User Reviews

Mysterious gunslinger Sam Elliot becomes a guardian angel to genteel easterners Kate Capshaw, Tom Conti, and their young son, who've unwittingly attracted the attention of a particularly nasty gang of cutthroats.

A simple story with lots of violence, there isn't much to ponder here. However, it's always a lot of fun to watch Elliot shoot and drawl his way through a made-for-television western. Matt Clark and Patrick Kilpatrick always make good villains as well.

One thing that made me kind of uneasy though, was watching Elliot's character's almost constant drooling over the married Kate Capshaw, often times in full view of her husband and son!

On a side note, I miss these old HBO Pictures of the eighties and nineties, before they became all political, all boring, all the time.

...with Tom Conti and Kate Capshaw as settlers in post-Civil War Wyoming. They, along with their young son (Kenny Morrison), run into a band of outlaws and cutthroats led by the deceptively-avuncular Doc Shabbit (Matt Clark). The family seem doomed until the intervention of the mysterious Con Vallain (Sam Elliott), who escorts the family across hostile territory.

Director Robert Day tells the story competently and in a straightforward fashion, with no stylistic excess. Elliott is well-cast, as is Conti as the kindly war veteran suspicious of Elliott's motives, as well his attention toward his wife. Capshaw looks nice, but her performance is spotty. She seems to adopt a period-specific speech pattern in many scenes that is admirable in its intent, but questionable as the others in the cast don't attempt the same. Still, I enjoyed this minor film well enough, and would recommend it to western fans.

This is one terrific western film. Sam Elliott, who is marvelous as a "Shane-like" character, plays a drifter who follows a family of green homesteaders across the western plains and protects them from a savage pack of outlaws. The family, which includes Tom Conti and Kate Capshaw, also becomes more sufficient as the story progresses. It's a lean, well-directed film, with not a scene or character wasted. Not until Unforgiven did a western film arrives as superior as this HBO production. The story is based on an entertaining L. Lamour novel of the same name. The novel has a significant plot twist from the film, which I won't reveal here.

The story of The Quick and the Dead is very simple: a young married couple and their son accidentally anger a gang of bandits and they begin pursuit, then a mysterious drifter begins helping them out and protecting them from said gang. However it is still a well-written story that manages to keep you interested in what's happening.

The acting is decent enough. Sam Elliot is no Clint Eastwood but he does a good job as the stranger who befriends the young settlers who are heading West. Kate Capshaw, who you may remember as Willie Scott in Indiand Jones and the Temple of Doom, and Tom Conti also deliver some great performances as the young married couple who are travelling to the West with their son in the hopes of starting a new life.

The villains are also well-portrayed. Matt Clark manages to be intimidating as the leader of the bandits, but he manages to be a fairly complex character rather than just a cardboard-cutout villain. The rest of the gang does have their own inner-conflicts which they deal with over the course of the story.

I also thought the historical references were interesting. It is mentioned that the film takes place shortly after Custer's Last Stand, although the actual events have little bearing on the main plot beyond a very brief sub-plot which I'm not going to go into detail about.

Overall, this is a very entertaining and interesting film and I'd recommend it to any fan of Westerns.

RELEASED IN 1987 and directed by Robert Day, "The Quick and the Dead" is a made-for-HBO Western starring Sam Elliott as Con Vallian, a mysterious stranger who helps a family heading West in their conflict with a group of ne'er-do-wells. Vallian's desire is piqued by the wife (Kate Capshaw), is that interest mutual? Will the family make it to the Bighorn Mountains alive-and-well or will violence and adultery destroy them?

If you don't remember Kate Capshaw, she was the blonde in 1984's "Indiana Jones and the Temple of Doom" and later married director Steven Spielberg.

I was impressed with this little-known Western. Although made for cable, it's based on a Louis L'Armour book and is actually better than some theatrically released Westerns. There are flaws, like the kid's questionable acting skills and the fact that the film was noticeably shot in Northern Arizona rather than Eastern Wyoming, but -- all things considered -- this is a solid realistic Western in the tradition of "Shane" and "Will Penny." Don't expect the mythic tone of 1995's big-budget Western of the same name.

Highlights include the breathtaking cinematography, a believable and mature approach, Kate's beauty, a hackneyed plot redeemed by quality characters (like Tom Conti as the settler husband/father), insightful drama & plot surprises and, of course, Sam Elliott as the quintessential Westerner. Really, Elliott is as good or - more likely - better than any Western icon you care to name (Wayne, Eastwood, Cooper, Scott, Stewart, Costner, etc.).

There are mature and insightful themes, like the undeniable connection of Vallian and Susanna. Most of us can relate: You stumble across someone of the opposite sex and instinctively sense a palpable connection, some kind of profound mutual fascination, yet - for whatever reason - pursuing an intimate relationship is not an option. In an entire lifetime you will only experience a handful such 'connections,' or less. These exchanges are permanent because they are so potent they are forever burned into one's psyche.

"The Quick and the Dead" may not be a top-notch Western like "Dances With Wolves" or "The Outlaw Josey Wales," but it's certainly a quality Western and well worth your time.

THE MOVIE RUNS 91 minutes.

GRADE: B.

This is a medium key film with a solid story line. You have to admire the economy with which HBO produced this film. Only about a dozen actors ever appear and most of them are gone by film's end. The pacing isn't fast but it's sure. Elliot moves through the phases of mysterious stranger to family friend and a logical fashion. Likewise Conti and Capshaw progress from greenhorns to being a self reliant family unit.

Sam Elliott who is doing his level best to keep the western alive as an American art form stars in The Quick And The Dead which has nothing to do with the film Sharon Stone, Gene Hackman, and Leonardo DiCaprio did. But it has one great western pedigree as the story is from the pen of Louis L'Amour.

In fact there are some elements in this story that are most similar to L'Amour's most famous western Hondo. Although Sam Elliott isn't quite the G-rated cowboy John Wayne was.

Tom Conti, Kate Capshaw and their son Kenny Morrison are traveling west to settle and work the homestead that Conti's late brother had in Wyoming territory. But they run afoul of some outlaws led by Matt Clark and the outlaws mean to them harm.

If you remember in Hondo the mutual attraction of the frontier scout and the settler's wife who is waiting for her husband to get home. That's going on big time here only Conti is very much on the scene. Elliott thinks him a worthless tenderfoot at first, but Conti's character develops over the course of the film and the more you see, the more you realize there's a lot to him. A lot more than there was to Leo Gordon in Hondo.

Nice location cinematography in Arizona standing in for Wyoming territory. The roles are well cast and cowboy heroes don't come any better than Sam Elliott.

Yep, the reason is the man who wrote it - Louis L'Amour. Most of his stories, although about tough men, always had women in them - and they were strong women. Women with common sense who knew how to get things done. In the Quick and the Dead it was Susanna McKaskel played by Kate Capshaw. Sam Elliott had it right when he said she was a handsome woman. Kate Capshaw was indeed beautiful in this film. She reminded me of a clean-scrubbed, Debbie Boone type "real" woman! At least in this movie, who knows what is in anyone's home life. In the story, she is traveling by covered wagon with her husband and son to a new log cabin home in the wilderness. They had set off alone due to disease sweeping the wagon train. They are beset by a group of "bad guys" who follow them relentlessly, thinking they can steal their horses, goods and one of the outlaws wants Kate. Of course they never figured on Sam Elliott as Con Vallian mixing in to help the pilgrims. I'm not going to give the details of the story away, except to say it was well done and one of those movies that you "know", that's the way it really was in the old West - not fancy dressed gunslingers parading up and down the town street. The western landscape was beautifully photographed. This is a Conagher type movie that is down to earth with hard living and real drama. As for the actors of course Sam Elliott is always great, with his smartest move marrying that pretty Katharine Ross in real life. He fits in somewhere between John Wayne and Clint Eastwood in the resourceful, tough guy roles. And he has that deep voice that allows no argument. He has so many great movies to his name like Gettysburg, We Were Soldiers, Conagher, Road House and Shadow Riders. He's a top hand at acting. Tom Conti as Duncan the husband was a bit of a disappointment for me. Not that there was anything wrong with his acting, he is good. I just think he was miscast and looked too much like a soft modern man instead of a disillusioned ex soldier from the Civil War taking on the extremely dangerous trek to the West. Then again that was the part he was playing, and if it hadn't been for that lean, mean mountain man helping, he and his family would have been dead. Kate Capshaw whose real last name is Nail, got her name from first husband Robert Capshaw. Then she married Steven Spielberg, her director in Indiana Jones and the Temple of Doom. Spielberg may be way out in left field politically, but he sure knows how to choose a good woman for a wife. Unfortunately, Kate's career has been up and down but don't think she has to worry with the Spielberg bucks. I like Kate's style and wish hubby Steven would get her more work back into the movies. The McKaskel's young son in the movie is played by Kenny Morrison. He was no Brandon De Wilde in Shane, but did fairly well for the part given him. He continues to work in film including some CSI TV work. He is just coming into his prime so who knows. The actor playing the half-breed Indian tracker was Patrick Kilpatrick is certainly a good actor. However, I'd have liked to see a real American Indian play the part, but I guess they couldn't find a Graham Greene. I have to mention the leader of the outlaws, Matt Clark. This guy has been in so many movies and TV shows his face is like a member of the family. I've never seen him do a bad acting job - he's a professional. I especially remember his great supporting acting in Emperor of the North Pole as the yard worker bullied by Earnest Borgnine, a part in The Outlaw Josey Wales and a host of others. I have no idea why another movie in 1995, took the same title as this The Quick and the Dead. It's a silly excuse for a Western fantasy starring Sharon Stone, and who knows why a good actor like Gene Hackman would associate himself with it. Stone doesn't surprise me as she uses her sexuality to get roles then pretends she is morally superior in real life. Be sure not to confuse the two movies - the Louis L'Amour/Sam Elliott 1987 version is the real Western. If you like westerns with a truer to life flavor, and if you like Louis L'Amour, this movie will appeal to you. It is well worth watching.

Thrilling Western in traditional style in which a mysterious stranger joins a colonist family arriving in the West . An attractive and agreeable Western with good performance by the protagonist trio : Sam Elliott , Kate Capshaw , Tom Conti . It deals with a good-natured marriage formed by Duncan McKaskel (Tom Conti) , an ex-Union soldier , and his wife , Susanna (Kate Capshaw ), they're a young married couple who, along with their child , Tom (Kenny Morrison), are travelling to the West hoping to begin a new life , arriving in a small village . They meet Doc Shabitt (Matt Clark) and ask for directions . Doc politely suggests a place for them to stay , but then the latter managing to snatch away two of their horses . Later on , the family meets a rare cowboy , Con Vallian (Sam Elliott) , who help them . Along the way , they manage to escape from the ruthless gang , while Vallian outriding and escorting them . As the outlaw band sets after them , as Doc leads his men in pursuit of a restless vendetta , while Vallian protects them from Shabitt's gang .

This fine Western contains thrills , romance , adequate action set-pieces, chases , go riding , and taking place impressive quick-draws . This special Western picture with breathtaking duels concerns a good family pits nasty bandits resulting in a deadly gun-battle and it turns out to be an enjoyable as well as hyperbolic homage to the traditional style Western. This ¨The Quick and the Dead¨ (1987) contains strong performances augmented by blazing guns , hobbled by an uneven writing . Nevertheless, it doesn't have much interest at times , neither intensity enough , though Sam Elliott captures his role pretty well as a stranger riding into a homesteading family's life when they are attacked by a violent band . Robert Day's slick direction , awesome interpretation and interesting story from Louis L'Amour's novel as well as James Lee Barrett's script enhance interest in this television Western . Standing out the great Sam Elliott as the merciless Mestizo who tries to help them by finding a new home , while he seeks justice and vengeance and along the way enjoying a little love relationship with Kate Capshaw - Spielberg's wife - who has never been so charming and glamorous . Star Sam Elliott is a detached figure in Western genre , being one of its main representatives , performing a lot of them in the Seventies , Eighties and Nineties , as cinema as TV , such as : ¨Cactus¨ , ¨Houston The Legend of Texas¨ , ¨Yellow Rose¨ , ¨The Quick and the Dead¨ , ¨Gettysburg¨ , ¨Hi-Lo County¨ , ¨You Know My Name¨ , ¨Buffalo Girls¨ , ¨Indians¨, ¨Wild Times¨ , ¨The Shadow Riders¨, ¨The Desperate Trail¨ and several others . While Tom Conti is cool as the brave husband , a war veteran , who decides to no longer take any humiliation or battery . Adding other notorious secondaries as Matt Clark and Patrick Kilpatrick.

There's a magnificently atmospheric cinematography , heightened by professional cameraman Dick Bush providing vivid photography from Flagstaff, Arizona, Happy Jack, Kibab National Forest , Oak Creek Canyon, Arizona,Strawberry , Pine, Arizona, Bell Rock, Sedona, Red Rock Crossing, Sedona, Courthouse Butte, Sedona, Schnebly Hill, Boynton Canyon, Sedona, Arizona, among others . Including an evocative and moving musical score by Steve Dorff . This literate Western was competently directed by Robert Day . This British director was a good artisan who made all kinds of genres as adventures , thriller , terror , such as : "The Big Game" , " Corridors of Blood" , " Click and the dead" , "Initiation of Sarah" , "Man with Bogart's Face" , " Grass is always Greener over the Septic Tank", "She" , "The Way Stretch" . Furthermore , he made a number of TV series episodes from Dallas , Disleyland , The Sixth Sense , Ghost story , Sam Cade , Matt Lincoln , The Bold ones , Ironside , FBI , The Invaders , The avengers , among others . Rating : 6.5/10 . Well worth watching . The flick will appeal to Sam Elliott fans .

Totally unrelated to the Sam Raimi directed Sharon Stone film of the same title and much better too. The Quick And The Dead is a very under rated made for HBO western starring very authentic cowboy actor Sam Elliot. The film is very well made, looks great and is based off a book by Louis L'Amour. The pace is quick and is action packed. Performances are good and the dialogue is sharp. The film is very much in the same style as Shane and Pale Rider. Matt Clark of The Outlaw Josey Wales fame was a great villain. Sam Elliot was a natural for this role and was excellent here as leading man. The Quick And The Dead is excellent entertainment and will not let down fans of the genre.

Beautiful scenery of Sedona and Flagstaff AZ, not Wyoming in 1876 as advertised. Good acting and quality filming. Casting was pretty good especially Sam Elliott and the bad guys but the half breed Indian looked like a runway model.

The Louis Lamour plot was, as usual for the genre, a little contrived as Sam Elliott's character lives a charmed life in the film. I recommend it if you are a sentimentalist and believe in honor, valor, unrequited love and taking on the bad guys.

I might mention that one item in the movie about Custer's last stand where one of the characters relatives was assumed to be killed could have had a more hopeful outcome as not all of the Seventh Regiment was killed at Little Bighorn since Custer split his command and several hundred survived.

The Quick and the Dead is directed by Robert Day and written by Louis L'Amour (novel) and James Lee Barrett (teleplay). It stars Sam Elliott, Tom Conti, Kate Capshaw, Kenny Morrison, Matt Clark and Patrick Kilpatrick. Music is by Steve Dorff and cinematography is by Dick Bush.

In 1876 Wyoming, Duncan (Conti) and Suzanna McKaskel (Capshaw) are taking their son and belongings to start a new life out West. But driving through a barely populated tin-pot town, they find themselves beset by a bunch of outlaws run by Doc Shabitt (Clark). Luckily, help may be at hand in the form of tough no nonsense frontiersman Con Vallian (Elliott)?, that is if matters of the heart and secrets of the past do not confuse the issues to hand...

How nice it is as a big Western fan to find a television movie that shines bright in genre light. This is wonderfully old fashioned in its setting and telling, simple in plot structure it may be, but pretty much everything falls into place for a pic that for genre fans becomes more than just a time waster.

Elliott's calm rugged swagger is in full effect, Capshaw is splendidly tender yet stoic, and much to my surprise Conti proves more than capable as a Western hero in waiting - where his character's back story comes to make sense of the final quarter. The villains are a bit rote, with the usually reliable Kilpatrick barely passable as a rogue Ute Native American, while the child performance of Morrison is hardly a high point.

However, pic is set 99.9% outdoors, where we get an absolute ream of glorious Arizona locales to cloak the characters. It has shades of "Shane", which is no bad thing, and thankfully the finale - though not unexpected - is worth waiting for. 7/10

I pretty much like sam elliott in all his western roles especially the ones with his wife katherine ross...what i didn't like about this role was the way he leered at kate capshaw, although the waterfall shower scene was definitely one of her hottest ever ...

One of many great one liners!

Sam Elliott in my book is right up there with Clint Eastwood and John Wayne when it comes to westerns. I watch this movie every few months as I enjoy it so much. The characters are well developed, even Kate Capsaw who is there for more than just eye candy. She shows great charter and strength fighting and killing the man who had many ill intensions. Great drama, action and plot development. Oh, and did I say Sam Elliott? His mustache and slow drawl makes him born 150 years too late.

You can pull this movie out on Youtube.

I stumbled across this western gem while searching for the other movie of the same name starring Gene Hackman. I was taken in by the opening scenes and was kept gripped by the storyline, the scenery and cinematography, and the acting through to the final scenes. Based on one of the many western paperbacks by Louis L'Armour, I'm gonna now grab me a copy and have a read!

Sorry I didn't read the original book, so I enjoyed the film but, I was always thinking on "Shane" updated, but I can't say if the original plays are similar. A film to be seen for all western lovers that retrieve us the bravery and sense of honor of prairies men.

Were big Sam Elliot fans. Great Cast, Filming, Script and Movie Content. It was an easy movie to follow and watch. The Location was very Beautiful. It was Funny in parts. It was sad when Kate`s brother passed away. It was nice Kate and Tom got what they wanted at the end of the movie. Sam is an all around cream of the crop Actor...He`s good at everything he does in Movies. He Ranks right up there with John Wayne.

With a title that was later reused for another movie, one would expect that this western would show at least one gun fight, you know like the one at the OK corral, but this movie hasn't one. What the title is referring to is a mystery and that is probably the key word for this western.

Now the first mystery is the mysterious stranger played by Sam Elliott. Sam Elliot? Yep, the same. I am probably like many other people who instantly respect a man like Sam Elliott without actually knowing why. Sam Eliott is known, but if you ask me to tell you what from I have a hard time to tell you. Sam Elliott is a decent actor, but apparently not considered to be able to carry a leading part in a major movie. Or at least.. I can't recall one. But never mind about that. Here Sam has a leading role.

Now the mysterious part about the mysterious stranger points to an overarching mystery. The question to ask is: why? Why does Sam Elliot help this family that is riding out, all alone, into the wilds? Why is this family braving the wilds on there own? The reason supplied is that they go to some place to breed cattle on the invitation of a family member, but still.. is traveling on your own such a good idea? Why are the bad guys sitting around in some forlorn village, consisting of 4 houses, lacking any inhabitants? Were they waiting for this single family to happen along so they could rob them, kill the men (a man and his son) and rape the woman? It remains a mystery.

Another mystery: there is an half breed Indian helping them.. why? He just happens along, gets a drink and he is the best of mates with these bad dudes. Again we don't know why.

So these bad dudes steal the horses of the family.. and thus the story kicks in. The husband of the family gets the horses back, covered by the mysterious stranger who shoots one of the bad dudes. And the bad guys then want revenge. While the family treks through the wild hoping to outrun the bad dudes, the bad dudes try to catch up with them. Several times they do catch up, which results in some fighting which whittles down the group of bad dudes.. who thus thirst even more for blood.

The story then follows a rather linear plot and ends in a predictable way. It is nothing to write home about. And again another mystery rises: the family went out in the wilds to do some cattle raising. Where is the cattle? They didn't bring any along.. and the hut they end up in seems to be in some valley in between mountains. Not the kind of country one would associate with cattle raising.

The whole story is like that: a mystery as to why people do what they do. But the greater mystery is just the failure to make more of this story. The mysterious stranger confesses himself to be a half breed, just like the half breed Indian who helps the bad guys. One would expect something to result from this. They could have been brothers. They could have been anything more than adversaries, but nothing develops. There is a potential conflict between the mysterious stranger and the husband in the family, but even that sizzles out to nothing.

The story is bland. It is not the acting that makes this movie mediocre on it's own. It is the lackluster plot that is pretty linear and shies away from anything interesting.

This movie is a forgettable movie.

I'm amazed that no one really disliked this movie here, in the "user reviews" and the "message board." (Though the two external reviews are tepid.) I was bored out of my mind. The production values were good (scenery, etc.). The actors were notable. The big killer is the story and dialog. Everything is drained out -- from the beginning you see where the story is going, and it never deviates, no surprises or depth.

Eight bad guys are after a pioneer settler family (husband, wife, son) making their way west alone on their covered wagon. They follow and menace the family, but peculiarly never really ever catch up. The family is protected by the mysterious stranger (Sam Elliott) who pops up now and then to sprout advice, sage remarks, insults and leers at the wife, Kate Capshaw, who might be a beauty on the lone prairie, but here looks pretty haggard.

Avoid this unless you are a fan of the actors and film makers.

Sam Elliott tosses a dead antelope in front of Kate Capshaw, then delivers that line with a more or less straight face.

Talk about double entendre! It's not the ungulate he's referring to.

The main reason for seeing this film is Sam Elliott, one of the sexiest men of the last century. (Why no one did a remake of "The Virginian" with him is beyond my comprehension.) He could be William-Conrad tubby and still be good-looking. Here he's spectacularly thin and angular. I wonder how many hetero men harbor a hankerin' for him.

The story is nothing special. All the good people live and the bad people die. The dialog rarely rises above the perfunctory.

Westerns are rarely detail-accurate. This one shows something hardly ever seen in Westerns -- a chew stick. After dinner, Elliott chews on one to clean his mouth. On the other hand, one of the bad'uns calls Conti's son a "rug rat", a decidedly late-20th-century term. Capshaw mispronounces "cavalry" but the director doesn't catch it. And I wonder how "Kentucky corn liquor" (which is presumably moonshine) can be brown.

Not the worst way to kill 90 minutes -- but hardly a great Western.