Question : 1. Who the first person to call himself an “anarchist”? a. : 1682243
1. Who is the first person to call himself an “anarchist”?
a. George Sand
b. Édouard Manet
c. Pierre-Joseph Proudhon
d. Karl Marx
2. How did George Sand challenge sexual stereotypes?
a. Writing novels about female sexual desire
b. Using a man’s name and dressing as a man
c. Being both father and mother to her children
d. Having herself appointed to the French cabinet
3. In her novel Lélia, why does George Sand write a happier ending for Pulchérie, the prostitute, than for Lélia, her more virtuous sister? a. Pulchérie is a realist
b. Lélia is unhappily married
c. Pulchérie is an idealist
d. Lélia is bourgeoisie
4. Why did Charles Baudelaire speak so disparagingly of George Sand?
a. She disguised her sexuality
b. He despised her lack of morals
c. She supported Louis-Napoleon
d. He considered her bourgeoisie
5. For what was Charles Baudelaire’s poetry criticized?
a. Elaborate metaphors and difficult rhyme
b. Allusions to obscure classical works
c. Unconventional themes and subject matter
d. Harsh meter and absence of rhyme
6. Why was Baudelaire forced to remove six poems from his book Les Fleurs du mal?
a. For criticizing the French government
b. For concerning lesbianism and vampirism
c. For presenting a romanticized view of death
d. For celebrating the lives of French prostitutes
7. According to Baudelaire, what was the greatest job of the flâneur (man-about-town) like himself and Édouard Manet?
a. To seduce women
b. To create poetry and art
c. To challenge authority
d. To shock the bourgeoisie
8. Why in part did Manet’s Le Déjeuner sur l’herbe (Luncheon on the Grass) disturb its viewers?
a. The subject is too mundane for the painting’s grand scale
b. The nude female seems to serve no purpose
c. The two dressed men are oblivious to the nude female
d. The model for the nude female was Manet’s wife
9. What earlier work does Manet’s Olympia mirror?
a. Titian’s Reclining Nude
b. Botticelli’s The Birth of Venus
c. Giorgione’s The Tempest
d. Antonio Canova’s Paolina Bonaparte as Venus
10. Why can Manet’s Olympia be viewed as a statement about human slavery?
a. Olympia’s hands are dirty
b. Olympia is a prostitute
c. Olympia is holding money
d. Olympia’s maid is black
