I was in Atlanta at the time for a while. I was just in my hotel room and Royce was like, “I got this fire beat. You probably fuck with that.” I’d already had some shit written and it was that type of style. And then, when we he started playing that beat, we just set up the mic. You know in a hotel room where the t.v’s at and shit, they always got the little table thing. Here, we had his computer right there, and then up here there’s a little shelf, and we just stacked the ice box, the ice chest thing, and then a book or something. And then just, put the cord on that shit, and just hung it from there. And I made it tall enough for me. And I don’t know, we just figured it out. We used some random shit, like the clock, just hung it up on there. Had the mic just sitting there. Just went crazy in the hotel.

Since me a Royce been working from the start, and I basically created my sound while I was working with him. I understand his side, and he understands my side more than anybody else. So I feel like we just have the best chemistry.

I focus on the melody first. So I focus on the melody before that, before the lyrics and that. I just, really get into the lyrics afterwards, because the melody to me is the most important part. It’s what everybody likes, it’s what everybody falls in love with. I was trying to show off a little more of my writing skills and stuff. I was rapping faster and stuff. So I was doing a little more writing. I wasn’t really free styling. A lot of times I’d be punching in, and free styling and stuff. But I wrote that shit for real.