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New Medieval Literatures is an annual containing the best new interdisciplinary work in medieval textual cultures.

As one of the most enigmatic and most reviled kings in English history, the man who will become Richard III emerges from the pages of The Protector as a loyal brother, a fearless soldier, and an able administrator of the north of England. Neither saint nor villain, he is thrust unwillingly into power by the untimely death of his elder brother, King Edward IV, who leaves the crown to his son, a twelve-year-old boy. On his deathbed, the dying king names Richard protector of the new king

'In Succession Livi Michael engages meticulously with the diverse historical accounts of the Wars of the Roses, but she also invests intimate and poignant humanity into the personal tragedies of an era wrought with conflict and terror.' Elizabeth Fremantle, author of Queen's Gambit Behind the bloody battle scenes of the Wars of the Roses lie the sinewy political skills of a remarkable pair of women. Margaret of Anjou, French, beautiful, unpopular; her marriage in 1444 to a young Henry VI causes national uproar. As English rule in France collapses, Henry goes insane, civil war erupts, and families are pitted against each other. With Henry VI incapacitated, Margaret Anjou is left to fight alone for her son's position as rightful heir. Meanwhile Margaret Beaufort, nobly born but far more distant from the throne, becomes a great heiress while only an infant. Her childhood is lived in echoing remote castles and she is lonely and vulnerable: everyone at Henry's court competes to be her guardian and to engineer an advantageous alliance through marriage to her. By the age of thirteen, she has married twice and given birth to her only son - the future King of England. But then she is separated from him . . . and her fight really begins Succession is the intense and powerful story of the women who gave birth to the Tudor dynasty.

Studies range over the whole field of Arthurian literature, in Europe and North America, with special focus on Malory and Morte Darthur.

From the award-winning author of A Rose for the Crown, Daughter of York, and The King’s Grace comes another masterful historical novel—the story of Cecily of York, mother of two kings and the heroine of one of history’s greatest love stories. Anne Easter Smith’s novels are beloved by readers for their ability “to grab you, sweep you along with the story, and make you fall in love with the characters.” In Cecily Neville, duchess of York and ancestor of every English monarch to the present day, she has found her most engrossing character yet. History remembers Cecily of York standing on the steps of the Market Cross at Ludlow, facing an attacking army while holding the hands of her two young sons. Queen by Right reveals how she came to step into her destiny, beginning with her marriage to Richard, duke of York, whom she meets when she is nine and he is thirteen. Raised together in her father’s household, they become a true love match and together face personal tragedies, pivotal events of history, and deadly political intrigue. All of England knows that Richard has a clear claim to the throne, and when King Henry VI becomes unfit to rule, Cecily must put aside her hopes and fears and help her husband decide what is right for their family and their country. Queen by Right marks Anne Easter Smith’s greatest achievement, a book that every fan of sweeping, exquisitely detailed historical fiction will devour.

This authoritative A–Z encyclopedia of the Wars of the Roses provides accurate and concise descriptions of the major battles and events and the principal historical figures and issues involved. For centuries, historians agreed about the Wars of the Roses, seeing them as four decades of medieval darkness and chaos, when the royal family and the nobility destroyed themselves fighting for control of the royal government. Even Shakespeare got into the act, dramatizing, popularizing, and darkening this viewpoint in eight plays. Today, based on new research, this has become one of the most hotly controversial periods in English history. Historians disagree on fundamental issues, such as dates and facts, as well as interpretation. Most argue that the effects of the wars were not as widespread as once thought, and some see the traditional view of the era as merely Tudor propaganda. A few even claim that England during the late 15th century was "a society organized for peace." Historian John A. Wagner brings readers up to date on the latest research and thinking about this crucial period of England's history.

Richard III's Beloved Cousyn.

The Cultural Patronage of Medieval Women is the first volume exclusively devoted to an examination of the significant role played by women as patrons in the evolution of medieval culture. The twelve essays in this volume look at women not simply as patrons of letters but also as patrons of the visual and decorative arts, of architecture, and of religious and educational foundations. Patronage as a means of empowerment for women is an issue that underlies many of the essays. Among the other topics discussed are the various forms patronage took, the obstacles to women's patronage, and the purposes behind patronage. Some women sought to further political and dynastic agendas; others were more concerned with religion and education; still others sought to provide positive role models for women. The amusement of their courts was also a consideration for female patrons. These essays also demonstrate that as patrons women were often innovators. They encouraged vernacular literature as well as the translation of historical works and of the Bible, frequently with commentary, into the vernacular. They led the way in sponsoring a variety of genres and encouraged some of the best-known and most influential writers of the Middle Ages. Moreover, they were at the forefront in fostering the new art of printing, which made books accessible to a larger number of people. Finally, the essays make clear that behind much patronage lay a concern for the betterment of women.

"[A] gem of a book . . . enlivened by incisive analysis, exquisite detail and an elegant and witty style." -- Alison Weir The Wars of the Roses, which tore apart the ruling Plantagenet family in fifteenth-century England, was truly a domestic drama, as fraught and intimate as any family feud before or since. But as acclaimed historian Sarah Gristwood reveals, while the events of this turbulent time are usually described in terms of the men who fought and died seeking the throne, a handful of powerful women would prove just as decisive as their kinfolks' clashing armies. A richly drawn, absorbing epic, Blood Sisters reveals how women helped to end the Wars of the Roses, paving the way for the Tudor age -- and the creation of modern England.