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PONOSNI SPONZOR Covjecanstvo je oduvijek htjelo sacuvati posebne,savr§enetrenutke i spremiti ih za vjecnost.
Ronhill, ponosni glavni sponzor Sarajevo Film Festivala
SaraieVO F¡\m \ . \ Festwa
Skeniraj QR kod i pogledaj program Festivala, uz listu ostalih najzabavnijih dogaciaja u tvojoj blizini!
KATALOG / catalogue
Katalog / Catalogue Urednik / Editor Segor Hadžagić Izvori / Sources Emir Pekmez, Moamer Kasumović, Altijana Marić, Bojana Vidosavljević Prevod / Translation Amira Sadiković, Lejla Efendić, Adi Fejzić Lektura / Proofreading Azra Rizvanbegović (bosanski jezik / Bosnian) Amira Sadiković (engleski jezik / English ) Grafičko oblikovanje i DTP / Graphic design and DTP BOOM! Produkcija Štampa / Print BLICDRUK d.o.o. Sarajevo Tiraž / Print run 2000
Sarajevo Film Festival Zelenih Beretki 12, 71000 Sarajevo, Bosna i Hercegovina Tel. +387 33 209 411; +387 33 221 516, Fax. + 387 33 263 381 programmes@sff.ba, www.sff.ba 4
17. Sarajevo Film Festival l IMPRESSUM
Sadržaj / contents 7 Uvod / Introduction 8 Žiri / Jury 14 Nagrade / Awards 15 Takmičarski program – igrani film / Competition Programme – Features 29 Takmičarski program – kratki film / Competition Programme – Shorts 39 Takmičarski program – dokumentarni film / Competition Programme – Documentaries 65 U fokusu / In Focus 77 Novi tokovi / New Currents 87 Novi tokovi – kratki film / New Currents – Shorts 99 Panorama 133 Posvećeno: Lucrecia Martel / Tribute to Lucrecia Martel 141 Open Air 149 Dječiji program / Children’s Programme 157 TeenArena 163 All Shorts 165 Sarajevo grad filma / Sarajevo City of Film 2011 168 Carte Blanche: Clermont - Ferrand 171 Carte Blanche: Kurzfilmtage Winterthur 174 Evropska filmska akademija / European Film Academy 177 Operacija kino / Operation Kino 179 Laško Summer Nights 187 Specijalne projekcije / Special Screenings 196 Fondacija Katrin Cartlidge / Katrin Cartlidge Foundation 198 5. Sarajevo Talent Campus 201 BiH FILM 213 Sponzori / Sponsors 246 Hvala / Thank You 247 Festival Team 248 Index – Filmovi / Films 250 Index – Reditelji / Directors
SADRŽAJ / CONTENTS l 17. Sarajevo Film Festival
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6
17. Sarajevo Film Festival l SPONZORI
UVOD INTRODUCTION Pripremajući ovogodišnji Sarajevo Film Festival, bili smo svjesni, više nego ikada, nužnosti ispravnog strateškog djelovanja. Danas, kada svako može snimiti svoj film, kada ga lako može prikazati na mnogobrojnim društvenim mrežama i platformama, i kada je nemoguće vidjeti sve nastale radove, postavlja se pitanje o ulozi festivala u cjelokupnoj filmskoj industriji i kulturi uopšte. Svjesni velikih promjena koje donose nove tehnologije u svim segmentima filmske industrije, koje skoro nepredvidivom brzinom mijenjaju uslove rada u produkciji i distribuciji filma, postavili smo sebi pitanje: Koja je uloga i značaj našeg festivala na regionalnoj i svjetskoj sceni danas, i kakva bi ona mogla postati u budućnosti? Pronaći talente, pomoći im da se razvijaju i dati im šansu da rade u profesionalnim uslovima i promovirati ih na regionalnoj i svjetskoj sceni, po nama je jedan od primarnih zadataka našeg festivala. Ovogodišnje izdanje Sarajevo Film Festivala u znaku je mladih autora. U kategoriji
E While preparing for this year’s SFF, we were aware more than ever of the necessity to act strategically and appropriately. Today, when anyone can make their own film and show it easily at numerous social networks and platforms and when it is impossible to see all that’s new, there is a question about the role of festivals in the film industry and in culture in general.
Aware of the major changes brought by new technologies in all the segments of film industry, which change with near-unpredictable speed the conditions of work in film production and distribution, we ask ourselves: What is the role and what is the significance of our Festival at the current regional and international scene and what may it become in the future? To find talents, to help them develop and give them an opportunity to work in a professional environment, to promote them regionally and internationally – in our opinion, that is one of the primary tasks of our Festival. This year’s edition of the Sarajevo Film Festival is marked by new authors. In the Competition
Takmičarski program - dugometražni film, čak je sedam debitanata. S uzbuđenjem čekamo njihovo predstavljanje publici. Naš koprodukcijski market CineLink spremno dočekuje svoje goste. Izbor od četrnaest izuzetno zanimljivih filmskih projekata u nastanku predstavit će se brojnim evropskim i svjetskim producentima i fondovima. Vjerujemo da će kao i prethodnih godina mladi autori iz regije unijeti živost i novu energiju na filmsku scenu globalno. Našim najmlađim talentima, koje svake godine u saradnji sa Berlinaleom dočekujemo u Sarajevo Talent Campus programu, spremili smo susrete sa izuzetnim autorima i filmskim profesionalcima koji su ispisali stranice historije svjetske kinematografije. Kreativna atmosfera ovogodišnjeg, petog po redu STC-a, bit će obogaćena prisustvom grupe studenata Akademije za primijenjene umjetnosti iz Hamburga, na čelu sa njihovim profesorom Wimom Wendersom, grupom
studenata filma i autora iz Gruzije, i već tradicionalnalnim učešćem deset mladih njemačkih producenata u organizaciji Fondacije Robert Bosch. Vjerujemo da će filmovi Lucrecije Martel, koja gostuje u okviru programa ”Posvećeno...”, kao i razgovori sa njom, mladim filmskim autorima iz regije pružiti dodatnu inspiraciju. I to nije sve, kad je riječ o mladim talentima, projekat Sarajevo grad filma, ove godine predstavlja četiri izuzetno kreativna autora koji su, radeći u okviru produkcijskih timova, uvezali stvaralačku energiju filmske regije. Kao i svake godine, za našu vjernu filmsku publiku pripremili smo presjek kroz recentnu filmsku produkciju, u okviru poznatih programskih sekcija, i brojne zanimljive goste iz regije i svijeta. Festival može početi! Mirsad Purivatra, Direktor
Programme - documentary film, there are as many as seven debutants. We are excited to introduce them to the audience.
Georgia, and the traditional participation of ten young German producers brought by the Robert Bosch Foundation.
Our CineLink coproduction market is ready to receive its guests. The selection of fourteen very interesting film projects in progress will be presented to numerous European and international producers and funds. We believe that, just like in the years past, young authors from the region will bring liveliness and new energy to the film scene in general.
We believe that Lucrecia Martel, our guest in the Tribute To programme, her films and meetings with her will be the source of additional inspiration for filmmakers from the region.
As four youngest talents, just like every year, in collaboration with Berlinale we welcome them to the Sarajevo Talent Campus programme, where they will meet extraordinary authors and film professionals, who have written many a page of the history of world filmmaking. The creative atmosphere of this year’s – 5th – STC will be richer for the presence of a group of students of the Applied Arts Academy from Hamburg led by their professor Wim Wenders, a group of film students and authors from
And this is not all in relation to young talents. This year, the Sarajevo City of Film project presents four superb authors who, while working within production teams, interlinked the creative energies of a region of film. Just like every year, through the well-known programmes we prepared for our faithful audiences an overview of the recent film production, as well as numerous interesting guests from the region and from across the world. The Festival may begin! Mirsad Purivatra, Director
FESTIVAL INTRODUCTION l 17. Sarajevo Film Festival
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MICHÈLE OHAYON
ZANA MARJANOVIĆ
ALBERTO BARBERA
ARI FOLMAN
ŽIRI ŽIRI TAKMIČARSKOG PROGRAMA – IGRANI FILM ARI FOLMAN, predsjednik žirija reditelj, Izrael Ari Folman, izraelski reditelj, jedan je od vodećih filmskih stvaralaca današnjice. Između 1991. i 1996. godine Ari Folman je režirao dokumentarce za TV. Godine 1996. je, prema romanu češkog pisca Pavela Kohuta, napisao scenarij za film SAINT CLARA koji je i režirao. Film je osvojio sedam nagrada Izraelske filmske akademije, uključujući nagrade za najbolju režiju i najbolji film. SAINT CLARA je otvorio program Panorama Berlinskog filmskog festival i osvojio nagradu People’s Choice. Uspješno je prikazivan u Evropi i Americi. Nastavio je snimati uspješne dokumentarce, a onda je napravio pauzu kako bi mogao raditi na svom drugom igranom filmu – MADE IN ISRAEL (2001.). Uspjeh u dokumentarnoj animaciji naveo ga je da izradi jedinstven format za film WALTZ WITH BASHIR, koji je osvojio je brojne nagrade, uključujući i Zlatni globus za najbolji strani film, šest nagrada Izraelske filmske akademije, uključujući nagrade za najbolji film, režiju i scenarij, te nagradu Asocijacije filmskih kritičara Los Angelesa za najbolji animirani film. Film je nominiran i za nagradu Oscar u kategoriji najboljeg stranog filma. ČLANOVI ŽIRIJA ALBERTO BARBERA direktor Nacionalnog muzeja filma, Italija Rođen je u gradu Biella (Italija) 1950. Diplomirao na Univerzitetu u Torinu, s magisterijem iz filmske povijesti i kritike. Alberto Barbera je karijeru započeo 1972. na AIACE-u, talijanskom udruženju za umjetnost, film i teatar u Torinu, gdje je obavljao i funkciju predsjednika između 1977. i 1989. Od 1980. do 1983. bio je glavni filmski kritičar dnevnog lista “La Gazzetta del Popolo”. Također je pisao za novine poput “Città“, “La Stampa“, te filmske časopise kao što su “Essai“, “Altro Cinema“, “Bianco e Nero“, “Cineforum“. Godine 1982., Barbera se pridružio Torino Film Festivalu, u press odjelu, a zatim i kao generalni sekretar i član Odbora za odabir od 1984. U periodu od 1989. do 1998. je bio 8
17. Sarajevo Film Festival l ŽIRI
direktor festivala. Autor je brojnih publikacija. Barbera je obavljao funkciju direktora Filmskog festivala u Veneciji u periodu od 1999 - 2001. Od 2004. direktor je National Museum of Cinema u Torinu. ZANA MARJANOVIĆ glumica, Bosna i Hercegovina Zana Marjanović smatra se jednom od najuspješnijih glumica nove generacije u Bosni i Hercegovini. Rođena je u Sarajevu 1983. godine. Diplomirala je 2006. godine na Akademiji scenskih umjetnosti u Sarajevu. Zana Marjanović ostvarila je glavnu ulogu u filmu IN THE LAND OF BLOOD AND HONEY čiju režiju potpisuje Angelina Jolie, a koji se trenutno nalazi u fazi postprodukcije. Zapažene uloge ostvarila je u filmovima SNIJEG rediteljice Aide Begić, koji je nagrađen Grand Prixom Semaine de la Critique Cannes Film Festivala 2008., te bio nominovan za nagradu Evropske filmske akademije European Discovery; te LJETO U ZLATNOJ DOLINI Srđana Vuletića, koji je dobitnik brojnih priznanja među kojima su VPRO Tiger Award za najbolji film i Moviezone nagrada na filmskom festivalu u Rotterdamu, Specijalna nagrada žirija i FIPRESCI nagrada na Sofia International Film Festivalu; te Nagrada žirija na Bermuda Film Festivalu. Osim u filmskim i TV projektima, Marjanovićeva je angažirana i u teatru. Ostvarila je zapažene uloge u brojnim teatarskim projektima i sarađivala sa nekim od uglednim bosanskohercegovačkim i regionalnim rediteljima . MICHÈLE OHAYON rediteljica, producentica, scenaristica, SAD Michèle Ohayon je nagrađivana rediteljica, spisateljica i producentica. Rođena je u Casablanci i odrasla u Izraelu. Diplomirala je na sveučilištu u Tel Avivu (film i televizija). Godine 1984. dobila je nagradu za najbolji izraelski film, i to za film PRESSURE. Godine 1987. Ohayon se preselila u Los Angeles, gdje režira uveliko hvaljen dokumentarac IT WAS A WONDERFUL LIFE (1987), sa Jodie Foster i uz muziku Melisse Etheridge. Uslijedili su i nagrađivani filmovi COLORS STRAIGHT UP (1997.), koji je bio nominiran za nagradu Oscar
za najbolji dokumentarni film, COWBOY DEL AMOR (2005.), a 2007., Ohayon je završila rad na dokumentarcu STEAL A PENCIL FOR ME, koji je prikazan u UN-u, te osvojio nagradu publike na Filmskom festivalu Sonoma i Yad Vashem Chairman Award na filmskom festivalu u Jeruzalemu. Za svoj opus, 1996. i 1998. Michèle Ohayon dobitnica je Artist’s Grant, Los Angeles Cultural Affairs Departmenta, a svojim pisanjem osvojila je i Chesterfield Writing Competition 2000. S.O.S/STATE OF SECURITY, novi dokumentarac Michèle Ohayon, otvorio je Berlinski filmski festival. Bila je gost govornik/predavač na raznim školama i fakultetima. Jedna je od osnivačica i članica Upravnog odbora Cinewomen. Članica je Academy of Motion Pictures, Writers Guild of America, Producer’s Guild of America, International Documentary Association. Osim toga, rediteljica je brojnih TV emisija i muzičkih spotova, i ima vlastitu produkcijsku kuću, a bila je članica žirija brojnih festivala (Berlin, Tel Aviv, Sarajevo). RAZVAN RADULESCU scenarist i reditelj, Rumunija Razvan Radulescu jedan je od najuspješnijih scenarista u Rumuniji. Predstavnik je takozvane postrevolucionarne rumunske kinematografije i pripada najuspješnijoj generaciji rumunskih filmskih autora čiji su filmovi obilježili posljednju deceniju na internacionalnoj filmskoj sceni. Studirao je na Filološkom fakultetu i na Muzičkoj akademiji u Bukureštu. Svoj književni debi napravio je 1995. skupinom antologija pod nazivom Family Portrait. Njegov roman “The Life and Deeds of Elijah Cazane“, iz 1997. Rumunska književna unija nagradila je nagradom za najbolji debitantski roman. Sarađivao je sa brojnim uspješnim rediteljima poput Cristija Puiua, Cristiana Mungiua, Alexandrua Baicuoma, Radu Munteana, Constantina Popescua… Autor je scenarija brojnih uspješnih filmova poput: STUFF AND DOUGH (1999), GOODS AND MONEY (2001.), NIKI ARDELEAN, COLONEL IN RESERVE (2001.), FEED FOR SMALL FRY (2004.), OFFSET (2004.), THE DEATH OF MR LĂZĂRESCU (2005.), reditelja Cristija Puiua; te THE PAPER WILL BE BLUE (2005.), BOOGIE (2008) i TUESDAY AFTER
ŽIRI TAKMIČARSKOG PROGRAMA KRATKI FILM MILCHO MANCHEVSKI, predsjednik žirija, reditelj, Makedonija Milcho Manchevski scenarista je i reditelj igranih filmova PRIJE KIŠE (1994), PRAH (2001), SJENE (2007) i MAJKE (2011). Film PRIJE KIŠE nominiran je za Oscara i dobitnik je trideset nagrada, uključujući i nagradu Zlatni lav za najbolji film za najbolji film u Veneciji, Independent Spirit, FIPRESCI, UNESCO, nagradu za najbolji film godine u Argentini, Italiji, Švedskoj, Turskoj, i brojne druge nagrade na festivalima u Austriji, Belgiji, Brazilu, Poljskoj, Portoriku, Rusiji... Film PRIJE KIŠE New York Times uvrstio je na listu 1000 najboljih filmova svih vremena. Filmovi Milche Manchevskog su prikazani na više od stotinu festivala, te su distribuisani distribuirani u gotovo 50 zemalja svijeta. Manchevski je osvojio nagrade za najbolji eksperimentalni film (za 1,73) i najbolji MTV video (za Tennessee, koji Rolling Stone stavlja na listu 100 najboljih spotova svih vremena). Pisao je za: “New American Writing“, “La Repubblica“, “Corriere Della Sera“, “Sineast“, “The Guardian“, “Suddeutsche Zeitung“, “Pravda“... Predavao je na brojnim univerzitetima, te u kinotekama, muzejima umjetnosti i institutima. JEAN-CHRISTOPHE BERJON umjetnički direktor Semaine de la Critique, Francuska Jean-Christophe Berjon najprije je bio glumac i kazališni redatelj (Topor, Ionesco ...). U nastavku karijere bio je profesor na Le Cours Florent (Pariz), prije nego što je imenovan za njegovog rukovodioca 1998-2000. U
ERZEN SHKOLOLLI
JEAN-CHRISTOPHE BERJON
MILČO MANČEVSKI
RAZVAN RADULESCU
CHRISTMAS (2009) u režiji Radua Munteana, PRINCIPLES OF LIFE reditelja Constantina Popescua (2009), a za film FIRST OF ALL potpisuje režiju zajedno sa Melissom de Raaf, te je bio konsultant na scenariju za film 4 MONTHS, 3 WEEKS, 2 DAYS reditelja Cristiana Mungiua (2007).
međuvremenu, Jean-Christophe Berjon bio je urednik “Les Fiches du Cinéma“ i “L’Annuel du Cinema“ 1997-2005. Jean-Christophe Berjon je 2008. režirao i dokumentarac o meksičkim kinima, u produkciji Canal +. Bivši je generalni sekretar francuskog Saveza filmskih kritičara, a na mjestu umjetničkog direktora kanskog Semaine de la Critique je od 2004. godine. Osim toga, Jean-Christophe Berjon je bio umjetnički direktor Biarritz Latin American Film Festival od 2008. do 2010., a međunarodni saradnik za Morelia Film Festival (Meksiko) od 2005. ERZEN SHKOLOLLI umjetnik, Kosovo Erzen Shkololli je rođen u Pejë, na Kosovu, 1976. Živi i radi u Prištini. Kroz svoj rad, Shkololli djelu želi skrenuti pažnju na društvenopolitičku situaciju, uz naglašavanje savremenih simbola i razočarenja. Shkololli je poznat I kao aktivni posrednik i organizator inter- i intrakulturnog dijaloga između Kosova i svijeta međunarodne umjetnosti. Od 2003. godine Shkololli je član Evropskog kulturnog parlamenta. Shkolollijev rad objavljivan je na izložbama u značajnim europskim muzejima kao što su Stedelijk Museum u Amsterdamu, Centre Pompidou Paris, Tate Modern u Londonu i MUMOK, Beč.. Dobitnik je stipendije DAAD u Berlinu 2008/09. i nagrade Premio Michetti za 2001. godinu, koju dodjeljuje Fondazion Michetti di Francavilla al Mare. Shkololli je od kustosice Andree Schliekerone dobio narudžbu za Folkestone trijenale 2011., što predstavlja jedan od najambicioznijih projekata javne umjetnosti svih vremena u Velikoj Britaniji.
ŽIRI TAKMIČARSKOG PROGRAMA – DOKUMENTARNI FILM LUCIANO BARISONE novinar i filmski kritičar, Italija Luciano Barisone novinar je i filmski kritičar za specijalizirane časopise “Filmcritica”, “Cineforum”, “Duellanti” i novine “La Stampa”, “Il Manifesto”. Osnovač je i urednik časopisa “Panoramiques”. Od 1997. godine sarađivao je na brojnim međunarodnim filmskim festivalima, uključujući i Locarno International Film Festival i Mostra Internazionale d’Arte Cinematografica u Veneciji. Barisone je 2002. osnovao Alba Infinity festival, za koji je radio kao umjetnički direktor do 2007. godine. Od 2008. Barisone je umjetnički direktor Festivala Dei Popoli u Firenci. Bio je član žirija brojnih festivala, u Cannesu (Camera d’Or , 1997), Marseilleu (FID; 2000), Valladolidu (Seminci, 2003), Buenos Airesu (Bafici, 2004), Lisabonu (DocLisboa, 2004), Pamploni (Punto de Vista , 2008), Tel Avivu (DocAviv, 2008), Parizu (Cinema du Reel, 2009), Yerevani (Golden Apricot International Film Festival, 2010), Torontu (Hot Docs). BILJANA GARVANLIEVA freelance autorica i rediteljica, Makedonija Biljana Garvanlieva rođena je u Skopju 1973. godine. Nakon studija dramaturgije u Skopju, 1999. godine dobila je bespovratna sredstva njemačke Službe za akademsku razmjenu (DAAD) za studij kazališta i filma na Slobodnom sveučilištu u Berlinu (Freien Universität Berlin). Garvanlieva trenutno živi i radi u Berlinu kao samostalna autorica i rediteljica dokumentarnih filmova. Svoj prvi dokumentarac MACEDONIAN DREAM: A GIRL AND HER ACCORDION, režirala je 2006. za TV mrežu 3sat, koji je osvojio nekoliko nagrada, uključujući i nagradu za najbolji njemački kratki film Zlatna Lola. U 2009., slijedeći prethodni uspjeh, njen film TOBACCO GIRL, dobio je brojne nagrade, uključujući i nominaciju za Zlatnu Lolu, te Juliane Bartel German Media Award. Biljana Garvanlieva nagrađena je Srcem Sarajeva za najbolji dokumentarni film na 16. Sarajevo Film Festivalu, za njen dokumentarni film SEAMSTRESSES.
JURY l 17. Sarajevo Film Festival
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ŽIRI ZA NOMINACIJU SARAJEVSKOG KANDIDATA ZA EVROPSKU FILMSKU NAGRADU 2011. IGOR ČAMO dizajner zvuka, kompozitor, BiH Igor Čamo rođen je 1970. u Sarajevu. Od 1992. radio je kao kompozitor za televiziju, te kao producent, aranžer i programer za različite muzičke projekte. Od 1997. radi kao dizajner zvuka, a od 1998. Čamo započinje saradnju s SCCA / pro.ba. Čamo je bio dizajner zvuka i za film GRBAVICA Jasmile Žbanić, koji je osvojio Zlatnog medvjeda na Berlinaleu, i dizajner zvuka i kompozitor za igrani film SNIJEG Aide Begić. Projekti na kojma je Čamo radio su, između ostalih: BELVEDERE, Ahmeda Imamovića, NA PUTU, Jasmile Žbanić, ČUVARI NOĆI, Namika Kabila, ŠOPING, Alena Drljevića, BDIJENJE, Timura Makarevića, INFORMATIVNI RAZGOVORI, Namika Kabila, ŠTA JA ZNAM Šejle Kamerić i Timur Makarević, MAMA I TATA Faruka Lončarevića, BORDERLINE LOVERS, Miroslava Mandića, SLIKE SA UGLA, Jasmile Žbanić, SJEVER JE POLUDIO, Aide Begić, PRVO SMRTNO ISKUSTVO, Aide Begić, CRVENE GUMENE ČIZME, Jasmile Žbanić. ZVONIMIR JURIĆ reditelj i scenarist, Hrvatska Zvonimir Jurić rođen je 1971. u Osijeku. Diplomirao je filmsku i TV režiju 1999. na Akademiji dramske umjetnosti u Zagrebu. 10 17. Sarajevo Film Festival l ŽIRI
ZVONIMIR JURIĆ
DAVID RIEFF
BILJANA GARVANLIEVA
LUCIANO BARISONE
DAVID RIEFF novinar i pisac, SAD David Rieff novinar je i autor iz New Yorka. Tokom devedesetih godina pisao je o sukobima u Africi (Ruanda, Burundi, Kongo, Liberija), na Balkanu (BiH i Kosovo), i središnjoj Aziji. Kao novinar Timesa opširno je pisao o Iraku i, u novije vrijeme, o Latinskoj Americi. David Rieff je autor osam knjiga, uključujući i SLAUGHTERHOUSE: BOSNIA AND THE FAILURE OF THE WEST i A BED FOR THE NIGHT: HUMANITARIANISM IN CRISIS. Autor je memoara SWIMMING IN A SEA OF DEATH objavljenih 2008. godine. Živi u New Yorku. Trenutno radi na knjizi o globalnoj krizi hrane.
Zvonimir Jurić scenarist je i reditelj igranog filma CRNCI koji je razvijen na Cinelinku 2006. i EAVE 2007. Ovaj film osvojio je brojne nagrade, uključujući i nagradu za najbolju režiju, najbolju sporednu ulogu, najbolji zvuk na filmskom festivalu u Puli 2009.; nagradu FIPRESCI i nagradu za najbolju režiju na Cottbus Film Festivalu; Grand Prix na Ljubljana International Film Festivalu, Auteurs Film Festivalu u Beogradu, te Duna TV nagradu Cinepecs Film Festivala. Jurićev kratkometražni igrani film ŽUTI MJESEC osvojio je Srce Sarajeva za najbolji kratki film na Sarajevo Film Festivalu 2010. godine te nekoliko Grand Prix nagrada na Drahma Festivalu (Grčka) 2010., filmskom festival u Vukovaru. Jurić je reditelj i scenarist dokumentarnih filmova NEBO ISPOD OSIJEKA (nagrada Oktavijan – nagrada kritike za najbolji film na Danima hrvatskog filma i Grand Prix na istom festivalu), JURIĆ: TVRĐA 1999 (nagrada za najbolji dokumentarni film na Motovun Film Festivalu), te filma CRNCI SU IZDRŽALI, A JA? (nagrada za najbolju montažu na Danima hrvatskog filma). CAROLINE LIBRESCO producentica, SAD Caroline Libresco je selektorica igranog filma Sundance Film Festivala, gdje također koordinira program svjetske kinematografije. Prije dolaska u Sundance, Libresco je bila programer i komunikacijski stručnjak za Nezavisni televizijski servis (ITVS). Caroline Libresco je i saradnica na San Francisco Jewish Film Festival, viši publicist za San Francisco International Film Festival i rukovodilac razvojnih programa na University of California Berkeley i Library Foundation of San Francisco. Koautor je i producent nezavisnog filma FANCIíS PERSUASION, u režiji Charlesa HermanWurmfelda. Producentica je i BARRIER DEVICE, sa nagrađivanom glumicom Sandrom Oh i ITVS-ovog dokumentarca SUNSET STORY, koji je osvojio nagradu publike na Los Angeles Film Festivalu. Caroline je završila Oberlin College, magistrirala historiju religije na Harvardu, te stekla magisterij iz filma UCLA-ovoj školi za teatar, film i televiziju. Bila je članica žirija na Silverdocs i LA Asian Pacific Film Festivalu, te je bila učesnica panela za IFP-ov Radziwill Documentary Fund.
CICAE ŽIRI JON BARRENECHEA generalni direktor The Duke of York’s Picturehouse u Brightonu, Velika Britanija RUTA BOGUZAITE direktorica kina PASAKA, Litvanija FRANCESCO CLERICI rukovodilac Barz and Hippo obrazovnih projekata, reditelj, Italija
CINEUROPA ŽIRI IVAN CORBISIER direktor Filmskog festival Brisel, Belgija
RUTA BOGUZAITE
JON BARRENECHEA
IGOR ČAMO
CAROLINE LIBRESCO
jury JURY OF THE COMPETITION PROGRAMME – FEATURE FILM ARI FOLMAN, President of the Jury Director, Israel Ari Folman, an Israeli director, is one of the world’s leading film authors. Ari Folman’s graduate film, COMFORTABLY NUMB (1991) documented his close friends taking cover on the verge of anxiety attacks during the first Gulf war while Iraqi missiles landed all over Tel Aviv. Film won the Israeli Academy award for Best Documentary. Between 1991-1996 Ari Folman directed documentary specials for TV. In 1996 he wrote and directed SAINT CLARA, a feature film based on a novel by the Czech author Pavel Kohout. The film won seven Israeli Academy awards, including Best Director and Best Film. SAINT CLARA opened Berlin Film Festival’s Panorama and won the People’s Choice Award. The film was screened throughout America and Europe to critical acclaim. Folman continued directing successful documentary series and took time off for his second feature in 2001 - MADE IN ISRAEL. A successful attempt at documentary animation prompted Ari Folman to develop the unique format of WALTZ WITH BASHIR, which won numerous awards including Golden Globe for Best Foreign Language Film, six Israeli Academy Awards, including Best Film, Best Director and Best Screenplay, and award of Los Angeles Film Critics Association for Best Animated Feature. Film was nominated for Academy Award in category of Best Foreign Language Film. JURY MEMBERS ALBERTO BARBERA Director of the National Museum of Cinema, Italy Born in Biella (Italy) in February 1950. Bachelor of Arts at Turin University in 1975, with a master’s degree in film history and criticism. Alberto Barbera began his career in 1972 at A.I.A.C.E., the Italian Association of Art Film Theaters in Turin, and served as its President between 1977 and 1989. From 1980 to 1983 he was the chief film critic of the daily La Gazzetta del Popolo. He has
also written for a variety of newspapers (Città, La Stampa) and film magazines (Essai, Altro Cinema, Bianco e Nero, Cineforum). In 1982, Barbera joined the Torino Film Festival, as press officer, then as General Secretary and member of the Selection Committee since 1984. From 1989 to 1998 he was the festival’s Director. He is also the author of numerous publications. Barbera was the Director of the Venice Film Festival from 1999 to 2001. Since June 2004, he has been the Director of the National Museum of Cinema in Torino. ZANA MARJANOVIĆ Actress, Bosnia and Herzegovina Zana Marjanović is considered one of the most successful young actresses in BiH. She was born in 1983 in Sarajevo and graduated from the acting department of the Sarajevo Academy of Performing Arts in 2006. Zana Marjanović played one of the leads in IN THE LAND OF BLOOD AND HONEY directed by Angelina Jolie, currently in post-production. She also delivered noted performances in SNOW by Aida Begić, which won the Grand Prix at the Semaine de la Critique, Cannes Film Festival 2008, and was nominated for the European Film Academy Discovery Award; SUMMER IN THE GOLDEN VALLEY by Srđan Vuletić, which won numerous awards including VPRO Tiger Award for Best Film, Moviezone award at the Rotterdam Film Festival, Special Jury Prize and the FIPRESCI award at the Sofia International Film Festival and Jury Prize at the Bermuda Film Festival. In addition to film and TV, she is also active in theatre. She has delivered superb performances in numerous theatre projects and collaborated with some of the leading directors in BiH and the region. MICHÈLE OHAYON Director, producer, writer, USA Michèle Ohayon is an award-winning director, writer and producer. She was born in Casablanca and raised in Israel. She graduated from the University of Tel Aviv (film and television). In 1984, she received the Israeli Best Film Award for PRESSURE. In 1987, she moved to Los Angeles, where she directed a succession of critically acclaimed dramatic and
documentary features: IT WAS A WONDERFUL LIFE (1987), narrated by Jodie Foster with music by Melissa Etheridge, followed by the award-winning films COLORS STRAIGHT UP (1997), which was nominated for an Oscar for best documentary film, COWBOY DEL AMOR (2005). In 2007, Ohayon had completed work on a documentary STEAL A PENCIL FOR ME, which screened at the UN, and garnered the Audience Award at Sonoma Film Festival and the Yad Vashem Chairman Award at the Jerusalem Film Festival. For her body of work, Michèle received the 1996 and the 1998 Artist’s Grant from the Los Angeles Cultural Affairs Department and was recognized for her fiction writing in the Chesterfield Writing Competition 2000. S.O.S/ STATE OF SECURITY, Michèle’s newest feature documentary, opened in the Berlin Film Festival. She has been a guest speaker/lecturer at various schools and colleges. Michèle is a founding board member of Cinewomen. She is a member of the Academy of Motion Pictures, the Writers Guild and the Producer’s Guild of America, as well as the International Documentary Association. In addition, Michele directed numerous TV shows and music videos, and has her own production company. She serves on juries of various festivals, including Berlin, Tel Aviv and Sarajevo. RAZVAN RADULESCU Scriptwriter and director, Romania Razvan Radulescu is one of the most productive Romanian scriptwriters. He is the representative of the so-called post-revolution film in Romania and is part of the most successful generation of Romanian filmmakers, whose films marked the international film scene over the past decade. He studied at the School of Philology and the Music Academy of the University of Bucharest. His literary debut was a collection of anthologies entitled Family Portrait, published in 1985. His 1997 novel The Life and Deeds of Elijah Cazane won the Best Debut Prize by the Romanian Writers Guild. He has collaborated with numerous successful directors such as Cristi Puiu, Cristian Mungiu, Alexandru Baicuom, Radu Muntean, Constantin Popescu… He also wrote scripts for numerous successful films such as: STUFF JURY l 17. Sarajevo Film Festival 11
IVAN CORBISIER
FRANCESCO CLERICI
AND DOUGH (1999), GOODS AND MONEY (2001), NIKI ARDELEAN, COLONEL IN RESERVE (2001), FEED FOR SMALL FRY (2004), OFFSET (2004), THE DEATH OF MR LĂZĂRESCU (2005) directed by Cristi Puiu; and THE PAPER WILL BE BLUE (2005), BOOGIE (2008) and TUESDAY AFTER CHRISTMAS (2009) directed by Radu Muntean, PRINCIPLES OF LIFE by Constantin Popescu (2009), and he co-directed FIRST OF ALL togeterh with Melissa de Raaf, and was the script advisor for 4 MONTHS, 3 WEEKS, 2 DAYS by Cristian Mungiu (2007).
JURY OF THE COMPETITION FILM SHORT FILM MILCHO MANCHEVSKI, President of the Jury, director, Macedonia Milco Mancevski wrote and directed the feature films BEFORE THE RAIN (1994), DUST (2001), SHADOWS (2007) and MOTHERS (2011). BEFORE THE RAIN won an Academy-Award nomination and thirty awards, including Golden Lion for Best Film in Venice, Independent Spirit, FIPRESCI, UNESCO, best film of the year in Argentina, Italy, Sweden, Turkey, and other awards in Austria, Belgium, Brazil, Poland, Puerto Rico, Russia, etc. The New York Times included BEFORE THE RAIN on its list of the best 1,000 films ever made. DUST was the opening-night film of the Venice Film Festival. Both SHADOWS and MOTHERS were the Macedonian Academy Awards entries, with MOTHERS screening in the Panorama section of Berlinale 2011. Manchevski’s films have screened at more than a hundred festivals, and have been distributed in close to 50 countries. Manchevski won awards for best experimental film (for 1.73) and best MTV video (for Tennessee, which The Rolling Stone placed on the list of the 100 best videos ever). He has published fiction, essays and op-ed pieces in New American Writing, La Repubblica, Corriere Della Sera, Sineast, The Guardian, Suddeutsche Zeitung, Pravda, etc. He has lectured at a number of universities, cinematheques, art museums and art institutes. 12 17. Sarajevo Film Festival l ŽIRI
JEAN-CHRISTOPHE BERJON Artistic Director Semaine de la Critique, France Previously actor and theater director (Topor, Ionesco…), Jean-Christophe Berjon was a teacher at the performing school Le Cours Florent (Paris) before becoming one of its supervisors from 1998 to 2000. Meanwhile, he had been the editor of Les Fiches du Cinéma and L’Annuel du Cinéma from 1997 to 2005. He collaborates with several publications (Avant-Scène Cinéma, Virgin Hebdo, Télérama…) and has been part of radio and TV shows such as Le Cercle on Canal + TV channel since 2005. He directed a documentary about Mexican cinema, produced in 2008 by Canal+. Former General Secretary of the French Union of Film Critics, he became the Semaine de la Critique’s Artistic Director from 2004 till 2011. In addition, he was the Artistic Director of the Biarritz Latin American Film Festival from 2008 till 2010, and an International Assessor for the Morelia Film Festival (Mexico) since 2005. ERZEN SHKOLOLLI Artist, Kosovo Erzen Shkololli was born in Pejë, Kosovo, in 1976 and lives and works in Prishtina. Through his work, Shkololli strives to re-enact traditional ceremonies and utilize local rituals and folklore to draw attention to socio-political situations, while insinuating contemporary symbols and disillusion. Shkololli is also well known as an active mediator and organizer of the inter- and intracultural dialogue between Kosovo and the international art world, as well as within Kosovo itself. Since 2003 he has been a member of the European Cultural Parliament. Shkololli’s work has appeared in exhibitions at significant European museums such as the Stedelijk Museum in Amsterdam, Centre Pompidou, Paris, Tate Modern in London and MUMOK, Vienna. He was awarded the DAAD Fellowship in Berlin 2008/09 and Premio Michetti Prize of the Fondazion Michetti di Francavilla al Mare in 2001. Shkolollli has been commissioned to create new works for the Folkestone Triennial 2011
curated by Andrea Schliekerone, as part of the most ambitious public art projects ever to be presented in the UK.
JURY OF THE COMPETITION PROGRAMME – DOCUMENTARY FILM LUCIANO BARISONE Journalist and film critic, Italy Film-club host, journalist and film critic for specialist magazines (“Filmcritica”, “Cineforum”, “Duellanti”) and newspapers (“La Stampa”, “Il Manifesto”), he founded the magazine “Panoramiques”, which he directs. Since 1997, he has collaborated at numerous international film festivals, including the Locarno International Film Festival and the Mostra Internazionale d’Arte Cinematografica of Venice. In 2002, he founded the Alba Infinity Festival, for which he has acted as artistic director until 2007. Since 2008 he is artistic director at Festival dei Popoli in Florence. He has acted as member of the jury at Cannes (Caméra d’or 1997), Marseille (Fid, 2000), Valladolid (Seminci, 2003), Buenos Aires (Bafici, 2004), Lisbon (DocLisboa2004), Pamplona (Punto de Vista, 2008), Tel Aviv (DocAviv, 2008), Paris (Cinéma du Réel, 2009), Yerevan (Golden Apricot International Film Festival, 2010), Toronto (Hot Docs). BILJANA GARVANLIEVA Freelance author and director, Macedonia Biljana Garvanlieva was born in Skopje, Macedonia in 1973. After studying dramaturgy in Skopje, in 1999 she received a grant from the German Academic Exchange Service (DAAD) to study theater and film at the Free University of Berlin (Freien Universität Berlin). She currently lives and works in Berlin as a freelance author and director of documentary films. In 2006 she directed her first documentary for the TV network 3sat entitled MACEDONIAN DREAM: A GIRL AND HER ACCORDION, which has won several awards, including the Golden Lola German Short Film Award. In 2009 she followed up her previous success with TOBACCO GIRL, which has received numerous awards for its direction, including nomination for the German Short Film Award Golden Lola and Juliane
Bartel German Media Award. In 2010, Garvanlieva was awarded the Heart of Sarajevo prize for Best Documentary at the 16th Sarajevo Film Festival, for her documentary film THE SEAMSTRESSES. DAVID RIEFF Journalist and author, USA David Rieff is a New York-based journalist and author. During the 1990’s he covered conflicts in Africa (Rwanda, Burundi,Congo, Liberia), the Balkans (Bosnia and Kosovo), and Central Asia. Now a contributing writer for the New York Times Magazine, he has written extensively about Iraq, and, more recently, about Latin America. He is the author of eight books, including SLAUGHTERHOUSE: BOSNIA AND THE FAILURE OF THE WEST and A BED FOR THE NIGHT: HUMANITARIANISM IN CRISIS. His memoir, SWIMMING IN A SEA OF DEATH, appeared in January 2008. Based in New York City, Rieff is currently working on a book about the global food crisis.
SARAJEVO SHORT FILM NOMINEE FOR THE EUROPEAN FILM AWARDS 2011 IGOR ČAMO Sound designer, Composer, B&H Igor Čamo was born 1970 in Sarajevo. Since 1992 he worked as composer for television and producer, arranger and programmer for different music projects. Since 1997 he has works as sound designer. In 1998 he started his collaboration with SCCA/pro.ba. Igor was the sound designer for Berlin Golden Bear winner GRBAVICA by Jasmila Žbanić, and sound designer and composer for a a feature film SNOW by Aida Begić. His selected projects are BELVEDERE by Ahmed Imamović, ON THE PATH by Jasmila Žbanić, NIGHTGUARDS by Namik Kabil, SHOPPING by Alen Drljević, THE WAKE by Timur Makarević, INTERROGATION by Namik Kabil, WHAT DO I KNOW by Šejla Kamerić and Timur Makarević, MUM AND DAD by Faruk Lončarević, GRBAVICA by Jasmila Žbanić, BORDERLINE LOVERS by Miroslav Mandić, IMAGES FROM THE CORNER by Jasmila Žbanić,
NORTH WENT MAD by Aida Begić, FIRST DEATH EXPERIENCE by Aida Begić, RED RUBBER BOOTS by Jasmila Žbanić. ZVONIMIR JURIĆ Director, screenwriter, Croatia Zvonimir Jurić was born in 1971 in Osijek, Croatia. He graduated film and TV directing in 1999 at The Academy of Dramatic Art in Zagreb. He is a director and screenwriter of feature film THE BLACKS, developed at Cinelink 2006 and EAVE 2007., that won awards for best director best direction, best supporting role, best sound design (Pula Film Festival); FIPRESCI award and Best directing award (Cottbus Film Festival); Grand Prix (Ljubljana International Film Festival); Grand Prix (Auteurs Film Festival Belgrade); Duna TV award (Cinepecs Film Festival). Jurić’s short film ŽUTI MJESEC/YELLOW MOON won Heart of Sarajevo Award for Best Short Film in 2010. He also won several Grand Prix: Sarajevo Film festival 2010, Drahma Festival (Greece) 2010, Vukovar Film Festival (Croatia). Juric is the director and writer of documentary films THE SKY BELOW OSIJEK (Oktavijan – critics award for best film at Dani hrvatskog filma and Grand Prix at the same festival); JURIĆ: TVRĐAVA 1999 (Best Documentary Film at Motovun Film Festival (Croatia); THE BLACKS RESISTED, CAN I? (Best editing at Dani hrvatskog filma).
ITVS-funded feature documentary, SUNSET STORY, which won the Audience Award at the Los Angeles Film Festival. Caroline holds a B.A. from Oberlin College, an M.A. in History of Religion from Harvard and an M.F.A. from UCLA School of Theater, Film and Television. She has served on juries at Silverdocs and the LA Asian Pacific Film Festival, and on the funding panel for IFPís Radziwill Documentary Fund.
CICAE JURY JON BARRENECHEA General Manager of The Duke of York’s Picturehouse in Brighton, UK RUTA BOGUZAITE Director of cinema PASAKA, Lithuania FRANCESCO CLERICI Responsable of the educational projects of Barz and Hippo, director, Italy
CINEUROPA JURY IVAN CORBISIER Director - Brussels Film Festival, Belgium
CAROLINE LIBRESCO Producer, USA Caroline Libresco is feature film programmer for the Sundance Film Festival, where she coordinates the World Cinema program. Prior to joining Sundance, she was a programming and communications specialist for the Independent Television Service (ITVS). She was also associate director of the San Francisco Jewish Film Festival, senior publicist for the San Francisco International Film Festival and development director at U.C. Berkeley and the Library Foundation of San Francisco. She co-wrote and produced the gritty independent feature FANCIíS PERSUASION (directed by Charles Herman-Wurmfeld). She also produced BARRIER DEVICE, an award-winning featurette starring Sandra Oh and the JURY l 17. Sarajevo Film Festival 13
NAGRADE
AWARDS
OFICIJELNE NAGRADE
OFFICIAL AWARDS
Takmičarski program - igrani film SRCE SARAJEVA ZA NAJBOLJI FILM
Competition Programme - Feature Film HEART OF SARAJEVO FOR BEST FILM
Novčana nagrada u iznosu od 25.000 €
Financial award in the amount of 25,000 €
SPECIJALNA NAGRADA ŽIRIJA
SPECIAL JURY PRIZE
Novčanu nagradu osigurava Agnes B. (10.000 €)
Financial award in the amount of € 10.000 is provided by Agnes B.
SRCE SARAJEVA ZA NAJBOLJU GLUMICU Novčanu nagradu u iznosu od 2.500 € osigurava Aerodrom Sarajevo SRCE SARAJEVA ZA NAJBOLJEG GLUMCA
HEART OF SARAJEVO FOR BEST ACTRESS
Novčana nagrada u iznosu od 2.500 €
Financial award in the amount of 2,500 €
Takmičarski program - kratki film SRCE SARAJEVA ZA NAJBOLJI FILM
Competition Programme - Short Film HEART OF SARAJEVO FOR BEST FILM
Novčana nagrada u iznosu od 3.000 €
Financial award in the amount of 3,000 €
SPECIJALNA PLAKETA ŽIRIJA
SPECIAL JURY MENTION
Dvije specijalne plakete žirija
Two special Jury Mentions
Takmičarski program - dokumentarni film SRCE SARAJEVA ZA NAJBOLJI FILM
Competition Programme - Documentary Film HEART OF SARAJEVO FOR BEST DOCUMENTARY FILM
Novčanu nagradu u iznosu od 3.000 € osigurava Savezno ministarstvo vanjskih poslova Švicarske
Financial award in the amount of 3,000 € provided by: the Swiss Federal Department of Foreign Affairs
PARTNERSKE NAGRADE
PARTNERS AWARDS
NOMINACIJA SARAJEVSKOG KANDIDATA ZA EVROPSKU FILMSKU NAGRADU 2010.
SHORT FILM NOMINEE SARAJEVO FOR THE EUROPEAN FILM AWARDS
Pobjednik ulazi u konkurenciju za nagradu Evropske filmske akademije (EFA) za najbolji kratki film.
The winner receives a nomination for the European Film Academy (EFA) Best Film Award.
NAGRADA ZA LJUDSKA PRAVA
HUMAN RIGHTS AWARD
Nagrada za ljudska prava dodjeljuje se za najbolji film iz Takmičarskog programa - dokumentarni film koji obrađuje tematiku ljudskih prava. Nagradu u iznosu od 3.000 € osigurava Savezno ministarstvo vanjskih poslova Švicarske.
Award for the best film of the Competition Programme - Documentary Film dealing with the subject of human rights. Award in the amount of 3,000 € is granted by the Swiss Federal Department of Foreign Affairs.
EDN TALENT GRANT
EDN TALENT GRANT
EDN Talent Grant je ustanovljen kroz saradnju Sarajevo Film Festivala i Evropske dokumentarističke mreže, u svrhu podrške talentovanim autorima dokumentarnog filma iz regije.
EDN Talent Grant has been created as co-operation between the Sarajevo Film Festival and the European Documentary Network with the purpose of supporting promising new documentary filmmakers from the region.
CICAE NAGRADA
CICAE AWARD
Međunarodna konfederacija umjetničkih kina (CICAE) nagrađuje film u selekciji Takmičarskog programa - igrani film. Nagrađeni film će dobiti posebnu podršku CICAE kada je u pitanju pomoć kod distribucije, prikazivanja filma i dopiranja do publike, putem mreže od 3.000 kina.
The International Confederation of Art Cinemas (CICAE) awards a film from the Competition Programme - Features. The awarded film will receive CICAE support in terms of distribution, exhibition and audience outreach, through a network of 3,000 cinemas.
NAGRADA PUBLIKE
AUDIENCE AWARD
Partner - HT ERONET
Partner - HT ERONET
CINEUROPA NAGRADA
CINEUROPA PRIZE
Nagradu dodjeljuje Cineuropa portal posvećen evropskoj kinematografiji i njenim stvaraocima i to filmu koji, osim što nesporno posjeduje umjetničke kvalitete, također promovira ideje evropskog dijaloga i integracije. Vrijednost nagrade iznosi 5.000 €.
The prize is awarded by the Cineuropa portal, the site dedicated to European cinema and film professionals, and is given to a film that besides having indisputable artistic qualities also promotes the idea of European dialogue and integration. The value of this award is 5.000 €.
ATLANTIC GRUPA NAGRADA
ATLANTIC GRUPA AWARD
Novčanu nagradu u iznosu od 2.000 € osigurava Atlantic Grupa.
Financial award in the amount of 2,000 € provides by Atlantic Grupa.
14 17. Sarajevo Film Festival l NAGRADE / AWARDS
Financial award in the amount of 2,500 € is provided by Sarajevo Airport
HEART OF SARAJEVO FOR BEST ACTOR
TAKMIČARSKI PROGRAM - IGRANI FILM FILM COMPETITION PROGRAMME - FEATURES 18 Amnistia / Amnestija / Amnesty, Bujar Alimani 19 Atmen / Disati / Breathing, Karl Markovics 20 Avé, Konstantin Bojanov 21 Fleke / Spots, Aldo Tardozzi 22 Izlet / A Trip, Nejc Gazvoda 23 Kirik midyeler / Polomljene školjke / Broken Mussels, Seyfettin Tokmak 24 Loverboy, Catalin Mitulescu 25 Wasted Youth / Protraćena mladost, Argyris Papadimitropoulos, Jan Vogel 26 Posljednje poglavlje / The Ascent, Nemanja Bečanović 27 A Tórinói ló / Konj iz Torina / The Turin Horse, Béla Tarr
TAKMIČARSKI PROGRAM IGRANI FILM Vrijeme otkrića Po samoj definiciji čin otkrivanja podrazumijeva izlaganje pogledima ili objelodanjivanje. To također podrazumijeva spoznaju, odnosno saznanje o nečemu što ranije nije bilo poznato i priznavanje, odnosno plasiranje tog novospoznatog u javnosti. Definicija koja se meni najviše dopada je jedan citat Marsela Prusta koji kaže: ”Pravo putovanje u svijet otkrića nije stvar traženja novih krajolika, već posmatranja stvari drugačijim očima”. Takmičarski program ovogodišnjeg Sarajevo Film Festivala donosi 10 filmova: 1 gala projekciju, 1 film izvan konkurencije i 8 filmova u konkurenciji za nagrade Srce Sarajeva. Program nikada nije bio ”mlađi” od ove godine, jer donosimo 7 debitantskih filmova i samo jedan drugi igrani film. Ovi filmovi ne donose neke nove teme, već i dalje govore o savremenom, svakodnevnom životu, ali svi redatelji tu stvarnost sada posmatraju potpuno novim očima i vode nas u nepoznata područja te naše, često, surove stvarnosti. Program će otvoriti gala projekcija filma nagrađenog Srebrnim medvjedom, A TORINÓI LÓ/ KONJ IZ TORINA, djelo jednog od zasigurno najvažnijih redatelja u svijetu, Béla Tarra. Ovo je, također, godina filmova iz zemalja čiji filmovi nisu često zastupljeni u našem Takmičarskom programu, s obzirom da se bore za opstanak ili ponovno otkrivanje. Takav je slučaj sa Albanijom, koju ove godine predstavlja film AMNISTIA/ AMNESTIJA, debitantski film
redatelja Bujura Alimanija. Ovaj film nas vodi u savremeno albanskih društvo i uvlači nas u intimnu, ljubavnu priču s tragičnim krajem. Film je rađen u koprodukciji sa Grčkom, iz koje nam ove godine dolazi prvi dugometražni film, WASTED YOUTH/ PROTRAĆENA MLADOST, redatelja Jana Vogela i Argyrisa Papadinitropoulosa. Film se fokusira na trenutna događanja u Grčkoj i govori o mučnoj priči jednog policajca i jednog mladog tinejdžera, koji, idealistički, želi promijeniti svijet. Bugarsku će predstaviti debitantski film Konstatina Bojanova, AVÉ, koji govori o dvoje mladih ljudi koji se sreću na svojim putovanjima, koja se, nakon što se sprijatelje, pretvaraju u jedno. Film suptilno oslikava stav mlade generacije prema svakodnevnom životu u Bugarskoj i neophodnost promjena. IZLET niskobudžetni je film iz Slovenije, u režiji 25-godišnjeg debitanta, Nejca Gazvoda koji dijeli neke elemente s filmom AVÉ. Naime, i ovaj film govori o putovanju i susretu troje mladih ljudi, koji se sastaju po prvi put nakon završetka srednje škole. Tokom ovog putovanja, oni otkrivaju svoje ciljeve, snove i razočaranja, kao i brige ovog svijeta. U okviru programa, predstavit ćemo turski debitantski film KIRIK MIDYELER/ POLOMLJENE ŠKOLJKE, redatelja Seyfettina Tokmaka, koji je razvijen kroz našu CineLink ko-produkciju tržište i nagrađen nagradom za najbolji rad u nedovršenoj proizvodnji. To je potresna priča o dvoje djece izgubljene u džungli istambulskih snova o boljem životu. Film FLEKE je prvi igrani film Alda Tardozzija, a govori o dvije djevojke koje se susreću jedne večeri i bivaju prisiljene
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da ostanu zajedno. To je još jedna priča o novoj generaciji koja odrasta u brzom, modernom svijetu, ali koja se još uvijek bori sa osnovnim i uobičajenim problemima, noseći ožiljke svoga odrastanja. Prvi dugometražni film poznatog austrijskog glumca Karla Markovicsa, ATMEN/ DISATI, također govori o jednom mladom čovjeku koji se, nakon što odsluži zatvorsku kaznu, suočava se sa emotivnim nemirima prouzrokovanim susretom sa majkom koja ga je po rođenju napustila. LOVERBOY, jedini film u ovogodišnjem Takmičarskom programu koji nije debitantski, djelo je rumunskog redatelja Catalina Mitulescua, koji je također izašao iz našeg CineLink-a. Film priča priču o jednom 20-godišnjaku koji zavodi djevojke, navodi ih da se zaljube u njega, a onda ih ubacuje u mrežu trgovine ljudima, i sve tako dok se jednog dana i sam ne zaljubi. Film je premijerno prikazan na ovogodišnjem kanskom festivalu u sekciji Un Certain Regard. Osim toga, također ćemo predstaviti i svjetsku premijeru prvog dugometražnog filma Nemanje Bečanovića POSLJEDNJE POGLAVLJE koji je također razvijen kroz CineLink. Ovaj film će biti prikazan izvan konkurencije, kao poticaj svim novim talentima iz Crne Gore. Dakle, Takmičarski program ove godine donosi šest regionalnih, dvije međunarodne i dvije svjetske premijere. Dobrodošli na program pun otkrića! Elma Tataragić Selektorica
COMPETITION PROGRAMME FEATURES A Time of Discoveries E By definition an action of discovering implies exposure to a view or making something known. It also means a revelation or finding out something previously unknown and recognizing and making it known. The definition of discovery I prefer is a quote by Marcel Proust: „The real voyage of discovery consists not in seeking new landscapes, but in having new eyes“.
The 2011 Sarajevo Film Festival Competition Programme brings 10 films: 1 Gala Screening, 1 Out of Competition film and 8 films competing for Heart of Sarajevo Awards. The programme has never been younger than this year, as we are bringing 7 debut films and just 1 one second-feature film. The subject matters of the films do not belong to new landscapes: basically they are about contemporary everyday life, but all the directors are watching this reality with completely new eyes, hence taking us to unknown territories of our often harsh reality. The programme will be opened by Gala screening of a Silver Bear Award winning film A TORINÓI LÓ/ THE TORIN HORSE by Béla Tarr, one of the most important filmmakers in the world. This is also the year of the films of countries not often presented in our Competition Programme as their national cinemas struggle to survive or reinvent themselves. One such country is Albania, which this year presents
a debut feature, AMNISTIA/ AMNESTY, by Bujur Alimani. The film takes us to a contemporary Albanian society and sucks us into an intimate love story with a tragic end. The film is done in a co-production with Greece, which will present a first feature named WASTED YOUTH by two directors Jan Vogel and Argyris Papadinitropoulos. The film focuses on current events in Greece and tells a tormenting story of a police officer and a young teenager who wants to change the world idealistically. Bulgaria will be represented by a debut film AVÉ by Konstatin Bojanov, a road movie about two young people who meet on their journeys which become one as they become friends. The film subtly shows us the attitude of the young generation towards everyday life in Bulgaria and the urgency of change. IZLET/ A TRIP is a low-budget film from Slovenia directed by 25-year-old debutant, Nejc Gazvoda, and it shares some elements with film AVÉ. This is also a road movie, a reunion of three young people who meet for the first time after their high school graduation. Their goals, their dreams and their disappointments are all revealed during this trip as well as their anxieties towards the world. An entry from Turkey is debut film KIRIK MIDYELER/ BROKEN MUSSELS by Seyfettin Tokmak developed through our CineLink Co-production Market and winner of our Work-in-Progress award. It is a moving story of two children lost in the jungle of Istanbul dreaming of a better life. FLEKE/ SPOTS by Aldo Tardozzi is a debut feature film about two young girls who meet one night
and are forced to stay together. It is another story about a new generation growing in a fast modern world but still struggling with very basic and common problems, and bearing scars of their adulthood. ATMEN/ BREATHING by Karl Markovics, the debut feature film of this well-known Austrian actor, speaks about another young man who after serving his jail sentence copes with an emotional turmoil of meeting his mother who rejected him after birth. The only second-feature in this year’s Competition is Romanian entry LOVERBOY by Catalin Mitulescu, also developed through our CineLink. The film tells a story of a 20-year-old guy who seduces girls, makes them fall in love with him and then passes them onto a human trafficking network, until one day he himself falls in love. The film was premiered successfully in Un certain Regard at Cannes this year. Additionally to this, we will also present world premiere of the first feature film POSLJEDNJE POGLAVLJE/ ASCENT by Nemanja Bečanović, which was also developed through our CineLink. This film will be screened Out of Competition in our attempt to encourage new talents coming from Montenegro. To sum it up, the 2011 Competition will bring six Regional, two International and two World Premieres. Welcome to the programme full of discoveries! Elma Tataragić programmer
COMPETITION PROGREMME - FEATURES l 17. Sarajevo Film Festival 17
Amnistia / Amnestija / Amnesty REGIONALNA PREMIJERA / REGIONAL PREMIERE Albania, Greece, France, 2011, 35 mm, Colour, 83 min, Albanian Režija / Director: Bujar Alimani Scenarij / Screenplay: Bujar Alimani Direktor fotografije / Director of Photography: Elias Adamis Montaža / Editor: Bonita Papastathi Muzika / Music: Leandros Dounis, Xenofontas Kontopoulos Uloge / Cast: Luli Bitri, Karafil Shena, Todi Llupi, Mirela Naska, Alaksander Rrapi Producent / Producer: Bujar Alimani, Thanos Anastopoulos, Guillame de Seille Produkcija / Production: 90 Productions, Fantasia Ltd, Arizona Films Kontakt / Contact: M-Appeal World Sales UG; Prinzessinnenstrasse 16, 10969 Berlin, Germany, Tel: +493061507505, aw@m-appeal.com, www.m-appeal.com
Po prvi put su u Albaniji novim zakonom dozvoljeni spolni odnosi bračnim parovima u zatvoru u Tirani. Jednom mjesečno, Elsa započinje dugo putovanje autobusom da posjeti muža koji je iza rešetaka. Spetim ima istu priču: njegova žena je također u zatvoru. Van zatvorskih zidina, rađa se ljubavna priča između dvoje posjetilaca, dok vlasti ne izglasaju amnestiju i tako oslobode njihove partnere.
E For the first time in Albania, a new law allows sexual intercourse for married couples inside a prison in Tirana. Once a month, Elsa takes on a long bus trip to visit her husband behind bars. Spetim shares this monthly event: his wife has been locked up as well. Out of the prison walls, a love story between the two visitors is born, until the government votes on an Amnesty setting both of their partners free.
Bujar Alimani je rođen u Patosu (Albanija) 1969. godine. Studirao je slikarstvo i pozorišnu režiju na Akademiji primijenjenih umjetnosti u Tirani. 1992. godine je emigrirao u Grčku. Radio je kao pomoćnik režisera u nekoliko grčkih filmova. Režirao je 3 kratka filma koja su učestvovala na mnogim filmskim festivalima. AMNESTIJA je njegov prvi igrani film.
Bujar Alimani was born in Patos, Albania, in 1969. He studied Painting and Stage directing at the Academy of Fine Arts in Tirana. In 1992 he emigrated to Greece. He worked as an assistant director in several Greek films. He has directed 3 short films that participated in many international film festivals. AMNESTY is his debut feature film.
Filmografija / Filmography 2011 - AMNISTIA / AMNESTY 2008 - YGRAERIO 2008 - BUSULLA
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Atmen / Disati / Breathing REGIONALNA PREMIJERA / REGIONAL PREMIERE Austria, 2011, 35 mm, Colour, 93 min, German Režija / Director: Karl Markovics Scenarij / Screenplay: Karl Markovics Direktor fotografije / Director of Photography: Martin Gschlacht Montaža / Editor: Alarich Lenz Muzika / Music: Herbert Tucmandl Zvuk / Sound: William Edouard Franck Kostimografija / Costume Design: Caterina Czepek Uloge / Cast: Thomas Schubert, Karin Lischka, Gerhard Liebmann, Georg Friedrich, Stefan Matousch, Georg Veitl, Klaus Rott, Luna Mijovic, Reinhold G. Moritz, Martin Oberhauser Producent / Producer: Dieter Pochlatko, Nikolaus Wisiak Produkcija / Production: EPO Filmproduktion Kontakt / Contact: Films Distribution; 34, rue du Louvre34, 75001 Paris, France, Tel: +33 1 53 10 33 99, info@filmsdistribution.com, www.filmsdistribution.com
Roman Kogler, star 19 godina, služi kaznu u vaspitno-popravnom domu. Već je odslužio pola kazne i mogao bi izaći uslovno, ali su mu šanse slabe: nema porodicu i čini se da nije sposoban da se uklopi u društvo. Nakon mnogo neuspješnih pokušaja, Roman dobija probni posao u općinskoj mrtvačnici u Beču. Jednog dana, Roman se suočava sa mrtvom ženom koja se preziva kao on. Iako se brzo pokaže da mu ona nije majka, Roman se po prvi put u životu počinje pitati o svojoj prošlosti i počinje je tražiti. Karl Markovicz je rođen 1963. godine u Beču. On je renomirani pozorišni glumac koji je nastupao u mnogim pozorišnim komadima i mjuziklima. Glumio je Salomona Sorowitscha u filmu Stefana Ruzowitzkya THE COUNTERFEITERS iz 2007. godine, koji je dobio nagradu Američke filmske akademije za najbolji strani film i u skorije vrijeme u filmu UNKNOWN IDENTITY. DIŠEMO je prvi igrani film u kojem je on scenarista i režiser.
E Roman Kogler, 19 years old, is serving time in a juvenile detention center. He has already served half of his sentence, and could be released on probation, but his chances are poor: he doesn’t have any family and seems incapable of coping with society. After many failed attempts, Roman finds a probation job at the municipal morgue in Vienna. One day, Roman is faced with a dead woman who bears his family name. Even though it soon turns out that she is not his mother, Roman wonders about his past for the first time and starts looking for her.
Karl Markovics was born in 1963 in Vienna. He is a respected stage actor, appearing in many theater plays and musicals. He starred as Salomon Sorowitsch in Stefan Ruzowitzky’s 2007 film THE COUNTERFEITERS, which was awarded the Academy Award for Best Foreign Language Film and more recently in the film UNKNOWN IDENTITY. BREATHING is his first feature film as a writer and director.
Filmografija / Filmography 2011 - ATMEN / BREATHING
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Avé REGIONALNA PREMIJERA / REGIONAL PREMIERE Bulgaria, 2011, 35 mm, Colour, 86 min, Bulgarian, English Režija / Director: Konstantin Bojanov Scenarij / Screenplay: Konstantin Bojanov, Arnold Barkus Direktor fotografije / Director of Photography: Nenad Boroevich, Radoslav Gotchev Montaža / Editor: Stela Georgieva Muzika / Music: Tom Paul Zvuk / Sound: Momchil Bozhkov, Chris Davis, Tom Paul Scenografija / Production Design: Nikolay Karamfilov Kostimografija / Costume Design: Marina Yaneva Uloge / Cast: Anjela Nedyalkova, Ovanes Torosyan, Martin Brambach, Svetlana Yancheva, Nikolay Urumov, Elena Rainova, Krasimir Dokov, Iossif Sarchadzhiev, Bruno S. Producent / Producer: Dimitar Gotchev, Geoffroy Grison, Konstantin Bojanov Produkcija / Production: KB Films Kontakt / Contact: Le Pacte, 5 rue DARCET, 75017 Paris, France, Tel: +33 1 44 69 59 59, a.aubelle@le-pacte.com
Dok je stopirao iz Sofije u Ruse, Kamen sreće Avé, 17-godišnju djevojku koja je pobjegla od kuće. Sa svakim autom koje im stane, Avé za njih dvoje izmišlja nove identitete i njene kompulsivne laži uvlače Kamena sve dublje i dublje u nevolje. Nevoljno uvučen u ovu avanturu, Kamen se počinje zaljubljivati u Avé.
E While hitchhiking from Sofia to Ruse, Kamen meets Avé, a 17-year-old runaway girl. With each ride they hitch, Avé invents new identities for them, and her compulsive lies get Kamen deeper and deeper into trouble. Reluctantly drawn into this adventure, Kamen begins to fall in love with the fleeting Avé.
Konstantin Bojanov (rođen u Bugarskoj 1968. godine) je vizuelnu umjetnik i reditelj. Nakon diplomiranja na Državnoj školi likovnih umjetnosti „Iliya Petrov“ u Sofiji 1987. godine, magistrirao je na Kraljevskom koledžu za umjetnost u Londonu i počeo studirati dokumentarni film na Univerzitetu u New Yorku. Njegov režiserski prvjenac je bio kraki film LEMON IS LEMON iz 2001. godine, nakon čega je uslijedio nagrađeni dokumentarac INVISIBLE iz 2005. godine. Njegovi filmovi su primili brojne nagrade i bili prikazani na više od 40 filmskih festivala širom svijeta. Konstantin Bojanov živi na relaciji New York – Sofia.
Konstantin Bojanov (born in Bulgaria in 1968) is a visual artist and a filmmaker. After graduating from the National School of Fine Arts ‘Iliya Petrov’ in Sofia in 1987, he received an M.A. from the Royal College of Art, London, and went on to study documentary filmmaking at New York University. His directorial debut was the short film LEMON IS LEMON, 2001, followed by the award-winning feature documentary INVISIBLE, 2005. His films have received numerous awards and have been screened in over 40 film festivals around the world. Konstantin Bojanov lives and works between New York and Sofia.
Filmografija / Filmography 2011 - AVÉ 2009 - RED HOOK (short) 2008 - BURNING GHATS (video installation) 2008 - CRASH (video installation) 2007 - QUINTET WITHOUT BORDERS (video installation) 2005 - INVISIBLE (documentary) 2002 - 3001 (experimental short) 2001 - LEMON IS LEMON (documentary)
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Fleke / Spots MEĐUNARODNA PREMIJERA / INTERNATIONAL PREMIERE Croatia, 2011, HD CAM (HDTV), Colour, 93 min, Croatian Režija / Director: Aldo Tardozzi Scenarij / Screenplay: Aldo Tardozzi Direktor fotografije / Director of Photography: Darko Drinovac Montaža / Editor: Mato Ilijić Muzika / Music: Luka Zima Zvuk / Sound: Ivan Mihoci Scenografija / Production Design: Damir Gabelica Kostimografija / Costume Design: Alena Orović Uloge / Cast: Iskra Jirsak, Nika Mišković, Živko Anočić, Goran Grgić, Sanja Vejnović, Filip Križan, Franjo Kuhar, Alen Liverić, Jan Kerekeš, Alan Katić, Amar Bukvić, Siniša Labrović, Nikša Butijer, Draško Zidar, Otokar Levaj, Višnja Babić, Ozren Grabarić, Vedran Mlikota, Marija Škaričić, Lucio Slama, Robert Ugrina, Ljiljana Bogojević, Marijana Mikulić Producent / Producer: Barbara Jukopila, Ljubo Zdjelarević, Tomislav Vujić Produkcija / Production: Kinoteka d.o.o. Kontakt / Contact: Kinoteka d.o.o.; Zinke Kunc 3B, 10000 Zagreb, Croatia, Tel: + 385 95 903 7754, ljzdjelarevic@yahoo.com, www.kinoteka.hr
Lana (17) je djevojka iz prosječne zagrebačke porodice. Sprema se provesti noć sa svojim dečkom Igorom (25). Na putu do koncerta odluče voditi ljubav u taksiju Igorovog prijatelja. Lani je to prvi seks u životu. Stvari krenu po zlu kad se usred njihovog intimnog susreta začuju zvukovi iz drugog taksija. Radi se o pljački i pokušaju ubistva. Lana želi prekinuti ljubavnu igru, ali je Igor prisili na nastavak odnosa. Lana bježi od njega i u noćnom klubu susreće Irenu (17), problematičnu djevojku koja noć provodi u potrazi za drogom. Aldo Tardozzi rođen je1974. u Zagrebu. Pohađa međunarodne seminare za scenarij u Grožnjanu i kao gost na UCLA-u u klasi prof. Lewa Huntera gdje sudjeluje kao promatrač rada na sitcomu VERONICA’S CLOSET (WB). Objavljuje tekstove o filmu u časopisima „Filmski ljetopis“ i „Zapis“. Radi organizaciju i kasting za potrebe snimanja reklamnih i muzičkih spotova. Sudjeluje u međunarodnoj produkcijskoj radionici Production Value (2010).
E Lana (17) is a girl from an ordinary Zagreb family. She is getting ready to spend a night with her boyfriend Igor (25). On their way to a concert they decide to make love in an Igor’s friend taxi. It’s Lana’s first time. Things go wrong when, in the middle of their intimate encounter, they suddenly hear sounds coming from another taxi. It is an attempt of robbery and homicide. Lana wants to stop the lovemaking, but Igor forces her to go on. Lana flees from him and goes to a nightclub where she meets Irena (17), a troublemaker who spends her nights looking for drugs.
Aldo Tardozzi was born in 1974 in Zagreb. He attends international scriptwriting seminars at Grožnjan, and as a guest at the UCLA, under Prof. Lew Hunter, observes work on a sitcom VERONICA’S CLOSET (WB). He publishes texts on film in Filmski ljetopis and Zapis magazines. He organizes and casts for advertisements and music videos. He took part in the international production workshop Production Value (2010).
Filmografija / Filmography 2011 - FLEKE / SPOTS 2006 - ZAMJENA (documentary) 2006 - ODE EDDY (documentary) 2002 - ‘KO TE ŠIŠA (documentary) 2001 - DIZALO 2000 - PRIČA IZ NUNIĆA (documentary) 2000 - TERRA ROZA (documentary) 1999 - POČETAK JEDNOG LIJEPOG PRIJATELJSTVA (documentary) 1998 - PROVALA COMPETITION PROGREMME - FEATURES l 17. Sarajevo Film Festival 21
Izlet / A Trip SVJETSKA PREMIJERA / WORLD PREMIERE Slovenia, 2011, 35 mm, Colour, 85 min, Slovenian Režija / Director: Nejc Gazvoda Scenarij / Screenplay: Nejc Gazvoda Direktor fotografije / Director of Photography: Marko Brdar Montaža / Editor: Nejc Gazvoda, Janez Lapajne Muzika / Music: New Wave Syria Uloge / Cast: Nina Rakovec, Jure Henigman, Luka Cimprič Producent / Producer: Aleš Pavlin, Andrej Štritof Produkcija / Production: Perfo Production Kontakt / Contact: Perfo Production; Malgajeva 17, 1000 Ljubljana, Slovenia, Tel: + 386 40 425 140, Fax: +386 1 232 14 69, ales.pavlin@perfo.si, www.perfo.si Filmografija / Filmography 2011 - IZLET / A TRIP 2008 - CARETAKER (short) 2007 - BURGUNDY RED (short)
Živa, Andrej i Gregor su najbolji prijatelji još od srednje škole. Gregor je vojnik koji uskoro kreće u misiju u Avganistan, a Živa ide da studira u inostranstvu. Andrej je njihov prijatelj homoseksualac koji mrzi sve živo, uključujući i samog sebe. Svi oni se odlučuju da odu na izlet na primorje kao što su radili dok su bili srednjoškolci. Kada stignu tamo, napiju se i Živa i Gregor se počnu ljubiti, što unosi napetost u njihov odnos, dok Andrej ne zna šta se stvarno dešava i ismijava sve, najviše Gregora i njegove ideale o vojsci. Sukob eksplodira kad Živa u napadu bijesa uništi njihov šator i otkrije tajnu koja razbjesni Andreja. Tek onda nastaje pravi problem – Živa ne ide na studije u inostranstvo, lagala im je jer nije željela da je sažaljevaju. Nejc Gazvoda je rođen 1985. godine u Novom Mestu. Diplomirao je na Akademiji za pozorište, radio, film i televiziju u Ljubljani. Na trećoj godini studija režirao je film BURGUNDY RED (2007), a njegov diplomski rad se zvao AN OUNCE OF LUCK (2008), za koji je osvojio Prešernovu studentsku nagradu. On je I nagrađivani scenarista i osvojio je Grossmanovu nagradu 2009. godine za najbolji scenario za kratki film. Trenutno prezentuje svoj prvi igrani film pod nazivom IZLET, koji je privukao pažnju komisije za odabir filmova na Festivalu u Cannesu 2011. godine. Već priprema svoj drugi film, triler o dvojici braće.
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E Živa, Andrej and Gregor have been best friends since high school. Gregor is a soldier who is about to embark on a mission to Afghanistan and Živa is going to study abroad. Andrej is their gay friend who hates everything, himself included. They decide to go to a road trip to the seaside like they did when they were in high school. When they arrive, they get drunk and Živa and Gregor kiss each other, what brings tension to their relationship, while Andrej doesn`t know anything and just makes fun of everything, mostly of Gregor and his army ideals. The conflict erupts when Živa, in a fit of rage, destroys their tent and tells a secret that enrages Andrej. Only then the true problem is revealed - Živa is not going to study abroad, she was lying because she didn`t want to pity her.
Nejc Gazvoda was born in 1985 in Novo Mesto. He finished his studies as film and TV director at the Academy for Theather, Radio, Film and Television in Ljubljana. His third year student movie was BURGUNDY RED (2007), his graduation play was AN OUNCE OF LUCK (2008), for which he won the Prešeren student award. He is also an awarded scriptwriter, his short movie script has won Grossman award 2009 for best short screenplay. He is currently presenting his first feature film, titled A TRIP, who has gained attention of festival selectors in Cannes market 2011. He is already preparing his second feature film, a thriller about two brothers.
Kirik midyeler / Polomljene školjke / Broken Mussels MEĐUNARODNA PREMIJERA / INTERNATIONAL PREMIERE Turkey, 2011, HD CAM (HDTV), Colour, 93 min, Turkish, Kurdish, Bosnian Režija / Director: Seyfettin Tokmak Scenarij / Screenplay: Kenan Kavut Direktor fotografije / Director of Photography: Mehmet Zengin Montaža / Editor: Cicek Kahraman Muzika / Music: Fredrik Viklund Zvuk / Sound: Mohammed Mokhtary Uloge / Cast: Ugur Baris Mehmetoğlu, Seydo Celik, Engin Benli, Selma Alispahić Producent / Producer: Şerkan Çakarer Produkcija / Production: +90 Film Production Kontakt / Contact: +90 Film Production; Smalimescit Mh. Nergis Sk.No:8/7 Beyoğlu, Istanbul, Turkey, Tel: +90 533 475 86 67, Fax: +90 212 245 73 97, scakarer@superonline.com, www.plus90film.com
Hakim (15) i Faysal (14) dolaze iz Mardina u Istanbul u potrazi za poslom i prilikom da prebjegnu u Njemačku, gdje živi njihov rođak. Ubrzo po dolasku u Istanbul sprijatelje se sa Medinom (40) i njenom kćerkom Elmom (13), izbjeglicama iz Bosne. Tražeći lijek za svoju kćerku Elmu, koja ima srčanih problema, Medina jednog dana nestaje. Usamljena i očajna djevojčica prepuštena je na milost i nemilost Hakimu i Faysalu, čiji su planovi sada krenuli sasvim drugim smjerom. Troje djece, tragajući za Medinom, bore se za opstanak u jednoj od najvećih svjetskih metropola.
E Hakim (15) and Faysal (14) have come from Mardin to Istanbul to find work and escape to Germany where their cousin lives. After a short time they make close friends with Medina (40) and her daughter Elma (13), refugees from Bosnia. With the aim of finding a cure for Elma who has a heart problem, Medina disappears from sight one day suddenly. The now lonely and desperate girl is at the mercy of Hakim and Faysal whose plans are now rent askew. The three children now in pursuit of Medina find themselves in struggle to survive in one of the worlds greatest metropoles.
Seyfettin Tokmak rođen je u Elazigu 1978. Diplomirao je na Univerzitetu Yeditepe, Odsjek za kino i televiziju. Magistrirao je na Univerzitetu Bilgi. Seyfettin Tokmak je radio na čitavom nizu igranih filmova i dokumentarnih produkcija kao pomoćnik režisera i direktor fotografije.
Seyfettin Tokmak was born in Elazig, in 1978. He graduated from Cinema - Television Department of Yeditepe University. He completed his master’s thesis at Bilgi University. Seyfettin Tokmak has been involved in many feature film and documentary productions as assistant director and director of photographer.
Filmografija / Filmography 2011 - KIRIK MIDYELER / BROKEN MUSSELS 2010 - DREAM GANG (documentary) 2009 - ORIENT EXPRESS (documentary) 2007 - PIGEON TUMBLE (short)
COMPETITION PROGREMME - FEATURES l 17. Sarajevo Film Festival 23
Loverboy REGIONALNA PREMIJERA / REGIONAL PREMIERE Romania, Sweden, 2011, 35 mm, Colour, 93 min, Romanian Režija / Director: Catalin Mitulescu Scenarij / Screenplay: Catalin Mitulescu, Bianca Oana, Bogdan Mustata Direktor fotografije / Director of Photography: Marius Panduru Montaža / Editor: Stefan Tatu, Cristina Ionescu Muzika / Music: Pablo Malaurie, Sebastian Zsemlye, C!Prenko Uloge / Cast: George Piştereanu, Ada Condeescu, Ion Besoiu, Clara Vodă, Bogdan Dumitrache, Coca Bloos, Remus Mărginean, Alexandru Mititelu, Adina Galupa Producent / Producer: Daniel Mitulescu, Marcian Lazar, Catalin Mitulescu Produkcija / Production: Strada Film Kontakt / Contact: Celluoid Dreams, 2 rue Turgot, 75009 Paris, France, Tel: +33 1 49 70 03 70, Fax: +33 1 49 70 03 71, info@celluoid-dreams.com
Luca (20) zavodi djevojke, a zatim ih ostavlja u rukama svojih prijatelja u luci Constanta na Crnom moru. Luca se zaljubljuje u Veli, jednu od svojih potencijalnih ‘žrtava’. Ljeto je u Harsovi, na Dunavu. Muzika je glasna, auta skupa, djevojke preplanule, a Veli bježi od kuće Luci u krevet. Prva ljubav nije nikad bila opasnija. Catalin Mitulescu je rođen u Bukureštu 1972. godine. Studirao je geologiju u Bukureštu, a zatim proveo nekoliko godina života putujući po inostranstvu. Njegov filmski prvijenac THE WAY I SPENT THE END OF THE WORLD osvojio je nagradu Poseban pogled za najbolju glumicu, Dorotheu Petre 2006. godine. Godine 2004., Catalin je osnovao filmsku produkcijsku kompaniju Strada Film, koja je godinama postala jedna od vodećih kompanija te vrste na rumunskom filmskom tržištu. Od tada, Catalin je učestvovao u pisanju i produciranju kratkih filmova kao što su THE BOXING LESSON, A GOOD DAY FOR A SWIM (osvojio nagradu Zlatni medvjed, Berlin, 2008), MUSIC IN THE BLOOD i igrani film AKO MI SE FUĆKA, FUĆKAM (osvojio Veliku nagradu žirija i Nagradu Alfred Bauer u Berlinu, 2010).
Filmografija / Filmography 2011 - LOVERBOY 2006 - CUM MI-AM PETRECUT SFARSITUL LUMII / THE WAY I SPENT THE END OF THE WORLD 2004 - TRAFFIC (short) 2002 - 17 MINUTE ÎNTÂRZIERE / 17 MINUTES LATE, (short) 2000 - BUCURESTI-WIEN, 8-15 / BUCHAREST-WIEN (short)
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E Luca (20) seduces girls then leaves them in the hands of his friends at the Black Sea port of Constanta. Luca falls in love with Veli, one of his potential victims. It’s summer down the Danube river, in Harsova. The music is loud, the cars are fancy, the girls are tanned and Veli runs away from home in Luca’s bed. First love has never felt more dangerous.
Catalin Mitulescu was born in Bucharest in 1972. He studied geology in Bucharest and after that spent a couple of years living and travelling through abroad. His feature debut, THE WAY I SPENT THE END OF THE WORLD won the “Un Certain Regard” award for Best Actress, Dorotheea Petre in 2006. In 2004, Catalin founded the film production company Strada Film, which has become over the years one of the leading production companies on the Romanian film market. Since then, Catalin has co-wrote and produced short films such as THE BOXING LESSON, A GOOD DAY FOR A SWIM (won the Golden Bear, Berlin, 2008), MUSIC IN THE BLOOD and the feature film IF I WANT TO WHISTLE I WHISTLE (won the Jury Grand Prix and the Alfred Bauer Award in Berlin, 2010).
Wasted Youth / Protraćena mladost REGIONALNA PREMIJERA / REGIONAL PREMIERE Greece, 2010, HD CAM (HDTV), Colour, 100 min, Greek Režija / Director: Argyris Papadimitropoulos, Jan Vogel Scenarij / Screenplay: Argyris Papadimitropoulos, Jan Vogel Direktor fotografije / Director of Photography: Jan Vogel, Manu Tilinski Montaža / Editor: Yiannis Chalkiadakis Muzika / Music: Stefanos Konstantinidis, Dimitris Papaioannou, Nasos Sopilis (F A B R I K A Sonic Arts Studio) Zvuk / Sound: Leandros Ntounis, Yiannis Chalkiadakis, Kostas Filaktidis Scenografija / Production Design: Yiannis Xintaras Kostimografija / Costume Design: Papadimitropoulos, Aliki Kouvaka Uloge / Cast: Harris Markou, Ieronimos Kaletsanos, Artour Kiviliov, Jason Wastor, Maria Skoula, Syllas Tzoumerkas, Maria Kirozi, George Kakanakis, Marisha Triantafillidou, Yiannis Tsortekis, Yiannis Ekonomides, Eva Chalkiadaki, Themis Bazaka, Tania Savopoulou Producent / Producer: George Karnavas, Federico Pietra, Dionisis Bougas Produkcija / Production: Oxymoron Films, Stefi Production Kontakt / Contact: Elephant Eye Films, 27 W. 20th Street, Suite 607, New York, NY 10011, USA, Tel: +212 48 88 877; Fax: +212 48 88 878, info@elephanteyefilms.com
Ljeto u Atini. Toplinski val prži grad. Jedan tinejdžer se sprema izaći van na svom skejtbordu i provesti sasvim običan dan sa svojim prijateljima. Na drugoj strani, jedan sredovječni čovjek muku muči da prehrani porodicu i zadrži posao koji uopće ne voli, odupirući se nervnom slomu koji mu visi nad glavom. Ovo je portret Atine. Film o gradu i društvu u krizi. Inspiriran stvarnim događajima. Argyris Papadimitropoulos rođen je 1976. u Atini. Studirao je film i medije u Oxfordu i u Atini. Godine 2008. Argyris snima svoj prvi dugometražni film, BANK BANG, koji je postao veliki komercijalni hit, čak i kod kritike, sa 450,000 prodatih karata i odličnim kritikama u svim novinama. Film je također nagrađen prvom nagradom za režisere debitante na Hellenic Film Academy. Jan Vogel rođen je 1973. u Ekvadoru, a odrastao je u Hamburgu. Od 1999. radi kao reditelj i snimatelj brojnih reklama, kratkih i dokumentarnih filmova u Njemačkoj. 2003. osnovao je Dickes Film Production u Berlinu, zajedno sa Reneom Villar Riosom i Alexanderom Papastavrouom. PROTRAĆENA MLADOST je njegov prvi igrani film.
E Summer in Athens. A heat wave blasts the city. A teenage skateboarder sets out for a normal day with his friends. A middle-aged man struggles with raising his family, a job he dislikes and an impending nervous breakdown. This is a portrait of Athens. A film about a city and a society in crisis. Inspired by true events.
Argyris Papadimitropoulos was born in 1976 in Athens and studied Media & Film in Oxford and in Athens. In 2008, Argyris made his first feature film BANK BANG, which became a major commercial and critical hit, with 450.000 BO admissions and rave reviews from all the Press. The film also won the First Time Director Award from the Hellenic Film Academy. Jan Vogel was born in 1973 in Ecuador and grew up in Hamburg, Germany. Since 1999 he has been working as a director and cinematographer in Germany in various commercials, short films and documentaries. In 2003, he founded Dickes Film Production in Berlin together with Rene Villar Rios and Alexander Papastavrou. WASTED YOUTH is his first feature film.
Filmografija / Filmography Argyris Papadimitropoulos 2010 - WASTED YOUTH; 2008 - BANK BANG; 2004 - TENDER (short); 2003 - PENDULUM (short) Jan Vogel 2010 - WASTED YOUTH COMPETITION PROGREMME - FEATURES l 17. Sarajevo Film Festival 25
Posljednje poglavlje / The Ascent OUT OF COMPETITION SVJETSKA PREMIJERA / WORLD PREMIERE Montenegro, 2011, 35 mm, Colour, 91 min, Montenegrin Režija / Director: Nemanja Bečanović Scenarij / Screenplay: Aleksandar Bečanović, Nemanja Bečanović Direktor fotografije / Director of Photography: Jure Verovšek Montaža / Editor: Nemanja Bečanović, Svetlana Dramlić Muzika / Music: MetaSound Uloge / Cast: Amar Selimović, Vlado Jovanovski, Inti Šraj, Dejan Ivanić, Varja Đukić, Ana Vučković Producent / Producer: Sehad Čekić, Ivan Đurović Produkcija / Production: Artikulacija Production Kontakt / Contact: Artikulacija Production; Malo brdo N3/N4, 81000 Podgorica, Montenegro, Tel: +38267808991, Fax: +38220227445, sehad@artikulacija.co.me, www.artikulacija.me
Jovan je upravo diplomirao književnost i trudi se da završi svoj prvi roman. Odlučuje da ode na prijateljevo imanje kako bi se u miru mogao posvetiti pisanju. Na imanju, koje se nalazi u zabačenim planinama, žive seljaci, jedna vrlo čudna porodica koja nema kontakta sa civilizacijom. Oni su nepismeni, žive u nedefiniranim seksualnim odnosima i posvećeni su prirodi. Zeko, glava porodice, je sadistički autoritet čija se riječ i jedinstveni pogled na svijet sluša bez pogovora. Jovan se polako navikava na život s njima i odlučuje da ostane malo duže. Ali, sad je na njemu da odluči koliko duže. Nemanja Bečanović je rođen 1977. godine u Baru, u Crnoj Gori. POSLJEDNJE POGLAVLJE je njegov prvi igrani film koji je razvijan na koprodukcijskom marketu CineLink.
Filmografija / Filmography 2011 - POSLJEDNJE POGLAVLJE / THE ASCENT 2010 - PUT OKO SVIJETA U 80 FREJMOVA / AROUND THE WORLD IN 80 FRAMES (short) 2009 - POSVEĆENJE LAKTOZNOM PROLJEĆU / THE RITE OF SPRING LACTOSE (short) 2008 - TRANZICIJA BLOKA 5 / TRANSITION OF BLOCK 5 (short) 2008 - ANINA BEBA / ANA`S BABY (short)
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E Jovan has just graduated in literature and struggles to finish his first novel. He decides to go to his friend’s country estate in order to dedicate himself to writing in peace. At the estate, which is situated in obscured mountain’s landscape, live farmers - one very strange family which doesn’t have contact with civilization. They are illiterate, they live in unclearly defined sexual relations and they are devoted to nature. Zeko, head of the family, is a sadist authority whose word, will and unique worldview can’t be challenged by family members. Jovan slowly gets used to life with them, and decides to stay with them a little longer. But, it’s not on him to decide how much longer.
Nemanja Bečanović was born 1977 in Bar, Montenegro. THE ASCENT is his first feature film and it was developed through Sarajevo Film Festival CineLink co-production department.
A Tórinói ló / Konj iz Torina / The Turin Horse GALA projekcija Hungary, France, Switzerland, Germany, 2011, 35 mm, Black & White, 146 min, Hungarian Režija / Director: Béla Tarr Scenarij / Screenplay: Béla Tarr, László Krasznahorkai Direktor fotografije / Director of Photography: Fred Kelemen Montaža / Editor: Ágnes Hranitzky Muzika / Music: Mihály Víg Scenografija / Production Design: Sándor Kállay Uloge / Cast: Erika Bok, Janos Derzsi, Mihaly Kormos, Ricsi Producent / Producer: Gábor Téni, Marie-Pierre Macia, Juliette Lepoutre, Ruth Waldburger, Martin Hagemann Produkcija / Production: T. T. Filmmühely, MPM FILM, Vega Film, Zero Fiction Film Kontakt / Contact: Films Boutique; Skalitzer Strasse 54 A, 10997 Berlin, Germany, Tel:+49 30 69 53 78 50, Fax: +49 30 69 53 78 51, info@filmsboutique.com, www.filmsboutique.com
U Torinu 1889. godine Nietzsche grli iscrpljenog zaprežnog konja, zatim gubi svijest i razum. Negdje na selu: farmer, njegova kćerka, kola i stari konj. Vani, oluja jača. Bela Tarr je rođen 1955 u Pečuhu. Sa 16 godina je počeo amatersku režisersku karijeru. Također je radio na brodogradilištu kao fizički radnik i nosač kofera, Godine 1977. uradio je svoj prvjenac, FAMILY NEST. Vanredni je profesor na Njemačkoj akademiji za film i televiziju u Berlinu.
E In Turin in 1889, Nietzsche flings his arms around an exhausted carriage horse, then looses consciousness and his mind. Somewhere in the countryside: a farmer, his daughter, a cart and the old horse. Outside, a windstorm rises.
Bela Tarr was born in 1955 in Pecs, Hungary. At age 16, he began his career as an amateur filmmaker. He also worked as a shipyard handyman and porter. In 1977, he debuted with his feature film FAMILY NEST. He is an associate professor at the Berlin DFFB.
Filmografija / Filmography 2011 - A TÓRINÓI LÓ / THE TURIN HORSE; 2007 - A LONDONI FERFI / THE MAN FROM LONDON; 2004 - PROLOGUS / PROLOGUE; 2000 - WERCKMEISTER HARMONIAK / WERCKMEISTER HARMONIES; 1995 - UTAZAS AZ ALFOLDON / JOURNEY ON THE PLAIN; 1990/94 - SATANTANGO / SATANTANGO; 1989 - CITYLIFE (SEGMENT “THE LAST BOAT” / AZ UTOLSO HAJO”); 1987 - KARHOZAT / DAMNATION; 1983-84 - OSZI ALMANACH / ALMANAC OF FALL; 1982 - MACBETH; 1982 - PANELKAPCSOLAT / THE PREFAB PEOPLE; 1979-80 - SZABADGYALOG / THE OUTSIDER; 1978 - HOTEL MAGNEZIT; 1977 - CSALADI TÜZFESZEK / FAMILY NEST COMPETITION PROGREMME - FEATURES l 17. Sarajevo Film Festival 27
TAKMIČARSKI PROGRAM - KRATKI FILM COMPETITION PROGRAMME - SHORTS 32 Csicska / Zvijer / Beast, Attila Till 32 Dove sei, amor mio, Veljko Popović 33 Fotografia / Fotografija / The Photograph, Victor Dragomir 33 Hiç bir karanlik unutturmz! / Nikakva nas tama ne može natjerati da zaboravimo! /
No Darkness Can Make Us Forget!, Hüseyin Karabey
34 Kiyamet, Ivan Ramadan 34 Mezanin / Mezzanine, Dalibor Matanić 35 Numaratoarea manuala / Manuelni brojač / The Counting Device, Daniel Sandu 35 Stvari, ki jih nisva nikoli naredila / Stvari koje nikad nismo radili zajedno /
The Things We’ve Never Done Together, Martin Turk
36 Toplo za ta letni čas / Toplo za ovo doba godine / Warm for This Time of Year, Blaž Kutin 36 Valami kek / Nešto plavo / Something blue, Virag Zomboracz 37 Vtori dubal / Drugi dubl / Take Two, Nadejda Koseva
TAKMIČARSKI PROGRAM - KRATKI FILM COMPETITION PROGRAMME - SHORTS Uzbudljiva godina za kratke filmove! / Exciting Year for Short Films! Za ovogodišnji takmičarski program Sarajevo Film Festivala razmatrano je preko 250 filmova. Bilo je veoma teško izabrati filmove koji će ući u selekciju. Takmičarski program ove godine čini 11 veoma različitih i snažnih filmova iz Mađarske, Bugarske, Rumunije, Hrvatske, Turske, Slovenije i Bosne i Hercegovine, od čega sedam kratkih igranih i tri animirana filma. Program ove godine okuplja mlade redatelje. Neki od njih su debitanti, a neki već iskusni redatelji u kategoriji kratkog ili dugometražnog filma. Iz Bugarske dolazi film VTORI DUBAL/ DRUGI DUBL nama već poznate redateljke iz ranijih takmičarskih programa, Nadedje Koseve, koji će imati međunarodnu premijeru. Iz Mađarske dolaze dva filma. Jedan je film VALAMI KEK/ NEŠTO PLAVO, Virag Zomboracz,
E This year over 250 films were considered for Sarajevo Film Festival Competition Programme. It was quite a challange to select the ones that will make the selection.
The 2011 Short Competition Programme brings a diverse and powerful line-up of 11 films from Hungary, Bulgaria, Romania, Croatia, Turkey, Slovenia and Bosnia and Herzegovina. Seven films are short fiction works, while the three are animated films. This year’s programme is hosting young filmmakers, some of whom are first-time filmmakers and some are already experienced filmmakers in either short or feature-length film forms. From Bulgaria we are presenting an International Premiere of VTORI DUBAL/ TAKE TWO by Nadedja Koseva, a director already known
redateljke sa veoma impresivnom filmografijom kratkih, animiranih i eksperimentalnih filmova, kojem je ovo međunarodna premijera i film Attile Tilla, CSICSKA/ ZVIJER, koji je bio prikazan na Directors’ Fornightu na festivalu u Kanu, a kojem će ovo biti regionalna premijera. Potom, imamo i međunarodnu premijeru dva hrvatska filma, jedan je animirani film DOVE SEI, AMORE MIO, poznatog autora animacije Veljka Popovića, a drugi je MEZANIN, kratki igrani film nama dobro poznatog autora Dalibora Matanića. Premijerno će biti prikazana i dva kratka igrana filma iz Slovenije, TOPLO ZA TA LETNI ČAS/ TOPLO ZA OVO DOBA GODINE, redatelja Blaža Kutina i film STVARI, KI JIH NISVA NIKOLI NAREDILA/ STVARI KOJE NIKADA NISMO RADILI ZAJEDNO, redatelja Martina Turka, obojice nama poznatih autora iz prethodnih godina Festivala. Ivan Ramadan iz Bosne i
Hercegovine, premijerno će prikazati svoj novi animirani film KIYAMET, a međunarodnu premijeru svog kratnog animiranog filma HIÇ BIR KARANLIK / NIKAKVA NAS TAMA NE MOŽE NATJERATI DA ZABORAVIMO, imat će i turski redatelj Huseyin Karabey. I na kraju, tu je i kratki film FOTOGRAFIA/ FOTOGRAFIJA, rumunjskog redatelja Victora Dragomira, koji će na ovogodišnjem festivalu imati svoju regionalnu premijeru, te i film NUMARATOAREA MANUALA/ MANUELNI BROJAČ, Daniela Sandua, koji će u Takmičarskom programu imati svjetsku premijeru.
to our Short Competition Programme. From Hungary, there are two films: International Premiere of VALAMI KEK/ SOMETHING BLUE by Virag Zomboracz, a female director with an impressive filmography that includes short, animated and experimental films; and the Regional Premiere of CSICSKA/ THE BEAST by Attila Till, which was also presented at Directors’ Fornight of the Cannes Film Festival. Two entries are coming from Croatia, both as International Premieres: animated film DOVE SEI, AMOR MIO by acclaimed animation author Veljko Popović, and short fiction film MEZANIN/ MEZZANINE by Dalibor Matanić, a well known name to our Festival. Two World Premieres are coming from Slovenia, both short fiction films: TOPLO ZA TA LETNI ČAS/ WARM FOR THIS TIME OF YEAR by Blaž Kutin and STVARI, KI JIH NISVA NIKOLI NAREDILA/ THE THINGS WE’VE NEVER DONE TOGETHER
by Martin Turk, both authors presented in previous editions of our Festival. Ivan Ramadan from Bosnia and Herzegovina will have the World Premiere of his new animated film KIYAMET, and Huseyin Karabey from Turkey will present International Premiere of his short animated film NO DARKNESS CAN MAKE US FORGET. And finally, from Romania we will present the Regional Premiere of short fiction FOTOGRAFIA/ THE PHOTOGRAPH by Victor Dragomir, and World Premiere of NUMARATOAREA MANUALA/ COUNTING DEVICE by Daniel Sandu.
Sa četiri svjetskih, pet međunarodne i dvije regionalne premijere, ovo je zaista vrlo uzbudljiva godina za kratke filmove u regiji. Elma Tataragić Selektorica
With four World, five International and two Regional Premieres, this is indeed a very exciting year for short films in the region. Elma Tataragić programmer
COMPETITION PROGRAMME - SHORTS l 17. Sarajevo Film Festival 31
Csicska / Zvijer / Beast REGIONALNA PREMIJERA / REGIONAL PREMIERE Hungary, 2011, 35 mm, Colour, 20 min, Hungarian Režija / Director: Attila Till Scenarij / Screenplay: Attila Till Direktor fotografije / Director of Photography: Imre Juhász Montaža / Editor: Béla Barsi Muzika / Music: Iván Lantos Zvuk / Sound: Csaba Major Kostimografija / Costume Design: János Breckl Uloge / Cast: Szabolcs Thuróczy, Balázs Szitás, Móni Balsai Producent / Producer: Mónika Mécs, Gábor Rajna, Gábor Sipos Produkcija / Production: M&M Film & Laokoon Film Kontakt / Contact: Balzac street, 1136 Budapest, Hungary, Tel: +3613540491, Fax; +3613540492, stalter@laokoonfilm.com, www.laokoonfilm.com
István Balogh, ne baš bogat mađarski farmer, gospodari svojom ženom, djecom i „unajmljenim“ robom. Odsječen od ostatka svijeta na udaljenoj farmi na Velikim Proplancima, on pokušava da provodi porodični ideal koji je izgrađen na krutim tradicijama. Usko isprepleteni, premda ekstremni ljudski odnosi guraju ove likove ka tragediji.
E István Balogh, a not very affluent Hungarian farmer, lords over his wife, children and his “hired” slave. Cut off from the rest of the world on a distant farm in the Great Plains, he tries to uphold a family ideal he formulated from rigid traditions. The close-knit, albeit extreme, human relations sweep these characters towards tragedy.
Attila Till je diplomirao na Odsjeku za intermedije Mađarskog univerziteta za likovne umjetnosti. Njegov prvi film PÁNIK (PANIC) imao je premijeru 2008. godine na Mađarskoj sedmici filma, gdje je dobio priznanja u više kategorija i osvojio nagradu za najbolju mušku ulogu.
Attila Till, graduated from the Hungarian University of Fine Arts in the Intermedia department. His first feature film PÁNIK (PANIC) premiered in 2008 at the Hungarian Film Week where it was recognized in a number of categories, and won the Best Actress Award.
Filmografija / Filmography 2011 - CSICSKA / BEAST (short); 2008 - PANIC; 2003 - SPACE (short); 2001 - MÉDIA PLAZA (short)
Dove sei, amor mio MEĐUNARODNA PREMIJERA / INTERNATIONAL PREMIERE Croatia, 2011, HD CAM (HDTV), Colour, 10 min, No Dialogue Režija / Director: Veljko Popović Scenarij / Screenplay: Veljko Popović Animacija / Animation: Marin Kovačić, Ćiro Mihanović, Ognjen Tutek Montaža / Editor: Iva Kraljević Muzika / Music: Willem Miličević, Ivan Arnold Zvuk / Sound: Natko Stipaničev Kostimografija / Costume Design: Ana Marin Producent / Producer: Vanja Andrijević, Vinko Brešan Produkcija / Production: Bonobostudio, Zagreb film Kontakt / Contact: Bonobostudio; Barutanski jarak 31, 10000 Zagreb, Croatia, Tel: +385 1 483 4445; Fax: +385 1 483 4455
Da li je ugoda rutine i sreća što nam je pruža dovoljna da zauvijek ostanemo njezini robovi? Mali kolaž svakodnevne rutine jedne starice pomalo otkriva čudne detalje u njezinom životu – od bizarnog odnosa s mužem, do potpune neusklađenosti s ostatkom svijeta. Snaga poricanja i strah od promjene drže staricu u začaranom krugu najgorih noćnih mora koji se prekida kada se otkrije njezina tajna... Veljko Popović (1979), diplomirao 2003. godine na slikarskom odsjeku Akademije likovnih umjetnosti u Zagrebu. Od 1998. se profesionalno bavi kompjuterskom grafikom. Predaje animaciju na Umjetničkoj akademiji u Splitu.
E Is the comfort of routine and the happiness it provides enough to keep us its slaves forever? Following the daily routine in an old lady’s life, we soon discover that there is something strange about her. The power of denial and fear of change keep the old lady trapped in her worst nightmares until her secret is finally revealed.
Veljko Popović (1979) graduated in 2003 from the Academy of Fine Arts in Zagreb, Department of Painting. In 1998 starts working professionally with computer graphics. He also works at the Arts Academy in Split, Croatia.
Filmografija / Filmography 2011 - DOVE SEI, AMOR MIO (animation); 2010 - MOJ PUT / MY WAY (animation); 2008 - ONA KOJA MJERI / SHE WHO MEASURES (animation)
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Fotografia / Fotografija / The Photograph REGIONALNA PREMIJERA / REGIONAL PREMIERE Romania, 2010, 35 mm, Colour, 17 min, Romanian Režija / Director: Victor Dragomir Scenarij / Screenplay: Victor Dragomir Direktor fotografije / Director of Photography: Mihai Marius Apopei Montaža / Editor: Stefan Matei Zvuk / Sound: Ioan Filip Scenografija / Production Design: Victor Dragomir Kostimografija / Costume Design: Iza Tartan Uloge / Cast: Serban Pavlu, Victor Rebengiuc, Razvan Oprea, Luminita Gheorghiu Producent / Producer: Nicoleta Daraban, Victor Dragomir Produkcija / Production: The “I.L. Caragiale” National Theater and Film University; 75-77th Matei Voievod Street, District 2, 021452 Bucharest, Romania, Tel:+40212528193, Fax:+40212525455, sorinb@unatc.ro, www.unatc.ro
Dok je išao na poslovni sastanak, Claudiu je svratio do očeve kuće da napravi fotografiju zbog koje mu otac dosađuje. Ono što je izgledalo kao jednostavan posao pokazalo se kao vrlo komplikovano, pošto je ta slika od posebne važnosti ocu.
E On his way to a business meeting, Claudiu drops by his old man’s house to snap a photograph his father kept bugging him for. What initially seemed like an easy job proves quite difficult, as the picture is of particular significance to the old man.
Victor Dragomir, rođen 1985. godine u gradiću Campina, kojeg prosto obožava. Napisao je i objavio knjigu kojom je poprilično zadovoljan. Hobiji: pisane ili ekranizirane priče; vožnja autom praznim ulicama u sumrak; rad na filmskim projektima sa svojom voljenom ekipom; M&M s kikirikijem.
Victor Dragomir, born in 1984 in the small town of Campina, which he simply adores. Wrote and published a book that he is pretty content with. Likes: written or filmed stories; driving his car down empty streets at dusk; working on film projects with his beloved crew; peanut M&M’s.
Filmografija / Filmography 2010 - FOTOGRAFIA / THE PHOTOGRAPH (short); 2010 - STRUNG LOVE (short); 2009 - CLOSE ENCOUNTERS OF THE THIRD REICH (short); 2008 - THE STORM (short); 2008 - NOSTALGIA (short)
Hiç bir karanlik unutturmz! / Nikakva nas tama ne može natjerati da zaboravimo! / No Darkness Can Make Us Forget! MEĐUNARODNA PREMIJERA / INTERNATIONAL PREMIERE Turkey, 2011, HD CAM (HDTV), Colour and B&W, 10 min, Turkish Režija / Director: Hüseyin Karabey Scenarij / Screenplay: Hüseyin Karabey Direktor fotografije / Director of Photography: Aksel Zeydan Göz (animation) Montaža / Editor: Hüseyin Karabey, Ebru Karaca, Babtiste Gacoin Muzika / Music: Lena Chamamian Zvuk / Sound: Umut Şenyol, Babtiste Gacoin Producent / Producer: Adelina von Fürstenberg, Hüseyin Karabey Produkcija / Production: Art For The World, Asi Film; Elmadag Cad. No:4 K:5 Taksim – Beyoglu, İstanbul, Turkey, Tel: 0090 212 225 3944, huseyinkarabey@yahoo.com, www.asifilm.com
Film je realiziran kao animacija o Hrantu Dinku, armenskom novinaru kojeg su ubili muslimanski nacionalisti u Istambulu 2007. godine. Govor njegove supruge (Rakel Dink) na njegoj sahrani postao je manifest mira i tolerancije među muslimanima i kršćanima.
E A film - realised as an animation - about Hrant Dink, the Armenian journalist killed by a Muslim nationalist in Istanbul in 2007. His wife’s (Rakel Dink) speech at the funeral becomes a manifesto of peace and tolerance between Muslims and Christians.
Hüseyin Karabey je rođen 1970. godine. Trenutno je uključen kao umjetnički direktor u produkciji omnibusa DO NOT FORGET ME ISTANBUL u kojem svaki od 6 međunarodno priznatih reditelja snima kratki segment o gradu.
Hüseyin Karabey was born in 1970.Currently he is involved as Artistic Director in the production of an Omnibus project entitled DO NOT FORGET ME ISTANBUL where 6 internationally renowned directors each shoot a short segment about the city.
Odabrana filmografija / Selected filmography 2008 - GİTMEK: MY MARLON AND BRANDO; 2006 - I MİSSED MY RENDEZ-VOUS WİTH DEATH (documentary); 2004 - PİNA BAUSCH, ISTANBUL, “BREATH” (documentary) COMPETITION PROGRAMME - SHORTS l 17. Sarajevo Film Festival 33
Kiyamet SVJETSKA PREMIJERA / WORLD PREMIERE Bosnia and Herzegovina, 2011, 35 mm, Colour, 9 min, No Dialogue Režija / Director: Ivan Ramadan Scenarij / Screenplay: Ivan Ramadan Direktor fotografije / Director of Photography: Erol Zubčević Montaža / Editor: Ivan Ramadan Zvuk / Sound: Ivan Ramadan Scenografija / Production Design: Ivan Ramadan Uloge / Cast: Ivan Ramadan Producent / Producer: Ivan Ramadan Produkcija / Production: Elias Veskot Kontakt / Contact: Elias Veskot; S. Filipovica 16, 71000 Sarajevo, Bosnia and Herzegovina, Tel: +387 61 570 884, ivan.ramadan@gmail.com, www.kiyamet-movie.com
Um je mjesto za sebe. Um od pakla može stvoriti raj, a od raja pakao. Um stvara svemire. Mračne i svijetle svemire, šarene i blijede svemire... ali i svemiri imaju svoju volju. Ivan Ramadan rođen je 1985. godine. Živi u Sarajevu, gdje studira na Arhitektonskom fakultetu. 3D animacijom se počeo baviti još u djetinjstvu, a 2008. godine pravi svoj prvi animirani film TOLERANTIA. Film je dobio sedam nagrada, među kojima je Srce Sarajeva za najbolji kratki film na Sarajevo Film Festivalu 2008. godine. KIYAMET (2011) je njegov drugi kratki 3D animirani film.
E The mind is a place on its own. The mind can turn hell into heaven, and heaven into hell. The mind creates universes. Dark and bright universes, multicolored and pale universes... but the universes has a will of their own.
Ivan Ramadan was born in Sarajevo in 1985. He lives in Sarajevo, where he is a student of Faculty of Architecture. He started doing 3D animation in his childhood, and in 2008 he made his first animated film TOLERANTIA. The film has won seven awards including The Heart of Sarajevo Award for best short film at Sarajevo Film Festival 2008. KIYAMET (2011) is his second short 3D animated film.
Filmografija / Filmography 2011 - KIYAMET (animation); 2010 - ČUDOTVORNO MLIJEKO / WONDERMILK (animation); 2008 - TOLERANTIA (animation)
Mezanin / Mezzanine SVJETSKA PREMIJERA / WORLD PREMIERE Croatia, 2011, 35 mm, Colour, 14 min, Croatian Režija / Director: Dalibor Matanić Scenarij / Screenplay: Dalibor Matanić Direktor fotografije / Director of Photography: Branko Linta Montaža / Editor: Tomislav Pavlić Zvuk / Sound: Dubravka Premar Kostimografija / Costume Design: Ana Savić - Gećan Uloge / Cast: Leona Paraminski, Jagoda Kralj Novak, Alen Liverić Producent / Producer: Ankica Jurić - Tilić & Hrvoje Pervan Produkcija / Production: Kinorama Kontakt / Contact: Kinorama; Štoosova 25, 10000 Zagreb, Croatia, Tel: +385 1 231 67 87, Fax: +385 1 231 6788, ankica@kinorama.hr, www.kinorama.hr
MEZANIN je smješten u otuđeni velegrad u kojem vladaju nemilosrdna pravila korporacijskog društva. Majka ohrabruje kćer za ulazak u nemilosrdni svijet, postajući pritom svjesna da joj je vlastito dijete nepovratno uništeno. Njih dvije igraju prešutnu igru u kojoj je glavni cilj rješenje egzistencijalnih pitanja.
E MEZZANINE is set in an alienated city ruled by merciless principles of corporate society. A mother encourages the daughter to embark into this merciless world, becoming aware that her own child is irreversibly damaged. The two of them play a silent game with its main goal solving the existential problems.
Dalibor Matanić (Zagreb, 1975) je diplomirao filmsku i TV režiju na Akademiji dramskih umjetnosti u Zagrebu. Autor je nekoliko igranih filmova među kojima je naistaknutiji film FINE MRTVE DJEVOJKE. Njegov igrani film KINO LIKA i kratki film TULUM prikazani su na 60 međunarodnih filmskih festivala i osvojili su 25 nagrada.
Dalibor Matanić (Zagreb, 1975) holds a degree in Film and TV from the Academy of Dramatic Art in Zagreb. He has directed several feature films among which FINE DEAD GIRLS is the most prominent one. His feature KINO LIKA and his short TULUM were screened at 60 international film festivals and received 25 awards.
Filmografija / Filmography 2011 - MEZANIN / MEZZANINE (short); 2010 - MAJKA ASFALTA / MOTHER OF ASPHALT; 2009 - TULUM / PARTY (short); 2008 - KINO LIKA; 2006 - VOLIM TE / I LOVE YOU; 2005 - STO MINUTA SLAVE / 100 MINUTES OF GLORY; 2002 - FINE MRTVE DJEVOJKE / FINE DEAD GIRLS; SUŠA / DRAUGHT (short); 2000 - BLAGAJNICA HOĆE IĆI NA MORE / CASHIER WANTS TO GO TO THE SEASIDE
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Numaratoarea manuala / Manuelni brojač / The Counting Device SVJETSKA PREMIJERA / WORLD PREMIERE Romania, 2011, HD CAM (HDTV), Colour, 20 min, Romanian Režija / Director: Daniel Sandu Scenarij / Screenplay: Daniel Sandu Direktor fotografije / Director of Photography: George Dascalescu Montaža / Editor: Codrin Iftodi Zvuk / Sound: Sergiu Arsenie Uloge / Cast: Alexandru Georgescu, Catalin Stelian Producent / Producer: Daniel Sandu Produkcija / Production: Parada Film Kontakt / Contact: Parada Film; Traian street 179, 024043 Bucharest, Romania, Tel: +40745 890 999, Fax: +4021 252 48 66, daniel_sandu01@yahoo.com
Mircea, stari zaposlenik u Državnoj kompaniji za autoputeve i državne ceste želi da u istoj firmi „sredi“ posao Georgeu, svom nećaku. Taj posao se sastoji od ručnog brojanja svih auta koja prođu državnim putevima za potrebe nekih EU statistika, ali obojica imaju drugačija mišljenja o svom poslu i njihovo prijateljstvo se na kraju pretvara u sukob. Daniel Sandu je rođen u Piatra-Neamt 1977. godine. Od 2003. godine radi na televiziji kao scenarista i reditelj nekoliko najbolje ocijenjenih TV serija.
E Mircea, an old employee at the National Company of Motorways and National Roads wants to get George - his nephew - hired at the same company. The job consists of manually counting all the cars passing on the national roads for some EU statistics, but they both have different opinions about their work and eventually their friendship turns into a conflict.
Daniel Sandu was born in Piatra-Neamt in 1977. Since 2003 he has been working in television, as writer and director of several best-rating TV series.
Filmografija / Filmography 2011 - NUMARATOAREA MANUALA / THE COUNTING DEVICE (short); 2002 EA NU E AICI! (short); 2001 - MARUL (short); 2000 FILEURI DE AMINTIRI (documentary)
Stvari, ki jih nisva nikoli naredila / Stvari koje nikad nismo radili zajedno / The Things We’ve Never Done Together SVJETSKA PREMIJERA / WORLD PREMIERE Slovenia, 2011, HD CAM (HDTV), B&W, 10 min, Slovenian Režija / Director: Martin Turk Scenarij / Screenplay: Martin Turk Direktor fotografije / Director of Photography: Ziga Koritnik Montaža / Editor: Peter Braatz Muzika / Music: Chris Eckman Zvuk / Sound: Miha Jaramaz Scenografija / Production Design: Ursa Loboda Kostimografija / Costume Design: Emil Cerar Uloge / Cast: Maja Gal Stromar, Barbara Zefran Producent / Producer: Ida Weiss Produkcija / Production: Senca Studio Kontakt / Contact: Senca Studio; Knezova 2, 1000 Ljubljana, Slovenia, Tel: +386-599-49342, info@senca-studio.si, www.senca-studio.si
Klara posjećuje ženu koja ne želi da je vidi. Ta žena dozvoljava Klari da uđe u njen stan, ali pokušava ignorirati njeno prisustvo. Martin Turk je rođen 1978. godine u Trstu. 2004. godine je diplomirao filmsku režiju na ljubljanskoj filmskoj akademiji (AGRFT). Režirao je nekoliko kratkih filmova koji su prikazivani širom svijeta i osvojili nekoliko međunarodnih nagrada.
E Klara visits a woman who doesn’t want to see her. The woman allows Klara to enter the apartment, but she tries to ignore Klara’s presence.
Martin Turk was born in 1978 in Trieste, Italy. In 2004 he graduated in film direction at the Ljubljana Film Academy (AGRFT). He made several short films that travelled all around the world and won several international prizes.
Filmografija / Filmography 2011 - STVARI, KI JIH NISVA NIKOLI NAREDILA/ THE THINGS WE’VE NEVER DONE TOGETHER (short); 2009 SOBA 408/ ROOM NO. 408; 2009 - ROBUTANJE KORUZE/ STEALING THE CORN (short); 2008 - VSAKDAN NI VSAK DAN/ EVERY DAY IS NOT THE SAME (short); 2006 - REZINA ZIVLJENJA/ A SLICE OF LIFE (short); 2002 - IZLET / THE EXCURSION (short) COMPETITION PROGRAMME - SHORTS l 17. Sarajevo Film Festival 35
Toplo za ta letni čas / Toplo za ovo doba godine / Warm for This Time of Year SVJETSKA PREMIJERA / WORLD PREMIERE Slovenia, 2011, 16 mm, Colour, 10 min, No Dialogue Režija / Director: Blaž Kutin Scenarij / Screenplay: Blaž Kutin, Rolanda Rebrek Direktor fotografije / Director of Photography: Vladan Janković Montaža / Editor: Jurij Moškon Zvuk / Sound: Julij Zornik, Gašper Loborec Scenografija / Production Design: Niko Novak Uloge / Cast: Niko Novak Producent / Producer: Danijel Hočevar Produkcija / Production: VERTIGO / EMOTIONFILM Kontakt / Contact: VERTIGO / EMOTIONFILM; Kersnikova 4, 1000 Ljubljana, Slovenia, Tel.: +386 1 439 7080, Fax: +386 1 430 3530, info@emotionfilm.si, www.emotionfilm.si
Tibor sjedi sam izvan kafane. Nakon nekog vremena mu ponestane cigareta, a obližnja trafika je zatvorena. Ustane, počne hodati i ne zaustavlja se.
E Tibor is sitting alone outside a bar. After a while he runs out of cigarettes, but the nearby tobacco stand is closed. He heads on and does not stop walking.
Blaž Kutin je rođen 1970. godine. Njegov igrani prvjenac WE’VE NEVER BEEN TO VENICE (2008) prikazan je na mnogim filmskim festivalima širom svijeta. Trenutno živi u Berlinu.
Blaž Kutin was born in 1970. His feature film debut was WE’VE NEVER BEEN TO VENICE (2008), which screened at numerous film festivals around the world. He currently lives in Berlin.
Filmografija / Filmography 2011 - TOPLO ZA TA LETNI ČAS / WARM FOR THIS TIME OF YEAR (short); 2008 - NIKOLI NISVA ŠLA V BENETKE / WE’VE NEVER BEEN TO VENICE; 2006 - PRINCIPESSA (short)
Valami kek / Nešto plavo / Something Blue MEĐUNARODNA PREMIJERA / INTERNATIONAL PREMIERE Hungary, 2011, 35 mm, Colour, 15 min, Hungarian Režija / Director: Virag Zomboracz Scenarij / Screenplay: Virag Zomboracz Direktor fotografije / Director of Photography: Marton Vizkelety Montaža / Editor: David Jancso Muzika / Music: Balazs Alpar Zvuk / Sound: Tamas Zanyi Scenografija / Production Design: Lilla Takacs Kostimografija / Costume Design: Nora Zelenka Uloge / Cast: Zita Teby, Adrienn Reti, Domokos Szabo, Mari Nagy, Gusztav Molnar, Marton Barsi Producent / Producer: Gyorgy Durst Produkcija / Production: Duna Muhely Kontakt / Contact: Duna Muhely; Meszaros utca 48, 1016 Budapest, Hungary, Tel: +36 30 950 52 10, gdurst@bigfoot.com
Alice i Mary su bile u istom razredu u okružnoj srednjoj školi. Nakon mature su se rastale. Mary je otišla na koledž, dok se Alice zaljubila i ostala kod kuće. Susreću se na Alicinoj svadbi, ali se Alice postavlja prema prijateljici s rezervom: sebe doživljava kao žrtvu, a Mary kao simbol života koji joj je bio uskraćen. Virag Zomboracz je rođena 1985. godine u Budimpešti. 2009. godine magistrirala je na Univerzitetu za dramu, film i televiziju u Budimpešti. Režirala je kratke filmove, eksperimentalne dokumentarce i videoklipove. Trenutno radi na svom prvom igranom filmu. Osim filma, nju još interesuju biciklizam, likovne umjetnosti, fizičke i mentalne bolesti.
E Alice and Mary were classmates in the county town high school. After graduation, they separated: Mary went to college, while Alice felt in love and stayed in the grange. They meet at Alice’s wedding, but Alice receives her friend reservedly: she reckons herself as a victim, and Mary as the symbol of the life she has been deprived of.
Virag Zomboracz was born in 1985, in Budapest, Hungary. In 2009 she recieved her MFA from University of Drama, Film and Television in Budapest. She directed short fictions, experimental documentaries and video art pieces. Now, in 2011 she is working on her first feature film. Besides film she’s also interested in cycling, fine arts, power and mental diseases.
Odabrana filmografija / Selected filmography 2011 - VALAMI KEK / SOMETHING BLUE; 2009 - REGARD (short); 2008 - DO NOT STEREOTYPE (animation); 2003 - TWELVE MOMENTS OF THE AUTUMN (documentary)
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Vtori dubal / Drugi dubl / Take Two MEĐUNARODNA PREMIJERA / INTERNATIONAL PREMIERE Bulgaria, Germany, 2011, 35 mm, Colour, 27 min, Bulgarian, Romanian, English Režija / Director: Nadejda Koseva Scenarij / Screenplay: Georgi Gospodinov Direktor fotografije / Director of Photography: Anton Bakarski Montaža / Editor: Nina Altaparmakova Muzika / Music: Valeria Popova Zvuk / Sound: Andreas Hildebrandt Scenografija / Production Design: Viktor Andreev Uloge / Cast: Svetla Tsotsorkova, Stephan A. Shtereff Producent / Producer: Stefan Kitanov, Herbert Schwering Produkcija / Production: Art Fest, Coin Film, 1 Bulgaria Sq., 1463 Sofia, Bulgaria, Tel: +359 2 9166 029, Fax +359 2 9166 714, vihrena@sofiaiff.com, www.siff.bg
U jednom bugarskom gradiću, u nedovršenoj kući, Maria čeka svog supruga. Ovo je dan kad se on vraća kući nakon nekoliko mjeseci napornog rada u inostranstvu. Ali on kasni. Kasni puno. Možda neće ni doći...
E In a small Bulgarian town, in the unfinished house, Maria is waiting for her husband. This is the day he returns home after several months of hard work abroad. But he is late. Very late. May be too late..
Nadejda Koseva je rođena 1974. godine u Sofiji. Nakon diplomiranja na Bugarskoj nacionalnoj akademiji za film i pozorište, Nadejda Koseva je režirala kratku priču THE RITUAL, dio omnibusa LOST AND FOUND kojim je otvoreno gala veče Berlinaleovog foruma mladog kina 2005. godine. Posljednji kratki film OMELETTE je dobio posebno priznanje na filmskom festivalu Sundance 2009. godine.
Nadejda Koseva was born in 1974 in Sofia, Bulgaria. After graduating from the Bulgarian National Film and Theatre Academy, Nadejda Koseva directed the short fiction novel THE RITUAL, part of the omnibus film LOST AND FOUND which was the Opening Gala of the Berlinale’s Forum of Young Cinema in 2005. Nadejda Koseva’s latest short fiction film OMELETTE received Special Mention at Sundance Film Festival 2009.
Filmografija / Filmography 2011 - VTORI DUBAL / TAKE TWO (short); 2008 - OMLET / OMELETTE (short); 2005 - THE RITUAL (short)
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takmičarski program - dokumentarni film competition programme - documentaries 42 Abendland, Nikolaus Geyrhalter 43 Ben geldim gidiyorum / Bio i prošao / I ‘ve Come and I’m Gone, Metin Akdemir 44 Bosanska rapsodija na rubu znanosti /
Bosnian Rhapsody at the Margins of Science, Vesna Ljubić
45 Cinema Komunisto, Mila Turajlić 46 Ekumenopolis: ucu olmayan şehir / Ekumenopolis: grad bez granica / Ecumenopolis: City Without Limits, Imre Azem 47 Heroj našeg doba / A Hero For Our Time, Šeki Radončić 48 Jedan dan na Drini / A Day on The Drina, Ines Tanović 49 Kam je izginil delavski razred? / Gdje je nestala radnička klasa? /
Where Has the Working Class Gone?, Maja Weiss
50 Láthatatlan húrok - A tehetséges Pusker nővérek / Nevidljive žice
talentirane sestre Pusker / Invisible Strings - The Talented Pusker Sisters, Ágnes Sós
51 Magnet, Namik Kabil 52 Manchester United ot svishtov / Moj prijatelj Manchester United / My mate Manchester United, Stefan Valdobrev 53 Mobitel / A Cell Phone Movie, Nedžad Begović 54 Polazak / Old Mountain, Goran Stanković 55 Prolaz za van / The Way Out, Vedran Šamanović, Sanju Šamanović 56 Pun(a) / Loaded, Alen Drljević 57 Ratni reporter / War Reporter, Silvestar Kolbas 58 Razorubičenje, Igor Zelić, Domagoj Matizović 59 Rules of Single Life / Pravila samačkog života, Tonislav Hristov 60 Schwarzkopf, Arman T. Riahi 61 Trči za život / Run For Life, Mladen Matičević 62 Votul meu / Moj glas / My Vote, Monica Lazurean-Gorgan, Andrei Gorgan 63 Zemlja znanja / Land of Knowledge, Saša Ban 64 Život, priključenija i održivi razvoj jednog kokota / Trials, Tribulations and Sustainable Growth of a Cock, Vladimir Perović
TAKMIČARSKI PROGRAM DOKUMENTARNI FILM 23 uzbudljiva razloga da budete s nama i ove godine! Kreativni dokumentarni film mora imati izraženu rediteljsku osobnost, autorski rukopis, jer upravo taj stvaralački pečat je ono što izdvaja dobar dokumentarac od uobičajene reportažne aktualnosti ili puke fotografije. Dobar reditelj je u središtu događanja, u središtu stvarnosti, i koristi svoje umjetničko oko kako bi pratio, obrađivao, promišljao i propitivao svijet oko sebe. Vodeći se ovim smjernicama, ovogodišnju selekciju za Takmičarski program u kategoriji dokumentarnog filma čine 23 izvanredna djela, izabrana između gotovo 150 kandidiranih iz regije. Zanimljivo je da ove godine imamo puno mladih reditelja debitanata i studenata filma, koji su shvatili koliko je važno uhvatiti se u koštac sa temom iz autentičnog filmskog ugla, koristeći se, dakle, ne samo naracijom već višeslojnim kreativnim filmskim jezikom. Imponira činjenica da autori sve više strateški ciljaju da izađu sa filmom upravo na SFF-u te ove godine imamo sedam svjetskih i šest međunarodnih premijera. Svijet se mijenja, imigranti postaju sve manje dobrodošli. Kako ih sve veći broj zemalja smatra teretom, a sve više zemalja se priklanja idejama političke desnice, tako se i filmovi u cijeloj Evropi, a time i u našoj regiji, sve više fokusiraju na priče o “onim drugima”. Iako su priče lokalnog karaktera, one su istovremeno veoma univerzalne, prepoznatljive u svim dijelovima današnjeg svijeta, uključujući i našu regiju, koja itekako poznaje mnogo oblika “drugosti”. Upravo zbog toga sam odlučila otvoriti naš takmičarski program intrigantnim, austrijskim filmom SCHWARTZKOPF koji je snažna, izvrsno ispričana, dobro istražena aktualna priča, sa likovima kojima je autor imao neobično blizak pristup. Ohrabrujuća je vijest da dokumentarci iz naše regije dospijevaju do najvećih festivala. Dva filma iz Srbije, TRKA ZA ŽIVOT i CINEMA KOMUNISTO, imali su svjetske premijere na najvećem festivalu dokumentarnog filma IDFA u Amsterdamu, dok je austrijski ABENDLAND, jedan od najrafiniranijih filmskih eseja, već osvojio pregršt nagrada. Ovi i još neki filmovi iz programa uspjeli su ući u kinodistribuciju, što je za dokumentarce nevjerovatan uspjeh. Kao nikada ranije, ove godine imamo nekoliko pravih drama. Priče običnih ljudi iz lokalnog okruženja znalački su dovedene do univerzalnosti. Bugarski film MOJ PRIJATELJ, MANCHES-
TER UNITED govori o čovjeku koji je opsesivni navijač, no njegova priča ide puno šire i postaje kritika suvremenog društva. PRAVILA SAMAČKOG ŽIVOTA svojevrsni je “Sex i grad”, samo iz muškog ugla, i otkriva nam život imigranata sa juga Europe. Mađarski NEVIDLJIVE ŽICE: TALENTIRANE SESTRE PUSKER rezultat je dugotrajnog procesa: godine istraživanja i snimanja, te mjeseci montaže i postprodukcije Svi ovi filmovi uspjeli su ostvariti suradnju sa stranim ulagačima, zapadnim televizijama i koproducentima iz više zemalja. Veoma mi je drago da se mnogi reditelji vraćaju jednoj gotovo zaboravljenoj formi – kratkom dokumentarcu. Filmovi iz BiH – JEDAN DAN NA DRINI i PUNA, dokumentarac iz Crne Gore ŽIVOT, PRIKLJUČENIJA I ODRŽIVI RAZVOJ JEDNOG KOKOTA, turski studentski uradak BIO SAM OVDJE, ALI ME VIŠE NEMA, srbijanski film, diplomski rad STARA PLANINA, te hrvatski film RAZORUBIČENJE i desetominutni PROLAZ ZA VAN pravi su dragulji rađeni bilo u formi dokumentarističke minijature, eseja ili opservatorske impresije. U duhu najboljeg iz tradicije kratke forme, sve od oskarovca Berta Haanstre pa do klasika naše sarajevske škole dokumentarnog filma, ovi mladi stvaraoci su duboko u materijalu, ali ipak dovoljno na distanci da mogu mirno posmatrati i ostaviti prostor gledatelju da se pita, da razmišlja. Još jedan snažan film je MAGNET koji i promatra, ali i autorski interpretira kroz kreativnu montažu i dizajn zvuka. Čini se da savremeni dokumentarni film ima vodeću ulogu u određivanju filmske estetike i kinematografskih tendencija, razbijajući stereotipe i uspostavljajući nove, hrabre i uzbudljive forme. U dokumentarcima reditelji mogu biti prilično slobodni, neovisni i spremni za eksperimentiranje. Mogu kombinirati tradicije Dzige Vertova, Jorisa Ivensa i Flaerthyija zajedno. Mogu napraviti lični dnevnik prožet snažnom ratnom arhivskom građom i događajima koje pratimo samo na TV-u. Hrvatski RATNI REPORTER, a još više CINEMA KOMUNISTO iz Srbije, primjeri su filmova koji se gotovo isključivo oslanjaju na arhivske snimke, strukturirani na veoma uzbudljiv način. Arhiv također ima značajnu ulogu u filmovima koji tretiraju aktualni trenutak društva, kao što je slučaj sa filmom iz BiH – BOSANSKA RAPSODIJA… NA RUBU ZNANOSTI, ili turskim filmom EKUMENOPOLIS, koji na vrlo originalan način inkorporira elemente animacije i dokumentarne forme.
40 17. Sarajevo Film Festival l TAKMIČARSKI PROGRAM - DOKUMENTARNI FILM
Ima nekoliko filmova koji koriste često omraženu formu “glava koja govore”: slovenački GDJE JE NESTALA RADNIČKA KLASA?, istraživački bh. film HEROJ NAŠEG DOBA, rumunski MOJ GLAS, te hrvatski film ZEMLJA ZNANJA koji prati dramatični štrajk studenata. Ipak, oni ne primjenjuju čistu tradicionalnu formu intervjua već posve otvorene, intrigantne razgovore pred kamerom. Zanimljivo je da imamo i jedan film posve baziran na pripovijedanju, a to je tek završeni bosanski MOBILNI TELEFON FILM koji se šarmantno poigrava sa mogućnostima mobitela, videom, te uhvaćenim razgovorima. Imamo velike talente, impresivne teme, gotovo nevjerovatne životne priče pa vjerujem da naša regija može postati kolijevka dobrog dokumentarizma. No, do sada, osim novca, nedostajalo nam je i ponešto umijeća, osobito onog preciznog “veza” fine dorade, koji bi omogućio da naši filmovi dobiju dimenziju univerzalnosti i uđu na svjetske festivale te da budu otkupljeni za velike televizije. Kako ovo postići? Odgovor pokušavamo dobiti otvaranjem jedne nove sekcije našeg Doku kutka, a to je Butik grubog šnita. Od ove godine, na SFF dovodimo 5 vrhunskih evropskih profesionalaca, iskusnih stručnjaka za dokumentarni film, koji će intenzivno raditi sa našim autorima, usmjeriti ih ka usavršavanju materijala u fazi grube montaže, pokazati im kako dostići kvalitet koji će imati odjeka na međunarodnoj sceni. Butik grubog šnita je organiziran u saradnji sa Balkanskim dokumentarističkim centrom, koji vodi Martichka Bozilova, jedna od najuspješnijih producenata dokumentarnog filma u Europi. Najbolji projekat iz našeg Butika grubog šnita imat će priliku da se predstavi na Cine Link Work in Progress i da se natječe za nagradu od 80.000 €. Jedan projekat, koji na intrigantan način tretira temu ljudskih prava, osvojit će nagradu od 1.500 € koju dodjeljuje festival FIFDH iz Ženeve, a dio nagrade je i prikazivanje filma na ovom uglednom festivalu. Naš Doku kutak ugostit će opet četrdeset aktivista Inicijative mladih za ljudska prava, kao i mladih iz Helsinškog odbora za ljudska prava iz regije koji će zajednički gledati filmove iz Takmičarskog dokumentarnog programa, susretati se sa rediteljima i producentima, te raspravljati o njihovim ostvarenjima, i to na svoj, uzbudljiv i inspirativan ‘Doku kutak način’. Dobro nam došli! Riječ selektora: Rada Šešić
COMPETITION PROGRAMME DOCUMENTARIES
23 exciting reasons to be with us! E A creative documentary film requires the footprint of the filmmaker’s developed personality, because only its presence separates the work from commonplace actuality or mere photography. A good filmmaker stands in the middle of the matter, in the middle of reality and utilises his or her artistic eye to observe, process and contemplate on the world around. As a result of following this guideline, this years’ selection of the documentary competition consists of 23 remarkable films that have been chosen out of almost 150 submitted from the Region. Many are made by very young, first time film makers and film students, who understood how important it is to tackle their subject, from an authentic cinematic angle, using not only narration but exploring multilayered, creative film language. It’s flattering to notice that so many film makers are aiming to have the world or international premiere at SFF. This year we have seven world premieres and six international ones.
As the world changes and immigrants are less welcomed and more considered a burden by a growing number of countries shifting to strict right wing policies, films in all Europe, and consequently in our region too, seem to focus more on stories about ‘the others’. Although the stories are local, they are at the same time very much universal, recognizable in every part of today’s world, including our region that knows so many shapes of ‘others’. That’s why I have chosen to open our competition program with the intriguing Austrian film SCHWARTZKOPF, strong, well researched, having a great access to the characters. It’s encouraging news that documentaries from the region are also making it big on the European films scene. Serbian films: RUN FOR LIFE and CINEMA KOMUNISTO had their world premieres at the biggest documentary film festival - IDFA in Amsterdam while Austrian OCCIDENT (ABENDLAND), one of the most sophisticated film essays ever, already won major prizes. These and few more films from our program got also theatrical release and for a documentary, that is an amazing achievement. As never before, this year we have several great dramas. Stories of common people, from the film maker’s local environment, are skilfully framed into universally appealing forms. Bulgarian MY MATE MANCHESTER UNITED
focuses on a man who is an obsessive football fan but goes much further towards critique of a contemporary society. RULES OF SINGLE LIFE is a kind of “sex and the city” from a male point of view, unrevealing the lives of migrants from the South. All of them, as well as the intriguing drama from Hungary INVISIBLE STRINGS: THE TALENTED PUSKER SISTERS are results of a huge process; many years of researching and shooting, many months of editing and post production. It’s thrilling to see how all of these films managed to get on board several strong Western broadcasters as well as independent producers from different countries. I am very glad that many film makers are going back to an almost forgotten form – short documentary. Bosnian ONE DAY ON THE DRINA RIVER and LOADED, doc from Monte Negro TRIALS, TRIBULATIONS AND SUSTAINABLE GROWTH OF A COCK, Turkish I WAS HERE AND I AM GONE, Serbian diploma film OLD MOUNTAIN, or Croatian RAZORUBICENJE and ten minute THE WAY OUT are all short gems done either in the form of a cinematic miniature, small poetic essay or observational impression. In the tradition of old school documentaries, from Oscar winning Bert Haanstra to the famous Sarajevo school of documentary films, these new authors are also deeply involved and at the same time, calm and observational towards the subject, leaving room for the viewer to contemplate. The very powerful direct cinema doc MAGNET is also one of those films that observes but also interprets within editing and sound design process. It seems that contemporary documentary film has a leading position in determining the cinematographic aesthetics and cinema tendencies, breaking stereotypes and establishing new, brave, different cinema. In documentaries, film makers can still be free, independent and ready to experiment. They can put together traditions of Dziga Vertov , Joris Ivens and Flaerthy. They can make an intimate diary film impregnated with strong war archive and events that we follow only on television. WAR REPORTER from Croatia or CINEMA KOMUNISTO from Serbia are great examples of films that lean on archive footage, structured in a thrilling, exciting manner. Archive images are also having a specific role in films that deal with contemporary society, such as BOSNIAN RHAPSODY… ON THE EDGE OF SCIENCE or in the confronting, very well made EKUMENOPO-
LIS, a Turkish long documentary that skilfully incorporates elements of animation. There are several films that use a ‘talking heads’ approach, Slovenian WHERE HAS THE WORKING CLASS GONE? , Bosnian investigative journalistic documentary HERO OF OUR TIMES, Romanian MY VOTE, and Croatian LAND OF KNOWLEDGE that follows a huge student strike during a long dramatic process. However, most of them, don’t apply the traditional form of interviewing people, but rather an intriguing, open conversation between appearing characters in the film. There is one film that very inventively uses talking, it’s just finished Bosnian A CELL PHONE MOVIE that charmingly plays with the form of recorded conversations and mobile images. Having great talents, fantastic and amazing stories, our Region could become one of the nests for great documentaries. So far, we lacked money, but also ‘know-how’, especially this precise ‘needle work’, elaborate perfections that would open doors at the Western broadcasters and world festivals. How to match these two? From this year on, we bring to the Sarajevo Festival 5 top documentary experts to have an intensive encounter with our great story tellers and give them guidance and concrete feedback. By showing rough cuts to European top professionals we provide sessions that will take their projects further. Rough Cut Boutique is done in collaboration with Balkan Documentary Centre, founded by Martichka Bozilova, one of the most successful documentary producers in our region. The best project from our Rough Cut Boutique will be awarded with the opportunity to be presented at the Cine Link Work in Progress and compete for an award of € 80,000. One project that deals with human rights in the best way will also get € 1,500 from the FIFDH Geneva and will be promoted and screened at the same event. Our Docu Corner hosts again Youth initiative for human rights and Helsinki HR committee. Forty young people from the Region will be spending intensive festival days in Sarajevo watching the documentary competition program, interacting with directors and producers and debating publicly about their films. Welcome to all of you! Address by the programmer: Rada Sesic
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Abendland REGIONALNA PREMIJERA / REGIONAL PREMIERE Austria, 2011, 35 mm, Colour, 88 min, various languages Režija / Director: Nikolaus Geyrhalter Scenarij / Screenplay: Wolfgang Widerhofer, Nikolaus Geyrhalter, Maria Arlamovsky Direktor fotografije / Director of Photography: Nikolaus Geyrhalter Montaža / Editor: Wolfgang Widerhofer Zvuk / Sound: Lea Saby, Hjalti Bager-Jonathansson, Andreas Hamza, Lenka Mikulova, Nicolas Joly, Ekkehard Baumung Producent / Producer: Michael Kitzberger Produkcija / Production: Nikolaus Geyrhalter Filmproduktion Kontakt / Contact: Nikolaus Geyrhalter Filmproduktion; Hildebrandgasse 26 A-1180 Vienna, Austria, Tel/Fax: +43 1 40 30 162, info@geyrhalterfilm.com Filmografija / Filmography 2011 - ABENDLAND (documentary) 2010 - ALLENTSTEIG 2008 - 7915 KM 2005 - UNSER TÄGLICH BROT / OUR DAILY BREAD
Filmska poema o kontinentu noću, kulturi na kojoj sunce zalazi, iako je istovremeno jako uzbuđen, “Abendland” se često samoopsesivno vidi kao krov ljudske civilizacije, a njena uslužna ekonomija doživljava ubrzani rast na potpuno pragmatičan način. Nikolaus Geyrhalter posmatra raj sa potpuno suprotnim razumijevanjem zaštite. Noćni rad postavljen uporedo sa zaboravljivom večernjom digresijom, rođenje i smrt, pitanja koja iščekuju odgovore u polumraku, jezički Babilon, rutina dnevnih vijesti i političkih dogovora: sve je ovo obuhvaćeno slikama bogatim detaljima zbog kojih posmatramo stvari na novi način. Što više misliš o njoj, obris te riječi je sve dalji i dalji: ABENDLAND. Nikolaus Geyrhalter je rođen 1972. godine u Beču. Nakon srednje škole radio je kao fotograf, a kasnije je počeo raditi i svoje dokumentarce. Osnovao je svoju producentsku kompaniju 1994. godinama je radio kao reditelj, direktor fotografije i producent, kako svojih tako i filmova drugih redatelja. Svaki dokumentarac koji režira brilijantni filmski esejista Nikolaus Geyrhalter, jedan od najdubokoumnijih reditelja dokumentarnog filma današnjice, ima snažan autorski pečat. U ovom filmu osjećamo odsutnost ljudskosti i prisutnost mehaničke radničke klase, koja je potpuno lišena osobnosti. No, ono što me osobito impresionira u filmu ABENDLAND je to što autor pred našim očima uspijeva ljuštiti slojeve našeg intimnog “ja”. (R.Š.)
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E A film poem about a continent at night, a culture on which the sun’s going down, though it’s hyper alert at the same time, an “Abendland” that, often somewhat selfobsessively, sees itself as the crown of human civilization, while its service economy is undergoing rapid growth in a thoroughly pragmatic way. Nikolaus Geyrhalter takes a look at a paradise with a quite diverse understanding of protection. Night work juxtaposed with oblivious evening digression, birth and death, questions that await answers in the semidarkness, a Babel of languages, the routine of the daily news, and political negotiation: All this has been captured in images with a wealth of details that make us look at things in a new way. The longer you consider a word, the more distant is its return gaze: ABENDLAND.
Nikolaus Geyrhalter was born 1972 in Vienna. After graduating from high school, he worked as a photographer and eventually started making his own documentaries. He founded his own production company in 1994 and worked as a director, director of photography and producer of his and other directors films for several years. Every documentary directed by the brilliant film essayist Nikolaus Geyrhalter, one of the most profound contemporary documentary directors, has a strong auteur mark. In this film, we can sense human absence and presence of mechanical workers’ class, completely relieved of personality. But, what really impresses me in the filmu ABENDLAND is that the author manages, in front of our eyes, to peel off, layers of our intimate “I”. (R.Š.)
Ben geldim gidiyorum / Bio i prošao / I ‘ve Come and I’m Gone INTERNACIONALNA PREMIJERA / INTERNATIONAL PREMIERE Turkey, 2011, HD CAM (HDTV), Colour, 14 min, Turkish Režija / Director: Metin Akdemir Scenarij / Screenplay: Metin Akdemir Direktor fotografije / Director of Photography: Bariş Konbal Montaža / Editor: Bariş Konbal Zvuk / Sound: Suat Alhan Producent / Producer: Metin Akdemir Kontakt / Contact: Metin Akdemir, Icadiye Distict Ahmet Dayi St. no:1/16, 34367 Üsküdar, Istanbul, Turkey, Tel: 0537 6985697, maksdemir@hotmail.com
Ovaj dokumentarac priča o uličnim prodavačima, koji prodaju različite stvari na isti način - svojim glasovima. Jedan prodaje kolače, drugi ušiva pokrivače, treći najavljuje popuste na tržištu. Metin Akdemir rođen je u Kirşehiru 1983. godine. Diplomirao je na Univerzitetu u Istanbulu (Odsjek za radio, televiziju i film). Trenutno pohađa magistarski program o rodnim studijama. BIO I PROŠAO studenta iz Turske na sofisticiran i blago humorističan način daje minijaturu o izumiranju starih, tradicionalnih zanata u Istanbulu. (R.Š.)
E This documentary is about street sellers who sell different kind of things but use same way, their voices. One of them sells cakes on the street, one of them repairs quilts on the street, one of them announces the discounts in the market.
Metin Akdemir was born in Kirşehir on 1983. He was graduated from Istanbul University (Radio, TV and cinema programme) He is currently attending a gender studies master programme. I’VE COME AND I’M GONE, a film by a Turkish student, sophisticatedly and humorously gives a miniature on extinction of old, traditional crafts in Turkey. (R.Š.)
Filmografija / Filmography 2011 - BEN GELDIM GIDIYORUM / I ‘ve Come and I’m Gone (documentary)
COMPETITION PROGRAMME - DOCUMENTARIES l 17. Sarajevo Film Festival 43
Bosanska rapsodija na rubu znanosti / Bosnian Rhapsody at the Margins of Science SVJETSKA PREMIJERA / WORLD PREMIERE Bosnia and Herzegovina, 2011, Beta Sp, Colour, 50 min, Bosnian Režija / Director: Vesna Ljubić Scenarij / Screenplay: Vesna Ljubić Direktor fotografije / Director of Photography: Hakija Topić, Adnan Šahbaz Montaža / Editor: Blanka Jelić Muzika / Music: Rada Nuić Producent / Producer: Vesna Ljubić Produkcija / Production: Ton Light Film Sarajevo Kontakt / Contact: Ton Light Film; Milana Preloga 2, 71000 Sarajevo, Bosna i Hercegovina Tel: + 387 33 65 36 51, dolina11@yahoo.com Odabrana Filmografija / Selected filmography 2001 - ADIO KERIDA (documentary) 1999 - ALANI (short) 1999 - HOLY ASHES OF INDIA (short) 1991 - ILLUSIONISTS (documentary) 1987 - THE LAST SWITCHMAN OF THE NARROW GAUGE RAILWAY 1980 - THE DEFIANT DELTA 1971 - HALIL TIKVEŠA (documentary)
Ljekaruše, drevne knjige recepata narodne medicine, prisutne kod sva četiri naroda BiH, oduvijek su sadržavale i elemente religije, magije, mistike i demonizma, a bolesti od kojih su se ljudi stoljećima liječili uvijek su bile i refleksija društva u kojem su živjeli. Kroz priču o ljekarušama, koje su se unutar kršćanske, islamske i judaističke tradicije prenosile s koljena na koljeno, film nam približava današnju postratnu Bosnu i Herzegovinu i bolesti od kojih narod danas kolektivno pati. Vesna Ljubić je dipomirala na Filozofskom fakultetu u Sarajevu na Odsjeku za južnoslavensku književnost. Stručni stepen reditelja je dobila na Državnom fakultetu za film (Centro Sperimentale di Cinematografia) u Rimu. Na trećoj godini studija je radila kao asistentica Fredericu Felliniju. Film BOSANSKA RAPSODIJA… NA RUBU ZNANOSTI na vrlo originalan način bavi se oboljenjima jednog društva. Režirala ga je prva žena reditelj igranih filmova u BiH koja u svim svojim ostvarenjima, igranim ili dokumentarnim, njeguje vrlo osebujan stil; intrigantan spoj filmske poezije, faktografije i tanane ironije. (R.Š.)
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E Ljekaruše [Herbalists], the ancient folkhealing reference books found in all four ethnic groups living in Bosnia and Herzegovina, have always contained elements of religion, magic, mysticism, and demonism. The illnesses for which people have been treated for centuries have always been a reflection of conditions in the society in which they lived. Through the story of the Ljekaruše that have been handed down from one generation to the next as part of the Christian, Islamic, and Jewish traditions, the film takes a closer look at present-day postwar Bosnia and Herzegovina and the illnesses currently afflicting the entire community.
Vesna Ljubić graduated from the Sarajevo School of Philosophy with a degree in Yugoslav literature. Holds a degree in filmmaking from the National School of Cinema (Centro Sperimentale di Cinematografia) in Rome. In her third year of studies she worked as assistant to Federico Fellini. BOSNIAN RHAPSODY...ON THE EDGE OF SCIENCE deals, originally, with diseases of a society. It was directed by the first female director of feature films in B&H who, in all her films, feature or documentary, nourishes a very particular style; an intriguing style of film poetry, factography and dark irony. (R.Š.)
Cinema Komunisto BH. PREMIJERA / B&H PREMIERE Serbia, 2010, HD CAM (HDTV), Colour and B&W, 101 min, Serbian Režija / Director: Mila Turajlić Scenarij / Screenplay: Mila Turajlić Direktor fotografije / Director of Photography: Goran Kovačević Montaža / Editor: Aleksandra Milovanović Muzika / Music: Nemanja Mosurović Zvuk / Sound: Aleksandar Protić Producent / Producer: Dragan Pesikan Produkcija / Production: Dribbling Pictures Kontakt / Contact: Dribbling Pictures; Bircaninova 20a, 11000 Belgrade, Serbia, Tel: +38163302345, Fax: +381113619709, film@cinemakomunisto.com, www.cinemakomunisto.com Filmografija / Filmography 2010 - CINEMA KOMUNISTO (documentary)
Može li film oblikovati zemlju? CINEMA KOMUNISTO je putovanje kroz fikciju i stvarnost zemlje koja više ne postoji i koja možda nikad i nije postojala, osim u filmovima. Ovaj otkačeni dokumentarac otvara trezore filmskih studija Avala, napuštene državne ustanove koja je nekad ugošćavala zvijezde poput Orsona Wellesa i Sophie Loren, i „štancala“ propagandu, podstičući mitove koji su stvorili – i konačno uništili – Jugoslaviju.
E Can cinema forge a country? CINEMA KOMUNISTO is a trip through the fiction and reality of a country that no longer exists, and may never have existed, except in movies. This quirky doc cracks open the vaults at Avala Film Studios, the deserted state-owned facility that once hosted stars like Orson Welles and Sophia Loren, and churned out propaganda fostering the myths behind the rise – and eventual collapse – of Yugoslavia.
Mila Turajlić je studirala politiku i medije na Londonskom fakultetu za ekonomiju i političke nauke (LSE) i filmsku produkciju u Srbiji, nakon čega se specijalizirala za snimanje dokumentarnih filmova na Državnoj filmskoj akademiji La Femis u Parizu. Radila je kao asistent na produkciji i istraživač na seriji za kanale Discovery Channel i ARTE France. Od tada je radila na igranim filmovima kao pomoćnik režisera i koordinator produkcije (APOCALYPTO, režija Mel Gibson; FADE TO BLACK, režija Oliver Parker; BROTHERS BLOOM, režija Rian Johnson i HUMAN ZOO, producent Luc Besson). Jedan je od osnivača „Magnificent 7 Festivala“ dokumentarnih filmova 2005. godine. Njen prvi dokumentarni film CINEMA KOMUNISTO je imao premijeru u kategoriji prvog nastupa na IDFA 2010. Nastao je u produkciji postdiplomske škole Discovery, ARCHIDOS-a i ljetne škole IDFA akademije. Mila je izabrana za učešće na Berlinale Talent Campusu i Sarajevo Talent Campusu.
Mila Turajlić studied politics and media at the LSE in London, and film production in Serbia, after which she specialised in documentary filmmaking at La Femis in Paris. Worked as production assistant and researcher on series for Discovery Channel and ARTE France. Since then she has worked on feature films as AD and production co-ordinator (APOCALYPTO dir. Mel Gibson, FADE TO BLACK dir. Oliver Parker, BROTHERS BLOOM dir. Rian Johnson, HUMAN ZOO prod. Luc Besson). She Cofounded “Magnificent 7 Festival” of feature documentaries in 2005. Her first feature doc CINEMA KOMUNISTO premiered in the First Appearance Competition at IDFA 2010. It was developed in the Discovery Campus Masterschool, ARCHIDOC and the IDFA Academy Summer School. Mila was selected for the Berlinale Talent Campus and the Sarajevo Talent Campus.
CINEMA KOMUNISTO je odličan primjer filma koji se gotovo isključivo oslanja na arhivske snimke, ali je strukturiran na veoma uzbudljiv način. Umijeće korištenja arhivske građe u ovom filmu usavršeno je do te mjere da je prošlost živa na podjednako snažan način kao i sekvence ostvarene danas. (R.Š.)
CINEMA KOMUNISTO is an excellent example of a film that almost exclusively relies on archival materials, but is structured in a very exciting way. The art of using archival materials in this films is perfected to the point that the past became alive in an equally powerful way as sequences done in the modern time. (R.Š.)
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Ekumenopolis: ucu olmayan şehir / Ekumenopolis: grad bez granica / Ecumenopolis: City Without Limits REGIONALNA PREMIJERA / REGIONAL PREMIERE Turkey, Germany, 2011, HD CAM (HDTV), Colour, 93 min, Turkish, English, German Režija / Director: Imre Azem Scenarij / Screenplay: Imre Azem Montaža / Editor: Eray Ilhan, Arzu Volkan Muzika / Music: Lari Dilmen Producent / Producer: Gaye Günay Kontakt / Contact: Stephan Anspichler, York Street Productions, Tel: +49 4066884785, anspichler@yorkstreetmovie.com Filmografija / Filmography 2011 - EKUMENOPOLIS: UCU OLMAYAN ŞEHIR / ECUMENOPOLIS: CITY WITHOUT LIMITS (documentary)
Istanbul želi da nastupa u velikim ligama. Prošle godine je bio proglašen evropskim gradom kulture. Namjerio se da dobije kandidaturu za Olimpijske igre 2020. I vlada želi da on postane finansijski centar regije. Sa petnaest miliona stanovnika, njegova populacija je dva puta veća od Londona, a izgleda da će je udvostručiti do 2030. Nedostatak urbanističkog planiranja znači da je ovo širenje došlo bez adekvatnih okolišnih ili zaštitnih mjera. Ustvari, pretpostavlja se da je 70 % od 3.8 miliona objekata u gradu nesigurno – i da leži na tektonskom rasjedu. Kao što jedan od intervjuiranih kaže, budućnost za Istanbul znači – haos. Imre Azem je rođen u Istanbulu 1975. godine. 1998. godine je diplomirao iz političkih nauka i francuske književnosti na Univerzitetu Tulane u New Orleansu. Poslije diplomiranja seli u New York. Godine 2004. je počeo raditi kao direktor fotografije i montažer malih videoprodukcija, kratkih filmova, dokumentaraca i nezavisnih igranih filmova. Konfrontirajući, dobro urađen cjelovečernji dokumentarac EKUMENOPOLIS: GRAD BEZ GRANICA kombinira elemente animacije i dokumentarne strukture. Ovaj temeljito pripremljen, istražen, oštar, precizan, nemilosrdan u razotkrivanju istine, pomalo ciničan film je ujedno i informativan, zabavan, šarmantan i duhovit. Predviđam mu veliku festivalsku, pa i bioskopsku budućnost. (R.Š.)
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E Istanbul wants to play in the big leagues. Last year it was the European City of Culture. It has its heart set on winning the 2020 Olympic bid. And the government wants it to be the financial centre of the region. At fifteen million, its population is twice the size of London’s, and looks set to double by 2030. The lack of planning regulations means that expansion has come without adequate environmental or safety precautions. In fact, an estimated 70% of the city’s 3.8 million buildings are thought to be unsafe – and lying on a fault line. As one interviewee warns, for Istanbul the future means chaos.
Imre Azem was born in Istanbul in 1975. In 1998 he graduated from Tulane University in New Orleans with degrees in Political Science and French Literature. After graduating in 1998 he moved to New York. In 2004 he started working as a director of photography and editor in small video productions, short films, documentaries, and independent feature films. By confronting a well done feature-length documentary ECUMENOPOLIS: CITY WITHOUT LIMITS combines elements of animation and documentary structure. This thoroughly prepared, researched, sharp, precise, and merciless when discovering the truth, slightly cynical film is also informative, amusing, charming and funny. I foresee a great festival as well as movie theatre future. (R.Š.)
Heroj našeg doba / A Hero For Our Time SVJETSKA PREMIJERA / WORLD PREMIERE Bosnia and Herzegovina, 2011, HD CAM (HDTV), Colour, 43 min, Bosnian Režija / Director: Šeki Radončić Scenarij / Screenplay: Šeki Radončić Direktor fotografije / Director of Photography: Mustafa Mustafić Montaža / Editor: Almir Kenović Muzika / Music: Alma Ferović Zvuk / Sound: Igor Čamo Producent / Producer: Dino Radončić Produkcija / Production: Witness-Sarajevo Kontakt / Contact: Witness-Sarajevo; Banjalučka 6, 71000 Sarajevo, Bosnia and Herzegovina, Tel:+387 61 365 733, dino_radoncic@live.com Filmografija / Filmography 2011 - HEROJ NAŠEG DOBA / A HERO FOR OUR TIME (documentary) 2007 - ESMA (documentary)
Penzionisani policijski inspektor postaje nacionalni heroj u Crnoj Gori, jer uporno tvrdi da je tokom rata, rizikujući život, spasio trojicu Bosanaca. Zbog tog hrabrog čina dobija domaće i međunarodne nagrade. No istina polako počinje da izlazi na vidjelo... Tokom snimanja ovog filma, autor je uhapšen i isljeđivan u crnogorskoj policiji. Šeki Radončić rođen je 1957. u Crnoj Gori. Novinar, scenarista, autor nekoliko knjiga i dokumentarnih filmova, dobitnik međunarodnih nagrada za ljudska prava. Zbog suprotstavljanja ratu i istraživanja ratnih zločina, hapšen je i osuđivan u montiranim sudskim procesima, pucano mu je na članove porodice i bacana bomba na kuću. Zbog pritisaka je morao napustiti Crnu Goru i preseliti se u Bosnu i Herecegovinu. Scenarista je KARNEVALA i autor ESME, dokumentarnih filmova koji su osvojili brojna priznanja širom svijeta. Prostor za razmišljanje i promišljanje o sebi, neophodan da bi gledatelj uopće prihvatio film, vješto je uspostavljen u istraživačko - novinarskom dokumentarcu HEROJ NAŠEG DOBA. Autor na vrlo direktan, linearno narativan novinarski način ide putem potrage za istinom o događanjima u koja je teško povjerovati, a još ih je teže “svariti”. (R.Š.)
E A retired police inspector becomes a national hero in Montenegro for stubbornly claiming that he saved the lives of three Bosnians during the war and risked his own life while doing it. For that courageous act he receives local and foreign prizes. But the truth slowly comes up... During the filming of this movie the author was arrested and interrogated by the Montenegrin police.
Šeki Radončić was born in 1957 in Montenegro. He is a journalist, screenwriter, author of several books and documentaries, winner of several international human rights prizes for. For his war protesting and war crime investigations, he was arrested and convicted in staged trials, his family members were shot at and a grenade thrown at his house. Due to pressures he was forced to leave Montenegro and move to Bosnia and Herzegovina. He wrote ESMA and the script for KARNEVAL, the documentaries that have won many prizes and awards worldwide. A space to think and reflect upon oneself, necessary so that viewers might accept the film at all, is carefully established in this investigativejournalist documentary A HERO OF OUR TIME. The author uses a very direct, linear-narrative journalist way to seek truth about events that are difficult to believe in, not to mention comprehend. (R.Š.)
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Jedan dan na Drini / A Day on The Drina SVJETSKA PREMIJERA / WORLD PREMIERE Bosnia and Herzegovina, 2011, HD CAM (HDTV), Colour, 17 min, Bosnian Režija / Director: Ines Tanović Scenarij / Screenplay: Ines Tanović Direktor fotografije / Director of Photography: Almir Đikoli Montaža / Editor: Nijaz Kožljak Producent / Producer: Alem Babić Produkcija / Production: Dokument Sarajevo Kontakt / Contact: Dokument; Logavina 12, 71000 Sarajevo, Bosnia and Herzegovina, Tel: +387 61 144 725, Fax: +387 33 570 210, ines.t@bih.net.ba, www.dokument.ba Filmografija / Filmography 2011 - JEDAN DAN NA DRINI / A DAY ON THE DRINA (documentary) 2010 - NEKE DRUGE PRIČE / SOME OTHER STORIES (segment ISPOČETKA / STARTING OVER) 2009 - EXIBITION 26’ (documentary) 2002 - BEZ ŠEĆERA / SUGAR FREE (short) 1998 - SINDROM (short) 1991 - ČOVJEK / THE MAN (short) 1989 - IDEJA / IDEA (short) 1987 - KRUGOVI / CIRCLES (short)
Jedan dug ljetni dan na rijeci Drini... Ovo zvuči kao spokojan piknik... I bio bi takav, da se rijeka nije povukla u korito.
E A long summer day on the river Drina... This may sound like a serene picnic... And it would be, hadn’t the river retreated to its riverbed...
Ines Tanović je rođena u Sarajevu. Diplomirala je na Akademiji primijenjenih umjetnosti u Sarajevu, na Odsjeku za dramaturgiju. Od 1988. godine članica je Udruženja filmskih radnika BiH. Napisala je scenarije i režirala 6 igranih filmova (KRUGOVI, IDEJA, ČOVJEK S, SINDROM, BEZ ŠEĆERA I ISPOČETKA). Režirala je dugometražni omnibus NEKE DRUGE PRIČE (koprodukcija producentskih kuća iz BiH, Srbije, Makedonije, Slovenije, Hrvatske i Irske, uz pomoć EUROIMAGES). Taj film je bio pozvan na više od 35 svjetskih festivala. Autorica je dokumentarnih filmova IZLOŽBA i DAN NA DRINI, kao i velikog broja industrijskih filmova i reklama.
Ines Tanović was born in Sarajevo. Graduated from the Academy of Performing Arts in Sarajevo, department of dramaturgy. Member of the Association of film workers of B&H since 1988. Written scripts for and directed 6 feature movies (CIRCLES, IDEA, MAN S, SYNDROME, SUGARFREE, STARTING OVER). She directed the Bosnian part of the feature omnibus SOME OTHER STORIES (coproduction btw. production companies from B&H, Serbia, Macedonia, Slovenia, Croatia and Ireland, supported by EUROIMAGES). The Film has been invited to more than 35 world festivals. Author of documentaries EXHIBITION and A DAY ON THE DRINA, and a large number of industrial movies and commercials.
JEDAN DAN NA DRINI je posmatrački film, napravljen bez riječi, no ipak elokventan u okviru svog snažnog filmskog jezika, impresionistički oblikovana forma koja daje gledatelju dovoljno materijala da shvati i doživi, ali i dovoljno prostora da se osvrne i razmisli o viđenom. (R.Š.)
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A DAY ON THE DRINA is an observational, silent, yet eloquent within the framework of its strong film language, impressionistically shaped form, which gives viewers enough material to understand and experience, but also enough space to take a look back and think of the things they’ve seen. (R.Š.)
Kam je izginil delavski razred? / Gdje je nestala radnička klasa? / Where Has the Working Class Gone? INTERNACIONALNA PREMIJERA / INTERNATIONAL PREMIERE Slovenia, 2010, DigiBeta, Colour, 55 min, Slovenian Režija / Director: Maja Weiss Scenarij / Screenplay: Maja Weiss Direktor fotografije / Director of Photography: Peter Braatz, Maja Weiss Montaža / Editor: Peter Braatz Muzika / Music: Jani Kovačič Zvuk / Sound: Robert Seršen Producent / Producer: Ida Weiss Produkcija / Production: Bela Film d.o.o. Kontakt / Contact: Bela Film d.o.o.; Beljaška 32, 1000 Ljubljana, Slovenia, Tel.: 00386 599 49342, info@belafilm.si, www.belafilm.si Odabrana filmografija / Selected filmography 2010 - KAM JE IZGINIL DELAVSKI RAZRED? / WHERE HAS THE WORKING CLASS GONE? (documentary) 2009 - HIDDEN MEMORY OF ANGELA VODE 2008 - DAR FUR – WAR FOR WATER (documentary) 2007 - INSTALACIJA LJUBEZNI / INSTALLATION OF LOVE 2004 - CHILD IN TIME (short) 2002 - VARUH MEJE / GUARDIAN OF THE FRONTIER 2000 - NUBA, CISTI LJUDJE / NUBA – PURE PEOPLE (documentary)
Film je bio u produkciji od maja 2009. do maja 2010. godine. Do kraja maja 2010. na tržištu rada registrirano je 98 401 ljudi, što je za 16,4% više nego u maju 2009. Ovo su priče o nekoliko nezaposlenih ljudi koji su tokom snimanja dokumentarnih audicija održanih u različitim biroima za zapošljavanje pristali stati pred kamere i ispričati svoje priče. Maja Weiss rođena je 1965. godine. Ona je slovenka koja je režirala dugometražni igrani film, GUARDIAN OF THE FRONTIER / ČUVAR GRANICE. Među brojnim nagradama, njezin film je dobio i Nagradu Manfred Salzgeber za najinovativniji evropski film na festival Berlinale 2002. (sekcija Panorama). Potom su uslijedila još dva igrana filma: INSTALLATION OF LOVE / INSTALACIJA LJUBAVI (2007., nagrada žirija filmskog festivala u Trstu) i HIDDEN MEMORY OF ANGELA VODA / ANGELA VODE, SKRIVENA SJEĆANJA (2009. godine nominiran je za najbolji TV igrani film na Prix Europa festivalu). Ona je i jedna od najistaknutijih slovenskih rediteljica dokumentarnih filmova. Njeni dokumentarci su sudjelovali na festivalima širom svijeta, uključujući i IDFA. Iako nisam veliki ljubitelj dokumentaraca u kojima se samo govori (‘talking heads”), autorica filma GDJE JE NESTALA RADNIČKA KLASA? ide puno dalje od stereotipa same forme i vodi nas kroz ispovijesti ljudi kojima je oduzeto najosnovnije ljudsko pravo – pravo na rad i zarađivanje za život. Autorica je uspjela uspostaviti krajnje otvoren, iskren razgovor, a dobro pogođenim ritmom, te izvjesnom mirnoćom, podcrtala je jos više unutrašnju dramu svakog junaka ponaosob. (R.Š.)
E The film was in production from May 2009 till May 2010. By the end of May 2010 there were 98,401 people registered on the Labour Exchange list, which is 16.4 % more than in May 2009. These are stories of few unemployed people who volunteered, through documentary auditions held at various Employment Offices, to appear in front of the camera and tell their stories.
Maja Weiss was born in 1965. She is the first Slovenian female film director to direct a fulllength fiction film - GUARDIAN OF THE FRONTIER. Among other awards, her film received the Manfred Salzgeber award for the most innovative European film at the 2002 Berlinale (Panorama). Two more feature films followed: INSTALLATION OF LOVE (2007, Jury Prize at Trieste Film Festival) and HIDDEN MEMORY OF ANGELA VODE (2009, nominated for best TV fiction at Prix Europa). She is also one of the most prominent Slovenian documentary filmmakers. Her documentary films participated at festivals worldwide, including IDFA. Although I am not a great fan of “talking heads” documentaries, the author of the film WHERE HAS THE WORKING’ CLASS GONE? goes much further than a mere stereotype of this form and leads us through testimonies of people deprived of a basic human right – right to work and earn for a living. The author manages to establish a completely open, sincere dialogue, and with a well-guessed rhythm and certain calmness, underlines the inner drama of every respective character even more. (R.Š.)
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Láthatatlan húrok - A tehetséges Pusker nővérek / Nevidljive žice - talentirane sestre Pusker / Invisible Strings - The Talented Pusker Sisters REGIONALNA PREMIJERA / REGIONAL PREMIERE Hungary, 2010, HD CAM (HDTV), Colour, 70 min, Hungarian
Ako ti je najveći rival osoba koju voliš najviše na svijetu, kako ćeš se osloboditi okova njene prošlosti? Mađarski dokumentarac u produkciji TV kuće HBO govori o odnosu između dvije sestre, porodičnoj tajni i moći muzike.
Režija / Director: Ágnes Sós Scenarij / Screenplay: Ágnes Sós Direktor fotografije / Director of Photography: Ágnes Sós, András Petróczy, Károly Markert Montaža / Editor: Thomas Ernst Producent / Producer: Dorota Roszkowska, György Czutor Produkcija / Production: HBO Holding ZRT Kontakt / Contact: HBO Holding ZRT; Irinyi József U.4-20, 1117 Budapest, Hungary, Tel: 00361 3723807, eva.koteles@hbo.hu
Ágnes Sós je studirala na Corvinusovom univerzitetu u Budimpešti (bivši Univerzitet ekonomskih nauka Karl Marx u Budimpešti,) od 1984. do 1989. godine. Nakon diplomiranja, radila je za Mađarsku državnu televiziju kao slobodni urednik 11 godina, počevši od 1990. godine. Počela se baviti režiranjem dokumentarnih filmova od 1991., prvo za Mađarsku državnu televiziju, a zatim kao producent svojih sopstvenih filmova. Uradila je 15 dugih i sličan broj kraćih dokumentaraca u zadnjih 20-tak godina.
Filmografija / Filmography 2010 - LÁTHATATLAN HÚROK - A TEHETSÉGES PUSKER NŐVÉREK / INVISIBLE STRINGS - THE TALENTED PUSKER SISTERS 2006 - MEMBERS OF THE PUTTY CLUB (documentary) 2005 - O SOLE MIO (documentary) 2003 - GRANNY TERI (documentary) 1997 - RETURNING TO BOSNIA (documentary) 1994 - THE THREE OF US, THE FAMILY AND THE JAZZ (documentary) 1993 - DEPORTEES (documentary) 1993 - YUPPIES (documentary) 1992 - THE SPANISH PARADIGM (documentary) 1991 - HALFPAST (documentary)
U dramatičnom filmu NEVIDLJIVE ŽICE: TALENTIRANE SESTRE PUSKER, koji pokriva raspon od preko pet godina, rediteljski pristup i njezino mjesto unutar porodice omogućio je da ovu priču oboji izuzetno čista i nevjerovatno iskrena, direktna emocija. (R.Š.)
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E If your greatest rival is the person who you love the most in the world, how would you break free from her shadows? HBO Hungary’s documentary tells about the bond between two sisters, a family secret and the power of music.
Ágnes Sós studied at what is today called Corvinus University of Budapest (previously called the Karl Marx University of Economic Sciences in Budapest, Hungary) from 1984 to 1989. Professional background in brief After graduating, she worked for the Hungarian Television as a freelance editor for 11 years, starting from 1990. She started filming in the documentary genre in 1991, first for the Hungarian National Television, and then also acted as producer for her own films. She has completed some 15 longer and a similar number of shorter-form documentaries in the last almost 20 years. In the dramatic film INVISIBLE STRINGS: THE TALENTED PUSKER SISTERS, which covers the range of over five years, the directorial approach and her place within the family allowed this story to be painted by an exceptionally candid, direct emotion. (R.Š.)
Magnet BH. PREMIJERA / B&H PREMIERE Bosnia and Herzegovina, 2011, Beta Sp, Colour, 42 min, Bosnian Režija / Director: Namik Kabil Scenarij / Screenplay: Namik Kabil Direktor fotografije / Director of Photography: Timur Makarević Montaža / Editor: Timur Makarević Producent / Producer: Adnan Beširović, Namik Kabil Produkcija / Production: SCCA/proba Kontakt / Contact: SCCA/pro.ba; Nahorevska 224, 71000 Sarajevo, Bosnia and Herzegovina, Tel: +00 387 62 341 288, 00 387 33 444 535, a.besirovic@gmail.com, www.pro.ba Filmografija / Filmography 2011 - MAGNET (documentary) 2009 - VJERNICI / BELIEVERS (documenary) 2008 - ČUVARI NOĆI / NIGHTGUARDS 2004 - INFORMATIVNI RAZGOVORI / INTERROGATION (documenary)
Svaki zadnji vikend u julu hiljade ljudi se okupi u selu Čevljanovići, trideset kilometara od Sarajeva. Gledaju borbe bikova, plešu i jedu dok ne popadaju. Šta je misteriozna energija koja privlači sve ove ljude, svake godine, svaki put na isto mjesto? Namik Kabil je rođen u Tuzli 1968. godine. Studirao je film u Los Angelesu. Napisao je nekoliko TV scenarija, kao i scenarij za film KOD AMIDŽE IDRIZA, u režiji Pjera Žalice. Njegov dokumentarac INFORMATIVNI RAZGOVOR je osvojio nagradu za najbolji dokumentarni film na Sarajevo Film Festivalu 2007. godine. Njegov prvi dokumentarac ČUVARI NOĆI je imao svjetsku premijeru na Filmskom festivalu u Veneciji 2008. godine. Namik živi u Sarajevu. MAGNET je primjer dobrog filma istine koji svjedoči u procesu kreativne montaže i interpretira na vrlo osoben način, bez naratora, tradicionalna, uzbudljiva i vrlo važna narodna okupljanja u Bosni. Film transponira čiste, gotovo sirove slike na razinu metajezika, opservirajući specificnosti društva osuđenog na male užitke i velika nadanja. (R.Š.)
E Every last weekend in July, thousands of people gather in the village of Čevljanovići, thirty kilometers from Sarajevo. They watch bulls fight each other, they dance and eat until they collapse. What is that mysterious energy that draws all those people, every year, every time, at the same place?
Namik Kabil was born in Tuzla in 1968. He studied film in Los Angeles, USA. He has written several TV scripts, as well as the script for DAYS AND HOURS, the feature directed by Pjer Žalica. His documentary INTERROGATION won the Best Documentary Film award at the Sarajevo Film Festival in 2007. His first feature film NIGHTGUARDS had a world premier at the Venice film festival in 2008. Namik lives in Sarajevo. MAGNET is an example of a well done truth film that testifies during the creative editing, but also interprets, in a very personal manner, narration free, traditional, exciting and very important national gatherings in B&H. The film transposes pure, almost raw images on the level of a metalanguage, thus observing specific aspects of the society condemned to small pleasures and great hopes. (R.Š.)
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Manchester United ot svishtov / Moj prijatelj Manchester United / My mate Manchester United REGIONALNA PREMIJERA / REGIONAL PREMIERE Bulgaria, 2011, DigiBeta, Colour, 57 min, Bulgarian Režija / Director: Stefan Valdobrev Scenarij / Screenplay: Stefan Valdobrev Direktor fotografije / Director of Photography: Krum Rodriguez Montaža / Editor: Kristian Budev Muzika / Music: Comics, Stefan Valdobrev Zvuk / Sound: Ivan Andreev, Mariana Valkanova Producent / Producer: Stanimir Trifonov, Stefan Valdobrev, Dragomir Keranov, Zornitsa Popova Produkcija / Production: Across Works, Vreme Film Studio Kontakt / Contact: Across Works; Chernorizets Hrabar Str. 2, apt. 9, Lozenets, 1164 Sofia, Bulgaria, Tel: +359 88 7874014, keranov@acrossworks.com, www.acrossworks.com Filmografija / Filmography 2011 - MANCHESTER UNITED OT SVISHTOV / MY MATE MANCHESTER UNITED 2007 - HIDE (short) 2006 - HANA (short)
Prateći put jednog čovjeka za njegovim čudnim snom da se nazove po svom omiljenom fudbalskom timu, ovaj režiser nam približava jednog bugarskog graditelja i njegove nezaboravne prijatelje, te pravi dirljiv portret moderne Bugarske i njenih smetenih i zbunjenih ljudi koji su tako razočarani životom u svojoj zemlji da emigriraju u svoju ličnu rezervnu realnost. Putovanje počinje u Svishtovu, gradiću na obali Dunava i priča priču o borbi glavnog junaka sa vlastima; vodi nas sve do stadiona Old Traford, gdje on sreće svog idola, golgetera Manchester Uniteda Dimitra Berbatova, i na kraju se vraća kući, postavlja pitanje o identitetu, o tome ko smo i ko želimo biti. Stefan Valdobrev je rođen 1970. godine u gradu Stara Zagora, u Bugarskoj. 1993. godine je diplomirao na Državnoj akademiji za pozorišne i filmske umjetnosti u Sofiji kao glumac. U narednim godinama je igrao u 10 igranih filmova i u više od 40 pozorišnih izvedbi. Godine 2006. pohađao je školu FAMU u Pragu i od tada je režirao kratke filmove, TV programe, videospotove. MOJ PRIJATELJ MANCHESTER UNITED je njegov prvi dokumentarni film. Zaista je sjajno vidjeti kako dobri dokumentaristi pronalaze kreativne načine da ispričaju univerzalne i velike priče, vješto koristeći priče običnih ljudi kao pokretač radnje. MOJ PRIJATELJ MANCHESTER UNITED fokusira se na čovjeka koji je opsesivni nogometni navijač, no priča ide puno dalje i oštrim okom talentiranog dokumentariste secira današnje bugarsko društvo. (R.Š.)
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E Following the quest of a man’s awkward dream to be named after his favorite football club, the film director brings us close to a Bulgarian builder and his memorable mates, and creates a moving portrait of contemporary Bulgaria with its bewildered and confused people, so disappointed by the life in the country that they migrate to their own substitute reality. The journey starts in Svishtov, a small town on the bank of the river Danube, tells the story of the protagonist’s struggle with the authorities, leads us all the way to Old Trafford Stadium, where he meets his idol, the Manchester United top-striker Dimitar Berbatov, and ends up back home, raising questions about identity, about who we are and who we want to be.
Stefan Valdobrev was born in 1970 in Stara Zagora, Bulgaria. In 1993 he graduated from the National Academy for Theatre and Film Arts in Sofia as an actor. In the following years he has played in 10 feature films and more than 40 theatre performances. In 2006 he attended the film school FAMU in Prague, Czech Republic and since then has directed short films, TV programs, music videos. MY MATE MANCHESTER UNITED is his first documentary film. It is really great to how skilled documentary makers find creative ways to tell universal and grand stories, skilfully using stories of ordinary people as action motivators. MY MATE MANCHESTER UNITED focuses on a man who is an obsessivecompulsive soccer fan, but the story goes much further and, with a sharp eye of a talented documentary maker, dissects the modern Bulgarian society. (R.Š.)
Mobitel / A Cell Phone Movie SVJETSKA PREMIJERA / WORLD PREMIERE Bosnia and Herzegovina, 2011, 35 mm, Colour, 62 min, Bosnian Režija / Director: Nedžad Begović Scenarij / Screenplay: Nedžad Begović Direktor fotografije / Director of Photography: Nedžad Begović Montaža / Editor: Adnan Zilić Muzika / Music: Adnan Zilić Producent / Producer: Nedžad Begović Produkcija / Production: Foto Art Kontakt / Contact: Foto Art, Paromlinska 42, 71 000 Sarajevo, tel: + 387 33 713 333, fax: + 387 33 716 291, e-mail: info@fotoart.ba, www.fotoart.ba Odabrana filmografija / Selected filmography 2011 - A CELL PHONE MOVIE (documentary) 2010 - JASMINA 2007 - TERETLI POS’O / BURDENSOME JOB (documentary) 2005 - SASVIM LIČNO / COMPLETELY PERSONAL 2000 - PROVOKATOR (animated short) 1995 - FADILA (documentary) 1993 - WAR ART (documentary)
Uvažavajući činjenicu da na planeti egzistira pet milijardi aktivnih mobitela, autor filma se upustio u tehnološki limitirane slobode i mogućnosti ovog medija, te realizirao film u savremenoj „Youtube”, odnosno „mobitel” estetici. On traga za prostorima umjetničke slobode. Autor, ustvari, koristi opciju „voice record” i arhivira svakodnevne telefonske razgovore.
E Taking into account the fact that there are over 5 billion active cell phones on the planet, the author ventured into the technologically limited freedom and possibilities of this media, and he realized a film in contemporary “Youtube” or “cell phone” esthetics. The author is searching for the spaces of artistic freedom. In fact, he uses “voice record» option and archives everday phonecalls.
Nedžad Begović rođen je 1958. godine u Bijeljini. On je filmski reditelj i scenarista, a radio je animacije, dokumentarce, kratke filmove i TV serije. Njegov film SASVIM LIČNO svoju svjetsku premijeru imao je na filmskom festivalu Tribeca u New Yorku. Od 1985. godine član je Udruženja filmskih radnika.
Nedžad Begović was born in 1958 in Bijeljina, Bosnia and Herzegovina. He is a film director and scriptwriter and has been involved in the production of animations, documentaries, short films and TV series. His film COMPLETELY PERSONAL had its world premiere at Tribeca Film Festival in New York. Since 1985, he has been a member of Association of Filmmakers of Bosnia and Herzegovina.
MOBITEL je šarmantan, duhovit, razigran dokumentarac snimljen isključivo kamerom i zvukom sa mobitela. Rađen u periodu od tri godine, autor vrlo kreativno koristi sve prednosti koje pruža ovaj tehnički medij – brzinu, neposrednost, tajnovitost, krajnju direktnost i ležernost. Film je zabavan za gledanje, precizan i dobro izbalansiran. (R.Š.)
CELL PHONE MOVIE is a charming, funny, playful documentary filmm exclusively by a cell phone. It was done in a period of three years, where the author creatively uses all advantages this technical medium offers – speed, immediacy, secrecy, utter directness and casualness. This film is fun to watch, precise and well balanced. (R.Š.)
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Polazak / Old Mountain REGIONALNA PREMIJERA / REGIONAL PREMIERE Serbia, 2010, Mini DV, Colour, 18 min, Serbian Režija / Director: Goran Stanković Scenarij / Screenplay: Goran Stanković Direktor fotografije / Director of Photography: Dragan Vildović Montaža / Editor: Marija Matović, Ivan Tanović Producent / Producer: Snežana Penev Produkcija / Production: This&That Production Kontakt / Contact: This&That Production; Južni Bulevar 126, 11000 Belgrade, Serbia, Tel: +381 64 161 2313, snezana@thisandthat.rs, www.thisandthat.rs Filmografija / Filmography 2010 - POLAZAK / OLD MOUNTAIN (documentary) 2007 - WHO GUARDS THE GUARDIANS (short) 2005 - ASOMANIA (short)
U srbijanskom selu na obroncima Stare planine živi 15 domaćinstava. Najmlađi čovjek u tom selu je star 70 godina. U ovom filmu su sakupljene intimne misli seljana, čije iščekivanje smrti nije samo obilježeno samoćom, već i svime što ih povezuje. Posmatrajući njihov život, kroz kretnje i nijeme geste, mi vidimo ljude koji žive u harmoniji sa prirodnim ciklusima. Predstavljajući njihove najintimnije refleksije o izolaciji, divljini i ljubavi, ovaj film je svjedočanstvo o njihovoj spremnosti za taj put.
E In a Serbian village on the slopes of Stara Planina there are 15 households. The youngest man in the village is 70 years old. The film gathers the intimate thoughts of the inhabitants of this village, whose wait for death is marked not by loneliness but by a common bond. By observing their life, through deliberate movement and silent gestures, we discover people in harmony with the cycles of nature. In presenting their most intimate reflections on isolation, wilderness, life, love, this film is a testament of their preparations for their journey.
Goran Stanković je rođen 1984. godine. Njegov kratki film KO ČUVA ČUVARE bio je hit na međunarodnim festivalima, gdje je osvojio 10 nagrada i bio prikazan na 30 prestižnih festivala. Trenutno je Goran u produkciji svog prvog dugometražnog dokumentarca IN THE DARK, u kojem obrađuje srbijanske rudare. Ovaj projekat je odabran za Greenhouse Development Program, gdje su mu kao mentori bili filmski stvaraoci sa filmskog instituta Sundance i gdje je odobreno finansiranje iz prestižnog fonda Jan Vrijman.
Goran Stanković was born in 1984. His short film WHO GUARDS THE GUARDIANS was an international festival hit, winning 10 awards and screening at over 30 prestigious festivals. Goran is currently in production with his first feature documentary IN THE DARK, portraying Serbian miners. The project was selected for the Greenhouse Development Program where he was mentored by filmmakers from the Sundance Film Institute and also awarded funding from the prestigious Jan Vrijman Fund.
U diplomskom filmu POLAZAK, datom u formi poetične minijature, autor oslikava jedno umiruće selo, fokusirajući se, vrlo rafinirano, na zivot, na svakodnevnu rutinu onih koji su još uvijek tamo. (R.Š.)
The author of the diploma film THE OLD MOUNTAIN, presented in a form of a poetic miniature, depicts a dying village, focusing, very sophisticatedly, on a life and everyday routine of those who are still there. (R.Š.)
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Prolaz za van / The Way Out INTERNACIONALNA PREMIJERA / INTERNATIONAL PREMIERE Croatia, 2010, DigiBeta, Colour, 10 min, Croatian Režija / Director: Vedran Šamanović, Sanju Šamanović Scenarij / Screenplay: Sanja Šamanović, Vedran Šamanović Direktor fotografije / Director of Photography: Lutvo Mekić, Vedran Šamanović Montaža / Editor: Vjeran Pavlinić Zvuk / Sound: Ivan Šmintić Producent / Producer: Vera Robić - Škarica Produkcija / Production: Hrvatski filmski savez Kontakt / Contact: Hrvatski filmski savez; Tuškanac 1, 10000 Zagreb, Croatia, Tel: +385 1 48 48 771, Fax: +385 1 48 48 764, vera@hfs.hr, www.hfs.hr Filmografija / Filmography 2010 - PROLAZ ZA VAN / THE WAY OUT (documentary) 2007 - MATURANTI I PLESAČI (documentary) 2003 - STOL ZA OSAM SLIKA (experimental) 2002 - NEUROTIC DANCERS (experimental) 1999 - MEETING ALICE (experimental) 1997 - VRIJEME ZA KAVU (experimental) 1996 - PUT U RAJ (experimental) 1996 - DANI PREŽIVJELOG RATNIKA (documentary)
PROLAZ ZA VAN eksperimentalni je film utemeljen na dokumentarnom iskustvu. Riječ je o dugotrajnom razgovoru s gospođom Gabrijelom koja je nedavno izgubila nekog bliskog i iz tog razloga su njene emocije eksponirane i dostupne. Autorska intervencija je, pak, evidentna, stalna i nezaobilazna. Tako je PROLAZ ZA VAN vjerojatno jedino mjesto gdje protagonistica i autor(i) mogu proživjeti nametnute im emocije: provociranje podsvijesti, smjenjivanje osjećaja tjeskobe i ugodnog sjećanja na neki prošli život... Vedran Šamanović (1968 – 2009) upisao se na Akademiju dramske umjetnosti Univerziteta u Zagrebu, odsjek kamere 1991. godine. Osnivač je One Take Film Festivala u Zagrebu, a u periodu od 2003. do 2009. godine bio je i direktor ovog festivala. Godine 2010., na inicijativu članova Udruženja filmskih radnika, reditelja i kritičara, te Hrvatskog filmskog saveza, utemeljena je nagrada za filmske djelatnike pod nazivom “Vedran Šamanović”. Sanja Šamanović je rođena 1970. u Požegi. Diplomirala je na Geodetskom fakultetu, gdje ostaje raditi predavajući predmete vezane uz fotografiju. Koredatelj je dokumentaro – eksperimentalnog filma „Prolaz za van“. Desetominutni film THE WAY OUT ima snagu vriska. Vrlo zanimljivim postupkom autori su kreirali jedinstvenu filmsku strukturu mentalnog stanja, koja nam istovremeno daje odmak od gotovo nepodnošljive boli junakinje filma. (R.Š.)
E THE WAY OUT is an experimental film based on the documentary experience. It is about a lengthy conversation with Mrs Gabriela, who has recently lost someone close and due to this experience her emotions are completely exposed and accessible. An intervention of the author, however, is evident, always present and unavoidable. THE WAY OUT is probably the only place where the protagonist and the author(s) may live through the emotions imposed onto them: provoked subconscious, alternating feelings of anxiety and pleasant memories of the past life...
Vedran Šamanović (1968 –2009) In 1991 he enrolled at the Academy of Dramatic Art, University of Zagreb, Department of Cinematography. He is the founder of the One Take Film Festival in Zagreb and was the festival director between 2003 and 2009. Upon an initiative by members of the Filmmakers Asociatio, direcgors and critics, as well as the Croatian Fllm Club, the Ćroatian Film Club’s Association, the “Vedran Šamanović” award was estasblished in 2010. Sanja Šamanović was born in 1970 in Požega. Graduated from The Faculty of Geodesy, where she still teaches some subjects related to photography. She has been the head of the photo-group at The Faculty of Geodesy for several years. A ten minute long film EXIT OUT is as powerful as a scream. Using a very interesting technique, the authors created a unique film structure of a mental condition, and simultaneously gave us a step back from the film’s main female character’s almost unbearable pain. (R.Š.)
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Pun(a) / Loaded SVJETSKA PREMIJERA / WORLD PREMIERE Bosnia and Herzegovina, 2011, Beta Sp, Colour, 23 min, Bosnian Režija / Director: Alen Drljević Scenarij / Screenplay: Alen Drljević Direktor fotografije / Director of Photography: Mustafa Mustafić Montaža / Editor: Redžinald Šimek Zvuk / Sound: Igor Čamo Producent / Producer: Amra Bakšić Čamo, Adis Đapo Izvršni producent / Executive Producer: Elvira Jahić Produkcija / Production: SCCA/pro.ba Kontakt / Contact: SCCA/pro.ba; Nahorevska 224, 71000 Sarajevo, Bosnia and Herzegovina, Tel: +38733444535, Fax: +38733209715, amra©pro.ba, www.pro.ba Filmografija / Filmography 2011 - PUN(A) / LOADED (short) 2008 - ŠOPING / SHOPPING (short) 2007 - ESMA (documentary) 2006 - KARNEVAL / CARNEVAL (documentary) 2005 - PRVA PLATA / PAYCHECK (short) 2002 - BIOGRAFIJA / BIOGRAPHY(short) 1999 - DOLCE VITA (short)
Trinaestogodišnji dječak živi sa majkom, ocem i dvogodišnjom sestrom. Dječak bezgranično voli svoju malu sestru. Djevojčica obožava svoga starijeg brata. Njihov otac radi u lokalnom streljačkom klubu i strastveni je lovac. Igrajući se očevom puškom, dječak slučajno ispali hitac i teško rani svoju malu sestru... Alen Drljević rođen je u Sarajevu, gdje je završio studij na Odsjeku za režiju Akademije scenskih umjetnosti. Njegov diplomski film PRVA PLATA osvojio je EFA/UIP nagradu na Sarajevo Film Festivalu i nominiran za nagradu Evropske filmske akademije (EFA). Njegov dokumentarni film KARNEVAL uvršten je u zvaničnu selekciju Međunarodnog festivala dokumentarnog filma Amsterdam (IDFA). Cinema vérité kratki film PUN(A), bavi se jednom od gorućih tema u regiji – prisustvom oružja u domovima ljudi. Film je snažno nabijen bolom koji glasno grmi iz nijemih likova i mirnih slika njihove svakodnevnice. (R.Š.)
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E A thirteen-year old boy lives with his mother, father and a two-year old sister. The boy loves his baby sister unconditionally. The little girl adores her big brother. Their father works at a local shooting club and is a passionate hunter. While playing with his father’s rifle, the boy accidentally fires a shot and wounds his sister badly...
Alen Drljević was born in Sarajevo where he graduated at the Department of Directing of Academy of Performing Arts. His diploma feature PAYCHECK won the EFA/UIP Award at Sarajevo Film Festival and was nominated for the European Film Academy (EFA) Award. His documentary entitled CARNEVAL was included in the official selection of the International Festival of Domentary Film Amsterdam. The Cinema vérité short LOADED, deals with one of thorny issues in the region – weapons in homes. The film is powerfully charged with pain echoing loudly from its characters and docile images of their everyday life. (R.Š.)
Ratni reporter / War Reporter INTERNACIONALNA PREMIJERA / INTERNATIONAL PREMIERE Croatia, 2011, Beta Sp, Colour, 60 min, Croatian Režija / Director: Silvestar Kolbas Scenarij / Screenplay: Silvestar Kolbas Direktor fotografije / Director of Photography: Silvestar Kolbas Montaža / Editor: Antun Balog, Staša Čelan, Ivor Ivezić Muzika / Music: Darko Rundek & Cargo trio Producent / Producer: Nenad Puhovski Produkcija / Production: Factum Kontakt / Contact: Factum; Nova Ves 18, 10000 Zagreb, Croatia, Tel: +385 99 858 06 04, marina@factumdocumentary.com Filmografija / Filmography 2011 - RATNI REPORTER (documentary) 2003 - SVE O EVI / ALL ABOUT EVE (documentary)
Ovaj film prati zbivanja tokom agresije na Hrvatsku 1991. godine, koja je promijenila život svim njenim građanima. Film nije istraživanje historijskih istina, već autorovih ličnih istina. Koristeći snimke koje je načinio za vrijeme Domovinskog rata kao snimatelj Hrvatske televizije, autor iz prvog lica priča posve ličnu priču. Silvestar Kolbas je fotograf, filmski snimatelj i reditelj. Rođen je u Petrovcima kraj Vukovara 1956. godine, a odrastao je u Vinkovcima. Posljednjih godina snima uglavnom dugometražne dokumentarce (ŽIVOT NA SVJEŽEM ZRAKU, SRETNO DIJETE, SVE O EVI, LORA – SVJEDOČANSTVA, MIMARA REVISITED), ponajviše za Factum. Kao reditelj debitirao je 2003. godine filmom SVE O EVI. RATNI REPORTER je lična, ali istovremeno i univerzalna priča koja dotiče srca mnogih. Koristeći lični arhiv, kućne videozapise, televizijski arhiv i vrlo direktne i iskrene ispovijesti koje se tiču javnih, ličnih, pa čak i tajnih, vrlo intimnih iskustava, autor daje kondenziranu i snažnu sliku života u neobičnim okolnostima. (R.Š.)
E This film follows events during the aggression against Croatia in 1991 that changed the lives of all its citizens. The film is not an investigation into historical truths, but rather the author’s personal truths. Using footages he had made during the Homeland War as a cameraman of the Croatian television, the author tells a totally personal story from the first person.
Silvestar Kolbas is a photographer, cinematographer and director. He was born in Petrovci near Vukovar in 1956, and raised in Vinkovci. In the past several ears he has mostly done feature documentaries LIFE IN FRESH AIR, HAPPY CHILD, ALL ABOUT EVE, LORA – TESTEMONIES, MIMARA REVISITED, mostly for Factum productions. He had his director debut in 2003 with ALL ABOUT EVE. WAR REPORTER, is a personal, but a universal story that touches the hearts of many. Using personal archives, home videos, TV archives and very direct and candid testimonies related to either public, personal or even secretive, very personal experiences, the author gives a condensed and powerful image of the life in strange circumstances. (R.Š.)
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Razorubičenje INTERNACIONALNA PREMIJERA / INTERNATIONAL PREMIERE Croatia, 2011, DigiBeta, Colour, 20 min, Croatian Režija / Director: Igor Zelić, Domagoj Matizović Scenarij / Screenplay: Igor Zelić, Domagoj Matizović Direktor fotografije / Director of Photography: Igor Zelić Montaža / Editor: Domagoj Matizović, Martin Semenčić, Igor Zelić Producent / Producer: Nenad Puhovski Produkcija / Production: Factum Kontakt / Contact: Factum; Nova Ves 18, 10000 Zagreb, Croatia, Tel: +385 99 858 06 04, marina@factumdocumentary.com Filmografija / Filmography Igor Zelić 2011 - RAZORUBIČENJE (documentary) Domagoj Matizović 2011 - RAZORUBIČENJE (documentary)
Film prikazuje problematiku bijele kuge (depopulacije) na primjeru jednog slavonskog sela, koje postaje indikativ za stanje u zemlji. Igor Zelić je rođen 1983. godine u Kopru (Koper), u Sloveniji, a nakon osnovne škole, koju je pohađao i završio u Umagu, upisuje Srednju grafičku školu u Zagrebu. Za vrijeme srednjoškolskog obrazovanja pohađa kurs Kino kluba u Zagrebu. Akademiju dramskih umjetnosti u Zagrebu upisuje 2002. godine, Odsjek za filmsku i TV režiju, a trenutno je apsolvent na tom odsjeku. Sudjelovao je na različitim projektima kao dizajner svjetla, snimatelj i fotograf. Domagoj Matizović rođen je 1971. godine. Diplomirao je kroatistiku i južnoslavenske filologije. Radio je kao redaktor, novinar, urednik. Od 2008. radi kao urednik i novinar internetske redakcije HRT-a. Reditelj filmom RAZORUBIČENJE nije voajer već prijatelj, u neku ruku psiholog sa kamerom, koji suosjeća sa mjestom i njegovim stanovnicima. Izvrsna fotografija i ujednačen ritam čine ovaj kratki film upečatljivim i nezaboravnim. (R.Š.)
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E The film depicts the problems of the white plague (depopulation) on the case of a Slavonian village, which becomes an indicator for the general state of being of the country.
Igor Zelić was born in 1983 in Koper, Slovenia, and after graduating from an Umag elementary school, he studied in the Secondary School of Graphic Design in Zagreb. During high school he attended a course of the Movie Theater Club in Zagreb. He enrolled at the Academy of Drama Arts in Zagreb in 2002, department of film and TV directing, and is soon to graduate from it. He took part in various projects as a lighting designer, cinemaographer and photographer. Domagoj Matizović was born in 1971. He has a degree in Croatian studies and South Slavic philology. He has worked as copy editor, journalist and and an editor. Since 2008, he has been working as an editor-in-chief and a journalist for the Croatian National TV Internet editorial board. DEPOPULATION, does not make its director a voyeur, but a friend, in a way, a psychologist with a camera, who sympathises with a place and its inhabitants. An excellent photography and aligned rhythm, make this short film, memorable and unforgettable. (R.Š.)
Rules of Single Life / Pravila samačkog života REGIONALNA PREMIJERA / REGIONAL PREMIERE Bulgaria, Finland, 2011, DCP, Colour, 79 min, Bulgarian, Finnish, English Režija / Director: Tonislav Hristov Scenarij / Screenplay: Tonislav Hristov, Kaarle Aho Direktor fotografije / Director of Photography: Peter Flinckenberg Montaža / Editor: Joona Louhivuori Muzika / Music: Petar Dundakov Zvuk / Sound: Anne Tolkkinen Producent / Producer: Kaarle Aho, Martichka Bozhilova Produkcija / Production: Making Movies Oy, AGITPROP Kontakt / Contact: AGITPROP; 68 Budapesta str., 1202 Sofia, Bulgaria, Tel/Fax: +359 2 983 1411, 983 19 29, producer@agitprop.bg, www.agitprop.bg Filmografija / Filmography 2011 - RULES OF SINGLE LIFE (documentary) 2009 - VIRTUAL LOVE (documentary) 2008 - FAMILY FORTUNE (documentary) 2005 - HERCULES (documentary)
Kad se u Finskoj snima film u stilu serije „Seks i grad“, u kojem su glavni glumci Bugari iz Helsinkija, onda je rezultat dobronamjerna komedija o pokušaju mladog čovjeka da razumije šta znači biti samac nakon raspada braka. Režiser filma, Tonislav Hristov, također je jedan od likova u filmu koji odlučuju da traže novu ljubav. Tonislav i njegova tri odana prijatelja idu na kurseve bontona, plesa, uljepšavanja – ali bezuspješno, a približava se trideseti rođendan od kojeg strepe. PRAVILA SAMAČKOG ŽIVOTA je film o muškarcima koji vole žene i koji se ne boje pokazati svoja osjećanja. Tonislav Hristov je rođen 1978. godine u mjestu Vratza, u Bugarskoj. Živi u Finskoj od 2001. godine. Počeo je studirati film u Stadiji, na Politehničkom koledžu u Helsinkiju i uradio je svoj prvi dokumentarac za serijal YLE1, BASAARI AND MUNDO. Njegovi dokumentarci HERCULES (2005), FAMILY FORTUNE (koprodukcija Making Movies - AGITPROP, 2008) i VIRTUAL LOVE (2009) prikazani su na mnogim festivalima širom svijeta, kao i na finskoj televiziji. PRAVILA SAMAČKOG ŽIVOTA je poseban film, ne samo zato što je reditelj i sam jedan od glavnih junaka, nego zbog toga što mu je upravo ta činjenica omogućila neobično prisan i intiman odnos sa ostalim junacima bez ikakvih ograničenja. (R.Š.)
E When a film in the style of Sex & the City is filmed in Finland, the main actors are Bulgarian men in Helsinki, and the result is a good-natured comedy about a young man´s attempt at understanding what it is to be single after the break-down of his marriage. The director of the film, Tonislav Hristov, is also the protagonist who decides to look for new love. Tonislav and his three loyal friends go through etiquette training, dance lessons, grooming as well as fitness training, yet without success as the dreaded 30th birthday arrives. RULES OF SINGLE LIFE is a film about men who like women and are not afraid to show their feelings.
Tonislav Hristov was born in 1978 in Vratza, Bulgaria. Has been living in Finland since 2001. He started his film studies in Stadia, Helsinki Polytechnic College and did his first documentaries for YLE1 Basaari and Mundo series. Has worked as assistant for Pirjo Honkasalo, Arto Halonen and Kiti Luostarinen His documentaries HERCULES (2005), FAMILY FORTUNE (coproduction Making Movies - AGITPROP, 2008) and VIRTUAL LOVE (2009) have been screened at many festivals around the world as well as broadcast by Finnish television. RULES OF SINGLE LIFE is a particular film, not just because the director is one of the main characters, but because that very fact allowed him an unusually close, and without any limitations, intimate relation with other characters. (R.Š.)
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Schwarzkopf INTERNACIONALNA PREMIJERA / INTERNATIONAL PREMIERE Austria, 2011, 35 mm, Colour, 90 min, German, Farsi, Turkish, Serbian, Bosnian, Albanian, Polish Režija / Director: Arman T. Riahi Scenarij / Screenplay: Arman T. Riahi Direktor fotografije / Director of Photography: Mario Minichmayr, Dominik Spritzendorfer, Arman T. Riahi Montaža / Editor: Cordula Werner, Arman T. Riahi Muzika / Music: Nazar, Inés Weiss Zvuk / Sound: Nils Kirchhoff, Atanas Tcholakov, Hjalti Bager-Jonathansson Producent / Producer: Arash T. Riahi, Michael Seeber Produkcija / Production: Golden Girls Filmproduktion, Filmservices GmbH Kontakt / Contact: arman@goldengirls.at, www.armanriahi.com Filmografija / Filmography 2011 - SCHWARZKOPF (documentary) 2005 - ELEKTRONIKSCHROTT (short)
Ovo je priča o dvije generacije „Neoaustrijanaca“ – Schwarzköpfima, tj. tamnoglavih, kako oni sebe zovu – rođeni su i odrasli u Europi, ali ne pripadaju nigdje. Nazar, naš 25-godišnji lik, osumnjičen za oružanu pljačku, pušten je iz zatvora i suočava se sa nezavidnom finansijskom situacijom. Bez posla, on traži utočište u svijetu gdje ga poštuju – u svijetu rap muzike. Dok su u ovakvoj situaciji, Nazar i njegova dva najbolja prijatelja razmišljaju o svom životu – rasturene porodice, život na ulici i delinkvencija. Prošlost ih povezuje sa sadašnjim životom nove generacije potomaka imigranata... Arman T. Riahi je rođen u Iranu, a odrastao u Beču, gdje je snimio svoje prve kratke filmove kao tinejdžer. Studirao je tehnologije medija i radio kao softverski i grafički dizajner u Londonu i Beču. Njegov prvi dugometražni dokumentarac SCHWARZKOPF je osvojio Nagradu publike na Državnom austrijskom filmskom festivalu Diagonale i trenutno igra u austrijskim kinima. SCHWARTZKOPF sadrži dramu kao da je riječ o igranom filmu, izvrsno ispričanu, snažnu, jako dobro istraženu aktualnu priču, sa sjajnim likovima kojima je autor imao neobično blizak pristup. Već kod prvog gledanja, osjetila sam – to je film za otvorenje programa. (R.Š.)
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E This is the story of two generations of Neo-Austrians - Schwarzköpfe, or darkheads, as they call themselves - born and raised in Europe, but misfits nonetheless. Nazar, our 25-year old protagonist, suspect of armed robbery, is released of prison and confronted with his troublesome financial situation. Jobless, he seeks sanctuary in a world where he is respected - in the world of rap music. While confronted with this situation, Nazar and his two best friends look back at a life of disruption - shattered families, street life and delinquency. A past connecting them with the present life of a new generation of immigrant descendants...
Arman T. Riahi was born in Iran and grew up in Vienna, Austria, where he did his first short films as a teenager. He studied media technologies and worked as a screen- and graphic designer in London & Vienna. His first cinema documentary SCHWARZKOPF has won the Audience Choice Award at the National Austrian Film Festival Diagonale and is currently running in the Austrian cinemas. SCHWARTZKOPF contains drama as if it is a feature film, very well told, powerful, with a well researched contemporary story, with great characters with whom the director had an unusually close relation. Even with the first viewing, I felt that it is an opening film. (R.Š.)
Trči za život / Run For Life BH. PREMIJERA / B&H PREMIERE Serbia, Japan, 2010, HD CAM (HDTV), Colour, 72 min, Serbian, English, Amharic Režija / Director: Mladen Matičević Scenarij / Screenplay: Mladen Matičević Direktor fotografije / Director of Photography: Nikola Majdak Montaža / Editor: Suzana Stevanović Muzika / Music: Dejan Vučetić Zvuk / Sound: Dejan Vučetić Producent / Producer: Mladen Matičević, Nikola Majdak, Ana Stanković Produkcija / Production: Starhill Srbija & NHK Japan Kontakt / Contact: Starhill; Bulevar Kralja Aleksandra 290, 11000 Belgrade, Serbia, Tel:+381 63 7498704, Fax: +381 112 414 977, office@starhill.rs Filmografija / Filmography 2011 - ZAJEDNO / TOGETHER 2010 - RUN FOR LIFE / TRČI ZA ŽIVOT (documentary) 2007 - KAKO POSTATI HEROJ / HOW TO BECOME A HERO (documentary) 2002 - 1 NA 1 / 1 ON 1
TRČI ZA ŽIVOT je film o tri maratonca iz Etiopije koji su, u potrazi za boljim životom, sportskom karijerom i srpskim državljanstvom, svoju zemlju zamijenili za Srbiju. Film prati godinu i po dana provedenih u Srbiji, od trenutka kada su stigli pa sve dok nisu bili prisiljeni da je napuste. To je i priča o prijateljstvu sa rediteljem Mladenom Matičevićem, čija su perspektiva i naracija iz ličnog ugla i okosnica filma. Mladen Matičević je rođen 1965. godine u Beogradu. U periodu od 1990. do 2011. Mladen je režirao 23 kratkometražna i dugometražna filma. Godine 2006. je režirao dokumentarni film KAKO POSTATI HEROJ koji je ujedno i producirao u okviru sopstvene produkcije Starhill. Film je bio prikazan u okviru takmičarske konkurencije na IDFA 2007. Od 2007. do 2011. godine pisao je scenario, producirao, i režirao igrani film ZAJEDNO. 2010. godine producirao je i režirao film RUN FOR LIFE (IDFA 2010). U drami TRČI ZA ŽIVOT, koja nosi elemente tragikomike i apsurda, autor vješto boji ovu nimalo smiješnu životnu priču odgovarajućim nijansama šarma i humora prateći dugi proces nade, borbe i razočarenja. Autorovo lično učešće u filmu pokazuje kako je bavljenje dokumentarnim filmom, za njega, puno više od pukog pripovjedanja. (R.Š.)
E RUN FOR LIFE is a film about three marathon runners from Ethiopia who replaced their country with Serbia, in a quest for a better life, sport career and Serbian citizenship. The film follows their year and half spent in Serbia, from the moment they arrived, up until they were forced to leave. That is also a story about a friendship with the director Mladen Matičević, whose perspective and narration from a personal viewpoint as well as the key idea behind the film.
Mladen Matičević was born in 1965 in Belgrade. In the period of 1990-2011 Mladen directed 23 films (short and feature films). In 2006 he directed a documentary HOW TO BECOME A HERO, that he also produced within his own production Starhill. The film was screened in the competition at IDFA 2007. From 2007-2011 he wrote a script for, produced and directed a feature film TOGETHER. In 2010, he produced and directed RUN FOR LIFE (IDFA 2010). The drama RUN FOR LIFE, which bears elements of tragicomedy and absurd, and its author skilfully pains this, by no means funny, life story, with appropriate nuances of charm and humour while following a long process of hope, struggle and disappointment. The author’s personal participation in the film shows that, for him, doing documentary films, is more than mere storytelling. (R.Š.)
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Votul meu / Moj glas / My Vote REGIONALNA PREMIJERA / REGIONAL PREMIERE Romania, 2011, DigiBeta, Colour, 42 min, Romanian Režija / Director: Monica Lazurean-Gorgan, Andrei Gorgan Scenarij / Screenplay: Monica Lazurean-Gorgan, Andrei Gorgan Direktor fotografije / Director of Photography: Radu Ionescu Montaža / Editor: Andrei Gorgan Zvuk / Sound: Andrei Gorgan Producent / Producer: Monica Lazurean-Gorgan, Radu Ionescu Produkcija / Production: 4 Proof Film Kontakt / Contact: 4 Proof Film; Intrarea Iuliu Valaori, 6, ap. 1, 030683 Bucharest, Romania, Tel: 40749100958, monica@4prooffilm.ro, www.4prooffilm.ro Filmografija / Filmography 2010 - VOTUL MEU / MY VOTE (documentary) 2010 - BASEMENT GUERILLA (short) 2010 - WEEL AND DEAL (short) 2009 - THE RAGAMUFFIN GOSPEL (short) 2009 - PITCHING SESSION 2008 - THE BIRTH (documentary) 2008- JOURNAL OF A PREGNANCY (documentary)
MOJ GLAS je zabavan i intrigantan dokumentarac o lokalnim izborima u jednom rumunskom selu. Gradonačelnik na vlasti najavljuje svoju ko zna koju po redu kandidaturu i pokušava da ubijedi seljane da glasaju za njega. Fascinantan uvid u mladu demokratiju u kojoj se koriste manipulacija i prevara.
E MY VOTE is an amusing and intriguing documentary about local elections in a Romanian village. The incumbent Mayor announces his umpteenth candidancy and tries to convince the villagers to vote for him. A fascinating insight into a young democracy, in which manipulation and deception are employed.”
Monica Lazurean-Gorgan i Andrei Gorgan su zajedno uradili 5 kratkih dokumentaraca prikazanih na televiziji RAI 1 u Italiji, kao dio projekta Central Express. Rediteljka i producentica Monica Lazurean-Gorgan je 2008. godine uradila dva dugometražna dokumentarca o trudnoći i porodu. Režiser i montažer Andrei Gorgan je diplomirao na Državnom univerzitetu za film, Odsjeku za multimedije (montažu, dizajn zvuka i grafike). Režirao je dokumentarac JEAN YVES a direktor je footgrafije i montažer na filmovima THE WAY HOME - ROMANIAN LABOR FORCE IN EUROPE, SUBZERO - LAPLAND, WILDERNESS AND PURITY.
Monica Lazurean-Gorgan and Andrei Gorgan made jointly 5 short documentaries broadcasted on RAI 1 television, Italy, for Central Express project. Director and producer Monica Lazurean-Gorgan made in 2008 2 feature documentaries about pregnancy and giving birth. Director and editor Andrei Gorgan graduated the National Film University, Multimedia module (Film Editing, Sound and Graphic Design). He directed the documentary JEAN YVEs, and he is DOP and editor for documentaries as THE WAY HOME - ROMANIAN LABOR FORCE IN EUROPE, SUBZERO - LAPLAND, WILDERNESS AND PURITY.
MOJ GLAS ne primjenjuje tradicionalni oblik intervjuiranja protagonista. Umjesto toga, uspostavlja pravi i posve otvoren razgovor. Rediteljica je uspjela uspostaviti ličan i nadasve povjerljiv odnos sa svojim junacima. Oni joj vjeruju. I bez obzira koliko je ovo film koji nosi obojenost lokalne kulture i specifičnosti rumunskog drustva, on je istvoremeno univerzalan i svima zagolica znatiželju. (R.Š.)
MY VOTE does not apply a traditional form of protagonist interview. Instead, it establishes a direct and totally open dialogue. The director manages to establish a direct and totally trustworthy relation with its characters. They believe her and regardless how much is this film painted with colours of a local culture and specific aspects of the Romanian society, it is simultaneously universal and inquisitive. (R.Š.)
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Zemlja znanja / Land of Knowledge SVJETSKA PREMIJERA / WORLD PREMIERE Croatia, 2011, DigiBeta, Colour, 65 min, Croatian Režija / Director: Saša Ban Scenarij / Screenplay: Saša Ban Direktor fotografije / Director of Photography: Hrvoje Franjić Montaža / Editor: Vanja Siruček Muzika / Music: The Beat Fleet Producent / Producer: Dana Budisavljević Produkcija / Production: Hulahop d.o.o. Kontakt / Contact: Hulahop d.o.o.; Vlaška 72a, 10000 Zagreb, Croatia, Tel: +385 1 3907074, Fax: +385 1 4666443, dana@hulahop.hr, www.hulahop.hr Filmografija / Filmography 2011 - ZEMLJA ZNANJA / LAND OF KNOWLEDGE (documentary) 2010 - ANA I NJEZINA BRAĆA (documentary) 2010 - ANIMAFEST 2010. (documentary) 2009 - INTERIJER, STAN, NOĆ (short) 2004 - PARK (documentary) 2003 - RASTANAK (short)
Studenti Filozofskog fakultetu u Zagrebu 20. aprila 2009. godine preuzimaju kontrolu nad fakultetom. Od Vlade Republike Hrvatske zahtijevaju ukidanje svih oblika plaćanja visokog obrazovanja. Tokom blokade fakulteta, studenti sve odluke donose metodom direktne demokratije. Tako Plenum, tijelo sastavljeno od tristotinjak studenata, figurira kao glavni lik dokumentarca. Paralelno pratimo i drugu, medijsku stvarnost u kojoj ”žive” osobe od političke važnosti i odlučuju o našoj današnjici i budućnosti. Film ZEMLJA ZNANJA dokumentira 35 dana blokade fakulteta, tokom kojih Vlada ignorira studente. Saša Ban je rođen 1978. godine u Zagrebu. Po struci je reditelj I profesor filozofije i komparativne književnosti. Snima dokumentarne emisije za Hrvatsku radioteleviziju, namjenske filmove, kratke igrane filmove i dokumentarne filmove, a trenutno radi na scenariju za dugometražni igrani film. Društveno relevantan, zanimljiv i kritički orijentiran pogled na današnje korumpirano društvo nudi ZEMLJA ZNANJA. Film pomno prati studentski štrajk na Sveučilištu u Zagrebu i kritički analizira moralne principe i dileme onih koji bi trebali obrazovati i onih koji se obrazuju. Pun napetosti i neizvjesnosti, ovaj cinema vérité dokumentarac bespoštedno čeprka po mnogim osjetljivim pitanjima suvremenog društva. (R.Š.)
E On 20 April 2009 students of the Zagreb Faculty of Philosophy took control over school. They insisted that the Croatian Government should revoke all forms of payment of higher education. During the blockade, the students made all decisions by applying a direct democracy principle. Plenum, a body composed of some three hundred students, imposed itself as the main protagonist of the documentary. In parallel, we follow another reality, the media reality, “inhabited” by politicians who decide on our present and the future. LAND OF KNOWLEDGE documented 35 days of school blockade, during which the Government turned a blind eye to the student demands.
Saša Ban was born in 1978 in Zagreb. He is a director and teacher of philosophy and comparative literature. He makes documenatries for Croatian National Television, special purpose films, shorts, documentaries, and he currently works on a script for a full-length feature film. Socially relevant, interesting and critically oriented view on today’s corrupted society is offered in THE LAND OF KNOWLEDGE. The film carefully follows a students’ strike at the University of Zagreb, and critically analyzes moral principles and dilemmas of those who are supposed to be educated and those who are supposed to be educated. Filled with tension and uncertainty, this cinema vérité documentary mercilessly picks on many delicate issues of the contemporary society. (R.Š.)
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Život, priključenija i održivi razvoj jednog kokota / Trials, Tribulations and Sustainable Growth of a Cock BH. PREMIJERA / B&H PREMIERE Montenegro, 2011, DigiBeta, Colour, 20 min, No Dialogue Režija / Director: Vladimir Perović Scenarij / Screenplay: Vladimir Perović Direktor fotografije / Director of Photography: Milan Stanić Montaža / Editor: Aleksandar Uhrin Zvuk / Sound: Slobodan Maćej Producent / Producer: Milena Radojević, Neven Staničić Produkcija / Production: CZK (Centar za kulturu) Tivat, Montenegro Kontakt / Contact: CZK (Centar za kulturu); Luke Tomanovića b.b., 85320 Tivat, Montenegro, Tel: +382 32 674 590, Fax: +382 32 674 590, kultart@rtv.rs, www.czktivat.co.me
Jednom godišnje u primorskom gradiću Perastu jedan od mnogih pijetlova (kokota) iz kraja učestvuje u osobenom događaju. Budući da je odabran, on će se suočiti sa neočekivanim iskustvima. Ovo je priča o njegovom životu u okruženju ljudskih pravila i rituala…
E Once a year in the small coastal town of Perast, Montenegro, one out of many cocks in the region participates in a very particular event. Being the chosen one, he will face unexpected experiences. This is the story of his life in the environment of human rules and rites...
Vladimir Perović (rođen 1995. godine u Cetinju, u Crnoj Gori) diplomirao je filmsku i TV režiju na Fakultetu dramskih umjetnosti u Beogradu (Srbija). Njegovi filmovi su prikazivani na festivalima širom svijeta i osvojili su 64 nagrade i priznanja do sada. Vanredni je profosor na Katedri za dokumentarni film na Fakultetu dramskih umjetnosti u Cetinju. Živi u Beogradu, a pravi filmove i u Srbiji i u Crnoj Gori.
Vladimir Perović (1955, Cetinje, Montenegro) graduated in Film & TV Directing from Faculty of Drama Arts, Belgrade, Serbia. His films were screened at the festivals worldwide and won 64 prizes and awards so far. Associated professor of Documentary at Faculty of Drama Arts in Cetinje, Montenegro. He lives in Belgrade, Serbia, and makes his films both in Serbia and in Montenegro.
ŽIVOT, PRIKLJUČENIJA I ODRŽIVI RAZVOJ JEDNOG KOKOTA, kojeg je režirao dokumentarista posebnog, već izgrađenog stila, još je jedan dragulj bez riječi, koji svojim šarmom i ironijom hirurški precizno secira naše nedostatke, slabosti i proturječnosti. Autor distancirano, smireno posmatra i bilježi, ostavljajući prostor gledatelju da promisli. (R.Š.)
TRIALS, TRIBULATIONS & SUSTAINABLE GROWTH OF A COCK, directed by a documentary maker of a particularly, already trademark style, is another wordless gem, which, with its charm and irony, surgically accurate dissects our insufficiencies, weaknesses and contradictions. From a distance, the author calmly observes and records, leaving enough space for viewers to reflect. (R.Š.)
Filmografija / Filmography 2011 - ŽIVOT, PRIKLJUČENIJA I ODRŽIVI RAZVOJ JEDNOG KOKOTA / TRIALS, TRIBULATIONS & SUSTAINABLE GROWTH OF A COCK (documentary); 2010 - SENKA / SHADOW (documentary); 2008 - DA BUDE SVETLOST / LET THERE BE LIGHT (documentary); 2006 - ĐORĐE RAZGONI MRAK / FISHERMAN GEORGE SCATTERS THE GLOOM (documentary); 2006 - DIM / THE SMOKE (documentary); 2004 - ZOV / THE CALL (documentary); 2003 - NESTAJANJE / VANISHING (documentary); 2002 - ČUVAR / THE GUARD (documentary); 2002 - KVAR NA MOJOJ SJAJNOJ ZVEZDI / A SLIGHT MALFUNCTION ON MY SHINY STAR (documentary); 2001 - LJUBAV, ZAVET / LOVE, VOW (documentary); 2000 - ALLEGRIA (documentary); 2000 - URA / THE CLOCK (documentary); 1997 - U/DEŠAVANJE GLASA / TUNING VOICES / RIGGING VOTES (documentary); 1996 - HODOČAŠĆE / PILGRIMAGE (documentary); 1992 - SAGA O SAMURAJU I GLIBU / THE SAGA ON SAMOURAI & THE MUD (documentary); 1989 - UNE MAISON / KUĆA / A HOUSE (documentary) 64 17. Sarajevo Film Festival l TAKMIČARSKI PROGRAM - DOKUMENTARNI FILM
U FOKUSU IN FOCUS 68 Bizim büyük caresizligimiz / Naš duboki očaj / Our Grand Despair, Seyfi Teoman 69 Majki / Majke / Mothers, Milcho Manchevski 70 Michael, Markus Schleinzer 71 Morgen, Marian Crişan 72 Oča / Otac / Dad, Vlado Škafar 73 Ostrovat / Otok / The Island, Kamen Kalev 74 Podslon / Sklonište / Shelter, Dragomir Sholev 75 Do Not Forget Me Istanbul / Nemoj me zaboraviti, Istanbule,
Hany Abu-Assad (Palestine), Stefan Arsenijević (Serbia), Aida Begić (Bosnia-Herzegovina),
Eric Nazarian (USA), Stergios Niziris (Greece), Omar Shakrawi (Palestine),
Josefina Markarian (Greece)
U FOKUSU IN FOCUS 2011 U fokusu: regionalni film na svom vrhuncu / In Focus: Regional Cinema at its Peak Program U fokusu postaje sve pronicljiviji program koji vam donosi najbolje prošlogodišnje filmove ne samo iz regije, već i svijeta. Ove godine prikazujemo osam filmova koji su obilježili prošlu godinu na festivalima širom svijeta. Milcho Manchevski je ponovo u Sarajevu poslije 16 godina sa svojim novim filmom MAJKI/ MAJKE koji je imao premijeru na festivalu u Torontu 2010, i bio je također prikazan na Berlinaleu ove godine. Predstavljamo i drugi film Seyfija Teomana BIZIM BUYUK CARESIZLIGIMIZ/ NAŠ DUBOKI OČAJ koji je razvijen preko našeg CineLink koprodukcijskog marketa i bio je prikazan na ovogodišnjem zvaničnom programu Berlinalea. Još jedan uspješan film koji je izašao iz naše CineLink laboratorije je drugi film bugar-
E In Focus Programme is more and more becoming a very insightful programme bringing the best of the films from the previous year which do not only represent the regional cinema but the world cinema as well.
This year we are showing eight films which have marked the previous year at festivals around the world. Milcho Manchevski is back to Sarajevo after 16 years with his new film MAJKI/ MOTHERS, which premiered at Toronto 2010 and was shown at Berlinale this year as well. We are presenting the second feature film by Seyfi Teoman BIZIM BUYUK CARESIZLIGIMIZ/ OUR GRAND DESPAIR which was developed through our CineLink corpdocution market and was selected for Berlinale
skog reditelja Kamena Kaleva OSTROVAT/ OTOK koji svoju svjetsku premijeru doživio na Cannes Film Festivalu u okviru programa Directors’ Fortnight. U programu U fokusu imamo čak četiri debitantska ostvarenja: slovenački film OČA/ OTAC Vlade Škafara, koji je imao premijeru u okviru programa Venice Days 2010.; PODSLON/ ZAKLON Drage Sholeva, koji je imao premijeru na filmskom festivalu San Sebastian 2010. godine i osvojio Nagradu za najbolji film na Filmskom festivalu u Sofiji, rumunjski film MORGEN Mariana Crişana, koji je osvojio nekoliko nagrada na prošlogodišnjem festivalu u Locarnu a također je razvijan kroz naš CineLink, i konačno, austrijski film MICHAEL Markusa Schleinzera koji je bio prikazan u
Official Selection this year. Another successful film coming from our CineLink laboratory is the second feature of Bulgarian director Kamen Kalev OSTROVAT/ THE ISLAND which premiered at Cannes Directors’ Fortnight this year. There are four first feature films in the In Focus Programme this year: Slovenian film OČA/ DAD by Vlado Škafar, which premiered at 2010 Venice Days; PODSLON/ SHELTER by Drago Sholev which premiered at 2010 San Sebastian Film Festival and won Best Film Award at Sofia Film Festival, Romanian film MORGEN, by Marian Crişan, which won several awards at last year’s Locarno Film Festival and was also developed through CineLink; and finally Austrian film MI-
glavnoj selekciji Filmskog festivala u Cannesu ove godine. Kao Specijalnu projekciju prikazat ćemo i film DO NOT FORGET ME ISTANBUL/ NE ZABORAVI ME, ISTANBULE, omnibus iz Turske koji donosi sedam kratkih filmova autora iz regije i autora sa Bliskog istoka. Svi filmovi predstavljaju sveukupan filmski talent regije koji je trenutno na svom vrhuncu sa vrlo zrelim radovima koji se bave važnim temama savremenog života iz veoma različitih i originalnih uglova. Kao i ovogodišnji Takmičarski program, U fokusu je također u znaku prvih igranih filmova, što ovaj program također čini programom otkrića. Elma Tataragić, selektorica
CHAEL by Markus Schleinzer which was shown in 2011 Cannes Film Festival Official Selection. As a Special screening we will aslo present the film DO NOT FORGET ME ISTANBUL, an omnibus made out of seven short films directed by authors from the Region and Middle East Asia. All films show that the talent of the region is at its peak with very mature works dealing with important issues of contemporary life from very different and original angles. Just as the Competition Programme, In Focus is also marked by first feature films making this programme a programme of discoveries as well. Elma Tataragić, programmer
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Bizim büyük caresizligimiz / Naš duboki očaj / Our Grand Despair Turkey, Germany, Netherlands, 2011, 35 mm, Colour, 102 min, Turkish Režija / Director: Seyfi Teoman Scenarij / Screenplay: Baris Bicakci, Seyfi Teoman Direktor fotografije / Director of Photography: Birgit Gudjonsdottir Montaža / Editor: Çiçek Kahraman Zvuk / Sound: Tolga Afsin Kaya Kostimografija / Costume Design: Tuba Ataç Uloge / Cast: Ilker Aksum, Fatih Al, Güneş Sayin, Baki Davrak, Taner Birsel, Mehmet Ali Nuroglu, Beril Boz, Damla Kabakçi Producent / Producer: Yamac Okur, Nadir Operli Produkcija / Production: Bulut Film, Una Film, Circe Films Kontakt / Contact: The Match Factory Balthasarstr. 79-81, 50670 Cologne, Germany, Tel: +49 22 1 53 97 090; Fax: +49 22 1 53 97 09-10, info@matchfactory.de Filmografija / Filmography 2011 - BIZIM BÜYÜK CARESIZLIGIMIZ / OUR GRAND DESPAIR 2008 - SUMMER BOOK
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Mirni suživot neženja Endera i Cetina prestaje nakon što se u njihov stan doseli sestra jednog njihovog prijatelja. Dugogodišnje prijatelje u svojim tridesetim obuzima prisustvo šutljive Nihal. Što ih je to nagnalo da prihvate odgovornost za studenticu u svojoj kući? Posebno što se radi o djevojci koja se bori sa nedavno doživljenom traumom gubitka roditelja u saobraćajnoj nesreći. No, jednostavni, svakodnevni rituali kao što je dijeljenje obroka na kraju zbližava troje cimera u ugodnijim trenucima. Nihal ubrzo izlazi iz svoje depresivne ljuske, a dva muškarca u njoj otkrivaju živahnu, prekrasnu mladu ženu. Seyfi Teoman rođen je u Kayseriji, u Turskoj 1977. godine. Njegov kratki film APARTMAN, koji je snimio 2004. godine, prikazan je na mnogim međunarodnim filmskim festivalima. Svoj prvi dugometražni film SUMMER BOOK režirao je 2008. godine. Film je premijerno prikazan na Filmskom festivalu u Berlinu, a onda je obišao i mnoge druge, međunarodne festivale gdje je osvojio mnoge nagrade, uključujući i Nagradu za najbolji film i FIPRESCI nagradu na filmskom festivalu u Istambulu. Ovaj film je također bio jedan od četiri filma nominirana za Europsku filmsku nagradu za otkriće godine 2008. Drugi dugometražni film OUR GRAND DISPAIR uvršten je u takmičarski program 61. filmskog festivala u Berlinu. Teoman trenutno radi na scenariju za svoj treći film, SAINTS.
E The peaceful cohabitation of bachelors Ender and Çetin is disrupted when they allow a friend’s sister to move in with them. The 30-something longtime friends are overwhelmed by the presence of the uncommunicative Nihal. What possessed them to accept the responsibility of a university student in their home? Especially a girl struggling with the trauma of recently losing her parents in a car accident. But simple daily rituals like sharing meals eventually bring the three roommates together for more pleasant moments. Nihal soon comes out of her depressed shell and the two men discover a vibrant beautiful young woman.
Seyfi Teoman was born in Kayseri, Turkey in 1977. He shot his short film, APARTMENT in 2004, which has been screened at many international film festivals. He directed his first feature SUMMER BOOK in 2008. The film had been premiered at the Berlin Film Festival, travelled to many international festivals and received many awards including the Best Film and FIPRESCI prizes at the Istanbul Film Festival. It was also one of the four films nominated for the European Film Awards for Discovery in 2008. His second feature OUR GRAND DESPAIR is selected to the Competition Program of the 61st Berlin Film Festival. Teoman is working on the script of his third film SAINTS.
Majki / Majke / Mothers Macedonia, 2010, 35 mm, Colour, 123 min, Macedonian Režija / Director: Milcho Manchevski Scenarij / Screenplay: Milcho Manchevski Direktor fotografije / Director of Photography: Vladimir Samoilovski Montaža / Editor: Zaklina Stojcevska Muzika / Music: Igor Vasilev Novogradska Zvuk / Sound: Peter Baldock Scenografija / Production Design: David Munns Kostimografija / Costume Design: Elisabetta Montaldo Uloge / Cast: Ana Stojanovska, Vladimir Jacev, Dimitar Gjorgjievski, Ratka Radmanovic, Salaetin Bilal, Emilija Stojkovska, Milijana Bogdanoska, Dime Iliev, Marina Pop Pankova, Petar Mircevski, Boris Corevski, Goran Trifunovski Producent / Producer: Christina Kallas Produkcija / Production: Banana Film Dooel Kontakt / Contact: Randez-vous Pictures International, 2 rue de la Durance, 75012 Paris, France, Tel: +339 50 70 78 30, Fax: +33 1 40 19 07 73, contact@randezvouspictures.com Filmografija / Filmography 2010 - MAJKI / MOTHERS 2007 - SENKI / SHADOWS 2001 - DUST 1994 - PRED DOŽDOT / BEFORE THE RAIN 1991 - SOHO (short) 1985 - OPASNA BABA (short)
Dvije devetogodišnje djevojke prijavljuju policiji seksualnog manijaka, iako ga nikada nisu vidjele. Optužuju nevinog čovjeka. Trojica filmaša upoznaju se sa jedinim stanovnicima napuštenog sela, starijim bratom i sestrom, koji su prije mnogo godina prestali komunicirati jedno s drugim. U malom gradu pronađena su tijela penzionisanih čistačica koje su bile silovane, a potom zadavljene. Rezultati DNK analize vode do novinara, koji je izvještavao o ovim ubistvima. Da li on to ubija noću, a po danu piše? Tri dana nakon njegovog hapšenja, pronađen je u svojoj ćeliji, sa glavom u kanti vode. Radi li se o samoubistvu ili ubistvu? Svaka priča je istinita. Ali samo jedna je stvarna. Milcho Manchevski napisao je i režirao igrane filmove PRIJE KIŠE (1994), PRAŠINA (2001), SJENKE (2007) i MAJKE (2011). Film PRIJE KIŠE nominiran je za nagradu Akademije, a nagrađen je sa 30 nagrada, uključujući i Zlatnog lava za najbolji film na Festivalu u Veneciji, Independent Spirit, FIPRESCI, UNESCO, nagradu za najbolji film godine na festivalima u Argentini, Italiji, Švedskoj, Turskoj... Njegovi filmovi su obišli preko 100 festivala i distribuirani su u preko 50 zemalja (kina, TV, kablovska televizija, videoteke).
E Two nine-year-old girls report a flasher to the police even though they never saw him. They condemn an innocent man. Three filmmakers meet the only residents of a deserted village - an elderly brother and sister who have stopped talking to each other many years ago. Retired cleaning women are found raped and strangled in a small town. The DNA leads to a journalist who was reporting on the murders. Did he kill by night and write by day? Three days after his arrest, he is found in his cell, his head in a bucket of water. Was it suicide or murder? Every story is true. But only one is real.
Milcho Manchevski wrote and directed the feature films BEFORE THE RAIN (1994), DUST (2001), SHADOWS (2007) and MOTHERS (2011). BEFORE THE RAIN won an Academy-Award nomination and thirty awards, including Golden Lion for Best Film in Venice, Independent Spirit, FIPRESCI, UNESCO, best film of the year in Argentina, Italy, Sweden, Turkey... Manchevski’s films have screened at more than a hundred festivals, and have been distributed in close to 50 countries (theatrically, TV, cable and video).
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Michael Austria, 2011, 35 mm, Colour, 96 min, German Režija / Director: Markus Schleinzer Scenarij / Screenplay: Markus Schleinzer Direktor fotografije / Director of Photography: Gerald Kerkletz Montaža / Editor: Wolfgang Widerhofer Zvuk / Sound: Klaus Kellermann Scenografija / Production Design: Katrin Huber, Gerhard Dohr Kostimografija / Costume Design: Hanya Barakat Uloge / Cast: Michael Fuith, Christine Kain, Ursula Strauss, Viktor Tremmel, Gisela Salcher Producent / Producer: Nikolaus Geyrhalter, Markus Glaser, Michael Kitzberger, Wolfgang Widerhofer Produkcija / Production: NGF - Nikolaus Geyrhalter Filmproduktion Kontakt / Contact: Les Films du Losange, 22 avenue Pierre 1er de Serbia, 75116, Paris, France a.valentin@filmsdulosange.fr, www.filmsdulosange.fr Filmografija / Filmography 2011 - MICHAEL
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Film opisuje zadnjih pet mjeseci prisilnog zajedničkog života 10-godišnjeg Wolfganga i 35-godišnjeg Michaela.
E MICHAEL describes the last five months of 10-year-old Wolfgang and 35-year-old Michael’s involuntary life together.
Markus Schleinzer je rođen u Beču 1971. godine. Radio je kao direktor kastinga od 1994. do 2010. godine. Za to vrijeme je učestvovao u preko 60 filmskih projekata, uključujući filmove Jessice Hausner: LOVELY RITA, HOTEL i LOURDES; DOG DAYS Ulricha Seidla, SLEEPER i THE ROBBER Benjamina Heisenberga, WOMEN WITHOUT MEN Shirin Neshat i THE PIANO PLAYER, TIME OF THE WOLF i THE WHITE RIBBON Michaela Hanekea, za koje je radio kasting za djecu, podučavao ih i riješavao scene u kojima glume. MICHAEL je njegov prvi igrani film.
Markus Schleinzer was born in Vienna in 1971, worked as a casting director from 1994 to 2010. During this time he participated in over 60 feature-film projects, including Jessica Hausner’s LOVELY RITA, HOTEL and LOURDES, Ulrich Seidl’s DOG DAYS, Benjamin Heisenberg’s SLEEPER and THE ROBBER, Shirin Neshat’s WOMEN WITHOUT MEN, and Michael Haneke’s THE PIANO PLAYER, TIME OF THE WOLF and THE WHITE RIBBON, for which he also cast the children, coached them and worked out their scenes with them. MICHAEL is his first feature film.
Morgen Romania, France, Hungary, 2010, 35 mm, Colour, 100 min, Romanian Režija / Director: Marian Crişan Scenarij / Screenplay: Marian Crişan Direktor fotografije / Director of Photography: Tudor Mircea Montaža / Editor: Tudor Pojoni Zvuk / Sound: Călin Potcoavă Scenografija / Production Design: Róbert Köteles Kostimografija / Costume Design: Alexandra Ungureanu Uloge / Cast: András Hatházi, Yilmaz Yalcin, Elvira Rîmbu, Dorin C. Zachei, Molnar Levente, Răzvan Vicoveanu Producent / Producer: Anca Puiu Produkcija / Production: A Mandragora Production Kontakt / Contact: Les Films du Losange, 22 avenue Pierre 1er de Serbia, 75116, Paris, France a.valentin@filmsdulosange.fr, www.filmsdulosange.fr Filmografija / Filmography 2010 - MORGEN 2008 - LUNI/MONDAY (documentary) 2008 - MEGATRON (short)
Nelu, muškarac u četrdesetim, radi kao obezbjeđenje u lokalnom supermarketu u Salonti, gradiću na rumunjsko-mađarskoj granici. To je mjesto gdje mnogi ilegalni emigranti na bilo koji način pokušavaju da pređu u Mađarsku i onda dalje u zapadnu Evropu. Za Nelua, svaki je dan isti. Peca ribu u zoru, zatim odlazi na posao i onda kući ženi Florici. Oni žive na izoliranom gazdinstvu, na poljima izvan Salonte. Njihov trenutni problem je kako popraviti stari krov na kući. Jedno jutro, Nelu će „upecati“ nešto drugačije iz rijeke: Turčina koji pokušava da pređe granicu. Kako se ne mogu sporazumjeti riječima, dvojica muškaraca će ipak nekako pokušati da se razumiju. Nelu odvodi stranca kući, daje mu suhu odjeću, hranu i smještaj. On ne zna kako da pomogne ovom strancu. Turčin daje Neluu sav novac koji ima kod sebe da mu on pomogne preći granicu. Konačno, Nelu uzima novac i obećava da će mu pomoći preći granicu sutra, „Morgen“... Marian Crişan je rođen 1976. godine u Salonti, u Rumuniji. Diplomirao je filmsku i TV režiju na Akademiji za pozorište i film u Bukureštu 1998. godine. Živi u Bukureštu.
E Nelu, a man in his forties, works as a security guard in the local supermarket in Salonta, a small town on the Romanian-Hungarian border. This is the place where many illegal emigrants try to cross, by any means posible, to Hungary and then further to Western Europe. For Nelu, days go by the same. Fishing at dawn, then work, and finally home with his wife-Florica. They live alone at an isolated farmhouse on the fields outside Salonta. Their problem these days is repairing the old roof of the farmhouse. One morning, Nelu will “fish” something different out of the river: a Turkish man trying to cross the border. Not able to communicate verballly, the two men will somehow understand each other. Nelu takes the stranger to the farmhouse, gives him some dry clothes, food and shelter. He doesn’t really know how to help this stranger. The Turkish man gives Nelu all the money he has on him so he will help him cross the border. Eventually, Nelu takes the money and promises he will help him cross the border tomorrow, „Morgen“…
Marian Crişan was born in 1976, Salonta, Romania. Licensed in Film and TV directing at the Academy of Theatre and Film, Bucharest, 1998. Lives in Bucharest.
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Oča / Otac / Dad Slovenia, 2010, 35 mm, Colour, 71 min, Slovenian Režija / Director: Vlado Škafar Scenarij / Screenplay: Vlado Škafar Direktor fotografije / Director of Photography: Marko Brdar Montaža / Editor: Vlado Škafar, Jurij Moškon Uloge / Cast: Miki Roš, Sandi Šalamon, workers of the Mura factory Producent / Producer: Frenk Celarc Produkcija / Production: Gustav film Kontakt / Contact: Gustav Film, Stegne 5, Ljubljana, Slovenia, Tel: +386 59 03 19 95, Fax: +386 59 03 19 96, info@gustavfilm.si Filmografija / Filmography 2010 - OČA / DAD 2009 - NIGHTTIME WITH MOJCA (documentary) 2008 - LETTER TO A CHILD (documentary) 2006 - UNDER THEIR S.K.I.N. (documentary) 2003 - PETERKA: YEAR OF DECISION (documentary) 1998 - THE OLD BRIDGE
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Film ljubavi. Nakon dugo vremena, otac i sin provode dan zajedno. (Jedan dan je poput kristala u kojem se odražava cijeli jedan život). Jedne prekrasne, jesenje nedjelje, usred veličanstvene prirode, dva ljudska bića izgledaju kao da su sama na svijetu. Moraju krenuti od početka. Lagano prilaze jedan drugom riječima, oživljavaju glasove prošlosti, bude osjećaje, zaboravljene, nepoznate. Vlado Škafar, suosnivač Slovenačke kinoteke i direktor programa od 1993. do 1999., inicijator i organizator Isola Cinema Film Festivala, savjetnik za scenarij, reditelj i scenarist vlastitih dokumentarnih filmova i filmski kritičar.
E A film of love. After a long time father and son spend a day together. (One day is like a crystal, one’s whole life reflects in it.) On a beautiful autumn Sunday, in the middle of majestic nature, the two human beings look like they are alone in the world. They have to start from the beginning. Slowly, they start touching each other with their words, voices from the past come to life, feelings are awaking, forgotten, unknown.
Vlado Škafar, co-founder and head of programme of the Slovenian Cinematheque from 1993 to 1999, initiator and organiser of the Isola Cinema Film Festival, script consultant, director and screenwriter of his documentary films, film reviewer.
Ostrovat / Otok / The Island Bulgaria, Sweden, 2011, 35 mm, Colour, 95 min, Bulgarian, English, French Režija / Director: Kamen Kalev Scenarij / Screenplay: Kamen Kalev, Stefan Piryov Direktor fotografije / Director of Photography: Julian Atanassov Montaža / Editor: Asa Mossberg, Mikkel E.G. Nielsen Muzika / Music: Jean-Paul Wall Scenografija / Production Design: Sebastian Orgambide Kostimografija / Costume Design: Stanislava Yanakieva Uloge / Cast: Thure Lindhardt, Laetitia Casta, Alejandro Jodorowsky, Boyka Velkova Producent / Producer: Elitza Katzarska, Stela Pavlova Produkcija / Production: Waterfront Film, Art Eternal, The Chimney Pot, Film I Vast Kontakt / Contact: Le Pacte, 5 rue DARCET, 75017 Paris, France, Tel: +33 1 44 69 59 59, a.aubelle@le-pacte.com Filmografija / Filmography 2011 - OSTROVAT / THE ISLAND 2009 - IZTOCHNI PIESI / EASTERN PLAYS 2007 - RABBIT TROUBLES (short) 2005 - GET THE RABBIT BACK (short) 2003 - ORPHÉE (short)
Sophie i Daneel, oboje u svojim ranim tridesetim, blizak su i strastven par koji živi u Parizu. Sophie priređuje iznenađenje za Daneela i predlaže da otputuju u Bugarsku. Daneel odlučno odbija da krene na to putovanje, ali Sophie je toliko uporna da ga na koncu ubijedi da ipak krene. Po dolasku u Bugarsku, Sophie otkriva da je Daneel zapravo tamo rođen… Nakon nekoliko sati provedenih na pretrpanim plažama, Daneel vodi Sophie do gotovo napuštenog otoka izgubljenog na Crnom moru. Kada stignu do tog otoka, Daneel u Sophienom prtljagu pronalazi testove za trudnoću. Vrućina i nekolicina čudnih stanovnika ubrzo počinju utjecati na njihove ponašanje, a otok polako otkriva skrivene strahove koji njihovu ljubav stavljaju na test. Da bi sve to prebrodili, moraju napraviti skok u nepoznato. Kamen Kalev (rođen 1975.) bugarski je reditelj i scenarist. Kalevov prvi dugometražni film EASTERN PLAYS premijerno je prikazan 6. oktobra 2009. u Burgasu, a prva projekcija upriličena je na Sarajevo Film Festivalu. Ujedno, ovo je i prvi bugarski film koji je ušao u selekciju za Filmski festivalu u Cannesu od 1990. naovamo. Film je učestvovao i u zvaničnoj selekciji na „Director’s Fortnight“. Iako na ovom festivalu nije nagrađen, film je dobio velike pohvale i kasnije je pobrao mnoge nagrade međunarodnih filmskih festivala, čime se upisao na listu najnagrađivanijih bugarskih filmova.
E Sophie and Daneel, both in their early thirties, are a close and passionate couple living in Paris. Sophie initiates a surprise journey to Bulgaria. Daneel explicitly refuses to go, but Sophie insists and finally convinces him to leave. When they arrive, Sophie discovers that Daneel was born there... After a few hours spent on the crowded beaches, Daneel leads Sophie to an almost abandoned island lost in the Black Sea. Once there, Daneel discovers pregnancy tests in Sophie’s luggage. The heat and the strange few inhabitants soon alter their own behaviors, and the island slowly reveals hidden fears that question their love. To get through it all, they have to take a leap into the unknown.
Kamen Kalev (born 1975) is a Bulgarian film director and screenwriter. Kalev’s first feature film, EASTERN PLAYS, had its premiere on 6 October 2009 in Burgas, and was first shown at the Sarajevo Film Festival. It was the first Bulgarian film to be selected for the Cannes Film Festival since 1990. The film participated in the Film Festival’s Directors’ Fortnight’s official selection. Although it did not win an award, the film gained high praise and the afterwards received many awards from international film festivals, becoming one of the most awarded Bulgarian films.
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Podslon / Sklonište / Shelter Bulgaria, 2010, 35 mm, Colour, 88 min, Bulgarian Režija / Director: Dragomir Sholev Scenarij / Screenplay: Razvan Radulescu, Melissa de Raaf, Dragomir Sholev Direktor fotografije / Director of Photography: Krum Rodriguez Montaža / Editor: Kevork Aslanian Muzika / Music: Vassil Gurov Zvuk / Sound: Petko Manchev Scenografija / Production Design: Vanina Geleva Kostimografija / Costume Design: Vanina Geleva Uloge / Cast: Cvetan Daskalov, Yanina Kasheva, Kaloyan Siriiski, Silvia Gerina, Irena Hristoskova Producent / Producer: Rossitsa Valkanova Produkcija / Production: Klas Film Kontakt / Contact: KLAS FILM, 156, Kniaz Boris I’ Str., Sofia, Bulgaria, Tel: +359 29 81 53 43, Fax: +359 29 81 53 44, klasfilm@spnet.net Filmografija / Filmography 2011 - SEGA I ZAVINAGI / NOW AND FOREVER (documentary) 2010 - PODSLON / SHELTER 2008 - POSREDNIKAT (short) 2005 - PREDI ZIVOTA, SLED SMARTTA (short) 2004 - TRYABVA DA TI KAZHA HESHTO (short) 2002 - SEMEYSTVO (short)
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Dok su mijenjali TV kanale, kiselili krastavce ili raspravljali o politici, roditelji dvanaestogodišnjeg Rada nisu uopće primijetili da im je sin u međuvremenu odrastao. Nakon što već dva dana nije dolazio kući, oni ne mogu shvatiti kako mu nije žao što im je život pretvorio u košmar i kako je mogao pobjeći od kuće sa prvim narkomanima na koje je naletio na ulici.
E While they have been changing TV channels, making pickles or discussing politics, the parents of 12-year-old Rado have missed their son’s growing up. Now they cannot understand why, after disappearing for two days, he isn’t sorry for the nightmare he has caused them and why is he ready to run away from home with the first junkies he has met on the street.
Dragomir Sholev je diplomirao na Državnoj akademiji za pozorišnu i filmsku umjetnost, Odsjek za animacije i filmsku režiju. Radio je kao pomoćnik reditelja na brojnim igranim filmovima, a režirao je preko 150 reklama, muzičkih videospotova i sličnog. SKLONIŠTE je njegov prvi igrani film.
Dragomir Sholev graduated from the National Academy of Theatre and Film Arts (animation & film directing). Assistant director in number of feature films and director of more than 150 commercials, music videos, etc. SHELTER is his first feature film.
BOSNIAN STORY (O)TELLO
Do Not Forget Me Istanbul / Nemoj me zaboraviti, Istanbule SPECIAL SCREENING Turkey, 2011, 35 mm, Colour, 117 min, English, Arabic, Bosnian, Serbian, Greek, Turkish Režija / Director: Hany Abu-Assad (Palestine), Stefan Arsenijević (Serbia), Aida Begić (Bosnia-Herzegovina), Eric Nazarian (USA), Stergios Niziris (Greece), Omar Shakrawi (Palestine), Josefina Markarian (Greece) Uloge / Cast: Alma Terzić, Ayça Damgaci, Mira Furlan, Svetozar Cvetković, Ahmet Rifat Şungar, Ali Suliman, Liraz Charhi, Süreyya Güzel, Giorgos Symeonidis, Hümeyra Akbay, Setar Tanriöğen, Jacky Nercessian, Serra Yilmaz, Görkem Yeltam, Baki Davrak, Esin Harvey, Hiam Abbas, Amer Hlehel Producenti / Producers: Sevil Demirci, Hüseyin Karabey Produkcija/ Production: ASI Film, Yeni Sinemacilar Kontakt / Contact: Inonu Mah. Elmadag Cad. No. 4/5, Taksim - Istanbul, Turkey, Tel: 0212 225 3944, Fax: 0212 225 4941, info@unutmabeniistanbul.com
NEMOJ ME ZABORAVITI, ISTANBULE je omnibus sačinjen od sedam kratkih filmova koji su režirali šest međunarodno priznatih reditelja sa ciljem da nas podsjete da prošlost Istanbula ne pripada samo sadašnjim stanovnicima Turske. Ovi kratki filmovi, od kojih svaki traje po 15 minuta, inspirirani su životima samih reditelja ili životima ljudi iz njihovih života.
E DO NOT FORGET ME ISTANBUL comprises seven short films made by seven internationally acclaimed directors aiming to remind that Istanbul’s past does not only belong to the current peoples of Turkey. These short films, each 15 minutes long, are inspired from the stories of either the directors’ own lives or someone else’s life which they witnessed.
Hany Abu-Assad (Nazareth, 1961.) režirao je film PARADISE NOW koji je 2006. nominiran za nagradu Američke akademije Oskar u kategoriji za najbolji strani film, te je osvojio brojne nagrade.
Hany Abu-Assad (Nazareth, 1961) directed film PARADISE NOW which was nominated for Academy Award for Best Foreign Film in 2006 and won numerous awards.
Stefan Arsenijević (Beograd, 1977.) predaje na Fakultetu dramskih umetnosti u Beogradu. Režirao je nekoliko kratkih filmova i igrani film LJUBAV I DRUGI ZLOČINI. Dobitnik je nagrade Zlatni medvjed za kratki film (A)TORZIJA. Aida Begić (Sarajevo, 1976.) predaje režiju na Akademiji scenskih umjetnosti u Sarajevu. Režirala je nekoliko kratkih filmova i igrani film SNIJEG 2008. godine koji je premijerno prikazan na Sedmici kritike u Kanu i osvojio preko 25 nagrada. Eric Nazarian je armensko–američki reditelj i scenarista. Njegov film THE BLUE HOUR premijerno je prikazan 2007. na San Sebastian Film Festivalu. Stergios Niziris je grčki reditelj i režirao je nekoliko kratkih filmova i igrani film LIKE CHEF, LIKE GOD. Omar Shargawi je palestinsko-danski reditelj koji je osvojio nagradu Tigar na Rotterdam Film Festivalu 2008. godine za film GO WITH PEACE JAMIL.
Stefan Arsenijević (Belgrade, 1977) is a lecturer at Faculty of Dramatic Arts in Belgrade. He directed several short films and a feature LOVE AN OTHER CRIMES. He is winner of Golden Bear Award for his short film (A)TORSION. Aida Begić (Sarajevo, 1976) is a professor of directing at Sarajevo Academy of Performing Arts. She has directed several shorts and a feature film SNOW which premierd at Critics Week in Cannes 2008 and won over 25 awards. Eric Nazarian is an Armenian-American film director and screenwriter. His film THE BLUE HOUR premiered at 2007 San Sebastian Film Festival. Stergios Niziris is a Greek filmmaker who directed several short films and a feature film LIKE CHEF, LIKE GOD. Omar Shargawi is Palestinian-Danish director who won Tiger Award for his debut film GO WITH PEACE JAMIL at Rotterdam Film Festival in 2008. Josefina Markarian is a young Greek filmmaker.
Josefina Markarian je mlada grčka rediteljica.
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NOVI TOKOVI NEW CURRENTS 80 Attenberg, Athina Rachel Tsangari 81 En el futuro / U budućnosti / In the Future, Mauro Andrizzi 82 Finisterrae, Sergio Caballero 83 Okhotnik / Lovac / The Hunter, Bakur Bakuradze 84 The Slut / Drolja, Hagar Ben-Asher 85 Todos tus muertos / Svi tvoji mrtvi / All Your Dead Ones, Carlos Moreno 86 Play / Igra, Ruben Östlund
NOVI TOKOVI U svom 13-om izdanju, Novi tokovi predstavljaju izbor šest naslova od kojih svaki svojim posebnim filmskim jezikom predstavlja pomno istaržen i originalni pristup filmskog stvaralaštvu. Ostavši vjeran svom početnom cilju prikazivanja prvih i drugih igranih filmskih ostvarenja autora, Novi tokovi će otvoriti program filmom ATTENBERG, privlačnim i idiosinkratičkim debitantskim ostvarenjem grčke rediteljke Athine Rachel Tsangari. Ova minimalistička, a ipak komična i strogo kontrolirana studija pokazuje osebujno seksualno istraživanje kroz skoro buđenje emocionalno zbunjene 23-godišnjakinje. Drugi film , THE HUNTER (LOVAC) dokazuje da je Bakur Bakuradze vrlo precizan autor, koji se ne boji napraviti snažne stilističke izbore i odlučne tačke gledišta kad opisuje surov život u ruralnoj Rusiji. Sa izvrsnim usmjeravanjem amaterske postave glumaca, THE HUNTER je dirljiva i usporena priča o čovjeku čije se
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životne navike mijenjaju kada lokalna kolonija zatvorenika dođe na njegovu farmu. Spiritualističko-nadrealni road-movie FINISTEARRE Sergia Caballera je ekscentričan na svaki način. Kroz njegovu potpuno eksperimentalnu filmsku produkciju, u kojoj je autor koristio eklektični soundtrack, a zatim snimao zadivljujuće snimke donekle bazirane na materijalu inspiriranom klasikom Philippea Garrela THE INNER SCAR (UNUTRAŠNJI OŽILJAK). Dijalog je napisan na kraju, urađen glasom mračnog, nevidljivog komentatora na ruskom jeziku. U svom drugom, briljantno snimljenom autorskom ostvarenju ALL THE DEAD ONES (SVI MRTVI), kolumbijski reditelj Carlos Moreno priča o jutarnjoj rutini običnog farmera koju prekida hrpa leševa u njegovom polju kukuruza. U istovremeno tragičnom i satiričnom tonu, on koristi pronicljivu ideju da usmjeri svoju priču na izborni dan prikazujući zabrinjavajuću alegoriju o situaciji u ruralnoj Kolumbiji, koju i dalje razdire građanski rat.
Dižući prašinu kontroverzom o seksualnom promiskuitetu u Cannesu ove godine, THE SLUT (DROLJA) je prvi igrani film izraelske rediteljke Hagar Ben Asher. Kao scenaristkinja, rediteljka i glavna glumica, Asher je napravila hrabru i provokativnu dramu o nezajažljivoj ženi koja uzburkava duboke probleme o ljudskoj seksualnosti. Zapanjujući i melanholični film IN THE FUTURE (U BUDUĆNOSTI) argentinskog reditelja Maura Andrizzia neuobičajen je a priča o ljubavi i vezama. Kada Mauro govori o svom filmu, često kaže: “Budućnost je puko nagađanje. Pa i ljubav je takva. Svaka ljubavna priča u ovom filmu nas vodi iz drugačije prošlosti u drugačiju sadašnjost”. To radi i filmska struktura, možda i najnekonvencionalniji dio filma. Ona vodi gledaoca do tačke čistog nagađanja, samo da ga na kraju, van očekivanja, nagradi osjećajem ljubavi, žudnje i želje. Selektori: Philippe Bober, Vanja Kaluđerčić
NEW CURRENTS E For the 13th edition New Currents delivers a selection of six titles each demonstrating in its own peculiar cinematic language daring and inventive approach to filmmaking.
Remaining faithful to its objective to screen first and second feature films, New Currents will open its program with ATTENBERG, appealing and idiosyncratic feature of Greek first time director Athina Rachel Tsangari. This minimalistic, yet comical and rigorously controlled study shows peculiar sexual exploration through slow awakening of an emotionally perplexed 23-year-old girl. A second-feature THE HUNTER (OKHOTNIK) proves Bakur Bakuradze to be an author of great precision, unafraid of making strong stylistic choices and determined standpoints while depicting austere lifestyle in rural Russia. With exceptional direction of non-professional cast, THE HUNTER is a moving and soft-paced story of a man whose life routine changes when workers from a local prison colony land on his farm.
A spiritual-surrealist road movie FINISTEARRE, by Sergio Caballero, is eccentric in every sense. In its truly experimental film production, in which the author first assembled eclectic soundtrack, then shot his stunning footage around a loosely based plot inspired by Philippe Garrel’s classic THE INNER SCAR. The dialogue was written last, delivered in gloomy Russian-language voiceover. With its quirky humor, the film depicts two ghosts set to begin a short life of earthly existence among the living. In his brilliantly shot second feature ALL THE DEAD ONES (TODOS TUS MUERTOS) Colombian director Carlos Moreno tells the story of an ordinary farmer’s morning routine being interrupted when he discovers a pile of dead bodies in his corn field. In simultaneously tragic and satiric tone, he uses sharp-witted idea to center his story on an election day displaying an upsetting allegory about the situation in the countryside of Colombia, still tormented by a civil war. Raising controversy about sexual promiscuity
earlier this year in Cannes, THE SLUT (HANOTENET) is a first feature by Israeli director Hagar Ben Asher. Writing, directing and impersonating principal female protagonist, Asher created a bold and daring drama of insatiable woman who stirs up deep questions about human sexuality. A stunning and melancholic IN THE FUTURE (EN EL FUTURO) by Argentinean director Mauro Andrizzi, tells unordinary stories of love and relationships. When Mauro speaks about his film, he often says: “The future is pure speculation. So is love. Each love story in the film takes us to a different past from a different present”. And so does the film structure, perhaps the most unconventional part of the movie. It brings the spectator to the point of pure speculation, only to unorthodoxly reward one with a sensation of love, longing and desire. Programmers: Philippe Bober, Vanja Kaluđerčić
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Attenberg Greece, 2010, 35 mm, Colour, 95 min, Greek Režija / Director: Athina Rachel Tsangari Scenarij / Screenplay: Athina Rachel Tsangari Direktor fotografije / Director of Photography: Thimios Bakatakis Montaža / Editor: Sandrine Cheyrol, Matt Johnson Zvuk / Sound: Leandros Ntounis Scenografija / Production Design: Dafni Kalogianni Kostimografija / Costume Design: Thanos Papastergiou, Vassilia Rozana Uloge / Cast: Ariane Labed, Vangelis Mourikis, Evangelia Randou, Yorgos Lanthimos, Kostas Berikopoulos, Michel Demopoulos Producent / Producer: Maria Hatzakou, Yorgos Lanthimos, Iraklis Mavroidis, Athina Rachel Tsangari, Angelos Venetis Produkcija / Production: Haos Film Filmografija / Filmography 2010 - ATTENBERG 2009 - ANTIKATOPTRISMOI / REFLECTIONS (animation) 2001 - THE SLOW BUSINESS OF GOING 1994 - FIT (short)
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Marina, 23-godišnjakinja, odrasta sa svojim ocem arhitektom u primorskom gradu u kojem je centralno mjesto fabrika za izradu prototipa. Pošto su joj ljudska bića čudna i odbojna, drži distancu prema svima. Ona radije bira da ih posmatra kroz pjesme benda Suicide, dokumentarce o sisarima Sir Davida Attenborougha, kao i kroz lekcije o seksualnom obrazovanju koje joj drži njena jedina prijateljica, Bella. Stranac dolazi u grad i izaziva je na dvoboj u stolnom fudbalu, na njenom stolu. Za to vrijeme njen otac se ritualno priprema na iskorak iz 20. stoljeća, koje smatra „precijenjenim“. Athina Rachel Tsangari je diplomirala književnost na Aristotelovom univerzitetu u Solunu, i magistrirala performans na Tischovoj školi Univerziteta u NewYorku, kao i filmsku režiju na Univerzitetu u Texasu u gradu Austin. Jedan je od osnivača i umjetnički direktor Međunarodnog festivala kratkog filma Cinematexas sa sjedištem u Austinu (19972007). 2009. godine, režirala je animirani film REFLECTIONS za otvaranje novog muzeja Acropolis, kojeg je dizajnirao Bernard Tschumi, gdje je prikazan kao namjenski projekat uz svu medijsku pažnju. Njen drugi film ATTENBERG je imao premijeru na službenoj konkurenciji Filmskog festivala u Veneciji 2010. i dobio nagradu Coppa Volpi.
E Marina, 23, is growing up with her architect father in a prototype factory town by the sea. Finding the human species strange and repellent, she keeps her distance. Instead she chooses to observe it through the songs of Suicide, the mammal documentaries of Sir David Attenborough, and the sexual-education lessons she receives from her only friend, Bella. A stranger comes to town and challenges her to a foosball duel, on her own table. Her father meanwhile ritualistically prepares for his exit from the 20th century, which he considers to be “overrated.”
Athina Rachel Tsangari received a B.A. in Literature from the Aristotle University of Thessaloniki, an M.A. in Performance Studies from New York University’s Tisch School of the Arts, and an MFA in Film Directing from the University of Texas at Austin. She co-founded and was artistic director of the Austin-based Cinematexas International Short Film Festival (1997-2007). In 2009, she directed the animation film REFLECTIONS for the opening of the new Acropolis Museum designed by Bernard Tschumi, where it screened as a large scale, site-specific projection. Her sophomore feature ATTENBERG premiered at the 2010 Venice Film Festival official competition, and received the Coppa Volpi Award for Best Actress.
En el futuro / U budućnosti / In the Future Argentina, 2010, HD CAM (HDTV), Colour and B&W, 60 min, Spanish Režija / Director: Mauro Andrizzi Scenarij / Screenplay: Mauro Andrizzi Direktor fotografije / Director of Photography: Emiliano Cativa Montaža / Editor: Francisco Vazquez Murillo Zvuk / Sound: Celeste Palma Uloge / Cast: Luis Machin, Sergio Boris, Lorena Damonte, Carlos Defeo, Debora Dejtiar, Andres Irusta, Felix Quadros, Jazmin Antar, Gabriel Lima, Cecilia Czornogas, Casandra Da Cunha, Cristina Blanco, Luciana Lamoglia, Sportivo Teatral Producent / Producer: Mauro Andrizzi Produkcija / Production: Mono Films Filmografija / Filmography 2010 - EN EL FUTURO / IN THE FUTURE 2008 - IRAQI SHORT FILMS 2007 - MONO 2006 - COLOR Y PIXEL (short)
Budućnost je puko nagađanje. A i ljubav je takva. Svaka ljubavna priča u ovom filmu nas vodi iz različite sadašnjosti u različitu prošlost. Nada za boljom budućnošću je iluzija koja nas drži u iščekivanju, dok nas puni bijesom zbog čekanja za nečim posebnim što treba da se desi. U ovo čudno vrijeme, koje oblikuju komadići pamćenja i onoga što se moglo desiti, ali nije, gdje obitavaju likovi iz filma dok čekaju dolazak budućnosti. Narator u filmu U BUDUĆNOSTI je duh. Moj duh.
E The future is pure speculation. So is love. Each love story in the film takes us to a different past, from a different present. The hope for a bright future is an illusion that keeps us expecting, as it unleashes the anguish of waiting for something extraordinary to happen. In this strange time, shaped by memory pieces and by what could have happened but didn’t, is where the characters of the film inhabit, awaiting the arrival of the future. The storyteller in “IN THE FUTURE is a ghost. My ghost.
Mauro Andrizzi je rođen u Mar del Plata (Argentina) 1980. godine. Njegov drugi dokumentarac koji je postao hit na filmskim festivalima bio je IRAQI SHORT FILMS, detaljna istraga o propagandi sačinjenoj od amaterskih snimaka sa mobitela svih vojski koje su uključene u sukob u Iraku: privatnih plaćenika, okupacijske vojske predvođene Amerikom i nevladinih trupa koje im se suprostavljaju. Dok je i dalje uživao u uspjehu IRAQI SHORT FILMS, snimio je IN THE FUTURE, svoj treći dugometražni film. Trenutno je u postprodukciji svog četvrtog filma GLORIOUS ACCIDENTS, koprodukciji između Švedske, Danske i Argentine.
Mauro Andrizzi was born in Mar del Plata, Argentina in 1980. His second documentary feature was the 2008-2009 film festivals hit IRAQI SHORT FILMS, a long term investigation of the propaganda generated by the amateurs videos shot with mobile phones by all the forces implicated in the Iraq conflict : the private security contractors, the US-led ocuppation army and the militias resisting the invasion. While still enjoying the golden path of Iraqi Short Films, he has filmed IN THE FUTURE, his third feature film. He is currently postproducing his fourth feature GLORIOUS ACCIDENTS, a co-production between Sweden, Denmark and Argentina.
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Finisterrae Spain, 2010, HD CAM (HDTV), Colour, 80 min, Russian Režija / Director: Sergio Caballero Scenarij / Screenplay: Sergio Caballero Direktor fotografije / Director of Photography: Eduard Grau Montaža / Editor: Martí Roca Muzika / Music: Jimi Tenor, Sergio Caballero Zvuk / Sound: Jonathan Darch, Jordi Juncadella Kostimografija / Costume Design: Jorge Pérez Uloge / Cast: Pau Nubiola, Pavel Lukiyanov, Santí Serra, Yuri Mykhaylychenko, Claudia Schneider, Rosanna Walls, Catherine Allard, Jordi Picazos, Lev Nikolaiev Producent / Producer: Luis Minarro, Ventura Barba Produkcija / Production: Advanced Music, Eddie Saeta, Sónar Festival, Lourdes Espańol, Jordi Picazos Filmografija / Filmography 2010 - FINISTERRAE
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FINISTERRAE govori o dva duha kojima je dosta života na ostrvu sjenki, te odlučuju da idu na hodočašće Sv. Jakova do kraja svijeta, i onda da poslije svega počnu sa zemljaskim životom u svijetu živih. To je introspektivno putovanje kroz negostoljubive predjele, tokom kojih sreću čudna bića, divlje životinje i nadrealne likove. Moraju se uhvatiti u koštac sa neočekivanim situacijama, proživjeti svoje tenzije i suočiti se sa svojim sumnjama koje počinju od činjenice da su duhovi. Sergio Caballero je ko-režiser i tvorac imidža Sónar Festivala napredne muzike i multimedijalnih umjestnosti. Njegova umjetnička kreativnost i neiscrpna energija je očigledna na mnogim, različitim poljima, kao što je elektronsko komponiranje, plastične umjetnosti i konceptualna umjetnost, a u velikoj mjeri to je i bila pokretačka snaga koja stoji iza uvijek kontraverznih i provokativnih kampanja Sónara. Caballero je radio sa kompozitorom Pedrom Alcaldeom od 2004. godine, a napravili su šest muzičkih kompozicija za Državni plesni ansambl pod dirigentskom palicom Nacha Duata. FINISTERRAE je njegov prvi dugometražni film, u kojem se vidi njegov potpuno lični stil, i koji pruža uvid u njegove ukuse, opsesije i posebni smisao za humor.
E FINISTERRAE tells the story of two ghosts who are tired of living in the land of shadows, and decide to walk the Santiago Pilgrim Way until the end of the world, and once there, to begin a mortal earthly life in the land of the living. It is an introspective journey through inhospitable landscapes, during which they meet strange beings, wild animals and surreal characters. They must deal with unexpected situations, face their own tensions and consider the doubts arising from the fact that they are ghosts.
Sergio Caballero is the co-director and the creator of the image of the Sónar Festival of Advanced Music and Multimedia Art. His artistic creativity and restlessness is apparent in very different fields, such as electronic composition, the plastic arts and conceptual art, and to a large extent it has been the force behind the always controversial and striking Sónar image campaigns. Caballero has worked with the composer Pedro Alcalde since 2004, and they have created six musical compositions for the National Dance Company, directed by Nacho Duato. FINISTERRAE is his first full-length film, in which his completely personal style is apparent, and which provides an insight into his tastes, his obsessions and his own particular sense of humour.
Okhotnik / Lovac / The Hunter Russia, 2011, 35 mm, Colour, 124 min, Russian Režija / Director: Bakur Bakuradze Scenarij / Screenplay: Bakur Bakuradze, Ilya Malakhova Direktor fotografije / Director of Photography: Nikolay Vavilov Montaža / Editor: Daria Gladysheva, Ilya Malakhova, Arseniy Troitskiy Zvuk / Sound: Arseniy Troitskiy Scenografija / Production Design: Kirill Shuvalov Kostimografija / Costume Design: Elena Gromova, Marianna Gaiduk Uloge / Cast: Mikahil Barskovich, Tatiana Shapovalova, Oksana Semenova, Gera Avdochenok, Yulia Melikhova, Ekaterina Maksyutova Producent / Producer: Sergey Selyanov, Archil Gelovani Produkcija / Production: CTB Film Company, Salvador D, Intercinema
Ivan Dunaev je vlasnik životinjske farme na sjeveru Rusije. Kako je „duboko ukorijenjen“, vezan za zemlju, porodicu i sina, počinje osjećati opčinjenost ženom iz obližnjeg zatvora, zemljoradnicom. Njihov osjećaj im daje šansu da nakratko pobjegnu iz stvarnosti. Pošto je razapet između odgovornosti za porodicu i ljubavi, Ivan mora donijeti odluku. LOVAC je priča o potrebi za ljubavlju i intimnošću kao načinom da se dođe do najdubljeg kontakta sa drugim ljudskim bićem. Bakur Bakuradze (rođen 1969. godine u Tbilisiju) diplomirao je na Ruskom državnom institutu za film (VGIK), gdje je studirao u klasi Marlen Khutsiev. Njegov prvi igrani film SHULTES prikazan je na Filmskom festivalu u Cannesu (sekcija Dvije sedmice reditelja), i osvojio Veliku nagradu na festivalu Kinotavr na Sochi i na Međunarodnom filmskom festivalu Molodist u Kijevu. LOVAC je njegov drugi igrani film.
E Ivan Dunaev is the owner of an animal farm in the North of Russia. Being “deeply rooted” - attached to his land and his family, his son, he finds fimseld falling for a woman from a nearby prison, a farm-worker. Their feeling gives them a chance to excape from reality for a short while. Ivan, being confronted with a choice between responsibility for his family and love, has to take a decision. THE HUNTER is the story about the necessity of love and intimacy as a way to come in deepest contact with another human being.
Bakur Bakuradze (born 1969, Tbilisi) graduated from the Russian State Institute of Cinematography (VGIK), where he studied under Marlen Khutsiev. His first feature film SHULTES was shown at the Cannes Film Festival (Quinzaine des Realisateurs), won the Grand Prix at Kinotavr in Sochi and at the Kiev Molodist International Film Festival. THE HUNTER is his second feature.
Filmografija / Filmography 2011 - OKHOTNIK / THE HUNTER 2008 - SHULTES 2007 - MOSCOW
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The Slut / Drolja Israel, 2011, 35 mm, Colour, 88 min, Hebrew Režija / Director: Hagar Ben-Asher Scenarij / Screenplay: Hagar Ben-Asher Direktor fotografije / Director of Photography: Amit Yasour Montaža / Editor: Asaf Korman Zvuk / Sound: Ronen Nagel, Yisrael David Kostimografija / Costume Design: Li Alembik Uloge / Cast: Hagar Ben Asher, Ishai Golan, Icho Avital, Yoav Levi, Tzahi Hanan, Stav Yanai, Daria Forman Producent / Producer: Marek Rozenbaum, Benny Drechsel Produkcija / Production: Transfax Film Production, Rohfilm Filmografija / Filmography 2011 - THE SLUT 2007 - MISH’OLIM / PATHWAYS (short)
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Tamar, stara 35 godina, je prelijepa, mlada žena koja živi sama sa svoje dvije kćeri. Ona ne može zatomiti svoje seksualne apetite i podaje se nekolicini muškaraca iz sela. Shai, mladić, upravo se vratio u rodni kraj da se pobrine za imovinu mrtve majke, ali kada sretne Tamar, odlučuje da ostane. Uskoro se zaljubljuju jedno u drugo, ali hoće li Tamar biti zadovoljna samo jednim partnerom?
E Tamar, 35 years old, a beautiful young woman, lives alone with her two daughters. She can’t restrain her sexual appetite and gives herself to several men of the village. Shai, a young man, just came back in the region to handle his dead mother’s assets, but as he meets Tamar, he decides to stay. They soon fall in love, but will Tamar be satisfied with only one partner?
Hagar Ben Asher, rođena 1979. godine, proslavila se svojim diplomskim radom, kratkim filmom PATHWAYS, za koji je osvojila nagradu Cinefondation na Filmskom festivalu u Cannesu prije nekoliko godina. Scenario za film DROLJA je razrađen kao dio sekcije Atelje na Filmskom festivalu u Cannesu, i dok je Ben Asher skupljala novac i pripremala se da snimi film, postala je poznata kao glumica u TV seriji THE RAN QUARTET i u igranom filmu JULIA MIA, koji je dobio Nagradu za najbolji film na Filmskom festivalu u Haifi 2007. godine.
Hagar Ben Asher, born in 1979, made a name for herself when her gradua¬tion film, the short film PATHWAYS, won the Cinefondation prize in Cannes a few years ago. The script for THE SLUT was developed as part of Atelier in Cannes, and while Ben Asher was raising funds and preparing to shoot her film, she became famous as an actress in a TV series called THE RAN QUARTET, and in the motion picture JULIA MIA awarded as Best Film at the Haifa film festival 2007.
Todos tus muertos / Svi tvoji mrtvi / All Your Dead Ones Columbia, 2011, 35 mm, Colour, 90 min, Spanish Režija / Director: Carlos Moreno Scenarij / Screenplay: Alonso Torres, Carlos Moreno Direktor fotografije / Director of Photography: Diego Jiménez Montaža / Editor: Andrés Porras, Carlos Moreno Muzika / Music: José Garrido Zvuk / Sound: Carlos Trujillo Scenografija / Production Design: Hernán García Uloge / Cast: Alvaro Rodríguez, Jorge Herrera, Martha Márquez, Harold De Vasten, John Alex Castillo Producent / Producer: Diego Ramirez Produkcija / Production: 64-A Films Filmografija / Filmography 2011 - TODOS TUS MUERTOS / ALL YOUR DEAD ONES 2009 - UNO, LA HISTORIA DE UN GOL / ONE, THE STORY OF A GOAL (documentary) 2008 - PERRO COME PERRO / DOG EAT DOG
Priprosti kolumbijski farmer jednog jutra u polju kukuruza pronalazi hrpu leševa. On vlastima prijavljuje taj misteriozni masakr, ali na dan izbora vlasti nisu ono što bi trebale biti. To se zove tragikomična alegorija. Ili, pak, drama prepuna brige. Carlos Moreno, koji je prije nekoliko godina glumio kolumbijskog urbanog macho muškarca, otjelotvorenje ludila i nasilnog apsurda u filmu DOG EAT DOG, smjestio je svoj drugi film na kolumbijsko selo. Ova priča je grozno jednostavna: priprosti farmer pronalazi hrpu leševa jednog nedjeljnog jutra u svom polju kukuruza. Šokiran i bijesan, on to prijavljuje lokalnim vlastima, ali oni imaju dobar razlog da ne prihvate to što se desilo. Carlos Moreno (rođen 1968. godine u Kolumbiji) studirao je u Kolumbiji i Španiji, te specijalizirao audiovizuelne umjetnosti. Do 2005. se fokusirao se na snimanje filmova po narudžbi. Uređivao je širok spektar programa, od televizije, videospotova do reality TV-a. Njegov prvi igrani film DOG EAT DOG (2008) je osvojio nagrade na nekoliko međunarodnih festivala.
E Ordinary Colombian farmer finds a pile of corpses in a field of maize one morning. He reports the mysterious bloodbath to the authorities, but on electionday the authorities are not what they should be. A tragicomic allegory, is what they call that. Or a worrying drama. Carlos Moreno, who portrayed the overheated and violent absurdity of Colombian urban machismo a couple of years ago in DOG EAT DOG, situated his second film in the Colombian countryside. The story is gruesomely simple: a simple farmer finds an enormous pile of corpses early one Sunday morning in his cornfield. Shocked and furious, he reports it to the local authorities, but they have good reasons not to want to acknowledge the affair.
Carlos Moreno (1968, Colombia) studied in Colombia and in Spain and specialised in the audiovisual arts. He concentrated on making commissioned films until 2005. He edited a wide variety of programmes for television, from music videos to reality TV. His feature debut Dog Eat Dog (2008) won prizes at several international festivals.
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Play / Igra NEW CURRENTS SPECIAL Sweden, France, Denmark, 2011, 35 mm, Colour, 118 min, Swedish Režija / Director: Ruben Östlund Scenarij / Screenplay: Ruben Östlund Direktor fotografije / Director of Photography: Marius Dybwad Brandrud Montaža / Editor: Ruben Östlund, Jacob Schulsinger Muzika / Music: Saunder Jurriaans, Daniel Bensi Zvuk / Sound: Jens De Place Bjorn Scenografija / Production Design: Pia Aleborg Kostimografija / Costume Design: Pia Aleborg Uloge / Cast: Anas Abdirahman, Sebastian Blyckert, Yannick Diakité, Sebastian Hegmar, Abdiaziz Hilowle, Nana Manu, John Ortiz, Kevin Vaz Producent / Producer: Erik Hemmendorff, Philippe Bober Produkcija / Production: Plattform Produktion, Coproduction Office ApS, Parisienne de Production Filmografija / Filmography 2011 - PLAY 2010 - INCIDENT BY A BANK (short) 2008 - INVOLUNTARY 2005 - AUTOBIOGRAPHICAL SCENE NUMBER 6882 (short) 2004 - THE GUITAR MONGOLOID
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IGRA je pronicljiva opservacija bazirana na stvarnim slučajevima siledžijstva. U centralnom Geteborgu (Švedska), grupa dječaka od 12 do 14 godina pljačka ostalu djecu u nekih 40 slučajeva u periodu od 2006. do 2008. godine. Lopovi su koristili razrađenu shemu koju su nazvali „mali brat“ ili „trik brat“, koja uključuje kompleksno uživljavanje u ulogu i kriminalnu retoriku prije nego fizičko nasilje.
E PLAY is an astute observation based on real cases of bullying. In central Gothenburg, Sweden, a group of boys, aged 12-14, robbed other children on about 40 occasions between 2006 and 2008. The thieves used an elaborate scheme called the ‘little brother number’ or ‘brother trick’, involving advanced role-play and gang rhetoric rather than physical violence.
Ruben Östlund je rođen 1974. godine na Styrsöu, ostrvcetu u blizini zapadne obale Švedske. Kao strastveni skijaš, Östlund je režirao tri filma o skijanju koji pokazuju njegov ukus za duge kadrove. Östlund je studirao film na Univerzitetu u Geteborgu gdje je razvio osjećaj za konstruktivne i dobro osmišljene uzastopne kadrove koje je nastavio razvijati u svojim kratkim i igranim filmovima do današnjeg dana. Kao reditelj postao je poznat po duhovitom i preciznom pogledu na društveno ponašanje. Njegov prvi igrani film THE GUITAR MONGOLOID je osvojio nagradu FIPRESCI na festivalu u Moskvi 2005. godine.
Ruben Östlund was born in 1974 on Styrsö, a small island off the West Coast of Sweden. An avid skier, Östlund directed three ski films testifying his taste for long sequence shots. Östlund went on to study film at the University of Gothenburg where he developed his sense for constructed and well thought out sequence shots which has continued to evolve in his short and feature films until now. The director has also become known for his humorous and accurate look at human social behaviour. His feature debut THE GUITAR MONGOLOID won the FIPRESCI Award at Moscow in 2005.
NOVI TOKOVI - KRATKI FILM NEW CURRENTS - SHORTS 90 Aterfödelsen / Neživi / The Unliving, Hugo Lilja 90 Beyond-ism, Sun Xun 91 Cross / Kros / Cross-Country, Maryna Vroda 91 The External World / Vanjski svijet, David O’Reilly 92 Il capo / Šef / The Chief, Yuri Ancarani 92 La dame au chien / Dama s psom / The Lady With The Dog, Damien Manivel 93 Mourir aupres de toi / Umrijeti uz tebe / To Die By Your Side, Spike Jonze, Simon Cahn 93 Players / Igrači, Pilvi Takala 94 Random Strangers / Nasumični stranci, Alexis Dos Santos 94 Rao Yi Sheng / Doktor Rao / Doctor Rao, Alexej Tschernyi, Zhi Wu 95 Red Earth / Crvena Zemlja, Clara Law 95 Stick Climbing / Nevidljivi penjač, Daniel Zimmerman 96 Tse / Van / Out, Roee Rosen 96 Umshini Wam / Moj mitraljez / Bring Me My Machine Gun, Harmony Korine 97 Wakaranai buta / Šta to svinja vidi / In A Pig’s Eye, Atsushi Wada
novi tokovi - kratki film new currents - shorts Trinaesto izdanje programa Novi tokovi, sekcija kratki film, predstavljeno je najvećim opusom do sada, možda ne brojem filmova koji su predstavljeni nego vremenom trajanja, pri čemu dužine filmova u nekim slučajevima prelaze dvadeset pet minuta ili više. Pošto je u prošlosti programski princip kratkih filmova bio orijentiran na naslove trajanja od pet do deset minuta, bitno je spomenuti da su neka od najboljih djela urađenih u posljednjih dvanest mjeseci – filmovi srednje dužine trajanja. Bez potrebe da se dodatno pojašnjava, ovo ostaje jedan od najnezahvalnijih filmskih formata današnjice – često marginaliziran
na festivalima i kratkog i igranog filma, jer se za njega misli da ga je nemoguće uklopiti u programske sheme. Filmovi prikazani u naredna tri termina u sebi nose odlične primjere savršene upotrebe formata kratkog filma. Neki od njih su mladi talenti koji nastupaju kao umjetnički zreli filmski autori, budući da odlično razumiju i koriste cijeli spektar narativnih oblika i tehnika koje može da ponudi kratki film. Druga grupa, u većini slučajeva formalnije konvencionalna, pripada rediteljima koji su ranije napravili karijeru snimivši bar nekoliko uspješnih igranih filmova prije nego što su se ponovo bacili na
režiranje kratkih filmova. Ono što su snimili su vjerovatno njihova najbolja djela do sada, uspostavljajući tako odlične primjere koji će, nadajmo se, inspirisati još filmskih stvaralaca da se povremeno posvete i režiranju kratkog filma. Kada je Međunarodni filmski festival u Rotterdamu nazvao jedan od svojih programa kratkih filmova “Nek’ traje koliko treba”, sumirali su domišljatom frazom misao koja se može prikladno primijeniti na vrhunski program kratkog filma Novi tokovi 2011. Selektorica: Vanja Kaluđerčić
E The 13th edition of New Currents shorts comes in its largest opus so far, perhaps not by the number of films presented, but rather its running time, which in some cases exceeds twenty-five minutes or more. Since in the past editions the principle of programming shorts was more centered around five to ten minute long titles, it feels important to mention that some of the best works made in the past twelve month are medium-length films. Needles to elaborate, it remains one of the most ungrateful formats in cinema today – often marginalized by both short and feature
length film festivals, they’re considered to be unfit to match well in the programming slots. The films presented in the following three slots bring some great examples of perfect use of the short film format. Some of them are young talents, who come across as artistically mature auteurs, perfectly understanding and using the variety of narrative forms and techniques a short film can offer. The second group, in most cases, more formally conventional, belongs to directors who have established their careers years ago having made at least a couple of successful feature films before choosing to
direct short films again. What they have come up with is perhaps some of their best work to date, setting splendid examples that will hopefully inspire more filmmakers to occasionally venture towards directing short films. When International Film Festival Rotterdam named one of its short film programs: As Long As It Takes – they summed in a witted phrase a thought, which could be appropriately applied to describe sovereign content of 2011 New Currents short films program. Programmer: Vanja Kaludjercic
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Aterfödelsen / Neživi / The Unliving Sweden, 2010, 35 mm, Colour, 28 min, Swedish Režija / Director: Hugo Lilja Scenarij / Screenplay: Hugo Lilja Direktor fotografije / Director of Photography: Benjam Orre Montaža / Editor: Rickard Krantz, Max Aréhn Muzika / Music: Sebastian Lakatos Zvuk / Sound: Johanna Printz Uloge / Cast: Emilie Jonsson, Jonatan Rodriguez, Anna Uddenberg, Fredrik Wagner Produkcija / Production: Bonnie Skoog Feeney
Trideset godina nakon što su se zombiji pojavili, ljudi su naučili da žive uz njih. Zombiji su jeftina radna snaga; zbog njih je moguće da svi uživaju u udobnom životu. Ipak, „normalni“ ljudi prvo moraju da uhvate zombije i podvrgnu ih krvavim lobotomijskim eksperimentima kako bi ih pripitomili. Hugo Lilja je rođen u gradu Umeå u Švedskoj 1979. godine. Nakon studija filma pridružio se produkcijskoj kompaniji The Company P, za koju je producirao internet seriju DOLLPLAY. Također je režirao više reklama, uključujući i jednu za Amnesty International.
Filmografija / Filmography 2010 - ÅTERFÖDELSEN / THE UNLIVING (short) 2010 - A DAY IN THE COUNTRY (short) 2009 - DOLLPLAY (short) 2008 - JUDGEMENT DAY (short) 2008 - HOME SERVICE (short)
E Thirty years after a zombie outbreak, people have become used to living alongside them. Zombies are a cheap source of labour; they also make it possible for everyone else to enjoy a comfortable standard of living. However, the ‘normal’ people first have to tame the zombies by catching them and subjecting them to bloody lobotomy experiments.
Hugo Lilja was born in Umeå in Sweden in 1979. After studying film he joined the production company The Company P, for whom he produced an internet series entitled DOLLPLAY. He has also directed a number of commercials, including one for Amnesty International.
Beyond-ism China , 2010, HD CAM (HDTV), Colour, 8 min, Chinese Režija / Director: Sun Xun Scenarij / Screenplay: Sun Xun Animacija / Animation: Sun Xun, Tang Bohua, Fang Anguo, Han Ling, Zhou Lei, Li Tianyao, Li Rong, Zhang Feng Montaža / Editor: Xu Chong, Sun Xun Zvuk / Sound: Jin Shan Producent / Producer: Sun Xun Produkcija / Production: Pi Animation Studio Odabrana filmografija / Selected filmography 2010 - CLOWN’S REVOLUTION (animated) 2010 - BEYOND-ISM (animated) 2010 - 21 KE / 21 GRAMS (animated) 2009 - PEOPLE’S REPUBLIC OF ZOO (animated) 2006 - LIE (animated) 90 17. Sarajevo Film Festival l NOVI TOKOVI - KRATKI FILM
Ovaj uradak kombinuje tri dijela; realizirao sam prvi dio koji se sastoji od 10 velikih crteža u tinti u Yokohami. U Pekingu sam realizirao drugi dio, koji se sastoji od videoanimacije scenarija koji su urađeni u Japanu. Treći dio je lokalizirani crtež kojeg sam nedavno dovršio u Nagoyi. Ovaj rad je povezan sa Japanom, ali priča potječe iz Kine. Sun Xun
E This artwork combines three parts; I realized the first part that comprises 10 huge ink drawings in Yokohama. In Beijing I realized the second part, which consisted in the video animation the scenarios of which are taken from Japan. The third part is a sitespecific drawing I completed now in Nagoya. This work is related to Japan, however the story comes from China. Sun Xun
Sun Xun je rođen 1980. godine u Fuxinu, u Kini. Trenutno živi i radi u Hangzhou. Tokom 2010. godine je dobio nekoliko priznatih nagrada uključujući i nagrade za kinesku modernu umjetnost (CCAA za najboljeg mladog umjetnika).
Sun Xun was born in 1980 in Fuxin, China. He currently lives and works in Hangzhou. During 2010 he has received several notable awards including the “Chinese Contemporary Art Awards (CCAA Best Young Artist).”
Cross / Kros / Cross-Country France, 2011, 35 mm, Colour, 15 min, Russian Režija / Director: Maryna Vroda Scenarij / Screenplay: Maryna Vroda Direktor fotografije / Director of Photography: Ivanov Volodumur Montaža / Editor: Thomas Marchand Uloge / Cast: Egor Agarkov Producent / Producer: Florence Keller Produkcija / Production: Les 3 lignes
Prvo je dječak prisiljen da trči. Zatim on trči samovoljno. Zatim gleda druge kako trče.
E First a boy is forced to run. Then he runs on his own. Then he watches another one run.
Maryna Vroda je rođena u 1982. godine u Kijevu (Ukrajina). Diplomirala je 2007. godine na Univerzitetu za nacionalno pozorište, kinematografiju i televiziju Karpenko Karyy u Kijevu. Njeni školski filmovi su predstavljeni na nekoliko međunarodnih festivala. CROSS je njen prvi kraki film.
Maryna Vroda, is born in Kiev (Ukraine) in 1982. She graduated in 2007 at the “University of National theatre, cinematography and television Karpenko Karyy” in Kiev. Her school films have been presented in several international festivals. CROSS is her first short film.
Filmografija / Filmography 2011 - CROSS / CROSS-COUNTRY (short)
The External World / Vanjski svijet Germany, Ireland, 2010, DigiBeta, Colour, 15 min, English Režija / Director: David O’Reilly Scenarij / Screenplay: David OReilly, Vernon Chatman Animacija / Animation: Tobias Von Burkersroda, Jim Levasseur, Max Stöhr Muzika / Music: Bram Meindersma Zvuk / Sound: Bram Meindersma Uloge / Cast: Julian Barratt, Pearl Brilmyer, Adam Buxton, Christopher Kline, Stefanie Jones, Bram Meindersma, Hanayo Nakajima, Tenko Nakajima Producent / Producer: Henning Kamm, David OReilly Produkcija / Production: DETAiLFILM
Dječak uči svirati klavir.
E A boy learns to play the piano.
David O’Reilly (1985, Kilkenny) irski je animator koji živi i radi u Berlinu. Kad je imao 15 godina, počeo je raditi kao asistent u lokalnom animatorskom studiju, gdje je sam, u slobodno vrijeme, učio koristiti 3D softver. Spoznao je ljepote filma 2005. godine kad su mu dali ključeve nekorištenog privatnog kina sa ogromnog filmotekom. Od tada je napravio širok spektar nezavisnih kratkih filmova.
David O’Reilly (1985, Kilkenny) is an Irish animator based in Berlin. At 15 he began working as an assistant at local animation studios, teaching himself 3D software in his spare time. He discovered cinema in 2005 when he was given the keys to an unused private theatre with an enormous film library. Since then he has created a wide variety of independent short films.
Filmografija / Filmography 2010 - THE EXTERNAL WORLD (short); 2009 - PLEASE SAY SOMETHING (short); 2008 - OCTOCAT ADVENTURE (short); 2008 - RGB XYZ (short)
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Il capo / Šef / The Chief Italy, 2010, 35 mm, Colour, 15 min, No Dialogue Režija / Director: Yuri Ancarani Scenarij / Screenplay: Yuri Ancarani Direktor fotografije / Director of Photography: Ugo Carlevaro Montaža / Editor: Yuri Ancarani Muzika / Music: Wang Inc Zvuk / Sound: Micro Mencacci Uloge / Cast: Franco Barattini Producent / Producer: Ilaria Barbieri Marchi Produkcija / Production: N.O. Gallery
Monte Bettogli, Carrara: u nadzemnom kopu rudnika mramora ljudi i mašine kopaju u planini. „Il Capo“ (Šef ) upravlja, koordinira i vodi radnike i mašine koristeći jezik koji se sastoji isključivo od pokreta i znakova. Yuri Ancarani je rođen u Ravenni 1972. godine. On je vizuelni umjetnik, reditelj i predavač na Odsjeku za videoumjetnost Akademije likovnih umjetnosti NABA u Milanu i Akademiji likovnih umjetnosti ABA u Ravenni. Njegova djela su prikazivana na filmskim festivalima i u nacionalnim i međunarodnim muzejima i izložbama.
E Monte Bettogli, Carrara: in the marble quarries men and machines dig the mountain. “Il Capo” (The Chief ) manages, coordinates and guides quarrymen and heavy-duty machines using a language consisting solely of gestures and signs.
Yuri Ancarani was born in Ravenna in 1972. He is a visual artist, director an lecturer in Video Art at the NABA in Milan and at the ABA in Ravenna. His works have been shown at flm festivals and at national and international museums and exhinbitions.
Odabrana filmografija / Selected filmography 2010 - IL CAPO / THE CHIEF (short) 2009 - MADE IN ITALY (short) 2008 - IN GOD WE TRUST (short) 2007 - BAAL (short)
La dame au chien / Dama s psom / The Lady With The Dog France, 2010, 35 mm, Colour, 13 min, French Režija / Director: Damien Manivel Scenarij / Screenplay: Rémi Esterie, Damien Manivel Direktor fotografije / Director of Photography: Julien Guillery Montaža / Editor: Erika Haglund Zvuk / Sound: Jérôme Petit, Emmanuel Desguez Scenografija / Production Design: Jannick Guillou Uloge / Cast: Rémi Taffanel, Elsa Wolliaston Produkcija / Production: Groupe de Recherches et d’Essais Cinematographiques (GREC)
Vraćajući se sa bazena jednog vrućeg ljetnog popodneva, mladić pronalazi psa u parku i vraća ga njegovom vlasniku. Tenzije rastu u ovom čudnom susretu između tri stvorenja sa naizgled različitih planeta.
E Returning from the pool on a hot summer’s afternoon, a young man finds a dog in the park and returns it to its owner. Tension rises in this unusual meeting between three creatures from seemingly different planets.
Damien Manivel (rođen 1981. u Francuskoj) je radio kao plesač i moderni cirkuski umjetnik. Paralelno sa svojim poslom izvođača, on pravi kratke filmove. Njegov kratki film THE LADY WITH THE DOG (2010) je izabran za konkurenciju za nagradu Tiger na Filmskom festivalu u Rotterdamu.
Damien Manivel (1981, France) has worked as a dancer and contemporary circus artist. In parallel to his job as a performer he has been making short films. His short THE LADY WITH THE DOG (2010) has been selected for the 2011 Tiger Awards competition in Rotterdam.
Filmografija / Filmography 2010 - LA DAME AU CHIEN / THE LADY WITH THE DOG (short) 2008 - SOIS SAGE, Ô MA DOULEUR (short)
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Mourir aupres de toi / Umrijeti uz tebe / To Die By Your Side France , 2010, HD CAM (HDTV), Colour, 6 min, English Režija / Director: Spike Jonze, Simon Cahn Scenarij / Screenplay: Olympia Le-Tan, Spike Jonze Direktor fotografije / Director of Photography: Jean-Louis Padis, Stephen Barcello Animacija / Animation: Sylvain Derosne, Leonard Cohen, Emilie Sandoval, Julien Laval Montaža / Editor: Simon Cahn Muzika / Music: Sam Spiegel, Koool G. Murder, Soko Scenografija / Production Design: Sylvain Derosne, Benjamin Fanni Uloge / Cast: Soko, Spike Jonze, Pierre Le-Tan Producent / Producer: Gregory Bernard, Diane Jassem, Nicolas Lhermitte
Nakon zalaska sunca, stari pariški knjižar zatvara svoju malu prodavnicu. Likovi iz knjiga koje su na policama, odjednom oživljavaju. Spike Jonze je rođen 22.10.1969.godine u Rockvilleu (SAD). Simon Cahn je rođen 20.12.1982.godine u Besançonu (Francuska). MOURIR AUPRES DE TOI je prvi film kojeg su zajedno režirali.
E After sunset, an old Parisian bookseller closes his little shop. The characters from the books displayed on the shelves suddenly come to life.
Spike Jonze was born on October 22, 1969 in Rockville (USA). Simon Cahn was born on December 20, 1982 in Besançon (France). MOURIR AUPRES DE TOI is the first film they co-directed.
Filmografija / Filmography Simon Kahn 2010 - MOURIR AUPRES DE TOI (short) Spike Jonze 2011 - SCENES FROM THE SUBURBS (short); 2010 - I’M HERE (short); 2009 - WHERE THE WILD THINGS ARE; 2009 - WE WERE ONCE A FAIRYTALE (short); 2002 - ADAPTATION; 1999 - BEING JOHN MALKOVICH
Players / Igrači Netherlands, Finland, 2010, HDV, Colour, 8 min, English Režija / Director: Pilvi Takala Scenarij / Screenplay: Pilvi Takala Direktor fotografije / Director of Photography: Pilvi Takala Montaža / Editor: Pilvi Takala Uloge / Cast: Pilvi Takala Producent / Producer: Pilvi Takala Filmografija / Filmography 2010 - PLAYERS (short) 2009 - REAL SNOW WHITE (short) 2008 - THE ANGELS (short) 2007 - KUULUTTAJA (short) 2007 - THE SHINING SHINING (short) 2006 - EASY RIDER (short) 2006 - SEINÄRUUSU (short)
Zasnovan na stvarnom životu, ovaj eksperimentalni videouradak govori o životu šestorice međunarodnih profesionalnih igrača pokera koji žive u pokerskoj zajednici u Bangkoku. Igrač koji pripovijeda priču objašnjava kako je poker više način zarade nego strast, ali, ipak, pravila zajednice prate logiku ove igre. Pilvi Takala trenutno živi i radi u Amsterdamu. Magistrirala je 2006. godine na Akademiji likovnih umjetnosti u Helsinkiju. Njena djela su priče zasnovane na individualnim, autentičnim intervencijama i radnjama, jednom vrstom izuzetaka unutar svakodnvenice.
E Based on real-life, the experimental video work tells about the life of six international poker professionals living within Bangkok’s poker community. A player, who narrates the story, explains that playing poker is more a means to make money than a passion, yet the rules of the community follow the game’s logic.
Pilvi Takala currently lives and works in Amsterdam. She graduated 2006 from Academy of Fine Arts, Helsinki (MFA). Her works are narratives based on site-specific interventions and actions, sort of exceptions in everyday life.
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Random Strangers / Nasumični stranci United Kingdom, Netherlands, Argentina, 2011, HD CAM (HDTV), Colour, 25 min, English, German, Spanish Režija / Director: Alexis Dos Santos Scenarij / Screenplay: Laurence Coriat, Alexis Dos Santos Direktor fotografije / Director of Photography: Alexis Dos Santos, Flora Lau Montaža / Editor: Saskia Kievits Muzika / Music: Flor Braier, Johnny Challah, Roi Erez, Robin Todd Zvuk / Sound: Evelien van der Molen Uloge / Cast: Johnny Challah, Inés Efron Producent / Producer: Valentina Brazzini, Soledad Gatti-Pascual Produkcija / Production: The Bureau, Cinema Reloaded
Autor originalnog prvjenca GLUE i drugog filma UNMADE BEDS proniče još dublje u modernu kulturu mladih. U ovom kratkom filmu dva lika iz različitih dijelova svijeta se sreću u virtualnom svijetu.
E The maker of the refreshing debut GLUE and follow up UNMADE BEDS delves yet deeper in modern youth culture. In this short film two protagonists from different corners of the world will meet in the virtual one.
Alexis Dos Santos (1974. u Argentini) je reditelj, scenarista, montažer i producent. Njegov film GLUE je dobio mnoštvo nagrada, uključujući nagradu MovieSquad na Međunarodnom filmskom festivalu u Rotterdamu 2007. godine. UNMADE BEDS je njegov drugi igrani film.
Alexis Dos Santos (1974, Argentina) is a director, scriptwriter, editor and producer. His first film GLUE was showered with awards, including the MovieSquad Award at the IFFR in 2007. UNMADE BEDS is his second feature.
Filmografija / Filmography 2011 - RANDOM STRANGERS (short); 2009 - UNMADE BEDS; 2006 - GLUE; 2002 - AXOLOTL (short); 2001 - SAND (short); 1997 - METEORITOS (short)
Rao Yi Sheng / Doktor Rao / Doctor Rao Germany, 2001, HD CAM (HDTV), Colour, 7 min, No Dialogue Režija / Director: Alexej Tschernyi, Zhi Wu Scenarij / Screenplay: Alexej Tschernyi, Zhi Wu Direktor fotografije / Director of Photography: Alexej Tschernyi, Zhi Wu Montaža / Editor: Alexej Tschernyi, Zhi Wu Zvuk / Sound: Paul Milmeister, Michael Buk Producent / Producer: Alexej Tschernyi, Zhi Wu Filmografija / Filmography Alexej Tchernyi Odabrana filmografija / Selected filmography 2011 - DER KLEINE PRINZ (animation); 2011 - RAO YI SHENG / DOCTOR RAO (short); 2010 - KITAJ 31/1 (short); 2007 - FATHER (animation) Wu Zhi 2011 - RAO YI SHENG / DOCTOR RAO (short); 2006 - SUNDAY AFTERNOON (animation) 94 17. Sarajevo Film Festival l NOVI TOKOVI - KRATKI FILM
Alexej Tchernyi i Wu Zhi su umjetnički par koji živi i radi u Berlinu. Jedne noći ih budi strašna vijest (poruka). Wuov otac je imao moždani udar i leži u komi. Zajedno sa svojim sinom Kostikom, starim godinu dana i pet mjeseci, lete u Kinu, u nadi da će zateći dr. Raoa živog. Alexej Tchernyi je rođen 1976. godine u Charkowu, SSSR. Studirao je koreografiju na HGHU u Charkowu i društvene nauke na Univerzitetu Kassel u Njemačkoj. Wu Zhi je rođen 1972. godine u Sichuanu, Kina. Diplomirao je slobodnu grafiku na Institutu za likovne umjetnosti u Sichuanu, a magistrirao je likovne umjetnosti na Državnom univerzitetu jugozapadne Kine.
E Alexej Tchernyi & Wu Zhi are artists couple, living and working in Berlin. Once at night they are awaken by terrible news (message). The father of Wu has been stoke though (by) a braincollaps and lays in coma. Together with their 1,5 years old son Kostik they take a flight to China hoping to reach dr. Rao alive.
Alexej Tchernyi was born 1976 born in Charkow, USSR. He studied stage design at HGHU art education in Charkow and liberal arts at Kassel University in Germany. Wu Zhi was born 1972 in Sichuan, China. He studied free graphics at Sichuan fine arts institute (Bachelor diploma) and fine art at Southwest Chinese Normal University (Master diploma).
Red Earth / Crvena zemlja Hong Kong, 2010, 35 mm, Colour, 21 min, English Režija / Director: Clara Law Scenarij / Screenplay: Eddie Ling-Ching Fong, Clara Law Direktor fotografije / Director of Photography: Sion Michel Montaža / Editor: Waynnie Mak Zvuk / Sound: Hary Lo Uloge / Cast: Grace Huang, Daniel Wu Producent / Producer: Eddie Ling-Ching Fong Produkcija / Production: Lunar Films Filmografija / Filmography 2010 - RED EARTH (short) 2000 - THE GODDESS OF 1967 1996 - FLOATING LIFE 1992 - QIU YUE / AUTUMN MOON 1990 - AI ZAI BIE XIANG DE JI JIE / FAREWELL CHINA
Konsultant koji nudi usluge po cijelom svijetu stiže u Hong Kong da vidi djevojku koju je nakratko sreo prije mjesec dana. Prati njena uputstva, uzima posebnu sobu u hotelu posebnog dana, čekajući da mu ona pokaže najnezaboravniji zalazak sunca koji mu je obećala.
E A globetrotting consultant comes to Hong Kong to see a girl he met briefly a month ago. He follows her instructions, checking into a particular hotel and a particular room on a particular day, waiting for her to show him the most memorable sunset as she had promised.
Clara Law (rođena 1957. u Macau) je hongkonška filmska rediteljka „drugog vala“. Njena najzapaženija djela uključuju FAREWELL CHINA (1990) i AUTUMN MOON (1992). Nakon što je odselila u Australiju, nastavila je filmsku karijeru i režirala nekoliko filmova uključujući FLOATING LIFE (1996) i THE GODDESS OF 1967 (2000), koji su osvojili brojne nagrade na australijskim i svjetskim filmskim festivalima.
Clara Law (born 1957 in Macau) is a Hong Kong Second Wave film director. Her most remarkable works include FAREWELL CHINA (1990) and AUTUMN MOON (1992). After she moved to Australia, she continued her film career and made several films including FLOATING LIFE (1996) and THE GODDESS OF 1967 (2000), both have won numerous awards in Australia and film festivals around the world.
Stick Climbing / Nevidljivi penjač Austria, Switzerland, 2010, 35 mm, Colour, 14 min, No Dialogue Režija / Director: Daniel Zimmerman Scenarij / Screenplay: Daniel Zimmermann Direktor fotografije / Director of Photography: Andreas Hasenöhrl, Bernhard Braunstein, Raoul Schmitz, Anderes Kreimeier, Harald Höllwöger Montaža / Editor: Bernhard Braunstein Zvuk / Sound: Daniel Fritz, Bernhard Braunstein Producent / Producer: Daniel Zimmermann Produkcija / Production: SixpackFilm Filmografija / Filmography 2010 - STICK CLIMBING (short) 2006 - LAUBERHORN SKIRACE IN SUMMER (short) 2002 - THE 10 SWISS (short) 2000 - BOBSLED RUN IN SUMMER (short)
Lagana opuštajuća šetnja je prerasla u bizarnu penjačku ekspediciju. Kamera koja je upravo snimala horizontalnu panoramu prosječnog sela sad je posađena na drvene skije i prati vratolomnu stazu uz vertikalnu liticu.
E A contemplative walk leads to a bizarre climbing tour. The camera that has just panned over everyday village life now homes in on a construction of wooden slats to then follow a breakneck route up a vertical rock face.
Daniel Zimmerman, vizuelni umjetnik rođen u Švicarskoj, zapravo je studirao skulpturu u drvetu, radi na filmovima, stereoskopskoj fotografiji, instalacijama i performansima. Njegov umjetnički rad je izlagan u svjetskim muzejima, izložbenim prostorima i javnim prostorima. Također je reditelj kratkih filmova koji su prikazivani na međunarodnim filmskim festivalima.
Daniel Zimmermann, born in Switzerland, visual artist, originally trained as wood sculptor, works in film, stereoscopic photography, installation and performance. His artistic work has been shown internationally in museums, exhibition spaces, and in public spaces. His is also a director of short films that were presented at renowned international film festivals.
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Tse / Van / Out Israel, 2010, HD CAM (HDTV), Colour, 35 min, Hebrew, Russian Režija / Director: Roee Rosen Scenarij / Screenplay: Roee Rosen Direktor fotografije / Director of Photography: Avner Shahaf Montaža / Editor: Max Lomberg Zvuk / Sound: Binya Reches, Nadav Anker Uloge / Cast: Ela Shapira, Yoana Gonen, Igor Krutogolov, Boris Martzinovsky Producent / Producer: Sharon Benraf, Roee Rosen Produkcija / Production: Roee Rosen Productions
Destruktivna scena dominantnosti i pokoravanja. Ali u ovoj sesiji bolni udarac prisiljava pokorenog da izrekne rečenice – koje su stvarni citati izraelskog ministra vanjskih poslova, Avigdora Libermana.
E A dominance & submission trashing scene. But in this session, the painful blows cause the sub to spew out sentences - all of which are quotes from Israel’s minister of foreign affairs, Avigdor Lieberman.
Roee Rosen (rođen 1963. godine) je izraelskoamerički umjetnik, filmski stvaralac i pisac. OUT je imao premijeru na Filmskom festivalu u Veneciji, gdje je osvojio nagradu Orizzonti za najbolji srednjemetražni film. Ostale nagrade filma uključuju ARTE Nagradu za najbolji kratki evropski film na Danima kratkog filma u Oberhauzenu.
Roee Rosen (b. 1963) is an Israeli-American artist, filmmaker and writer. OUT premiered at the Venice film festival, where it won the Orizzonti award for best medium-length film. Other awards to the film included the ARTE award for best European short, at the Oberhausen Kurzfilmtage.
Filmografija / Filmography 2010 - HILARIOUS (short); 2008 - GAGGING DURING CONFESSION: NAMES AND ARMS (short); 2008 - THE CONFESSIONS OF ROEE ROSEN; 2007 - I WAS CALLED KUNEY-LEMEL (short); 2007 - CONFESSIONS COMING SOON (short); 2005 - TWO WOMEN AND A MAN (short); 1994 - DR. CROSS, A DIALOGUE (short)
Umshini Wam / Moj mitraljez / Bring Me My Machine Gun USA, 2011, HD CAM (HDTV), Colour, 15 min, English Režija / Director: Harmony Korine Scenarij / Screenplay: Harmony Korine Direktor fotografije / Director of Photography: Alexis Zabe Montaža / Editor: Leo Scott Zvuk / Sound: Alex Altman, Drew Douthit, Jonathan Jost Scenografija / Production Design: Bart Mangrum Uloge / Cast: Clayton Bezuidenhout, Hector Bezuidenhout, Yo Landi, Ninja Producent / Producer: Charles-Marie Anthonioz, Agnès B. Produkcija / Production: O’ Salvation
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Korineov šestanestominutni kratki film vodi nas na rubove društva gdje raperi/raveri Ninja i Yo Landi iz grupe „Die Antwoord“ glume gangstere u invalidskim kolicima. Ovo je priča o ljubavi i borbi za opstanak.
E Korine’s sixteen-minute short brings the audience to the fringes of society where Ninja and Yo Landi of Die Antwoord star as wheelchair-bound gangsters. It is a tale of love and the struggle for survival.
Harmony Korine (rođen 1973) je američki filmski reditelj, producent, scenarista i autor. Najviše je poznat po scenariju za film KIDS i po režiranju filmova GUMMO, JULIEN DONKEYBOY i MISTER LONELY.
Harmony Korine (born 1973) is an American film director, producer, screenwriter, and author. He is best known for writing KIDS and for directing GUMMO, JULIEN DONKEY-BOY and MISTER LONELY.
Filmografija / Filmography 2011 - UMSHINI WAM (short); 2011 - REBEL (short); 2010 - ACT DA FOOL (short); 2010 - MAC AND PLAK (short); 2009 - TRASH HUMPERS; 2007 - MISTER LONELY; 1998 - THE DIARY OF ANNE FRANK PART II (short); 1997 - GUMMO
Wakaranai buta / Šta to svinja vidi / In A Pig’s Eye Japan, 2010, HD CAM (HDTV), Colour, 10 min, No Dialogue Režija / Director: Atsushi Wada Scenarij / Screenplay: Atsushi Wadaa Animacija / Animation: Atsushi Wada Montaža / Editor: Atsushi Wada Muzika / Music: Luiz Kruszielski Zvuk / Sound: Kyohei Takahashi Uloge / Cast: Atsushi Wada Producent / Producer: Atsushi Wada Produkcija / Production: Tokyo University of the Arts
Kuća. Sasvim obična kuća. Čovjek i njegova porodica žive u toj kući. To je sasvim obična porodica, osim velike svinje koja leži ispred kuće. Velika svinja i obična kuća, velika svinja i čovječanstvo, otac i majka. Šta je prosječna porodica? Kako izgledaju odnosi u običnoj porodici? Atsushi Wada je diplomirao na Univerzitetu Osaka Kyoiku. Njegov film DAY OF NOSE 2005. godine je osvojio Nagradu za najbolji kratki film na Međunarodnom festivalu animacije u Norwichu.
E A house. A very ordinary house. A man and his family live in the house. It is a very ordinary family except for a huge pig is lying in front of the house. The giant pig and the ordinary house, the huge pig and mankind, the father and the mother. What is an ordinary family? What do relationships in an ordinary family look like?
Atsushi Wada graduated from Osaka Kyoiku University. In 2005, his film DAY OF NOSE won the the Best Short Film Award at the Norwich International Animation Festival.
Filmografija / Filmography 2010 - WAKARANAI BUTA / IN A PIG’S EYE (short) 2007 - THAT’S GLASSES (short) 2005 - DAY OF NOSE (short)
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PANORAMA 104 678 / Kairo 678 / Cairo 678, Mohamed Diab 105 A tiro de piedra / Na dobačaj kamena / A Stone’s Throw Away, Sebastián Hiriart 106 Beli, beli svet / Bijeli, bijeli svijet / White, White World, Oleg Novković 107 The Black Power Mixtape 1967 - 1975, Göran Hugo Olsson 108 Chrzest / Krštenje / The Christening, Marcin Wrona 109 Elena, Andrei Zvyagintsev 110 El Varal, Marta Ferrer 111 Gandu, Kaushik Mukherjee 112 The Guard / Čuvar, John Michael McDonagh 113 Hævnen / Bolji svijet / In a Better World, Susanne Bier 114 Jianyu / Kad ubice zavladaju / Reign of Assassins, Su Chao-Pin 115 Kochegar / Ložač / Stoker, Aleksey Balabanov 116 La vida útil / Koristan život / A Useful Life, Federico Veiroj 117 Las Acacias / Akacije, Pablo Giorgelli 118 Le gamin au vélo / Dječak sa biciklom / The Kid with a Bike, Jean-Pierre Dardenne, Luc Dardenne 119 Melancholia / Melanholija, Lars von Trier 120 The Miners’ Hymns / Himne rudara, Bill Morrison 121 Obratnoe dvizhenie / U suprotnom smjeru / Reverse Motion, Andrey Stempkovsky 122 Ovsyanki / Tihe duše / Silent Souls, Aleksei Fedorchenko 123 Quattro Hong Kong 2, Stanley Kwan, Brillante Mendoza, Ho Yuhang, Apichatpong Weerasethakul 124 Stand van de Sterren / Mjesto među zvijezdama / Position Among the Stars, Leonard Retel Helmrich 125 The Tailor / Krojač, Gordon Grinberg 126 Tyrannosaur / Tiranosaur, Paddy Considine 127 Verano de Goliat / Ljeto Golijata / Summer of Goliath, Nicolás Pereda 128 Vete más lejos Alicia / Alicia, idi daleko / Alicia, Go Yonder, Elisa Miller 129 Walk away Renée / Odlazi, Renée, Jonathan Caouette 130 Windfall / Neočekivana dobit, Laura Israel 131 Y Dios quiso / I bi volja Božija / And God Willed, Flavio Florencio
PANORAMA Godine 1998., godinu dana prije prve Panorame, bio sam član festivalskog žirija za bosanski kratki film. Dok sam bio tu, napisao sam članak o bosanskoj filmskoj produkciji, o kojoj nisam znao skoro ništa. U svrhu blic-studije morao sam uraditi mnogo intervjua, ali sam zato naučio nešto o finansiranju i poslijeratnom stanju bosanskog filma. To znanje je dopunilo ono što mogu da vidim iz prve ruke o ovom talentima bogatom prostoru. Među sedam režisera u konkurenciji su bili Srđan Vuletić, Pjer Žalica i Jasmila Žbanić. Onda sam 2000. godine, sročio program “Sukob i pomirenje” u New Yorku, koji je uključivao djela navedenih režisera, kao i bosanskih režisera kao što su Adis Bakrač i mladić po imenu Danis Tanović, čiji su dokumentarci i igrani filmovi o ratu i onome što je slijedilo poslije rata bili otkrovenje – i relativna nepoznanica. Priprema je uključila pronalaženje filmova, uglavnom dokumentaraca, iz Hrvatske i Srbije. Tada sam naišao na kvalitetna djela hrvatskih režisera kao što je Zvonimir Jurić i njihovih srpskih kolega poput Gorana Radovanovića. Tokom narednih nekoliko godina pogledao sam odlične filmove u režiji Aide Begić iz BiH, Dalibora Matanića iz Hrvatske, Damjana Kozolea iz Slovenije, kao i Vladimira Perišića, Darka Lungulova i Olega Novkovića iz Srbije. Novkovićev BELI, BELI SVET inspirirao me da potražim njegove ranije igrane filmove i dokumentarce, koji su uglavnom snimani u Boru, dosadnom gradu na jugu Srbije, i za mene je Novkovićev jedinstven korpus bio važno otkriće. (Jedini regionalni režiseri čije sam filmove prije vidio bili su već renomirani u filmskim krugovima: makedonski režiser Milčo Mančevski, koji se probio u vrh filmom PRIJE KIŠE, i Emir Kusturica koji je odrastao u BiH, ali živi u Srbiji, naročito njegovi rani filmovi i UNDERGROUND). Ova lična rekapitulacija nije stvar sujete; ona ima svrhu. Prije petnaest godina ne bih ni znao za većinu ovih filmova. Ipak, bio sam u poziciji da ih sagledam u globalnom kontekstu: živim u New Yorku i po pitanju filma sam internacionalac. Ono što me stvarno iznenadilo u mom filmskom neznanju je način na koji
100 17. Sarajevo Film Festival l PANORAMA
filmovi iz ove regije imaju definiran stav prema filmovima iz drugih krajeva svijeta, područja sa više novca i sa stabilnijom i mnogo mirnijom historijom. Ova mješavina talenta, snažnih vrijednosti i društvenopolitičke provokacije pridonijeli su kvaliteti filmova u zemljama koje su bile dio bivše Jugoslavije, koja je i sama imala jaku tradiciju proizvodnje filmova vrlo različite prirode. Mislim da Regionalni program ima ravnopravnu poziciju u odnosu na Panoramu, koja se djelomično sastoji od “najvećih hitova” iz svih dijelova svijeta iz prošle godine. (Prvi put od ranih izdanja Panorame, kad sam pravio program regionalnih filmova paralelno sa međunarodnim programom, uključujemo jedan film iz regije, da budem precizniji, iz Srbije: Novkovićev BELI, BELI SVET, jer je ova kombinacija moderne grčke tragedije i brehtovskog mjuzikla na nivou bilo čega što je predstavljeno u svijetu u periodu 2010-2011). U relativno malim zemljama strani filmovi zasjenjuju domaće filmove. Na festivalima kao što su oni u Torontu, Solunu, Berlinu i Veneciji, najgori filmovi su najčešće u nacionalnim sekcijama. Sarajevo Film Festival je mnogo manji nego navedeni, ali mnogo više iznenađuje ravnotežom između domaćih filmova i onih koji su uvezeni zbog spektakla. Navest ću vam neke primjere iz kojih ovdašnja publika, a posebno strani posjetioci(i uposlenici nevladinih organizacija), mogu naučiti u ovogodišnjem izboru filmova iz programa Panorama – pogotovo zato što su regionalni filmovi, barem oni iz BiH, Hrvatske i Srbije, nesumnjivo fokusiraniji na rat, bilo kao glavnu temu ili kao pozadinu. Rat je i dalje dominantno prisutan u podsvijesti onih koji su ga preživjeli, i to je potpuno razumljivo. Filmovi iz Panorame se ponekad bave nekom vrstom unutrašnjeg ili vanjskog sukoba, ali nijedan ne može parirati ovakvoj vrsti užasa. Takvih filmova ima u svim bojama i oblicima. U irskom filmu THE GUARD, satiri o filmovima koji govore o policajcima partnerima i standardnom westernu, seoski policajac Brendana Gleesona svojevoljno vodi rat protiv svakoga i svačega. Filmovi iz zemalja Trećeg svijeta, ove godine uglavnom iz Latinske Amerike, najviše se
bave siromaštvom i njegovim efektom. U meksičkom filmu Nicolasa Perede, LJETO GOLIJATA, mnogi stanovnici ruralnih područja koji su prikazani u filmu napustili su svoje domove da rade u SAD-u, i efekat njihovog odlaska se itekako osjeti. Argentinski film Pabla Giorgellia, AKACIJE, smireno priča o povezanosti koja nastaje u kabini velikog šlepera između usmaljenog argentsinkog vozača i siromašne žene iz Paragvaja, koju on isprva ignorira. S druge strane, nemirni, razmaženi tinejdžer putuje iz Meksika do juga Argentine da pronađe sebe u meksičkom filmu Elise Miller ALICIA, IDI DALEKO. U filmu Sebastiana Hierarta NA DOBAČAJ KAMENA, iz Meksika pastir prelazi granicu I ulazi u SAD da pronađe komad nakita za koji vjeruje da će mu donijeti sreću, ali ono što nije rečeno jeste da on tamo odlazi i da zaradi novac. Gubitak hranitelja porodice je itekako evidentan i u filmu Marte Ferrer, EL VARAL iz Meksika, u kojem se vidi kako poljoprivreda pati, zarobljena između emigracije ljudi u SAD i primjene NAFTA-e, sjevernoameričkog sporazuma o slobodnoj trgovini, koja preferira multinacionalne kompanije i desetkuje male farme. U Urugvaju, premisa filma Federica Veiroja KORISTAN ŽIVOT, jeste da je recesija uzrokovala zatvaranje kinoteke u Montevideu, tako da se dugogodišnji arhivar mora suočiti sa stvarnim životom po prvi put. Rusi, u Panorami zastupljeni u puno većem broju u nego prošlih godina, otvorili su vrata sukobima finansijske i duhovne prirode, koji su proizašli iz raspada SSSR-a. Naslovni lik u filmu ELENA Andreja Zviagintseva mora se odlučiti između bogatog supruga iz drugog braka i svoje zapuštene djece iz radničke klase iz prvog braka. U filmu U SUPROTNOM PRAVCU Andreja Stempkovskog, kriminalna banda je u potrazi za dječakom iz Uzbekistana, ilegalnog imigranta koji je svjedok ubistva koje su oni počinili i koji se uvlači u život usamljene majke koja misli da je izgubila sina na mjestu sličnom Čečeniji. Ugalj i leševi imaju istu vrijednost u LOŽAČU Alekseja Balabanova, u kojem kriminalna banda bivšeg majora koristi prostorije svog bivšeg narednika, koji je svjesno ravnodušan dok ubacuje
ugalj u peć kotlovnice. U filmu TIHE DUŠE Alekseja Fedorchenka gledaoci mogu vidjeti teret tradicije i kako se ona kosi sa modernim skrupulama. Nestanak porodice je tema mnogih ovogodišnjh filmova. Susanne Bier se u svom danskom filmu BOLJI SVIJET fokusira na dvije porodice, od kojih je svaka disfunkcionalna na svoj način; društveni problemi u Danskoj su refleksija onih u Africi gdje je naivni otac u jednoj od tih porodica ljekar humanista. U svom dokumentarcu MJESTO MEĐU ZVIJEZDAMA, holandski režiser Leonard Retel Helmrich posmatra članove indonežanske porodice koji se većinu vremena međusobno bore, što je odgovor na razlike u generacijskim prioritetima i surovoj bijedi. U KAIRU 678, egipatski režiser Mohamed Diab naglašava dominantno retrogradnu porodičnu reakciju dok prati tri seksualno zlostavljane žene u Kairu. Muški glavni lik u britanskom filmu TIRANOSAUR Paddya Considina skoro je presjekao sve veze sa svojom porodicom, a ženski glavni lik okončava grozno zlostavljanje koje provodi njen muž nad njom tako što ide mnogo dalje u tome. Sestre u filmu MELANHOLIJA danskog režisera Larsa von Triera su suprotnog polariteta, jedna je haotično depresivna, a druga opsjednuta kontrolom, i njih dvije uništava ljubav jedne za drugom, kao i njihovo međusobno nestrpljenje. Film KAD UBICE ZAVLADAJU hongkonškog režisera Su Chao-Pina govori o braku i neizbježnom sukobu između muža i žene koji duboko sakrivaju svoje tajne majstora borilačkih vještina. Predani sin radi sve što može za svoju mentalno bolesnu majku koja je smještena u duševnu bolnicu u dokumentarcu Jonathana Caouettea ODLAZI, RENEE. U indijskom filmu GANDU režisera Q, buntovni lijenština krišom posmatra svoju majku koja ga kori svaki put kada ona spava sa nekim kako ne bi plaćala kiriju; konačno, on bježi od kuće. I članovi porodice se stalno svađaju u većini kratkih filmova od kojih je sačinjen hongkonški omnibus QUATTRO HONG KONG 2. Ostala tri režisera dokumentarnih filmova su otvoreniji prilikom snimanja društvenih pitanja koji imaju univerzalni predznak. U filmu NEOČEKIVANA DOBIT, američka režiserka Laura
Israel ide sama protiv svih, preispitujući takozvane „zelene“ turbine i pohlepne kompanije koje ih prodaju, a koje su napravile cijelu zbrku u gradiću na sjeveru države New York. Dva od navedenih dokumentaraca koriste arhivske materijale kako bi dokazali svoju poentu. U filmu THE BLACK POWER MIXTAPE 1967-75, švedski režiser Goran Hugo Olsson ponovo se vraća na crnačke aktivističke pokrete u kasnim 60-tim i ranim 70-tim, uklapajući snimke švedskih TV reportera iz tog vremena sa glasovima učesnika tih događaja koji su snimljeni lani. U američkom filmu HIMNE RUDARA, Bill Morrison ponovo razmatra scene od prije nekoliko decenija, tako što manipulira slike iz rudarskog sjevernoengleskog grada Durhama, skicirajući postepenu propast radničke klase i radne snage i kontrastira je sa modernim aviosnimcima koji otkrivaju kako je ta historija iskorijenjena.
Ovi filmovi u okviru programa Panorama odabrani su uzimajući u obzir geografsku, ideološku i formalnu različitost, pa čak i ako je potpuni kvalitet filma primarni kriterij. To u grubom prijevodu znači: namjera im je da vam zagolicaju um, savjest i emocije. Najbolji od ovih filmova udaraju na sva tri. Panorama je posvećena uspomeni na professora Roberta “Boba” Sklara (1936-2011), voljenog autoriteta za filmske studije i historiju američke pop kulture, moga akademskog savjetnika i mentora, a iznad svega, dragog prijatelja. Howard Feinstein
Nadajmo se da postoji obostrana korist između regionalnih filmova i onih u Panorami ili Novim tokovima, koju režiseri iz jedne grupe mogu prepoznati i usvojiti kada gledaju filmove iz ove druge grupe i obratno. Publika ima najviše koristi od svih: gledaoci imaju priliku da vide filmove sa drugih kontinenata, kao i najbolje što domaća produkcija ima da ponudi, što je prepoznatljivo za ovaj festival. U najvećoj mjeri strani filmovi kruže, putujući od festivala do festivala godinu dana nakon premijere. Ali ovo je PRAVO MJESTO za filmove koji pomažu da se definira regija. Naravno, budući režiseri također imaju koristi. Oni mogu vidjeti kako iskusniji vizualizirajukulturno okruženje, šta se naglašava, šta prigušuje, kako se konstruiraju razni narativni oblici. U isto vrijeme, oni bivaju izloženi stranim filmskim industrijama, od Azije do Rusije na primjer, gdje je percepcija svijeta i način na koji je prenesena na celuloidnu traku često mnogo drugačija od onoga što se vidi u filmovima koji se prave ovdje ili u okolini. Režiseri sa potencijalom i voljom mogu, uprkos preprekama, pohvatati te veze; to im pomaže da uobliče sopstvenu viziju i cilj i odluče šta i kako snimati. Ja vidim filmove na ovom festivalu kao nešto što se često naziva “trajno obrazovanje”, postdiplomski program za obećavajuće režisere i, ustvari, asprirajuće filmofile.
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PANORAMA E In 1998, one year before the first Panorama, I served on the festival’s Bosnian short-film jury. While I was here, I wrote an article on Bosnian film production, which was something I knew almost nothing about. It required a lot of interviews for me to pose as a quick study, but I did learn something about financing and the postwar state of Bosnian cinema. That knowledge supplemented what I found out firsthand about the proportionally high talent pool. Among the seven directors in the competition were Srđan Vuletić, Pjer Žalica, and Jasmila Žbanić. Then, in 2000, I put together a Conflict & Resolution program in New York that included works by those three filmmakers, as well as other Bosnian directors such as Adis Bakrač and a young man by the name of Danis Tanović, whose documentaries and fiction from the war and the period immediately after were a revelation—and relatively unknown. Preparation included finding films, mainly documentaries, in Croatia and Serbia. That was when I encountered the fine works of such Croatian directors as Zvonimir Jurić and such Serbian filmmakers as Goran Radovanović. Over the next few years I saw excellent features by Aida Begić from Bosnia; Dalibor Matanić from Croatia; Damjan Kozole from Slovenia; and Vladimir Perišić, Darko Lungulov, and Oleg Novkovćc from Serbia. Novkovic’s WHITE WHITE WORLD inspired me to seek out his earlier features and documentary, most of them set in the dreary southern town of Bor, and for me his unified body of work was a major discovery. (The only regional filmmakers whose films I had seen before were well-known on the film circuit: Macedonian director Milcho Manchevski, who proved precocious with BEFORE THE RAIN, and Emir Kusturica, raised in Bosnia but residing in Serbia, especially for his first films and for UNDERGROUND.) This personal recounting is not self-indulgent; it serves a purpose. Fifteen years ago I would not have known most of these films. I was, however, able to see them in a global context: I live in New York and am essentially an internationalist film-wise. What really surprised me, in my filmic ignorance, was how films from this region hold their own against those from other parts of the world, areas with more money and
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a more stable—and much more peaceful— history. A blend of talent, strong values, and sociopolitical provocation have all contributed to the quality of movies in the countries that were formerly part of Yugoslavia, which itself had a strong tradition of good filmmaking of a very different nature. I think that the regional program holds its own against Panorama, which is comprised in part of the “greatest hits” from all over the world from the past year. (For the first time since the early editions of Panorama, when I programmed regional films alongside international fare, we are including one from the region, from Serbia to be precise: Novković’s WHITE WHITE WORLD, since this contemporary Greek tragedy cum Brechtian musical is on a par with anything that has been presented worldwide in 2010-2011.) In most relatively small countries, movies from abroad dwarf domestic fare. At festivals such as Toronto, Thessaloniki, Berlin, and Venice, the worst films are mostly in the national sections. The Sarajevo Film Festival is small in comparison, but much more successful in presenting a balance between homegrown films and those imported for the spectacle. Let me give some examples of what the local audience, not to mention foreign visitors (and workers at NGOs), can find, and learn from in this year’s crop of Panorama films—especially because the regional features, at least those from Bosnia, Croatia, and Serbia, are necessarily more focused, dealing with the war either as central subject or backdrop. The war is still such a presence in the consciousness of those who lived through it that that is fully understandable. The Panorama films sometimes deal with some sort of domestic or international conflict, but there is no one overriding horror that dominates all others. They come in all shades and stripes. In the Irish film THE GUARD, a satire of the cop buddy movie as well as generic western, Brendan Gleeson’s country policeman is at unforced perpetual battle with almost everyone and everything. The films from Third World countries, this year mostly from Latin America, deal largely with poverty and its effects. In Nicolas Pereda’s Mexican film, SUMMER OF GOLIATH, many in
the rural community portrayed have left to work in the U.S., and the impact of their loss is strongly felt. Pablo Giorgelli’s Argentinian film, LAS ACACIAS, tells at a very measured pace the story of an attachment developing in the cab of a large semi between a lonely Argentine truck driver and a poor indigenous woman from Paraguay whom he at first ignores. On the flip side, a troubled, spoiled teen travels from Mexico to the south of Argentina to find herself in Elisa Miller’s Mexican film, Alicia, GO YONDER. In Sebastian Hierart’s A STONE’S THROW AWAY, from Mexico, a shepherd crosses the border into the U.S. to pursue a piece of jewelry that he thinks will bring him luck, but what is left unsaid is that he is going there to earn money as well. The loss of bread earners is strongly evident in Marta Ferrer’s EL VARAL, from Mexico, in which the agriculture industry has suffered between the emigration of the men to the States and the implementation of NAFTA, the North American Free Trade Agreement, which encourages transnational corporations and has decimated small ranchers. In Uruguay, the premise behind Federico Veiroj’s A USEFUL LIFE is that the recession has caused the film archive in Montevideo to shut its doors, so its longtime archivist must face the world for the first time. The Russians, in Panorama this go-round in large numbers compared to other years, open the door to the conflicts, financial and spiritual, emanating from the breakup of the Soviet Union. The title character in Andrei Zviagintsev’s ELENA must choose between her wealthy second husband and her unkempt working-class children from her first marriage. In Andrey Stempkovsky’s REVERSE MOTION, a criminal gang looking for an illegal child worker from Uzbekistan that has witnessed them committing a murder inserts themselves into the life of a lonely mother who thinks she has lost her son in a place resembling Chechnya. Coal and corpses are of equal value in THE STOKER, by Alexey Balabanov, in which a criminal gang led by an ex-military major uses the facilities of his old sergeant, who intentionally remains oblivious while he feeds coal to the furnace. One is exposed to the weight of tradition and how it conflicts with modern mores in
SILENT SOULS, by Aleksei Fedorchenko. Families are fragmented in a number of the films. Susanne Bier focuses on two families, dysfunctional in their own ways, in her Danish film, IN A BETTER WORLD; social problems in Denmark mirror those in the African country where the naïve father in one of those families is a humanist physician. The Indonesian family members Dutch filmmaker Leonard Retel Helmrich observes in his documentary POSITION AMONG THE STARS are battling one another most of the time, a response to differences in generational priorities and relentless poverty. In CAIRO 678, Egyptian director Mohamed Diab emphasizes mostly retrograde familial response as he follows three sexually abused women in Cairo. The male protagonist in Paddy Considine’s British film TYRANNOSAURUS has almost severed any ties to his family, and the female protagonist ends her husband’s horrid abuse by going much further. The sisters in Danish director Lars von Trier’s MELANCHOLIA are polar opposites, one a chaotic depressive, the other a control freak, and are torn between their love for, and impatience with, each other. Hong Kong filmmaker Su Chao-Pin’s REIGN OF ASSASSINS features a marriage and ensuing conflict between a husband and wife who keep their martial arts facility deep in the closet. A devoted son does all he can to care for his mentally disturbed mother, who is institutionalized, in American director Jonathan Caouette’s documentary, WALK AWAY RENEE. In the Indian film GANDU, by Q, a rebellious slacker sneaks in on his mother, who nags him constantly, whenever she is having sex in exchange for free rent; ultimately, he runs away. And family members are constantly arguing in most of the shorts constituting the Hong Kong omnibus film QUATTRO HONG KONG 2. Three other documentary directors are more overt in their taking on social issues with universal appeal. In WINDFALL, American filmmaker Laura Israel goes against the grain by questioning the so-called “green” wind turbines and the profit-seeking companies that sell them, which have wreaked havoc in a small upstate New York town. Two of these docs use archival footage to make their points. In THE BLACK POWER MIXTAPE 1967-75,
Swedish director Goran Hugo Olsson revisits the black activist movement in the U.S. in the late ‘60s and early ‘70s, juxtaposing sequences shot at the time by Swedish TV photographers with voiceover accounts of the period by participants recorded last year. In THE MINERS’ HYMNS, from the U.S., Bill Morrison reconsiders scenes shot decades ago by manipulating images from the North English coal-mining town of Durham, charting the gradual demise of working-class and labor power and contrasting it with contemporary aerial shots that reveal how that history has been eradicated.
Panorama is dedicated to the memory of Professor Robert “Bob” Sklar (1936-2011), a much-loved authority on film studies and the history of American pop culture, my academic advisor and mentor, and above all, a dear friend. By Howard Feinstein
Hopefully there is a give and take between the regional films and those in Panorama or New Currents, that filmmakers can and do learn from seeing one another’s films. The audiences benefit most of all: They have the chance to see movies from other continents as well as the best of the local crop, which is what distinguishes this festival. The foreign films in large part make the circuit, travelling festival to festival for a year after their debut. But this is THE place for the movies that help define the region. Of course future filmmakers benefit as well. They can see how others with more experience visualize the surrounding cultures, what is amplified, what is diminished, how the various narratives are constructed. At the same time, they become exposed to alien cinemas, films from Asia and Russia for example, where the world-view and how it is transmitted to celluloid are often quite different from what one sees in movies made here or near. The directors with potential, and the will power to battle the odds, grasp that connection; it informs their own personal vision and agenda when deciding what to film and how to film it. I see the festival films as what is frequently called “continuing education,” a post-graduate program for the promising filmmaker, and in fact, for the aspiring cinephile. These Panorama films are selected with geographical, ideological, and formal diversity always in mind, even if overall quality of filmmaking is the primary criterion. That translates, roughly, into: They are intended to challenge your intellect, your conscience, and your emotions. The best take on all three.
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678 / Kairo 678 / Cairo 678 Egypt, 2010, 35 mm, Colour, 100 min, Arabic Režija / Director: Mohamed Diab Scenarij / Screenplay: Mohamed Diab Direktor fotografije / Director of Photography: Ahmed Gabr Montaža / Editor: Amr Salah Muzika / Music: Hany Adel Zvuk / Sound: Ahmed Gabr Uloge / Cast: Maged El Kedwany, Ahmmed El Feshawy, Basem El Samra, Omar El Saeed, Nelly Karim, Boushra, Nahed El Sebai Producent / Producer: Boushra Produkcija / Production: Dollar Film - New Century Production Filmografija / Filmography 2010 - 678 / CAIRO 678
U svom odvažnom režiserskom prvijencu, iskusni scenarista Diab se hrabro uhvatio u koštac sa tabu temom seksualnog uznemiravanja žena u Egiptu. Priroda likova u ovom filmu nije ni crna ni bijela, već nekako siva, jer se protagonisti nalaze u zatvorenom, represivnom društvenom sistemu. U centru filma su tri zlostavljene žene, različitih dobi i društvenih klasa i one među sobom raspravljaju o osvetama: npr. da li da samo bocnu ruku prenapadnog muškarca ili da ga ubodu među noge. Muškarci u njihovim životima su također pažljivo zasjenjeni. Fayza (popularna egipatska pjevačica Bushra) je majka iz radničke klase, pod velom, koju je katastrofalna finansijska situacija u porodici natjerala da se svaki dan vozi autobusom. Ona pohađa seminar kojeg vodi Seba (Nelly Karim), zlatarka iz srednje klase koja želi da pomogne ostalim žrtvama. Kad je riječ o društvenim promjenama i podršci partnerima, najviše obećava stand-up komičarka Nelly (Nahed El Seba’i), čije je iskustvo bazirano na istinitoj priči žene koja je uz podršku svog supruga, a protiv želja njegove porodice, podigla prvu tužbu za seksualno zlostavljanje u Egiptu 2008. godine. (H.F.) Mohamed Diab je jedan od najprominentnijih mladih scenarista u Egiptu. Pohađao je Njujoršku filmsku akademiju 2005. godine i onda napisao scenarije za sljedeće filmove: REAL DREAMS (AHLAM HAKEKEYA, 2007), THE ISLAND (EL GEZIRA, 2007), THE REPLACEMENT (BADEL FAED, 2009) i CONGRATULATIONS (ALF MABROUK, 2009). CAIRO 678 je peti film za koji je napisao scenarij, a ujedno je i njegov režiserski prvijenac.
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E In his assured directorial debut, veteran screenwriter Diab courageously exposes the taboo subject of sexual harassment of women in Egypt. No black or white characters are to be found here: They are more gray, participants in a closed, repressive social order. The three harassed women at the film’s center are of different ages and social classes, and they argue among themselves about vendettas: whether to prick an overly forward man’s hand or stab him in the groin, for example. The men in their lives are also carefully shaded. Fayza (popular singer Bushra) is a veiled working-class mother who is forced by the family’s dire financial situation to take the bus daily. She attends a seminar conducted by Seba (Nelly Karim), an upper-class jewelry maker who wants to help other victims. The most promising in terms of social change and partner support is middleclass, aspiring stand-up comic Nelly (Nahed El Seba’i), whose experience is based on the true story of a woman who, with the support of her fiancé and against his family’s wishes, filed the first sexual harassment lawsuit in Egypt in 2008. (H.F.)
Mohamed Diab is the one of the most prominent young screenwriters in Egypt. He attended a New York Film Academy in 2005 and then wrote the following films: REAL DREAMS (AHLAM HAKEKEYA, 2007), THE ISLAND (EL GEZIRA, 2007), THE REPLACEMENT (BADEL FAED,2009) and CONGRATULATIONS (ALF MABROUK, 2009). Cairo 678 is the 5th film that he has written, and his directorial debut.
A tiro de piedra / Na dobačaj kamena / A Stone’s Throw Away Mexico, 2010, 35 mm, Colour, 97 min, Spanish Režija / Director: Sebastián Hiriart Scenarij / Screenplay: Gabino Rodríguez, Sebastián Hiriart Direktor fotografije / Director of Photography: Sebastián Hiriart Montaža / Editor: Pedro Gómez García Muzika / Music: Emiliano Motta, Emiliano Gonzalez de Leon Zvuk / Sound: Matias Barbieris, Gustavo Bellon Uloge / Cast: Jacinto Medina, Gabino Rodríguez Producent / Producer: Sebastián Hiriart Produkcija / Production: Galopando Films Filmografija / Filmography 2010 - A TIRO DE PIEDRA / A STONE’S THROW AWAY 2008 - PERSPECTIVA (short)
Glumački majstor Gabino Rodriguez glumi pastira po imenu Jacinto, koji čuva stado u regiji San Luis Potosi na jugu Meksika. Jednog dana, nakon burnog sna u kojem je sanjao kako otkriva blago, on pronalazi privjesak za ključeve sa adresom u Oregonu. Shvativši to kao božanski znak skore finansijske dobiti, ilegalno ulazi u SAD, gdje ga opljačkaju i pretuku njegovi sunarodnjaci Meksikanci, kao i mladi Amerikanci, ali ipak nastavlja sa svojim planom dok ne stigne do odredišta - udaljenog planinskog prijelaza prekrivenog snijegom. Hiriartova fotografija (sve je snimao sam) je nevjerovatna. Njegov osjećaj za prirodno, urbano, kao i pejzaže malih gradova (radnja se uglavnom odvija izvan SAD-a) je bez premca, poput nebeskog mirnog oka koje posmatra svijet. (H.F.) Sebastian Hiriart je još kao dijete počeo glumiti. Radio je kao režiser, glumac, fotograf, asistent snimatelja i snimatelj u igranim filmovima, kratkim filmovima, serijalima i TV-serijama. Godine 2001. učestvovao je u radionicama za pravljenje filmova na Filmskoj akademiji u New Yorku. Od 2002. do 2005. godine radi kao TV režiser. NA DOBAČAJ KAMENA je njegov režiserski debi. Dobitnik je stipendije FONCA 2009-2010.
E The fine actor Gabino Rodriguez stars as a shepherd named Jacinto who tends his flock in the San Luis Potosi region in the north of Mexico. One day, after a powerful dream about discovering treasure, he finds a key chain with an address in Oregon. Thinking it a divine sign of impending financial gain, he slips into the U.S., where he is robbed and beaten by both fellow Latinos and young gringos, but nevertheless follows through on his plan until he reaches a remote snowy mountain pass where the address is located. Hiriart’s cinematography — he shot everything himself — is outstanding. His feeling for natural, urban, and small-town landscapes (most of the film takes place in the U.S.) is unique, as if the steady eye of a divinity were observing the world. (H.F.)
Sebastian Hiriart begins to participate in films in his childhood as an actor. He has worked as director, actor, photographer, camera assistant and operator in feature films, short films, series and TV shows. In 2001: filmmaking workshops at the New York Film Academy. From 2002 to 2005 he works as director in TV. A STONE’S THROW AWAY is his first feature film as a director. FONCA grant 2009 - 2010.
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Beli, beli svet / Bijeli, bijeli svijet / White, White World Serbia, Germany, Sweden, 2010, 35 mm, Colour, 121 min, Serbian Režija / Director: Oleg Novković Scenarij / Screenplay: Milena Marković Direktor fotografije / Director of Photography: Miladin Čolaković Montaža / Editor: Lazar Predojev Muzika / Music: Boris Kovač Zvuk / Sound: Branko Đorđević, Sebastian Schmidt Scenografija / Production Design: Aljoša Spajić Kostimografija / Costume Design: Irena Marjanov Uloge / Cast: Uliks Fehmiu, Hana Selimović, Jasna Đurčić. Nebojša Glogovac, Boris Isaković, Milica Mihajlović, Marko Janketić, Meto Jovanovski, Mira Banjac Producent / Producer: Milena Trobožić-Garfield, Uliks Fehmiu Produkcija / Production: West End Productions Filmografija / Filmography 2010 - BELI, BELI SVET / WHITE WHITE WORLD 2006 - SUTRA UJUTRO / TOMORROW MORNING 2005 - RUDARSKA OPERA / MINER’S OPERA (documentary) 2001 - NORMALNI LJUDI / NORMAL PEOPLE 1993 - KAŽI ZAŠTO ME OSTAVI / WHY HAVE YOU LEFT ME
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U svom trećem filmu, smještenom u ekonomski depresivni, zagađeni jug Srbije, u rudarski grad Bor, Novković kombinira žanrove na vrlo odvažan, ali u konačnici i uspješan način. Zaplet se razvija oko čitave plejade uzajamno povezanih likova, ali reditelj ne dozvoljava publici da se previše opusti: gledatelj mora sam povezati likove ili barem biti strpljiv da sačeka rasplet. Centralni lik, kojeg tumači sjajni glumac Uliks Fehmiu, u svom već drugom filmu sa Novkovićem je gradska ‘faca’, samotnjak koji misli da će odbaciti društvo tako što će otvoriti kafanu koja će ljude dovesti njemu i tako što će vježbati u samoći. Ovaj osamljenik je, baš kao i sam grad, sklon samouništenju. Čini se da je ova tema ustvari proročanstvo o budućnosti čovječanstva. U manje sposobnim rukama, ovaj film bi bio potpuno konfuzan. Ali ovakav kakav jeste, on predstavlja pravo remek-djelo. (H.F.) Oleg Novković je jedan od najvažnijih srbijanskih filmskih autora nove generacije. Njegovo suptilno oslikavanje “izgubljene generacije” bivše Jugoslavije pobudilo je pažnju međunarodnih filmskih festivala i publike. Srbijanska filmska kritika proglasila je SUTRA UJUTRO jednim od najvažnijih srbijanskih filmova decenije. Spoj gorke iskrenosti i dokumentarističke stvarnosti ovog filma pobudio je pažnju mnogih filmskih festivala i donio filmu brojne nagrade.
E In his third film set in the economically depressed, polluted southern Serbian mining town of Bor, Novkovic blends genres in a daring but ultimately successful way. The plotline involves an ensemble of characters who are interrelated, but the director doesn’t let the audience off easily: The viewer must figure out the connections, or at least be patient with their revelation. The central character, played by the great actor Uliks Fehmiu in his second film with Novkovic, is the town stud, a loner who thinks he can bow out of society by running a bar that brings people to him, and by working out in solitude. The loner, like the town itself, self-destructs, and it seems that this thread is a prophecy of mankind’s future. In lesser hands, it would have been a complete mess. As it is, it’s a masterpiece. (H.F.)
Oleg Novkovic is one of the most important of Serbia’s new filmmakers. His sensitive portrayals of ex-Yugoslavia’s “lost generation” have won him the attention of international film festivals and audiences. Serbian film critics proclaimed TOMORROW MORNING one of the most important Serbian films of the decade. Its blend of bitter sincerity and documentaristic reality caught attention of the film festivals and won several awards.
The Black Power Mixtape 1967 - 1975 Sweden, 2011, HD CAM (HDTV), Colour and B&W, 100 min, English, Swedish, Documentary Režija / Director: Göran Hugo Olsson Umjetnički direktor / Art Director: Stefania Malmsten Montaža / Editor: Hanna Lejonqvist, Göran Hugo Olsson Muzika / Music: Ahmir “Questlove” Thompson & Om’Mas Keith Zvuk / Sound: Anders Nyström Producent / Producer: Annika Rogell, Joslyn Barnes, Danny Glover Produkcija / Production: Story AB, Louverture Films Odabrana filmografija / Selected filmography 2010 - THE BLACK POWER MIXTAPE 1967-1975 (documentary) 2008 - AM I BLACK ENOUGH FOR YOU (documentary) 2008 - ANNIKA NILSSON, SUPERTINTENDENT (documentary) 2007 - KEN ALLEN(short animation) 2004 - BACK (documentary) 1998 - FUCK YOU, FUCK YOU VERY MUCH (documentary) 1998 - KALININGRAD? (documentary) 1997 - NATALIA AND THE FUTURE (documentary)
Švedski režiser Olsson montira snimke ljudi i događaja iz bitne epohe američke crne historije, od materijala koje su snimili švedski TV režiseri i snimatelji prije četiri decenije. Možda zato što intervjue nisu radili Amerikanci i zato što su neki intervjui rađeni u Stockholmu, a ne Chicagu ili New Yorku, ovaj ritmički posložen dokumentarac ima snagu. Kao da ove snimke nije niko nikad prije vidio. Pozadinski glasovi modernih ličnosti (npr. Angela Davis) opisuju stare slike. Važni intervjui sa Davisovom, Stokelyjem Carmichaelom i mnogim drugim se smjenjuju sa crnom djecom na ulicama i protestima, muzikom u pozadini, često u izvedbi grupe The Roots, daju ovom dokumentarcu moderan osjećaj prosvijetljenog videospota. (H.F.) Göran Hugo Olsson je obrazovan na Kraljevskom univerzitetu likovnih umjetnosti u Stockholmu nakon filmskih studija na univerzitetu u Stockholmu. On je autor dokumentarnih filmova, snimatelj i proizvođač svoje inovacije: A-kamere, „super 16“ filmske kamere. Olsson je član uredničkog odbora Ikon Južne Afrike – platforme za kreativne dokumentarne filmove u Južnoj Africi. To je zajednički projekat Ikon / Južna Afrika i Ikon / Švedska od 1999. godine. Program partnerstva Švedske i Južne Afrike, SABC, SFI i DAC podržavaju ovaj savez.
E Swedish director Olsson edits together footage of people and events from an important era of American black history, all of it filmed four decades ago by Swedish TV directors and cinematographers. Maybe it’s because the interviewers were not American, and maybe because some of the interviews were done in Stockholm and not Chicago or New York, but this rhythmically assembled documentary is strong. It’s as if no one had ever seen these sequences before. Contemporary voiceovers (Angela Davis, for example) describe old visuals. Great interviews with Davis, Stokely Carmichael, and many others alternate with scenes of black kids in the streets and protests; overlaid music, much of it by The Roots, gives this doc the hip feel of an enlightened music video. (H.F.)
Göran Hugo Olsson was educated at the Royal University of Fine Arts in Stockholm after film studies at Stockholm University. He is a Documentary filmmaker, cinematographer and manufacturer of his own innovation - the A-cam, a Super-16 film camera. Olsson is a member of the Editorial board of Ikon South Africa - a platform for the creative documentary in South Africa. It is a joint project between Ikon/Sweden and Ikon/South Africa since 1999. The Swedish/South African Culture Partnership Programme, SABC, SFI and DAC support this alliance.
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Chrzest / Krštenje / The Christening Poland, 2010, 35 mm, Colour, 86 min, Polish Režija / Director: Marcin Wrona Scenarij / Screenplay: Marcin Wrona Direktor fotografije / Director of Photography: Paweł Flis Montaža / Editor: Piotr Kmiecik Uloge / Cast: Tomasz Schuchardt, Wojciech Zieliński, Natalia Rybicka Producent / Producer: Leszek Rybarczyk, Marek Rudnicki Produkcija / Production: Odeon Film Studio Filmografija / Filmography 2010 - CHRZEST / THE CHRISTENING 2009 - MOJA KREW / MY FLESH, MY BLOOD 2008 - DOKTOR HALINA / DOCTOR HALINA 2006 - KOLEKCJA / THE COLLECTION 2005 - SKAZA / THE FLAW 2004 - TELEFONO (short) 2003 - PASOŻYT / THE PARASITE 2001 - CZŁOWIEK MAGNES / MAGNET MAN (short) 2000 - DAJ MI TO / GIVE IT TO ME (short)
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Panoramski snimci moderne Varšave, sterilne nove zgrade raštrkane među starim, nagovještavaju nešto zlokobno. U pitanju je kolateralna šteta bliskog prijateljstva između Janeka i Michala, koje je počelo druženjem u maloj kriminalnoj bandi, a potom osnaženo tokom zajedničkog služenja vojnog roka. Nakon konačno odsluženog vojnog roka, Janek odlazi u Michalov raskošni stan, u kojem žive Michalova žena i dijete, vjerujući, kako mu je Michal kazao, da ima veoma unosnu kompaniju za postavljanje prozora i da se sada bavi zakonitim poslom. Ustvari, to je bila varka: većinu novca Michal je zaradio ucjenjujući bandu, koju je kasnije cinkario i koja ga sada progoni. Ovaj film o trojcu intenzivan je i nasilan, ali i veoma lijep, na grub način. Wrona postiže jedan fini balans. (H.F.) Marcin Wrona rođen je 1973. u Tarnowu (Poljska). Na dodjeli Evropske filmske nagrade u Barseloni 2004. predstavio je svoj kratki film TELEFONO, koji će kasnije biti uključen u DVD kolekciju Pedra Almodovara. Njegov prvi dugometražni film MOJA KREW (“Moje tijelo, moju krv”) premijerno je prikazan na Filmskom festivalu u Rimu 2009., gdje je nagrađen Novinarskom nagradom, a osvojio je i Nagradu za najbolji scenarij na Međunarodnom festivalu debitantskih filmova u Poljskoj, Koszalin, 2009. godine, te poljsko izdanje Grand Prix nagrade Hartley-Merrill 2007. i treću nagradu na scenarističkom natječaju Hartley-Merrill International u Cannesu 2007. (radni naslov: TAMAGOTCHI, na kojem je radio kao koscenarista). CHRZEST (KRŠTENJE - 2010) je njegov drugi igrani film.
E The overhead shots of modern Warsaw, sterile new buildings interspersed among the old, hint at something ominous. What that turns out to be is the collateral damage around the tight friendship between Janek and Michal, which began in small criminal gangs and grew while stationed together in the army. When Janek finally gets discharged, he heads to Michal’s lush apartment, where he already has a wife and baby and, he says, owns a lucrative window company and has gone legit. In fact, it is a ruse: most of the money he earns is blackmail money to the gang he had snitched on, and they are after him. This threehander of a film is tense and intensely violent, but beautiful in a rough way. Wrona achieves a delicate balance. (H.F.)
Marcin Wrona was born in 1973 in Tarnów (Poland). During the European Film Awards ceremony in Barcelona 2004, he presented his short film „Telefono” which was later included in Pedro Almodovar’s DVD collection. His fulllength feature debut MOJA KREW („My Flesh, My Blood”) had its premiere at the Rome Film Festival in 2009, received the Jounalist’s Award and The Best Screenplay Award at the Młodzi i Film (Youth & Film) Polish Debuts Film Festival 2009 in Koszalin and also the Grand Prix of the Polish Edition Hartley-Merrill in 2007 and the Third Prize of Hartley-Merrill International Screenwriting Award in Cannes 2007 (working title: TAMAGOTCHI which he co-wrote). CHRZEST („The Christening” - 2010) is the director’s second feature film.
Elena Russia, 2011, 35 mm, Colour, 109 min, Russian Režija / Director: Andrei Zvyagintsev Scenarij / Screenplay: Oleg Negin Direktor fotografije / Director of Photography: Mikhail Krichman Montaža / Editor: Anna Mass Uloge / Cast: Yelena Lyadova, Nadezhda Markina, Aleksey Rozin, Andrey Smirnov Producent / Producer: Aleksandr Rodnyanskiy Produkcija / Production: Non-Stop Productions Filmografija / Filmography 2011 - ELENA 2009 - NEW YORK, I LOVE YOU (segment APOCRYPHA) 2007 - IZGNANIE / THE BANISHMENT 2003 - VOZVRASHCHENIE / THE RETURN
Kad financijska situacija postane teška, jJunakinja iz naslova filma bira svoju biološku porodicu, uključujući i svog nesposobnog sina, a ne bogatog drugog supruga. Mirna bivša medicinska sestra iz radničke klase postaje ubica kako bi osigurala sigurnost svog djeteta i unučeta, koji treba novac za mito da bi se upisao na fakultet i tako izbjegao užase ruske vojske. Nadezhda Markina je fenomenalna u ulozi Elene, žene na raskršću života. Mnogo je toga na njenim plećima. Ona je utjelovljenje šizoidne Rusije poslije 1989. godine, razapeta između tradicionalne uljudnosti i privremene ludosti za novcem. Napeti ton filma je još naglašeniji naglim, nabrijanim melodijama Philipa Glassa. Nema sumnje da reditelj čvrsto vjeruje da je u budućnosti bilo kakav osjećaj moralnosti u Rusiji u ozbiljnoj opasnosti. (H.F.) Andrei Zvyaginstev je rođen u Novosibirsku (Sibir). Svoj prvi igrani film THE RETURN, koji je osvojio nekoliko nagrada, uključujući i Zlatnog lava na Filmskom festivalu u Veneciji, režirao je 2003. godine. Njegov drugi igrani film THE BANISHMENT imao je premijeru 2007. godine na Filmskom festivalu u Cannesu i bio nominiran za Zlatnu palmu. kratki segment za film NEW YORK, I LOVE YOU, režirao je 2008. Taj segment je na kraju bio isječen iz objavljene verzije filma, ali će se pojaviti na DVD-u. Njegov zadnji film, ELENA, imao je premijeru 2011. godine na Filmskom festivalu u Cannesu, u sekciji Un Certain Regard, gdje je osvojio nagradu žirija.
E The title character chooses her biological family, including her ne’er-do-well son, over her wealthy second husband when the financial stakes become high. The docile ex-nurse from the working class becomes a murderer in order to insure the security of her child and grandchild, who need bribery money to get him into college in order to avoid the horrors of the Russian military. Nadezhda Markina delivers a tour-de-force in the role of the conflicted Elena. A lot rests on her shoulders: She is the embodiment of the schizoid post-1989 Russia, torn between traditional civility and contemporary money madness. The chilling tone is heightened by hyper, excited bursts from Philip Glass’s score. There is no doubt that the director strongly believes that any sense of morality in the Russia of the future is in serious jeopardy. (H.F.)
Andrei Zvyagintsev was born in Novosibirsk, Siberia. In 2003, he directed his first feature film THE RETURN, which received several awards, including a Golden Lion at the Venice Film Festival. His second feature film THE BANISHMENT premiered at the 2007 Cannes Film Festival and was nominated for a Palme d’Or. In 2008, he directed a short segment for the film NEW YORK, I LOVE YOU. The segment was eventually cut from the film’s theatrical release but will appear on the DVD. His latest film, ELENA, premiered at the 2011 Cannes Film Festival, in the Un Certain Regard section, where it won the Jury Prize.
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El Varal Mexico, 2009, DV CAM, Colour, 75 min, Spanish, Documentary Režija / Director: Marta Ferrer Scenarij / Screenplay: Marta Ferrer Direktor fotografije / Director of Photography: Hugo Royer, Marta Ferrer, Oriol Inglada Montaža / Editor: Javier Campos Zvuk / Sound: Adolfo Cortés, Ares Botanch, Miriam Gago Produkcija / Producer: Marta Ferrer Producent / Production: La Maroma Producciones, Centro de Capacitación Cinematográfica Filmografija / Filmography 2009 - EL VARAL (documentary) 2005 - WHAT TO DO? (documentary)
Ferrer je otišla na ranč u maloj ruralnoj zajednici, na uzvisinama centralnog Meksika. Neki od mještana i dalje obrađuju zemlju, neki rade u tri nova maquiladores (postrojenja za montažu) gdje su uvjeti za rad grozni, ali postoji nekoliko opcija da se zaradi za život. Veliki postotak mještana je emigrirao u SAD i njihove zarade izdržavaju porodice kod kuće, ali njihovo odsustvo stvara prazninu u duši grada. Ona snima proslave dana sveca zaštitnika zajednice, zatim prati učesnike kako se vraćaju crnčenju na zemlji, znojenju u maquiladoresima, ili besposličarenju na ulici. Ovdje se vidi kakvu je užasnu štetu nanijela NAFTA (Sjevernoamerički savez slobodne trgovine) na male poljoprivredne proizvođače, dok velike međunarodne kompanije beru profite. Opet, ovaj film je na svoj način i prekrasan i težak, pun poštovanja za mještane i njihove pokušaje da održe neko dostojanstvo. (H.F.) Marta Ferrer je rođena 1982. u Barceloni. Studirala je kameru na Katalonskoj visokoj školi za film i audiovizuelne umjetnosti u Barceloni. stipendiju međunarodne razmjene za kurs dokumentarnog filma u Centru za filmsko obrazovanje (Meksiko) dobila je 2005., gdje je snimila svoj prvi dokumentarni film: EL VARAL.
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E Ferrer went to a rancho, a small rural community, in the plains of central Mexico. Some of the residents still work the land, some work in the three new maquiladores (assembly plants), where labor conditions are horrid but there are few options to make any kind of living. A high proportion of the inhabitants have migrated to the U.S., and their earnings sustain their families back home, yet their absence creates a void in the town’s spirit. She films the celebrations during the community’s patron saint’s day, then follows the participants afterward as they return to the drudgery on working the land, sweating in the maquiladores, or just hanging out on the street. Here one sees the terrible damage perpetrated by NAFTA (North American Free Trade Alliance) on small agricultural producers while large transnationals reap the profits. Yet the film is in its way beautiful and poignant, respectful of the locals and their attempts to maintain some dignity. (H.F.)
Marta Ferrer was born in 1982 in Barcelona. She studied cinematography in the Catalan High School for Film and Audiovisual Arts in Barcelona. In 2005, he was awarded an international exchange schoolarship for a documentary course in the Film Education Center (Mexico), where she shot her first documentary: EL VARAL.
Gandu India, 2010, 35 mm, Black & White, 85 min, Bengali Režija / Director: Kaushik Mukherjee Scenarij / Screenplay: Kaushik Mukherjee, Surojit Sen Direktor fotografije / Director of Photography: Kaushik Mukherjee Montaža / Editor: Kaushik Mukherjee, Manas Mittal Muzika / Music: Five Little Indian Zvuk / Sound: Dipankar Chaki Uloge / Cast: Anubrata Basu, Joyraj Bhattacharya, Rituparna Sen, Shilajit Majumder, Kamalika Banerjee Producent / Producer: Sougata Mukherjee, Chotomama, Maria Ocah, Amith Lamzel Sarki Filmografija / Filmography 2010 - GANDU 2009 - BISHH 2009 - LOVE IN INDIA (documentary) 2008 - THAT BOY (short) 2007 - 04 CROWS ON THE ANTENNAE (documentary) 2007 - GETTING HIGH, GETTING LOW (documentary) 2004 - LE POCHA (documentary) 2003 - TEPANTORER MAATHE 2001 - BOPPING (documentary)
Fascinantni spoj danas marginalizirane, ali ipak moderne omladine i tradicionalnog utjecaja filmske škole Satyajit Raya iz Kalkute, film GANDU je priča o jednom amoralnom mladiću iz sirotinjskog kvarta, kojeg vršnjaci ismijavaju i koji odušak od napornog posla pronalazi u rap muzici koju izvodi direktno pred kamerom. Međutim, u ovom filmu nema Rayove ispravnosti i uzdržanosti. Dječak gleda svoju majku, koja u zamjenu za stanarinu daje svoje tijelo, on masturbira na hardcore pornografiju, sprijatelji se i dijeli krek sa narkomanom. Negdje na pola filma, protagonista potpada pod utjecaj droga, a linija između stvarnosti i halucinacije postaje sve zamagljenija, proizvodeći izvanredan vizualni efekat. (H.F.) Kaushik Mukherjee, profesionalno poznatiji kao Q, rođen je i odrastao u Kalkuti i danas ima 37 godina. Režirao je na stotine reklama i osvojio brojne nagrade. Inspiriran nezavisnim evropskim i japanskim filmovima, odlazi u dobrovoljnu mirovinu i mijenja mjesto življenja i profesionalni smjer. Vraća se u Kalkutu i osniva progresivnu art kompaniju pod nazivom “Overdose”, koja se bavi produkcijom, dizajnom i muzikom. Sada radi na produkciji, pisanju scenarija i režiranju filmova, igranih i drugih, ali isključivo onih koje sam konceptualno razvije.
E A fascinating hybrid of today’s marginalized but hip youth and the traditional Kolkota of Satyajit Ray, Gandu is the story of an amoral slum youth whose peers make fun of him, and who escapes drudgery through rap music, which he chants directly into Q’s camera. But this is not the Ray of propriety and withheld energy: The boy watches his mother having sex in exchange for free rent, he masturbates to hardcore pornography, and he befriends and shares crack with a drug addict. Halfway through the film, a druggy feel takes over, and the line between reality and hallucination is blurs to great visual effect. (H.F.)
Kaushik Mukherjee, born and brought up in Kolkata, professionally known as Q is now thirty-seven. Directed hundred of commercials, winning various awards on the way. Then, inspired by the independent films of Europe and Japan, retired voluntarily and shifted trade and city. Back in Kolkata, Q started a progressive art house namely „Overdose“, a production, design and music company. He now produces, writes, shoots and directs films both fiction and non- fiction, strictly conceptually developed by himself.
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The Guard / Čuvar Ireland, 2011, 35 mm, Colour, 96 min, English, Gaelic Režija / Director: John Michael McDonagh Scenarij / Screenplay: John Michael McDonagh Direktor fotografije / Director of Photography: Larry Smith Montaža / Editor: Chris Gill Muzika / Music: Calexico Zvuk / Sound: Niall Brady, Steve Fanagan, Robert Flanagan Scenografija / Production Design: John Paul Kelly Kostimografija / Costume Design: Eimer Ni Mhaoldomhnaigh Uloge / Cast: Brendan Gleeson, Don Cheadle, Liam Cunningham, David Wilmot, Rory Keenan, Mark Strong, Fionnula Flanagan, Dominique McElligott, Sarah Greene, Katarina Cas, Pat Shortt, Darren Healy, Laurence Kinlan, Gary Lydon Producent / Producer: Chris Clark, Andrew Lowe, Flora Fernandez - Marengo, Ed Guiney Produkcija / Production: Reprisal Films, Element Pictures, Crescendo Productions, Aegis Film Fund, Bord Scannan na hEireann / Irish Film Board, Prescience, UK Film Council Filmografija / Filmography 2011 - THE GUARD 2000 - THE SECOND DEATH (short)
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U svom prvom igranom filmu, McDonagh, irski redatelj sa sjedištem u Londonu i istaknuti scenarista (NED KELLY), udružuje vulgarnog, bezobzirnog i sasvim jedinstvenog irskog policajca Boyla, kojeg tumači izvanredni Brendan Gleeson, i crnog, američkog policajca Everetta (Don Cheadle), koji dolazi u zapadnu Irsku, u područje u kojem se govori irski jezik, Gaellic, kako bi pomogao da se prekine jedan lanac trgovine narkoticima. Everett je tu kao komičarev sekundant. Sve se vrti oko Boyla, sile prirode i njegovog identiteta, koji je jedva prikriven dok se obraća svom nesigurnom partneru, koristeći se svim poznatim knjiškim, crnačkim klišejima. McDonagh miješa žanrove u ovom zapanjujuće svježem i ritmički usklađenom filmu: Ovo je solo improvizacija o ubojitom policijskom tandemu, crna komedija, akcioni film, sentimentalna drama i na koncu klasični western koji svo vrijeme podgrijava pomamna španska muzička tema benda Calexico. (H.F.) John Michael McDonagh je rođen i odrastao u Elephant & Castleu, u južnom Londonu, kao dijete irskih roditelja, čija je majka rođena u Okrugu Sligo, a otac u Okrugu Galway, gdje je i smještena radnja filma THE GUARD. Njegov scenario za film Gregora Jordana NED KELLY, u kojem je Heath Ledger glumio legednarnog australskog odmetnika, sa Orlandm Bloomom, Geoffreyjem Rushom i Naomi Watts, donio mu je nominacije Australijskog filmskog instituta i Kružoka filmskih kritičara Australije.
E In his first feature, London-based Irish director McDonagh, already a terrific screenwriter (NED KELLY), tosses together a vulgar, irreverent, one-of-a-kind Irish country cop, Boyle (the great Brendan Gleeson), and a black American policeman, Everett (Don Cheadle), who comes over to the Gaellic-speaking West of Ireland to help stop a drug smuggling ring. Everett is there as a comic foil; this is all about Boyle, a force of nature, his id barely hidden as he addresses his unlikely partner with every AfricanAmerican cliché in the book. McDonagh blends genres in this astoundingly gorgeous and rhythmically paced film: this is a riff on the Lethal Weapon-model cop partner movie, a black comedy, an action film, a sentimental drama, and, at the end of the day, a classic western, for which the frenetic, Spanish-style music by Calexico has been warming up all along. (H.F.)
John Michael McDonagh was born and brought up in Elephant & Castle, South London, by Irish parents, his mother a native of County Sligo and his father being originally from County Galway, the setting for THE GUARD. His screenplay for Gregor Jordan’s film NED KELLY, starring Heath Ledger as the legendary Australian outlaw, with Orlando Bloom, Geoffrey Rush and Naomi Watts, won him award nominations from the Australian Film Institute and the Film Critics’ Circle of Australia.
Hævnen / Bolji svijet / In a Better World Denmark, Sweden, 2010, 35 mm, Colour, 113 min, Danish, Swedish, English Režija / Director: Susanne Bier Scenarij / Screenplay: Anders Thomas Jensen Direktor fotografije / Director of Photography: Morten Søborg Montaža / Editor: Pernille Bech Christensen, Morten Egholm Muzika / Music: Johan Söderqvist Producent / Producer: Sisse Graum Jørgensen Produkcija / Production: Zentropa Entertainments14 ApS Uloge / Cast: Mikael Persbrandt, Trine Dyrholm, Ulrich Thomsen, Markus Rygaard, William Jøhnk Nielsen Filmografija / Filmography 2010 - HAEVNEN / IN A BETTER WORLD 2007 - THINGS WE LOST IN THE FIRE 2006 - EFTER BRYLLUPPET / AFTER THE WEDDING 2004 - BRØDRE / BROTHERS 2002 - ELSKER DIG FOR EVIGT / OPEN HEARTS 1999 - DEN ENESTE ENE / THE ONE AND ONLY 1995 - LIKE IT NEVER WAS BEFORE 1993 - DET BLI’R I FAMILIEN / FAMILY MATTERS 1990 - FREUD FLYTTER HJEMMEFRA / FREUD LEAVING HOME
Ovo je film o porodičnim problemima sagledanim iz šireg društvenog konteksta, pa naslov BOLJI SVIJET pokazuje koliko Bier i njen stalni scenarista Anders Thomas Jensen žude za jednim takvim svijetom. Dvojica predadolescentskih dječaka u Danskoj postaju prijatelji u školi. Jednog redovno tuče školski siledžija; njegov otac (brilijantna uloga Mikaela Persbrandta) je miroljubivi doktor koji liječi afričke zbjeglice u logoru u regiji niže Sahare. Drugi dječak je razmaženo derište koji je ostalo bez majke. On svoj bijes iskaljuje na društveni sistem, kojeg doživljava kao nasilnog, i usvaja filozofiju preventivne agresije. (H.F.)
E A film about family issues placed in a broader social context, the title IN A BETTER WORLD reflects how much Bier and regular screenwriter Anders Thomas Jensen long for one. Two preteen boys in Denmark become friends at school. One is the regular punching bag for the school bully; his father (brilliant performance by Mikael Persbrandt) is a nonviolent doctor who treats the displaced in a sub-Saharan Africa refugee camp. The other boy is a brat who has lost his mother. His anger is displaced onto a social order he perceives as abusive, and he adopts the philosophy of preventive aggression. (H.F.)
Susanne Bier je rođena 1960. u Danskoj. Diplomirala je 1997. na danskoj Državnoj filmskoj školi. Bila je u polufinalu Američke filmske akademije i dobila je nagradu Festivala minhenske filmske škole za diplomski rad. HEAVNEN je dobio odlične kritike i osvojio vrhove filmskih top-listi, učestvovao je na mnogim svjetskim festivalima i dobio prestižne nagrade iz Rima i Sevilje, Zlatni globus i Oskara za najbolji strani film.
Susanne Bier was born 1960 in Danmark. Graduate of the National Film School of Danmark, 1987. Academy Award semi-finalist and awardwinner at the Munich Film School Festival for her graduationfilm. HAEVNEN opened to rave reviews and top boxoffice, toured worldwide - returning with prestigious awards from Rome and Seville, a Golden Globe and an Oscar for Best Foreign Language Film.
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Jianyu / Kad ubice zavladaju / Reign of Assassins China, Hong Kong, Taiwan, 2010, 35 mm, Colour, 117 min, Mandarin Režija / Director: Su Chao-Pin Scenarij / Screenplay: Su Chao-Pin Direktor fotografije / Director of Photography: Horace Wong Montaža / Editor: Cheung Ka-Fai Muzika / Music: Peter Kam Scenografija / Production Design: Simon So Kostimografija / Costume Design: Emi Wada Uloge / Cast: Michelle Yeoh, Jung Woo Sung, Wang Xueqi, Barbie Hsu, Shawn Yue, Kelly Lin, Guo Xiaodong, Jiang Yiyan, Leon Dai, Paw Hee Ching, Matt Wu, Jin Shijie, Pace Wu, Calvin Li, Angeles Woo Producent / Producer: John Woo, Terence Chang Produkcija / Production: Lion Rock Productions Limited Filmografija / Filmography 2010 - JIANYU / REIGN OF ASSASSINS 2005 - GUI SI / SILK 2003 - CHUAN SUI / TUNNELING 2002 - AI QING LING YAO / BETTER THAN SEX
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Ovaj film nije samo niz akcionih scena koje se brzo smjenjuju, već je mnogo složeniji i liričniji od brojnih filmova žanra wuxia– filmova o borilačkim vještinama. Radnja se vrti oko bandi koje se pokušavaju domoći ostataka monaha Bodhija, koji je dosegao toliko visok stepen u molitvi i borilačkim vještinama da će vlasnik njegovih ostataka imati neograničenu moć. Kišica je mlada žena koju obučava vođa podmukle bande Tamni kamen, ali ona odlučuje da napusti takav život i promijeni svoj identitet plastičnom hirurgijom kako bi postala... Michelle Yeoh. Ali sama selidba i brak nisu dovoljni da sakriju njen identitet: nju prepoznaju po načinu baratanja mačem kada se bori protiv pljačkaša banke. I njen mirni suprug razotkriva svoj identitet kao majstor borilačkih vještina kada je njen život ugrožen. (H.F.) Su Chao-Pin (Rođen u Taipeiju 1970). godine izrastao je u jednog od najperspektivnijih scenarista u Tajvanu, kada je njegov prvi scenarij THE CABBIE (2000) nominiran za najbolji originalni scenario na festivalu Zlatni konj. Njegov uspjeh se nastavlja kada je napisao scenario za žestoki detektivski triler DOUBLE VISION (2002) u produkciji Columbia Picture i koji je završio na vrhovima tajvanskih top lista 2002. BETTER THAN SEX (2002), neobična komedija, za koju je radio i režiju i scenario, kao i TWENTY SOMETHING TAIPEI, za koji je uradio scenario sa Indiom Cheng, bavili su se osjetiljivim temama ljubavi i seksa iz drugačijih perspektiva.
E Not just a series of rapid action scenes, this is more complex and lyrical than most films of the wuxia genre: martial arts films. The plot involves the competition between gangs for the remains of the monk Bodhi, so accomplished in both prayer and martial arts that possessing them will make the owner all-powerful. Drizzle is a young woman trained by the leader of the nefarious Dark Stone gang, but she decides to leave this life behind and disguise herself through plastic surgery to become…Michelle Yeoh. But relocation and marriage are not enough to hide her identity: she is recognized when she wields a sword to fend off bank robbers. And her docile husband reveals himself as a martial arts master when her life is threatened. (H.F.)
Su Chao-Pin (born in Taipei, 1970) emerged as one of the most promising screenwriters in Taiwan when his first script, THE CABBIE (2000), was nominated for Best Original Screenplay at the Golden Horse Awards. His success continued when he penned the script for Columbia Picture’s hard-boiled detective thriller DOUBLE VISION (2002), which topped the Taiwanese box office in 2002. BETTER THAN SEX (2002), an extraordinary comedy that he both wrote and directed, and TWENTY SOMETHING TAIPEI (2002), co-written with India Cheng, explored the sensitive topics of love and sex from new angles.
Kochegar / Ložač / Stoker Russia, 2010, 35 mm, Colour, 80 min, Russian Režija / Director: Aleksey Balabanov Scenarij / Screenplay: Aleksey Balabanov Direktor fotografije / Director of Photography: Alexandr Simonov Montaža / Editor: Tatyana Kuzmicheva Zvuk / Sound: Maxim Belovolov Scenografija / Production Design: Anastasia Karimulina Kostimografija / Costume Design: Nadezda Vasileva Uloge / Cast: Mikhail Skryabin, Yuriy Matveev, Alexander Mosin, Aida Tumutova, Anna Korotaeva, Vyacheslav Telnov Producent / Producer: Sergey Selyanov Produkcija / Production: CTB Film Company Odabrana filmografija / Selected filmography 2010 - KOCHEGAR / THE STOKER 2008 - MORFIY / MORPHIA 2007 - GRUZ 200 / CARGO 200 2006 - MNE NE BOLNO / IT DOESN’T HURT 2005 - ZHMURKI / DEAD MAN’S BLUFF 2000 - REKA / THE RIVER 2000 - BRAT 2 / BROTHER 2 1998 - PRO URODOV I LYUDEY / OF FREAKS AND MEN
Balabanovljeva sklonost ka satiri i nasilju su itekako prisutni u filmu LOŽAČ, spoju crne komedije i promišljanja o državi Rusiji iz sredine devedesetih, kad su atentati i gloženje za finansijskom dobrobiti bili svakodnevnica. Izuzetak je glavni lik, poznat kao Major iz plemena Kanut, veteran rata u Avganistanu sa PTSP-om i odlikovani narodni heroj. On je ložač uglja u kotlovnici u velikom podrumu, a čak i stanuje u zagušljivom vrućem stanu; u slobodnu vrijeme on kuca na pisaćoj mašini priču o ruskom kriminalu koji se dešava u Yakutiji u 19. stoljeću. Major okreće glavu na drugu stranu kada gangsteri, uključujući i njegovog bivšeg suborca po imenu Narednik, ubacuju leševe svojih protivnika u vatru koju on loži – dok se jedno ubistvo ne desi toliko blizu njegovog doma da ga natjera da se izvuče iz kolotečine kako bi učinio još jedno, završno herojsko djelo. (H.F.) Alexey Balabanov je rođen 1959. u Sverdlovsku, diplomirao je na Prevodilačkom fakultetu Pedagoškog univerziteta Gorki. Alexey je diplomirao na naprednom kursu za scenariste i režisere 1990. godine. Godinu kasnije, režirao je i napisao scenario za svoj prvi igrani film HAPPY DAYS. Zajedno sa producentima Sergeiom Selyanovom i Viktorom Grigoryevim, 1992. Balabanov osniva filmsku kompaniju CTB. Skoro sve svoje filmove je producirao u CTB.
E Balabanov’s penchant for satire and violence are much in evidence in The Stoker, a fusion of black comedy and musings about the state of Russia in the mid-1990s, when assassinations and climbing for financial gain were rampant. The exception here is the central character, known as the Major, an ethnic Kanut, a shell-shocked veteran of Afghanistan, and a decorated military hero. He shovels coal into a large basement boiler and even resides in the stiflingly hot space; during his off-time he slowly types a short story about a Russian criminal who goes to Yakutia in the 19th century. The Major turns a blind eye when gangsters, including his ex-comrade in arms known as the Sergeant, toss corpses of their foes into the fire—until one acts hits so close to home that it pulls him out of his shell in order to perform one final heroic deed. (H.F.)
Alexey Balabanov was born in 1959 in Sverdlovsk, he graduated from the Translation Faculty of the Gorky Pedagogical University. In 1990, Alexey graduated from the Advanced Course for Scriptwriters and Directors. A year later, he wrote and directed his first feature HAPPY DAYS. In 1992, together with producers Sergei Selyanov and Viktor Grigoryev, Mr. Balabanov co-founded the CTB Film Company. CTB has produced almost all of his films to this day.
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La vida útil / Koristan život / A Useful Life Uruguay, Spain, 2010, 35 mm, Black&White, 67 min, Spanish Režija / Director: Federico Veiroj Scenarij / Screenplay: Federico Veiroj Direktor fotografije / Director of Photography: Arauco Hernández Montaža / Editor: Arauco Hernández, Federico Veiroj Muzika / Music: Leo Masliah, Macunaima, Eduardo Fabini Uloge / Cast: Jorge Jellinek, Manuel Martínez Carril, Paola Venditto Producent / Producer: Federico Veiroj Produkcija / Production: CINEKDOQUE Odabrana filmografija / Selected filmography 2010 - LA VIDA UTIL / A USEFUL LIFE 2008 - ACNÉ 2004 - BREGMAN, EL SIGUIENTE (short) 2002 - 50 AÑOS DE CINEMATECA URUGUAYA (short documentary) 2002 - 6 DE ENERO 2001 - DE VUELTA A CASA 2001 - LO QUE DEO MANDA
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Poput nekoliko ostalih skorijih urugvajskih filmova koji odišu antiglamurom i antiholivudskim raspoloženjem, KORISTAN ŽIVOT je priča o nespretnim, ali simpatičnim likovima, koji liče na samog režisera, sa elementima stvarnih lokacija, kao i preciznom kamerom, relativno dugim kadrovima asimetrične prirode, ali bez zalaženja u ekspresionizam. I bez kompjuterskih efekata. Veiroj je radio godinama u filmskom arhivu u Montevideu, baš kao i u slučaju glavnog lika u KORISNOM ŽIVOTU. Arhiva je u dugovima, a nagomilavajući računi se ne mogu platiti. Po zatvaranju arhive, arhivar zakoračuje iz sigurnosti svog posla u stvarni svijet, gdje po prvi put kuša život i ljubav. Kako glavni glumac putuje prema samootkriću, režiser, pomoću muzike i vizuelnih efekata, odaje počast određenim žanrovima. Komercijalne prirode? Pa, dovoljno je reći da je film rađen crno-bijelom tehnikom i jedva da traje 70 minuta. (H.F.) Federico Veiroj je rođen 1976. u Montevideu. Diplomirao je iz oblasti društvenokomunikacijskih nauka. Radio je u urugvajskoj kinoteci i španskoj filmskoj arhivi, a pored toga je i filmski programer. Producira i režira kratke filmove od 1996. godine. ACNE (2008), njegov prvi igrani film, imao je premijeru u sekciji Dvije sedmice režisera (Cannes, 2008), i osvojio je nagrade na ‘Cine en Construcción’ u San Sebastianu, AFI - Los Angeles, Havana Film Festivalu kao i u Sanficu (filmski festival u Čileu). ACNE je nominiran za nagradu Goja kao najbolji hispanoamerički film 2009.godine. KORISTAN ŽIVOT je njegov drugi igrani film.
E Like several other recent Uruguayan films, anti-glamour, and anti-Hollywood, A USEFUL LIFE features schlumpy but likable protagonists, a storyline close to his personal life, real locations, and a precise shooting style, relatively long takes frequently set up a bit obliquely—not symmetrical, but not expressionistic either. And no CGI. Veiroj worked for years in the film archive of Montevideo, as does the main character in A USEFUL LIFE. The place is in debt, and ultimately the hovering bills can not be paid. Once the archive closes, the archivist emerges from its safe confines into the real world, tasting life, and love, for the first time. With music and visuals, the director pays homage to several genres during the man’s journey toward self-discovery. Commercial? Suffice it to say, the film is in black and white and runs barely 70 minutes. (H.F.)
Federico Veiroj was born 1976 in Montevideo. He majored in Social Communications Sciences. He worked at the Uruguayan Cinematheque, the Spanish Film Library and he is a Film Programmer. He has produced and directed short-films since 1996. ACNE (2008), his first feature film, premiered at the Director’s Fortnight (Cannes, 2008) and won awards at ‘Cine en Construcción’ in San Sebastian, AFI - Los Angles, the Havana Film Festival and at Sanfic (Chile Film Festival). Acne was nominated for the Goya awards as Best Hispano-American Film, in 2009. LA VIDA ÚTIL (A USEFUL LIFE) is his second feature film.
Las Acacias / Akacije Argentina, Spain, 2011, 35 mm, Colour, 85 min, Spanish Režija / Director: Pablo Giorgelli Scenarij / Screenplay: Pablo Giorgelli, Salvador Roselli Direktor fotografije / Director of Photography: Diego Poleri Montaža / Editor: María Astrauskas Uloge / Cast: Germán de Silva, Hebe Duarte, Nayra Calle Mamani Producent / Producer: Pablo Giorgelli, Ariel Rotter Produkcija / Production: AireCine, Utópica Cine, Armonika Entertainment Filmografija / Filmography 2011 - LAS ACACIAS 1993 - El ÚLTIMO SUEŇO (documentary)
Film o dvojcu, snimljen gotovo u cijelosti u kabini velikog kamiona, s „malim imenima“ i još manjim budžetom. Razvoj priče Giorgellijevog filma ovisi o sitnim gestama i letimičnim pogledima argentinskog vozača i paragvajske žene i njene kćerkice, koje je povezao od Asunciona do Buenos Airesa. Film AKACIJE se odbija nametnuti kao neka vrsta kinematografskog dostignuća. Kadrovi obmanjujuće pojednostavljuju putovanje od samoće do vezanosti. Putovanje snažno odjekuje i pogađa čak i najpribranije gledatelje. Film je osvojio nagradu Camera d’Or u Cannesu kao najbolji prvi igrani film u svim festivalskim sekcijama. (H.F.) Pablo Giorgelli je Argentinac, rođen 1967. godine u Buenos Airesu.
E A two-hander shot almost entirely in the cab of a large truck, with small names and an even smaller budget, Giorgelli’s road movie depends on tiny gestures and the slightest of glances to advance the story of an Argentine driver and the indigenous Paraguayan woman and her baby daughter to whom he provides a lift from Asuncion to Buenos Aires. LAS ACACIAS refuses to announce itself as some sort of cinematic achievement. The makes deceptively simple the journey from loneliness to attachment; the trip resonates powerfully in even the most hardened viewer. The film won the Camera d’or in Cannes, the best first feature in all of the festival’s sections. (H.F.)
Pablo Giorgelli is Argentinian nationality. He was born in 1967 in Buenos Aires, Argentina.
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Le gamin au vélo / Dječak sa biciklom / The Kid with a Bike Belgium, France, Italy, 2011, 35 mm, Colour, 87 min, French Režija / Director: Jean-Pierre Dardenne, Luc Dardenne Scenarij / Screenplay: Jean-Pierre Dardenne, Luc Dardenne Direktor fotografije / Director of Photography: Alain Marcoen Montaža / Editor: Marie-Hélene Dozo Zvuk / Sound: Thomas Gauder, Jean-Pierre Duret Scenografija / Production Design: Igor Gabriel Uloge / Cast: Cécile De France, Thomas Doret, Jérémie Renier, Fabrizio Rongione, Egon Di Mateo, Olivier Gourmet Producent / Producer: Jean-Pierre Dardenne, Luc Dardenne, Denis Freyd Produkcija / Production: Les Films du Fleuve, French Archipel 35, Lucky Red Odabrana filmografija / Selected filmography 2011 - LE GAMIN AU VÉLO / THE KID WITH A BIKE 2008 - LE SILENCE DE LORNA / LORNA’S SILENCE 2007 - CHACUN SON CINÉMA OU CE PETIT COUP AU COEUR QUAND LA LUMIÈRE S’ÉTEINT ET QUE LE FILM COMMENCE (segment “DANS L’OBSCURITÉ”) 2005 - L’ENFANT / THE CHILD 2002 - LE FILS / THE SON 1999 - ROSETTA
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Još jednom braća Dardenne koriste naturalistički pristup da prikažu duboko ukorijenjeno čovjekoljublje koje isijava iz onih koji su na najnižoj društvenoj ljestvici. Nepoželjni jedanaestogodišnjak živi u domu. On se vraća u svoj stari stan da nađe oca koji ga je napustio i svoj bicikl. Tamo uspjeva naći bicikl, a kada oca sreće na drugom mjestu, on ga opet odbacuje, uprkos dječakovom očajanju za očinskom ljubavi. Dječak u potpunosti negira istinu i agresivan je prema onima koji je spomenu. Srećom po njega, on sreće ženu, frizerku koja mu pruža nešto od ljubavi i zaštite koja mu treba. Kao i obično, naracija je svedena na minimum, što vodi izvanzemaljskoj ljepoti ovog nepretencioznog, prizemljenog filma. (H.F.) Luc i Jean Pierre Dardenne režirali su i producirali brojne dokumentarce, uključujući LE CHANT DU ROSSIGNOL (1978) i LEÇONS D’UNE UNIVERSITÉ VOLANTE (1982) u svojoj produkcijskoj kući Dérives. Luc Dardenne i njegov brat su režirali THE PROMISE (1996), potom film ROSETTA (1999), za kojeg su dobili Zlatnu palmu na Festivalu u Cannesu 1999. godine. Luc vodi radionicu za pisanje scenarija na Université Libre de Bruxelles.
E Once again, the Dardenne brothers use naturalistic means to display a deep-rooted humanity that emanates from those low on society’s totem pole. An unwanted 11-year-old boy lives in a care home. He returns to his old apartment to find the father who disappeared and his bicycle. He is successful with the latter, but his dad, once he encounters him somewhere else, wants nothing to do with him, despite his desperation for parental affection. The kid is in complete denial about the truth and is aggressive toward those who mention it. Fortunately for him, he meets a woman, a hairdresser who provides him with some of the love and protection he needs. As usual, the narrative is pared down to the essentials, which lend an ethereal beauty to an otherwise unpretentious, earthy film. (H.F.)
Luc and Jean-Pierre Dardenne directed and produced numerous documentaries including LE CHANT DU ROSSIGNOL (1978), LEÇONS D’UNE UNIVERSITÉ VOLANTE (1982) with their production company Dérives. Luc Dardenne and his brother directed THE PROMISE (1996), then ROSETTA (1999) which received the Palme d’Or at the Cannes Festival in 1999. He runs a screenplay writing workshop at the Université Libre de Bruxelles.
Melancholia / Melanholija Denmark, Sweden, France, Germany, Italy, 2011, 35 mm, Colour, 136 min, English Režija / Director: Lars von Trier Scenarij / Screenplay: Lars von Trier Direktor fotografije / Director of Photography: Manuel Alberto Claro Montaža / Editor: Morten Hojbjerg, Molly Marlene Stensgaard Zvuk / Sound: Kristian Eidnes Andersen, Sigrid Dagny Aalbaek Jensen, André Rigaut Scenografija / Production Design: Jette Lehmann Kostimografija / Costume Design: Manon Rasmussen Uloge / Cast: Kirsten Dunst, Charlotte Gainsbourg, Kiefer Sutherland, Charlotte Rampling, John Hurt, Alexander Skarsgård, Stellan Skarsgård, Brady Corbet, Udo Kier Producent / Producer: Meta Louise Foldager, Louise Vesth Produkcija / Production: Zentropa Entertainments, Memfis Film, Slot Machine, Liberator Productions Odabrana filmografija / Selected Filmography 2011 - MELANCHOLIA 2009 - ANTICHRIST 2006 - DIREKTØREN FOR DET HELE / THE BOSS OF IT ALL 2005 - MANDERLAY 2003 - DOGVILLE 2000 - DANCER IN THE DARK 1998 - IDIOTERNE / THE IDIOTS 1996 - BREAKING THE WAVES 1991 - EUROPA
Justine (Kirsten Dunst) iz von Trierovog remekdjela MELANHOLIJA je depresivna, kao što je to bio i sam von Trier dok je snimao ovaj film, kako sam kaže. Von Trier dijeli film na dva dijela, gdje je svaki od dijelova nazvan po jednoj od sestara. U prvom dijelu mi posmatramo kako Justine ubrzano propada od blistajuće mladenke na prekrasnoj svadbenoj večeri do manijakalne noćne more za jedno veče (ona je zasluženo osvojila nagradu za najbolju žensku ulogu), dok Claire pokušava da održi kakav takav red u tom ludilu. U drugom dijelu, potpuno depresivna, skoro katatonična Justine dolazi kod Claire kako bi je ova njegovala, na Clairin posjed, mjesto otkazane svadbene proslave. (H.F.) Lars von Trier je rođen u Copenhagenu, u Danskoj 1956. godine. 1995. godine Lars von Trier i Thomas Vitenberg predstavili su svoj manifesto za novi filmski pokret kojeg su oni nazvali Dogma 95. Von Trierov sljedeći film BREAKING THE WAVES, sa svojim znastim prizorima i kamerom iz ruke, po svojoj prirodi je išao u pravcu Dogme 95. Ovo je bio prvi film u trilogiji GOLDEN HEART, koja je još sadržavala THE IDIOTS i DANCER IN THE DARK – jedan od prvih igranih filmova na svijetu koji je u potpunosti sniman digitalnom opremom. Zatim je režirao dva filma u svojoj SAD trilogiji: DOGVILLE i MANDERLAY, oba veoma stilizirana, gdje glumci igraju u skoro praznom tonskom studiju.
E Kirsten Dunst’s Justine in von Trier’s masterful MELANCHOLIA is a depressive, as von Trier says he was when he made the film. Von Trier divides the film in two, each entitled with one of the sibling’s names. In the first part, we observe Justine’s rapid decline from radiant bride at a beautiful wedding dinner to a maniacal nightmare in one evening (she deservedly won Best Actress), with Claire attempting to maintain some order amidst the madness. In Part Two, a completely depressed, nearly catatonic Justine returns for nurture to Claire’s estate, scene of the aborted marriage celebration. (H.F.)
Lars von Trier was born in Copenhagen, Denmark in 1956. In 1995, Lars von Trier and Thomas Vinterberg presented their manifesto for a new cinematic movemant which they called Dogme 95. Von Trier’s first next film BREAKING THE WAVES with its grainy imiges and hand-hold photography pointed towards Dogme 95. This film was first in his GOLDEN HEART trilogy which also includes THE IDIOTS and DANCER IN THE DARK – one of the first motion pictures in the world to be filmed with entirely digital equipment. He than directed two films in his „U.S. Triology“: DOGVILLE and MANDERLAY, both extremely stylized, with the actors playing their parts on nearly emty soundstage .
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The Miners’ Hymns / Himne rudara USA, 2011, HD CAM (HDTV), Colour and B&W, 52 min, No Dialogue, Documentary Režija / Director: Bill Morrison Scenarij / Screenplay: Bill Morrison, Jóhann Jóhannsson, David Metcalfe Direktor fotografije / Director of Photography: various Montaža / Editor: Bill Morrison Muzika / Music: Jóhann Jóhannsson Producent / Producer: David Metcafe Produkcija / Production: Forma Arts & Media Filmografija / Filmography 2011 - THE MINERS’ HYMNS (documentary) 2004 - LIGHT IS CALLING 2002 - DECASIA
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Osim nekoliko savremenih inserata u boji, Morrison monitra arhivske snimke kako bi se poigrao originalnom muzikom Johanna Johannssona, manipulirajući slikama, podižući raspoloženje i ostvarujući progresivne političke elemente preko njegove suprotnosti. Fokus ovog filma su rudari u Durhamu, u sjeveroistočnoj Engleskoj, gdje je radnička klasa nekada imala snagu i gdje su zamaskirani rudnici uglja, koji su nekad bili tek radno mjesto koje je prehranjivalo porodice rudara, postali simbolom njihovog kulturnog i moralnog identiteta. Godišnja proslava njihovih organizacija prava je raskoš. Ali, da se ne bi izgubili u tako ljupkom prizoru, Morrison se redovno vraća u mrak, u mokre unutrašnjosti rudnika i njihove “metropolske“ radne uvjete. (H.F.)
E Except for a few contemporary color inserts, Morrison edits archival footage to play with or against Johann Johannsson’s original score, manipulating images, enhancing mood, and scoring progressive political points through his juxtapositions. The subject here is the coal miners of northeast England, in Durham, where the working-class had clout, and the now camouflaged coal mines that provided sustenance for the men’s families provided a cultural and moral identity that extended far beyond the workplace. The recurring annual celebration of their organizations is pure pageantry. But lest one get lost in such charming spectacle, Morrison regularly cuts to the dark, dank interiors of the mines and their Metropolis-like labor conditions. (H.F.)
Bill Morrison je napravio filmove koje živim muzičkim nastupima prate neke od najznačajnijih kompozitora današnjice, među kojima su i John Adams, Gavin Bryars, Bill Frisell i Steve Reich. Za njegov dugometražni film DECASIA, koji je radio u saradnji sa kompozitorom Michaelom Gordonom, J. Hoberman iz časopisa The Village Voice kaže da je to “najviše hvaljen američki avangardni film s kraja ovog stoljeća.’
Bill Morrison has created films to accompany live performances of music by some of the most important composers of our time, including John Adams, Gavin Bryars, Bill Frisell, and Steve Reich, to name but a few. DECASIA, his feature length collaboration with composer Michael Gordon, was described by J. Hoberman in the Village Voice as ‘the most widely acclaimed American avant-garde film of the fin-de-siecle.’
Obratnoe dvizhenie / U suprotnom smjeru / Reverse Motion Russia, 2010, 35 mm, Colour, 93 min, Russian Režija / Director: Andrey Stempkovsky Scenarij / Screenplay: Andrey Stempkovsky, Anush Vardanyan, Givi Shavgulidze Direktor fotografije / Director of Photography: Zaur Bolotaev Montaža / Editor: Dmotriy Dumkin Muzika / Music: Ilya Balaban Uloge / Cast: Vladiskav Abashin, Olga Demidova, Nikita Emshanov, Darya Gracheva Producent / Producer: Mikhail Kalatozishvili Produkcija / Production: Mikhail Kalatozov Fund Filmografija / Filmography 2010 - OBRATNOE DVIZHENIE / REVERSE MOTION 2007 - LIZA (short)
Bez popratne muzike, ovaj film je smješten u bezličnu industrijsku zonu ugaslog ruskog grada u kojem zlovoljni ljudi govore malo i provode vrijeme neprekidno pušeći cigarete. Stempkovsky je napravio uznemirujući film upečatljive fotografije o materinskoj vezi i bratskom rivalstvu, film suspregnute energije ušuškane u sekundarnu radnju, samosvjesno kadriranje, skoro prazne prostore koji otkrivaju mnogo informacija, kao i tišinu između riječi. U provinciji, rasijana majka briše pod metlom, zabrinuta jer je njen sin nestao navodno u Čečeniji prije mjesec dana. Ona skriva vjerovatno nijemog dječaka Uzbeka, ilegalnog imigranta kojeg je prokrijumčarila kriminalna banda, a on je bio svjedok ubistava koje su oni počinili. Žena prema njemu pokazuje majčinske osjećaje. Njen sin se vraća, ali nema cilja u životu dok se ne osveti bandi za ono što su učinili njegovoj porodici. (H.F.)
E Without music, this film is set in the bleak industrial zone of an enervated Russian city in which glum adults say little and pass the time chain smoking. Stempkovsky has made an unnerving, strikingly photographed movie about the maternal bond and sibling rivalry, withholding energy and tucking it into off-camera actions, self-conscious framing, nearly empty spaces that reveal plenty of information, and the silences between utterances. In a provincial town, a distraught mother mopes, her soldier son having been reported missing in what seems to be Chechnya one month prior. She hides an illegal preadolescent Uzbek boy, possibly mute, who has been smuggled in by a criminal gang and has witnessed one of their murder sprees, and to whom she displaces her maternal affection. The son returns, but is goalless until he seeks revenge for what the gang has done to his “family.” (H.F.)
Andrey Stempkovsky je rođen 1975. u Vilnusu. Studirao je u Moskvi. Godine 2005. se upisao na više kurseve za režisere i scenariste (u studiju Pjotra Todorovskog). Diplomirao je 2008. godine. U periodu od 2005. do 2008. godine producirao je i snimio nekoliko kratkih filmova. Učesnik je i laureat programa kratkih filmova na mnogim filmskim festivalima: Berlinski filmski festival, Kinotavr, Festival minhenske filmske škole, Molodost, Kinoteatr. doc, Festival festivala i drugi. 2007.godine pobijedio je na Međunarodnom takmičenju filmova o zaštiti ljudskih prava koje je organizovao Goethe Institut (LIZA). LIZA je također prikazana u posebnoj sesiji na Festivalu Berlinale 2008.
Andrey Stempkovsky was born on in 1975. in Vilnius. Studied in Moscow. In 2005, he enrolled on the Higher Courses for Directors and Screenwriters (in Pyotr Todorovsky’s studio). He graduated in 2008. In 2005-2008, produced and shot several short films. A participant and laureate of short film programs at a series of film festivals: Berlin Festival, Kinotavr, Munich Film School Festival, Molodost, Kinoteatr.doc, Festival of Festivals and others. In 2007, won the international human rights protection film competition organized by the Goethe Institute (LIZA, First Prize). LIZA was also shown in the special screenings program at the Berlinale-2008 festival.
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Ovsyanki / Tihe duše / Silent Souls Russia, 2010, 35 mm, Unknown, 75 min, Russian Režija / Director: Aleksei Fedorchenko Scenarij / Screenplay: Denis Osokin Direktor fotografije / Director of Photography: Mikhail Krichman Montaža / Editor: Sergei Ivanov Muzika / Music: Andrei Karasyov Zvuk / Sound: Balzhi Liza Scenografija / Production Design: Andrey Ponckratov Kostimografija / Costume Design: Anna Barthuly Uloge / Cast: Igor Sergeyev, Yuriy Tsurilo, Yuliya Aug, Victor Sukhorukov Producent / Producer: Igor Mishin, Mary Nazari Produkcija / Production: April Mig Pictures Films Co., Media Mir Foundation Filmografija / Filmography 2010 - OVSYANKI / SILENT SOULS 2006 - SHOSHO 2005 - PERVYE NA LUNE / THE FIRST ON THE MOON 2003 - DETI BELOI MOGILYI / CHILDREN OF THE WHITE GRAVE 2002 - DAVID
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Prizori u ovom deprimirajućem filmu prizivaju djela Tarkovskog, Sokurova i Paradžanova, ali ovo je ipak potpuno originalno prizivanje ruske “duše”. Ona vas progoni i ostaje s vama. Šef i zaposlenik koji skriva preljubničke tajne od svog šefa, kreću na putovanje autom da kremiraju mrtvu ženu pored jezera u drugom gradu. Fotograf nam kaže kako je porijeklom od Merja, ugrofinskog plemena koje (prema njegovom tumačenju) prakticira tradicionalne rituale i ima čvrstu povezanost s vodom, koja također ima ulogu u filmu. Osjećaj melanholije i nostalgije za tradicijom sjenči film. (H.F.)
E The imagery in this chilling film calls to mind Tarkovski, Sokurov, and Paradjanov, but it is a highly original evocation of the Russian “soul.” It haunts you and stays with you. The boss and employee, who hides adulterous secrets from his chief, embark on a car journey to cremate the dead woman by a lake in another town. The photographer tells us he is descended from the Merja, a Finnish-Ugric tribe with (according to him) set rituals and a strong attachment to water, which itself plays a part here. A sense of melancholy, of nostalgia for tradition, shadows the film. (H.F.)
Alexei Fedorchenko (rođenog 1966. godine u Sol’-Ileck, u regiji Orenburg u Rusiji) ima karijeru koja može biti opisana kao svakakva, samo ne tradicionalna. Nakon završetka studija ekonomije 1988. godine na Politehničkom institutu Ural, Fedorchenko je proveo dvije godine radeći u fabrici. Nakon toga je odselio u kompleks za snimanje dokumentanih filmova studija Sverdlovk, koje je u to vrijeme proživljavalo finansijsku krizu. Nakon nekog vremena studio je ponovo stao na noge, a Fedorchenko seli u Odjel za pisanje scenarija Ruskog instituta za kinematografiju. Fedorchenko je potom proveo nekoliko godina radeći na dokumentarcima, dok nije uzeo elana i napravio film FIRST ON THE MOON. Ovaj projekat je bio privlačan za Fedorchenka jer mu je dozvolio da eksperimentira sa materijalima i tehnikama iz 1930-tih.
Alexei Fedorchenko’s (Born: 1966, Sol’-Ileck, Orenburg region, Russia)career path can be described as anything but traditional. After graduating in 1988 from the Ural Polytechnical Institute with a degree in economics, Fedorchenko spent two years working in a factory. Eventually, he moved to the documentary facility of Sverdlovsk Studios, which at the time was undergoing a financial crisis. After some time the studio got back on its feet, only to have Fedorchenko move to the Screenwriting department of the Russian Institute of Cinematography. Fedorchenko subsequently spent several years working on documentaries, until he switched gears and made the film FIRST ON THE MOON. The project was attractive for Fedorchenko because it allowed him to experiment with 1930’s.
OPEN VERDICT
Quattro Hong Kong 2 Hong Kong, 2011, HD CAM (HDTV), Colour and B&W, 65 min, Cantonese, English, Putonghua Filmovi / Films: - 13 MINUTES IN THE LIFE OF... - Stanley Kwan - PURPLE - Brillante Mendoza - OPEN VERDICT - Ho Yuhang - HOTEL M - Apichatpong Weerasethakul Producenti / Producers: Larry Castillo, Lorna Tee, Chu Chen On, Willie Chan Produkcija / Production: Brand HK World Sales: HKIFF
Četiri azijska reditelja snimaju kratke 15-minutne filmove o nekim aspektima života u Hong Kongu. Činjenica da ove filmove rade baš ovi filmski autori, Brillante Mendoza, Apichatpong Weerasethakul, Stanley Kwan i Ho Yuhang, čini ovu mješavinu uradaka iznimkom u ovom inače veoma teškom žanru. Radi se o vrlo uzbudljivom omnibusu, gdje je svaki uradak drugačiji po stilu i viđenju Hong Konga. Sva četiri filma krasi izvanredna fotografija. Radnja Kwanovog filma 13 MINUTA U ŽIVOTU... odvija se u autobusu koji ide od aerodroma ka gradu i prati odabrane razgovore. Mendoza je snimio PURPLE (BOJA PURPURA), priču koja prati jednog posjetitelja u malom ribarskom selu, obuhvatajući slike raskoši svakodnevnog života tog sela. U Hoovoj OTVORENOJ PRESUDI, koja je ujedno i najdinamičnija priča u ovom kvartetu, policijski tim iz Odjela za narkotike kreće u akciju po dojavi svojih malezijskih kolega, kako bi provjerili jednog turistu koji sa sobom nosi izuzetno težak kofer. Weerasethakulijev M HOTEL je kratki film koji je gotovo izvan fokusa, snimljen sa parom reditelja sa 17. sprata jednog hotela. (H.F.)
E Four Asian directors film 15 minute shorts about some aspect of Hong Kong life. Having filmmakers like Brillante Mendoza, Apichatpong Weerasethakul, Stanley Kwan, and Ho Yuhang makes this particular portmanteau an exception to the plodding quality of the genre: It is exciting, each of the sections a different style and take on Hong Kong. And all are beautifully photographed. Kwan’s13 MINUTES IN THE LIFE OF … takes place on a bus from the airport, following assorted conversations. Mendoza shot PURPLE, which follows a visitor to one of the city’s fishing villages and captures the rich textures of day-to-day life there. In Ho’s OPEN VERDICT, the most dynamic of the four, a team of narcotics police act on tips from their Malaysian counterparts to check on the activities of a tourist with an exceptionally heavy suitcase. Weerasethakul shoots HOTEL M almost out of focus, with a pair of filmmakers making a short from the 17th floor of a hotel. (H.F.)
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Stand van de Sterren / Mjesto među zvijezdama / Position Among the Stars Režija / Director: Leonard Retel Helmrich Scenarij / Screenplay: Leonard Retel Helmrich Direktor fotografije / Director of Photography: Ismail Fahmi Lubish, Leonard Retel Helmrich Montaža / Editor: Jasper Naaijkens Muzika / Music: Danang Faturahman, Fahmy Al-Attas Zvuk / Sound: Ranko Pauković Producent / Producer: Hetty Naaijkens, Retel Helmrich Produkcija / Production: Scarabeefilms
Helmrich je posmatrao porodicu Shamshuddin u Jakarti skoro 12 godina. Iz njegovog iskustva je proizašla trilogija, iz koje je MJESTO MEĐU ZVIJEZDAMA treći i najbolji film. (Osvojio je prvu nagradu na IDFA, međunarodnom festivalu dokumentarnog filma). Otac porodice ima problema sa kćerkom tinejdžerkom Tari, koja ima potencijal da se izvuče iz života u sirotinjskoj četvrti i ode na studij. Ali ona se koleba, tako da njen otac odlazi u selo odakle im potječu preci i dovodi svoju staru mati da uputi Tari na pravi put. Djevojka je „okaljana“ vrijednostima Zapada, i njen otac želi da je izloži strožijim tradicionalnim vrijednostima. (H.F.)
E Helmrich observed the Shamshuddin family in Jakarta for almost a dozen years. From his experience came a trilogy, and POSITION AMONG THE STARS is the third and finest of the films. (It won first prize at IDFA, the international documentary festival.) The father of the family has problems with his teen daughter Tari, who has the potential to escape slum life and go to college. But she is subverting herself, so her dad goes back to his ancestral village and brings home his elderly peasant mother to set Tari straight. The girl has been “tainted” by the values of the West, and Dad wants to expose her to more rigid traditional values. (H.F.)
Filmografija / Filmography 2010 - STAND VAN DE STERREN / POSITION AMONG THE STARS (documentary) 2006 - PROMISED PARADISE (documentary) 2005 - STAND VAN DE MAAN / SHAPE OF THE MOON (documentary) 2003 - FLIGHT FROM HEAVEN (documentary) 2002 - DE STAND VAN DE ZON (documentary) 1994 - JEMAND AUF DER TREPPE (documentary) 1992 - MOVING OBJECTS (documentary)
Leonard Retel Helmrich je rođen 1959. godine u Tilburgu, u Holandiji. Na Holandskoj akademiji za film i televiziju diplomirao je 1986. Njegov dokumentarac SHAPE OF THE MOON osvojio je nekoliko nagrada na međunarodnim filmskim festivalima, uključujući nagradu „Joris Ivens“ na IDFA 2004, Nagradu za kameru CIDF (Chicago) 2005, Veliku nagradu žirija na festivalu Full Frame 2005, kao i Veliku nagradu žirija za svjetski dokumentani film na Filmskom festivalu Sundance 2005. godine.
Leonard Retel Helmrich was born in 1959 in Tilburg, the Netherlands. In 1986 he finished his studies at the Dutch Film- and Television Academy. His documentary SHAPE OF THE MOON has won several prizes at International film festivals. Including the “Joris Ivens Award” at IDFA 2004, the “2005 CIDF cinematography award” at CIDF (Chicago), the “2005 Grand Jury Award” at Full Frame and the “World documentary Grand Jury Prize” at the 2005 Sundance Film Festival.
Netherlands, 2011, DigiBeta, Colour, 111 min, Indonesian, Documentary
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The Tailor / Krojač USA, 2011, DigiBeta, B&W, 6 min, English Režija / Director: Gordon Grinberg Scenarij / Screenplay: Gordon Grinberg Direktor fotografije / Director of Photography: John Inwood Montaža / Editor: Gordon Grinberg Muzika / Music: Bruce Adolphe, The Jerusalem Jazz Band Kostimografija / Costume Design: Jillian Donaldson Uloge / Cast: Adam Lerman, James Larosa, Mary Francina Golden, Stephanie Gehrke, Ann Kadwani, Evgeniya Railova, Paul Caiola, Logan James Hall, Bob Greenberg Producent / Producer: Paul Schoenberger, Gordon Grinberg Produkcija / Production: The Tailor Productions Filmografija / Filmography 2011 - THE TAILOR (short)
Grinberg je uradio ovaj presmiješni kratki film dijelom kao omaž nijemom filmu, ali i zato što nijema radnja ima funkciju da dramatizira kraj filma, kada se dijalog iz titlova ozvuči. Tada je to i poenta šale na kojoj je film zasnovan. On snima New York, posebno Brooklyn, na vrlo originalan način, najviše snimajući ljude u crkvi i religiozne Jevreje kako šetaju ulicom ili se cjenkaju sa krojačem iz naslova. (H.F.) Gordon Grinberg je radio kao urednik na dvanaest igranih filmova, uključujući i TWELVE Joela Schumachera, nezavisnoj crnoj komediji EXTERMINATORS i romantičnom horor filmu ZOMBIE HONEYMOON, koji je prikazan na Slamdanceu i osvojio nagradu Fangoria Chainsaw. Gordon je također radio kao asistent montažera na filmovima kao što su Al Pacinov CHINESE COFFEE i Scorceseov GANGS OF NEW YORK. THE TAILOR je njegov režiserski prvijenac.
E Grinberg makes this hilarious short in part as homage to the silent film but also because the silence performs a function to dramatize the end of the film, when the dialogue switches from being delivered through intertitles to actual sound. But then that is the punchline of the joke upon which the movie is based. He captures New York, especially Brooklyn, in a highly original manner, filming principally servants of the church and religious Jews as they walk down the street or haggle with the tailor of the title. (H.F.)
Gordon Grinberg has worked as an editor on a dozen feature films, including Joel Schumacher’s TWELVE, the indie dark comedy EXTERMINATORS, and the romantic horror film ZOMBIE HONEYMOON, which screened at Slamdance, and won a Fangoria Chainsaw Award. Gordon has also served as an assistant editor on films such as Al Pacino’s CHINESE COFFEE and Martin Scorsese’s GANGS OF NEW YORK. The Tailor marks his debut as a director.
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Tyrannosaur / Tiranosaur United Kingdom, 2010, 35 mm, Colour, 91 min, English Režija / Director: Paddy Considine Scenarij / Screenplay: Paddy Considine Direktor fotografije / Director of Photography: Erik Alexander Wilson Montaža / Editor: Pia Di Ciaula Muzika / Music: Chris Baldwin, Dan Baker Producent / Producer: Diarmid Scrimshaw Produkcija / Production: WARP X Uloge / Cast: Peter Mullan, Eddie Marsan, Olivia Colman Filmografija / Filmography 2010 - TYRANNOSAUR 2007 - DOG ALTOGETHER (short)
Škotlanđanin Peter Mullan je jedan od nekoliko kvalitetnih glumaca koji znaju režirati veliki film; ovdje on igra glavnu ulogu, pored Olivije Colman. Britanski izvođač Paddy Considine, režiser debitant, napravio je zapanjujući film sa radnjom vezanom za radničku klasu u provincijalnom britanskom gradu. Većina radnje je beskompromisno mračna, ali dosljedna i tačna temi. Mullan igra samodestruktivnog, agresivnog pijanicu (koji ubije svog psa udarcima nogom u sceni prije odjavne špice) naspram Colmanine dobre kršćanke, koja prikriva zlostavljanje kod kuće i s kojom se upoznaje u radnji dobrotvorne organizacije. Postepeno i suptilno, njihove ličnosti prelaze iz jednog tijela u drugo. Colman, komičarka iz Britanije, ovdje briljira, kao i sam Mullan, ali ipak – on je uvijek takav. (H.F.) Paddy Considine je engleski glumac, režiser i scenarist, poznat publici po svojim ulogama u filmovima IN AMERICA, THE BOURNE ULTIMATUM, 24 HOUR PARTY PEOPLE, HOT FUZZ, DEAD MAN’S SHOES, A ROOM FOR ROMEO BRASS i RED RIDING. Njegov režiserski prvijenac, kratki film DOG ALTOGETHER, je osvojio brojne nagrade uključujući BAFTA nagradu za najbolji kratki film 2008.
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E Scotsman Peter Mullan is one of the few fine actors who can direct a great film; here he plays the main role, opposite Olivia Colman. Enter British performer Paddy Considine, a first-time moviemaker who has made a striking film set in a working-class milieu in a provincial British town. Most of it is uncompromisingly grim, but true to its subject. Mullan plays a self-destructive, aggressive drunk (he kicks his own dog to death in the pre-credit sequence) to Colman’s Christian do-gooder, who masks her abuse at home, and whom he meets in a charity shop. Gradually and subtly, they exchange personas. Colman, a comic in Britain, is brilliant here, as is Mullan, but then, he always is. (H.F.)
Paddy Considine is an English actor, director and screenwriter, familiar to audiences for his roles IN AMERICA, THE BOURNE ULTIMATUM, 24 HOUR PARTY PEOPLE, HOT FUZZ, DEAD MAN’S SHOES, A ROOM FOR ROMEO BRASS and RED RIDING. His directorial debut, the short film DOG ALTOGETHER, won a number of awards including the 2008 BAFTA Award for Best Short Film.
Verano de Goliat / Ljeto Golijata / Summer of Goliath Mexico, Canada, Netherlands, 2010, HD CAM (HDTV), Colour, 76 min, Spanish Režija / Director: Nicolás Pereda Scenarij / Screenplay: Nicolás Pereda Direktor fotografije / Director of Photography: Alejandro Coronado Montaža / Editor: Nicolás Pereda Uloge / Cast: Teresa Sánchez, Gabino Rodríguez, Juana Rodríguez, Harold Torres, Oscar Saavedra Miranda, Nico Saavedra Miranda, Amalio Saavedra Miranda Producent / Producer: Nicolás Pereda Produkcija / Production: En Chinga Films Filmografija / Filmography 2010 - VERANO DE GOLIAT / SUMMER OF GOLIATH 2010 - TODO, EN FIN, EL SILENCIO LO OCUPABA / ALL THINGS WERE NOW OVERTAKEN BY SILENCE (documentary) 2009 - PERPETUUM MOBILE 2009 - ENTREVISTA CON LA TIERRA / INTERVIEW WITH THE EARTH (fiction/documentary) 2009 - JUNTOS / TOGETHER 2007 - DÓNDE ESTÁN SUS HISTORIAS? / WHERE ARE THEIR STORIES?
Jedna pravolinijska priča ne može prenijeti neodgonetljivu složenost kakvu predstavlja moderni Meksiko; niti to može uobičajena razlika između fikcije i dokumentarnog filma. U ovom hibridnom ostvarenju, Pereda spaja dva zapleta koja se odvijaju jednog vrućeg ljeta u plodnoj, ali siromašnoj seoskoj zajednici Huilotepeca – mikrokosmosu meksičkog društvenog poretka. Detaljne digresije zaokupljaju specifične kulturološke detalje i pomažu da se naglasi nekoliko likova. Ova mješavina u sebi ima i poluimprovizovane intervjue u stilu dokumentarca, kao i slične scene koje pružaju dodatne informacije o trenutnom stanju tog lokaliteta i njegovih stanovnika. (H.F.) Nicolás Pereda je rođen 1982. godine u Mexico Cityu. Režirao je filmove i videomaterijal za nekoliko interdisciplinarnih komada, opera i plesova koji su izvođeni u Meksiku i Evropi. Njegov prvi igrani film ¿DÓNDE ESTÁN SUS HISTORIAS? prikazan je na festivalima širom svijeta i osvojio je Nagradu za najbolji igrani film na Međunarodnom festivalu u Moreniji i Nagradu otkrića francuskih kritičara na festivalu Rencontres Cinemas d’Amérique Latine de Toulouse. Njegovi filmovi su prikazivani na najprestižnijim filmskim festivalima uključujući Cannes, Veneciju, Roterdam, Oberhausen, Beč i Edinburgh i pokupio je brojne nagrade na ostalim. Njegova prva retrospektiva napravljena je na festivalu Cine las Americas u Austinu, SAD, kad je imao 27 godina.
E One straight storyline cannot convey the indecipherable complexity that is contemporary Mexico; neither can the usual distinction between fiction and documentary. In this hybrid, Pereda interweaves two plot strands that take place during a hot summer in the verdant but poor rural community of Huilotepec — a microcosm of the Mexican social order. Rich digressions capture culturally-specific textures and help flesh out several characters. In the mix are semi-improvised documentary-style interviews and scenes providing additional information on the current state of the locality and its inhabitants. (H.F.)
Nicolás Pereda was born in 1982 in Mexico City. He has made films and videos for several interdisciplinary plays, operas and dance pieces that have been performed in Mexico and Europe. His first feature film ¿DÓNDE ESTÁN SUS HISTORIAS? screened in festivals around the world and won the best feature film award at the Morelia International Film Festival and the French Critics Discovery Award at the Rencontres Cinemas d’Amérique Latine de Toulouse. His films have screened in some of the most prestigious film festivals including Cannes, Venice, Rotterdam, Oberhausen, Vienna, and Edinburgh and garnered numerous awards in others. He was given his first retrospective at the age of 27 by Cine las Americas in Austin, Texas, in March of 2010.
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Vete más lejos Alicia / Alicia, idi daleko / Alicia, Go Yonder Mexico, 2010, 35 mm, Colour, 67, Spanish Režija / Director: Elisa Miller Scenarij / Screenplay: Elisa Miller Direktor fotografije / Director of Photography: Maria José Secco Montaža / Editor: Ares Botanch Muzika / Music: Juan Pablo Ramirez Uloge / Cast: Sofia Espinosa, Martin Piroyansky, Sofia Palomino, Sofia Celi, Fran Capra, Juan Palomino Producent / Producer: Christian Valdelièvre Produkcija / Production: Cinepantera Filmografija / Filmography 2010 - VETE MÁS LEJOS ALICIA / ALICIA, GO YONDER 2008 - ROMA (short) 2006 - VER LLOVER (short)
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Sniman preko tri sedmice, uglavnom na krajnjem jugu Argentine, film ALICIA, IDI DALEKO je jedna vrsta igranog dnevnika o dvojici likova koji se sastaju samo na trenutak, svaki od njih na geografskom putovanju kako bi uspješnije rasvijetlili svoja psihološka i emocionalna previranja. Rediteljka Miller i glumica Sofia Espinoza su blisko surađivale kako bi njen lik prešao dionice od Mexico Cityja do Buenos Airesa, do Calafate i glečera Petite Morena, nedaleko od Antarktika. Po njenim instrukcijama, Espinoza i glumac Martin Piroyansky su improvizirali, nikad ne ponavljajući kadrove, ali je uvijek s njima vježbala unaprijed. (H.F.)
E Filmed over three weeks mostly in the far south of Argentina, ALICIA, GO YONDER is something of a diary film about two characters who come together only briefly, each on a geographical journey to help in mapping out their psychological and emotional turmoil. Miller and actress Sofia Espinosa worked closely together to track her character from Mexico City to Buenos Aires to Calafate and the glacier at Petite Morena, not far from Antarctica. She had Espinosa and actor Martin Piroyansky improvise, never shooting more than one take, but still rehearsing with them individually in advance. (H.F.)
Elisa Miller je nagrađivani snimatelj. Ona je prva Meksikanka koja je osvojila Zlatnu palmu za kratki igrani film na Filmskom festivalu u Cannesu 2007. godine za film pod naslovom VER LLOVER. WATCHING IT RAIN, projekat koji je snimila na trećoj godini studija u Yautepecu (Morelos, Meksiko), također je osvojio prvu nagradu na Festival Internacional de Cine de Morelia 2006. godine, nagradu za najboji kratki igrani film na festivalu Femina 2007, Nagradu Norman McLaren (Kanada), nagradu Coral za najbolji kratki igrani film 2007. itd. Elisin kratki film ROMA je također osvojio važne nagrade kao što je nagrada Garcia Bross na filmskom festivalu Morelia 2008. godine.
Elisa Miller is an award-winning cinematographer. She is the first Mexican female winner of the Golden Palm for a short fiction feature film in the 2007 Cannes Film Festival titled VER LLOVER. WATCHING IT RAIN, a third year school project filmed in Yautepec, Morelos, Mexico also won first prize at the Festival Internacional de Cine de Morelia 2006; Best fiction short at the “Femina 2007” (Brazil) movie festival; the Norman McLaren (Canada) award; Coral award for best short fiction feature at the 2007, etc. Elisa’s short film ROMA has also won important prizes as The Garcia Bross prize in Morelia Film Fest 2008.
Walk away Renée / Odlazi, Renée France, 2011, 35 mm, Colour, 90 min, English, Documentary Režija / Director: Jonathan Caouette Scenarij / Screenplay: Jonathan Caouette Direktor fotografije / Director of Photography: Noam Roubah, Andres Peyrot, Jason Banker, Jorge Torres Montaža / Editor: Brian Mc Allister Muzika / Music: Tbd Zvuk / Sound: Tbd Producent / Producer: Gérard Lacroix, Pierre Paul Puljiz Produkcija / Production: Pénélope Morgane Production Filmografija / Filmography 2010 - WALK AWAY RENÉE (documentary) 2010 - ALL FLOWERS IN TIME (short) 2009 - ALL TOMORROW’S PARTIES (documentary) 2004 - TARNATION 1990 - THE HOSPITAL (short) 1988 - THE TECHNIQUES AND SCIENCES OF EVA PIG NYMPH 1987 - THE ANKLE SLASHER
Caouette je ovim impresivnim filmom možda napravio eksperimentalni dokumentarac, ali nevolja njegove mentalno bolesne majke je u srži filma. Kao i u ranijem filmu TARNATION, on impresivno montira stare porodične snimke i apstraktne prizore, ali su scene kada on vozi svoju majku iz institucije za ljude sa posebnim potrebama iz Houstona u takvu instituciju u NewYorku relativno naturalistične. One također služe balansiranju onoga što se smatra kao avangardističku tendencija ka samopopuštanju. Caouette je vjerovatno najpredaniji sin na svijetu i njegova spremnost da podijeli život svoje bolesne majke sa svijetom je potvrda njegove ljubavi. (H.F.) Jonathan Caouette glumi i režira filmove od svoje osme godine. 2004. godine glumio je, režirao i montirao TARNATION, svoj dugometražni prvijenac. Sa Gus Van Santom i John Cameron Mitchellom kao izvršnim producentima, film je naširoko proglašavan filmskom revolucijom. Premijerno prikazan na Sundance i Cannes filmskom festivalu, TARNATION je osvojio Nagradu za najbolji dokumentarni film na Los Angeles IFP/West filmskom festivalu, Nagradu nacionalnog udruženja filmskih kritičara, Sutherland trofej na London film festivalu, i bio je nominiran za nagradu Independent Spirit.
E Caouette may have made an experimental documentary with this impressive film, but the plight of his mentally ill mother is at its core. As in his earlier TARNATION, he admirably edits together old family footage and abstract imagery, but the scenes of his driving his mother from an assisted-living facility in Houston to one in New York are relatively naturalistic. They also serve to balance out what might be considered the tendency among avant-gardists to self-indulge. Caouette is probably the most devoted son around, and his willingness to share the life of his damaged mom with the world is a testament to his love for her. (H.F.)
Jonathan Caouette has been acting and making films since he was eight years old. In 2004 he starred in, directed and edited TARNATION, his feature debut. Executive produced by Gus Van Sant and John Cameron Mitchell, the film was widely heralded as a cinematic revolution. Premiering at the Sundance and Cannes film festivals, TARNATION won Best Documentary at the Los Angeles IFP/West Film Festival, The National Society of Film Critics award, the Sutherland Trophy at the London Film Festival, and was nominated for an Independent Spirit Award.
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Windfall / Neočekivana dobit USA, 2010, HD CAM (HDTV), Colour, 83 min, English, Documentary Režija / Director: Laura Israel Scenarij / Screenplay: Laura Israel Direktor fotografije / Director of Photography: Brian Jackson Montaža / Editor: Laura Israel, Stacey Foster, Alex Bingham Muzika / Music: Hazmat Modine, Barbes Records Umjetnički direktor / Art Director: Alex Bingham Producent / Producer: Laura Israel, Autumn Tarleton Produkcija / Production: CAT HOLLOW FILMS Filmografija / Filmography 2010 - WINDFALL
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Film NEOČEKIVANA DOBIT Njujorčanke Israel je priča o raskolu u maloj zajednici Meredith na sjeveru države NewYork, kao i ekspoze o masivnim vjetroturbinama koje su podijelile stanovnike. Trgovci električnom energijom iz energetskog koncerna iz Irske ponudili su novac stanovnicima ako mu dopuste da gradi objekte na njihovoj zemlji. U gradu bez podjele zemljišta u zone građevinskih namjena trgovci su očekivali veliku dobit. Stanovnici su podijeljeni, najčešće po osnovu da su mještani “za”, a vikendaši i mještani koji su odselili u NewYork “protiv”, što je kulminiralo novom listom kandidata za općinske izbore koje su predložili oni koji se protive alternativnim izvorima energije – i Israel stvara momenat napetosti tako što prati kandidate na izbore. (H.F.) Laura Isreal je odrasla u New Jerseyju i nakon što je diplomirala film na NYU, montirala je videospotove za Loua Reeda, Keitha Richardsa, Davida Byrnea, New Order, Patty Smith, Ziggyja Marleyja, Sonic Youth i mnoge druge. Laura je skoro dvije decenije radila montažu za fotografa / režisera Roberta Franka i ti filmovi su prikazivani širom svijeta i osvojili su nekoliko nagrada. Laurine montažerske zasluge uključuju mnoge nagrađene reklamne i televizijske promotivne kampanje. WINDFALL je prvi igrani film Laure Isreal kojeg je uradila kao režiserka.
E New Yorker Israel’s WINDFALL is as much the story of a small upstate New York community, Meredith, torn asunder as it is an expose of the massive wind turbines that split the residents. Energy salesmen from an energy outfit in Ireland offered locals money if they would agree to allow them to build the structures on their land. In a town with no zoning, the reps anticipated huge profits. The residents were split, mostly along lines of lifetimers (for) and weekenders and expatriates from New York City (against), culminating in a new slate of candidates for the municipal elections proposed by those opposed to the alternative power source – and Israel generates suspense by following the run-up to the vote. (H.F.)
Laura Israel grew up in New Jersey and after earning a degree in film from NYU, she edited music videos for Lou Reed, Keith Richards, David Byrne, New Order, Patti Smith, Ziggy Marley, Sonic Youth and many others. Laura has worked as photographer/filmmaker Robert Frank’s editor for nearly two decades, and the films have screened all over the world and won several awards. Laura’s editing credits include many award winning advertising and television promo campaigns. WINDFALL is Laura Israel’s first feature film as director.
Y Dios quiso / I bi volja Božija / And God Willed Mexico, 2010, HD CAM (HDTV), Colour, 15 min, Spanish Režija / Director: Flavio Florencio Scenarij / Screenplay: Flavio Florencio Direktor fotografije / Director of Photography: María José Secco Montaža / Editor: Ismael Plascencia Muzika / Music: Edu Castillo Uloge / Cast: Guadalupe Rodríguez, Martín Rodríguez Barrón, Antonio Rosas Rodríguez Producent / Producer: Flavio Florencio Produkcija / Production: Madiba Cinema Filmografija / Filmography 2010 - Y DIOS QUISO / AND GOD WILLED
Ova naizgled jednostavna priča govori o vrlo staroj ženi (glumi je stogodišnjakinja koju je režiser upoznao u kafiću), čiji sinovi su prezauzeti poslom da bi je posjetili u Meksiku. Florencio pravi digresije između ljudi u kamionu i starice koja se bori sa telefonom u govornici. Film je protkan mirnoćom, vjerovatno pod uticajem dugog perioda kojeg je režiser proveo u Africi. (H.F.)
E This deceptively simple tale is about a very old woman (played by a centenarian the director met in a café) whose sons are too preoccupied working in the States to visit her in Mexico. Florencio cuts between men in a truck and the old woman struggling with a pay phone. The film has a textured placidity, possibly influenced by the many years the director has spent in Africa. (H.F.)
Flavio Florencio je rođen u Argentini 1979. Nakon brojnih putovanja po Aziji i Srednjem Istoku, istraživao je afrički kontinent, gdje se javila strast za afričkom kinematografijom i gdje je odlučio da studira snimanje dokumentarnih filmova. Nakon učestvovanja u više filmskih projekata, odselio je u Meksiko da organizuje prvi afrički filmski festival u Latinskoj Americi - AFRICALA, u Mexico Cityju, koji mu je donio međunarodno priznanje. Potom je razvio strategiju za proširenje Festivala na ostatak Latinske Amerike i za dovođenje priznatih afričkih režisera u Čile, Brazil, Venecuelu i Argentinu. U posljednje vrijeme, Florencio je zauzet putujući između Afrike i Latinske Amerike, gdje radi kao savjetnik na nekoliko festivala po pitanju moderne afričke kinematorafije. I BI VOLJA BOŽJA je njegov prvi kratki film.
Flavio Florencio was born in Argentina, 1979. After a number of trips to Asia, the Middle East, he explored the African continent, where he developed a passion for it cinema and decided to study documentary filmmaking. After participating in a number of film projects, he moved to Mexico to organize the first African Film Festival in Latin America AFRICALA in Mexico City, which earned him international recognition. He then developed a strategy for expanding the festival to the rest of Latin America, and bringing renowned African directors to Chile, Brazil, Venezuela, and Argentina. Florencio currently divides his time between Africa and Latin America, where he serves as an advisor to several festivals on the subject of contemporary African cinema - AND GOD WILLED is his first short film.
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POSVEĆENO: Lucrecia Martel TRIBUTE TO Lucrecia Martel 136 La Ciénaga / Močvara / The Swamp, Lucrecia Martel 137 La mujer sin cabeza / Žena bez glave / The Headless Woman, Lucrecia Martel 138 La niña santa / Svetica / The Holy Girl, Lucrecia Martel 139 Rey muerto / Mrtvi kralj / Dead King, Lucrecia Martel
POSVEĆENO: Lucrecia Martel Nije to zato što je režiser žena. I nije zbog toga što je iz Latinske Amerike (iz Argentine, preciznije rečeno), dijela svijeta kojeg još nismo slavili kao godišnji omaž zaslužnom režiseru. Ovo nije toliko retrospektiva koliko odavanje počasti Lucreciji Martel, talentu koji još ima toliko da ponudi. Na kraju krajeva, ona je i dalje mlada i napravila je dosad samo tri dugometražna filma, koja ćemo prikazati, uz njene kratke filmove. Zašto Martel? Za početak, zbog načina na koji je razvila svoj jedinstveni stil pripovijedanja, sa pričama koje su smještene u provincijalnoj sjeverozapadnoj Salti, gdje je odrasla prije nego što je preselila u Buenos Aires. Ovo su priče o onome o čemu se ne govori u porodicama srednje klase, upravnicima zatvora za žene, i po prirodi stvari, o onome što se krije od društva u cjelini.(Ona govori osvom svjetonazoru iz perspektive nekoga ko je odgojen u buržoaskom miljeu.) Njeni nemirni ženski likovi dominiraju ekranom, ali nedavni nemiri u Argentini, od vladavine hunte u 70-tim do kolapsa ekonomije u 90-tim, nisu daleko od površine dešavanja. Niti je duga nacionalna historija diskriminacije na bazi klase i rase. Ustvari, sve to daje dovoljno filmskog prostora potlačenom lokalnom stanovništvu koje je prezereno i ignorisano od strane bijelih naslijednika evropskih imigranata. Žene u centru njenih filmova su neurotične na više načina (iako se nikad na njih ne gleda s visoka), ali se ne može zaključiti da su muškarci više uključeni. One su samo manje očigledne i često okreću glavu na drugu stranu u mračnim situacijama – iako nije nikad jasno je li to zato što imaju moć ili su bespomoćne.
(Možda je to slučajno, ali svi njeni filmovi počinju ili završavaju smrću muškarca ili njegovim psihološkim krahom). Kod Martel nije jednostavno pratiti ono što ostali režiseri zovu “zaplet”. Narativne linije su sekundarne u odnosu na često nedokučiv tip promatranja. Ove priče nisu skladno predstavljene gledaocu, koji se mora potruditi da ih spoji u cjelinu. Ono što nju više zanima jeste pitanje kako da napravi atmosferu. U središtu svakodnevnih aktivnosti porodice sa bližim i daljim članovima napetost polako raste, bez ikakvih poznatih elemenata klasičnog trilera. Martel uspostavlja atmosferu uz pomoć asimetričnih slika (ona prikazuje paralelne radnje u dubokom fokusu ili kroz svjesno nebalansirane kadrove); fiksirana kamera uprkos njenoj sklonosti za preoblikovanje kadrova; nekonvencionalna montaža (ona izbjegava jasnu postavku kadra, i ne montira prema uobičajenim očekivanjima gledaoca; tu je i jedinstven pristup zvuku, često u više slojeva, gdje se čuje čisti narodni govor i pravi ambijentalni zvuk, kao i popularne stare melodije. Likovi su realistični, oni govore kao stvarni ljudi, na način na koji ga Martel pamti iz godina se formirala. Iako kod nje igraju profesionalni glumci, dosuše više sporedne uloge, likovi uopšte nisu glamurozni. Njihova lica, poput njihovih kuća, izgledaju istrošeno. Opus režiserke leži negdje između Roselinijevog neorealizma i holivudskih porodičnih melodrama 50-tih – onoga što se nekad zvao “ženski film” i kojeg konačno režira žena. Njeno odbijanje povlađivanja bilo kojem specifičnom žanru ili pravilima narativnih očekivanja nije
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bez povoda, pa čak i kad je cijeli pothvat pažljivo isplaniran. Dvosmislenost i preciznost idu ruku pod ruku. Ovo su samo neki od razloga zašto odati počast Lucreciji Martel, koja je još u naponu snage. Omaž je sačinjen od filmova DEAD KING (1995), kratkog filma o zlostavljanoj ženi koja pokušava da ostavi svog muža i grad sa djecom, sa završetkom-pucnjem kao u westernu koji uspostavlja neprijateljstvo između muža i žene na puno jasniji način nego kroz neodređenosti koje se pojavljuju tokom filma; LA CIENAGA / THE SWAMP (2001), njen prvjenac koji ju je smjestio na mapu svjetske kinematografije i u kojem se posmatra inertni, dosadni život članova uže porodice i njenih rođaka, sa prekrasno zajedljivim alkoholičarem srednjih godina koji je u centru zbivanja; THE HOLY GIRL (2004), u kojem glavna junakinja, tinejdžerka, doživljava svoje atipično seksualno buđenje u hotelu njene majke gdje se dešava konvencija muških doktora, a majka i kćerka idu za istim muškarcem; THE HEADLESS WOMAN (2008), u kojem je žena, oko koje Martel konstruiše cijeli film, po definiciji štetna i praznoglava imajka koja ignoriše činjenicu da je pregazila sirotog domoroca što su zataškali muškarci u zajednici. Martel piše scenario za svoj sljedeći film, i to će biti razlog da je opet pozovemo. Howard Feinstein Želim da se zahvalim Nebojši Jovanoviću i Ameru Bećirbegoviću na njihovoj neprocjenjivoj saradnji. Bez njih, ovaj program ne bi bio realiziran.
TRIBUTE TO Lucrecia Martel E Not because the director is a woman. And not because she is from Latin America (Argentina, to be precise), a part of the world we have not yet celebrated for the annual Tribute to an exceptional filmmaker. This is not so much a retrospective as honoring a gifted work-in-progress, Lucrecia Martel. After all, she is still young and has made only three features, which we will show along with the finest of her shorts. Why Martel? For starters, the way she deploys a unique style to tell stories, set in provincial northwestern Salta, where she grew up before relocating to Buenos Aires. These are tales about that which is hidden within middleclass families—wardens in a prison for the female protagonists--and, by extrapolation, secreted from society at large. (She speaks of her worldview as one raised in a bourgeois milieu.) Her troubled female protagonists occupy the screen, but Argentina’s recent disruptions—junta rule in the ‘70s, a collapsed economy in the ‘90s—are not very far from the surface. Neither is the nation’s long history of discrimination on the basis of class and race. In fact, all of them give much screen time to the oppressed indigenous people who are scorned, ignored, by the white descendants of European immigrants.
The women at the center of her films are neurotic in a variety of ways (though never condescended to), but you can’t assume that the males are more evolved. They are just less obvious and often in denial about murky situations—although it is not often clear if that is because they have power or are powerless. (Maybe it’s coincidental, but all of her features
begin or end with a male either dead or psychologically destroyed.) Martel does not make it easy to follow what most directors refer to as “plot.” Narrative lines are secondary to an often-inconclusive type of observation. The stories are not neatly laid out for the viewer, who must work to piece it all together. Her concern is more setting a mood. Amidst the day-to-day activities of extended families suspense builds up gradually, without any of the conventions of the thriller genre. Martel sets up the atmosphere with the help of asymmetrical images (she shows multiple actions in deep focus or consciously unbalanced shots); a fixed camera in spite of her penchant for reframing; unconventional editing (she eschews establishing shots, and doesn’t cut according to the viewer’s usual expectations; and a unique approach to sound, often multilayered, deploying both vernacular chitchat and real, ambient noise, as well as popular old melodies). The characters are credible; they speak like real people, the way Martel remembers them talking during her formative years. Although her casts are trained actors, not so much leads as supporting players, the characters are not glamorous. Their faces, like their houses and other structures, feel lived-in. Martel’s body of work lies somewhere between the Neo-realism of Rossellini and the family melodramas of ‘50s Hollywood-- what used to be called “women’s pictures,” finally directed by a woman. Her refusal to conform to any specific genre or set of narrative expectations is not gratuitous, even if the entire enterprise is carefully thought
out. Ambiguity and precision function hand in hand. These are just a few of the reasons to honor Lucrecia Martel, still in her prime. The Tribute is comprised of the films DEAD KING (1995), a short about an abused woman who tries to leave her spouse and town with her children that ends, like a western with a gunshot, which sets up enmity between a husband and wife in a more black and white fashion than the gray areas that emerge in the features; LA CIENAGA/THE SWAMP (2001), her debut feature which put her on the world cinema map, and which observes the inert, uninteresting lives of an immediate family and their relatives, with a delightfully bitter middle-aged alcoholic at its center; THE HOLY GIRL (2004), in which the featured female is just a teen whose atypical sexual awakening takes place while a convention of male doctors is being held in her mother’s hotel, and in which mom and daughter pursue the same man; and THE HEADLESS WOMAN (2008), in which the female around whom Martel constructs the film is harmful by default, an empty-headed wife and mother who ignores the fact that she has run over a poor indigenous boy, which is covered up by the men in the community. Martel is writing the screenplay for her next film, and that will be for us an excuse to invite her back. By Howard Feinstein I want to thank Nebojsa Jovanovic and Amer Becirbegovic for their invaluable collaboration. Without them, this tribute would have been impossible.
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La Ciénaga / Močvara / The Swamp Argentina, France, Spain, 2001, 35 mm, Colour, 103 min, Spanish Režija / Director: Lucrecia Martel Scenarij / Screenplay: Lucrecia Martel Direktor fotografije / Director of Photography: Hugo Colace Montaža / Editor: Santiago Ricci Zvuk / Sound: Guido Berenblum Scenografija / Production Design: Graciela Oderigo Uloge / Cast: Mercedes Morán, Graciela Borges, Martín Adjemián, Leonora Balcarce, Silvia Baylé, Sofia Bertolotto, Juan Cruz Bordeu, Noelia Bravo Herrera, Maria Micol Ellero, Andrea López, Sebastián Montagna, Daniel Valenzuela, Franco Veneranda, Fabio Villafane, Diego Baenas Producent / Producer: Ana Aizenberg, Diego Guebel, Mario Pergolini, Lita Stantic Produkcija / Production: 4k Films, Wanda Visión S.A., Code Red, Cuatro Cabezas, TS Productions
Film pripovijeda priču o Mechi (Graciela Borges), sredovječnoj ženi u svojim pedesetim, koja ima nekoliko tinejdžera. Njezin suprug Gregorio (Martin Adjemián) želi ostati mladolik, a oboje se moraju nositi sa svojim namrgođenim amerindijanskim slugama, koje Mecha smatra lijenštinama i optužuje ih za krađu. U nastojanju da se izbore sa svakodnevnim životnim brigama, i Mecha i Gregorio, odaju se piću. Kako bi izbjegli vrućine i vlažno vrijeme u gradu, porodica ljeta provodi u dotrajaloj seoskoj kući koju su nazvali “La Mandragora”. Mechina rodica Tali (Mercedes Moran) živi u obližnjem gradu La Cienaga (u prijevodu: Močvara) sa svojom malom, bučnom dječurlijom i mužem Rafaelom (Daniel Valenzuela), koji jako voli svoju porodicu i koji se bavi lovom. Vrlo brzo, gužva u domovima ovih dviju porodica dovodi do takve napetosti njenih članova, usljed koje dolazi do otkrivanja potisnutih porodičnih tajni i tenzija koje samo što ne prerastu u nasilje.
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E The film tells the story of Mecha (Graciela Borges ), a middle-aged woman in her 50s who has several teenagers. Her husband Gregorio (Martín Adjemián ) wants to remain looking young, and both of them have to deal with their gloomy Amerindian servants, whom Mecha accuses of theft and laziness. Both Mecha and Gregorio take to drinking to cope with day-to-day living. In order to avoid the hot and humid weather of the city, the family spends their summers in their rural shabby country home that they have named “La Mandragora”. Mecha’s cousin, Tali (Mercedes Morán ), lives in the nearby city of La Ciénaga (The Swamp, in English) and has a brood of small, noisy children and a husband, Rafael (Daniel Valenzuela ), who loves his family and also hunts. Before long, the crowded domestic situation in both homes strains the families’ nerves, exposing repressed family mysteries, and tensions that threaten to erupt into violence.
La mujer sin cabeza / Žena bez glave / The Headless Woman Argentina, France, Spain, 2008, 35 mm, Colour, 87 min, Spanish Režija / Director: Lucrecia Martel Scenarij / Screenplay: Lucrecia Martel Direktor fotografije / Director of Photography: Bárbara Álvarez Montaža / Editor: Miguel Schverdfinger Zvuk / Sound: Guido Berenblum, Paula Dalgalarando, Mariano Rosa Scenografija / Production Design: Maria Eugenia Sueiro Kostimografija / Costume Design: Julio Suárez Uloge / Cast: María Onetto, Claudia Cantero, César Bordón, Daniel Genoud, Guillermo Arengo, Inés Efron, Alicia Muxo, Pía Uribelarrea, María Vaner Producenti / Producers: Agustín Almodóvar, Pedro Almodóvar, Tilde Corsi, Verónica Cura, Esther García, Lucrecia Martel, Cesare Petrillo, Enrique Pineyro, Vieri Razzini, Marianne Slot, Lita Stantic Produkcija / Production: Aquafilms, El Deseo S.A., R&C Produzioni, Slot Machine, Teodora Film
Žena iz buržujske klase (Maria Onetto) vozi sama i zamišljena makadamskom cestom i odjednom točkovima automobila prelazi preko nečega. Danima nakon ovog potresnog događaja osjeća se ošamućeno, emocionalno odsutno u komunikaciji sa ljudima i isključeno iz događanja u njenom životu. Opsjeda je ideja da je možda nekoga ubila. Policija potvrđuje da u tom području nisu prijavljene nikakve nesreće i sve se vraća u normalu do momenta užasnog otkrića. Treći igrani film Lucrecije Martel istražuje komplikacije koje za sobom nosi društveni status, te ulogu žene u dominantno muškom društvu.
E A bourgeois woman (Maria Onetto) is driving alone on a dirt road, becomes distracted and runs over something. In the days following this jarring incident, she is dazed and emotionally disconnected from the people and events in her life. She becomes obsessed with the possibility that she may have killed someone. The police confirm that there were no accidents reported in the area and everything returns to normal until a gruesome discovery is made. Lucrecia Martel’s third feature examines the intricacies of class status and the role of women in a male-dominated society.
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La niña santa / Svetica / The Holy Girl Argentina, Italy, Netherlands, Spain, 2004, 35 mm, Colour, 106 min, Spanish Režija / Director: Lucrecia Martel Scenarij / Screenplay: Lucrecia Martel, Juan Pablo Domenech Direktor fotografije / Director of Photography: Félix Monti Montaža / Editor: Santiago Ricci Muzika / Music: Andres Gerszenzon Zvuk / Sound: Guido Berenblum, Marcos De Aguirre Kostimografija / Costume Design: Julio Suárez Uloge / Cast: Mercedes Morán, Carlos Belloso, Alejandro Urdapilleta, María Alche, Julieta Zylberberg, Mía Maestro Producent / Producer: Lita Stantic, Agustín Almodóvar, Pedro Almodóvar, Esther García Produkcija / Production: La Pasionaria S.r.l., R&C Produzioni, Teodora Film, El Deseo S.A., Lita Stantic Producciones
Amalia (María Alche) je djevojka rane pubertetske dobi koja je tek počela sazrijevati. Živi u jednom velikom hotelu e u vlasništvu njene majke, Helene (Mercedes Moran), inače razvedene žene, i njenog strica Freddyja (Alejandro Urdapilleta). Amalia i njena najbolja prijateljica Josefina (Julija Zylberberg) postaju sve svjesnije vlastitih želja i seksualne znatiželje, ali između katoličkog obrazovanja i Helenine nespremnosti da o takvim stvarima razgovara sa svojom kćerkom, njihova nagađanja uveliko prevazilaze njihovo znanje. Kongres medicinskih radnika u njihov hotel dovodi doktora Janoa (Carlos Belloso) i njegove brojne kolege. Ponesen svečanom atmosferom, bojažljivi liječnik pripija svoje tijelo uz Amalijino, nesvjesan njene dobi. Oženjeni Jano osjeća se veoma posramljenim zbog svog ponašanja, ali muči ga i strašna privlačnost koju osjeća prema Heleni. U međuvremenu, Amalia je uvjerena da je doktora obuzela bezbožnička požuda, te ona i Josefina odlučuju da ga izbave iz tog stanja prije nego bude prekasno.
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E Amalia (María Alche) is a girl edging into her early teens who has begun to ripen into adulthood. Amalia lives in a big hotel owned and operated by her divorced mother, Helena (Mercedes Morán), and her uncle Freddy (Alejandro Urdapilleta). Amalia and her best friend, Josefina (Julieta Zylberberg), are becoming increasingly aware of their own desires and are curious about sex, but between their Catholic education and Helena’s unwillingness to discuss such matters with her daughter, their speculation outstrips their actual knowledge. A convention for medical workers brings Dr. Jano (Carlos Belloso) and a number of his colleagues to the hotel. Emboldened by the festive atmosphere, the timid doctor presses his body up against Amalia’s, unaware of her age. The married Dr. Jano is embarrassed by his actions and troubled by his strong attraction to Helena; Amalia, meanwhile, is convinced the doctor has become overcome with unholy lust, and she and Josefina take it upon themselves to save him from himself before it is too late.
Rey muerto / Mrtvi kralj / Dead King Argentina, 1995, HD CAM (HDTV), Colour, 12 min, Spanish
Žena pokušava da napusti selo i pobjegne od svog nasilnog supruga.
E A wife tries to leave her village to get away from her abusive husband.
Režija / Director: Lucrecia Martel Scenarij / Screenplay: Lucrecia Martel Direktor fotografije / Director of Photography: Esteban Sapir Montaža / Editor: Fernanda Rossi Muzika / Music: Lía Crucet, Laura Ruggiero Zvuk / Sound: Horacio Almada Scenografija / Production Design: Alejandra Crespo Kostimografija / Costume Design: Alejandra Crespo Uloge / Cast: Rolly Serrano, Sandra Ceballos, Carlos Aldana, Marcelo Machuca Producent / Producer: Alejandro Arroz Produkcija / Production: INCAA
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Filmografija / Filmography 2010 - PESCADOS (short) 2010 - NUEVA ARGIRÓPOLIS (short) 2008 - LA MUJER SIN CABEZA 2004 - LA NIÑA SANTA 2001 - LA CIÉNAGA 1999 - LAS DEPENDENCIAS (TV documentary) 1995 - REY MUERTO (short) 1991 - BESOS ROJOS (short) 1989 - PISO 24 (short) 1988 - EL 56 (short)
Lucrecia Martel je rođena 14. 12. 1966. godine u Salti (Argentina). Studirala je na Avellaneda Experimental (AVEX) a zatim u Nacionalnoj školi eksperimentalne režije (ENERC) u Buenos Airesu. Ipak, pošto je jedna od škola koju je ona pohađala zatvorena iz finansijskih razloga, Martel smatra da je samouka. Ona kaže: “Gledala sam filmove, čitala knjige, pisala. Bila sam slobodnog duha, jer sam takva morala biti.” Režirala je više kratkih filmova između 1988. i 1994. godine. Nagrađeni film REY MUERTO (DEAD KING) (1995) bio je dio omnibusa HISTORIAS BREVES I (BRIEF TALES I). Kao jedan od osnivača ‘novog argentinskog filma’ koji je doživio međunarodno priznanje polovinom devedesetih godina, Lucrecia Martel je dominantna figura u modernom svjetskom filmu i jedan od njegovih velikih stilista. U svoja tri filma, Martel je definisala čudesno eliptičan stil, prefinjeni narativni minimalizam u kojem su zvuk i kretnja često bogatiji po značenju nego izgovorena riječ. Zaista, složena višeslojna filmska muzika koja prati filmove LA CIÉNAGA, LA NIÑA SANTA i THE HEADLESS WOMAN pruža nijanse i napetost koji transformiraju njene filmove u posebna iskustva.
E Lucrecia Martel was born on December 14, 1966 in Salta, Argentina. Martel studied at Avellaneda Experimental (AVEX) and then attended the National Experimentation Filmmaking School (ENERC) in Buenos Aires. Yet, because one of the film schools she attended closed for lack of funds, she maintains she was self-taught. Martel said, “I watched movies, I read books, I wrote. I was a free mind, because I had to be.” She directed a number of short films between 1988 and 1994. The award winning short film REY MUERTO (DEAD KING) (1995) was part of HISTORIAS BREVES I (BRIEF TALES I). A founding member of the New Argentine Cinema that surged to international prominence in the mid-1990s, Lucrecia Martel is a dominant figure in contemporary world cinema and one of its great stylists. In her three features Martel has defined a marvelously elliptical style, a subtle narrative minimalism in which sound and gesture are often richer in meaning than the spoken word. Indeed, the complex, multi-layered soundtracks shared by LA CIÉNAGA, LA NIÑA SANTA and THE HEADLESS WOMAN provide a nuance and tension that transforms the films into deeply immersive experiences.
140 17. Sarajevo Film Festival l POSVEĆENO: Lucrecia Martel
OPEN AIR 142 Bir zamanlar Anadolu’da / Bilo jednom u Anadoliji /
Once Upon a Time in Anatolia, Nuri Bilge Ceylan
143 The Forgiveness of Blood / Krv prašta, Joshua Marston 144 Habemus Papam / Imamo Papu / We Have A Pope, Nanni Moretti 145 Jane Eyre, Cary Joji Fukunaga 146 Le Havre, Aki Kaurismäki 147 Les femmes du 6eme étage / Ulaz za poslugu /
Service Entrance, Philippe Le Guay
148 Orkestar / Orchestra, Pjer Žalica
Bir zamanlar Anadolu’da / Bilo jednom u Anadoliji / Once Upon a Time in Anatolia Turkey, Bosnia and Herzegovina, 2011, 35 mm, Colour, 157 min, Turkish Režija / Director: Nuri Bilge Ceylan Scenarij / Screenplay: Ercan Kesal, Ebru Ceylan, Nuri Bilge Ceylan Direktor fotografije / Director of Photography: Gökhan Tiryaki Montaža / Editor: Bora Gökşingöl, Nuri Bilge Ceylan Muzika / Sound: Okan Selçuk, Mehmet Kiliçel, Thomas Robert Uloge / Cast: Muhammet Uzuner, Yilmaz Erdogan, Taner Birsel, Ahmet Mümtaz Taylan, Firat Tanis Ercan Kesal Producent / Producer: Zeynep Özbatur Atakan Produkcija / Production: Zeyno Film, Production 2006 D.O.O. Sarajevo, 1000 Volt Post Production, TRT, IMAJ, Fida Film, NBC Film Filmografija / Filmography 2011 - BIR ZAMANLAR ANADOLU’DA / ONCE UPON A TIME IN ANATOLIA 2008 - ÜÇ MAYMUN / THREE MONKEYS 2006 - İKLIMLER / CLIMATES 2002 - UZAK / DISTANT 2000 - MAYIS SIKINTISI / CLOUDS OF MAY 1998 - KASABA / SMALL TOWN 1995 - KOZA / CACOON (short)
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Život u malom gradu je poput života u stepi: osjećaj da će se nešto novo i različito pojaviti iza svakog brda, ali jedino su prisutni uvijek slični, monotoni putevi koji se sužavaju, nestaju i lelujaju... Nuri Bilge Ceylan je rođen u Istanbulu, 1959. godine. Nakon diplomiranja na Odsjeku za tehničke nauke univerziteta na Bosforu, studirao je filmsku režiju na Univerzitetu Mimara Sinana u Istanbulu. Ceylanov kratki film KOZA (COCOON) je prikazan na Filmskom festivalu u Cannesu 1995.godine. Primio je dosta nagrada za svoj prvjenac KASABA (SMALL TOWN) i drugi igrani film MAYIS SIKINTISI (CLOUDS OF MAY). Njegov treći film UZAK (DISTANT) je primio nagradu Grand Prix i nagradu za najboljeg glumca u Cannesu 2003. godine, te dobio međunarodna priznanja. Njegov film iz 2006. godine, IKLIMLER (CLIMATES), dobio je nagradu FIPRESCI u Cannesu 2006., kao i Međunarodnu nagradu kritičara i filmskih stručnjaka. Dobitnik je nagrade za najboljeg režisera na Festivalu u Cannesu 2008. godine za svoj posljednji film UÇ MAYMUN (THREE MONKEYS).
E Life in a small town is akin to journeying in the middle of the steppes: the sense that “something new and different” will spring up behind every hill, but always unerringly similar, tapering, vanishing or lingering monotonous roads...
Nuri Bilge Ceylan was born in Istanbul, 1959. After graduating from Engineering Department of Bosphorus University, he studied Film Making for two years at Mimar Sinan University, Istambul. Ceylan’s short film KOZA (COCOON) was screened at the Cannes Film Festival in 1995. He received many awards with his debut feature KASABA (SMALL TOWN) and his second feature MAYIS SIKINTISI (CLOUDS OF MAY). His third feature UZAK (DISTANT) received the Grand Prix and award for Best Actor at Cannes 2003, and was praised internationally. His 2006 film IKLIMLER (CLIMATES) won the FIPRESCI Award at Cannes in 2006 and received international prize by critics and experts. He won the Award for the Best Director in the 2008 Festival de Cannes for his last film, UÇ MAYMUN (THREE MONKEYS).
The Forgiveness of Blood / Krv prašta USA, Albania, Denmark, Italy, 2011, 35 mm, Colour, 108 min, Albanian Režija / Director: Joshua Marston Scenarij / Screenplay: Joshua Marston, Andamion Murataj Direktor fotografije / Director of Photography: Rob Hardy Montaža / Editor: Malcolm Jamieson Muzika / Music: Jacobo Lieberman, Leonardo Heiblum Scenografija / Production Design: Tommaso Ortino Kostimografija / Costume Design: Emir Turkeshi Uloge / Cast: Tristan Halilaj, Sindi Laçej, Refet Abazi, Ilire Vinca Çelaj, Çun Lajçi Producent / Producer: Paul Mezey Produkcija / Production: Fandango Portobello, Artists Public Domain, Cinereach, Lissus Media, Journeyman Pictures Filmografija / Filmography 2011 - THE FORGIVENESS OF BLOOD 2009 - NEW YORK, I LOVE YOU (segment JOSHUA MARSTON) 2008 - BITTER MEMORIES (short) 2004 - MARIA FULL OF GRACE 1998 - BUS TO QUEENS (short)
Nik je energični sedamnaestogodišnjak koji završava posljednji razred srednje škole u sjevernoj Albaniji. U prvoj je ljubavnoj vezi sa djevojkom iz svog razreda i planira da kad maturira otvori svoj internet kafić. Njegova sestra Rudina je bistra, zrela petnaestogodišnjakinja koja sanja o odlasku na fakultet. Kada spor oko zemlje završi u optužbi njihovog oca Marka za ubistvo, njihova porodica biva uvučena u krvavi rat. Kanun, stoljećima star balkanski kodeks časti, prisiljava Nika, njegovog sedmogodišnjeg brata i ostale muške članove porodice doslovno u kućni pritvor.
E Nik is an energetic 17-year-old in his last year of high school in Northern Albania. He is embarking on his first romance with a girl in his class and plans to open his own internet café after graduation. His sister, Rudina, is a bright, mature fifteen-year-old who aspires to go to college. When a local land dispute results in their father Mark being accused of murder, the family is drawn into a deadly blood feud. The rules of the Kanun, a centuries-old Balkan code of law, force Nik, his 7 year old brother and the other male members of his family into virtual house arrest.
Joshua Marston je scenarista i režiser filma MARIA FULL OF GRACE (HBO Films/Fine Line Features). Ovaj film je pokupio mnoge nagrade, uključujući nagradu publike na filmskom festivalu Sundance 2004, nagradu za najbolji prvijenac na Filmskom festivalu u Berlinu 2004. godine, nagradu za najbolji scenario prvijenac na festivalu Independant Spirit 2004. godine, kao i nominaciju Američke filmske akademije za najbolju glumicu. On je nedavno režirao scene koje se snimaju na Coney Islandu za igrani film NEW YORK, I LOVE YOU, u kojem glume Cloris Leachman i Eli Wallach. Pored toga, režirao je epizode serije SIX FEET UNDER (HBO), HOW TO MAKE IT IN AMERICA (HBO), IN TREATMENT (HBO) i LAW & ORDER (NBC).
Joshua Marston is the writer and director of Maria Full of Grace (HBO Films/Fine Line Features). The film garnered numerous awards, including the Audience Award at the 2004 Sundance Film Festival, Best First Film at the 2004 Berlin Film Festival, the 2004 Independent Spirit Award for Best First Screenplay, and an Academy Award nomination for Best Actress. He recently directed the Coney Island section of the feature New York, I Love You starring Cloris Leachman and Eli Wallach. In addition, he has directed episodes of Six Feet Under (HBO), How to Make it in America (HBO), In Treatment (HBO), and Law & Order (NBC).
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Habemus Papam / Imamo Papu / We Have A Pope Italy, France, 2011, 35 mm, Colour, 102 min, Italian, German, Latin, English, Spanish, Polish, French Režija / Director: Nanni Moretti Scenarij / Screenplay: Nanni Moretti, Francesco Piccolo, Federica Pontremoli Direktor fotografije / Director of Photography: Alessandro Pesci Montaža / Editor: Esmeralda Calabria Muzika / Music: Franco Piersanti Zvuk / Sound: Alessandro Zanon Scenografija / Production Design: Paola Bizzarri Kostimografija / Costume Design: Lina Nerli Taviani Uloge / Cast: Michel Piccoli, Nanni Moretti, Jerzy Stuhr, Renato Scarpa, Margherita Buy, Franco Graziosi, Leonardo Della Bianca, Camilla Ridolfi, Camillo Milli, Roberto Nobile, Ulrich von Dobschütz Producent / Producer: Jean Labadie, Nanni Moretti, Domenico Procacci Produkcija / Production: Sacher Film, Fandango, Le Pacte, France 3 Cinéma Odabrana filmografija / Selected filmography 2011 - HABEMUS PAPAM / WE HAVE A POPE 2006 - IL CAIMANO / THE CAIMAN 2001 - LA STANZA DEL FIGLIO / THE SON’S ROOM 1998 - APRILE / APRIL 1993 - CARO DIARIO / DEAR DIARY 1989 - PALOMBELLA ROSSA / RED LOB 1984 - BIANCA 1978 - ECCE BOMBO
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Nakon smrti Pape, Vijeće kardinala sastalo se da izabere njegovog nasljednika. Odabrali su kardinala za kojeg je to, izgleda, prevelik teret. Je li u pitanju anksioznost? Je li depresija? Da li on sebe smatra nekompetentnim? Vjernici čekaju da se novi Papa pojavi na balkonu iznad Trga svetog Petra. Cijeli svijet je na iglama, dok u Vatikanu pokušavaju izaći iz krize. Nanni Moretti je rođen 1953. godine. Njegova profesionalna karijera filmskog stvaraoca počela je sa filmom ECCE BOMBO (1978). To je bio njegov prvi uspjeh na nivou zemlje, i dalje je kultni film za mnoge Talijane. Glumio je u PADRE PADRONE (1977), filmu braće Taviani; u filmovima DOMANI ACCADRÀ (1988), u režiji Daniele Luchetti; IL PORTABORSE (1991), također u Luchettievoj režiji, kao i u LA SECONDA VOLT (1995) - Mimmo Caloprestia. Nanni Moretti ne voli javni život, mrzi stereotipe, odbija da daje intevjue, ne pojavljuje se na TV-u i tiho živi sa porodicom.
E Following the death of the Pope, the Conclave meets to elect his successor. A cardinal is chosen who seems unable to bear the weight of such a responsibility. Is it anxiety? Is it depression? Does he feel inadequate? The faithful are waiting for the new Pope to appear on the balcony in St. Peter’s Square. The world is on tenterhooks, while in the Vatican they seek ways to come through the crisis.
Nanni Moretti was born in 1953. His professional movie-making career starts with ECCE BOMBO (1978). This was also his first nationwide success, and still a cult-movie for many Italians. He also appeared in PADRE PADRONE (1977), by the Taviani brothers, in DOMANI ACCADRÀ (1988), by Daniele Luchetti, in IL PORTABORSE (1991), by Luchetti as well, and in LA SECONDA VOLTA (1995) by Mimmo Calopresti. Nanni Moretti does not like public life, he hates stereotypes, refuses to talk to journalists, does not appear on TV and quietly lives in his family environment.
Jane Eyre United Kingdom, USA, 2011, 35 mm, Colour, 120 min, English, French Režija / Director: Cary Joji Fukunaga Scenarij / Screenplay: Moira Buffini Direktor fotografije / Director of Photography: Adriano Goldman Montaža / Editor: Melanie Ann Oliver Muzika / Music: Dario Marianelli Scenografija / Production Design: Will Hughes-Jones Kostimografija / Costume Design: Michael O’Connor Uloge / Cast: Mia Wasikowska, Michael Fassbender, Jamie Bell, Sally Hawkins, Holliday Grainger, Tamzin Merchant, Imogen Poots, Amelia Clarkson, Romy Settbon Moore, Freya Parks, Judi Dench Producent / Producer: Alison Owen, Paul Trijbits Produkcija / Production: Ruby Films, Focus Features, BBC Films Filmografija / Filmography 2011 - JANE EYRE 2009 - SIN NOMBRE 2009 - CHINATOWN FILM PROJECT 2004 - VICTORIA PARA CHINO (short) 2003 - KOFI (short)
Radnja filma se odvija u 19. stoljeću, gdje Jane Eyre (Ms.Wasikowska) odjednom bježi iz Thronfield Halla, ogromnog, izoliranog mjesta gdje radi kao guvernanta za Adèle Varens, djevojčicu nad kojom skrbi namrgođeni gazda Thornfielda, Edward Rochester (Mr. Fassbender). Položaj koji joj je nametnut, kao i sama Rochesterova nametljiva priroda, doveli su njenu toleranciju do same granice. Pošto nema gdje da ide, pomoć joj pruža svećenik St. John Rivers (Jamie Bell iz filma THE EAGLE) i njegova porodica. Dok se oporavlja u St. Johnovoj kući u maurskom stilu i sumira burne događaje koji su doveli do njenog bijega, Jane se pita da li je prošlost stvarno prošlost...
E In the 19th Century-set story, Jane Eyre (played by Ms. Wasikowska) suddenly flees Thornfield Hall, the vast and isolated estate where she works as a governess for Adèle Varens, a child under the custody of Thornfield’s brooding master, Edward Rochester (Mr. Fassbender). The imposing residence – and Rochester’s own imposing nature – have sorely tested her resilience. With nowhere else to go, she is extended a helping hand by clergyman St. John Rivers (Jamie Bell of Focus Features’ THE EAGLE) and his family. As she recuperates in the Rivers’ Moor House and looks back upon the tumultuous events that led to her escape, Jane wonders if the past is ever truly past…
Cary Joji Fukunaga je diplomirao na Univerzitetu California u Santa Cruzu. Njegov filmski rad pisca, reditelja i snimatelja vodio ga je širom svijeta – od Arktičkog kruga do Haitija i zapadne Afrike. Dobio je nekoliko prestižnih nagrada, uključujući specijalizaciju Fondacije Rockefeller 2008. godine, filmsku nagradu John H. Johnson, kao i specijalizaciju Fondacije princeze Grace. Također je 2007. godine dobio stipendiju Fondacije Katrin Cartlidge. Kao magistrant na postdiplomskom programu iz filma Univerziteta u New Yorku, Fukunaga je napravio svoj scenaristički i režiserski prvijenac filmom SIN NOMBRE, također za kuću Focus Features.
Cary Joji Fukunaga graduated from the University of California Santa Cruz. His film work as a writer, director, and cinematographer has taken him around the world – from the Arctic Circle to Haiti and West Africa. He has received several prestigious grants, including a 2008 USA Rockefeller Foundation Fellowship; the John H. Johnson Film Award; and a 2005 Princess Grace Foundation Fellowship. He also received, in 2007, a Katrin Cartlidge Foundation stipend. An MFA candidate from New York University’s Graduate Film Program, Mr. Fukunaga made his feature film writing and directing debut with SIN NOMBRE, also for Focus Features.
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Le Havre Finland, France, Germany, 2011, 35 mm, Colour, 93 min, Finnish, French Režija / Director: Aki Kaurismäki Scenarij / Screenplay: Aki Kaurismäki Direktor fotografije / Director of Photography: Timo Salminen Montaža / Editor: Timo Linnasalo Zvuk / Sound: Tero Malmberg Scenografija / Production Design: Wouter Zoon Kostimografija / Costume Design: Fred Cambier Uloge / Cast: André Wilms, Kati Outinen, Jean-Pierre Darroussin, Blondin Miguel, Elina Salo, Evelyne Didi Producent / Producer: Stéphane Parthenay, Hanna Hemilä, Fabienne Vonier, Reinhard Brundig Produkcija / Production: Sputnik Oy, Pyramide Productions, Pandora Film Odabrana filmografija / Selected filmography 2011 - LE HAVRE 2006 - LAITAKAUPUNGIN VALOT / LIGHTS IN THE DUSK 2002 - MIES VAILLA MENNEISYYTTÄ / THE MAN WITHOUT A PAST 1999 - JUHA 1990 - I HIRED A CONTRACT KILLER 1989 - TULITIKKUTEHTAAN TYTTÖ / THE MATCH FACTORY GIRL 1989 - LENINGRAD COWBOYS GO AMERICA DIRTY HANDS 1983 - RIKOS JA RANGAISTUS / CRIME AND PUNISHMENT
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Marcel Marx, bivši pisac i poznati boem, dobrovoljno se povukao u mali lučki grad, Le Havre, gdje osjeća da je uspostavio bliži odnos sa ljudima koji se bave časnim, ali ne pretjerano unosnim poslom čistača cipela. Pokopavši svoje snove da će jednom napraviti veliko književnog djelo, živi sretno u trokutu između svoje omiljene kafane, svog posla i supruge Arletty, dok mu jednog dana sudbina na put ne donese malodobnog imigranta iz Afrike. Aki Kaurismäki (rođen 1957. u Orimattili, u Finskoj) finski je scenarista i reditelj. Kao nezavisni reditelj, debitirao je sa filmom ZLOČIN I KAZNA (1983), poznatoj krimi priči snimljenoj prema romanu Dostojevskog, koja je smještena u današnjem Helsinkiju. Svjetsku popularnost je stekao filmom LENINGRAD COWBOYS GO AMERICA. Njegov stil se razvijao pod utjecajem francuskih reditelja Jean-Pierrea Melvillea i Robert Bressona, jer svoju poruku nastoji prenijeti kroz nenapadnu, prigušenu glumu i jednostavno filmsko pripovijedanje. U jednom od svojih napoznatijih protesta, 2003. godine, Kaurismäki je bojkotirao 40. filmski festival u New Yorku u znak solidarnosti sa iranskim rediteljem Abbasom Kiarostamijem, koji nije mogao doći na festival jer mu nije odobrena američka viza.
E Marcel Marx, a former author and a well-known Bohemian, has retreated into a voluntary exile in the port city of Le Havre, where he feels he has reached a closer rapport with the people serving them in the occupation of the honourable, but not too profitable, of a shoe-shiner. He has buried his dreams of a literary breakthrough and lives happily within the triangle of his favourite bar, his work, and his wife Arletty, when fate suddenly throws in his path an underage immigrant refugee from the darkest Africa.
Aki Kaurismäki (born in 1957 in Orimattila, Finland) is a Finnish script writer and film director. His debut as an independent director was CRIME AND PUNISHMENT (1983), Dostoyevsky’s famous crime story set in modern-day Helsinki. He gained worldwide notice with his movie LENINGRAD COWBOYS GO AMERICA. His style has been influenced by the French directors Jean-Pierre Melville and Robert Bresson, as he relies on low-key acting and simple cinematic storytelling to get his message(s) across.. In 2003, in one of his most famous protests, Kaurismäki boycotted the 40th New York Film Festival as a show of solidarity with Iranian director Abbas Kiarostami who was not given a US visa in time for the festival.
Les femmes du 6eme étage / Ulaz za poslugu / Service Entrance France, 2010, 35 mm, Colour, 104 min, French, Spanish Režija / Director: Philippe Le Guay Scenarij / Screenplay: Jean-Philippe Le Guay Direktor fotografije / Director of Photography: Jean-Claude Larrieu Montaža / Editor: Monica Coleman Zvuk / Sound: Laurent Poirier Scenografija / Production Design: Pierre-François Limbosch Kostimografija / Costume Design: Christian Gasc Uloge / Cast: Fabrice Luchini, Sandrine Kiberlain, Natalia Verbeke, Carmen Maura Producent / Producer: Philippe Rousselet, Etienne Comar Produkcija / Production: Vendome Production Filmografija / Filmography 2010 - LES FEMMES DU 6ÈME ÉTAGE / SERVICE ENTRANCE 2006 - DU JOUR AU LENDEMAIN 2003 - LE COÛT DE LA VIE / THE COST OF LIVING 2001 - TROIS HUIT / NIGHTSHIFT 1995 - L’ANNÉE JULIETTE 1989 - LES DEUX FRAGONARD 1984 - LE CLOU (short)
Pariz 1960. godine. Jean-Louis Joubert (Fabrice Luchini) živi miran, ali dosadan buržujski život sa svojom ženom (Sandrine Kiberlain), savršenom pripadnicom visokih krugova, djecom u internatima i svojim finansijskim uredom. Svijet im se preokrene kada se energične španske služavke dosele u odaje za poslugu na šestom spratu njihove zgrade – Teresa, Carmen, Dolores, Concepcion (Carmen Maura) i njena nećaka Maria (Natalia Verbeke), koja je upravo stigla iz Burgosa. Jean-Louis će se neočekivano zbližiti s njima, posebno s Marijom. Ona je mlada, lijepa i puna života. Ukratko, Jean-Louisov život će se promijeniti... itekako. Philippe Le Guay je francuski režiser, rođen u Parizu 1956. godine. Studirao je film na Pariškoj filmskoj školi La Fémis, na kojoj sada predaje. Počeo je karijeru kao scenarista 1984. godine i radio sa režiserom Nicole Garcijom. 1989. godine je režirao svoj prvi igrani film i potom počeo da povremeno glumi. SERVICE ENTRANCE (THE WOMEN ON THE 6TH FLOOR) je njegov sedmi film.
E Paris, 1960. Jean-Louis Joubert (Fabrice Luchini) lives a peaceful yet boring bourgeois existence with his wife (Sandrine Kiberlain), a perfect socialite, his children in a boarding school and his finance office. The family has their world turned upside down when exuberant Spanish maids move into their building’s sixth floor, the servant’s quarters. Teresa, Carmen, Dolores, Concepcion (Carmen Maura) and her niece Maria (Natalia Verbeke) who just arrived from Burgos. Jean-Louis will unexpectedly bond with them, especially with Maria. She is young, pretty and full of joy. In a word, Jean-Louis’s life is about to change… a lot.
Philippe Le Guay is a French director, born in Paris in 1956. He studied film at the Parisian film school La Fémis, where he now teaches. He begun his career as a scriptwriter in 1984 and worked with director Nicole Garcia. In 1989, he directed his first feature and then began occasionally appearing in front of the camera as an actor. SERVICE ENTRANCE (THE WOMEN ON THE 6TH FLOOR) is his seventh feature.
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Orkestar / Orchestra Bosnia and Herzegovina, 2011, 35 mm, Colour, 105 min, Bosnian Režija / Director: Pjer Žalica Scenarij / Screenplay: Pjer Žalica, Saša Lošić Direktor fotografije / Director of Photography: Almir Đikoli Montaža / Editor: Aida Huseinović Producent / Producer: Ademir Kenović Produkcija / Production: Refresh Production Filmografija / Filmography 2011 - PLAVI ORKESTAR (documentary) 2004 - KOD AMIDŽE IDRIZA / DAYS AND HOURS 2003 - GORI VATRA / FUSE 2000 - MOSTAR SEVDAH REUNION (documentary) 1998 - KRAJ DOBA NEPRIJATNOSTI / THE END OF UNPLEASANT TIMES (short) 1994 - MGM SARAJEVO (documentary) 1994 - DJECA KAO I SVAKA DRUGA / CHILDREN LIKE ALL OTHERS (documentary) 1993 - ŠKOLA RATNIH VJEŠTINA / WAR ACADEMY (documentary) 1993 - GODOT SARAJEVO (documentary) 1992 - ČAMAC (documentary)
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Film se bavi bogatom i dinamičnom karijerom sarajevske grupe “Plavi orkestar”. To je priča o jednoj generaciji koja je na veoma specifičan način obilježila naš prostor i vrijeme; pozitivna priča o snazi i neuništivosti talenta koji će, nošen strašću i potencijalom, pronaći put i u najkompliciranijim okolnostima. Frontmen grupe Saša i “Plavci” susreću se s brojnim poznatim i proslavljenim ličnostima koje su obilježile vrijeme i prostor u kojem se grupa razvijala, padala i ponovo uzdizala. U filmu će se pojaviti i potpuno anonimne ličnosti, koje su na drugačiji, intimniji način utjecale na razvoj priče o “Plavom orkestru”.
E The film deals with the rich and dynamic career of the Sarajevo band Plavi orkestar (The Blue Orchestra). This is the story of one generation that marked our time and space in a very specific way - a positive story of the power and perseverance of talent which, led by passion and potential, finds its way in even the most complicated of circumstances. The band frontman Saša and the band meet numerous celebrities of the times when the band developed, fell down and rose again. The film also includes a number of publicly unknown individuals who impacted the band in a more private, intimate way.
Pjer Žalica rođen je 1964. godine u Sarajevu. Diplomirao je 1995. na Odsjeku za režiju na Akademiji scenskih umjetnosti u Sarajevu, gdje danas radi kao profesor režije. Tokom rata u Sarajevu, od 1992. do 1995., bio je aktivni član Sarajevske grupe autora (SaGA). 2003. završio je svoj prvi igrani film, GORI VATRA, za koji je nagrađen Srebrenim leopardom na Locarno Film Festivalu.
Pjer Žalica was born in Sarajevo in 1964. He graduated directing from the Sarajevo Academy of Performing Arts in 1995, where he is now a Professor of Directing. During the 1992-1995 war in Sarajevo, he was an active member of the Sarajevo Group of Authors (SaGA). In 2003, he completed his first feature film FUSE, for which he won the Silver Leopard at the Locarno Film Festival.
DJEČIJI PROGRAM CHILDREN’S PROGRAMME 150 Cars 2 / Auti 2, John Lasseter, Brad Lewis 151 Den kaempestore bjorn / Veliki medvjed / The Great Bear,
Esben Toft Jacobsen
152 Knerten / Granko / Twigson, Åsleik Engmark 153 Lion King / Kralj lavova, Roger Allers, Rob Minkoff 154 Une vie de chat / Mačak u Parizu / A Cat In Paris, Jean-Loup Felicioli, Alain Gagnol 155 Vorstadt krokodile 2 / Krokodili uzvraćaju udarac / The Crocodiles Strike Back,
Christian Ditter
Cars 2 / Auti 2 USA, 2011, DCP, Colour, 112 min, English Režija / Director: John Lasseter, Brad Lewis Scenarij / Screenplay: Ben Queen Montaža / Editor: Shane Lefler, Jim Passon Muzika / Music: Michael Giaccino Uloge / Cast: Larry the Cable Guy, Owen Wilson, Michael Cane, Emiliy Mortimer, Eddie Izzard, John Turturro, Brent Musburger, Joe Mantegna, Thomas Kretschman, Peter Jacobson, Bonnie Hunt, Darrel Walltrip, Franco Nero, David Hobbs, Patrick Walker Producent / Producer: Denise Ream Produkcija / Production: Pixar Animation Studios, Walt Disney Pictures Filmografija / Filmography John Lasseter (Odabrana filmografija / Selected filmography) 2011 - CARS 2 2008 - TOKYO MATER (short) 2006 - MATER AND THE GHOSTLIGHT (short) 2006 - CARS 1999 - TOY STORY 2 1998 - A BUG’S LIFE 1995 - TOY STORY Brad Lewis 2011 - CARS 2 2007 - FINE FOOD AND FILM: A CONVERSATION WITH BRAD BIRD AND THOMAS KELLER (documentary short)
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Glavna zvijezda utrke Lightning McQueen i njegov prijatelj Mater krenuli su preko mora da se natječu na svjetskoj Grand-Prix utrci. Ali putovanje postaje trnovito kada Mater biva umiješan u fantastičnu avanturu internacionalne špijunaže.
E Star race car Lightning McQueen and his pal Mater head overseas to compete in the World Grand Prix race. But the road to the championship becomes rocky as Mater gets caught up in an intriguing adventure of his own: international espionage.
John Alan Lasseter (rođen 1957.) je američki animator, reditelj i glavni odgovorni urednik u animacijskim studijima Pixar i Walt Disney. On je trenutno glavni kreativni savjetnik za Walt Disnney Imagineering. Osvojio je dva Oskara za animirani kratki film (LIMENA IGRAČKA), kao i nagradu za posebna dostignuća (PRIČA O IGRAČKAMA).
John Alan Lasseter (born 1957) is an American animator, director and the chief creative officer at Pixar and Walt Disney Animation Studios. He is also currently the Principal Creative Advisor for Walt Disney Imagineering. He has won two Academy Awards, for Animated Short Film (TIN TOY), as well as a Special Achievement Award (TOY STORY).
Brad Lewis (rođen 1958. godine) je američki filmski producent, reditelj animacije i lokalni političar. Producirao je film MRAVI za DreamWorks, a za Pixar Oskarom nagrađeni RATATOUILLE. On je bivši gradonačelnik San Carlosa u Californiji.
Brad Lewis (born 1958) is an American film producer, animation director and local politician. He produced DreamWorks’ ANTZ and, for Pixar, the Oscar winning RATATOUILLE. He is a former mayor of the city of San Carlos, California.
Den kaempestore bjorn / Veliki medvjed / The Great Bear Denmark, 2011, 35 mm, Colour, 73 min, Danish Režija / Director: Esben Toft Jacobsen Scenarij / Screenplay: Jannik Tai Mosholt, Esben Toft Jacobsen Animacija / Animation: Brian Leif Hansen, Rasmus Nyhus Hansen, Andreas Normand Grontved, Sten Platz, Stine Sorensen, Torben Sottrup (animation) Montaža / Editor: Elin Pröjts Muzika / Music: Nicklas Schmidt Uloge / Cast: Markus Rygaard, Alberte Blichfeldt, Flemming Quist Moller, Elith Nulle Nykjaer Producent / Producer: Petter Lindblad Produkcija / Production: Copenhagen Bombay Rights Filmografija / Filmography 2011 - DEN KAEMPESTORE BJORN / THE GREAT BEAR (animation) 2008 - CARSTEN & GITTES FILMBALLADE / CARSTEN & GITTE’S MOVIE MADNESS (segment KIWI & STRIT) 2006 - DRENGEN I KUFFERTEN (short)
Jonathan, jedanaestogodišnjak, obično provodi raspust sam sa djedom koji živi na rubu šume u kojoj žive tajanstvene životinje. Ove godine sa njim je i njegova mlađa sestra Sophie. Ali nije interesantno čuvati mlađu sestru, pa on radi šta može da je izbjegne. To mu polazi za rukom i više nego dobro: Sophie otima ogromni medvjed star hiljadu godina. Sada Jonathan mora da se zaputi u srce šume da se suoči sa čudnim bićima koja tamo žive i da spasi svoju sestru.
E Jonathan, 11, usually spends his vacations alone with his grandfather who lives on the edge of a vast forest populated by mythical animals. This year his kid sister Sophie joins him. But it’s not cool to be stuck with a little sister, so he does what he can to avoid her. He succeeds entirely too well: Sophie is kidnapped by a giant, 1000-year-old bear. Now, Jonathan has to venture into the heart of the forest to confront the strange beings that dwell there and rescue his sister.
Esben Toft Jacobsen je rođen 1977. godine u Danskoj. Prvo je studirao vizuelne komunikacije u Dansmarks Designskole, a zatim diplomirao animaciju na Državnoj filmskoj školi Danske 2006. godine. Radio je kao slobodni umjetnik i animator na više kompjuterskih igara. Poslije diplomiranja, Toft Jacobsen je razvio i režirao produkcije na Copenhagen Bombay, među kojima je i kratki film KIWI & STRIT, dio dugometražnog filma CARSTEN & GITTE’S MOVIE MADNESS (Anders Morgenthaler et al., 2008). THE GREAT BEAR (2011) je odabran za Berlinale Generation Kplus i filmski je debi Tofta Jacobsena.
Esben Toft Jacobsen was born 1977, Denmark. Former student of visual communication at Danmarks Designskole, Toft Jacobsen graduated from the National Film School of Denmark in animation direction in 2006. Freelance artist and animator on a number of computer games. Since graduating from film school Toft Jacobsen developed and directed productions at Copenhagen Bombay, among these, the short film KIWI & STRIT, which was part of the feature film CARSTEN & GITTE’S MOVIE MADNESS (Anders Morgenthaler et al., 2008). THE GREAT BEAR (2011), selected for Berlinale Generation Kplus, is Toft Jacobsen’s feature film debut.
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Knerten / Granko / Twigson Norway, 2009, 35 mm, Colour, 74 min, Norwegian Režija / Director: Åsleik Engmark Scenarij / Screenplay: Birgitte Bratseth Direktor fotografije / Director of Photography: Ari Willey Montaža / Editor: Vidar Flataukan Muzika / Music: Jon Rormark Scenografija / Production Design: Harald Egede-Nissen Kostimografija / Costume Design: Karen Fabritius Gram Uloge / Cast: Adrian Gronnevik Smith, Petrus A. Christensen, Pernille Sorensen, Jan Gunnar Roise, Åsleik Engmark, Per Schaaning, Per Schaaning, John F. Brungot, Kjersti Fjeldstad, Per Jansen, Amalie Blankholm Heggemsnes, Ole Johan Skjelbred-Knutsen Producent / Producer: Finn Gjerdrum, Stein B. Kvae Produkcija / Production: Paradox Spillefilm A/S Filmografija / Filmography 2009 - KNERTEN / TWIGSON
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Na selo! Porodica Lillebror se seli, i sa sobom nose kauč, nekoliko pari najlonki i krojačku lutku. U novoj kući pod škripi i nema nikoga za igru. Ali grančica pada pred noge Lillebroru: Granko. On uopće nije glup i savršen je saputnik za šetnje kroz šumu. U novoj kući ima dosta toga za otkriti, ali vreba i opasnost u mahovini. Mravi i vatra su stvari koje Granko ne može podnijeti. I ako Lillebrorov škripavi prijatelj čuje riječ „djevojčice“, njegove crte obrastu krznom. Kad princeza Malecka dojaše na svom konju, Pegazu, Lillebror je spreman da je upozna. Ali kada tatine svijetle najlonske čarape postanu sablasne maske, sve je stvarno otišlo kvragu. Åsleik Engmark (rođen 1965. u Oslu) je norveški komičar, glumac i reditelj, koji živi u Nesoddenu blizu Osla. Engmark je jedan od koosnivača norveške kabaretske grupe Lompelandslaget 1987. godine. 1998. godine, kad je imao 22 godine, nastupio je u Det Norske Teatret (Norveškom pozorištu) u Oslu, u norveškoj originalnoj postavi „Jadnika“. Ostao je u postavi Norveškog pozorišta do 1999. godine. U Norveškoj je postao poznat tokom devedesetih kroz Norvešku korporaciju za emitovanje (NRK), pogotovo kroz sedmični satirični program „Egentlig“, ekvivalent američkoj kultnoj seriji SATURDAY NIGHT LIVE.
E Out to the country. Lillebror’s family are moving, and they’re taking the sofa, some pantyhose and the tailor’s dummy. The floor gives off in the new house and there are no playmates in sight. But then a twig falls at Lillebror’s feet: Twigson. He’s anything but a blockhead and the perfect companion for hikes through the forest. There’s a lot to discover around the new home but there’s danger, too, in the moss. Anthills and fire are things that Twigson can’t stand. And if Lillebror’s creaky friend hears the word “girls” his lined countenance becomes deeply furrowed. When Princess Tiny rides over on her horse, Pegasus, Lillebror is ready to meet her. But when Papa’s bright nylon stokkings are made into ghostly masks, the fat is well and truly in the fire.
Åsleik Engmark (born 1965 in Oslo) is a Norwegian comedian, actor and director, living in Nesodden outside Oslo. Engmark was one of the co-founders of the Norwegian cabaret group Lompelandslaget in 1987. In 1988 at the age of 22, he appeared at Det Norske Teatret (The Norwegian Theatre) in Oslo, in the Norwegian original cast of Les Miserables. He stayed in the ensemble of the Det Norske Teatret until 1999. In Norway he became known during the nineties through Norwegian Broadcasting Corporation (NRK), especially on the weekly satire Egentlig, an equivalent to SATURDAY NIGHT LIVE.
Lion King / Kralj lavova USA, 2011, DCP, Colour, 89 min, English Režija / Director: Roger Allers, Rob Minkoff Scenarij / Screenplay: Irene Mecchi, Jonathan Roberts, Linda Woolverton Montaža / Editor: Ivan Bilancio, John Carnochan, Tom Finan Muzika / Music: Hans Zimmer Uloge / Cast: Matthew Broderick, Niketa Calame, Jim Cummings, James Earl Jones, Nathan Lane, Ernie Sabela, Jeremy Irons, Robert Guillaume, Rowan Atkinson, Moira Kelly, Whoopy Goldberg, Jonathan Taylor Thomas, Cheech Marin Producent / Producer: Don Hahn Produkcija / Production: Walt Disney Pictures Odabrana filmografija / Selected filmography Roger Allers 2006 - OPEN SEASON 2006 - THE LITTLE MATCHGIRL (short) 1994 - THE LION KING
Nakon što se rodi mladi princ lavova, njegov stric Scar postaje drugi u redu za prijestolje. Scar se urotio sa hijenama da ubiju kralja Mufasu i princa Simbu, čime bi on postao kralj. Kralj je ubijen, a Simba je obmanut da je to njegova krivica, tako da napušta kraljevstvo u sramoti. Nakon godina progonstva, ubijeđen je da se treba vratiti kući, zbaciti Scara sa vlasti i preuzeti kraljevstvo dovršavajući ‘’Ciklus života’’.
E A young lion prince is born in Africa, thus making his uncle Scar the second in line to the throne. Scar plots with the hyenas to kill King Mufasa and Prince Simba, thus making himself King. The King is killed and Simba is led to believe by Scar that it was his fault, and so flees the kingdom in shame. After years of exile he is persuaded to return home to overthrow the Scar and claim the kingdom as his own thus completing the “Circle of Life”.
Roger Allers (rođen 1949) je američki filmski reditelj i scenarista, storyboard crtač i animator. Dobio je nekoliko nagrada na međunarodnim filmskim festivalima, a 2006. bio nominiran za Oskar za svoj kratki film DJEVOJČICA SA ŠIBICAMA.
Roger Allers (born 1949) is an American film director and screenwriter, storyboard artist and animator. He received several International Film Festival Awards, in 2006, for his Oscarnominated short film, THE LITTLE MATCHGIRL.
Robert Minkoff (rođen 1962. godine) je američki filmski stvaralac. Poznat je po režiji Oskarom nagrađenog animiranog filma KRALJ LAVOVA.
Robert Minkoff (born 1962) is an American filmmaker. He is known for directing the Academy Award-winning animated feature THE LION KING.
Rob Minkoff 2011 - FLYPAPER 2002 - STUART LITTLE 2 1999 - STUART LITTLE 1994 - THE LION KING 1989 - TUMMY TROUBLE (short)
CHILDREN’S PROGRAMME l 17. Sarajevo Film Festival 153
Une vie de chat / Mačak u Parizu / A Cat In Paris France, Netherlands, Switzerland, Belgium, 2010, 35 mm, Colour, 70 min, French Režija / Director: Jean-Loup Felicioli, Alain Gagnol Scenarij / Screenplay: Alain Gagnol, Jacques-Rémy Girerd Animacija / Animation: Constantin Beine, Xavier Cruz, Rémi Durin, Alain Gagnol, Paul Jadoul, Antoine Lanciaux, Sylvie Léonard, Jérémie Mazurek, Laurent Repiton, Morten Riisberg Hansen, Marc Robinet, Pieter Samyn, Iouri Tcherenkov, Pascal Vermeersch Montaža / Editor: Hervé Guichard Muzika / Music: Serge Besset Uloge / Cast: Dominique Blanc, Bruno Salomone, Jean Benguigui, Bernadette Lafont, Oriane Zani, Bernard Bouillon, Patrick Ridremont, Jacques Ramade, Jean-Pierre Yvars,Patrick Descamps Producent / Producer: Emmanuel Bernard, Annemie Degryse, Arnaud Demunyck, Jacques-Rémy Girerd Produkcija / Production: Folimage Filmografija / Filmography Jean-Loup Felicioli & Alain Gagnol 2010 - UNE VIE DE CHAT / A CAT IN PARIS 2006 - MAUVAIS TEMPS (short) 2005 - LE COULOIR / THE CORRIDOR (short) 2000 - LE NEZ À LA FENÊTRE (short) 1997 - L’EGOÏSTE (short) 1989 - SCULPTURE SCULPTURES (short)
154 17. Sarajevo Film Festival l DJEČIJI PROGRAM
Dino je mačak koji vodi dupli život. Danju živi sa Zoe, malom djevojčicom čija je majka Jeannine policajka. Noću, Dino radi sa Nicom - provalnikom velikog srca. Zoe se zatvorila u sebe nakon smrti svog oca, ali ju je istraga dovela do gangstera Coste. Jednog dana Dino donosi Zoe veoma vrijednu narukvicu. Lucas je primijetio da je narukvica dio plijena koji je ukraden. Jedne noći, Zoe odluči da prati Dinu. Na putu je čula da je njen mačak član gangsterskog tima. Jean-Loup Felicoli je animator, reditelj, grafički umjetnik i umjetnik sa glinom koji radi za studije Folimage-Valence Production od 1987. godine. Alain Gagnol je rođen 1967. godine u Roanne i studirao je ilustraciju, stripove i animaciju u školi Émile Cohl u Lyonu. Sa univerzitetskim stepenom iz grafičkih umjetnosti, pridružio se Folimageu 1988. godine kao animator.
E Dino is a cat that leads a double life. By day, he lives with Zoe, a little girl whose mother, Jeanne, is a police officer. By night, he works with Nico, a burglar with a big heart. Zoe has plunged herself into silence following her father’s murder at the hands of gangster Costa. One day, Dino the cat brings Zoe a very valuable bracelet. Lucas, Jeannin’s second-in command notices this bracelet is part of a jewelery collection that has been stolen. One night, Zoe decides to follow Dino. On the way, she overhears some gangsters and discovers that her nanny is part of the gangsters’ team.
Jean-Loup Felicioli is an animator, director, graphic and clay artist and who has worked for Folimage-Valence Production studios since 1987. Alain Gagnol was born in 1967 in Roanne and studied illustration, cartoon and animation at the école Émile Cohl in Lyon. With his university degree in Graphic Arts, he joined Folimage in 1988 as an animator.
Vorstadt krokodile 2 / Krokodili uzvraćaju udarac / The Crocodiles Strike Back Germany, 2010, 35 mm, Colour, 90 min, German Režija / Director: Christian Ditter Scenarij / Screenplay: Neil Ennever, Christian Ditter Direktor fotografije / Director of Photography: Christian Rein Montaža / Editor: Ueli Christen Muzika / Music: Heiko Maile Scenografija / Production Design: Eva Stiebler Kostimografija / Costume Design: Caro Sattler Uloge / Cast: Nick Romeo Reimann, Fabian Halbig, Leonie Tepe, Manuel Steitz, Javidan Imani, Robin Walter, David Hürten, Ella-Maria Gollmer, Nora Tschirner, Maria Schrader, Smudo, Esther Schweins, Dietmar Bär, Raoul Brauner, Roman Brauner Producent / Producer: Christian Becker, Lena Olbrich Produkcija / Production: Westside Filmproduktion, Rat Pack Filmproduktion Filmography / Filmografija 2010 - VORSTADT KROKODILE 2 / THE CROCODILES STRIKE BACK 2009 - VORSTADT KROKODILE / THE CROCODILES 2003 - GROUNDED (short) 2000 - VERZAUBERT (short)
Ljetni raspust, prvi nježni momenti romanse i zabavni novi logor ekipe – život bi mogao biti savršen za Krokodile, da nije čudnih događaja u fabrici gdje Ollijevi (Manuel Steitz) i Marijini (Leone Tepe) roditelji rade. U fabrici planiraju otkaze, što znači da bi im roditelji mogli izgubiti posao, čak i kuću. To bi značio kraj Krokodila: ako Ollie i Maria moraju seliti, ne bi više bilo mjesta u ekipi ni za Hannesa (Nick Romeo Reimann), Kaija (Fabian Halbig), Jorga (Javidan Imani), Franka (David Hürten) i Petera (Robin Walter). Zato će, naravno, Krokodili učiniti sve što mogu da razriješe misteriozni niz nesreća u fabrici... Christian Ditter je rođen u Giessenu 1977. godine. Njegov prvjienac koji je međunarodno finansiran i produciran, FRENCH FOR BEGINNERS, bio je na vrhovima njemačkih kino top lista u ljeto 2006. godine. Nakon toga je režirao seriju TURKISH FOR BEGINNERS (2007) koja je dobila nagrade Grimme i njemačke TV, te hit RTL-ovu seriju DOCTOR’S DIARY (2008), koja je osvojila nagradu njemačke TV, Nagradu njemačke komedije i nagradu Grimme. Godine 2008. on je režirao pozorišnu adaptaciju dječijeg klasika KROKODILI Maxa von der Grüna, koja mu je donijela nagradu dječije publike „Bijeli slon“, kao i nagradu „Bijeli tigar“ za scenario, koju mu je dodijelio Federalni odbor za film i dječiji kanal KI.KA.
E Summer vacation, the first tender stirrings of romance and cool new gang headquarters - life could be perfect for The Crocodiles, were there not strange goings-on in the plant where Ollie (Manuel Steitz) and Maria’s (Leonie Tepe) parents work. The factory is facing lay-offs and maybe even closure, meaning their parents may lose their jobs, even their home. That would spell the end of the Crocodiles: if Ollie and Maria have to move, there would be no gang left for Hannes (Nick Romeo Reimann), Kai (Fabian Halbig), Jorgo (Javidan Imani), Frank (David Hürten) and Peter (Robin Walter), either! So of course the Crocodiles would do anything to get to the bottom of the mysterious series of accidents at the plant ...
Christian Ditter was born in Giessen in 1977. His internationally funded and produced debut feature FRENCH FOR BEGINNERS launched at the top of German B.O. charts in summer of 2006. He went on to direct Grimme Prize and German TV Prize winning series TURKISH FOR BEGINNERS (2007) and hit RTL series DOCTOR’S DIARY (2008), which won the German TV Prize, the German Comedy Prize and the Grimme Prize. In 2008, he directed the theatrical adaptation of Max von der Grün’s children’s classic THE CROCODILES, which won him the kidpic prize “White Elephant” as well as the screenplay prize “Kid Tiger” awarded by the federal film board and KI.KA kids’ channel.
CHILDREN’S PROGRAMME l 17. Sarajevo Film Festival 155
TEENARENA 158 Amore 14, Federico Moccia 159 Captain America: The First Avenger / Kapetan Amerika: prvi osvetnik, Joe Johnston 160 Gremo mi po svoje / Mi idemo svojim putem / Going Our Way, Miha HoÄ?evar 161 Griff The Invisible / Griff Nevidljivi, Leon Ford 162 Kidnappet / Izgubljen u Africi / Lost in Africa, Vibeke Muasya
Amore 14 Italy , 2009, 35 mm, Colour, 95 min, Italian Režija / Director: Federico Moccia Scenarij / Screenplay: Federico Moccia, Chiara Barzini, Luca Infanscelli Direktor fotografije / Director of Photography: Marcello Montarsi Montaža / Editor: Patrizio Marone Muzika / Music: Fabrizio Bondi Kostimografija / Costume Design: Grazia Materia Uloge / Cast: Veronica Olivier, Beatrice Flammini, Flavia Roberto, Raniero Monaco Di Lapio, Giuseppe Maggio, Pamela Villoresi, Pietro De Silva, Emiliana Franzone, Riccardo Garrone, Giulio Mezza, Daniele La Leggia, Leonardo Bugiantella, Vittoria Antonini, Andrea Maj Beretta Producent / Producer: Marco Belardi, Marco Giannoni Produkcija / Production: Lotus Productions, Medusa Film Filmografija / Filmography 2010 - SCUSA MA TI VOGLIO SPOSARE 2009 - AMORE 14 2008 - SCUSA MA TI CHIAMO AMORE / SORRY, IF I LOVE YOU 1996 - CLASSE MISTA 3A 1987 - PALLA AL CENTRO
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Carolini je skoro 14 godina i jedinstvena je kao i sve djevojke njenih godina. To je period magičnih momenata, tu su i prijateljice sa kojima se dijele dani i snovi, a prvi poljupci se kradu u sjeni ulaznih vrata. AMORE 14 je putovanje kroz osjećanja, uzbuđenja prve ljubavi, boli iznenadne prevare, putovanje kroz ono što vas ostavlja ‘’bez teksta’’. To je gubljenje onoga do koga vam je stalo i neočekivana gesta privlačnosti.
E Carolina is almost 14 years old, she is unique like all the girls of her age. 14 is a magical moment, there are girlfriends to share days and dreams. There are first kisses stolen in the shadow of front doorway. AMORE 14 is a journey through feelings, the excitement of first love, the pain of a sudden betrayal, the first, that leaves you speechless. It is losing someone you care for, it is an unexpected gesture of affection.
Federico Moccia je rođen u Rimu 1963. godine. Nakon umjetničkog rada kao koreograf i scenarista televizijskih programa, ušao je u područje književnosti. Do 2008. godine objavio je na talijanskom jeziku tri djela: “Tre metri sopra il cielo”, “Ho voglia di te“ i “Scusa ma ti chiamo amore” sa prodatih tri miliona primjeraka. Sva njegova djela su ekranizirana i režirao ih je sam Moccia.
Federico Moccia was born in Rome, Italy, in 1963. After working in the artistic world as Theatrical designer and Scriptwriter of television programs, entered the field of literature. Until year 2008 he published in Italian three works: “Tre metri sopra il cielo“, “Ho voglia di te“ and “Scusa ma ti chiamo amore”, which sold more than three million units. All of his novels have become films, directed by the author.
Captain America: The First Avenger / Kapetan Amerika: prvi osvetnik USA, 2011, 35 mm, Colour, min, English Režija / Director: Joe Johnston Scenarij / Screenplay: Christopher Markus, Stephen McFeely Direktor fotografije / Director of Photography: Shelly Johnson Montaža / Editor: Robert Dalva, Jeffrey Ford, Michael McCusker Muzika / Music: Alan Silvestri Scenografija / Production Design: Rick Heinrichs Kostimografija / Costume Design: Anna B. Sheppard Uloge / Cast: Chris Evans, Hugo Weaving, Natalie Dormer, Stanley Tucci, Tommy Lee Jones, Dominic Cooper, Hayley Atwell, Richard Armitage, Sebastian Stan, Toby Jones, Neal McDonough, JJ Feild, Derek Luke, Kenneth Choi Producent / Producer: Kevin Feige, Amir Madani Produkcija / Production: Marvel Studios
PRVI OSVETNIK je fokusiran na rani period Marvelovog Svemira, kada se Steve Rogers (Chris Evans) dobrovoljno prijavljuje da učestvuje u eksperimentalnom projektu koji ga pretvara u „super vojnika“ poznatog kao Kapetan Amerika. Kao Kapetan Amerika, Rogers ujedinjuje snage sa Bucky Barnesom (Sebastian Stan) i Peggy Carter (Hayley Atwell) da se bore protiv zle organizacije HYDRA, koju vodi zlikovac Crvena Lobanja (Hugo Weaving).
E THE FIRST AVENGER will focus on the early days of the Marvel Universe when Steve Rogers (Chris Evans) volunteers to participate in an experimental program that turns him into the Super Soldier known as Captain America. As Captain America, Rogers joins forces with Bucky Barnes (Sebastian Stan) and Peggy Carter (Hayley Atwell) to wage war on the evil HYDRA organization, led by the villainous Red Skull (Hugo Weaving.)
Joe Johnson (1950) je američki filmski reditelj i bivši majstor specijalnih efekata poznat po radu u filmovima JUMANJI, ČOVJEK RAKETA, JURSKI PARK 3 i NEBO U OKTOBRU.
Joe Johnston (1950) is an American film director and former effects artist best known for such movies as JUMANJI, THE ROCKETEER, JURASSIC PARK III, and OCTOBER SKY.
Filmografija / Filmography 2011 - CAPTAIN AMERICA: THE FIRST AVENGER 2010 - THE WOLFMAN 2004 - HIDALGO 2001 - JURASSIC PARK III 1999 - OCTOBER SKY 1995 - JUMANJI 1991 - THE ROCKETEER 1989 - HONEY, I SHRUNK THE KIDS
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Gremo mi po svoje / A mi po svom / Going Our Way Slovenia, 2010, 35 mm, Colour, 95 min, Slovenian Režija / Director: Miha Hočevar Scenarij / Screenplay: Miha Hočevar Direktor fotografije / Director of Photography: Simon Tanšek Montaža / Editor: Olga Toni, Jurij Moškon, Andrija Zafranović Muzika / Music: Mitja Vrhovnik Smrekar Zvuk / Sound: Julij Zornik, Gašper Loborec Scenografija / Production Design: Miha Ferkov Kostimografija / Costume Design: Polonca Valentinčič Uloge / Cast: Jurij Zrnec, Tadej Koren Šmid, Jure Kreft, Matevž Štular, Gaja Pegan Nahtigal, Pia Korbar, Žigan Krajnčan, Teodor Popovič, Erik Oprešnik, Vili Frahm, Matej Zemljič, Jana Zupančič, Ajda Toman, Uroš Kaurin, Luka Cimprič Producent / Producer: Danijel Hočevar Produkcija / Production: Vertigo, Emotionfilm Filmografija / Filmography 2010 - GREMO MI PO SVOJE / GOING OUR WAY 2009 - DISTORZIJA / DISTORTION 2003 - NA PLANINCAH / ON THE SUNNY SIDE 2000 - JEBIGA / SCREW IT
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Tinejdžer Alex i njegovi prijatelji odlaze u ljetnji kamp pored rijeke. Vođa kampa je poprilično naporan – za njega je biti izviđač nešto previše ozbiljno, što uzrokuje sukob i dječaci bi se radije zabavljali, flertovali sa djevojkama iz susjednog kampa i plivali, nego učili izviđačke vještine i stalno se takmičili. Vođa kampa pravi lukav potez, tako što organizuje takmičenje o kampovanju u divljini, gdje manje grupe izviđača provode noć sami u divljini u improvizovanim šatorima. Naravno, kako bi razbio monotoniju, Alex se javlja kao dobrovoljac. Pridružuju mu se Jake, hipohondrični sin vođe kampa, i Spavalica, filozofski tip... Miha Hočevar je rođen 1963. godine u Ljubljani, gdje je studirao filmsku i televizijsku režiju na Akademiji za pozorište, radio, film i televiziju (AGRFT). Već kao brucoš je bio aktivno angažovan u filmskoj i televizijskoj produkciji - uključujući režiranje nekoliko stotina reklama – piše scenarije i režirao je četiri filma.
E Teenager Alex and his friends go to a summer camp by the river. The camp leader is quite annoying - he takes scouting much too seriously, which causes conflict, as the boys would rather have fun, try their luck with the girls from the neighboring camp, and swim, than learn scouting skills and constantly take part in all kinds of competitions. The situation in the camp keeps deteriorating, and parents visiting day is drawing near. The camp leader makes a cunning move, organizing a camping in the wild competition, where small groups of scouts spend a night on their own in the wilderness in improvised shelters. Naturally, to escape the monotony, Alex volunteers. Jake, the camp leader’s hypochondriac son, and Sleepyhead, a philosopher type, join him...
Miha Hočevar was born 1963 in Ljubljana, where he studies film and television direction at the Academy for Theatre, Radio, Film and Television (AGRFT). Already as a freshman he became actively involved in film and television production as an assistant and director. He works primarily on commercial projects including directing several hundred commercials - writes screenplays and has directed four features.
Griff The Invisible / Griff Nevidljivi Australia, 2010, 35 mm, Colour, 90 min, English Režija / Director: Leon Ford Scenarij / Screenplay: Leon Ford Direktor fotografije / Director of Photography: Simon Chapman Montaža / Editor: Karen Johnson Muzika / Music: Sep Caton, Lee Devaney, Larissa Rate Scenografija / Production Design: Sophie Nash Kostimografija / Costume Design: Shareen Beringer Uloge / Cast: Ryan Kwanten, Maeve Dermody, Marshall Napier, Heather Mitchell, Toby Schmitz, Kelly Paterniti, Anthony Phelan, Kate Mulvany, David Webb, Chan Griffin Producent / Producer: Nicole O’Donohue Produkcija / Production: Indomina Releasing, Transmission Filmografija / Filmography 2010 - GRIFF THE INVISIBLE 2007 - KATOOMBA (short) 2006 - GLITCH (short) 2005 - THE MECHANICALS (short)
Griffu – koji danju radi u kancelariji, a po noći je superjunak –svijet se okrenuo naglavačke kad je upoznao Melody, prelijepu mladu naučnicu koja razumije njegovu strast za nemogućim. Po danu je Griff (Ryan Kwanten) svakodnevni kancelarijski radnik u običnom gradu. On živi povučenim životom, maltretiraju ga kolege iz firme (Toby Schmitz) – i njegov jedini prijatelj je njegov brat zaštitnik. Po noći Griff uzima drugi identitet, luta mračnim ulicama i štiti nejake i ranjive od opasnosti koja vreba iz sjene – on je junak, Griff Nevidljivi. Leon Ford je perspektivni scenarista / reditelj, čiji je prvi kratki film THE MECHANICALS izabran u konkurenciji na Filmskom festivalu u Veneciji 2005. godine, Filmskom festivalu u Londonu, Filmskom festivalu u Rotterdamu, Filmskom festivalu u Palm Springsu i osvojio je više od 8 nagrada širom svijeta. Njegov polusatni film KATOOMBA je osvojio nagradu Dendy na filmskom festivalu u Sydneyu 2007, Nagradu za najbolji film i režiju na Filmskom festivalu u St. Kildi 2008. i do sada je prikazan na filmskim festivalima u Clermont-Ferrandu, Melbourneu i Flickerfestu. Leon je upravo objavio svoj prvi roman „What Doesn’t Kill You“, a napisao je scenarij i režirao GRIFF THE INVISIBLE.
E Griff - office worker by day, superhero by night - has his world turned upside down when he meets Melody, a beautiful young scientist who shares his passion for the impossible. By day Griff (Ryan Kwanten) is an everyday office worker, in an everyday town. He lives a secluded life, bullied by co-workers (Toby Schmitz) - his protective brother his only friend. By night Griff assumes his other identity, roaming the dark streets protecting the innocent and the vulnerable from the dangers that lurk in the shadows - he is the hero, Griff The Invisible.
Leon Ford is an emerging writer/director whose first short film THE MECHANICALS was selected for Competition at Venice Film Festival 2005, London Film Festival, Rotterdam Film Festival, Palm Springs Film Festival and has won more than 8 awards worldwide. His half hour film, KATOOMBA won the Dendy Award at the Sydney Film Festival 2007, Best Film and Best Director at St. Kilda Film Festival 2008 and has so far screened in competition at Clermont-Ferrand, Melbourne and Flickerfest Film Festivals. Leon has just published his first novel “What Doesn’t Kill You” and is both the writer and director of GRIFF THE INVISIBLE.
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Kidnappet / Izgubljen u Africi / Lost in Africa Denmark, 2010, 35 mm, Colour, 92 min, Danish, English, Swahili Režija / Director: Vibeke Muasya Scenarij / Screenplay: Vibeke Muasya Direktor fotografije / Director of Photography: Alexander Gruszynski Montaža / Editor: Morten Hojbjerg Muzika / Music: Kristian Eidnes Andersen Scenografija / Production Design: Anna Asp Uloge / Cast: Connie Nielsen, Lars Mikkelsen, Simon Larsen, Amos Odhiambo, Bernard Okoth, Samuel Odour Producent / Producer: Vibeke Windelov, Karoline Leth Produkcija / Production: SF Film Production ApS
Filmografija / Filmography 2010 - KIDNAPPET / LOST IN AFRICA 2002 - STOFFERS ØJEBLIK (short) 2001 - BIRDS OF PASSAGE (short) 1999 - BENJI’S AFRICAN ADVENTURE (short) 1999 - TULIP NIGHT (short)
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Dvanaestogodišnji usvojenik Simon putuje sa svojom majkom Dankinjom u Keniju, gdje je rođen. Simon nije previše zainteresiran za svoju matičnu zemlju i volio bi ostati u Danskoj da igra fudbal. Ali prvog dana situacija se pogoršava: Simon se gubi kada ga potraga za njegovom omiljenom loptom odvede do Kibere – najvećeg sirotinjskog grada u istočnoj Africi! Isprva, on nije u opasnosti, ali onda Simonova majka odlučuje obavijestiti medije i ponuditi nagradu onome ko ga pronađe. Odjednom, Simon je priželjkivani trofej u jednoj od najsiromašnijih zemalja na svijetu, ali on uči da su mu njegovi novi prijatelji spremni pomoći i kad on najmanje očekuje... Vibeke Muasya je rođena 1959. godine u Danskoj. Spisateljica, rediteljka, koreografkinja i plesačica. Ona je režirala i producirala nekoliko dokumentaraca i kratkih filmova od 1999. godine. Radila je na nekoliko projekata sa Najrobijskim nacionalnim pozorištem od 1995. godine do sada.
E 12 year old adoptee Simon travels with his Danish mother to Kenya, where he was born. Simon isn’t very interested in his native country and would have preferred to stay in Denmark to play soccer. But on the very first day, the situation takes a turn for the worse: Simon gets lost when a search for his beloved soccer ball leads him into the middle of Kibera - the largest slum city in East Africa! At first, he’s not in any real danger, but then Simon’s mother decides to go to the media and offer a reward to whomever finds him… Suddenly, Simon is a coveted trophy in one of the poorest countries in the world, but Simon learns that his new friends are ready to help him where and when he least expects it…
Vibeke Muasya was born 1959, Denmark. Writer, director, choreographer and dancer. She has directed and produced several documentaries and short fiction films since 1999. She has worked with the Nairobi national theatre on several occasions since 1995.
ALL SHORTS 165 Sarajevo grad filma / Sarajevo City of Film 2011 168 Carte Blanche: cleRMONT - FERRAND 171 Carte Blanche: KURZFILMTAGE WINTERTHUR 174 Evropska filmska akademija / European Film Academy 177 Operacija kino / Operation Kino
Sarajevo grad filma 2011 Sarajevo City of Film I ove godine nastavljamo sa prikazivanjem rezultata projekta Sarajevo grad filma, pokrenutog 2007. godine uz podršku Fonda za kinematografiju Sarajevo i Ministarstva kulture i sporta Federacije BiH. Četiri reditelja iz Bosne i Hercegovine, Mađarske, Srbije i Turske imat će priliku predstaviti svoje kratke igrane filmove koje su, sa timom okupljenim za vrijeme učešća u prethodnom izdanju Talent Campusa, pripremali i snimili u Sarajevu. Za 12 dana snimanja nastali su filmovi EDINA, POSTHUMNO, SCENE SA ŽENAMA i TJELESNA FUNKCIJA. Svi filmovi prikazuju 24 sata u
E This is another year when we show the results of the project entitled Sarajevo City of Film, initiated in 2007 with the support of the Sarajevo Film Fund and the Ministry of Culture and Sport of the Federation of BiH.
Four directors from Bosnia and Herzegovina, Hungary, Serbia and Turkey will have an opportunity to present the short features they prepared and shot in Sarajevo with the team assembled in the previous Talent Campus. 12 days of shooting delivered the following films: EDINA, POSTHUMOUS, SCENES WITH WOMEN and BODILY FUNCTION. All these films
životima likova koji kroz odnos sa drugima pokušavaju definirati sebe. Susreti sa ženama, muškarcima, duhovima prošlosti i zamišljenim partnerima – svima koji su dio njihove sadašnjosti, usmjerit će njihove živote u novim pravcima. Učesnici Producentske radionice Sarajevo grad filma proveli su mjesec dana u Sarajevu, pripremajući snimanje ovih filmova. Producirajući filmove učvrstili su poznanstva koja su prethodno sklopili na Talent Campusu, upoznali nove saradnike i pri tom stvorili mogućnosti za daljnju saradnju i zajedničke projekte.
depict 24 hours in the lives of characters who are trying to define themselves through their relations with others. Encounters with women, men, ghosts of the past and imaginary partners, all those who are a part of their presence, will set their lives in new directions. Participants of the Sarajevo City of Film Production Workshop spent a month in Sarajevo preparing for shooting of these films. By producing the films they solidified their friendships forged at the Talent Campus, met new collaborators and while doing that created possibilities for a further cooperation and mutual projects.
Sarajevo grad filma omogućava nam da najavimo i upoznamo nadolazeće snage regionalne kinematografije, a istovremeno Sarajevo predstavimo kao grad u kojem film nastaje i živi. Pored projekcija, s nestrpljenjem očekujemo i proglašenje odluke žirija o nosiocu nagrade “Atlantic Grupa Award” koju već tradicionalno dodjeljuje partner projekta Atlantic Grupa za najbolji film simljen u okviru projekta Sarajevo grad filma. Vidimo se u kinu! Ivana Pekušić, koordinatorica projekta Sarajevo grad filma
Sarajevo City of Film allows us to announce and meet upcoming forces of the regional cinematography and, at the same time, introduce Sarajevo as the city where films come to life and live. Apart from the screenings, we are also eagerly awaiting the Jury’s decision on the “Atlantic Grupa Award”, traditionally awarded by the project partner Atlantic Grupa, for the best film made within the Sarajevo City of Film project. See you at the cinema! Ivana Pekušić Sarajevo City of Film Project Coordinator
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Edina BiH / Hungary, 2011, 18 min, Bosnian, English, French Režija / Director: Nóra Lakos Scenarij / Screenplay: Nóra Lakos Original story “Egy nő azonosίtása”: Cserna-Szabó András Direktor fotografije/ Director of Photography: Daniel Bálint Montaža / Editor: Béla Barsi Uloge/ Cast: Eszter Tompa, Boris Ler, Amina Begović, Nicolas Moll Producenti / Producers: Alex Traila, Davorka Begović, Vladislav Bulajić Izvršni producenti / Executive Producers: Izeta Građević, Mirsad Purivatra, Jovan Marjanović Direktor filma / Line Producer: Adis Đapo, Adnan Beširović Producentska kuća / Production Company: Obala Art Centar
EDINA je vesela priča o ljubavi za jednu noć između pisca i njegove kreacije. Zbog svojih avantura pisac gubi sposobnost da promijeni lik i priču, te više ne može pobjeći od ovog savršenog ženskog lika.
E EDINA is a playful story about a one night stand of a writer and his own creaturion. Due to their adventures the writer losses his superpower for being able to change the character and the story and can’t get away from his perfect women character any more.
Posthumno / Posthumous BiH, Turkey, 2011, 17 min, Bosnian Režija / Director: Cenk Erturk Scenarij / Screenplay: Cenk Erturk Direktor fotografije / Director of Photography: Erol Zubčević Montaža / Editor: Timur Makarević Uloge / Cast: Senad Alihodžić, Adnan Hasković, Šerif Aljić, Muhamed Bahonjić Producenti / Producers: Alex Traila, Davorka Begović, Vladislav Bulajić Izvršni producenti / Executive Producers: Izeta Građević, Mirsad Purivatra, Jovan Marjanović Direktor filma / Line Producer: Adis Đapo, Adnan Beširović Producentska kuća / Production Company: Obala Art Centar
Selo Mirsadovog oca se evakuira zbog izgradnje brane. Ono će uskoro biti potopljeno. Mirsad dolazi iz grada da prenese očeve ostatke iz starog seoskog groblja u groblje u novom selu.
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E Mirsad’s father’s village is evacuated due to dam construction. The village will soon be under water. Mirsad arrives from the city intending to move his father’s remains from the old village cemetery to a grave in the new village’s graveyard.
Scene sa ženama / Scenes with Women BiH, Serbia, 2011, 16 min, Bosnian Režija / Director: Nikola Ljuca Scenarij / Screenplay: Nikola Ljuca Direktor fotografije / Director of Photography: Maja Radošević Montaža / Editor: Nataša Damjanović Uloge / Cast: Marko Cindrić, Borka Tomović, Sadžida Šetić, Jasna Beri, Jelena Kordić Producenti / Producers: Alex Traila, Davorka Begović, Vladislav Bulajić Izvršni producenti / Executive Producers: Izeta Građević, Mirsad Purivatra, Jovan Marjanović Direktor filma / Line Producer: Adis Đapo, Adnan Beširović Producentska kuća / Production Company: Obala Art Centar
Svaki dan Mirza provodi sa ženama. Svaki dan on nanovo mora da ih obiđe i učini sve da ih usreći. Danas se on oprašta sa svima.
E Every day Mirza spends with women. Every day he has to re-visit them and make them all happy. Today, he says goodbye to everybody.
Tjelesna funkcija / Bodily Function BiH, 2011, 41 min, Bosnian Režija / Director: Dane Komljen Scenarij / Screenplay: Dane Komljen Direktor fotografije / Director of Photography: Amel Đikoli Montaža / Editor: Jelena Maksimović Uloge / Cast: Anel Hasanbašić, Rijad Gvozden Producenti / Producers: Alex Traila, Davorka Begović, Vladislav Bulajić Izvršni producenti / Executive Producers: Izeta Građević, Mirsad Purivatra, Jovan Marjanović Direktor filma / Line Producer: Adis Đapo, Adnan Beširović Producentska kuća / Production Company: Obala Art Centar
Adnan vozi kombi ka gradu u kome prodaje povrće na pijaci. Dok čeka poziv prijatelja, on sumnja u njegovu odanost.
E Adnan is driving a grocery van on his way to sell produce at the market. While he is waiting for a friend’s phone call, he suspects his loyalty.
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cARTE BLANCHE: cleRMONT - FERRAND Festival Clermont-Ferrand postoji već 34 godine i danas je to najveći i najvažniji festival kratkog filma na svijetu. Ovaj događaj je izrastao iz studentskog filmskog kluba. Otkad su ljevičari došli na vlast početkom 80-tih, uvodeći novu politiku razvoja kulture, on se ubrzano razvio.
Pored široke publike koja broji i do 137.000 posjetilaca godišnje, ovaj festival također privlači oko 3000 predstavnika filmske industrije, i po tome je drugi najveći filmski događaj u Francuskoj nakon Filmskog festivala u Cannesu.
E The festival in Clermont‐Ferrand has been around for 34 years and is today the largest and most important short film festival in the world. The event originally grew out of a student film club. Since the left came into power at the beginning of the 1980s, introducing a new cultural policy, it
has developed rapidly. Apart from the broad general audience of 137,000 spectators annually, the festival also attracts about 3000 representatives of the film industry, and is thereby the second‐largest film event in France after the Cannes film festival.
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Bad Night For The Blues / Loša noć za blues United Kingdom, 2010, DigiBeta, Colour, 15 min, English Režija / Director: Chris Shepherd Scenarij / Screenplay: Chris Shepherd Direktor fotografije / Director of Photography: Simon Tindall Montaža / Editor: Nick Fenton Muzika / Music: Georg Friedrich Haendel Uloge / Cast: Kieran Lynn, Jean Boht Producent / Producer: Maria Manton Produkcija / Production: Slinky Pictures
Na tebe je red da izvedeš svoju tetkicu u grad – hoćeš li zbrisati ili stisnuti petlju?
E It’s your turn to take your Aunty out - should you do a runner or bite the bullet?
Big Bang Big Boom Italy, 2010, Beta Sp, Colour, 9 min, no dialogue Režija / Director: Blu Scenarij / Screenplay: Blu Direktor fotografije / Director of Photography: Blu (animation) Montaža / Editor: Blu Muzika / Music: Andrea Martignoni Producent / Producer: Silvia Siberini Produkcija / Production: Artsh.it
Kratka nenaučna priča o evoluciji i njenim mogućim posljedicama.
E A short unscientific story about evolution and its possible consequences.
Diane Wellington France, 2010, DigiBeta, Colour, 16 min, English Režija / Director: Arnaud des Pallieres Scenarij / Screenplay: Arnaud des Pallieres Montaža / Editor: Arnaud des Pallieres Muzika / Music: Louis Moreau Gottschalk, Martin Wheeler, Jean Mallet Producent / Producer: Michel Klein Produkcija / Production: Les Films Hatari
Diane Wellington je nestala u Južnoj Dakoti 1938. Godine, kad joj je bilo 15 godina. Upravo su je pronašli.
E Diane Wellington disappeared in South Dakota in 1938 at the age of 15. She has just been found.
Ich Bin’s Helmut / To sam ja, Helmut / It’s Me, Helmut Germany, Switzerland, 2009, Beta Sp, Colour, 11 min, German Režija / Director: Nicolas Steiner Scenarij / Screenplay: Nicolas Steiner, Stefanie Ren Direktor fotografije / Director of Photography: Clemens Baumeister Montaža / Editor: Nicolas Steiner, Jan Anderegg Muzika / Music: Hidden White Horn Jazz Band Uloge / Cast: Suly Roethlisberger, Mathias Zelic, Andreas Herzog Producent / Producer: Anna-Luise Dietzel Produkcija / Production: Filmakademie Baden-Württemberg
U švicarskim Alpama Helmut slavi svoj 60. rođendan na dan kad ustvari puni 57. godinu života (supruga je pogrešno sračunala). Kako se ljušti fasada malograđanštine, stari prijatelji navraćaju da ga pozdrave.
E In the Swiss Alps, Helmut celebrates his 60th birthday on the day he is actually turning 57 (his wife miscalculated). As a facade of petit-bourgeois domesticity peels away, old friends drop by to say hello. ALL SHORTS / CLERMONT - FERRAND l 17. Sarajevo Film Festival 169
L’accordeur / Klavirštimer / The Piano Tuner France, 2010, DigiBeta, Colour, 13 min, French Režija / Director: Olivier Treiner Scenarij / Screenplay: Olivier Treiner Direktor fotografije / Director of Photography: Julien Roux Montaža / Editor: Jean-Baptiste Beaudoin Muzika / Music: Raphaël Treiner, Robert Schumann, Serguei Rachmaninov Uloge / Cast: Daniele Lebrun, Gregory Gadebois Produkcija / Production: 24 25 Films (Thibault Gast, Matthias Weber)
Adrien je dječak virtuoz na klaviru. Sada radi kao klavirštimer. Pretvara se da je slijep kako bi ušao u intimnost svojih klijenata. Pošto vidi stvari koje ne bi trebao, Adrien na kraju postaje svjedok ubistva.
E Adrien is a young piano prodigy. He now works as a piano tuner. He pretends to be blind in order to infiltrate his clients’ intimacy. Since he sees things he should not, Adrien ends up witnessing a murder.
Suiker / Šećer / Sugar Netherlands , 2010, DigiBeta, Colour, 7 min, Dutch Režija / Director: Jeroen Annokkeé Scenarij / Screenplay: Dennis van de Ven, Jeroen Annokkeé Direktor fotografije / Director of Photography: Lex Brand Montaža / Editor: Marc Bechtold Muzika / Music: Sebastiaan Roestenburg Uloge / Cast: Marije Uittenhout, Bert Hana Producent / Producer: Sander Verdonk Produkcija / Production: LEV Pictures
Bertova oskudno obučena komšinica Klaasje dolazi do njega da posudi šolju šećera. Kada ispusti šolju iz ruke, oboje je pokušavaju uhvatiti. Glave im se sudaraju i Klaasje pada niz stepenice.
E Bert’s scantily dressed neighbour, Klaasje, comes by to borrow a cup of sugar. When she lets the cup slip from her hands, they both try to catch it. Their heads bang together and Klaasje falls downstairs.
Un juego de ninos / Dječija igra / Child Play France, Columbia, 2010, DigiBeta, Colour, 18 min, Spanish Režija / Director: Jacques Toulemonde Vidal Scenarij / Screenplay: Franco Lolli, Jacques Toulemonde Vidal Direktor fotografije / Director of Photography: Paulo Pérez Montaža / Editor: Jonathan Palomar Uloge / Cast: Sergio Carvajal, Amel Restrepo, Henry Moises Gonzales Producent / Producer: Ramos Medina Diana, Julien Naveau Produkcija / Production: Janus Films, Noodles Production
Pablo je tinejdžer iz bogate familije iz Bogote. Njega maltretira malo stariji dječak Leo, koji živi u radničkom naselju u komšiluku. Da bi spasio život, Pablo dovodi Lea u kuću svog najboljeg prijatelja Federica, gdje njih trojica otkrivaju da imaju iste ukuse, želje i probleme.
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E Pablo is a teenager from a wealthy Bogota family. He is harassed by a slightly older boy, Leo, from a lower-class neighborhood. To save his life, Pablo brings Leo to his best friend Federico’s house, where the three discover that they share the same tastes, desires and problems.
cARTE BLANCHE: KURZFILMTAGE WINTERTHUR Međunarodni festival kratkog filma Winterthur je najvažniji festival kratkog filma u Švicarskoj. Petnaesto izdanje se odvija od 9. 11. do 13. 11. 2011. godine. Dani kratkog filma Winterthur su popularan događaj za publiku i bitna platforma za evropske kratke filmove. Godine 2010. preko 14.000 gledalaca posjetilo je Festival i tada smo primili preko 3300 prijava za domaću i međunarodnu konkurenciju, čiji ukupan fond nagrada iznosi 40.000 CHF (preko 30.000 eura). Od 2005. godine, Festival je povezan sa Reelportom, europskom platformom za predaju prijava koji podržava medijski program Evropske unije od 2010. Pored inovativnih programa, Međunarodni festival kratkog filma je posvećen održivoj promociji kratkih filmova, npr.
održavanju najveće arhive kratkih filmova u Švicarskoj. Winterthur se nalazi na njemačkom govornom području, nedaleko od Ciriha. Sa svojih skoro 100.000 stanovnika, bivši industrijski centar je sada šesti najveći grad u Švicarskoj. Do grada se može jednostavno doći vozom (20 minuta od Ciriha), automobilom (direktno autoputem A1) ili avionom (12 minuta od Međunarodnog aerodroma Cirih). Centralni festivalski događaj je u srcu starog grada Winterthura u legendarnom Teatru Casino. Prostori za prikazivanje se nalaze u dvije sale u Teatru Casino (400 i 250 mjesta) i od 2009. godine u pozorištu Winterthur (800 mjesta).
E The International Short Film Festival Winterthur is Switzerland’s most important short film festival. The 15th edition will take place from November 9th to 13th 2011 . Kurzfilmtage Winterthur is a popular audience event and an important platform for European short films. In 2010 over 14,000 spectators visited the festival and we received over 3300 submissions for the national and international competitions, which offer cash awards that total 40,000 CHF (over 30,000 EURO). Since 2005 the festival is connected to the European submission platform reelport is supported by the Media Programme of the European Union since 2010. Apart from innovative programming, the International Short Film Festival is committed to the sustainable promotion of
short films, for example by maintaining the largest short film archive in Switzerland. Winterthur is situated in the German-speaking part of Switzerland, not far from Zurich. With its nearly 100,000 inhabitants, the former industrial heavyweight is now the sixth-largest city in Switzerland.The city can easily be reached by train (20 min from Zurich), car (directly via the motorway A1) or aeroplane (12 min from Zurich’s international airport). The festival centre is in the heart of Winterthur’s old town in the time-honoured Casino Theatre. The venues are made up of two auditoriums in the Casino Theatre (400 seats and 250 seats) and since 2009 the Theatre Winterthur (800 seats).
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Believe / Vjeruj United Kingdom, 2009, HD CAM (HDTV), Colour, 20 min, English, German Režija / Director: Paul Wright Scenarij / Screenplay: Paul Wright Direktor fotografije / Director of Photography: Benjamin Kračun Montaža / Editor: Maya Maffioli Muzika / Music: Hector MacInnes, Gunnar Óskarsson Zvuk / Sound: Gunnar Óskarsson Produkcija / Production: Rhianna Andrews, London Uloge / Cast: Michael Smiley, Paul Thomas Hickey, Kate Dickie
BELIEVE je priča o Lewisu, čovjeku koji je odnedavno postao udovac nakon smrti supruge Janice. Kako nije u stanju da prihvati njenu smrt i stvarnost bez nje, njegovo ponašanje postaje naglo utučeno i ekscentrično. BELIEVE obuhvata očajno putovanje besmrtne ljubavi, suprostavljeno ljepoti izoliranih planinskih predjela.
E BELIEVE is the story of Lewis, a man recently widowed following the death of his wife Janice. Unable to accept her death and the reality of life without her, his behaviour becomes increasingly distressed and eccentric. BELIEVE captures a desperate journey of undying love, played out against beautifully isolated highland landscapes.
Clay Pigeon / Glineni golub Czech Republic, 2005, Betacam SP, Colour, 7 min, No Dialogue Režija / Director: Miloš Tomić Scenarij / Screenplay: Miloš Tomić Direktor fotografije / Director of Photography: Branjo Pazitka, Miloš Tomić Montaža / Editor: Lucie Haladova, Miloš Tomić Muzika / Music: Vlada Chab Zvuk / Sound: Marek Musil Distribucija / Distribution: FAMU, Prague Uloge / Cast: Marija Đorđević, Miloš Tomić
Ljubavna igra postaje ozbiljna priča koja, nažalost, okončava romansu.
E A lovers’ game turns into a serious story, which sadly brings the romance to an end.
Lauberhornrennen Im Sommer / Lauberhorn utrke ljeti Switzerland, 2006, DigiBeta, Colour, 6 min, German, English Režija / Director: Daniel Zimmermann Scenarij / Screenplay: Daniel Zimmermann Direktor fotografije / Director of Photography: Bernhard Braunstein Montaža / Editor: Thomas Bachmann Zvuk / Sound: Roger Dupuis Produkcija / Production: Samuel Huber, Emmen
Snježna staza Lauberhorn, najduža staza za spust na svijetu, zatvorena je do ljeta. 10.000 drvenih dasaka su zaslužne za savršenu liniju, koju svi žarko žele ostvariti, ali nikada ne uspijevaju zimi.
E The Lauberhorn ski race, the world’s longest downhill ski race, has been postponed until summer. The 10,000 wooden slates give their account of the perfect line, which is highly sought after but never achieved in winter.
My Mother Learns Cinema / Moja majka uči film Turkey, 2007, Beta Sp, Colour, 4 min, Turkish, English Režija / Director: Nesimi Yetik Scenarij / Screenplay: Dudu Yetik, Nesimi Yetik Direktor fotografije / Director of Photography: Nesimi Yetik Montaža / Editor: Baris Sahin Zvuk / Sound: Nesimi Yetik Uloge / Cast: Dudu Yetik, Nesimi Yetik Produkcija / Production: Ozminimalist Film, Ankara
Kako će mladi turski reditelj objasniti svojoj majci važnost velikih imena u filmskoj historiji? Nije loša ideja da se u prvim časovima uči izgovaranje njihovih imena. Ne zadugo, ispostavlja se da je majka ta koja je pravi filmofil, u ovom filmu iz tri čina. 172 17. Sarajevo Film Festival l ALL SHORTS / KURZFILMTAGE WINTERTHUR
E How can a young Turkish director bring home to his mother the significance of the great names in cinema history? It is not a bad idea to start by teaching her how to pronounce their names. Before long, however, it is his mother who turns out to be the real film buff in this three-act film.
Papillon d’amour / Leptir ljubavi Belgium, 2003, Beta Sp, Colour, 4 min, No Dialogue Režija / Director: Nicolas Provost Scenarij / Screenplay: Nicolas Provost Montaža / Editor: Nicolas Provost Muzika / Music: Köhn Produkcija / Production: Nicolas Provost, Brussels Distribucija / Distribution: Netherlands Media Art Institute, Amsterdam
Dijelovi Kurosawinog RASHOMONA su podvrgnuti efektu ogledala i na taj način postaju bestjelesne figure, stalno se stapajući jedna u drugu i razdvajajući se jedna od druge. Metafora za nemogućnost ljubavi.
E Fragments from Kurosawa’s RASHOMON are subjected to a mirror effect, thus creating ethereal figures, constantly remelting into each other and slipping away again. A metaphor for the impossibility of love.
Schlaf / San Switzerland, 2010, 35 mm, Colour, 4 min, No Dialogue Režija / Director: Claudius Gentinetta, Frank Braun Scenarij / Screenplay: Claudius Gentinetta Direktor fotografije / Director of Photography: Claudius Gentinetta Animacija / Animation: Claudius Gentinetta, Delia Hess Montaža / Editor: Marcel Ramsay Muzika / Music: La Paloma «Blaskapelle der Krinoline; Edison Concert Band» Zvuk / Sound: Peter Bräker Produkcija / Production: Cinema Copain, Zürich
Kino nije nikad vidjelo takvo prekrasno hrkanje. Gentinetta i Braum nas izbliza dovode do konačnog sna i pjevaju gromoglasnu uspavanku za nagluhe partnere u krevetu.
E Cinema has never witnessed such a beautiful snore. Gentinetta and Braun take us full breath ahead into the final sleep and sing a thundering lullaby for noise-afflicted bed-partners.
Weekend / Vikend Switzerland, 2008, DV CAM, Colour, 17 min, English Režija / Director: Thomas Galler Scenarij / Screenplay: Thomas Galler Montaža / Editor: Thomas Galler Produkcija / Production: Thomas Galler, Zürich
Front izgleda kao ljetni kamp: Thomas Galler je sastavio uznemirujuću videoinstalaciju od snimaka opuštanja američkih vojnika u Iraku i Avganistanu.
E The front as a summer camp: Thomas Galler has put together an unsettling video installation from the leisure time footage of American soldiers in Iraq and Afghanistan.
Yuri Lennon’s Landing On Alpha 46 / Yuri Lennon slijeće na Alpha 46 Switzerland, Germany , 2009, 35 mm, Colour, 15 min, English, German Režija / Director: Anthony Vouardoux Scenarij / Screenplay: Anthony Vouardoux, Daniel Young Direktor fotografije / Director of Photography: Pascal Walder Muzika / Music: Beat Soler Zvuk / Sound: Ramon Orza Produkcija / Production: Port au Prince GmbH, Berlin Distribucija / Distribution: KurzFilmAgentur Hamburg e.V., Hamburg Uloge / Cast: Marc Hosemann
Nakon slijetanja na Jupiterov mjesec Alpha 46, Yuri Lennon se suočava sa neobičnim problemom, paradoksom koji preispituje njegovo cijelo postojanje.
E After landing on the Jupiter moon Alpha 46, Yuri Lennon is confronted with an extraordinary problem, a paradox that questions his entire existence. ALL SHORTS / KURZFILMTAGE WINTERTHUR l 17. Sarajevo Film Festival 173
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Apele tac / Tiha rijeka / Silent River Romania, Germany, 2011, DigiBeta, Colour, 30 min, Romanian, German, Serbian Režija / Director: Anca Miruna Lazarescu Scenarij / Screenplay: Anca Miruna Lăzărescu Direktor fotografije / Director of Photography: Christian Stangassinger Montaža / Editor: Dan Olteanu Scenografija / Production Design: Cinzia Fossati, Dragoş Epure Uloge / Cast: Cuzin Toma, Andi Vasluianu, Patricia Moga Producent / Producer: David Lindner Leporda, Daniel Schmidt, Cătălin Mitulescu Produkcija / Production: Filmallee - David Lindner Filmproduktion
Rumunija, 1986. godine. Gregor i Vali žele da pobjegnu. Oboje trebaju jedno drugo, ali nijedno ne vjeruje drugom. Jedne noći Gregor potvrđuje svoje sumnje. Na kraju samo nada preostaje. Anca Miruna Lazarescu je rođena u Rumuniji. Studirala je na Njemačkoj akademiji za film i televiziju u Münchenu i režirala nekoliko dokumentaraca i kratkih filmova koji su privukli međunarodni interes. Anca Miruna Lazarescu je član Evropske filmske akademije.
E Romania, 1986: Gregor and Vali want to get away. Both need each other, yet there is mutual distrust. One night Gregor finds his doubts confirmed. In the end only hope is left.
Anca Miruna Lazarescu was born in Romania She studied at the German Academy for Film and Television in Munich and directed several documentary and short films which attracted international interest. Anca Miruna Lazarescu is member of the European Film Academy.
Filmografija / Filmography 2011 - APELE TAC / SILENT RIVER (short); 2009 - ONE DAY TODAY WILL BE ONCE (documentary); 2007 - THE SECRET OF DEVA (documentary); 2005 - SALMA BENEATH TWO SKIES (documentary); 2004 - BUCURESTI-BERLIN (short)
I lupi / Vukovi / The Wolves Italy, Netherlands, 2011, HDV, Colour, 17 min, Italian Režija / Director: Alberto De Michele Scenarij / Screenplay: Alberto De Michele Direktor fotografije / Director of Photography: Alberto De Michele Montaža / Editor: Alberto De Michele Producent / Producer: Alberto De Michele Filmografija / Filmography 2011 - I LUPI / THE WOLVES (documentary) 2008 – TOMBOLA (short) 2005 - NO TITLE 10 (short) 2004 - NO TITLE 9 (short) 2002 - NO TITLE 06 (short) 2000 - NO TITLE 03 (short)
The Wolves / Vukovi je grupa lopova starosti od 40 do 70 godina sa sjevera Italije. Jedino vrijeme kada kradu je kada naiđe gusta magla od koje se ništa ne vidi, uključujući i njih same. Pljačkaju kuće, banke, draguljarnice, kamione – sve od čega mogu zaraditi. Ovaj videouradak je urađen u saradnji sa samim Vukovima i umjetnikovim ocem.
E I lupi’, The Wolves, are a group of 40- to 70-year old thieves from the north of Italy. The only time they steal is when there’s a dense fog that makes everything invisible, including them. They rob houses, banks, jewelers, trucks - anything they can profit from. The video I Lupi was made in collaboration with the Wolves themselves and the artist’s father.
Alberto de Michele u svojim radovima prelazi granicu između šunda i činjenica. To uključuje istraživanje romantiziranih kulturoloških koncepata o odmetniku tako što preispituje svijet u kojem je sam odrastao. Trenutno specijalizira na Rijksakademie van Beeldende Kunsten u Amsterdamu.
Alberto de Michele’s work straddles the line between (pulp) fiction and (plain) fact. It involves investigating romanticized notions of the culture of the outlaw by examining the world in which he himself grew up. Currently he is a resident at the Rijksakademie van Beeldende Kunsten in Amsterdam.
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Jessi Germany, 2010, DigiBeta, Colour, 30 min, German Režija / Director: Mariejosephin Schneider Scenarij / Screenplay: Mariejosephin Schneider Direktor fotografije / Director of Photography: Jenny Lou Ziegel Montaža / Editor: Inge Schneider Muzika / Music: Robert Rabenalt, Marian Mentrup Zvuk / Sound: Benny Dunker Scenografija / Production Design: Kerstin Eichner Kostimografija / Costume Design: Susanne Weiske Uloge / Cast: Luzie Ahrens, Sophie Rogall, Jasmin Rischar, Michaela Hinnenthal, Anja Stöhr, Pit Bukowski, Eva Günther, Annette Borchardt, Robert Ernst Producent / Producer: Andreas Louis, Nicolai Zeitler Produkcija / Production: Deutsche Film- und Fernsehakademie Berlin (DFFB)
Jednaestogodišnja Jessi živi kod porodice koja ju je usvojila, a njena majka je u zatvoru. Njena žudnja za identitetom je vraća u selo gdje je odrasla, gdje otkriva da bi se njena potraga trebala nastaviti izvan okvira njenog starog života.
E 11-year-old Jessi lives with a foster family, her mother is in prison. Her longing for identity takes her back to the village she grew up in, where she discovers that her search will have to continue beyond the confines of her old life.
Mariejosephin Schneider je rođena u istočnom Berlinu. Asistirala je na poljima umjetničke produkcije i opće produkcije, nakon čega je bila pomoćnik reditelja. Njen socijalni spot LOVE HURTS (u saradnji sa Döndü Kilic) je prikazivan s uspjehom na međunarodnim festivalima.
Mariejosephin Schneider was born in East Berlin. Assisted in the areas art production and production, followed by assistant directorships. Her social spot LOVE HURTS (a collaboration with Döndü Kilic) ran successfully at international festivals.
Filmografija / Filmography 2010 - JESSI (short); ACTION THEATRE IN BANGLADESH (documentary)
Smá barn, stora ord / Mala djeca, velike riječi / Little Children, Big Words Sweden, 2010, DigiBeta, Colour, 12 min, Swedish Režija / Director: Lisa James-Larsson Scenarij / Screenplay: Lisa James-Larsson Direktor fotografije / Director of Photography: Frida Wendel Montaža / Editor: Roberth Nordh Muzika / Music: ”Gone”, Per Carlén Zvuk / Sound: Kim Creutzer, Sarah Jansson-Patient Scenografija / Production Design: Jovanna Remaeus Jönson Kostimografija / Costume Design: Jovanna Remaeus Jönson Uloge / Cast: Axel Andersson, Polly Kisch, Cecilia Milocco Producent / Producer: Andreas Emanuelsson Produkcija / Production: BOB Film Sweden AB
Kad je došao red na Alexa da kaže svojim sedmogodišnjim drugovima iz razreda šta želi postati kada odraste, počinje neugodna diskusija o značenju nepoznate, ali intenzivne riječi.
E When it’s Alex’s turn to tell his seven year old class mates what he wants to be when he grows up an uncomfortable discussion begins about the meaning of an unknown but loaded word.
Lisa James - Larsson je odrasla u centralnom Londonu, studirala film na Univerzitetu Brunel od 1997. do 2000., prije nego što je počela raditi kao monatžerka i kamermanka sljedećih 5 godina. LITTLE CHILDREN, BIG WORDS je osvojio nagrade na 13 filmskih festivala širom svijeta i bio je u užem izboru za Oskara 2011. godine.
Lisa James - Larsson grew up in central London, studied film at Brunel University ‘97’00 before working as an editor and camera operator for 5 years. LITTLE CHILDREN, BIG WORDS has won 13 film festivals worldwide and was shortlisted for Oscar nomination at the Academy Awards 2011.
Filmografija / Filmography 2010 - SMÅ BARN, STORA ORD / LITTLE CHILDREN, BIG WORDS (short); 2008 - PUSSYFOOTING (short); 2008 - EN LÅDA FULL AV MINNEN (short)
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operacija kino operation “Operacija kino” je zajednička aktivnost četiri filmska festivala iz našeg regiona, pod čijom kapom Sofia International Film Festival, Transylvania International Film Festival, Istanbul Film Festival i Sarajevo Film Festival tokom cijele godine donose dio svog programa i atmosfere publici u drugim gradovima širom svojih zemalja. Pojedinačni programi se razlikuju od zemlje do zemlje, mjesta do mjesta, ali osnova je ista: kvalitetan program i festivalsko iskustvo gledanja filmova postaju garant povratku publike kvalitetnom filmu u kinosalama i ljetnim kinima i izvan festivalskih dana i uobičajenih festivalskih gradova. Kako bi ova publika rasla, a zajedno sa njom stasavala i generacija autora koji poznaju njene afinitete, pored najzvučnijih ‘arthouse’ naslova, u “Operaciju
kino” uključeni su i kratki filmovi snimljeni u sklopu projekata ova četiri festivala namijenjenih produkciji filmova mladih talenata. Tri odabrana filma nastala u takvim programima spomenutih festivala iz regije, uz jedan od filmova realiziranih u sklopu našeg projekta Sarajevo grad filma, predstavljaju paket kratkih filmova “Operacije kino” koji je sada pred vama. Nakon inicijalnog predstavljanja na Sarajevo Film Festivalu u prisustvu svojih autora, ovi filmovi bit će prikazani pred publikom i u 10-tak drugih gradova u Bosni i Hercegovini, te u još 30-tak gradova u Turskoj, Bugarskoj i Rumuniji, što je, nadamo se, samo uvertira u njihova buduća, dugometražna ostvarenja koja ćemo u skoroj budućnosti vidjeti na kinoekranima širom regiona, Europe i svijeta.
E Operation Movie Theater is a common effort of 4 film festivals from our region, namely: Sofia International Film Festival, Transylvania International Film Festival, Istanbul Film Festival and Sarajevo Film Festival who deliver, throughout the year, a part of their program and atmosphere to audiences in other towns in their respective countries. Individual programs differ from country to country, from a place to a place, but the basis is the same – quality program and festival experience of film watching are a guarantee that the audience will return to see a quality film in a movie theater, open-air theater outside days of festivals and festival towns. For these audiences to thrive, and, alongside them, a generation of authors who understand their preferences, apart
from the most recognizable arthouse titles, Operation Movie Theater includes short films made within projects of the aforementioned festivals intended for young talents’ film production. Three selected films made within such projects, as well as one film carried out through our project Sarajevo City of Film represent the short films set of Operation Movie Theater you have now in front of you. After the initial introduction at Sarajevo Film Festival in the presence of other authors, these films will be presented before audiences in 10 or so other towns in Bosnia and Herzegovina, Bulgaria and Romania, which is, hopefully, only a curtain-raiser for their future, feature-length projects we should see in near future in movie theaters in the region, Europe and the rest of the world.
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Bisiqilet / Bicikl / Bicycle Turkey, 2010, 17 min, Turkish Režija / Director: I. Serhat Karaslan Scenarij / Screenplay: Chaz Fatu, I. Serhat Karaslan Direktor fotografije / Director of Photography: Serhat Dumlu Montaža / Editor: Serhat Dumlu, Chaz Fatur Uloge / Cast: Musa Karagöz, Baran Saglam, Alaattin Taskiran, Mehmet Ünal Producenti / Producers: Utku Celik, Chaz Fatur, Eric Goren Producentska kuća / Production Company: Humanistic Films
Dječak, njegov otac, pronađeno blago (bicikl) i putovanje Dobra i Zla. Pratite ih kroz Tursku Trećeg svijeta: svaki njihov dan je dan preživljavanja.
E A child, his Father, a treasure found (bicycle) and the journey of Right and Wrong. Follow them through the 3rd World Turkey, as everyday is another day of survival for them.
Gand+uri / Misli / Thoughts Romania, 2011, B&W, DVD, 2’, Romanian Režija / Director: Iulia Colban, Felicia Simion, Radu Stidea Scenarij / Screenplay: Iulia Colban, Felicia Simon, Radu Stidea Direktor fotografije / Director of Photography: Iulia Colban, Felicia Simon, Radu Stidea Montaža / Editor: Iulia Colban, Felicia Simon, Radu Stidea Uloge / Cast: Andreea Stidea Producenti / Producers: Iulia Colban, Felicia Simon, Radu Stidea Produkcijska kuća / Production Company: Iulia Colban, Felicia Simon, Radu Stidea
Zatočen u košmaru ljuskih misli, Pierrot skida svoju masku.
E Trapped in the nightmare of human thought, Pierrot removes his mask.
Hromoni / Chromones Bulgaria, 2011, 3 min Režija / Directors: Ina Nikolova, Rayna Atanasova Scenarij / Screenplay: Ina Nikolova, Rayna Atanasova Direktor fotografije / Director of Photography: Ina Nikolova, Rayna Atanasova Montaža / Editor: Ina Nikolova, Rayna Atanasova Producenti / Producers: Ina Nikolova, Rayna Atanasova Produkcijska kuća / Production Company: B.U.S.T.A.N. Uloge / Cast: Vladislav Iliev, Kalina Filkova
Svako ima svoja pravila i granice. Nekad su oni posebne vrste. Oni ograničavaju lični svijet. Oni ga čine udobnim i sigurnim za život. Zato što fiksiramo svoja očekivanja prema njima. Ali, neočekivano je to što stvarno mijenja naše živote. Prema tome? 178 17. Sarajevo Film Festival l OPERACIJA KINO
E Everyone has his own rules and borders. Sometimes peculiar ones. They bind the edges of a personal world. They make it comfortable and safe for living. Because we fix our expectations upon them. But unexpected is what actually changes our lives. So?
laško summer nights 180 Chico & Rita, Tono Errando, Javier Mariscal, Fernando Trueba 181 Life In A Day, Kevin Macdonald 182 Mama Africa, Mika Kaurismäki 183 Scenes From The Suburbs / Scene iz predgrađa, Spike Jonze 184 Soundtrack for a Revolution / Soundtrack za revoluciju, Bill Guttentag, Dan Sturman 185 The Upsetter - Life and Music of Lee “Scratch” Perry / The Upsetter - život i muzika Leeja “Scratcha” Perryja, Ethan Higbee, Adam Bhala Lough 186 When You’re Strange, Tom DiCillo
Chico & Rita Spain, United Kingdom, 2010, 35 mm, Colour, 94 min, Spanish, English Režija / Director: Tono Errando, Javier Mariscal, Fernando Trueba Scenarij / Screenplay: Ignacio Martínez de Pisón, Fernando Trueba Montaža / Editor: Arnau Quiles Muzika / Music: Bebo Valdés Uloge / Cast: Bebo Valdés, Idania Valdés, Estrella Morente, Freddy Cole, Jimmy Heath, Pedrito Martínez, Michael Phillip Mossman, Amadito Valdés, Germán Velazco, Yaroldi Abreu, Rolando Luna Producent / Producer: Cristina Huete, Santi Errando, Martin Pope, Michael Rose Produkcija / Production: Isle of Man Film, CinemaNX, Fernando Trueba Producciones Cinematográficas S.A., Magic Light Pictures Filmografija / Filmography Javier Mariscal 2010 - CHICO & RITA Fernando Trueba (Odabrana filmografija / Selected filmography) 2010 - CHICO & RITA 2003 - BLANCO Y NEGRO 1998 - LA NIÑA DE TUS OJOS / THE GIRL OF YOUR DREAMS 1995 - TWO MUCH 1992 - BELLE EPOQUE 1986 - EL AÑO DE LAS LUCES
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Kuba, 1948. Chico je mladi pijanista sa velikim snovima. Rita je prelijepa pevačica sa nevjerovatnim glasom. Ujedinjuju ih muzika i romantična želja, ali njihovo putovanje – u tradiciji latinske balade, bolera, donosi slomljena srca i bol.
E Cuba, 1948. Chico is a young piano player with big dreams. Rita is a beautiful singer with an extraordinary voice. Music and romantic desire unites them, but their journey – in the tradition of the Latin ballad, the bolero – brings heartache and torment.
Javier Mariscal je umjetnik i dizajner, koji radi u raznim poljima uključujući ilustraciju, grafiku, stripove, slikanje, animaciju, enterijer, produkt dizajn, namještaj i web dizajn. Godine 1979. napravio je Bar Cel Ona (bar, nebo, talas), logo za Barcelonu, grad koji ga je prihvatio.
Javier Mariscal is an artist and designer, working in multiple fields including illustration, graphics, comic-books, paintings, animation, interiors, product design, furniture and web design. In 1979, he created the Bar Cel Ona (bar, sky, wave) logo for his adoptive city of Barcelona.
Fernando Trueba je višestruko nagrađivani pisac, reditelj i producent, s karijerom koja se proteže na više od tri decenije na filmu, televiziji, dokumentarcima, pozorištu i muzici.
Fernando Trueba is a multi-award-winning writer, director and producer, with a career spanning more than three decades in film, television, documentaries, theatre and music.
Life In A Day United Kingdom, 2010, HD CAM (HDTV), Colour, 95 min, English Režija / Director: Kevin Macdonald Scenarij / Screenplay: Kevin Macdonald (concept) Montaža / Editor: Kate Denning, Lisa Forrest, Mark Keady, Marc Mcdermott, Joon Goh, Avdhesh Mohla, Patrick Dean, David Charap, Russ Clapham Muzika / Music: Harry Gregson-Williams, Matthew Herbert Producent / Producer: Ridley Scott, Tony Scott Produkcija / Production: Scott Free UK Filmografija / Filmography 2011 - THE EAGLE 2011 - LIFE IN A DAY (documentary) 2009 - STATE OF PLAY 2007 - MY ENEMY’S ENEMY (documentary) 2006 - THE LAST KING OF SCOTLAND 2003 - TOUCHING THE VOID (documentary) 2000 - A BRIEF HISTORY OF ERROL MORRIS (documentary) 1999 - ONE DAY IN SEPTEMBER (documentary) 1998 - DONALD CAMMELL: THE ULTIMATE PERFORMANCE (documentary) 1998 - KINDERTRANSPORT (documentary short) 1997 - THE MOVING WORLD OF GEORGE RICKEY (documentary) 1996 - CHAPLIN’S GOLIATH (documentary)
31. juli 2010. godine je bio krajnji rok za projekat kojeg je engleska producentska kompanija Ridleyja Scotta inicirala zajedno sa YouTube.com. Od aplikanata je traženo da snime dan u svom životu i da postave rezultat na internet – korisnici iz 197 zemalja su odgovorili, postavivši oko 80 000 kratkih filmova. Na ovaj način, LIFE IN A DAY je postao ogroman globalni projekat koji je spajao isječke iz života iz svih krajeva svijeta na ovaj poseban dan, 24. juli 2010. Kevin Macdonald je rođen u Glasgowu, u Škotskoj, 1967. Godine. On je unuk filmskog stvaraoca Emerica Pressburgera, o kojem je objavio biografiju THE LIFE AND DEATH OF A SCREENWRITER 1994. godine. Njegov djed je također tema njegovog prvog dokumentarca pod naslovom THE MAKING OF AN ENGLISHMAN. Snimio je svoj rediteljski prvjenac THE LAST KING OF SCOTLAND 2006. godine, koji govori fiktivnu priču o Škotu, ličnom doktoru Idi Amina.
E 31 July, 2010 was the deadline for a project which Ridley Scott’s English production company had jointly initiated with YouTube.com. Applicants were asked to document a day in their lives and to post their results on the web - users from 197 countries responded, posting a total of around 80,000 short films. In this way LIFE IN A DAY became a gigantic global project bringing together excerpts from life around the globe on this particular day - 24 July, 2010.
Kevin Macdonald was born in Glasgow, Scotland in 1967, he is the grandson of filmmaker Emeric Pressburger, about whom he published a biography THE LIFE AND DEATH OF A SCREENWRITER in 1994. His grandfather was also the topic of his own first documentary, entitled THE MAKING OF AN ENGLISHMAN. He made his debut as a feature film director in 2006 with THE LAST KING OF SCOTLAND, which told the fictional story of Idi Amin’s Scottish personal physician.
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Mama Africa Germany, South Africa, Finland, 2011, HD CAM (HDTV), Colour and B&W, 90 min, English, French Režija / Director: Mika Kaurismäki Scenarij / Screenplay: Mika Kaurismäki, Don Edkins Direktor fotografije / Director of Photography: Jacques Cheuiche, Wolfgang Held, Frank Peter Lehmann, Martina Radwan, Eran Tahor Montaža / Editor: Karen Harley, Uwe Dresch, André Bendocchi-Alves Muzika / Music: Miriam Makeba, Andreas Schilling Zvuk / Sound: Uwe Dresch Producent / Producer: Rainer Kölmel Produkcija / Production: Starhaus Filmproduktion, Millennium Films, Marianna Films, ZDF/Arte Odabrana filmografija / Selected filmography 2011 - MAMA AFRICA (documentary) 2009 - THE HOUSE OF BRANCHING LOVE 2009 - MALÉ DEBALÉ (documentary) 2002 - MORO NO BRASIL (documentary) 1998 - LOS ANGELES WITHOUT A MAP 1994 - TIGRERO - ELOKUVA, JOKA EI VALMISTUNUT / TIGRERO-A FILM THAT WAS NEVER MADE 1990 - AMAZON 1984 - KLAANI - TARINA SAMMAKOITTEN SUVUSTA / THE CLAN - TALE OF THE FROGS 1981 - VALEHTELIJA / THE LIAR
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Dokumentarni film o nevjerovatno talentiranoj i karizmatičnoj južnoafričkoj muzičkoj ikoni, pokojnoj Miriam Makeba, čija je snažna poruka protiv rasizma i siromaštva, odnosno poruka za jednakost i mir obišla svijet. MAMA AFRIKA je omaž posvećen ovoj izvanrednoj i impresivnoj umjetnici koja predstavlja utjelovljenje glasa i nade Afrike.
E A documentary about the late, incredibly talented and charismatic South African musical icon, Miriam Makeba, who traveled the world with her powerful voice speaking a message against racism and poverty and for equality and peace. MAMA AFRICA is homage to this extraordinary and impressive artist who incarnates the voice and the hope of Africa.
Mika Kaurismäki je stariji brat Akija Kaurismäkija.Njegov diplomski rad, film LAŽLJIVAC (1980) je nakon prvog prikazivanja u Finskoj gotovo preko noći postao je senzacija. To je film koji je označio ne samo početak filmografije braće Kaurismäki, već i jednu novu eru finskog filma. Nakon uspjeha sa filmom LAŽLJIVAC, Mika je sa svojim bratom i nekoliko prijatelja osnovao produkcijsku kuću, Villealfa Filmproductions. Godine 2008. Mika je režirao nagrađivani film THREE WISE MEN. Njegov najnoviji film, THE HOUSE OF BRANCHING LOVE, apsolutni hit u kinima u Finskoj, premijerno je prikazan na Međunarodnom filmskom festivalu u Torontu 2009. godine.
Mika Kaurismäki is the elder brother of Aki Kaurismäki. His diploma film THE LIAR (1981) was an overnight sensation, when first shown in Finland. It marked the beginning of the cinema of the Kaurismäki brothers and started a new era in Finnish cinema. After the success of THE LIAR, Mika founded the production company Villealfa Filmproductions together with his brother and some friends, In 2008, Mika directed the award-winning THREE WISE MEN. His latest film THE HOUSE OF BRANCHING LOVE, a box-office hit in Finland, premiered at the Toronto International Film Festival 2009.
Scenes From The Suburbs / Scene iz predgrađa USA, 2011, Beta Sp, Colour, 28 min, English Režija / Director: Spike Jonze Scenarij / Screenplay: Will Butler, Win Butler, Spike Jonze Direktor fotografije / Director of Photography: Greig Fraser Montaža / Editor: Jeff Buchanan Muzika / Music: Arcade Fire Zvuk / Sound: T. Terressa Tate Uloge / Cast: Justin Arnold, Sienna Blau, Sam Dillon, Zoe Graham, Shannon Honeybloom, Zeke Jarmon, Paul Pluymen, Ashlin Williamson Producent / Producer: Vincent Landay, Arcade Fire Produkcija / Production: MJZ Production Filmografija / Filmography 2011 - SCENES FROM THE SUBURBS (short) 2010 - I’M HERE (short) 2009 - WHERE THE WILD THINGS ARE 2009 - WE WERE ONCE A FAIRYTALE (short) 2002 - ADAPTATION 1999 - BEING JOHN MALKOVICH
„Kad bih se mogao sjetiti svakog sitnog momenta. Ali ne mogu. Zašto se sjećam samo onih momenata kojih se sjećam. Pitam se šta se dešava sa ostalima“. Grupa omladine iz predgrađa. Nekad davno, u ljeto. Nisu mogli napustiti grad jer je zemlja bila u ratu i vojska je kontrolirala život i sve prilaze. Ovi tinejdžeri lutaju besciljno gradom. Zima još nije ni blizu. I ljubav i čežnja i prijateljstvo – i dalje znače sve. Spike Jonze, rođen u Rockvilleu, u Marylandu 1969. godine, počeo je karijeru kao reditelj za industriju skejtborda. Scenarista, fotograf i izdavač nekoliko magazina, pravio je reklame i brojne videospotove. Godine 1999. jednako je oduševio publiku i kritičare svojim nagrađivanim igranim prvjencem BITI JOHN MALKOVICH, a 2003. godine je učestvovao u konkurenciji Berlinalea sa filmom ADAPTACIJA. Njegova adaptacija dječije knjige WHERE THE WILD THINGS ARE nedavno je uspješno postavljena na sceni.
E “I wish I could remember every little moment. But I can’t. Why do I only remember the moments that I do. I wonder what happens to the others.” A group of suburban youths. Back then, in the summer, so long ago. They couldn’t leave town because outside the country was at war and the military controlled life and all gateways. The teenagers wander aimlessly about town. Winter is a long way off. And love and longing and friendship still mean – everything.
Spike Jonze, born in Rockville, Maryland in 1969, began his career as a filmmaker for the skateboard industry. A writer, photographer and publisher of several magazines, he has made commercials and numerous music videos. In 1999 he impressed audiences and critics alike with his celebrated feature film debut BEING JOHN MALKOVICH, and in 2003 he took part in the Berlinale’s Competition with ADAPTATION. His adaptation of the children’s book, WHERE THE WILD THINGS ARE recently enjoyed a successful theatrical run.
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Soundtrack for a Revolution / Soundtrack za revoluciju USA, 2009, DVD, Colour and B&W, 82 min, English Režija / Director: Bill Guttentag, Dan Sturman Scenarij / Screenplay: Bill Guttentag, Dan Sturman Direktor fotografije / Director of Photography: Buddy Squires, Jon Else, Steve Kazmierski Montaža / Editor: Jeffrey Doe Muzika / Music: Phil Marshall Producent / Producer: Joslyn Barnes, Jim Czarnecki, Bill Guttentag, Dylan Nelson, Dan Sturman Produkcija / Production: Freedom Song Productions, LLC Filmografija / Filmography Bill Guttentag 2011 - THE HOLLYWOOD COMPLEX 2009 - SOUNDTRACK FOR A REVOLUTION (documentary) 2007 - LIVE! 2007 - NANKING (documentary) 2003 - TWIN TOWERS (short) 1988 - YOU DON’T HAVE TO DIE (documentary) Dan Sturman 2009 - SOUNDTRACK FOR A REVOLUTION (documentary) 2007 - NANKING (documentary)
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SOUNDTRACK ZA REVOLUCIJU je priča o američkom pokretu za građanska prava kroz njegovu moćnu muziku – pjesme o slobodi koje su demonstranti pjevali dok su mahali transparentima, na masovnim okupljanjima, u policijskim „maricama“, i u zatvorskim ćelijama dok su se borili za pravdu i jednakost. Bill Guttentag je scenarista, producent, režiser i dobitnik dva Oskara za dokumentarni i igrani film. Radio je filmove za HBO, ABC, CBS, TNT i ostale, uključujući YOU DON’T HAVE TO DIE (HBO), za kojeg je također dobio Oskara. Nedavno je završio svoj prvi roman BOULEVARD, kojeg je objavio Pegasus Books/W.W.Norton u februaru 2010. godine. Od 2001. godine predaje na Univerzitetu Stanford. Dan Sturman je radio na scenariju i režiji za dokumentarac NANKING, koji je nagrađen na Sundanceu, i producirao Oskarom nagrađeni dokumentarac TWIN TOWERS. Između 2001. i 2003. godine Sturman je producirao tri sezone NBC-eve serije ZLOČIN I KAZNA.
E SOUNDTRACK FOR A REVOLUTION tells the story of the American civil rights movement through its powerful music -the freedom songs protesters sang on picket lines, in mass meetings, in paddy wagons, and in jail cells as they fought for justice and equality.
Bill Guttentag is a two-time Oscar-winning documentary and feature film writer-producer-director. He has made films for HBO, ABC, CBS, TNT and others, including YOU DON’T HAVE TO DIE ( HBO), for which he also won an Oscar. He recently completed his first novel, BOULEVARD, which will be published by Pegasus Books/W.W. Norton in February 2010. Since 2001, he has been teaching a course at Stanford University. Dan Sturman wrote and directed the Sundance award-winning documentary film NANKING, and produced the Academy Award®- winning documentary TWIN TOWERS. Between 2001 and 2003, Sturman produced three seasons of the NBC documentary series CRIME & PUNISHMENT.
The Upsetter - Life and Music of Lee “Scratch” Perry / The Upsetter - život i muzika Leeja “Scratcha” Perryja USA, 2008, HD CAM (HDTV), Colour, 95 min, English Režija / Director: Ethan Higbee, Adam Bhala Lough Scenarij / Screenplay: Ethan Higbee, Adam Bhala Lough Direktor fotografije / Director of Photography: Ethan Higbee, Adam Bhala Lough Montaža / Editor: Ethan Higbee, Adam Bhala Lough Muzika / Music: Lee “Scratch” Perry, nahte Producent / Producer: Ethan Higbee, Adam Bhala Lough Produkcija / Production: Permanent Marks Filmografija / Filmography Ethan Higbee 2009 - RED APPLES FALLING 2008 - THE UPSETTER (documentary) 2006 - THE MAKING OF ‘FRIENDS WITH MONEY’ (documentary) 2003 - PILGRIMAGE TO KATARAGAMA Adam Bhala Lough 2009 - THE CARTER (video documentary) 2008 - THE UPSETTER (documentary) 2007 - WEAPONS 2002 - BOMB THE SYSTEM
Legendarni jamajčanski muzičar Lee „Scratch“ Perry je odavno prevazišao granice svog originalnog žanra – reggaea i postao utjecajna figura koja inspiriše modernu kulturu na mnogim nivoima. Ovaj film prati Perryja od njegovih početaka kroz retrospektivu njegove karijere: bio je mentor mladom Bobu Marleyju, definirao je zvuk modernog reggaea, i utemeljio je sporiju i mračniju verziju tog žanra poznatog kao „dub“.
E Legendary Jamaican musician Lee “Scratch” Perry long since stepped over the boundaries of his original genre (reggae) and became an influential figure inspiring contemporary culture on many levels. The film traces Perry from his young days through to the peak of his career: he was a mentor to young Bob Marley, he defined the sound of modern reggae, and he pioneered a slow and darker version of the genre known as dub.
Ethan Higbee (rođen 1979. godine u Maineu, u SAD-u), filmski stvaralac, muzički producent i umjetnik poznat pod pseudonimom „nahte“, član je američkog muzičkog dvojca Međunarodni prijatelji. On je samostalno producirao svoj prvi igrani film iz Sri Lanke HARO HARA: PILGRAMAGE TO KATARAGAMA (2003)
Ethan Higbee (b.1979, Maine), filmmaker, music producer and artist also known under the pseudonym “nahte”, is a member of the American music duo International Friends. He, himself, produced his first feature-length film from Sri Lanka HARO HARA: PILGRIMAGE TO KATARAGAMA (2003).
Adam Bhala Lough (rođen 1978. godine u Virginiji, u SAD-u), poput Higbeea studirao je na NYU. Njegov prvi film, kojeg je uradio kao scenarista / reditelj, akciona drama BOMB THE SYSTEM (2003), osvojio je nagradu Independent Spirit na festivalu Tribeca i bio prikazan na 25 filmskih festivala. Njegov sljedeći film, WEAPONS (2007), premijerno je prikazan na Sundanceu.
Adam Bhala Lough (b.1978, Virginia), like Higbee, studied film at the NYU. His first film as writer-director, the action drama Bomb the System (2003), won the Independent Spirit Award at the Tribeca festival and was screened at over 25 film festivals. His follow-up, WEAPONS (2007), premiered at Sundance.
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When You’re Strange USA, 2009, 35 mm, Colour and B&W, 86 min, English Režija / Director: Tom DiCillo Scenarij / Screenplay: Tom DiCillo Direktor fotografije / Director of Photography: Paul Ferrara Montaža / Editor: Micky Blythe, Kevin Krasny Muzika / Music: The Doors Uloge / Cast: Johnny Depp (narrator) Producent / Producer: John Beug, Jeff Jampol, Peter Jankowski, Dick Wolf Produkcija / Production: Eagle Vision / Dick Wolf Productions Filmografija / Filmography 2009 - WHEN YOU’RE STRANGE (documentary) 2006 - DELIRIOUS 2001 - DOUBLE WHAMMY 1997 - THE REAL BLONDE 1996 - BOX OF MOON LIGHT 1995 - LIVING IN OBLIVION 1991 - JOHNNY SUEDE
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Ovaj film otkriva intimnu perspektivu kreativne hemije između bubnjara Johna Densmora, gitariste Robbya Kriegera, klavijaturiste Rayja Manzareka i pjevača Jima Morrisona – četvorice brilijantnih umjetnika koji su učinili da „The Doors“ postanu jedan od najlegendarnijih i utjecajnih rock bendova. Koristeći materijal snimljen između 1965. godine, kad je bend formiran, i 1971. godine, kad je Morrison umro, WHEN YOU’RE STRANGE prati bend od hodnika filmske škole na UCLA, gdje su se Manzarek i Morrison upoznali, do bina rasprodatih koncerata. Tom DiCillo je američki reditelj, snimatelj, scenarist i (ponekad) glumac koji je rođen u Camp Le Jeune, u Sjevernoj Karolini i koji je studirao film na Univerzitetu u NewYorku. Tokom njegove rane karijere počeo je raditi sa rediteljem Jimom Jarmuschom kao snimatelj na filmovima kao što su ČUDNIJE OD RAJA (1984) i KAFA I CIGARETE (1986). Također je radio sa Howardom Brooknerom na dokumentarcu BURROUGHS (1983), u kojem je glumio William S. Burroughs.
E The film reveals an intimate perspective on the creative chemistry between drummer John Densmore, guitarist Robby Krieger, keyboardist Ray Manzarek and singer Jim Morrison - four brilliant artists who made The Doors one of America’s most iconic and influential rock bands. Using footage shot between the band’s 1965 formation and Morrison’s 1971 death, WHEN YOU’RE STRANGE follows the band from the corridors of UCLA’s film school, where Manzarek and Morrison met, to the stages of sold-out arenas.
Tom DiCillo is an American director, cinematographer, writer and (sometimes) actor born in Camp Le Jeune, North Carolina, and who studied film at New York University. During his early career he began working with director Jim Jarmusch as a cinematographer on films that include STRANGER THAN PARADISE (1984) and COFFEE AND CIGARETTES (1986). He also worked with Howard Brookner on the documentary BURROUGHS (1983), which featured the William S. Burroughs.
SPECIJALNE PROJEKCIJE SPECIAL SCREENINGS 188 1395 dana bez crvene / 1395 Days without Red, Šejla Kamerić 189 Ballons aiguilles / Green Ground Girls, Julien Dubois, Fodil Chabbi 190 Les condiments irréguliers / Pogrešni začini /
Irregular Seasoning, Adrien Beau
191 The Look / Pogled, Angelina Maccarone 192 The Love of Books – Sarajevo Story /
Ljubav prema knjigama - sarajevska priča, Sam Hobkinson
193 Neki drugi dan / Some Other Day, Emir Čengić 194 Pina, Wim Wenders 195 The Shore / Obala, Terry George
1395 dana bez crvene / 1395 Days without Red United Kingdom, Bosnia and Herzegovina, 2011, DCP, Colour, 63 min, No Dialogue Režija / Director: Šejla Kamerić Scenarij / Screenplay: Šejla Kamerić Direktor fotografije / Director of Photography: Patrick Ghiringhelli Montaža / Editor: Penda Hounzgabe Zvuk / Sound: Srdjan Kurpjel Kostimografija / Costume Design: Sanja Džeba, Emina Kujundžić Uloge / Cast: Maribel Verdu and citizens of Sarajevo and Sarajevo Philharmonic Orchestra Producent / Producer: Jovan Majranović, Amra Bakšić Čamo Produkcija / Production: Artangel, SCCA/pro.ba Filmografija / Filmography 2011 - 1395 DANA BEZ CRVENE / 1395 DAYS WITHOUT RED 2010 - GLUCK (short) 2007 - WHAT DO I KNOW (short)
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Jedna žena korača praznim gradom. Na svakom raskršću zastaje. Hoće li čekati ili trčati? Grad je Sarajevo, i put kojim ide je poznat kao Aleja snajpera, kojom su stanovnici Sarajeva prolazili 1395 dana, od 1992. do 1995. godine, za vrijeme njegove opsade. Ta žena, koju igra španska glumica Maribet Verdu, ponovo proživljava iskustvo opsadne traume. To je njeno samostalno putovanje kroz kolektivno pamćenje grada. 1395 DANA BEZ CRVENE je zajednički projekat kojeg su zamislili, razvili i snimili Šejla Kamerić i Anri Sala. Plod tog projekta su dva filma. Sarajevo Film Festival će prikazati Šejlin film. Šejla Kamerić, umjetnica i filmska stvarateljica, rođena je u Sarajevu. Živi i radi u Sarajevu i Berlinu. Šejla Kamerić najviše koristi fotografiju i videosnimke kako bi eksplicitni društveni kontekst stavila paralelno sa intimnim perspektivama. Njen film ŠTA JA ZNAM (režirala zajedno sa Timurom Makarevićem) je imao premijeru na Filmskom festivalu u Veneciji 2007. godine u konkurenciji kratkog filma.
E A woman makes her way through an empty city. At every crossing she stops. Should she wait or should she run? Should she wait or take the risk on her own? The city is Sarajevo, and the route the woman takes became known as Sniper Alley during the siege of the city endured by its citizens for 1395 days between 1992 and 1996. The woman, played by Spanish actress Maribel Verdu, is reliving the experience of the trauma of the siege. It is her individual journey through the collective memory of the city. 1395 DAYS WITHOUT RED was conceived, developed and filmed as a collaborative film project by Šejla Kamerić and Anri Sala. The project has given life to two different films. Sarajevo Film Film Festival will screen Sejla’s film.
Šejla Kamerić, an artist and film-maker born in Sarajevo. Lives and works in Sarajevo and Berlin. Šejla Kamerić uses mainly photography and video as media juxtaposing an explicit social context with intimate perspectives. Her film WHAT DO I KNOW (co-directed by Timur Makarević) premiered at Venice Film Festival 2007 in Short Competition.
Ballons aiguilles / Green Ground Girls France, 2010, DigiBeta, Colour, 52 min, Arabic Režija / Director: Julien Dubois, Fodil Chabbi Scenarij / Screenplay: Fodil Chabbi Direktor fotografije / Director of Photography: Fodil Chabbi Montaža / Editor: Akila Ikene Producent / Producer: Arturo Mio Produkcija / Production: Andana Films, Patio Prod., Blister Prod., Images Plus Filmografija / Filmography Julien Dubois 2008 - LA RAGE DU PEUPLE 2007 - OBO, UN DESTIN AFRICAIN (RTG) 2006 - BARRIO ADENTRO Fodil Chobbi 2008 - PROMENADE 2007 - MASCARADES 2007 - LA FACE KARCHÉE DU 9-3 2006 - BARRIO ADENTRO
Klub Emir Abdel Kader u Alžiru je izuzetak među ultamuževnim klubovima u svijetu fudbala. To je ženski fudbalski klub koji se protivi tabuima i ograničenjima patrijarhalnog alžirskog društva. To je jedinstveno mjesto gdje se žene iz svih sfera života sastaju, igraju i napinju da pobijede u onome što Alžir uskraćuje ženama: autonomiji, profesionalnom napretku i prihvatanju ženskog tijela. One su prve koje iskoračuju iz tamne i nasilne historije modernog Alžira, ulijevajući nadu u srca budućih generacija. Julien Dubois je francuski režiser i novinar. Autor je nekolicine dokumentaraca za poznate TV kuće (ARTE, France 2, France 3, RTG). Njegovi dokumentarci uglavnom istražuju historijske i socijalno angažirane teme. Fodil Chabbi je francuski scenarista i reditelj. Bavi se podjednako igranom formom i dokumentarnim filmom. Film GREEN GROUND GIRLS je njegova druga saradnja sa Julienom Duboisom (godine 2006. realizirali su film BARRIO ADENTRO).
E The Emir Abdel Kader club in Algiers is an exception in the ultra masculine world of soccer. It is a women’s soccer club that defies the taboos and the constraints of the patriarchal Algerian society. It is a unique place where women from all walks of life meet, play and fight together to conquer what Algeria refuses to women: autonomy, professional achievement, and the acceptance of the woman’s body. They are pioneers stepping out of the dark recent and violent history of Algeria, shedding light to the heart of the future generations.
Julien Dubois is a French director and journalist. He is the author of several documentaries for famous TV’s (ARTE, France 2, France 3, RTG). His documentaries mostly explore historical and socially envolved topics. Fodil Chabbi is a French screenwriter and director. He equally does feature and documentary films. GREEN GROUND GIRLS is his second cooperation with Julien Dubois (in 2006 they realized BARRIO ADENTRO).
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Les condiments irréguliers / Pogrešni začini / Irregular Seasoning France, 2011, 16 mm, Colour, 30 min, No Dialogue Režija / Director: Adrien Beau Scenarij / Screenplay: Adrien Beau Direktor fotografije / Director of Photography: Antoine Aybes-Gille Montaža / Editor: Alan Jobart Zvuk / Sound: Jimmy Sert, Matthieu Langlet Scenografija / Production Design: Thomas Kertudo Kostimografija / Costume Design: Anne Blanchard Uloge / Cast: Mélodie Richard, Coline Veith, Erwan Ribard, Anne Blanchard, Hugo Picut, Adèle Hourst, Hadrien Bouvier, Nicolas Beau Producent / Producer: agnès b., Christophe Audeguis Produkcija / Production: Love Streams agnès b. Productions Filmografija / Filmography 2011 - LES CONDIMENTS IRREGULIERS (short) 2009 - LA PETITE SIRENE (short)
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POGREŠNI ZAČINI je slobodna adaptacija života francuske markize od Brinvilliera (16301676). Dok se pripremala da počini samoubistvo mišomorom, markiza se odlučila da ga isproba na svojim slugama. Nakon što je otkrila strast za trovanjem, koju smatra umjetnošću, ona ubija supruga, kćerku i ljude iz svog kruga, i tako pravi životno remek-djelo, nakon čega je spaljuju na lomači. Adrien Beau (30), pomoćnik modnog dizajnera za kuću Christian Dior od 2005. godine, primarno posvećuje svoju kreativnost i umjetničke vještine pozorištu – i kao režiser i kao dizajner kostima. 2009. godine, njegov prvi kratki film LA PETITE SIRENE dobio je mnoge nagrade, što je pokrenulo karijeru u pravcu pisanju scenarija i režije. Sa filmom POGREŠNI ZAČINI,on se okušava u novom stilu i filmskom metru, posljednjem koraku prije prvog igranog filma za koji trenutno piše scenario.
E LES CONDIMENTS IRRÉGULIERS is a free adaptation of the French Marquise de Brinvilliers’ life (1630-1676). About to commit suicide by using rat poison, the Marquise decides to test the poison on her servants. Discovering a passion for poisoning, which she considers as an art, she terminates her husband, her daughter and people of her circle, thus achieving the masterpiece of a lifetime before being burned at the stake.
Adrien Beau (30), fashion designer assistant for Christian Dior since 2005, first dedicates his creativity and artistic skills to theatre - as both director and costume designer. In 2009, LA PETITE SIRENE, his first short film awarded many times, launches his career in screenwriting and filmmaking. With LES CONDIMENTS IRRÉGULIERS, he tries his hand at a new image and length, last step before his first feature film he’s currently writing.
The Look / Pogled Germany, France, 2011, 35 mm, Colour, 94 min, French, English, German Režija / Director: Angelina Maccarone Scenarij / Screenplay: Angelina Maccarone Direktor fotografije / Director of Photography: Bernd Meiners, Judith Kaufmann Montaža / Editor: Bettina Bohler Muzika / Music: Jakob Hansonis, Alex de Silva Uloge / Cast: Charlotte Rampling, Peter Lindbergh, Paul Auster, Juergen Teller Producent / Producer: Richard Copans Produkcija / Production: Les films d’ici, Prounen Film
Rušiteljka tabua, i ikona avangarde - obuhvatiti personu Rampling je filmska avantura koja se može ostvariti ako je reditelj hrabar kao što je ona bila u svojoj karijeri. Glumila je u bezbroj filmova i pozirala na fotografijama kao „objekat požude“, THE LOOK je osvrt na njenu perspektivu, vidimo svijet njenim očima. Daleko izvan anegdotske trivijalnosti i linearne biografije, Rampling neustrašivo proniče u glavna životna pitanja uz svoje kolege, srodne duše, Petera Lindbergha i Paula Austera. Angelina Maccarone je njemačka filmska režiserka, rođena u Kölnu 1965.
E Breaker of taboos, icon avant-gardist - to capture the persona Rampling is a cinematic adventure that can only succeed by being as brave as she has been throughout her career. Staged in countless films and photographs as the classic “object of desire”, THE LOOK takes on her perspective, we see the world through her eyes. Far beyond anecdotic trivia or linear biography Rampling fearlessly fathoms the major questions of life with companions, soul mates such as Peter Lindbergh and Paul Auster.
Angelina Maccarone is a German film director, born in Köln in 1965.
Filmografija / Filmography 2011 - THE LOOK (documentary) 2006 - VIVERE 2005 - VERFOLGT/HOUNDED / PUNISH ME 2004 - FREMDE HAUT / UNVEILED 1998 - EIN ENGEL SCHLÄGT ZURÜCK/HELGOLAND, BABYLON / AN ANGEL’S 1997 - ALLES WIRD GUT/EVERYTHING WILL BE FINE 1995 - ALLES WEGEN ROBERT DE NIRO 1994 - KOMMT MAUSI RAUS?!
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The Love of Books – Sarajevo Story / Ljubav prema knjigama - sarajevska priča United Kingdom, 2011, HD CAM (HDTV), Colour, 75 min, Bosnian Režija / Director: Sam Hobkinson Scenarij / Screenplay: Sam Hobkinson Direktor fotografije / Director of Photography: Jeremy Pollard Montaža / Editor: Matt Sweetwood Muzika / Music: Paul Moessl Zvuk / Sound: Nathan Kendall Scenografija / Production Design: Sanda Popovac Kostimografija / Costume Design: Emina Kujundžić Uloge / Cast: Sead Pandur, Ravijojla JovančićLešić, George Eggay, Mirsad Tuka Producent / Producer: Nick Kent, Nidal Magrabi Produkcija / Production: Oxford Film & Television Filmografija / Filmography 2011 - THE LOVE OF BOOKS - A SARAJEVO STORY 2007 - WHO KILLED MRS DE ROPP? 2006 - WHO CARES ABOUT ART (documentary) 2006 - MR. LOVEDAY’S LITTLE OUTING 2004 - LONDON 2003 - TOWERING AMBITIONS: DAN CRUICKSHANK AT GROUND ZERO
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U ratu ljudska bića nisu jedine žrtve. Kad su snage srpskih nacionalista opkolile Sarajevo, uništili su bitne institucije kulture u pokušaju da izbrišu prošlost te zemlje. Pogođen je muzej, zatim Orijentalni institut, a zatim Vijećnica. Samo je jedna biblioteka preostala. Ovo je priča o kulturi i historiji pod vatrom. Sam Hobkinson je rođen 1974. godine u Bristolu (Velika Britanija). Studirao je fotografiju, a zatim film na Politehničkom institutu u Londonu. Hobkinson je osvojio nekoliko nagrada, uključujući i Griersonovu nagradu za najbolji britanski dokumentarac, za film iz 2006. pod naslovom WHO CARES ABOUT ART, o šest ljudi iz svih krajeva svijeta koji provode dane tragajući za neprocjenjivim umjetničkim djelima i o tome kako je to iskustvo promijenilo njihov život. U posljednje vrijeme Hobkinson je napravio dvije stilizirane književne adaptacije MR.LOVEDAY’S LITTLE OUTING i WHO KILLED MRS. DE ROPP. 2008. godine je napustio BBC da radi samostalno, i od tada je napravio dokumentarac zajedno sa piscem Simonom Schamom po nazivom THE AMERICAN FUTURE: A HISTORY, kao i nelinearnu historiju Berlina. Živi na relaciji Berlin – London.
E In times of war, human beings are not the only casualties. When Serbian nationalist forces laid siege to Sarajevo in Bosnia, they destroyed great institutions of culture in an attempt to wipe out a country’s past. The museum was hit, then the Oriental Institute and then the National Library. Only one library remained. This is a story of culture and history under fire.
Sam Hobkinson was born in 1974 in Bristol, UK. He studied photography and then film at the Polytechnic of Central London. Hobkinson won several awards, including the ‘Grierson’ British Documentary Award, for his 2006 film WHO CARES ABOUT ART about 6 people throughout the world who spend their days looking after priceless works of art, and how the experience has changed their lives. More recently, Hobkinson has made two stylised literary adaptations MR LOVEDAY’S LITTLE OUTING and WHO KILLED MRS DE ROPP. In 2008 he left the BBC to work freelance, and since has made a documentary with the writer Simon Schama entitled THE AMERICAN FUTURE: A HISTORY, and a non-linear History of Berlin. He lives between Berlin and London.
Neki drugi dan / Some Other Day Bosnia and Herzegovina, 2011, Beta Sp, Colour, 38 min, Bosnian Produkcija / Production: Flash Production Autor / Author: Emir Čengić Direktor fotografije / Director of Photography: Almir Čaušević Montaža / Editor: Sanin Džafo Producent / Producer: Emir Čengić
Film NEKI DRUGI DAN prati dvije nesigurne godine života Emira Čizmića na relaciji između Sarajeva i Njemačke, dok posjećuje kliniku koja koristi najmodernije metode za liječenje njegove neizlječive bolesti. U ovom filmu nema sretnog svršetka, jer na kraju glavni junak umire od raka debelog crijeva. Laka mu zemlja bila.
E The film SOME OTHER DAY follows two uncertain years of Emir Čizmić’s life, on the road of hope from Sarajevo to Germany and visiting the clinic, which applies contemporary methods in treating his incurable disease. This film does not have a happy ending because the hero dies in the end from colon cancer. May he rest in peace.
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Pina Germany, France, 2011, DCP, Colour and B&W, 106 min, German, French, English, Spanish, Croatian, Italian, Portugese, Russian, Korean Režija / Director: Wim Wenders Scenarij / Screenplay: Wim Wenders Direktor fotografije / Director of Photography: Hélène Louvart, Jörg Widmer Montaža / Editor: Toni Froschhammer Muzika / Music: Thom Hanreich Zvuk / Sound: André Rigaut Kostimografija / Costume Design: Pina Bausch Producent / Producer: Gian-Piero Ringel, Wim Wenders Produkcija / Production: Neue Road Movies Odabrana filmografija / Selected filmography 2011 - PINA 2003 - LAND OF PLENTY (documentary) 2000 - THE MILLION DOLLAR HOTEL 1998 - BUENA VISTA SOCIAL CLUB (documentary) 1994 - LISBON STORY 1987 - DER HIMMEL UBER BERLIN 1984 - PARIS, TEXAS 1980 - NICK’S FILM – LIGHTNING OVER WATER (documentary) 1977 - DER AMERIKANISCHE FREUND 1973 - ALICE IN DEN STADTEN
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PINA je film za Pinu Bausch. Sniman u 3D produkciji sa plesnim ansamblom Wuppertal Pina Bausch, ovaj dugometražni film o plesu oslikava uzbudljivu i neponovljivu umjetnost ove velike njemačke koreografkinje, koja je umrla u ljeto 2009. godine. Pozivajući gledatelje na senzualno, vizualno zapanjujuće putovanje u jednu novu dimenziju, ravno na pozornicu legendarnog ansambla, film prati plesače izvan pozorišta, u grad i okolinu industrijskog Wuppertala, mjesta koje je preko 35 godina bilo dom i središte kreativnog života Pine Bausch. Wim Wenders je rođen u Düsseldorfu 1945. godine. Otkrivši u Parizu svoju strast prema filmu, upisuje studij na HFF u Münchenu (1967 – 1970), a od 1971. nadalje režirao je i producirao filmove diljem svijeta. Imenovan je za predsjednika Evropske filmske akademije 1996. godine, a radi i kao profesor na Akademiji umjetnosti u Hamburgu. Wenders živi i radi sa svojom suprugom, Donatom, u Berlinu i Americi. Prije filma PINA, u 3D produkciji je režirao dva kratka filma: IL VOLO i IF BUILDINGS COULD TALK, 2009/10. godine.
E PINA is a film for Pina Bausch. Shot in 3D with the ensemble of the Tanz - theater Wuppertal Pina Bausch, this feature-length dance film portrays the exhilarating and inimitable art of this great German choreographer who died in the summer of 2009. Inviting the viewer on a sensual, visually stunning journey of discovery into a new dimension right onto the stage of the legendary ensemble, the film also accompanies the dancers beyond the theatre, into the city and the surrounding industrial landscape of Wuppertal - the place that was the home and centre of Pina Bausch’s creative life for more than 35 years.
Wim Wenders was born in Düsseldorf in945. Discovering his passion for cinema in Paris, he studied at the HFF in Munich from 1967-70, and has been directing and producing films all over the world since 1971. He was made president of the European Film Academy in 1996 and is also professor of Hamburg Art College. Wenders lives and works with his wife Donata in Berlin and America. Prior to making PINA, he directed two short films in 3D: IL VOLO and IF BUILDINGS COULD TALK in 2009/10.
The Shore / Obala Northern Ireland, 2011, HD CAM (HDTV), Colour, 29 min, English Režija / Director: Terry George Scenarij / Screenplay: Terry George Direktor fotografije / Director of Photography: Michael McDonough Montaža / Editor: Joe Landauer Muzika / Music: David Holmes, Foy Vance Scenografija / Production Design: Tom McCullagh Kostimografija / Costume Design: Catherine George Uloge / Cast: Ciarán Hinds, Conleth Hill, Kerry Condon, Maggie Cronin Producent / Producer: Terry George, Oorlagh George Produkcija / Production: Seamus Productions Filmografija / Filmography 2011 - THE SHORE (short) 2007 - RESERVATION ROAD 2004 - HOTEL RWANDA 1996 - SOME MOTHER’S SON
OBALA je nadahnjujuća priča o dvojici najboljih prijatelja iz djetinjstva – Joeu (Ciarán Hinds) i Paddyju (Conleth Hill) – koje je rastavio nesporazum dug 25 godina. Njihov svijet i njihovo prijateljstvo je uništio narastajući sukob u Sjevernoj Irskoj, pa dječaci idu u veoma različitim pravcima, dok se Joe, po prvi put nakon 25 godina, ne vrati u domovinu, sa 24-godišnjom kćerkom, Patricijom. Paddy se u međuvremenu oženio Joeovom bivšom vjerenicom Mary. Šta se dešavalo svih tih godina? Mogu li se stare rane zacijeliti? Odgovor je jednako presmiješan i dirljiv.
E THE SHORE is the inspiring story of two boyhood best friends - Joe (Ciarán Hinds) and Paddy (Conleth Hill) - divided by 25 years of misunderstanding. Their world and their friendship is shattered by the conflict escalating in Northern Ireland, the two boys’ lives take very different paths until, 25 years later, Joe returns for the first time to his homeland with his 24-year-old daughter, Patricia. In his absence Paddy, his best friend, has married Joe’s former fiancée Mary. What happened all those years ago? Can old wounds be healed? The answer is in equal parts hilarious and moving.
Terry George je rođen u Belfastu, Sjeverna Irska. George je 1996. godine proglašen mladim evropskim filmskim rediteljem godine za svoj režiserski prvijenac SOME MOTHER’S SON. Od tada je napisao scenarije i režirao mnoge televizijske programe, uključujući A BRIGHT SHINING LIE, THE DISTRICT, HART’S WAR I RESERVATION ROAD. 2004. godine je napisao scenarij, režirao i producirao HOTEL RWANDA. Ovaj film je imao četiri nomininacije za Oskara, uključujući i onu za najbolji scenarij. Nedavno je režirao HBO-ovu dramsku seriju LUCK sa Dustinom Hoffmanom i Nickom Nolteom u glavnim ulogama. Trenutno radi na igranom filmu o UN-ovom diplomati Sergiu Vieri de Mellu.
Terry George is a native of Belfast, Northern Ireland. In 1996 George was named Young European Film Director of the Year for his directorial debut SOME MOTHER’S SON. Since then he has written and directed numerous television shows and feature films including, A BRIGHT SHINING LIE, THE DISTRICT, HART’S WAR, and RESERVATION ROAD. In 2004 he wrote, directed and produced HOTEL RWANDA. The film was nominated for four Academy Awards including Best Screenplay. He most recently directed Dustin Hoffman and Nick Nolte in the HBO drama series LUCK. He is currently working on a feature film based on the life of the UN diplomat Sergio Vieira de Mello.
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FONDACIJA KATRIN CARTLIDGE Glumica Charlotte Rampling kustosica je Fondacije Katrin Cartlidge za 2011. godinu, te odlučuje o ovogodišnjem dobitniku nagrade Fondacije. Charlotte Rampling je ranije nagovijestila da će nagradu dodijeliti mladom reditelju iz arapskog svijeta.
Zahvalni smo na velikodušnosti i vizijama kustosa koji su nama pomogli do sada: glumcima Emily Watson i Stellanu Skarsgårdu, rediteljima Mikeu Leighu, Simonu McBurneyu i Danisu Tanoviću, kao i Johnu Lyonsu, Annie Nocenti i fotografu Juergenu Telleru.
Godine 2011., nakon razornog zemljotresa koji je pretrpio Haiti, Fondacija je odučila svoju godišnju nagradu uručiti mladoj, ali jedinoj filmskoj školi na Haitiju, Cine institutu Jacmel. Mlada haićanska rediteljka Kesiah Jean došla je stoga na Sarajevo Film Festival da u ime škole primi nagradu.
Dobitniku se nagrada, finansijska stipendija, uručuje na posebnom gala događaju na Sarajevo Film Festivalu.
Prošlog mjeseca, osnivač ove filmske škole, David Belle, rekao je: “Potpora iz Fondacije Katrin Cartlidge je omogućila da nova generacija filmskih stvaralaca sa Haitija počne ostvarivati svoje snove. Koristimo ova dragocjena sredstva da finansiramo dva filma, i na taj način oživljavamo naporan rad naših studenata, i sa svijetom dijelimo njihove priče”. Motivirana Katrininim prekratkim, ali inspirativnim likom i djelom, namjera Fondacije je da novim glasovima, perspektivama i stavovima da priliku da se vide i čuju. Posljednjih osam godina, Fondacija je iz kruga Katrininih eklektičnih i brojnih prijatelja i kolega birala kustosa, koji je onda birao dobitnika godišnje stipendije. Dobitnik je uvijek novi filmski glas čiji rad, na neki način, utjelovljuje Katrinin integritet duha i predanost nezavisnom filmu.
Putem svojih povjerenika i pokrovitelja, Fondacija također predano radi na pomoći mladim filmskim stvaraocima, pružajući praktičnu i kreativnu podršku. Ovogodišnji dobitnik godišnje nagrade i stipendije je izabran iz regije Mena.
KUSTOSI I DOBITNICI STIPENDIJA Cine Institute Jacmel, Haiti (2010- Annie Nocenti) Juanita Wilson (2009 – Stellan Skarsgard) je nominirana za nagradu Američke filmske akademije za kratki film THE DOOR 2010. godine. Njen prvi igrani film, AS IF I’M NOT THERE premijerno je prikazan na Toronto Film Festivalu. Imenovana je od strane ariety časopisa među deset najbolji reditelja čiji rad se mora pratiti u 2011. godini – kao jedina žena na toj listi.
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Faruk Šabanović (2008 – Danis Tanović) dobitnik je brojnih međunarodnih nagrada, te trenutno radi na produkciji filma BIRDS LIKE US (PTICE POPUT NAS), prvog bosanskog animiranog 3D filma. Cary Fukunaga (2007 – John Lyons) dobitnik je studentske nagrade Američke filmske akadamije za kratki film VICTORIA PARA CHINO, te je nakon toga režirao filmove SIN NOMBRE (BEZ IMENA) za Focus Features, te JANE EYRE za Ruby Films. Eyas Salman (2006 – Simon McBurney i Juergen Teller) trenutno radi na prvom igranom filmu, THE BASTARD, i predaje filmsku montažu na Akademskom institutu u Nazarethu. Gerd Schneider – sa kojim je Eyas podijelio nagradu – također radi na svom prvog igranom filmu, THE RESPONSIBLES, koji je nominiran za Nagradu za najbolji scenarij Berlinalea. Amy Neil (2005 – Emily Watson) upravo je završila rad na novom kratkom filmu, THE CHILD, zasnovanom na kratkoj priči Alija Smitha, za BBC Film Network, te radi na filmu za kompaniju Warp Films iz Velike Britanije. Greg Hall (2004 – Mike Leigh) je nakon dobivanja nagrade uradio dva niskobudžetna igrana filma, KAPITAL i SSDD.
KATRIN CARTLIDGE FOUNDATION E Actress Charlotte Rampling is curating the Katrin Cartlidge Foundation Award for 2011. Charlotte has intimated that she will award a young filmmaker from the Arab world.
In 2010, Haiti suffered a devastating earthquake, and the Foundation chose to give the Annual Award to the young and the only Haitian film school, Ciné Institute Jacmel. Young Haitian filmmaker Kesiah Jean came to the Sarajevo Film Festival to collect the award for her school. Last month David Belle, the film school’s founder said: “The grant from the Katrin Cartlidge Foundation has enabled Haiti’s new generation of filmmakers to begin realizing their dreams. We are using this cherished funding to finance two films and, in doing so, we are bringing the hard work of our students to life and sharing their stories with the world.” Motivated by Katrin’s all too brief but inspiring presence, the Foundation’s work is to give new voices, new perspectives and visions a chance to be seen and heard. For the last eight years the Foundation has appointed a curator, selected from Katrin’s eclectic and extensive friends and colleagues, who in turn chooses a recipient for the annual bursary. The recipient is a new cinematic voice whose work, in some way, embodies Katrin’s integrity of spirit and commitment to independent film. We are grateful for the generosity and vision of
our curators to date; The actors Emily Watson and Stellan Skarsgard, directors Mike Leigh, Simon McBurney and Danis Tanovic, as well as John Lyons, Annie Nocenti and photographer Juergen Teller. The recipient is presented with the Award, a cash bursary, at a special red carpet gala at the Sarajevo Film Festival in July. This unique and important Film Festival has proved an integral partner for the Foundation, providing a strong and supportive platform for the Annual Award. The Foundation, through its trustees and patrons, also commits to helping the young filmmakers however they can, with practical and creative support. This years recipient of the Annual Award and Bursary is chosen from the Mena Region.
KATRIN CARTLIDGE AWARD WINNERS Cine Institute Jasmel, Haiti (2010- Annie Nocenti) Juanita Wilson (2009 – Stellan Skarsgard) was nominated for an Academy Award for her short film THE DOOR in 2010, and has completed her first feature AS IF I’M NOT THERE, which premiered at Toronto Film Festival. She was
named among Variety’s top ten directors to watch in 2011 – the only woman on the list. Faruk Šabanović (2008 – Danis Tanović) has won numerous international awards and is currently in production for BIRDS LIKE US, Bosnia’s first 3D animated feature. Cary Fukunaga (2007 – John Lyons) won a student Academy Award for his short film VICTORIA PARA CHINO and has since gone on to direct the acclaimed SIN NOMBRE for Focus Features and JANE EYRE for Ruby Films. Eyas Salman (2006 – Simon McBurney and Juergen Teller) is developing his first feature film THE BASTARD and teaching film editing at the Nazareth Academic Institute. Gerd Schneider – with whom Eyas shared the bursary – is also developing his own first feature film, THE RESPONSIBLES, which was nominated for a screenplay award at the Berlin Film Festival. Amy Neil (2005 – Emily Watson) has just completed a new short film THE CHILD, based on an Ali Smith short story, for BBC Film Network, and is developing a feature with the UK’s Warp Films. Greg Hall (2004 – Mike Leigh) has made two further low budget feature films – KAPITAL and SSDD.
Fondacija Katrin Carlidge bi željela da se zahvali Art Eastu i Rashi Salti za njihovu pomoć i podršku. / The Katrin Cartlidge Foundation would like to thank Art East and Rasha Salti for their help and support.
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5. Sarajevo Talent Campus “Naše vrijeme, moje gledište” U fokusu ovogodišnjeg programa Sarajevo Talent Campusa su odabiri tačaka gledišta raznih filmskih stvaralaca. Program će se baviti problemom i nužnošću odluka koje je potrebno donijeti u toku kreativnog procesa nastanka filma. Bez obzira da li se radi o fikciji, dokumentarcu, eksperimentalnom filmu, hibridnom ili transmedijskom filmskom stvaralaštvu: proces odabira najsnažnijeg načina izražavanja vizije bit će obrađen kroz raznovrstan program predavanja, panel diskusija, te aktivnih kritičkih debata, koji je dopunjen radionicama, praktičnim vježbama, filmskim projekcijama i festivalskim izletima. Budući da Campus u 2011. godini nosi naziv “Naše vrijeme, moje gledište”, logična je veza koju gradimo sa Rough Cut Boutique. Ovaj novonastali projekat Dokumentarnog takmičarskog programa Sarajevo Film Festivala i Balkanskog dokumentarnog centra ima za cilj unaprijediti razvoj, distribuciju i promociju regionalnog dokumentarnog filma. U okviru svojih predavanja, dokumentarista John Appel će istaknuti odlike kreativnog dokumentarca, dok će nam Stefano Strocchi približiti osnove transmedijskog filmskog stvaralaštva. Imajuću u vidu autorski film, kreativne odabire i odgovore autora na vrijeme u kojem živimo, reditelj Wim Wenders će govoriti o izazovima 3D tehnologije u “osvajanju” prostora plesača njegovog filma PINA. Béla Tarr će, iz
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perspektive promišljanja odnosa prošlosti i sadašnjosti, govoriti o svom posljednjem filmu TORINSKI KONJ. U ovom filmu mađarski reditelj koristi se fikcijom kako bi rekonstruirao historijske fragmente. Dotaknuvši se podijeljenih uloga prošlosti i sadašnjosti i pisanih izvora iz kojih nastaje filmska priča, postupak adaptacije književnog u filmsko djelo ušao je u fokus našeg interesovanja. Tim povodom, scenaristica Olivia Hetreed i script konsultantica Kate Leys govorit će o adaptaciji književnog djela u filmski scenarij. Između ostalog, one će odgovoriti na pitanja na koji način adaptirati književno djelo te kome je namijenjen film, nastao na osnovu adaptiranog scenarija. Pisac i scenarista Abdulah Sidran će podijeliti iskustvo rada u jednom i drugom mediju, počevši od jednog autobiografskog romana do nastanka dvaju filmskih scenarija, SJEĆAŠ LI SE DOLLY BELL i OTAC NA SLUŽBENOM PUTU. O radu na adaptaciji i razvojnom procesu nastanka filma govorit će i Katriel Schory, ali sa stanovišta kreativnog producenta. U svojstvu stručnjaka i predavača na 5. Sarajevo Talent Campusu će, između ostalih, učestvovati i Philippe Bober, Gabriele Brunnenmeyer, Licia Eminenti, Lucile Hadžihalilović, Alby James, Leon Lučev, Pierre-Alain Meier, Zeynep Özbatur, Vladimir Perišić, Erwin M. Schmidt, Frank Stehling, te mnogi drugi. Kao i prethodnih godina, nastavljamo sa
uspješnom praksom intenzivnih ‘speed matchinga’ i sastanaka ‘jedan na jedan’, koje već tradicionalno implementiramo sa našim partnerom, Fondacijom Robert Bosch. Realiziramo i drugo izdanje “Pack&Pitch”, programskog segmenta osmišljenog u cilju pružanja prilike odabranim učesnicima da pod stručnim mentorstvom nauče analizirati i pripremati projekte za prezentaciju. Ovaj projekat im omogućava da stečeno znanje primijene predstavivši projekte iskusnim filmskim profesionalcima, gostima Sarajevo Film Festivala i učesnicima CineLink koprodukcijskog marketa. Kroz niz predavanja, prezentacija i projekcija nastavljamo saradnju sa Minimarketom i odgovaramo na pitanja šta je kratki film danas, koji su primjeri uspješnog, savremenog regionalnog i evropskog kratkog filma, te šta sve podrazumijeva industrija kratkog filma. I ove godine prisustvujemo projekcijama festivalskih programa koji su u direktnoj vezi sa pažljivo kreiranim sesijama. Nadamo se da ćemo zajedno uživati u programu Sarajevo Talent Campusa, realiziranog u saradnji sa Međunarodnim filmskim festivalom u Berlinu i Berlinale Talent Campusom, te jedni u drugima prepoznati buduće saradnike. Asja Makarević, koordinatorica Sarajevo Talent Campusa
Our time, my point of view E The focus of this year’s Sarajevo Talent Campus will be on various viewpoints as offered by numerous filmmakers. The programme will address the difficulty but necessity of decisions that need to be taken throughout the creative process of filmmaking. Whether fiction, documentary, experimental, hybrid or transmedia filmmaking: choosing the strongest way to express one’s vision will be conveyed through a diverse programme of lectures, panel discussions and active critical debates, complemented by workshops, practical tutorials, film screenings and festival excursions.
Since the 2011 Campus is entitled: ”Our Time, My Point of View”, the link we are making with Rough Cut Boutique is logical. This newly created project of the Documentary Competition Program of the Sarajevo Film Festival and the Balkan Documentary Center aims to upgrade the development, distribution and promotion of regional documentary films. Within the framework of their respective lectures, documentary filmmaker John Appel will stress features of a creative documentary, while Stefano Strocchi will elaborate the basics of transmedia based documentary filmmaking. Having in mind auteur film, creative choices and authors’ responses to the times we live in, director Wim Wenders will talk about the challenges of 3D technology he faced while “capturing” the space between the dancers
in his film PINA. From a perspective of pastpresent consideration, Béla Tarr will talk about his latest feature THE TURIN HORSE. In this feature, the Hungarian director uses fiction to reconstruct historical fragments. Having considered split roles of the past and the present, as well as written sources the film is based upon, the adaptation process from literature to film has become a focus of our interest. On that occasion, screenwriter Olivia Hetreed and script consultant Kate Leys will talk about adapting a literary work into a film script. Among others, they will answer the questions: How to adapt a literary work and who is a target group of an adapted script. Writer and screenwriter Abdulah Sidran will share his experience from working in both media, starting from one autobiographical novel to making two film scripts DO YOU REMEMBER DOLLY BELL? and WHEN FATHER WAS AWAY ON BUSINESS. Katriel Schory will discuss about the process of adaptation in the context of film development, but from the perspective of a creative producer. Among many others, 5th Sarajevo Talent Campus will include such experts and lecturers as Philippe Bober, Gabriele Brunnenmeyer, Licia Eminenti, Lucile Hadžihalilović, Alby James, Leon Lučev, Pierre-Alain Meier, Zeynep Özbatur, Vladimir Perišić, Erwin M. Schmidt and Frank Stehling.
As in previous years, we will continue the successful practice of intensive “speed matching” and “one on one” meetings that are traditionally implemented with our partner, Robert Bosch Foundation. We are organizing the second edition of “Pack&Pitch”, a program segment designed to offer selected participants a chance to learn how to analyze and prepare presentation projects, all under expert guidance. Consequently, they can apply their gained knowledge by pitching their projects to experienced film professionals, Sarajevo Film Festival guests and participants of the CineLink Co-Production market. Through a line of lectures, presentations and screenings we will continue to cooperate with “Minimarket” and answer questions what is short film today, what are examples of successful, contemporary regional and European short films, and what the short film industry stands for. This year too, we will attend various screenings directly related to the carefully designed Talent Campus sessions. We hope that we will enjoy together the program of the 5th Sarajevo Talent Campus, commenced in cooperation with the Berlin International Film Festival and Berlinale Talent Campus, and recognize future partners in each other. Asja Makarević, Sarajevo Talent Campus Coordinator
SARAJEVO TALENT CAMPUS l 17. Sarajevo Film Festival 199
BiH FILM 204 Igrani filmovi / Fetaure fiction films 204 Koprodukcijski filmovi / Co-production fiction films 205 Dokumentarni filmovi / Documentary films 208 Kratki i animirani filmovi / Short and animated films 209 Studentski filmovi / Student films
Festival bh. filma / B&H Film Festival 23. - 30. juli 2011. / 23-30 July 2011 Udruženje filmskih radnika Bosne i Hercegovine inicijator je i glavni organizator Festivala bosanskohercegovačkog filma koji se svake godine odvija u sklopu Sarajevo Film Festivala. Ovaj festival iniciran je 2003. godine, kada je došlo do svojevrsnog preokreta u filmskoj produkciji i kada je nakon dugo godina pauze snimljeno čak 6 filmova (3 dugometražna i 3 kratka igrana filma). To je stvorilo osnove za trodnevni događaj tokom 9. Sarajevo Film Festivala, koji je, zahvaljujući prisustvu gostiju iz inozemstva i ljudi iz filmske profesije, bio savršena platforma za promociju bh. filma.
Publika i gosti Festivala prepoznali su značaj ovog događaja, te su sve projekcije svih filmova bile pune. Festival je uspješno organiziran 2005., 2007. i 2009. godine i tada se zbog velikog broja snimljenih kratkih, animiranih, dokumentarnih i igranih filmova u Bosni i Hercegovini, ali i zainteresiranosti domaće i strane publike, pokazala potreba da se Festival, umjesto svake druge, održava svake godine.
E The Association of Filmmakers of Bosnia and Herzegovina is the initiator, the founder and main organizer of the Festival of BiH Film, which takes place during the Sarajevo Film Festival. This Festival was initiated in 2003 when a major turn occurred in film production: after many years of a production silence 6 films were finalized: three features and three short films. This created the basis for a three-day event during the 9th Sarajevo Film Festival, which was the perfect platform for the promotion of BiH film, primarily because of the presence of its guests and people from the film industry. The spectators and the
Festival guests recognized its significance and all the screenings were sold out. The festival was successfully organized in 2005, 2007 and 2009 and because of the rapidly increasing number of short, animated, documentary and fiction films in Bosnia and Herzegovina, and because of the public interest (both local and international), it was obvious that the ground was there for an annual event.
Zbog toga je u julu 2010. godine, kao zvanični program Sarajevo Film Festivala, održan i peti po redu Festival bosanskohercegovačkog
For all these reasons, in July 2010, the festival also became one of the official programs of the Sarajevo Film Festival and its fifth edition was held. 6 features were shown in this edi-
filma. Tada je prikazano 6 igranih, 10 dokumentarnih i 11 kratkih i animiranih filmova, a Festival je ugostio preko stotinu filmskih stvaralaca iz cijele Bosne i Hercegovine. Bosanskohercegovački filmski festival nastavlja pratiti rast i razvoj bh. kinematografije, služi kao platforma za sve filmske radnike Bosne i Hercegovine, spaja mlade filmske talente sa filmskih akademija iz Sarajeva, Banja Luke, Tuzle, te je također otvoren i za inostrane filmove o BiH i za bh. autore koji žive i rade u inostranstvu.
tion, as well as 10 documentaries, 11 short and animated films, and the festival hosted over one hundred filmmakers from the entire country. The BiH Film Festival has also followed this development and growth of BiH cinema as it serves as a platform open to all BiH filmmakers. It connects young talents from Sarajevo, Banja Luka, Tuzla, and it is also open to foreign productions about Bosnia and Herzegovina and to films by Bosnian authors living and working abroad.
BiH FILM - introduction l 17. Sarajevo Film Festival 203
IGRANI FILMOVI / FEATURE FICTION FILMS
1395 dana bez crvene / 1395 Days without Red UK, BiH, 2011, HD, Color, 63 min. Režija / Director: Šejla Kamerić, Anri Sala Uloge / Cast: Maribel Verdu Producenti / Producers: James Lingwood, Amra Bakšić - Čamo, Jovan Marjanović Producentske kuće / Production Companies: Artangel, London; SCCA/Pro.ba, Sarajevo
Opsada Sarajeva trajala je hiljadu tristo devedeset i pet dana između 1992. i 1995. godine. Tokom opsade hiljade građana moralo je svakog dana trčati kroz iskušenje Aleje snajpera. Film prati ženu koja hoda upravo tom rutom. Čeka, računa, trči i saginje se. Svaka raskrsnica je novi izazov i nova kalkulacija... The siege of Sarajevo lasted for one thousand three hundred and ninety five days from 1992 to 1995. During the siege, thousands of citizens had to run through the Sniper Alley. The follows a woman walking this very route. She stops, hesitates, runs. She waits, calculates and bends down. Every crossing is a new challenge and new calculation...
Belvedere BiH, 2010, 35 mm, Color / B&W, 90 min. Režija i scenarij / Director and Screenplay: Ahmed Imamović Uloge / Cast: Sadžida Šetić, Nermin Tulić, Minka Muftić, Armin Rizvanović, Adis Omerović Producent / Producer: Samir Smajić Producentska kuća / Production Company: Comprex
Ovo je intimna priča o onima koji su preživjeli genocid u Srebrenici, a sada se suočavaju sa realnošću punom kontrasta. Realnost njihove neumorne portage za istinom sudara se sa trivijalnošću svakodnevice tranzicijskog društva. Kada se ova dva svijeta sudare u potpuno disfunkcionalnom društvu, počinje odbrojavanje... This is an intimate story of the survivors of Srebrenica genocide facing the world of contrasts. On one hand there is their relentless search for the truth, while, on the other, there are trivialities of everyday realities of transitional society. And when these two worlds collide in a dysfunctional society a bomb starts its countdown.
Ostavljeni / The Abandoned BiH, Croatia, France, Macedonia, Serbia, 2010, 35 mm, color, 85 min. Režija / Director: Adis Bakrač Scenario / Screenplay: Zlatko Topčić Uloge / Cast: Toni Grga, Mira Furlan, Mirela Lambić, Mirsad Tuka, Dragan Marinković, Vilim Matula, Zijah Sokolović, Producent / Producer: Almir Šahinović Producentska kuća / Production Company: Heft
U domu za siročad u Sarajevu živi dječak Alen, koji vjeruje da su mu roditelji Francuskinja i Englez, koji su se kao ratni izvještači sreli u Sarajevu, ali su zbog ratnih okolnosti i profesionalnih obaveza bili prinuđeni da ga privremeno ostave u domu. Alen otkriva da se njegova majka zove Amila, da je silovana u ratu i da je on plod tog silovanja. On odlazi da je traži... A boy named Alen lives in the Sarajevo Orphanage and believes that his parents are a French woman and an English man who met in Sarajevo as war reporters and who were forced by the war and by their professional commitments to leave him temporarily. Alen discovers that his mother’s name is Amila and that she was raped during the war, and that he is the product of the rape. He goes to find her...
204 17. Sarajevo Film Festival l BiH FILM - IGRANI / KOPRODUKCIJSKI FILMOVI
KOPRODUKCIJSKI FILMOVI / CO-PRODUCTION FICTION FILMS
Bir zamanlar Anadolu’da / Once Upon a Time in Anatolia / Bilo jednom u Anadoliji Turkey, BiH, 2011, 35mm, 157 min. Režija i scenarij / Director and Screenwriter: Nuri Bilge Ceylan Uloge / Cast: Muhammet Uzuner, Yilmaz Erdogan, Taner Birsel, Ahmet Mumtaz Taynal, Firat Tanis, Ercan Kesal Producenti / Producers: Nuri Bilge Ceylan, Zeynep Özbatur Koproducenti / Co-producers: Mirsad Purivatra, Murat Akdilek, Eda Arikan, Müge Kolat, Ibrahim Sahin Producentske kuće / Production Companies: Zeynep Films, Turkey, 2006, BiH
Nekoliko dana nakon ubistva u malom anadolskom gradu, dva brata priznaju da su počinili zločin, otkrivši da su zakopali leš na mjestu koje se nalazi 30-40 km izvan grada. Zahvaljujući dokazima, javni tužilac, lokalni policijski upravitelj, doktor i nekolicina službenika upućuju se zajedno sa osumnjičenima na zadatak koji podrazumijeva ekshumaciju leša i njegovo dovlačenje nazad u grad. Just days after a murder in a small Anatolian town, the perpetrators, two brothers, confess to the crime, revealing that they buried the corpse somewhere 30-40 km outside the town. Based on the evidence given, the public prosecutor, local police chief, doctor and a handful of other officials take to the road with the culprits on a mission to exhume the corpse and bring it back to the town.
Motel Nana Serbia, BiH, 2010, 35 mm, color, 90 min. Režija / Director: Predrag Velinović Scenarij / Screenplay: Ranko Božić Uloge / Cast: Dragan Mićanović, Nikolina Đorđević, Zijah Sokolović, Branko Sančanin Producent / Producer: Predrag Velinović Izvršni producent / Executive Producer: Zoran Galić Producentska kuća / Production Company: Sirius Production, Serbia; VizArt, BiH
Kada srednjoškolski profesor Ivan izgubi kontrolu i ošamari neposlušnog učenika, ostaje bez posla. Direktor mu nudi posao u jednoj seoskoj školi u Republici Srpskoj, u Bosni. Ivan kreće na put autobusom gdje sreće lijepu mladu ženu Jasminu. Hoće li Jasmina i Ivan uspjeti da ostave prošlost iza sebe i da li će imati snage da naprave novi početak? When Ivan, a high school teacher, loses control and slaps an unruly pupil, he loses his job. The headmaster offers him a transfer to a village school in Republika Srpska in Bosnia. And so Ivan sets off in a bus on his journey. There he meets pretty young woman Jasmina. Will Jasmina and Ivan manage to leave the shadows of the past behind them and dare to make a new beginning together?
Neprijatelj / Enemy Serbia, BiH, Macedonia, 2011, 35 mm, Color, 108 min. Režija / Director: Dejan Zečević Scenarij / Screenplay: Đorđe Milosavljević Uloge / Cast: Vuk Kostić, Slavko Štimac, Ljubomir Bandović, Tihomir Stanić, Aleksandar Stojković, Marija Pikić, Dragan Marinković Produkcija / Production Company: Biberče, Balkan Film
Mali inžinjerski vod dočekao je potpisivanje Dejtonskog sporazuma u planinama, gdje demontiraju mine koje su sami postavljali. U ruševinama fabrike uništene u borbi pronalaze zazidani podrum, a u njemu čovjeka koji kao da je samo njih mirno čekao sve vrijeme.
A small engineering squad welcomes the Dayton Agreement in the mountains, where they are dismantling land mines, which they had actually set themselves before. In the rubble of a war torn factory, they find a hidden basement and inside a man who had been waiting all this time, as if just waiting for them.
Bosanska rapsodija na rubu znanosti / Bosnian Rhapsody At The Margins Of Science BiH, 2011, Beta Sp, Colour, 50 min, Režija / Director: Vesna Ljubić Producent / Producer: Vesna Ljubić Produkcija / Production Company: Ton Light Film Sarajevo
Do Not Forget Me, Istanbul Turkey, 2011, 35mm, color, 117 min. Režija / Directors: Aida Begić (Bosnia-Herzegovina), Stefan Arsenijević (Serbia), Stergios Niziris (Greece), Eric Nazarian (USA), Omar Shakrawi (Palestine), Hany Abu-Assad (Palestine), Josefina Markarian (Greece) Producenti / Producers: Hüseyin Karabey, Sevil Demirci
Kroz priču o ljekarušama, koje su se unutar kršćanske, islamske i judaističke tradicije prenosile s koljena na koljeno, film nam približava današnju postratnu Bosnu i Herzegovinu i bolesti od kojih narod danas kolektivno pati. Through the story of the Ljekaruše that have been handed down from one generation to the next as part of the Christian, Islamic, and Jewish traditions, the film takes a closer look at present-day postwar Bosnia and Herzegovina and the illnesses currently afflicting the entire community.
Omnibus inspirisan Istanbulom. Omnibus inspired by the city of Istanbul.
Brzina života / Speed of Life
DOKUMENTARNI FILMOVI / DOCUMENTARY FILMS
BiH, 2010, DVD, color, 53 min. Režija / Director: Peter Ranalli Scenarij / Screenplay: Peter Ranalli Producenti / Producers: Mario Srrao, Giorgio Micoli, Tanja Boromisa, Lino Salvatorelli Produkcija / Production Company: Zdravo Da Ste, Banja Luka
Autograf / Autograph BiH, Italy, Bulgaria, 2011, BETA Sp, color, 20 min. Režija / Director: Šemsudin Gegić Scenarij / Screenplay: Šemsudin Gegić Produkcija / Production Company: State of Art, Italy; Academy of Dramatic Art, University of Tuzla, BiH
Stefan Ivanov Ljubomirov je pedesetsedmogodišnji kolekcionar autografa slavnih ličnosti. On je živi primjer koliko čovjek može držati dijete u sebi živim. Stefan Ivanov Ljubomirov is 57-year-old collector of famous people’s autographs. He is a pure example of how long a man can keep the child within him alive.
Tiho je biciklista iz Banja Luke, koji se zajedno sa svojom organizacijom na kreativan način bori da transport u njegovom gradu bude prilagođen biciklu. Tiho is a cyclist from Banja Luka who fights alongside his organization to make his city’s traffic suitable for bicycles.
Mobitel / A Cellphone Movie
BiH, 2011, DVD, color, 54 min. Režija i scenarij / Director and Screenplay: Boro Kontić Producenti / Producers: Ines Bamburać, Maida Muminović Produkcija / Production Company: Mediacentar Sarajevo
Bosnia and Herzegovina, 2011, 35 mm, color, 62 min. Režija / Director: Nedžad Begović Scenario / Screenplay: Nedžad Begović Direktor fotografije / Director of Photography: Nedžad Begović Montaža / Editor: Adnan Zilić Produkcija / Production Company: Foto Art
Film o Ivi Andriću, književniku, nobelovcu koji je u Bosni i Hercegovini posljednji put bio 1974. godine. Ovo je skica pitanja “Šta je nama Andrić onda i sada?”
Uvažavajući činjenicu da na planeti egzistira pet milijardi aktivnih mobitela, autor filma je realizirao film u savremenoj “Youtube”, odnosno “mobitel” estetici.
A film about Ivo Andrić, writer and Nobel Prize Winner, who last visted BiH in 1974. This is an attempt to answer the question: Who is Andrić to us now and back then?
In light of the fact that there are over 5 billion active cell phones on the planet, the author made the film in contemporary “youtube” or “cell phone” esthetics.
Bila sam mala / I Was Just a Child
Da li namjeravate da me lažete? / Do You Intend To Lie To Me?
Bez naslova / Untitled
BiH, 2010, DVD, color, 24 min. Režija / Director: Branko Lazić Scenarij / Screenplay: Branko Lazić Producent / Producer: Radovan Bojat Produkcija / Production Company: RTRS
BiH, 2011, DVD, color, 14 min. Režija / Director: Mladen Miljanović Scenarij / Screenplay: Mladen Miljanović, Veso Sovilj Produkcija / Production Company: Akademija umjetnosti Banja Luka
Priča o čovjeku koji je u Drugom svjetskom ratu, rizikujući vlastiti život, iz Koncentracionog logora Gornja Rijeka spasio tridesetero djece od sigurne smrti.
Film prati hapšenje Vase Sovilja. Nakon transporta u centralnu zgradu policije, inspektor ga ispituje o njegovom turbulentnom životu i umjetnosti, a validnost njegove izjave prati poligraf.
A story about a man who risked his own life to save 30 children from certain death in Gornja Rijeka concentration camp.
Film follows the arrest of Vaso Sovilj. After being transported to a central police station, the inspector asks him questions about his life and art, and his statement is being monitored on a polygraph.
BiH FILM - CO-PRODUCTION FICTION / DOCUMENTARY FILMS l 17. Sarajevo Film Festival 205
Djeca centra / Children of the Center BiH, 2011, HDV, color, 29 min. Režija / Director: Mirza Pašić Scenarij / Screenplay: Naida Lindov Producenti / Producers: Bjorn Hagen, Vesna Beganović: Producentska kuća / Production Company: Save the Children, Via Media
Priča o svakodnevnom radu Dnevnog centra za djecu koja rade na ulici.
Kako sam zapalio Simona Bolivara / The Fuse: or How I Burned Simon Bolivar BiH, 2011, BETA SP, color, 9 min. Režija / Director: Igor Drljača Producent / Producer: Igor Drljača Produkcija / Production Company: Dokument Sarajevo
A story about everyday work of the Daycare Centre for children who work on streets.
U martu 1992. godine, devetogodišnji dječak iz Sarajeva očekuje lošu ocjenu iz likovnog rada. Želeći da ne dobije trojku, poželi da se nešto dogodi te da se škola zatvori. Onda počinje rat...
Dobre duše / Good Souls
It is March 1992, in Sarajevo, and a nine-year-old boy anticipates a poor grade on his latest art assignment. Desperate to avoid receiving the grade, he wishes for something to happen that would allow him to miss school. Then the war starts...
BiH, 2010, BETA Sp, color, 7 min, 53 sec. Režija / Director: Nedim Hrbat Scenarij / Screenplay: Nedim Hrbat Produkcija / Production Company: RTVFBiH
U zabačenom selu u okolini Srebrenice tri starice i dalje žive za svoje mrtve. One ih sanjaju na javi, vjeruju da ih obilaze, da su s njima svakodnevno. In a distant village near Srebrenica, three old ladies still live for their dead ones. They are daydreaming, believing that their loved ones are visiting them, and that they are with them on every day basis.
Edo Murtić u sarajevskoj Vijećnici 2008. / Edo Murtić in the Sarajevo City Hall 2008 BiH, 2010, HD, color, 20 min. Režija / Director: Miroslav Benković Producent / Producer: Miroslav Benković Produkcija / Production Company: Scart Media
Film je snimljen prilikom otvaranja izložbe ratnog ciklusa Ede Murtića u sarajevskoj Vijećnici 2008. godine. Film was shot during Edo Murtić’s exhibition opening in Sarajevo City Hall in 2008.
Heroj našeg doba / A Hero For Our Time BiH, 2011, HD, color, 43 min. Režija / Director: Šeki Radončić Scenarij / Screenplay: Šeki Radončić Producent / Producer: Dino Radončić Produkcija / Production Company: Witness-Sarajevo
Penzionisani policijski inspektor postaje nacionalni heroj u Crnoj Gori, jer uporno tvrdi da je tokom rata, rizikujući život, spasio trojicu Bosanaca. No, istina polako počinje izlaziti na vidjelo. Retired police inspector becomes a national hero in Monte Negro because he claimed to have saved the life of three Bosnians risking his life during the war. But the truth is slowly coming out.
Jedan dan na Drini / A Day on the Drina BiH, 2011, BETA SP, color, 17 min. Režija / Director: Ines Tanović Producent / Producer: Alem Babić Produkcija / Production Company: Dokument Sarajevo
Jedan dugi ljetni dan na rijeci Drini… Ovo može da zvuči kao bezbrižan izlet… I bio bi, da se rijeka nije povukla u svoje korito… A long summer day on river Drina... This may sound like a serene picnic... And it would be, hadn’t the river retreated to its riverbed... 206 17. Sarajevo Film Festival l BiH FILM - DOKUMENTARNI FILM
Klošar ne može voziti motor / A Punk Cannot Ride a Bike BiH, 2010, DVD, color, 14 min. Režija / Director: Nusreta Džinić Producent / Producer: Nusreta Džinić Produkcija / Production Company: Enthusiasmos, Brčko
Film pokazuje bajkere koji su sasvim “normalni” porodični ljudi, koji su antialkoholičari, ne piju, ne puše, koji daruju krv i koji su prilično imućni svi se bave privatnim biznisom, a motori su im hobi. This documentary shows bikers, who are completely “normal”: they are family men, non-alcoholics, non-smokers, blood-donors, and well-off: every one of them owns a private business, while motorbikes are just a hobby.
Koliko visoko je nebo / Beneath the Sky BiH, 2010, Dvd, color, 39 min. Režija / Director: Ismet Lisica Producent / Producer. Mirsada Emrić Producentska kuća / Production Company: D&H Agency
“Ja sam ratni snimatelj. Iz jednog opkoljenog grada otišao sam u drugi opkoljeni grad, da bih snimio priču o stradanju. Dok su svi držali pognute glave, ja sam snimao. Ono što sam ja snimao može stati samo ispod neba koje je visoko. A ja sam tamo bio.” “Because being a war cameraman is not being a man. I am a war cameraman. I went from one besieged city to another, to document a story about suffering. Only the high sky can hold what I’ve filmed. And I’ve been there”.
La Meglio Gioventu’ di Mostar / Mostar’s Best of Youth BiH, Italy, 2011, DVD, color, 61min. Režija / Directors: Giusepe Valente, Amra Prutina Producenti / Producers: Giusepe Valente, Amra Prutina
Mostarci starosti od 16 do 22 godine su prva postratna generacija ovog grada. Ovaj film je priča o njihovim očekivanjima, ciljevima, prilikama i vrijednostima te pokušaj da se razumiju njihovi odnosi, uvjetovani onim što su njihovi očevi na njih prenijeli. Mostarian aged from 16 to 22 are the first generation grown up in the post-war city. This is a story about their expectations, aims, opportunities and values and an attempt to understand their relationships, conditioned by the legacy of their fathers.
Let iznad minskog polja / One Flew Over the Mine Field BiH, 2010, HD, color, 43 min. Režija / Director: Zdenko Jurij Scenarij / Screenplay: Zdenko Jurij Producent / Producer: Tomislav Bubalo Produkcija / Production Company: Kadar
Bili, Vlado, Crni i Trla su pripadnici deminerske jedinice u sastavu Oružanih snaga BiH. Ovaj film posveta je ljudima koji imaju adrenalinski posao i hobi u kojem jedna greška vodi u sigurnu smrt. Bili, Vlado, Crni and Trla are bomb-squad officers in the Armed Forces of Bosnia and Herzegovina. This movie is dedicated to people who have adrenalin-pumped jobs where a single mistake leads to death.
Magnet BiH, 2011, HD, color, 44 min. Režija i scenarij / Director and Screenplay: Namik Kabil Producent / Producer: Adnan Beširević Produkcija / Production Company: SCCA/pro.ba
Svaki posljednji vikend jula hiljade se ljudi okuplja u Čevljanovićima, 30 kilometara od Sarajeva. Gledaju borbe bikova, plešu i jedu dok ne padnu s nogu. Reditelj im se pridružio da bi istražio što ih privlači na takvo jedinstveno okupljanje.
Orkestar / Orchestra BiH, 2011, 35 mm, color, 105 min. Režija / Director: Pjer Žalica Scenario / Screenplay: Pjer Žalica Producent / Producer: Ademir Kenović Producentska kuća / Production Company: Refresh Production
Film se bavi bogatom i dinamičnom karijerom sarajevske grupe “Plavi orkestar”. The film deals with the rich and dynamic career of the Sarajevo band Plavi orkestar.
Selo bez žena / Village Without Women France, Croatia, BiH, 2010, HD, color, 83 min. Režija / Director: Srđan Šarenac Scenario / Screenplay: Srđan Šarenac Producenti / Producers: Estelle Robin You, Maël Mainguy
Zabrđe je planinsko selo udaljeno 5 km od prvog puta u jugozapadnoj Srbiji u kojem ne živi niti jedna žena. Cijelo selo je spalo na trojicu braće Janković i njihovog starijeg komšiju Velimira. No braći Janković nedostaju žene. Jedino rješenje krije se u Albaniji gdje žene žive u sličnim uvjetima kao i braća Janković.
Every last weekend in July thousands of people gather in Čevljanovići, 30 kilometers from Sarajevo. They are there to see bulls fighting, dance, eat and drink till they drop under the table. The director joined them to explore what attracts them to such unique event.
Zabrđe is a mountain village 5 kilometers away from the nearest road set in southwest Serbia. Not even one woman lives in this village. Only three brothers Janković and their older neighbor Velimir, inhabit the village. But brothers Janković miss women. The only solution is in Albania where women live in similar setting as brothers.
Moja izgubljena generacija / My Lost Generation
Stariji od vremena / Older Than Time
Danmark, B&H, 2010, DV, color, 32 min. Režija / Director: Vladimir Tomić Scenarij / Screenplay: Vladimir Tomić Producenti / Producers: Vladimir Tomić Kontakt / Contact: Danish Film Institute
BiH, 2011, HD, color, 30 min. Režija / Director: Dragan Komadina Scenarij / Screenplay: Miroslav Palamenta Producent / Producer: Ivan Vukoja Produkcija / Production Company: Koncept, Mostar
Vladimir Tomić je rođen u Jugoslaviji ubrzo nakon Titove smrti, no za vrijeme rata otišao je u Dansku. U ovom filmu Tomić priča svoju priču i priču svoje generacije.
Dokumentarac o jednom od najznačajnijih živućih pjesnika Bosne i Hercegovine, Veselku Koromanu.
Vladimir Tomić was born in Yugoslavia right after Tito’s death, but fled during the war to Denmark. In this film Tomić tells his own as well as his generation’s story.
Pun(a) / Loaded BiH, 2011, HD, color, 23 min. Režija i scenarij / Director and Screenplay: Alen Drljević Producenti / Producers: Amra Bakšić - Čamo, Adis Đapo Produkcija / Production Company: SCCA/Pro.ba
Trinaestogodišnji dječak živi sa majkom, ocem i dvogodišnjom sestrom. Igrajući se očevom puškom, dječak slučajno ispali hitac i teško rani svoju malu sestru.
Documentary about Veselko Koroman, one of the most important living poets of Bosnia and Herzegovina.
Šantićeva 88 BiH, 2011, Beta SP, color, 26 min. Režija / Director: Šemsudin Gegić Producent / Producer: Edin Lonić, FTV Prvi put nakon 16 godina uspostavljen je radiomost Studija 88 da nanovo poveže prve linije fronta koje su sukobljene vojske bile uspostavile na dva trotoara Šantićeve ulice. First time after 16 years, a radio-bridge has been established by Studio 88, re-connecting for the first time the Šantićeva street’s pavements that once were the front lines of the warring armies.
A thirteen-year-old boy lives with his mother, father and a two-year-old sister. While playing with his father’s rifle the boy accidentally fires and severely injures his baby sister.
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Tradicija ohridskih bisera / Tradition of Ohrid Pearls BiH, 2010, Beta Sp, color, 8 min. Režija / Directors: Ratko Orozović Produkcija / Production Company: ROCompani, Sarajevo
Film govori o tradiciji izrade ohridskih bisera. This movie is about the tradition of producing Ohrid pearls.
U meni duboko veliko oko - Boško Kućanski / Inside Me Deep Big Eye Boško Kućanski BiH, 2011, Beta Sp, color, 26 min. Režija / Directors: Ratko Orozović Produkcija / Production Company: BHT1
Film je mini portret slikarstva, vajarstva, pjesnika i akademika Boška Kućanskog. This film depicts the arts of painting, sculpture and poetry of Boško Kućanski.
Usud / Fate BiH, 2011, DVD, color, 19 min. Režija / Director: Marko Šipka Scenarij / Screenplay: Marko Šipka Producent / Producer: Zoran Galić Produkcija / Production Company: VizArt, Protok
Dokumentarni film koji se bavi analizom međukulturalne tolerancije kroz problem nacionalizma u Bosni i Hercegovini. A documentary about intercultural tolerance by dealing with the problem of nationalism in BiH.
KRATKI I ANIMIRANI FILMOVI / SHORT AND ANIMATED FILMS
Anđeo srebrenice / The Angel of Srebrenica BiH, 2010, HDV, color, 6 min. Režija / Director: Ado Avdulah Hasanović Glumica - balerina / Actress - Ballerina: Samra Mlinar Producentska kuća / Production Company: Via Media
Film govori o jednom savršenom danu u Srebrenici danas. Baletski ples anđela prati prepoznatljive dijelove grada i kreira imaginarnu sliku života u gradu kojeg prate posljedice rata. The film takes us to nowadays Srebrenica on a perfect day. The Angel starts moving as a ballerina visiting the crucial parts of the city and creating an imaginary picture of life in the town, which still suffers from the consequences of war.
Balkanski vitezovi / The Balkan Knights BiH, 2011, DVD, color, short, 29 min. Režija / Director: Nemanja Savanović Uloge / Cast: Aleksandar Blanić, Slobodan Perišić, Ljubiša Savanović, Duško Mazalica Producenti / Producers: Zoran Galić, Ana Vidović Produkcija / Production Company: VizArt, Protok
Jedna mala grupa vojnika odvojena od svoje jedinice pokušava da se orijentira i stigne do mora. Tu grupu najnesposobnijih i najneposlušnijih vojnih otpadnika vodi fanatični kapetan, čvrsto uvjeren u viši cilj i vojničku ideologiju. A small group of soldiers separated from their unit is trying to orientate and reach the sea. Group consists of the most incapable and disobedient military renegades who are led by a fanatical captain firmly convinced of the higher goal of military ideology.
Bosanski Čaplin prelazi granicu / Bosnian Chaplin Crosses the Border BiH, 2011, DVD, B&W, 13 min. Režija / Director: Vanja Čelebić Uloge / Cast: Rajf Ferhatović, Leon Panmiller
Bosanski Charlie Chaplin pokušava preći državnu granicu. Bosnian Charlie Chaplin tries to cross state border.
Die Rollen der Vernesa B. BiH / Germany, 2011, HD, color, 12min. Režija / Director: Jons Vukorep Uloge / Cast: Vernesa Berbo, Aleksandar Tesla, Goran Stojanović, Samuel Finzi, Kathrin Angerer, Christoph Bareisen Producenti / Producers: Michael Kotschi, Jons Vukorep, Caroline Kirberg, Judith Angerbauer, Amra Bakšić Čamo Produkcija / Production Company: SCCA/pro.ba
Bosanska glumica Vernesa Berbo odlazi u Njemačku za vrijeme rata. Ona tamo može raditi svoj posao, ali se njene uloge svode na uloge istočnoeuropskih žena. The Bosnian actress Vernesa Berbo flees for Germany during wartime. There she can work professionally but her roles are ones embodying East-European women.
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Jorgovan / Lilac BiH, 2011, DVD, color, 4 min. Režija / Director: Aleta Rajič Producent / Producer: Sanja Rajič-Banjac Produkcentska kuća / Production Company: Studio Neum
Film prikazuje ratno stradanje Mostara, kao i stradanje jedne mostarske obitelji.
STUDENTSKI FILMOVI / STUDENT FILMS
11 KM BiH, 2010, DVD, color, 7 min. Režija / Director: Saša Peševski Produkcija / Production: Sarajevo Academy of Performing Arts
Kako sam... / How I Did...
Ispred klaonice parkira se veliki bijeli kamion. Radnik mesare iz kamiona vadi pola oguljenog i očišćenog bika. Tada shvatamo da slika i zvuk sada idu unazad. A big white truck parks in front of the slaughterhouse. The worker takes out of the truck one half of a skinned and cleaned bull. At this point we realize that the image and and the sound run in reverse.
BiH, 2011, DVD, color, 3 min. Režija / Director: Vesko Kadić Producentska kuća / Production Company: Scart Media
Čovjek za tebe / A Man For You
Film about war suffering of Mostar and suffering of one Mostar family.
On posmatra bilbord. On jede juhu. On fotografira kadar iz animiranog filma. He is watching the billboard. He is eating the soup. He is making photographs of an animated film.
BiH, 2010, DVD, color, 7 min. Režija / Director: Ivana Tomić Produkcija / Production: Banja Luka Arts Academy
Romantična priča o dvoje ljudi koji stalno prolaze jedno pored drugog i nikako da se sretnu.
Kiyamet
A romantic story about two people who are passing by each other all the time, but they never manage to meet.
BiH, 2010, 35 mm, color, 9 min. Režija / Director: Ivan Ramadan Producent / Producer: Ivan Ramadan Produkcentska kuća / Production Company: Elias Veskot
Da vam nacrtam / Let Me Draw It to You
Um je mjesto za sebe. Um stvara svemire. Mračne i svijetle svemire, šarene i blijede svemire... Ali i svemiri imaju svoju volju.
BiH, 2011, DVD, color, 10 min. Režija / Director: Emin Hajrić Produkcija / Production: Sarajevo Academy of Performing Arts
The mind is a strange place. The mind creates universes, dark and light, colorful and pale... However, each universe has a mind of its own.
U sobi u sterilnoj ustanovi za mentalno poremećene nalaze se četiri bolesnika. Amar, najmlađi od njih, zatvoren je u svoj svijet i jedini izlaz vidi u svom crtanju.
Mali borci / Little Fighters
In sterile room of the Mental Hospital, there are four people. Amar, the youngest patient is closed in his own world and the only way out is his drawing.
BiH, 2010, 35mm, 16 min. Režija i scenarij / Director and Screenplay: Ivana Lalović Uloge / Cast: David Hadžić, Enes Salković, Asal Sinanović Producentska kuća / Production Company: ZHDK, Heft
Skarabeg / Escarabajo
Budući da Selma ima veliki strah od pucnjave, dva starija brata je ubjeđuju da rat nije pravi. Selma, uvjerena u njihovu priču, dovodi cijelu obitelj u opasnost.
BiH, 2011, DVD, color, 30 min. Režija / Director: Guillermo Vejar Produkcija / Production: Sarajevo Academy of Performing Arts
Selma is scared of shooting and her two older brothers are convincing her that the war is not real. Selma believes in their story and brings the whole family in danger.
U potrazi za utopijskom ljubavlju koju je upoznala na internetu, Meksikanka Selena dolazi u Sarajevo. Ova potraga će joj otkriti pravo značenje migracije, migracije duše. In search of a potential utopian lover she met on the internet, Selene, a Mexican woman, travels to Sarajevo. This pursuit will reveal to her the true meaning of migration, migration of the soul.
Fejs jedne porodice / One Family’s Face BiH, 2011, DVD, color, 28 min. Režija / Director: Nemanja Ivanović Produkcija / Production Company: Akademija umjetnosti Banja Luka
Porodica Ivanović veliki dio vremena provode na Facebooku. Nemanja donosi odluku da ukine Luki Facebook na sedam dana kako bi pratio njegovo ponašanje kada nije na “mreži”. Ivanović family spend a lot time on Facebook. Nemanja decides to forbid Luka to enter facebook for 7 days, so he can observe his behavior when he is not able to be “online”.
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Liga izuzetnih džentlmena / Exceptional Gentlemen League BiH, 2010, DVD, color, short, 45 min. Režija i scenarij / Director and Screenplay: Tarik Hodžić Produkcija / Production: Sarajevo Academy of Performing Arts, Concept Media
“Liga izuzetnih džentlmena” je ime grupe koja virtuelno egzistira kroz World of Warcraft igru. Njeni članovi su isključivo iz republika bivše Jugoslavije, svi svjedoci turbulentne skore prošlosti. “Exceptional Gentlemen League” is a name of the guild existing virtually through video game World of War craft. Its members are excursively from republics of ex-Yugoslavia, all witnesses of turbulent recent past.
Nijansa sive / The Shade of Gray BiH, 2010, DVD, color, 9 min. Režija / Director: Danijel Pavlović Produkcija / Production: Banja Luka Arts Academy
Fantazmagorična priča o jednoj izgubljenoj djevojci i njenom očajničkom pokušaju da spasi biće koje voli bez obzira na cijenu.
To je naše dijete / That’s Our Child BiH, 2010, DVD, color, 15 min. Režija i scenarij / Director and Screenplay: Elma Islamović Produkcija / Production: Sarajevo Academy of Performing Arts
Saša, Alex, Jasenko i Alma, gay ljudi iz Sarajeva i Tuzle, govore o procesu otkrivanja svoje seksualnosti, odnosu sa svojim roditeljima, prijateljima i partnerima. Saša, Alex, Jasenko and Alma are gay people living in Sarajevo and Tuzla, talking about their ‘coming out’ process, relationships with parents, friends and boyfriends / girlfriends
Treće poluvrijeme / The Third Half Time BiH, 2010, DVD, color, 21 min. Režija i scenarij / Director and Screenplay: Igor Tešić Produkcija / Production: Banja Luka Arts Academy
Priča o entuzijazmu, fudbalu koji se ne igra zbog novca, već iz ljubavi. Kada sistem zakaže, neki se predaju, a neki nastavljaju sa borbom.
Fantasmagoric story about a lost girl and her desperate attempt to save a being she loves no matter what.
A story about enthusiasm and football not played for money but out of love. When the system fails some give up but some continue with the struggle.
Porodični album / Family Photo-album
Ulična uspavanka / A Street Lullaby
BiH, 2011, DVD, color, 12 min. Režija / Director: Rijad Gvozden Produkcija / Production: Sarajevo Academy of Performing Arts
BiH, 2010, DVD, color, 11 min. Režija / Director: Denis Smajić Produkcija / Production: Banja Luka Arts Academy
Azru, djevojku iz malog bosanskog mjesta, rat zatiče u Sarajevu na studiju. Želeći biti bliže roditeljima, ona odlučuje sve napustiti i otići u svoj rodni kraj.
Dvoje izgubljenih lutalica kreću po gradu, odbačeni od društva i ostavljeni jedno drugom...
Azra, the girl from small Bosnian village, studies in Sarajevo when the war begins. She wants to be closer to her family, so she leaves Sarajevo and goes home.
Ricochet BiH, 2010, DVD, color, 24 min. Režija / Director: Emir Kapetanović Produkcija / Production: Sarajevo Academy of Performing Arts
“Moj jedan stih ima više riječi od nečijeg albuma. Ali osjećam da i rap, takav kakav jeste, kao žanr muzike koji koristi najviše riječi, ne može opisati ovu državu, a kamoli kreirati nacionalnu himnu...” “...One stanza of mine has more words than someone`s album. But I feel that even rap as it is, as a genre of music that uses words the most, cannot depict this country, let alone create a national anthem...”
Scenarij / Screenplay BiH, 2011, DVD, color, 8 min. Režija / Director: Amila Terzimehić Produkcija / Production: Sarajevo Academy of Performing Arts U potrazi za temom ispitnog scenarija, Nina pronalazi sebe... Rješavajući problem scenarija, ona rješava probleme u svom životu. Searching for a theme for her screenplay, Nina finds herself. Dealing with the screenplay’s problems, she deals with the problems in her life.
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Two lost bums move around the city, rejected by society and left to each other only...
Undici / Jedanaest / Eleven Italy, BiH, 2010, DVD, color, 10 min. Režija i scenarij / Director and Screenplay: studenti SAE Film Instituta / SAE Film Institute students
Film je nastao kao dio saradnje između Akademije scenskih umjenosti i SAE Film Instituta iz Milana. Priča o klaunu koji greškom ne stiže na posao. Film made in collaboration between Sarajevo Academy of Performing Arts and Milan SAE Film Institute. A story about a clown who by a mistake misses her gig.
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SARAJEVO FILM FESTIVALA
22-30. juli 2011.
S Vama smo na Festivalskom trgu i na Vilsonovom šetalištu tokom ORBICO Porodičnog dana.
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Deutche Post DHL - The Mail & Logistics Group
NAJVEÆA EXPRESS MREŽA NA SVIJETU JE SPREMNA DA DOSTAVLJA.
Tel. 033/774-000 www.dhl.ba
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Mi smo vodeća osiguravajuća kompanija u Bosni i Hercegovini Osiguravajuća zaštita koju pružamo bazira se na uslugama: • Osiguranje života • Osiguranje osoba • Osiguranje imovine • Osiguranje kargo • Osiguranje kasko • Osiguranje odgovornosti • Finansijsko osiguranje
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Switzerland - Sarajevo Film Festival: the story of a friendship continues Switzerland is pleased to continue to support the Festival’s Documentary Competition through two awards: “Heart of Sarajevo for the Best Documentary” and “Human Rights Award”. This year, Switzerland will also be the proud CineLink Partner Country
ZVANIČNI PARTNER HOTEL SARAJEVO FILM FESTIVALA DOMAĆIN CINELINKA I REGIONALNOG FORUMA
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/ call for entries now 244 17. Sarajevo Film Festival l SPONZORI
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hvala / thank you
Mark Adams, Christophe Audeguis, Aida Bajramović, David Bartholomew, Robert Beeson, Lorena Bianchini, Dejan Bogićević, Ahmet Boyacioglu, Brian Brooks, Emir Kazić, Christian Juhl Lemche, Uliks Fehmiu, Ailsa Ferrier, Mike Goodridge, Mersid Grbović, Gordon Grinberg, Jason Guerrasio, Ed Guiney, Olga Gurova, Amila Hadžialagić, Ivana Ivišić, Grady Hendrix, Nijaz Hromo, Nebojša Jovanović, Anne Laurent, Scott Macaulay, Dušan Matić, Danijela Milošević, Boris Miramontes Huet, Adam Kersh, Marion Klotz, Caroline von Kuhn, Claudia Landsberger, Bella Liu, Dariusz Macszka, Ayaat Morgan, Susan Norget, Oleg Novković, Maria Onis, Maya Paleček, Chris Paton, Faruk Pršeš, Igor Rakonić, Alberto Ramos, Jemma Sands, Amela Sadović, Martin Schweighofer, Vesna Stanišić, Igor Stanković, Katarina Stipić Komadina, Armina Šiljak, Nataša Šimunov, Jessica Uzzan, Anne Wiedlack
Ambasada Kraljevine Španije, Artificial Eye, Austrian Film Comission, Blitz, Brigade Marketing, Centar kontrole zračnog prometa Sarajevo, Centro de Capacitación Cinematográfica, Contintal Film, Danish Film Institute, Demiurg, Discovery Film, Element Pictures, Energopetrol, Filmmaker Magazine, Fortissimo Films, Havana Film Festival, Holland Film, Hong Kong International Film Festival, Hook Publicity, INCAA, Indiewire,Hostel City Center, Hotel Astra, Hotel Astra Garni, Hotel Art, Hotels Bosnia, Hotel Central, Hotel City Boutique, Hotel Europe, Hotel Holiday Inn, Hotel Mod, Hotel Saraj, Hotel Unica, Hrvatski Audio Vizualni Centar, Kalatozov Films, Lovestreams, m-Appeal, The Match Factory, MegaCom Film, Memento Films, Metropolis Films, Ministarstvo sigurnosti Bosne i Hercegovine, Ministarstvo vanjskih poslova Bosne i Hercegovine, Morelia Film Festival, New Wave, Protagonist Pictures, Screen International, S.D. Bjelave, Slovenski Filmski Center, Subway Cinema, Taramount Films,Toronto International Film Festival, Turističko-informativni Centar Sarajevo, The Walt Disney Company, Wanda Films
246 17. Sarajevo Film Festival l HVALA / THANK YOU
Photographers Almin Zrno, Amer Kuhinja, Senad Gubelić, Nermin Čolić, Danko Stjepanović, Vedad Divović
Events Management Ida Smailbegović, event manager Nedim Iljazović, assistant
Director Mirsad Purivatra
SFF Website Lejla Kalamujić
Assistant to Executive Producer Mersiha Halilović
Creative Director Izeta Građević
Protocol Office Zlatan Hamza, Protocol Coordinator Jasmina Hasanagić, Maja Pilav, Ivana Petrović, Irma Pilav, Damir Šeremet, Nihad Branković, Hana Salihefendić, Lejla Mazlić, Ena Taslaman
Location Managers Adis Memović, !hej Open Air Cinema Ensar Omičević, Narodno pozorište Svjetlana Kupusović, Narodno pozorište Ermin Selimović, Meeting Point Mersiha Halilović, Meeting Point Darko Arsenovski, Open Air Cinema Vatrogasac Faruk Jesenković, Multiplex Cinema City Fikret Pandžić, Novi Grad Open Air Cinema
Head of Industry Jovan Marjanović Programmers Elma Tataragić, Competition Features, Competition Shorts and In Focus Rada Šešić, Competition Documentaries Howard Feinstein, Panorama and Tribute to Philippe Bobber, New Currents Vanja Kaluđerčić, New Currents Shorts Mikel Olaciregui, Delegate for Spain and Latin America CineLink Jovan Marjanović, Head of Industry Amra Bakšić Čamo, Head of CineLink Sarajevo Talent Campus Asja Makarević, project manager Sarajevo City of Film Ivana Pekušić, project manager Head of Programming Amer Bećirbegović International Relations Lejla Karišik, manager Executive Producer Almir Palata Administrative Office Dževad Mujan Children’s Programme, TeenArena and Orbico Family Day Adisa Čančar, manager Adnan Čomor, assistant Anadin Butković, Orbico Family Day assistant Katrin Cartlidge Foundation Emina Ganić Sponsorship Department Anja Mušanović, manager Jelena Pojužina, manager Dino Osmić, assistant Festival Administration Office Sabina Branković, budget planner-analyst and internal audit Hajrudin Ajkunić, accountant Aida Memović, Festival secretary Lamija Muminović, assistant Jasmina Bajramović, Festival administration assistant
Programming Coordination Emir Pekmez Competition Feature and Short Programme Office Moamer Kasumović, coordinator Melina Alagić, coordinator of BH. FILM Programme Aida Hadžibegović, coordinator of Competition Feature, Competition Short Programme and CICAE jury Assistants: Ornela Čolić, Maja Pećanac, Alma Muslić, Emina Hadžiredžepović, Emina Kutlovac, Selma Muharemović, Igor Skvarica, Bojana Vidosavljević, Hana Đogović, Nataša Govedarica, Rejhana Kasumović Assistants to jury members (Competition Feature, Competition Short and CICAE): Asja Krsmanović, Sanela Krsmanović, Nađa Josimović Competition Documentaries and Human Rights Award Bojan Popić, coordinator CineLink office Tina Šmalcelj, CineLink coordinator Tanika Sajatović, Meetings coordinator Maša Marković, Meetings assistant Snežana Marić, Matchmaker, State of the Region editor Vanja Kaluđerčić, MiniMarket manager, Matchmaker Elena Giuffrida, Matchmaker Davorka Begović, CineLink Hospitality, Reception and VideoBar coordinator Maranta Vego, VideoBar assistant Arijana Knežević, VideoBar assistant Admir Hadžialić, VideoBar assistant Branimir Prijak, Photographer Erwin Schmidt, Work in Progress coordinator Tina Hajon, CineLink line producer
Press Office Altijana Marić, manager Alma Hadžić, manager Edin Muftić, head of Press Centre Vanja Lazić, interview protocol Alma Arifhodžić, international press
Sarajevo Talent Campus Office Adnan Beširović, project coordinator Aldina Bukva-Mahmutović, Talent Administration and Hospitality Alen Munitić, Guest Management Luna Mijović, STC Hospitality Desk coordinator Rusmir Efendić, Location manager Asmir Šabić, Technical coordinator Amar Čustović, Technical coordinator Ahmed Alić, Multipurpose/runner Adis Baždarević, Sound engineer Aziz Čeho, cameraman STC notebook: Nebojša Jovanović, Ivana Kalember, Asja Makarević
SFF Daily Dijala Hasanbegović, editor Mario Hibert, Monja Šuta, Marinela Domančić, Marta Novović, Segor Hadžagić, Namir Ibrahimović, Azra Rizvanbegović (proofreading), Selma Đuliman, Amir Đuliman (translators), Zorica Pandžić (DTP)
Hospitality Team Emina Nuspahić, guest relations Merhunisa Šehić, guest relations Nedim Čengić, hotel reservations Jelena Bajo, travel reservations Ivan Perić, excursion arrangements
festival team
Board Izeta Građević, Jovan Marjanović and Philippe Bobber
Projectionists Almed Memović, Mustafa Husić, Sulejman Kadić, Abid Ahmetagić, Ahmed Voloder, Bojan Novaković, Suad Muzur, Armin Poračanin, Mirza Konaković, Amir Hamza, Aris Dedović Video Tehnicians Elvis Memović, Amel Fetahović, Haris Helać Technical Department Abid Ahmetagić, head of Technical Support Almir Mušinović, Ismir Ovčina, Alden Ahmetagić, Amil Tuzlak, Amel Tuzlak, Damir Halilović, Aladin Škaljić, Ramiz Memović, Osman Čavčić, Adis Skejić, Irfan Vražalica, Jadranko Pecirep, Muhidin Berbić, Zlatan Pecirep, Tarik Galijatović, Ratko Vikić, Fikret Mujanović, Bruno Mišanović, Amir Čefo, Muhamed Hadžibajrić, Davor Golubović, Šaćir Alatović Film Translation and Adaptation Aleksandar Brezar, Una Tanović, Selma Hadžić, Iris Brkić, Samir Omerović, Aida Gadžo, Dženana Preljević, Dževida Rapa, Mirsad Čeligija, Nebojša Jovanović, Gorana Mlinarević, Advan Košarić, Daniel Polimac, Belma Selimović, Amina ŠiljakJesenković Box Office Adi Tunović, Box Office manager Ermin Čakal, Box Office assistant manager Elvir Ključanin, Belma Varupa, Mirza Hujić, Amra Mekić, Jasmina Brdarić, Vildana Mamić, Edin Alihodžić, Selma Kuršumlić, Amela Hajdarević, Zlata Alić, Sanela Alić, Amra Dragnić, Elma Arnautović Interpreter Amira Sadiković Accreditation Feđa Purivatra, head of Accreditations Ana Jurišić, head of Golden Card Ines Lučić, assistant Volunteers Srđan Duletić, head of Volunteers IT Department Nedim Kovač, IT and system manager Ermin Dedović, IT technician Emir Mehić, IT technician Bakir Husović, IT technician Drivers Nedim Hasanbegović, Zejnil Plakalo, Sejad Ahmetagić Maintenance Sadiha Murtić, Sabija Kalačar Security Sevice Gama sigurnost d.o.o. FESTIVAL TEAM l 17. Sarajevo Film Festival 247
FILMS - ORIGINAL TITLE
11 KM 209 1395 DANA BEZ CRVENE 188, 204 678 104
EL VARAL ELENA EN EL FUTURO THE EXTERNAL WORLD
A
F
ABENDLAND AMNISTIA AMORE 14 ANĐEO SREBRENICE APELE TAC ATERFÖDELSEN A TIRO DE PIEDRA ATMEN A TORINÓI LÓ ATTENBERG AVÉ AUTOGRAF
42 18 158 208 175 90 105 19 27 80 20 205
B
BAD NIGHT FOR THE BLUES 169 BALKANSKI VITEZOVI 208 BALLONS AIGUILLES 189 106 BELI, BELI SVET BELIEVE 172 BELVEDERE 204 BEN GELDIM GIDIYORUM 43 BEYOND-ISM 90 205 BEZ NASLOVA BIG BANG BIG BOOM 169 BILA SAM MALA 205 BIR ZAMANLAR ANADOLU’DA 142, 204 BISIQILET 178 BIZIM BÜYÜK 68 CARESIZLIGIMIZ THE BLACK POWER MIXTAPE 107 1967-1975 BOSANSKA RAPSODIJA NA RUBU 44, 205 ZNANOSTI BOSANSKI ČAPLIN PRELAZI GRANICU 208 205 BRZINA ŽIVOTA C
CAPTAIN AMERICA: THE FIRST AVENGER CARS 2 CHICO & RITA CHRZEST CINEMA KOMUNISTO CLAY PIGEON CROSS CSICSKA
159 150 180 108 45 172 91 32
209 82 21
U
145 48, 206 176 114 209
O
33 178
J
JANE EYRE JEDAN DAN NA DRINI JESSI JIANYU JORGOVAN
209
D
DA LI NAMJERAVATE DA ME LAŽETE? 205 DA VAM NACRTAM 209 DEN KAEMPESTORE BJORN 151 DIANE WELLINGTON 169 DIE ROLLEN DIE VERNESA B. 208 DJECA CENTRA 206 DOBRE DUŠE 206 DO NOT FORGET ME ISTANBUL 75, 205 DOVE SEI, AMOR MIO 32 E
EDINA 166 EDO MURTIĆ U SARAJEVSKOJ VIJEĆNICI 206 EKÜMENOPOLIS: UCU OLMAYAN ŞEHIR 46
K
KAKO SAM... 209 KAKO SAM ZAPALIO SIMONA BOLIVARA 206 KAM JE IZGINIL DELAVSKI RAZRED? 49 KIDNAPPET 162 KIRIK MIDYELER 23 KIYAMET 34, 209 KLOŠAR NE MOŽE VOZITI MOTOR 206 KNERTEN 152 KOCHEGAR 115 KOLIKO VISOKO JE NEBO 206 LA CIÉNAGA 136 LA DAME AU CHIEN 92 LA MUJER SIN CABEZA 137 LA NIÑA SANTA 138 LA VIDA UTIL 116 L’ACCORDEUR 170 LA MEGLIO GIOVENTU’ DI MOSTAR 206 LAS ACACIAS 117 LÁTHATATLAN HÚROK - A TEHETSÉGES PUSKER NŐVÉREK 50 LAUBERHORNRENNEN IM SOMMER 172 LE GAMIN AU VÉLO 118 LE HAVRE 146 LES CONDIMENTS IRRÉGULIERS 190 LES FEMMES DU 6EME ÉTAGE 147 LET IZNAD MINSKOG POLJA 207 LIFE IN A DAY 181
248 17. Sarajevo Film Festival l FILMS - ORIGINAL TITLE
M
N
144 113 47, 206
I
I LUPI ICH BIN’S HELMUT IL CAPO IZLET
192 24
THE SHORE THE SLUT SMÁ BARN, STORA ORD SOUNDTRACK FOR A REVOLUTION STAND VAN DE STERREN STARIJI OD VREMENA STICK CLIMBING STVARI, KI JIH NISVA NIKOLI NAREDILA SUIKER
175 169 92 22
178 111 160 161 112
H
HABEMUS PAPAM HAEVNEN HEROJ NAŠEG DOBA HIÇ BIR KARANLIK UNUTTURMZ! HROMONI
210 153 191
THE TAILOR TJELESNA FUNKCIJA TODOS TUS MUERTOS TO JE NAŠE DIJETE TOPLO ZA TA LETNI ČAS TRADICIJA OHRIDSKIH BISERA TRČI ZA ŽIVOT TREĆE POLUVRIJEME TSE TYRANNOSAUR
G
GAND+URI GANDU GREMO MI PO SVOJE GRIFF THE INVISIBLE THE GUARD
LIGA IZUZETNIH DŽENTLMENA LION KING THE LOOK THE LOVE OF BOOKS A SARAJEVO STORY LOVERBOY
MAGNET 51, 207 MAJKI 69 MALI BORCI 209 MAMA AFRICA 182 MANCHESTER UNITED OT SVISHTOV 52 MELANCHOLIA 119 MEZANIN 34 MICHAEL 70 MOJA IZGUBLJENA GENERACIJA 207 MORGEN 71 MOBITEL 53, 205 MOTEL NANA 204 MOURIR AUPRES DE TOI 93 MY MOTHER LEARNS CINEMA 172 THE MINERS’ HYMNS 120
143 33
L
Č
ČOVJEK ZA TEBE
FEJS JEDNE PORODICE FINISTERRAE FLEKE THE FORGIVENESS OF BLOOD FOTOGRAFIA
110 109 81 91
NEKI DRUGI DAN 193 NEPRIJATELJ 204 210 NIJANSA SIVE NUMARATOAREA MANUALA 35 OBRATNOE DVIZHENIE 121 OČA 72 OKHOTNIK 83 ORKESTAR 148, 207 OSTAVLJENI 204 OSTROVAT 73 OVSYANKI 122 P
PAPILLON D’AMOUR 173 PINA 194 PLAY 86 PLAYERS 93 PODSLON 74 POLAZAK 54 PORODIČNI ALBUM 210 POSLJEDNJE POGLAVLJE 26 POSTHUMNO 166 PROLAZ ZA VAN 55 PUN(A) 56, 207 Q
QUATTRO HONG KONG 2
123
R
RANDOM STRANGERS RAO YI SHENG RATNI REPORTER RAZORUBIČENJE RED EARTH REY MUERTO RICOCCHET RULES OF SINGLE LIFE
94 94 57 58 95 139 210 59
S
SCENARIJ SCENE SA ŽENAMA SCENES FROM THE SUBURBS SCHLAF SCHWARZKOPF SELO BEZ ŽENA SKARABEG
210 167 183 173 60 207 209
195 84 176 184 124 207 95 35 170
Š
ŠANTIĆEVA 88
207
T
ULIČNA USPAVNKA U MENI DUBOKO VELIKO OKO – BOŠKO KUĆANSKI UMSHINI WAM UNDICI UN JUEGO DE NINOS UNE VIE DE CHAT THE UPSETTER USUD
125 167 85 210 36 208 61 210 96 126 210 208 96 210 170 154 185 208
V
VALAMI KEK VERANO DE GOLIAT VETE MÁS LEJOS ALICIA VORSTADTKROKODILE 2 VOTUL MEU VTORI DUBAL
36 127 128 155 62 37
W
WAKARANAI BUTA WALK AWAY RENÉE WASTED YOUTH WEEKEND WHEN YOU’RE STRANGE WINDFALL
97 129 25 173 186 130
Y
Y DIOS QUISO YURI LENNON’S LANDING ON ALPHA 46
131 173
Z
ZEMLJA ZNANJA
63
Ž
ŽIVOT, PRIKLJUČENIJA I ODRŽIVI RAZVOJ JEDNOG KOKOTA 64
A
THE ABANDONED 204 ABENDLAND 42 ALICIA, GO YONDER 128 ALL YOUR DEAD ONES 85 AMNESTY 18 AMORE 14 158 AND GOD WILLED 131 THE ANGEL OF SREBRENICA 208 THE ASCENT 26 ATTENBERG 80 AUTOGRAPH 205 AVÉ 20 B
BAD NIGHT FOR THE BLUES 169 THE BALKAN KNIGHTS 208 BEAST 32 BELIEVE 172 BELVEDERE 204 BENEATH THE SKY 206 BEYOND-ISM 90 BICYCLE 178 BIG BANG BIG BOOM 169 THE BLACK POWER MIXTAPE 1967-1975 107 BODILY FUNCTION 167 BOSNIAN CHAPLIN CROSSES 208 THE BORDER BOSNIAN RHAPSODY AT THE MARGINS OF SCIENCE 44, 205 BREATHING 19 BRING ME MY MACHINE GUN 96 BROKEN MUSSELS 23 C
CAIRO 678 104 CAPTAIN AMERICA: THE FIRST AVENGER 159 CARS 2 150 A CAT IN PARIS 154 A CELL PHONE MOVIE 53, 205 CHICO & RITA 180 THE CHIEF 92 CHILDREN OF THE CENTER 206 THE CHRISTENING 108 CHROMONES 178 THE COUNTING DEVICE 35 THE CROCODILES STRIKE BACK 155 CINEMA KOMUNISTO 45 CLAY PIGEON 172 CROSS-COUNTRY 91 D
DAD A DAY ON THE DRINA DEAD KING DIANE WELLINGTON DOCTOR RAO DO NOT FORGET ME ISTANBUL DO YOU INTEND TO LIE TO ME
72 48, 206 139 169 94 75, 205 205
E
ECUMENOPOLIS: CITY WITHOUT LIMITS 46 EDINA 166 EL VARAL 110 EDO MURTIĆ IN SARAJEVO CITY HALL 2008 206 ELENA 109
ELEVEN ENEMY ESCARABAJO EXCEPTIONAL GENTLEMEN LEAGUE THE EXTERNAL WORLD
210 204 209 210 91
F
FAMILY PHOTO-ALBUM 210 FATE 208 FINISTERRAE 82 THE FORGIVENESS OF BLOOD 143 THE FUSE: OR HOW I BURNED SIMON BOLIVAR 206 G
GANDU GOING OUR WAY GOOD SOULS GREEN GROUND GIRLS GRIFF THE INVISIBLE THE GREAT BEAR THE GUARD
211 160 206 189 161 151 112
H
THE HEADLESS WOMAN 137 A HERO FOR OUR TIME 47, 206 THE HOLY GIRL 138 HOW I DID... 209 THE HUNTER 83 I
IN A BETTER WORLD IN A PIG’S EYE IN THE FUTURE INSIDE ME DEEP BIG EYE – BOŠKO KUĆANSKI INVISIBLE STRINGS - THE TALENTED PUSKER SISTERS IRREGULAR SEASONING THE ISLAND IT’S ME, HELMUT I’VE COME AND I’M GONE I WAS JUST A CHILD
113 97 81 208 50 190 73 169 43 205
J
JANE EYRE JESSI
145 176 118 34, 209
L
THE LADY WITH THE DOG 92 LAND OF KNOWLEDGE 63 LAS ACACIAS 117 LAUBERHORNRENNEN IM 172 SOMMER LE HAVRE 146 LET ME DRAW IT TO YOU 209 LIFE IN A DAY 181 LILAC 209 LION KING 153 LITTLE CHILDREN, 176 BIG WORDS LITTLE FIGHTERS 209 LOADED 56,207 THE LOOK 191 THE LOVE OF BOOKS A SARAJEVO STORY 192 LOST IN AFRICA 162 LOVERBOY 24 M
MAGNET MAMA AFRICA
209 119 34 70 71 204 69 93 52 172 120 206 207 62
N
NO DARKNESS CAN MAKE US FORGET! 33 O
OLDER THAN THE TIME 207 OLD MOUNTAIN 54 ONCE UPON A TIME IN ANATOLIA 142,204 ONE FLEW OVER THE MINE FIELD 207 ONE FAMILY’S FACE 209 ORCHESTRA 148,207 OUR GRAND DESPAIR 68 96 OUT P
PAPILLON D’AMOUR THE PHOTOGRAPH THE PIANO TUNER PINA PLAY PLAYERS POSITION AMONG THE STARS POSTHUMOUS A PUNK CANNOT RIDE A BIKE
173 33 170 194 86 93 124 166 206
Q
QUATTRO HONG KONG 2
123
R
K
THE KID WITH A BIKE KIYAMET
A MAN FOR YOU MELANCHOLIA MEZZANINE MICHAEL MORGEN MOTEL NANA MOTHERS TO DIE BY YOUR SIDE MY MATE MANCHESTER UNITED MY MOTHER LEARNS CINEMA THE MINERS’ HYMNS MOSTARS BEST OF YOUTH MY LOST GENERATION MY VOTE
51, 207 182
RANDOM STRANGERS RAZORUBIČENJE RED EARTH REIGN OF ASSASSINS REVERSE MOTION RICOCHET RULES OF SINGLE LIFE RUN FOR LIFE
94 58 95 114 121 210 59 61
SPEED OF LIFE SPOTS STICK CLIMBING THE STOKER A STONE’S THROW AWAY A STREET LULLABY SUGAR SUMMER OF GOLIATH THE SWAMP
205 21 95 115 105 210 170 127 136
T
TAKE TWO THAT’S OUR CHILD THE TAILOR THE THINGS WE’VE NEVER DONE TOGETHER THE THIRD HALF TIME THE TURIN HORSE THOUGHTS TRADITION OF OHRID PEARLS TRIALS, TRIBULATIONS & SUSTAINABLE GROWTH OF A COCK A TRIP TWIGSON TYRANNOSAUR
37 210 125 35 210 27 178 208
FILMS - ENGLISH TITLE
11 KM 209 1395 DAYS WITHOUT RED 188, 204
64 22 152 126
U
UN JUEGO DE NINOS THE UNLIVING UNTITLED THE UPSETTER A USEFUL LIFE
170 90 205 185 116
V
VILLAGE WITHOUT WOMEN 207 W
WALK AWAY RENÉE WAR REPORTER WARM FOR THIS TIME OF YEAR WASTED YOUTH THE WAY OUT WE HAVE A POPE WEEKEND WHEN YOU’RE STRANGE WHERE HAS THE WORKING CLASS GONE? WHITE WHITE WORLD WINDFALL THE WOLVES
129 57 36 25 55 144 173 186 49 106 130 175
Y
YURI LENNON’S LANDING ON ALPHA 46 173
S
SCENES FROM THE SUBURBS 183 SCENES WITH WOMEN 167 SCHLAF 173 SCHWARZKOPF 60 SCREENPLAY 210 SERVICE ENTRANCE 147 THE SHADE OF GREY 210 SHELTER 74 THE SHORE 195 A SHORT FOR VERNESA B. 208 SILENT RIVER 175 SILENT SOULS 122 THE SLUT 84 SOME OTHER DAY 193 SOMETHING BLUE 36 SOUNDTRACK FOR A REVOLUTION 184 FILMS - ENGLISH TITLE l 17. Sarajevo Film Festival 249
directors
A
Abu-Assad Hany Akdemir Metin Alimani Bujar Allers Roger Ancarani Yuri Andrizzi Mauro Annokkeé Jeroen Arsenijević Stefan Atanasova Rayna Azem Imre
75, 205 43 18 153 92 81 170 75, 205 178 46
B
Bakrač Adis Bakuradze Bakur Balabanov Aleksey Ban Saša Beau Adrien Bečanović Nemanja Begić Aida Begović Nedžad Ben-Asher Hagar Benković Miroslav Bier Susanne Blu Bojanov Konstantin Braun Frank
82 93 129 142, 204 189 178 126 71 208 193
D
Dardenne Jean-Pierre Dardenne Luc De Michele Alberto des Pallieres Arnaud Diab Mohamed DiCillo Tom Ditter Christian Dos Santos Alexis Dragomir Victor Drljača Igor Drljević Alen Dubois Julien
118 118 175 169 104 186 155 94 33 206 56, 207 189
DŽ
Džinić Nusreta
206
E
Engmark Asleik Errando Tono Erturk Cenk
152 180 166
F
Fedorchenko Aleksei Felicioli Jean-Loup Ferrer Marta Florencio Flavio Ford Leon Fukunaga Cary Joji
122 154 110 131 161 145
209 208 124 185 105 123 192 160 210 206 59
I
Islamović Elma Imamović Ahmed Israel Laura Ivanović Nemanja
210 204 130 209
J
Jacobsen Esben Toft James Larsson Lisa Johnston Joe Jonze Spike Jurij Zdenko
151 176 159 93, 183 207
Kabil Namik Kadić Vesko Kalev Kamen Kamerić Šejla Kapetanović Emir Karabey Hüseyin Karaslan Serhat Kaurismäki Aki Kaurismäki Mika Kolbas Silvestar Komadina Dragan Komljen Dane Kontić Boro Korine Harmony Koseva Nadejda Kutin Blaž Kwan Stanley
51, 207 209 73 188, 204 210 33 178 146 182 57 207 167 205 96 37 36 123
L
Lakos Nóra Lalović Ivana Lasseter John Law Clara Lazarescu Anca Miruna Lazić Branko Lazurean-Gorgan Monica Le Guay Philippe Lewis Brad Lilja Hugo Lisica Ismet Lough Adam Bhala
166 209 150 95 175 205 62 147 150 90 206 185
LJ
G
Gagnol Alain
Hajrić Emin Hasanović Ado Avdulah Helmrich Leonard Retel Higbee Ethan Hiriart Sebastián Ho Yu-hang Hobkinson Sam Hočevar Miha Hodžić Tarik Hrbat Nedim Hristov Tonislav
K
Č
Čelebić Vanja Čengić Emir
173 22 205, 207 173 195 42 117 62 125 184 210
H
204 83 115 63 190 26 75, 205 53, 205 84 206 113 169 20 173
C
Caballero Sergio Cahn Simon Caouette Jonathan Ceylan Nuri Bilge Chabbi Fodil Colban Iulia Considine Paddy Crisan Marian
Galler Thomas Gazvoda Nejc Gegić Šemsudin Gentinetta Claudius George Terry Geyrhalter Nikolaus Giorgelli Pablo Gorgan Andrei Grinberg Gordon Guttentag Bill Gvozden Rijad
154
250 17. Sarajevo Film Festival l DIRECTORS
Ljubić Vesna
44, 205
Ljuca Nikola
167
M
Maccarone Angelina 191 Macdonald Kevin 181 Manchevski Milcho 69 Manivel Damien 92 Mariscal Javier 180 Markarian Josefina 75, 205 Markovics Karl 19 Marston Joshua 143 Martel Lucrecia 136, 137, 138, 139 Matanić Dalibor 34 Matičević Mladen 61 Matizović Domagoj 58 McDonagh John Michael 112 Mendoza Brillante 123 Miljanović Mladen 205 Miller Elisa 128 Minkoff Rob 153 Mitulescu Catalin 24 Moccia Federico 158 Moreno Carlos 85 Moretti Nanni 144 Morrison Bill 120 Muasya Vibeke 162 Mukherjee Kaushik 111 N
Nazarian Eric Nikolova Ina Niziris Stergios Novković Oleg
75, 205 178 75, 205 106
O
Olsson Göran Hugo O’Reilly David Orozović Ratko
107 91 208
Ö
Östlund Ruben
86
P
Papadimitropoulos Argyris Pašić Mirza Pavlović Danijel Pereda Nicolás Perović Vladimir Peševski Saša Popović Veljko Provost Nicolas Prutina Amra
25 206 210 127 64 209 32 173 206
R
Radončić Šeki Rajič Aleta Ramadan Ivan Ranalli Peter Riahi Arman T. Rosen Roee
47, 206 209 34, 209 205 60 96
S
Sandu Daniel 35 208 Savanović Nemanja Schleinzer Markus 70 Schneider Mariejosephin 176 Shakrawi Omar 75, 205 Shepherd Chris 169 Sholev Dragomir 74 Simion Felicia 178 Smajić Denis 210 Sós Ágnes 50 Stanković Goran 5 4
Steiner Nicolas Stempkovskiy Andrey Stidea Radu Studenti SAE Film Instituta / SAE Film Institute students Sturman Dan Su Chao-Pin
169 121 178 210 184 114
Š
Šamanović Sanja Šamanović Vedran Šarenac Srđan Šipka Marko Škafar Vlado
55 55 207 208 72
T
Takala Pilvi 93 48, 206 Tanović Ines Tardozzi Aldo 21 Tarr Béla 27 68 Teoman Seyfi Terzimehić Amila 210 210 Tešić Igor Till Attila 32 Tokmak Seyfettin 23 209 Tomić Ivana 172 Tomić Miloš Tomić Vladimir 207 Toulemonde Vidal Jacques 170 Treiner Olivier 170 180 Trueba Fernando Tsangari Athina Rachel 80 Tschernyi Alexej 94 45 Turajlić Mila 35 Turk Martin V
Valdobrev Stefan Valente Giusepe Vejar Guillermo Veiroj Federico Velinović Predrag Vogel Jan von Trier Lars Vouardoux Anthony Vroda Maryna Vukorep Jons
52 206 209 116 204 25 119 173 91 208
W
Wada Atsushi Weerasethakul Apichatpong Weiss Maja Wenders Wim Wright Paul Wrona Marcin Wu Zhi
97 123 49 194 172 108 94
X
Xun Sun 90 Y
Yetik Nesimi
172
Z
Zečević Dejan Zelić Igor Zimmerman Daniel Zomboracz Virag Zvyagintsev Andrei
204 58 95, 172 36 109
Ž
Žalica Pjer
148, 207
/VI RaiHeisen
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