Andrew Lynch (Musical Theatre Factory) as Cadence Dakota Begbick.
RISE & FALL plays the following regular schedule through November 22nd:
Sundays at 8:00 pm
Doors open at 7:30pm and audiences are strongly encouraged to arrive early and to stick around after the show to mingle with the cast of characters.
Tickets are $10.00 - $20.00 suggested donation (plus one drink minimum at the bar). Reservations are strongly encouraged. To learn more visit www.breadartscollective.com/rise--fall
Running Time: 60 minutes
People Lounge is located at 163 Allen Street, New York, NY 10002 (between Stanton and Rivington).
SYLVIA MILO’S Award-winning THE OTHER MOZART, directed by Isaac James Byrne, is the true, untold story of Nannerl Mozart, the sister of Amadeus - a prodigy, keyboard virtuoso and composer, who performed throughout Europe with her brother to equal acclaim, but her work and her story faded away, lost to history. THE OTHER MOZART will play a limited engagement at Off-Broadway’s The Players Theatre (115 MacDougal Street, NYC -- Third floor - no elevator) Performances begin Wednesday, October 14 and continue every Wednesday and Saturday in October, and Friday and Saturday in November, through Saturday, November 21.
"The most dynamic, theatrical, and moving one woman show I have ever seen...This show is the height of theatrical achievement... you simply must see this production." -- Theater is Easy
“Imagine an eleven-year-old girl, performing the most difficult sonatas and concertos of the greatest composers, on the harpsichord or fortepiano, with precision, with incredible lightness, with impeccable taste. It was a source of wonder to many.” Augsburger Intelligenz, May 19, 1763.
Described by the New York Times as “strikingly beautiful”, the one woman drama is set in and on a magnificent 18-foot dress, created to fill and spill over the entire stage. THE OTHER MOZART is based on facts, stories and lines pulled directly from the Mozart family's humorous and heartbreaking letters.
With the opulent beauty of the dress and hair design, the sweet smell of perfume and the clouds of dusting powder rising from the stage, THE OTHER MOZART is a multi-sensual experience that transports the audience into a world of outsized beauty and delight – but also of overwhelming restrictions and prejudice where, finally, this other Mozart tells her story. Period style movement creates a world of opulence and elegance through articulate delicacy of expressive balletic gestures, reverent court bows, and fan language.
Along with music composed by her famous brother and Marianna Martines (a female composer who inspired Nannerl), the play features original music by Nathan Davis and Phyllis Chen - featured composers of the Mostly Mozart Festival at Lincoln Center, BAM and the International Contemporary Ensemble - for the instruments Nannerl knew intimately such as clavichords, music boxes and bells, as well as teacups, fans, and other ordinary objects that might have captured her imagination.
"Fascinating and irresistibly intelligent...Frenetic tremolo of a harpsichord becomes the fluttering of a fan...It is beautiful. -- Theatermania
"Sylvia Milo’s luscious depiction... eschews the dreaded bio-adaptation problem...with class and evocative energy. ...a surprisingly deep and penetrating analysis of the life of Wolfgang’s older sister." - Stage and Cinema
"The big stars of experimental theater" - Wall Street Journal
THE OTHER MOZART was developed at the Piccolo Spoleto festival and at the Cherry Lane Theatre in NYC as part of the All For One Festival. It was presented at the Berkshire and New Orleans Fringe festivals, at Toronto University and in Munich at the Pasinger Fabrik. The play repeatedly returned to Austria in 2014 at the invitation of the Mozarteum Foundation and Mozarteum University in Salzburg. The play had a critically acclaimed Off-Broadway run at the HERE Arts Center in New York City and continues touring internationally. The Other Mozart was nominated for the 2015 Drama Desk Award for Outstanding Sound Design in a Play and the 2015 Off Broadway Alliance Award for Best Solo Performance. The play was nominated for eight New York Innovative Theatre Awards: Outstanding Solo Performance – Sylvia Milo, Outstanding Director – Isaac Byrne, Outstanding Costume Design - Magdalena Dabrowska & Miodrag Guberinic, Outstanding Set Design - Anna Sroka, Outstanding Sound Design - Nathan Davis, Outstanding Original Music - Phyllis Chen & Nathan Davis, Outstanding Original Full-length script – Sylvia Milo and Outstanding Premiere Production of a Play, winning Outstanding Solo Performance and Outstanding Original Music.
The production features music composed by Nathan Davis and Phyllis Chen (of Lincoln Center's Mostly Mozart Festival and the International Contemporary Ensemble) with additional music by Marianna Martines and Wolfgang A. Mozart. Sound design by Nathan Davis. Period style movement directed by Janice Orlandi. Costume design by Magdalena Dabrowska (dress) and Miodrag Guberinic (pannier / corset sculpture), with dress concept by Anna Sroka and hair design by Courtney Bednarowski. Lighting design by Joshua Rose. Name is the stage manager.
THE OTHER MOZART plays the following schedule through Saturday, November 21:
Wednesdays at 7 p.m. and Saturdays at 3 p.m. - in October
Fridays and Saturdays at 7 p.m. - in November
Tickets are $45-$65 and are now available online at www.OvatonTix.com or by calling 866-811-4111. Tickets may also be purchased in-person at the theater’s box office ½ hour prior to performance.
Running Time: 75 minutes
Website: www.TheOtherMozart.com
"The most dynamic, theatrical, and moving one woman show I have ever seen...This show is the height of theatrical achievement... you simply must see this production." -- Theater is Easy
“Imagine an eleven-year-old girl, performing the most difficult sonatas and concertos of the greatest composers, on the harpsichord or fortepiano, with precision, with incredible lightness, with impeccable taste. It was a source of wonder to many.” Augsburger Intelligenz, May 19, 1763.
Described by the New York Times as “strikingly beautiful”, the one woman drama is set in and on a magnificent 18-foot dress, created to fill and spill over the entire stage. THE OTHER MOZART is based on facts, stories and lines pulled directly from the Mozart family's humorous and heartbreaking letters.
With the opulent beauty of the dress and hair design, the sweet smell of perfume and the clouds of dusting powder rising from the stage, THE OTHER MOZART is a multi-sensual experience that transports the audience into a world of outsized beauty and delight – but also of overwhelming restrictions and prejudice where, finally, this other Mozart tells her story. Period style movement creates a world of opulence and elegance through articulate delicacy of expressive balletic gestures, reverent court bows, and fan language.
Along with music composed by her famous brother and Marianna Martines (a female composer who inspired Nannerl), the play features original music by Nathan Davis and Phyllis Chen - featured composers of the Mostly Mozart Festival at Lincoln Center, BAM and the International Contemporary Ensemble - for the instruments Nannerl knew intimately such as clavichords, music boxes and bells, as well as teacups, fans, and other ordinary objects that might have captured her imagination.
"Fascinating and irresistibly intelligent...Frenetic tremolo of a harpsichord becomes the fluttering of a fan...It is beautiful. -- Theatermania
"Sylvia Milo’s luscious depiction... eschews the dreaded bio-adaptation problem...with class and evocative energy. ...a surprisingly deep and penetrating analysis of the life of Wolfgang’s older sister." - Stage and Cinema
"The big stars of experimental theater" - Wall Street Journal
THE OTHER MOZART was developed at the Piccolo Spoleto festival and at the Cherry Lane Theatre in NYC as part of the All For One Festival. It was presented at the Berkshire and New Orleans Fringe festivals, at Toronto University and in Munich at the Pasinger Fabrik. The play repeatedly returned to Austria in 2014 at the invitation of the Mozarteum Foundation and Mozarteum University in Salzburg. The play had a critically acclaimed Off-Broadway run at the HERE Arts Center in New York City and continues touring internationally. The Other Mozart was nominated for the 2015 Drama Desk Award for Outstanding Sound Design in a Play and the 2015 Off Broadway Alliance Award for Best Solo Performance. The play was nominated for eight New York Innovative Theatre Awards: Outstanding Solo Performance – Sylvia Milo, Outstanding Director – Isaac Byrne, Outstanding Costume Design - Magdalena Dabrowska & Miodrag Guberinic, Outstanding Set Design - Anna Sroka, Outstanding Sound Design - Nathan Davis, Outstanding Original Music - Phyllis Chen & Nathan Davis, Outstanding Original Full-length script – Sylvia Milo and Outstanding Premiere Production of a Play, winning Outstanding Solo Performance and Outstanding Original Music.
The production features music composed by Nathan Davis and Phyllis Chen (of Lincoln Center's Mostly Mozart Festival and the International Contemporary Ensemble) with additional music by Marianna Martines and Wolfgang A. Mozart. Sound design by Nathan Davis. Period style movement directed by Janice Orlandi. Costume design by Magdalena Dabrowska (dress) and Miodrag Guberinic (pannier / corset sculpture), with dress concept by Anna Sroka and hair design by Courtney Bednarowski. Lighting design by Joshua Rose. Name is the stage manager.
THE OTHER MOZART plays the following schedule through Saturday, November 21:
Wednesdays at 7 p.m. and Saturdays at 3 p.m. - in October
Fridays and Saturdays at 7 p.m. - in November
Tickets are $45-$65 and are now available online at www.OvatonTix.com or by calling 866-811-4111. Tickets may also be purchased in-person at the theater’s box office ½ hour prior to performance.
Running Time: 75 minutes
Website: www.TheOtherMozart.com
The Award-winning ON YOUR WAY HOME PRODUCTIONS is pleased to present the Off-Broadway Premiere of Margaret Dulaney’s (Sightseeing; Winner: Berrilla Kerr Award and www.listenwell.org) THE HUMMINGBIRD’S TOUR, directed by John Augustine. The limited engagement begins on Sunday, October 18th and continues through Sunday, November 22th, 2015. Official opening night is Monday, October 26th at 7:00 p.m.. THE HUMMINGBIRD’S TOUR will perform at the Theatre at St. Clement’s (423 W. 46th Street, New York, NY 10036). Tickets are now on sale at www.hummingbirdoffbroadway.com
**Press are cordially invited Wed, Oct 21st at 7:00 p.m., Thu, Oct 22nd at 7:00 p.m., Fri, Oct 23rd at 7:00 p.m., Sat, Oct, 24th at 3:00 p.m. & 7:00 p.m., Sun, Oct 25th at 3:00 p.m., and Opening Night Monday, October 26th at 7:00 p.m.
(and any subsequent performance upon request).
With humor and wit, THE HUMMINGBIRD’S TOUR takes a look at life, more life, and life beyond with more than a few surprises. Three opinionated siblings in their sixties—an Episcopalian, an agnostic, and a seeker of everything under the sun—along with their ancient childhood nanny, are thrown into a philosophical comic frenzy by an unexpected guest bearing mysterious predictions.
THE HUMMINGBIRD’S TOUR had its premiere reading in 1995 at the Samuel Beckett Theatre in New York, and featured Francis Sternhagen and Anne Pitoniak. The play underwent a developmental “barn” workshop production in 2013 and played for a limited run at the Bucks County Playhouse in 2014. The same cast returns for the Off-Broadway production.
The production stars Ray Baker (Days of our Lives, The Shield, Heroes, Without a Trace, ER) as Norton, Lynda Gravátt (Broadway: Cat on a Hot Tin Roof, 40 Seconds from Broadway, King Hedley II; Recipient of Theatre World Awards, Helen Hayes Awards, and three Audelco Awards) as Constance, Anne O'Sullivan (We Need to Talk About Kevin, The Mirror Has Two Faces; The McCarter Theatre, Williamstown, Berkshire Theatre Festival, The Old Globe, Bay St. Theatre, Yale Rep, Hartford Stage, Actors Theatre of Louisville) as Lucy, and Susan Pelligrino (Broadway: Equus, Prelude to a Kiss, Imaginary Friends, Ah, Wilderness!, A View From the Bridge, Present Laughter, The Kentucky Cycle, Two Shakespearean Actors) as Mattie.
The production features scenic design by Sheryl Liu, costume design by Christopher Leidenfrost and Brian Strachan (original production), and lighting design by Christopher Weston. Matt Balitsaris is the sound designer, and Brian Klinger is the production stage manager.
THE HUMMINGBIRD’S TOUR plays the following regular schedule through Sunday, November 22.
Mondays, Wednesdays, Thursdays, and Fridays at 7:00 pm
Saturdays at 3 pm & 7 pm
Sundays at 3pm
Tickets are $59, with Premium Seating at $99, available at www.hummingbirdoffbroadway.com and by calling 1-866-811-4111. Tickets may also be purchased at the box office ½ hour prior to performance.
PERFORMANCE VENUE
Theatre at St. Clement’s
423 W. 46th Street
New York, NY 10036
More information and tickets available at: www.hummingbirdoffbroadway.com
**Press are cordially invited Wed, Oct 21st at 7:00 p.m., Thu, Oct 22nd at 7:00 p.m., Fri, Oct 23rd at 7:00 p.m., Sat, Oct, 24th at 3:00 p.m. & 7:00 p.m., Sun, Oct 25th at 3:00 p.m., and Opening Night Monday, October 26th at 7:00 p.m.
(and any subsequent performance upon request).
With humor and wit, THE HUMMINGBIRD’S TOUR takes a look at life, more life, and life beyond with more than a few surprises. Three opinionated siblings in their sixties—an Episcopalian, an agnostic, and a seeker of everything under the sun—along with their ancient childhood nanny, are thrown into a philosophical comic frenzy by an unexpected guest bearing mysterious predictions.
THE HUMMINGBIRD’S TOUR had its premiere reading in 1995 at the Samuel Beckett Theatre in New York, and featured Francis Sternhagen and Anne Pitoniak. The play underwent a developmental “barn” workshop production in 2013 and played for a limited run at the Bucks County Playhouse in 2014. The same cast returns for the Off-Broadway production.
The production stars Ray Baker (Days of our Lives, The Shield, Heroes, Without a Trace, ER) as Norton, Lynda Gravátt (Broadway: Cat on a Hot Tin Roof, 40 Seconds from Broadway, King Hedley II; Recipient of Theatre World Awards, Helen Hayes Awards, and three Audelco Awards) as Constance, Anne O'Sullivan (We Need to Talk About Kevin, The Mirror Has Two Faces; The McCarter Theatre, Williamstown, Berkshire Theatre Festival, The Old Globe, Bay St. Theatre, Yale Rep, Hartford Stage, Actors Theatre of Louisville) as Lucy, and Susan Pelligrino (Broadway: Equus, Prelude to a Kiss, Imaginary Friends, Ah, Wilderness!, A View From the Bridge, Present Laughter, The Kentucky Cycle, Two Shakespearean Actors) as Mattie.
The production features scenic design by Sheryl Liu, costume design by Christopher Leidenfrost and Brian Strachan (original production), and lighting design by Christopher Weston. Matt Balitsaris is the sound designer, and Brian Klinger is the production stage manager.
THE HUMMINGBIRD’S TOUR plays the following regular schedule through Sunday, November 22.
Mondays, Wednesdays, Thursdays, and Fridays at 7:00 pm
Saturdays at 3 pm & 7 pm
Sundays at 3pm
Tickets are $59, with Premium Seating at $99, available at www.hummingbirdoffbroadway.com and by calling 1-866-811-4111. Tickets may also be purchased at the box office ½ hour prior to performance.
PERFORMANCE VENUE
Theatre at St. Clement’s
423 W. 46th Street
New York, NY 10036
More information and tickets available at: www.hummingbirdoffbroadway.com
The Award-Winning Astoria Performing Arts Center (APAC) is pleased to announce the world premiere production of Cheryl L. Davis’s (2014 AUDELCO Playwriting Award winner for Maid’s Door), CAREFULLY TAUGHT, directed by Pat Golden (Assistant Director on Emily Mann’s Broadway production of A Streetcar Named Desire by Tennessee Williams). CAREFULLY TAUGHT will play a limited engagement at Good Shepherd United Methodist Church, 30-44 Crescent St (@30th Rd), in Astoria, Queens. Performances begin Thursday, November 5 and continue through Saturday, November 21. Opening Night is Saturday, November 7 (8 p.m.).
On Monday, September 21st, APAC was honored with three New York Innovative Theatre Awards. The evening started off on a high note, with Mel House winning the first award of the night for Outstanding Actress in a Featured Role for her work as Kate in In The Bones. Not to be outdone, the ceremony progressed with Emily Koch winning Outstanding Actress in a Leading Role for Chloe in In The Bones. The evening was capped off with a win for Merrily We Roll Along for Outstanding Production of a Musical--presented to Dev Bondarin, Artistic Director, and Heather Shields, Interim Executive Director, by Alice Ripley!
CAREFULLY TAUGHT is a modern day drama that centers on the friendship of two schoolteachers--one black and one white. Their bond is shaken when one loses her job, and questions of loyalty and unspoken prejudice rise to the surface. This provocative tale challenges us to examine our perceptions of race in contemporary culture.
Cheryl L. Davis’s CAREFULLY TAUGHT has been workshopped and had readings at Stamford Center for the Arts, Premiere Stages, New Professional Theatre, the Six Figures “Artists of Tomorrow” festival, and The Lark. In light of recent current events, Davis was prompted to look at the play with fresh eyes. Astoria Performing Arts Center presented a reading of the play at the Queens Council on the Arts as part of the Midwinter Reading Series during the 2014-15 season. It will now receive its world premiere at APAC in the fall of 2015.
The production stars Esther Chen (US premiere of Behind The Mask) as Cie/Cindy, Latoya Edwards (Ryan Scott Oliver's We Foxes) as Alice/Charlotte, Sheila Joon* (Short Life of Trouble (2015 NY Innovative Theatre Nominee for Best Ensemble), Hudson Shakespeare Company) as Claire/Valerie, and Bristol Pomeroy (The Americans, The Sun Shines East) as Michael/ Representative/Reverend.
The production features scenic design by Christopher and Justin Swader (The Tempest (Classical Theater of Harlem), 210 Amlent Avenue (NYMF), costume design by Jessa-Raye Court (A Midsummer Night's Dream (Boomerang), Boys Will Be Boys (NYMF)) and lighting design by Joyce Liao (B'way: The Soul of Shaoli, Off-B'way: Breakfast with Mugabe, The Brightness of Heaven). Jacob Subotnick (APAC's In The Bones, 2015 NY IT Award Nominee for Best Original Music for Doubles Crossed: The Ballad of Rodrigo) is the sound designer and Kristine Schlachter* (APAC's Allegro and A Hard Wall at High Speed) is the stage manager.
CAREFULLY TAUGHT plays the following regular schedule through Saturday, November 21:
Thursdays & Fridays at 8 p.m.
Saturdays at 2 p.m. & 8 p.m.
Tickets are $18, ($12 student/senior) available at www.apacny.org or 888-596-1027. Tickets may also be purchased in-person at the Theatre Box Office, 30 minutes prior to the performance.
PERFORMANCE VENUE
Good Shepherd United Methodist Church
30-44 Crescent St (@30th Rd)
Astoria, NY 11102
Directions: Take the N or Q Subway to 30th Avenue. Walk down 30th Ave. to Crescent St. (Mount Sinai Hospital is on the corner.) Turn left on Crescent Street. Walk one block south, then turn right onto 30th Rd. Entrance is second set of beige doors on left.
Running Time: 100 minutes (no intermission)
Website: www.APACNY.org
*Appearing Courtesy of Actors’ Equity Association.
On Monday, September 21st, APAC was honored with three New York Innovative Theatre Awards. The evening started off on a high note, with Mel House winning the first award of the night for Outstanding Actress in a Featured Role for her work as Kate in In The Bones. Not to be outdone, the ceremony progressed with Emily Koch winning Outstanding Actress in a Leading Role for Chloe in In The Bones. The evening was capped off with a win for Merrily We Roll Along for Outstanding Production of a Musical--presented to Dev Bondarin, Artistic Director, and Heather Shields, Interim Executive Director, by Alice Ripley!
CAREFULLY TAUGHT is a modern day drama that centers on the friendship of two schoolteachers--one black and one white. Their bond is shaken when one loses her job, and questions of loyalty and unspoken prejudice rise to the surface. This provocative tale challenges us to examine our perceptions of race in contemporary culture.
Cheryl L. Davis’s CAREFULLY TAUGHT has been workshopped and had readings at Stamford Center for the Arts, Premiere Stages, New Professional Theatre, the Six Figures “Artists of Tomorrow” festival, and The Lark. In light of recent current events, Davis was prompted to look at the play with fresh eyes. Astoria Performing Arts Center presented a reading of the play at the Queens Council on the Arts as part of the Midwinter Reading Series during the 2014-15 season. It will now receive its world premiere at APAC in the fall of 2015.
The production stars Esther Chen (US premiere of Behind The Mask) as Cie/Cindy, Latoya Edwards (Ryan Scott Oliver's We Foxes) as Alice/Charlotte, Sheila Joon* (Short Life of Trouble (2015 NY Innovative Theatre Nominee for Best Ensemble), Hudson Shakespeare Company) as Claire/Valerie, and Bristol Pomeroy (The Americans, The Sun Shines East) as Michael/ Representative/Reverend.
The production features scenic design by Christopher and Justin Swader (The Tempest (Classical Theater of Harlem), 210 Amlent Avenue (NYMF), costume design by Jessa-Raye Court (A Midsummer Night's Dream (Boomerang), Boys Will Be Boys (NYMF)) and lighting design by Joyce Liao (B'way: The Soul of Shaoli, Off-B'way: Breakfast with Mugabe, The Brightness of Heaven). Jacob Subotnick (APAC's In The Bones, 2015 NY IT Award Nominee for Best Original Music for Doubles Crossed: The Ballad of Rodrigo) is the sound designer and Kristine Schlachter* (APAC's Allegro and A Hard Wall at High Speed) is the stage manager.
CAREFULLY TAUGHT plays the following regular schedule through Saturday, November 21:
Thursdays & Fridays at 8 p.m.
Saturdays at 2 p.m. & 8 p.m.
Tickets are $18, ($12 student/senior) available at www.apacny.org or 888-596-1027. Tickets may also be purchased in-person at the Theatre Box Office, 30 minutes prior to the performance.
PERFORMANCE VENUE
Good Shepherd United Methodist Church
30-44 Crescent St (@30th Rd)
Astoria, NY 11102
Directions: Take the N or Q Subway to 30th Avenue. Walk down 30th Ave. to Crescent St. (Mount Sinai Hospital is on the corner.) Turn left on Crescent Street. Walk one block south, then turn right onto 30th Rd. Entrance is second set of beige doors on left.
Running Time: 100 minutes (no intermission)
Website: www.APACNY.org
*Appearing Courtesy of Actors’ Equity Association.
FOX AND CROW PRODUCTIONS is pleased to announce the acclaimed Master Storyteller Jonathan Kruk is following his sold-out performances of IRVING’S LEGEND at The Old Dutch Church in Sleepy Hollow, with THE LEGEND OF SLEEPY HOLLOW, a Dramatic Retelling, musical direction by Jim Keyes and directed by Andrea Sadler at the United Solo Theatre Festival. THE LEGEND OF SLEEPY HOLLOW, a Dramatic Retelling, will play a limited engagement at Theatre Row (410 West 42nd Street, New York City). Performances of IRVING’S LEGEND are October 2 - November 1 (Fri, Sat, Sun) followed by THE LEGEND OF SLEEPY HOLLOW, a Dramatic Retelling at United Solo Theatre Festival, Friday, November 6 at 7:30 pm and Monday, November 16 at 6:00 pm with more performances to be announced.
An energetic solo performance of Washington Irving’s classic by the story’s living master, Jonathan Kruk. This signature performance embodies the author’s original gothic spirit and eloquent wit. The characters, boldly portrayed with distinctive gestures and local accents, offer a touch of humor. Jim Keyes, accompanies on a 19th century pump organ. The storyteller’s poetic persona and garb give this version of 'The Legend' a romantic edge.
Recommended for audiences of all ages.
Watch the trailer for the full performance film, The Legend of Sleepy Hollow, a Dramatic Retelling.
IRVING’S LEGEND plays Friday, Saturday and Sunday: Friday October 2 through Sunday, November 1. Old Dutch Church, 430 North Broadway, Sleepy Hollow, NY 10591. Tickets are $20 and available at http://www.hudsonvalley.org/events/irvings-legend
THE LEGEND OF SLEEPY HOLLOW, a Dramatic Retelling plays the United Solo Theatre Festival, Friday, Nov 6, 7:30pm and Monday, Nov 16 at 6pm at Theatre Row, 410 West 42nd Street, New York City (more performances to be announced). Tickets are $19.25 and available at http://unitedsolo.org/us/jonathankruk-2015/.
Running Time: 50 minutes (no intermission)
Websites: www.jonathankruk.wix.com/legendofsleepyhollow
http://unitedsolo.org/us/jonathankruk-2015/
http://www.hudsonvalley.org/events/irvings-legend
An energetic solo performance of Washington Irving’s classic by the story’s living master, Jonathan Kruk. This signature performance embodies the author’s original gothic spirit and eloquent wit. The characters, boldly portrayed with distinctive gestures and local accents, offer a touch of humor. Jim Keyes, accompanies on a 19th century pump organ. The storyteller’s poetic persona and garb give this version of 'The Legend' a romantic edge.
Recommended for audiences of all ages.
Watch the trailer for the full performance film, The Legend of Sleepy Hollow, a Dramatic Retelling.
IRVING’S LEGEND plays Friday, Saturday and Sunday: Friday October 2 through Sunday, November 1. Old Dutch Church, 430 North Broadway, Sleepy Hollow, NY 10591. Tickets are $20 and available at http://www.hudsonvalley.org/events/irvings-legend
THE LEGEND OF SLEEPY HOLLOW, a Dramatic Retelling plays the United Solo Theatre Festival, Friday, Nov 6, 7:30pm and Monday, Nov 16 at 6pm at Theatre Row, 410 West 42nd Street, New York City (more performances to be announced). Tickets are $19.25 and available at http://unitedsolo.org/us/jonathankruk-2015/.
Running Time: 50 minutes (no intermission)
Websites: www.jonathankruk.wix.com/legendofsleepyhollow
http://unitedsolo.org/us/jonathankruk-2015/
http://www.hudsonvalley.org/events/irvings-legend
LESCHEN & SAUTER MUSICALS, LLC is pleased to announce the world premiere production of Paul Leschen and Fred Sauter’s (Bedbugs!!!) THE ASTRONAUT LOVE SHOW, music direction by Andy Peterson, directed by John De Los Santos. THE ASTRONAUT LOVE SHOW will play a limited engagement at The Kraine Theater (85 East 4th St. New York, NY 10003). Performances begin Thursday, November 12 and continue through Sunday, November 22. Opening Night is Saturday, November 14 (7 p.m.).
*** Press are cordially invited: Thursday, November 12, Friday, November 13 and Saturday, November 14th at 7 p.m. (and any subsequent performance) ***
THE ASTRONAUT LOVE SHOW is a fast paced, darkly comedic original musical that tells three infamous "love stories" ripped from the headlines: a diaper-donning astronaut, a humble gay German cannibal and a Mormon-kidnapping/dog-cloning beauty queen!
Through an original 70s inspired score, this cosmically explosive musical explores themes of loneliness and obsession in a world where technology gives us a fast track to act upon our deepest desires.
Let Tony Award winner LENA HALL introduce you to some of the songs from The Astronaut Love Show: "Constellation Man" sung by Lena Hall, Chris Hall and Katie McCreary and "If You Die in Space" sung by Lena Hall.
The production stars Amber Martin (celebrated NYC performance artist and vocalist, one of the New Yorker’s 2010 top performers) as Leslie Starvak, Mark Rinzel (Singer in 80’s tribute band Jessie's Girl, and New York's Finest, a Police tribute band) as Arvin Meissner, Samantha Stoltzfus as June Bernice McNealy, Nick DeMatteo in multiple roles, Injoy Fountain in multiple roles, and Ross McCorkell as Astronaut Bobby Olofsson, the cannibalized Berndt Brockhaus and Mormon missionary Kip Swanson.
The production features projection and production design by Dean A. Denmon, costume design by Ashley Soliman, sound design by Eben Mannes, and lighting design and stage management by Blake Kile. Bob Kale (Bedbugs!!!) is the casting director.
THE ASTRONAUT LOVE SHOW plays the following schedule:
Thurs. Nov. 12 and Nov. 19 @ 7pm
Fri, Nov. 13 and Nov. 20 @ 7pm
Sat, Nov. 14 and Nov. 21 @ 7pm
Wed, Nov 18 @ 7pm
Sun, Nov 22 @ 2pm.
Tickets are $20 and are now available online at: http://www.astronautloveshow.com/. Tickets may also be purchased in-person at the theater, ½ hour prior to performance.
Running Time: Approx 100 minutes. No Intermission.
Website: http://www.leschenandsauter.com/astronautloveshow/
*There is brief nudity, sexual scenarios and some controversial subject matter that may be inappropriate for children under 13. Parental Guidance recommended.
*** Press are cordially invited: Thursday, November 12, Friday, November 13 and Saturday, November 14th at 7 p.m. (and any subsequent performance) ***
THE ASTRONAUT LOVE SHOW is a fast paced, darkly comedic original musical that tells three infamous "love stories" ripped from the headlines: a diaper-donning astronaut, a humble gay German cannibal and a Mormon-kidnapping/dog-cloning beauty queen!
Through an original 70s inspired score, this cosmically explosive musical explores themes of loneliness and obsession in a world where technology gives us a fast track to act upon our deepest desires.
Let Tony Award winner LENA HALL introduce you to some of the songs from The Astronaut Love Show: "Constellation Man" sung by Lena Hall, Chris Hall and Katie McCreary and "If You Die in Space" sung by Lena Hall.
The production stars Amber Martin (celebrated NYC performance artist and vocalist, one of the New Yorker’s 2010 top performers) as Leslie Starvak, Mark Rinzel (Singer in 80’s tribute band Jessie's Girl, and New York's Finest, a Police tribute band) as Arvin Meissner, Samantha Stoltzfus as June Bernice McNealy, Nick DeMatteo in multiple roles, Injoy Fountain in multiple roles, and Ross McCorkell as Astronaut Bobby Olofsson, the cannibalized Berndt Brockhaus and Mormon missionary Kip Swanson.
The production features projection and production design by Dean A. Denmon, costume design by Ashley Soliman, sound design by Eben Mannes, and lighting design and stage management by Blake Kile. Bob Kale (Bedbugs!!!) is the casting director.
THE ASTRONAUT LOVE SHOW plays the following schedule:
Thurs. Nov. 12 and Nov. 19 @ 7pm
Fri, Nov. 13 and Nov. 20 @ 7pm
Sat, Nov. 14 and Nov. 21 @ 7pm
Wed, Nov 18 @ 7pm
Sun, Nov 22 @ 2pm.
Tickets are $20 and are now available online at: http://www.astronautloveshow.com/. Tickets may also be purchased in-person at the theater, ½ hour prior to performance.
Running Time: Approx 100 minutes. No Intermission.
Website: http://www.leschenandsauter.com/astronautloveshow/
*There is brief nudity, sexual scenarios and some controversial subject matter that may be inappropriate for children under 13. Parental Guidance recommended.
Fab Marquee Productions in association with The Theater Series at The 14th Street Y is pleased to announce an LGBT multicultural production of William Shakespeare’s tragedy Macbeth, adapted and directed by Tom Slot. MACBETH (OF THE OPPRESSED) will play a three-week limited engagement at The Theater at the 14th Street Y (344 East 14th Street at 1st Avenue, Manhattan). Performances begin Thursday, October 8th and continue through Saturday, October 24th. Opening Night is Saturday, October 10th at 8 p.m.
“In order for theater to be truly impactful it needs to hold up a mirror to the audience and reflect the times we live in and the shared human condition that unites us all. Despite the passage of marriage equality in many states, same-sex couples still face many obstacles and prejudices in society. Likewise, women too often today are still not seen as equal partners.” - Shares director Tom Slot. - “In this adaptation of Macbeth, we seek to explore these prejudices, along with gender bias as a whole, through the lens of Shakespeare’s timeless tale.”
The days of political correctness have forced a prudish Queen Duncan to employ generals of all genders, races and sexual orientations into her army. Yet these times are still filled with the nepotism and prejudices of the past and General Macbeth struggles to be seen just as competent as his straight counterparts. With the conviction and support of his husband, and the predictions of greatness and power bestowed upon him by a trio of enslaved witches, he goes down a dangerous path of betrayal, greed and murder.
Featuring a cast of eight women and eight men. Starring Antonio Minino (MTWorks’ Dark Water) as Macbeth, and David Stallings (Farewell to Sanity - Best Lead Actor) as Lady Macbeth. Further casting to be announced soon.
MACBETH (OF THE OPPRESSED) plays the following schedule through Sat, October 24th:
Thursdays at 8 pm
Fridays at 8 pm
Saturdays at 8 pm
Sundays at 3 pm
Tickets are $18 ($15 Students/Seniors) and are available online at www.14thstreety.org/macbeth or by calling 646-395-4310. Tickets are also available for purchase in person at The 14th Street Y (Box Office Hours: Mon through Fri from 8am to 10pm, and Sat through Sun from 9am to 5pm).
Website: www.fabmarqueeproductions.com/macbeth
Tickets: www.14thstreety.org/macbeth
The Theater at the 14th Street Y is located at 344 East 14th Street, New York, NY 10003 at 1st Avenue.
By Subway: L to 1st Avenue.
By Bus: M14 or M15 to 14th and 1st Avenue.
“In order for theater to be truly impactful it needs to hold up a mirror to the audience and reflect the times we live in and the shared human condition that unites us all. Despite the passage of marriage equality in many states, same-sex couples still face many obstacles and prejudices in society. Likewise, women too often today are still not seen as equal partners.” - Shares director Tom Slot. - “In this adaptation of Macbeth, we seek to explore these prejudices, along with gender bias as a whole, through the lens of Shakespeare’s timeless tale.”
The days of political correctness have forced a prudish Queen Duncan to employ generals of all genders, races and sexual orientations into her army. Yet these times are still filled with the nepotism and prejudices of the past and General Macbeth struggles to be seen just as competent as his straight counterparts. With the conviction and support of his husband, and the predictions of greatness and power bestowed upon him by a trio of enslaved witches, he goes down a dangerous path of betrayal, greed and murder.
Featuring a cast of eight women and eight men. Starring Antonio Minino (MTWorks’ Dark Water) as Macbeth, and David Stallings (Farewell to Sanity - Best Lead Actor) as Lady Macbeth. Further casting to be announced soon.
MACBETH (OF THE OPPRESSED) plays the following schedule through Sat, October 24th:
Thursdays at 8 pm
Fridays at 8 pm
Saturdays at 8 pm
Sundays at 3 pm
Tickets are $18 ($15 Students/Seniors) and are available online at www.14thstreety.org/macbeth or by calling 646-395-4310. Tickets are also available for purchase in person at The 14th Street Y (Box Office Hours: Mon through Fri from 8am to 10pm, and Sat through Sun from 9am to 5pm).
Website: www.fabmarqueeproductions.com/macbeth
Tickets: www.14thstreety.org/macbeth
The Theater at the 14th Street Y is located at 344 East 14th Street, New York, NY 10003 at 1st Avenue.
By Subway: L to 1st Avenue.
By Bus: M14 or M15 to 14th and 1st Avenue.
COURIERS AND CONTRABANDS
Saturday, September 5th through Sunday, September 20th, 2015
TBG Theatre (312 West 36th Street, New York, NY 10018)
http://www.couriersplay.com/
1864. Petersburg, Virginia. As the Civil War rages on, Confederate operatives in control of a courier line work to gather information on the Union's efforts. Little do they know that they themselves are being watched by a contraband masquerading as a slave who acts in the interest of the North. Couriers and Contrabands explores the War from the point of view of those people who had the most impact on its outcome while being the least known: the spies.
Saturday, September 5th through Sunday, September 20th, 2015
TBG Theatre (312 West 36th Street, New York, NY 10018)
http://www.couriersplay.com/
1864. Petersburg, Virginia. As the Civil War rages on, Confederate operatives in control of a courier line work to gather information on the Union's efforts. Little do they know that they themselves are being watched by a contraband masquerading as a slave who acts in the interest of the North. Couriers and Contrabands explores the War from the point of view of those people who had the most impact on its outcome while being the least known: the spies.
IN A TITLED PLACE
Saturday, August 8th through Sunday, August 30, 2015
IRT Theater (154 Christopher St, New York, NY 10014 - Buzzer 3B)
Tickets: $18.00 http://www.brownpapertickets.com/event/1707909
She moves to the city from far, far away. The lights flash, the surfaces gleam. She tastes something in her mouth. She hopes it’s her dreams…
IN A TILTED PLACE is a kaleidoscope of a play where lovers, addicts, and other strange creatures all stumble through a bizarre, hilarious, and sometimes frightening reality… and nothing is quite as anyone imagined it would be.
Saturday, August 8th through Sunday, August 30, 2015
IRT Theater (154 Christopher St, New York, NY 10014 - Buzzer 3B)
Tickets: $18.00 http://www.brownpapertickets.com/event/1707909
She moves to the city from far, far away. The lights flash, the surfaces gleam. She tastes something in her mouth. She hopes it’s her dreams…
IN A TILTED PLACE is a kaleidoscope of a play where lovers, addicts, and other strange creatures all stumble through a bizarre, hilarious, and sometimes frightening reality… and nothing is quite as anyone imagined it would be.
"Easily one of the best shows currently in New York... a fast paced gem."
Jeff Myhre, New York Theatre Guide
"Farce, slapstick, and general tomfoolery blend beautifully together in Delirium's Daughters, playwright Nicholas Korn's new comic and heartfelt romp that lovingly captures the spirit of Commedia Dell'Arte, staying true to its centuries-old theatrical roots while making it delightedly accessible to modern audiences."
Howard Miller, Talkin' Broadway
"A fun romp through madcap schemes, delusional dreams, and capricious characters. With high-spirited energy, much pomp and circumstance... romance runs rampant through the twists and turns of Delirium's Daughters. Kudos to the splendid cast."
Laurie Lawson, Electronic Link Journey
Triumvirate Artists has announced that the Off Broadway premiere of the new comedy DELIRIUM’S DAUGHTERS, a kindhearted farce by Nicholas Korn (Stage First Cincinnati), directed by Kathleen Butler (Originated roles in Edward Albee’s Three Tall Women, Occupant and Marriage Play) will begin performances at The Clurman Theatre at Theatre Row (410 West 42nd Street, Manhattan) on Wednesday, July 29th at 2PM and continue through September 20th. The official opening is on Sunday, August 2nd at 3PM. www.TriumvirateArtists.com
4 suitors, 3 daughters, what’s a father to do? A kind old gentleman believes his deceased wife has forbid their three daughters to marry, until one of the suitors plays a series of tricks that helps him deal with his loss and recover his sanity. A new and refreshing take on Commedia Dell’Arte with a touch of magical realism.
Performances of DELIRIUM’S DAUGHTERS are on Tuesdays at 7PM, Thursdays, Fridays & Saturdays at 8PM; Matinees are on Wednesdays and Saturdays at 2PM and Sundays at 3PM. *There is one extra performance Wednesday, July 29th at 8pm (this is the only Wednesday with an 8pm performance).
Cast and crew will be announced in the coming weeks.
Tickets to DELIRIUM’S DAUGHTERS are $59.25 and available online at Telecharge.com or by calling 212-239-6200. Tickets may also be purchased in-person at the Theatre Row box office. Ticket prices include a $1.25 Restoration Fee. For groups of 10+ please contact Carol Ostrow Group Sales: 212-265-8500.
Direct link for tickets: http://www.telecharge.com/go.aspx?MD=102&PID=10912&AID=VEN000193900
Running time: 70min with no intermission.
Theatre Row is located on 410 West 42nd Street between 9th and 10th Aves, New York, NY 10036.
Jeff Myhre, New York Theatre Guide
"Farce, slapstick, and general tomfoolery blend beautifully together in Delirium's Daughters, playwright Nicholas Korn's new comic and heartfelt romp that lovingly captures the spirit of Commedia Dell'Arte, staying true to its centuries-old theatrical roots while making it delightedly accessible to modern audiences."
Howard Miller, Talkin' Broadway
"A fun romp through madcap schemes, delusional dreams, and capricious characters. With high-spirited energy, much pomp and circumstance... romance runs rampant through the twists and turns of Delirium's Daughters. Kudos to the splendid cast."
Laurie Lawson, Electronic Link Journey
Triumvirate Artists has announced that the Off Broadway premiere of the new comedy DELIRIUM’S DAUGHTERS, a kindhearted farce by Nicholas Korn (Stage First Cincinnati), directed by Kathleen Butler (Originated roles in Edward Albee’s Three Tall Women, Occupant and Marriage Play) will begin performances at The Clurman Theatre at Theatre Row (410 West 42nd Street, Manhattan) on Wednesday, July 29th at 2PM and continue through September 20th. The official opening is on Sunday, August 2nd at 3PM. www.TriumvirateArtists.com
4 suitors, 3 daughters, what’s a father to do? A kind old gentleman believes his deceased wife has forbid their three daughters to marry, until one of the suitors plays a series of tricks that helps him deal with his loss and recover his sanity. A new and refreshing take on Commedia Dell’Arte with a touch of magical realism.
Performances of DELIRIUM’S DAUGHTERS are on Tuesdays at 7PM, Thursdays, Fridays & Saturdays at 8PM; Matinees are on Wednesdays and Saturdays at 2PM and Sundays at 3PM. *There is one extra performance Wednesday, July 29th at 8pm (this is the only Wednesday with an 8pm performance).
Cast and crew will be announced in the coming weeks.
Tickets to DELIRIUM’S DAUGHTERS are $59.25 and available online at Telecharge.com or by calling 212-239-6200. Tickets may also be purchased in-person at the Theatre Row box office. Ticket prices include a $1.25 Restoration Fee. For groups of 10+ please contact Carol Ostrow Group Sales: 212-265-8500.
Direct link for tickets: http://www.telecharge.com/go.aspx?MD=102&PID=10912&AID=VEN000193900
Running time: 70min with no intermission.
Theatre Row is located on 410 West 42nd Street between 9th and 10th Aves, New York, NY 10036.
AZTEC ECONOMY in association with THE TANK is pleased to announce the New York premiere of BUTCHER HOLLER HERE WE COME by Casey Wimpee, directed by Leah Bonvissuto. After premiering two years ago in the Cincinnati Fringe and performing in Baltimore, New Orleans, Dallas, Houston, Tampa, and West Palm Beach, BUTCHER HOLLER HERE WE COME will play a limited engagement at The Tank (151 W 46th St, 8th Fl, New York, NY 10036), and headline their second annual DarkFest, celebrating innovative performance that utilizes self-sufficient and alternative energy sources. Performances begin Friday, July 24 (Preview performance) and continue through Sunday, August 2, 2015. Opening Night is Saturday, July 25 (7 p.m.).
Press cordially invited Saturday, July 25 at 7 p.m., Saturday, July 25 at 9:30 p.m., and Sunday, July 26 at 6 p.m. (and any subsequent performance).
“Inspired direction by Leah Bonvissuto of a strong cast.” – Dallas Morning News
"It is a great inspiration to learn that theater is still alive in this country....exciting work that is food for the senses and the spirit" - Baltimore Examiner
“The result fuses the creeping horror of The Shining with the tension of Mamet’s American Buffalo” – TheaterJones
"Shattering...[It] played like a combination nightmare, mystery rite, and horror ride at a depraved theme park.. The acting is terrific: elemental, raw, and persuasively aggressive. Leah Bonvissuto’s direction could hardly be more menacinge. Casey Wimpee's script is, finally, awe-inspiring. The consistency of a shocking dream and authority of brutal poetry"
-CreativeLoafing
“Wonderful...exceptional performances and use of our own senses against us making it a standout Fringe 2013 experience....unnerving and allows us to experience the loss of our rational world even as the trapped coal-miners lose their grip on their own.”-Black and Gold Review
"Perfectly executed in performance.” -Southern Glossary Magazine
"An intense, funny, scary, dark experience… five excellent actors with an engrossing, serious script that keeps you on the edge of your seat… See the show, and be prepared to leave a piece of your soul in the dark space.” -Cincinnati CityBeat
"An intense drama….the acting is excellent….very compelling” -New Orleans Defender
“Expertly Crafted...gripping from the opening seconds..this is a play about darkness and sound. The five actors work like a well oiled machine."– Pegasus News
1973, West Virginia. Following a cave collapse, 5 coal miners struggle to survive the dwindling supply of oxygen, the lack of food and water, the unravelling sense of passing time, and, even more threatening, their own competing natures. Brutally weaving through family histories, complicated friendships, crooked politics, childhood visions, audacious hopes, eerie dreams, criminal addictions, and fervent spirituality in this run-of-the-mill Appalachian community, Butcher Holler Here We Come is a descent into the male psyche-in-crisis where secret desires, carnal urges, and hidden memories come boiling to the surface in a primitive territory of Earth that mirrors the subliminal mind.
Featuring Adam Belvo (ColorTVs in Tijuana - Aztec Economy), Isaac Byrne (Artistic Director 4the People, former Artistic Director Working Man's Clothes), Colt W. Keeney (My Horse's Name is Loneliness - Aztec Economy), Michael Mason (U - The Klingon Opera, Berlin), Harlan Short (The Tempest - Medicine Show Theatre Ensemble; Imaginary Invalids - Robert Moss Theatre; Member Rusty Guns Band), Adam Laten Wilson (Ship of Fools, National Diet of Japan, Alabama Goddam, Color TVs in Tijuana, Pontiac Firebird Variations, Kill Devils Kill - Aztec Economy), and Cole Wimpee (Austin Critic's Table Award, Best Supporting Actor - Holes Before Bedtime, Rubber Repertory; Kennedy Center Irene Ryan Acting Finalist).
Butcher Holler Here We Come is immersively staged with the audience surrounding the actors and the performance is lit entirely by the headlamps on the performers heads. With sound design by Ryan Dorin. Kampfire PR is the Press Agent.
Butcher Holler Here We Come plays the following performances through Sun, Aug 2nd:
Friday, July 24th at 9:30 pm
Saturday, July 25th at 7:00 pm & 9:30 pm
Sunday, July 26th at 6:00 pm
Thurs, July 30th at 7:00 pm
Friday, July 31st at 9:30 pm
Saturday, August 1st at 7:00 pm & 9:30 pm
Sunday, August 2nd at 6:00 pm
Tickets range from $15.00 (Advance Sales) to $18.00 (At the Door), and are now available online at http://thetanknyc.org/theater/332-butcher-holler-here-we-come/ or by calling 1-800-838-3006. Tickets may also be purchased in-person at the theater ½ hour prior to performance.
Running Time: 75 minutes
Aztec Economy Website: www.aztececonomy.com
The Tank Show Page: http://thetanknyc.org/theater/332-butcher-holler-here-we-come/
Direct link tickets: http://www.brownpapertickets.com/event/1592222
Watch the trailer: https://youtu.be/c7EScYzGCgg
The Tank is located at 151 W 46th St, 8th Floor, New York, NY 10036.
Subway Directions: NRQ to 49th Street or BDFM to Rockefeller Center.
Press cordially invited Saturday, July 25 at 7 p.m., Saturday, July 25 at 9:30 p.m., and Sunday, July 26 at 6 p.m. (and any subsequent performance).
“Inspired direction by Leah Bonvissuto of a strong cast.” – Dallas Morning News
"It is a great inspiration to learn that theater is still alive in this country....exciting work that is food for the senses and the spirit" - Baltimore Examiner
“The result fuses the creeping horror of The Shining with the tension of Mamet’s American Buffalo” – TheaterJones
"Shattering...[It] played like a combination nightmare, mystery rite, and horror ride at a depraved theme park.. The acting is terrific: elemental, raw, and persuasively aggressive. Leah Bonvissuto’s direction could hardly be more menacinge. Casey Wimpee's script is, finally, awe-inspiring. The consistency of a shocking dream and authority of brutal poetry"
-CreativeLoafing
“Wonderful...exceptional performances and use of our own senses against us making it a standout Fringe 2013 experience....unnerving and allows us to experience the loss of our rational world even as the trapped coal-miners lose their grip on their own.”-Black and Gold Review
"Perfectly executed in performance.” -Southern Glossary Magazine
"An intense, funny, scary, dark experience… five excellent actors with an engrossing, serious script that keeps you on the edge of your seat… See the show, and be prepared to leave a piece of your soul in the dark space.” -Cincinnati CityBeat
"An intense drama….the acting is excellent….very compelling” -New Orleans Defender
“Expertly Crafted...gripping from the opening seconds..this is a play about darkness and sound. The five actors work like a well oiled machine."– Pegasus News
1973, West Virginia. Following a cave collapse, 5 coal miners struggle to survive the dwindling supply of oxygen, the lack of food and water, the unravelling sense of passing time, and, even more threatening, their own competing natures. Brutally weaving through family histories, complicated friendships, crooked politics, childhood visions, audacious hopes, eerie dreams, criminal addictions, and fervent spirituality in this run-of-the-mill Appalachian community, Butcher Holler Here We Come is a descent into the male psyche-in-crisis where secret desires, carnal urges, and hidden memories come boiling to the surface in a primitive territory of Earth that mirrors the subliminal mind.
Featuring Adam Belvo (ColorTVs in Tijuana - Aztec Economy), Isaac Byrne (Artistic Director 4the People, former Artistic Director Working Man's Clothes), Colt W. Keeney (My Horse's Name is Loneliness - Aztec Economy), Michael Mason (U - The Klingon Opera, Berlin), Harlan Short (The Tempest - Medicine Show Theatre Ensemble; Imaginary Invalids - Robert Moss Theatre; Member Rusty Guns Band), Adam Laten Wilson (Ship of Fools, National Diet of Japan, Alabama Goddam, Color TVs in Tijuana, Pontiac Firebird Variations, Kill Devils Kill - Aztec Economy), and Cole Wimpee (Austin Critic's Table Award, Best Supporting Actor - Holes Before Bedtime, Rubber Repertory; Kennedy Center Irene Ryan Acting Finalist).
Butcher Holler Here We Come is immersively staged with the audience surrounding the actors and the performance is lit entirely by the headlamps on the performers heads. With sound design by Ryan Dorin. Kampfire PR is the Press Agent.
Butcher Holler Here We Come plays the following performances through Sun, Aug 2nd:
Friday, July 24th at 9:30 pm
Saturday, July 25th at 7:00 pm & 9:30 pm
Sunday, July 26th at 6:00 pm
Thurs, July 30th at 7:00 pm
Friday, July 31st at 9:30 pm
Saturday, August 1st at 7:00 pm & 9:30 pm
Sunday, August 2nd at 6:00 pm
Tickets range from $15.00 (Advance Sales) to $18.00 (At the Door), and are now available online at http://thetanknyc.org/theater/332-butcher-holler-here-we-come/ or by calling 1-800-838-3006. Tickets may also be purchased in-person at the theater ½ hour prior to performance.
Running Time: 75 minutes
Aztec Economy Website: www.aztececonomy.com
The Tank Show Page: http://thetanknyc.org/theater/332-butcher-holler-here-we-come/
Direct link tickets: http://www.brownpapertickets.com/event/1592222
Watch the trailer: https://youtu.be/c7EScYzGCgg
The Tank is located at 151 W 46th St, 8th Floor, New York, NY 10036.
Subway Directions: NRQ to 49th Street or BDFM to Rockefeller Center.
HARLEM SUMMER SHAKESPEARE, now in its 11th Season, is pleased to announce the world premiere production of SHAKESPEARE’S PRESIDENTIAL PRIMARY, written and directed by Alexa Kelly, at The Indoor Theatre, Riverbank State Park, 679 Riverside Drive (at 145th Street). Performances are FREE and begin Friday, July 24 , 8 pm.and continue through Sunday, August 23.
This hilarious new play, portrays a Political Primary that has been modeled on the X FACTOR, AMERICA’S GOT TALENT, and the traditional LEAGUE OF WOMEN VOTERS format.
This show is a romp into politics and Shakespeare! Nothing is sacred! We enter a convention hall, where four of Shakespeare's characters are having their final Presidential Primary Debate: Lady Macbeth Famed Attorney General, renowned for her prowess in overthrowing King Duncan, Phoebe, the Shepherdess, who has made good as a woman of the people--boasts about neutering bulls with her bare hands--Now the Congresswoman from the great state of As You Like It, Malvolio, who dragged himself up by his bootstraps, started as a Butler, and is now the Governor of Twelfth Night; and Bottom, the former Attorney General, and now Governor of that great Midsummer Night's Garden State.
The panel of Judges, hosting this final debate are moderated by Attorney General Portia, renowned for her sense of justice and fairness to all; Beatrice the well reputed feminist, and Feste, humorist and sometimes clown. The Chorus is the television commentator for the folks watching and voting from home, and Romeo and Juliet seem to have gotten lost somewhere in history and find themselves here. There are sponsors, there is traditional convention entertainment, and finally the audience will vote on who they select as the winner of this debate. It is a care-free frolic, an event unlike any other you have attended. Expect the unexpected, laugh until you cry, hear Shakespeare spoken in the most unusual situations! All those in Favor say "Aye"!
The production stars Camille Mazurek* (Tribeca Performing Arts Center, St Croix Festival Theatre, HERE, Pulse Ensemble Theatre, Harlem Summer Shakespeare, roles such as Maria in Twelfth Night, Lysistrata in Lysistrata, Dottie Otley in Noises Off) as Lady Macbeth; Michael Gilpin* (Pulse Ensemble Theatre, John Houseman Theatre, Barter Theatre, Harlem Summer Shakespeare) as Bottom. Brian Richardson* (Barter Theatre, Metropolitan Playhouse, Bristol Riverside Theatre, Pulse Ensemble Theatre, Harlem Summer Shakespeare; TV-SVU, etc., roles such as Prospero, Malvolio, Puck) as Malvolio. Colleen McGloin* (Impact Theatre, Irish Rep Theatre, Harlem Summer Shakespeare, as Phoebe. Karim Sekou* (Classical Theatre of Harlem, Riverside Theatre, Pulse Ensemble Theatre, National Black Theatre Festival, Harlem Summer Shakespeare), as Chorus. Marcia A. Berry* (Chataqua, Indiana Shakespeare Festival, Harlem Summer Shakespeare) as Beatrice. Denise M. Whalen* (NY Gilbert and Sullivan, NY Grand Opera, Connecticut’s Broadway Theatre, Harlem Summer Shakespeare) as Puck.
The production features scenic design by Bob Barnes (Arkansas Rep., Asolo Theatre, Walnut St. Theatre, Florida State U), costume design Mary Kelly, (Florida State University, UNC-G, U of Michigan), and lighting design consultant Joyce Liao (Cherry Lane Theatre, Signature Theatre, Beckett Theatre, 59E59), Brian D. Richardson is the sound designer for Harlem Summer Shakespeare (Romeo and Juliet, A Midsummer Night’s Dream, Macbeth). Shairi Turner is the Asst. Stage Manager and Bernadette Maas* is the stage manager.
SHAKESPEARE’S PRESIDENTIAL PRIMARY plays the following schedule July 23 through Sunday, August 23:
Wednesdays at 8 p.m.
Thursdays at 8 p.m.
Fridays at 8 p.m.
Saturdays at 8 p.m.
Sundays at 8 p.m.
There are no performances 7/25 and 8/5 through 8/9.
Check website for schedule clarity or call 212-695-1596
FREE TO THE PUBLIC
Running Time: 90 minutes
Website: http://pulseensembletheatre.org/harlem-summer-shakespeare
*Appearing courtesy of Actors' Equity Association.
This hilarious new play, portrays a Political Primary that has been modeled on the X FACTOR, AMERICA’S GOT TALENT, and the traditional LEAGUE OF WOMEN VOTERS format.
This show is a romp into politics and Shakespeare! Nothing is sacred! We enter a convention hall, where four of Shakespeare's characters are having their final Presidential Primary Debate: Lady Macbeth Famed Attorney General, renowned for her prowess in overthrowing King Duncan, Phoebe, the Shepherdess, who has made good as a woman of the people--boasts about neutering bulls with her bare hands--Now the Congresswoman from the great state of As You Like It, Malvolio, who dragged himself up by his bootstraps, started as a Butler, and is now the Governor of Twelfth Night; and Bottom, the former Attorney General, and now Governor of that great Midsummer Night's Garden State.
The panel of Judges, hosting this final debate are moderated by Attorney General Portia, renowned for her sense of justice and fairness to all; Beatrice the well reputed feminist, and Feste, humorist and sometimes clown. The Chorus is the television commentator for the folks watching and voting from home, and Romeo and Juliet seem to have gotten lost somewhere in history and find themselves here. There are sponsors, there is traditional convention entertainment, and finally the audience will vote on who they select as the winner of this debate. It is a care-free frolic, an event unlike any other you have attended. Expect the unexpected, laugh until you cry, hear Shakespeare spoken in the most unusual situations! All those in Favor say "Aye"!
The production stars Camille Mazurek* (Tribeca Performing Arts Center, St Croix Festival Theatre, HERE, Pulse Ensemble Theatre, Harlem Summer Shakespeare, roles such as Maria in Twelfth Night, Lysistrata in Lysistrata, Dottie Otley in Noises Off) as Lady Macbeth; Michael Gilpin* (Pulse Ensemble Theatre, John Houseman Theatre, Barter Theatre, Harlem Summer Shakespeare) as Bottom. Brian Richardson* (Barter Theatre, Metropolitan Playhouse, Bristol Riverside Theatre, Pulse Ensemble Theatre, Harlem Summer Shakespeare; TV-SVU, etc., roles such as Prospero, Malvolio, Puck) as Malvolio. Colleen McGloin* (Impact Theatre, Irish Rep Theatre, Harlem Summer Shakespeare, as Phoebe. Karim Sekou* (Classical Theatre of Harlem, Riverside Theatre, Pulse Ensemble Theatre, National Black Theatre Festival, Harlem Summer Shakespeare), as Chorus. Marcia A. Berry* (Chataqua, Indiana Shakespeare Festival, Harlem Summer Shakespeare) as Beatrice. Denise M. Whalen* (NY Gilbert and Sullivan, NY Grand Opera, Connecticut’s Broadway Theatre, Harlem Summer Shakespeare) as Puck.
The production features scenic design by Bob Barnes (Arkansas Rep., Asolo Theatre, Walnut St. Theatre, Florida State U), costume design Mary Kelly, (Florida State University, UNC-G, U of Michigan), and lighting design consultant Joyce Liao (Cherry Lane Theatre, Signature Theatre, Beckett Theatre, 59E59), Brian D. Richardson is the sound designer for Harlem Summer Shakespeare (Romeo and Juliet, A Midsummer Night’s Dream, Macbeth). Shairi Turner is the Asst. Stage Manager and Bernadette Maas* is the stage manager.
SHAKESPEARE’S PRESIDENTIAL PRIMARY plays the following schedule July 23 through Sunday, August 23:
Wednesdays at 8 p.m.
Thursdays at 8 p.m.
Fridays at 8 p.m.
Saturdays at 8 p.m.
Sundays at 8 p.m.
There are no performances 7/25 and 8/5 through 8/9.
Check website for schedule clarity or call 212-695-1596
FREE TO THE PUBLIC
Running Time: 90 minutes
Website: http://pulseensembletheatre.org/harlem-summer-shakespeare
*Appearing courtesy of Actors' Equity Association.
Primrose Productions presents a new adaptation of the Medusa myth by Brooke M. Haney, from the poetry of Sheryl St. Germain, and directed by Tracy Bersley (choreographer for On the Levee at Lincoln Center, LCT3). Theatre intersects with visual art and poetry in this haunting and galvanizing perspective of the Medusa myth. Kiss Me or Cut Off My Head will play a three week limited engagement at the Soho Photo Gallery (15 White Street, New York, NY 10013). Performances begin Thursday, August 20th and continue through Saturday, September 5th, 2015 . Opening Night is Thursday, August 20th at 7:30 pm. Tickets are $30.00 with 35% of ticket sales going to Margaret’s Safe Place. Tickets are available at www.kissmetheplay.com
Press cordially invited Thursday, August 20th at 7:30 pm (Opening Night); Friday, August 21st at 7:30 pm and Saturday, August 22nd at 7:30 pm. (And any subsequent performances)
Theater, poetry and visual art collide in this contemporary retelling of the Medusa myth. As Medusa frankly confronts her infamy, voices of survivors embolden her to unmask the lies surrounding her own story. Based on true accounts of survivors of sexual assault and complemented by the visual art of Kate Goltseva, this collaboration asks us to face the stories that need to be heard.
Kiss Me or Cut Off My Head was devised to raise money and build awareness for Margaret’s Safe Place, a project of Shining Hope for Communities.
Starring Brooke M. Haney as Medusa. Featuring video appearances by Giorgio Panetta as Poseidon, the survivor chorus of Dorothy Abrahams, Cody Ayrer, Amy Barrick, Christopher Birk, Erin Cobb, Mia Guzman, Bryant Hernandez, Chengusoyane Kargbo, Ellen Ko, Ellie Lee, Angela Lewis, Sharon Litwinoff, Laura Peterson, Courtney Silber, Michael Tyler, Nadira Foster Williams, Rachel Yong, Tania Zikos, and special voice-over appearance by Madyson Pelligrino as Snake.
With lighting design by Mary Ellen Stebbins, fight choreography by Shad Ramsey (Associate Fight Director for Broadway’s Memphis, and Dr. Zhivago; Associate Fight Director for Papermill Playhouse’s Hunchback of Notre Dame; Fight Director for NY Classic Theatre’s As You Like It, McCarter Theatre’s Barber of Seville and Marriage of Figaro, Metropolitan Opera’s Two Boys). Stage management by Anna Katherine Moore. Erin Cobb is the production assistant, and Courtney Silber is the assistant stage manager and house manager.
Kiss Me or Cut Off My Head performs the following regular schedule through Saturday, September 5th:
Thursdays at 7:30 pm
Fridays at 7:30 pm
Saturdays at 7:30 pm
Tickets are $30.00 with 35% of ticket sales going to Margaret’s Safe Place. Tickets are available at www.kissmetheplay.com. Tickets are also available to purchase a half hour before each performance.
Running Time: 60 minutes.
Direct link tickets: https://www.artful.ly/store/events/6597
Website: http://www.kissmetheplay.com
Soho Photo Gallery is located at 15 White Street, New York, NY 10013
Press cordially invited Thursday, August 20th at 7:30 pm (Opening Night); Friday, August 21st at 7:30 pm and Saturday, August 22nd at 7:30 pm. (And any subsequent performances)
Theater, poetry and visual art collide in this contemporary retelling of the Medusa myth. As Medusa frankly confronts her infamy, voices of survivors embolden her to unmask the lies surrounding her own story. Based on true accounts of survivors of sexual assault and complemented by the visual art of Kate Goltseva, this collaboration asks us to face the stories that need to be heard.
Kiss Me or Cut Off My Head was devised to raise money and build awareness for Margaret’s Safe Place, a project of Shining Hope for Communities.
Starring Brooke M. Haney as Medusa. Featuring video appearances by Giorgio Panetta as Poseidon, the survivor chorus of Dorothy Abrahams, Cody Ayrer, Amy Barrick, Christopher Birk, Erin Cobb, Mia Guzman, Bryant Hernandez, Chengusoyane Kargbo, Ellen Ko, Ellie Lee, Angela Lewis, Sharon Litwinoff, Laura Peterson, Courtney Silber, Michael Tyler, Nadira Foster Williams, Rachel Yong, Tania Zikos, and special voice-over appearance by Madyson Pelligrino as Snake.
With lighting design by Mary Ellen Stebbins, fight choreography by Shad Ramsey (Associate Fight Director for Broadway’s Memphis, and Dr. Zhivago; Associate Fight Director for Papermill Playhouse’s Hunchback of Notre Dame; Fight Director for NY Classic Theatre’s As You Like It, McCarter Theatre’s Barber of Seville and Marriage of Figaro, Metropolitan Opera’s Two Boys). Stage management by Anna Katherine Moore. Erin Cobb is the production assistant, and Courtney Silber is the assistant stage manager and house manager.
Kiss Me or Cut Off My Head performs the following regular schedule through Saturday, September 5th:
Thursdays at 7:30 pm
Fridays at 7:30 pm
Saturdays at 7:30 pm
Tickets are $30.00 with 35% of ticket sales going to Margaret’s Safe Place. Tickets are available at www.kissmetheplay.com. Tickets are also available to purchase a half hour before each performance.
Running Time: 60 minutes.
Direct link tickets: https://www.artful.ly/store/events/6597
Website: http://www.kissmetheplay.com
Soho Photo Gallery is located at 15 White Street, New York, NY 10013
THE NEW YORK NEO-FUTURISTS are pleased to announce Colin Summers’ STEVE: A Docu-Musical, with music by Summers and Andrew Eckel, lyrics by Steve, and directed by Nessa Norich. STEVE: A Docu-Musical, which had sold-out performances at Joe’s Pub, Ant Fest, and Frigid New York Festival, will play a limited engagement at 4th Street Theatre (83 East 4th Street). Performances begin Thursday, August 6 and continue through Saturday, August 22. Opening Night is Wednesday, August 12 (7:30 p.m.). $16 tickets now available at www.nyneofuturists.org/steve/.
Press performances: August 7, 8,10, 11 at 7:30 p.m.
(and any subsequent performance)
STEVE: A DOCU-MUSICAL is a “fascinating, funny, and strangely moving” (Maxamoo) play that chronicles the true story of Colin Summers’ eight year online correspondence and artistic collaboration with Steve, a “Gen X” Australian. Together, Steve and Colin have written hundreds of songs. In Colin’s account of their unconventional relationship, Steve’s original songs and emails paint a vivid picture of a fascinating character.
The production features projection design by Gene Kogan, set design by Joey Rizzolo and lighting design by Sarah Livant. Yoshi Kuroi is the general manager and Sarah Livant is the stage manager.
STEVE: A Docu-Musical plays the following regular schedule through Saturday, August 22:
Mondays - Saturdays at 7:30 p.m.
Additional performances: Thursdays at 9:30 p.m. and Saturdays at 5 p.m.
Tickets are $16 in advance $20 at the door. Available now online at www.nyneofuturists.org/steve/ or by calling 866-811-4111. Tickets may also be purchased in-person at the theater ½ hour prior to performance.
Running Time: 70 minutes
Media Kit (with videos and photos): http://bit.ly/STEVEMediaKit
Website: www.nyneofuturists.org/steve/
Press performances: August 7, 8,10, 11 at 7:30 p.m.
(and any subsequent performance)
STEVE: A DOCU-MUSICAL is a “fascinating, funny, and strangely moving” (Maxamoo) play that chronicles the true story of Colin Summers’ eight year online correspondence and artistic collaboration with Steve, a “Gen X” Australian. Together, Steve and Colin have written hundreds of songs. In Colin’s account of their unconventional relationship, Steve’s original songs and emails paint a vivid picture of a fascinating character.
The production features projection design by Gene Kogan, set design by Joey Rizzolo and lighting design by Sarah Livant. Yoshi Kuroi is the general manager and Sarah Livant is the stage manager.
STEVE: A Docu-Musical plays the following regular schedule through Saturday, August 22:
Mondays - Saturdays at 7:30 p.m.
Additional performances: Thursdays at 9:30 p.m. and Saturdays at 5 p.m.
Tickets are $16 in advance $20 at the door. Available now online at www.nyneofuturists.org/steve/ or by calling 866-811-4111. Tickets may also be purchased in-person at the theater ½ hour prior to performance.
Running Time: 70 minutes
Media Kit (with videos and photos): http://bit.ly/STEVEMediaKit
Website: www.nyneofuturists.org/steve/
San Diego theater company THE TRIP, proudly brings their newly acclaimed cinematic stage adaptation to New York City. ORPHEUS & EURYDICE written and directed by Tom Dugdale (Humana Festival; Contemporary American Theater Festival; Hungarian Theater of Cluj; Princess Grace Award Winner), will play five performances at Theaterlab NYC (357 West 36th Street, 3rd Floor, New York, NY 10018). Performances are Thursday, July 16th at 8pm; Friday, July 17th at 8pm; Saturday, July 18th at 8pm; Sunday, July 19th at 3pm; and Monday, July 20th at 8pm. Tickets are $18.00 and available at www.theaterlabnyc.com.
Press cordially invited to all performances.
Through a blend of online content, live performance, and film, THE TRIP adapts the Orpheus & Eurydice myth in two parts. The lovers' relationship unfolds through a series of videos intended to be viewed before the performance (watch the videos here: http://www.thetriptheater.net/orpheus-videos.html). They fall more and more in love until unable to bear the distance any longer, they finally agree to meet in the flesh--actually, to get married. The wedding and the rest of their story is then staged as a live performance.
Featuring Joshua Brody (The Distance from Here - Almeida Theatre, UK; Our Town - La Jolla Playhouse, Without Walls Festival), Miranda Dainard, Tom Dugdale (The Marriage of Figaro; Macbeth - The Trip), Paul Marino (Popeye & Cloudy - Performed on the NY Subway, featured in NY Times; Utopia TM: Where All is True - Shakespeare in the Park, Berlin), Joey Odom, and Jenni Putney* (Venus in Fur - Philadelphia Theatre Company & George Street Playhouse; A Midsummer Night's Dream - Portland Center Stage).
With costume design by Desiree Hatfield-Buckley, lighting design by Maruti Evans, and sound design by Nick Drashner. Online videos by Tom Dugdale and production video by Karen Janssen.
Orpheus & Eurydice performance schedule:
Thursday, July 16th at 8pm
Friday, July 17th at 8pm
Saturday, July 18th at 8pm
Sunday, July 19th at 3pm
Monday, July 20th at 8pm
Tickets are $18 and are available online at http://www.theaterlabnyc.com or by calling 866-811-4111. Tickets are also available to purchase a half hour before each performance.
Direct link tickets: http://www.theaterlabnyc.com/events/the-trip-orpheus-eurydice/
The Trip Website: www.thetriptheater.net
Production Photos: http://tinyurl.com/nmfeyzy
Watch Orpheus & Eurydice’s online courtship: http://www.thetriptheater.net/orpheus-videos.html
Watch the Orpheus & Eurydice trailer: https://vimeo.com/131354892
Theaterlab NYC is located at 357 West 36th Street, 3rd Floor, New York, NY 10018.
*Appearing Courtesy of Actors’ Equity Association. Equity Approved Showcase.
Press cordially invited to all performances.
Through a blend of online content, live performance, and film, THE TRIP adapts the Orpheus & Eurydice myth in two parts. The lovers' relationship unfolds through a series of videos intended to be viewed before the performance (watch the videos here: http://www.thetriptheater.net/orpheus-videos.html). They fall more and more in love until unable to bear the distance any longer, they finally agree to meet in the flesh--actually, to get married. The wedding and the rest of their story is then staged as a live performance.
Featuring Joshua Brody (The Distance from Here - Almeida Theatre, UK; Our Town - La Jolla Playhouse, Without Walls Festival), Miranda Dainard, Tom Dugdale (The Marriage of Figaro; Macbeth - The Trip), Paul Marino (Popeye & Cloudy - Performed on the NY Subway, featured in NY Times; Utopia TM: Where All is True - Shakespeare in the Park, Berlin), Joey Odom, and Jenni Putney* (Venus in Fur - Philadelphia Theatre Company & George Street Playhouse; A Midsummer Night's Dream - Portland Center Stage).
With costume design by Desiree Hatfield-Buckley, lighting design by Maruti Evans, and sound design by Nick Drashner. Online videos by Tom Dugdale and production video by Karen Janssen.
Orpheus & Eurydice performance schedule:
Thursday, July 16th at 8pm
Friday, July 17th at 8pm
Saturday, July 18th at 8pm
Sunday, July 19th at 3pm
Monday, July 20th at 8pm
Tickets are $18 and are available online at http://www.theaterlabnyc.com or by calling 866-811-4111. Tickets are also available to purchase a half hour before each performance.
Direct link tickets: http://www.theaterlabnyc.com/events/the-trip-orpheus-eurydice/
The Trip Website: www.thetriptheater.net
Production Photos: http://tinyurl.com/nmfeyzy
Watch Orpheus & Eurydice’s online courtship: http://www.thetriptheater.net/orpheus-videos.html
Watch the Orpheus & Eurydice trailer: https://vimeo.com/131354892
Theaterlab NYC is located at 357 West 36th Street, 3rd Floor, New York, NY 10018.
*Appearing Courtesy of Actors’ Equity Association. Equity Approved Showcase.
THE NEW YORK MUSICAL THEATRE FESTIVAL and DARK PROPHETS PRODUCTION LLC are pleased to announce the world premiere production of Wearing Black, winner Best Original Score at FRIGID New York, with book, music and lyrics by Riley Thomas (writer/composer of the sold out award-winning NYMF show STUCK, now a feature film starring Giancarlo Esposito, Amy Madigan and Ashanti.), music direction by Ben Caplan and directed by J. Scott Lapp (Broadway’s Bonnie & Clyde; National Tours Murder for Two, Xanadu; Old Globe; La Jolla Playhouse; The Barn Stage Company).
Wearing Black will play a limited engagement at Theater 3 (311 West 43rd Street, 3rd Floor, NY, NY 10036). Performances are Thursday, July 9th @ 8:00 pm, Friday, July 10th @ 9:00 pm, Saturday, July 11th @ 1:00 pm, Monday, July 13th @ 5:00 pm, and Wednesday, July 15th @ 1:00 pm. Tickets are $27.50 and are available at nymf.org, by calling 212-352-3101, or by visiting the Signature Theatre Box Office (from Midday until the last performance commences).
All Evan wants to do is forget his complicated relationship with his twin brother and move on, but Charlie's tangled relationships keep Evan from truly letting go. As he slips into a spiral of self-destruction, Evan must make a stark decision: either accept and forgive his twin brother, or become him. Winner Best Original Score at FRIGID New York.
With Mark Coffin* (Transport - Irish Rep), Alexis Field, BJ Gruber* (Off-Bway: That Bachelorette Show, Awesome 80s Prom, My Big Gay Italian Wedding, My Big Gay Italian Funeral, Sex Tips for Straight Women; 50 Shades - The Musical! Tour), Devin Ilaw* (Les Miserables National Tour; Carousel - Playwrights Horizons, Dir. Baayork Lee; The King and I - Dallas Summer Musicals), Erin Maya (The Donkey Show - Boston Original Cast; Zapata! The Musical - NYMF 2012), Hayley Anna Norris, and Kevin Schuering* (Carousel - Playwrights Horizons, Dir Baayork Lee; Requiem for a Lost Girl - NYMF 2012).
Featuring set and lighting design by David Goldstein and fight choreography by Andrew Kenneth Moss. The general manager is Colleen Slattery, and the technical director is Danny Morales. Production stage management by Sophie Quist*, and Madison Decoske* is the assistant stage manager. Casting by Chad Murnane, and press representation by Kampfire PR.
Tickets are $27.50 and are available at nymf.org, by calling 212-352-3101, or by visiting the Signature Theatre Box Office (from Midday until the last performance commences).
Website: www.nymf.org/wearingblack
Clips: Take a listen to highlights from Wearing Black including “All I’ll Say”, “Life/Music”, and “Say Goodbye”: http://nymf.org/festival/2015-events/wearing-black/
Theater 3 is located at 311 West 43rd Street, 3rd Floor, NY, NY 10036
*Appearing Courtesy of Actors’ Equity Association.
Wearing Black will play a limited engagement at Theater 3 (311 West 43rd Street, 3rd Floor, NY, NY 10036). Performances are Thursday, July 9th @ 8:00 pm, Friday, July 10th @ 9:00 pm, Saturday, July 11th @ 1:00 pm, Monday, July 13th @ 5:00 pm, and Wednesday, July 15th @ 1:00 pm. Tickets are $27.50 and are available at nymf.org, by calling 212-352-3101, or by visiting the Signature Theatre Box Office (from Midday until the last performance commences).
All Evan wants to do is forget his complicated relationship with his twin brother and move on, but Charlie's tangled relationships keep Evan from truly letting go. As he slips into a spiral of self-destruction, Evan must make a stark decision: either accept and forgive his twin brother, or become him. Winner Best Original Score at FRIGID New York.
With Mark Coffin* (Transport - Irish Rep), Alexis Field, BJ Gruber* (Off-Bway: That Bachelorette Show, Awesome 80s Prom, My Big Gay Italian Wedding, My Big Gay Italian Funeral, Sex Tips for Straight Women; 50 Shades - The Musical! Tour), Devin Ilaw* (Les Miserables National Tour; Carousel - Playwrights Horizons, Dir. Baayork Lee; The King and I - Dallas Summer Musicals), Erin Maya (The Donkey Show - Boston Original Cast; Zapata! The Musical - NYMF 2012), Hayley Anna Norris, and Kevin Schuering* (Carousel - Playwrights Horizons, Dir Baayork Lee; Requiem for a Lost Girl - NYMF 2012).
Featuring set and lighting design by David Goldstein and fight choreography by Andrew Kenneth Moss. The general manager is Colleen Slattery, and the technical director is Danny Morales. Production stage management by Sophie Quist*, and Madison Decoske* is the assistant stage manager. Casting by Chad Murnane, and press representation by Kampfire PR.
Tickets are $27.50 and are available at nymf.org, by calling 212-352-3101, or by visiting the Signature Theatre Box Office (from Midday until the last performance commences).
Website: www.nymf.org/wearingblack
Clips: Take a listen to highlights from Wearing Black including “All I’ll Say”, “Life/Music”, and “Say Goodbye”: http://nymf.org/festival/2015-events/wearing-black/
Theater 3 is located at 311 West 43rd Street, 3rd Floor, NY, NY 10036
*Appearing Courtesy of Actors’ Equity Association.
On June 9th at 6:00 pm The League of Professional Theatre Women (LPTW), a not-for-profit organization promoting visibility and increased opportunities for women in the field, will lead an equality march through Times Square to advocate for equal representation of women in theatre, Women Stage The World.
On Tuesday, June 9th, at 6:00 pm Broadway theatregoers will see 200 women parading and advocating for equal representation in theatre. Many parading will be wearing costumes in honor of famous women who set the stage: you may recognize the likes of Dorothy Parker, Katharine Cornell, Aphra Behn, Margo Jones, Lady Gregory or Hallie Flanagan, director of the WPA Theatre. In celebration and solidarity, an Advocacy Anthem has been written by composer/lyricist Sheilah Rae. To learn more about the program and parade route, visit www.womenstagetheworld.org.
Women Stage the World, an advocacy project of the LPTW, is designed to educate the public about the role women play in creating theatre and the gender barriers they face as men continue to outnumber women by 4 to 1 in key roles such as playwright, director and designer. "Women buy two-thirds of the tickets and represent 65% of the audience," said Mahayana Landowne, Chairman of the Advocacy Committee of the LPTW. "The irony is that 80% of the time, the storytelling on stage is shaped by men's voices, not women's."
Women Stage the World will prompt ticket-buyers to ask three questions as they make buying decisions:
(1) Who wrote, directed and designed this play?
(2) What is this theatre's track record in giving opportunities to women?
(3) How can you spread the word and promote women's voices?
Like the suffragettes before them, Women Stage the World empowers women and men to become aware, take action and influence others. There is good news in this story, several New York theatres have impressive track records in producing work by women including Playwrights Horizons, New York Theatre Workshop, Three Graces, New Georges and The Women's Project. "In a field that is influenced by existing networks and long-standing relationships, artistic directors and literary managers need to find ways to remain open to work by women artists," said Karen Eterovich, secretary of the Advocacy Committee of the LPTW. They offer up the example of symphony orchestras that moved to a "blind audition" where women and men audition behind screens. It has more than doubled the number of female concert musicians employed professionally around the country.
On Tuesday, June 9th, at 6:00 pm Broadway theatregoers will see 200 women parading and advocating for equal representation in theatre. Many parading will be wearing costumes in honor of famous women who set the stage: you may recognize the likes of Dorothy Parker, Katharine Cornell, Aphra Behn, Margo Jones, Lady Gregory or Hallie Flanagan, director of the WPA Theatre. In celebration and solidarity, an Advocacy Anthem has been written by composer/lyricist Sheilah Rae. To learn more about the program and parade route, visit www.womenstagetheworld.org.
Women Stage the World, an advocacy project of the LPTW, is designed to educate the public about the role women play in creating theatre and the gender barriers they face as men continue to outnumber women by 4 to 1 in key roles such as playwright, director and designer. "Women buy two-thirds of the tickets and represent 65% of the audience," said Mahayana Landowne, Chairman of the Advocacy Committee of the LPTW. "The irony is that 80% of the time, the storytelling on stage is shaped by men's voices, not women's."
Women Stage the World will prompt ticket-buyers to ask three questions as they make buying decisions:
(1) Who wrote, directed and designed this play?
(2) What is this theatre's track record in giving opportunities to women?
(3) How can you spread the word and promote women's voices?
Like the suffragettes before them, Women Stage the World empowers women and men to become aware, take action and influence others. There is good news in this story, several New York theatres have impressive track records in producing work by women including Playwrights Horizons, New York Theatre Workshop, Three Graces, New Georges and The Women's Project. "In a field that is influenced by existing networks and long-standing relationships, artistic directors and literary managers need to find ways to remain open to work by women artists," said Karen Eterovich, secretary of the Advocacy Committee of the LPTW. They offer up the example of symphony orchestras that moved to a "blind audition" where women and men audition behind screens. It has more than doubled the number of female concert musicians employed professionally around the country.
THE WESTERN WIND ENSEMBLE, the award winning vocal sextet, is pleased to announce their upcoming performances of Orazio Vecchi’s L’AMFIPARNASO directed by Gama Valle. L’AMFIPARNASO will play a four performances only at The West End Theatre (263 west 86th Street New York, NY 10024). Performances are a preview on Thursday, May 28th at 8:00pm, Friday, May 29th at 8:00pm, Saturday, May 30th at 8:00pm and Sunday, May 31st at 8:00pm.
L’AMFIPARNASO premiered in 1594 in Modena, just before the birth of opera, and represents an early version of the threeact comic opera form which later became standard. Each scene of the commedia dell'arte scenario is set in a five voice composition, ranging from hilarious comic scenes to profoundly moving love duets and laments. Radical in its time, Vecchi's innovation caused a row. He wrote to his critics, "Everything new faces accusations and insults... It is unavoidable: the highest mountains are most likely to be struck by lightning." An inscription on his grave boldly states that "he was such a great musician and poet that he easily left behind all geniuses of all times" and that "he was the first to combine music with comedy".
L’AMFIPARNASO is populated with traditional comic characters of the commedia including the elderly busybodies Pantalone and Dr. Graziano, the disobedient servant Pedrolino (a.k.a. Pierrot), the bold and swaggering Capitano and the lovers Isabella, Lucio, Lelio and Nisa. Its title, "L'Amfiparnaso," is in itself a pun. It could mean "two by the nose," referring to the two old foolish geezers, Pantalone and Dr. Graziano, who are made fun of in the piece or "on the steps of Parnassus." Parnassus is the mountain in Greece that in Greek mythology was thought to be the home of the muses.
In the libretto, Panatalone, Pedrolino, Dr, Graziano, Francatrippa, and Capitan Cardon speak in their respective dialects: Venetian, Bolognese, Florentine and Spanish. The lovers Lucio, Isabella, Lelio and Nisa use the high Italian Tuscan dialect. The music is brilliant and subtle, and explores the psychological nuances and interpersonal relationships of the various characters. It alternates between the High Renaissance madrigal form for the lovers' duets and laments and more regional and folky styles for the comic characters.
In this production, the six singers of Western Wind Ensemble will interact with each other as they rotate in and out of the various characters. Two mimes will add a visual component, acting out scenes simultaneously with the music and participating in the "Argumenti," or introductions, that precede each scene in the original script. While the score will be sung in its original Italian, the Argumenti will be performed in English. Supertitles will provide a simultaneous translation of the Italian dialects. Western Wind first presented "L'Amfiparnaso" in 1971 at Westbeth in an unstaged chamber music version with dramatic supervision by Steven Urkowitz, a Shakespeare scholar. The New York Times (Allen Hughes) called it "a delightful sample of the musico literary entertainments that existed in Italy just before opera was born," praising the ensemble's keen understanding of the drama in the text and its mastery of the piece's humor, dialects and changing moods.
In the 70's and 80's, Western Wind performed the work in New York City, Cleveland and some other American cities. They also presented it in Italy at the Como Autumn Festival, Teatro La Fenice in Venice and at various venues in the Veneto region. The ensemble performed the piece again in 2014 and is bringing it back this May by popular demand. La Republica (Milano) wrote in 1980, "These American singers interpreted Vecchi's madrigal comedy with great finesse. Above all they demonstrated a winning ability to communicate together with great vocal discipline and sense of style. And it did them no harm whatsoever that they are such delightful performers." Reviewing a New York production in 1981, the New York Times called the production "a 16th century madcap revue, drawing on every vocal form of the period with exhilarating virtuosity. The dialects are handled with the confidence of natives, while the lusty dramatic spirit of the comic madrigal style comes across vividly." The same year, The Cleveland Plain Dealer wrote, "They tossed off Vecchi's seamless, flowing and intricate counterpoint as though it were the easiest kind of music in the world to sing, though it certainly must be among the hardest....the total effect on the listener is that of a constant stream of sunny and beautiful vocal sound."
The production stars Linda Lee Jones, Michele Kennedy (sopranos), William Zukof (countertenor), Todd Frizzell, David Vanderwal (tenors) and Elliot Z. Levine (baritone) along with mimes Catherine Gasta and Alexander Reed. The production features scenic design by Bradley Wehrle, costume design and stage management by Luis Santiago, and lighting design by Jason Fok.
L’AMFIPARNASO plays the following schedule:
Thursday May 28th, 8:00 pm Preview performance, suggested donation
Friday May 29th, 8:00 pm Regular Performance (Opening night)
Saturday May 30th, 8:00 pm Regular Performance
Sunday May 31st, 3:00 pm Regular Performance
Tickets are $40 and $25 (student/senior) are now available online at smarttix.com or 2128684444. Sponsor tickets are $75 and Patron tickets $150 at www.westernwind.org or 2128732828. Tickets may also be purchased inperson at the theater 1⁄2 hour prior to performance.
Running Time: 90 minutes
Website: www.WesternWind.org
L’AMFIPARNASO premiered in 1594 in Modena, just before the birth of opera, and represents an early version of the threeact comic opera form which later became standard. Each scene of the commedia dell'arte scenario is set in a five voice composition, ranging from hilarious comic scenes to profoundly moving love duets and laments. Radical in its time, Vecchi's innovation caused a row. He wrote to his critics, "Everything new faces accusations and insults... It is unavoidable: the highest mountains are most likely to be struck by lightning." An inscription on his grave boldly states that "he was such a great musician and poet that he easily left behind all geniuses of all times" and that "he was the first to combine music with comedy".
L’AMFIPARNASO is populated with traditional comic characters of the commedia including the elderly busybodies Pantalone and Dr. Graziano, the disobedient servant Pedrolino (a.k.a. Pierrot), the bold and swaggering Capitano and the lovers Isabella, Lucio, Lelio and Nisa. Its title, "L'Amfiparnaso," is in itself a pun. It could mean "two by the nose," referring to the two old foolish geezers, Pantalone and Dr. Graziano, who are made fun of in the piece or "on the steps of Parnassus." Parnassus is the mountain in Greece that in Greek mythology was thought to be the home of the muses.
In the libretto, Panatalone, Pedrolino, Dr, Graziano, Francatrippa, and Capitan Cardon speak in their respective dialects: Venetian, Bolognese, Florentine and Spanish. The lovers Lucio, Isabella, Lelio and Nisa use the high Italian Tuscan dialect. The music is brilliant and subtle, and explores the psychological nuances and interpersonal relationships of the various characters. It alternates between the High Renaissance madrigal form for the lovers' duets and laments and more regional and folky styles for the comic characters.
In this production, the six singers of Western Wind Ensemble will interact with each other as they rotate in and out of the various characters. Two mimes will add a visual component, acting out scenes simultaneously with the music and participating in the "Argumenti," or introductions, that precede each scene in the original script. While the score will be sung in its original Italian, the Argumenti will be performed in English. Supertitles will provide a simultaneous translation of the Italian dialects. Western Wind first presented "L'Amfiparnaso" in 1971 at Westbeth in an unstaged chamber music version with dramatic supervision by Steven Urkowitz, a Shakespeare scholar. The New York Times (Allen Hughes) called it "a delightful sample of the musico literary entertainments that existed in Italy just before opera was born," praising the ensemble's keen understanding of the drama in the text and its mastery of the piece's humor, dialects and changing moods.
In the 70's and 80's, Western Wind performed the work in New York City, Cleveland and some other American cities. They also presented it in Italy at the Como Autumn Festival, Teatro La Fenice in Venice and at various venues in the Veneto region. The ensemble performed the piece again in 2014 and is bringing it back this May by popular demand. La Republica (Milano) wrote in 1980, "These American singers interpreted Vecchi's madrigal comedy with great finesse. Above all they demonstrated a winning ability to communicate together with great vocal discipline and sense of style. And it did them no harm whatsoever that they are such delightful performers." Reviewing a New York production in 1981, the New York Times called the production "a 16th century madcap revue, drawing on every vocal form of the period with exhilarating virtuosity. The dialects are handled with the confidence of natives, while the lusty dramatic spirit of the comic madrigal style comes across vividly." The same year, The Cleveland Plain Dealer wrote, "They tossed off Vecchi's seamless, flowing and intricate counterpoint as though it were the easiest kind of music in the world to sing, though it certainly must be among the hardest....the total effect on the listener is that of a constant stream of sunny and beautiful vocal sound."
The production stars Linda Lee Jones, Michele Kennedy (sopranos), William Zukof (countertenor), Todd Frizzell, David Vanderwal (tenors) and Elliot Z. Levine (baritone) along with mimes Catherine Gasta and Alexander Reed. The production features scenic design by Bradley Wehrle, costume design and stage management by Luis Santiago, and lighting design by Jason Fok.
L’AMFIPARNASO plays the following schedule:
Thursday May 28th, 8:00 pm Preview performance, suggested donation
Friday May 29th, 8:00 pm Regular Performance (Opening night)
Saturday May 30th, 8:00 pm Regular Performance
Sunday May 31st, 3:00 pm Regular Performance
Tickets are $40 and $25 (student/senior) are now available online at smarttix.com or 2128684444. Sponsor tickets are $75 and Patron tickets $150 at www.westernwind.org or 2128732828. Tickets may also be purchased inperson at the theater 1⁄2 hour prior to performance.
Running Time: 90 minutes
Website: www.WesternWind.org
The Award-winning Astoria Performing Arts Center (APAC), is pleased to be presenting Merrily We Roll Along, with music and lyrics by Stephen Sondheim and a book by George Furth, based on the original play by George S. Kaufman and Moss Hart. The musical will be choreographed by Misha Shields, musical directed by Ming Aldrich-Gan and directed by APAC's Artistic Director Dev Bondarin. The musical begins on Thursday, April 30, 2015 and continues through Saturday, May 23, 2015. APAC's performance venue is located at the Good Shepherd United Methodist Church, 30-44 Crescent St (@ 30th Rd), in Astoria, Queens.
What if you could move backwards through time and see how your choices charted your path to the present moment? With an exciting score, humor, idealism, and insight, Merrily We Roll Along starts at the end and ends at the beginning. We see snapshots of twenty years in the lives of Franklin Shepard and his close friends and ponder the show's central question: "How did you get to be here?"
The production stars Alex Akin (Fancy Nancy; Vital Theatre Company) as Dory, Ally Bonino (Myths and Hymns; Prospect Theater Company, Pregnancy Pact; NAMT) as Mary, Joe Bowen* (Richard II & Cyrano De Bergerac; Playmakers Rep) as Mr. Spencer, LilyAnn Carlson* (Nat'l Tour: Elf The Musical) as Gussie, Joanna Carpenter (Cirque Dreams Holidze NT, Sunfish; World Premiere @ DIMF Festival, South Korea) as KT, Christopher Darrin (Allegro; APAC, A Christmas Story; The John W. Engeman Theater) as Frank Jr., Audrey Heffernan Meyer* (Oliver!; Gallery Players, Damn Yankees & The Sound of Music; TriArts Sharon Playhouse) as Mrs. Spencer, Luke Hoback* (Henry and Mudge; TheatreWorks USA, Next to Normal, Gallery Players) as Tyler, Greg Horton* (2 time IT Award Winner, With Glee; Prospect Theater Company, Candide; Theater 2020) as Joe, Kevin Ray Johnson (Love Note; The Actors Temple Theatre) as Bunker, Jack Mosbacher* (Sweeney Todd; TheatreWorks) as Frank, Jay Paranada* (Skippyjon Jones & Junie B. Jones; TheatreWorks USA, Little Mary Sunshine; Musicals Tonight) as Scotty, Nicholas Park* (Bedbugs!; Off-B'way, Tick Tick Boom; American Theatre Group) as Charley, Jason Pintar (Nat'l tour Titanic, Oliver!; Papermill, Blood Brothers & The Secret Garden; APAC) as RU, Rachel Rhodes-Devey* (Nat'l tour South Pacific (Nellie Forbush), White Christmas, Most Happy Fella; City Center Encores, The Human Comedy & Children of Eden; APAC) as Beth, Anne Wechsler (Smile; Tisch, Up Here workshop; La Jolla Playhouse) as Meg, and Matt Welsh (Oklohomo: The Adventures of Dave & Gary; NYMF) as Jerome. *Performing courtesy of actor's equity. AEA approved showcase.
The production features scenic design by Andrea Nice, costume design by Jennifer Jacob, and lighting design by Jesse Sheldon. Arielle Edwards is the sound designer, Katie White is the prop designer and Kat Meister is the production stage manager.
MERRILY WE ROLL ALONG plays the following regular schedule through Saturday, May23:
Thursdays & Fridays at 8 p.m.
Saturdays at 2 p.m. & 8 p.m.
Tickets are $18, ($12 student/senior) available at www.apacny.org or 888-596-1027. Tickets may also be purchased in-person at the box office, 30 minutes prior to the performance.
PERFORMANCE VENUE
Good Shepherd United Methodist Church
30-44 Crescent St (@ 30th Rd)
Astoria, NY 11102
Directions: Take the N or Q Subway to 30th Avenue. Walk down 30th Ave. to Crescent St. (Mount Sinai Hospital is on the corner.) Turn left on Crescent Street. Walk one block south, then turn right onto 30th Rd. Entrance is second set of red doors on left.
Website: www.APACNY.org
Press Inquiries: press@kampfirefilmspr.com
What if you could move backwards through time and see how your choices charted your path to the present moment? With an exciting score, humor, idealism, and insight, Merrily We Roll Along starts at the end and ends at the beginning. We see snapshots of twenty years in the lives of Franklin Shepard and his close friends and ponder the show's central question: "How did you get to be here?"
The production stars Alex Akin (Fancy Nancy; Vital Theatre Company) as Dory, Ally Bonino (Myths and Hymns; Prospect Theater Company, Pregnancy Pact; NAMT) as Mary, Joe Bowen* (Richard II & Cyrano De Bergerac; Playmakers Rep) as Mr. Spencer, LilyAnn Carlson* (Nat'l Tour: Elf The Musical) as Gussie, Joanna Carpenter (Cirque Dreams Holidze NT, Sunfish; World Premiere @ DIMF Festival, South Korea) as KT, Christopher Darrin (Allegro; APAC, A Christmas Story; The John W. Engeman Theater) as Frank Jr., Audrey Heffernan Meyer* (Oliver!; Gallery Players, Damn Yankees & The Sound of Music; TriArts Sharon Playhouse) as Mrs. Spencer, Luke Hoback* (Henry and Mudge; TheatreWorks USA, Next to Normal, Gallery Players) as Tyler, Greg Horton* (2 time IT Award Winner, With Glee; Prospect Theater Company, Candide; Theater 2020) as Joe, Kevin Ray Johnson (Love Note; The Actors Temple Theatre) as Bunker, Jack Mosbacher* (Sweeney Todd; TheatreWorks) as Frank, Jay Paranada* (Skippyjon Jones & Junie B. Jones; TheatreWorks USA, Little Mary Sunshine; Musicals Tonight) as Scotty, Nicholas Park* (Bedbugs!; Off-B'way, Tick Tick Boom; American Theatre Group) as Charley, Jason Pintar (Nat'l tour Titanic, Oliver!; Papermill, Blood Brothers & The Secret Garden; APAC) as RU, Rachel Rhodes-Devey* (Nat'l tour South Pacific (Nellie Forbush), White Christmas, Most Happy Fella; City Center Encores, The Human Comedy & Children of Eden; APAC) as Beth, Anne Wechsler (Smile; Tisch, Up Here workshop; La Jolla Playhouse) as Meg, and Matt Welsh (Oklohomo: The Adventures of Dave & Gary; NYMF) as Jerome. *Performing courtesy of actor's equity. AEA approved showcase.
The production features scenic design by Andrea Nice, costume design by Jennifer Jacob, and lighting design by Jesse Sheldon. Arielle Edwards is the sound designer, Katie White is the prop designer and Kat Meister is the production stage manager.
MERRILY WE ROLL ALONG plays the following regular schedule through Saturday, May23:
Thursdays & Fridays at 8 p.m.
Saturdays at 2 p.m. & 8 p.m.
Tickets are $18, ($12 student/senior) available at www.apacny.org or 888-596-1027. Tickets may also be purchased in-person at the box office, 30 minutes prior to the performance.
PERFORMANCE VENUE
Good Shepherd United Methodist Church
30-44 Crescent St (@ 30th Rd)
Astoria, NY 11102
Directions: Take the N or Q Subway to 30th Avenue. Walk down 30th Ave. to Crescent St. (Mount Sinai Hospital is on the corner.) Turn left on Crescent Street. Walk one block south, then turn right onto 30th Rd. Entrance is second set of red doors on left.
Website: www.APACNY.org
Press Inquiries: press@kampfirefilmspr.com
Boomerang Theatre Company is pleased to present, after a successful sold-out workshop production, the return of Lickspittles, Buttonholers, and Damned Pernicious Go-Betweens by award-winning playwright Johnna Adams, directed by John Hurley. Lickspittles, Buttonholers, and Damned Pernicious Go-Betweens will play a three week limited engagement at Teatro Circulo (64 East 4th Street, New York, NY 10003). Performances begin May 1st and continue through May 17th, 2015. Opening night is Tuesday, May 5th, 2015 at 7:30 p.m.. Tickets are $25.00 and are available at www.boomerangtheatre.wordpress.com or by calling 866-811-4111.
Press cordially invited Saturday, May 2nd at 7:30 p.m., Sunday, May 3rd at 3:00 p.m., Tuesday, May 5th at 7:30 p.m.(Opening Night) and Wednesday, May 6th at 7:30 p.m.
Three extraneous Danish court officials: a professional loud mouth (the buttonholer), a kiss ass for hire (the lickspittle) and a successful dastard (the go-between) are tossed out of court just as Denmark's merchant fleet becomes of strategic importance in the Napoleonic war. The three men journey to France and meet Napoleon's top lickspittle, buttonholer and go-between, their female counterparts. Plots abound, flying machines are destroyed and the head of Marie Antoinette is discovered during the madcap struggle to save Copenhagen from British howitzers. The main characters speak in rhyming alexandrine verse, while a host of supporting characters converse in sestinas, haiku, free verse, limericks and sonnets. In a rhyming, metered world, the offbeat rules.
The production stars Nat Cassidy* (Multiple New York Innovative Theatre Awards recipient/nominee; nytheatre.com's People of the Year in 2011; Inductee in the Indie Theater Hall of Fame), Gavin Starr Kendall (The Protestants - The Brick), Catherine McNelis* (The Tempest - Boomerang Theatre Company), Kelley Rae O'Donnell* (Fight Girl Battle World - Vampire Cowboys), Ridley Parson* (Lights Narrow - Teatro Oscuro/The WorkShop Theatre), Amy Lee Pearsall* (One Flew Over the Cuckoo’s Nest - Wide Eyed Productions), Isaiah Tanenbaum* (Salvage - Flux Theatre Ensemble), Kristen Vaughan (New York Innovative Theatre Award recipient for Benefactors), Sean Williams (Honeycomb Trilogy - Gideon Productions) and Aaron Michael Zook* (King Lear - Boomerang Theatre Company).
Featuring Scenic Design by Saundra Yaklin, Lighting Design by Morgan Zipf-Meister, Sound Design by Jacob Subotnick, Costume Design by Holly Rihn, Prop Design by Judy Merrick. Sarah Lahue is the Stage Manager.
Lickspittles, Buttonholers, and Damned Pernicious Go-Betweens plays the following schedule through Sunday, May 17th:
Tuesdays through Saturdays at 7:30 pm
Sundays at 3:00 pm
No performance on Saturday, May 9th
Special Saturday Matinee May 16th at 2:00 pm
Tickets are $15-25, available online at www.BoomerangTheatre.org or by calling 866-811-4111. Tickets may also be purchased in-person 30 min before showtimes.
PERFORMANCE VENUE
Teatro Circulo
64 East 4th Street
New York, NY 10003
(Between Bowery and 2nd Avenue)
Subway: F to 2nd Avenue, 6 to Astor Place, R to 8th Street at Broadway.
Bus: 103 from City Hall, 2nd Avenue 15
Running Time: 2 hours and 15min with one intermission.
Website: www.boomerangtheatre.wordpress.com
*Appearing Courtesy of Actors’ Equity Association.
Press cordially invited Saturday, May 2nd at 7:30 p.m., Sunday, May 3rd at 3:00 p.m., Tuesday, May 5th at 7:30 p.m.(Opening Night) and Wednesday, May 6th at 7:30 p.m.
Three extraneous Danish court officials: a professional loud mouth (the buttonholer), a kiss ass for hire (the lickspittle) and a successful dastard (the go-between) are tossed out of court just as Denmark's merchant fleet becomes of strategic importance in the Napoleonic war. The three men journey to France and meet Napoleon's top lickspittle, buttonholer and go-between, their female counterparts. Plots abound, flying machines are destroyed and the head of Marie Antoinette is discovered during the madcap struggle to save Copenhagen from British howitzers. The main characters speak in rhyming alexandrine verse, while a host of supporting characters converse in sestinas, haiku, free verse, limericks and sonnets. In a rhyming, metered world, the offbeat rules.
The production stars Nat Cassidy* (Multiple New York Innovative Theatre Awards recipient/nominee; nytheatre.com's People of the Year in 2011; Inductee in the Indie Theater Hall of Fame), Gavin Starr Kendall (The Protestants - The Brick), Catherine McNelis* (The Tempest - Boomerang Theatre Company), Kelley Rae O'Donnell* (Fight Girl Battle World - Vampire Cowboys), Ridley Parson* (Lights Narrow - Teatro Oscuro/The WorkShop Theatre), Amy Lee Pearsall* (One Flew Over the Cuckoo’s Nest - Wide Eyed Productions), Isaiah Tanenbaum* (Salvage - Flux Theatre Ensemble), Kristen Vaughan (New York Innovative Theatre Award recipient for Benefactors), Sean Williams (Honeycomb Trilogy - Gideon Productions) and Aaron Michael Zook* (King Lear - Boomerang Theatre Company).
Featuring Scenic Design by Saundra Yaklin, Lighting Design by Morgan Zipf-Meister, Sound Design by Jacob Subotnick, Costume Design by Holly Rihn, Prop Design by Judy Merrick. Sarah Lahue is the Stage Manager.
Lickspittles, Buttonholers, and Damned Pernicious Go-Betweens plays the following schedule through Sunday, May 17th:
Tuesdays through Saturdays at 7:30 pm
Sundays at 3:00 pm
No performance on Saturday, May 9th
Special Saturday Matinee May 16th at 2:00 pm
Tickets are $15-25, available online at www.BoomerangTheatre.org or by calling 866-811-4111. Tickets may also be purchased in-person 30 min before showtimes.
PERFORMANCE VENUE
Teatro Circulo
64 East 4th Street
New York, NY 10003
(Between Bowery and 2nd Avenue)
Subway: F to 2nd Avenue, 6 to Astor Place, R to 8th Street at Broadway.
Bus: 103 from City Hall, 2nd Avenue 15
Running Time: 2 hours and 15min with one intermission.
Website: www.boomerangtheatre.wordpress.com
*Appearing Courtesy of Actors’ Equity Association.
FUNNY...SHEESH is pleased to announce the production of Jason S. Grossman’s LOVE ME, directed by Rachel Klein. LOVE ME will play a limited engagement at The 4th Street Theatre, (83 East 4th Street, New York, NY). Performances begin Thursday, April 30 and continue through Saturday, May 16. Opening Night is Saturday, May 2 (7:30 p.m.).
See and hear what’s going on inside Charlie Styptic’s head in LOVE ME, a self-conscious comedy in three acts!
It’s the mid-1990s in New York City, and underachieving writer/motivational speaker Charlie Styptic is mired in a lifelong love life slump. Forever lovesick, he’s haplessly counseled by a simpleminded sidekick and a womanizer he’s just befriended. Will he ever find love? Or will he be eternally controlled by the incessantly critical voice in his head?
Over 15 years in the making, LOVE ME is an extreme comedy about the never-ending search for love and artistic fulfillment in an unforgiving world. It’s 44 furiously fast scenes of belly slaps, belly laughs and acute cognitive dissonance.
The production stars Carlotta Brentan (Six Passionate Women) as Susan/Kate, Amy-Helene Carlson (Blogologues) as Carol, Chris Chirdon (Epic History of Everyday Things) as Tom, Sarah Elizabeth Grace (Law and Order: SVU) as Sara, Mary Orzano (Food Detectives, Forensic Files) as Wendy, Zal Owen* (Fiddler on the Roof national tour, opposite Harvey Fierstein) as Charlie, Michael Perrie, Jr. (The World Wars) as Charlie’s Head, and J. Andrew Young* (30 Rock) as John.
The production features scenic design by Brian Dudkiewicz, costume design by Rachel Klein, and lighting design by Jonathan Hartley. Jaime McWilliams* is the Production Stage Manager.
(*Member AEA)
LOVE ME plays the following performances:
Thursday, April 30, 7:30PM
Saturday, May 2 7:30PM
Sunday May 3 3PM
Wednesday May 6 7:30PM
Friday May 8 7:30PM
Saturday May 9 3PM
Sunday May 10 7:30PM
Monday May 11 7:30PM
Tuesday May 12 7:30PM
Wednesday May 13 7:30PM
Saturday May 16 7:30PM
Tickets are $18 and are now available online at www.brownpapertickets.com or by calling 1-800-838-3006. Tickets may also be purchased in-person at the theater ½ hour prior to performance.
The 4th Street Theatre
83 East 4th Street
New York, NY
Running Time: 2 hours with intermission.
Website: Funnysheesh.com/lovemetheplay.com
Press inquiries: press@kampfirefilmspr.com
See and hear what’s going on inside Charlie Styptic’s head in LOVE ME, a self-conscious comedy in three acts!
It’s the mid-1990s in New York City, and underachieving writer/motivational speaker Charlie Styptic is mired in a lifelong love life slump. Forever lovesick, he’s haplessly counseled by a simpleminded sidekick and a womanizer he’s just befriended. Will he ever find love? Or will he be eternally controlled by the incessantly critical voice in his head?
Over 15 years in the making, LOVE ME is an extreme comedy about the never-ending search for love and artistic fulfillment in an unforgiving world. It’s 44 furiously fast scenes of belly slaps, belly laughs and acute cognitive dissonance.
The production stars Carlotta Brentan (Six Passionate Women) as Susan/Kate, Amy-Helene Carlson (Blogologues) as Carol, Chris Chirdon (Epic History of Everyday Things) as Tom, Sarah Elizabeth Grace (Law and Order: SVU) as Sara, Mary Orzano (Food Detectives, Forensic Files) as Wendy, Zal Owen* (Fiddler on the Roof national tour, opposite Harvey Fierstein) as Charlie, Michael Perrie, Jr. (The World Wars) as Charlie’s Head, and J. Andrew Young* (30 Rock) as John.
The production features scenic design by Brian Dudkiewicz, costume design by Rachel Klein, and lighting design by Jonathan Hartley. Jaime McWilliams* is the Production Stage Manager.
(*Member AEA)
LOVE ME plays the following performances:
Thursday, April 30, 7:30PM
Saturday, May 2 7:30PM
Sunday May 3 3PM
Wednesday May 6 7:30PM
Friday May 8 7:30PM
Saturday May 9 3PM
Sunday May 10 7:30PM
Monday May 11 7:30PM
Tuesday May 12 7:30PM
Wednesday May 13 7:30PM
Saturday May 16 7:30PM
Tickets are $18 and are now available online at www.brownpapertickets.com or by calling 1-800-838-3006. Tickets may also be purchased in-person at the theater ½ hour prior to performance.
The 4th Street Theatre
83 East 4th Street
New York, NY
Running Time: 2 hours with intermission.
Website: Funnysheesh.com/lovemetheplay.com
Press inquiries: press@kampfirefilmspr.com
FIREBONE THEATRE is pleased to announce the world premiere production of Don Nguyen’s RED FLAMBOYANT, directed by Laura Savia. RED FLAMBOYANT will play a limited engagement at Anderson Hall at Calvary St. George’s (61 Gramercy Park North, New York, NY 10010). Performances begin Friday, April 24 and continue through Saturday, May 16. Opening Night is Saturday, April 25 (8 p.m.).
Based on the true story of Mrs. Pham Thi Hue, who runs the Red Flamboyant Group (which is supported by the US organization Vietnam Relief Service Organization) and lives in present day Vietnam with a small group of women who are all living with HIV/AIDS. Bricks smash the windows of their small house. The locals fear they will be infected by the women. Mrs. Hue is forced to seek help from a stubborn government official to protect her group. Unlikely heroes emerge both in this world and the next as these poor women reach new heights of courage.
Watch a short video to learn more about the history behind RED FLAMBOYANT here.
The production features aerial choreography by Karen Furhman, Grounded Aerial, and fight choreography by Lisa Kopitsky.
RED FLAMBOYANT plays the following regular schedule through Saturday, May 16:
Thursdays at 8 p.m.
Fridays at 8 p.m.
Saturdays at 2 p.m. and 8 p.m.
Tickets are $18 and are now available online at www.BrownPaperTickets.com. Tickets may also be purchased in-person at the theater a ½ hour prior to performance.
Running Time: 2 hours
Website: http://www.firebonetheatre.com/
The Olmstead Salon is hosting the show, new partnership with Firebone Theatre in residency at Calvary St. George in Gramercy Park.
10% of ticket sales going to Vietnam Relief Organization to women with HIV/AIDS in Vietnam. This production is also supported by Amazin Lethi and the Amazin Lethi Foundation, HIV/AIDS Advocacy.
"I created The Amazin LêThi Foundation with the mission of inspiring and empowering HIV and homeless LGBTQ children and youth through sports and education to create confidence and future leaders, while raising awareness to end social stigma and discrimination,” says Amazin Lethi in regards to her support of Red Flamboyant. “In 2015, the foundation will be establishing a first ever sports academy in Saigon, Vietnam, for these youngsters. It is our goal as an organization to establish synergy with other like-minded groups and Red Flamboyant was a perfect fit. I met Ms. Pham Thi Hue 7 years ago at the UN Volunteers office in Hanoi and was moved by her incredible story and strength as a person. She was one of the driving forces that inspired me to start The Amazin LêThi Foundation. More importantly, I consider Ms. Hue a good friend and am honored to continue to work together with her with the sole purpose of helping others."
Based on the true story of Mrs. Pham Thi Hue, who runs the Red Flamboyant Group (which is supported by the US organization Vietnam Relief Service Organization) and lives in present day Vietnam with a small group of women who are all living with HIV/AIDS. Bricks smash the windows of their small house. The locals fear they will be infected by the women. Mrs. Hue is forced to seek help from a stubborn government official to protect her group. Unlikely heroes emerge both in this world and the next as these poor women reach new heights of courage.
Watch a short video to learn more about the history behind RED FLAMBOYANT here.
The production features aerial choreography by Karen Furhman, Grounded Aerial, and fight choreography by Lisa Kopitsky.
RED FLAMBOYANT plays the following regular schedule through Saturday, May 16:
Thursdays at 8 p.m.
Fridays at 8 p.m.
Saturdays at 2 p.m. and 8 p.m.
Tickets are $18 and are now available online at www.BrownPaperTickets.com. Tickets may also be purchased in-person at the theater a ½ hour prior to performance.
Running Time: 2 hours
Website: http://www.firebonetheatre.com/
The Olmstead Salon is hosting the show, new partnership with Firebone Theatre in residency at Calvary St. George in Gramercy Park.
10% of ticket sales going to Vietnam Relief Organization to women with HIV/AIDS in Vietnam. This production is also supported by Amazin Lethi and the Amazin Lethi Foundation, HIV/AIDS Advocacy.
"I created The Amazin LêThi Foundation with the mission of inspiring and empowering HIV and homeless LGBTQ children and youth through sports and education to create confidence and future leaders, while raising awareness to end social stigma and discrimination,” says Amazin Lethi in regards to her support of Red Flamboyant. “In 2015, the foundation will be establishing a first ever sports academy in Saigon, Vietnam, for these youngsters. It is our goal as an organization to establish synergy with other like-minded groups and Red Flamboyant was a perfect fit. I met Ms. Pham Thi Hue 7 years ago at the UN Volunteers office in Hanoi and was moved by her incredible story and strength as a person. She was one of the driving forces that inspired me to start The Amazin LêThi Foundation. More importantly, I consider Ms. Hue a good friend and am honored to continue to work together with her with the sole purpose of helping others."
SONNET REPERTORY THEATRE is pleased to announce a hilarious new adaptation of Carlo Goldoni’s The Servant of Two Masters, with original music by Bandits on the Run and members of the company, adapted and directed by Nicolas Minas (Assistant Director Driving Miss Daisy on Broadway, Sweeney Todd Live at Lincoln Center). The Servant of Two Masters will play a limited engagement at Teatro LATEA (Clemente Soto Velez Cultural and Educational Center, 107 Suffolk Street, 2nd Floor, New York, NY 10002). Performances begin Friday, April 17 (Preview performance) and continue through Saturday, May 2. Opening Night is Saturday, April 18 (8 p.m.).
Press cordially invited Saturday, April 18 at 8 p.m. (Opening Night), Sunday, April 19 at 2 p.m. and Tuesday, April 21 at 8 p.m. (and any subsequent performance).
Sonnet Rep brings the street to the stage in this new take on the classic comedy The Servant of Two Masters, a wild and zany farce of disguises, tricks, traps and lovers-back-from-the-dead. This hilarious modern adaptation will feature the robust talents of some of NYC’s street performers to create a mosaic of music, beatboxing, dance and laugh-out-loud comedy that is not to be missed.
Featuring Leanne Borghesi* (BATCC Awards for Dames at Sea and Divalicious) as Smeraldina, Jeff Burchfield* (The Death Of Klinghoffer - The Metropolitan Opera; From The House Of The Dead - Staatsoper Berlin) as Dr. Lombardi, Carly Ciarrocchi (The House on Mango Street - Steppenwolf; TV host for The Sunny Side Up Show on NBC's Sprout channel) as Zanni, Brian D. Coats* (On the Levee -LCT3; The Merry Wives of Windsor and Two Gentlemen of Verona -The Public; Helen Hayes Award winning Invisible Man; Barrymore Award winning Distant Fires; SE Premiere Clybourne Park) as Pantalone, Adrian Blake Enscoe as Silvio, Kareem M. Lucas* (Romeo and Juliet - Williamstown Theater Festival) as Truffaldino, Libby Matthews as Beatrice, Ronald Alexander Peet* (Libby the Trixter - Atlantic Theatre Company; The Golem of Havana - Barrington Stage; over 30 roles with American Shakespeare Center) as Florindo, Jessie Shelton* (Patrick Barlow’s A Christmas Carol Off-Broadway) as Clarice, Regina Strayhorn as Brighella, Rocky Vega (Comedy of Errors - Shakespeare & Co) as Zanni and Matthew “Mega Watts” West as Zanni.
The production features Set Design by Keven Lock (Godspell Off-Broadway, 30th anniversary production of Hair, art director ABC’s Good Morning America; Additional Art Direction: All My Children, ABC Sports, 20/20, ABC’S London News Bureau and Dick Clark's New Year's Rockin' Eve for the last 14 years; Earthquake Show/Ride for Universal Studios Florida, and the feature film Going All The Way with Ben Affleck), Lighting Design by Christina Watanabe (Under the Radar - The Public; lighting coordinator for Alice Tully Hall, '13 Lincoln Center Fest), Costume Design by Nicole V. Moody (Bucks County Playhouse, American Theatre Dance Workshop. Marvell Rep), Sound Design by Janie Bullard (Broadway’s Hand to God; Recipient of the USITT/LDI Rising Star Award for 2014, was named an Indie Theatre Person of the Year for 2013 and received 3 Best Sound Design nominations for the 2014 NYIT Awards), and Prop Design by Shana McKay Burns (art director ABC’s Good Morning America). Ephrat “Bounce” Asherie (Apollo Theater, Ahmanson Theater, Jacob’s Pillow, New York Live Arts) is the Movement Director and Dax Valdes is the Associate Director and Associate Movement Director. Production Stage Management by Kristin A. Sutter (USA Tour, Buddy - The Buddy Holly Story), and Stage Management by Shayna Penn. Kampfire PR is the PR Consultant.
The Servant of Two Masters plays the following regular schedule through Saturday, May 2nd:
Tuesdays at 8 p.m.
Wednesdays at 8 p.m.
Thursdays at 8 p.m.
Fridays at 8 p.m.
Saturdays at 8 p.m.
Sundays at 2 p.m.
Tickets are $18 and are now available online at www.BrownPaperTickets.com or by calling 1-800-838-3006. Tickets may also be purchased in-person at the theater ½ hour prior to performance.
Running Time: 2 hours with one 10-minute intermission.
Website: http://www.sonnetrepertorytheatre.org/
Teatro LATEA is located at the Clemente Soto Velez Cultural and Educational Center, 107 Suffolk Street, 2nd Floor, New York, NY 10002.
Subway Directions: F train to Delancey Street or J, M, or Z to Essex Street. Walk to Suffolk Street, make a left.
*Appearing courtesy of Actors’ Equity Association. Equity Approved Showcase.
Press Inquiries: press@kampfirefilmspr.com
Press cordially invited Saturday, April 18 at 8 p.m. (Opening Night), Sunday, April 19 at 2 p.m. and Tuesday, April 21 at 8 p.m. (and any subsequent performance).
Sonnet Rep brings the street to the stage in this new take on the classic comedy The Servant of Two Masters, a wild and zany farce of disguises, tricks, traps and lovers-back-from-the-dead. This hilarious modern adaptation will feature the robust talents of some of NYC’s street performers to create a mosaic of music, beatboxing, dance and laugh-out-loud comedy that is not to be missed.
Featuring Leanne Borghesi* (BATCC Awards for Dames at Sea and Divalicious) as Smeraldina, Jeff Burchfield* (The Death Of Klinghoffer - The Metropolitan Opera; From The House Of The Dead - Staatsoper Berlin) as Dr. Lombardi, Carly Ciarrocchi (The House on Mango Street - Steppenwolf; TV host for The Sunny Side Up Show on NBC's Sprout channel) as Zanni, Brian D. Coats* (On the Levee -LCT3; The Merry Wives of Windsor and Two Gentlemen of Verona -The Public; Helen Hayes Award winning Invisible Man; Barrymore Award winning Distant Fires; SE Premiere Clybourne Park) as Pantalone, Adrian Blake Enscoe as Silvio, Kareem M. Lucas* (Romeo and Juliet - Williamstown Theater Festival) as Truffaldino, Libby Matthews as Beatrice, Ronald Alexander Peet* (Libby the Trixter - Atlantic Theatre Company; The Golem of Havana - Barrington Stage; over 30 roles with American Shakespeare Center) as Florindo, Jessie Shelton* (Patrick Barlow’s A Christmas Carol Off-Broadway) as Clarice, Regina Strayhorn as Brighella, Rocky Vega (Comedy of Errors - Shakespeare & Co) as Zanni and Matthew “Mega Watts” West as Zanni.
The production features Set Design by Keven Lock (Godspell Off-Broadway, 30th anniversary production of Hair, art director ABC’s Good Morning America; Additional Art Direction: All My Children, ABC Sports, 20/20, ABC’S London News Bureau and Dick Clark's New Year's Rockin' Eve for the last 14 years; Earthquake Show/Ride for Universal Studios Florida, and the feature film Going All The Way with Ben Affleck), Lighting Design by Christina Watanabe (Under the Radar - The Public; lighting coordinator for Alice Tully Hall, '13 Lincoln Center Fest), Costume Design by Nicole V. Moody (Bucks County Playhouse, American Theatre Dance Workshop. Marvell Rep), Sound Design by Janie Bullard (Broadway’s Hand to God; Recipient of the USITT/LDI Rising Star Award for 2014, was named an Indie Theatre Person of the Year for 2013 and received 3 Best Sound Design nominations for the 2014 NYIT Awards), and Prop Design by Shana McKay Burns (art director ABC’s Good Morning America). Ephrat “Bounce” Asherie (Apollo Theater, Ahmanson Theater, Jacob’s Pillow, New York Live Arts) is the Movement Director and Dax Valdes is the Associate Director and Associate Movement Director. Production Stage Management by Kristin A. Sutter (USA Tour, Buddy - The Buddy Holly Story), and Stage Management by Shayna Penn. Kampfire PR is the PR Consultant.
The Servant of Two Masters plays the following regular schedule through Saturday, May 2nd:
Tuesdays at 8 p.m.
Wednesdays at 8 p.m.
Thursdays at 8 p.m.
Fridays at 8 p.m.
Saturdays at 8 p.m.
Sundays at 2 p.m.
Tickets are $18 and are now available online at www.BrownPaperTickets.com or by calling 1-800-838-3006. Tickets may also be purchased in-person at the theater ½ hour prior to performance.
Running Time: 2 hours with one 10-minute intermission.
Website: http://www.sonnetrepertorytheatre.org/
Teatro LATEA is located at the Clemente Soto Velez Cultural and Educational Center, 107 Suffolk Street, 2nd Floor, New York, NY 10002.
Subway Directions: F train to Delancey Street or J, M, or Z to Essex Street. Walk to Suffolk Street, make a left.
*Appearing courtesy of Actors’ Equity Association. Equity Approved Showcase.
Press Inquiries: press@kampfirefilmspr.com
MULTISTAGES THEATRE is pleased to announce the world premiere of Desi Moreno-Penson’s Comida de Puta (F%&king Lousy Food), directed by producing artistic director Lorca Peress. Comida de Puta (F%&king Lousy Food) will play a limited engagement at The West End Theatre (Church of St Paul and St Andrew at 263 West 86th Street, New York, NY 10024). Performances begin Wednesday, April 8 and continue through Sunday, April 26. Opening Night is Friday, April 10 (8 p.m.).
Press cordially invited Friday, April 10 at 8 p.m. (Opening Night), Saturday, April 11 at 8 p.m. and Sunday, April 12 at 3 p.m. (and any subsequent performance).
Sex, magic, and spoken-word poetry illuminate this dark erotic tale of Phaedra on the gritty streets of the Bronx. A bodega owner’s new wife becomes strangely obsessed with her husband’s son, the lunch counter boy. Driven by lust, she invokes the vengeful power of the Santeria Gods who set off a vicious chain of events that no one can stop.
Performed in English.
Comida de Puta (F%&king Lousy Food) began as a ten-minute play in the 2011 Going To The River Festival (plays by women of color) at NYC’s Ensemble Studio Theatre. Comida de Puta (F%&king Lousy Food) was selected as a finalist for the 2014 O’Neill National Playwrights Conference and is the winner of MultiStages 2013 New Works Contest.
Featuring Roseanne Almanzar* as Rosalia, Darlenis Duran as Alcidia, Alex Hernandez as Sotero, Gustavo Heredia as Viejo, Mariana Parma* as LaLuz, and Marcos Sotomayor as Manny and the Chorus. With multimedia appearances by Dennis Gagomiros, Mykal Monroe, Suni Reyes, Laura Santiago, Anita Velez, and featuring Jane Velez-Mitchell (Emmy award winning journalist and NY Times bestselling author) as news reporter.
Live music performed by drummer LaFrae Sci.
The production features scenic design by Justin Swarder and Christopher Swarder, costume and mask design by Lisa Renee Jordan, lighting design by Alex Moore (HOLA Award winner), sound design by David Margolin Lawson, projection design by Jan Hartley (Obie Award Winner, Henry Hewes Design Award winner), and video design by Christopher Marston. With choreography by Sunilda Caraballo, and fight choreography by Logan McCoy. Production stage management by Andrea Wales, dramaturgy by A.J. Muhammad. Kimille Howard is the assistant director and Kampfire PR is the press agent.
Comida de Puta (F%&king Lousy Food) plays the following performances through Sun, April 26:
Wednesday, April 8th at 8pm
Thursday, April 9th at 8pm
Friday, April 10th at 8pm (Opening Night)
Saturday, April 11th at 8pm
Sunday, April 12th at 3pm (followed by Talkback)
Tuesday, April 14th at 8pm
Wednesday, April 15th at 8pm
Thursday, April 16th at 8pm (Benefit performance, reception at 7pm)
Friday, April 17th at 8pm
Saturday, April 18th at 8pm
Sunday, April 19th at 3pm
Wednesday, April 22nd at 8pm
Thursday, April 23rd at 8pm
Friday, April 24th at 8pm
Saturday, April 25th at 8pm
Sunday, April 26th at 3pm
Classical Adaptations by Artists of Color special talkback following the Sunday, April 12th at 3pm performance with playwrights Desi Moreno-Penson, Patricia Ione Lloyd, Carlos J. Serrano and dramaturg A.J. Muhammad. Moderated by MultiStages producing artistic director Lorca Peress.
Tickets range from $15-75 and are now available online at www.SmartTix.com or by calling 212-868-4444. Tickets may also be purchased in-person at the theater a ½ hour prior to performance.
Running Time: 2 hours and 20 minutes with one intermission.
Website: http://www.multistages.org
The West End Theatre is located at the Church of St Paul and St Andrew at 263 West 86th Street, New York, NY 10024.
*Appearing courtesy of Actors’ Equity Association. Equity Approved Showcase.
Press Inquiries: press@kampfirefilmspr.com
Press cordially invited Friday, April 10 at 8 p.m. (Opening Night), Saturday, April 11 at 8 p.m. and Sunday, April 12 at 3 p.m. (and any subsequent performance).
Sex, magic, and spoken-word poetry illuminate this dark erotic tale of Phaedra on the gritty streets of the Bronx. A bodega owner’s new wife becomes strangely obsessed with her husband’s son, the lunch counter boy. Driven by lust, she invokes the vengeful power of the Santeria Gods who set off a vicious chain of events that no one can stop.
Performed in English.
Comida de Puta (F%&king Lousy Food) began as a ten-minute play in the 2011 Going To The River Festival (plays by women of color) at NYC’s Ensemble Studio Theatre. Comida de Puta (F%&king Lousy Food) was selected as a finalist for the 2014 O’Neill National Playwrights Conference and is the winner of MultiStages 2013 New Works Contest.
Featuring Roseanne Almanzar* as Rosalia, Darlenis Duran as Alcidia, Alex Hernandez as Sotero, Gustavo Heredia as Viejo, Mariana Parma* as LaLuz, and Marcos Sotomayor as Manny and the Chorus. With multimedia appearances by Dennis Gagomiros, Mykal Monroe, Suni Reyes, Laura Santiago, Anita Velez, and featuring Jane Velez-Mitchell (Emmy award winning journalist and NY Times bestselling author) as news reporter.
Live music performed by drummer LaFrae Sci.
The production features scenic design by Justin Swarder and Christopher Swarder, costume and mask design by Lisa Renee Jordan, lighting design by Alex Moore (HOLA Award winner), sound design by David Margolin Lawson, projection design by Jan Hartley (Obie Award Winner, Henry Hewes Design Award winner), and video design by Christopher Marston. With choreography by Sunilda Caraballo, and fight choreography by Logan McCoy. Production stage management by Andrea Wales, dramaturgy by A.J. Muhammad. Kimille Howard is the assistant director and Kampfire PR is the press agent.
Comida de Puta (F%&king Lousy Food) plays the following performances through Sun, April 26:
Wednesday, April 8th at 8pm
Thursday, April 9th at 8pm
Friday, April 10th at 8pm (Opening Night)
Saturday, April 11th at 8pm
Sunday, April 12th at 3pm (followed by Talkback)
Tuesday, April 14th at 8pm
Wednesday, April 15th at 8pm
Thursday, April 16th at 8pm (Benefit performance, reception at 7pm)
Friday, April 17th at 8pm
Saturday, April 18th at 8pm
Sunday, April 19th at 3pm
Wednesday, April 22nd at 8pm
Thursday, April 23rd at 8pm
Friday, April 24th at 8pm
Saturday, April 25th at 8pm
Sunday, April 26th at 3pm
Classical Adaptations by Artists of Color special talkback following the Sunday, April 12th at 3pm performance with playwrights Desi Moreno-Penson, Patricia Ione Lloyd, Carlos J. Serrano and dramaturg A.J. Muhammad. Moderated by MultiStages producing artistic director Lorca Peress.
Tickets range from $15-75 and are now available online at www.SmartTix.com or by calling 212-868-4444. Tickets may also be purchased in-person at the theater a ½ hour prior to performance.
Running Time: 2 hours and 20 minutes with one intermission.
Website: http://www.multistages.org
The West End Theatre is located at the Church of St Paul and St Andrew at 263 West 86th Street, New York, NY 10024.
*Appearing courtesy of Actors’ Equity Association. Equity Approved Showcase.
Press Inquiries: press@kampfirefilmspr.com
NICU'S SPOON is pleased to announce its production of RED NOSES by Olivier Award winning playwright Peter Barnes, directed by Stephanie Barton-Farcas. RED NOSES will play a two week limited engagement at The Secret Theatre (4402 23rd Street, Long Island City, NY 11101). Performances begin Wednesday, April 8 and continue through Sunday, April 19. Opening night gala performance is Wednesday, April 8 at 8:00pm. Tickets are available at www.SpoonTheater.org or by calling 866-811-4111 and range from $15-$25.
Press are invited to all performances.
Faced with the hopeless devastation of the black plague in 1300s France, a desperate monk hits upon his sacred crusade: Let them die laughing! That is, in a nutshell, the plot of Peter Barnes' utterly brilliant 1978 play, Red Noses, first produced by the Royal Shakespeare Company in 1985. This Olivier winner is now set in modern day NYC with contemporary music.
The production stars Michael Abourizk, Galia Backal, Margaret Baker, Jessica Bathurst, Diana Benigno, Colin Buckingham, Felicia Castaldo, Christina Cornevin, Anouk Dutruit, Ava Eades, Milton Elliott*, Michael Gnat*, Dane Guiffre, James Harter*, Coutrney Knysch, Fenton Li, Nicholas Linnehan, Lisa Locascio, Karen McFarlane, Alexander Nero, Alana Osborn-Lief, Christina Pagan*, Elana Storms, Guy Ventoliere*, and Perri Yaniv*.
Scenic Design is by Kelly Tighe, Costume design by Nicu’s Spoon/TDF Costume Collection, Lighting Design by Steven Wolf and original music by Ian Wherle. Stephanie Barton-Farcas is Sound Designer, Juni Li is Production Stage Manager, Felicia Castaldo and Marco Naranjo are the Assistant Stage Managers, and Guy Ventoliere is Assistant Set Designer. Publicity by Kampfire PR.
RED NOSES opens on Wednesday, April 8, and performances continue through Sunday, April 19 on the following schedule:
Tuesday at 8 p.m.
Wednesdays at 8 p.m.
Thursdays at 8 p.m.
Fridays at 8 p.m.
Saturdays at 3 p.m. and 8 p.m.
Sundays at 3 p.m. and 8 p.m. (There will be no 8pm performance Sun, April 19th)
Tickets are $15-25, available online at www.spoontheater.org or by calling 866-811-4111. Tickets may also be purchased in-person 30 min before showtimes.
PERFORMANCE VENUE
The Secret Theatre
4402 23rd Street
Long Island City, NY 11101
Subway: E, M, G & 7 to Court Square or N & Q to Queensboro Plaza.
Running Time: 2 hours and 15min with one intermission.
Website: www.spoontheater.org
*Appearing courtesy of Actors' Equity Association.
Two and Twenty Troubles Documentary Screening:
Join us on Sunday, April 12 for an exclusive private screening of the documentary Two and Twenty Troubles by Victor Ilyukhin.
Reception: 5:30PM
Screening: 6:00PM
Q&A: 6:45PM
Two and Twenty Troubles documents a group of actors with disabilities putting on a play in New York City, challenging their limitations and discovering their inner strength. The film was created in collaboration with Nicu's Spoon. Learn more about Two and Twenty Troubles and view the trailer at www.22troublesfilm.com.
Press Inquiries: press@kampfirefilmspr.com
Press are invited to all performances.
Faced with the hopeless devastation of the black plague in 1300s France, a desperate monk hits upon his sacred crusade: Let them die laughing! That is, in a nutshell, the plot of Peter Barnes' utterly brilliant 1978 play, Red Noses, first produced by the Royal Shakespeare Company in 1985. This Olivier winner is now set in modern day NYC with contemporary music.
The production stars Michael Abourizk, Galia Backal, Margaret Baker, Jessica Bathurst, Diana Benigno, Colin Buckingham, Felicia Castaldo, Christina Cornevin, Anouk Dutruit, Ava Eades, Milton Elliott*, Michael Gnat*, Dane Guiffre, James Harter*, Coutrney Knysch, Fenton Li, Nicholas Linnehan, Lisa Locascio, Karen McFarlane, Alexander Nero, Alana Osborn-Lief, Christina Pagan*, Elana Storms, Guy Ventoliere*, and Perri Yaniv*.
Scenic Design is by Kelly Tighe, Costume design by Nicu’s Spoon/TDF Costume Collection, Lighting Design by Steven Wolf and original music by Ian Wherle. Stephanie Barton-Farcas is Sound Designer, Juni Li is Production Stage Manager, Felicia Castaldo and Marco Naranjo are the Assistant Stage Managers, and Guy Ventoliere is Assistant Set Designer. Publicity by Kampfire PR.
RED NOSES opens on Wednesday, April 8, and performances continue through Sunday, April 19 on the following schedule:
Tuesday at 8 p.m.
Wednesdays at 8 p.m.
Thursdays at 8 p.m.
Fridays at 8 p.m.
Saturdays at 3 p.m. and 8 p.m.
Sundays at 3 p.m. and 8 p.m. (There will be no 8pm performance Sun, April 19th)
Tickets are $15-25, available online at www.spoontheater.org or by calling 866-811-4111. Tickets may also be purchased in-person 30 min before showtimes.
PERFORMANCE VENUE
The Secret Theatre
4402 23rd Street
Long Island City, NY 11101
Subway: E, M, G & 7 to Court Square or N & Q to Queensboro Plaza.
Running Time: 2 hours and 15min with one intermission.
Website: www.spoontheater.org
*Appearing courtesy of Actors' Equity Association.
Two and Twenty Troubles Documentary Screening:
Join us on Sunday, April 12 for an exclusive private screening of the documentary Two and Twenty Troubles by Victor Ilyukhin.
Reception: 5:30PM
Screening: 6:00PM
Q&A: 6:45PM
Two and Twenty Troubles documents a group of actors with disabilities putting on a play in New York City, challenging their limitations and discovering their inner strength. The film was created in collaboration with Nicu's Spoon. Learn more about Two and Twenty Troubles and view the trailer at www.22troublesfilm.com.
Press Inquiries: press@kampfirefilmspr.com
Triumvirate Artists is pleased to announce the World Premiere of Delirium’s Daughters, a kindhearted new farce by Nicholas Korn (Stage First Cincinnati), directed by Kathleen Butler (Originated roles in Edward Albee’s Three Tall Women, Occupant and Marriage Play). Delirium’s Daughters will play a three week limited engagement at The Studio Theatre at Theatre Row (410 West 42nd Street, Manhattan). Performances begin Thursday, February 26th and continue through Saturday, March 14th. Opening Night is Saturday, February 28th at 8 p.m.
Press performances are Thursday, February 26th at 8pm; Friday, February 27th at 8pm, and opening night Saturday, February 28th at 8pm (plus any subsequent performance).
4 suitors, 3 daughters, what’s a father to do? A kind old gentleman believes his deceased wife has forbid their three daughters to marry, until one of the suitors plays a series of tricks that helps him deal with his loss and recover his sanity. A new and refreshing take on Commedia Dell’Arte with a touch of magical realism.
The productions stars Brandon Beilis* (The Love Game - Indie Spirit Award Winner) as Timidio, Nick Bombicino as Giovio, Kerry Frances* (Fiddler on the Roof National Tour) as Celia, Stephanie Nicole Kelley* as Marina, Jackson Thompson* as Pomposa, Branislav Tomich* (Sonya with Julie Harris and Noises Off with Millicent Martin - Phoenix Theatre Co.) as Di Lirio, Brenda Withers* (The Tempest - Pearl Theatre) as Terresa and Evan Zimmerman* as Serio.
Costume and Prop Design by Jamie Nicole Larson, Lighting Design by Alana Jacoby, Sound Design by Sam Kusnetz and Fight Choreography by Chris Michael Burke. Jack Gianino* is the Production Stage Manager and Colleen Lacy is the Assistant Stage Manager. Casting by Erica Palgon and Publicity by Kampfire PR.
Delirium’s Daughters plays the following performances through Saturday, March 14th:
Thu, Feb 26th through Sat, Feb 28th at 8:00 pm
Sun, Mar 1st at 3:00 pm
Thu Mar 5th through Sat, Mar 7th at 8:00 pm
Sun, Mar 8th at 3:00 pm
Wed, Mar 11th through Fri, Mar 13th at 8:00 pm
Sat, Mar 14th at 2:00 pm
Tickets are $19.25 available online at Telecharge.com or by calling 212-239-6200. Tickets may also be purchased in-person at the Theatre Row box office. Tickets are $16.25 for students (with promo code TRSTUDENT) and seniors (with promo code TRSENIOR) and are available online at Telechargeoffers.com or by calling 212-947-8844. Ticket prices include a $1.25 Restoration Fee.
Direct link for tickets:
https://www.telecharge.com/Off-Broadway/Deliriums-Daughters/Overview?&aid=ven000193900
Direct link for student discount tickets:
http://www.telechargeoffers.com/go.aspx?MD=2001&MC=TRSTUDENT
Direct link for senior discount tickets:
http://www.telechargeoffers.com/go.aspx?MD=2001&MC=TRSENIOR
Running time: 80min with no intermission.
Theatre Row is located on 410 West 42nd Street between 9th and 10th Aves, New York, NY 10036
*Appearing courtesy of Actors’ Equity Association. Equity Approved Showcase.
Press performances are Thursday, February 26th at 8pm; Friday, February 27th at 8pm, and opening night Saturday, February 28th at 8pm (plus any subsequent performance).
4 suitors, 3 daughters, what’s a father to do? A kind old gentleman believes his deceased wife has forbid their three daughters to marry, until one of the suitors plays a series of tricks that helps him deal with his loss and recover his sanity. A new and refreshing take on Commedia Dell’Arte with a touch of magical realism.
The productions stars Brandon Beilis* (The Love Game - Indie Spirit Award Winner) as Timidio, Nick Bombicino as Giovio, Kerry Frances* (Fiddler on the Roof National Tour) as Celia, Stephanie Nicole Kelley* as Marina, Jackson Thompson* as Pomposa, Branislav Tomich* (Sonya with Julie Harris and Noises Off with Millicent Martin - Phoenix Theatre Co.) as Di Lirio, Brenda Withers* (The Tempest - Pearl Theatre) as Terresa and Evan Zimmerman* as Serio.
Costume and Prop Design by Jamie Nicole Larson, Lighting Design by Alana Jacoby, Sound Design by Sam Kusnetz and Fight Choreography by Chris Michael Burke. Jack Gianino* is the Production Stage Manager and Colleen Lacy is the Assistant Stage Manager. Casting by Erica Palgon and Publicity by Kampfire PR.
Delirium’s Daughters plays the following performances through Saturday, March 14th:
Thu, Feb 26th through Sat, Feb 28th at 8:00 pm
Sun, Mar 1st at 3:00 pm
Thu Mar 5th through Sat, Mar 7th at 8:00 pm
Sun, Mar 8th at 3:00 pm
Wed, Mar 11th through Fri, Mar 13th at 8:00 pm
Sat, Mar 14th at 2:00 pm
Tickets are $19.25 available online at Telecharge.com or by calling 212-239-6200. Tickets may also be purchased in-person at the Theatre Row box office. Tickets are $16.25 for students (with promo code TRSTUDENT) and seniors (with promo code TRSENIOR) and are available online at Telechargeoffers.com or by calling 212-947-8844. Ticket prices include a $1.25 Restoration Fee.
Direct link for tickets:
https://www.telecharge.com/Off-Broadway/Deliriums-Daughters/Overview?&aid=ven000193900
Direct link for student discount tickets:
http://www.telechargeoffers.com/go.aspx?MD=2001&MC=TRSTUDENT
Direct link for senior discount tickets:
http://www.telechargeoffers.com/go.aspx?MD=2001&MC=TRSENIOR
Running time: 80min with no intermission.
Theatre Row is located on 410 West 42nd Street between 9th and 10th Aves, New York, NY 10036
*Appearing courtesy of Actors’ Equity Association. Equity Approved Showcase.
New York, New York January 8, 2015--Poetic Theater Productions is thrilled to announce the line up for POETIC LICENSE 2015: subconscious, their annual festival of new poetic theater. POETIC LICENSE 2015: subconscious kicks off on Thursday, February 5 and runs through Sunday, February 22. Performances are at the wild project (195 E. 3rd Street, between Avenues A & B). Tickets to each event are $18; the 6@6 Reading Series is free. Tickets can be purchased from OvationTix on 212.352.3101 or online at www.poetictheater.com.
Now in its fourth year, Poetic License is Poetic Theater Productions’ annual festival of new poetic theater, which has grown from five days to three weeks, features two fully realized mainstage productions of thrilling new poetic plays written by company members, a reading series of six new works of poetic theater, and three special events: Love, Redefined, an evening of new work devoted to non-traditional love; Breaking Our Silence, a celebration of LGBT voices; and Generation Now!, a showcase of youth voices in poetic theater.
Mainstage Productions:
Thursday, February 5 - Sunday, February 22
PARADOX OF THE URBAN CLICHE, written by Craig 'muMs' Grant and directed by Reginald Douglas
*World Premiere*
One fateful night brings Ceez, a hustler desperate to get off the block, face to face with his dreams, fears, and the power to change his life forever. A play full of passionate love, hip-hop rhythms, and the spirit of recent events, Paradox of the Urban Cliché examines the strength it takes to withstand the Agents of Authority that trap us in the hood of our mind.
Friday, February 6 - Saturday, February 21
DIJLA WAL FURAT: BETWEEN THE TIGRIS AND THE EUPHRATES, written by Maurice Decaul and directed by Alex Mallory
*World Premiere*
The lives of four U.S Marines, a reporter from Agence France and four Iraqis are forever changed one night after an errant mortar round kills a child, during the rush to Baghdad. Phantoms haunt the people of a burning Baghdad and as Saddam’s statue falls in Firdos Square, the remaining Marines and Iraqis are forced together in a moment which will test their humanity, empathy and potential for forgiveness.
Reading Series:
Tuesday, February 10 - Thursday, February 12; Tuesday, February 17 - Thursday, February 19 at 6PM
6@6 READING SERIES
Tickets: FREE
The 6@6 Reading Series brings in six new poetic works from artists from New York and around the country. The reading series allows playwrights the ability to have their work read and workshopped in the time leading up to the festival where they then have a lightly staged reading allowing the playwright to see how an audience reacts to their work. This year’s 6@6 Readings will be:
Milk by Jacqueline Jones LaMon
We Lost Ourselves by Ryan F. Johnson
Soldier Love: An Aerial Play by Helen Banner
39 Hours In the Soviet City of Roses by Dwayne Yancey
Everything Was Beautiful and Nothing Hurt By Allison Zajac Batell
The History of Pigtails by Aissa Martell
Special Events:
Sunday February 8th at 3PM
GENERATION NOW!
The 3rd Annual showcase of youth voices features new poetic work from teens in middle school, high school and college. Hear their coming of age stories and perspectives on the world as 2020 approaches. By youth participating in viBe Theater Experience, Girl Be Heard, Dare Tactic, and EarSay Youth Voices.
Saturday February 14th at 8PM
LOVE, REDEFINED
Featuring new work by Reginald Flood, Catherine Weingarten, Dipika Guha, Gina Femia, and others; directed by Dontonio Demarco and Andrew Willis Woodward. Poetic Theater Productions’ fifth annual celebration of noncommercial, nontraditional love featuring poetic and theatrical remixes, re-imaginings and riffs by more than ten incredible poets and playwrights responding to traditional sonnets and love poems. Inspiration poems and newly developed pieces are presented side-by-side.
Friday, February 20 at 8 PM
BREAKING OUR SILENCE
Written by and featuring Ty Defoe, Timothy DuWhite, Sentell Harper, Joanna Hoffman, Sam Laroche, Charan P. Morris and Storm Thomas; directed by Daniel Banks. A night with all-star LGBT poets and musicians, sharing their experiences of coming out, finding love, breaking the silence and speaking out.
Now in its fourth year, Poetic License is Poetic Theater Productions’ annual festival of new poetic theater, which has grown from five days to three weeks, features two fully realized mainstage productions of thrilling new poetic plays written by company members, a reading series of six new works of poetic theater, and three special events: Love, Redefined, an evening of new work devoted to non-traditional love; Breaking Our Silence, a celebration of LGBT voices; and Generation Now!, a showcase of youth voices in poetic theater.
Mainstage Productions:
Thursday, February 5 - Sunday, February 22
PARADOX OF THE URBAN CLICHE, written by Craig 'muMs' Grant and directed by Reginald Douglas
*World Premiere*
One fateful night brings Ceez, a hustler desperate to get off the block, face to face with his dreams, fears, and the power to change his life forever. A play full of passionate love, hip-hop rhythms, and the spirit of recent events, Paradox of the Urban Cliché examines the strength it takes to withstand the Agents of Authority that trap us in the hood of our mind.
Friday, February 6 - Saturday, February 21
DIJLA WAL FURAT: BETWEEN THE TIGRIS AND THE EUPHRATES, written by Maurice Decaul and directed by Alex Mallory
*World Premiere*
The lives of four U.S Marines, a reporter from Agence France and four Iraqis are forever changed one night after an errant mortar round kills a child, during the rush to Baghdad. Phantoms haunt the people of a burning Baghdad and as Saddam’s statue falls in Firdos Square, the remaining Marines and Iraqis are forced together in a moment which will test their humanity, empathy and potential for forgiveness.
Reading Series:
Tuesday, February 10 - Thursday, February 12; Tuesday, February 17 - Thursday, February 19 at 6PM
6@6 READING SERIES
Tickets: FREE
The 6@6 Reading Series brings in six new poetic works from artists from New York and around the country. The reading series allows playwrights the ability to have their work read and workshopped in the time leading up to the festival where they then have a lightly staged reading allowing the playwright to see how an audience reacts to their work. This year’s 6@6 Readings will be:
Milk by Jacqueline Jones LaMon
We Lost Ourselves by Ryan F. Johnson
Soldier Love: An Aerial Play by Helen Banner
39 Hours In the Soviet City of Roses by Dwayne Yancey
Everything Was Beautiful and Nothing Hurt By Allison Zajac Batell
The History of Pigtails by Aissa Martell
Special Events:
Sunday February 8th at 3PM
GENERATION NOW!
The 3rd Annual showcase of youth voices features new poetic work from teens in middle school, high school and college. Hear their coming of age stories and perspectives on the world as 2020 approaches. By youth participating in viBe Theater Experience, Girl Be Heard, Dare Tactic, and EarSay Youth Voices.
Saturday February 14th at 8PM
LOVE, REDEFINED
Featuring new work by Reginald Flood, Catherine Weingarten, Dipika Guha, Gina Femia, and others; directed by Dontonio Demarco and Andrew Willis Woodward. Poetic Theater Productions’ fifth annual celebration of noncommercial, nontraditional love featuring poetic and theatrical remixes, re-imaginings and riffs by more than ten incredible poets and playwrights responding to traditional sonnets and love poems. Inspiration poems and newly developed pieces are presented side-by-side.
Friday, February 20 at 8 PM
BREAKING OUR SILENCE
Written by and featuring Ty Defoe, Timothy DuWhite, Sentell Harper, Joanna Hoffman, Sam Laroche, Charan P. Morris and Storm Thomas; directed by Daniel Banks. A night with all-star LGBT poets and musicians, sharing their experiences of coming out, finding love, breaking the silence and speaking out.
New York, NY- January 6, 2015: The Theater at the 14th Street Y is proud to present LABA: A Laboratory of Jewish Culture’s LABAlive 2015 events. LABA is a program of the Y that invites select culture-makers to study ancient Jewish texts in a non-religious setting and seek inspiration for new work. This year the study is focused on the theme of “time.”
LABAlive is the program’s series of salon-style evenings during which audiences have a chance to experience excerpts of these new works alongside teachings of the ancient texts that inspired them. LABA, chosen as one of the most innovative Jewish organizations in North America by the Slingshot Guide and recipient of a grant from the National Endowment of the Arts, will kick-off the series with DRUNK, an exploration of the relationship between wine and time, on Saturday, January 24th at 7:30 pm. LABAlive evenings take place at The Theater at the 14th Street Y (344 East 14th Street, New York, NY 10003). Tickets start at $18.00. Season passes are also available for $100.00. For more information visit www.labajournal.com
“LABAlive is all about the intersection of ancient brilliance with contemporary creative innovation. You’ll learn something old and beautiful and see the something new and beautiful created in response by our wickedly talented artists. We also serve a lot of wine,” said LABA co-Artistic Director Elissa Strauss.
LABAlive Schedule of Events:
Saturday, January 24th at 7:30 pm
DRUNK
You've seen wine paired with food, but how about wine paired with texts? Join LABA fellows, ancient text scholars and a sommelier as they explore the relationship between wine and time through teachings, tastings and performances. A sensual mash-up indeed.
Thursday, February 26th at 7:30 pm
CREATING TIME
Director Benjamin Kamine will present an excerpt of a new play exploring how Jews have constructed rituals to digest historical trauma, from the Exodus to the Holocaust, and how we will do so in the future, curator Daniel S. Palmer will present a new digital curation model that challenges traditional notions of narrative and time, and Ruby Namdar will speak about the relationship between the creation of the world and the creation of time.
Thursday March 5th at 7:30 pm
SACRED TIME
Art duo OMTA will present "We Live For Tomorrow," a personal and political digital art project about leveraging time as catalyst for transformation and growth, choreographer Lee Sher will create a new work with her company that explores the relationship between rhythm, flesh and beauty, and Ruby Namdar will speak about the different types of time.
Wednesday, April 1st at 7:30 pm
TIME OUTSIDE US
Filmmaker Sarah Friedland will present excerpts from a video installation about the events that occurred during the 1948 war in the Israeli city of Lod (formerly Lydda), Jenny Levison and Josh Waletzky will present an excerpt of their new music/dance theater work “The Last Dybbuk,” which asks: “How do we know when an ideology's time is up?” and Ruby Namdar will speak about the way we use time to order the chaos around us.
Thursday, June 4th at 7:30 pm
TIME INSIDE US
Poet Ben Gantcher brings us into the imaginary world of his alter-ego, the “peeping Tom” Doctor Caliban, with a reading of new work amidst a projected landscape of synaesthetic maps, composer and director Andy Teirstein will present “Vagabonds,” musical theater inspired by the poetry of William Blake about a street prophet and a mute, storyteller Shawn Shafner will share his “pickled” tales, and Ruby Namdar will speak about the presence of time in our bodies and minds.
Tickets start at $18.00. Season passes are also available for $100.00. For more information visit www.labajournal.com or call 646-0395-4310. Tickets are also available for purchase in person at The 14th Street Y.
The Theater at the 14th Street Y is located at 344 East 14th Street, New York, NY 10003 at 1st Avenue.
About LABAlive: Every year, LABA: A Laboratory for Jewish Culture selects ten fellows from a variety of creative disciplines to study ancient Jewish texts at our house of study and use them to inspire new work. LABAlive is a series of salon-style evenings that give audiences a chance to see these works along with a subversive teaching of the texts that inspired them. In most cases, artists will present an excerpt of their works, which are often in early stages of development. Evenings conclude with drinks, snacks and schmoozing.
About The 14th Street Y: The 14th Street Y serves over 10,000 East Village residents each year with a variety of community programs. The 14th Street Y is proud to be a part of Educational Alliance, a 501(c)(3) non‐profit organization with a 125‐year history of serving New Yorkers downtown. The Theater at the 14th Street Y is a center for experimental theater, dance, and multi-disciplinary arts wherein the many faces of a vibrant community center in the East Village meet.
PRESS TICKETS AVAILABLE
For press tickets and interview opportunities please contact
Press Agent: Antonio Minino at Kampfire PR,
646-683-7628 or antonio@kampfirefilmspr.com
LABAlive is the program’s series of salon-style evenings during which audiences have a chance to experience excerpts of these new works alongside teachings of the ancient texts that inspired them. LABA, chosen as one of the most innovative Jewish organizations in North America by the Slingshot Guide and recipient of a grant from the National Endowment of the Arts, will kick-off the series with DRUNK, an exploration of the relationship between wine and time, on Saturday, January 24th at 7:30 pm. LABAlive evenings take place at The Theater at the 14th Street Y (344 East 14th Street, New York, NY 10003). Tickets start at $18.00. Season passes are also available for $100.00. For more information visit www.labajournal.com
“LABAlive is all about the intersection of ancient brilliance with contemporary creative innovation. You’ll learn something old and beautiful and see the something new and beautiful created in response by our wickedly talented artists. We also serve a lot of wine,” said LABA co-Artistic Director Elissa Strauss.
LABAlive Schedule of Events:
Saturday, January 24th at 7:30 pm
DRUNK
You've seen wine paired with food, but how about wine paired with texts? Join LABA fellows, ancient text scholars and a sommelier as they explore the relationship between wine and time through teachings, tastings and performances. A sensual mash-up indeed.
Thursday, February 26th at 7:30 pm
CREATING TIME
Director Benjamin Kamine will present an excerpt of a new play exploring how Jews have constructed rituals to digest historical trauma, from the Exodus to the Holocaust, and how we will do so in the future, curator Daniel S. Palmer will present a new digital curation model that challenges traditional notions of narrative and time, and Ruby Namdar will speak about the relationship between the creation of the world and the creation of time.
Thursday March 5th at 7:30 pm
SACRED TIME
Art duo OMTA will present "We Live For Tomorrow," a personal and political digital art project about leveraging time as catalyst for transformation and growth, choreographer Lee Sher will create a new work with her company that explores the relationship between rhythm, flesh and beauty, and Ruby Namdar will speak about the different types of time.
Wednesday, April 1st at 7:30 pm
TIME OUTSIDE US
Filmmaker Sarah Friedland will present excerpts from a video installation about the events that occurred during the 1948 war in the Israeli city of Lod (formerly Lydda), Jenny Levison and Josh Waletzky will present an excerpt of their new music/dance theater work “The Last Dybbuk,” which asks: “How do we know when an ideology's time is up?” and Ruby Namdar will speak about the way we use time to order the chaos around us.
Thursday, June 4th at 7:30 pm
TIME INSIDE US
Poet Ben Gantcher brings us into the imaginary world of his alter-ego, the “peeping Tom” Doctor Caliban, with a reading of new work amidst a projected landscape of synaesthetic maps, composer and director Andy Teirstein will present “Vagabonds,” musical theater inspired by the poetry of William Blake about a street prophet and a mute, storyteller Shawn Shafner will share his “pickled” tales, and Ruby Namdar will speak about the presence of time in our bodies and minds.
Tickets start at $18.00. Season passes are also available for $100.00. For more information visit www.labajournal.com or call 646-0395-4310. Tickets are also available for purchase in person at The 14th Street Y.
The Theater at the 14th Street Y is located at 344 East 14th Street, New York, NY 10003 at 1st Avenue.
About LABAlive: Every year, LABA: A Laboratory for Jewish Culture selects ten fellows from a variety of creative disciplines to study ancient Jewish texts at our house of study and use them to inspire new work. LABAlive is a series of salon-style evenings that give audiences a chance to see these works along with a subversive teaching of the texts that inspired them. In most cases, artists will present an excerpt of their works, which are often in early stages of development. Evenings conclude with drinks, snacks and schmoozing.
About The 14th Street Y: The 14th Street Y serves over 10,000 East Village residents each year with a variety of community programs. The 14th Street Y is proud to be a part of Educational Alliance, a 501(c)(3) non‐profit organization with a 125‐year history of serving New Yorkers downtown. The Theater at the 14th Street Y is a center for experimental theater, dance, and multi-disciplinary arts wherein the many faces of a vibrant community center in the East Village meet.
PRESS TICKETS AVAILABLE
For press tickets and interview opportunities please contact
Press Agent: Antonio Minino at Kampfire PR,
646-683-7628 or antonio@kampfirefilmspr.com
Queens Theatre (QT) and its resident theatre company, Titan Theatre Company, join forces to present a soaring, WORLD PREMIERE adaptation of the Charles Dickens classic A CHRISTMAS CAROL adapted by Titan Literary Director Emily Trask and Titan Artistic Director Lenny Banovez. A CHRISTMAS CAROL will play a two week limited engagement at Queens Theatre (14 United Nations Avenue South, Flushing Meadows Corona Park). Performances begin Thursday, December 11 and continue through Sunday, December 21. Tickets ($30 each or 4 for $100) are available at www.queenstheatre.org.
Titan, known for its adventurous and innovative takes on classic texts, brings the timeless story of Ebenezer Scrooge alive onstage with a cast of 12 adults and 6 children. This fresh and fast paced production transports audiences to Victorian England where they journey with the iconic Ebenezer Scrooge as he is visited by three transformational spirits from his past, present, and future who change his life forever. A classic story of redemption and forgiveness, A CHRISTMAS CAROL is the perfect theatre experience for everyone this holiday season.
"I consider this show to be our gift to audiences this holiday season. It is both original and familiar – I know that the families and groups of friends who come to see it together will have a special experience," said Queens Theatre Managing Director Taryn Sacramone. “This is an extremely exciting project for Titan to be a part of,” said Titan Managing Director and Producer Kevin Beebee. “We could not be more thrilled to continue to strengthen our relation with Queens Theatre, as well as the Queens community.”
The production stars Broadway’s Kevin Loomis* (Spiderman, Turn off the Dark, Inherit the Wind) as Ebenezer Scrooge; John Taylor Phillips* (Titan Resident Acting Company, American Players Theatre, Illinois Shakespeare, Utah Shakespeare) as Bob Cratchit; Laura Frye* (Titan Resident Acting Company, Virginia Shakespeare, Milwaukee Chamber Theatre, Teatro Franko Parenti) as Christmas Past/Mrs. Cratchit; Michael Selkirk* (Titan Resident Acting Company, Workshop Theatre, Hudson Warehouse) as Mr. Fezziwig/Christmas Present; Dylan Whitrock (Shakespeare & Company) as Fred/Young Scrooge; Andy Baldeschwiler (The Pearl, Shakespeare Theatre on NJ) as Jacob Marley; Bailey Seeker (Titan Young Company, Cherry Lane, Secret Theatre) as Belle/Emily; Shayna Schmidt (Cincinnati Playhouse, Theatre for a New City) as Fan/Martha Cratchit; Ashton Crosby; Tom Morin; Wilmari Myburgh and Andrew Mazer. The children's cast includes Layla Moon Blatz, Violet Wade, Quinn Theobald, Moore Theobald, Sohia Fiallo, and Sophie Carpa.
The Assistant Director/Choreographer is Nicholas Sotack*, Technical Direction/Scenic Design is by Jasmine Nicole. Costume design is by Becky Willet. Lighting Design is by Alan Piotrowicz. Weston Wetzel is the Sound Designer. Katie K. White is the Props Designer. The Production Managers are Annie Jacobs and Alyssa Van Gorder. Ashley Zednick* is the Production Stage Manager. Publicity is by John Capo/John Capo Public Relations and Katie Rosin/Kampfire PR.
A Christmas Carol performs on the following schedule:
Thursday December 11th @7:30pm (Preview)
Friday December 12th@2pm (Preview)
Friday December 12th@7:30pm
Saturday December 13th@2pm & 7:30pm
Sunday December14th @1pm & 5pm
Friday December 19th @7:30pm
Saturday December 20th @2pm & 7:30pm
Sunday December 21st @1pm & 5pm
Tickets ($30 each or 4 for $100) available online at www.queenstheatre.org or by calling the Box Office at 718-760-0064. Tickets may also be purchased in-person at the Queens Theatre Box Office, Tuesday through Friday 12pm to 6pm, and two hours before showtimes on weekends. Senior discount available.
PERFORMANCE VENUE
Queens Theatre
Flushing Meadows Corona Park
14 United Nations Avenue South
Flushing Meadows Corona Park, Queens, NY 11368
FREE PARKING
Car: Queens Theatre is accessible by all major highways that traverse Queens and is minutes away from Long Island, Manhattan, Brooklyn, the Bronx, and Westchester. And the best part? Parking is always FREE. http://queenstheatre.org/getting-theatre for directions
Subway: 7 train to the Mets-Willets Point station. Follow signs to LIRR/Flushing Meadows Corona Park. Free Shuttle Service runs one hour prior to curtain and stops outside Mets-Willets Point station.
Running Time: 100 minutes with 1 intermission
Websites: www.queenstheatre.org & www.titantheatrecompany.com
*Appearing Courtesy of Actors’ Equity Association.
Titan, known for its adventurous and innovative takes on classic texts, brings the timeless story of Ebenezer Scrooge alive onstage with a cast of 12 adults and 6 children. This fresh and fast paced production transports audiences to Victorian England where they journey with the iconic Ebenezer Scrooge as he is visited by three transformational spirits from his past, present, and future who change his life forever. A classic story of redemption and forgiveness, A CHRISTMAS CAROL is the perfect theatre experience for everyone this holiday season.
"I consider this show to be our gift to audiences this holiday season. It is both original and familiar – I know that the families and groups of friends who come to see it together will have a special experience," said Queens Theatre Managing Director Taryn Sacramone. “This is an extremely exciting project for Titan to be a part of,” said Titan Managing Director and Producer Kevin Beebee. “We could not be more thrilled to continue to strengthen our relation with Queens Theatre, as well as the Queens community.”
The production stars Broadway’s Kevin Loomis* (Spiderman, Turn off the Dark, Inherit the Wind) as Ebenezer Scrooge; John Taylor Phillips* (Titan Resident Acting Company, American Players Theatre, Illinois Shakespeare, Utah Shakespeare) as Bob Cratchit; Laura Frye* (Titan Resident Acting Company, Virginia Shakespeare, Milwaukee Chamber Theatre, Teatro Franko Parenti) as Christmas Past/Mrs. Cratchit; Michael Selkirk* (Titan Resident Acting Company, Workshop Theatre, Hudson Warehouse) as Mr. Fezziwig/Christmas Present; Dylan Whitrock (Shakespeare & Company) as Fred/Young Scrooge; Andy Baldeschwiler (The Pearl, Shakespeare Theatre on NJ) as Jacob Marley; Bailey Seeker (Titan Young Company, Cherry Lane, Secret Theatre) as Belle/Emily; Shayna Schmidt (Cincinnati Playhouse, Theatre for a New City) as Fan/Martha Cratchit; Ashton Crosby; Tom Morin; Wilmari Myburgh and Andrew Mazer. The children's cast includes Layla Moon Blatz, Violet Wade, Quinn Theobald, Moore Theobald, Sohia Fiallo, and Sophie Carpa.
The Assistant Director/Choreographer is Nicholas Sotack*, Technical Direction/Scenic Design is by Jasmine Nicole. Costume design is by Becky Willet. Lighting Design is by Alan Piotrowicz. Weston Wetzel is the Sound Designer. Katie K. White is the Props Designer. The Production Managers are Annie Jacobs and Alyssa Van Gorder. Ashley Zednick* is the Production Stage Manager. Publicity is by John Capo/John Capo Public Relations and Katie Rosin/Kampfire PR.
A Christmas Carol performs on the following schedule:
Thursday December 11th @7:30pm (Preview)
Friday December 12th@2pm (Preview)
Friday December 12th@7:30pm
Saturday December 13th@2pm & 7:30pm
Sunday December14th @1pm & 5pm
Friday December 19th @7:30pm
Saturday December 20th @2pm & 7:30pm
Sunday December 21st @1pm & 5pm
Tickets ($30 each or 4 for $100) available online at www.queenstheatre.org or by calling the Box Office at 718-760-0064. Tickets may also be purchased in-person at the Queens Theatre Box Office, Tuesday through Friday 12pm to 6pm, and two hours before showtimes on weekends. Senior discount available.
PERFORMANCE VENUE
Queens Theatre
Flushing Meadows Corona Park
14 United Nations Avenue South
Flushing Meadows Corona Park, Queens, NY 11368
FREE PARKING
Car: Queens Theatre is accessible by all major highways that traverse Queens and is minutes away from Long Island, Manhattan, Brooklyn, the Bronx, and Westchester. And the best part? Parking is always FREE. http://queenstheatre.org/getting-theatre for directions
Subway: 7 train to the Mets-Willets Point station. Follow signs to LIRR/Flushing Meadows Corona Park. Free Shuttle Service runs one hour prior to curtain and stops outside Mets-Willets Point station.
Running Time: 100 minutes with 1 intermission
Websites: www.queenstheatre.org & www.titantheatrecompany.com
*Appearing Courtesy of Actors’ Equity Association.
THE ACTUAL DANCE, LLC is pleased to announce Samuel A. Simon’s THE ACTUAL DANCE, directed by Kate Holland. THE ACTUAL DANCE will play a limited engagement at the Studio Theatre (Theatre Row, 410 West 42nd Street). Performances are Saturday, January 10th at 2:00 pm through Sunday, February 1st at 3:00 pm. Tickets are $25 and available at theatrerow.org.
An award-winning play, The Actual Dance is a beautiful love story--a graceful and inspiring journey through the uncharted waters of illness, where the resilience and power of the human heart ultimately persevered.
When first noticing his wife at the age of sixteen, Sam could not predict the profound connection they would share—they are two halves of the same whole. In their 33rd year of marriage, that love was tested…and the ringing in Sam’s ear was not as one would expect, in fact it was an orchestra, playing the music of his life--The Actual Dance.
The production features music direction by Eli Zoller, movement direction by Marine Sialelli, dramaturgy by Gabrielle Maisel and Justin Cornell is the stage manager.
THE ACTUAL DANCE plays the following schedule:
Saturdays at 2:00 pm
Saturdays at 8:00 pm
Sundays at 3:00 pm
Tickets are $25 and are now available at theatrerow.org or by calling 212-239-6200. Tickets may be purchased in person at the Theatre Row Box office between Noon at 8:00 pm daily.
Running Time: 60 minutes
Website: www.TheActualDance.com
An award-winning play, The Actual Dance is a beautiful love story--a graceful and inspiring journey through the uncharted waters of illness, where the resilience and power of the human heart ultimately persevered.
When first noticing his wife at the age of sixteen, Sam could not predict the profound connection they would share—they are two halves of the same whole. In their 33rd year of marriage, that love was tested…and the ringing in Sam’s ear was not as one would expect, in fact it was an orchestra, playing the music of his life--The Actual Dance.
The production features music direction by Eli Zoller, movement direction by Marine Sialelli, dramaturgy by Gabrielle Maisel and Justin Cornell is the stage manager.
THE ACTUAL DANCE plays the following schedule:
Saturdays at 2:00 pm
Saturdays at 8:00 pm
Sundays at 3:00 pm
Tickets are $25 and are now available at theatrerow.org or by calling 212-239-6200. Tickets may be purchased in person at the Theatre Row Box office between Noon at 8:00 pm daily.
Running Time: 60 minutes
Website: www.TheActualDance.com
American Dance Machine for the 21st Century (ADM21) will make its Joyce Theater debut, November 11 - 16, with eight performances of show-stopping musical theater dance numbers by legendary choreographers including Rob Ashford, Michael Bennett, Patricia Birch, Gower Champion, Jack Cole, Henry LeTang, Jerry Mitchell, Jerome Robbins, Susan Stroman and more.
Each piece will be coached by artists intimately involved in their original productions, will be performed by guest stars from the musical theater and dance worlds (to be announced), and will feature live music.
Friday and Saturday evening performances only will include the numbers "One-on-One" from Oh, Calcutta!, choreographed by Margo Sappington; and "The Production Code" from Day in Hollywood, Night in the Ukraine choreographed by Tommy Tune. Complete programing will be announced at a later date.
American Dance Machine for the 21st Century (ADM21) was founded by Artistic Producer Nikki Feirt Atkins in 2012 and is dedicated to creating a living and vibrant archive of classic and current notable musical theater choreography. To date, ADM21 has worked with artists such as Susan Stroman, Donna McKechnie, Robert La Fosse, Marge Champion, Nicole Fosse and Kathryn Doby to reconstruct the original choreography of Michael Bennett's "Music and the Mirror" from A Chorus Line; Jerome Robbins' "Mr. Monotony" from Jerome Robbins' Broadway; Susan Stroman's "Simply Irresistible" from Contact; Bob Fosse's "Beat me Daddy Eight to the Bar" from Big Deal; and Michael Bennett's "Turkey Lurkey Time" from Promises, Promises recreated by the original featured dancers, Margo Sappington, Donna McKechnie and Baayork Lee.
The ADM21 Dance Company will continue to present workshop presentations and full-length productions with a goal of demonstrating the value of theater dance choreography through careful research and reconstruction with respect to how the dance relates to the source of the choreographers inspiration and will do justice to those works that stand alone as outstanding entertainment.
Currently plans are to maintain a core company of dancers joined by guest artists proficient in the style and technical requirements of each dance piece. Nikki Feirt Atkins and Margo Sappington are continuing the legacy of the late Lee Theodore, who established The American Dance Machine in 1976. Theodore created a "Living Archive" of musical theater dance to address her belief that "many great choreographic works are lost with the musical they once embellished." Of concern was that the artistry of each dance would vanish with the artists who created them. That was the impetus that drove The American Dance Machine from its pilot program in 1976 to its final days following the death of Lee Theodore in the late 1980's.
The performance schedule is as follows: Tuesday, November 11 and Wednesday, November 12 at 7:30 pm; Thursday, November 13 at 7 pm; Friday, November 14 at 8 pm; Saturday, November 15 at 2 pm (family matinee) and 8 pm; and Sunday, November 16 at 2 pm and 7:30 pm.
Tickets range from $10 -$59 and are available by calling JoyceCharge at 212-242-0800 or online atwww.joyce.org. ($10 tickets are only available by phone, via JoyceCharge). Ticket price is subject to change. The Joyce Theater is located at 175 Eighth Avenue at 19th Street. For more info, please visit Joyce.org. For further information on the company, visit www.americandancemachine21.org
Each piece will be coached by artists intimately involved in their original productions, will be performed by guest stars from the musical theater and dance worlds (to be announced), and will feature live music.
Friday and Saturday evening performances only will include the numbers "One-on-One" from Oh, Calcutta!, choreographed by Margo Sappington; and "The Production Code" from Day in Hollywood, Night in the Ukraine choreographed by Tommy Tune. Complete programing will be announced at a later date.
American Dance Machine for the 21st Century (ADM21) was founded by Artistic Producer Nikki Feirt Atkins in 2012 and is dedicated to creating a living and vibrant archive of classic and current notable musical theater choreography. To date, ADM21 has worked with artists such as Susan Stroman, Donna McKechnie, Robert La Fosse, Marge Champion, Nicole Fosse and Kathryn Doby to reconstruct the original choreography of Michael Bennett's "Music and the Mirror" from A Chorus Line; Jerome Robbins' "Mr. Monotony" from Jerome Robbins' Broadway; Susan Stroman's "Simply Irresistible" from Contact; Bob Fosse's "Beat me Daddy Eight to the Bar" from Big Deal; and Michael Bennett's "Turkey Lurkey Time" from Promises, Promises recreated by the original featured dancers, Margo Sappington, Donna McKechnie and Baayork Lee.
The ADM21 Dance Company will continue to present workshop presentations and full-length productions with a goal of demonstrating the value of theater dance choreography through careful research and reconstruction with respect to how the dance relates to the source of the choreographers inspiration and will do justice to those works that stand alone as outstanding entertainment.
Currently plans are to maintain a core company of dancers joined by guest artists proficient in the style and technical requirements of each dance piece. Nikki Feirt Atkins and Margo Sappington are continuing the legacy of the late Lee Theodore, who established The American Dance Machine in 1976. Theodore created a "Living Archive" of musical theater dance to address her belief that "many great choreographic works are lost with the musical they once embellished." Of concern was that the artistry of each dance would vanish with the artists who created them. That was the impetus that drove The American Dance Machine from its pilot program in 1976 to its final days following the death of Lee Theodore in the late 1980's.
The performance schedule is as follows: Tuesday, November 11 and Wednesday, November 12 at 7:30 pm; Thursday, November 13 at 7 pm; Friday, November 14 at 8 pm; Saturday, November 15 at 2 pm (family matinee) and 8 pm; and Sunday, November 16 at 2 pm and 7:30 pm.
Tickets range from $10 -$59 and are available by calling JoyceCharge at 212-242-0800 or online atwww.joyce.org. ($10 tickets are only available by phone, via JoyceCharge). Ticket price is subject to change. The Joyce Theater is located at 175 Eighth Avenue at 19th Street. For more info, please visit Joyce.org. For further information on the company, visit www.americandancemachine21.org
Queens Theatre (QT) is pleased to announce its production of Sandy Rustin's THE COTTAGE, a romantic comedy directed by Adam Dannheisser (Rock of Ages, resident director/performer). THE COTTAGE, which returns to Queens after a successful run at the Astoria Performing Arts Center, will play a two week limited engagement at Queens Theatre (14 United Nations Avenue South, Flushing Meadows Corona Park). Performances begin Friday, November 7 and continue through Sunday, November 16. Performances are Fridays at 8pm, Saturdays at 2pm and 8pm, Sundays at 3pm, with an additional matinee on Friday, November 14 at 2pm. Tickets are available at www.queenstheatre.org and range from $25-$42.
THE COTTAGE is a rollicking farce in the style of Noel Coward. Set in the English countryside in 1923, this tale of sex, betrayal and, oh yes, love, unfolds when a beautiful British bird decides to expose her love affair to her husband and her lover's wife. The true meanings of fate, identity and marriage are called into question as a surprising, hilarious web of secrets unravels in this delightful?and potentially murderous?romantic comedy.
The production stars Daniel Bielinski* (Macbeth, Classic Stage Company), Maria Couch* (On the Levee, Lincoln Center), Michelle Federer*, Bailey Frankenberg, Jason Loughlin* (1st Nat?l Tour: War Horse), and Justin Packard*.
Scenic Design is by Stephen K. Dobay, Costume design by Ryan J. Moller and Lighting Design by Evan Roby. Janie Bullard is Sound Designer, Katie K. White is Props Designer, Deidre Works* is the Production Stage Manager. Publicity is by Katie Rosin/Kampfire PR.
Running Time: 95 minutes
Website: www.queenstheatre.org
*Appearing Courtesy of Actors' Equity Association.
THE COTTAGE is a rollicking farce in the style of Noel Coward. Set in the English countryside in 1923, this tale of sex, betrayal and, oh yes, love, unfolds when a beautiful British bird decides to expose her love affair to her husband and her lover's wife. The true meanings of fate, identity and marriage are called into question as a surprising, hilarious web of secrets unravels in this delightful?and potentially murderous?romantic comedy.
The production stars Daniel Bielinski* (Macbeth, Classic Stage Company), Maria Couch* (On the Levee, Lincoln Center), Michelle Federer*, Bailey Frankenberg, Jason Loughlin* (1st Nat?l Tour: War Horse), and Justin Packard*.
Scenic Design is by Stephen K. Dobay, Costume design by Ryan J. Moller and Lighting Design by Evan Roby. Janie Bullard is Sound Designer, Katie K. White is Props Designer, Deidre Works* is the Production Stage Manager. Publicity is by Katie Rosin/Kampfire PR.
Running Time: 95 minutes
Website: www.queenstheatre.org
*Appearing Courtesy of Actors' Equity Association.
LABA LAUNCHES TIME
November 22nd, 2014 at 7:30pm
Join us for the launch party of LABA's theme for the new year, "TIME." Art and performances by new fellows and an interactive teaching of "Ecclesiastes" by our mischievous teacher, Ruby Namdar.
Featuring: Jenny Levison, Lee Sher, OMTA, Andy Teirstein, Ben Gantcher, Benjamin Kamine, Sarah Friedland, Daniel Palmer, Gili Getz, Josh Waletzky and Shawn Shafner.
The evening will end with music, drinking and noshing.
Tickets are $18
Drinks and food included in ticket price.
Free to members of the press, contact Antonio Minino for tickets
press@kampfirefilmspr.com
Theater at the 14th Street Y
344 East 14th Street (14th Street and 1st Ave)
New York, NY 10003
November 22nd, 2014 at 7:30pm
Join us for the launch party of LABA's theme for the new year, "TIME." Art and performances by new fellows and an interactive teaching of "Ecclesiastes" by our mischievous teacher, Ruby Namdar.
Featuring: Jenny Levison, Lee Sher, OMTA, Andy Teirstein, Ben Gantcher, Benjamin Kamine, Sarah Friedland, Daniel Palmer, Gili Getz, Josh Waletzky and Shawn Shafner.
The evening will end with music, drinking and noshing.
Tickets are $18
Drinks and food included in ticket price.
Free to members of the press, contact Antonio Minino for tickets
press@kampfirefilmspr.com
Theater at the 14th Street Y
344 East 14th Street (14th Street and 1st Ave)
New York, NY 10003
The Award-Winning Astoria Performing Arts Center (APAC) is pleased to announce the world premiere production of Cody Daigle’s (resident playwright for The Playhouse Tulsa's 2013-14 season) In The Bones, directed by Dev Bondarin. In other exciting news, Bondarin has just been named APAC’s new Artistic Director, assuming the role that Tom Wojtunik stepped down from in June. In The Bones will play a limited engagement at Good Shepherd United Methodist Church, 30-44 Crescent St (@30th Rd), in Astoria, Queens. Performances begin Thursday, November 6 and continue through Saturday, November 22. Opening Night is Saturday, November 8 (8 p.m.).
"I am excited and proud to be joining Astoria Performing Arts Center as Artistic Director,” exclaims Bondarin. “I am honored to be given the opportunity to be part of the leadership team of an organization with such a strong artistic spirit and presence in Queens and New York City. The hallmarks of APAC are the integral role it plays in the Astoria community and the high level of productions the company stages. I not only look forward to carrying on these traditions, but also to steering the company during its new phase of growth: creating more opportunities for artists and community members and bringing new stories and voices to the theater. I look forward to continuing to get to know APAC’s audiences and artists in the future, as we prepare for our fall production of Cody Daigle’s In the Bones.”
When a soldier home from serving in Afghanistan ends his life, grief settles over his family and the partner he leaves behind. In a series of scenes moving ahead a year at a time, loss transforms a family and sorrow finds a home in the bones of those left behind.
The production stars Victoria Bundonis* (Nat’l tour: Grease, The Music Man; TV: Nurse Jackie) as Dee, Tyler Gattoni (Japanese Foreign Trade Minister, reading at Actors Studio) as Luke, Sean Hankinson* (TV: Days of Our Lives, 90210) as Ben, Zac Hoogendyk* (In The Next Room (or the vibrator play), Cleveland Playhouse) as Kenny, Mel House* (All My Sons, Atlantic Theatre Lab; TV: Rescue Me) as Kate, and Emily Koch* (Little Women, Theatreworks Palo Alto) as Chloe.
The production features scenic design by Michael Minahan, costume design by Caitlin Cisek (APAC’s Blood Brothers), and lighting design by Dan Jobbins. Jacob Subotnick is the sound designer, Kelly Davis is the props designer, Jaime Vallés is the video designer, Frederick Alden Terry is the composer, and the production stage manager is Katy Moore*.
In The Bones plays the following regular schedule through Saturday, November 22:
Thursdays & Fridays at 8 p.m.
Saturdays at 2 p.m. & 8 p.m.
Tickets are $18, ($12 student/senior) available at www.apacny.org or 888-596-1027. Tickets may also be purchased in-person at the Theatre Box Office, 30 minutes prior to the performance.
PERFORMANCE VENUE
Good Shepherd United Methodist Church
30-44 Crescent St (@30th Rd)
Astoria, NY 11102
Directions: Take the N or Q Subway to 30th Avenue. Walk down 30th Ave. to Crescent St. (Mount Sinai Hospital is on the corner.) Turn left on Crescent Street. Walk one block south, then turn right onto 30th Rd. Entrance is second set of red doors on left.
Running Time: 100 minutes
Website: www.APACNY.org
Cast Photos: http://bit.ly/ITBPhotos
*Appearing Courtesy of Actors’ Equity Association.
"I am excited and proud to be joining Astoria Performing Arts Center as Artistic Director,” exclaims Bondarin. “I am honored to be given the opportunity to be part of the leadership team of an organization with such a strong artistic spirit and presence in Queens and New York City. The hallmarks of APAC are the integral role it plays in the Astoria community and the high level of productions the company stages. I not only look forward to carrying on these traditions, but also to steering the company during its new phase of growth: creating more opportunities for artists and community members and bringing new stories and voices to the theater. I look forward to continuing to get to know APAC’s audiences and artists in the future, as we prepare for our fall production of Cody Daigle’s In the Bones.”
When a soldier home from serving in Afghanistan ends his life, grief settles over his family and the partner he leaves behind. In a series of scenes moving ahead a year at a time, loss transforms a family and sorrow finds a home in the bones of those left behind.
The production stars Victoria Bundonis* (Nat’l tour: Grease, The Music Man; TV: Nurse Jackie) as Dee, Tyler Gattoni (Japanese Foreign Trade Minister, reading at Actors Studio) as Luke, Sean Hankinson* (TV: Days of Our Lives, 90210) as Ben, Zac Hoogendyk* (In The Next Room (or the vibrator play), Cleveland Playhouse) as Kenny, Mel House* (All My Sons, Atlantic Theatre Lab; TV: Rescue Me) as Kate, and Emily Koch* (Little Women, Theatreworks Palo Alto) as Chloe.
The production features scenic design by Michael Minahan, costume design by Caitlin Cisek (APAC’s Blood Brothers), and lighting design by Dan Jobbins. Jacob Subotnick is the sound designer, Kelly Davis is the props designer, Jaime Vallés is the video designer, Frederick Alden Terry is the composer, and the production stage manager is Katy Moore*.
In The Bones plays the following regular schedule through Saturday, November 22:
Thursdays & Fridays at 8 p.m.
Saturdays at 2 p.m. & 8 p.m.
Tickets are $18, ($12 student/senior) available at www.apacny.org or 888-596-1027. Tickets may also be purchased in-person at the Theatre Box Office, 30 minutes prior to the performance.
PERFORMANCE VENUE
Good Shepherd United Methodist Church
30-44 Crescent St (@30th Rd)
Astoria, NY 11102
Directions: Take the N or Q Subway to 30th Avenue. Walk down 30th Ave. to Crescent St. (Mount Sinai Hospital is on the corner.) Turn left on Crescent Street. Walk one block south, then turn right onto 30th Rd. Entrance is second set of red doors on left.
Running Time: 100 minutes
Website: www.APACNY.org
Cast Photos: http://bit.ly/ITBPhotos
*Appearing Courtesy of Actors’ Equity Association.
The SOHO PLAYHOUSE run of the highly acclaimed Edinburgh Fringe Encore of Sasha Ellen’s SIGNAL FAILURE, directed by Peter Darney (BBC Radio’s Kindness “Pick of the week”-The Telegraph) has amended its performance schedule to Mondays, Thursday, Fridays, and Saturdays at 7:30pm and Sundays at 3pm and 7:30pm. The limited engagement at SoHo Playhouse (15 Vandam Street, NYC), began Wednesday, October 8 and will continue through Sunday, November 16. Press are invited to all performances.
Big-city-virgin, Lorna, and reclusive night chef (kind-of stalker), Brian, journey through life, love, and London’s transport system, until the Missed-Connections brings them together. Brief encounters give way to awkward sexual encounters-but the course of London transport never did run smooth. Expect accidents, delays, and severe signal failure as two damaged people try to cross the gap in this twisted romantic comedy.
The production stars Sasha Ellen as Lorna and Spencer Cowan (Downton Abbey) as Brian.
The production features lighting design by Sherry Coenen (Royal Shakespeare Company, Battersea Arts Center, Donmar Warehouse).
Running Time: 60 minutes
Website: www.SohoPlayhouse.com
Big-city-virgin, Lorna, and reclusive night chef (kind-of stalker), Brian, journey through life, love, and London’s transport system, until the Missed-Connections brings them together. Brief encounters give way to awkward sexual encounters-but the course of London transport never did run smooth. Expect accidents, delays, and severe signal failure as two damaged people try to cross the gap in this twisted romantic comedy.
The production stars Sasha Ellen as Lorna and Spencer Cowan (Downton Abbey) as Brian.
The production features lighting design by Sherry Coenen (Royal Shakespeare Company, Battersea Arts Center, Donmar Warehouse).
Running Time: 60 minutes
Website: www.SohoPlayhouse.com
Poetic Theater Productions, under the direction of Co-Artistic Directors' Jeremy Karafin and Alex Mallory, has announced that it will stage the world premiere of BACK, a new play written by Mickey Bolmer and directed by Andrew Willis-Woodward, that celebrates and mourns the history of Greenwich Village through the lives and stories of Frank O'Hara, Cookie Mueller, Hibiscus, Nan Goldin and Aaron Burr, among others. BACK features production design by Rachel Klein and begins previews October 17th at 8PM at the cell, 338 West 23rd St. The official opening is on Thursday, October 23rd at 8PM.
Set amidst the backdrop of a Greenwich Village gay club on Halloween 1989, the village partygoers take on the personas of past friends and lovers, many of whom lost their lives to AIDS. In her final days of life, Cookie Mueller makes a final journey to Varick Street to find her friends, or possibly to stop time, or perhaps to explore her history, or maybe just to dream. Everyone is invited to the tragedy party as Mickey Bolmer's rich poetic language takes us Back into a world of love, loss, creation, and possibility. Audience members are invited to attend in period appropriate attire to celebrate an evening of vogue, sexuality, history, and experimentation. A free drink will be provided with every ticket.
Mickey Bolmer developed Back with Poetic Theater Productions over three years, including readings and selections presented at Wild Project in "Poetic Theater Productions Presents...", "Uncharted", "Love, Redefined", and Poetic License 2012. He has written ten plays, including "Helen and SheS", developed in and presented as part of Culture Project's IMPACT 2012 "The War on Women 24 hour play festival". His play "NOAH and HOA" was produced at the New Playhouse in Frederick, Maryland. As an artist, Mickey works in terms of nodes, connecting sometimes seemingly disparate nodes of experiences, events and people to weave three-dimensional tapestries of life. He lived at 2 Charlton St. in the 1980s and 90s.
Director Andrew Willis-Woodward's recent directing credits include: Rock, Paper, Scissors at the Lower East Side Festival, Songs Rona Wrote at the Laurie Beechman, and over a dozen short plays for Primary Stages' Einhorn School of Performing Arts Detention series. Andrew recently returned from the Powerhouse Summer Theater program at Vassar College where he worked as Associate Director on A Midsummer Night's Dream and as Director on a new one act. Andrew was last seen with Poetic Theater Productions directing a reading of a selection from Back. Andrew holds a B.S. from Stanford University and a Certificate from the CAP21 2-Year Professional Program.
Production Designer Rachel Klein is a NYC based theater director, choreographer, and designer coined "Endlessly Clever" (NY Post) and "Nothing short of brilliant" (Broadway World), and of who the New York Times has said "What makes this show pop is the bracing vision of its director, Rachel Klein." Off B'Way: The Anthem; Around the World in 80 Days; Gay Bride of Frankenstein (iStar Theatre Lab). Selected NYC Theater: Grindr the Opera; Carrie: Blood, Fire, and Ballet; The Dead Dream Machine; Symphony of Shadows (Jerome Robbins Foundation commission for Dixon Place); The Tragedy of Maria Macabre (The Tides Foundation commission); Go-Go Killers!; Hound (based on The Hound of the Baskervilles); Circus of Circus (New York Innovative Theater Awards nominee for Outstanding Director of a Play) & Stage Blood is Never Enough. Regional: A Midsummer Night's Dream (New Brunswick Shakespeare Festival). Educational: Alice in Wonderland at Camp Maor in PA; Co-hosted a DOE internship for Talent Unlimited High School with Danielle Marie Fusco and the Martha Graham School of Contemporary Dance. Miss Klein is an alumnus of the International Directors Symposium in Spoleto, Italy, and a SDC Associate.
The cast of BACK Features Xandra Clark, Mateo d'Amato, Tamara Geisler, Matthew Lynch, Felix J. Mayes, Olivia Nice, Bello Pizzimenti and Adam Wennick.
BACK features Set Design by Ellie Engstrom, Costume Design by Arielle Avenia, Lighting Design by Derek Miller, Sound Design by Isaiah Singer, Audio Engineering by Sean Hagerty, Stage Management by Miriam Salzman and Sarah Livant and Production Management by Siena Zoë Allen.
Performances of BACK are on Thursdays, Fridays and Saturdays at 8PM, and run through October 31st.
Tickets to BACK are $20 and available at poetictheater.com or by calling OvationTix at 866-811-4111.
Set amidst the backdrop of a Greenwich Village gay club on Halloween 1989, the village partygoers take on the personas of past friends and lovers, many of whom lost their lives to AIDS. In her final days of life, Cookie Mueller makes a final journey to Varick Street to find her friends, or possibly to stop time, or perhaps to explore her history, or maybe just to dream. Everyone is invited to the tragedy party as Mickey Bolmer's rich poetic language takes us Back into a world of love, loss, creation, and possibility. Audience members are invited to attend in period appropriate attire to celebrate an evening of vogue, sexuality, history, and experimentation. A free drink will be provided with every ticket.
Mickey Bolmer developed Back with Poetic Theater Productions over three years, including readings and selections presented at Wild Project in "Poetic Theater Productions Presents...", "Uncharted", "Love, Redefined", and Poetic License 2012. He has written ten plays, including "Helen and SheS", developed in and presented as part of Culture Project's IMPACT 2012 "The War on Women 24 hour play festival". His play "NOAH and HOA" was produced at the New Playhouse in Frederick, Maryland. As an artist, Mickey works in terms of nodes, connecting sometimes seemingly disparate nodes of experiences, events and people to weave three-dimensional tapestries of life. He lived at 2 Charlton St. in the 1980s and 90s.
Director Andrew Willis-Woodward's recent directing credits include: Rock, Paper, Scissors at the Lower East Side Festival, Songs Rona Wrote at the Laurie Beechman, and over a dozen short plays for Primary Stages' Einhorn School of Performing Arts Detention series. Andrew recently returned from the Powerhouse Summer Theater program at Vassar College where he worked as Associate Director on A Midsummer Night's Dream and as Director on a new one act. Andrew was last seen with Poetic Theater Productions directing a reading of a selection from Back. Andrew holds a B.S. from Stanford University and a Certificate from the CAP21 2-Year Professional Program.
Production Designer Rachel Klein is a NYC based theater director, choreographer, and designer coined "Endlessly Clever" (NY Post) and "Nothing short of brilliant" (Broadway World), and of who the New York Times has said "What makes this show pop is the bracing vision of its director, Rachel Klein." Off B'Way: The Anthem; Around the World in 80 Days; Gay Bride of Frankenstein (iStar Theatre Lab). Selected NYC Theater: Grindr the Opera; Carrie: Blood, Fire, and Ballet; The Dead Dream Machine; Symphony of Shadows (Jerome Robbins Foundation commission for Dixon Place); The Tragedy of Maria Macabre (The Tides Foundation commission); Go-Go Killers!; Hound (based on The Hound of the Baskervilles); Circus of Circus (New York Innovative Theater Awards nominee for Outstanding Director of a Play) & Stage Blood is Never Enough. Regional: A Midsummer Night's Dream (New Brunswick Shakespeare Festival). Educational: Alice in Wonderland at Camp Maor in PA; Co-hosted a DOE internship for Talent Unlimited High School with Danielle Marie Fusco and the Martha Graham School of Contemporary Dance. Miss Klein is an alumnus of the International Directors Symposium in Spoleto, Italy, and a SDC Associate.
The cast of BACK Features Xandra Clark, Mateo d'Amato, Tamara Geisler, Matthew Lynch, Felix J. Mayes, Olivia Nice, Bello Pizzimenti and Adam Wennick.
BACK features Set Design by Ellie Engstrom, Costume Design by Arielle Avenia, Lighting Design by Derek Miller, Sound Design by Isaiah Singer, Audio Engineering by Sean Hagerty, Stage Management by Miriam Salzman and Sarah Livant and Production Management by Siena Zoë Allen.
Performances of BACK are on Thursdays, Fridays and Saturdays at 8PM, and run through October 31st.
Tickets to BACK are $20 and available at poetictheater.com or by calling OvationTix at 866-811-4111.
EVA DEAN DANCE (EDD) in association with The Dance Series at The 14th Street Y, proudly celebrates 30 years of Eva Dance repertory with PEARL DIVING, choreographed by Artistic Director Eva Dean. Revisiting such favorites as Pumped, Welcome Back and Melba, PEARL DIVING will play Thursday, October 30th at 7:30pm, Friday, October 31st at 7:30pm, Saturday, November 1st at 7:30pm and a special gala performance Sunday, November 2nd at 3:00pm. Performances will take place in the heart of the East Village, The Theater at the 14th Street Y (344 East 14th Street, New York, NY 10003).
Artistic Director Eva Dean’s expansive repertory is visually cinematic and viscerally responsive to life’s gravitational ebbs and flows. Dean’s oeuvre ranges from experimental dances examining the cosmos, water, and kinetic energy to educational and family friendly pieces reflecting on life’s humor, humanity, and hardships. Thematically, Dean’s work is diverse in scope ranging from an exposé on oppressive group behavior in Welcome Back (1991) to the subtle pull of the moon’s gravitational force on water and human emotion in Pearl Diving suite (2002-2012), to the dry wit in Melba (1990).
Featuring performances by Holly Heidt, George Hirsch, Satomi Itohara, Lauren Jaeger, Ariel Lembeck, Rachel Russell, Manuela Sanchez, Sydney Schiff, Christian Serrano and Jeremiah Stanfield.
To celebrate the inauguration of Eva Dean Dance’s 30th Anniversary, the company is hosting a gala immediately following the Sunday, November 2nd final performance. The gala will showcase old photographs and ephemera from EDD’s archive and conversation over High Tea.
Tickets are $25 - $50 and are available online at http://www.14streety.org/labarts or by calling 646-395-4323.
For more information visit www.evadeandance.org
Photos: http://tinyurl.com/qj3fcxf
Press Agent: Antonio Minino, Kampfire PR - antonio@kampfirefilmspr.com
The Theater at the 14th Street Y is located at 344 East 14th Street, New York, NY 10003
By Subway: L to 1st Avenue
By Bus: M14 or M15 to 14th and 1st Avenue
In addition to PEARL DIVING, Eva Dean Dance is providing a Moving Beyond Bullying (MBB) Art Education outreach to local middle schools and the members of the 14th St. Y. The outreach includes an intimate workshop and an interactive assembly, both of which focus on bullying and using the language arts to discuss the metaphors inherent in Welcome Back, also performed on the PEARL DIVING Program.
EVA DEAN DANCE (EDD) is an award-winning Brooklyn-based neo-contemporary company that specializes in inventive productions that incorporate multiple elements including improvisational movement, architectural design, inventive use of props, sets from recycled goods, ambient and experimental sound scores, and experiential lighting. EDD has received awards and accolades for its Site Specific and family audience productions that have an experimental edge. Production Creditsinclude numerous performances in venues and festivals in New York City, including the New York International Fringe Festival, Dance Theater Workshop, Brooklyn Botanic Garden, Wassaic Project, the Museum of Modern Art, and Brooklyn Museum of Art, among many others. National performance credits include Carol Autorino Center in Hartford, CT, First Night Boston, and Monkey House productions in Medford, MA. Internationally EDD has performed in Dubai United Arab Emirates, Amsterdam Fringe where it received “Best of Fringe New York,” Berlin’s k77 Studio, and at Fringe Festival Prague, CZK. For more information visit www.evadeandance.org.
Artistic Director Eva Dean’s expansive repertory is visually cinematic and viscerally responsive to life’s gravitational ebbs and flows. Dean’s oeuvre ranges from experimental dances examining the cosmos, water, and kinetic energy to educational and family friendly pieces reflecting on life’s humor, humanity, and hardships. Thematically, Dean’s work is diverse in scope ranging from an exposé on oppressive group behavior in Welcome Back (1991) to the subtle pull of the moon’s gravitational force on water and human emotion in Pearl Diving suite (2002-2012), to the dry wit in Melba (1990).
Featuring performances by Holly Heidt, George Hirsch, Satomi Itohara, Lauren Jaeger, Ariel Lembeck, Rachel Russell, Manuela Sanchez, Sydney Schiff, Christian Serrano and Jeremiah Stanfield.
To celebrate the inauguration of Eva Dean Dance’s 30th Anniversary, the company is hosting a gala immediately following the Sunday, November 2nd final performance. The gala will showcase old photographs and ephemera from EDD’s archive and conversation over High Tea.
Tickets are $25 - $50 and are available online at http://www.14streety.org/labarts or by calling 646-395-4323.
For more information visit www.evadeandance.org
Photos: http://tinyurl.com/qj3fcxf
Press Agent: Antonio Minino, Kampfire PR - antonio@kampfirefilmspr.com
The Theater at the 14th Street Y is located at 344 East 14th Street, New York, NY 10003
By Subway: L to 1st Avenue
By Bus: M14 or M15 to 14th and 1st Avenue
In addition to PEARL DIVING, Eva Dean Dance is providing a Moving Beyond Bullying (MBB) Art Education outreach to local middle schools and the members of the 14th St. Y. The outreach includes an intimate workshop and an interactive assembly, both of which focus on bullying and using the language arts to discuss the metaphors inherent in Welcome Back, also performed on the PEARL DIVING Program.
EVA DEAN DANCE (EDD) is an award-winning Brooklyn-based neo-contemporary company that specializes in inventive productions that incorporate multiple elements including improvisational movement, architectural design, inventive use of props, sets from recycled goods, ambient and experimental sound scores, and experiential lighting. EDD has received awards and accolades for its Site Specific and family audience productions that have an experimental edge. Production Creditsinclude numerous performances in venues and festivals in New York City, including the New York International Fringe Festival, Dance Theater Workshop, Brooklyn Botanic Garden, Wassaic Project, the Museum of Modern Art, and Brooklyn Museum of Art, among many others. National performance credits include Carol Autorino Center in Hartford, CT, First Night Boston, and Monkey House productions in Medford, MA. Internationally EDD has performed in Dubai United Arab Emirates, Amsterdam Fringe where it received “Best of Fringe New York,” Berlin’s k77 Studio, and at Fringe Festival Prague, CZK. For more information visit www.evadeandance.org.
QUESTING BEAST PRODUCTIONS is proud to present the 2014 FringeNYC Encores performances of HOAXOCAUST!, written and performed by Barry Levey, directed by Jeremy Gold Kronenberg (Caroline, or Change - NYIT Award Outstanding Production of a Musical Nominee). HOAXOCAUST! is the winner of this year’s 18th Annual New York International Fringe Festival - FringeNYC Overall Excellence Award.
HOAXOCAUST! will play four performances at Baruch Performing Arts Center (East 25th Street between Lexington & 3rd Aves) as part of their Solo in the City performance series (which has previously presented works by Sandra Bernhard, Jackie Hoffman and Tovah Feldshuh) and the official 2014 FringeNYC Encores Series. Performances are Thursday, September 11th, Thursday, September 18th, Wednesday, September 24th at 7:30pm and Sunday, September 21st at 3:00 pm.
Press invited to all performances.
“Ripped from the headlines… affable brand of humor… This is worthwhile and timely theatre of the highest order.” - Theatermania
“A thought-provoking very topical satire [that] will no doubt strike a nerve with Fringe attendees but skillfully raises questions about religion and politics with humor, earning laughs from a subject that many might think is too sacred to get such a treatment. For those looking for a show with substance, Levey makes for a compelling inclusion in the festival.” - Theater Is Easy, “BEST BET”
"Levey argues with great, quiet force." - Bruce Chadwick (History News Network, New York Daily News)
“One of the hotter Fringe tickets, Hoaxocaust has already built quite an audience and gotten some buzz. Levey is such a dynamic performer and he had my attention for every single minute of the show. This was definitely a highlight of the weekend and will hopefully receive a life post-Fringe.” - Letters from the Mezzanine
What role should past horrors play in defining our religious views, our self-perception, even our politics? Is there such a thing as a contemporary Jewish identity independent of the Holocaust? Should there be? What if the Holocaust had never happened? Join Barry in an unbelievable round the world adventure as he tracks down deniers from Illinois to Iran, meets engineers and ex-presidents, and dodges a brother in Hungary and a boyfriend back home on a journey to discover the shocking truth.
HOAXOCAUST! was developed at The New Group ("If the purpose of art is to provoke, I have never seen anything that did it more successfully than Hoaxocaust!" –Peter Alkalay, Chairman), received a workshop production at Theater for the New City and was also part of Prospect Theater Company’s Dark Nights Series at 59E59 Theaters.
Press agent: Antonio Minino/Kampfire PR, antonio@kampfirefilmspr.com
Tickets are $18 - $20, available online at www.baruch.cuny.edu/bpac, by phone at 646-312-5073, or in person at the box office at 55 Lexington Ave. (enter E. 25th St. between Lexington & 3rd Aves.)
Running Time: 75 minutes
Website:
http://www.hoaxocaust.com/
Photos:
http://tinyurl.com/msqd5vl
HOAXOCAUST! will play four performances at Baruch Performing Arts Center (East 25th Street between Lexington & 3rd Aves) as part of their Solo in the City performance series (which has previously presented works by Sandra Bernhard, Jackie Hoffman and Tovah Feldshuh) and the official 2014 FringeNYC Encores Series. Performances are Thursday, September 11th, Thursday, September 18th, Wednesday, September 24th at 7:30pm and Sunday, September 21st at 3:00 pm.
Press invited to all performances.
“Ripped from the headlines… affable brand of humor… This is worthwhile and timely theatre of the highest order.” - Theatermania
“A thought-provoking very topical satire [that] will no doubt strike a nerve with Fringe attendees but skillfully raises questions about religion and politics with humor, earning laughs from a subject that many might think is too sacred to get such a treatment. For those looking for a show with substance, Levey makes for a compelling inclusion in the festival.” - Theater Is Easy, “BEST BET”
"Levey argues with great, quiet force." - Bruce Chadwick (History News Network, New York Daily News)
“One of the hotter Fringe tickets, Hoaxocaust has already built quite an audience and gotten some buzz. Levey is such a dynamic performer and he had my attention for every single minute of the show. This was definitely a highlight of the weekend and will hopefully receive a life post-Fringe.” - Letters from the Mezzanine
What role should past horrors play in defining our religious views, our self-perception, even our politics? Is there such a thing as a contemporary Jewish identity independent of the Holocaust? Should there be? What if the Holocaust had never happened? Join Barry in an unbelievable round the world adventure as he tracks down deniers from Illinois to Iran, meets engineers and ex-presidents, and dodges a brother in Hungary and a boyfriend back home on a journey to discover the shocking truth.
HOAXOCAUST! was developed at The New Group ("If the purpose of art is to provoke, I have never seen anything that did it more successfully than Hoaxocaust!" –Peter Alkalay, Chairman), received a workshop production at Theater for the New City and was also part of Prospect Theater Company’s Dark Nights Series at 59E59 Theaters.
Press agent: Antonio Minino/Kampfire PR, antonio@kampfirefilmspr.com
Tickets are $18 - $20, available online at www.baruch.cuny.edu/bpac, by phone at 646-312-5073, or in person at the box office at 55 Lexington Ave. (enter E. 25th St. between Lexington & 3rd Aves.)
Running Time: 75 minutes
Website:
http://www.hoaxocaust.com/
Photos:
http://tinyurl.com/msqd5vl
“Tightly written ... very funny ... It is this dramatic skill which gives the play its power to absorb.” -Washington Post
“Williamson always keeps us engaged ... his words weave a spellbinding course ... testament to the power of Williamson’s language.” -Daily Telegraph
“Australia’s most enduringly popular social comedy writer ... keenly observant and satirical.” -Sydney Morning Herald
“His genius has been to define for us, in advance of our own recognition, the qualities which make up the Australian character.” -The Australian
AUSTRALIAN MADE ENTERTAINMENT is pleased to announce their production of The Club, written by David Williamson (Winner of the Australian Writer's Guild Award for Best Play) and directed by Andrew H. Lyons. The Club will play a three week limited engagement Friday, September 12 through Sunday, September 27, 2014 at Urban Stages (259 W. 30th Street, Manhattan). Opening Night is Friday, September 12th at 8:00 p.m.. Tickets are $18.00 ($10 Wednesdays). For more information visit www.AustralianMadeEntertainment.com
Press invited Fri, Sept 12th at 8:00 p.m. (Opening Night); Sat, Sept 13th at 8:00 p.m.
and Sun, Sept 14th at 2:00 p.m. (And any subsequent performance)
After three successful seasons in New York City, Australian Made Entertainment will be taking its unique brand of Aussie theatrics to the West Coast, but not before making one final splash in the Big Apple. For their final New York production, Australian Made Entertainment is very excited to present a cultural classic by Australia's most successful playwright. Winner of the Australian Writer's Guild award for Best Play, David Williamson's engaging satire The Club shines a harsh light on the questionable influence big business has on sports. With universal characters and recognizable situations, you don't need to know anything about football to enjoy witnessing the antics at this club, where back-stabbing and double-dealing are the order of the day.
In the innocuous boardroom of an Australian Rules football club, corruption and greed reign supreme. The Club, an Australian cultural classic debating teamwork and greed, is about a team that hasn't won a game all season, despite forking out a small fortune to acquire a star player who couldn't care less about football. The coach wants to quit, the players threaten to strike, and the club president is embroiled in scandal. But the club's devious administrator, in cahoots with a former player and coach, would dispense with them all if it meant the team had a shot at the championship.
Featuring Samuel Douglas Clark* (Nat’l Tour: April’s Fool) as Geoff, Matthew Foster* (Netflix: House of Cards) as Ted, Marc LeVasseur* (Pride and Prejudice - People’s Light and Theatre) as Gerry, Peter Reznikoff* (Bway: Irena’s Vow) as Jock and David Sedgwick* (The Beauty Queen of Leenane - Shakespeare and Company) as Laurie.
Set design by Carmen Martinez, costume design by Emily Rose Parman, lighting design by Anthony Freitas and sound design by David Green.
Press Agent is Antonio Minino/Kampfire PR - antonio@kampfirefilmspr.com
The Club plays the following schedule through Saturday, September 27th:
Wednesdays through Saturdays at 8:00 p.m.
Sundays at 2:00 p.m.
Tickets are $18.00 ($10.00 on Wednesdays). For more information visit www.AustralianMadeEntertainment.com. Tickets may also be purchased in-person at the theater half hour prior to performance.
Running Time: 2 hours. One intermission.
Photos: http://tinyurl.com/pyf924z
*Appearing courtesy of Actors’ Equity Association
“Williamson always keeps us engaged ... his words weave a spellbinding course ... testament to the power of Williamson’s language.” -Daily Telegraph
“Australia’s most enduringly popular social comedy writer ... keenly observant and satirical.” -Sydney Morning Herald
“His genius has been to define for us, in advance of our own recognition, the qualities which make up the Australian character.” -The Australian
AUSTRALIAN MADE ENTERTAINMENT is pleased to announce their production of The Club, written by David Williamson (Winner of the Australian Writer's Guild Award for Best Play) and directed by Andrew H. Lyons. The Club will play a three week limited engagement Friday, September 12 through Sunday, September 27, 2014 at Urban Stages (259 W. 30th Street, Manhattan). Opening Night is Friday, September 12th at 8:00 p.m.. Tickets are $18.00 ($10 Wednesdays). For more information visit www.AustralianMadeEntertainment.com
Press invited Fri, Sept 12th at 8:00 p.m. (Opening Night); Sat, Sept 13th at 8:00 p.m.
and Sun, Sept 14th at 2:00 p.m. (And any subsequent performance)
After three successful seasons in New York City, Australian Made Entertainment will be taking its unique brand of Aussie theatrics to the West Coast, but not before making one final splash in the Big Apple. For their final New York production, Australian Made Entertainment is very excited to present a cultural classic by Australia's most successful playwright. Winner of the Australian Writer's Guild award for Best Play, David Williamson's engaging satire The Club shines a harsh light on the questionable influence big business has on sports. With universal characters and recognizable situations, you don't need to know anything about football to enjoy witnessing the antics at this club, where back-stabbing and double-dealing are the order of the day.
In the innocuous boardroom of an Australian Rules football club, corruption and greed reign supreme. The Club, an Australian cultural classic debating teamwork and greed, is about a team that hasn't won a game all season, despite forking out a small fortune to acquire a star player who couldn't care less about football. The coach wants to quit, the players threaten to strike, and the club president is embroiled in scandal. But the club's devious administrator, in cahoots with a former player and coach, would dispense with them all if it meant the team had a shot at the championship.
Featuring Samuel Douglas Clark* (Nat’l Tour: April’s Fool) as Geoff, Matthew Foster* (Netflix: House of Cards) as Ted, Marc LeVasseur* (Pride and Prejudice - People’s Light and Theatre) as Gerry, Peter Reznikoff* (Bway: Irena’s Vow) as Jock and David Sedgwick* (The Beauty Queen of Leenane - Shakespeare and Company) as Laurie.
Set design by Carmen Martinez, costume design by Emily Rose Parman, lighting design by Anthony Freitas and sound design by David Green.
Press Agent is Antonio Minino/Kampfire PR - antonio@kampfirefilmspr.com
The Club plays the following schedule through Saturday, September 27th:
Wednesdays through Saturdays at 8:00 p.m.
Sundays at 2:00 p.m.
Tickets are $18.00 ($10.00 on Wednesdays). For more information visit www.AustralianMadeEntertainment.com. Tickets may also be purchased in-person at the theater half hour prior to performance.
Running Time: 2 hours. One intermission.
Photos: http://tinyurl.com/pyf924z
*Appearing courtesy of Actors’ Equity Association
Recently nominated for three 2014 New York Innovative Theatre Awards for Dark Water including Outstanding Production of a Play.
MANHATTAN THEATRE WORKS (MTWorks), in association with the Theater Series at the 14th Street Y, are pleased to announce the world premiere of Sweet, Sweet Spirit by Carol Carpenter (Outstanding Playwriting for Good Lonely People - Planet Connections Awards), directed by Joan Kane (2011 People of the Year in Indie Theatre - Martin Denton, nytheatre.com). Sweet, Sweet Spirit will play a three week limited engagement at The Theater at the 14th Street Y (344 East 14th Street at 1st Avenue). Performances begin Friday, October 10th and continue through Saturday, October 25th. Opening Night is Tuesday, October 14th at 8:00pm. Tickets are $18 ($15 Students/$12 Seniors). For more information visit http://www.mtworks.org/sweetsweetspirit.
Press are invited to Friday, October 10th at 8pm, Saturday, October 11th at 3pm & 8pm, Sunday, October 13th at 3pm and Tuesday, October 14th at 8pm (Opening Night) (and any subsequent performance)
A West Texas matriarch is enraged by the news that her gay grandson has been the victim of a hate crime committed by his own father. As the boy battles for his life, the family must come together and decide who among them is best to care for this child and what place can they find for him in their world.
“Carol Carpenter is one of the most promising Southern female voices of our generation and we are honored to be presenting such a brave story on our stage. This will also be the fifth show we bring to The Theater at The 14th Street Y, a true theatrical hub for the creatively brave.” - shares Co-Artistic Director Antonio Minino.
Sweet, Sweet Spirit received developmental readings at The Barrow Group, The National Newborn Festival (Audience Favorite Award), Planet Connections Theatre Festivity, and Acadiana Theater in Lafayette, LA. The play was also part of the High Desert Play Festival at the American Southwest Theater in Las Cruces and out of that was produced at New Mexico State University in fall, 2012 as a university production.
The production stars Carol Hickey* (Original cast of Urinetown), Gary Hilborn* (A View from the Bridge, Best Actor in a Play Nominee - Broadway World Awards), Deanna McGovern (An Impending Rupture of the Belly, Outstanding Actress in a Featured Role - NY IT Awards), Dino Petrera, Kathleen O’Neill* (The Conduct of Life, Best Supporting Actress - Hispanic Heritage Festival) and David Stallings (Farewell to Sanity, Outstanding Lead Actor in a Play - Planet Connections Awards).
The production features scenic design by Saundra Yaklin (Frankenstein Upstairs and Advance Man - NY IT Award Nominees), costume design by Rachel Dozier-Ezell (MTWorks’ The Picture of Dorian Gray and The Family Shakespeare; Resident costume designer Classical Theater of Harlem), lighting design by David Goldstein (NY Times Critic’s Pick Cloned! at NYMF) and sound design by Jacob Subotnick (Tulpa or Anne and Me, Outstanding Sound Design - Planet Connections Awards). Rachel Denise April is the production stage manager.
Press representation by Katie Rosin / Kampfire PR, katie@kampfirefilmspr.com
Sweet, Sweet Spirit plays the following schedule through Saturday, October 25th**:
Wednesdays at 8pm
Thursdays at 8pm
Fridays at 8pm
Saturdays at 3pm and 8pm
Sundays at 3pm
**Additional opening night performance Tuesday, October 14th at 8pm
Sunday performances are followed by a talk-back with special guest, cast and crew.
Advance tickets are $18 ($15 Students/$12 Seniors) and are available online at http://www.mtworks.org/sweetsweetspirit. Tickets may also be purchased in-person at the theater ½ hour prior to performance.
Website: http://www.mtworks.org/sweetsweetspirit
Photos: http://bit.ly/SweetPhotos
Running Time: 90 minutes
The Theater at the 14th Street Y is located on 344 East 14th Street (at 1st Avenue)
By Subway: L to 1st Avenue
By Bus: M14 or M15 to 14th and 1st
*Appearing Courtesy of Actors’ Equity Association.
Director is a member of the Society of Stage Directors and Choreographers.
MANHATTAN THEATRE WORKS (MTWorks), in association with the Theater Series at the 14th Street Y, are pleased to announce the world premiere of Sweet, Sweet Spirit by Carol Carpenter (Outstanding Playwriting for Good Lonely People - Planet Connections Awards), directed by Joan Kane (2011 People of the Year in Indie Theatre - Martin Denton, nytheatre.com). Sweet, Sweet Spirit will play a three week limited engagement at The Theater at the 14th Street Y (344 East 14th Street at 1st Avenue). Performances begin Friday, October 10th and continue through Saturday, October 25th. Opening Night is Tuesday, October 14th at 8:00pm. Tickets are $18 ($15 Students/$12 Seniors). For more information visit http://www.mtworks.org/sweetsweetspirit.
Press are invited to Friday, October 10th at 8pm, Saturday, October 11th at 3pm & 8pm, Sunday, October 13th at 3pm and Tuesday, October 14th at 8pm (Opening Night) (and any subsequent performance)
A West Texas matriarch is enraged by the news that her gay grandson has been the victim of a hate crime committed by his own father. As the boy battles for his life, the family must come together and decide who among them is best to care for this child and what place can they find for him in their world.
“Carol Carpenter is one of the most promising Southern female voices of our generation and we are honored to be presenting such a brave story on our stage. This will also be the fifth show we bring to The Theater at The 14th Street Y, a true theatrical hub for the creatively brave.” - shares Co-Artistic Director Antonio Minino.
Sweet, Sweet Spirit received developmental readings at The Barrow Group, The National Newborn Festival (Audience Favorite Award), Planet Connections Theatre Festivity, and Acadiana Theater in Lafayette, LA. The play was also part of the High Desert Play Festival at the American Southwest Theater in Las Cruces and out of that was produced at New Mexico State University in fall, 2012 as a university production.
The production stars Carol Hickey* (Original cast of Urinetown), Gary Hilborn* (A View from the Bridge, Best Actor in a Play Nominee - Broadway World Awards), Deanna McGovern (An Impending Rupture of the Belly, Outstanding Actress in a Featured Role - NY IT Awards), Dino Petrera, Kathleen O’Neill* (The Conduct of Life, Best Supporting Actress - Hispanic Heritage Festival) and David Stallings (Farewell to Sanity, Outstanding Lead Actor in a Play - Planet Connections Awards).
The production features scenic design by Saundra Yaklin (Frankenstein Upstairs and Advance Man - NY IT Award Nominees), costume design by Rachel Dozier-Ezell (MTWorks’ The Picture of Dorian Gray and The Family Shakespeare; Resident costume designer Classical Theater of Harlem), lighting design by David Goldstein (NY Times Critic’s Pick Cloned! at NYMF) and sound design by Jacob Subotnick (Tulpa or Anne and Me, Outstanding Sound Design - Planet Connections Awards). Rachel Denise April is the production stage manager.
Press representation by Katie Rosin / Kampfire PR, katie@kampfirefilmspr.com
Sweet, Sweet Spirit plays the following schedule through Saturday, October 25th**:
Wednesdays at 8pm
Thursdays at 8pm
Fridays at 8pm
Saturdays at 3pm and 8pm
Sundays at 3pm
**Additional opening night performance Tuesday, October 14th at 8pm
Sunday performances are followed by a talk-back with special guest, cast and crew.
Advance tickets are $18 ($15 Students/$12 Seniors) and are available online at http://www.mtworks.org/sweetsweetspirit. Tickets may also be purchased in-person at the theater ½ hour prior to performance.
Website: http://www.mtworks.org/sweetsweetspirit
Photos: http://bit.ly/SweetPhotos
Running Time: 90 minutes
The Theater at the 14th Street Y is located on 344 East 14th Street (at 1st Avenue)
By Subway: L to 1st Avenue
By Bus: M14 or M15 to 14th and 1st
*Appearing Courtesy of Actors’ Equity Association.
Director is a member of the Society of Stage Directors and Choreographers.
The award-winning Boomerang Theatre Company and Artistic Director Tim Errickson, in association with Bryant Park Shakespeare, are excited to announce their production of LOVE’S LABOUR’S LOST by William Shakespeare, directed by Associate Artistic Director Cailin Heffernan. LOVE’S LABOUR’S LOST will be presented at Bryant Park (Upper Terrace Steps, 42nd Street and 6th Avenue), Thursdays, Fridays and Saturdays at 7 p.m., beginning Thursday, August 14 through Saturday, August 30, 2014. Tickets are free and do not require a reservation. For more information visit www.boomerangtheatre.org.
Press are invited to all performances.
“Love's Labour's Lost is an ideal summer comedy in the perfect setting... the oasis of Bryant Park, surrounded by New York City. I plan to transport us all to London (read Navarre) during a mythic late Belle Époque era, framed in the British Music Hall” - shares Boomerang Theatre Company’s newly appointed Associate Artistic Director Cailin Hefferman. - “Worlds collide when a coterie of sophisticated French noble woman run circles around their less able English lords. Rounding out the the cross-section of motley humanity are a young boy, two pedantical would-be lovers, a bobbie, a clown, a bombastic Spaniard, a conniving French chaperone and a lusty country wench. I am inspired and challenged by the elegant whimsy of the word play to translate that language into action.”
The production stars Timothy Babcock*, Amanda Berry, Erik Bryan, Deborah Carlson*, Timothy W. Hull*, Amanda Jones*, Jason Loughlin*, Hannah Jane McMurray, Jake Minevich, Linda S. Nelson*, Sarah Norris, Jared Reinmuth*, Dan Renkin*, Natalie Roy, Michael Russinik*, Christian Ryan* and Sara Thigpen*.
The production features original music and lyrics/musical direction by Henry Aronson. Costume design by Kathryn A Squitieri, fight choreography/movement by Dan Renkin, prop design by Leah Voysey and the assistant director is Danielle Demisay. The production stage manager is Andrew Morton* and Kat Meister is the assistant stage manager. Theresa McElwee is the dialect coach.
LOVE’S LABOUR’S LOST plays the following schedule through Saturday, Aug 30th:
Thursdays at 7 p.m.
Fridays at 7 p.m.
Saturdays at 7 p.m.
Tickets are free and do not require a reservation.
Website: www.boomerangtheatre.org and www.bryantpark.org
Photos: http://tinyurl.com/ltroh93
Running Time: Two hours.
The Upper Terrace Steps at Bryant Park, 42nd Street and 6th Avenue.
*Appearing Courtesy of Actors’ Equity Association.
Press are invited to all performances.
“Love's Labour's Lost is an ideal summer comedy in the perfect setting... the oasis of Bryant Park, surrounded by New York City. I plan to transport us all to London (read Navarre) during a mythic late Belle Époque era, framed in the British Music Hall” - shares Boomerang Theatre Company’s newly appointed Associate Artistic Director Cailin Hefferman. - “Worlds collide when a coterie of sophisticated French noble woman run circles around their less able English lords. Rounding out the the cross-section of motley humanity are a young boy, two pedantical would-be lovers, a bobbie, a clown, a bombastic Spaniard, a conniving French chaperone and a lusty country wench. I am inspired and challenged by the elegant whimsy of the word play to translate that language into action.”
The production stars Timothy Babcock*, Amanda Berry, Erik Bryan, Deborah Carlson*, Timothy W. Hull*, Amanda Jones*, Jason Loughlin*, Hannah Jane McMurray, Jake Minevich, Linda S. Nelson*, Sarah Norris, Jared Reinmuth*, Dan Renkin*, Natalie Roy, Michael Russinik*, Christian Ryan* and Sara Thigpen*.
The production features original music and lyrics/musical direction by Henry Aronson. Costume design by Kathryn A Squitieri, fight choreography/movement by Dan Renkin, prop design by Leah Voysey and the assistant director is Danielle Demisay. The production stage manager is Andrew Morton* and Kat Meister is the assistant stage manager. Theresa McElwee is the dialect coach.
LOVE’S LABOUR’S LOST plays the following schedule through Saturday, Aug 30th:
Thursdays at 7 p.m.
Fridays at 7 p.m.
Saturdays at 7 p.m.
Tickets are free and do not require a reservation.
Website: www.boomerangtheatre.org and www.bryantpark.org
Photos: http://tinyurl.com/ltroh93
Running Time: Two hours.
The Upper Terrace Steps at Bryant Park, 42nd Street and 6th Avenue.
*Appearing Courtesy of Actors’ Equity Association.
Graydon Gund Productions is proud to present the world premiere of The Elephant in the Room as part of the 18th Annual New York International Fringe Festival - FringeNYC, written by Anna Fox and directed by Molly Clifford.
The Elephant in the Room will play a limited engagement at Venue #10: The Kraine Theater (85 East 4th Street between 2nd Avenue and Bowery). Performances are Sunday, August 10th at 2:15pm, Saturday, August 16th at 2:00pm, Monday, August 18th at 7:00pm, Tuesday, August 19th at 2:30pm and Sunday, August 24th at 4:45pm.
The girls are still in a haze after a wild New Year’s party. This might explain why there’s an elephant in the room that only Talia can see. Or is that just the mysterious man from Apt 2E?
“What it means to be a part of rape culture is a very important issue in the media right now, especially on College campuses.” - shares playwright Anna Fox - “While this play does not take place on a college campus, it does focus on three young women and how they each deal with the aftermath of sexual assault, both their own and each other’s.”
Starring Emily Altschul, Sam Dash, Leila Teitelman and Samantha Fairfield Walsh.
Produced by Graydon Gund / Graydon Gund Productions.
Press consultant: Antonio Minino/Kampfire PR, antonio@kampfirefilmspr.com
Tickets are $18.00. Tickets may be purchased online or on your smartphone up to 30min prior to the performance at www.fringenyc.org. Tickets may also be purchased in person at FringeCentral the day prior to the performance, or at the performance venue 15min prior to the performance (credit card only).
Running Time: 90 minutes. No intermission.
Website: www.elephantintheroom1.weebly.com/
www.fringenyc.org
Photos: http://tinyurl.com/o23wzrx
The Elephant in the Room will play a limited engagement at Venue #10: The Kraine Theater (85 East 4th Street between 2nd Avenue and Bowery). Performances are Sunday, August 10th at 2:15pm, Saturday, August 16th at 2:00pm, Monday, August 18th at 7:00pm, Tuesday, August 19th at 2:30pm and Sunday, August 24th at 4:45pm.
The girls are still in a haze after a wild New Year’s party. This might explain why there’s an elephant in the room that only Talia can see. Or is that just the mysterious man from Apt 2E?
“What it means to be a part of rape culture is a very important issue in the media right now, especially on College campuses.” - shares playwright Anna Fox - “While this play does not take place on a college campus, it does focus on three young women and how they each deal with the aftermath of sexual assault, both their own and each other’s.”
Starring Emily Altschul, Sam Dash, Leila Teitelman and Samantha Fairfield Walsh.
Produced by Graydon Gund / Graydon Gund Productions.
Press consultant: Antonio Minino/Kampfire PR, antonio@kampfirefilmspr.com
Tickets are $18.00. Tickets may be purchased online or on your smartphone up to 30min prior to the performance at www.fringenyc.org. Tickets may also be purchased in person at FringeCentral the day prior to the performance, or at the performance venue 15min prior to the performance (credit card only).
Running Time: 90 minutes. No intermission.
Website: www.elephantintheroom1.weebly.com/
www.fringenyc.org
Photos: http://tinyurl.com/o23wzrx
VILDE CHAYA COLLECTIVE is proud to present the world premiere of NO PROVENANCE as part of the 18th Annual New York International Fringe Festival - FringeNYC, written by Kate Holland and Caroline Prugh, and directed by Kate Holland.
NO PROVENANCE will play a limited engagement at Venue #10: The Kraine Theater (85 East 4th Street between 2nd Avenue and Bowery). Performances are Sunday, August 10th at 12:00 pm, Tuesday, August 12th at 6:00 pm, Thursday, August 21st at 2:30 pm and Saturday, August 23rd at 5:45 pm.
Press are invited to all performances.
“Our story takes place simultaneously in the pre-World War Two era and in 2014, weaving together a scattered family's past and present, against the distant loom of the Holocaust.” - shares director Kate Holland - “There is art history, mystery, and a heartbreaking decision that echoes across the generations.”
A lost work of art. A family mystery. The provisions of a will entice three estranged sisters to their great-grandmother’s Paris apartment, untouched since 1945. Guided by Clotho, one of the proverbial Fates, what will they find inside?
An intriguing exploration of fate, of loss, and of healing, No Provenance originates from the intertwining of three threads. The first thread arises from questions of family dynamics: playwrights Kate Holland and Caroline Prugh developed a story of three half-sisters who meet warily as adults. The second thread emerges from a curious, recent news story about a Jewish Frenchwoman who fled Paris during World War II. She never returned, but she kept paying rent on her apartment until her death in 2010. The apartment was recently opened up for the first time, and photos show it to be a time capsule from the 1930s. The final thread is a genuine historical mystery: “Clotho,” a sculpture by the brilliant and troubled Camille Claudel, went missing from an art gallery sometime in the early 20th century, and it has never been found. These elements are brought together in the past and present by the spinner of threads, the Greek Fate Clotho herself.
The production stars Sarah Eismann as Marion, Carole Forman* as Clotho, Robyn Michele Frank as Ilana, Michelle Ramoni* (June and Nancy) as Suzanne, Libby Skala (LiLia!) as Josephine, Stephanie Taylor* as Orit and Renee Erikson as Marcelle.
The production features lighting design by Ashley Greiner, sound design by Justin Cornell and projection design by Matt Suter.
Tickets are $18.00. Tickets may be purchased online or on your smartphone up to 30min prior to the performance at www.fringenyc.org. Tickets may also be purchased in person at FringeCentral the day prior to the performance, or at the performance venue 15min prior to the performance (credit card only).
Website: www.noprovenance.org
Running Time: 1 hour and 25 minutes
*Appearing Courtesy of Actors’ Equity Association
NO PROVENANCE will play a limited engagement at Venue #10: The Kraine Theater (85 East 4th Street between 2nd Avenue and Bowery). Performances are Sunday, August 10th at 12:00 pm, Tuesday, August 12th at 6:00 pm, Thursday, August 21st at 2:30 pm and Saturday, August 23rd at 5:45 pm.
Press are invited to all performances.
“Our story takes place simultaneously in the pre-World War Two era and in 2014, weaving together a scattered family's past and present, against the distant loom of the Holocaust.” - shares director Kate Holland - “There is art history, mystery, and a heartbreaking decision that echoes across the generations.”
A lost work of art. A family mystery. The provisions of a will entice three estranged sisters to their great-grandmother’s Paris apartment, untouched since 1945. Guided by Clotho, one of the proverbial Fates, what will they find inside?
An intriguing exploration of fate, of loss, and of healing, No Provenance originates from the intertwining of three threads. The first thread arises from questions of family dynamics: playwrights Kate Holland and Caroline Prugh developed a story of three half-sisters who meet warily as adults. The second thread emerges from a curious, recent news story about a Jewish Frenchwoman who fled Paris during World War II. She never returned, but she kept paying rent on her apartment until her death in 2010. The apartment was recently opened up for the first time, and photos show it to be a time capsule from the 1930s. The final thread is a genuine historical mystery: “Clotho,” a sculpture by the brilliant and troubled Camille Claudel, went missing from an art gallery sometime in the early 20th century, and it has never been found. These elements are brought together in the past and present by the spinner of threads, the Greek Fate Clotho herself.
The production stars Sarah Eismann as Marion, Carole Forman* as Clotho, Robyn Michele Frank as Ilana, Michelle Ramoni* (June and Nancy) as Suzanne, Libby Skala (LiLia!) as Josephine, Stephanie Taylor* as Orit and Renee Erikson as Marcelle.
The production features lighting design by Ashley Greiner, sound design by Justin Cornell and projection design by Matt Suter.
Tickets are $18.00. Tickets may be purchased online or on your smartphone up to 30min prior to the performance at www.fringenyc.org. Tickets may also be purchased in person at FringeCentral the day prior to the performance, or at the performance venue 15min prior to the performance (credit card only).
Website: www.noprovenance.org
Running Time: 1 hour and 25 minutes
*Appearing Courtesy of Actors’ Equity Association
“In Ms. Skala’s tale, she manages to evoke the bright side of tuberculosis and to even make Nazis funny. Ms. Skalas convincing portrayal is the reason Polk is brought to life with such vibrancy.” -Gia Kourlas, The New York Times (A Time to Dance)
“Even better is Lilia!, Libby Skalas tribute to her grandmother… Ms. Skala does a marvelous rendition… she is magnetic in a part that clearly means the world to her.” -Bruce Webber, The New York Times (Lilia!)
ARTISTIC NEW DIRECTION (AND) is proud to present the New York premiere of FELICITAS, as part of the 18th Annual New York International Fringe Festival - FringeNYC, written and performed by Libby Skala (Best Solo Performer, A Time To Dance - London Fringe Theatre Festival; Off-Bway: Lilia!; Film: Birth with Nicole Kidman), with original music written and performed by Steven May, and directed by Artistic New Direction’s Co-Artistic Director Janice L. Goldberg (The Kennedy Center Gold Medallion Award).
FELICITAS will play a limited engagement at Venue #18: The Steve & Marie Sgouros Theatre (115 MacDougal Street, Manhattan). Performances are Saturday, August 9th at 2:00 pm, Sunday, August 10th at 5:00 pm, Wednesday, August 13th at 7:15 pm, Saturday, August 16th at 2:15 pm, Thursday, August 21st at 7:00 pm and Friday, August 22nd at 4:45 pm.
Press are invited to all performances.
Libby Skala charmed audiences internationally with her acclaimed solo plays Lilia! about her Oscar-nominated actress grandmother Lilia Skala and A Time to Dance about her award-winning great aunt Lisl, a pioneering dancer. She returns to complete the trilogy with FELICITAS, the story of her great aunt Lizi, a tough-love Austrian baby nurse who flees Nazi-occupied Austria to build a new life in America.
Born in pre-world war Vienna under the Hapsburg Empire to a Catholic mother and Jewish father, Lizi grows up under the shadow of two forceful older sisters. Carving out her own path, she devotes herself to keeping babies alive and teaching new mothers strict baby care techniques of the day. As a social worker and nurse at the avant-garde Moll Institute in Vienna between world wars, she fulfills her dream of establishing structure to brand new lives, watching hopeless newborns flourish under her gifted touch, while struggling to balance her personal life with her professional devotion. When the Nazi-regime terminates her work, she flees to America where she is forced to re-invent herself utilizing her talent and training. A celebration of love, discipline and the nobility of a life in service.
Featuring original mandolin music written and performed by Steven May and video designed by Stephen Stevo Arnoczy.
Tickets are $18.00. Tickets may be purchased online or on your smartphone up to 30min prior to the performance at www.fringenyc.org. Tickets may also be purchased in person at FringeCentral the day prior to the performance, or at the performance venue 15min prior to the performance (credit card only).
For more information visit www.FelicitasPlay.info
Photos: http://tinyurl.com/pepo9y8
Running Time: 1 hour and 15 minutes
“Even better is Lilia!, Libby Skalas tribute to her grandmother… Ms. Skala does a marvelous rendition… she is magnetic in a part that clearly means the world to her.” -Bruce Webber, The New York Times (Lilia!)
ARTISTIC NEW DIRECTION (AND) is proud to present the New York premiere of FELICITAS, as part of the 18th Annual New York International Fringe Festival - FringeNYC, written and performed by Libby Skala (Best Solo Performer, A Time To Dance - London Fringe Theatre Festival; Off-Bway: Lilia!; Film: Birth with Nicole Kidman), with original music written and performed by Steven May, and directed by Artistic New Direction’s Co-Artistic Director Janice L. Goldberg (The Kennedy Center Gold Medallion Award).
FELICITAS will play a limited engagement at Venue #18: The Steve & Marie Sgouros Theatre (115 MacDougal Street, Manhattan). Performances are Saturday, August 9th at 2:00 pm, Sunday, August 10th at 5:00 pm, Wednesday, August 13th at 7:15 pm, Saturday, August 16th at 2:15 pm, Thursday, August 21st at 7:00 pm and Friday, August 22nd at 4:45 pm.
Press are invited to all performances.
Libby Skala charmed audiences internationally with her acclaimed solo plays Lilia! about her Oscar-nominated actress grandmother Lilia Skala and A Time to Dance about her award-winning great aunt Lisl, a pioneering dancer. She returns to complete the trilogy with FELICITAS, the story of her great aunt Lizi, a tough-love Austrian baby nurse who flees Nazi-occupied Austria to build a new life in America.
Born in pre-world war Vienna under the Hapsburg Empire to a Catholic mother and Jewish father, Lizi grows up under the shadow of two forceful older sisters. Carving out her own path, she devotes herself to keeping babies alive and teaching new mothers strict baby care techniques of the day. As a social worker and nurse at the avant-garde Moll Institute in Vienna between world wars, she fulfills her dream of establishing structure to brand new lives, watching hopeless newborns flourish under her gifted touch, while struggling to balance her personal life with her professional devotion. When the Nazi-regime terminates her work, she flees to America where she is forced to re-invent herself utilizing her talent and training. A celebration of love, discipline and the nobility of a life in service.
Featuring original mandolin music written and performed by Steven May and video designed by Stephen Stevo Arnoczy.
Tickets are $18.00. Tickets may be purchased online or on your smartphone up to 30min prior to the performance at www.fringenyc.org. Tickets may also be purchased in person at FringeCentral the day prior to the performance, or at the performance venue 15min prior to the performance (credit card only).
For more information visit www.FelicitasPlay.info
Photos: http://tinyurl.com/pepo9y8
Running Time: 1 hour and 15 minutes
DBD PRODUCTIONS is proud to present the world premiere of HALFWAY, NEBRASKA as part of the 18th Annual New York International Fringe Festival - FringeNYC, written by Briandaniel Oglesby (She Gets Naked in the End - Latinidad Award) and directed by Daniel R. Melnick.
HALFWAY, NEBRASKA will play a limited engagement at Venue #4: Teatro LATEA at the Clemente (107 Suffolk Street between Rivington and Delancey). Performances are Friday, August 8th at 8:45 pm, Sunday, August 10th at 12:00 pm, Thursday, August 14th at 5:30 pm, Tuesday, August 19th at 8:45 pm and Friday, August 22nd at 4:45 pm.
Press are invited to all performances.
HALFWAY, NEBRASKA follows Sheila, and her two adoptive children, Nate and Miri, as they roadtrip across the country from California to Nebraska. Nate's deeply troubled, and at times, explosively violent, and Sheila plans to take advantage of a loophole in Nebraska's Safe Haven law that would allow her to abandon Nate at a hospital without any legal penalty. As the miles tick away, the bonds that hold this fragile family together strain and eventually break.
The production stars Delphina Belle (Fading Gigolo, Blacklist, Elementary), Yvonne Perry* (As the World Turns - Soap Opera Digest Award) and Ted Sutherland* (Off-Bway: Fanny, New York City Center Encores; Fading Gigolo).
The production features scenic and lighting design by Lauren Bremen, sound design by Ian Wehrle and projection design by Grant McDonald. Casting by Michael Cassara.
Tickets are $18.00. Tickets may be purchased online or on your smartphone up to 30min prior to the performance at www.fringenyc.org. Tickets may also be purchased in person at FringeCentral the day prior to the performance, or at the performance venue 15min prior to the performance (credit card only).
For more information visit: www.halfway-nebraska.com
Photos: http://tinyurl.com/l7enh3l
Running Time: 1 hour and 15 minutes
*Appearing Courtesy of Actors’ Equity Association.
HALFWAY, NEBRASKA will play a limited engagement at Venue #4: Teatro LATEA at the Clemente (107 Suffolk Street between Rivington and Delancey). Performances are Friday, August 8th at 8:45 pm, Sunday, August 10th at 12:00 pm, Thursday, August 14th at 5:30 pm, Tuesday, August 19th at 8:45 pm and Friday, August 22nd at 4:45 pm.
Press are invited to all performances.
HALFWAY, NEBRASKA follows Sheila, and her two adoptive children, Nate and Miri, as they roadtrip across the country from California to Nebraska. Nate's deeply troubled, and at times, explosively violent, and Sheila plans to take advantage of a loophole in Nebraska's Safe Haven law that would allow her to abandon Nate at a hospital without any legal penalty. As the miles tick away, the bonds that hold this fragile family together strain and eventually break.
The production stars Delphina Belle (Fading Gigolo, Blacklist, Elementary), Yvonne Perry* (As the World Turns - Soap Opera Digest Award) and Ted Sutherland* (Off-Bway: Fanny, New York City Center Encores; Fading Gigolo).
The production features scenic and lighting design by Lauren Bremen, sound design by Ian Wehrle and projection design by Grant McDonald. Casting by Michael Cassara.
Tickets are $18.00. Tickets may be purchased online or on your smartphone up to 30min prior to the performance at www.fringenyc.org. Tickets may also be purchased in person at FringeCentral the day prior to the performance, or at the performance venue 15min prior to the performance (credit card only).
For more information visit: www.halfway-nebraska.com
Photos: http://tinyurl.com/l7enh3l
Running Time: 1 hour and 15 minutes
*Appearing Courtesy of Actors’ Equity Association.
THE NEW YORK MUSICAL THEATRE FESTIVAL and SPIEGEL AND WOLPOW PARTNERSHIP are pleased to announce the world premiere production of CLONED!, winner of The New York Musical Theatre Festival’s 2013 Developmental Reading Award, an Official Selection of the 2014 New York Musical Theatre Festival’s Next Link Project and a Grand Jury Selection of the 2014 New York Musical Theatre Festival, with book by Jacey Powers (Picking Up - DR2 Theater) & Dan Wolpow (Keepers: A Broadway Benefit at Studio 54), lyrics by Dan Wolpow, music by Adam Spiegel (Camp Rolling Hills - 2013 NYMF Next Link Project Finalist), choreographed by Ryan Kasprzak° (TV: Smash, So You Think You Can Dance; Tour: Billy Elliot; NYMF: Volleygirls), musical direction by Julianne Merrill° and directed by Tom Wojtunik° (Children of Eden - NY IT Award Outstanding Musical; Urinetown - NY IT Award Outstanding Musical; The Miss Education of Jenna Bush - FringeNYC Best Solo Show & Audience Favorite; Edenville - NY IT Award Nominee Best Director; NYMF: The Groove Factory).
CLONED! will play a limited engagement at The Alice Griffin Jewel Box Theatre at The Pershing Square Signature Center (480 West 42nd Street, NY, NY 10036). Performances are Monday, July 7th @ 7pm (Opening Night), Thursday, July 10th @ 5pm, Friday, July 11th @ 1pm, Saturday, July 12th @ 9 pm & Tuesday, July 15th @ 8:30pm. Tickets are $25 and are available at nymf.org, by calling 212-352-3101, or by visiting the Signature Theatre Box Office (from Midday until the last performance commences). Tickets go on sale to the general public on June 16th.
PRESS INVITED TO ALL PERFORMANCES
It is 1993, there is a new president in the White House, Jurassic Park is about to tear up the box office, and Wally Waterman is on the verge of inventing the teleporter. But weird science gets even weirder when Wally accidentally clones himself. Is NYC big enough for two giant, identical egos? It will take nothing short of a movie star, international espionage, and a few pigeons to find out. Featuring a gleefully breezy score, CLONED! is door-slamming, yodel-happy, bird-squawking fun!
The production stars David Andino (50 Shades! The Musical) as Tramell the Pigeon, Melanie Beck* (SkippyJon Jones - TheatreWorks USA) as Izzy, John Alban Coughlan* (Ntl Tour: Beauty and the Beast; Palm Beach - La Jolla Playhouse; The Drowsy Chaperone - Kevin Kline Award Winner) as Dr. Marshall, Alex Goley* (NYMF: Standby The Musical; Big River - TheatreWorks SV) as Wally, Crystal Kellogg* (Because of Winn Dixie - Arkansas Repertory Theatre, The Sound of Music - Surflight Theatre) as Sharon Stone, Matthew Knowland* (Tony and Tina’s Wedding) as Fizz, Eric Mann* (Ntl Tour: A Chorus Line; Hello Dolly! - Cape Playhouse) as Clone Wally, Tony Romero* (Babes in Toyland - Lincoln Center, Mame - Paper Mill Playhouse, My Fair Lady - Trinity Rep) as Mr Choi & Babs Winn* (Cougar the Musical) as Evelyn.
Produced by Heather Shields, the production features scenic design by Jason Simms, costume design by Amanda Shafran, lighting design by David Goldstein, sound design by Brett Rothstein and puppet design by David Bizzaro. Neal Kowalsky is the assistant director, Erin Moore is the associate producer and Katie White is the stage manager. Casting by Lindsay Levine/Tara Rubin Casting, Production management by Fritz Brekeller and Publicity/Marketing consulting by Antonio Minino/Kampfire PR.
Tickets are $25 and are available at nymf.org, by calling 212-352-3101, or by visiting the Signature Theatre Box Office (from Midday until the last performance commences). Tickets go on sale to the general public on June 16th.
Running Time: 2 hours including one intermission
Website: clonedthemusical.com
nymf.org/cloned
Clips:
Take a listen to highlights from CLONED! including “Me and My Clone”, “Jorgensen”, “I Don’t Know What To Say” and “Great Big Huge Success”
clonedthemusical.com/home/take-a-listen/
Photos: http://tinyurl.com/pej4jlc
The Alice Griffin Jewel Box Theatre at The Pershing Square Signature Center is located at 480 West 42nd Street, NY, NY 10036
*Appearing Courtesy of Actors’ Equity Association
°Member Associated Musicians of Greater New York (802)
° Member Stage Directors and Choreography Society
Press Agent: Antonio Minino/Kampfire PR, antonio@kampfirefilmspr.com
CLONED! will play a limited engagement at The Alice Griffin Jewel Box Theatre at The Pershing Square Signature Center (480 West 42nd Street, NY, NY 10036). Performances are Monday, July 7th @ 7pm (Opening Night), Thursday, July 10th @ 5pm, Friday, July 11th @ 1pm, Saturday, July 12th @ 9 pm & Tuesday, July 15th @ 8:30pm. Tickets are $25 and are available at nymf.org, by calling 212-352-3101, or by visiting the Signature Theatre Box Office (from Midday until the last performance commences). Tickets go on sale to the general public on June 16th.
PRESS INVITED TO ALL PERFORMANCES
It is 1993, there is a new president in the White House, Jurassic Park is about to tear up the box office, and Wally Waterman is on the verge of inventing the teleporter. But weird science gets even weirder when Wally accidentally clones himself. Is NYC big enough for two giant, identical egos? It will take nothing short of a movie star, international espionage, and a few pigeons to find out. Featuring a gleefully breezy score, CLONED! is door-slamming, yodel-happy, bird-squawking fun!
The production stars David Andino (50 Shades! The Musical) as Tramell the Pigeon, Melanie Beck* (SkippyJon Jones - TheatreWorks USA) as Izzy, John Alban Coughlan* (Ntl Tour: Beauty and the Beast; Palm Beach - La Jolla Playhouse; The Drowsy Chaperone - Kevin Kline Award Winner) as Dr. Marshall, Alex Goley* (NYMF: Standby The Musical; Big River - TheatreWorks SV) as Wally, Crystal Kellogg* (Because of Winn Dixie - Arkansas Repertory Theatre, The Sound of Music - Surflight Theatre) as Sharon Stone, Matthew Knowland* (Tony and Tina’s Wedding) as Fizz, Eric Mann* (Ntl Tour: A Chorus Line; Hello Dolly! - Cape Playhouse) as Clone Wally, Tony Romero* (Babes in Toyland - Lincoln Center, Mame - Paper Mill Playhouse, My Fair Lady - Trinity Rep) as Mr Choi & Babs Winn* (Cougar the Musical) as Evelyn.
Produced by Heather Shields, the production features scenic design by Jason Simms, costume design by Amanda Shafran, lighting design by David Goldstein, sound design by Brett Rothstein and puppet design by David Bizzaro. Neal Kowalsky is the assistant director, Erin Moore is the associate producer and Katie White is the stage manager. Casting by Lindsay Levine/Tara Rubin Casting, Production management by Fritz Brekeller and Publicity/Marketing consulting by Antonio Minino/Kampfire PR.
Tickets are $25 and are available at nymf.org, by calling 212-352-3101, or by visiting the Signature Theatre Box Office (from Midday until the last performance commences). Tickets go on sale to the general public on June 16th.
Running Time: 2 hours including one intermission
Website: clonedthemusical.com
nymf.org/cloned
Clips:
Take a listen to highlights from CLONED! including “Me and My Clone”, “Jorgensen”, “I Don’t Know What To Say” and “Great Big Huge Success”
clonedthemusical.com/home/take-a-listen/
Photos: http://tinyurl.com/pej4jlc
The Alice Griffin Jewel Box Theatre at The Pershing Square Signature Center is located at 480 West 42nd Street, NY, NY 10036
*Appearing Courtesy of Actors’ Equity Association
°Member Associated Musicians of Greater New York (802)
° Member Stage Directors and Choreography Society
Press Agent: Antonio Minino/Kampfire PR, antonio@kampfirefilmspr.com
The award-winning Boomerang Theatre Company and Artistic Director Tim Errickson, are excited to announce their production of A MIDSUMMER NIGHT’S DREAM by William Shakespeare, directed by John Greenleaf (The Acting Company, Steppenwolf, Australian Elizabethan Theatre; Co-founder Shakespeare on the Hudson), as part of the company’s 15 years presenting exceptional outdoor theatre. A MIDSUMMER NIGHT’S DREAM will be presented at Central Park (69th Street and Central Park West), June 21 through July 20, 2014. Tickets are free and do not require a reservation. For more information visit www.boomerangtheatre.org.
Press are invited to all performances.
“We’re very excited to continue our partnership with Central Park in 2014. A Midsummer Night’s Dream is always such a fun show to produce, and we know our audiences will have a terrific time seeing Shakespeare’s lovers try to sort out their romantic passions”, shares Artistic Director Tim Errickson.
Love, jealousy, and meddling parents force four teenagers to flee to the forest, right into the middle of a hissy fit between the King and Queen of the fairyland. Can the right pairs of lovers find each other?
The production stars William John Austin*, Jeff Burchfield*, Miles Butler, Caleb Carlson* (The Sealed Orders of Liv Ullmann), Laura Darrell* (New England Emmy Award nominee for PBS’ A Very Special Christmas; Vineyard Theatre, The Barrow Group, York Theatre, Lincoln Center, Town Hall, Madison Square Garden), Edgar Eguia (The Flea, The Amoralists), Bret Richard Hoskins, Cassandra Johnstone, Adriana Jones (Vivien on the Rocks), Annalisa Loeffler* (WorkShop, Theater Ten Ten, PBS), Dan Lovley*, Uriel Menson*, Scott Michael Morales* (Theater Ten Ten), Kristin Patton, Vinnie Penna*, R. David Robinson* (The Box Plays, The Public; Cat on a Hot Tin Roof, Austin Pendleton dir.), Spencer Scott and Barbara Drum Sullivan*.
The production features costume design by Jessa-Raye Court and fight choreography by Joe Mathers. The production stage manager is Sarah Lahue and Danielle Demisay is the assistant director.
A MIDSUMMER NIGHT’S DREAM plays the following performances through Sunday, July 20th:
Saturday, June 21st and Sunday, June 22nd at 2 pm
Saturday, June 28th and Sunday, June 29th at 2 pm
Saturday, July 12th and Sunday, July 13th at 2 pm
Saturday, July 19th and Sunday, July 20th at 2 pm
Advance tickets are $18 ($15 Students/$12 Seniors) and are available online at www.MTWorks.org or by calling 866-811-4111. Tickets may also be purchased in-person at the theater ½ hour prior to performance.
Website: www.boomerangtheatre.org
Photos: http://tinyurl.com/ltroh93
Running Time: Two hours.
Presented at Central Park, 69th Street and Central Park West.
Boomerang Theatre Company’s A Midsummer Night’s Dream is a part of A Boomerang Summer in the Park, which also includes LOVE’S LABOR’S LOST, directed by Cailin Heffernan (Loveless, TX), and will be presented at Bryant Park (42nd St & Sixth Avenue), August 14-30, 2014 as part of Bryant Park Shakespeare.
*Appearing Courtesy of Actors’ Equity Association.
Press Agent: Antonio Minino/Kampfire PR, antonio@kampfirefilmspr.com
Press are invited to all performances.
“We’re very excited to continue our partnership with Central Park in 2014. A Midsummer Night’s Dream is always such a fun show to produce, and we know our audiences will have a terrific time seeing Shakespeare’s lovers try to sort out their romantic passions”, shares Artistic Director Tim Errickson.
Love, jealousy, and meddling parents force four teenagers to flee to the forest, right into the middle of a hissy fit between the King and Queen of the fairyland. Can the right pairs of lovers find each other?
The production stars William John Austin*, Jeff Burchfield*, Miles Butler, Caleb Carlson* (The Sealed Orders of Liv Ullmann), Laura Darrell* (New England Emmy Award nominee for PBS’ A Very Special Christmas; Vineyard Theatre, The Barrow Group, York Theatre, Lincoln Center, Town Hall, Madison Square Garden), Edgar Eguia (The Flea, The Amoralists), Bret Richard Hoskins, Cassandra Johnstone, Adriana Jones (Vivien on the Rocks), Annalisa Loeffler* (WorkShop, Theater Ten Ten, PBS), Dan Lovley*, Uriel Menson*, Scott Michael Morales* (Theater Ten Ten), Kristin Patton, Vinnie Penna*, R. David Robinson* (The Box Plays, The Public; Cat on a Hot Tin Roof, Austin Pendleton dir.), Spencer Scott and Barbara Drum Sullivan*.
The production features costume design by Jessa-Raye Court and fight choreography by Joe Mathers. The production stage manager is Sarah Lahue and Danielle Demisay is the assistant director.
A MIDSUMMER NIGHT’S DREAM plays the following performances through Sunday, July 20th:
Saturday, June 21st and Sunday, June 22nd at 2 pm
Saturday, June 28th and Sunday, June 29th at 2 pm
Saturday, July 12th and Sunday, July 13th at 2 pm
Saturday, July 19th and Sunday, July 20th at 2 pm
Advance tickets are $18 ($15 Students/$12 Seniors) and are available online at www.MTWorks.org or by calling 866-811-4111. Tickets may also be purchased in-person at the theater ½ hour prior to performance.
Website: www.boomerangtheatre.org
Photos: http://tinyurl.com/ltroh93
Running Time: Two hours.
Presented at Central Park, 69th Street and Central Park West.
Boomerang Theatre Company’s A Midsummer Night’s Dream is a part of A Boomerang Summer in the Park, which also includes LOVE’S LABOR’S LOST, directed by Cailin Heffernan (Loveless, TX), and will be presented at Bryant Park (42nd St & Sixth Avenue), August 14-30, 2014 as part of Bryant Park Shakespeare.
*Appearing Courtesy of Actors’ Equity Association.
Press Agent: Antonio Minino/Kampfire PR, antonio@kampfirefilmspr.com
COMPAGNIA DE’ COLOMBARI and THE STUDIO FOR ART, FAITH AND HISTORY are pleased to announce the international production of ORFEO IN ORVIETO, conceived by Karin Coonrod and John Conklin, based on the opera Orfeo by Claudio Monteverdi, with musical arrangements and conducted by Gina Leishman, directed by Coonrod. ORFEO IN ORVIETO will play Friday, July 4th, Saturday, July 5th and Sunday, July 6th at 8:30 PM at the Palazzo Simoncelli in Orvieto, Italy. Tickets are $10 Euros. For reservation and more information visit www.colombari.org.
“We have excised many of the pastoral sections of the original Monteverdi opera, so that our entire production lasts one hour. We are using a very different instrumentation: accordion, flute, violin, cello, percussion, mandola, keyboards.” - states director Karin Coonrod - “We want to get to the heart of the story with only three singers and one speaker. The singer playing Orfeo will only play Orfeo, but the others will play different roles. n this way we attend to the story of Orfeo's humanity in its extremity.”
Orfeo In Orvieto is a music-theater piece that re-imagines the myth of Orpheus using the music of Monteverdi’s baroque opera Orfeo, and the poetry of Ovid, Virgil, Rilke and Ruhl, to be performed in the garden courtyard of the Palazzo Simoncelli in Orvieto, Italy. With Orfeo in Orvieto, Compagnia de’ Colombari continues to connect the roots of theatre with contemporary life, by reviving medieval city theatre and creating a multi-ethnic Italian and American ensemble.
Leading up to Orfeo in Orvieto, the company will present a unique guided tour into the Umbrian underworld, that includes fine dining, wine tastings, special lectures, 4 nights in a renovated monastery and a fine hotel stay next to the Orvieto cathedral. In the Footsteps of Orfeo (June 28-July 4) will be guided by Dr. John Skillen, Director of the Studio for Art, Faith and History at the Gordon College in Wenham, MA and Orvieto, Italy.
The production stars Stephen Salters (Les Rois, Opera National in Bordeaux; Toussaint Before the Spirits, Opera Boston) as Orfeo, Stefano Benini as Apollo and Messagero, Andrea Brugnera as Speaker and Francesca Bruni as Musica, Euridice and Speranza.
The production features set and lighting design by Peter Ksander (Obie Award, NEA/TCG Career Development Program) and costume design by Oana Botez (Drammy Award, Princess Grace Award, Barrymore Award, NEA/TCG Career Development Program, Henry Hewes Design Award Nomination, Barrymore Award Nomination) . Dramaturgy by John Conklin.
Press representation by Antonio Minino, Kampfire PR - antonio@kampfirefilmspr.com
ORFEO IN ORVIETO plays July 4th, 5th and 6th at 8:30 pm.
Tickets are 10 Euros. For reservation and more information visit www.colombari.org.
The Palazzo Simoncelli is located at 22 Via Malabranca, 05018 Orvieto, Italy.
Listen to a clip from Orfeo in Orvieto in rehearsals, http://colombari.org/listen.html
Production Photos: http://tinyurl.com/koagbvz
Press Agent: Antonio Minino, Kampfire PR - antonio@kampfirefilmspr.com
THE LEGEND OF ORFEO:
Orfeo is wed to Eurydice and on the wedding day Euyrydice is bitten by a snake and dies. Orfeo decides to go to Hades to get her and bring her back, so great is his love for her. Hope cannot accompany him to Hades, so Orfeo sings his request to the Charon the boatmen and transfixes him and all of Hades. He is given permission to bring back Eurydice but must obey one decree, during the journey out of Hell, he must not turn around to look at Eurydice. In a moment of despair, he turns around and hence, loses her forever. Disconsolate, he returns to Thrace, and Apollo descends to reprimand him in his extreme sadness and Orfeo accepts Apollo's advice to balance his feelings. In Orfeo in Orvieto, this story is interrupted by the presence of a special speaking, Dionysian influenced interlocutor, who reminds us of the alternate story of Orfeo the poet, prophet, lover: the tearing apart of Orfeo by the Bacchantes.
“We have excised many of the pastoral sections of the original Monteverdi opera, so that our entire production lasts one hour. We are using a very different instrumentation: accordion, flute, violin, cello, percussion, mandola, keyboards.” - states director Karin Coonrod - “We want to get to the heart of the story with only three singers and one speaker. The singer playing Orfeo will only play Orfeo, but the others will play different roles. n this way we attend to the story of Orfeo's humanity in its extremity.”
Orfeo In Orvieto is a music-theater piece that re-imagines the myth of Orpheus using the music of Monteverdi’s baroque opera Orfeo, and the poetry of Ovid, Virgil, Rilke and Ruhl, to be performed in the garden courtyard of the Palazzo Simoncelli in Orvieto, Italy. With Orfeo in Orvieto, Compagnia de’ Colombari continues to connect the roots of theatre with contemporary life, by reviving medieval city theatre and creating a multi-ethnic Italian and American ensemble.
Leading up to Orfeo in Orvieto, the company will present a unique guided tour into the Umbrian underworld, that includes fine dining, wine tastings, special lectures, 4 nights in a renovated monastery and a fine hotel stay next to the Orvieto cathedral. In the Footsteps of Orfeo (June 28-July 4) will be guided by Dr. John Skillen, Director of the Studio for Art, Faith and History at the Gordon College in Wenham, MA and Orvieto, Italy.
The production stars Stephen Salters (Les Rois, Opera National in Bordeaux; Toussaint Before the Spirits, Opera Boston) as Orfeo, Stefano Benini as Apollo and Messagero, Andrea Brugnera as Speaker and Francesca Bruni as Musica, Euridice and Speranza.
The production features set and lighting design by Peter Ksander (Obie Award, NEA/TCG Career Development Program) and costume design by Oana Botez (Drammy Award, Princess Grace Award, Barrymore Award, NEA/TCG Career Development Program, Henry Hewes Design Award Nomination, Barrymore Award Nomination) . Dramaturgy by John Conklin.
Press representation by Antonio Minino, Kampfire PR - antonio@kampfirefilmspr.com
ORFEO IN ORVIETO plays July 4th, 5th and 6th at 8:30 pm.
Tickets are 10 Euros. For reservation and more information visit www.colombari.org.
The Palazzo Simoncelli is located at 22 Via Malabranca, 05018 Orvieto, Italy.
Listen to a clip from Orfeo in Orvieto in rehearsals, http://colombari.org/listen.html
Production Photos: http://tinyurl.com/koagbvz
Press Agent: Antonio Minino, Kampfire PR - antonio@kampfirefilmspr.com
THE LEGEND OF ORFEO:
Orfeo is wed to Eurydice and on the wedding day Euyrydice is bitten by a snake and dies. Orfeo decides to go to Hades to get her and bring her back, so great is his love for her. Hope cannot accompany him to Hades, so Orfeo sings his request to the Charon the boatmen and transfixes him and all of Hades. He is given permission to bring back Eurydice but must obey one decree, during the journey out of Hell, he must not turn around to look at Eurydice. In a moment of despair, he turns around and hence, loses her forever. Disconsolate, he returns to Thrace, and Apollo descends to reprimand him in his extreme sadness and Orfeo accepts Apollo's advice to balance his feelings. In Orfeo in Orvieto, this story is interrupted by the presence of a special speaking, Dionysian influenced interlocutor, who reminds us of the alternate story of Orfeo the poet, prophet, lover: the tearing apart of Orfeo by the Bacchantes.
LABA: A Laboratory for Jewish Culture, working in collaboration with choreographer Renana Raz, whose work has been called “brilliant” by the Israeli press, is pleased to announce the first-ever international production of MOTHER.NET. The show aims to take the usually isolated experience of watching YouTube videos and turns it into a public experience. Artists will respond to YouTube clips on the theme of mother through dance, theater, music, storytelling, and audience interaction. MOTHER.NET will run Thursday, June 19th through Sunday, June 22nd, 2014 at the Theater at the 14th Street Y (344 E 14th St, NY, NY 10003). Opening night is Thursday, June 19th at 7:30pm. To reserve your free tickets and for more information visit www.labajournal.com/labalive.
The show will feature new works from David Deblinger (Co-founder Labyrinth Theatre Company), Adi Ezroni (Prisoners of War), Napoleon W Gladney* (Wicked, The Musical’s Emerald City Tour), Yehuda Hyman* (Kennedy Center Fund for New American Plays Award), Julie Gayer Kris (Avodah Dance), Nadav Lev (Andres Segovia Award; Carnegie Hall), Ronit Muszkatblit and Renana Raz (YouMake, ReMake; Israeli Theatre Award’s Choreography Award Winner for Osher).
MOTHER. NET will run for the following performances:
Thursday, June 19th at 7:30 pm
Friday, June 20th at 7:30pm
Saturday, June 21st at 7:30 pm
Sunday, June 22nd at 3 pm
Tickets are FREE. For reservations and more information visit http://www.labajournal.com/labalive
Photos: http://tinyurl.com/nev4hqv
Press Agent: Antonio Minino, Kampfire PR - antonio@kampfirefilmspr.com
The Theater at the 14th Street Y is located at 344 East 14th Street, New York, NY 10003
Sponsored in part by the Consulate General of Israel.
*Appearing Courtesy of Actors’ Equity Association
The show will feature new works from David Deblinger (Co-founder Labyrinth Theatre Company), Adi Ezroni (Prisoners of War), Napoleon W Gladney* (Wicked, The Musical’s Emerald City Tour), Yehuda Hyman* (Kennedy Center Fund for New American Plays Award), Julie Gayer Kris (Avodah Dance), Nadav Lev (Andres Segovia Award; Carnegie Hall), Ronit Muszkatblit and Renana Raz (YouMake, ReMake; Israeli Theatre Award’s Choreography Award Winner for Osher).
MOTHER. NET will run for the following performances:
Thursday, June 19th at 7:30 pm
Friday, June 20th at 7:30pm
Saturday, June 21st at 7:30 pm
Sunday, June 22nd at 3 pm
Tickets are FREE. For reservations and more information visit http://www.labajournal.com/labalive
Photos: http://tinyurl.com/nev4hqv
Press Agent: Antonio Minino, Kampfire PR - antonio@kampfirefilmspr.com
The Theater at the 14th Street Y is located at 344 East 14th Street, New York, NY 10003
Sponsored in part by the Consulate General of Israel.
*Appearing Courtesy of Actors’ Equity Association
Thursday, June 5, 2014: New York, NY— JEWISH PLAYS PROJECT and Artistic Director David Winitsky, are pleased to announce the exciting line-up of OPEN: The Festival of New Jewish Theatre. The festival officially opened Tuesday night with a special presentation of True Bible Studies by Robert Askins, directed by Benjamin Kamine as part of Into the Night: Downtown’s Tikkun Leil Shavuot at The 14th Street Y. The line-up includes readings of new plays by Ben Gassman, Tom Block, M.J. Kaufman, Lenelle Moise, Lila Feinberg and the featured workshop production of G-d’s Honest Truth by Renee Calarco, directed by David Winitsky. OPEN: The Festival of New Jewish Theatre plays a limited engagement June 13th through June 29th, 2014 at The Theater at the 14th Street Y (344 East 14th Street, New York, NY 10003). Tickets are free (suggested donation of $18) and are available by calling 347-878-5771 or online at www.jewishplaysproject.org/tickets
NOT OPEN FOR REVIEW
"The JPP is dedicated to the 21st Century Jewish conversation.” - Shares Artistic Director David Winitsky- “We're thrilled that these writers - some Jewish and some not - are expanding and deepening that conversation in so many theatrical and unexpected ways."
OPEN: The Festival of New Jewish Theatre presents six new plays that represent a sample of what we believe jewish theater should look like: exciting and heartfelt, progressive and connected, cutting-edge and haimish all at the same time.
THE READINGS:
Tunneling
Written by Ben Gassman; Directed by Sarah Krohn
With Varin Ayala, Eshan Bay, Michael Bradley Cohen, Flora Diaz, Dariush Kashani, Greg Mullavey, Sam Soghor and Zeke Winitsky.
FRI, JUNE 13 at 6:00 PM
It's the last night that Amendo, Revlev and Brahmin have to tag the walls of NYC's subways before they have to grow up and become Harvard-educated lawyers. When they hit the tunnels, its a mystical ride like no other. Will Abe Cahan, Grace Paley and Edward Said be able to get a minyan for the bar mizvah? And who will get the girl?
Oud Player on the Tel
Written by Tom Block; Directed by David Winitsky
Oud music composed and performed by Awad Rabbi Zach Fredman
With Rajesh Bose, Matthew Boston, Abbi Hawk, Rebecka Ray, Adam Perabo, Joya Powell, Ryan Shams, Millie Tochetti and Matthieu Neito.
SAT, JUNE 14 at 7:30 PM
British Mandate Palestine, circa 1940. Amir greets his expelled northern cousins with a (literal) olive branch. But there are new used cars to sell, and an eretz to work. What good is an Out Player on the Tel?
Reading followed by talk-back with Peace activists including Sarah Sayeed, Ph.D., Joseph Montville and Jacob Bender.
Murmur Rock
Written by M.J. Kaufman; Directed by Jessi Hill
With William Demerritt, Edward Hyland, Jasmine Cephas Jones, Tracey Conyer Lee and Stephanie Weeks.
SUN, JUNE 15 at 3:00 PM
An interracial family with German roots returns to the old country to find traces of a lost family. Only, what happened to the Jewish cemetery?
The Many Faces of Nia
Written by Lenelle Moise; Directed by David Winitsky
With Shyko Amos, Helen Coxe, Anna Abhau Elliott, Adam Green, Carolyn Faye Kramer and Joe Urla.
MON, JUNE 16 at 7:30 PM
Beth is a good, loving, progressive Jewish mother. Her son is bringing his girlfriend (of one year) home for the first time. She happens to be black. Easy, right?
Blood Moon
Written by Lila Feinberg; Directed by Benjamin Kamine
With William Demerritt, Cleo Gray, Slate Holmgren and Hannah Sorenson.
TUE, JUNE 17 at 7:30 PM*
In the 1970s, a disproportionately high number of those who joined cult movements like the Moonies were Jews. In this brand new script, Lila Feinberg traces the roots of one family who lost a son, and his return to the funeral of his father 30 years later.
*The reading of Blood Moon will be held at the Bruce Mitchell Room at ART/NY (520 8th Avenue, 3rd Floor).
THE WORKSHOP:
G-d’s Honest Truth
Written by Renee Calarco; Directed by David Winitsky
With Marcia Jean Kurtz, David Deblinger, Nicolo Grelli, Sarah Sokolic and Dori Legg.
FRI, JUNE 27 at 7:30 PM; SAT, JUNE 28 at 7:30 PM; SUN, JUNE 29 at 2 PM
2014 Jewish Playwriting Contest Winner
Roberta and Larry have just purchased a miraculous Holocaust Torah for their synagogue. So why does the shul in the next town have one, too?
“I love that Renee’s play is based on this crazy true story, and then gets to really question the stories we tell ourselves. Her ideas are totally contemporary, but connect to deep roots” -Artistic Director David Winitsky.
Website: http://www.jewishplaysproject.org/tickets
All performers appearing courtesy of Actors’ Equity Association.
THE JEWISH PLAYS PROJECT puts bold, progressive jewish conversations on world stages. The jpp’s innovative and competitive development vehicle invests emerging artists in their jewish identity; engages jewish communities in the vetting, selecting and championing of new voices; and secures mainstream production opportunities for the best new plays.
A revolution is underway in jewish culture. In music, in books, in film, artists are creating amazing new pathways to Jewish identity. We believe that it is time for theater to join the movement.
NOT OPEN FOR REVIEW
"The JPP is dedicated to the 21st Century Jewish conversation.” - Shares Artistic Director David Winitsky- “We're thrilled that these writers - some Jewish and some not - are expanding and deepening that conversation in so many theatrical and unexpected ways."
OPEN: The Festival of New Jewish Theatre presents six new plays that represent a sample of what we believe jewish theater should look like: exciting and heartfelt, progressive and connected, cutting-edge and haimish all at the same time.
THE READINGS:
Tunneling
Written by Ben Gassman; Directed by Sarah Krohn
With Varin Ayala, Eshan Bay, Michael Bradley Cohen, Flora Diaz, Dariush Kashani, Greg Mullavey, Sam Soghor and Zeke Winitsky.
FRI, JUNE 13 at 6:00 PM
It's the last night that Amendo, Revlev and Brahmin have to tag the walls of NYC's subways before they have to grow up and become Harvard-educated lawyers. When they hit the tunnels, its a mystical ride like no other. Will Abe Cahan, Grace Paley and Edward Said be able to get a minyan for the bar mizvah? And who will get the girl?
Oud Player on the Tel
Written by Tom Block; Directed by David Winitsky
Oud music composed and performed by Awad Rabbi Zach Fredman
With Rajesh Bose, Matthew Boston, Abbi Hawk, Rebecka Ray, Adam Perabo, Joya Powell, Ryan Shams, Millie Tochetti and Matthieu Neito.
SAT, JUNE 14 at 7:30 PM
British Mandate Palestine, circa 1940. Amir greets his expelled northern cousins with a (literal) olive branch. But there are new used cars to sell, and an eretz to work. What good is an Out Player on the Tel?
Reading followed by talk-back with Peace activists including Sarah Sayeed, Ph.D., Joseph Montville and Jacob Bender.
Murmur Rock
Written by M.J. Kaufman; Directed by Jessi Hill
With William Demerritt, Edward Hyland, Jasmine Cephas Jones, Tracey Conyer Lee and Stephanie Weeks.
SUN, JUNE 15 at 3:00 PM
An interracial family with German roots returns to the old country to find traces of a lost family. Only, what happened to the Jewish cemetery?
The Many Faces of Nia
Written by Lenelle Moise; Directed by David Winitsky
With Shyko Amos, Helen Coxe, Anna Abhau Elliott, Adam Green, Carolyn Faye Kramer and Joe Urla.
MON, JUNE 16 at 7:30 PM
Beth is a good, loving, progressive Jewish mother. Her son is bringing his girlfriend (of one year) home for the first time. She happens to be black. Easy, right?
Blood Moon
Written by Lila Feinberg; Directed by Benjamin Kamine
With William Demerritt, Cleo Gray, Slate Holmgren and Hannah Sorenson.
TUE, JUNE 17 at 7:30 PM*
In the 1970s, a disproportionately high number of those who joined cult movements like the Moonies were Jews. In this brand new script, Lila Feinberg traces the roots of one family who lost a son, and his return to the funeral of his father 30 years later.
*The reading of Blood Moon will be held at the Bruce Mitchell Room at ART/NY (520 8th Avenue, 3rd Floor).
THE WORKSHOP:
G-d’s Honest Truth
Written by Renee Calarco; Directed by David Winitsky
With Marcia Jean Kurtz, David Deblinger, Nicolo Grelli, Sarah Sokolic and Dori Legg.
FRI, JUNE 27 at 7:30 PM; SAT, JUNE 28 at 7:30 PM; SUN, JUNE 29 at 2 PM
2014 Jewish Playwriting Contest Winner
Roberta and Larry have just purchased a miraculous Holocaust Torah for their synagogue. So why does the shul in the next town have one, too?
“I love that Renee’s play is based on this crazy true story, and then gets to really question the stories we tell ourselves. Her ideas are totally contemporary, but connect to deep roots” -Artistic Director David Winitsky.
Website: http://www.jewishplaysproject.org/tickets
All performers appearing courtesy of Actors’ Equity Association.
THE JEWISH PLAYS PROJECT puts bold, progressive jewish conversations on world stages. The jpp’s innovative and competitive development vehicle invests emerging artists in their jewish identity; engages jewish communities in the vetting, selecting and championing of new voices; and secures mainstream production opportunities for the best new plays.
A revolution is underway in jewish culture. In music, in books, in film, artists are creating amazing new pathways to Jewish identity. We believe that it is time for theater to join the movement.
3 VOICES THEATRE is pleased to announce the world premiere of MEIN UNCLE, written and directed by Aliza Shane (NY IT Award for Outstanding Short Script, The Three Sillies). MEIN UNCLE, an absurdist fairytale about the seeds of inhumanity, will play Thursday, May 29 continue through Sunday, June, 8, 2014 at The Robert Moss Theater (440 Lafayette Street, 3rd Floor, New York, NY 10003). Tickets are $18 and available at www.3VoicesTheatre.com.
Press are invited to all performances.
Opening Night is Thursday, May 29th at 8pm
"My entire life I’ve lived with the history of the Holocaust and its devastating effects on the world, the Jews, and my own family. The idea of exploring Adolf Hitler and his relationships is not something I ever addressed. However, after learning about Geli Raubal, I became fascinated with her story; how her life, and death, affected this man, and changed his life, ultimately for the worse,” shares creator Aliza Shane. “The more I read, the more I realized that this is a story that needed to be told. This is not a story that 'explains' or excuses Hitler or his actions - rather, it’s a microscopic look at a relationship that may have been the last straw in a life already set on a path of destruction."
Based on the true story of Geli Raubal, niece to the most infamous villain in history, Mein Uncle is a love story, ruled by mystery, obsession and ultimately, madness. Mein Uncle is a tale of love gone terribly wrong, an absurdist look at the bizarre secret relationship that influenced the man behind the darkest event of the 20th century.
MEIN UNCLE plays the following schedule through June 8th:
Wednesdays through Fridays at 8pm
Saturdays at 2pm & 8pm
Sundays at 2pm
Tickets are $18 and available online at www.3vtheatre.com or by calling 1-800-838-3006. Tickets may also be purchased in-person at the theater half hour prior to performance.
Running Time: 90 min
Publicity Photos: http://tinyurl.com/odehnkd
Press Agent: Antonio Minino, Kampfire PR - antonio@kampfirefilmspr.com
Press are invited to all performances.
Opening Night is Thursday, May 29th at 8pm
"My entire life I’ve lived with the history of the Holocaust and its devastating effects on the world, the Jews, and my own family. The idea of exploring Adolf Hitler and his relationships is not something I ever addressed. However, after learning about Geli Raubal, I became fascinated with her story; how her life, and death, affected this man, and changed his life, ultimately for the worse,” shares creator Aliza Shane. “The more I read, the more I realized that this is a story that needed to be told. This is not a story that 'explains' or excuses Hitler or his actions - rather, it’s a microscopic look at a relationship that may have been the last straw in a life already set on a path of destruction."
Based on the true story of Geli Raubal, niece to the most infamous villain in history, Mein Uncle is a love story, ruled by mystery, obsession and ultimately, madness. Mein Uncle is a tale of love gone terribly wrong, an absurdist look at the bizarre secret relationship that influenced the man behind the darkest event of the 20th century.
MEIN UNCLE plays the following schedule through June 8th:
Wednesdays through Fridays at 8pm
Saturdays at 2pm & 8pm
Sundays at 2pm
Tickets are $18 and available online at www.3vtheatre.com or by calling 1-800-838-3006. Tickets may also be purchased in-person at the theater half hour prior to performance.
Running Time: 90 min
Publicity Photos: http://tinyurl.com/odehnkd
Press Agent: Antonio Minino, Kampfire PR - antonio@kampfirefilmspr.com
New York, NY - May 2, 2014: A celebration of Dame Shirley Bassey’s illustrious career, THE BOY WHO LOVED BASSEY, is an unforgettable musical tribute written by Ben Cameron and Alan Winner, with musical direction by Andy Roninson, under the direction by Cameron and starring Winner. THE BOY WHO LOVED BASSEY, will play a one night only special engagement on Thursday, May 15th, at 7:00 PM at the Laurie Beechman Theatre (Downstairs West Bank Café, 407 W 42nd St, New York, NY 10036). Tickets are $10 (plus $15 food/bev minimum), for reservations call 212-695-6909 (recommended) or purchase online at www.beechmantheatre.com.
Alan Winner stars in The Boy Who Loved Bassey, about how a boy from the middle of nowhere in West Texas found himself in Cardiff, crossing paths with his favorite Diva.
“He couldn’t have chosen a better subject for a musical tribute.” -Writes Jerry Osterberg for Cabaret Scenes after seeing an earlier incarnation of The Boy Who Loved Bassey - “Besides having a fantastic voice and projection, he has several of the same attributes as his idol: a big performance persona, enthusiasm, vibrancy, charisma, dynamism and passion.”
A celebration of Dame Shirley Bassey's illustrious career. From meager beginnings to a glamorous career spanning more than five decades, Dame Shirley has touched the lives of millions around the globe. You will hear the songs you remember and some you don't, but all tell a part of the story of the Girl from Tiger Bay.
Tickets are $10 (plus $15 food/bev minimum), for reservations call 212-695-6909 (recommended) or purchase online at www.beechmantheatre.com.
Directions and Parking: The Laurie Beechman Theatre is located downstairs at the West Bank Café, 407 W 42nd St, New York, NY 10036). Located between 9th and 10th Avenues. Near most subway lines via Times Square Station and Port Authority Bus Terminal. Nearest parking garage is located on 42nd St, between 9th and 10th Avenues.
Production Photos: http://tinyurl.com/koj9ac4
Watch a clip from The Boy Who Loved Bassey: http://youtu.be/aMnWoNUQWdI
For more information visit www.alanwinner.com and www.beechmantheatre.com
Running Time: 60min
Press Agent: Antonio Minino, Kampfire PR - antonio@kampfirefilmspr.com
Alan Winner stars in The Boy Who Loved Bassey, about how a boy from the middle of nowhere in West Texas found himself in Cardiff, crossing paths with his favorite Diva.
“He couldn’t have chosen a better subject for a musical tribute.” -Writes Jerry Osterberg for Cabaret Scenes after seeing an earlier incarnation of The Boy Who Loved Bassey - “Besides having a fantastic voice and projection, he has several of the same attributes as his idol: a big performance persona, enthusiasm, vibrancy, charisma, dynamism and passion.”
A celebration of Dame Shirley Bassey's illustrious career. From meager beginnings to a glamorous career spanning more than five decades, Dame Shirley has touched the lives of millions around the globe. You will hear the songs you remember and some you don't, but all tell a part of the story of the Girl from Tiger Bay.
Tickets are $10 (plus $15 food/bev minimum), for reservations call 212-695-6909 (recommended) or purchase online at www.beechmantheatre.com.
Directions and Parking: The Laurie Beechman Theatre is located downstairs at the West Bank Café, 407 W 42nd St, New York, NY 10036). Located between 9th and 10th Avenues. Near most subway lines via Times Square Station and Port Authority Bus Terminal. Nearest parking garage is located on 42nd St, between 9th and 10th Avenues.
Production Photos: http://tinyurl.com/koj9ac4
Watch a clip from The Boy Who Loved Bassey: http://youtu.be/aMnWoNUQWdI
For more information visit www.alanwinner.com and www.beechmantheatre.com
Running Time: 60min
Press Agent: Antonio Minino, Kampfire PR - antonio@kampfirefilmspr.com
The League of Professional Theatre Women is pleased to present Award-winning actress BEBE NEUWIRTH for the next Oral History interview on Monday, May 5, 2014 at 6:00 pm at the Bruno Walter Auditorium of the New York Public Library for the Performing Arts on 65th Street & Amsterdam Avenue. Ms. Neuwirth will be interviewed by arts journalist Patrick Pacheco. Admission is free, but seats will be on a first-come-first-seated basis. (Photos are available here: http://bit.ly/LPTWOralHistory6313)
Betty Corwin, who produces the Oral History series is delighted that Ms. Neuwirth has agreed to “share her thoughts with us. She is an amazing actress who has played all three of the principal roles in the revival of Chicago: in the original role of Velma in 1997, as Roxie Hart in 2007 and in 1914, as the warden, "Mama" Morton. Quite an extraordinary accomplishment ."
Oral History Project: With the generous support from the The Betty R. and Ralph Sheffer Foundation, the League has interviewed Mercedes Ruehl and Tyne Daly; the Edith Meiser Foundation has previously supported the interviews of Patti LuPone, Christine Ebersole, playwright Kia Corthron, Donna Murphy, Frances McDormand, and many others. The ongoing Oral History Project chronicles and documents the contributions of significant theatre women in many fields. The interviews are videotaped and preserved for posterity in the Theatre on Film and Tape Archive at the New York Public Library for the Performing Arts at Lincoln Center.
UPCOMING FROM LPTW
On May 8, 2014, The League of Professional Theatre Women will take to the streets in an Advocacy March through Times Square. The Women Stage the World, an advocacy project from The League of Professional Theatre Women (LPTW), will bring to life a suffragette inspired parade in which Broadway theatregoers will see 200 women parading and advocating for equal representation in theatre. An Advocacy Anthem has been written by composer/lyricist Sheilah Rae in celebration and solidarity. Many parading will be wearing costumes in honor of famous women who set the stage: you may recognize the likes of Dorothy Parker, Katharine Cornell, Aphra Behn, Margo Jones, Lady Gregory or Hallie Flanagan, the director of WPA Theatre. To learn more about the program and parade route, visit www.womenstagetheworld.org; to learn more about LPTW, visit www.theatrewomen.org
Press Agent: Katie Rosin, Kampfire PR - katie@kampfirefilmspr.com
Betty Corwin, who produces the Oral History series is delighted that Ms. Neuwirth has agreed to “share her thoughts with us. She is an amazing actress who has played all three of the principal roles in the revival of Chicago: in the original role of Velma in 1997, as Roxie Hart in 2007 and in 1914, as the warden, "Mama" Morton. Quite an extraordinary accomplishment ."
Oral History Project: With the generous support from the The Betty R. and Ralph Sheffer Foundation, the League has interviewed Mercedes Ruehl and Tyne Daly; the Edith Meiser Foundation has previously supported the interviews of Patti LuPone, Christine Ebersole, playwright Kia Corthron, Donna Murphy, Frances McDormand, and many others. The ongoing Oral History Project chronicles and documents the contributions of significant theatre women in many fields. The interviews are videotaped and preserved for posterity in the Theatre on Film and Tape Archive at the New York Public Library for the Performing Arts at Lincoln Center.
UPCOMING FROM LPTW
On May 8, 2014, The League of Professional Theatre Women will take to the streets in an Advocacy March through Times Square. The Women Stage the World, an advocacy project from The League of Professional Theatre Women (LPTW), will bring to life a suffragette inspired parade in which Broadway theatregoers will see 200 women parading and advocating for equal representation in theatre. An Advocacy Anthem has been written by composer/lyricist Sheilah Rae in celebration and solidarity. Many parading will be wearing costumes in honor of famous women who set the stage: you may recognize the likes of Dorothy Parker, Katharine Cornell, Aphra Behn, Margo Jones, Lady Gregory or Hallie Flanagan, the director of WPA Theatre. To learn more about the program and parade route, visit www.womenstagetheworld.org; to learn more about LPTW, visit www.theatrewomen.org
Press Agent: Katie Rosin, Kampfire PR - katie@kampfirefilmspr.com
The Award-Winning Astoria Performing Arts Center (APAC) and Artistic Director Tom Wojtunik are pleased to announce their production of Richard Rodgers & Oscar Hammerstein II’s ALLEGRO, choreographed by Christine O’Grady, musical directed by Julianne B. Merrill and directed by Wojtunik. ALLEGRO will play a limited engagement at Good Shepherd United Methodist Church, 30-44 Crescent St (@30th Rd), in Astoria, Queens. Performances begin Thursday, May 1 and continue through Saturday, May 17. Opening Night is Saturday, May 3 (8 p.m.).
Life – a set of circumstances, a series of choices, leading to this moment in time. Are you where you thought you’d be? Are you proud of the decisions you’ve made? Allegro follows the journey of Joseph Taylor, Jr., the son of a small-town doctor, from birth to age 35 – from the tranquility of his small Midwestern hometown to the hectic din of big city life. When he loses sight of his goals, he struggles to avoid compromising his principles in this rarely seen musical from the legendary Rodgers and Hammerstein.
The production stars Mark Banik* ("Mythos" web series) as Joseph Taylor, Jr., Daniella Dalli* (Showboat, Asolo Rep) as Marjorie Taylor, Marcie Henderson* (APAC's The Human Comedy & Ragtime) as Mrs. Lansdale, Crystal Kellogg* (Because of Winn Dixie, Arkansas Rep) as Jennie Brinker, Kelly King* ("Boardwalk Empire") as Brook Lansdale, Andy Lebon* (Oklahoma!, Nat'l Tour) as Dr. Joseph Taylor, Jean Liuzzi* (APAC's The Human Comedy) as Grandma Taylor, Christopher Milo (Gypsy, CMPAC) as Young Joe, Manna Nichols* (Miss Saigon, Kansas City Starlight) as Emily West, Jan-Peter Pedross* (APAC's Blood Brothers & The Human Comedy) Dr. Bigby Denby, Tony Perry* (Martin: A New Musical, Negro Ensemble Co) as Ned Brinker, Fiona Shea (APAC's Summer Stars) as Young Jennie and Joshua Stenseth (NBC's "Grimm") as Charlie Townsend. Ensemble members include Laura Stracko Franks (Damn Yankees, Nat'l Tour), Julia Freyer* (A Chorus Line, Paper Mill/Nat'l Tour), Carl James* (HAIR, Nat'l Tour). Alyssa Malgeri* (APAC's The Human Comedy; Hairspray, Nat'l Tour), Gilbert Sanchez (Showgirls: The Musical!), Robbie Smith* (Hello, Dolly!, Goodspeed), and Toni Elizabeth White* (A Tree Grows in Brooklyn).
The production features scenic design by Stephen K. Dobay, costume design by Summer Lee Jack, and lighting design by Dan Jobbins. David A. Thomas is the sound designer, Katie K. White is the props designer, Ben Coleman is the Dramaturg, Michael Cassara is the casting director, and Kristine Schlachter* is the production stage manager.
*These Actors are appearing courtesy of Actors' Equity Association. AEA approved showcase.
ALLEGRO plays the following regular schedule through Saturday, May 17:
Thursdays & Fridays at 8 p.m.
Saturdays at 2 p.m. & 8 p.m.
Tickets are $18, ($15 student/senior) available at www.apacny.org or 888-596-1027. Tickets may also be purchased in-person at the Theatre Box Office, 30 minutes prior to the performance.
PERFORMANCE VENUE
Good Shepherd United Methodist Church
30-44 Crescent St (@30th Rd)
Astoria, NY 11102
Directions: Take the N or Q Subway to 30th Avenue. Walk down 30th Ave. to Crescent St. (Mount Sinai Hospital is on the corner.) Turn left on Crescent Street. Walk one block south, then turn right onto 30th Rd. Entrance is second set of red doors on left.
Running Time: 135 minutes (with a ten minute intermission)
Website: www.APACNY.org
Cast Photos: https://www.dropbox.com/sh/8cl63rml8pyjoef/vOlz7Mt72A
Thank you to our lead sponsor, Investors Bank.
Press Agent: Katie Rosin, Kampfire PR - katie@kampfirefilmspr.com
Life – a set of circumstances, a series of choices, leading to this moment in time. Are you where you thought you’d be? Are you proud of the decisions you’ve made? Allegro follows the journey of Joseph Taylor, Jr., the son of a small-town doctor, from birth to age 35 – from the tranquility of his small Midwestern hometown to the hectic din of big city life. When he loses sight of his goals, he struggles to avoid compromising his principles in this rarely seen musical from the legendary Rodgers and Hammerstein.
The production stars Mark Banik* ("Mythos" web series) as Joseph Taylor, Jr., Daniella Dalli* (Showboat, Asolo Rep) as Marjorie Taylor, Marcie Henderson* (APAC's The Human Comedy & Ragtime) as Mrs. Lansdale, Crystal Kellogg* (Because of Winn Dixie, Arkansas Rep) as Jennie Brinker, Kelly King* ("Boardwalk Empire") as Brook Lansdale, Andy Lebon* (Oklahoma!, Nat'l Tour) as Dr. Joseph Taylor, Jean Liuzzi* (APAC's The Human Comedy) as Grandma Taylor, Christopher Milo (Gypsy, CMPAC) as Young Joe, Manna Nichols* (Miss Saigon, Kansas City Starlight) as Emily West, Jan-Peter Pedross* (APAC's Blood Brothers & The Human Comedy) Dr. Bigby Denby, Tony Perry* (Martin: A New Musical, Negro Ensemble Co) as Ned Brinker, Fiona Shea (APAC's Summer Stars) as Young Jennie and Joshua Stenseth (NBC's "Grimm") as Charlie Townsend. Ensemble members include Laura Stracko Franks (Damn Yankees, Nat'l Tour), Julia Freyer* (A Chorus Line, Paper Mill/Nat'l Tour), Carl James* (HAIR, Nat'l Tour). Alyssa Malgeri* (APAC's The Human Comedy; Hairspray, Nat'l Tour), Gilbert Sanchez (Showgirls: The Musical!), Robbie Smith* (Hello, Dolly!, Goodspeed), and Toni Elizabeth White* (A Tree Grows in Brooklyn).
The production features scenic design by Stephen K. Dobay, costume design by Summer Lee Jack, and lighting design by Dan Jobbins. David A. Thomas is the sound designer, Katie K. White is the props designer, Ben Coleman is the Dramaturg, Michael Cassara is the casting director, and Kristine Schlachter* is the production stage manager.
*These Actors are appearing courtesy of Actors' Equity Association. AEA approved showcase.
ALLEGRO plays the following regular schedule through Saturday, May 17:
Thursdays & Fridays at 8 p.m.
Saturdays at 2 p.m. & 8 p.m.
Tickets are $18, ($15 student/senior) available at www.apacny.org or 888-596-1027. Tickets may also be purchased in-person at the Theatre Box Office, 30 minutes prior to the performance.
PERFORMANCE VENUE
Good Shepherd United Methodist Church
30-44 Crescent St (@30th Rd)
Astoria, NY 11102
Directions: Take the N or Q Subway to 30th Avenue. Walk down 30th Ave. to Crescent St. (Mount Sinai Hospital is on the corner.) Turn left on Crescent Street. Walk one block south, then turn right onto 30th Rd. Entrance is second set of red doors on left.
Running Time: 135 minutes (with a ten minute intermission)
Website: www.APACNY.org
Cast Photos: https://www.dropbox.com/sh/8cl63rml8pyjoef/vOlz7Mt72A
Thank you to our lead sponsor, Investors Bank.
Press Agent: Katie Rosin, Kampfire PR - katie@kampfirefilmspr.com
LETTER OF MARQUE THEATER COMPANY is pleased to announce the original Pirate-Whistleblower-Bully premiere of Nolan Kennedy’s BULLY ME DOWN, directed by Welland H. Scripps. BULLY ME DOWN will play a five week limited engagement beginning Wednesday, April 21st through Wednesday, May 21st, 2014 at different bars in Brooklyn, including 5th Estate Bar (506 5th Avenue), Freddy’s Bar (627 5th Avenue), Hanks Saloon (46 3rd Avenue) and more.
Captain Kidd wasn’t a pirate, but he was hanged as one. Edward Snowden betrayed the American government, but he did it for his country. And teenage Bobby Culliford is a victim of bullying, but he bullies himself out of it. Letter of Marque Theater Co. premiers a time-bending, interwoven epic about what it means to be respected, what it means to be a hero and just how far we’ll go to play the victim. With original and re-imagined music performed by the able-bodied ensemble.
The production stars Nolan Kennedy, Scarlet M. Rivera, Welland Hardwick Scripps and Jason Tottenham.
The production features set design by Steven Brenman, costume design by Julie Saltman, and puppet design and construction by Serra Hirsch, Puppet Junction. The production manager is Michelangelo DeSerio.
BULLY ME DOWN plays the following schedule through May 21st:
Sundays at 8 pm*
Mondays at 8 pm
Tuesdays at 8 pm
Wednesdays at 8 pm
*Performance on Sunday, May 18th is at 3 pm.
Tickets are free. To reserve call Letter of Marque Theater Co at 718-246-221. For more information visit www.lomtheater.org
For specific performance/venue locations visit:
http://www.lomtheater.org/performance-schedule---bully-me-down.html
Publicity photos: http://tinyurl.com/lw4oqrm
Press Agent: Antonio Minino, Kampfire PR - antonio@kampfirefilmspr.com
Captain Kidd wasn’t a pirate, but he was hanged as one. Edward Snowden betrayed the American government, but he did it for his country. And teenage Bobby Culliford is a victim of bullying, but he bullies himself out of it. Letter of Marque Theater Co. premiers a time-bending, interwoven epic about what it means to be respected, what it means to be a hero and just how far we’ll go to play the victim. With original and re-imagined music performed by the able-bodied ensemble.
The production stars Nolan Kennedy, Scarlet M. Rivera, Welland Hardwick Scripps and Jason Tottenham.
The production features set design by Steven Brenman, costume design by Julie Saltman, and puppet design and construction by Serra Hirsch, Puppet Junction. The production manager is Michelangelo DeSerio.
BULLY ME DOWN plays the following schedule through May 21st:
Sundays at 8 pm*
Mondays at 8 pm
Tuesdays at 8 pm
Wednesdays at 8 pm
*Performance on Sunday, May 18th is at 3 pm.
Tickets are free. To reserve call Letter of Marque Theater Co at 718-246-221. For more information visit www.lomtheater.org
For specific performance/venue locations visit:
http://www.lomtheater.org/performance-schedule---bully-me-down.html
Publicity photos: http://tinyurl.com/lw4oqrm
Press Agent: Antonio Minino, Kampfire PR - antonio@kampfirefilmspr.com
ESPO PRODUCTIONS in association with MC of NY and World Tree Productions, are pleased to announce the Off-Broadway world premiere of JACKIE AND MARILYN, written by Sheri Graubert and directed by Sanja Bestic. JACKIE AND MARILYN, a play with music about one of the most talked about possible love triangles in American history, will play a four week limited engagement at The Lion Theatre at Theatre Row (410 West 42nd Street, Manhattan). Performances begin Thursday, April 17 and continue through Saturday, May 3. Opening Night is Friday, April 18 at 8 p.m. Tickets are $18-65 and are now available online at Telecharge.com, by calling 212-239-6200 or by visiting the Theatre Row box office.
Press are invited to Friday, April 18 at 8p.m., Saturday, April 19 at 2p.m. & 8 p.m.
(and any subsequent performance).
“Sheri and I are very excited to collaborate once again after winning the Tesla Foundation Award for the play Tesla”, shares director Sanja Bestic, “we took great risks with Tesla and are taking even greater ones with our approach to this story. Most plays only scratch the surface of this tumultuous relationship, while we place it at the forefront in Jackie and Marilyn.”
Revisit the life, love, suffering, loneliness, glitz, glam, fame, courage and betrayal of two of the most iconic women of the 20th Century, and the powerful man they loved. Jackie and Marilyn exposes what might have happened behind closed doors of one of the most famous love triangles of all time… if it ever happened.
The production stars Aaron Mathias (Things I Don’t Understand, Trenches) as JFK, Lorraine Farris Sage (Natural Born Killers, I Shot Andy Warhol) as Jackie Kennedy and Lella Satie as Marilyn Monroe.
The production features scenic design by Yonatan Gonzalez, costume design by Aleksandra Stojic Zurovac, lighting design by Dylan Uremovich, video design by Nemanja Novakovic and Patrick Mandeville, and wig/make-up design by Ljupka Arsovska. Musical direction and original music by Aleksandra Kovac & Roman Gorsek. John VanWyden is the dialect coach and Michael Griffiths is the production stage manager with additional stage management by Tatiana Mendes, Robyn Simpson, Brandi A Dyer, Matthew C. Nicholson, Paul Park, and the assistant set designer is John Valde.
Produced by Glenn Estrabillo and Gorazd Poposki.
Press representation by Antonio Minino / Kampfire PR, antonio@kampfirefilmspr.com
JACKIE AND MARILYN plays the following schedule through Saturday, May 3*:
Tuesdays at 7pm
Wednesdays at 3pm & 8pm
Thursdays at 8pm
Fridays at 8pm
Saturdays at 2pm & 8pm
*Additional performance Sunday, April 27th at 3pm
Tickets are $18-65 and are now available online at Telecharge.com, by calling 212-239-6200 or by visiting the Theatre Row box office.
Theatre Row is located at 410 West 42nd Street, New York, NY 10036 between 9th and 10th Avenue.
Website: http://www.espoentertainment.com/
Watch Lella Satie transform into Marilyn: http://vimeo.com/90826958
Cast and creator interviews: https://vimeo.com/91222079
Direct link for tickets: https://www.telecharge.com/Off-Broadway/Jackie-and-Marilyn/Overview?&aid=ven000193900
Photos: http://tinyurl.com/laot5pa
Running Time: 90 minutes
Press Agent: Antonio Minino, Kampfire PR - antonio@kampfirefilmspr.com
Press are invited to Friday, April 18 at 8p.m., Saturday, April 19 at 2p.m. & 8 p.m.
(and any subsequent performance).
“Sheri and I are very excited to collaborate once again after winning the Tesla Foundation Award for the play Tesla”, shares director Sanja Bestic, “we took great risks with Tesla and are taking even greater ones with our approach to this story. Most plays only scratch the surface of this tumultuous relationship, while we place it at the forefront in Jackie and Marilyn.”
Revisit the life, love, suffering, loneliness, glitz, glam, fame, courage and betrayal of two of the most iconic women of the 20th Century, and the powerful man they loved. Jackie and Marilyn exposes what might have happened behind closed doors of one of the most famous love triangles of all time… if it ever happened.
The production stars Aaron Mathias (Things I Don’t Understand, Trenches) as JFK, Lorraine Farris Sage (Natural Born Killers, I Shot Andy Warhol) as Jackie Kennedy and Lella Satie as Marilyn Monroe.
The production features scenic design by Yonatan Gonzalez, costume design by Aleksandra Stojic Zurovac, lighting design by Dylan Uremovich, video design by Nemanja Novakovic and Patrick Mandeville, and wig/make-up design by Ljupka Arsovska. Musical direction and original music by Aleksandra Kovac & Roman Gorsek. John VanWyden is the dialect coach and Michael Griffiths is the production stage manager with additional stage management by Tatiana Mendes, Robyn Simpson, Brandi A Dyer, Matthew C. Nicholson, Paul Park, and the assistant set designer is John Valde.
Produced by Glenn Estrabillo and Gorazd Poposki.
Press representation by Antonio Minino / Kampfire PR, antonio@kampfirefilmspr.com
JACKIE AND MARILYN plays the following schedule through Saturday, May 3*:
Tuesdays at 7pm
Wednesdays at 3pm & 8pm
Thursdays at 8pm
Fridays at 8pm
Saturdays at 2pm & 8pm
*Additional performance Sunday, April 27th at 3pm
Tickets are $18-65 and are now available online at Telecharge.com, by calling 212-239-6200 or by visiting the Theatre Row box office.
Theatre Row is located at 410 West 42nd Street, New York, NY 10036 between 9th and 10th Avenue.
Website: http://www.espoentertainment.com/
Watch Lella Satie transform into Marilyn: http://vimeo.com/90826958
Cast and creator interviews: https://vimeo.com/91222079
Direct link for tickets: https://www.telecharge.com/Off-Broadway/Jackie-and-Marilyn/Overview?&aid=ven000193900
Photos: http://tinyurl.com/laot5pa
Running Time: 90 minutes
Press Agent: Antonio Minino, Kampfire PR - antonio@kampfirefilmspr.com
COMPAGNIA DE’ COLOMBARI is pleased to announce their one-night-only benefit event SPRING SERATA 2014. Monday, April 28th at 6 p.m. at The Woolworth Tower Kitchen (9 Barclay Street, New York, NY 10279). Tickets are $150. For more information visit www.colombari.org.
Creating spectacle wherever we go, Compagnia de’ Colombari launches its annual benefit event, the Spring Serata. Commemorating their work and showcasing the performers and events the company will present in 2014, including the sold-out US tour of Flannery O’Connor’s Everything That Rises Must Converge, created for the stage by Karin Coonrod (Apr 10-16) and Orfeo in Orvieto, Italy (July 4-6).
The evening includes performances by Michael Potts (Book of Mormon; The Wire), opera legends Sarah Heltzel and Stephen Salters, among others. The Spring Serata will also include a lively silent auction, including costume drawings by John Conklin (Tony & Drama Desk nominated costume & scenic designer), puppets by Vickie Fremont, ceramic bowl by Italian ceramicist Marino Moretti, a tour of “Whitman’s Brooklyn” guided by Greg Trupiano, among other items.
Through the annual celebration (Spring Serata), the company raises much-needed funds necessary to continue generating theater in surprising places and present these productions free to the public.
Tickets are $150. For more information visit www.colombari.org
Press Agent: Antonio Minino, Kampfire PR - antonio@kampfirefilmspr.com
Creating spectacle wherever we go, Compagnia de’ Colombari launches its annual benefit event, the Spring Serata. Commemorating their work and showcasing the performers and events the company will present in 2014, including the sold-out US tour of Flannery O’Connor’s Everything That Rises Must Converge, created for the stage by Karin Coonrod (Apr 10-16) and Orfeo in Orvieto, Italy (July 4-6).
The evening includes performances by Michael Potts (Book of Mormon; The Wire), opera legends Sarah Heltzel and Stephen Salters, among others. The Spring Serata will also include a lively silent auction, including costume drawings by John Conklin (Tony & Drama Desk nominated costume & scenic designer), puppets by Vickie Fremont, ceramic bowl by Italian ceramicist Marino Moretti, a tour of “Whitman’s Brooklyn” guided by Greg Trupiano, among other items.
Through the annual celebration (Spring Serata), the company raises much-needed funds necessary to continue generating theater in surprising places and present these productions free to the public.
Tickets are $150. For more information visit www.colombari.org
Press Agent: Antonio Minino, Kampfire PR - antonio@kampfirefilmspr.com
QUEENS THEATRE is pleased to present critically-acclaimed Steve Solomon’s MY MOTHER’S ITALIAN, MY FATHER’S JEWISH AND I’M IN THERAPY. The limited engagement will play three performances only April 26-27, 2014 at Queens Theatre (14 United Nations Avenue South, Flushing Meadows Corona Park, Queens, NY 11368). Performances are Saturday, April 26, 2014 at 2pm and 8pm, and Sunday, April 27, 2014 at 3pm. Tickets are just $35; Rear seating $25 (for all performances). Tickets are available online at www.queenstheatre.org//my-mothers-italian-my-fathers-jewish-and-im-therapy or by calling the Box Office at 718-760-0064. Tickets may also be purchased in-person at the Queens Theatre Box Office, Monday 10am to 2pm, Wednesday through Sunday 10am to 6pm. (Senior discount available, $20 student rush tickets available day of).
Join Steve Solomon in an evening of hysterical comedy topped off with the voices of almost 30 of the most hilarious characters and situations you've ever seen. All of this brought to life by the comic genius of master dialectician & comedian, Steve Solomon.
My Mother’s Italian, My Father’s Jewish and I’m in Therapy plays the following schedule:
Saturday, April 26, 2014 at 2pm and 8pm
Sunday, April 27, 2014 at 3pm.
Tickets are only $35; Rear side seating $25 (for all performances). Tickets are available online at www.queenstheatre.org//my-mothers-italian-my-fathers-jewish-and-im-therapy or by calling the Box Office at 718-760-0064. Tickets may also be purchased in-person at the Queens Theatre Box Office, Monday 10am to 2pm, Wednesday through Sunday 10am to 6pm. (Senior discount available, $20 student rush tickets available day of).
Running Time: 90 minutes
Website: www.queenstheatre.org//my-mothers-italian-my-fathers-jewish-and-im-therapy
Photos: http://bit.ly/QTPhotos
Queens Theatre
14 United Nations Avenue South
Flushing Meadows Corona Park, Queens, NY 11368
FREE PARKING
Car: Queens Theatre is accessible by all major highways that traverse Queens and is minutes away from Long Island, Manhattan, Brooklyn, the Bronx, and Westchester. And the best part? Parking is always FREE.
http://queenstheatre.org/getting-theatre for directions
Subway: 7 train to the Mets-Willets Point station. Follow signs to LIRR/Flushing Meadows Corona Park. Free Shuttle Service runs one hour prior to curtain and stops outside Mets-Willets Point station.
Press Agent: Katie Rosin, Kampfire PR - katie@kampfirefilmspr.com
Join Steve Solomon in an evening of hysterical comedy topped off with the voices of almost 30 of the most hilarious characters and situations you've ever seen. All of this brought to life by the comic genius of master dialectician & comedian, Steve Solomon.
My Mother’s Italian, My Father’s Jewish and I’m in Therapy plays the following schedule:
Saturday, April 26, 2014 at 2pm and 8pm
Sunday, April 27, 2014 at 3pm.
Tickets are only $35; Rear side seating $25 (for all performances). Tickets are available online at www.queenstheatre.org//my-mothers-italian-my-fathers-jewish-and-im-therapy or by calling the Box Office at 718-760-0064. Tickets may also be purchased in-person at the Queens Theatre Box Office, Monday 10am to 2pm, Wednesday through Sunday 10am to 6pm. (Senior discount available, $20 student rush tickets available day of).
Running Time: 90 minutes
Website: www.queenstheatre.org//my-mothers-italian-my-fathers-jewish-and-im-therapy
Photos: http://bit.ly/QTPhotos
Queens Theatre
14 United Nations Avenue South
Flushing Meadows Corona Park, Queens, NY 11368
FREE PARKING
Car: Queens Theatre is accessible by all major highways that traverse Queens and is minutes away from Long Island, Manhattan, Brooklyn, the Bronx, and Westchester. And the best part? Parking is always FREE.
http://queenstheatre.org/getting-theatre for directions
Subway: 7 train to the Mets-Willets Point station. Follow signs to LIRR/Flushing Meadows Corona Park. Free Shuttle Service runs one hour prior to curtain and stops outside Mets-Willets Point station.
Press Agent: Katie Rosin, Kampfire PR - katie@kampfirefilmspr.com
“The ensemble is terrific, smoothly slipping in and out of character. It’s also gratifying to see so many body types—stout, skinny, short and tall—onstage together, like a tiny village bustling about…dark unsettling magic of O’Connor’s art—coming through full force in this exceptionally sensitive translation.”
David Cote, Time Out New York
COMPAGNIA DE’ COLOMBARI is pleased to announce the four city national tour of Flannery O’Connor’s EVERYTHING THAT RISES MUST CONVERGE, created for the stage and directed by Karin Coonrod. EVERYTHING THAT RISES MUST CONVERGE will play Washington, D.C.; Atlanta, Georgia; Brunswick, Maine; and New York City. Tour begins Thursday, April 10 and continues through Wednesday, April 16. Tickets are free, for more information visit www.colombari.org.
EVERYTHING THAT RISES MUST CONVERGE by Flannery O'Connor and created for the stage by Karin Coonrod is a tragic-comic interracial seat shifting dance by whites and blacks on a moving bus in America's deep south. Playing and speaking out the story verbatim, eight Colombari actors with razor sharp precision create all the characters and all the narration. Georgia's red earth is slammed up against the eternal. O'Connor's voice spread out across the company of actors carries the power of the apocalyptic comedy right into the audience.
EVERYTHING THAT RISES MUST CONVERGE was developed at the University of Iowa, Sundance Theatre Lab and premiered at New York Theatre Workshop (2001).
The production stars Jacquie Antaramian* (Best Leading Actress, Barrymore Award for Nine Parts of Desire), D’Ambrose Boyd*, Ayeje Feamster*, Abigail Killeen* (Best Actress, PEER Award for Macbeth), Julienne Kim* (B’way: Metamorphoses, Golden Child), Christopher McLinden* (Outstanding Performance, After Dark Award for Vincent in Brixton), Randolph Curtis Rand* (Obie Award Winner for Painted Snake in a Painted Chair) and Carlton Taylor* (performed Best Original Song, “Raise It Up”, at the 80th Annual Academy Awards).
The production features costume design by Oana Botez (Drammy Award, Princess Grace Award, Barrymore Award, NEA/TCG Career Development Program, Henry Hewes Design Award Nomination, Barrymore Award Nomination) and lighting design by Chris Akerlind (Obie Award 2000 for King John, Tony Award for Light in the Piazza).
EVERYTHING THAT RISES MUST CONVERGE plays the following cities through April 16th:
April 10th at 8:00pm
Lorhfink Auditorium, Georgetown University, Washington DC
April 12th at 8:00pm
Cannon Chapel, Emory University, Atlanta, Georgia
April 15th at 7:30pm
Bowdoin College, Brunswick, Maine
April 16th at 8:00pm
Little Red/Elizabeth Irwin High School, 40 Charlton Street, NYC
Tickets are free. For more information visit www.Colombari.org
Publicity photos: http://tinyurl.com/m8qreqy
Press Agent: Antonio Minino, Kampfire PR - antonio@kampfirefilmspr.com
Running Time: 55 minutes.
*Actors Appearing Courtesy of Actors’ Equity Association.
David Cote, Time Out New York
COMPAGNIA DE’ COLOMBARI is pleased to announce the four city national tour of Flannery O’Connor’s EVERYTHING THAT RISES MUST CONVERGE, created for the stage and directed by Karin Coonrod. EVERYTHING THAT RISES MUST CONVERGE will play Washington, D.C.; Atlanta, Georgia; Brunswick, Maine; and New York City. Tour begins Thursday, April 10 and continues through Wednesday, April 16. Tickets are free, for more information visit www.colombari.org.
EVERYTHING THAT RISES MUST CONVERGE by Flannery O'Connor and created for the stage by Karin Coonrod is a tragic-comic interracial seat shifting dance by whites and blacks on a moving bus in America's deep south. Playing and speaking out the story verbatim, eight Colombari actors with razor sharp precision create all the characters and all the narration. Georgia's red earth is slammed up against the eternal. O'Connor's voice spread out across the company of actors carries the power of the apocalyptic comedy right into the audience.
EVERYTHING THAT RISES MUST CONVERGE was developed at the University of Iowa, Sundance Theatre Lab and premiered at New York Theatre Workshop (2001).
The production stars Jacquie Antaramian* (Best Leading Actress, Barrymore Award for Nine Parts of Desire), D’Ambrose Boyd*, Ayeje Feamster*, Abigail Killeen* (Best Actress, PEER Award for Macbeth), Julienne Kim* (B’way: Metamorphoses, Golden Child), Christopher McLinden* (Outstanding Performance, After Dark Award for Vincent in Brixton), Randolph Curtis Rand* (Obie Award Winner for Painted Snake in a Painted Chair) and Carlton Taylor* (performed Best Original Song, “Raise It Up”, at the 80th Annual Academy Awards).
The production features costume design by Oana Botez (Drammy Award, Princess Grace Award, Barrymore Award, NEA/TCG Career Development Program, Henry Hewes Design Award Nomination, Barrymore Award Nomination) and lighting design by Chris Akerlind (Obie Award 2000 for King John, Tony Award for Light in the Piazza).
EVERYTHING THAT RISES MUST CONVERGE plays the following cities through April 16th:
April 10th at 8:00pm
Lorhfink Auditorium, Georgetown University, Washington DC
April 12th at 8:00pm
Cannon Chapel, Emory University, Atlanta, Georgia
April 15th at 7:30pm
Bowdoin College, Brunswick, Maine
April 16th at 8:00pm
Little Red/Elizabeth Irwin High School, 40 Charlton Street, NYC
Tickets are free. For more information visit www.Colombari.org
Publicity photos: http://tinyurl.com/m8qreqy
Press Agent: Antonio Minino, Kampfire PR - antonio@kampfirefilmspr.com
Running Time: 55 minutes.
*Actors Appearing Courtesy of Actors’ Equity Association.
NEW YORK DEAF THEATRE is pleased to present Allen Meyer & Michael Nowak’s THE SIGNAL SEASON OF DUMMY HOY, directed by Marlee Koenigsberg, based on the first deaf baseball player. THE SIGNAL SEASON OF DUMMY HOY will play a two-week limited engagement at the Gene Frankel Theatre (24 Bond Street, New York, NY 10012). Performances begin Thursday, April 3rd and continue through Sunday, April 13th. Opening Night is Thursday, April 3rd (8 p.m.). Press are invited to all performances.
In 1886 William “Dummy” Hoy was the first deaf baseball player to join the minor leagues. Allen Meyer and Michael Nowak’s comedic play The Signal Season of Dummy Hoy, speculates on the challenges “Dummy” faces as a member of the Oshkosh Baseball Team. With a stern manager, a play-by-the-rules umpire, an all too curious newspaper reporter and rowdy team of ballplayers we witness his struggles to be understood both on and off the field as he wrestles with his past, fights to play the game he loves and how by seeking to gain acceptance by others “Dummy” revolutionizes the rules of our great American pastime. A comedy about seeing the advantages of difference The Signal Season of Dummy Hoy drives home the beauty of the human spirit in pursuit of a dream.
The character of Dummy Hoy will be using only American Sign Language (ASL) to communicate in performance while the rest of cast will use spoken English and/or ASL simultaneously.
The production stars Baltsar Beckeld, J.W. Guido, Kelli Kirkley, Stacey Lightman, John Maddaloni, Liarra Michelle, Jon Wolfe Nelson, Sam Ogilvie, Ben Prayz, Max Roll, Robert Traina, Blake Wales and Stephen Zuccaro.
The production features scenic design by Lauren Mills, costume design by Patricia Ordonez, lighting design by Mary Ellen Stebbins and props by Samuel Caraballo. The production stage manager is Melissa Jones and the assistant stage manager is Jessica Kidwell. Dramaturgy by Sarah Hartmann.
THE SIGNAL SEASON OF DUMMY HOY plays the following schedule through Sunday, April 13th:
Tuesdays through Fridays at 8 p.m.
Saturdays at 2 p.m. and 8 p.m.
Sundays at 1 p.m.
Tickets are $20-15 and are now available online at nydeaftheatre.com or by calling 212-868-4444. Tickets may also be purchased in-person at the theater’s box office ½ hour prior to performance.
Open captions will be on stage for audiences to follow.
This play is intended for hearing and deaf audiences.
Running Time: 2 hours
Website: www.nydeaftheatre.com
In 1886 William “Dummy” Hoy was the first deaf baseball player to join the minor leagues. Allen Meyer and Michael Nowak’s comedic play The Signal Season of Dummy Hoy, speculates on the challenges “Dummy” faces as a member of the Oshkosh Baseball Team. With a stern manager, a play-by-the-rules umpire, an all too curious newspaper reporter and rowdy team of ballplayers we witness his struggles to be understood both on and off the field as he wrestles with his past, fights to play the game he loves and how by seeking to gain acceptance by others “Dummy” revolutionizes the rules of our great American pastime. A comedy about seeing the advantages of difference The Signal Season of Dummy Hoy drives home the beauty of the human spirit in pursuit of a dream.
The character of Dummy Hoy will be using only American Sign Language (ASL) to communicate in performance while the rest of cast will use spoken English and/or ASL simultaneously.
The production stars Baltsar Beckeld, J.W. Guido, Kelli Kirkley, Stacey Lightman, John Maddaloni, Liarra Michelle, Jon Wolfe Nelson, Sam Ogilvie, Ben Prayz, Max Roll, Robert Traina, Blake Wales and Stephen Zuccaro.
The production features scenic design by Lauren Mills, costume design by Patricia Ordonez, lighting design by Mary Ellen Stebbins and props by Samuel Caraballo. The production stage manager is Melissa Jones and the assistant stage manager is Jessica Kidwell. Dramaturgy by Sarah Hartmann.
THE SIGNAL SEASON OF DUMMY HOY plays the following schedule through Sunday, April 13th:
Tuesdays through Fridays at 8 p.m.
Saturdays at 2 p.m. and 8 p.m.
Sundays at 1 p.m.
Tickets are $20-15 and are now available online at nydeaftheatre.com or by calling 212-868-4444. Tickets may also be purchased in-person at the theater’s box office ½ hour prior to performance.
Open captions will be on stage for audiences to follow.
This play is intended for hearing and deaf audiences.
Running Time: 2 hours
Website: www.nydeaftheatre.com
MANHATTAN THEATRE WORKS (MTWorks), in association with the Theater Series at the 14th Street Y, is pleased to announce the world premiere of MTWorks Co-Artistic Director David Stallings’ DARK WATER, directed by Heather Cohn. DARK WATER, a play about the ramifications of the Gulf oil spill, will play a three week engagement at The Theater at the 14th Street Y (344 East 14th Street at 1st Avenue). Performances begin Friday, March 14 and continue through Saturday, March 29, 2014. Opening Night is Monday, March 17 at 7 p.m. Tickets now on sale at www.mtworks.org/darkwater
Press are invited to Friday, March 14 at 8p.m., Saturday, March 15 at 8p.m., Sunday, March 16 at 8p.m. and Opening Night Monday, March 17 at 7 p.m. (and any subsequent performance).
Award-winning playwright David Stallings was “inspired from the many emotions that raged through me after the 2010 Louisiana oil spill. DARK WATER takes place mostly underwater and with animals as the primary characters, because I feel they are the true victims. The other victim being the environment, which we as a human race abuse without remorse. The earth does not belong to humans alone, we share her resources with other living beings.
The allegory in DARK WATER involves the animals, dealing with the tragedy, acting as humans do: dividing land amongst themselves, drawing lines where other animals cannot pass, exhibiting forms of racism and abusing religion to promote self-power. One animal in particular, a seagull named Gullet, kills more than he can eat in order to hoard food for himself. He has learned this from watching the humans. On the other hand, Daedalus the dolphin, does not blame humans and is in fact in love with a rescuer whom he wishes could help more with the spill. Like every good story there is love and there is hope--like that of turtles Weed & Foam and frogs Lily & Pad. The true heart of the play is Barnacle the turtle, who is seeking shelter for her children. We follow her through the depths of the gulf as she is aided and misguided by other animals.”
In DARK WATER, the swampland of Louisiana is hit with the most massive oil spill known to history. Barnacle, an old sea turtle, fights against man’s destruction, nature’s wrath, and her enemies of the wild to save her children trapped in the spill. Poetry, allegory, music, puppetry and movement create this magical world as the animals of Louisiana face the ultimate threat to their lives.
The effects of the Gulf oil spill among other spills continue to jeopardize our oceans. DARK WATER humanizes the animals affected by the spill giving a voice to the true defenseless victims. The play also deals with other poignant issues such as immigration, religion and politics.
DARK WATER plays Thursdays through Saturdays at 8 p.m. & Sundays at 2 p.m. from Friday, March 14 through Saturday, March 29. There is an additional opening night performance on Monday, March 14 at 7 p.m.
Advance tickets are $18 ($15 Students/$12 Seniors) and are available online at www.MTWorks.org or by calling 866-811-4111. Tickets may also be purchased in-person at the theater ½ hour prior to performance.
Website: www.mtworks.org/darkwater
Tickets: https://web.ovationtix.com/trs/pr/928089
The Theater at the 14th Street Y is located on 344 East 14th Street (at 1st Avenue)
By Subway: L to 1st Avenue
By Bus: M14 or M15 to 14th and 1st
Press are invited to Friday, March 14 at 8p.m., Saturday, March 15 at 8p.m., Sunday, March 16 at 8p.m. and Opening Night Monday, March 17 at 7 p.m. (and any subsequent performance).
Award-winning playwright David Stallings was “inspired from the many emotions that raged through me after the 2010 Louisiana oil spill. DARK WATER takes place mostly underwater and with animals as the primary characters, because I feel they are the true victims. The other victim being the environment, which we as a human race abuse without remorse. The earth does not belong to humans alone, we share her resources with other living beings.
The allegory in DARK WATER involves the animals, dealing with the tragedy, acting as humans do: dividing land amongst themselves, drawing lines where other animals cannot pass, exhibiting forms of racism and abusing religion to promote self-power. One animal in particular, a seagull named Gullet, kills more than he can eat in order to hoard food for himself. He has learned this from watching the humans. On the other hand, Daedalus the dolphin, does not blame humans and is in fact in love with a rescuer whom he wishes could help more with the spill. Like every good story there is love and there is hope--like that of turtles Weed & Foam and frogs Lily & Pad. The true heart of the play is Barnacle the turtle, who is seeking shelter for her children. We follow her through the depths of the gulf as she is aided and misguided by other animals.”
In DARK WATER, the swampland of Louisiana is hit with the most massive oil spill known to history. Barnacle, an old sea turtle, fights against man’s destruction, nature’s wrath, and her enemies of the wild to save her children trapped in the spill. Poetry, allegory, music, puppetry and movement create this magical world as the animals of Louisiana face the ultimate threat to their lives.
The effects of the Gulf oil spill among other spills continue to jeopardize our oceans. DARK WATER humanizes the animals affected by the spill giving a voice to the true defenseless victims. The play also deals with other poignant issues such as immigration, religion and politics.
DARK WATER plays Thursdays through Saturdays at 8 p.m. & Sundays at 2 p.m. from Friday, March 14 through Saturday, March 29. There is an additional opening night performance on Monday, March 14 at 7 p.m.
Advance tickets are $18 ($15 Students/$12 Seniors) and are available online at www.MTWorks.org or by calling 866-811-4111. Tickets may also be purchased in-person at the theater ½ hour prior to performance.
Website: www.mtworks.org/darkwater
Tickets: https://web.ovationtix.com/trs/pr/928089
The Theater at the 14th Street Y is located on 344 East 14th Street (at 1st Avenue)
By Subway: L to 1st Avenue
By Bus: M14 or M15 to 14th and 1st
GOOD WORKS PRODUCTIONS and STAGE LEFT STUDIO are pleased to announce the much anticipated return of The Year I Was Gifted, written & performed by Monica Bauer (Emerging Playwright Award, Urban Stages), under the direction of Carolyn Ladd. After a successful run in Manhattan as part of the annual East to Edinburgh Festival (59E59 Theaters) and in Scotland as part of the Edinburgh Fringe Festival, The Year I Was Gifted, a true gay straight love story between a young future playwright (Bauer) and acclaimed gay cinema director Bill Sherwood (Parting Glances), will play for eight weeks at Stage Left Studio (214 West 30th St, 6th Fl, Manhattan). Friday nights at 7 p.m. from February 7th through March 28th, 2014 at Stage Left Studio (214 West 30th St, 6th Fl, Manhattan). Opening Night is Valentine’s Day, Friday, February 14th, 2014.
Press are invited to Friday, February 7 at 7 p.m., Friday, February 14 at 7 p.m., and Friday, February 21 at 7 p.m. (and any subsequent performance).
The year is 1969. A 16 year old girl from Nebraska meets her first gay friend, and has to decide which is more important; keeping her scholarship to a prestigious boarding school for the arts, or honoring her conscience and speaking out against an anti-gay administration? Who are we willing to betray to stay “gifted”?
A true story, written and performed by award-winning playwright Monica Bauer, who plays several roles, including Young Monica (desperate to find her tribe in the arts), Present Day Monica (the narrator with a wry sense of humor), and Bill Sherwood (a 17 year old composition major who teaches his friend about the hazards of being gay in the 1960’s).
Each performance of The Year I Was Gifted is dedicated to the memory of Bill Sherwood, writer & director of the very first feature film about gay men with AIDS, Parting Glances.
The Year I Was Gifted performs the following regular schedule through March 28th, 2014:
Fridays at 7 p.m. (followed by post-show reception with playwright Monica Bauer)
The production features lighting and sound design by Carolyn Ladd.
The Year I Was Gifted plays every Friday at 7 p.m.
Advance tickets are $25 and are available online at www.StageLeftStudio.net. Tickets may also be purchased in-person at the theater ½ hour prior to performance.
Running time: 50 min
The Year I Was Gifted plays alongside Made For Each Other, also written by Monica Bauer and starring John Fico. A special package for both shows is available for $35.00.
Stage Left Studio is located on 214 West 30th Street, 6th Floor, New York, NY 10001
Website: www.StageLeftStudio.net
For More Information: www.TheYearIWasGifted.com
Photos: http://bit.ly/GiftedPhotos
Press are invited to Friday, February 7 at 7 p.m., Friday, February 14 at 7 p.m., and Friday, February 21 at 7 p.m. (and any subsequent performance).
The year is 1969. A 16 year old girl from Nebraska meets her first gay friend, and has to decide which is more important; keeping her scholarship to a prestigious boarding school for the arts, or honoring her conscience and speaking out against an anti-gay administration? Who are we willing to betray to stay “gifted”?
A true story, written and performed by award-winning playwright Monica Bauer, who plays several roles, including Young Monica (desperate to find her tribe in the arts), Present Day Monica (the narrator with a wry sense of humor), and Bill Sherwood (a 17 year old composition major who teaches his friend about the hazards of being gay in the 1960’s).
Each performance of The Year I Was Gifted is dedicated to the memory of Bill Sherwood, writer & director of the very first feature film about gay men with AIDS, Parting Glances.
The Year I Was Gifted performs the following regular schedule through March 28th, 2014:
Fridays at 7 p.m. (followed by post-show reception with playwright Monica Bauer)
The production features lighting and sound design by Carolyn Ladd.
The Year I Was Gifted plays every Friday at 7 p.m.
Advance tickets are $25 and are available online at www.StageLeftStudio.net. Tickets may also be purchased in-person at the theater ½ hour prior to performance.
Running time: 50 min
The Year I Was Gifted plays alongside Made For Each Other, also written by Monica Bauer and starring John Fico. A special package for both shows is available for $35.00.
Stage Left Studio is located on 214 West 30th Street, 6th Floor, New York, NY 10001
Website: www.StageLeftStudio.net
For More Information: www.TheYearIWasGifted.com
Photos: http://bit.ly/GiftedPhotos
FIG TREE PRODUCTIONS and STAGE LEFT STUDIO are pleased to announce the return of critics favorite (“5 Stars” says ScotsGay Magazine, FringeGuru, Three Weeks) Made For Each Other, written by Monica Bauer (Emerging Playwright Award, Urban Stages), directed by John FitzGibbon and starring John Fico. Two time Edinburgh Fringe Festival participant, Made For Each Other, will play eight weeks at Stage Left Studio (214 West 30th St, 6th Fl, Manhattan). Friday nights at 9 p.m. from February 7th through March 28th, 2014 at Stage Left Studio (214 West 30th St, 6th Fl, Manhattan). Opening Night is Valentine’s Day, Friday, February 14th, 2014.
Press are invited to Friday, February 14 at 9 p.m., Friday, February 21 at 9 p.m., and Friday, February 28 at 9 p.m. (and any subsequent performance).
Made for Each Other is the love story of Vincent, an acerbic, witty, closeted science teacher in his mid-fifties, and Jerry, a down-to-earth nurse who cares for Vincent’s mother in an Alzheimer’s ward. When Jerry proposes to Vincent after the third date, he has no idea that Vincent’s told him a lie, a lie that might destroy their relationship. On the night before their wedding, Vincent must decide if he will tell the truth before the ceremony, and give Jerry the chance to back out. Each of these men carries a voice in their subconscious minds which pushes them toward each other. Vincent carries his Alzheimer’s addled Broadway diva mother, and Jerry carries within him his irascible old Italian grandfather.
The production features lighting and sound design by John FitzGibbon.
Made for Each Other plays every Friday at 9 p.m.
Advance tickets are $25 and are available online at www.StageLeftStudio.net or by calling (212) 838-2134 . Tickets may also be purchased in-person at the theater ½ hour prior to performance.
Running Time: 60min
Made for Each Other plays alongside The Year I Was Gifted, written and performed by Monica Bauer. A special package for both shows is available for $35.00.
Stage Left Studio is located on 214 West 30th Street, 6th Floor, New York, NY 10001
Website: www.StageLeftStudio.net
For More Information: www.MadeForEachOtherThePlay.com
Direct link to purchase tickets: http://www.stageleftstudio.net/tour-ticket.php?id=32
Photos: http://bit.ly/GiftedPhotos
Made For Each Other was first developed at Emerging Artist Theater’s One Man Talking Festival, the play went on to receive a production as part of the Planet Connections Theater Festivity, where it was nominated for Best Solo Show, and John Fico was nominated as Best Actor in a Solo Show. Other performances include East to Edinburgh Festival (59E59 Theater), the Edinburgh Fringe Festival (2012 and 2013), the Orlando Fringe Festival, London’s Theatre Etcetera, and the Dukebox Theatre in Brighton (England).
Press are invited to Friday, February 14 at 9 p.m., Friday, February 21 at 9 p.m., and Friday, February 28 at 9 p.m. (and any subsequent performance).
Made for Each Other is the love story of Vincent, an acerbic, witty, closeted science teacher in his mid-fifties, and Jerry, a down-to-earth nurse who cares for Vincent’s mother in an Alzheimer’s ward. When Jerry proposes to Vincent after the third date, he has no idea that Vincent’s told him a lie, a lie that might destroy their relationship. On the night before their wedding, Vincent must decide if he will tell the truth before the ceremony, and give Jerry the chance to back out. Each of these men carries a voice in their subconscious minds which pushes them toward each other. Vincent carries his Alzheimer’s addled Broadway diva mother, and Jerry carries within him his irascible old Italian grandfather.
The production features lighting and sound design by John FitzGibbon.
Made for Each Other plays every Friday at 9 p.m.
Advance tickets are $25 and are available online at www.StageLeftStudio.net or by calling (212) 838-2134 . Tickets may also be purchased in-person at the theater ½ hour prior to performance.
Running Time: 60min
Made for Each Other plays alongside The Year I Was Gifted, written and performed by Monica Bauer. A special package for both shows is available for $35.00.
Stage Left Studio is located on 214 West 30th Street, 6th Floor, New York, NY 10001
Website: www.StageLeftStudio.net
For More Information: www.MadeForEachOtherThePlay.com
Direct link to purchase tickets: http://www.stageleftstudio.net/tour-ticket.php?id=32
Photos: http://bit.ly/GiftedPhotos
Made For Each Other was first developed at Emerging Artist Theater’s One Man Talking Festival, the play went on to receive a production as part of the Planet Connections Theater Festivity, where it was nominated for Best Solo Show, and John Fico was nominated as Best Actor in a Solo Show. Other performances include East to Edinburgh Festival (59E59 Theater), the Edinburgh Fringe Festival (2012 and 2013), the Orlando Fringe Festival, London’s Theatre Etcetera, and the Dukebox Theatre in Brighton (England).
WORKSHOP THEATER COMPANY is pleased to announce, as part of its 20th Anniversary Season, their upcoming production of William Shakespeare’s THE WINTER’S TALE, directed by Ryan Lee. THE WINTER’S TALE will play a four-week limited engagement at The WorkShop Theater Main Stage (312 West 36th Street, 4th Floor). Performances beginThursday, February 20 and continue through Saturday March 15. Opening Night is Thursday, February 20 (7 p.m.). Press are invited to all performances.
In THE WINTER’S TALE, Leontes, the King of Sicilia, has a gnawing at his heart and brain. He is convinced that his wife, pregnant Hermione, has been unfaithful with him, and with his best friend no less, Polixenes, the King of Bohemia. This obsession tears at Leontes, leading him to order his friend Camillo to assassinate Polixenes. But Camillo believes Leontes to be wrong, so he warns Polixenes and they both escape to Bohemia. Polixenes' and Camillo's flight only confirms Leontes' suspicions, so he publicly accuses Hermione and imprisons her for treason. He also sends two of his lords to thegod Apollo's temple to bring back word from Apollo's oracle which will provide the truth of this matter. When Hermione gives birth to a daughter while in prison, Leontes claims it to be a bastard, and sends the baby to be abandoned on a distant shore."
“Known as one of Shakespeare’s ‘Romances’, and one of his final plays, The Winter’s Tale is a beautiful story about jealousy, revenge, and forgiveness. It is set in two different countries, in two different time periods, with two distinctly different styles. It is one of Shakespeare’s most magical plays, where these two worlds show us both the death of Winter and therebirth of Spring, and the power of hope,” says director Lee. “In our production, we are highlighting the magic, theplayfulness, and the spirituality while set in the modern society and juxtaposing an icy, conservative and rigid culture against a warm, open, and playful culture, which to those who will recognize it, might even resemble the Burning Man festival.”
The production stars ETHAN CADOFF* (Playwrights Horizons, DR2) as Leontes, ANNALISA LOEFFLER* (Colorado Shakespeare Festival, Alabama Shakespeare Festival, Texas Shakespeare Festival) as Paulina/Dorcas, JEFF PAUL*(Pittsburgh Playhouse, WorkShop Theater: Life on the Mississippi, and Interchange) as Polixenes, LAURIE SCHROEDER*(BS of A with Brian Sack, WorkShop Theater: Miss Lulu Bett) as Hermione/Mopsa, ROBERT MEKSIN* (Great Lakes Theatre Festival, Cleveland Playhouse) as Autolycus/Officer, JON-MICHAEL MILLER* (Asolo Repertory Theater, Hangar Theatre) as Florizel/Servant, MICHAEL SELKIRK* (Franco Parenti, Milan; Titan Theatre Co.) as Camillo, BILL TATUM*(Law and Order, Dorset Theatre Festival) as Antigonus/Guard, JAMES ARMSTRONG* (Manhattan Theater Source, NYC Fringe) as Old Shepherd/Cleomenes, JACOB CALLIE MOORE (Artistic New Directions, Professor Awesome’s Ghost Hunting Safari) as Clown/Dion, TESS FRAZER (Abingdon Theater Co) as Perdita/Emilia, and CLARK LOEFFLER (Wyckoff Place, USA Network Films) as Mamillius. *Performing courtesy of Actors’ Equity Association. AEA approved showcase.
The production features scenic design by Michael Minahan, costume design by Angela Harner, sound design byHarrison Adams, and lighting design by Kia Rogers. Melissa Farinelli is the stage manager.
The Winter’s Tale plays the following regular schedule through Saturday, March 15:
Thursdays at 7 p.m.
Fridays at 8 p.m.
Saturdays at 8 p.m.
Sundays at 3 p.m.
Mondays at 7 p.m.
Tickets are $15-18 and are now available online at www.workshoptheater.org. Tickets may also be purchased in person at the theater ½ hour prior to performance.
Running Time: 120 Minutes
Website: http://www.workshoptheater.org/
In THE WINTER’S TALE, Leontes, the King of Sicilia, has a gnawing at his heart and brain. He is convinced that his wife, pregnant Hermione, has been unfaithful with him, and with his best friend no less, Polixenes, the King of Bohemia. This obsession tears at Leontes, leading him to order his friend Camillo to assassinate Polixenes. But Camillo believes Leontes to be wrong, so he warns Polixenes and they both escape to Bohemia. Polixenes' and Camillo's flight only confirms Leontes' suspicions, so he publicly accuses Hermione and imprisons her for treason. He also sends two of his lords to thegod Apollo's temple to bring back word from Apollo's oracle which will provide the truth of this matter. When Hermione gives birth to a daughter while in prison, Leontes claims it to be a bastard, and sends the baby to be abandoned on a distant shore."
“Known as one of Shakespeare’s ‘Romances’, and one of his final plays, The Winter’s Tale is a beautiful story about jealousy, revenge, and forgiveness. It is set in two different countries, in two different time periods, with two distinctly different styles. It is one of Shakespeare’s most magical plays, where these two worlds show us both the death of Winter and therebirth of Spring, and the power of hope,” says director Lee. “In our production, we are highlighting the magic, theplayfulness, and the spirituality while set in the modern society and juxtaposing an icy, conservative and rigid culture against a warm, open, and playful culture, which to those who will recognize it, might even resemble the Burning Man festival.”
The production stars ETHAN CADOFF* (Playwrights Horizons, DR2) as Leontes, ANNALISA LOEFFLER* (Colorado Shakespeare Festival, Alabama Shakespeare Festival, Texas Shakespeare Festival) as Paulina/Dorcas, JEFF PAUL*(Pittsburgh Playhouse, WorkShop Theater: Life on the Mississippi, and Interchange) as Polixenes, LAURIE SCHROEDER*(BS of A with Brian Sack, WorkShop Theater: Miss Lulu Bett) as Hermione/Mopsa, ROBERT MEKSIN* (Great Lakes Theatre Festival, Cleveland Playhouse) as Autolycus/Officer, JON-MICHAEL MILLER* (Asolo Repertory Theater, Hangar Theatre) as Florizel/Servant, MICHAEL SELKIRK* (Franco Parenti, Milan; Titan Theatre Co.) as Camillo, BILL TATUM*(Law and Order, Dorset Theatre Festival) as Antigonus/Guard, JAMES ARMSTRONG* (Manhattan Theater Source, NYC Fringe) as Old Shepherd/Cleomenes, JACOB CALLIE MOORE (Artistic New Directions, Professor Awesome’s Ghost Hunting Safari) as Clown/Dion, TESS FRAZER (Abingdon Theater Co) as Perdita/Emilia, and CLARK LOEFFLER (Wyckoff Place, USA Network Films) as Mamillius. *Performing courtesy of Actors’ Equity Association. AEA approved showcase.
The production features scenic design by Michael Minahan, costume design by Angela Harner, sound design byHarrison Adams, and lighting design by Kia Rogers. Melissa Farinelli is the stage manager.
The Winter’s Tale plays the following regular schedule through Saturday, March 15:
Thursdays at 7 p.m.
Fridays at 8 p.m.
Saturdays at 8 p.m.
Sundays at 3 p.m.
Mondays at 7 p.m.
Tickets are $15-18 and are now available online at www.workshoptheater.org. Tickets may also be purchased in person at the theater ½ hour prior to performance.
Running Time: 120 Minutes
Website: http://www.workshoptheater.org/
Queens Theatre (QT), in conjunction with the acclaimed Aquila Theatre, presents William Shakespeare’s TWELFTH NIGHT, an innovative and exciting new production directed by Aquila Theatre Artistic Director, Desiree Sanchez (BAM’s Herakles). TWELFTH NIGHT will play 4 performances only at Queens Theatre (14 United Nations Avenue South, Flushing Meadows Corona Park, Queens, NY 11368). Performances are Friday, February 14, 2014 at 2pm, Saturday, February 15, 2014 at 2pm and 8pm, and Sunday, February 16, 2014 at 3pm. Tickets are $42 for Friday’s performance and $49 for Saturday and Sunday performances; Rear seating $25 (for all performances). Tickets are available online at www.queenstheatre.org/shakespeares-twelfth-night or by calling the Box Office at 718-760-0064. Tickets may also be purchased in-person at the Queens Theatre Box Office, Monday 10am to 2pm, Wednesday through Sunday 10am to 6pm. (Senior discount available, $20 student rush tickets available day of).
Written in 1600 and set against a background of romance and mystery, this hilarious story of identical twins and mistaken identity, set in the mystical world of Illyria, explores the universal themes of love and all its ambiguous effects on human behavior.
Aquila takes this great Shakespearean masterpiece and infuses it with their unique brand of innovative and exciting theatricality. Aquila's creative team frees the essential spirit of the play in a production that is both faithful to Shakespeare and relevant and accessible to a modern audience. Although contemporary , the show still encompasses the shipwrecks, duels, love and jealousy, disguises, suspicion, and ultimate reconciliation of Shakespeare's superb text. Aquila's excellent British / American ensemble of professional actors will bring their unique experience, dedication and creativity to Queens Theatre.
This new production promises to thrill and enchant. With a cast of superb performers and a remarkable original musical score, Aquila's much admired brand of innovative design and unique physical approach will undoubtedly be an experience not to be missed!
Featuring performances by Harriet Barrow (Royal Court, Liverpool; Manchester Royal Exchange), Lizzy Dive, Kali Hughes (The Royal Court Theatre, Factory Theatre, Theatre Royal Winchester), James Lavender (Oxford Shakespeare Company, Teatro Vivo, British Shakespeare Company), Norman Murray (BBC: Holy Cross), Calder Shilling and Wayne Willinger (Film: The Wolf of Wall Street).
The production features lighting design by Aquila Theatre founder Peter Meineck, costume design by Clare Amos, projection design by Dave Tennent, IMA and music composed by My Great Ghost. Christopher Marc is the production stage manager.
TWELFTH NIGHT schedule:
Friday, February 14, 2014 at 2pm
Saturday, February 15, 2014 at 2pm and 8pm
Sunday, February 16, 2014 at 3pm
Tickets are $42 for Friday’s performance and $49 for Saturday and Sunday performances; Rear side seating $25 (for all performances). Tickets are available online at www.queenstheatre.org/shakespeares-twelfth-night or by calling the Box Office at 718-760-0064. Tickets may also be purchased in-person at the Queens Theatre Box Office, Monday 10am to 2pm, Wednesday through Sunday 10am to 6pm. (Senior discount available, $20 student rush tickets available day of).
Perfect for ALL Ages.
Website: www.queenstheatre.org/shakespeares-twelfth-night
Photos: http://bit.ly/QT12NPhotos
Running time: Approximately two hours and 30 minutes, with one 15-minute intermission.
Queens Theatre
14 United Nations Avenue South
Flushing Meadows Corona Park, Queens, NY 11368
FREE PARKING
Car: Queens Theatre is accessible by all major highways that traverse Queens and is minutes away from Long Island, Manhattan, Brooklyn, the Bronx, and Westchester. And the best part? Parking is always FREE. http://queenstheatre.org/getting-theatre for directions
Subway: 7 train to the Mets-Willets Point station. Follow signs to LIRR/Flushing Meadows Corona Park. Free Shuttle Service runs one hour prior to curtain and stops outside Mets-Willets Point station.
Written in 1600 and set against a background of romance and mystery, this hilarious story of identical twins and mistaken identity, set in the mystical world of Illyria, explores the universal themes of love and all its ambiguous effects on human behavior.
Aquila takes this great Shakespearean masterpiece and infuses it with their unique brand of innovative and exciting theatricality. Aquila's creative team frees the essential spirit of the play in a production that is both faithful to Shakespeare and relevant and accessible to a modern audience. Although contemporary , the show still encompasses the shipwrecks, duels, love and jealousy, disguises, suspicion, and ultimate reconciliation of Shakespeare's superb text. Aquila's excellent British / American ensemble of professional actors will bring their unique experience, dedication and creativity to Queens Theatre.
This new production promises to thrill and enchant. With a cast of superb performers and a remarkable original musical score, Aquila's much admired brand of innovative design and unique physical approach will undoubtedly be an experience not to be missed!
Featuring performances by Harriet Barrow (Royal Court, Liverpool; Manchester Royal Exchange), Lizzy Dive, Kali Hughes (The Royal Court Theatre, Factory Theatre, Theatre Royal Winchester), James Lavender (Oxford Shakespeare Company, Teatro Vivo, British Shakespeare Company), Norman Murray (BBC: Holy Cross), Calder Shilling and Wayne Willinger (Film: The Wolf of Wall Street).
The production features lighting design by Aquila Theatre founder Peter Meineck, costume design by Clare Amos, projection design by Dave Tennent, IMA and music composed by My Great Ghost. Christopher Marc is the production stage manager.
TWELFTH NIGHT schedule:
Friday, February 14, 2014 at 2pm
Saturday, February 15, 2014 at 2pm and 8pm
Sunday, February 16, 2014 at 3pm
Tickets are $42 for Friday’s performance and $49 for Saturday and Sunday performances; Rear side seating $25 (for all performances). Tickets are available online at www.queenstheatre.org/shakespeares-twelfth-night or by calling the Box Office at 718-760-0064. Tickets may also be purchased in-person at the Queens Theatre Box Office, Monday 10am to 2pm, Wednesday through Sunday 10am to 6pm. (Senior discount available, $20 student rush tickets available day of).
Perfect for ALL Ages.
Website: www.queenstheatre.org/shakespeares-twelfth-night
Photos: http://bit.ly/QT12NPhotos
Running time: Approximately two hours and 30 minutes, with one 15-minute intermission.
Queens Theatre
14 United Nations Avenue South
Flushing Meadows Corona Park, Queens, NY 11368
FREE PARKING
Car: Queens Theatre is accessible by all major highways that traverse Queens and is minutes away from Long Island, Manhattan, Brooklyn, the Bronx, and Westchester. And the best part? Parking is always FREE. http://queenstheatre.org/getting-theatre for directions
Subway: 7 train to the Mets-Willets Point station. Follow signs to LIRR/Flushing Meadows Corona Park. Free Shuttle Service runs one hour prior to curtain and stops outside Mets-Willets Point station.
ACTORS AND DIRECTORS LIVING IN BROOKLYN (AdLib), in association with THE SIMON STUDIO, is pleased to announce the world premiere production of Sarah Levine Simon’s THE PORTRAIT, directed by Roger Hendricks Simon (NY Shakespeare Festival, Yale Rep, London’s Royal Court Theatre). THE PORTRAIT, which was first written and produced as a radio play for National Public Radio, will play a limited engagement at Theatre 54 (Shetler Studios, 244 West 54th Street, 12th Fl.). Performances begin Wednesday, January 15 and continue through Sunday, January 26. Opening Night is Thursday, January 16 (8 p.m.). Tickets are $18 and are available at smarttix.com. Press are invited to all performances.
Sarah Levine Simon's THE PORTRAIT is a new comedy of manners—a highfaluting madcap caper, satirizing the war between the haves and the have-nots!
Marty Finklestein, a struggling theater director, has been bequeathed THE PORTRAIT of his 18th Century Jewish ancestor. Over pate and crepes, at a dinner hosted by his wealthy cousin Toddy Renard, antics by the French maid Honore, high notes from Marty’s singer wife Alissa, and pretentions about their early American Jewish roots, a wager is made as to who will buy THE PORTRAIT.
The production stars Rutanya Alda (Film: The Deer Hunter) as Honore, Jessica Eleanor Grant (As The World Turns) as Alissa, James Leaf (Catastrophe, Young Mechanics Ensemble) as Marty, Caitlin O’Heaney (Bdwy: A Matter of Gravity) as Helen, Roger Hendricks Simon (Film: Wall Street, Money Never Sleeps) as Henry, June Stein (Film: Romance & Cigarettes) as Agnes and James Williams (OBR: Brothers Karamazov Part I) as Toddy.
The production features scenic design by David Bragin and Josie Williams, costume design by Josie Williams, and lighting design by Emma Schimminger. Regina Novicky is the stage manager.
THE PORTRAIT plays the following regular schedule through Sunday, January 26:
Wednesdays at 8 p.m.
Thursdays at 8 p.m.
Fridays at 8 p.m.
Saturdays at 5 p.m. and 8 p.m.
Sundays at 3 p.m.
Tickets are $18 and are now available online at www.smarttix.com or by calling 212-868-4444. Tickets may also be purchased in-person at the theater ½ hour prior to performance.
Running Time: 75 minutes
Website: www.niany.com
Sarah Levine Simon's THE PORTRAIT is a new comedy of manners—a highfaluting madcap caper, satirizing the war between the haves and the have-nots!
Marty Finklestein, a struggling theater director, has been bequeathed THE PORTRAIT of his 18th Century Jewish ancestor. Over pate and crepes, at a dinner hosted by his wealthy cousin Toddy Renard, antics by the French maid Honore, high notes from Marty’s singer wife Alissa, and pretentions about their early American Jewish roots, a wager is made as to who will buy THE PORTRAIT.
The production stars Rutanya Alda (Film: The Deer Hunter) as Honore, Jessica Eleanor Grant (As The World Turns) as Alissa, James Leaf (Catastrophe, Young Mechanics Ensemble) as Marty, Caitlin O’Heaney (Bdwy: A Matter of Gravity) as Helen, Roger Hendricks Simon (Film: Wall Street, Money Never Sleeps) as Henry, June Stein (Film: Romance & Cigarettes) as Agnes and James Williams (OBR: Brothers Karamazov Part I) as Toddy.
The production features scenic design by David Bragin and Josie Williams, costume design by Josie Williams, and lighting design by Emma Schimminger. Regina Novicky is the stage manager.
THE PORTRAIT plays the following regular schedule through Sunday, January 26:
Wednesdays at 8 p.m.
Thursdays at 8 p.m.
Fridays at 8 p.m.
Saturdays at 5 p.m. and 8 p.m.
Sundays at 3 p.m.
Tickets are $18 and are now available online at www.smarttix.com or by calling 212-868-4444. Tickets may also be purchased in-person at the theater ½ hour prior to performance.
Running Time: 75 minutes
Website: www.niany.com
THE HIVE THEATRE is pleased to announce the world premiere production of A Brief History of the Soviet Union, written by Vladimir Zelevinsky and directed by Jacques Stewart. A Brief History of the Soviet Union will play a three-week limited engagement at the Dorothy Strelsin Theatre (312 West 36th St, 1st Fl, Manhattan). Thursday, January 16th, 2014 through Saturday, February 1st, 2014. Opening Night is Friday, January 17th at 8 p.m.
Press are invited to Thursday, January 16 at 8 p.m., Friday, January 17 at 8 p.m., and Saturday, January 18 at 3 p.m. (and any subsequent performance).
The Hive Theatre dares to bring you the entire lifespan of the world’s largest country! The mysteries of Lenin’s tomb! The secret of Stalin’s death! The spying techniques of the KGB! All shall be revealed! 100 years of history in 100 minutes! Four actors navigate between an array of juxtaposed Soviets who are living in the thick of some of the most pivotal moments of the past century. Farcical, approachable, sometimes sentimental, and always hilarious – A Brief History explores how similar people really are, regardless of how their regime may want them to live.
Starring Ron Bopst*, Henry Dwyer, Guy Rader and Marissa Parness.
The production features lighting and sound design by Becky Heisler. The production stage manager is Spencer Clouse.
A Brief History of the Soviet Union performs the following regular schedule through Saturday, February 1st, 2014:
Wednesdays at 8 p.m.
Thursdays and Fridays at 8 p.m.
Saturdays at 3 p.m. & 8 p.m.
Sundays at 3 p.m.
Tickets are $18 and are available online at hivetheatre.brownpapertickets.com or by 1-800-838-3006 . Tickets may also be purchased in-person at the theater ½ hour prior to performance.
Running time: 100 min
Website: www.thehivetheatre.com
Photos: http://bit.ly/BriefHistoryPhotos
*Appearing Courtesy of Actors’ Equity Association. Equity Approved Showcase.
Press are invited to Thursday, January 16 at 8 p.m., Friday, January 17 at 8 p.m., and Saturday, January 18 at 3 p.m. (and any subsequent performance).
The Hive Theatre dares to bring you the entire lifespan of the world’s largest country! The mysteries of Lenin’s tomb! The secret of Stalin’s death! The spying techniques of the KGB! All shall be revealed! 100 years of history in 100 minutes! Four actors navigate between an array of juxtaposed Soviets who are living in the thick of some of the most pivotal moments of the past century. Farcical, approachable, sometimes sentimental, and always hilarious – A Brief History explores how similar people really are, regardless of how their regime may want them to live.
Starring Ron Bopst*, Henry Dwyer, Guy Rader and Marissa Parness.
The production features lighting and sound design by Becky Heisler. The production stage manager is Spencer Clouse.
A Brief History of the Soviet Union performs the following regular schedule through Saturday, February 1st, 2014:
Wednesdays at 8 p.m.
Thursdays and Fridays at 8 p.m.
Saturdays at 3 p.m. & 8 p.m.
Sundays at 3 p.m.
Tickets are $18 and are available online at hivetheatre.brownpapertickets.com or by 1-800-838-3006 . Tickets may also be purchased in-person at the theater ½ hour prior to performance.
Running time: 100 min
Website: www.thehivetheatre.com
Photos: http://bit.ly/BriefHistoryPhotos
*Appearing Courtesy of Actors’ Equity Association. Equity Approved Showcase.
PIRIRA MOVES OFF-BROADWAY AFTER SUCCESSFUL L.I.C. RUN
"Pirira is extremely accurate and probably one of the most important pieces I've seen. I wish audiences everywhere could see this." —Philippe van den Bossche, former Executive Director of Raising Malawi
"Emotionally sensitive and sharply intelligent...The scenes are crystal clear and maintain an independent integrity even as they illuminate and comment on one another, creating a vast tapestry of the human experience."—Zachary Stewart, Theatermania
“Please see Pirira... It will open your mind and heart, not just to the circumstances of people halfway around the world whose particular situations almost certainly don’t find their way into our (American) field of awareness very much; but also to remember important ideas of our shared humanity.“—Martin Denton, NY Theater Now
“Far more than an ‘activist play,’ Pirira is a deftly beautiful merging of script and staging that shows how intelligent collaboration can make wonderful theatre.” — Dan Dinero, Theatre Is Easy
"Pirira is marvelously constructed, with themes and emotions and pieces of dialogue from the two stories intertwining as they play out at the same time, only fully revealing their connections at the end. The play tackles prejudice, culture clashes and misguided good intentions while providing plenty of genuine humor throughout. Produced at the Chain, a brand new Long Island City theatre, Pirira makes a strong case for the most innovative and moving new shows coming from beyond the established haunts of Off-Broadway."—John Peacock, Flavorpill
5 STARS! “Ari Laura Kreith has directed a tight 70-minute production with equal weight devoted to the humor and the serious… The actors are individually excellent and work together as a unified whole.”—Michael Jackson, The Examiner
“It's rare when a play draws tears to the ducts, providing a sort of cathartic release — very much in response to a command performance, as well as from the emotional grist buried beneath the surface in our own lives.” —Mike Wood, Queens Buzz
"I enjoyed this play so much! I was home!"—Professor Yusuf Juwayeyi, former ambassador from Malawi to the United Nations
"J.Stephen Brantley has emerged as one of Off-Off-Broadway’s leading talents, both on the stage and off."—Christopher Borg, "Spotlight on: J.Stephen Brantley," nyitawards.com
Tuesday, November 5, 2013; Long Island City, NY: Theatre 167 (Artistic Director, Ari Laura Kreith; Artistic Producer Jenny Lyn Bader) is pleased to announce the Off-Broadway production of J.Stephen Brantley’s critically-acclaimed PIRIRA, directed by Artistic Director Ari Laura Kreith (The Jackson Heights Trilogy). PIRIRA will play eleven performances only at the West End Theater (263 West 86th Street, NYC). Performances begin Friday, November 15 and continue through Sunday, November 24. Press are invited to all performances.
As the tiny African nation of Malawi erupts in riots around them, American aid workers Jack and Ericka take shelter in the storage room of a struggling NGO in Lilongwe. At the same time half a world away, Malawian student Gilbert and his gay co-worker Chad begin another day in the back room of a Manhattan florist.
While these two seemingly separate stories take place 7,000 miles apart, all four of the play’s actors share the same intimate physical space. The play is inspired by actual events that took place on July 20, 2011. Theatre 167’s production explores how our lives are inextricably linked across cultures, continents, language, and time.
The production stars Adrian Baidoo, J.Stephen Brantley, Todd Flaherty (Fresh Kills, 59E59) and Flor de Liz Perez (In the Time of the Butterflies, Repertorio Español).
The production features scenic design by Brendan Flaherty with costume design by Samantha Newby and lighting design by Josh Benghiat. Janie Bullard is the sound designer, Sydney Lant is the production stage manager. Publicity by Katie Rosin/Kampfire PR.
PIRIRA plays the following regular schedule through Sunday, November 24:
Thursdays, Fridays at 8p.m.; Saturdays at 3p.m. and 8p.m.; Sundays at 3p.m and 7p.m.
Tickets are $30-$50, with $60 premium tickets and discounted student/senior/group rate/theatre artist tickets available online at www.theatre167.org. Tickets may also be purchased in-person at the theater ½ hour prior to performance.
Running Time: 70 min
Website: www.Theatre167.org
West End Theater
263 West 86th Street, NYC
between Broadway and West End Avenue
"Pirira is extremely accurate and probably one of the most important pieces I've seen. I wish audiences everywhere could see this." —Philippe van den Bossche, former Executive Director of Raising Malawi
"Emotionally sensitive and sharply intelligent...The scenes are crystal clear and maintain an independent integrity even as they illuminate and comment on one another, creating a vast tapestry of the human experience."—Zachary Stewart, Theatermania
“Please see Pirira... It will open your mind and heart, not just to the circumstances of people halfway around the world whose particular situations almost certainly don’t find their way into our (American) field of awareness very much; but also to remember important ideas of our shared humanity.“—Martin Denton, NY Theater Now
“Far more than an ‘activist play,’ Pirira is a deftly beautiful merging of script and staging that shows how intelligent collaboration can make wonderful theatre.” — Dan Dinero, Theatre Is Easy
"Pirira is marvelously constructed, with themes and emotions and pieces of dialogue from the two stories intertwining as they play out at the same time, only fully revealing their connections at the end. The play tackles prejudice, culture clashes and misguided good intentions while providing plenty of genuine humor throughout. Produced at the Chain, a brand new Long Island City theatre, Pirira makes a strong case for the most innovative and moving new shows coming from beyond the established haunts of Off-Broadway."—John Peacock, Flavorpill
5 STARS! “Ari Laura Kreith has directed a tight 70-minute production with equal weight devoted to the humor and the serious… The actors are individually excellent and work together as a unified whole.”—Michael Jackson, The Examiner
“It's rare when a play draws tears to the ducts, providing a sort of cathartic release — very much in response to a command performance, as well as from the emotional grist buried beneath the surface in our own lives.” —Mike Wood, Queens Buzz
"I enjoyed this play so much! I was home!"—Professor Yusuf Juwayeyi, former ambassador from Malawi to the United Nations
"J.Stephen Brantley has emerged as one of Off-Off-Broadway’s leading talents, both on the stage and off."—Christopher Borg, "Spotlight on: J.Stephen Brantley," nyitawards.com
Tuesday, November 5, 2013; Long Island City, NY: Theatre 167 (Artistic Director, Ari Laura Kreith; Artistic Producer Jenny Lyn Bader) is pleased to announce the Off-Broadway production of J.Stephen Brantley’s critically-acclaimed PIRIRA, directed by Artistic Director Ari Laura Kreith (The Jackson Heights Trilogy). PIRIRA will play eleven performances only at the West End Theater (263 West 86th Street, NYC). Performances begin Friday, November 15 and continue through Sunday, November 24. Press are invited to all performances.
As the tiny African nation of Malawi erupts in riots around them, American aid workers Jack and Ericka take shelter in the storage room of a struggling NGO in Lilongwe. At the same time half a world away, Malawian student Gilbert and his gay co-worker Chad begin another day in the back room of a Manhattan florist.
While these two seemingly separate stories take place 7,000 miles apart, all four of the play’s actors share the same intimate physical space. The play is inspired by actual events that took place on July 20, 2011. Theatre 167’s production explores how our lives are inextricably linked across cultures, continents, language, and time.
The production stars Adrian Baidoo, J.Stephen Brantley, Todd Flaherty (Fresh Kills, 59E59) and Flor de Liz Perez (In the Time of the Butterflies, Repertorio Español).
The production features scenic design by Brendan Flaherty with costume design by Samantha Newby and lighting design by Josh Benghiat. Janie Bullard is the sound designer, Sydney Lant is the production stage manager. Publicity by Katie Rosin/Kampfire PR.
PIRIRA plays the following regular schedule through Sunday, November 24:
Thursdays, Fridays at 8p.m.; Saturdays at 3p.m. and 8p.m.; Sundays at 3p.m and 7p.m.
Tickets are $30-$50, with $60 premium tickets and discounted student/senior/group rate/theatre artist tickets available online at www.theatre167.org. Tickets may also be purchased in-person at the theater ½ hour prior to performance.
Running Time: 70 min
Website: www.Theatre167.org
West End Theater
263 West 86th Street, NYC
between Broadway and West End Avenue
THE WORKSHOP THEATER COMPANY is pleased to announce Philip W. Hall’s LIFE ON THE MISSISSIPPI, A Musical Play, musical direction and orchestrations by Fran Minarik and directed by Susanna Frazer. LIFE ON THE MISSISSIPPI will play a limited engagement at The WorkShop Theater Main Stage (312 West 36th Street, 4th Floor). Performances begin Friday, November 1 and continue through Saturday, November 23.
LIFE ON THE MISSISSIPPI is based on Mark Twain's memoir. Hair-raising, hilarious, life-changing and violent are just some of the currents steamboat pilot Sam Clemens will navigate in this musical journey. Young Sam Clemens and his brother Henry step onto a Mississippi steamboat and aboard the chance of a lifetime. As a cub apprentice, his burning ambition propels him to become a steamboat pilot, but he soon discovers that learning the great, relentless river will be harder than he ever imagined. Now Sam must plot a course through the dangerous currents, as mysterious as the Mississippi itself.
“This is not only a coming of age tale, but it's also a loss of innocence tale,” says writer Philip Hall who has been named a finalist for both the National New Play Network’s Smith prize and Humana Festival’s Heideman Award, and whose work has been performed at the Kennedy Center. “In this case, what begins as a boyhood dream becomes more like a daunting task when it becomes real. But the piece is "early Twain," and there's a freshness and bounce to the prose, along with his trademark wit,” reflects Hall, who ultimately felt it was the language that inspired him to adapt the book to stage.
The production stars Dewy Cadell*, Mark Coffin*, Nathan C. Crocker*, Max Demers, Richard Kent Green*, Andrew Hubacher*, Steven Louis Kane* and Jeff Paul* (*Performing courtesy of Actors’ Equity Association).
Presented by The Workshop Theater Company's Musical Theater Wing - which is headed by Steven Petrillo and Associate Natalie Mosco, the production’s Artistic Associate is DeLisa White, Production Manager is Laura E. Johnston and Assistant Production Manager is Laura Darrell. It features scenic design by John McDermott, costume design by Annette Westerby, sound design by Quentin Chiappetta and lighting design by Dennis Parichy. Chelsea Parrish is the production stage manager.
LIFE ON THE MISSISSIPPI plays the following schedule:
Friday, November 1 @ 8:00 p.m.
Saturday, November 2 @ 8:00 p.m.
Sunday, November 3 @ 3:00 p.m.
Friday, November 8 @ 8:00 p.m.
Saturday, November 9 @ 2:00 p.m.
Saturday, November 9 @ 8:00 p.m.
Sunday, November 10@ 3:00 p.m.
Monday, November 11 @ 7:00 p.m.
Friday, November 15 @ 8:00 p.m.
Saturday, November 16 @ 2:00 p.m.
Saturday, November 16 @ 8:00 p.m.
Sunday, November 17@ 3:00 p.m.
Monday, November 18 @ 7:00 p.m.
Friday, November 22 @ 8:00 p.m.
Saturday, November 23 @ 2:00 p.m.
Saturday, November 23 @ 8:00 p.m
Tickets are $15-18 and are now available online at www.workshoptheater.org. Tickets may also be purchased in person at the theater ½ hour prior to performance.
Running Time: 90 minutes
Website: http://workshoptheater.org/mainstage/2013/life_on_the_mississippi
Music samples are available on the website. Photos from last year’s workshop are available at http://bit.ly/LOMPhotos2012
LIFE ON THE MISSISSIPPI is based on Mark Twain's memoir. Hair-raising, hilarious, life-changing and violent are just some of the currents steamboat pilot Sam Clemens will navigate in this musical journey. Young Sam Clemens and his brother Henry step onto a Mississippi steamboat and aboard the chance of a lifetime. As a cub apprentice, his burning ambition propels him to become a steamboat pilot, but he soon discovers that learning the great, relentless river will be harder than he ever imagined. Now Sam must plot a course through the dangerous currents, as mysterious as the Mississippi itself.
“This is not only a coming of age tale, but it's also a loss of innocence tale,” says writer Philip Hall who has been named a finalist for both the National New Play Network’s Smith prize and Humana Festival’s Heideman Award, and whose work has been performed at the Kennedy Center. “In this case, what begins as a boyhood dream becomes more like a daunting task when it becomes real. But the piece is "early Twain," and there's a freshness and bounce to the prose, along with his trademark wit,” reflects Hall, who ultimately felt it was the language that inspired him to adapt the book to stage.
The production stars Dewy Cadell*, Mark Coffin*, Nathan C. Crocker*, Max Demers, Richard Kent Green*, Andrew Hubacher*, Steven Louis Kane* and Jeff Paul* (*Performing courtesy of Actors’ Equity Association).
Presented by The Workshop Theater Company's Musical Theater Wing - which is headed by Steven Petrillo and Associate Natalie Mosco, the production’s Artistic Associate is DeLisa White, Production Manager is Laura E. Johnston and Assistant Production Manager is Laura Darrell. It features scenic design by John McDermott, costume design by Annette Westerby, sound design by Quentin Chiappetta and lighting design by Dennis Parichy. Chelsea Parrish is the production stage manager.
LIFE ON THE MISSISSIPPI plays the following schedule:
Friday, November 1 @ 8:00 p.m.
Saturday, November 2 @ 8:00 p.m.
Sunday, November 3 @ 3:00 p.m.
Friday, November 8 @ 8:00 p.m.
Saturday, November 9 @ 2:00 p.m.
Saturday, November 9 @ 8:00 p.m.
Sunday, November 10@ 3:00 p.m.
Monday, November 11 @ 7:00 p.m.
Friday, November 15 @ 8:00 p.m.
Saturday, November 16 @ 2:00 p.m.
Saturday, November 16 @ 8:00 p.m.
Sunday, November 17@ 3:00 p.m.
Monday, November 18 @ 7:00 p.m.
Friday, November 22 @ 8:00 p.m.
Saturday, November 23 @ 2:00 p.m.
Saturday, November 23 @ 8:00 p.m
Tickets are $15-18 and are now available online at www.workshoptheater.org. Tickets may also be purchased in person at the theater ½ hour prior to performance.
Running Time: 90 minutes
Website: http://workshoptheater.org/mainstage/2013/life_on_the_mississippi
Music samples are available on the website. Photos from last year’s workshop are available at http://bit.ly/LOMPhotos2012
terraNOVA RX: TRANQUIL, WINK, DEATH FOR SYDNEY BLACK, ANIMALS COMMIT SUICIDE
terraNOVA Collective, 2013 Caffe Cino Award Recipient from the New York Innovative Theatre Foundation, and Producing Artistic Director, Jennifer Conley Darling are excited to announce terraNOVA Rx, a unique prescription for your health, four exciting shows playing in repertory as part of their 11th Season. terraNOVA Rx is an extension of terraNOVA's Groundbreakers Playwrights Group which is entering its 5th year. terraNOVA Rx includes TRANQUIL by Andrew Rosendorf, directed by Lucie Tiberghien; WINK by Jen Silverman, directed by Jessi D. Hill; DEATH FOR SYDNEY BLACK by Leah Nanako Winkler, directed by Kip Fagan; and the final production will be ANIMALS COMMIT SUICIDE by J. Julian Christopher, directed by Jose Zayas. terraNOVA RX will play November 6th through December 15th, 2013 at IRT Theater (located in the Archive Building at 154 Christopher St, New York).
Traditionally, plays developed through Groundbreakers are showcased in the bi-annual Groundworks New Play Series where staged readings are presented to a general and industry audience. Through terraNOVA Rx, playwrights are offered an extended experience: a workshop production, a longer run of 10 performances, and the opportunity to develop their play in front of audience. As part of terraNOVA’s commitment to develop the career of their Groundbreakers playwrights, industry professionals and the general public are invited to these productions, a further realization of the playwright's vision.
On presenting the Caffe Cino Award to terraNOVA Collective, which includes a grant, The New York Innovative Theatre Foundation spoke about the company, “[terraNOVA Collective’s] focus on combining theatre artists and artists from other disciplines strives to lead theatre into a new and exciting realm. They are dedicated members of the community who actively advocate for Off-Off-Broadway and seek new opportunities for the community as a whole. They are among the most respected companies in the community, continually reaching for the highest production standards and presenting intriguing and provocative work. It is not surprising that terraNOVA has become the home some of the most exciting voices in New York theatre.”
WORKSHOP PRODUCTION (NOT OPEN FOR REVIEW)
TRANQUIL, November 6-23, 2013
by Andrew Rosendorf (Cane [Florida Stage]), Brilliant Corners (NNPN National Showcase of New Plays)
directed by Lucie Tiberghien (Love In Afghanistan, Don’t Go Gentle, Stephen Belber [world premiere, MCC at The Lucille Lortel Theatre]); Blind, Craig Wright [world premiere, Rattlestick Theater]).
Everything changes for a teenage girl when her estranged brother returns home. Family dynamics are turned on their head as hormones and guilt collide under the shadow of a tragic past. TRANQUIL is a powerful, moving, and challenging story about the pain of growing up.
Featuring J. Clint Allen, Sebastian Beacon, Tom Nelis, and Halley Wegryn Gross.
With scenic design by Jason Simms, costume design by Summer Lee Jack, lighting design by Alan C. Edwards and sound design by Matt Otto. Amber Mathis is the production stage manager.
Performances:
Wed, Nov 6 at 8 p.m.; Thu, Nov 8 at 8p.m.
Sat, Nov 9 at 3 p.m.; Sun, Nov 10 at 6 p.m.
Mon, Nov 11 at 8 p.m.; Thu, Nov 14 at 8 p.m.
Sat, Nov 16 at 8 p.m.; Sun, Nov 17 at 3 p.m,
Wed, Nov 20 at 8 p.m.; Fri, Nov 22 at 8 p.m.
Sat, Nov 23 at 3 p.m.
WORKSHOP PRODUCTION (NOT OPEN FOR REVIEW)
WINK, November 7-24, 2013
by Jen Silverman (Crane Story, Off-Broadway 2011; The Playwrights Realm, Akarui; Cleveland Public Theatre May 2012)
directed by Jessi D. Hill (Associate Artistic Director of terraNOVA Collective, directed at New York Theatre Workshop, The Public Theater/Joe's Pub, Hoxton Hall (London), The Playwrights' Center, Primary Stages, Chicago Dramatists, The New Group, Culture Project…)
Sofie is an unhappy housewife. Gregor is her bread-winning husband. Dr Franz is their psychiatrist. And Wink is the cat. Violent desires, domestic terrorism, and feline vengeance at any cost make WINK a dark comedy about the thin, thin line between savagery and civilization.
Featuring Christopher Ryan Grant, Preston Martin, Eric T Miller and Jeanine Serralles.
With scenic design by Jason Simms, costume design by Summer Lee Jack, lighting design by Alan C. Edwards and sound design by Matt Otto. Becca Pickett is the production stage manager.
Performances:
Thu, Nov 7 at 8 p.m.; Sat, Nov 9 at 8 p.m.
Sun, Nov 10 at 3 p.m.; Wed, Nov 13 at 8 p.m.
Fri, Nov 15 at 8 p.m.; Sat, Nov 16 at 3 p.m.
Sun, Nov 17 at 6 p.m.; Mon, Nov 18 at 8 p.m.
Thu, Nov 21 at 8 p.m.; Sat, Nov 23 at 8 p.m.
Sun, Nov 24 at 6 p.m.
NEW YORK PREMIERE (press invited to all performances)
DEATH FOR SYDNEY BLACK, December 1-15, 2013
by Leah Nanako Winkler (co-wrote Flying Snakes in 3-D!!! which enjoyed performances in 2011-2012 at Ars Nova, The Brick Theater and The Ice Factory at the New Ohio Theatre)
directed by Kip Fagan (directed at Cherry Lane Theatre, SPF, HERE, The Flea, Clubbed Thumb, Partial Comfort, Dixon Place, Juilliard, and NYU)
A darkly familiar and subversive take on the 'teen comedy' trope, as characters sing, rap, and enact various versions of a timeless story: the unpopular girl becomes popular, high-school cliques torn asunder, and revenge is exacted. Find out if this uncensored 21st century fairy tale has a happy ending!
Featuring Allison Buck, Beth Hoyt, Emily Kratter, Maddie Jo Landers, Danielle Slavick, and Natalie Woolams-Torres.
With scenic design by Jason Simms, costume design by Jessica Pabst, lighting design by Seth Reiser and sound design by David Lawson. Amber Mathis is the production stage manager.
Performances:
Sun, Dec 1 at 3 p.m.; Mon, Dec 2 at 8 p.m.
Thu, Dec 5 at 8p.m.; Sat, December 7 at 8 p.m.
Sun, Dec 8 at 6 p.m.; Wed, Dec 11 at 8 p.m.
Fri, Dec 13 at 8 p.m.; Sat, Dec 14 at 5 p.m.
Sun, Dec 15 at 3 p.m.
WORLD PREMIERE (press invited to all performances)
ANIMALS COMMIT SUICIDE, December 1-15, 2013
by J. Julian Christopher (Man Boobs)
directed by Jose Zayas (Resident Director at Repertorio Espanol; The House of the Spirits, In the Time of the Butterflies, PS Jones and the Frozen City)
Chance Stevens has a high-end job, classic good looks, and the attention of anyone he wants in the NYC gay scene. Yet something is missing in his life that he cannot live without. He embarks on a dangerous journey of self-discovery only to find the very best and the very worst of a new community of which he so desperately wants to be a part.
Featuring Charles A Callaghan, Donnetta Lavinia Grays, Nic Grelli, and Kyle Metzger.
With scenic design by Jason Simms, costume design by Stephanie Levin, lighting design by Seth Reiser and sound design by David Lawson. Becca Pickett is the production stage manager.
Performances:
Sun, Dec 1 at 6 p.m.; Wed, Dec 4 at 8 p.m.
Fri, Dec 6 at 8 p.m.; Sat, Dec 7 at 5 p.m.
Sun, Dec 8 at 3 p.m.; Mon, Dec 9 at 8 p.m.
Thu, Dec 12 at 8 p.m.; Sat, Dec 14 at 2 p.m.
Sun, Dec 15 at 6 p.m.
Tickets for all performances are $20.00 and available to purchase online at www.terraNOVACollective.org or by calling 1-800-838-3006. Tickets may also be purchased ½ hour before each performance at the venue. A special package for all four shows is available for $60.
All shows take place at IRT Theater located in the Archive Building, 154 Christopher St, #3B, New York, NY 10014.
terraNOVA Collective, 2013 Caffe Cino Award Recipient from the New York Innovative Theatre Foundation, and Producing Artistic Director, Jennifer Conley Darling are excited to announce terraNOVA Rx, a unique prescription for your health, four exciting shows playing in repertory as part of their 11th Season. terraNOVA Rx is an extension of terraNOVA's Groundbreakers Playwrights Group which is entering its 5th year. terraNOVA Rx includes TRANQUIL by Andrew Rosendorf, directed by Lucie Tiberghien; WINK by Jen Silverman, directed by Jessi D. Hill; DEATH FOR SYDNEY BLACK by Leah Nanako Winkler, directed by Kip Fagan; and the final production will be ANIMALS COMMIT SUICIDE by J. Julian Christopher, directed by Jose Zayas. terraNOVA RX will play November 6th through December 15th, 2013 at IRT Theater (located in the Archive Building at 154 Christopher St, New York).
Traditionally, plays developed through Groundbreakers are showcased in the bi-annual Groundworks New Play Series where staged readings are presented to a general and industry audience. Through terraNOVA Rx, playwrights are offered an extended experience: a workshop production, a longer run of 10 performances, and the opportunity to develop their play in front of audience. As part of terraNOVA’s commitment to develop the career of their Groundbreakers playwrights, industry professionals and the general public are invited to these productions, a further realization of the playwright's vision.
On presenting the Caffe Cino Award to terraNOVA Collective, which includes a grant, The New York Innovative Theatre Foundation spoke about the company, “[terraNOVA Collective’s] focus on combining theatre artists and artists from other disciplines strives to lead theatre into a new and exciting realm. They are dedicated members of the community who actively advocate for Off-Off-Broadway and seek new opportunities for the community as a whole. They are among the most respected companies in the community, continually reaching for the highest production standards and presenting intriguing and provocative work. It is not surprising that terraNOVA has become the home some of the most exciting voices in New York theatre.”
WORKSHOP PRODUCTION (NOT OPEN FOR REVIEW)
TRANQUIL, November 6-23, 2013
by Andrew Rosendorf (Cane [Florida Stage]), Brilliant Corners (NNPN National Showcase of New Plays)
directed by Lucie Tiberghien (Love In Afghanistan, Don’t Go Gentle, Stephen Belber [world premiere, MCC at The Lucille Lortel Theatre]); Blind, Craig Wright [world premiere, Rattlestick Theater]).
Everything changes for a teenage girl when her estranged brother returns home. Family dynamics are turned on their head as hormones and guilt collide under the shadow of a tragic past. TRANQUIL is a powerful, moving, and challenging story about the pain of growing up.
Featuring J. Clint Allen, Sebastian Beacon, Tom Nelis, and Halley Wegryn Gross.
With scenic design by Jason Simms, costume design by Summer Lee Jack, lighting design by Alan C. Edwards and sound design by Matt Otto. Amber Mathis is the production stage manager.
Performances:
Wed, Nov 6 at 8 p.m.; Thu, Nov 8 at 8p.m.
Sat, Nov 9 at 3 p.m.; Sun, Nov 10 at 6 p.m.
Mon, Nov 11 at 8 p.m.; Thu, Nov 14 at 8 p.m.
Sat, Nov 16 at 8 p.m.; Sun, Nov 17 at 3 p.m,
Wed, Nov 20 at 8 p.m.; Fri, Nov 22 at 8 p.m.
Sat, Nov 23 at 3 p.m.
WORKSHOP PRODUCTION (NOT OPEN FOR REVIEW)
WINK, November 7-24, 2013
by Jen Silverman (Crane Story, Off-Broadway 2011; The Playwrights Realm, Akarui; Cleveland Public Theatre May 2012)
directed by Jessi D. Hill (Associate Artistic Director of terraNOVA Collective, directed at New York Theatre Workshop, The Public Theater/Joe's Pub, Hoxton Hall (London), The Playwrights' Center, Primary Stages, Chicago Dramatists, The New Group, Culture Project…)
Sofie is an unhappy housewife. Gregor is her bread-winning husband. Dr Franz is their psychiatrist. And Wink is the cat. Violent desires, domestic terrorism, and feline vengeance at any cost make WINK a dark comedy about the thin, thin line between savagery and civilization.
Featuring Christopher Ryan Grant, Preston Martin, Eric T Miller and Jeanine Serralles.
With scenic design by Jason Simms, costume design by Summer Lee Jack, lighting design by Alan C. Edwards and sound design by Matt Otto. Becca Pickett is the production stage manager.
Performances:
Thu, Nov 7 at 8 p.m.; Sat, Nov 9 at 8 p.m.
Sun, Nov 10 at 3 p.m.; Wed, Nov 13 at 8 p.m.
Fri, Nov 15 at 8 p.m.; Sat, Nov 16 at 3 p.m.
Sun, Nov 17 at 6 p.m.; Mon, Nov 18 at 8 p.m.
Thu, Nov 21 at 8 p.m.; Sat, Nov 23 at 8 p.m.
Sun, Nov 24 at 6 p.m.
NEW YORK PREMIERE (press invited to all performances)
DEATH FOR SYDNEY BLACK, December 1-15, 2013
by Leah Nanako Winkler (co-wrote Flying Snakes in 3-D!!! which enjoyed performances in 2011-2012 at Ars Nova, The Brick Theater and The Ice Factory at the New Ohio Theatre)
directed by Kip Fagan (directed at Cherry Lane Theatre, SPF, HERE, The Flea, Clubbed Thumb, Partial Comfort, Dixon Place, Juilliard, and NYU)
A darkly familiar and subversive take on the 'teen comedy' trope, as characters sing, rap, and enact various versions of a timeless story: the unpopular girl becomes popular, high-school cliques torn asunder, and revenge is exacted. Find out if this uncensored 21st century fairy tale has a happy ending!
Featuring Allison Buck, Beth Hoyt, Emily Kratter, Maddie Jo Landers, Danielle Slavick, and Natalie Woolams-Torres.
With scenic design by Jason Simms, costume design by Jessica Pabst, lighting design by Seth Reiser and sound design by David Lawson. Amber Mathis is the production stage manager.
Performances:
Sun, Dec 1 at 3 p.m.; Mon, Dec 2 at 8 p.m.
Thu, Dec 5 at 8p.m.; Sat, December 7 at 8 p.m.
Sun, Dec 8 at 6 p.m.; Wed, Dec 11 at 8 p.m.
Fri, Dec 13 at 8 p.m.; Sat, Dec 14 at 5 p.m.
Sun, Dec 15 at 3 p.m.
WORLD PREMIERE (press invited to all performances)
ANIMALS COMMIT SUICIDE, December 1-15, 2013
by J. Julian Christopher (Man Boobs)
directed by Jose Zayas (Resident Director at Repertorio Espanol; The House of the Spirits, In the Time of the Butterflies, PS Jones and the Frozen City)
Chance Stevens has a high-end job, classic good looks, and the attention of anyone he wants in the NYC gay scene. Yet something is missing in his life that he cannot live without. He embarks on a dangerous journey of self-discovery only to find the very best and the very worst of a new community of which he so desperately wants to be a part.
Featuring Charles A Callaghan, Donnetta Lavinia Grays, Nic Grelli, and Kyle Metzger.
With scenic design by Jason Simms, costume design by Stephanie Levin, lighting design by Seth Reiser and sound design by David Lawson. Becca Pickett is the production stage manager.
Performances:
Sun, Dec 1 at 6 p.m.; Wed, Dec 4 at 8 p.m.
Fri, Dec 6 at 8 p.m.; Sat, Dec 7 at 5 p.m.
Sun, Dec 8 at 3 p.m.; Mon, Dec 9 at 8 p.m.
Thu, Dec 12 at 8 p.m.; Sat, Dec 14 at 2 p.m.
Sun, Dec 15 at 6 p.m.
Tickets for all performances are $20.00 and available to purchase online at www.terraNOVACollective.org or by calling 1-800-838-3006. Tickets may also be purchased ½ hour before each performance at the venue. A special package for all four shows is available for $60.
All shows take place at IRT Theater located in the Archive Building, 154 Christopher St, #3B, New York, NY 10014.
The Award-Winning Astoria Performing Arts Center (APAC) is pleased to announce the world premiere production of a (mostly) non-violent, romantic comedy by Sandy Rustin’s (Rated P [For Parenthood]) THE COTTAGE directed by Adam Dannheisser (Rock of Ages, resident director/performer). THE COTTAGE will play a three week limited engagement at Good Shepard United Methodist Church, 30-44 Crescent St (@30th Rd), in Astoria, Queens. Performances begin Thursday, November 7 and continue through Saturday, November 23. Opening Night is Saturday, November 9 at 8 p.m.
THE COTTAGE is a rollicking farce inspired by the works of Noel Coward. Set in the English countryside in 1923, this tale of sex, betrayal and, oh yes, love, unfolds when Sylvia Van Kipness decides to expose her love affair to her husband and her lover's wife. The true meanings of fate, identity and marriage are called into question as a surprising, hilarious web of secrets unravels in this ridiculous—and potentially murderous—romantic comedy.
The production stars Daniel Bielinski* (Macbeth, Classic Stage Company), Maria Couch* (On the Levee, Lincoln Center), Kevin Isola* (Broadway’s Brooklyn Boy), Jason Loughlin* (1st Nat’l Tour: War Horse), Amy Rutberg* (ABC pilot “Murder in Manhattan”, Off-Bway’s The Divine Sister), Hanley Smith* (The Voice of the Turtle, Merrimack Rep).
*Appearing Courtesy of Actors’ Equity Association. Equity Approved Showcase.
The production features scenic design by Stephen K. Dobay with costume design by Ryan J. Moller and lighting design by Evan Roby. Janie Bullard is the sound designer, Katie K. White is the prop designer, Kenneth Garner is the dialect/accent coach, Laura A. Perez* is the production stage manager. Publicity by Katie Rosin/Kampfire PR. Casting by Scott Wojcik and Gayle Seay of Wojcik|Seay Casting.
THE COTTAGE plays the following regular schedule through Saturday, November 23:
Thursdays & Fridays at 8 p.m.
Saturdays at 2 p.m. & 8 p.m.
Tickets are $18, ($15 student/senior) available at www.apacny.org or 888-596-1027. Tickets may also be purchased in-person at the Theatre Box Office, 30 minutes prior to the performance.
PERFORMANCE VENUE
Good Shepherd United Methodist Church
30-44 Crescent St (@30th Rd)
Astoria, NY 11102
Directions: Take the N or Q Subway to 30th Avenue. Walk down 30th Ave. to Crescent St. (Mount Sinai Hospital is on the corner.) Turn left on Crescent Street. Walk one block south, then turn right onto 30th Rd. Entrance is second set of red doors on left.
Running Time: 95 minutes
Website: www.APACNY.org
Photos:bit.ly/CottagePhotos
THE COTTAGE is a rollicking farce inspired by the works of Noel Coward. Set in the English countryside in 1923, this tale of sex, betrayal and, oh yes, love, unfolds when Sylvia Van Kipness decides to expose her love affair to her husband and her lover's wife. The true meanings of fate, identity and marriage are called into question as a surprising, hilarious web of secrets unravels in this ridiculous—and potentially murderous—romantic comedy.
The production stars Daniel Bielinski* (Macbeth, Classic Stage Company), Maria Couch* (On the Levee, Lincoln Center), Kevin Isola* (Broadway’s Brooklyn Boy), Jason Loughlin* (1st Nat’l Tour: War Horse), Amy Rutberg* (ABC pilot “Murder in Manhattan”, Off-Bway’s The Divine Sister), Hanley Smith* (The Voice of the Turtle, Merrimack Rep).
*Appearing Courtesy of Actors’ Equity Association. Equity Approved Showcase.
The production features scenic design by Stephen K. Dobay with costume design by Ryan J. Moller and lighting design by Evan Roby. Janie Bullard is the sound designer, Katie K. White is the prop designer, Kenneth Garner is the dialect/accent coach, Laura A. Perez* is the production stage manager. Publicity by Katie Rosin/Kampfire PR. Casting by Scott Wojcik and Gayle Seay of Wojcik|Seay Casting.
THE COTTAGE plays the following regular schedule through Saturday, November 23:
Thursdays & Fridays at 8 p.m.
Saturdays at 2 p.m. & 8 p.m.
Tickets are $18, ($15 student/senior) available at www.apacny.org or 888-596-1027. Tickets may also be purchased in-person at the Theatre Box Office, 30 minutes prior to the performance.
PERFORMANCE VENUE
Good Shepherd United Methodist Church
30-44 Crescent St (@30th Rd)
Astoria, NY 11102
Directions: Take the N or Q Subway to 30th Avenue. Walk down 30th Ave. to Crescent St. (Mount Sinai Hospital is on the corner.) Turn left on Crescent Street. Walk one block south, then turn right onto 30th Rd. Entrance is second set of red doors on left.
Running Time: 95 minutes
Website: www.APACNY.org
Photos:bit.ly/CottagePhotos
AN IMPOSSIBLE THING PRODUCTIONS is pleased to announce the New York premiere of David Schulner’s An Infinite Ache, directed by Joshua Warr. An Infinite Ache will play a limited three week engagement at The Gallery at Access Theater (380 Broadway, New York, NY 10013). Performances begin Thursday, November 7 and continue through Friday, November 22.
Press are invited to Thursday, November 7 at 8p.m., Friday, November 8 at 8p.m., Saturday, November 9 at 8p.m. and Sunday, November 10 at 2 p.m. (and any subsequent performance).
Hope and Charles are a pair of lonely twenty-somethings about to end a supremely uninteresting first date. But just as they say good night, the myriad possibilities of their futures and a life shared together come rushing to meet them. From their first kiss to their first child, from a horrible tragedy to a second chance, this love story about an intercultural relationship between an Asian woman and a Jewish man charts the infinite directions in which two lives can travel.
In an effort to provide more opportunities for Asian-American actors in the New York theater scene, An Impossible Thing Productions decided to produce An Infinite Ache which presents a strong female Asian-American protagonist. According to AAPAC (the Asian American Performing Arts Coalition), while 23% of casts on Broadway and off-Broadway theater casts are played by minority actors, only 3% of casts are Asian. Against the backdrop of two revivals of Romeo and Juliet starring interracial couples Orlando Bloom and Condola Rashad on Broadway and Julian Cihi and Elizabeth Olsen at the Classic Stage, AN INFINITE ACHE is a play explicitly written to be interracial - featuring a Chinese-Filipina-American woman and a Jewish-American man. This reflects the United States today: where more than half of Americans have dated outside of their race and more than 15% of marriages are interracial (according to the US 2010 census and 2011 Council on Contemporary Families, respectively).
The production stars Eric Kuehnemann (Octopus Love Story and Spring and Jake, Firework Theater Company) and Nancy Sun (World Premiere of Pornography for the People).
The production features scenic design by Jason Lee Courson (Off-Broadway NEWSical and A Stoop On Orchard Street). Adam Samtur is the production stage manager and Case Aiken is the Assistant Stage Manager. Publicity by Katie Rosin/Kampfire PR.
AN INFINITE ACHE plays the following regular schedule through Friday, November 22*:
Thursdays, Fridays and Saturdays at 8pm
Sundays at 2pm
*There is an additional performance on Tuesday, November 12th at 2 p.m.
Advance tickets are $15 and are available online at www.InfiniteAche.com. Tickets may also be purchased in-person at the theater ½ hour prior to performance at $20.
**Fri, Nov 21st at 8 p.m. and Sat, Nov 22nd at 8 p.m. performances are presented in association with Access Theater and tickets are $10.
Running Time: 90 min. No intermission.
Website: www.InfiniteAche.com
Photos: http://bit.ly/InfinitePhotos
The Galley at Access Theater is located at 380 Broadway @ White Street, (2 blocks South of Canal) on the 4th Floor. Elevator access is available upon request.
Train: N/R/Q train to Canal (closest), 6/1/J/A/C/E
Press are invited to Thursday, November 7 at 8p.m., Friday, November 8 at 8p.m., Saturday, November 9 at 8p.m. and Sunday, November 10 at 2 p.m. (and any subsequent performance).
Hope and Charles are a pair of lonely twenty-somethings about to end a supremely uninteresting first date. But just as they say good night, the myriad possibilities of their futures and a life shared together come rushing to meet them. From their first kiss to their first child, from a horrible tragedy to a second chance, this love story about an intercultural relationship between an Asian woman and a Jewish man charts the infinite directions in which two lives can travel.
In an effort to provide more opportunities for Asian-American actors in the New York theater scene, An Impossible Thing Productions decided to produce An Infinite Ache which presents a strong female Asian-American protagonist. According to AAPAC (the Asian American Performing Arts Coalition), while 23% of casts on Broadway and off-Broadway theater casts are played by minority actors, only 3% of casts are Asian. Against the backdrop of two revivals of Romeo and Juliet starring interracial couples Orlando Bloom and Condola Rashad on Broadway and Julian Cihi and Elizabeth Olsen at the Classic Stage, AN INFINITE ACHE is a play explicitly written to be interracial - featuring a Chinese-Filipina-American woman and a Jewish-American man. This reflects the United States today: where more than half of Americans have dated outside of their race and more than 15% of marriages are interracial (according to the US 2010 census and 2011 Council on Contemporary Families, respectively).
The production stars Eric Kuehnemann (Octopus Love Story and Spring and Jake, Firework Theater Company) and Nancy Sun (World Premiere of Pornography for the People).
The production features scenic design by Jason Lee Courson (Off-Broadway NEWSical and A Stoop On Orchard Street). Adam Samtur is the production stage manager and Case Aiken is the Assistant Stage Manager. Publicity by Katie Rosin/Kampfire PR.
AN INFINITE ACHE plays the following regular schedule through Friday, November 22*:
Thursdays, Fridays and Saturdays at 8pm
Sundays at 2pm
*There is an additional performance on Tuesday, November 12th at 2 p.m.
Advance tickets are $15 and are available online at www.InfiniteAche.com. Tickets may also be purchased in-person at the theater ½ hour prior to performance at $20.
**Fri, Nov 21st at 8 p.m. and Sat, Nov 22nd at 8 p.m. performances are presented in association with Access Theater and tickets are $10.
Running Time: 90 min. No intermission.
Website: www.InfiniteAche.com
Photos: http://bit.ly/InfinitePhotos
The Galley at Access Theater is located at 380 Broadway @ White Street, (2 blocks South of Canal) on the 4th Floor. Elevator access is available upon request.
Train: N/R/Q train to Canal (closest), 6/1/J/A/C/E
NEW YORK DEAF THEATRE is pleased to present their twist on Patrick Barlow’s THE 39 STEPS, directed by James W. Guido, the fast-paced Hitchcock parody recently seen on Broadway, by presenting the play in two languages simultaneously--English and American Sign Language. THE 39 STEPS will play a two-week limited engagement at the Tada! Theatre (15 W. 28th St, New York, NY 10001). Performances begin Thursday, November 14th and continue Sunday, November 24th. Opening Night is Thursday, November 14th (8 p.m.).
Press are invited to all performances.
THE 39 STEPS is a fast-paced farce that parodies the Hitchcock spy story of the same name. Four ridiculously talented deaf actors portray over 150 zany characters in American Sign Language while four insanely gifted voice actors simultaneously perform the same lines in English; making this performance accessible to both Deaf and hearing audiences.
In THE 39 STEPS, a man bored with his life meets a woman with a thick accent who says she’s a spy and asks for his help. When he takes her home, she is murdered. Soon, a mysterious organization called “THE 39 STEPS” is hot on the mans’ trail in a nationwide manhunt that climaxes in a death-defying finale! A riotous blend of virtuoso performances and wildly inventive stagecraft, THE 39 STEPS makes for an unforgettable evening.
The production stars J. W. Guido+ as Clown 1, Olivia Howell~ as Annabella Schmidt/Margaret/Pamela, Carm King+ as Annabella Schmidt/Margaret/Pamela, Katie Mueller~ as Clown 2, Anne Tomasetti+ as Clown 2, Forrest Webber~ as Richard Hannay, Jake Winn~ as Clown 1, and Garrett Zuercher*+ as Richard Hannay.
*Actors Equity, +ASL Actor, ~Voice Actor
The production features scenic and prop design by Samuel Caraballo, costume design by Patricia Ordonez, and lighting design by Annie Wiegand. The voice actors will be producing the sound effects live and Conrado Johns is the stage manager.
THE 39 STEPS plays the following regular schedule through Sunday, November 24th:
Wednesdays at 8 p.m.
Thursdays at 8 p.m.
Fridays at 8 p.m.
Saturdays at 2 p.m. and 8 p.m.
Sundays at 2 p.m.
Tickets are $15-18 and are now available online at www.smarttix.com. Tickets may also be purchased in-person at the theater’s box office ½ hour prior to performance.
Running Time: 2 hours
Website: www.nydeaftheatre.com
Press are invited to all performances.
THE 39 STEPS is a fast-paced farce that parodies the Hitchcock spy story of the same name. Four ridiculously talented deaf actors portray over 150 zany characters in American Sign Language while four insanely gifted voice actors simultaneously perform the same lines in English; making this performance accessible to both Deaf and hearing audiences.
In THE 39 STEPS, a man bored with his life meets a woman with a thick accent who says she’s a spy and asks for his help. When he takes her home, she is murdered. Soon, a mysterious organization called “THE 39 STEPS” is hot on the mans’ trail in a nationwide manhunt that climaxes in a death-defying finale! A riotous blend of virtuoso performances and wildly inventive stagecraft, THE 39 STEPS makes for an unforgettable evening.
The production stars J. W. Guido+ as Clown 1, Olivia Howell~ as Annabella Schmidt/Margaret/Pamela, Carm King+ as Annabella Schmidt/Margaret/Pamela, Katie Mueller~ as Clown 2, Anne Tomasetti+ as Clown 2, Forrest Webber~ as Richard Hannay, Jake Winn~ as Clown 1, and Garrett Zuercher*+ as Richard Hannay.
*Actors Equity, +ASL Actor, ~Voice Actor
The production features scenic and prop design by Samuel Caraballo, costume design by Patricia Ordonez, and lighting design by Annie Wiegand. The voice actors will be producing the sound effects live and Conrado Johns is the stage manager.
THE 39 STEPS plays the following regular schedule through Sunday, November 24th:
Wednesdays at 8 p.m.
Thursdays at 8 p.m.
Fridays at 8 p.m.
Saturdays at 2 p.m. and 8 p.m.
Sundays at 2 p.m.
Tickets are $15-18 and are now available online at www.smarttix.com. Tickets may also be purchased in-person at the theater’s box office ½ hour prior to performance.
Running Time: 2 hours
Website: www.nydeaftheatre.com
Queens Theatre (QT) presents CHE MALAMBO, the malambo, alongside the tango, is the national dance of Argentina, drawing on the tradition of the gauchos of the pampas and transforming the physical exuberance of the horseman into virtuosic dance. CHE MALAMBO is choreographed and directed by Gilles Brinas. CHE MALAMBO will play three performances only at Queens Theatre (14 United Nations Avenue South, Flushing Meadows Corona Park, Queens, NY 11368). Performances are November 16th at 2pm and 8pm and November 17th at 3pm. Tickets are $25-$46 and are available online at www.queenstheatre.org/che-malambo or by calling 718-760-0064. Tickets may also be purchased in-person at the Queens Theatre Box Office, Mondays from 10am to 2pm, Wednesdays through Sundays from 10am to 6pm. (Senior discount available, $20 student rush tickets available day of).
The company of thirteen all male performers present the dance of the malambo, a gaucho tradition (cowboys from the pampas). A genuine outlet that asks for dexterity and incomparable energy, Malambo captures everything in its path, leaving the audience astounded (and exhausted!). This group has created the first and most unique performance in the world of Malambo, bringing the strength and the power of a horse in full gallop, the grace and spirit of Argentine dancers, and the beauty of a free spirit.
The dancers stomp their heeled boots or their bare feet on the roughly treated floor, keeping the rhythm with the bombo - a drum made of wood and hide, and hold and turn the boleados - originally 2 or 3 leather straps full of stones. They are not simply folk dancing; these well-trained dancers have a strong technique that allows for very physical sequences. Originally, the Malambo is an individual dance, exclusively masculine. Two men face to face defining the rhythms, confronting each other in a rhythmic duel of zapateado - stomping their feet competitively and fiercely until one of them gamely declares defeat.
Featuring Marcos Beierbach, Fransisco Ciares, Nicolas Correa, Claudio Diaz, Miguel Flores, Federico Gareis, Guillermo Gomez, Juan Gomez, Walter Kochanovski, Fabian Maza, Paulo Pedernera, Alberto Ruiz and Pablo Tuoron.
The production features costume and lighting design by Heyoka with contemporary adaptation and composition by Gilles Brinas & Fabian Maza. Sylvie Peron is the Artistic Director. Artistic & Production Agent is Stephane Fournial, 6 Prime Agency.
CHE MALAMBO schedule:
Saturday, November 16th at 2pm and 8pm
Sunday, November 17th at 3pm
Tickets are $25 for rear side seating, and $46 for premium seating. Tickets are available online at www.queenstheatre.org/che-malambo or by calling the Box Office at 718-760-0064. Tickets may also be purchased in-person at the Queens Theatre Box Office, Monday 10am to 2pm, Wednesday through Sunday 10am to 6pm. (Senior discount available, $20 student rush tickets available day of).
Website: www.queenstheatre.org/che-malambo
Photos: http://bit.ly/CheMPhotos
Running time: 90 minutes, no intermission.
Queens Theatre
14 United Nations Avenue South
Flushing Meadows Corona Park, Queens, NY 11368
FREE PARKING
Car: L.I.E. to Grand Central Pkwy West, exit 9P.
Subway: 7 train to the Mets-Willets Point station. Follow signs to LIRR/Flushing Meadows Corona Park. Free Shuttle Service runs one hour prior to curtain and stops outside Mets-Willets Point station.
The company of thirteen all male performers present the dance of the malambo, a gaucho tradition (cowboys from the pampas). A genuine outlet that asks for dexterity and incomparable energy, Malambo captures everything in its path, leaving the audience astounded (and exhausted!). This group has created the first and most unique performance in the world of Malambo, bringing the strength and the power of a horse in full gallop, the grace and spirit of Argentine dancers, and the beauty of a free spirit.
The dancers stomp their heeled boots or their bare feet on the roughly treated floor, keeping the rhythm with the bombo - a drum made of wood and hide, and hold and turn the boleados - originally 2 or 3 leather straps full of stones. They are not simply folk dancing; these well-trained dancers have a strong technique that allows for very physical sequences. Originally, the Malambo is an individual dance, exclusively masculine. Two men face to face defining the rhythms, confronting each other in a rhythmic duel of zapateado - stomping their feet competitively and fiercely until one of them gamely declares defeat.
Featuring Marcos Beierbach, Fransisco Ciares, Nicolas Correa, Claudio Diaz, Miguel Flores, Federico Gareis, Guillermo Gomez, Juan Gomez, Walter Kochanovski, Fabian Maza, Paulo Pedernera, Alberto Ruiz and Pablo Tuoron.
The production features costume and lighting design by Heyoka with contemporary adaptation and composition by Gilles Brinas & Fabian Maza. Sylvie Peron is the Artistic Director. Artistic & Production Agent is Stephane Fournial, 6 Prime Agency.
CHE MALAMBO schedule:
Saturday, November 16th at 2pm and 8pm
Sunday, November 17th at 3pm
Tickets are $25 for rear side seating, and $46 for premium seating. Tickets are available online at www.queenstheatre.org/che-malambo or by calling the Box Office at 718-760-0064. Tickets may also be purchased in-person at the Queens Theatre Box Office, Monday 10am to 2pm, Wednesday through Sunday 10am to 6pm. (Senior discount available, $20 student rush tickets available day of).
Website: www.queenstheatre.org/che-malambo
Photos: http://bit.ly/CheMPhotos
Running time: 90 minutes, no intermission.
Queens Theatre
14 United Nations Avenue South
Flushing Meadows Corona Park, Queens, NY 11368
FREE PARKING
Car: L.I.E. to Grand Central Pkwy West, exit 9P.
Subway: 7 train to the Mets-Willets Point station. Follow signs to LIRR/Flushing Meadows Corona Park. Free Shuttle Service runs one hour prior to curtain and stops outside Mets-Willets Point station.
Queens Theatre (QT) presents ArtsPower’s THE LITTLE ENGINE THAT COULD EARNS HER WHISTLE. Adapted for the stage by playwright and lyricist Greg Gunning and composer Richard DeRosa, it’s a story about finding strength from within and always believing that anything is possible, a theme that can always be found in these beloved books. THE LITTLE ENGINE THAT COULD EARNS HER WHISTLE will be at Queens Theatre (14 United Nations Avenue South, Flushing Meadows Corona Park, Queens, NY 11368) on November 24th at 1pm and 3pm. Tickets are $14 ($10 with a Family Flex Pass) and are available online at www.queenstheatre.org or by calling 718-760-0064. Tickets may also be purchased in-person at the Queens Theatre Box Office, Mondays from 10am to 2pm, Wednesdays through Sundays from 10am to 6pm.
“I Think I Can, I Think I Can” are words that joyfully resonate in the hearts of children everywhere. ArtsPower’s The Little Engine That Could™ Earns Her Whistle tells the uplifting story of an ordinary train that performs an extraordinary feat of strength and courage.
We follow the adventures of The Little Blue Engine, who dreams of someday pulling the Piney Vale Express just like her best friend Rusty. To most of the other engines, the Little Blue Engine seems too small to make it up the big hill. She starts to doubt herself, wondering if she will ever be a real engine of the railroad. But when the fate of the Piney Vale Express suddenly depends on The Little Blue Engine, she finds out just how much she can accomplish with a little self-confidence. In the musical’s stirring conclusion, she conquers the hill and can finally exclaim, “I knew I could!”.
“For many children, The Little Engine That Could™ Earns Her Whistle may be the first stage production they ever see,” says ArtsPower Executive Producer Gary Blackman. “Our goal is not only to teach them valuable lessons about self-reliance, but also to instill in them a genuine love of theatre.”
LITTLE ENGINE schedule:
Saturday, November 24th at 1pm and 3pm
Tickets are $14 ($10 with a Family Flex Pass). Tickets are available online at www.queenstheatre.org/little-engine-earns-her-whistle or by calling the Box Office at 718-760-0064. Tickets may also be purchased in-person at the Queens Theatre Box Office, Monday 10am to 2pm, Wednesday through Sunday 10am to 6pm.
Website: www.queenstheatre.org/little-engine-earns-her-whistle
Photos and videos available at http://www.artspower.org/shows/little-engine/
Running time: 55 minutes
Queens Theatre
14 United Nations Avenue South
Flushing Meadows Corona Park, Queens, NY 11368
FREE PARKING
Car: L.I.E. to Grand Central Pkwy West, exit 9P.
Subway: 7 train to the Mets-Willets Point station. Follow signs to LIRR/Flushing Meadows Corona Park. Free Shuttle Service runs one hour prior to curtain and stops outside Mets-Willets Point station.
“I Think I Can, I Think I Can” are words that joyfully resonate in the hearts of children everywhere. ArtsPower’s The Little Engine That Could™ Earns Her Whistle tells the uplifting story of an ordinary train that performs an extraordinary feat of strength and courage.
We follow the adventures of The Little Blue Engine, who dreams of someday pulling the Piney Vale Express just like her best friend Rusty. To most of the other engines, the Little Blue Engine seems too small to make it up the big hill. She starts to doubt herself, wondering if she will ever be a real engine of the railroad. But when the fate of the Piney Vale Express suddenly depends on The Little Blue Engine, she finds out just how much she can accomplish with a little self-confidence. In the musical’s stirring conclusion, she conquers the hill and can finally exclaim, “I knew I could!”.
“For many children, The Little Engine That Could™ Earns Her Whistle may be the first stage production they ever see,” says ArtsPower Executive Producer Gary Blackman. “Our goal is not only to teach them valuable lessons about self-reliance, but also to instill in them a genuine love of theatre.”
LITTLE ENGINE schedule:
Saturday, November 24th at 1pm and 3pm
Tickets are $14 ($10 with a Family Flex Pass). Tickets are available online at www.queenstheatre.org/little-engine-earns-her-whistle or by calling the Box Office at 718-760-0064. Tickets may also be purchased in-person at the Queens Theatre Box Office, Monday 10am to 2pm, Wednesday through Sunday 10am to 6pm.
Website: www.queenstheatre.org/little-engine-earns-her-whistle
Photos and videos available at http://www.artspower.org/shows/little-engine/
Running time: 55 minutes
Queens Theatre
14 United Nations Avenue South
Flushing Meadows Corona Park, Queens, NY 11368
FREE PARKING
Car: L.I.E. to Grand Central Pkwy West, exit 9P.
Subway: 7 train to the Mets-Willets Point station. Follow signs to LIRR/Flushing Meadows Corona Park. Free Shuttle Service runs one hour prior to curtain and stops outside Mets-Willets Point station.
All For One Theater Festival (AFO) and Michael Wolk, Executive Director, are pleased to announce the exciting line-up of the Third Annual All For One Theatre Festival. The third annual All For One Theatre Festival will play a limited engagement at Cherry Lane Studio Theater (38 Commerce Street, NY). Performances begin Friday, Oct 11 and continue through Saturday, Nov 9.
“Our mission is to present transformational solo theater that changes the way you think and feel about the things that matter,” says Wolk, “I’m thrilled to be recognizing Eva Price, an outstanding producer who brought Carrie Fisher’s one-woman show Wishful Drinking to the Broadway stage and continues to showcase and support solo artists and their transformational work, such as, Margo Gomez and her production of Los Big Names.”
Tickets are $25 for individual shows; $150 festival pass; $20 seniors; $15 students.
Tickets will be available on August 1, 2013 at http://www.afofest.org/tickets. Tickets may also be purchased in-person at Box Office ½ hour in advance of the performances.
SHOWS:
A CARLIN HOME COMPANION
Written & Performed by Kelly Carlin
Directed by Paul Provenza
Deftly weaving her amusing yet poignant family stories with classic video footage of her father’s career and family memorabilia, Kelly Carlin, the only child of iconoclastic comedian George Carlin, takes the audience on a roller coaster ride of emotions and pulls back the curtain on their life together off stage.
Friday, October 11th - 7pm
Sunday, October 13th - 1pm
Thursday, October 17th - 7pm
Saturday, October 19th - 1pm
BEYOND WORDS
Written & Performed by Bill Bowers
Directed by Scott Illingworth
Set against the backdrop of small town America, BEYOND WORDS takes us on a journey from boyhood to manhood and considers the lessons learned along the way. One of the most acclaimed multi-disciplinary artists, Bill Bowers employs an eloquent mixture of music, monologue and mime to create a vibrant and poetic montage that is Beyond Words. "Bowers effortlessly brings us to laughter and tears, often at the same time.” - The New York Post.
“Fascinating. Affecting. “Beyond Words” is engaging to the eye and ear.” -The New York Times
Saturday, October 12th - 7pm
Sunday, October 13th - 4pm
Saturday, October 26th - 1pm
Thursday, November 2nd - 7pm
SLUT ENERGY THEORY
Written and Performed by Rene Marie
Directed by Donnie L. Betts
One woman’s story about abuse, laughter, life, & pushin’ on through to the other side.
U’Dean Morgan’s harrowing life experiences have left her anything but speechless. She tells you exactly what she thinks about sex, heaven, lies, truth, you, and herself through music, spoken word, and monologue.
Saturday, October 12th - 4pm
Sunday, October 13th - 7pm
Friday, October 18th - 7pm
Sunday, October 20th - 1pm
ANOTHER MEDEA
Performed by Tom Hewitt
Written & Directed by Aaron Mark
In Another Medea, we meet the incarcerated Marcus Sharp, a onetime New York actor who recounts in gruesome detail how his obsessions with a man named Jason and the myth of Medea lead to horrific, unspeakable events. Tom Hewitt plays Marcus and others in this frighteningly provocative minimalist monodrama.
Saturday, October 19th - 7pm
Sunday, October 20th - 4pm
Saturday, October 26th - 4pm
Wednesday, October 30th - 7pm
THE OTHER MOZART
Written and Performed by Sylvia Milo
Directed by Isaac Byrne
The Other Mozart is a play about Nannerl Mozart, the sister of Amadeus. It tells the true story of this prodigy, a keyboard virtuoso and composer, who as a child toured through all of Europe performing with her brother, to equal acclaim, but who faded away and left behind nothing of her own.
Saturday, October 19th - 4pm
Sunday, October 20th - 1pm
Saturday, October 26th - 7pm
Sunday, October 27th - 1pm
A LITTLE POTATO HARD TO PEEL
Written and Performed by David Harrell
Directed by Kirk White
Hard to Peel, David Harrell takes the audience on a journey that begins with the day he was born without his right hand. What starts out as one man’s challenge to accept his own strengths and limitations becomes a compelling charge for us all.
Sunday, October 20th - 7pm
Friday, October 25th - 7pm
Sunday, October 27th - 4pm
Saturday, November 9th - 7pm
KNYUM
Written and Performed by Vichet Chum
Directed by Kyle Schaefer and Emily Ritger
To supplement his meager artistic life, Guy works graveyard shifts at the Hotel East Houston in New York City. Between the hours of 11pm and 7am, the hotel lobby transforms into a theater for Guy’s dreams. There, he encounters his parents, Ma and Ba and their stories of sacrifice and survival.
Sunday, October 27th - 7pm
Saturday, November 2nd - 1pm
Sunday, November 3rd - 4pm
Friday, November 8th - 7pm
THOSE WHO CAN’T DO
Written and Performed by Erin Fleck
Directed by Shari Hollett
Shame. That’s what haunts high school teacher, Lillian Campbell. Lillian finds herself in the middle of a sex scandal involving her grade nine girls and the majority of the senior hockey team. In order to battle the humiliation and shame forced upon the girls, she must first battle her own.
Friday, November 1st - 7pm
Saturday, November 2nd - 4pm
Sunday, November 3rd - 7pm
Saturday, November 9th - 4pm
Website: www.afofest..org
“Our mission is to present transformational solo theater that changes the way you think and feel about the things that matter,” says Wolk, “I’m thrilled to be recognizing Eva Price, an outstanding producer who brought Carrie Fisher’s one-woman show Wishful Drinking to the Broadway stage and continues to showcase and support solo artists and their transformational work, such as, Margo Gomez and her production of Los Big Names.”
Tickets are $25 for individual shows; $150 festival pass; $20 seniors; $15 students.
Tickets will be available on August 1, 2013 at http://www.afofest.org/tickets. Tickets may also be purchased in-person at Box Office ½ hour in advance of the performances.
SHOWS:
A CARLIN HOME COMPANION
Written & Performed by Kelly Carlin
Directed by Paul Provenza
Deftly weaving her amusing yet poignant family stories with classic video footage of her father’s career and family memorabilia, Kelly Carlin, the only child of iconoclastic comedian George Carlin, takes the audience on a roller coaster ride of emotions and pulls back the curtain on their life together off stage.
Friday, October 11th - 7pm
Sunday, October 13th - 1pm
Thursday, October 17th - 7pm
Saturday, October 19th - 1pm
BEYOND WORDS
Written & Performed by Bill Bowers
Directed by Scott Illingworth
Set against the backdrop of small town America, BEYOND WORDS takes us on a journey from boyhood to manhood and considers the lessons learned along the way. One of the most acclaimed multi-disciplinary artists, Bill Bowers employs an eloquent mixture of music, monologue and mime to create a vibrant and poetic montage that is Beyond Words. "Bowers effortlessly brings us to laughter and tears, often at the same time.” - The New York Post.
“Fascinating. Affecting. “Beyond Words” is engaging to the eye and ear.” -The New York Times
Saturday, October 12th - 7pm
Sunday, October 13th - 4pm
Saturday, October 26th - 1pm
Thursday, November 2nd - 7pm
SLUT ENERGY THEORY
Written and Performed by Rene Marie
Directed by Donnie L. Betts
One woman’s story about abuse, laughter, life, & pushin’ on through to the other side.
U’Dean Morgan’s harrowing life experiences have left her anything but speechless. She tells you exactly what she thinks about sex, heaven, lies, truth, you, and herself through music, spoken word, and monologue.
Saturday, October 12th - 4pm
Sunday, October 13th - 7pm
Friday, October 18th - 7pm
Sunday, October 20th - 1pm
ANOTHER MEDEA
Performed by Tom Hewitt
Written & Directed by Aaron Mark
In Another Medea, we meet the incarcerated Marcus Sharp, a onetime New York actor who recounts in gruesome detail how his obsessions with a man named Jason and the myth of Medea lead to horrific, unspeakable events. Tom Hewitt plays Marcus and others in this frighteningly provocative minimalist monodrama.
Saturday, October 19th - 7pm
Sunday, October 20th - 4pm
Saturday, October 26th - 4pm
Wednesday, October 30th - 7pm
THE OTHER MOZART
Written and Performed by Sylvia Milo
Directed by Isaac Byrne
The Other Mozart is a play about Nannerl Mozart, the sister of Amadeus. It tells the true story of this prodigy, a keyboard virtuoso and composer, who as a child toured through all of Europe performing with her brother, to equal acclaim, but who faded away and left behind nothing of her own.
Saturday, October 19th - 4pm
Sunday, October 20th - 1pm
Saturday, October 26th - 7pm
Sunday, October 27th - 1pm
A LITTLE POTATO HARD TO PEEL
Written and Performed by David Harrell
Directed by Kirk White
Hard to Peel, David Harrell takes the audience on a journey that begins with the day he was born without his right hand. What starts out as one man’s challenge to accept his own strengths and limitations becomes a compelling charge for us all.
Sunday, October 20th - 7pm
Friday, October 25th - 7pm
Sunday, October 27th - 4pm
Saturday, November 9th - 7pm
KNYUM
Written and Performed by Vichet Chum
Directed by Kyle Schaefer and Emily Ritger
To supplement his meager artistic life, Guy works graveyard shifts at the Hotel East Houston in New York City. Between the hours of 11pm and 7am, the hotel lobby transforms into a theater for Guy’s dreams. There, he encounters his parents, Ma and Ba and their stories of sacrifice and survival.
Sunday, October 27th - 7pm
Saturday, November 2nd - 1pm
Sunday, November 3rd - 4pm
Friday, November 8th - 7pm
THOSE WHO CAN’T DO
Written and Performed by Erin Fleck
Directed by Shari Hollett
Shame. That’s what haunts high school teacher, Lillian Campbell. Lillian finds herself in the middle of a sex scandal involving her grade nine girls and the majority of the senior hockey team. In order to battle the humiliation and shame forced upon the girls, she must first battle her own.
Friday, November 1st - 7pm
Saturday, November 2nd - 4pm
Sunday, November 3rd - 7pm
Saturday, November 9th - 4pm
Website: www.afofest..org
THE GLASS EYE and New York Innovative Theatre Foundation 2013 Caffe Cino Award recipient TERRANOVA COLLECTIVE are pleased to announce a soloNOVA ARTS Production, Colleen O’Connor’s SEXLESS IN THE BOROUGHS directed by The Glass Eye Artistic Director Kyle Metzger. SEXLESS IN THE BOROUGHS will play a two week limited engagement at IRT Theater (154 Christopher Street, New York, NY 10014). Performances begin Friday, October 25 and continue through Sunday, November 3, 2013. Press are invited to all performances.
In a world where sex sells, this old virgin ain't buying. From Texas to New York City and beyond, Colleen O'Connor tells the true story of the most mythical creature: the 26 year old virgin. From being a homeless men-magnet to a string of less-than-desirable dating dregs, she transposes tales from her acclaimed blog SEXLESS IN THE BOROUGHS to the stage, facing her chronic virginity with humanity and humor, and giving voice to one of our generation's most taboo subjects.
O’Connor stresses the importance of this play, “in gearing the conversation towards women in today's society, the rights of women, and the objectification of women is vital. Women are remarkably strong. I am proud to be one and I am hopeful to inspire many.” She was sparked to share her story after the Steubenville Trials last year, and angered when Todd Aiken came out with the whole ‘legitimate rape’ nonsense. O’Connor was further moved to action when the Texas government shut down all but 5 planned parenthood clinics in Texas even after Wendy Davis' successful filibuster where hundreds of Texans showed up to the Capital to cheer her on and support women until the governor called a second session, and overruled the people and the women of Texas and passed the bill anyway. She sees it as “a total abuse of power and a set back for so many women. AND THEN, Miley Cyrus and Robin Thicke, etc.
Writing this show, sharing my story and reflecting back on my experiences I have found my voice as a human. It's important to me to share my story so maybe other women will be brave enough to share their story. My self worth was low. Very low. I've felt less than because I have not had sex which then prevented me from thinking I was worthy of love and that I deserved to be harassed by strangers and coworkers. I think the opposite of my situation is not so opposite as I may have once thought. How many women do we all know that have gratuitous sex and then feel like shit when they get treated like a play toy, so they keep objectifying themselves and losing their own self worth in hopes to find the person who will make them feel whole? This is not so different from shutting yourself off from sex entirely out of insecurity and fear.
I have a new found self worth because I have taken my fears, my traumas, my tanning mistakes, and put them out there for others to relate to, laugh at and learn from. Doing so has lead me to amazingly supportive and nonjudgmental people. It has showed me that the thing that has made me feel different or damaged is the thing that connects me to everyone around me. This is empowering.”
The production stars Colleen O’Connor and features Andrew Davies, Dan Emino and Annie Rubino.
Original music by Dan Emino. Lighting and Sound Design by Jason Fok. Produced by Leta Tremblay; Becca Pickett is the production stage manager. Publicity by Katie Rosin/Kampfire PR.
SEXLESS IN THE BOROUGHS plays the following regular schedule through Sun, Nov 3:
Fridays, Saturdays and Sundays at 8p.m.
Tickets are $18 and are available online at www.terraNOVACollective.org or by calling 1-800-838-3006. Tickets may also be purchased in-person at the theater ½ hour prior to performance.
Website: www.terraNOVACollective.org
Direct link for tickets: sexless.brownpapertickets.com
Blog: www.sexlessintheboroughs.blogspot.com
In a world where sex sells, this old virgin ain't buying. From Texas to New York City and beyond, Colleen O'Connor tells the true story of the most mythical creature: the 26 year old virgin. From being a homeless men-magnet to a string of less-than-desirable dating dregs, she transposes tales from her acclaimed blog SEXLESS IN THE BOROUGHS to the stage, facing her chronic virginity with humanity and humor, and giving voice to one of our generation's most taboo subjects.
O’Connor stresses the importance of this play, “in gearing the conversation towards women in today's society, the rights of women, and the objectification of women is vital. Women are remarkably strong. I am proud to be one and I am hopeful to inspire many.” She was sparked to share her story after the Steubenville Trials last year, and angered when Todd Aiken came out with the whole ‘legitimate rape’ nonsense. O’Connor was further moved to action when the Texas government shut down all but 5 planned parenthood clinics in Texas even after Wendy Davis' successful filibuster where hundreds of Texans showed up to the Capital to cheer her on and support women until the governor called a second session, and overruled the people and the women of Texas and passed the bill anyway. She sees it as “a total abuse of power and a set back for so many women. AND THEN, Miley Cyrus and Robin Thicke, etc.
Writing this show, sharing my story and reflecting back on my experiences I have found my voice as a human. It's important to me to share my story so maybe other women will be brave enough to share their story. My self worth was low. Very low. I've felt less than because I have not had sex which then prevented me from thinking I was worthy of love and that I deserved to be harassed by strangers and coworkers. I think the opposite of my situation is not so opposite as I may have once thought. How many women do we all know that have gratuitous sex and then feel like shit when they get treated like a play toy, so they keep objectifying themselves and losing their own self worth in hopes to find the person who will make them feel whole? This is not so different from shutting yourself off from sex entirely out of insecurity and fear.
I have a new found self worth because I have taken my fears, my traumas, my tanning mistakes, and put them out there for others to relate to, laugh at and learn from. Doing so has lead me to amazingly supportive and nonjudgmental people. It has showed me that the thing that has made me feel different or damaged is the thing that connects me to everyone around me. This is empowering.”
The production stars Colleen O’Connor and features Andrew Davies, Dan Emino and Annie Rubino.
Original music by Dan Emino. Lighting and Sound Design by Jason Fok. Produced by Leta Tremblay; Becca Pickett is the production stage manager. Publicity by Katie Rosin/Kampfire PR.
SEXLESS IN THE BOROUGHS plays the following regular schedule through Sun, Nov 3:
Fridays, Saturdays and Sundays at 8p.m.
Tickets are $18 and are available online at www.terraNOVACollective.org or by calling 1-800-838-3006. Tickets may also be purchased in-person at the theater ½ hour prior to performance.
Website: www.terraNOVACollective.org
Direct link for tickets: sexless.brownpapertickets.com
Blog: www.sexlessintheboroughs.blogspot.com
Queens Theatre (QT) presents the L.A. Theatre Works production of THE GRADUATE. Based on the 1963 “age of youth” novel and the classic 1967 Oscar-winning film, adapted for the stage by Terry Johnson. The play is directed by Brian Kite, and features a dynamite cast of stars of film and TV: Diane Adair (South Coast Repertory Theatre) as Mrs. Braddock, Matthew Arkin (Bdwy: Losing Louie, The Sunshine Boys; TV: “Rescue Me”, “100 Centre Street”, “All My Children”) as Mr. Robinson, Heidi Dippold (TV: “The Sopranos”, “All My Children”) as Mrs. Robinson, Jill Renner (Pacific Resident Theatre) as Elaine Robinson, Darren Richardson (Nat’ Tour: Pride and Prejudice; TV: “Lost”, “Fastlane”) as Hotel Clerk/Priest/Psychiatrist, Brian Tichnell (TV: “Happy Endings”) as Benjamin Braddock and Tom Virtue (TV: “The Building, The Bonnie Hunt Show”) as Mr. Braddock.
THE GRADUATE will play five performances only at Queens Theatre (14 United Nations Avenue South, Flushing Meadows Corona Park, Queens, NY 11368). Performances are October 25th and 26th at 2pm and 8pm and October 27th at 3pm. Tickets are $25-$49 and are available online at www.queenstheatre.org/graduate or by calling 718-760-0064. Tickets may also be purchased in-person at the Queens Theatre Box Office, Mondays from 10am to 2pm, Wednesdays through Sundays from 10am to 6pm. (Senior discount available, $20 student rush tickets available day of).
On Friday, October 25th Queens Theatre and new Managing Director Taryn Sacramone invite you to a special event in conjunction with THE GRADUATE celebrating the beginning of QT’s 25th Anniversary Season. Go back to the 60's with a special pre-show cocktail reception at 6:00 pm followed by a performance of the first show in the 2013-14 Theatre Series. Tickets are just $75 and are available at www.queenstheatre.org /2013-14-season-opening-celebration.
QT’s 25th Anniversary Season began on September 28th, 2013 with Robert Klein’s comedy show and continues through the production of Peter Pan on June 1st, 2014. The season includes their Theatre Series (The Graduate), Dance Series (Rioult), Comedy Series (My Mother’s Italian, My Father’s Jewish & I’m In Therapy), Family Series (Masked Marvels), and Special Events (Calpulli Mexican Dance Company). QT also continues to discover and develop new plays that reflect the diversity of Queens through their Immigrant Voices Project, a free play reading series. All events take place at Queens Theatre (14 United Nations Avenue South, Flushing Meadows Corona Park, Queens, NY 11368). Ticketing and more information is available from the website at http://queenstheatre.org/buy-tickets. The complete Season Announcement is available at http://bit.ly/QT1314Season.
ABOUT THE GRADUATE:
MR ROBINSON
I've just got one thing to say, Ben.
BENJAMIN
What's that, sir.
MR ROBINSON
One word, Ben.
BENJAMIN
One word?
MR ROBINSON
Plastics, Ben. Plastics. Will you think about that?
--from The Graduate
These lines, so etched in the American psyche, are emblematic of the “advice” still offered to all recent graduates. The Graduate’s characters, phrases, and themes continue to ring true a half century after the publication of the novel. Whether seen on film, stage, or read, The Graduate has been a touchstone for generations- representing the universal feelings of rebellion, confusion, frustration, love, and redemption- so honestly, and hilariously, embodied by the characters of Mrs. Robinson, Benjamin Braddock, Elaine, and the rest.
In the early 1960s, when Charles Webb wrote a novel called The Graduate, America was in an “age of youth.” Young people were leading the way to social, political, and cultural transformation. Webb’s novel, published in 1963, was groundbreaking in those changing times; reviewers unanimously praised his brilliant and innovative use of dialogue and comedic genius in dealing with controversial themes and the main character’s lack of direction. In 1967, The Graduate film was released, featuring the memorable, boyish face of Dustin Hoffman as the lost but heroically determined Benjamin Braddock. The Graduate quickly became a cult favorite and an artistic triumph, garnering multiple Academy Award nominations. It remains one of the top grossing films in history. THE GRADUATE premiered on Broadway at the Plymouth Theatre in April 2002, starring Jason Biggs, Alicia Silverstone and Kathleen Turner.
The production features scenic and lighting design by Daniel Ionazzi and costume design by Rebecca Guzzi. Josh Bessom is the sound designer and Caitlin Barbieri is the production stage manager.
THE GRADUATE schedule:
Friday, October 25 at 2pm and 8pm
Saturday, October 26 at 2pm and 8pm
Sunday, October 27 at 3pm
Tickets are $25 rear side seating, $42 weekday (Fri), $49 weekend (Sat-Sun) and are now available online at www.queenstheatre.org/graduate or by calling 718-760-0064. Tickets may also be purchased in-person at the Queens Theatre Box Office, Monday 10am to 2pm, Wednesday through Sunday 10am to 6pm. (Senior discount available, $20 student rush tickets available day of).
Website: www.queenstheatre.org/graduate
Running time: 2 Hours, 10 minutes, including intermission
Queens Theatre
14 United Nations Avenue South
Flushing Meadows Corona Park, Queens, NY 11368
FREE PARKING
Car: L.I.E. to Grand Central Pkwy West, exit 9P.
Subway: 7 train to the Mets-Willets Point station. Follow signs to LIRR/Flushing Meadows Corona Park. Free Shuttle Service runs one hour prior to curtain and stops outside Mets-Willets Point station.
THE GRADUATE will play five performances only at Queens Theatre (14 United Nations Avenue South, Flushing Meadows Corona Park, Queens, NY 11368). Performances are October 25th and 26th at 2pm and 8pm and October 27th at 3pm. Tickets are $25-$49 and are available online at www.queenstheatre.org/graduate or by calling 718-760-0064. Tickets may also be purchased in-person at the Queens Theatre Box Office, Mondays from 10am to 2pm, Wednesdays through Sundays from 10am to 6pm. (Senior discount available, $20 student rush tickets available day of).
On Friday, October 25th Queens Theatre and new Managing Director Taryn Sacramone invite you to a special event in conjunction with THE GRADUATE celebrating the beginning of QT’s 25th Anniversary Season. Go back to the 60's with a special pre-show cocktail reception at 6:00 pm followed by a performance of the first show in the 2013-14 Theatre Series. Tickets are just $75 and are available at www.queenstheatre.org /2013-14-season-opening-celebration.
QT’s 25th Anniversary Season began on September 28th, 2013 with Robert Klein’s comedy show and continues through the production of Peter Pan on June 1st, 2014. The season includes their Theatre Series (The Graduate), Dance Series (Rioult), Comedy Series (My Mother’s Italian, My Father’s Jewish & I’m In Therapy), Family Series (Masked Marvels), and Special Events (Calpulli Mexican Dance Company). QT also continues to discover and develop new plays that reflect the diversity of Queens through their Immigrant Voices Project, a free play reading series. All events take place at Queens Theatre (14 United Nations Avenue South, Flushing Meadows Corona Park, Queens, NY 11368). Ticketing and more information is available from the website at http://queenstheatre.org/buy-tickets. The complete Season Announcement is available at http://bit.ly/QT1314Season.
ABOUT THE GRADUATE:
MR ROBINSON
I've just got one thing to say, Ben.
BENJAMIN
What's that, sir.
MR ROBINSON
One word, Ben.
BENJAMIN
One word?
MR ROBINSON
Plastics, Ben. Plastics. Will you think about that?
--from The Graduate
These lines, so etched in the American psyche, are emblematic of the “advice” still offered to all recent graduates. The Graduate’s characters, phrases, and themes continue to ring true a half century after the publication of the novel. Whether seen on film, stage, or read, The Graduate has been a touchstone for generations- representing the universal feelings of rebellion, confusion, frustration, love, and redemption- so honestly, and hilariously, embodied by the characters of Mrs. Robinson, Benjamin Braddock, Elaine, and the rest.
In the early 1960s, when Charles Webb wrote a novel called The Graduate, America was in an “age of youth.” Young people were leading the way to social, political, and cultural transformation. Webb’s novel, published in 1963, was groundbreaking in those changing times; reviewers unanimously praised his brilliant and innovative use of dialogue and comedic genius in dealing with controversial themes and the main character’s lack of direction. In 1967, The Graduate film was released, featuring the memorable, boyish face of Dustin Hoffman as the lost but heroically determined Benjamin Braddock. The Graduate quickly became a cult favorite and an artistic triumph, garnering multiple Academy Award nominations. It remains one of the top grossing films in history. THE GRADUATE premiered on Broadway at the Plymouth Theatre in April 2002, starring Jason Biggs, Alicia Silverstone and Kathleen Turner.
The production features scenic and lighting design by Daniel Ionazzi and costume design by Rebecca Guzzi. Josh Bessom is the sound designer and Caitlin Barbieri is the production stage manager.
THE GRADUATE schedule:
Friday, October 25 at 2pm and 8pm
Saturday, October 26 at 2pm and 8pm
Sunday, October 27 at 3pm
Tickets are $25 rear side seating, $42 weekday (Fri), $49 weekend (Sat-Sun) and are now available online at www.queenstheatre.org/graduate or by calling 718-760-0064. Tickets may also be purchased in-person at the Queens Theatre Box Office, Monday 10am to 2pm, Wednesday through Sunday 10am to 6pm. (Senior discount available, $20 student rush tickets available day of).
Website: www.queenstheatre.org/graduate
Running time: 2 Hours, 10 minutes, including intermission
Queens Theatre
14 United Nations Avenue South
Flushing Meadows Corona Park, Queens, NY 11368
FREE PARKING
Car: L.I.E. to Grand Central Pkwy West, exit 9P.
Subway: 7 train to the Mets-Willets Point station. Follow signs to LIRR/Flushing Meadows Corona Park. Free Shuttle Service runs one hour prior to curtain and stops outside Mets-Willets Point station.
The Spiral Theatre Studio (TSTS) is pleased to announce its inaugural season, launching the Salt & Pepper Series. The unique aspect of The Spiral Theatre Studio is the stage, consisting of a Hexagon divided into twelve (12) fully carpeted modular pieces that move upon a fully carpeted floor. Additionally, TSTS will represent under-served markets such as Senior Citizens, African-American writers, Women writers, the LGBT and Environmental Movement communities, by working with them creatively or providing performances that interest their demographic. All performances will take place at The Spiral Theatre Studio at Paul Michael's The Network at 242 West 36th Street, NYC, in the heart of the new Theatre district.
STORIES MY GRANDMOTHER TOLD ME, written by Ted Swindley and directed by Paula J. Riley will play September 27th through October 20th, 2013.
Starring Suzanne Hayes-Kelly (Film: "Isn't it Delicious"), Chris Mixon (Figaro, Pearl), Michael Paul Carr, Angela Dirkson (Mrs. Bob Cratchit's Wild Christmas Binge by Durang, NY Premiere), and Stuart Aion.
This new play adopted from short stories by Ted Swindley weaves a modern Southern gothic tale of a young man's relationship with the matriarch of his family. With content reminiscent of Tennessee Williams and a style similar to A.R. Gurney's 'Love Letters' and 'Ancestral Voices', this highly theatrical narrative piece will touch the hearts of audiences who understand the strong influences that grandparents have in their lives.
Tickets are $18 (3 show package for $45) and are now available online at www.SpiralTheatreStudio.com. Tickets may also be purchased in-person at the theater ½ prior to performance.
STORIES MY GRANDMOTHER TOLD ME, written by Ted Swindley and directed by Paula J. Riley will play September 27th through October 20th, 2013.
Starring Suzanne Hayes-Kelly (Film: "Isn't it Delicious"), Chris Mixon (Figaro, Pearl), Michael Paul Carr, Angela Dirkson (Mrs. Bob Cratchit's Wild Christmas Binge by Durang, NY Premiere), and Stuart Aion.
This new play adopted from short stories by Ted Swindley weaves a modern Southern gothic tale of a young man's relationship with the matriarch of his family. With content reminiscent of Tennessee Williams and a style similar to A.R. Gurney's 'Love Letters' and 'Ancestral Voices', this highly theatrical narrative piece will touch the hearts of audiences who understand the strong influences that grandparents have in their lives.
Tickets are $18 (3 show package for $45) and are now available online at www.SpiralTheatreStudio.com. Tickets may also be purchased in-person at the theater ½ prior to performance.
Photo by Carol Rosegg
“The story is delightful, the writing is entertaining, and what comes out of Bette’s mouth is priceless.” - New York Post
“ A Sparkling two-hander… Elizabeth Fuller, playing herself, lends the evening both authenticity and a touch of the surreal…” – London Times
“Me and Jezebel tells a story you won’t hear about on any cable documentary…the evening is teeming with incident and asking the writer to single out any particular episode is like asking John Gielgud to name his favorite speech from Shakespeare…” – The New Yorker
Drew Friedman, in association with Robert R. Blume (Executive Producer of the Drama Desk Awards) will present the 20th anniversary, off-Broadway revival of Elizabeth Fuller’s international hit comedy ME AND JEZEBEL, a play based on a true story about the irascible queen of Hollywood, Bette Davis. Previews Begin Wednesday, July 17, 2013 at 8PM and the official opening is on Wednesday, July 24, 2013 at 8PM at the Snapple Theater Center (210 West 50th St.), in Manhattan. Mark S. Graham directs.
On May 28, 1985, star-struck Elizabeth Fuller’s dream came true when the legendary Bette Davis came to dinner at her dilapidated New England cottage. Four weeks later, as the hotel strike in New York raged on, she was still there. In one short month she conquered suburbia, took over the Fullers’ home and changed their life forever.
ME and JEZEBEL is a candidly funny day-to-day account of trying to please the irascible queen of Hollywood in so adverse a condition as ordinary life – it’s a look at the explosive, intimidating and demanding Bette Davis that no fan would expect: participating in a séance, berry picking, signing autographs at McDonald’s, and remaining every inch the superstar while riding shotgun in a beat up Toyota!
Also on display in the lobby of the theatre will be three never before seen poems written by Davis herself, who hid them in the Fuller home when she finally left. They are thought to be her first crack at poetry writing. Other personal belongings of Bette Davis are in the show including the stunning sapphire and pearl bracelet that she always wore, one of her cocktail dresses, a pair of pearl earrings, and a kiddy table that she autographed and used at cocktail time.
ME AND JEZEBEL is currently playing around the world. It has run in Prague, Slovakia, Munich, Warsaw, Athens, at the Edinburgh Festival Fringe, Sydney and Melbourne. It is currently running in San Paolo, Brazil.
The cast of ME AND JEZEBEL is comprised of Mr. Kelly Moore and Ms. Elizabeth Fuller. Mr. Moore has received widespread acclaim for his portrayal of Bette Davis, while Ms. Fuller, who wrote the play to tell her life experience, plays herself.
Set and costume design is by Gary Enck, sound design is by PJ Letersky. Laura Heller is the General Manager, Advertising & Marketing is by Katie Rosin at Kampfire PR.
Performances of ME AND JEZEBEL are Wednesdays and Thursdays at 8PM and Saturdays at 5PM.
Tickets for ME AND JEZEBEL are $65 and available online at www.ticketmaster.com, by calling the Snapple Theater Center Box Office at 212.921.7862 or in person, at the box office prior to each performance. A limited number of specially priced $45 tickets available only at the box office, in person. Premium tickets are also available. Carol Ostrow Group Sales - Phone: (212) 265-8500.
The Snapple Theater Center is located at 210 West 50th St. in New York City.
Press Contact: Dan Demello, 917.981.0344 or danielwdemello@gmail.com
“ A Sparkling two-hander… Elizabeth Fuller, playing herself, lends the evening both authenticity and a touch of the surreal…” – London Times
“Me and Jezebel tells a story you won’t hear about on any cable documentary…the evening is teeming with incident and asking the writer to single out any particular episode is like asking John Gielgud to name his favorite speech from Shakespeare…” – The New Yorker
Drew Friedman, in association with Robert R. Blume (Executive Producer of the Drama Desk Awards) will present the 20th anniversary, off-Broadway revival of Elizabeth Fuller’s international hit comedy ME AND JEZEBEL, a play based on a true story about the irascible queen of Hollywood, Bette Davis. Previews Begin Wednesday, July 17, 2013 at 8PM and the official opening is on Wednesday, July 24, 2013 at 8PM at the Snapple Theater Center (210 West 50th St.), in Manhattan. Mark S. Graham directs.
On May 28, 1985, star-struck Elizabeth Fuller’s dream came true when the legendary Bette Davis came to dinner at her dilapidated New England cottage. Four weeks later, as the hotel strike in New York raged on, she was still there. In one short month she conquered suburbia, took over the Fullers’ home and changed their life forever.
ME and JEZEBEL is a candidly funny day-to-day account of trying to please the irascible queen of Hollywood in so adverse a condition as ordinary life – it’s a look at the explosive, intimidating and demanding Bette Davis that no fan would expect: participating in a séance, berry picking, signing autographs at McDonald’s, and remaining every inch the superstar while riding shotgun in a beat up Toyota!
Also on display in the lobby of the theatre will be three never before seen poems written by Davis herself, who hid them in the Fuller home when she finally left. They are thought to be her first crack at poetry writing. Other personal belongings of Bette Davis are in the show including the stunning sapphire and pearl bracelet that she always wore, one of her cocktail dresses, a pair of pearl earrings, and a kiddy table that she autographed and used at cocktail time.
ME AND JEZEBEL is currently playing around the world. It has run in Prague, Slovakia, Munich, Warsaw, Athens, at the Edinburgh Festival Fringe, Sydney and Melbourne. It is currently running in San Paolo, Brazil.
The cast of ME AND JEZEBEL is comprised of Mr. Kelly Moore and Ms. Elizabeth Fuller. Mr. Moore has received widespread acclaim for his portrayal of Bette Davis, while Ms. Fuller, who wrote the play to tell her life experience, plays herself.
Set and costume design is by Gary Enck, sound design is by PJ Letersky. Laura Heller is the General Manager, Advertising & Marketing is by Katie Rosin at Kampfire PR.
Performances of ME AND JEZEBEL are Wednesdays and Thursdays at 8PM and Saturdays at 5PM.
Tickets for ME AND JEZEBEL are $65 and available online at www.ticketmaster.com, by calling the Snapple Theater Center Box Office at 212.921.7862 or in person, at the box office prior to each performance. A limited number of specially priced $45 tickets available only at the box office, in person. Premium tickets are also available. Carol Ostrow Group Sales - Phone: (212) 265-8500.
The Snapple Theater Center is located at 210 West 50th St. in New York City.
Press Contact: Dan Demello, 917.981.0344 or danielwdemello@gmail.com
TANDAVA ARTS is pleased to announce the return engagement of Carol Tandava Henning’s BLOOD ON THE VEIL directed by Jeffrey Fiske. BLOOD ON THE VEIL will play an 8 -week limited engagement at the Write Act Repertory Theatre (309 East 26th Street, NYC 10010). Performances begin Sunday, August 4 and continue Sunday, September 29. Opening Night is Sunday, August 4 (8 p.m.). (There is no performance on Sunday, September 1, Labor Day Weekend.)
“Blood on the Veil” is a whirlwind monologue-in-movement that combines humorous and insightful autobiographical storytelling with the mesmerizing art of bellydance. Experience the divine in this riveting one-woman show.
The production stars Carol Tandava Henning, and features guest dancers Altagracia (9/29), Cherrelle (8/18), Giselle (8/11), Jehan (8/11), Kaitlin (8/18), Katrina (9/15) , Kisha (8/4), Layla Mary (9/22), Morocco (8/25), Rayhana (8/4), Sharon Zaslaw (8/4), Zenaide (9/8)—and many others!,
The production features costumes by Eman Zaki, lighting/sound design by Alex Chmaj, and Joseph Zaslaw is the stage manager.
BLOOD ON THE VEIL plays the following regular schedule through Sunday, September 29: Sundays at 8 p.m.
Tickets are $20-$30 and are now available online at www.bloodontheveil.com. Tickets may also be purchased in-person half an hour prior to performance at the theater box office.
Running Time: 125 minutes, with 10-minute intermission
Website: Bloodontheveil.com
Facebook: www.facebook.com/bloodontheveil
“Blood on the Veil” is a whirlwind monologue-in-movement that combines humorous and insightful autobiographical storytelling with the mesmerizing art of bellydance. Experience the divine in this riveting one-woman show.
The production stars Carol Tandava Henning, and features guest dancers Altagracia (9/29), Cherrelle (8/18), Giselle (8/11), Jehan (8/11), Kaitlin (8/18), Katrina (9/15) , Kisha (8/4), Layla Mary (9/22), Morocco (8/25), Rayhana (8/4), Sharon Zaslaw (8/4), Zenaide (9/8)—and many others!,
The production features costumes by Eman Zaki, lighting/sound design by Alex Chmaj, and Joseph Zaslaw is the stage manager.
BLOOD ON THE VEIL plays the following regular schedule through Sunday, September 29: Sundays at 8 p.m.
Tickets are $20-$30 and are now available online at www.bloodontheveil.com. Tickets may also be purchased in-person half an hour prior to performance at the theater box office.
Running Time: 125 minutes, with 10-minute intermission
Website: Bloodontheveil.com
Facebook: www.facebook.com/bloodontheveil
Photo credit: Hunter Canning
REVOLVE PRODUCTIONS is pleased to announce Rebecca Gilman’s THE GLORY OF LIVING, directed by Ashley Kelly Tata. THE GLORY OF LIVING will play a three-week limited engagement at the Access Theater (380 Broadway, New York, NY). Performances begin Thursday, August 1 and continue Sunday, August 18. Opening Night is Saturday, August 3 (8 p.m.).
Empty beer bottles. Crumpled-up potato chip bags. A sweaty, soiled clump of sheets. The TV blares. The Glory of Living follows the story of Lisa, a girl who leaves her trailer home and prostitute mother to join Clint, a man who loves her very much. The two take off and travel through the rural south of our not-too-distant-past, living in motel rooms, paid for with cash from minor theft. As their crimes turn from petty to depraved we are confronted with a portrait of America that no one wants to call home, an America slipped-through-the-cracks of nameless victims and their equally nameless perpetrators. A handcuff. A jacked car. A ride through the woods. A distant gunshot. The TV blares.
The production stars Hannah Sloat (Bdwy: War Horse) as Lisa, Hardy Pinnell as Clint, Richard Hutzler as Carl, Stacee Mandeville as Jeannette/Transcriber, Amanda Gardner as Carol, stars Lindsey Liberatore (College Humor) as Angie, Laura Heckel as Girl, Stephen James Anthony (Bdwy: War Horse) as Steve, Chris Cornwell as Burrows/Policeman 2/Guard and Matthew Hansen as Jim/Policeman 1/Hugh.
The production features scenic and costume design by Alexandra Regazzioni, lighting design by Tuce Yasak, and sound design by Kortney Barber.
THE GLORY OF LIVING plays the following schedule beginning Thursday, August 1:
Thursdays at 8 p.m.
Fridays at 8 p.m.
Saturdays at 2 p.m. and 8 p.m.
Sundays at 2 p.m.
Tickets are $18 and are now available online at www.BrownPaperTickets.com.
Running Time: 90 minutes, including intermission
Website: thegloryofliving.tumblr.com
Empty beer bottles. Crumpled-up potato chip bags. A sweaty, soiled clump of sheets. The TV blares. The Glory of Living follows the story of Lisa, a girl who leaves her trailer home and prostitute mother to join Clint, a man who loves her very much. The two take off and travel through the rural south of our not-too-distant-past, living in motel rooms, paid for with cash from minor theft. As their crimes turn from petty to depraved we are confronted with a portrait of America that no one wants to call home, an America slipped-through-the-cracks of nameless victims and their equally nameless perpetrators. A handcuff. A jacked car. A ride through the woods. A distant gunshot. The TV blares.
The production stars Hannah Sloat (Bdwy: War Horse) as Lisa, Hardy Pinnell as Clint, Richard Hutzler as Carl, Stacee Mandeville as Jeannette/Transcriber, Amanda Gardner as Carol, stars Lindsey Liberatore (College Humor) as Angie, Laura Heckel as Girl, Stephen James Anthony (Bdwy: War Horse) as Steve, Chris Cornwell as Burrows/Policeman 2/Guard and Matthew Hansen as Jim/Policeman 1/Hugh.
The production features scenic and costume design by Alexandra Regazzioni, lighting design by Tuce Yasak, and sound design by Kortney Barber.
THE GLORY OF LIVING plays the following schedule beginning Thursday, August 1:
Thursdays at 8 p.m.
Fridays at 8 p.m.
Saturdays at 2 p.m. and 8 p.m.
Sundays at 2 p.m.
Tickets are $18 and are now available online at www.BrownPaperTickets.com.
Running Time: 90 minutes, including intermission
Website: thegloryofliving.tumblr.com
Photo by Carrie Crow
ALBERT PODELL and THE YORK SHAKESPEARE COMPANY are pleased to announce the world premiere production of Alexander Harrington’s THE GREAT SOCIETY, directed by Seth Duerr†. THE GREAT SOCIETY will play a four-week limited engagement at the Clurman Theatre (Theatre Row: 410 West 42nd Street, NYC). Performances begin Saturday, August 3 and continue through Saturday, August 24. Opening Night is Thursday, August 8 (8 p.m.).
Thrust by the assassination of John Kennedy into the office he always wanted, Lyndon Johnson manipulates, seduces, and strong arms senators into ending legal segregation and waging war on poverty. But in an effort to protect himself from charges of weakness that could be used to block his domestic programs, Johnson escalates U.S. involvement in Vietnam into a full-scale war, which costs him his funding, his prestige, his power, his people, and his dreams for creating The Great Society.
Alexander Harrington is the son of Michael Harrington, author of The Other America, (which is said to have sparked the Kennedy administration’s interest in fighting poverty), consultant in drafting Lyndon Johnson’s War on Poverty legislation, adviser to Martin Luther King, Jr., and socialist activist. Alexander Harrington’s interest in Lyndon Johnson was inspired by his father’s comment, “Jack Kennedy was a dilettante when it came to poverty; Lyndon Johnson was serious about doing something for the poor of this country.”
The production stars Mitch Tebo* (Classic Stage Company: The Revenger’s Tragedy, The Dumb Waiter) as Lyndon Johnson, Elena McGhee* (CSC, Blue Bloods, Louie) as Lady Bird Johnson, Yaakov Sullivan* (Utah Shakespeare Festival, Cleveland Playhouse) as Richard Russell, James Lurie* (TV: Buffy the VampireSlayer) as J. William Fulbright, Curtis Wiley* (Broadway Nat’l. Tour: The Lion King) as Martin Luther King, Jr., Charles Gray* (Broadway: The Color Purple, Grease) as Bayard Rustin, Reed Armstrong* (Broadway: Miss Saigon) as Robert McNamara, Charles F. Wagner IV* (Regional: The Tempest, Hamlet) as Hubert Humphrey and Seymore Trammell, Robert Ierardi* (West End: West Side Story) as Everett Dirksen and Nicholas Katzenbach, Jeff Burchfield* (Metropolitan Opera, Ensemble Studio Theatre) as Strom Thurmond and George Wallace, and Mac Brydon* (Film: Lipstick Jungle) as Jack Valenti and Wayne Morse.
The production features scenic design by Michael Minahan, costume design by Sean Sullivan, and lighting design by Dana Sterling. Preesa Adeline Bullington is the props designer, John D. Ivy is the composer/sound designer and Kristine Schlachter* is the production stage manager.
*Appears courtesy of Actors’ Equity Association. An AEA-approved Showcase.
†The Director is a member of the Stage Directors and Choreographers Society, a national theatrical labor union.
THE GREAT SOCIETY plays the following regular schedule through Sunday, August 24:
Thursdays at 8 p.m. - Saturdays at 8 p.m.
Sundays at 3 p.m.
There are two additional matinee performances on Saturday August 17th and August 24th at 2 p.m. The performances on Thursday August 15th and additional performance on Wednesday August 21st are sold out.
Tickets are $18 and are now available online at www.Telecharge.com or by calling 212-239-6200. Tickets may also be purchased in-person at the Theatre Row Box Office, 11 a.m. to 8 p.m. daily.
Running Time: 160 minutes, including one ten-minute intermission
Website: www.YorkShakespeare.org
Photos: http://bit.ly/TGSPhotos
Thrust by the assassination of John Kennedy into the office he always wanted, Lyndon Johnson manipulates, seduces, and strong arms senators into ending legal segregation and waging war on poverty. But in an effort to protect himself from charges of weakness that could be used to block his domestic programs, Johnson escalates U.S. involvement in Vietnam into a full-scale war, which costs him his funding, his prestige, his power, his people, and his dreams for creating The Great Society.
Alexander Harrington is the son of Michael Harrington, author of The Other America, (which is said to have sparked the Kennedy administration’s interest in fighting poverty), consultant in drafting Lyndon Johnson’s War on Poverty legislation, adviser to Martin Luther King, Jr., and socialist activist. Alexander Harrington’s interest in Lyndon Johnson was inspired by his father’s comment, “Jack Kennedy was a dilettante when it came to poverty; Lyndon Johnson was serious about doing something for the poor of this country.”
The production stars Mitch Tebo* (Classic Stage Company: The Revenger’s Tragedy, The Dumb Waiter) as Lyndon Johnson, Elena McGhee* (CSC, Blue Bloods, Louie) as Lady Bird Johnson, Yaakov Sullivan* (Utah Shakespeare Festival, Cleveland Playhouse) as Richard Russell, James Lurie* (TV: Buffy the VampireSlayer) as J. William Fulbright, Curtis Wiley* (Broadway Nat’l. Tour: The Lion King) as Martin Luther King, Jr., Charles Gray* (Broadway: The Color Purple, Grease) as Bayard Rustin, Reed Armstrong* (Broadway: Miss Saigon) as Robert McNamara, Charles F. Wagner IV* (Regional: The Tempest, Hamlet) as Hubert Humphrey and Seymore Trammell, Robert Ierardi* (West End: West Side Story) as Everett Dirksen and Nicholas Katzenbach, Jeff Burchfield* (Metropolitan Opera, Ensemble Studio Theatre) as Strom Thurmond and George Wallace, and Mac Brydon* (Film: Lipstick Jungle) as Jack Valenti and Wayne Morse.
The production features scenic design by Michael Minahan, costume design by Sean Sullivan, and lighting design by Dana Sterling. Preesa Adeline Bullington is the props designer, John D. Ivy is the composer/sound designer and Kristine Schlachter* is the production stage manager.
*Appears courtesy of Actors’ Equity Association. An AEA-approved Showcase.
†The Director is a member of the Stage Directors and Choreographers Society, a national theatrical labor union.
THE GREAT SOCIETY plays the following regular schedule through Sunday, August 24:
Thursdays at 8 p.m. - Saturdays at 8 p.m.
Sundays at 3 p.m.
There are two additional matinee performances on Saturday August 17th and August 24th at 2 p.m. The performances on Thursday August 15th and additional performance on Wednesday August 21st are sold out.
Tickets are $18 and are now available online at www.Telecharge.com or by calling 212-239-6200. Tickets may also be purchased in-person at the Theatre Row Box Office, 11 a.m. to 8 p.m. daily.
Running Time: 160 minutes, including one ten-minute intermission
Website: www.YorkShakespeare.org
Photos: http://bit.ly/TGSPhotos
Photo by Kim Becker
“Talented, multi-voiced performance.” – Theater J Blog
“Laura’s ability to meld the poignant with the humorous is continually arresting.” – Dr. Donn Murphy, former Executive Director of The National Theatre
"Zam...is introspective and funny, but also fiercely aware of the world and her place in it." - The Washington Post
ZAM NOT SPAM PRODUCTIONS, as part of the 17th annual New York International Fringe Festival, is pleased to announce the NYC premiere production of Laura Za’s MARRIED SEX, directed by Shirley Serotsky. MARRIED SEX will play a special engagement at the Fringe Venue #9 Jimmy’s No. 43 (43 East 7th Street, NYC). Performances begin Saturday, August 10 (3:45 pm) and continue through Thursday, August 22 (7:00 pm).
The wild world of women's sexual dysfunction! On Laura's honeymoon in Rome, she unearths...problems. Searching for a solution, she encounters an insane hypnotist, a jet-setting tantric mistress, a cynical sex therapist, a horny rabbi, and more. Want relationship tips? Come. It’s a show you’re definitely in the mood for!
In conjunction with MARRIED SEX performances, during the month of August, Ms. Zam will be hosting at least one New York City “Sex Brunch.” This gathering of women includes a presentation about healthy female sexuality as well as a facilitated discussion led by Ms. Zam. Food will also be served. The venue for this event will be announced soon.
MARRIED SEX plays the following schedule:
Saturday, August 10 @ 3:45 pm
Wednesday, August 14 @ 4:45 pm
Thursday, August 15 @ 9:45 pm
Saturday, August 17 @ 12 noon
Monday, August 19 @ 9:15 pm
Thursday, August 22 @ 7:00 pm
$15 tickets go on sale July 19 at www.FringeNYC.org
Venue address:
Jimmy’s No. 43
43 East 7th Street
New York, 10003
Running Time: 90 minutes
Website: LauraZam.com
Facebook: Facebook.com/marriedsexplay
Twitter: Twitter.com/laurazam; #marriedsexplay
“Laura’s ability to meld the poignant with the humorous is continually arresting.” – Dr. Donn Murphy, former Executive Director of The National Theatre
"Zam...is introspective and funny, but also fiercely aware of the world and her place in it." - The Washington Post
ZAM NOT SPAM PRODUCTIONS, as part of the 17th annual New York International Fringe Festival, is pleased to announce the NYC premiere production of Laura Za’s MARRIED SEX, directed by Shirley Serotsky. MARRIED SEX will play a special engagement at the Fringe Venue #9 Jimmy’s No. 43 (43 East 7th Street, NYC). Performances begin Saturday, August 10 (3:45 pm) and continue through Thursday, August 22 (7:00 pm).
The wild world of women's sexual dysfunction! On Laura's honeymoon in Rome, she unearths...problems. Searching for a solution, she encounters an insane hypnotist, a jet-setting tantric mistress, a cynical sex therapist, a horny rabbi, and more. Want relationship tips? Come. It’s a show you’re definitely in the mood for!
In conjunction with MARRIED SEX performances, during the month of August, Ms. Zam will be hosting at least one New York City “Sex Brunch.” This gathering of women includes a presentation about healthy female sexuality as well as a facilitated discussion led by Ms. Zam. Food will also be served. The venue for this event will be announced soon.
MARRIED SEX plays the following schedule:
Saturday, August 10 @ 3:45 pm
Wednesday, August 14 @ 4:45 pm
Thursday, August 15 @ 9:45 pm
Saturday, August 17 @ 12 noon
Monday, August 19 @ 9:15 pm
Thursday, August 22 @ 7:00 pm
$15 tickets go on sale July 19 at www.FringeNYC.org
Venue address:
Jimmy’s No. 43
43 East 7th Street
New York, 10003
Running Time: 90 minutes
Website: LauraZam.com
Facebook: Facebook.com/marriedsexplay
Twitter: Twitter.com/laurazam; #marriedsexplay
Photo by Hunter Canning
issues like health care, crime, poverty and dreams, but places them in a funny and slightly magical world where the audience gets to connect and understand the three characters in the play.” – Natalia De Roche, Artistic Director Theatre in the Muz, Cape Town, South Africa
“Remarkably moving play, vivid and passionate... Zoey Martinson’s humor finds its way into the darkest place and manages to brighten it.” - The National Arts Festival, Grahamstown, South Africa
SMOKE AND MIRRORS COLLABORATIVE, as part of the 17th annual New York International Fringe Festival, is pleased to announce the New York premiere production of Zoey Martinson’s NDEBELE FUNERAL, directed by Awoye Timpo. NDEBELE FUNERAL will return for a limited engagement as part of the New York International Fringe Festival Encore Series, at The Players Theater (115 Macdougal St, NYC), which runs from September 19-29, 2013.
NDEBELE FUNERAL examines the world of modern South Africa through the aspirations and loss of three characters whose lives intersect in a Soweto shantytown. Daweti, a college graduate living with HIV, has exiled herself to a shack where she is building her own coffin using supplies provided by the government. She is interrupted by a visit from her best friend Thabo and by Jan, an Afrikaner with the impossible job of checking on the use of the government supplies. Poignant and darkly funny, NDEBELE FUNERAL features original music from Spirits Indigenous, and gumboot dancing from the mines in Jo’burg.
The production stars Jonathan David Martin (Bway: War Horse - Lincoln Center, Leonore Annenberg Foundation Fellowship for the Arts), Zoey Martinson (The Public, Shakespeare in the Park, TBS Sitcom: Are We There Yet), and Yusef Miller (Classic Stage Company, Lila Acheson Wallace Playwright Fellow).
The production features choreography by Sduduzo Ka-Mbili and Cuereston Burge, original music by Spirits Indigenous, lighting design by Justin W. King and costume design by Lara de Bruijn. Kortney Barber is the sound designer and Marissa Maislen is the production stage manager.
NDEBELE FUNERAL plays the following performances only, in the FRINGE ENCORES SERIES:
Thursday, September 19 8pm
Friday, September 20 7pm
Sunday, September 22 3pm
Friday, September 27 8pm
Sunday, September 29 3pm
The Players Theater (Sgurous Theater)
115 Macdougal St
NYC, NY 10012
Running Time: 80 Minutes- no intermission
Website: www.smokemirrors.org or www.FringeNYC.org
“Remarkably moving play, vivid and passionate... Zoey Martinson’s humor finds its way into the darkest place and manages to brighten it.” - The National Arts Festival, Grahamstown, South Africa
SMOKE AND MIRRORS COLLABORATIVE, as part of the 17th annual New York International Fringe Festival, is pleased to announce the New York premiere production of Zoey Martinson’s NDEBELE FUNERAL, directed by Awoye Timpo. NDEBELE FUNERAL will return for a limited engagement as part of the New York International Fringe Festival Encore Series, at The Players Theater (115 Macdougal St, NYC), which runs from September 19-29, 2013.
NDEBELE FUNERAL examines the world of modern South Africa through the aspirations and loss of three characters whose lives intersect in a Soweto shantytown. Daweti, a college graduate living with HIV, has exiled herself to a shack where she is building her own coffin using supplies provided by the government. She is interrupted by a visit from her best friend Thabo and by Jan, an Afrikaner with the impossible job of checking on the use of the government supplies. Poignant and darkly funny, NDEBELE FUNERAL features original music from Spirits Indigenous, and gumboot dancing from the mines in Jo’burg.
The production stars Jonathan David Martin (Bway: War Horse - Lincoln Center, Leonore Annenberg Foundation Fellowship for the Arts), Zoey Martinson (The Public, Shakespeare in the Park, TBS Sitcom: Are We There Yet), and Yusef Miller (Classic Stage Company, Lila Acheson Wallace Playwright Fellow).
The production features choreography by Sduduzo Ka-Mbili and Cuereston Burge, original music by Spirits Indigenous, lighting design by Justin W. King and costume design by Lara de Bruijn. Kortney Barber is the sound designer and Marissa Maislen is the production stage manager.
NDEBELE FUNERAL plays the following performances only, in the FRINGE ENCORES SERIES:
Thursday, September 19 8pm
Friday, September 20 7pm
Sunday, September 22 3pm
Friday, September 27 8pm
Sunday, September 29 3pm
The Players Theater (Sgurous Theater)
115 Macdougal St
NYC, NY 10012
Running Time: 80 Minutes- no intermission
Website: www.smokemirrors.org or www.FringeNYC.org
Photographer Xavier Curtat
“This is a theater of the imagination, creating its own world as these characters create theirs – but enacting the inescapable connections between our most fanciful creations, and the imperatives of time, lust, and yearning…extraordinary musical performances.” – NY Theater Buying Guide (Folie Pure, 2012)
“Mime, comedy, drama, dance, live music, video… Folie Pure looks like anything but a regular play. In order to explore themes such as human relationships, the concept of home, and the notions of territory and borders, playwright Sylvaine Hinglais and director Eléonore Dyl have had recourse to many different artistic tools.” French Culture Guide
CONCRETE TIMBRE & D’MOISELLES in association with the Paris-based La Compagnie Cosmopolite du Pierrot Lunaire, and Theater for the New City, Crystal Field (Artistic Director) are pleased to announce the world premiere production of COQ TÔT, directed by Sylvaine Hinglais, Manuela Lechler, Jasmina Sinanovic, and Ann Warren. COQ TÔT will play a one-week limited engagement at the Theater for New City (155 First Avenue, NYC), as part of the Dream Up Festival. Performances begin Wednesday, August 21.
CONCRETE TIMBRE & D’MOISELLES will also be presenting AGE OF PAIN(E), a concert presentation of short works in an evening of enlightenment in commemoration of the Battle of Brooklyn featuring multidisciplinary compositions to inspire your free thinking for two performances only at the Old Stone House in Brooklyn Friday, August 23 at 8:30 p.m and August 24 at 8:30 p.m.
Coq Tôt is a mini-homage to Jean Cocteau with a mélange of 6 pieces inspired by his life and work that show his revulsion against the meaninglessness of contemporary life and civilization, his delights in witty and biting social commentary, his daring severing of the long unquestioned identity of speaker and actor, the exploration of truth, and wonder of seeing a melange of shadows created by a lighted spinning sculpture of iconic symbols. Also, Cocteau’s scrutiny of the telephone as the perfect prop to explore his ideas, feelings, and formula of human needs and realities in communication as well as his struggle with opium addiction and his complicated love life. We ramble through Cocteau’s elegant poetry teeming with fevered imaginings of opium dens, the underworld of masculine desire, and the muddy inferno of WW I trench warfare. It’s uniquely suited to our time.
AGE OF PAIN(E)- an evening of enlightenment in commemoration of the Battle of Brooklyn featuring multidisciplinary compositions Mavericks in Sheol by Ann Warren, a presentation of the Declaration of Independence by Coran Newland and Robert Morton, Untitled by Kyoko Oyobe and a concert presentation of a short play, Age of Paine, by Dorothy Fennell with songs composed by Manuela Lechler. Performances are Friday, August 23 and Saturday August 24 at 8:30 p.m. Tickets are $15 and available at http://concretetimbre.com/ageofpaine_info.html
Coq Tôt features Laura Rocherieux, Pilar Navas, Terence Diamond, Telma Bernardo, Christopher Poeschl, Kamaria Williams, Nathalie Bryant, Audrey Hailes, Manuela Lechler, James Hamblin, Christopher Hall, Chris Kadis Moscato, and Ann Warren.
Coq Tôt features costume design by Sarah Thea Swafford, projections by Robert Morton and lighting design by Kryssy Wright.
COC TÔT plays the following performances:
Wednesday, August 21 at 6:30 p.m.
Thursday, August 22 at 9:00 p.m.
Monday, August 26 at 6:30 p.m.
Tuesday, August 27 at 9:00 p.m.
Thursday, August 29 at 6:30 p.m.
Tickets are $18 and are now available online at www.SmartTix.com. Tickets may also be purchased in-person at the Theater for New City box office.
Running Time: 90 minutes, no intermission
Website: www.ConcreteTimbre.com; http://www.LePierrotLunaire.com.
“Mime, comedy, drama, dance, live music, video… Folie Pure looks like anything but a regular play. In order to explore themes such as human relationships, the concept of home, and the notions of territory and borders, playwright Sylvaine Hinglais and director Eléonore Dyl have had recourse to many different artistic tools.” French Culture Guide
CONCRETE TIMBRE & D’MOISELLES in association with the Paris-based La Compagnie Cosmopolite du Pierrot Lunaire, and Theater for the New City, Crystal Field (Artistic Director) are pleased to announce the world premiere production of COQ TÔT, directed by Sylvaine Hinglais, Manuela Lechler, Jasmina Sinanovic, and Ann Warren. COQ TÔT will play a one-week limited engagement at the Theater for New City (155 First Avenue, NYC), as part of the Dream Up Festival. Performances begin Wednesday, August 21.
CONCRETE TIMBRE & D’MOISELLES will also be presenting AGE OF PAIN(E), a concert presentation of short works in an evening of enlightenment in commemoration of the Battle of Brooklyn featuring multidisciplinary compositions to inspire your free thinking for two performances only at the Old Stone House in Brooklyn Friday, August 23 at 8:30 p.m and August 24 at 8:30 p.m.
Coq Tôt is a mini-homage to Jean Cocteau with a mélange of 6 pieces inspired by his life and work that show his revulsion against the meaninglessness of contemporary life and civilization, his delights in witty and biting social commentary, his daring severing of the long unquestioned identity of speaker and actor, the exploration of truth, and wonder of seeing a melange of shadows created by a lighted spinning sculpture of iconic symbols. Also, Cocteau’s scrutiny of the telephone as the perfect prop to explore his ideas, feelings, and formula of human needs and realities in communication as well as his struggle with opium addiction and his complicated love life. We ramble through Cocteau’s elegant poetry teeming with fevered imaginings of opium dens, the underworld of masculine desire, and the muddy inferno of WW I trench warfare. It’s uniquely suited to our time.
AGE OF PAIN(E)- an evening of enlightenment in commemoration of the Battle of Brooklyn featuring multidisciplinary compositions Mavericks in Sheol by Ann Warren, a presentation of the Declaration of Independence by Coran Newland and Robert Morton, Untitled by Kyoko Oyobe and a concert presentation of a short play, Age of Paine, by Dorothy Fennell with songs composed by Manuela Lechler. Performances are Friday, August 23 and Saturday August 24 at 8:30 p.m. Tickets are $15 and available at http://concretetimbre.com/ageofpaine_info.html
Coq Tôt features Laura Rocherieux, Pilar Navas, Terence Diamond, Telma Bernardo, Christopher Poeschl, Kamaria Williams, Nathalie Bryant, Audrey Hailes, Manuela Lechler, James Hamblin, Christopher Hall, Chris Kadis Moscato, and Ann Warren.
Coq Tôt features costume design by Sarah Thea Swafford, projections by Robert Morton and lighting design by Kryssy Wright.
COC TÔT plays the following performances:
Wednesday, August 21 at 6:30 p.m.
Thursday, August 22 at 9:00 p.m.
Monday, August 26 at 6:30 p.m.
Tuesday, August 27 at 9:00 p.m.
Thursday, August 29 at 6:30 p.m.
Tickets are $18 and are now available online at www.SmartTix.com. Tickets may also be purchased in-person at the Theater for New City box office.
Running Time: 90 minutes, no intermission
Website: www.ConcreteTimbre.com; http://www.LePierrotLunaire.com.
“Beautifully relevant.” -- New York Theatre Review
terraNOVA Collective is pleased to announce the repeat engagement production of Dacyl Acevedo’s WILL WORK FOR, directed by Jo Cattell. WILL WORK FOR will play a two-week limited run at the IRT Theater (154 Christopher Street, Suite 3B, New York, NY). Performances begin Thursday, September 12. Opening Night is Thursday, September 19 (7 p.m.).
Unemployment and the adventure begins... On a journey into the unknown, Dacyl Acevedo has to dodge through booby-trapped interviews, face demons of her employment past, hold tight to her dream while surviving the economic crash. WILL WORK FOR is a farcical and satirical journey into the new world of work and tells of how one person is surviving, told through storytelling, clown and spoken word physical theatre.
“With the world premiere of WILL WORK FOR in May through soloNOVA, we knew immediately this show needed a second run. This is a story we have not heard before. Dacyl was one of the 99ers after the economic crash - even today some 1.5 million men and women still actively seek employment after having exhausted the maximum of 99 weeks of benefits,” says Jennifer Conley Darling, Producing Artistic Director. “The most beautiful part of Dacyl’s performance is the perfect mixture of humor and humanity. Everyone needs to see this show and take stock of the ongoing crisis our country still faces.”
The production features choreography by Nathaniel Nicco Annan lighting design by Alan C. Edwards, photos, illustrations, and costume design by Heather Anderson, sound design by Marios Aristopoulos, and video projections by Chris Marston.
WILL WORK FOR plays the following regular schedule through Thursday, September 28:
Mondays at 7 p.m. - Saturdays at 7 p.m. & Sundays at 3 p.m.
Tickets are $20 and are now available online at www.BrownPaperTickets.com.
Running Time: 80 minutes
Website: www.terranovacollective.org
terraNOVA Collective is pleased to announce the repeat engagement production of Dacyl Acevedo’s WILL WORK FOR, directed by Jo Cattell. WILL WORK FOR will play a two-week limited run at the IRT Theater (154 Christopher Street, Suite 3B, New York, NY). Performances begin Thursday, September 12. Opening Night is Thursday, September 19 (7 p.m.).
Unemployment and the adventure begins... On a journey into the unknown, Dacyl Acevedo has to dodge through booby-trapped interviews, face demons of her employment past, hold tight to her dream while surviving the economic crash. WILL WORK FOR is a farcical and satirical journey into the new world of work and tells of how one person is surviving, told through storytelling, clown and spoken word physical theatre.
“With the world premiere of WILL WORK FOR in May through soloNOVA, we knew immediately this show needed a second run. This is a story we have not heard before. Dacyl was one of the 99ers after the economic crash - even today some 1.5 million men and women still actively seek employment after having exhausted the maximum of 99 weeks of benefits,” says Jennifer Conley Darling, Producing Artistic Director. “The most beautiful part of Dacyl’s performance is the perfect mixture of humor and humanity. Everyone needs to see this show and take stock of the ongoing crisis our country still faces.”
The production features choreography by Nathaniel Nicco Annan lighting design by Alan C. Edwards, photos, illustrations, and costume design by Heather Anderson, sound design by Marios Aristopoulos, and video projections by Chris Marston.
WILL WORK FOR plays the following regular schedule through Thursday, September 28:
Mondays at 7 p.m. - Saturdays at 7 p.m. & Sundays at 3 p.m.
Tickets are $20 and are now available online at www.BrownPaperTickets.com.
Running Time: 80 minutes
Website: www.terranovacollective.org
MAN BEHIND THE CURTAIN is pleased to announce the world premiere production of Marianne Driscoll’s MCGOLDRICK’S THREAD, with additional lyrics by Eliot Riskin, music by Ronnie D’Addario, dance arrangements by Patrick Mangan, choreography by Riverdance alums Jason Oremus and Garrett Coleman and directed by Kira Simring initial performances sold-out prior to the public announcement. MCGOLDRICK’S THREAD will play a two-week Off-Broadway limited engagement, as part of the 1st Irish Theater Festival, at St. Marks Theatre 80 (80 St. Marks Pl, NYC). Performances begin Wednesday, September 11 additional performances have been added to accommodate audience demand: Sept. 14th & 28th at 2:00 p.m. and Sept. 17th & 24th at 7:00 p.m.
MCGOLDRICK’S THREAD tells the story of the O'Reilly family, who left home in Clonmel, Ireland and settled in a small apartment in the Bronx to raise their four children. The youngest and only daughter, Magee, is a competitive Irish Step dancer with a big Feis in the morning. The story takes place over a weekend, with a colorful flashback to Ireland ~ revealing trials, tribulations, triumphs, love and humour of the O'Reilly and McGoldrick Families. In their small apartment with brothers, commotion and unanswered questions, Magee learns to believe in herself and what it takes to make her dreams come true ~ in dance and life.
The song writing team of Marianne Driscoll, Eliot Riskin and composer Ronnie D’Addario have penned a classic that combines the beauty, message and meaning of the story in memorable tunes. Coupled with the Dream Dance, and other compositions by Patrick Mangan and it is a truly special musical experience.
Thunderous step dancing kicks MCGOLDRICK’S THREAD into high gear. Top level dancers from five Irish dance schools from New York and Ohio are among the cast. Two renowned dancer/choreographers, Jason Oremus (Lead) and Garrett Coleman (also a two time World Champion) who have appeared in Riverdance, and also developed a breakthrough new dance concept with their dance group, Hammerstep, were recently featured on America’s Got Talent. MCGOLDRICK’S THREAD is filled with electrifying energy from start to finish.
The inspiration for the piece, is Driscoll’s daughter Jessie Driscoll (Dance Captain) who has been Irish dancing and performing for 16 years; she’s competed nationally and internationally with the Hagen-Kavanagh school of Irish Dance. Now pursuing her professional career, she recently returned from Ireland after performing in Dublin, Limerick, and Derry with a new show Take The Floor; in association with Riverdance.
MCGOLDRICK’S THREAD stars Casey Murray as Magee, Elizabeth West* as Marion, Peter Cormican* as PJ, Paul Nugent as William, Conor McIntyre as Shane, John Charles McLaughlin* as Thomas, Garrett Coleman as Eddie Callahan, Jason Oremus as Mr. Duffy and Jesse Driscoll as Golden Fiddle. The ensemble includes Mairead Brown, Declan Byrne, Jessica Byrne, Sean Crosby, Hayleigh Jusas, CiaranO'Brien, Sheppard Somers, and Natalie Vestergom.
*Performing Courtesy of Actors’ Equity. AEA approved showcase.
The production, which was incubated at the cell: A Twenty First Century Salon™ (Nancy Manocherian, Founding Director; Kira Simring, Artistic Director) features scenic design by Carl Tallent, costume design by Rachel Guilfoyle (with additional Irish Dance Dress Design by Mary Collins and Danielle O’Leary and Dream Dance Costume Artwork Designed and Painted by Jane Rubinstein), and lighting design by Michael Megliola. Thomas Kennedy is the sound designer, Micah Havertape is the audio engineer, Joe Barros is the choreographer, Brian Reager is the assistant director, Christian Steckel is the assistant stage manager and Mackenzie Meeks is the stage manager.
MCGOLDRICK’S THREAD plays the following schedule:
Wednesday, September 11th at 7pm - SOLD OUT
Saturday, September 14th at 2pm
Sunday, September 15th at 2pm - SOLD OUT
Sunday, September 15th at 6pm - SOLD OUT
Tuesday, September 17 at 7pm
Wednesday, September 18th at 7pm - SOLD OUT
Sunday, September 22nd at 2pm - SOLD OUT
Sunday, September 22nd at 6pm - SOLD OUT
Tuesday, September 24 at 7pm
Wednesday, September 25th at 7pm - SOLD OUT
Saturday, September 28th at 2pm - SOLD OUT
Sunday, September 29th at 2pm - SOLD OUT
Sunday, September 29th at 6pm - SOLD OUT
Tickets are $18 and are currently sold-out, additional performances may be added.
Running Time: 90 minutes
Website: www.McGoldricksThread.com
Photos from a previous reading are available here: http://www.mcgoldricksthread.com/performances/
MCGOLDRICK’S THREAD tells the story of the O'Reilly family, who left home in Clonmel, Ireland and settled in a small apartment in the Bronx to raise their four children. The youngest and only daughter, Magee, is a competitive Irish Step dancer with a big Feis in the morning. The story takes place over a weekend, with a colorful flashback to Ireland ~ revealing trials, tribulations, triumphs, love and humour of the O'Reilly and McGoldrick Families. In their small apartment with brothers, commotion and unanswered questions, Magee learns to believe in herself and what it takes to make her dreams come true ~ in dance and life.
The song writing team of Marianne Driscoll, Eliot Riskin and composer Ronnie D’Addario have penned a classic that combines the beauty, message and meaning of the story in memorable tunes. Coupled with the Dream Dance, and other compositions by Patrick Mangan and it is a truly special musical experience.
Thunderous step dancing kicks MCGOLDRICK’S THREAD into high gear. Top level dancers from five Irish dance schools from New York and Ohio are among the cast. Two renowned dancer/choreographers, Jason Oremus (Lead) and Garrett Coleman (also a two time World Champion) who have appeared in Riverdance, and also developed a breakthrough new dance concept with their dance group, Hammerstep, were recently featured on America’s Got Talent. MCGOLDRICK’S THREAD is filled with electrifying energy from start to finish.
The inspiration for the piece, is Driscoll’s daughter Jessie Driscoll (Dance Captain) who has been Irish dancing and performing for 16 years; she’s competed nationally and internationally with the Hagen-Kavanagh school of Irish Dance. Now pursuing her professional career, she recently returned from Ireland after performing in Dublin, Limerick, and Derry with a new show Take The Floor; in association with Riverdance.
MCGOLDRICK’S THREAD stars Casey Murray as Magee, Elizabeth West* as Marion, Peter Cormican* as PJ, Paul Nugent as William, Conor McIntyre as Shane, John Charles McLaughlin* as Thomas, Garrett Coleman as Eddie Callahan, Jason Oremus as Mr. Duffy and Jesse Driscoll as Golden Fiddle. The ensemble includes Mairead Brown, Declan Byrne, Jessica Byrne, Sean Crosby, Hayleigh Jusas, CiaranO'Brien, Sheppard Somers, and Natalie Vestergom.
*Performing Courtesy of Actors’ Equity. AEA approved showcase.
The production, which was incubated at the cell: A Twenty First Century Salon™ (Nancy Manocherian, Founding Director; Kira Simring, Artistic Director) features scenic design by Carl Tallent, costume design by Rachel Guilfoyle (with additional Irish Dance Dress Design by Mary Collins and Danielle O’Leary and Dream Dance Costume Artwork Designed and Painted by Jane Rubinstein), and lighting design by Michael Megliola. Thomas Kennedy is the sound designer, Micah Havertape is the audio engineer, Joe Barros is the choreographer, Brian Reager is the assistant director, Christian Steckel is the assistant stage manager and Mackenzie Meeks is the stage manager.
MCGOLDRICK’S THREAD plays the following schedule:
Wednesday, September 11th at 7pm - SOLD OUT
Saturday, September 14th at 2pm
Sunday, September 15th at 2pm - SOLD OUT
Sunday, September 15th at 6pm - SOLD OUT
Tuesday, September 17 at 7pm
Wednesday, September 18th at 7pm - SOLD OUT
Sunday, September 22nd at 2pm - SOLD OUT
Sunday, September 22nd at 6pm - SOLD OUT
Tuesday, September 24 at 7pm
Wednesday, September 25th at 7pm - SOLD OUT
Saturday, September 28th at 2pm - SOLD OUT
Sunday, September 29th at 2pm - SOLD OUT
Sunday, September 29th at 6pm - SOLD OUT
Tickets are $18 and are currently sold-out, additional performances may be added.
Running Time: 90 minutes
Website: www.McGoldricksThread.com
Photos from a previous reading are available here: http://www.mcgoldricksthread.com/performances/
Australian Made Entertainment's "Cosi". Photo credit: Samir Abady.
2009 Green Room Award for Best New Musical
“A funny and touching look at the passing of a way of life.” -- aussietheatre.com
A “rare combination of artistic integrity and crowd-pleasing joy.” -- theatrepeople.com
AUSTRALIAN MADE ENTERTAINMENT is pleased to announce the U.S. premiere production of ONCE WE LIVED HERE, with book and lyrics by Dean Bryant, music by Mathew Frank, and directed by Matthew Foster. ONCE WE LIVED HERE will play a two-week limited engagement at Urban Stages (259 W. 30th Street). Performances begin Friday, September 13. Opening Night is Saturday, September 14 (8 p.m.).
Amy runs Emoh Ruo, the family sheep station in outback Australia. She's held onto the property through drought, bushfire, and falling wool prices, determined not to let it slip out of the family grasp. But when the family gathers over a scorching long weekend, Amy has to face up to the myths and lies the place has been built upon. Is she really holding on or is she just stuck?
After a successful first season featuring Cosi and Speaking In Tongues, Australian Made Entertainment is proud to kick off their second season with the U.S. premiere of ONCE WE LIVED HERE, written by the critically acclaimed musical team of Dean Bryant & Mathew Frank. Winner of the 2009 Green Room Award for Best New Musical, this authentically Australian musical was described by Geoffrey Rush as “a beautiful, poignant piece of home-grown music theatre. It may echo Chekhov and Sondheim but it's thrillingly pure Oz.”
The production stars Kathleen Foster as Amy, Morgan Cowling as Lecy, Adam Rennie as Shaun, Sean Cleary as Burke, and Renee Claire Bergeron as Claire.
The production features musical direction by Michael Hopewell, scenic design by Katherine DeNeve, and costume design by Emily Rose Parman. Anna Demenkoff is the stage manager.
ONCE WE LIVED HERE plays the following regular schedule through Sunday, September 29:
Wednesdays at 8 p.m. - Saturdays at 8 p.m. & Sundays at 2 p.m.
Tickets are $10-18 and are now available online at www.BrownPaperTickets.com.
Running Time: 2 hours, 15 minutes
Website: www.AustralianMadeEntertainment.com
“A funny and touching look at the passing of a way of life.” -- aussietheatre.com
A “rare combination of artistic integrity and crowd-pleasing joy.” -- theatrepeople.com
AUSTRALIAN MADE ENTERTAINMENT is pleased to announce the U.S. premiere production of ONCE WE LIVED HERE, with book and lyrics by Dean Bryant, music by Mathew Frank, and directed by Matthew Foster. ONCE WE LIVED HERE will play a two-week limited engagement at Urban Stages (259 W. 30th Street). Performances begin Friday, September 13. Opening Night is Saturday, September 14 (8 p.m.).
Amy runs Emoh Ruo, the family sheep station in outback Australia. She's held onto the property through drought, bushfire, and falling wool prices, determined not to let it slip out of the family grasp. But when the family gathers over a scorching long weekend, Amy has to face up to the myths and lies the place has been built upon. Is she really holding on or is she just stuck?
After a successful first season featuring Cosi and Speaking In Tongues, Australian Made Entertainment is proud to kick off their second season with the U.S. premiere of ONCE WE LIVED HERE, written by the critically acclaimed musical team of Dean Bryant & Mathew Frank. Winner of the 2009 Green Room Award for Best New Musical, this authentically Australian musical was described by Geoffrey Rush as “a beautiful, poignant piece of home-grown music theatre. It may echo Chekhov and Sondheim but it's thrillingly pure Oz.”
The production stars Kathleen Foster as Amy, Morgan Cowling as Lecy, Adam Rennie as Shaun, Sean Cleary as Burke, and Renee Claire Bergeron as Claire.
The production features musical direction by Michael Hopewell, scenic design by Katherine DeNeve, and costume design by Emily Rose Parman. Anna Demenkoff is the stage manager.
ONCE WE LIVED HERE plays the following regular schedule through Sunday, September 29:
Wednesdays at 8 p.m. - Saturdays at 8 p.m. & Sundays at 2 p.m.
Tickets are $10-18 and are now available online at www.BrownPaperTickets.com.
Running Time: 2 hours, 15 minutes
Website: www.AustralianMadeEntertainment.com
RAGING SQUID INK and ERIC SCHMALENBERGER are pleased to announce the world premiere production of Jake Thomas’ THE DEAD DREAM MACHINE, video art directed by Sean Gill and directed and choreographed by Rachel Klein. THE DEAD DREAM MACHINE will play a limited engagement at La Luz (135 Thames Street, Brooklyn, NY). Performances begin Wednesday, September 18 and continue through Saturday, October 13. Opening Night is Friday, September 20 (8 p.m.).
In an abandoned theater on the outskirts of town, an experiment is being conducted—one which extracts dreams. But if this insane enterprise works, what dreams may come? Mad scientists, monstrous killers, tyrannical royalty, government witches and hipster occultists (and not one damn vampire or zombie) explode forth in this crazed horror anthology that incorporates song, dance, puppetry, aerial, magic and more to build an out of body theatrical experience.
THE DEAD DREAM MACHINE stars various luminaries from the alternative stages of New York City, including Darlinda Just Darlina, “Mastermind of Bizarre Extravaganza”, Arden Leigh, author of the book The New Rules Of Attraction, Michael Cavadias, performance artist, the Great Dubini, a Ripley’s Believe it or Not magician.
The production, produced by Eric Schmalenberger and Raging Squid Ink, features scenic design by Evan Collier with fabrication by Arch Production and Design, costume and puppet design by Elena Delgado and Juanita Cardenas, and lighting design by Ben Kato. Sean Gill is the video art director, the associate director and the sound designer and Marina Steinberg is the stage manager. Marketing and PR by Katie Rosin/Kampfire PR.
THE DEAD DREAM MACHINE plays the following regular schedule through Sunday, October 13:
Thursdays at 8 p.m. - Saturdays at 8 p.m.
There are additional performances on Wednesday, September 18 and Sunday, October 7th at 8 p.m.
Tickets are $15-$25 and are now available online at www.deaddreammachine.eventbrite.com or by calling 1-800-350-8850. Tickets may also be purchased in-person at the theater ½ hour prior to performance.
Running Time: 2 hrs
Website: www.DeadDreamMachine.com
In an abandoned theater on the outskirts of town, an experiment is being conducted—one which extracts dreams. But if this insane enterprise works, what dreams may come? Mad scientists, monstrous killers, tyrannical royalty, government witches and hipster occultists (and not one damn vampire or zombie) explode forth in this crazed horror anthology that incorporates song, dance, puppetry, aerial, magic and more to build an out of body theatrical experience.
THE DEAD DREAM MACHINE stars various luminaries from the alternative stages of New York City, including Darlinda Just Darlina, “Mastermind of Bizarre Extravaganza”, Arden Leigh, author of the book The New Rules Of Attraction, Michael Cavadias, performance artist, the Great Dubini, a Ripley’s Believe it or Not magician.
The production, produced by Eric Schmalenberger and Raging Squid Ink, features scenic design by Evan Collier with fabrication by Arch Production and Design, costume and puppet design by Elena Delgado and Juanita Cardenas, and lighting design by Ben Kato. Sean Gill is the video art director, the associate director and the sound designer and Marina Steinberg is the stage manager. Marketing and PR by Katie Rosin/Kampfire PR.
THE DEAD DREAM MACHINE plays the following regular schedule through Sunday, October 13:
Thursdays at 8 p.m. - Saturdays at 8 p.m.
There are additional performances on Wednesday, September 18 and Sunday, October 7th at 8 p.m.
Tickets are $15-$25 and are now available online at www.deaddreammachine.eventbrite.com or by calling 1-800-350-8850. Tickets may also be purchased in-person at the theater ½ hour prior to performance.
Running Time: 2 hrs
Website: www.DeadDreamMachine.com
WORKSHOP THEATER COMPANY is pleased to announce the world premiere production of Lou-Lou Igbokwe’s IYOM, directed by Jessica Creane. IYOM will play a four-week limited engagement at WorkShop Theater Company’s Main Stage (312 West 36th Street, 4th Floor). Performances begin Thursday, September 19 and continue Saturday, October 12. Opening Night is Saturday, September 21 (8 p.m.).
Zaki, the only child of ambitious Nigerian immigrants, is constantly learning things the hard way. When her mysterious grandmother moves in, things take a turn for the magical. But even her newfound power doesn’t help Zaki deal with the reality of trauma, tradition, and loss.
The production stars Uzoma Emukah as Essien, Jude Evans as Masquerade, Sadah Leisha as Masquerade, Laura E. Johnston* as Gram, Jacquelyn Revere as Ruth, Monique A. Robinson as Zaki, Donnell Smith as Rohan and Augustus Wilson as Simon. *Performing courtesy of Actors’ Equity Association. AEA approved showcase.
The production features scenic design by Colin McGurk, costume design by Orli Nativ, and lighting design by Phil Kong. Nicholas Simone is the sound designer and Katie Selyanina is the stage manager.
IYOM plays the following regular schedule through Saturday, October 12:
Thursdays at 7 p.m.; Fridays at 8 p.m.; Saturdays at 8 p.m.; Sundays at 3 p.m.
There is an additional performance on Monday, October 7 at 7 p.m.
Tickets are $15-$18 ($9 with student ID) and are now available online at WORKSHOPTHEATER.ORG or by calling 866-811-4111, or in person at the theater ½ hour prior to performance.
Running Time: 105 minutes
Website: workshoptheater.org
Zaki, the only child of ambitious Nigerian immigrants, is constantly learning things the hard way. When her mysterious grandmother moves in, things take a turn for the magical. But even her newfound power doesn’t help Zaki deal with the reality of trauma, tradition, and loss.
The production stars Uzoma Emukah as Essien, Jude Evans as Masquerade, Sadah Leisha as Masquerade, Laura E. Johnston* as Gram, Jacquelyn Revere as Ruth, Monique A. Robinson as Zaki, Donnell Smith as Rohan and Augustus Wilson as Simon. *Performing courtesy of Actors’ Equity Association. AEA approved showcase.
The production features scenic design by Colin McGurk, costume design by Orli Nativ, and lighting design by Phil Kong. Nicholas Simone is the sound designer and Katie Selyanina is the stage manager.
IYOM plays the following regular schedule through Saturday, October 12:
Thursdays at 7 p.m.; Fridays at 8 p.m.; Saturdays at 8 p.m.; Sundays at 3 p.m.
There is an additional performance on Monday, October 7 at 7 p.m.
Tickets are $15-$18 ($9 with student ID) and are now available online at WORKSHOPTHEATER.ORG or by calling 866-811-4111, or in person at the theater ½ hour prior to performance.
Running Time: 105 minutes
Website: workshoptheater.org
the cell: A Twenty First Century Salon™, Founding Artistic Director Nancy Manocherian, and Artistic Director Kira Simring, are pleased to announce the “terrific and zany” (NYT) Kelly Kinsella’s WHEN THOUGHTS ATTACK, directed by Padraic Lillis. WHEN THOUGHTS ATTACK will play a limited engagement at the cell (338 W. 23rd St NYC). Performances begin Sunday, July 14 and continue through Sunday, September 1. Opening Night is Sunday, July 28 (7 p.m.). Tickets are available at www.thecelltheatre.org
If you do not know Kelly Kinsella, you should, “she’s like us, just funnier” (nytheatre.com).
Kinsella’s style is unique, personal yet universal, in the vein of storytellers Lilly Tomlin, David Sedaris and John Leguizamo. Named by Back Stage as one of the top 20 performers on the New York stage, they said, “slinky and smart…with the aggressive, ruthless humor of many male comics.”
WHEN THOUGHTS ATTACK entangles us into the captivating and hilarious world of an angst-ridden brain, one in which “a gaggle of unruly children live in one woman’s head” (Edge NY).
WHEN THOUGHTS ATTACK plays Sundays at 7 pm through Sunday, September, 1:
Tickets are $20 and are now available online at www.thecelltheatre.org or by calling 1-800-838-3006. Tickets may also be purchased in-person at the theater a ½ hour prior to performance
Running Time: 75 minutes
Website: thecelltheatre.org
www.kellykinsella.com
If you do not know Kelly Kinsella, you should, “she’s like us, just funnier” (nytheatre.com).
Kinsella’s style is unique, personal yet universal, in the vein of storytellers Lilly Tomlin, David Sedaris and John Leguizamo. Named by Back Stage as one of the top 20 performers on the New York stage, they said, “slinky and smart…with the aggressive, ruthless humor of many male comics.”
WHEN THOUGHTS ATTACK entangles us into the captivating and hilarious world of an angst-ridden brain, one in which “a gaggle of unruly children live in one woman’s head” (Edge NY).
WHEN THOUGHTS ATTACK plays Sundays at 7 pm through Sunday, September, 1:
Tickets are $20 and are now available online at www.thecelltheatre.org or by calling 1-800-838-3006. Tickets may also be purchased in-person at the theater a ½ hour prior to performance
Running Time: 75 minutes
Website: thecelltheatre.org
www.kellykinsella.com
CASTLE WALK at PTC Performance Space - July 22 - July 28
NEW YORK MUSICAL THEATRE FESTIVAL (NYMF) and CASTLE WALK THEATRE COMPANY LLC are pleased to announce, as part of the 2013 next link project, the world premiere production of Milton Granger’s CASTLE WALK, directed by Richard Stafford. Castle Walk will play a one-week limited engagement at PTC Performance Space (555 West 42nd Street, NY, NY). Performances begin Monday, July 22nd and continue Sunday, July 28th. Opening Night is Monday, July 22nd (8 p.m.).
It’s 1938, RKO is making "The Story of Vernon and Irene Castle" with Fred Astaire and Ginger Rogers, and they’ve hired Irene Castle herself to be an advisor on the film. Torn between her wish to honor her late husband and the director's desire to bring in the movie on time and under budget, Irene sifts through a lifetime of memories – and some of the most romantic dance sequences ever created.
The production stars Lynne Wintersteller* (Bdwy: A Grand Night For Singing, Drama Desk Nominee for Closer Than Ever) as Irene, James Clow* (Bdwy: Irving Berlin’s White Christmas, Assassins (Revival)) as H.C. Potter, Bret Shuford* (Bdwy: Chitty Chitty Bang Bang, Beauty and the Beast) as Vernon, Wayne W. Pretlow* (Bdwy: The Civil War) as Walter Ash, Stephanie Rothenberg* (Bdwy: How to Succeed…) as Young Irene and Mia Michelle McClain as Diane and the ensemble includes: May-Elise Martinsen, Ashley Chasteen (Tour: Catch if You Can), Lauren Sprague* (Tour: La Cage Aux Folles), Jonathan Stahl* (WBDT: NINE (starring Bob Cuccioli)), Jesse Factor* (Tour: Cats) and Chris Kane (ranked 3rd nationally in professional ballroom dance Theater Arts genre). *Member of Actors’ Equity Association
The production features scenic and props design by Victor Lukas, costume design by Loren Shaw, and lighting and projection design by Gertjan Houben. Jonathan Stahl is the associate director/choreographer, and Lily Perlmutter is the stage manager. General management by Justin Huebener/JPHP.
CASTLE WALK plays the following schedule:
Monday, July 22nd, 2013 at 8:00 pm
Wednesday, July 24th, 2013 at 5:00 pm
Friday, July 26th, 2013 at 9:00 pm
Saturday, July 27th, 2013 at 1:00 pm
Sunday, July 28th, 2013 at 5:00 pm
Tickets are $25 and are now available online at www.nymf.org or by calling 866-811-4111. Tickets may also be purchased in-person at the theatre ½ hour prior to performance.
Running Time: 100 minutes
Website: www.castlewalkmusical.com or http://bit.ly/NYMFCastleWalk
Photos: http://bit.ly/CastleWalkPhotos
Facebook: www.facebook.com/castlewalkmusical
Twitter: @Castle_Walk
NEW YORK MUSICAL THEATRE FESTIVAL (NYMF) and CASTLE WALK THEATRE COMPANY LLC are pleased to announce, as part of the 2013 next link project, the world premiere production of Milton Granger’s CASTLE WALK, directed by Richard Stafford. Castle Walk will play a one-week limited engagement at PTC Performance Space (555 West 42nd Street, NY, NY). Performances begin Monday, July 22nd and continue Sunday, July 28th. Opening Night is Monday, July 22nd (8 p.m.).
It’s 1938, RKO is making "The Story of Vernon and Irene Castle" with Fred Astaire and Ginger Rogers, and they’ve hired Irene Castle herself to be an advisor on the film. Torn between her wish to honor her late husband and the director's desire to bring in the movie on time and under budget, Irene sifts through a lifetime of memories – and some of the most romantic dance sequences ever created.
The production stars Lynne Wintersteller* (Bdwy: A Grand Night For Singing, Drama Desk Nominee for Closer Than Ever) as Irene, James Clow* (Bdwy: Irving Berlin’s White Christmas, Assassins (Revival)) as H.C. Potter, Bret Shuford* (Bdwy: Chitty Chitty Bang Bang, Beauty and the Beast) as Vernon, Wayne W. Pretlow* (Bdwy: The Civil War) as Walter Ash, Stephanie Rothenberg* (Bdwy: How to Succeed…) as Young Irene and Mia Michelle McClain as Diane and the ensemble includes: May-Elise Martinsen, Ashley Chasteen (Tour: Catch if You Can), Lauren Sprague* (Tour: La Cage Aux Folles), Jonathan Stahl* (WBDT: NINE (starring Bob Cuccioli)), Jesse Factor* (Tour: Cats) and Chris Kane (ranked 3rd nationally in professional ballroom dance Theater Arts genre). *Member of Actors’ Equity Association
The production features scenic and props design by Victor Lukas, costume design by Loren Shaw, and lighting and projection design by Gertjan Houben. Jonathan Stahl is the associate director/choreographer, and Lily Perlmutter is the stage manager. General management by Justin Huebener/JPHP.
CASTLE WALK plays the following schedule:
Monday, July 22nd, 2013 at 8:00 pm
Wednesday, July 24th, 2013 at 5:00 pm
Friday, July 26th, 2013 at 9:00 pm
Saturday, July 27th, 2013 at 1:00 pm
Sunday, July 28th, 2013 at 5:00 pm
Tickets are $25 and are now available online at www.nymf.org or by calling 866-811-4111. Tickets may also be purchased in-person at the theatre ½ hour prior to performance.
Running Time: 100 minutes
Website: www.castlewalkmusical.com or http://bit.ly/NYMFCastleWalk
Photos: http://bit.ly/CastleWalkPhotos
Facebook: www.facebook.com/castlewalkmusical
Twitter: @Castle_Walk
VOLLEYGIRLS at Romulus Linney Courtyard Theatre July 15-27
THE NEW YORK MUSICAL THEATRE FESTIVAL, MONICA RAYMUND of SISU THEATRICAL PRODUCTIONS, and CAVE 76 PRODUCTIONS are pleased to announce the world premiere production of VOLLEYGIRLS, with book by Rob Ackerman (Tabletop - 2001 Drama Desk), lyrics by Sam Forman (book for F#%king Up Everything), music by Eli Bolin (I Sing, Roller Boogie TV: Sesame Street), musical supervision by Matt Castle, choreographed by Ryan Kasprzak (TV: Smash Tour: Billy Elliot), musical direction by Mike Pettry and directed by Neil Patrick Stewart (LA theatre: The Elephant Man - Ovation Award nominations). VOLLEYGIRLS will play a limited engagement at Romulus Linney Courtyard Theatre at The Pershing Square Signature Center (480 West 42nd Street, NY, NY 10036). Performances begin Monday, July 15 and continue through Saturday, July 27. Opening Night is Monday, July 15 (9 p.m.).
Kim Brindell (Blackwell) was once a world-class athlete before she choked and became an Olympic joke. After years of avoiding the sport that shattered her, she finds herself in charge of a team of wide-eyed, misfit, high-school girls. With the encouragement of a headmaster who’s had a crush on her since college, and the resistance of a hardline, helicopter P.T.A. mom, Kim finds a way to help the girls, to accept their help in return, and to win it all.
The production stars Susan Blackwell ([title of show]) as Kim Brindell, Chuck Karel (Hello Dolly (OBC)) as Ref, PJ Adzima as Xavier Ives, Juliane Godfrey (Goodspeed’s Good News!) as Katie Kavett, Jennifer C. Johnson as Flo Hartline, Julia Knitel (Bdwy: Bye Bye Birdie) as Ingrid Hanson-Tuntland, Gerianne Pérez as Marisol Rodriguez, Allison Jill Posner as Jocelyn Andrews, Dana Steingold (Bdwy: Godspell) as Stretch Mandelbaum, Allison Strong (Bdwy: Bye Bye Birdie) as Jess Hartline and Benjamin Howes (Bdwy: Scandalous, [title of show]) as Glenn Kavett.
The production features scenic design by Ken Larson, costume design by Valérie Thérèse Bart, and lighting design by Jason Lyons (Bdwy: Bring It On, Rock of Ages). Richard J. Hinds (Bdwy: Newsies, Jekyll & Hyde, 9to5) is the associate director, Ellenore Scott is the associate choreographer, Jordi Coats is the assistant producer and E. Sara Barnes is the stage manager. Casting by Lindsay Levine, General Management by Carrie Walkup/Tom Smedes Productions and Publicity/Marketing consulting by Katie Rosin/Kampfire PR.
VOLLEYGIRLS plays the following schedule:
Monday July 15th @ 9pm - Opening Night
Tuesday July 16th @ 1pm
Saturday July 20th @ 5pm AND 9pm
Friday July 26th @ 9pm
Saturday July 27th @ 5pm - Closing Night
Tickets are $25 and are now available online at http://www.nymf.org or by calling 212-352-3101. Tickets may also be purchased in-person (if available) ½ hour prior to performance at the venue.
Running Time: 100 minutes no intermission
Website: www.volleygirlsthemusical.com
http://www.nymf.org/tickets/2013-events/volleygirls/
Clips:
Watch Monica Raymund as MARISOL singing "I Like Girls."
Watch Gideon Glick as XAVIER and Allison Jill Posner as JESS performing "You're Beautiful When You Play.
Watch Monica Raymund as MARISOL and Allison Jill Posner as JOCELYN performing "The Way You Move."
THE NEW YORK MUSICAL THEATRE FESTIVAL, MONICA RAYMUND of SISU THEATRICAL PRODUCTIONS, and CAVE 76 PRODUCTIONS are pleased to announce the world premiere production of VOLLEYGIRLS, with book by Rob Ackerman (Tabletop - 2001 Drama Desk), lyrics by Sam Forman (book for F#%king Up Everything), music by Eli Bolin (I Sing, Roller Boogie TV: Sesame Street), musical supervision by Matt Castle, choreographed by Ryan Kasprzak (TV: Smash Tour: Billy Elliot), musical direction by Mike Pettry and directed by Neil Patrick Stewart (LA theatre: The Elephant Man - Ovation Award nominations). VOLLEYGIRLS will play a limited engagement at Romulus Linney Courtyard Theatre at The Pershing Square Signature Center (480 West 42nd Street, NY, NY 10036). Performances begin Monday, July 15 and continue through Saturday, July 27. Opening Night is Monday, July 15 (9 p.m.).
Kim Brindell (Blackwell) was once a world-class athlete before she choked and became an Olympic joke. After years of avoiding the sport that shattered her, she finds herself in charge of a team of wide-eyed, misfit, high-school girls. With the encouragement of a headmaster who’s had a crush on her since college, and the resistance of a hardline, helicopter P.T.A. mom, Kim finds a way to help the girls, to accept their help in return, and to win it all.
The production stars Susan Blackwell ([title of show]) as Kim Brindell, Chuck Karel (Hello Dolly (OBC)) as Ref, PJ Adzima as Xavier Ives, Juliane Godfrey (Goodspeed’s Good News!) as Katie Kavett, Jennifer C. Johnson as Flo Hartline, Julia Knitel (Bdwy: Bye Bye Birdie) as Ingrid Hanson-Tuntland, Gerianne Pérez as Marisol Rodriguez, Allison Jill Posner as Jocelyn Andrews, Dana Steingold (Bdwy: Godspell) as Stretch Mandelbaum, Allison Strong (Bdwy: Bye Bye Birdie) as Jess Hartline and Benjamin Howes (Bdwy: Scandalous, [title of show]) as Glenn Kavett.
The production features scenic design by Ken Larson, costume design by Valérie Thérèse Bart, and lighting design by Jason Lyons (Bdwy: Bring It On, Rock of Ages). Richard J. Hinds (Bdwy: Newsies, Jekyll & Hyde, 9to5) is the associate director, Ellenore Scott is the associate choreographer, Jordi Coats is the assistant producer and E. Sara Barnes is the stage manager. Casting by Lindsay Levine, General Management by Carrie Walkup/Tom Smedes Productions and Publicity/Marketing consulting by Katie Rosin/Kampfire PR.
VOLLEYGIRLS plays the following schedule:
Monday July 15th @ 9pm - Opening Night
Tuesday July 16th @ 1pm
Saturday July 20th @ 5pm AND 9pm
Friday July 26th @ 9pm
Saturday July 27th @ 5pm - Closing Night
Tickets are $25 and are now available online at http://www.nymf.org or by calling 212-352-3101. Tickets may also be purchased in-person (if available) ½ hour prior to performance at the venue.
Running Time: 100 minutes no intermission
Website: www.volleygirlsthemusical.com
http://www.nymf.org/tickets/2013-events/volleygirls/
Clips:
Watch Monica Raymund as MARISOL singing "I Like Girls."
Watch Gideon Glick as XAVIER and Allison Jill Posner as JESS performing "You're Beautiful When You Play.
Watch Monica Raymund as MARISOL and Allison Jill Posner as JOCELYN performing "The Way You Move."
THE TAMING OF THE SHREW at Riverbank State Park FREE July 10 - August 4
The critically acclaimed PULSE ENSEMBLE THEATRE, celebrating its 24th season, and Artistic Director Alexa Kelly are pleased to present the 9th season of Harlem Summer Shakespeare with free performances of Shakespeare’s THE TAMING OF THE SHREW, directed by Kelly. THE TAMING OF THE SHREW will play a four-week limited engagement in the glorious Amphitheatre in Riverbank State Park (679 Riverside Drive @ 145th Street). Performances begin Wednesday, July 10 and continue through Sunday, August 4. Opening Night is Thursday, July 11 (8 p.m.).
Bianca, a young and charming woman, has many fine suitors, but her mother, Baptista keeps fighting them off. She will not allow her younger daughter to marry until Kate, the eldest, does so first. Kate is difficult and a shrew, therefore no one wants to marry her. Hortensio suggests to his friend Petcuchio, that Kate would be a nice rich catch for him, but forewarns him that she is a total terror. Petruchio says he will tame her, and with the twists and turns, subplots and disguises which Shakespeare does best, the love of Patruchio and Kate prevails.
Artistic Director Alexa Kelly said: “Continuing our tradition of making Shakespeare a part of today’s world, THE TAMING OF THE SHREW will be visually contemporary, whilst keeping Shakespeare’s language is intact.
The goal of the Harlem Summer Shakespeare is to expose new audiences to Shakespeare—in the tradition of the great Joe Papp, bringing FREE, live, multi-ethnic theatre to families and young people who might not gravitate to or think that they would enjoy live theatre—especially not Shakespeare. Using familiar, contemporary visuals, motifs and sounds, which bring the audience closer to the story being told on stage. THE TAMING OF THE SHREW will be set in the 1950's in a Caribbean venue, featuring Calypso music, and enhanced by the spirit of "Carnival".
The production feature several actors returning to the company after appearing in other Harlem Summer Shakespeare productions: the ever popular Michael Gilpin (Poche A Flea in Her Ear, Undershaft Major Barbara, Sir Toby Twelfth Night) will play Petruchio, and Yvette King (Balm in Gilead, Bernarda Alba, Twelfth Night) as Kate. Vincent Bagnall as Hortensio, Bill Galarno as Gremio. The cast also includes John L Payne (Pedant), Marcia Berry (Baptista), Uriel Menson (Vincentio), Matthew Bretschneider (Lucentio), Jonathan Fluck (Tranio), Kirya Traber (Biondello), Jonathan Dyrud (Grumio), Cherish Monique-Duke (Bianca) and Jerilyn Sackler (Widow).
The production features scenic and costume design by Bob Miller, and lighting design by Steve O’Shea. Brian Richardson is the sound designer and Richard A. Leigh is the stage manager.
THE TAMING OF THE SHREW plays the following regular schedule through Sunday, August 4:
Wednesdays at 8 p.m.
Thursdays at 8 p.m.
Fridays at 8 p.m.
Saturdays at 8 p.m.
Sundays at 8 p.m.
Tickets are FREE. Outdoors, amphitheatre seating, please feel free to bring a pillow, and enjoy the greatest view in town.
Directions to the Park: the #1 train to 145th Street (then walk downhill one block straight into the Park); buses #BX19, or #11 into the Park.
Running Time: 120 minutes
Website: www.pulseensembletheatre.org or 212-695-1596
The critically acclaimed PULSE ENSEMBLE THEATRE, celebrating its 24th season, and Artistic Director Alexa Kelly are pleased to present the 9th season of Harlem Summer Shakespeare with free performances of Shakespeare’s THE TAMING OF THE SHREW, directed by Kelly. THE TAMING OF THE SHREW will play a four-week limited engagement in the glorious Amphitheatre in Riverbank State Park (679 Riverside Drive @ 145th Street). Performances begin Wednesday, July 10 and continue through Sunday, August 4. Opening Night is Thursday, July 11 (8 p.m.).
Bianca, a young and charming woman, has many fine suitors, but her mother, Baptista keeps fighting them off. She will not allow her younger daughter to marry until Kate, the eldest, does so first. Kate is difficult and a shrew, therefore no one wants to marry her. Hortensio suggests to his friend Petcuchio, that Kate would be a nice rich catch for him, but forewarns him that she is a total terror. Petruchio says he will tame her, and with the twists and turns, subplots and disguises which Shakespeare does best, the love of Patruchio and Kate prevails.
Artistic Director Alexa Kelly said: “Continuing our tradition of making Shakespeare a part of today’s world, THE TAMING OF THE SHREW will be visually contemporary, whilst keeping Shakespeare’s language is intact.
The goal of the Harlem Summer Shakespeare is to expose new audiences to Shakespeare—in the tradition of the great Joe Papp, bringing FREE, live, multi-ethnic theatre to families and young people who might not gravitate to or think that they would enjoy live theatre—especially not Shakespeare. Using familiar, contemporary visuals, motifs and sounds, which bring the audience closer to the story being told on stage. THE TAMING OF THE SHREW will be set in the 1950's in a Caribbean venue, featuring Calypso music, and enhanced by the spirit of "Carnival".
The production feature several actors returning to the company after appearing in other Harlem Summer Shakespeare productions: the ever popular Michael Gilpin (Poche A Flea in Her Ear, Undershaft Major Barbara, Sir Toby Twelfth Night) will play Petruchio, and Yvette King (Balm in Gilead, Bernarda Alba, Twelfth Night) as Kate. Vincent Bagnall as Hortensio, Bill Galarno as Gremio. The cast also includes John L Payne (Pedant), Marcia Berry (Baptista), Uriel Menson (Vincentio), Matthew Bretschneider (Lucentio), Jonathan Fluck (Tranio), Kirya Traber (Biondello), Jonathan Dyrud (Grumio), Cherish Monique-Duke (Bianca) and Jerilyn Sackler (Widow).
The production features scenic and costume design by Bob Miller, and lighting design by Steve O’Shea. Brian Richardson is the sound designer and Richard A. Leigh is the stage manager.
THE TAMING OF THE SHREW plays the following regular schedule through Sunday, August 4:
Wednesdays at 8 p.m.
Thursdays at 8 p.m.
Fridays at 8 p.m.
Saturdays at 8 p.m.
Sundays at 8 p.m.
Tickets are FREE. Outdoors, amphitheatre seating, please feel free to bring a pillow, and enjoy the greatest view in town.
Directions to the Park: the #1 train to 145th Street (then walk downhill one block straight into the Park); buses #BX19, or #11 into the Park.
Running Time: 120 minutes
Website: www.pulseensembletheatre.org or 212-695-1596
PETER/WENDY at the cell, May 30 - June 22
the cell: A Twenty First Century Salon™, Founding Artistic Director Nancy Manocherian, and Artistic Director Kira Simring, are pleased to announce the world premiere production of PETER/WENDY adapted and directed by Jeremy Bloom from J.M. Barrie’s “Peter Pan and Wendy” and “The Little White Bird” and scored by the indie band, The Books. PETER/WENDY will play a limited engagement utilizing the unique multi-level, indoor and outdoor space of the cell (338 W. 23rd St NYC). Performances begin Thursday, May 30 and continue through Saturday, June 22. Opening Night is Saturday, June 1 (8 p.m.).
“Do you know why I come here, Wendy? I come here to hear stories,” declares Peter Pan, the fearless boy who refuses to grow up and the protagonist of Peter/Wendy, a new adaptation of the fanciful childhood tale.
Conceived and directed by Jeremy Bloom (Leaves of Grass at the cell), a protégé of Tony Award winning Mary Zimmerman (Metamorphoses & The White Snake), the plight of Peter takes on new life in an anxiety-ridden, deadly adventurous world of love, fairy dust and twilight. The pajama-clad performers, an exuberant ensemble of lost boys, pirates, fairies, and mermaids, explore familiar text compiled from the J.M. Barrie novels, “Peter Pan and Wendy” and “The Little White Bird.” Featuring Bloom’s signature low-tech, inventive image staging, Peter/Wendy reveals the nuances of Neverland.
"While researching Barrie’s novels for a different play," said Bloom, "I was struck by how deeply exhilarating and dark the text is on a psychological level, beyond the animatronic and animated portrayals of the story we grew up watching."
Press from the 2009 workshop production at Soho Rep's Walkerspace:
“For a story that seems likely to be dependent on elaborate effects—Flying! Pirate ships! Mermaids!—Peter/Wendy does a remarkable job of creating its atmosphere with the barest-bones of tools: no theatrical lighting, only table lamps and garden floodlights; all the performers in pajamas; a few pieces of fabric, two chairs, and a slatted window blind for a set. Its commitment to the purest elements of theatre is refreshing, and commendable.” -nytheatre.com
“Some real magic. There were pirates, lost boys, fairies, and people flying all accomplished with practically no set in J.M.Barrie's Peter~Wendy. This type of work is often tried in Indie theatre, but frankly comes off looking cheap and under-developed in most instances. In this case however, very little was used to make something
extraordinary. It takes a certain kind of magic to make that happen and the man behind the curtain who we should be paying attention to is a young theatrical alchemist by the name of Jeremy Bloom.” -offoffbroadway.com
Video highlights from the workshop production: http://bit.ly/PeterWendyYouTube
Tickets at www.thethecelltheatre.org
“Do you know why I come here, Wendy? I come here to hear stories,” declares Peter Pan, the fearless boy who refuses to grow up and the protagonist of Peter/Wendy, a new adaptation of the fanciful childhood tale.
Conceived and directed by Jeremy Bloom (Leaves of Grass at the cell), a protégé of Tony Award winning Mary Zimmerman (Metamorphoses & The White Snake), the plight of Peter takes on new life in an anxiety-ridden, deadly adventurous world of love, fairy dust and twilight. The pajama-clad performers, an exuberant ensemble of lost boys, pirates, fairies, and mermaids, explore familiar text compiled from the J.M. Barrie novels, “Peter Pan and Wendy” and “The Little White Bird.” Featuring Bloom’s signature low-tech, inventive image staging, Peter/Wendy reveals the nuances of Neverland.
"While researching Barrie’s novels for a different play," said Bloom, "I was struck by how deeply exhilarating and dark the text is on a psychological level, beyond the animatronic and animated portrayals of the story we grew up watching."
Press from the 2009 workshop production at Soho Rep's Walkerspace:
“For a story that seems likely to be dependent on elaborate effects—Flying! Pirate ships! Mermaids!—Peter/Wendy does a remarkable job of creating its atmosphere with the barest-bones of tools: no theatrical lighting, only table lamps and garden floodlights; all the performers in pajamas; a few pieces of fabric, two chairs, and a slatted window blind for a set. Its commitment to the purest elements of theatre is refreshing, and commendable.” -nytheatre.com
“Some real magic. There were pirates, lost boys, fairies, and people flying all accomplished with practically no set in J.M.Barrie's Peter~Wendy. This type of work is often tried in Indie theatre, but frankly comes off looking cheap and under-developed in most instances. In this case however, very little was used to make something
extraordinary. It takes a certain kind of magic to make that happen and the man behind the curtain who we should be paying attention to is a young theatrical alchemist by the name of Jeremy Bloom.” -offoffbroadway.com
Video highlights from the workshop production: http://bit.ly/PeterWendyYouTube
Tickets at www.thethecelltheatre.org
soloNOVA from TerraNova Collective at IRT, May 23-June 2
terraNOVA COLLECTIVE and Producing Artistic Director, Jennifer Conley Darling, is pleased to announce the 10TH Annual soloNOVA Arts Festival, the award-winning and longest-running solo performance festival in New York City. soloNOVA Arts Festival will play a limited engagement at IRT Theater (154 Christopher Street, inside the landmark Archive Building). Performances begin Thursday, May 23 and continue through Sunday, June 2.
Darling is “pleased to present a combination of soloNOVA alumni and new performances to NYC in the festival.” Darling prides herself on her acute curating process in which this year she involved previous performers on the selection committee. Darling picks “only projects with a strong story arc and a fusion of art forms that are not necessarily autobiographical. This year is a huge celebration. Hitting our 10 year mark and having given platform to over 330 solo artists over the years is a huge source of pride for us.”
A complete list of the shows and their performance schedule is enclosed at the end of this document.
Tickets are $20 for individual shows; $30 for two shows; $80 festival pass (50% discount for all shows at IRT Theater)
Tickets on sale Monday, April 15th. For more information and tickets, please visit www.terranovacollective.org. Tickets may also be purchased in-person at Box Office ½ hour in advance of the performances.
Running Time: All shows are 90 minutes (or less)
Website: http://www.terranovacollective.org
Darling is “pleased to present a combination of soloNOVA alumni and new performances to NYC in the festival.” Darling prides herself on her acute curating process in which this year she involved previous performers on the selection committee. Darling picks “only projects with a strong story arc and a fusion of art forms that are not necessarily autobiographical. This year is a huge celebration. Hitting our 10 year mark and having given platform to over 330 solo artists over the years is a huge source of pride for us.”
A complete list of the shows and their performance schedule is enclosed at the end of this document.
Tickets are $20 for individual shows; $30 for two shows; $80 festival pass (50% discount for all shows at IRT Theater)
Tickets on sale Monday, April 15th. For more information and tickets, please visit www.terranovacollective.org. Tickets may also be purchased in-person at Box Office ½ hour in advance of the performances.
Running Time: All shows are 90 minutes (or less)
Website: http://www.terranovacollective.org
What I'm Failing to Learn at 13th Street Rep, May 15 - June 15
A MAY SKY PICTURE is pleased to announce the workshop production of Schuyler Iona Press’ WHAT I’M FAILING TO LEARN, choreography by Joel Hanna, music arranged by Jeb Patton, co-directed by Darren Press, written and directed by C. Fraser Press. WHAT I’M FAILING TO LEARN will play a limited engagement at Off-Broadway’s 13th Street Rep (50 West 13th Street, NYC). Performances begin Wednesday, May 15 and continue through Saturday, June 15. Opening Night is Wednesday, May 29 (7 p.m.). Press
14-year-old singer songwriter Schuyler Iona Press, whose eclectic compositions include influences from modern folk, rock, and punk peppered with Latin grooves, is an outsider longing to be on the “inside”, simultaneously outraged by the implications—a kid entering adolescence and questioning her world. Accompanied by a live band, percussive modern Irish dancers and video, Schuyler brings us on a poetic imaginative quest into the depths of her emotions.
A mashup of theatrical drama/live concert/multimedia video, What I’m Failing To Learn takes us on a walking tour through the unpredictable streets of NYC and through the even more unpredictable mind of a young teenager.
What I’m Failing to Learn is a personal journey of a child colored by both positives and negatives of growing up unsheltered from certain truths of our human world. As Schuyler learns, truth holds both comedy and tragedy, but most importantly, truth holds hope.
The production stars Schuyler Iona Press (Film: Theresa is a Mother) as herself. The ensemble/band includes Carlos Mena on bass, Annette Homann on violin and as the voice of Carol, Sardinian woman and Diner Lady, Henry Koperski on the piano/flute/sax and as the voice of Harvey, Matthew Gumley (Bdwy: Elf, Addams Family, Mary Poppins, Beauty and the Beast Film: Theresa is a Mother) on electric guitar and as the voice of the Tour Guide, Sam Wagner (The Brighton Beat) on the drums, Dominique Porter as the voice of Schuyler and Savior Lady, and Hannah Tobias as voice of Mother, Sardinian teenager and Phyllis.
The production features lighting design by Rob Belchere and sound design by MikeDeRosa. Liz Peak is the stage manager.
WHAT I’M FAILING TO LEARN plays the following schedule:
Wednesdays at 7 p.m.
Saturdays at 3 p.m.
Tickets are $18-30 and are now available online at www.13thstreetrep.org or by calling 866-811-4111. Tickets may also be purchased in-person at the theater ½ hour prior to performance.
Running Time: 90 minutes
Website: http://www.whatimfailingtolearn.com/
https://www.facebook.com/WhatImFailingToLearn
www.schuylerionapress.com
Press Kit: http://bit.ly/WIFLPressKit
14-year-old singer songwriter Schuyler Iona Press, whose eclectic compositions include influences from modern folk, rock, and punk peppered with Latin grooves, is an outsider longing to be on the “inside”, simultaneously outraged by the implications—a kid entering adolescence and questioning her world. Accompanied by a live band, percussive modern Irish dancers and video, Schuyler brings us on a poetic imaginative quest into the depths of her emotions.
A mashup of theatrical drama/live concert/multimedia video, What I’m Failing To Learn takes us on a walking tour through the unpredictable streets of NYC and through the even more unpredictable mind of a young teenager.
What I’m Failing to Learn is a personal journey of a child colored by both positives and negatives of growing up unsheltered from certain truths of our human world. As Schuyler learns, truth holds both comedy and tragedy, but most importantly, truth holds hope.
The production stars Schuyler Iona Press (Film: Theresa is a Mother) as herself. The ensemble/band includes Carlos Mena on bass, Annette Homann on violin and as the voice of Carol, Sardinian woman and Diner Lady, Henry Koperski on the piano/flute/sax and as the voice of Harvey, Matthew Gumley (Bdwy: Elf, Addams Family, Mary Poppins, Beauty and the Beast Film: Theresa is a Mother) on electric guitar and as the voice of the Tour Guide, Sam Wagner (The Brighton Beat) on the drums, Dominique Porter as the voice of Schuyler and Savior Lady, and Hannah Tobias as voice of Mother, Sardinian teenager and Phyllis.
The production features lighting design by Rob Belchere and sound design by MikeDeRosa. Liz Peak is the stage manager.
WHAT I’M FAILING TO LEARN plays the following schedule:
Wednesdays at 7 p.m.
Saturdays at 3 p.m.
Tickets are $18-30 and are now available online at www.13thstreetrep.org or by calling 866-811-4111. Tickets may also be purchased in-person at the theater ½ hour prior to performance.
Running Time: 90 minutes
Website: http://www.whatimfailingtolearn.com/
https://www.facebook.com/WhatImFailingToLearn
www.schuylerionapress.com
Press Kit: http://bit.ly/WIFLPressKit
Blood Brothers at APAC, May 2 - 18
The Astoria Performing Arts Center (APAC) has announced Willy Russell's (Educating Rita and Shirley Valentine) BLOOD BROTHERS, musical staging by Christine O'Grady, musical direction by Julianne B. Merrill, and directed by Tom Wojtunik. BLOOD BROTHERS will play a limited engagement at the Good Shepherd United Methodist Church (30-44 Crescent St, Astoria, NY 11102. Entrance on 30th Road.) Performances begin Thursday, May 2 and continue through Saturday, May 18. Opening Night is Saturday, May 4 (8 p.m.).
The Tony Nominated and Oliver Award Winning Best Musical BLOOD BROTHERS tells the tragic story of a mother who, unable to support her children, surrenders one of her newborn twins to a childless woman. Unaware that they are brothers, the boys grow up just streets apart in vastly different homes - one wealthy, the other poor. Despite their different upbringings, they become close friends. But when they fall in love with the same girl, their friendship is tested, and their fate sealed.
The musical debuted in 1983, winning the Olivier Award for Best New Musical. The recent West End revival was one of the longest-running musical productions in history; it opened in 1988, and ended its run on October 27, 2012, having played over 10,000 performances. The Broadway production opened in 1993 at the Music Box Theatre and closed in 1995 after 840 performances. The central role of Mrs. Johnstone has been played by, among others, Barbara Dickinson, Stephanie Lawrence, Kiki Dee, Petula Clark, Carole King, and Helen Reddy. The role of Mickey has been played by both Russell Crowe (in Australia) and David Cassidy (opposite his brother Shaun).
The production stars Colleen Hawks* (Shrek the Musical & The Boy from Oz, B'way) as Mrs. Johnstone, John Ashley Brown* (Grease, Nat'l Tour) as the Narrator, Rowan Michael Meyer* (Amadeus, Maltz Jupiter Theatre) as Mickey, Simon Pearl* (Les Miserables, B'way) as Edward, Kayla Wickes (Hamlet, Boomerang Theatre Co.) as Linda, Marisa Devetta* (APAC's The Secret Garden) as Mrs. Lyons, Matthew Labanca* (Young Frankenstein & White Christmas, B'way) as Mr. Lyons and Jonathan Gregg* (APAC's The Human Comedy & Ragtime) as Sammy. The ensemble includes Joey Donnelly (Non-Equity the Musical), Britain Gebhardt (APAC's Billy Witch & The Secret Garden), Mary-ElizaBeth Milton (Footloose, Nat'l Tour), Jan-Peter Pedross* (APAC's The Human Comedy & The Secret Garden), Jason Pintar (Titanic, Nat'l Tour) and Kristin Stewart (The Wizard of Oz, Nat'l Tour).
The production features scenic design by Stephen K. Dobay, costume design by Caitlin Cisek, and lighting design by Dan Jobbins. David M. Corsello is the sound designer, Aaron Sheckler is the props designer, Kenneth Garner is the dialect/accent coach, Ryan Kasprzak is the fight director, Jennifer Lane is the dramaturg and Michael Friedlander* is the stage manager. Casting by Scott Wojcik and Gayle Seay of Wojcik|Seay Casting.
BLOOD BROTHERS plays the following regular schedule through Saturday, May 18: Thursdays at 8 p.m.; Fridays at 8 p.m.; and Saturdays at 2 p.m. and 8 p.m. Running Time: 150 minutes.
Tickets are $18, available online at www.apacny.org or by calling 888-596-1027. Tickets may also be purchased in-person at the Theatre Box Office, 30 minutes prior to the performance. Shows run at the Good Shepherd United Methodist Church, 30-44 Crescent St (@30th Rd), Astoria, NY.
The Astoria Performing Arts Center (APAC) has announced Willy Russell's (Educating Rita and Shirley Valentine) BLOOD BROTHERS, musical staging by Christine O'Grady, musical direction by Julianne B. Merrill, and directed by Tom Wojtunik. BLOOD BROTHERS will play a limited engagement at the Good Shepherd United Methodist Church (30-44 Crescent St, Astoria, NY 11102. Entrance on 30th Road.) Performances begin Thursday, May 2 and continue through Saturday, May 18. Opening Night is Saturday, May 4 (8 p.m.).
The Tony Nominated and Oliver Award Winning Best Musical BLOOD BROTHERS tells the tragic story of a mother who, unable to support her children, surrenders one of her newborn twins to a childless woman. Unaware that they are brothers, the boys grow up just streets apart in vastly different homes - one wealthy, the other poor. Despite their different upbringings, they become close friends. But when they fall in love with the same girl, their friendship is tested, and their fate sealed.
The musical debuted in 1983, winning the Olivier Award for Best New Musical. The recent West End revival was one of the longest-running musical productions in history; it opened in 1988, and ended its run on October 27, 2012, having played over 10,000 performances. The Broadway production opened in 1993 at the Music Box Theatre and closed in 1995 after 840 performances. The central role of Mrs. Johnstone has been played by, among others, Barbara Dickinson, Stephanie Lawrence, Kiki Dee, Petula Clark, Carole King, and Helen Reddy. The role of Mickey has been played by both Russell Crowe (in Australia) and David Cassidy (opposite his brother Shaun).
The production stars Colleen Hawks* (Shrek the Musical & The Boy from Oz, B'way) as Mrs. Johnstone, John Ashley Brown* (Grease, Nat'l Tour) as the Narrator, Rowan Michael Meyer* (Amadeus, Maltz Jupiter Theatre) as Mickey, Simon Pearl* (Les Miserables, B'way) as Edward, Kayla Wickes (Hamlet, Boomerang Theatre Co.) as Linda, Marisa Devetta* (APAC's The Secret Garden) as Mrs. Lyons, Matthew Labanca* (Young Frankenstein & White Christmas, B'way) as Mr. Lyons and Jonathan Gregg* (APAC's The Human Comedy & Ragtime) as Sammy. The ensemble includes Joey Donnelly (Non-Equity the Musical), Britain Gebhardt (APAC's Billy Witch & The Secret Garden), Mary-ElizaBeth Milton (Footloose, Nat'l Tour), Jan-Peter Pedross* (APAC's The Human Comedy & The Secret Garden), Jason Pintar (Titanic, Nat'l Tour) and Kristin Stewart (The Wizard of Oz, Nat'l Tour).
The production features scenic design by Stephen K. Dobay, costume design by Caitlin Cisek, and lighting design by Dan Jobbins. David M. Corsello is the sound designer, Aaron Sheckler is the props designer, Kenneth Garner is the dialect/accent coach, Ryan Kasprzak is the fight director, Jennifer Lane is the dramaturg and Michael Friedlander* is the stage manager. Casting by Scott Wojcik and Gayle Seay of Wojcik|Seay Casting.
BLOOD BROTHERS plays the following regular schedule through Saturday, May 18: Thursdays at 8 p.m.; Fridays at 8 p.m.; and Saturdays at 2 p.m. and 8 p.m. Running Time: 150 minutes.
Tickets are $18, available online at www.apacny.org or by calling 888-596-1027. Tickets may also be purchased in-person at the Theatre Box Office, 30 minutes prior to the performance. Shows run at the Good Shepherd United Methodist Church, 30-44 Crescent St (@30th Rd), Astoria, NY.
Alondra Was Here at the Wild Project, May 4-18
humRumbleROAR Productions is pleased to announce the world premiere production of Chisa Hutchinson’s ALONDRA WAS HERE, directed by Jade King Carroll. ALONDRA WAS HERE will play a limited engagement at The Wild Project (195 East 3rd Street, NYC). Performances begin Saturday, May 4 and continue through Saturday, May 18. Opening Night is Wednesday, May 8 (7 p.m.).
Sisters Alondra and Anise have had enough. People in their town are disappearing; young women are being brutalized and the perpetrators are rewarded with political power. So they decide they're going to do something about it—something dangerous and rebellious and probably very stupid, but something nonetheless. When their plan goes awry, and Alondra disappears, Anise is left to drift in a veritable ocean of guilt and indecision.
Until, that is, she meets Dusty, a suggestible nice guy whom she prods into doing increasingly violent things on her behalf. Bolstered by
her newfound powers of manipulation but haunted by the ghost of her sister, Anise must decide: should she push Dusty to commit the
ultimate subversive act, or should she prove her autonomy by following through by herself?
Through a wild amalgamation of theatre, graffiti and audience participation, ALONDRA WAS HERE tells the story of a young woman who loses her sister—and finds courage—in a brutal police-state.
The production stars Joniece Abbott-Pratt* as Anise, Nicole Aiken* as Drunk Woman/Elvis, Lolita Foster* as Alondra, Rey Lucas* as Dusty, Jared McNeill* as Man1/Boy1, Christopher Myers* as Man3/Drunk Man/Intense Evangelist, and Mike Rosete* as Man2/Boy2. *Performing courtesy of Actors’ Equity Association. AEA approved showcase.
The production produced features scenic design and tech direction by James Hunting, costume design by Becky Bodurtha, and lighting design by Mike Riggs. Christopher Loar is the sound designer and Toni Goldberg is the stage manager.
Alondra Was Here plays the following schedule:
Tuesday - Thursdays at 7 p.m.
Fridays at 8 p.m.
Saturdays at 2 p.m. and 8 p.m.
Sundays at 2 p.m.
Tickets are $18 and are now available online at www.thewildproject.com or by calling 1-866-811-4111. Tickets may also be purchased in-person at the theater ½ hour prior to the performance.
Running Time: 95 minutes
Website: http://www.thewildproject.com/performances/2013-ALONDRA-WAS-HERE.shtml
Sisters Alondra and Anise have had enough. People in their town are disappearing; young women are being brutalized and the perpetrators are rewarded with political power. So they decide they're going to do something about it—something dangerous and rebellious and probably very stupid, but something nonetheless. When their plan goes awry, and Alondra disappears, Anise is left to drift in a veritable ocean of guilt and indecision.
Until, that is, she meets Dusty, a suggestible nice guy whom she prods into doing increasingly violent things on her behalf. Bolstered by
her newfound powers of manipulation but haunted by the ghost of her sister, Anise must decide: should she push Dusty to commit the
ultimate subversive act, or should she prove her autonomy by following through by herself?
Through a wild amalgamation of theatre, graffiti and audience participation, ALONDRA WAS HERE tells the story of a young woman who loses her sister—and finds courage—in a brutal police-state.
The production stars Joniece Abbott-Pratt* as Anise, Nicole Aiken* as Drunk Woman/Elvis, Lolita Foster* as Alondra, Rey Lucas* as Dusty, Jared McNeill* as Man1/Boy1, Christopher Myers* as Man3/Drunk Man/Intense Evangelist, and Mike Rosete* as Man2/Boy2. *Performing courtesy of Actors’ Equity Association. AEA approved showcase.
The production produced features scenic design and tech direction by James Hunting, costume design by Becky Bodurtha, and lighting design by Mike Riggs. Christopher Loar is the sound designer and Toni Goldberg is the stage manager.
Alondra Was Here plays the following schedule:
Tuesday - Thursdays at 7 p.m.
Fridays at 8 p.m.
Saturdays at 2 p.m. and 8 p.m.
Sundays at 2 p.m.
Tickets are $18 and are now available online at www.thewildproject.com or by calling 1-866-811-4111. Tickets may also be purchased in-person at the theater ½ hour prior to the performance.
Running Time: 95 minutes
Website: http://www.thewildproject.com/performances/2013-ALONDRA-WAS-HERE.shtml
Bleached Blonde Betty at the workshop theater - march 14 -24
CAT ON MY HEAD PRODUCTIONS is pleased to announce the world premiere production of Tom Kelly’s BLEACHED BLONDE BETTY, with original music by the award-winning Allison Leyton-Brown and directed by Dan Patrick Brady. BLEACHED BLONDE BETTY play a limited engagement at the Workshop Theater (316 West 35th Street, 4th Fl.). Performances begin Thursday, March 14 and continue until Sunday, March 24. Opening Night is Thursday, March 14 (8 p.m.). Press are invited to all performances.
Betty is a writer rapidly going nowhere but to work as a waitress. Betty likes Sammy, the security guard at the New Modern Museum of Art. Mystic is Betty’s stripper roommate. She introduces Betty to her new boyfriend, Bobby. Betty LOVES Bobby. Bobby is suddenly interested in Betty. He suggests to Betty a way for them to realize the life they want: use Sammy to steal a painting from the Museum. Along the way they will have to battle the Jersey Mob, a serial killer, an ex-con art thief, and the general chaos of their own conscience. BLEACHED BLONDE BETTY asks the one major question in life: what would you do for love?
The production stars Karen Stanion (Reasons to Live, Provincetown Theatre) as Betty, Joe Diomede (award-winning actor for the film Sharp Love, Sharp Kittens) as Bobby, Kristen Lazzarini as Mystic, John Lenartz (Bdwy: Inherit the Wind) as Sammy, Stacy Ann Strang as Anna/Denise, Ryan Lee (Side Man, EST) as Nathaniel, Gregory Kostal as Harold and Richard Kent Green as Frank.
The production features scenic and lighting design by Lauren Parrish, and costume design by Lucy Goldberg. Lauren Parrish is the production manager, DeLisa White is the sound designer and Laura Hirschberg is the production stage manager.
BLEACHED BLONDE BETTY plays the following regular schedule through Sunday, March 24:
Thursdays at 8 p.m.
Fridays at 8 p.m.
Saturdays at 8 p.m.
Sundays at 2 p.m.
There are two additional performances: Tuesday 3/19 at 8 p.m. and Wednesday 3/20 at 8 p.m.
Tickets are 18 and are now available online at workshoptheater.org. Tickets may also be purchased in person at the theater 30 minutes prior to performance.
Running Time: 90 minutes, one intermission
Website: workshoptheater.org
Betty is a writer rapidly going nowhere but to work as a waitress. Betty likes Sammy, the security guard at the New Modern Museum of Art. Mystic is Betty’s stripper roommate. She introduces Betty to her new boyfriend, Bobby. Betty LOVES Bobby. Bobby is suddenly interested in Betty. He suggests to Betty a way for them to realize the life they want: use Sammy to steal a painting from the Museum. Along the way they will have to battle the Jersey Mob, a serial killer, an ex-con art thief, and the general chaos of their own conscience. BLEACHED BLONDE BETTY asks the one major question in life: what would you do for love?
The production stars Karen Stanion (Reasons to Live, Provincetown Theatre) as Betty, Joe Diomede (award-winning actor for the film Sharp Love, Sharp Kittens) as Bobby, Kristen Lazzarini as Mystic, John Lenartz (Bdwy: Inherit the Wind) as Sammy, Stacy Ann Strang as Anna/Denise, Ryan Lee (Side Man, EST) as Nathaniel, Gregory Kostal as Harold and Richard Kent Green as Frank.
The production features scenic and lighting design by Lauren Parrish, and costume design by Lucy Goldberg. Lauren Parrish is the production manager, DeLisa White is the sound designer and Laura Hirschberg is the production stage manager.
BLEACHED BLONDE BETTY plays the following regular schedule through Sunday, March 24:
Thursdays at 8 p.m.
Fridays at 8 p.m.
Saturdays at 8 p.m.
Sundays at 2 p.m.
There are two additional performances: Tuesday 3/19 at 8 p.m. and Wednesday 3/20 at 8 p.m.
Tickets are 18 and are now available online at workshoptheater.org. Tickets may also be purchased in person at the theater 30 minutes prior to performance.
Running Time: 90 minutes, one intermission
Website: workshoptheater.org
MY MOM IS TRYING TO RUIN MY LIFE AT WORKSHOP THEATER - february 14-March 10, 2013
WORKSHOP THEATER COMPANY in conjunction with JEM THEATRICALS is presenting the New York premiere production of MY MOM IS TRYING TO RUIN MY LIFE, a new family musical comedy. The musical, with book by Kate Feiffer and MJ Bruder Munafo, music by Paul Jacobs, lyrics by Sarah Durkee, is based on the acclaimed picture book MY MOM IS TRYING TO RUIN MY LIFE, by Kate Feiffer with illustrations by Diane Goode (Simon & Schuster/Paula Wiseman Books). The musical will be directed by Debbi Katz and choreographed by Danyelle Demchock of the Young Performers Dance Academy. MY MOM IS TRYING TO RUIN MY LIFE will play a four-week limited engagement at the WorkShop Theater (312 West 36th Street). Performances begin Saturday, February 16 at 12 pm and continue through Sunday, March 10 at 3 pm.
If Emma’s mom is so great, why is she trying to ruin her daughter’s life? She talks too loudly, worries about everything and kisses Emma in front of her friends. It wouldn’t be that bad if she just gave her one kiss on top of the head, but no, she kisses Emma all over her face. Can Emma stop her mom before she ruins the rest of her life? A heartwarming coming of age story with spectacular original music, MY MOM IS TRYING TO RUIN MY LIFE will have audiences laughing and singing.
The first workshop production of MY MOM IS TRYING TO RUIN MY LIFE played to sold out audiences at The Vineyard Playhouse on Martha's Vineyard in 2010. In 2011, MJ Bruder Munafo (Artistic Director of the Vineyard Playhouse) and Kate Feiffer teamed up with multiple Emmy Award-winning songwriters Paul Jacobs and Sarah Durkee to turn the play into a musical. The Vineyard Playhouse presented the first staged reading of the musical in the summer of 2012. WorkShop Theater Company’s Educational Wing presented a second reading in late 2012.
In keeping with the WorkShop Theater Company’s overall mission, the Educational Wing is dedicated to providing a creative home for young actors to hone their talents and cultivate projects from inception through finished productions.
“We work with children of diverse backgrounds to introduce the process of synthesizing new works through Page to Stage adaptations and the collaborative relationships between writers, directors, actors and designers. We pair professional teaching artists and guide young actors through the process of creating new works,” says Marie Mascia-Mancl, General Manager of Workshop Theater Company. “We have found that many professional kids are looking for a setting in which to work during the “tween” years when they can’t find continuous employment. This program allows them that home and gives us the opportunity to teach college level skills and techniques. We are very excited to bring to life this wonderful piece as we combine this amazing cast with an incredibly talented creative team. Everyone involved is helping to fulfill our mission.”
The production stars Michael Bernardi* (Surflight’s Once Upon a Time in New Jersey) as Officer Smith, Maddie Glass as Isabelle, Andrew Hubacher* (WorkShop’s Life on the Mississippi) as Dad, Kayla King as Mom, Claire Kwon as Julie, Noah Marlowe* (Bdwy: Mary Poppins) as Tommy, Shelly McPherson* as Tommy’s Mom/Officer O’Dooley, Sydney Ryan Robles as Danielle, Madisyn Shipman* (Bdwy: Enron; Off-Bdwy: Pippi Longstockings) as Christina/Lulu the dog, Garielle Smith-Goldson as Malika, Ryan Bauer Walsh* (Nat’l Tour: Billy Elliot) as Mr. Lucky/Officer Ortiz, Lauren Weintraub* (North Shore’s Annie) as Emma, and Ashton Woerz* (Bdwy: Priscilla Queen of the Desert; Nat’l Tour: Radio City Christmas Spectacular) as Andrew.
The production features scenic design by Dana Kenn and lighting design by Diana Duecker. Joe Marquet is the sound designer, Zach Rand is the production assistant, Evan Bernardin is the associate producer, Marie Mascia-Mancl is the general manager and Sierra Garland is the stage manager.
MY MOM IS TRYING TO RUIN MY LIFE plays the following schedule:
Saturday, February 16 at 12 pm and 3 pm
Sunday, February 17 at 12 pm
Monday, February 18 at 12 pm and 3 pm (President’s Day)
Saturday, February 23 at 12 pm and 3 pm
Sunday, February 24 at 12 pm
Monday, February 25 at 7 (Special Simon & Schuster Performance)
Saturday, March 2 at 12 pm and 3 pm
Sunday, March 3 at 12 pm
Saturday, March 9 at 12 pm and 3 pm
Sunday, March 9 at 12 pm and 3 pm
Tickets are $15–18 and are now available online at workshoptheater.org. Tickets may also be purchased in person at the theater 30 minutes prior to performance. For special packages and donations please go to www.m3atyourservice.com.
Running Time: 70 minutes
Website: workshoptheater.org
Photos: http://bit.ly/MyMomPhotos
**Illustration by Diane Goode used by permission of Simon & Schuster Children's Publishing**
If Emma’s mom is so great, why is she trying to ruin her daughter’s life? She talks too loudly, worries about everything and kisses Emma in front of her friends. It wouldn’t be that bad if she just gave her one kiss on top of the head, but no, she kisses Emma all over her face. Can Emma stop her mom before she ruins the rest of her life? A heartwarming coming of age story with spectacular original music, MY MOM IS TRYING TO RUIN MY LIFE will have audiences laughing and singing.
The first workshop production of MY MOM IS TRYING TO RUIN MY LIFE played to sold out audiences at The Vineyard Playhouse on Martha's Vineyard in 2010. In 2011, MJ Bruder Munafo (Artistic Director of the Vineyard Playhouse) and Kate Feiffer teamed up with multiple Emmy Award-winning songwriters Paul Jacobs and Sarah Durkee to turn the play into a musical. The Vineyard Playhouse presented the first staged reading of the musical in the summer of 2012. WorkShop Theater Company’s Educational Wing presented a second reading in late 2012.
In keeping with the WorkShop Theater Company’s overall mission, the Educational Wing is dedicated to providing a creative home for young actors to hone their talents and cultivate projects from inception through finished productions.
“We work with children of diverse backgrounds to introduce the process of synthesizing new works through Page to Stage adaptations and the collaborative relationships between writers, directors, actors and designers. We pair professional teaching artists and guide young actors through the process of creating new works,” says Marie Mascia-Mancl, General Manager of Workshop Theater Company. “We have found that many professional kids are looking for a setting in which to work during the “tween” years when they can’t find continuous employment. This program allows them that home and gives us the opportunity to teach college level skills and techniques. We are very excited to bring to life this wonderful piece as we combine this amazing cast with an incredibly talented creative team. Everyone involved is helping to fulfill our mission.”
The production stars Michael Bernardi* (Surflight’s Once Upon a Time in New Jersey) as Officer Smith, Maddie Glass as Isabelle, Andrew Hubacher* (WorkShop’s Life on the Mississippi) as Dad, Kayla King as Mom, Claire Kwon as Julie, Noah Marlowe* (Bdwy: Mary Poppins) as Tommy, Shelly McPherson* as Tommy’s Mom/Officer O’Dooley, Sydney Ryan Robles as Danielle, Madisyn Shipman* (Bdwy: Enron; Off-Bdwy: Pippi Longstockings) as Christina/Lulu the dog, Garielle Smith-Goldson as Malika, Ryan Bauer Walsh* (Nat’l Tour: Billy Elliot) as Mr. Lucky/Officer Ortiz, Lauren Weintraub* (North Shore’s Annie) as Emma, and Ashton Woerz* (Bdwy: Priscilla Queen of the Desert; Nat’l Tour: Radio City Christmas Spectacular) as Andrew.
The production features scenic design by Dana Kenn and lighting design by Diana Duecker. Joe Marquet is the sound designer, Zach Rand is the production assistant, Evan Bernardin is the associate producer, Marie Mascia-Mancl is the general manager and Sierra Garland is the stage manager.
MY MOM IS TRYING TO RUIN MY LIFE plays the following schedule:
Saturday, February 16 at 12 pm and 3 pm
Sunday, February 17 at 12 pm
Monday, February 18 at 12 pm and 3 pm (President’s Day)
Saturday, February 23 at 12 pm and 3 pm
Sunday, February 24 at 12 pm
Monday, February 25 at 7 (Special Simon & Schuster Performance)
Saturday, March 2 at 12 pm and 3 pm
Sunday, March 3 at 12 pm
Saturday, March 9 at 12 pm and 3 pm
Sunday, March 9 at 12 pm and 3 pm
Tickets are $15–18 and are now available online at workshoptheater.org. Tickets may also be purchased in person at the theater 30 minutes prior to performance. For special packages and donations please go to www.m3atyourservice.com.
Running Time: 70 minutes
Website: workshoptheater.org
Photos: http://bit.ly/MyMomPhotos
**Illustration by Diane Goode used by permission of Simon & Schuster Children's Publishing**
WORKSHOP THEATER COMPANY is pleased to announce the New York premiere production of LIGHTNING FROM HEAVEN
by WorkShop Theater Company Artistic Director and award-winning playwright Scott C. Sickles’s, LIGHTNING FROM HEAVEN, directed by Thomas Coté. LIGHTNING FROM HEAVEN will play a limited engagement on the Main Stage at WorkShop Theater (312 West 36th Street, 4th Floor). Performances of this love story begin on Valentine’s Day Thursday, February 14 and continue through Saturday, March 9. Opening Night is Saturday, February 16 (8 pm).
Before the classic film and the celebrated novel Doctor Zhivago, there were poet Boris Pasternak, his muse Olga Ivinskaya, and the Soviet government’s attempt to silence their story. After Pasternak’s death in 1960 Olga, his lover of fourteen years, was arrested by the KGB. LIGHTNING FROM HEAVEN chronicles Olga's subsequent interrogation and trial, while depicting her and Pasternak's struggle to complete and publish Doctor Zhivago despite determined Soviet efforts to stop them.
The production stars WorkShop Theater Company members: Mary Ruth Baggott as Olga’s daughter, Irina, Mick Bleyer* as Vladilen Alexanochkin, Ethan Cadoff* as Semionov, Jed Dickson* as Boris Pasternak, Bob Manus* as Kosachevski, David M. Mead* as the judge, Kari Swenson Riely* as Olga Ivinskaya, Michael Selkirk* as Giangiacomo Feltrinelli, Christine Verleny as Pasternak’s wife, Zinaida, and Dustye Winniford* as the prosecutor.
The production features scenic design by Craig Napoliello, costume coordination by Joanie Schumacher, and lighting design by Diana Duecker. Ryan Lee is the sound designer, makeup is by Jade DaRu, and Jason Healy is the stage manager.
LIGHTNING FROM HEAVEN plays the following regular schedule through Saturday, March 9:
Thursdays at 7 pm
Fridays at 8 pm
Saturdays at 8 pm
Sundays at 3 pm
There is an additional performance on Monday, March 4, at 7 pm
Tickets are $15–18 and are now available online at workshoptheater.org. Tickets may also be purchased in person at the theater 30 minutes prior to performance.
Running Time: 2 hours and 30 minutes, including a 10-minute intermission
Website: workshoptheater.org
Earlier incarnations of LIGHTNING FROM HEAVEN have been performed at the Red Barn Theatre near Pittsburgh, PA, in 1999, directed by William C. Kovacsik; and at The Hartt School in West Hartford, CT, directed by Michael Montel.
In January 2013, Smith & Kraus selected one of the speeches from LIGHTNING FROM HEAVEN to include in BEST MEN'S STAGE MONOLOGUES OF 2013!
by WorkShop Theater Company Artistic Director and award-winning playwright Scott C. Sickles’s, LIGHTNING FROM HEAVEN, directed by Thomas Coté. LIGHTNING FROM HEAVEN will play a limited engagement on the Main Stage at WorkShop Theater (312 West 36th Street, 4th Floor). Performances of this love story begin on Valentine’s Day Thursday, February 14 and continue through Saturday, March 9. Opening Night is Saturday, February 16 (8 pm).
Before the classic film and the celebrated novel Doctor Zhivago, there were poet Boris Pasternak, his muse Olga Ivinskaya, and the Soviet government’s attempt to silence their story. After Pasternak’s death in 1960 Olga, his lover of fourteen years, was arrested by the KGB. LIGHTNING FROM HEAVEN chronicles Olga's subsequent interrogation and trial, while depicting her and Pasternak's struggle to complete and publish Doctor Zhivago despite determined Soviet efforts to stop them.
The production stars WorkShop Theater Company members: Mary Ruth Baggott as Olga’s daughter, Irina, Mick Bleyer* as Vladilen Alexanochkin, Ethan Cadoff* as Semionov, Jed Dickson* as Boris Pasternak, Bob Manus* as Kosachevski, David M. Mead* as the judge, Kari Swenson Riely* as Olga Ivinskaya, Michael Selkirk* as Giangiacomo Feltrinelli, Christine Verleny as Pasternak’s wife, Zinaida, and Dustye Winniford* as the prosecutor.
The production features scenic design by Craig Napoliello, costume coordination by Joanie Schumacher, and lighting design by Diana Duecker. Ryan Lee is the sound designer, makeup is by Jade DaRu, and Jason Healy is the stage manager.
LIGHTNING FROM HEAVEN plays the following regular schedule through Saturday, March 9:
Thursdays at 7 pm
Fridays at 8 pm
Saturdays at 8 pm
Sundays at 3 pm
There is an additional performance on Monday, March 4, at 7 pm
Tickets are $15–18 and are now available online at workshoptheater.org. Tickets may also be purchased in person at the theater 30 minutes prior to performance.
Running Time: 2 hours and 30 minutes, including a 10-minute intermission
Website: workshoptheater.org
Earlier incarnations of LIGHTNING FROM HEAVEN have been performed at the Red Barn Theatre near Pittsburgh, PA, in 1999, directed by William C. Kovacsik; and at The Hartt School in West Hartford, CT, directed by Michael Montel.
In January 2013, Smith & Kraus selected one of the speeches from LIGHTNING FROM HEAVEN to include in BEST MEN'S STAGE MONOLOGUES OF 2013!
Probation at Repertorio Español - starts July 12
REPERTORIO ESPAÑOL is pleased to announce the New York production of Yoshvani Medina’s PROBATION. PROBATION will begin on Thursday, July 12 (7pm) at Repertorio Español’s Gramercy Arts Theater (138 East 27th Street, btw. Lex. & 3rd). The play will be directed by the playwright and its cast includes Hannia Guillén as Yenny, Alfonso Rey as Pancho & Sandor Juan as Freddy. Probation is the first production at Repertorio to be presented in Spanish with subtitles via Repertorio’s new in-seat Simultext® Captioning System. Tickets are on sale now.
Probation is a timely story about compromising moral values for the sake of getting rich quick. A Cuban man keeps his promise to bring a friend’s son to the United States. After the young immigrant gets a real taste of hard labor, he decides to accept a job offer as a director of a medical clinic conscious of the job’s dubious nature. He begins to enjoy the benefits of quick earned cash, but his world is turned upside down when he is arrested by the FBI accusing him of Medicaid fraud. After being released on probation, he realizes that he must make a difficult decision, whether to stay in the country and face prosecution or return to his former life in Cuba. Generational, political, and moral differences collide in this modern day drama.
The production features scenic design by Jorge Noa and Pedro Balmaseda, costume design by Robert Federico, and lighting design by Robert Federico. Zulema Clares is the sound designer and Fernando Then is the stage manager.
PROBATION plays the following schedule:
Friday, September 7 – 8pm
Sunday, September 9 – 6:30pm
Thursday, September 13 – 7pm
Thursday, September 20 – 7pm
Thursday, September 27 – 7pm
Tickets for “Probation” start at $27 and may be reserved online at www.repertorio.org/probation; by phone, calling 1-212-225-9999 or in person at Repertorio Español’s Gramercy Arts Theatre located at 138 East 27th Street in Manhattan, New York between Lexington and Third Avenues (9am-7pm Sun-Thurs | 10am-9pm Sat-Sun). Special offer if reserved before July 15th, 2012: Buy one ticket at the regular price and get the second ticket for only $5 courtesy of MetLife Foundation.
Running Time: 100 min. No intermission.
Website: repertorio.org
Probation is a timely story about compromising moral values for the sake of getting rich quick. A Cuban man keeps his promise to bring a friend’s son to the United States. After the young immigrant gets a real taste of hard labor, he decides to accept a job offer as a director of a medical clinic conscious of the job’s dubious nature. He begins to enjoy the benefits of quick earned cash, but his world is turned upside down when he is arrested by the FBI accusing him of Medicaid fraud. After being released on probation, he realizes that he must make a difficult decision, whether to stay in the country and face prosecution or return to his former life in Cuba. Generational, political, and moral differences collide in this modern day drama.
The production features scenic design by Jorge Noa and Pedro Balmaseda, costume design by Robert Federico, and lighting design by Robert Federico. Zulema Clares is the sound designer and Fernando Then is the stage manager.
PROBATION plays the following schedule:
Friday, September 7 – 8pm
Sunday, September 9 – 6:30pm
Thursday, September 13 – 7pm
Thursday, September 20 – 7pm
Thursday, September 27 – 7pm
Tickets for “Probation” start at $27 and may be reserved online at www.repertorio.org/probation; by phone, calling 1-212-225-9999 or in person at Repertorio Español’s Gramercy Arts Theatre located at 138 East 27th Street in Manhattan, New York between Lexington and Third Avenues (9am-7pm Sun-Thurs | 10am-9pm Sat-Sun). Special offer if reserved before July 15th, 2012: Buy one ticket at the regular price and get the second ticket for only $5 courtesy of MetLife Foundation.
Running Time: 100 min. No intermission.
Website: repertorio.org
Billy Witch at APAC - November 1-17
Gregory S. Moss, playwright
THE ASTORIA PERFORMING ARTS CENTER (APAC) is pleased to announce the New York premiere production of Gregory S. Moss’s (punkplay, House of Gold) BILLY WITCH, choreographed by Wendy Seyb (The Pee Wee Herman Show, Yeast Nation), with original music by Nathan A. Roberts, musical direction by Brenna Sage and directed by Erik Pearson (Billy Witch, Studio 42). BILLY WITCH will play a limited engagement at the Good Shepherd United Methodist Church (30-44 Crescent St, Astoria, NY 11102. Entrance on 30th Road.) Performances begin Thursday, November 1 and continue through Saturday, November 17. Opening Night is Saturday, November 3 (8 p.m.).
In this quirky, creepy, bawdy comedy, 14-year old Oliver braves the wilderness to discover change at sleepaway camp. Miles away from home, surrounded by pubescent boys and girls, Oliver is not prepared for the life altering transformation he will soon experience. From twisted first sexual encounters, to spooky campfire stories unfolding before his eyes, Oliver's time at camp is anything but normal.
BILLY WITCH was initially written when Moss, who L.A. Weekly says “blends Eugene Ionesco with Christopher Durang,” was in residence at The Millay Colony in Austerlitz, New York. It was first workshopped at the American Repertory Theater in Cambridge, MA, in 2008, under the direction of Vanessa Gilbert. The play was produced at Northeastern University, Boston, in 2010, directed by Jonathan Carr. In early 2012, a developmental production was produced by Studio 42 and directed by Erik Pearson.
APAC's Artistic Director, Tom Wojtunik chose the play after missing the workshop at Studio 42 last February, which garnered tremendous word of mouth in the theatre community. He states, "as soon as I read the script I knew that the experience of BILLY WITCH would be a special one for APAC's audience. I look forward to seeing how director Erik Pearson utilizes APAC's unique space to tell the story." When asked why he first chose to develop the piece, Studio 42 Artistic Director, Moritz von Stuelpnagel said, “when you mix Ovid's Metamorphosis with classic camp horror, you get this terrific blend of high brow and low brow entertainment that is surprising and deeply satisfying. The show is an immersive theatrical experience full of sex, horror, absurdity, and straight up nostalgia for those long gone days of summer camp.”
The production features Eric Bryant* (Angels in America, Signature Theater) as Arden, Britain Gebhardt as Jenny, Aimee Howard* (Austerity of Hope, Barrow Group; Claymont, EAT) as Miranda, Dawn Luebbe* (Onasses Comedy, UCB & College Humor) as Counselor Becky, Allyson Morgan* as Sue, Seamus Mulcahy* (Killing Lincoln; Our Town, Barrow Street Theater) as Oliver, Andy Phelan* (APAC’s MilkMilkLemonade; CSC’s Galileo) as Billy, Luke Robertson* (Yale Repertory Theatre, Baltimore Center Stage) as PD Lockwood, Will Roland as Michael, Hasmik Anna Saakian as Melody, Ben Schnickel as Peter, Nicholas Urda* (Private Lives, Two Rivers Theater) as Counselor James, and Liz Wisan* (Other Desert Cities) as Sandy. (*Performing courtesy of Actors’ Equity Association.)
The production features scenic design by Tim Brown, costume design by Elizabeth Barrett Groth, and lighting design by Marie Yokoyama. Chris Barlow is the sound designer, Daniel Dabdoub is the props designer, Robert Westley is the fight director and Jessa Nicole Pollack* is the production stage manager.
BILLY WITCH plays the following regular schedule through Saturday, November 17:
Thursdays at 8 p.m. | Fridays at 8 p.m. | Saturdays at 2 p.m. and 8 p.m.
Tickets are $18, available online at www.apacny.org or by calling 866-811-4111. Tickets may also be purchased in-person at the Theatre Box Office, 30 minutes prior to the performance.
Children under 14 not permitted.
PERFORMANCE VENUE
Good Shepherd United Methodist Church
30-44 Crescent St (@30th Rd)
Astoria, NY 11102
Directions: Take the N or Q Subway to 30th Avenue. Walk down 30th Ave. to Crescent St. (Mount Sinai Hospital is on the corner.) Turn left on Crescent Street. Walk one block south, then turn right onto 30th Rd. Entrance is second set of red doors on left.
Running Time: 90 minutes
Website: www.apacny.org
In this quirky, creepy, bawdy comedy, 14-year old Oliver braves the wilderness to discover change at sleepaway camp. Miles away from home, surrounded by pubescent boys and girls, Oliver is not prepared for the life altering transformation he will soon experience. From twisted first sexual encounters, to spooky campfire stories unfolding before his eyes, Oliver's time at camp is anything but normal.
BILLY WITCH was initially written when Moss, who L.A. Weekly says “blends Eugene Ionesco with Christopher Durang,” was in residence at The Millay Colony in Austerlitz, New York. It was first workshopped at the American Repertory Theater in Cambridge, MA, in 2008, under the direction of Vanessa Gilbert. The play was produced at Northeastern University, Boston, in 2010, directed by Jonathan Carr. In early 2012, a developmental production was produced by Studio 42 and directed by Erik Pearson.
APAC's Artistic Director, Tom Wojtunik chose the play after missing the workshop at Studio 42 last February, which garnered tremendous word of mouth in the theatre community. He states, "as soon as I read the script I knew that the experience of BILLY WITCH would be a special one for APAC's audience. I look forward to seeing how director Erik Pearson utilizes APAC's unique space to tell the story." When asked why he first chose to develop the piece, Studio 42 Artistic Director, Moritz von Stuelpnagel said, “when you mix Ovid's Metamorphosis with classic camp horror, you get this terrific blend of high brow and low brow entertainment that is surprising and deeply satisfying. The show is an immersive theatrical experience full of sex, horror, absurdity, and straight up nostalgia for those long gone days of summer camp.”
The production features Eric Bryant* (Angels in America, Signature Theater) as Arden, Britain Gebhardt as Jenny, Aimee Howard* (Austerity of Hope, Barrow Group; Claymont, EAT) as Miranda, Dawn Luebbe* (Onasses Comedy, UCB & College Humor) as Counselor Becky, Allyson Morgan* as Sue, Seamus Mulcahy* (Killing Lincoln; Our Town, Barrow Street Theater) as Oliver, Andy Phelan* (APAC’s MilkMilkLemonade; CSC’s Galileo) as Billy, Luke Robertson* (Yale Repertory Theatre, Baltimore Center Stage) as PD Lockwood, Will Roland as Michael, Hasmik Anna Saakian as Melody, Ben Schnickel as Peter, Nicholas Urda* (Private Lives, Two Rivers Theater) as Counselor James, and Liz Wisan* (Other Desert Cities) as Sandy. (*Performing courtesy of Actors’ Equity Association.)
The production features scenic design by Tim Brown, costume design by Elizabeth Barrett Groth, and lighting design by Marie Yokoyama. Chris Barlow is the sound designer, Daniel Dabdoub is the props designer, Robert Westley is the fight director and Jessa Nicole Pollack* is the production stage manager.
BILLY WITCH plays the following regular schedule through Saturday, November 17:
Thursdays at 8 p.m. | Fridays at 8 p.m. | Saturdays at 2 p.m. and 8 p.m.
Tickets are $18, available online at www.apacny.org or by calling 866-811-4111. Tickets may also be purchased in-person at the Theatre Box Office, 30 minutes prior to the performance.
Children under 14 not permitted.
PERFORMANCE VENUE
Good Shepherd United Methodist Church
30-44 Crescent St (@30th Rd)
Astoria, NY 11102
Directions: Take the N or Q Subway to 30th Avenue. Walk down 30th Ave. to Crescent St. (Mount Sinai Hospital is on the corner.) Turn left on Crescent Street. Walk one block south, then turn right onto 30th Rd. Entrance is second set of red doors on left.
Running Time: 90 minutes
Website: www.apacny.org
America's Brightest Star at The Railroad Playhouse - October 18 - November 3
THE RAILROAD PLAYHOUSE (RRP) is pleased to announce the world premiere production of RRP Playwright-in-Residence , Alex Goldberg’s AMERICA’S BRIGHTEST STAR, directed by RRP Artistic Director, Seth Soloway. AMERICA’S BRIGHTEST STAR will play a limited engagement at the Railroad Playhouse (27 South Water Street, Newburgh, NY). Performances begin Thursday, October 18 and continue through Saturday, November 3, with an invited press preview performance on Thursday, October 18 (7:30pm).
Can a reality show save a dying town? In AMERICA’S BRIGHTEST STAR, the small town of South Farmingham is turned upside down when Sherry, a middle-aged, introverted librarian, uploads a video of herself singing onto the website of the hit TV reality show “America’s Brightest Star.” Her video unexpectedly receives millions of views, which prompts an invitation to perform on the show. Awkwardly shy, she resists, but is prodded along by her celebrity-craving assistant Amber, the ambitious mayor Dolores Danton, and Cecil Ravinsdale, the cock-sure host of “America's Brightest Star.” Addressing issues of humanity's differing relationships with fame, fortune and social media, this dark comedy tackles fleeting fame, dying towns, and raw talent.
The production stars Megan Tusing (Wolves [Firework/59E59]; TV: “Law and Order”) as Amber, Charleigh E. Parker* (Cinderella [Asian Tour] ; TV: “Boardwalk Empire”) as Sherry, Jeffrey C. Wolf* (Regional: Cabaret [Kevin Kline nomination-Ernst, Stages St. Louis]; TV/Film: “Boardwalk Empire”) as Cecil Ravinsdale, Catia Ojeda* (101 Dalmatians [Nat’l Tour]; TV: “30 Rock”) as Mayor Danton, Kevin Loreque* (CATS [Nat’l Tour]; Film: “The Birdcage”) as Dale, Kathryn Kates* (The Bakery Lady in “Seinfeld”) as Merla, and Edward Crawford (RRP: Lying Naked; PBS: “Promised Land”) as Gary/Dave/Network Executive. *Member of Actors' Equity Association, the Union of Professional Actors and Stage Managers in the United States.
The production features scenic design by Bill Bywater (20 years with Just Off Broadway, Inc), costume design by Bobby Pearce (Taboo, nominated for both the Tony Award and the Outer Critics Circle Award for Best Costume Design), lighting design by Emily Bean (RRP Inaugural One Act Play Festival), projection design by Grant McDonald (Sleep No More) and the production stage manager is Heather Arnson*.
AMERICA’S BRIGHTEST STAR plays the following regular schedule:
Thursdays at 7:30 p.m.
Fridays at 7:30 p.m.
Saturdays at 2 p.m. and 8 p.m.
Tickets are $25 GA, $20 Students/Seniors; and are now available online at www.rrplayhouse.org or by calling 845-565-3791. Tickets may also be purchased in-person at the theater one hour prior to performance.
Running Time: 95 minutes plus intermission
Website: rrplayhouse.org
Can a reality show save a dying town? In AMERICA’S BRIGHTEST STAR, the small town of South Farmingham is turned upside down when Sherry, a middle-aged, introverted librarian, uploads a video of herself singing onto the website of the hit TV reality show “America’s Brightest Star.” Her video unexpectedly receives millions of views, which prompts an invitation to perform on the show. Awkwardly shy, she resists, but is prodded along by her celebrity-craving assistant Amber, the ambitious mayor Dolores Danton, and Cecil Ravinsdale, the cock-sure host of “America's Brightest Star.” Addressing issues of humanity's differing relationships with fame, fortune and social media, this dark comedy tackles fleeting fame, dying towns, and raw talent.
The production stars Megan Tusing (Wolves [Firework/59E59]; TV: “Law and Order”) as Amber, Charleigh E. Parker* (Cinderella [Asian Tour] ; TV: “Boardwalk Empire”) as Sherry, Jeffrey C. Wolf* (Regional: Cabaret [Kevin Kline nomination-Ernst, Stages St. Louis]; TV/Film: “Boardwalk Empire”) as Cecil Ravinsdale, Catia Ojeda* (101 Dalmatians [Nat’l Tour]; TV: “30 Rock”) as Mayor Danton, Kevin Loreque* (CATS [Nat’l Tour]; Film: “The Birdcage”) as Dale, Kathryn Kates* (The Bakery Lady in “Seinfeld”) as Merla, and Edward Crawford (RRP: Lying Naked; PBS: “Promised Land”) as Gary/Dave/Network Executive. *Member of Actors' Equity Association, the Union of Professional Actors and Stage Managers in the United States.
The production features scenic design by Bill Bywater (20 years with Just Off Broadway, Inc), costume design by Bobby Pearce (Taboo, nominated for both the Tony Award and the Outer Critics Circle Award for Best Costume Design), lighting design by Emily Bean (RRP Inaugural One Act Play Festival), projection design by Grant McDonald (Sleep No More) and the production stage manager is Heather Arnson*.
AMERICA’S BRIGHTEST STAR plays the following regular schedule:
Thursdays at 7:30 p.m.
Fridays at 7:30 p.m.
Saturdays at 2 p.m. and 8 p.m.
Tickets are $25 GA, $20 Students/Seniors; and are now available online at www.rrplayhouse.org or by calling 845-565-3791. Tickets may also be purchased in-person at the theater one hour prior to performance.
Running Time: 95 minutes plus intermission
Website: rrplayhouse.org
The Chekhov Dreams at Jewel Box Theater - October 11 - 27
The WORKSHOP THEATER COMPANY is pleased to announce THE CHEKHOV DREAMS, written by John McKinney, directed by Leslie Kincaid Burby and presented as part of WorkShop Theater Company’s Play In Process (PIP) series. THE CHEKHOV DREAMS will play a limited engagement at The Jewel Box Theater (312 West 36th Street, 4th Floor). Performances begin Thursday, October 11 and continue through Saturday, October 27.
Distraught over his fiancée's untimely passing three years ago, a once-aspiring writer copes with the loss he feels during waking hours by continuing their romance in his dreams. Add his party animal brother, a young actress and Anton Chekhov to the equation and you’ve got a romance where true love never dies. And that's the problem.
Playwright John McKinney shows that while it may be hard to laugh about death, it turns out to be the best medicine as we watch Jeremy struggle to regain his will to live, and explore our own humanity with all its joys and sorrows.
The production stars Sutton Crawford*, Matt Faucher*, Michael Gnat*, Carmit Levite* and Jake Robards* (*Performing courtesy of Actors’ Equity Association).
The production’s assistant director is Heather Massie, associate producer is Anne Fizzard and assistant associate producer is Virginia Roncetti. It features scenic design by Jennifer Varbalow, and lighting design by Diana Duecker. Quentin Chiappetta/MediaNoise is the sound designer, Kimberley Windbiel is the costume coordinator and Joshua Quinn* is the production stage manager.
THE CHEKHOV DREAMS plays the following schedule:
Thursday, October 11 @ 7 PM
Friday, October 12 @ 8 PM
Saturday, October 13 @ 8 PM
Sunday, October 14 @ 3 PM
Thursday, October 18 @ 7PM
Friday, October 19 @ 8 PM
Saturday, October 20 @ 8PM
Sunday, October 21 @ 3PM
Monday, October 22 @ 7PM
Thursday, October 25 @ 7PM
Friday, October 26 @ 8PM
Saturday, October 27 @ 8PM
Tickets are $15-18 and are now available online on OvationTix at www.workshoptheater.org.
Running Time: 2 hours
Website: workshoptheater.org
Distraught over his fiancée's untimely passing three years ago, a once-aspiring writer copes with the loss he feels during waking hours by continuing their romance in his dreams. Add his party animal brother, a young actress and Anton Chekhov to the equation and you’ve got a romance where true love never dies. And that's the problem.
Playwright John McKinney shows that while it may be hard to laugh about death, it turns out to be the best medicine as we watch Jeremy struggle to regain his will to live, and explore our own humanity with all its joys and sorrows.
The production stars Sutton Crawford*, Matt Faucher*, Michael Gnat*, Carmit Levite* and Jake Robards* (*Performing courtesy of Actors’ Equity Association).
The production’s assistant director is Heather Massie, associate producer is Anne Fizzard and assistant associate producer is Virginia Roncetti. It features scenic design by Jennifer Varbalow, and lighting design by Diana Duecker. Quentin Chiappetta/MediaNoise is the sound designer, Kimberley Windbiel is the costume coordinator and Joshua Quinn* is the production stage manager.
THE CHEKHOV DREAMS plays the following schedule:
Thursday, October 11 @ 7 PM
Friday, October 12 @ 8 PM
Saturday, October 13 @ 8 PM
Sunday, October 14 @ 3 PM
Thursday, October 18 @ 7PM
Friday, October 19 @ 8 PM
Saturday, October 20 @ 8PM
Sunday, October 21 @ 3PM
Monday, October 22 @ 7PM
Thursday, October 25 @ 7PM
Friday, October 26 @ 8PM
Saturday, October 27 @ 8PM
Tickets are $15-18 and are now available online on OvationTix at www.workshoptheater.org.
Running Time: 2 hours
Website: workshoptheater.org
Tarragona at WorkShop Theater - October 4 - 27
WORKSHOP THEATER COMPANY is pleased to announce the world premiere production of Gary Giovannetti’s TARRAGONA, directed by Elysa Marden. TARRAGONA will play a limited engagement on the Main Stage at WorkShop Theater (312 West 36th Street, 4th Floor). Performances begin Thursday, October 4 and continue through Saturday, October 27. Opening Night is Saturday, October 6 (8 pm).
Greg has a miserable existence in New York City. He’s unappreciated at work, unlucky in love, and he’s never fully gotten over his brother’s premature death. But one day he receives an e-mail from a mysterious Spanish woman and his life turns upside down! A story that ranges from The Big Apple to the Mediterranean coast, Tarragona serves as a passport to romance, fun, and the unexpected! Tarragona is a comedy about the joys, heartbreaks, and risks of living in an increasingly interconnected world.
The production features C.K. Allen as Nelson, Tom Berdik* as Greg, Lori Faiella* as Ana, Stephen Girasuolo* as Jaume, Cecily Benjamin Hughes* as Amy, Lidia Ornero as Cristina, and Jonathan Weber as Charles. *Performing courtesy of Actors’ Equity Association. AEA approved showcase.
Tarragona, associate-produced by Amanda Sayle, features scenic design by Jay Ryan, costume design by Kimberly Jones, and lighting design by Deborah Constantine. Projections are designed by Chris Kateff, fight choreography by Diego Villada, and the dialect coach is Lidia Ornero. DeLisa M. White is the producing director and sound designer, and Caitlin Saporito is the stage manager.
TARRAGONA plays the following regular schedule through Saturday, October 27:
Thursdays at 7pm
Fridays at 8pm
Saturdays at 8pm
Sundays at 3pm
There is an additional performance Monday, October 25 at 7pm.
Tickets are $15–18 and are now available online at workshoptheater.org. Tickets may also be purchased in person at the theater 30 minutes prior to performance.
Running Time: 90 minutes
Website: workshoptheater.org
Greg has a miserable existence in New York City. He’s unappreciated at work, unlucky in love, and he’s never fully gotten over his brother’s premature death. But one day he receives an e-mail from a mysterious Spanish woman and his life turns upside down! A story that ranges from The Big Apple to the Mediterranean coast, Tarragona serves as a passport to romance, fun, and the unexpected! Tarragona is a comedy about the joys, heartbreaks, and risks of living in an increasingly interconnected world.
The production features C.K. Allen as Nelson, Tom Berdik* as Greg, Lori Faiella* as Ana, Stephen Girasuolo* as Jaume, Cecily Benjamin Hughes* as Amy, Lidia Ornero as Cristina, and Jonathan Weber as Charles. *Performing courtesy of Actors’ Equity Association. AEA approved showcase.
Tarragona, associate-produced by Amanda Sayle, features scenic design by Jay Ryan, costume design by Kimberly Jones, and lighting design by Deborah Constantine. Projections are designed by Chris Kateff, fight choreography by Diego Villada, and the dialect coach is Lidia Ornero. DeLisa M. White is the producing director and sound designer, and Caitlin Saporito is the stage manager.
TARRAGONA plays the following regular schedule through Saturday, October 27:
Thursdays at 7pm
Fridays at 8pm
Saturdays at 8pm
Sundays at 3pm
There is an additional performance Monday, October 25 at 7pm.
Tickets are $15–18 and are now available online at workshoptheater.org. Tickets may also be purchased in person at the theater 30 minutes prior to performance.
Running Time: 90 minutes
Website: workshoptheater.org
JUSTICE, a web series - Now Playing
Red Wall Productions is pleased to announce the world premiere of “JUSTICE”, The Web Series, created by Damian Bailey, produced and written by Craig T. Williams, and directed by Rosalyn Coleman Williams. “JUSTICE”, The Web Series will World Premiere this week on http://blip.tv/justicetheseries. The accompanying app will be available from iTunes with the episodes, behind the scenes footage, character blogs, and more.
Is there ever vengeance? Rosalyn Coleman Williams wants to know, and by creating the new Web Series, “JUSTICE”, she plans to do just that. She remarks, “JUSTICE is Red Wall Productions first interactive, multimedia, web-based series. We captivate the audience by evoking a New York tale that pays homage to the action dramas we love.
Escape into Justice’s world and enjoy the twists and turns of the journey. The show is chocked full of all the integral aspects of powerful story-telling: music, appealing actors and characters in a dilemma that will not leave your mind.”
Detective Marc Justice (Damian Bailey) is tough, protecting the mean streets of New York City even when he’s not on duty. In the midst of a torrid affair, Justice gets word that his wife has been killed. Driven by regret, he will stop at nothing to avenge Candace’s murder. Immersed in the sex and drugs of the music industry, Justice uncovers secrets and temptations that push him to the edge.
Bailey, who created the series and plays the title character, did so because he “wanted to create a complex black man, one who is flawed and inappropriate. Justice, is an interesting lead character to play - multifaceted, searching for answers and not always pursuing them properly.”
“JUSTICE”, The Web Series stars Damian Bailey (Film: Tupac: Genesis as Tupac) as Justice, Ellen Domingos (Cumberland County Playhouse’s Two By Two directed by Emmy, Grammy & Tony-award winning Martin Charnin) as Detective Rosa Falto, stars Krystal Farris (Off-Bdwy play Platanos and Collard Greens) as Nola, Thyais Walsh (Off-Bdwy: Billie’s Blues) as Lieutenant Calabrese, Dayla Perkins (Goodspeed Opera House's Where's Charley directed by Tony Award winner Tony Walto) as Kara and Okema Moore (“Sesame Street”) as Jade. Running Time: 5-10 minutes (per episode)
Website: www.Redwallproductions.com www.justicetheseries.com
Is there ever vengeance? Rosalyn Coleman Williams wants to know, and by creating the new Web Series, “JUSTICE”, she plans to do just that. She remarks, “JUSTICE is Red Wall Productions first interactive, multimedia, web-based series. We captivate the audience by evoking a New York tale that pays homage to the action dramas we love.
Escape into Justice’s world and enjoy the twists and turns of the journey. The show is chocked full of all the integral aspects of powerful story-telling: music, appealing actors and characters in a dilemma that will not leave your mind.”
Detective Marc Justice (Damian Bailey) is tough, protecting the mean streets of New York City even when he’s not on duty. In the midst of a torrid affair, Justice gets word that his wife has been killed. Driven by regret, he will stop at nothing to avenge Candace’s murder. Immersed in the sex and drugs of the music industry, Justice uncovers secrets and temptations that push him to the edge.
Bailey, who created the series and plays the title character, did so because he “wanted to create a complex black man, one who is flawed and inappropriate. Justice, is an interesting lead character to play - multifaceted, searching for answers and not always pursuing them properly.”
“JUSTICE”, The Web Series stars Damian Bailey (Film: Tupac: Genesis as Tupac) as Justice, Ellen Domingos (Cumberland County Playhouse’s Two By Two directed by Emmy, Grammy & Tony-award winning Martin Charnin) as Detective Rosa Falto, stars Krystal Farris (Off-Bdwy play Platanos and Collard Greens) as Nola, Thyais Walsh (Off-Bdwy: Billie’s Blues) as Lieutenant Calabrese, Dayla Perkins (Goodspeed Opera House's Where's Charley directed by Tony Award winner Tony Walto) as Kara and Okema Moore (“Sesame Street”) as Jade. Running Time: 5-10 minutes (per episode)
Website: www.Redwallproductions.com www.justicetheseries.com
Life on the Mississippi at WorkShop Theater - September 12 - September 22
WORKSHOP THEATER COMPANY is pleased to announce Play-in-Progress production of Philip Hall’s LIFE ON THE MISSISSIPPI, A Musical Play, musical directed by Fran Minarik and directed by Susanna Frazer. LIFE ON THE MISSISSIPPI will play a limited engagement at The Jewel Box THeater (312 West 36th Street, 4th Floor). Performances begin Wednesday, September 12 and continue through Sunday, September 22.
Hair-raising, hilarious, life-changing and violent are just some of the currents steamboat pilot Sam Clemens will navigate in this musical journey. Young Sam Clemens and his brother Henry step onto a Mississippi steamboat and aboard the chance of a lifetime. As a cub apprentice, his burning ambition propels him to become a steamboat pilot, but he soon discovers that learning the great, relentless river will be harder than he ever imagined. Now Sam must navigate the hair-raising, hilarious and dangerous currents, as mysterious as the Mississippi itself. This musical adaptation is based on Mark Twain's memoir.
“This is not only a coming of age tale, but it's also a loss of innocence tale,” says writer Philip Hall who has been named a finalist for both the National New Play Network’s SMITH prize and Humana Festival’s HEIDEMAN Award, and whose work has been performed at the Kennedy Center. “In this case, what begins as a boyhood dream becomes more like a daunting task when it becomes real. But the piece is "early Twain," and there's a freshness and bounce to the prose, along with his trademark wit,” reflects Hall, who ultimately felt it was the language that inspired him to adapt the book to stage.
The production stars Xander Chauncey*, Tyrone Davis Jr.*, Mark Hofmaier*, Andrew Hubacher*, David M. Mead*, Jeff Paul* and Zachary Sayle* (*Performing courtesy of Actors’ Equity Association).
The production’s artistic associate is Katie Braden, associate producer is Laura E. Johnston and assistant associate producer is Mark Hofmaier. It features scenic design by Sharon Thompson, costume design by Alexa Devin, and lighting design by David M. Mead. John McKinney is the sound designer and Sarah Lucier is the production stage manager.
LIFE ON THE MISSISSIPPI plays the following schedule:
Wednesday 9/12 - 7PM | Thursday 9/13 - 7PM | Friday 9/14 - 8PM | Saturday 9/15 - 3PM | Saturday 9/15 - 8PM | Monday 9/17 - 7PM | Thursday 9/20 - 7PM
Friday 9/21 - 8PM | Saturday 9/22 - 3PM | Saturday 9/22 - 8PM
Tickets are $15-18 and are now available online at www.workshoptheater.org. Tickets may also be purchased in-person at the theater ½ hour prior to performance.
Running Time: 90 minutes
Website: workshoptheater.org
Hair-raising, hilarious, life-changing and violent are just some of the currents steamboat pilot Sam Clemens will navigate in this musical journey. Young Sam Clemens and his brother Henry step onto a Mississippi steamboat and aboard the chance of a lifetime. As a cub apprentice, his burning ambition propels him to become a steamboat pilot, but he soon discovers that learning the great, relentless river will be harder than he ever imagined. Now Sam must navigate the hair-raising, hilarious and dangerous currents, as mysterious as the Mississippi itself. This musical adaptation is based on Mark Twain's memoir.
“This is not only a coming of age tale, but it's also a loss of innocence tale,” says writer Philip Hall who has been named a finalist for both the National New Play Network’s SMITH prize and Humana Festival’s HEIDEMAN Award, and whose work has been performed at the Kennedy Center. “In this case, what begins as a boyhood dream becomes more like a daunting task when it becomes real. But the piece is "early Twain," and there's a freshness and bounce to the prose, along with his trademark wit,” reflects Hall, who ultimately felt it was the language that inspired him to adapt the book to stage.
The production stars Xander Chauncey*, Tyrone Davis Jr.*, Mark Hofmaier*, Andrew Hubacher*, David M. Mead*, Jeff Paul* and Zachary Sayle* (*Performing courtesy of Actors’ Equity Association).
The production’s artistic associate is Katie Braden, associate producer is Laura E. Johnston and assistant associate producer is Mark Hofmaier. It features scenic design by Sharon Thompson, costume design by Alexa Devin, and lighting design by David M. Mead. John McKinney is the sound designer and Sarah Lucier is the production stage manager.
LIFE ON THE MISSISSIPPI plays the following schedule:
Wednesday 9/12 - 7PM | Thursday 9/13 - 7PM | Friday 9/14 - 8PM | Saturday 9/15 - 3PM | Saturday 9/15 - 8PM | Monday 9/17 - 7PM | Thursday 9/20 - 7PM
Friday 9/21 - 8PM | Saturday 9/22 - 3PM | Saturday 9/22 - 8PM
Tickets are $15-18 and are now available online at www.workshoptheater.org. Tickets may also be purchased in-person at the theater ½ hour prior to performance.
Running Time: 90 minutes
Website: workshoptheater.org
Hard Times, an american musical at the cell theatre - September 13 - 30
the cell, Nancy Manocherian (Founding Artistic Director) and Kira Simring (Artistic Director) are pleased to announce the workshop production of Larry Kirwan’s HARD TIMES, with music by Stephen Foster & Larry Kirwan, orchestrations and musical direction by Andrew Smithson, choreography by Joe Barros and directed by Kira Simring.
HARD TIMES will play a limited engagement as a mainstage production of the fifth annual 1st Irish Festival, the only theatre festival in the world dedicated to Irish playwrights. New York’s Origin Theatre Company (George C. Heslin artistic director) hosts and coordinates 1st Irish. The month-long event showcases 1st-class productions from Ireland and the U.S. of plays by new Irish playwrights at venues across the city. 1st Irish 2012 runs from September 3 to October 1. HARD TIMES performances will take place at the cell (338 West 23rd Street New York, NY 10011). Performances begin Thursday, September 13 and run through Sunday, September 30 Opening Night is Saturday, September 15 (8 p.m.).
Hard Times is a soulful musical of clashing Irish and Afro-American cultures, written by Larry Kirwan of Black 47. Through a re-imagining of Stephen Foster's songs, Kirwan conjures the creation of tap dance and explores the troubled life of the "father of American Music" against the backdrop of New York City's Civil War draft riots.
Hard Times stars Jed Peterson as Stephen Foster, Erin West as Jane Foster, Almeria Campbell as Nelly Blythe, Phillip Callen as Michael Jenkins, Stephane Duret as Thomas Jefferson and John Charles McLaughlin as Owen Duignan.
The production features scenic and prop design by Dara Wishingrad, lighting design by Gertjan Houben and costume and hair design by Sara Hinkley. Niall O’Leary is the Irish Dance Consultant Tim Eliot is the fight director. The dramaturg is Samantha Keogh, casting director and associate producer is Jason Najjoum, marketing by Katie Rosin/Kampfire PR.
Hard Times plays the following schedule:
Thursday, September 13 @ 8pm
Friday, September 14 @ 8pm
Saturday, September 15 @ 8pm
Wednesday, September 19 @ 3pm
Friday, September 21 @ 8pm
Saturday, September 22 @ 8pm
Monday, September 24 @ 8pm
Thursday, September 27 @ 8pm
Friday, September 28 @ 8pm
Saturday, September 29 @ 8pm
Sunday, September 30 @ 3pm
Tickets are $18 and are now available online at www.thecelltheatre.org or by calling 1-800-838-3006. Tickets may also be purchased in-person at the cell, ½ hour prior to performance
Running Time: 120 minutes (with intermission)
Website: www.thecelltheatre.org
HARD TIMES will play a limited engagement as a mainstage production of the fifth annual 1st Irish Festival, the only theatre festival in the world dedicated to Irish playwrights. New York’s Origin Theatre Company (George C. Heslin artistic director) hosts and coordinates 1st Irish. The month-long event showcases 1st-class productions from Ireland and the U.S. of plays by new Irish playwrights at venues across the city. 1st Irish 2012 runs from September 3 to October 1. HARD TIMES performances will take place at the cell (338 West 23rd Street New York, NY 10011). Performances begin Thursday, September 13 and run through Sunday, September 30 Opening Night is Saturday, September 15 (8 p.m.).
Hard Times is a soulful musical of clashing Irish and Afro-American cultures, written by Larry Kirwan of Black 47. Through a re-imagining of Stephen Foster's songs, Kirwan conjures the creation of tap dance and explores the troubled life of the "father of American Music" against the backdrop of New York City's Civil War draft riots.
Hard Times stars Jed Peterson as Stephen Foster, Erin West as Jane Foster, Almeria Campbell as Nelly Blythe, Phillip Callen as Michael Jenkins, Stephane Duret as Thomas Jefferson and John Charles McLaughlin as Owen Duignan.
The production features scenic and prop design by Dara Wishingrad, lighting design by Gertjan Houben and costume and hair design by Sara Hinkley. Niall O’Leary is the Irish Dance Consultant Tim Eliot is the fight director. The dramaturg is Samantha Keogh, casting director and associate producer is Jason Najjoum, marketing by Katie Rosin/Kampfire PR.
Hard Times plays the following schedule:
Thursday, September 13 @ 8pm
Friday, September 14 @ 8pm
Saturday, September 15 @ 8pm
Wednesday, September 19 @ 3pm
Friday, September 21 @ 8pm
Saturday, September 22 @ 8pm
Monday, September 24 @ 8pm
Thursday, September 27 @ 8pm
Friday, September 28 @ 8pm
Saturday, September 29 @ 8pm
Sunday, September 30 @ 3pm
Tickets are $18 and are now available online at www.thecelltheatre.org or by calling 1-800-838-3006. Tickets may also be purchased in-person at the cell, ½ hour prior to performance
Running Time: 120 minutes (with intermission)
Website: www.thecelltheatre.org
Cosi at Urban Stages from Australian Made Entertainment - September 7 - 23
AUSTRALIAN MADE ENTERTAINMENT is pleased to announce the New York premiere production of Louis Nowra’s COSI directed by Jesse Michael Mothershed. COSI, a funny and poignant play, marks the inaugural production of Australian Made Entertainment, a theatre company dedicated to showcasing Australian plays in New York City. COSI will play a two-week limited engagement at Urban Stages (259 West 30th Street). Performances begin Friday, September 7th and continue through Sunday, September 23rd. Opening Night is Sunday, September 9th (2 p.m.).
Set in a Melbourne mental institution in 1971, Cosi is the classic Australian comedy by renowned playwright Louis Nowra.
When Lewis, a recent university graduate, accepts a job directing mental patients in a performance intended to bring them out of their shells, he gets more than he bargains for as the show the patients choose is Mozart's opera Così Fan Tutte.
To make matters worse, the venue for this performance is a fire-gutted theatre with a leaking roof and faulty wiring. The cast includes a pyromaniac, a junkie, a manic-depressive, a knife-wielding romantic, a confused realist, a Lithium-addicted pianist who hates Mozart, and a stuttering ex-lawyer who refuses to take part in the production. Lewis, needless to say, is slightly discouraged by the task at hand.
The production stars Duke Anderson (Sweeney Todd national tour) as Zac, Zach Bubolo* (Alice vs. Wonderland) as Nick, Olivia Etzine (Mergers and Acquisitions) as Lucy, Kathleen Foster (Grimm) as Julie, Matthew Foster* (Mildred Pierce) as Roy, Laura Iris Hill (Neighbours) as Ruth, Joseph Thornhill (An Ideal Husband) as Justin, Stuart Williams (My One and Only national tour) as Henry, Annie Worden* (Misadventures in Movie Makin’) as Cherry, Adam Zivkovic (HALF) as Lewis, and Clint Zugel* (The Albatross) as Doug.
* Appearing courtesy of Actors’ Equity Association
The production features scenic design by Christopher Thompson, costume design by Emily Rose Parman, and lighting design by Greg Solomon. David Margolin Lawson is the sound designer and Anna Demenkoff is the stage manager.
COSI plays the following schedule through Sunday, September 23rd:
Set in a Melbourne mental institution in 1971, Cosi is the classic Australian comedy by renowned playwright Louis Nowra.
When Lewis, a recent university graduate, accepts a job directing mental patients in a performance intended to bring them out of their shells, he gets more than he bargains for as the show the patients choose is Mozart's opera Così Fan Tutte.
To make matters worse, the venue for this performance is a fire-gutted theatre with a leaking roof and faulty wiring. The cast includes a pyromaniac, a junkie, a manic-depressive, a knife-wielding romantic, a confused realist, a Lithium-addicted pianist who hates Mozart, and a stuttering ex-lawyer who refuses to take part in the production. Lewis, needless to say, is slightly discouraged by the task at hand.
The production stars Duke Anderson (Sweeney Todd national tour) as Zac, Zach Bubolo* (Alice vs. Wonderland) as Nick, Olivia Etzine (Mergers and Acquisitions) as Lucy, Kathleen Foster (Grimm) as Julie, Matthew Foster* (Mildred Pierce) as Roy, Laura Iris Hill (Neighbours) as Ruth, Joseph Thornhill (An Ideal Husband) as Justin, Stuart Williams (My One and Only national tour) as Henry, Annie Worden* (Misadventures in Movie Makin’) as Cherry, Adam Zivkovic (HALF) as Lewis, and Clint Zugel* (The Albatross) as Doug.
* Appearing courtesy of Actors’ Equity Association
The production features scenic design by Christopher Thompson, costume design by Emily Rose Parman, and lighting design by Greg Solomon. David Margolin Lawson is the sound designer and Anna Demenkoff is the stage manager.
COSI plays the following schedule through Sunday, September 23rd:
Le Prince et le Pauvre at the June Havoc Theatre on July 27, 29 and 29
CETM and CUTTER PRODUCTIONS, in association with the Midtown International Theatre Festival, are pleased to announce the New York premiere production of LE PRINCE ET LE PAUVRE (The Prince and the Pauper), book and lyrics by Ludovic-Alexandre Vidal, music and original Montreal production directed by Julien Salvia, New York production directed by Gaëlle Pouliquen, presented in French with supertitles and an encore in English. LE PRINCE ET LE PAUVRE will play three performances only June Havoc Theatre (Abington Theatre Arts Complex, 312 West 36th Street, just West of 8th Avenue). Performances are Friday, July 27 at 6:45pm, Saturday, July 28 at 11:30am, and Sunday, July 29 at 12pm.
A young prince and a lowly pauper boy live in the same kingdom, but are from different worlds. Brought together by chance on the streets of London, the prince conspires to exchange places with the poor kid, for a chance to be free.
Both boys encounter little of what they expected, the pauper falls into the clutches of the malevolent Lord Hertford (the prince’s uncle) and the prince finds freedom chaotic, so he sets out to foil his uncle’s evil plan to dominate the land.
In this merry tale of swapped identities, the boys learn that there are two sides to every situation, and the importance of being true to oneself. By the end of the tale, there are many reasons to celebrate.
The production features costume design by Théâtre de l'Esquisse, and lighting design by Vincent Sauvé. Vanessa Lironi is the stage manager.
LE PRINCE ET LE PAUVRE plays the following schedule:
Friday, July 27th @ 6:45pm
Saturday, July 28th @ 11:30am
Sunday, July 29th @ 12:00pm
Tickets are $18 ($15 students/seniors) and are now available online at https://web.ovationtix.com/trs/cal/27845 or by calling 1(866) 811-4111. Tickets may also be purchased in-person ½ hour prior to performance at the theater.
Running Time: 120 Minutes
Website: http://rtstesting.info/the-prince-and-the-pauper/ or http://midtownfestival.org/
Photos: http://bit.ly/PrinceandPauper
June Havoc Theatre in the Abingdon Arts Complex
312 West 36th Street, 1st Floor (Between 8th and 9th Avenues)
New York, NY 10018
A young prince and a lowly pauper boy live in the same kingdom, but are from different worlds. Brought together by chance on the streets of London, the prince conspires to exchange places with the poor kid, for a chance to be free.
Both boys encounter little of what they expected, the pauper falls into the clutches of the malevolent Lord Hertford (the prince’s uncle) and the prince finds freedom chaotic, so he sets out to foil his uncle’s evil plan to dominate the land.
In this merry tale of swapped identities, the boys learn that there are two sides to every situation, and the importance of being true to oneself. By the end of the tale, there are many reasons to celebrate.
The production features costume design by Théâtre de l'Esquisse, and lighting design by Vincent Sauvé. Vanessa Lironi is the stage manager.
LE PRINCE ET LE PAUVRE plays the following schedule:
Friday, July 27th @ 6:45pm
Saturday, July 28th @ 11:30am
Sunday, July 29th @ 12:00pm
Tickets are $18 ($15 students/seniors) and are now available online at https://web.ovationtix.com/trs/cal/27845 or by calling 1(866) 811-4111. Tickets may also be purchased in-person ½ hour prior to performance at the theater.
Running Time: 120 Minutes
Website: http://rtstesting.info/the-prince-and-the-pauper/ or http://midtownfestival.org/
Photos: http://bit.ly/PrinceandPauper
June Havoc Theatre in the Abingdon Arts Complex
312 West 36th Street, 1st Floor (Between 8th and 9th Avenues)
New York, NY 10018
Prison Dancer at NYMF July 20 - July 28
THE NEW YORK MUSICAL THEATRE FESTIVAL (NYMF) and PRISON DANCER LIVE, LLC. is pleased to announce Romeo Candido and Carmen De Jesus’ PRISON DANCER, music supervised by Alexander Rovang, and directed by Jenn Rapp. PRISON DANCER will play a limited engagement at Off-Broadway’s Theatre at St. Clement’s (423 West 46th Street, New York, NY 10036). Performances begin Friday, Jul 20th, 2012 at 8:00 pm and continue through Saturday, Jul 28th, 2012 at 9:00 pm.
The lives of eight Filipino maximum-security prisoners are changed forever when a video of their dance-based rehabilitation program becomes a viral Internet sensation on YouTube. As the dark prison suddenly finds itself in the worldwide spotlight, these hardcore criminals are given a second chance to find love and happiness in the most challenging circumstances. A modern inspired-by-a-true-story about how fears can hold us captive – and dreams can set us free to dance!
The production stars JOSE LLANA (Bdwy: Wonderland, The 25th Annual Putnam County Spelling Bee, Flower Drum Song, Martin Guerre) as Christian Bagets, JEIGH MADJUS (US Tour 2011 Le Cage Aux Folles) as Lola, MARC DELACRUZ (1st National Tour: Disney’s High School Musical) as Hookaps, CATHERINE RICAFORT (Bdwy: Mamma Mia) as Cherish MOSES VILLARAMA (Romeo & Julite, National Theatre Cons.; King Lear, Denver Theatre Co.) as Shakespeare, and COSMO CLEMENS (Regional: 25th Annual Putnam County Spelling Bee, McLeod Summer Playhouse, Carbondale, IL; ) as Oo Oo, ENRICO RODRIGUEZ (Off Bdwy: Fame on 42nd Street, Zanna, Don't!) as Nana, ALBERT GUERZON (Bdwy: Ghost the Musical, Mamma Mia!) as Tondo, ANDREW EISENMAN (Twelfth Night, Leviathan Lab; Mother Courage, Ma-Yi Theatre Company) as Warden, and NATHAN RAMOS (Fever/Dream, Cleveland Public Theatre) as Swing/Prison Guard.
The production features scenic design by Josh Zangen, costume design by Sky Switser, and lighting design by Betsy Adams. Jon Weston is the sound designer, Rick Sorderlet is the fight director and Travis Brendle is the production stage manager.
PRISON DANCER plays the following schedule:
Friday, Jul 20th, 2012 at 8:00 pm
Sunday, Jul 22nd, 2012 at 3:00 pm
Sunday, Jul 22nd, 2012 at 8:00 pm
Friday, Jul 27th, 2012 at 5:00 pm
Saturday, Jul 28th, 2012 at 5:00 pm
Saturday, Jul 28th, 2012 at 9:00 pm
Tickets are $25 and are now available online at http://nymf.org/prisondancer or by calling 212-352-3101 Starting June 15th, you can buy tickets for any NYMF show in person at the NYMF HUB: 330 West 42nd Street (Between 8th and 9th avenue). Starting July 9th, you can buy tickets for any NYMF show in person at Theater at St. Clement's, an hour before the first show of the day. Theatre at St. Clement’s 423 West 46th Street, New York, NY 10036, United States
Running Time: 120 minutes with intermission
Website: http://nymf.org/prisondancer or http://prisondancer.com
Web Series: http://youtube.com/prisondancer
Facebook page: http://facebook.com/prisondancer
Twitter handle: @prisondancer
The lives of eight Filipino maximum-security prisoners are changed forever when a video of their dance-based rehabilitation program becomes a viral Internet sensation on YouTube. As the dark prison suddenly finds itself in the worldwide spotlight, these hardcore criminals are given a second chance to find love and happiness in the most challenging circumstances. A modern inspired-by-a-true-story about how fears can hold us captive – and dreams can set us free to dance!
The production stars JOSE LLANA (Bdwy: Wonderland, The 25th Annual Putnam County Spelling Bee, Flower Drum Song, Martin Guerre) as Christian Bagets, JEIGH MADJUS (US Tour 2011 Le Cage Aux Folles) as Lola, MARC DELACRUZ (1st National Tour: Disney’s High School Musical) as Hookaps, CATHERINE RICAFORT (Bdwy: Mamma Mia) as Cherish MOSES VILLARAMA (Romeo & Julite, National Theatre Cons.; King Lear, Denver Theatre Co.) as Shakespeare, and COSMO CLEMENS (Regional: 25th Annual Putnam County Spelling Bee, McLeod Summer Playhouse, Carbondale, IL; ) as Oo Oo, ENRICO RODRIGUEZ (Off Bdwy: Fame on 42nd Street, Zanna, Don't!) as Nana, ALBERT GUERZON (Bdwy: Ghost the Musical, Mamma Mia!) as Tondo, ANDREW EISENMAN (Twelfth Night, Leviathan Lab; Mother Courage, Ma-Yi Theatre Company) as Warden, and NATHAN RAMOS (Fever/Dream, Cleveland Public Theatre) as Swing/Prison Guard.
The production features scenic design by Josh Zangen, costume design by Sky Switser, and lighting design by Betsy Adams. Jon Weston is the sound designer, Rick Sorderlet is the fight director and Travis Brendle is the production stage manager.
PRISON DANCER plays the following schedule:
Friday, Jul 20th, 2012 at 8:00 pm
Sunday, Jul 22nd, 2012 at 3:00 pm
Sunday, Jul 22nd, 2012 at 8:00 pm
Friday, Jul 27th, 2012 at 5:00 pm
Saturday, Jul 28th, 2012 at 5:00 pm
Saturday, Jul 28th, 2012 at 9:00 pm
Tickets are $25 and are now available online at http://nymf.org/prisondancer or by calling 212-352-3101 Starting June 15th, you can buy tickets for any NYMF show in person at the NYMF HUB: 330 West 42nd Street (Between 8th and 9th avenue). Starting July 9th, you can buy tickets for any NYMF show in person at Theater at St. Clement's, an hour before the first show of the day. Theatre at St. Clement’s 423 West 46th Street, New York, NY 10036, United States
Running Time: 120 minutes with intermission
Website: http://nymf.org/prisondancer or http://prisondancer.com
Web Series: http://youtube.com/prisondancer
Facebook page: http://facebook.com/prisondancer
Twitter handle: @prisondancer
Final Analysis at the June Havoc Theatre - June 17 - August 4
DEVIDA JENKINS/VILLAR-HAUSER THEATRE DEVELOPMENT FUND, INC., in association with the Midtown International Theater Festival, is pleased to announce the world premiere production of Otho Eskin’s FINAL ANALYSIS, directed by Ludovica Villar-Hauser. FINAL ANALYSIS will play a limited engagement at the June Havoc Theatre (Abington Theatre Arts Complex, 312 West 36th Street, just West of 8th Avenue). Performances begin Tuesday, July 17 and continue Saturday, August 4.
"On or about December 1910, human character changed." -- Virginia Woolf
Six people destined to change the world meet in Vienna in 1910 on the eve of the First World War.
Vienna is the crossroads of civilization: art, music, science and politics but beneath its façade of frivolity and joy, the city is rotting at its core, sickened by moral corruption, obsessed with death and ravaged by hatred of the Jews.
Against this background, Gustav Mahler, the great composer and conductor, falls in love with the beautiful, tempestuous Alma. Their passion flairs but their love is doomed and Gustav seeks the help of Sigmund Freud to save his marriage.
Ludwig Wittgenstein, destined to become a dominant force in world philosophy, runs into an old schoolmate, with unpleasant consequences. Wittgenstein expounds his hatred of women to Gustav Mahler and reveals his inner demons to Freud.
Freud psychoanalyzes Mahler and uncovers deep psychic trauma. Joseph Stalin, passing through Vienna, tries to recruit Alma into becoming a Bolshevik revolutionary and meets a man over a game of chess — a man with whom one day he will engage in a titanic struggle to the death. In the end, Freud faces what he has always denied: the essential evil nature of man. And, in a gesture of compassion, Freud almost destroys the world.
The production stars
Ezra Barnes* (Far and Wide (Mint), Richard II (Pearl)) …………… Gustav Mahler
Stephen Bradbury* …………… a waiter
Michael Goldsmith ……………young man
Elizabeth Jasicki*(Mouth to Mouth & Abigail’s Party (The New Group)) …………… Alma Maria
Jeremiah Reynolds …………… Ludwig Wittgenstein
Gannon McHale (James Joyce’s The Dead, The Sound of Music) …………… Sigmund Freud
Tony Naumovski* …………… Stalin.
The production features scenic design by Brittany Vasta, costume design by Jenny Green, and lighting design by Joyce Liao (Soul of Shaolin). Jeanne Wu is the sound designer, Annie Berman is the projection/video designer and Gary Adamsen* is the production stage manager. Felica Kobylanski is the marketing director and Katie Rosin/Kampfire PR is the press representative and social media marketing director.
Final Analysis plays the following schedule through Saturday, August 4:
Tuesday, July 17 @ 9:15PM
Thursday, July 19 @ 6:45PM
Friday, July 20 @ 6:45PM
Saturday, July 21 @ 9PM
Sunday, July 22 @ 5PM
Tuesday, July 24 @ 9:15PM
Thursday, July 26 @ 9:15PM
Saturday, July 28 @ 2PM
Monday, July 30 @ 6:45PM
Tuesday, July 31 @ 7:30PM
Wednesday, August 1 @ 6:45PM
Saturday, August 4 @ 2:30PM
Tickets are $18 ($15 students/seniors) and are now available online at https://web.ovationtix.com/trs/cal/27845 or by calling 1(866) 811-4111. Tickets may also be purchased in-person ½ hour prior to performance at the theater.
Running Time: 90 minutes, no intermission
Website: http://midtownfestival.org/index.htm
"On or about December 1910, human character changed." -- Virginia Woolf
Six people destined to change the world meet in Vienna in 1910 on the eve of the First World War.
Vienna is the crossroads of civilization: art, music, science and politics but beneath its façade of frivolity and joy, the city is rotting at its core, sickened by moral corruption, obsessed with death and ravaged by hatred of the Jews.
Against this background, Gustav Mahler, the great composer and conductor, falls in love with the beautiful, tempestuous Alma. Their passion flairs but their love is doomed and Gustav seeks the help of Sigmund Freud to save his marriage.
Ludwig Wittgenstein, destined to become a dominant force in world philosophy, runs into an old schoolmate, with unpleasant consequences. Wittgenstein expounds his hatred of women to Gustav Mahler and reveals his inner demons to Freud.
Freud psychoanalyzes Mahler and uncovers deep psychic trauma. Joseph Stalin, passing through Vienna, tries to recruit Alma into becoming a Bolshevik revolutionary and meets a man over a game of chess — a man with whom one day he will engage in a titanic struggle to the death. In the end, Freud faces what he has always denied: the essential evil nature of man. And, in a gesture of compassion, Freud almost destroys the world.
The production stars
Ezra Barnes* (Far and Wide (Mint), Richard II (Pearl)) …………… Gustav Mahler
Stephen Bradbury* …………… a waiter
Michael Goldsmith ……………young man
Elizabeth Jasicki*(Mouth to Mouth & Abigail’s Party (The New Group)) …………… Alma Maria
Jeremiah Reynolds …………… Ludwig Wittgenstein
Gannon McHale (James Joyce’s The Dead, The Sound of Music) …………… Sigmund Freud
Tony Naumovski* …………… Stalin.
The production features scenic design by Brittany Vasta, costume design by Jenny Green, and lighting design by Joyce Liao (Soul of Shaolin). Jeanne Wu is the sound designer, Annie Berman is the projection/video designer and Gary Adamsen* is the production stage manager. Felica Kobylanski is the marketing director and Katie Rosin/Kampfire PR is the press representative and social media marketing director.
Final Analysis plays the following schedule through Saturday, August 4:
Tuesday, July 17 @ 9:15PM
Thursday, July 19 @ 6:45PM
Friday, July 20 @ 6:45PM
Saturday, July 21 @ 9PM
Sunday, July 22 @ 5PM
Tuesday, July 24 @ 9:15PM
Thursday, July 26 @ 9:15PM
Saturday, July 28 @ 2PM
Monday, July 30 @ 6:45PM
Tuesday, July 31 @ 7:30PM
Wednesday, August 1 @ 6:45PM
Saturday, August 4 @ 2:30PM
Tickets are $18 ($15 students/seniors) and are now available online at https://web.ovationtix.com/trs/cal/27845 or by calling 1(866) 811-4111. Tickets may also be purchased in-person ½ hour prior to performance at the theater.
Running Time: 90 minutes, no intermission
Website: http://midtownfestival.org/index.htm
PROOF and AN IDEAL HUSBAND at the Connelly Theater -- July 5 - 29, 2012
SINK OR SWIM is pleased to announce THE CHANGE SEASON: A Repertory of David Auburn’s PROOF, directed by Wendy Merritt and Oscar Wilde’s AN IDEAL HUSBAND, directed by Michael Hardart. The rotating repertory will play a four-week limited engagement at The Connelly Theater (220 East 4th Street, NYC). Performances begin Thursday, July 5 and continue through Sunday, July 29. PROOF Opening Night is Tuesday, July 10 (7 p.m.). AN IDEAL HUSBANDOpening Night is Wednesday, July 11 (8 p.m.).
In both Proof and An Ideal Husband, the characters are living a life of illusion and lies. What they hold as true has been carefully and willfully constructed. But it is a house of cards and when it invariably comes tumbling down, it can’t be rebuilt. Both Catherine in Proof and Gertrude in An Ideal Husband, are forced to look internally, and when they finally do, they realize that the way they view themselves and those around them must change or how can they move forward?
Sink or Swim Rep has taken that journey—looked within and are embracing the result. Now it’s the audiences turn: having faced internal truth last season, are they ready to accept the change that comes with it?
PROOF stars Alan Langdon* as Robert, Kristin Parker* as Catherine, Whitney Kaufman* as Claire, and Eric Smith as Hal.
AN IDEAL HUSBAND stars Peter Judd* as The Earl of Caversham, Stuart Williams as Viscount Goring, Aaron Gaines as Sir Robert Chiltern, Joseph Thornhill as Vicomte De Nanjac/Mason, Craig Mungavin as Mr. Montford/Phipps, Whitney Kaufman* as Lady Chiltern, Emily Jon Mitchell* as Lady Markby, Clemmie Evans as The Countess of Basildon, Rachel Neiheisel as Mrs. Marchmont, Jade Anderson as Miss Mabel Chiltern, and Amanda Jones* as Mrs. Cheveley.
*performing courtesy of Actors’ Equity Association. AEA approved showcase.
The production features scenic design by Christopher Thompson, costume design by Rachel Guilfoyle andRyan Moller, and lighting design by Wolfram Ott. Leo Martin is the sound designer and Melissa Farinelli is the production manager and Anthony Jamass is the stage manager.
In both Proof and An Ideal Husband, the characters are living a life of illusion and lies. What they hold as true has been carefully and willfully constructed. But it is a house of cards and when it invariably comes tumbling down, it can’t be rebuilt. Both Catherine in Proof and Gertrude in An Ideal Husband, are forced to look internally, and when they finally do, they realize that the way they view themselves and those around them must change or how can they move forward?
Sink or Swim Rep has taken that journey—looked within and are embracing the result. Now it’s the audiences turn: having faced internal truth last season, are they ready to accept the change that comes with it?
PROOF stars Alan Langdon* as Robert, Kristin Parker* as Catherine, Whitney Kaufman* as Claire, and Eric Smith as Hal.
AN IDEAL HUSBAND stars Peter Judd* as The Earl of Caversham, Stuart Williams as Viscount Goring, Aaron Gaines as Sir Robert Chiltern, Joseph Thornhill as Vicomte De Nanjac/Mason, Craig Mungavin as Mr. Montford/Phipps, Whitney Kaufman* as Lady Chiltern, Emily Jon Mitchell* as Lady Markby, Clemmie Evans as The Countess of Basildon, Rachel Neiheisel as Mrs. Marchmont, Jade Anderson as Miss Mabel Chiltern, and Amanda Jones* as Mrs. Cheveley.
*performing courtesy of Actors’ Equity Association. AEA approved showcase.
The production features scenic design by Christopher Thompson, costume design by Rachel Guilfoyle andRyan Moller, and lighting design by Wolfram Ott. Leo Martin is the sound designer and Melissa Farinelli is the production manager and Anthony Jamass is the stage manager.
CAPTAIN CRASH vs THE ZZORGWOMEN- CHAPTERS 5 & 6 at The Richmond Shepard Theatre - starting June 20th
RICHMOND SHEPARD THEATRE is pleased to announce the New York premiere production of CAPTAIN CRASH vs THE ZZORGWOMEN- CHAPTERS 5 & 6, directed by Richmond Shepard. CAPTAIN CRASH, was originally recorded in England by Alice Cooper and The Who in the late ‘70’s, and was directed by Shepard, starring Weston Gavin, in Los Angeles in 1982 where it ran for five months and the cast album sold over 50,000 copies. The show will be playing at the Richmond Shepard Theatre (309 East 26th St, Street, at 2nd Avenue). Performances begin Wednesday, June 20. Opening Night is Thursday, June 28 (8 p.m.).
Like the Saturday afternoon movie serials of the 30’s and 40’s, the show starts with the end of Chapter 4: Captain Crash, his beautiful secretary Dulla, his sidekick Swede and The Professor are trapped and about to be killed by the Snakepeople. Somehow, they miraculously escape.
Their ship is hit by a meteor shower, and they crash-land on the planet Zzorg, where the population is all women. They are caught in the nefarious schemes and traps of these voracious women. Will they escape? Will they succumb to the malevolent schemes of The Zzorgs and their beautiful King? Will Captain Crash continue fighting evil throughout the galaxy?
Come and see the show, with its singing, dancing, gymnastic Zzorgwomen, and the staunchest, most Patriotic, American Hero in The Galaxy.
The New York Premiere, stars Brandon Schraml as Crash and Laurella Clear as his faithful girlfriend, Dulla, with Alex Kafarakis, Ashton Crosby, Maggie Ronck, Sarah McShane, Kyle Payne, Jessica Payne, kaylin Clinton, JoJo Ginn, Sara Jecko and Katy Irwin.
The production features costume design by Justine Rivera, lighting design by Brett Maughan, and sound design by Samm Vella.
CAPTAIN CRASH plays the following regular schedule:
Wednesdays - Saturdays at 8 p.m. ; Sundays at 3 p.m.
Tickets are $20 and are now available at 212-684-2690 or ½ hour prior to performance at the theater.
Running Time: 2 hours
Website: http://www.richmondshepard.com/theatre.htm
Like the Saturday afternoon movie serials of the 30’s and 40’s, the show starts with the end of Chapter 4: Captain Crash, his beautiful secretary Dulla, his sidekick Swede and The Professor are trapped and about to be killed by the Snakepeople. Somehow, they miraculously escape.
Their ship is hit by a meteor shower, and they crash-land on the planet Zzorg, where the population is all women. They are caught in the nefarious schemes and traps of these voracious women. Will they escape? Will they succumb to the malevolent schemes of The Zzorgs and their beautiful King? Will Captain Crash continue fighting evil throughout the galaxy?
Come and see the show, with its singing, dancing, gymnastic Zzorgwomen, and the staunchest, most Patriotic, American Hero in The Galaxy.
The New York Premiere, stars Brandon Schraml as Crash and Laurella Clear as his faithful girlfriend, Dulla, with Alex Kafarakis, Ashton Crosby, Maggie Ronck, Sarah McShane, Kyle Payne, Jessica Payne, kaylin Clinton, JoJo Ginn, Sara Jecko and Katy Irwin.
The production features costume design by Justine Rivera, lighting design by Brett Maughan, and sound design by Samm Vella.
CAPTAIN CRASH plays the following regular schedule:
Wednesdays - Saturdays at 8 p.m. ; Sundays at 3 p.m.
Tickets are $20 and are now available at 212-684-2690 or ½ hour prior to performance at the theater.
Running Time: 2 hours
Website: http://www.richmondshepard.com/theatre.htm
EURASIAN INVASION! RATS IN REPERTORY at The Connelly Theater -- June 8 - July 1
RUSSIAN ARTS THEATER & STUDIO (The RATS Company) is pleased to announce the world premiere production of EURASIAN INVASION! RATS IN REPERTORY, a two show series, which includes Fred Pezzulli and Di Zhu’s HOUSE OF CURIOSITIES and Aleksey Burago and Di Zhu’s BILLY BOB BOILS THE SEA, both directed by Aleksey Burago. EURASIAN INVASION! will play a four-week limited engagement at The Connelly Theater (220 East 4th Street, NYC). Performances begin Friday, June 8 and continue through to Sunday, July 1. Opening Night is Monday, June 11 (House of Curiosities) and Tuesday, June 12 (Billy Bob) (7 p.m.). Tickets are available at www.smarttix.com. Press are invited to the second performance and beyond.
House of Curiosities is an evening of dark and exhilarating tales brought to life by The RATS Company based on the short stories of one of the world's most beloved authors, Roald Dahl. Director Aleksey Burago's spellbinding stagecraft and use of magical realism breathes new life into a mesmerizing array of characters. Enter a twisted world where reality shifts beneath your feet and the unexpected awaits at every corner. These moral tales for grown ups will chill your blood and tempt your soul. Come for some sadistic fun and prepare to be surprised.
Billy Bob Boils the Sea is a beautiful adaptation of an ancient Chinese fairy tale. Two angels, banished from the heavens for falling in love, are reborn on Earth as a sea creature and a drummer boy. When the two have a chance meeting by the seashore, they are mysteriously drawn to each other. The boy is determined to win her love and defy the gods by attempting the impossible. Physical theater bursting with dream-like characters, visual magic and dazzling acrobatics, this tale of love and courage will enchant all, a surrealistic journey discovering the boundless possibilities of the imagination.
The production of House of Curiositiesstars Danusia Trevino* (winner Best Solo Show, United Solo Festival 2011) as Mary and Jawiga, Don A. Carlos, Michel Chahade, Snezhana Chernova, Gordon Kupperstein, Yael Dray-Barel, Robert Freedman, Cordis Heard, Michael Donaldson, Mindy Luce, Stass Klassen, Kellen Lopes, Andy McCutcheon, Flavio Romeo, Barry Schneider, Aya Shapovalov, Natalie Solomonov, Charles Sprinkle*, Di Zhu, and Marius Zilberstein
The production of Billy Bob stars Natalya Rudakova (Film: Transporters 3) as Billy Bob, Ariel Polanco, Charles Sprinkle*, Irina Yemialyanava, and Di Zhu.
*Performing courtesy of Actors’ Equity Association. AEA approved showcase
The production features scenic design by Olia Rogova (HC) and Nikolay Sviridchik (Billy Bob), costume design by Catherine Siracusa, lighting design by Joyce Liao. Name of Designer is the sound engineer and Name is the stage manager.
House of Curiosities is an evening of dark and exhilarating tales brought to life by The RATS Company based on the short stories of one of the world's most beloved authors, Roald Dahl. Director Aleksey Burago's spellbinding stagecraft and use of magical realism breathes new life into a mesmerizing array of characters. Enter a twisted world where reality shifts beneath your feet and the unexpected awaits at every corner. These moral tales for grown ups will chill your blood and tempt your soul. Come for some sadistic fun and prepare to be surprised.
Billy Bob Boils the Sea is a beautiful adaptation of an ancient Chinese fairy tale. Two angels, banished from the heavens for falling in love, are reborn on Earth as a sea creature and a drummer boy. When the two have a chance meeting by the seashore, they are mysteriously drawn to each other. The boy is determined to win her love and defy the gods by attempting the impossible. Physical theater bursting with dream-like characters, visual magic and dazzling acrobatics, this tale of love and courage will enchant all, a surrealistic journey discovering the boundless possibilities of the imagination.
The production of House of Curiositiesstars Danusia Trevino* (winner Best Solo Show, United Solo Festival 2011) as Mary and Jawiga, Don A. Carlos, Michel Chahade, Snezhana Chernova, Gordon Kupperstein, Yael Dray-Barel, Robert Freedman, Cordis Heard, Michael Donaldson, Mindy Luce, Stass Klassen, Kellen Lopes, Andy McCutcheon, Flavio Romeo, Barry Schneider, Aya Shapovalov, Natalie Solomonov, Charles Sprinkle*, Di Zhu, and Marius Zilberstein
The production of Billy Bob stars Natalya Rudakova (Film: Transporters 3) as Billy Bob, Ariel Polanco, Charles Sprinkle*, Irina Yemialyanava, and Di Zhu.
*Performing courtesy of Actors’ Equity Association. AEA approved showcase
The production features scenic design by Olia Rogova (HC) and Nikolay Sviridchik (Billy Bob), costume design by Catherine Siracusa, lighting design by Joyce Liao. Name of Designer is the sound engineer and Name is the stage manager.
Tickets are $25 and are now available online at www.smarttix.com or by calling 212-868-4444. Tickets may also be purchased in-person at the theater ½ hour prior to performance.
Running Time: 120 minutes
Website: theratscompany.org
Running Time: 120 minutes
Website: theratscompany.org
TRUE WEST at Shetler Studios -- June 8 - 23
THE YORK SHAKESPEARE COMPANY is pleased to present Sam Shepard’s TRUE WEST, directed by Seth Duerr. True West will play a three-week limited engagement at Theatre 54 @ Shetler Studios (244 West 54th Street, 12th Floor). Performances begin Friday, June 8 and continue through Saturday, June 23. Opening Night is Saturday, June 9 (8 p.m.). $18 tickets are available at www.smarttix.com.
The York Shakespeare Company is proud to announce it’s 10th Anniversary Season, commencing with a revival of TRUE WEST - Sam Shepard’s most produced play telling the story of two brothers: Austin, an ambitious Hollywood screenwriter working on a potential million-dollar deal and Lee, a vagabond thief with a compulsion for six-packs and toasters. You'll be terrifyingly close to the action as these two brothers battle their demons and each other in Shepard's brutal and acidly funny masterpiece. This summer - There Will Be Toast.
The production stars James Sayess as Lee, Patrick Terry as Austin, Paul Rubin as Saul and Ginger Grace* as Mom
The production features scenic design by Michael Minahan, costume and property design by Preesa Adeline Bullington, and fights by Jared Kirby. Artem Kulakov is the sound designer, Daryl Fazio is the graphic designer, Michael Joseph Ormond* is the production stage manager and Merissa Devine is the assistant stage manager.
True West plays the following regular schedule through Saturday, June 23:
Wednesdays - Saturdays at 8 p.m.; Saturdays at 2 p.m.; Sundays at 3 p.m.
There will be an additional performance on Tuesday June 19 at 7pm
Tickets are $18 and are now available online at www.smarttix.com. Tickets may be purchased at the theater ½ prior to performance.
Running Time: 100 minutes including a ten-minute intermission
Website: www.YorkShakespeare.org
Other productions this season will include:
Cube Rat a new rock-musical by Dana McCoy and Seth Duerr
The Punishing Blow
The York Shakespeare Company is proud to announce it’s 10th Anniversary Season, commencing with a revival of TRUE WEST - Sam Shepard’s most produced play telling the story of two brothers: Austin, an ambitious Hollywood screenwriter working on a potential million-dollar deal and Lee, a vagabond thief with a compulsion for six-packs and toasters. You'll be terrifyingly close to the action as these two brothers battle their demons and each other in Shepard's brutal and acidly funny masterpiece. This summer - There Will Be Toast.
The production stars James Sayess as Lee, Patrick Terry as Austin, Paul Rubin as Saul and Ginger Grace* as Mom
The production features scenic design by Michael Minahan, costume and property design by Preesa Adeline Bullington, and fights by Jared Kirby. Artem Kulakov is the sound designer, Daryl Fazio is the graphic designer, Michael Joseph Ormond* is the production stage manager and Merissa Devine is the assistant stage manager.
True West plays the following regular schedule through Saturday, June 23:
Wednesdays - Saturdays at 8 p.m.; Saturdays at 2 p.m.; Sundays at 3 p.m.
There will be an additional performance on Tuesday June 19 at 7pm
Tickets are $18 and are now available online at www.smarttix.com. Tickets may be purchased at the theater ½ prior to performance.
Running Time: 100 minutes including a ten-minute intermission
Website: www.YorkShakespeare.org
Other productions this season will include:
Cube Rat a new rock-musical by Dana McCoy and Seth Duerr
The Punishing Blow