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Full text of "Catalogue of the library of Robert Hoe of New York : illuminated manuscripts, incunabula, historical bindings, early English literature, rare Americana, French illustrated books, eighteenth century English authors, autographs, manuscripts, etc."

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PURCHASED      BY     THE 

RICHARD  EDWARDS,  JR. 
LIBRARY  FUND 

FOUNDED    BY 
MRS.    GEORGE    B.     EDWARDS 

MEMORY   OF  HER    SON 


^KT( 


OIlaaB 


H69 


.^.  ;a^ 


"Imitation  of  Christ,"  1690,  bound  by  Monnier. 
(See  No.  245,) 


Hoe^  RoVievt^ 


CATALOGUE    OF 

CJe  ILihmt^  of 
l^ohttt  Hoe 

of  jQclu  ^orfe 

ILLUMINATED      MANUSCRIPTS,     INCUNABULA,    HISTORICAL 

BINDINGS,     EARLY      ENGLISH      LITERATURE,     RARE 

AMERICANA,    FRENCH     ILLUSTRATED     BOOKS, 

EIGHTEENTH  CENTURY  ENGLISH  AUTHORS, 

AUTOGRAPHS,    MANUSCRIPTS,    ETC. 


^ 


Part  II— A  to  K 


TO   BE    SOLD    HY   AUCTION 

BEGINNING    ON    MONDAY,    JANUARY    8, 

1912 


\  3     ,  ^  3    3    > 

5  J  >  J 


Cf)e  antierson  auction  Company 

Madison  Avenue  at  Fortieth  Street 
New    York 


Telephone,  Bryant  7990 


(SEE   ORDER   OF   SALES   ON   PAGE   3) 


BOOKS   AND   AUTOGRAPHS.  ~^   .    ^^        \ 

Conditions  of  Salc.^^,    ^ 


1.  All  bids  to  be    per   Lot    as  numbered  in  the  Catalogue. 

2.  The  highest  bidder  to  be  the  buyer;  in  all  cases  of  disputed  bids 
the  lot  shall  be  resold,  but  the  Auctioneer  will  use  his  judgment  as  to  the 
good  faith  of  all  claims  and  his  decision  shall  be  final. 

3.  Buyers  to  give  their  names  and  addresses  and  to  make  such  cash 
payments  on  account  as  may  be  required,  in  default  of  which  the  lots 
purchased  to  be  immediately  resold. 

4.  Goods  bought  to  be  removed  at  the  close  of  each  sale.  If  not  so 
removed  they  will  be  at  the  sole  risk  of  the  purchaser,  and  subject  to 
storage  charges,  and  this  Company  will  not  be  responsible  if  such  goods 
are  lost,  stolen,  damaged  or  destroyed. 

5.  Terms  Cash.  If  accounts  are  not  paid  at  the  conclusion  of 
each  Sale,  or,  in  the  case  of  absent  buyers,  when  bills  are  rendered,  this 
Company  reserves  the  right  to  recatalogue  the  goods  for  immediate  sale 
without  notice  to  the  defaulting  buyer,  and  all  costs  of  such  resale  will 
be  charged  to  the  defaulter.  This  condition  is  without  prejudice  to  the 
rights  of  the  Company  to  enforce  the  sale  contract  and  collect  the 
amount  due  without  such  resale  at  its  own  option.  Unsettled  accounts 
are  subject  to  interest  at  the  rate  of  six  per  cent,  per  annum. 

6.  All  books  are  sold  as  catalogued,  and  are  assumed  to  be  in  good 
condition.  If  material  defects  are  found,  not  mentioned  in  the  catalogue, 
the  lot  may  be  returned.  Kotice  of  such  defects  iniist  be  given 
promptly  and  the  goods  returned  within  ten  days  from 
the  date  of  the  sale.     No  exceptions  will  be  made  to  this  rule. 

7.  Autograph  Letters,  Documents,  Manuscripts  and  Bindings  are  sold 
as  they  are  without  recourse.  The  utmost  care  is  taken  to  authenticate 
and  correctly  describe  items  of  this  character,  but  this  Company  will  not 
be  responsible  for  errors,  omissions,  or  defects  of  any  kind. 

.  8.  Bids.  We  make  no  charge  for  executing  orders  for  our  cus- 
^tomers.  We  use  all  bids  competitively  and  buy  at  the  lowest  price  per- 
'mitted  by  other  bids. 

^  ,\r    ■ 


Part  II  (A  to  K) 


ORDER  OF  SALES 


Afternoons  and  Evenings  of  January  8  to  12,  1912 
Beginning  at  2.30  and  8.15  o'clock 


Monday  Afternoon, 
Monday  Evening, 
Tuesday  Afternoon, 
Tuesday  Evening, 
Wednesday  Afternoon, 
Wednesday  Evening, 
Thursday  Afternoon, 
Thursday   Evening, 
Friday  Afternoon, 
Friday   Evening, 


Lots 


1-  166 

167-  291 

292-  487 

488-  668 

669-  856 

857-1050 

1051-1259 

1260-1464 

1465-1665 

1666-1854 


Following  the  sale  a  full  list  of  prices  will  be  printed 


130468 


NOTE 

The  Catalogue  (illustrated)  will  be  issued  in  four  parts 
of  about  600  pages  each,  with  indices.  Orders  for  the 
complete  set  will  be  received  at  $5  per  set,  including  the 
Price  Lists,  or  $1.50  for  each  part,  including  the  Price  List. 

Price  Lists  will  be  issued  with  each  part  at  Fifty  Cents. 
The  Price  List  for  Part  I  is  now  ready  for  deliverj^,  and 
those  for  Part  II  and  the  following  catalogues  will  be 
issued  at  the  conclusion  of  the  sales. 


gibXicrsi^a:|jMi:aX  gotts. 


TN  the  Preface  of  the  Catalogue  of  Part  I  of  the  Robert 
Hoe  Library  it  was  said,  "  The  sale  will  be  an  event  of 
unprecedented  importance."  Such  it  proved  to  be,  and  the 
highest  expectations  were  surpassed.  Slightly  more  than 
3,500  titles — about  one-fourth  of  the  entire  collection — were 
sold  for  nearly  one  million  dollars,  or  more  than  four  times 
the  largest  amount  ever  received  for  an  entire  library  in  all 
the  history  of  book-sales  by  auction ;  and  nearly  all  prices 
exceeded  previous  records. 

The  sale,  in  the  new  Anderson  Galleries,  beginning  on 
April  24,  1911,  and  concluding  on  the  afternoon  of  May  5th, 
was  attended  by  collectors  of  world-wide  fame  and  by  rep- 
resentative buyers  from  England,  France,  Germany,  and 
the  United  States.  The  interest  of  the  general  public  was 
aroused  to  an  extraordinary  degree  by  the  importance  of 
the  collection,  the  large  attendance,  the  eagerness  of  the 
buyers,  and  the  elaborate  reports,  many  of  them  illustrated, 
in  the  daily  newspapers  of  the  principal  American  cities. 
In  methods  and  environment,  new  standards  were  estab- 
lished by  the  Anderson  Company  at  the  sale,  and  the  books 
and  manuscripts  which,  coming  from  a  hundred  cities,  had 
gone,  one  by  one,  through  half  a  century,  into  Mr.  Hoe's 
wonderful  collection,  were  distributed  in  less  than  a  month 
to  collectors  in  all  parts  of  the  world. 

The  authenticity  of  the  Hoe  books  and  manuscripts  can- 
not be  emphasized  too  strongly.  Many  of  them  came  into 
his  collection  through  the  hands  of  dealers  of  long  experi- 
ence and  established  reputation  who  gave  their  personal 
guarantees  to  Mr.  Hoe.  Many  others  came  from  the  great 
libraries  which,  during  his  long  and  active  career  as  a  col- 
lector, were  sold  here  and  abroad;  and  as  these  contained 
the  treasures  of  still  older  collections,  the  greatest  books  of 
centuries  thus  came  into  his  possession,  each  with  a  well- 
authenticated  history  of  its  own.  And  of  Mr.  Hoe  himself 
it  must  be  said  that,  with  his  long  experience,  his  pride  in 
his  collection,  his  ability  to  command  the  services  of  emi- 
nent authoritiies,  and  his  acknowledged  taste  and  wonderful 
knowledge  of  the  bibliographical  points  of  books,  he  would 
have  been  quick  to  detect  and  resent  an  imposition. 


The  Second  Part  of  the  Hoe  Library  contains  almost  as 
many  important,  interesting  and  rare  items  as  the  first.  The 
indices  at  the  end  of  this  catalogue  give  a  chronological  list 
of  American  history  and  literature,  a  list  of  Incunabula, 
and  an  analysis  of  the  remarkable  bindings;  and  these  will 
be  of  great  service  to  those  who  are  in  search  of  the  rarest 
items.     The  following  notes  may  be  of  service  also: 

MANUSCI^IPTS:  Many  very  remarkable  examples  of  Missals 
and  Horse  were  sold  in  Part  I  of  the  Library,  and  another 
large  selection  is  now  offered,  representing  various  styles, 
schools,  and  periods  and  illustrating  the  art  of  manuscript 
illumination  from  the  Thirteenth  Century.  Most  of  them 
are  in  immaculate  condition.  On  a  Latin  manuscript  of  th& 
second  part  of  the  Fifteenth  Century  the  arms  of  King 
Matthias  Corvinus  of  Hungary  are  painted,  and  it  is  prob- 
able that  the  manuscript  was  executed  for  him.  An  Italian 
manuscript  of  the  latter  part  of  the  same  centurj^  was  exe- 
cuted for  Pasquale  Diaz  Garlon,  Castellano  of  Napoli.  A 
manuscript  of  446  leaves  with  131  fine  ornamental  initials 
painted  in  colors,  is  a  beautiful  and  interesting  manuscript 
of  the  Vulgate,  and  was  executed  in  the  Thirteenth  Cen- 
tury. A  translation  of  Boccaccio  written  on  vellum  in  1409 
will  attract  the  attention  of  the  experts,  for  illuminated 
manuscripts  of  a  secular  character  are  very  rare. 

A  French  manuscript  of  136  leaves  written  in  the  Fif- 
teenth Century,  with  four  large  miniatures,  is  very  un- 
usual also.  A  book  of  Hours,  containing  187  leaves,  is  one 
of  the  most  beautiful  manuscripts  executed  in  the  North- 
east of  France ;  a  Spanish  inscription  shows  that  it  had  been 
examined  by  the  Inquisition.  A  magnificent  manuscript  of 
great  value,  in  Gothic  characters  on  vellum,  is  embellished 
with  thirty-nine  miniatures.  Another  very  beautiful 
manuscript  is  that  executed  in  the  Fifteenth  Century  for 
the  second  wife  of  Jean  II,  Due  de  Bourbon ;  the  large 
miniatures  recall  the  best  work  of  Jean  Foucquet,  and  one 
of  them,  representing  the  Virgin  crowned  as  a  queen  and 
attended  by  angels,  administering  the  sacrament  to  St.  Avia, 
is  of  extraordinary  interest.  A  manuscript  of  238  leaves; 
another  with  paintings  remarkable  for  architectural  details, 
vigorous  drawings,  and  beauty  of  color;  a  third  of  171 
leaves,  executed  for  Cornells  Crosinck,  lieutenant-forester 
of  Holland,  superb  in  every  detail;  two  manuscripts  by 
Nicolas  Jarry;  two  Arabic  manuscripts  on  native  glazed 


paper,  and  a  Persian  manuscript  on  418  leaves  embellished 
with  full-page  miniature  paintings  are  among  the  great 
treasures  of  this  collection.  The  famous  Touraine  Missal 
will  command  the  closest  attention  of  collectors.  It  is  a 
superb  Missal;  and  the  miniatures,  remarkable  for  correct- 
ness of  design,  execution,  and  coloring,  must  be  numbered 
among  the  best  productions  of  the  School  of  Touraine. 

BINDINGS:  Mr.  Hoe's  appeciation  of  fine  bindings  is  well 
known,  and  many  hundred  bindings  of  artistic  and  his- 
torical importance  and  of  wonderful  association  interest 
are  found  in  his  collection.  Nearly  two  hundred  appear  in 
this  sale.  Many  of  these  are  catalogued  under  the  general 
heading  of  Bindings  and  the  others  appear  under  authors. 
Nearly  all  the  famous  binders  of  the  world  are  represented, 
as  shown  by  the  index  at  the  end  of  the  catalogue,  and 
usually  by  many  examples  of  their  finest  work. 

No  doubt  the  most  wonderful  binding  in  this  sale  is  that 
on  L'Imitation  de  Jesus  Christ  printed  in  Paris  in  1690 
(No.  245).  The  great  artist  in  leather  who  executed  it  was 
Monnier,  who  took  such  pride  in  this  exhibition  of  his  skill 
that  he  signed  the  binding  in  no  less  than  six  places. 

In  this  section  of  the  Library  are  rare  volumes  bearings 
the  arms  of  Queen  Marie  Antoinette,  Queen  Marie  de 
Medicis,  Queen  Henriette  Maria,  and  the  Queen  of  Louis 
XV,  and  any  one  of  these  volumes  would  add  distinction 
to  the  finest  library.  Several  volumes  bear  the  arms  of 
Madame  de  Pompadour,  another  was  presented  to  Anna  of 
Austria,  a  third  is  supposed  to  have  been  bound  for  Marie 
Marguerite  de  Valois  de  Saint-Remy.  One  volume  was 
beautifully  bound  for  Henry  III  of  France,  another  for 
Louis  XIII  and  his  Queen,  and  a  third  for  Louis  XV.  One 
book  bears  the  arms  of  Napoleon  I,  another  the  arms  of 
Pope  Clement  XI,  a  third  the  arms  of  Pope  Benedict  XIII, 
and  on  the  fourth  is  the  monogram  of  Cardinal  Emanuel 
of  Savoy.  Other  volumes  were  bound  for  Louis  XIII, 
Louis  XIV,  Francis  I,  Charles  I  of  England,  Henry  IV  of 
France,  and  Henry  HI.  A  book  of  great  interest  is  the 
Aristotle  printed  in  Paris  in  1554  and  bound  in  England 
for  Robert  Dudley,  Earl  of  Leicester,  the  favorite  of  Queen 
Elizabeth.  The  Aldine  Theophrastus  printed  in  Venice 
in  1497  came  from  the  library  in  the  Chateau  of  Anet  of 
Henry  II  and  Diana  de  Poictiers,  and  is  a  wonderfully  fine 
example.     Munster's  La  Cosmographie  Universelle,  printed 


in  1556,  is  in  contemporary  French  binding,  and  the  gilt 
medallions  of  Henry  II  of  France  commemorate  his  wars. 
Several  Bibles,  old  and  rare,  are  in  bindings  made  300  and 
350  years  ago.  A  particularly  desirable  item  is  No.  188,  in 
a  contemporary  English  binding  embroidered  in  gold  and 
silver. 

INCUNABULA:  In  early  printed  books  the  Hoe  LibrarjMs 
remarkably  rich.  In  the  first  Hoe  sale  the  Gutenberg 
Bible  on  vellum,  the  first  book  printed  from  movable  type, 
sold  for  $50,000,  or  more  than  twice  the  highest  price  ever 
paid  up  to  that  time  for  a  single  book.  In  this  sale  a  copy 
is  offered  of  the  same  Bible  on  paper,  perfect  and  genuine 
throughout.  The  Hoe  copy  is  one  of  the  few  with  portions 
printed  in  red.     It  is  handsomely  bound  by  Mercier. 

Another  book  of  extraordinary  interest  is  "  Communyca- 
cyon  Bytwene  God  and  Man,"  printed  in  London  by 
Wynken  de  Worde  about  1499.  This  copy  seems  to  be 
utterly  unknown  to  bibliographers.  Still  another  book 
that  will  attract  the  attention  of  the  collectors  is  the  first 
edition  of  Chaucer's  Canterbury  Tales,  printed  at  West- 
minster by  William  Caxton  about  1477,  being  the  fourth 
or  fifth  book  printed  in  England.  There  is  a  record  of 
eleven  copies,  of  which  only  two,  one  in  the  British 
Museum  and  the  other  at  Merton  College,  Oxford,  are 
perfect.  Undoubtedly  the  Hoe  copy  is  the  best  that  will 
ever  be  offered  for  sale.  A  Caxton  of  very  great  impor- 
tance is  the  Polycronicon,  which  Caxton  himself  translated. 
Mr.  Hoe's  copy  is  absolutely  perfect,  except  that  three 
blank  leaves  are  missing.  The  only  two  copies  comparable 
with  it  are  in  public  libraries,  and  will  never  come  on 
the  market.  The  Pliny,  printed  on  vellum  by  Jenson  at 
Venice  in  1476,  is  another  remarkable  book  and  is  in  im- 
maculate condition.  The  Rerum  Venetarum  of  Sabellicus, 
printed  at  Venice  in  1487  with  the  Jenson  types,  is  not  only 
one  of  the  four  known  copies,  but  is  the  copy  that  was  pre- 
sented to  Doge  Marco  Barbarigo,  whose  arms,  painted  in 
gold  and  colors,  appear  on  the  first  page. 

Special  attention  should  be  called  to  the  Chronicle  of 
England,  printed  at  St.  Albans  in  1483.  It  is  an  excessively 
rare  book>  only  about  eight  copies  being  known,  all  but  one 
imperfect.  The  defect  in  the  Hoe  copy  has  been  remedied, 
«o  far  as  possible,  by  the  insertion  of  twenty-seven  leaves 
in   facsimile;  there  are  260  genuine  leaves,  and  it  is   ex- 


tremely  doubtful  if  a  better  copy  will  ever  be  offered. 
Lack  of  space  prevents  further  reference  to  the  great  num- 
ber of  early  printed  books. 

EARLY  ENGLISH  LITERATURE:  This  department  was  Mr. 
Hoe's  great  specialty  and  his  Library  contained  a  large 
number  of  exceedingly  rare  volumes.  The  Venus  and 
Adonis  now  offered  is  an  extraordinary  item ;  it  is  in  the 
original  vellum  binding,  and  the  only  other  copy  known  i& 
in  the  British  Museum.  The  only  perfect  copy  of  Queen 
Elizabeth's  Prayer  Book,  London  1569,  is  in  Lambeth 
Palace  and  for  many  years  was  supposed  to  be  unique. 
The  Hoe  copy  is  in  remarkable  condition.  Too  much  can- 
not be  said  in  praise  of  the  copy  of  Milton's  Paradise  Lost, 
also  in  this  sale.  It  is  not  only  the  exceedingly  rare  first 
issue  of  the  first  edition  with  the  title-page  in  its  first  state, 
but  it  is  in  the  original  binding,  the  condition  of  which  is 
remarkably  fine.  The  first  English  edition  of  Froissart's 
Chronicles  was  printed  in  London  in  1525  and  the  Hoe  copy 
is  one  of  the  finest  in  existence.  Fisher's  Treatise,  printed 
by  Wynken  de  Worde  in  1508,  the  first  edition,  is  exceed- 
ingly rare,  and  the  second  edition,  which  is  equally  rare,  is 
likewise  in  fine  condition.  Of  Lydgate's  translation  of  the 
history  of  Troy,  printed  by  Pynson  in  London  in  1513,  one 
authority  has  said  that  no  perfect  copy  was  known.  The 
Hoe  copy,  however,  is  genuine,  fresh,  and  perfect  through- 
out. Another  remarkable  book  is  Middleton's  political 
play,  A  Game  at  Chesse,  printed  in  1625;  only  two  copies 
are  known,  and  as  one  of  these  is  in  the  University  Library 
at  Cambridge  the  present  opportunity  to  purchase  is  prob- 
ably the  last  that  collectors  will  ever  have. 

Mr.  Hoe's  collection  of  Walton  was  unusually  fine.  The 
catalogue  contains  no  less  than  forty-nine  titles  of  books 
by  Isaac  Walton  and  Walton  and  Cotton.  Mr.  Hoe's  copies 
of  the  first  five  editions  of  the  Angler  are  tall  and  attractive. 
Spenser's  Complaints,  London  1591,  seems  to  be  one  of  two 
copies.  The  Faerie  Queen,  1595-1596,  is  a  very  important 
copy,  embracing  the  second  edition  of  the  first  part  and  the 
first  edition  of  the  second,  and  bound  with  it  is  the  first 
edition  of  Colin  Clout.  This  was  John  Evelyn's  copy  and 
contains  on  the  fly-leaf  seventeen  lines  in  his  autograph. 
Reference  should  be  made  also  to  Arnold's  Chronicle, 
printed  at  Antwerp  about  1503,  a  perfect  copy  of  the  first 
edition.  Many  very  important  Shakespeare  items  were  in 
the  first  sale  and  others  are  offered  now. 


LATER  ENGLISH  LITERATURE :  Many  exceedingly  rare  and 
interesting  items  will  be  found  in  this  department.  Gold- 
smith's Good  Natured  Man,  Deserted  Village,  and  Haunch 
of  Venison,  and  his  comedy,  She  Stoops  to  Conquer,  are  in 
this  sale  and  all  of  them  are  first  editions.  An  uncut  first 
edition  of  Goldsmith's  Enquiry  contains  an  autograph  let- 
ter from  the  author  to  his  publisher.  Goldsmith's  Citizen 
and  his  Life  of  Nash  are  first  editions  also.  The  Traveler 
is  the  second  issue  of  the  first  edition ;  another  copy, 
printed  in  the  same  year  but  with  variations,  is  a  presenta- 
tion copy  "  with  the  author's  best  esteem."  The  Hoe  copy 
of  the  Vicar  of  Wakefield  is  of  extraordinary  interest,  for 
it  is  not  only  the  earliest  issue  of  the  rare  first  edition  and 
in  the  original  calf  but  is  a  presentation  copy  with  Gold- 
smith's inscription.  The  choicest  Pope  item  is  an  uncut 
copy  of  the  very  rare  first  issue  of  the  Dunciad.  A  copy 
of  the  second  issue  is  followed  in  this  sale  by  a  copy  of  the 
second  edition,  and  by  eleven  other  early  editions.  One  of 
these  is  a  presentation  copy  with  Pope's  inscription.  The 
most  interesting  Sterne  item  is  the  large  paper  copy  of  the 
first  edition  of  the  Sentimental  Journey.  Mr.  Hoe  thought 
there  were  only  three  copies  of  the  first  edition  of  Gulliver's 
Travels  on  large  paper;  his  own  copy  contains  the  portrait 
in  the  first  state.  William  Blake's  Songs  of  Innocence, 
•colored  by  his  own  hand,  is  the  copy  he  gave  to  his  physi- 
cian. 

AMERICANA:  Even  the  most  successful  collectors  of  books 
relating  to  early  America  will  find  extraordinary  items  in 
this  sale,  some  of  which  are  not  likely  to  be  offered  again. 
The  first  edition  of  the  complete  account  of  the  four  voy- 
ages of  Vespuccius  is  one  of  the  four  known  copies.  The 
Hoe  copy  is  the  only  one  ever  owned  by  an  American,  and 
the  other  copies  have  permanent  resting  places  in  national 
libraries  abroad.  Three  other  Vespuccius  items  appear  in 
this  sale.  Smith's  History  of  Virginia  is  on  large  paper 
and  is  an  early  issue  of  the  first  edition.  Mr.  Hoe  believed 
it  to  be  the  dedication  copy  to  the  Duchess  of  Richmond. 
The  maps  and  portraits  are  remarkably  fine.  The  True 
Travels  by  Smith  will  be  sold  also;  it  is  a  first  edition  and 
a  large  copy.  The  Christopher  Colombus  Letter  of  1493  is 
the  first  dated  edition.  De  Bry's  Grand  Voyages  fill  thirteen 
folio  volumes  and  all  the  parts  are  first  editions.  The 
French  version  of  the  first  part  of  the  voyages,  exceedingly 


rare,  is  in  brilliant  and  perfect  condition.  Mr.  Hoe's  copy 
of  Horsmanden's  Negro  Plot  is  the  rare  first  edition,  uncut. 
The  Hoe  copy  of  the  laws,  statutes,  and  ordinances  of 
the  City  of  New  York  is  one  of  four  copies,  the  other  three 
being  in  public  libraries,  and  it  is  of  exceptional  interest. 
Morton's  New  England  Memorial,  printed  in  1669,  was 
John  Evelyn's  copy  and  later  the  Lefferts  copy.  Morton's 
New  England  Canaan  is  another  very  rare  book.  This  sale 
will  also  include  three  King  Philip's  War  Narratives,  all 
uncut  and  undoubtedly  the  finest  copies  in  existence. 
Another  extraordinary  item  is  Filson's  Kentucky.  It  is 
the  only  copy  with  the  Philadelphia  map  that  has  ever 
been  offered  for  sale  by  auction,  and  three  lines  in  the 
autograph  of  Daniel  Boone  add  to  its  interest  and  value. 
The  Cedulario  of  Puga  is  the  first  printed  collection  of 
Mexican  laws.  The  Chronica  of  Amandus  contains  three 
epistles  from  Mexico,  one  of  which  ends  with  a  sentence  in 
Mexican,  so  that  this  volume,  printed  in  1534,  gives  the  first 
appearance  of  an  American  language  in  print.  A  complete 
set  of  the  tracts  of  Las  Casas,  all  first  editions,  form 
another  great  nugget  in  this  library.  The  first  edition  of 
Lederer's  Discoveries,  Beste's  Discourse,  Bullock's  Vir- 
ginia, Byfield's  New  England,  and  Gray's  Virginia  are  rare 
and  highly  important  books.  Van  Der  Donck's  quarto, 
published  in  1650,  is  the  most  important  work  on  the 
history  of  New  Netherlands  up  to  that  time;  this  is  the 
Brinlej"  copj^  Five  years  later  the  Beschryvinge  Van 
Nieuw  Nederlant  was  printed,  contai)iing  the  second  en- 
graved view  of  New  York. 

FI^ENCH  BOOKS  constitute  a  very  large  part  of  the  Hoe 
Library  and  the  demand  for  such  books  as  he  selected — 
mainly  classics  in  handsome  bindings — is  rapidly  increasing 
in  this  country  and  abroad.  Les  Troys  Premiers  Livres  de 
I'Historie  de  Diodore  Sicilien,  1535,  printed  on  vellum,  is 
extremely  rare;  the  Hoe  copy  once  belonged  to  the  grand- 
uncle  of  Henry  IV ;  it  contains  a  wood-cut  which  is  regarded 
as  Tory's  masterpiece.  Princesses  de  Jade  et  de  Jadis  is  a 
unique  copy,  comprising  fifty-eight  original  water  colors  by 
Lorant-Heilbroun.  Les  Amours  Pastorales  de  Daphnis  et 
Chloe,  Paris  1731,  is  probably  the  only  copy  on  vellum.  The 
same  work  published  sixteen  years  later  contains  twenty- 
eight  plates,  engraved  after  Philippe  d'Orleans,  and  is  one  of 
the  twelve  copies  on  vellum.  Le  Romant  de  la  Rose  by  Lorris 


and  Meung,  printed  at  Lyons  in  1503,  contains  140  woodcuts, 
and  is  a  remarkable  example  of  early  book-making.  An 
unauthorized  edition  of  Gargantua,  printed  in  1542,  is  one 
of  the  rarest  books  from  Dolet's  press.  Many  editions  of 
La  Fontaine's  Fables  and  other  works  are  offered,  some  of 
them  first  editions,  including  the  famous  edition  called 
"Des  Fermiers  Generaux."  Another  noteworthy  produc- 
tion is  the  Lancelot,  printed  at  Paris  in  1533.  Six  Dorat 
titles  are  catalogued ;  the  illustrations  are  noteworthy,  and 
one  item  is  superbly  bound  by  Michel.  Coquillart's  Sen- 
suyuent  les  Droitz  Nouveaulx  was  printed  about  1515  and 
is  of  great  rarity. 

Les  Triumphes  by  Bouchet,  La  Gverre  des  Masles  by 
Cholieres,  Tableau  des  Riches  by  Colonna,  Cronique  et 
Hystoire  by  Commines,  Polyeucte  Martyr  by  Corneille, 
Heraclius  by  the  same  author,  GEuvres  by  Gessner  (one  ot 
two  copies  on  vellum),  Les  GEuvres  by  Marot,  the  first 
edition  of  Meliadus  de  Leonnoys,  and  Verard's  edition  of 
Tristan  are  books  to  which  the  attention  of  discriminating 
collectors  should  be  directed.  Froissart's  Chronicles, 
printed  at  Paris  1495-1500,  three  volumes  folio  on  vellum, 
contain  165  finely  painted  and  illuminated  miniatures,  and 
another  extraordinary  work  is  Monstrelet's  Chronicles  (1503) 
with  bindings  which  are  the  best  specimens  of  Lortic's  skill. 

MISCELLANEOUS :  Collectors  of  manuscripts,  especially 
those  of  American  authors,  will  find  in  this  sale  some  Irving 
material  of  great  interest.  His  note  book  on  his  European 
tour,  in  1804,  is  probably  the  earliest  Irving  manuscript 
ever  offered  for  sale  by  auction;  and  his  note  book  for  1805 
is  apparently  unpublished.  Three  of  Irving's  manuscript 
note  Vjooks  written  for  his  "  Mahomet  "  and  four  written  on 
his  Western  tour  are  also  offered.  Fifteen  sheets  of  musi- 
cal score,  containing  Thomas  Moore's  "Legendary  Bal- 
lads," set  to  music  by  Bishop,  with  the  text  in  Moore's 
handwriting,  form  a  most  attractive  item.  A  manuscript 
of  greater  importance  is  Walter  Scott's  Life  of  Jonathan 
Swift.  Many  Grolier  Club  publications  and  many  extra 
illustrated  books,  some  of  them  very  fine,  are  found  in  this 
section  of  the  Hoe  Library,  and  it  also  contains  a  small  but 
very  interesting  collection  of  books  on  laces  and  embroid- 
ery, several  of  very  early  date. 


C!)e  iltbrarp  of 
3^obert  Hoe 


PART  II— A  TO  K 


TWENTIETH   SESSION,  MONDAY,  2:30  P.  M. 


1.  A'BECKETT    (GILBERT  ABBOTT).      The    Comic 
■^-^     History  of  England.  Ten  colored  etchings  and 

120   woodcuts  by   John   Leech.  First   Edition    of  Vol.  1. 

2  vols.  8vo,  cloth.  London,  1847-53 

2.  A'BECKETT  (GILBERT  ABBOTT).  The  Comic  His- 
tory of  Rome.  Colored  etchings  and  numerous  woodcuts  by 
John  Leech.  First  issue  of  the  original  edition.  Bvo, 
brown  cloth.  London:   Bradbury  and  Evans  [1853] 

3.  ABELARD  AND  HELOISE.  Lettres  d'Abailard  et 
d'Heloise,  nouvelle  traduction,  avec  le  texte  a  cote.  Par 
J.  Fr.  Bastien.  Large  Holland -paper  copy.  2  vols. 
Bvo,  old  red  morocco,  gilt  backs,  gilt  edges.         Paris,  1782 

4.  AB:ELARD  and  HELOISE.  a  Nineteenth  Century, 
and  familiar  history  of  the  Lives,  Loves,  &  Misfortunes,  of 
Abeillard  and  Heloisa,  A  Matchless  Pair,  who  flourished  in 
the  twelfth  century:  a  Poem,  in  twelve  cantos.  By  Robert 
Rabelais,  the  Younger.  10  engravings  in  aquatint  by  Land- 
seer  and  Lewis,  after  Thurston.  8vo,  half  red  levant  mo- 
rocco gilt,  gilt  top,  uncut,  by  Riviere.  London,  1819 

*  By  Wm.  Combe,  author  of  "Dr.  Syntax." 

5.  ABEL-REMUSAT  (M.).  Histoire  de  la  Ville  de 
Khotan,  tiree  des  Annales  de  la  Chine  et  traduite  du  Chinois ; 
Suivie  de  Recherches  sur  la  substance  minerale  appelee 
par  les  Chinois  Pierre  de  lu,  et  sur  le  Jaspe  des  anciens. 
8vo,  boards,  uncut.  Paris,  182Q 

*  From  the  library  of  William  Beckford,  with  his  notes  on 
the  fly-leaves. 


6.  ABENCUFIAN  (ALY).  La  vie  du  roy  Almansor. 
(Translated  from  the  Spanish  by  Father  d'Obeilh.)  12mo, 
brown  lev^ant  morocco  gilt,  gilt  top,  uncut. 

Amsterdam:  Daniel  Elsevier,  1671 

7.  ABOUT  (EDMOND).  Le  Nez  d'un  Notaire.  Front- 
ispiece and  12  vignettes  by  Oery-Bicliard.  Small  4to,  green 
levant  morocco,  gilt  back,  side  borders,  gilt  edges,  by  Lortic. 

*  One  of  25  copies  on  Japan  paper.  Paris    1886 

8.  ABOUT  (EDMOND).  Les  Mariages  de  Paris.  8vo, 
maroon  levant  morocco,  back  and  sides  tooled  with  inter- 
lacing fillets,  gilt  edges,  original  covers  bound  in,  by  Cham- 
bolle-Duru.  Paris,  1887 

*  One  of  115  copies  on  India  paper,  with  the  52  woodcuts  in 
dupHcate. 

9.  ABOUT  (EDMOND).  Tolla.  Illustrations  hij  Felicien 
de  Myrbacli,  AdoljjJie  Giraldon  and  Paul  Baudry,  in  3  states. 
4to,  blue  levant  morocco,  gilt  and  inlaid,  doublure  of  silk 
and  cut  velvet,  gilt  edges,  original  covers  bound  in,  by 
David.  Paris,  1889 

*  Japan  paper  copy ;  one  of  140  printed. 

10.  ACHILLES  TATIUS.  Les  Amours  de  Clitophon  et 
de  Leucippe,  nouvellement  traduits  en  langage  Franc^'ois 
par  B.  Comingeois  (Fran^-ois  de  Belleforest).  8vo,  blue 
levant  morocco  gilt,  gilt  edges,  by  Thibaron. 

Paris:  pour  Jean  Borel,  1575 

11.  ADAM  (BILLAUT).  Le  Vilebreqvin  de  Me.  Adam 
Menvisier  de  Nevers.  Contenant  Toates  sortes  de  Poesies 
gallantes,  tant  en  Sonnets,  Epistres,  Epigrammes,  Elegies, 
Madrigaux,  que  Stances,  &  autres  Pieces,  autant  curieuses, 
que  diuertissantes,  sur  toutes  sortes  de  sujets  .  .  .  12mo, 
green  levant  morocco,  blind-tooled  fillets,  gilt  edges,  by 
Bauzonnet  Trautz.  Paris,  16H3 

12.  ADAM  (PAUL).  Le  Vice  Filial.  Illustrated  by 
J.  Dedina.  12mo,  half  orange  levant  morocco,  silk  sides, 
gilt  back  and  top,  uncut,  original  covers  bound  in,  by  The 
Club  Bindery.  Paris,  1898 

*  One  of  35  copies  on  Japan  paper. 

13.  ADAM  (PAUL).  Basileet  Sophie.  Dessins  de  C.-H. 
Dufau,  graves  sur  bois  par  G.  Lemoine.  12ino,  half  blue 
levant  morocco,  back  tooled  in  leaf-sprays,  blue  satin  sides, 
gilt  top,  uncut,  original  covers  bound  in,  by  The  Club 
Bindery.  Paris,  1900 

14.  ADAMSON  (JOHN).  Memoirs  of  the  Life  and  Writ- 
ings of  Luis  de  Camoens.  Large  Paper.  2  vols.  8vo, 
citron  levant  morocco,  tooled  and  inlaid,  gilt  tops,  uncut, 
by  David.  London,  1820 

*  Extra-illustrated  with  7  portraits  of  Camoens  and  9  illustra- 
tions after  Harding  and  others,  all  proofs. 

2 


15.  ADDISON  (JOSEPH).  A  Poem  to  his  Majesty 
William  III,  Presented  to  the  Lord  Keeper.  By  Mr.  Addi- 
son, of  Mag.  Coll.  Oxon.  First  Edition.  Folio,  figured 
silk.     Bound  with  Yalden's  "  Conquest  of  Naraur,"  1695. 

London:  Jacob  Tonson,  1695 

16.  ADDISON  (JOSEPH).  The  Campaign,  a  Poem.  Sec- 
ond Edition,  with  the  half-title.  Small  folio,  blue  levant 
morocco,  gilt,  gilt  edges,  by  The  Club  Bindery.  Loudon,  1705 

17.  ADDISON  (JOSEPH)  and  STEELE  (RICHARD). 
The  Spectator.  To  be  Continued  Every  Day.  Nos.  1-635 
bound  in  2  volumes,  folio,  green  vellum,  gilt,  entirely  uncut. 

London :  Printed  for  Sam.  Buckley  at  the  Dolphin  in  Little 
Britain,  1711-14. 

*  The  complete  file  of  the  Spectator  as  originally  issued  in 
numbers  and  entirely  uncut,  seven  volumes,  Nos.  I-DLV,  folio 
sheets  issued  daily  from  March  1,  1711,  to  December  6,  1712; 
and  Nos.  555-635,  issued  tri-weeklv  from  June  18  to  December 
20,  1714. 

The  copy  formerly  in  the  libraries  of  Lord  Hope  and  the 
Earl  of  Munster,  with  two  legal  papers  inserted,  containing 
copies  of  contracts  and  agreements  between  the  publisher  and 
Addison  and  Steele. 

In  addition  to  the  papers  on  Sir  Roger  de  Coverley  (by  Addison 
and  Steele)  the  first  appearance  of  Pope's  "The  Messiah  "  is  in 
No.  338.  Pope  also  contributed  Nos.  404  and  408  and  a  short 
paper  in  527.  Probably  not  more  than  four  or  five  com- 
plete FILES  ARE  IN  EXISTENCE. 

18.  ADDISON  (JOSEPH)  and  STEELE  (RICHARD). 
Le  Spectateur,  ou  le  Socrate  moderne.  On  Ton  voit  un  Por- 
trait naif  des  Moeurs  de  ce  Siecle.  Traduit  de  I'Auglois. 
Portraits.  8  vols.  12mo,  old  red  morocco  gilt,  gilt  edges,  by 
Derome  the  Younger,  with  his  tickets. 

Amsterdam  and  Leipzig,  1768 

19.  ADDISON  (JOSEPH)  and  STEELE  (RICHARD). 
Eighty-one  plates  from  Sharpe's  8vo  edition  of  the  Spectator, 
Tatler,  and  Guardian.     4to,  russia,  gilt  back,  and  edges. 

London, 1803-04 

20.  ADDISON  (JOSEPH).  Miscellaneous  Works.  Large 
Paper  copy.  4  vols.  12mo,  half  brown  morocco  gilt,  gilt 
tops,  uncut.  Oxford,  1830 

21.  ADDISON  (JOSEPH).  Days  with  Sir  Roger  de 
Coverley.  A  reprint  from  "  The  Spectator. "  Illustrations 
by  Hugh  Thomson.  Large  Paper  copy.  Royal  8vo, 
buckram.  London,  1892 

22.  ADVERTISSEMENT  des  nouvelles  cruautez  &  in- 
humanitez,  desseignees  par  le  Tyran  de  la  France.  8vo, 
old  French  red  morocco,  gilt  edges. 

Paris:  Rolin  Thierry,  1589 
*  An  exceedingly  rare  treatise  on  the  Assassination  of  the 
Due  de  Guise  by  Henry  III  of  France. 

3 


23.  ^SCHYLUS.  Tra^oedi?e  sex,  gr?ece.  First  Edition, 
8vo,  citron  morocco,  back  and  sides  covered  with  a  mosaic 
of  red  and  green  morocco  in  compartments  outlined  in  gold, 
doublure  of  rose  morocco,  dentelle  borders,  gold  flj^-leaves, 
gilt  edges,  in  a  rose  morocco  case,  in  the  mosaic  style  of 
Padeloup,  probabl}^  by  Trautz-Bauzonnet. 

Venetiis:  In  sedibus  Aldi  et  Andrepe  Soceri,  1518 

24.  ^SCHYLUS,  SOPHOCLES,  EURIPIDES.  Tragoedia- 
selectee  Jischyli,  Sophoclis,  Evripidis.  Cum  duplici  iuter- 
pretatione  Latina.  2  vols.  16mo,  old  red  morocco  gilt,  with 
the  first  arms  of  J.  A.  de  Thou  in  the  centre  of  the  covers 
and  his  monogram  on  the  panels  of  the  back,  gilt  edges 

(Geneva?)  Henr.  Stephanus,  illustris  viri  Huldriehi  Fug- 
geri  typographus,  1567. 

*  From  the  Heber  library,  with  his  stamp,  and  with  the  book 
label  of  Ambroise  Firmin  Didot. 

25.  ^ESOP.  Vita  Esopi  e  greco  latina  per  Rinucium 
facta;  Aesopi  fabularum  libri  IV,  carmine  latino;  Aesopi 
fabulae  XVII  extravagantes;  Fabulae  XVII  novae  Aesopi 
ex  translatione  Rinucii,  sermone  soluto;  Fabulae  Aviani 
carmine  latino;  Fabulae  coUectae  XXIII,  sermone  soluto. 
Gothic  characters.  IIU  unnumbered  leaves,  with  signatures 
Q,-(l\  Jf2-Ji.S  lines  to  the  full  page.  Fall-page  luoodcut  on  the 
recto  of  first  leaf  and  192  woodcuts  in  the  text.  Small  folio, 
green  levant  morocco,  with  compartments  formed  by  inter- 
laced bands  of  dark  green  levant  outlined  with  gold,  the 
spaces  filled  with  richly  gilt  ornaments,  gilt  back;  doublure 
of  green  levant,  broad  borders,  with  bands  of  darker  green, 
gilt  edges,  by  The  Club  Bindery,  in  a  case  (last  2  blank(?) 
leaves  missing),  [n.  pi.,  n.  d.,  but  Strassburg,  Printer  of 
the  1483  Jordanus  de  Quedlinburg,  after  1483.  ] 

*Tall  copy.   Of  the  greatest  rarity,  but  very  few  copies 
—probably  2  or  3,  including  this  one,  known.    hain,  327. 
[See  Reproduction.] 

26.  iESOP.  Aesopi  Appologi  sive  mythologi  cum  qui- 
busdam  Carminum  et  Fabularum  additionibus  Sebastiani 
Brant .  .  .  Mythologi  Esopi  clarissimi  fabulatoris,  una  cum 
Aviani  et  Remicii  quibusdam  fabulis  per  Sebastianum 
Brant  nuper  revisi,  etc.  S32  woodcuts.  Folio,  russia  blind 
tooled,  gilt  edges,  by  Clarke  and  Bedford  (with  blank  leaf 
between  the  two  books). 

Basileae:  Opera  et  impensa  magistri  Jacobi  de  Phortz- 

heim,  1501. 

*  A  VERY  FINE  AND  LARGE  COPY.  Edited  by  Sebastian 
Brandt,  author  of  the  "Ship  of  Fools,"  with  the  addition  of 
the  Fables  of  Avianus.  The  woodcuts  in  the  iirst  part  differ 
from  those  of  the  undated  .Esop  described  by  Dibdin  and  the 
figures  of  the  second  part  resemble  those  produced  by  Grun- 
inger  at  Strasburg. 
From  the  Beckford  and  Ives  Collections. 


^sop's  Fables,  1483. 
(See  No.  25.) 


27.  ^SOP.  [Vita  et  Fabellae,  Graece.]  Only  the  last 
44  leaves,  containing  the  collection  of  Proverbs  by  Tarr- 
hseus,  Didymus,  Suda,  etc.  Ruled  throughout  luith  red  ink, 
initials  in  gold  and  colors.  Small  folio,  old  red  straight- 
grain  morocco,  Aldine  anchor  on  the  sides,  entirely  uncut. 

Venetiis:  Apud  Aldius,  1505 

*  The  Syston  Park  copy,  with  bookplate. 

28.  ^ESOP.  Fabule  cum  commento.  Gothic  characters. 
37  leaves.  Andre  BocarcVs  device  on  the  title.  4to,  blue 
levant  morocco,  gilt  and  blind  tooled,  gilt  edges,  by  Cham- 
boUe-Duru.  (Apparently  imperfect,  beginning  with  signa- 
ture I.)  [Paris:  Andre  Bocard,  n.  d.],  ca.  1496-1531 

29.  ^ESOP.  Vita  di  Esopo  tradotta  da  Giulio  Landi 
(writing  on  title).  Vinegia,  Giolito,  1545. — Favole  d'Isopo 
tradotte  in  lengua  italiana.  Venezia,  1544. — Motti  e  Sen- 
tentie  daPlutarchoraccolti,  nuovamente  tradotti.  Vinegia, 
P.  Girardo,  1543. — Sentenze  et  aurei  detti  didiversi  antichi 
savi,  raccolti  da  N.  Liburnio.  Vinegia,  Giolito,  1545. — Vite 
de  philosophi  moralissime  et  de  loro  sententie  estratte  da 
Laertio,  etc.  Woodcut  heads.  Venetia,  1535.  In  one 
volume,  8vo,  old  Italian  olive  morocco,  blind  tooled  orna- 
ments on  the  sides  (lateral  margins  of  last  piece  cut  very 
short,  with  text  of  some  pages  shaved).    Venice,  1535-1545 

30.  ^ESOP.  .Esop's  Fables,  with  his  Life  in  English, 
French  and  Latin.  Newly  translated  (by  T.  Philipott). 
Illustrated  with  112 sculptures.  To  this  edition  are  likewise 
added  31  new  figures  representing  his  Life.  By  Francis 
Barlow.  Folio,  green  levant  morocco  gilt,  vellum  doublures 
and  guards,  gilt  edges,  by  The  Club  Bindery. 

London:  Printed  by  H.  Hills,  jun.,  1687 

*  Large  paper  copy  of  the  second  edition,  containing  plate 
17,  usually  missing.  The  French  text  of  the  fables  differs  con- 
siderably from  that  of  the  First  Edition. 

31.  ^ESOP.  Les  Fables  d'Esope,  Phrygien,  lUustrees  de 
Discours  Moraux,  Philosophiques,  &  Politiques.  Nouvelle 
Edition.  Augmentee  de  beaucoup  en  divers  endroits.  Avec 
des  Reflexions  Morales,  par  J.  Baudoin.  Frontispiece  and 
137  vignettes  on  copper,  illustrating  the  life  of  ^I^sop.  12mo, 
orange  levant  morocco  gilt,  gilt  edges,  by  Trautz-Bauzon- 
net.  Bruxelles:  Francois  Foppens  [ca.  1700] 

32.  ^ESOP.  Esope  en  Belle  Humeur,  ou  derniere  traduc- 
tion, et  augmentation  de  ses  Fables  en  prose,  et  en  vers 
(par   J.    Brusle    de   Montpleinchamp).     Nouvelle   edition. 

Frontispiece  and  165  copper-plate  vignettes  by  Herrewijn. 
2  vols,  in  1,  small  8vo,  old  red  morocco  gilt,  gilt  edges,  by 
Derome.  Brusselle:  Frangois  Foppens,  1700 

*  Second  Issue,  with  Herrewijn's  name  on  the  plates. 

5 


33.  ^SOP.  Select  Fables  of  ^sop,  and  other  Fabulists. 
15  plates  in  compartments  and  7  vignettes  hy  Grignion  after 
Wale.  Small  8vo,  red  levant  morocco  gilt,  gilt  edges,  by- 
Bedford.  Birmingham:  John  Baskerville,  1761 

34.  AFBEELDING  der  Menschelyke  Bezigheden,  be- 
staande  in  Hondert  onderscheiden  Printverbeeldingen,  ver- 
tonende  allerhande  Stantspersonen,  zo  van  Regeeringe, 
Konsten,  Wetenschappen,  als  Handwerken,  &c.  Frontis- 
piece and  100 plates.  4to,  half  maroon  levant  morocco  gilt, 
gilt  top,  uncut,  by  Cuzin.  Amsterdam,  n.  d.  {^ca.  1650] 

35.  AIGNAN  (ETIENNE)  and  BERTHEVIN  (G.).  La 
Mort  de  Louis  XVI,  tragedie,  suivie  de  son  testament  et 
•d'une  lettre  a  son  confesseur.  Frontispiece  portrait  of 
Louis  XVI,  Marie  Antoinette  and  ElizahetJi  of  France. 
12mo,  brown  levant  morocco,  covered  with  blind-tooled 
fleurs-de-lys  and  tear-drops,  gilt  edges,  by  Trautz-Bauzon- 
net.  Paris:  les  Marchands  de  Nouveautes,  1796 

*  Bound  with  "  La  Mort  de  Marie- Antoinette  d'Austriche," 
1797  (attributed  to  Barthes  de  Marmorieres),  with  portraits  of 
Louis  XVI  and  Marie  Antoinette ;  ' '  Elisabetli  de  France,  Soeur 
de  Louis  XVI,  tragedie,"  1797,  with  medallion  portrait;  and 
Charlotte  Corday,  ou  la  Judith  Moderne.  Tragedie,"  1797,  with 
portraits  of  Louis  XVI,  Marie  Antoinette  and  Charlotte  Cor- 
day as  Judith. 

36.  AIKIN  (JOHN).  Essays  on  Song- Writing;  with  a 
collection  of  such  English  Songs  as  are  most  eminent  for 
poetical  merit.  New  edition,  with  additions  and  correc- 
tions, and  a  supplement  by  R.  H.  Evans.  12mo,  calf  gilt, 
gilt  edges,  by  Matthews.  London,  1810 

37.  AINS WORTH  (WILLIAM  HARRISON).  JackShep- 
pard,  a  Romance.  First  Edition.  Illustrations  hy  George 
Cruikshank.  3  vols.  12mo,  green  levant  morocco  gilt,  gilt 
tops,  uncut,  by  The  Club  Bindery. 

London:  Richard  Bentley,  1839 

*  ExTRA-iT.LUSTRATED  by  the  insertion  of  a  portrait  of  Ains- 
worth  and  a  duplicate  set  of  the  26  plates  from  the  original 
numbers  of  Bentley's  Miscellany. 

38.  AINSWOR^^H  (WILLIAM  HARRISON).  Old  Saint 
Paul's :  a  Tale  of  the  Plague  and  the  Fire.  First  Edition. 
With  illustrations  hy  John  Franklin.  3  vols.  12mo,  red 
levant  morocco,  gilt  fillets,  gilt  over  rough  edges,  by  David. 

London:  Cunningham,  1841 

39.  AINSWORTH  (WILLIAM  HARRISON).  Guy 
Fawkes;  or.  The  Gunpowder  Treason.  An  historical  ro- 
mance. First  Edition.  Illustrations  {20  etchings),  hy 
George  Cruikshank.  3  vols.  12mo,  red  levant  morocco  gilt, 
gilt  tops  (edges  scraped),  by  The  Club  Bindery. 

London:  Richard  Bentley,  1841 

6 


40.  AINSWORTH  (WILLIAM  HARRISON).  Windsor 
Castle.  An  Historical  Romance.  New  edition  (the  first 
in  octavo).  Illustrated  by  George  Cruikshank  and  Tony 
Johannot  8vo,  citron  levant  morocco,  gilt  panels  and  cor- 
ner ornaments,  gilt  top,  uncut,  by  Reymann. 

London:  Henry  Colburn,  1844 

41.  AINSWORTH  (WILLIAM  HARRISON).  Saint 
James's;  or,  The  Court  of  Queen  Anne.  An  Historical 
Romance.  First  Edition.  lUustratioris  by  George  Cruik- 
shank. 3  vols.  12mo,  half  blue  levant  morocco  gilt,  gilt 
tops,  uncut,  by  Tout.  London;  John  Mortimer,  1844 

42.  AIRY  (OSMUND).  Charles  II.  With 50  plates.  4to, 
red  levant  morocco,  gilt  panels,  gilt  over  rough  edges,  orig- 
inal covers  bound  in,  by  The  Club  Bindery. 

London:  Goupil,  1901 

*  Japan  paper  copy,  with  the  plates  in  two  states,  and  the 
frontispiece  colored. 

43.  AISSE  (MADEMOISELLE).  Lettresde  Mademoiselle 
Aisse  a  Madame  CfalandriniJ.  Qui  contiennent  plusieurs 
anecdotes  de  I'histoire  du  tems,  depuis  I'annee  1720 
jusqu'en  1733.  Precedes  d'un  narre  tres-court  de  I'histoire 
de  Mademoiselle  Aisse,  etc.  First  Edition,  with  Voltaire's 
Notes.     12mo,  green  levant  morocco,  gilt  edges,  by  Duru. 

Paris :  La  Grange,  1787 

44.  AKENSIDE  (MARK).  The  Pleasures  of  Imagina- 
tion .  .  .  (with)  a  critical  Essay  on  the  Poem,  by  Mrs. 
Barbauld.  Extra-illustrated  by  the  insertion  of  4  plates 
after  Stothard  and  a  portrait  of  the  author.  12mo,  half 
brown  levant  morocco  gilt,  gilt  top,  uncut,  by  Alio. 

London,  1795 

45.  ALBERTI  (LEONE  BATTISTA).  Hecatomphile 
[ce  sont  deux  dictions  Grecques  composees,  signifiant,  Cen- 
tiesme  Amour,  sciemment  aiDpropriees  a  la  dame  ayant  en 
elle  autant  damours  que  cent  outres  dames  en  pourroient 
comprendre,  dont  a  present  est  faicte  men  ^ion.  Tournee  de 
vulgaire  Italien  en  langaige  Francoys.  Ensemble  Les 
FLEURS  de  POESIE  FRANgOYSE,  et  autres  choses  sola- 
tieuses.  Reueus  Nouuellement].  57  wo'^dcuts.,  12  of  which 
represent  various  parts  of  the  body.  16mo,  blue  levant 
morocco,  richly  ornamented  in  small  tools,  doublure  of 
red  morocco,  dentelle  borders,  gilt  edges,  by  Bauzonnet- 
Trautz,  in  a  blue  morocco  case.    Paris:  Pierre  Sergent,  1539 

*  The  poems  "  Les  Fleurs  des  Poesie  Francoyse ''  are  in  the 
manner  of  Ronsard,  Villon  or  Marot. 

46.  ALCIATI  (ANDREA).  Livret  des  Emblemes  de 
maistre  Andre  Alciat  mis  en  rime  Francoyse  (par  Jehan  le 
Fevre),  &  presente  a  monseigneur  Ladmiral  de  France.  113 
woodcut  emblems  from  the  Latin  edition  printed  the  same 

7 


year  by  Wechel.  Small  8vo,  red  levant  morocco  gilt,  tooled 
in  a  design  of  scrolls  and  arabesques,  vellum  linings,  gilt 
edges,  by  David.  Paris:  .  .  .  Chrestien  Wechel,  1536 

*The  First  Edition  in  French  was  printed  in  1536,  and  while 
the  sheets  of  the  above  are  similar,  the  title  has  been  reset;  the 
date  on  the  last  line  has  the  Roman  numerals  "  xxxvi "  in 
lower  case  type  instead  of  capitals,  and  the  third  line  from  th& 
last  ends  in  "la "  instead  of  "  rue." 

Green  does  not  mention  this  issue. 

47.  ALCIATI  (ANDREA).  Andrea  Alciati  Emblematvm 
libellus.     113  luoodcut  emblems.     Small  8vo,  vellum. 

Lugdvni:  lacobus  Modernus  excudebat,  1545 

*  One  of  two  issues  of  1545,  differing  only  in  the  printer's 
device  on  title  (Green,  no.  26). 

48.  ALCIATI  (ANDREA).  Les  Emblemes  de  M.  Andre 
Alciat,  Traduits  en  ryme  Frangoise  par  lean  le  Feure.    110 

ivoodcut  illustrations,  attributed  to  ^^  Le  Petit  Bernard.''^ 
Small  8vo,  red  levant  morocco  gilt,  gilt  edges,  by  Niedree. 

Lyon :  lean  de  Tovrnes,  1549 

*  Green  does  not  mention  this  edition. 

49.  ALCIATI  (ANDREA).  Los  Erablemas  de  Alciato 
Traducidos  en  rhimas  Espaiiolas.  Aiiadidos  de  figuras  y 
de  nueuos  Emblemas  en  la  tercera  parte  de  la  obra  [traduci 
dos  en  rhimas  Espaiiolas  por  Bernardino  Daza  Pinciano.] 

Woodcut  border  on  title,  and  200  woodcut  emblems  ivitliin 
borders  by  "  Le  Petit  Bernard,''  and  arms  of  Juan  Vazquez 
de  Molina  on  A3.  8vo,  red  levant  morocco  gilt,  gilt  edges, 
bj^  Chambolle-Duru.     (Green,  no.  36.) 

Lyon:  Mathia  Bonhome  (Acabaronse  a  17  de  Agosto), 
1549. 

50.  ALCIATI  (ANDREA).  Diverse  Imprese  accommo- 
date a  diuerse  moralita,  con  versi  che  i  loro  significati 
dichiarano  insieme  con  molte  altre  nella  lingua  Italiana 
non  piu  tradotte.  Printed  ivitliin  ornamental  borders,  unth 
180  woodcuts,  signed  "P.  F. "  {Pierre  Vingles?).  8vo, 
brown  levant  morocco  gilt,  gilt  edges,  by  Chambolle-Duru. 
(Green,  no.  50.)  Lione:  Gvlielmo  Rovillio,  1551 

51.  ALCIATI  (ANDREA).  (I)  Clarissimi  viri  D. 
Andrese  Alciati.  Emblematvm  libri  dvo.  With  113  small 
woodcut  emblems,  attributed  to  Bernard  Salomon,  "  ie 
Petit  Bernard.''''  Lvgdvni,  loanu,  Torn?esius,  etc.,  1554; 
(II)  In  D.  Andrese  Alciati  Emblemata  svccincta  commen- 
tariola,  etc.  With  113  small  woodcuts,  the  one  on  p.  Ill 
with  monogram  "■  H.  B.'''  {Hans  Beliam).  Lvgdvni,  Apud 
loannem  Torna?sium,  etc.,  1556.  2  vols,  in  1.  24mo,  rose 
levant  morocco,  pointille  back,  gilt  edges,  b}^  Cape.  The 
second  work  lacks  final  leaf  with  colophon  "  Finis"  above 
a  Death's  head.  Lugduni,  1554-5(> 

*  From  the  Janze  collection,  1909.     (Green,  nos.  54  and  59.) 


52.  ALCIATI  (ANDREA).  Emblemata  Andrese  Alciati 
I.  C.  Clariss.  Latinogallica,  Ynk  cum  succinctis  augmentis, 
qiiibus  Emblematis  cuiusque  sententia  explicatur.  Ad 
calcem  Alciati  vita  ...  La  Version  Fransoise  non  encor 
veue  cy  deuant.  With  211  woodcuts.  12rao,  red  levant 
morocco  gilt,  gilt  edges,  by  Belz-Niedree. 

Paris:  lean  Richer,  1584 

*  The  French  version  is  attributed  to  Claude  Mignavilt. 
With  Ex  Libris  de  St.  Genie.     (Green,  no.  107.) 

53.  ALCIATI  (ANDREA).  Omnia  Audrefe  Alciati  V.  C. 
Emblemata  Cum  Commentariis,  quibus  emblematum  de- 
tecta  origine,  dubia  omnia,  et  obscura  illustrantur.  Ad- 
iectfe  Nouse  appendices  nusquam  antea  editfe.  Per  Claud: 
Minoem  [Mignault]  luriscon.  Engraved  frontispiece-title 
hy  Jacc[ues  de  Weert,  ivith  medcdlion  portrait  of  Alcicdi  at 
the  top.,  and  211  (misprinted  ccxiii)  woodcut  ertdjlems.  8vo, 
calf,  back  and  sides  covered  with  gilt  tleurs-de-lys,  in  the 
centre  the  arms  of  Armand  de  Wignerot  du  Plessis,  due  de 
Richelieu,  grand-nephew  of  Cardinal  de  Richelieu;  his 
crowned  monogram  in  the  corners,  gilt  edges.  (Green, 
no.  128.) 

Parisiis:  In  Ofiicina  loan:  Richerii  sumptibus  (date 
erased),  [1601]. 

54.  ALCIATI  (ANDREA).  Andrete  Alciati  V.  C.  Em- 
blemata cvm  Clavdii  Minois  I.  C.  Commentariis  Ad  postre- 
mam  Auctoris  editionem  auctis  &  recognitis.  Portrait  on 
copper  hy  W.  S.,  and  210  woodcut  emblems.  8vo,  original 
vellum,  with  ties  (suiDplied  later). 

[Antuerpige] :  Ex  Officina  Plantiniana  Raphelengii,  1608 

*  From  the  Sunderland  collection.  Contains  the  final  blank 
leaf,  Z4.     (Green,  no.  133.) 

55.  ALCIATI  (ANDREA).  Emblemata  V.  CI.  Andrete 
Alciati  cii  Imagiuibus  plerisque  restitutis  ad  mentem  Auc- 
toris. Adiecta  compendiosa  explicatione  Claudij  Minois 
Diuionensis,  etc.  Engraved  title,  tuith  portrait,  and  212 
luoodcuts,  including  the  locust  on  C3  recto.  Small  8vo,  red 
morocco  gilt,  gilt  edges.     (Green,  no.  149.) 

Patavii  .  .   .  Tozzium,  1618 

56.  ALCRIPE  (PHILIPPE  D').  La  Nouvelle  Fabrique 
des  Excellens  Traits  de  Verite,  Livre  pour  inciter  les  re- 
sveurs  tristes  &  merancoliques  a  vivre  de  plaisir.  Nouvelle 
Edition,  reveue,  corrigee  &  augraentee.  12mo,  blue  levant 
morocco  gilt,  gilt  edges,  by  Bauzonnet-Trautz. 

Imi3rime  cette  Annee  [Rouen,  Viret,  1732] 

*  From  the  collection  of  the  Comte  de  Toulouse.  In  rebind- 
ing,  the  arras  of  the  earlier  covers  have  been  preserved  and 
inserted  as  a  bookplate. 

9 


57.  ALEMAN  (MATEO).  The  Life  of  Guzman  de  Al- 
farache.  First  Edition  of  James  Mabbe's  translation. 
2  parts  in  1  vol.  Folio,  red  levant  morocco  gilt,  gilt  edges, 
by  The  Club  Bindery.  London:  E.  Blount,  1623 

*  With  commendatory  verses  bj'  Ben  Jonson,  Fletcher  and 
others. 

58.  ALEMAN  (MATEO).  The  Life  of  Guzman  d'Alfar- 
ache;  or,  the  Spanish  Rogue.  To  which  is  added.  The 
Celebrated  Tragi-Coraedy,  Celestina.  Written  in  Spanish, 
Done  into  English  from  the  New  French  Version,  and  com- 
par'd  with  the  Original.  By  several  hands.  Adorn''d  with 
sculptures  by  Gaspar  Bouitats.  2  vols,  small  8vo,  red 
levant  morocco  gilt,  gilt  edges,  by  Riviere. 

London:  R.  Bon  wick,.  1708-1707 

59.  ALEXANDER  APHRODISIEUS.  In  topica  Aris- 
totelis,  commentarii,  gvfece.  Editio  Princeps.  Folio, 
full  calf  gilt,  Aldine  anchor  on  sides,  entirely  uncut. 

Venetiis:  in  fedibus  Aldi  et  Andrese  Soceri,  1513 

*  From  the  Syston  Park  collection,  with  bookplate.  Numer- 
ous Greek  and  Latin  marginal  annotations  by  a  contemporary 
hand, 

60.  ALEXANDRE  (ARSENE).  Les  Reines  de  I'Aiguille 
modistes  et  couturieres  (Etude  Parisienne).  Illustrations 
dessinees  et  gravees  par  Francois  Courhoin.  8vo,  white 
levant  morocco,  with  gilt  vine-and-leaf  decoration,  bands 
of  inlaid  green  levant,  the  arms  of  Paris  in  inlays  of  red 
and  blue,  with  gold  and  silver  figures  at  the  corners,  doub- 
lures  of  white  levant  morocco,  with  inlaid  bands  of  green 
levant  encircling  panels,  gilt  borders  and  leaf  spra}^  inlays 
of  brown  and  green,  gilt  edges,  in  half  morocco  slip  case, 
by  Gruel.  Paris,  1902 

*  One  of  100  copies  on  Japan  paper. 

61.  ALEXANDER  (SIR  WILLIAM— Earl  of  Stirling). 
A  Par?enesis  to  the  Prince.  By  William  Alexander  of 
Menstrie.  First  Edition.  Small  4to,  brown  levant  mo- 
rocco gilt,  gilt  edges,  by  Riviere. 

London:  Printed  by  Richard  Field  for  Edward  Blount, 

1604. 

*Very  scarce,  not  having  been  reprinted  in  the  collected 
edition  of  his  poems — "  Recreations  with  the  Muses,"  1637. 

62.  ALEXANDER  (SIR  WILLIAM— Earl  of  Stirling). 
The  Monarchick  Tragedies.  Small  4to,  red  levant  morocco 
gilt,  gilt  edges,  by  F.  Bedford.  (Edges  of  title  strengthened 
and  blank  corner  and  piece  of  lower  margin  supplied.)  Con- 
tains the  rare  blank  at  K4  of  Darius. 

Printed  at  London  by  V.   S.   for  Edward  Blount,    1604 

(and)  London  :  Printed  by  G.  Elde  for  Edward  Blount,  1604. 

*The  Tragedie  of  Croesus  is  the  First  Edition;   the  Tragedie 

of  Darius  first  appeared  in  Edinburgh  the  previous  year  (1603) 

printed   by  Robert  Waldegrave,  of  which  but  two  or  three 

copies  are  known,  all  in  public  collections. 

10 


63.  ALIBERT  (JEAN  LOUIS).  Physiologie  des  Pas- 
sions, ou  nouvelle  doctrine  des  sentimens  moranx;  Seconde 
edition,  revue,  corrigee  et  augmentee.  Frontispiece  by 
Mougeot  and  13  plates  by  Lorieux,  Lejeune  and  others,  all 
proofs  before  letters  on  India  paper,  and  one  with  a  dupli- 
cate proof  after  letters.  2  vols,  8vo,  half  brown  levant  mo- 
rocco, gilt  tops,  uncut,  by  Brany..  Paris,  182r> 

*  Printed  on  India  paper. 

64.  ALLEN  (CHARLES  DEXTER).  A  Talk  on  Book- 
Plates.  A  Paper  read  at  a  Meeting  of  tlie  Club  of  Odd 
Volumes  of  Boston.     4to,  half  brown  morocco,  uncut. 

Boston:  Club  of  Odd  Volumes,  1901 

*  One  of  55  copies  printed. 

65.  ALLERS  (C.  W.).  La  Bella  Napoli.  Numerous  colored 
illustrations.     Royal  4to,  cloth,  gilt  edges.     Stuttgart,  1895 

66..  ALLSTON  (WASHINGTON).  Lectures  on  Art,  and 
Poems.  Edited  by  Richard  Henry  Dana,  Jr.  First  Edi- 
tion.    12mo,  blue  levant  morocco  gilt,  gilt  edges,  hy  Motte. 

New  York,  1850 

67.  [ALLSTREE  (RICHARD).]  The  Government  of  the 
Tongue.  The  Fifth  Impression.  Frontispiece.  12mo,  old 
English  blue  morocco,  mosaic  and  gilt  tooling,  gilt  edges 
(name  on  title).  At  the  Theater  in  Oxford,  1667 

68.  [ALLSTREE  (RICHARD).]  The  Lively  Oracles 
given  to  us,  or,  the  Christians  Birth-right  and  Dutj^  in  the 
custody  and  use  of  the  Holy  Scripture.  Vignette  on  title. 
12mo,  contemporary  English  black  morocco  gilt,  panels  with 
mosaic  of  red  and  ivorj^  morocco,  covered  with  tooling  in 
small  design,  gilt  edges  (old  writing  on  title,  and  lacks  two 
end-papers).  At  the  Theater  in  Oxford,  1678 

69.  [ALLSTREE  (RICHARD).]  The  Works  of  the 
Learned  and  Pious  Author  of  The  Whole  Duty  of  Man. 
Fourth  Edition.  Frontispiece  and  title-vignettes  by  Van 
der  Gucht,  ivith  portraits  of  Queen  Anne  {3fezzotint  by 
Simon).,  and  John,  Lord  Bishop  of  London  {by  Vertue), 
inserted.  Ruled  throughout  in  red  ink.  2vols.ini.  Large 
folio,  old  red  morocco,  gilt  back,  with  acorn  ornaments, 
sides  divided  into  four  panels,  with  a  centre  ornament  and 
grapevine  border,  the  panels  floriated  and  introducing  the 
figure  of  a  stag,  gilt  edges  (slightly  rubbed). 

Printed  at  the  Theater  in  Oxford,  1704 
*  A  most  unusual  specimen  of  English  binding. 

70.  [ALLEYN  (ROBERT).]  Fvnerall  Elegies  vpon  the 
most  lamentable  and  vntimely  death  of  the  thrice  illustrious 
Prince  Henry,  Prince  of  Wales,  etc.  By  R.  A.  4to,  brown 
levant  morocco  gilt,  gilt  edges,  by  The  Club  Bindery. 

London:  Printed  by  T.  P.  for  John  Budge,  An.  1613^ 
*Very  scarce. 

11 


71.  ALMANACK  des  Honnetes  FemmeS,  pour  Tannee 
1790.  First  Edition.  Frontispiece  and  curious  plate  of 
Priapus  (inscription  erased).     8vo,  boards,  uncut. 

[Paris?] :  De  I'lmprimerie  De  la  Societe  Joj^euse  [1790] 

72.  ALMANACK  ROYAL,  annee  commune  M.DCC- 
LXXXX.  8vo,  old  red  morocco,  richly  gilt  floral  borders, 
with  the  arms  of  a  French  Count  on  each  cover,  silk  linings, 
gilt  edges. 

[Paris] :  de  I'lmprimerie  de  la  veuve  d'Koury  &  Debare 
[1790]. 

73.  ALPKONSE  (PIERRE).  Discipline  de  Clergie;  tra- 
duction de  I'ouvrage  de  Pierre  Alphonse.  2  vols.  12mo, 
half  red  morocco,  gilt,  uncut,  by  Schav3^e.  Paris,  1824 

*  One  of  200  copies  printed,  with  the  Latin  and  French  texts 
on  opposite  pages.  The  second  volume  is  entitled  "  La  Chas- 
toiement  d'un  pere  a  son  fils." 

74.  AMADIS  DE  GAULE.  Le  premier  [-douzieme]  livre 
d'Amadis  de  Gaule,  mis  en  Fran^-ois  par  le  Signeur  des 
Essars,  Nicolas  de  Herberay,  etc.  Titles  ivithin  luoodcut 
horders  and  14^  tuoodcuts,  being  about  a  dozen  constantly 
repeated.  12  parts  in  3  vols.  4to,  red  levant  morocco,  orna- 
mented with  leaf  branches,  gilt  edges,  by  Trautz-Bauzonnet. 

An  vers:  Christophe  Plantin,  1561 

75.  AMANDUS  ZIERIXEENSIS  (F.).  Chronica  com- 
pendiosissima  ab  exordio  mundi  usque  ad  annum  1534. 
.  .  .  Adiect?B  sunt  epistola^  duje  Christiani  regis  JSthiopise, 
Davidis,  ad  Clementem  septimum,  Romanum  pontificem, 
anno   1533  destinatte.  .   .   .   Alipe  quoque  tres  epistol^, 

EX  NOVA  MARIS  OCEANI  KiSPANIA  AD   NOS   TRANSMISS^,    de 

fructu  mirabili  illic  surgentis  novfe  Ecclesise.  8vo,  olive 
levant  morocco,  doublure  of  dark  red  levant,  richly  gilt 
tooled  in  compartments  in  the  manner  of  the  Eves,  gilt 
edges,  by  David.       Antuerpi?e,  apud  Simonem  Cocum,  15:^ 

*  Rare.  At  the  end  of  this  chronicle  we  find  the  three  in- 
teresting letters  referred  to  in  the  title.  The  first  and  second 
are  the  two  written  in  Mexico  in  1531  by  Martin  of  Valencia 
and  Bishop  Zumarraga,  which  had  been  printed  by  order  of  the 
Franciscan  Chapter  at  Toulouse  in  1-532.  The  third,  which  is 
here  printed  for  the  first  time,  is  of  still  more  importance  to 
the  American  Student.  It  is  a  Latin  version  of  a  letter  from 
Friar  Peter  de  Gante,  addressed  to  all  the  Franciscans  in 
Flanders,  in  which  he  gives  an  interesting  account  of  Mexico 
and  its  people.  It  is  dated  Mexico,  June  21,  1529,  where  he  was 
laboring  as  an  instructor  of  youth.  The  letter  ends  with  a  sen- 
tence in  Mexican,  the  first  appearance  of  an  American 

LANGUAGE  IN  PRINT. 

76.  AMBOISE  (ADRIAN  D').  (I)  Discovrs  ov  Traicte 
des  Devises.  Ov  est  mise  la  raison  et  difference  des  Em- 
blemes,  Enigmes,  Sentences  &  autres  [by  Fr.  d'Amboise]. 
Paris:  Rolet  Bovtonne,  1620;  (II)  Devises  Royales  par 
Adrian  d'Amboise.  Wdh  engraved  title  and  IS  copperplate 
emblems.       Paris:    Rolet   Bovtonne,    1621;    (III)    Devises 

13 


Heroiqves  et  Emblemes,  de  M.  Clavde  Paradin.  Numerous 
copperplate  emblems.  Paris:  Rolet  Bovtonne,  1622.  3  vols, 
in  1,  small  8vo,  green  levant  morocco  gilt,  gilt  edges,  by  Petit. 
From  the  collection  of  M.  Gonse,  with  book-plate. 

77.  AMBOISE  (ADRIAN  D^).  Devises  Royales.  En- 
graved title  and  13  copperplate  emblems.  Small  8vo,  brown 
levant  morocco  gilt,  gilt  edges,  by  Riviere. 

Paris:  Rolet  Bovtonne,  1621 

78.  AMICIS  (EDMONDO  DE).  Holland  and  its  People. 
33  illustrations.  2  vols,  royal  8vo,  blue  levant  morocco  gilt, 
gilt  edges,  original  covers  bound  in,  by  The  Club  Bindery. 

New  York,  1885 

*  Zuyder  Zee  edition,  No.  21  of  25  printed.  One  volume  ex- 
tended to  two,  with  an  extra  set  of  proof  etchings  printed  on 
satin,  and  the  insertion  of  88  portraits  and  views,  inchiding 
etchings  by  Hollar,  Ostade,  scenic  plates,  proofs  on  India 
paper,  reproductions  of  famous  paintings,  etc. 

79.  AMICIS  (EDMONDO  DE).  Spain  and  the  Spaniards. 
Illustrated.     Royal  8vo,  cloth  gilt,  gilt  top,  uncut. 

New  York,  1885 

*  Guadalquiver  edition.  One  of  550  printed,  with  the  collec- 
tion of  15  etchings,  all  proofs  on  satin. 

80.  AMMAN  (JOST).  Insignia  Sacrse  Ca?sare8e  Maies- 
tatis,  principum  electorum  ac  aliquot  iilustrissimarum, 
illustrium,  nobilium,  &  aliarura  familiarum,  formis  arti- 
ficiosissimis  expressa.  271  luoodcuts  of  em,blems,  coats  of 
arms,  etc.,  by  Jost  Amman  and  others.  4to,  brown  levant 
morocco,  gilt  panelled  sides,  gilt  edges,  by  R.  de  Coverley. 

Francofurti  ad  Moenum:  apud  Georgium  Corvinum,  1579 

81.  AMMAN  (JOST).  Kiinstliche,  Wolgerissene,  New 
Figuren  von  allerlai  Jagt  vnd  VVeidwerck,  alien  Liebhabern 
der  Maler  Kunst,  auch  Goltschmieden,  Bildthawern,  &c. 
zu  Ehren  vnd  Wolgefallen  zugericht,  vnd  an  tag  geben, 
Durch  den  Kunstreichen  vnd  Weitberhiimbten  Jost  Am- 
mon.  Darzu  mit  Arlichen  Lateinischen  Versen,  vnd  Wol- 
gestelten  teutschen  Reimen  erkliiret,  vnd  gezieret.  Title- 
page  printed  in  red  and  black,  portrait,  JfO  illustrations  in 
the  text  and  printer'' s  device  on  Inst  page,  all  ivoodcuts.  4to, 
brown  straight-grain  morocco,  blind  tooled,  gilt  edges. 

Franckfurt-am-Mayn:  Johann  Feyrabenrit,  1592 

82.  AMMONIUS  IIERMEUS.  Commentaria  in  librum 
Perihermenias;  Margentini  archiepiscopi  mitylenensis  in 
«undera  enarratio,  etc.,  gr?ece.  First  Aldine  Edition. 
Folio,  russia  gilt,  Aldine  anchor  on  sides,  gilt  edges. 
(Blank  leaf  80  missing.)  Venetius:  apud  Aldum,  1503 

*  From  the  library  of  the  Duke  of  Sussex,  with  book-plate. 

83.  AMOUR.  L'Amour  en  Campagne,  ou  Les  Coeurs 
Bombardes.  Engraved  frontispiece.  12mo,  blue  levant 
morocco  gilt,  gilt  edges,  by  Bauzonnet. 

Liege:  Cesar  de  la  Salle,  1696 
13 


84.  ANACREON.  Anaereontis  Teij  odae.  Ab  Henrico 
Stephano  luce  &  Latinitate  nunc  primum  donat?e.  Fleuron. 
4to,  brown  levant  morocco,  blind  tooled,  gilt  edges,  by 
Chipot.  Lutetiae  [Paris],  apud  H.  Stephanum,  1554 

*  First  Edition.     In  Greek  and  Latin. 

85.  ANACREON  and  SAPPHO.  Les  Poesies  d'Anacreon 
et  de  Sapho,  traduites  de  Grec  en  vers  Franc^'ois.  Avec  des 
remarques  [par  M.  de  Longepierre].  Ruled  with  red  lines. 
12mo,  old  red  morocco,  doublure  of  the  same  leather,  den- 
telle  borders,  gilt  edges.  Paris:  Pierre  Emery,  1684 

*  From  the  library  of  J.  J.  de  Bure. 

86.  ANACREON.  Anaereontis  teii  Odaria  (grtece)  pr?e- 
fixo  commentario  quo  poet?e  genus  traditur  et  bibliotheca 
Anacreonteia  adumbratur.  Additis  var.  lectionibus.  Two 
engraved  medallions  by  Lucatelli.  Royal  8vo,  old  red  French 
morocco  gilt,  silk  linings.  Parm?e:  Bodoni,  1784 

*  Limited  to  112  copies.     A  two-page  prospectus  signed  by 
Bodoni  is  laid  in. 

87.  ANACREON.— ANAKPE0NT02  THfOY  MEAH  An- 
aereontis Teii  Odaria  prseflxo  commentario  qvo  poetf©  genvs 
traditvr  et  bibliotheca  Anacreonteia  advmbratvr.  Additis 
var.  lectionibvs.  Portrait  on  title  and  arms  of  Nicolaus  de 
Azara  on  dedication  page.  4to,  red  morocco,  gilt  lillets, 
blue  silk  linings,  gilt  edges,  by  Bradel  I'Aine. 

Parm?e  [Bodoni,  1785] 

*  One  of  a  few  copies  on  fine  paper. 

88.  ANANGA-RANGA;  (Stage  of  the  Bodiless  One),  or 
The  Hindu  Art  of  Love.  Translated  from  the  Sanskrit^ 
and  annotated  by  A.  F,  F.  &  B.  F.  R.  12mo,  vellum,  un- 
cut. 

Cosmopoli:  (Reprinted)  for  the  Kama  Shastra  Society, 
1885. 

89.  ANDERSON  (ALEXANDER).  A  General  History 
of  Quadrupeds.  The  figures  engraved  on  luood,  chiefly 
copied  from  the  origiytals  of  T.  Bewick  by  A.  Anderson. 
First  American  Edition.  With  an  Appendix  containing 
some  American  Animals  not  hitherto  described.  8vo, 
brown  levant  morocco  gilt,  gilt  edges,  by  Riviere. 

New  York:  G.  &  R.  Waite,  1804 

90.  ANDERSON  (ALEXANDER).  A  Collection  of  one 
hundred  and  seventy  engravings  by  Alexander  Anderson, 
executed  on  wood  after  his  ninetieth  year.  Impressions 
from  the  original  blocks.     8vo,  cloth,  uncut. 

[New  York] :  Privatelj'^  printed  by  Charles  L.  Moreau, 
1872. 

*  One  of  13  copies  now  first  printed  from  the  original  blocks. 
Autograph  Presentation  copy  from  Charles  L.  Moreau,  founder 
of  the  Analectic  Press. 

14 


91.  ANDREINI  (GIOVANNI  B.).  L'Adamo  Sacra  Ra- 
presentatione.  Portrait  and  40  plates  engraved  by  Cesare 
Bassani  after  Carlo  A.  Procaccini.  First  Edition.  4to, 
green  morocco  gilt,  gilt  edges,  by  Lewis, 

Milano:  Bordoni,  1613 
*This  curious  and  interesting  work  is  supposed  to  have  given 
suggestions  to  Milton  for  his  Paradise  Lost.     The  portrait,  not 
having  been  originally  issued  with  the  book,  is  rarely  found.' 

92.  ANDREWS  (MILES  PETER).  Fire  and  Water,  a 
Comic  Opera,  in  two  Acts.  First  Edition.  8vo,  green 
morocco.  London,  1780 

93.  ANDREWS  (WILLIAM  LORING).  Roger  Payne 
and  his  Art.  A  short  Account  of  his  Life  and  Work  as  a 
Binder.  11  plates,  9  of  luhich  are  in  gold  and  colors.  Svo, 
cloth,  uncut.  New  York,  1892 

*  One  of  10  copies  on  Japan  paper.  Autograph  presentation 
copy,  "  Robt.  Hoe,  Esq.  With  compliments  of  Wm.  L.  An- 
drews." 

94.  ANDREWS  (WILLIAM  LORING).  The  Bradford 
Map.  The  City  of  New  York  at  the  time  of  the  granting 
of  the  Montgomerie  Charter  ...  to  accompany  a  facsimile 
of  an  actual  survey  made  by  James  Lyne.  Numerous  illus- 
trations.    8vo,  cloth,  uncut.  New  York,  1893 

*  One  of  143  copies  on  plate  paper. 

95.  ANDREWS  (WILLIAM  LORING).  Among  My 
Books.  27  illustrations,  some  in  gold  and  colors.  8vo,  cloth, 
uncut.  New  York,  1894 

*One  of  ten  copies  on  Japan  paper.  Presentation  copy 
FROM  Wm.  Loring  Andrews  to  Robert  Hoe. 

96.  ANDREWS  (WILLIAM  LORING).  A  Stray  Leaf 
from  the  Correspondence  of  Washington  Irving  and  Charles 
Dickens.  Frontispiece  of  the  SS.  "  Britannia,^''  in  3  states, 
and  other  illustrations.     12mo,  cloth,  uncut. 

*  One  of  15  copies  on  Japan  paper.  New  York,  1894 

97.  ANDREWS  (WILLIAM  LORING).  An  Essay  on 
the  Portraiture  of  the  American  Revolutionary  War,  being 
an  Account  of  a  number  of  the  Engraved  Portraits  con- 
nected therewith,  remarkable  for  their  rarity  or  otherwise 
interesting.  To  which  is  added  an  Appendix  containing 
lists  of  Portraits  of  Revolutionary  characters  to  be  found 
in  various  English  and  American  publications  of  the 
eighteenth  and  the  early  part  of  the  nineteenth  century. 
Numerous  reproductions.     8vo,  cloth,  uncut. 

*  One  of  15  copies  on  Japan  paper.  New  York,  1896 

98.  ANDREWS  (WILLIAM  LORING).  New  Amster- 
dam, New  Orange,  New  York,  a  chronologically  arranged 
Account  of  engraved  views  of  the  city  from  the  first  picture 
published    in  MDCLI,  until  the  year   MDCCC.       36  fuU- 

15 


page  plates  and  15  iUustraiions.     8vo,  cloth  gilt,  gilt  top, 
uncut.  New  York,  1897 

*  One  of  30  copies  on  Japan  paper,  with  extra  impressions  of 
the  Duke's  plan  in  color  and  the  14  engravings  by  E.  D. 
French. 

99.  ANDREWS  (WILLIAM  LORING).  The  Journey  of 
the  Iconophiles  around  New  York  in  search  of  the  historical 
and  picturesque.  12  plates  by  E.  D.  French.  Svo,  light 
brown  morocco,  gilt  edges,  by  The  Club  Bindery. 

Printed  at  New  York,  1897 

*  One  of  97  copies  on  Japan  paper. 

100.  ANDREWS  (WILLIAM  LORING).  A  Prospect  of 
the  Colledges  in  Cambridge  in  New  England  ; — engraved  by 
Wm.  Burgis  in  1726,  the  description  compiled  by  William 
Loring  Andrews.  6  illustrations.  8vo,  cloth,  gilt  top,  un- 
cut. New  York,  1897 

*  One  of  25  copies  on  Japan  paper. 

101.  ANDREWS  (WILLIAM  LORING).  Fragments  of 
American  Histor^^  illustrated  solely  by  the  works  of  those 
of  oar  own  engravers  who  flourished  in  the  XVIIIth  cen- 
tury. 18  reproductions  of  rare  engravings,  4-  being  in 
colors.     12mo,  half  calf  gilt,  gilt  top,  uncut. 

New  York:  Privately  printed,  1898 

*  Presentation  copy  from  the  author.  One  of  80  copies  on 
handmade  paper. 

102.  ANDREWS  (WILLIAM  LORING).  A  Trio  of 
Eighteenth  Century  French  Engravers  of  Portraits  in 
Miniature — Ficquet,  Savart,  Grateloup.  Numerous  repro- 
ductions of  old  engravings,  including  one  in  colors.  8vo, 
wrappers,  uncut.  New  York,  1899 

*  Edition  limited  to  161  copies  on  imperial  Japan  paper. 

103.  ANDREWS  (WILLIAM  LORING).  Gossip  About 
Book  Collecting.  12  illustrations,  of  which  6  are  in  colors. 
2  vols.  8vo,  original  illuminated  wrappers,  gilt  tops,  uncut. 

*  One  of  33  copies  on  Japan  paper.  New  York,  1900 

104.  ANDREWS  (WILLIAM  LORING).  James  Lyne's 
Survey;  or,  as  it  is  more  commonly  known.  The  Bradford 
Map ;  a  plan  of  the  City  of  New  York  at  the  time  of  the 
granting  of  the  Montgomery  Charter  in  1731.  3  facsimile 
maps.     Svo,  cloth,  uncut.  New  York,  1900 

*  One  of  32  copies  on  Japan  paper. 

105.  ANDREWS  (WILLIAM  LORING).  Paul  Revere 
and  his  Engraving.  Engraved  title  by  E.  D.  French.  17 
full-page  p)lates,  one  of  them  printed  in  colors,  and  15  illus- 
trations.    8vo,  vellum  boards,  gilt  top,  uncut. 

New  York,  1901 

*  One  of  35  copies  on  Japan  paper.  Laid  in  is  an  extra  copy 
of  the  engraved  title-page,  signed  by  E.  D.  French. 

16 


106.  ANDREWS  (WILLIAM  LORING).  Paul  Revere 
and  his  Engraving.  17  plates,  including  frontispiece  in 
colors,  headbands,  tailpieces,  etc.  8vo,  boards,  gilt  top, 
uncut.  New  York,  1901 

*  One  of  135  copies  on  Van  Geldei'  paper. 

107.  ANDREWS  (WILLIAM  LORING).  The  Iconog- 
raphy of  the  Battery  and  Castle  Garden.  SO  illustrations, 
3  in  colors.     8vo,  cloth,  gilt  top,  uncut.        New  York,  1901 

*  One  of  33  copies  on  Japan  paper. 

108.  ANDREWS  (WILLIAM  LORING).  Bibliopegy  in 
the  United  States,  and  Kindred  Subjects.  Numerous  plates, 
several  in  gold  and  colors,  of  reproductions  of  bindings, 
head-  and  tail-pieces,  etc.     8vo,  boards,  uncut. 

°  One  of  141  copies  on  Van  Gelder  paper.  New  York,  1902 

109.  ANDREWS  (WILLIAM  LORING).  Bibliopegy  in 
the  United  States,  and  kindred  Subjects.  SO  illustrations, 
some  colored.    8vo,  boards,  gilt  top,  uncut.  New  York,  1902 

*  One  of  36  copies  on  imperial  Japan  paper. 

110.  ANDREWS  (WILLIAM  LORING).  New  York  as 
Washington  Knew  It.  Portraits,  facsimiles  and  illustra- 
tions.    8vo,  vellum,  gilt  top,  uncut  New  York,  1905 

*  One  of  32  copies  on  Japan  paper.  With  an  extra  set  of 
proof  illustrations,  and  a  colored  portrait  of  Washington  laid  in. 

111.  ANDREWS  (WILLIAM  LORING).  An  English 
XIX  Century  Sportsman,  Bibliophile  and  Binder  of  Ang- 
ling Books.  Reproductions  in  color,  engravings,  etc.  8vo, 
vellum,  gilt  top,  uncut.  New  York,  1906 

*  One  of  32  copies  on  Japan  paper. 

112.  ANDREWS  (WILLIAM  LORING).  Jacob  Steen- 
dam.  A  Memoir  of  the  first  Poet  in  New  Netherland. 
With  translations  of  his  Poems  descriptive  of  the  Colony. 
Portrait,  facsimile  map,  etc.     8vo,  cloth,  silver  top,  uncut. 

*  One  of  115  copies  on  Van  Gelder  paper     New  York,  1908 

113.  ANDROUET  DU  CERCEAU  (JACQUES).  Le 
Premier  (et  Second)  Volvmedes  plus  excellentesBastiments 
de  France.  Au  quel  sont  designez  les  plans  de  quinze  Basti- 
ments  &  de  leur  contenu  :  ensemble  les  eleuations  &  sin- 
gularitez  d'vn  chascuu.  Numerous  double-page  plans  and 
plates.  2  volumes  in  1.  Folio,  brown  levant  morocco, 
richly  gilt  scroll  tooling,  gilt  edges,  by  Thibaron-Joly. 

Paris,  1576-79 

*  First  Issue.  Plans  and  elevations  of  famous  old  chateaux 
and  castles  of  France,  many  of  which  have  been  demolished. 
Among  them  are  Chambord,  Chenonceau  (the  plate  copied  by 
Meryon),  Montargis,  Creil,  Amboise,  Le  Pavilion,  Vincennes, 
Chantilly,  Blois,  Fontainebleau,  etc. 

.    17 


114.  ANEAU  (BARTHOLOMEW).  Picta  Poesis.  Vt 
pictvra  poesis  erit.  First  Edition.  106  beautiful  ivood- 
cuts.  Small  8vo,  citron  levant  morocco  gilt,  gilt  edges,  by 
Thompson.     (Small  hole  in  one  margin.) 

Lvgdvni,  Apud  Mathiam  Bonhomme,  1552 

*  At  page  90  a  duplicate  of  the  cancel  vignette  is  bound  in. 

115.  ANTAR.  Poeme  Heroique  Arabe.  D'Apres  la 
Traduction  de  Marcel  Devic.  Illustrations  en  couleurs  de 
E.  Dinet.  Folio,  original  colored  wrappers,  uncut,  in  half 
morocco  case.  Paris,  1898 

*  One  of  10  copies  printed  on  special  large  vellum  paper, 
with  the  plates  in  3  states,  the  second  in  colors  on  Japan  paper, 
the  third  plain  on  India  paper.  An  Arabic  heroic  poem  writ- 
ten previous  to  the  12th  Century. 

116.  ANTONINUS  (MARCUS  AURELIUS).  The  Golden 
Boke  of  Marcvs  Avrelivs  Emperovr  and  eloqvent  Oratovr, 
translated  oute  of  Frenche  into  Englysshe  by  Jhon  Bour- 
chier  knyghte  lorde  Earners,  deputye  general  of  the  kynges 
towne  of  Caleis.  Fourth  Edition.  4to,  brown  levant 
morocco,  back  and  sides  covered  with  a  richly  panelled  de- 
sign, doublure  of  blue  levant,  gilt  borders,  in  a  morocco 
wrapper,  by  The  Club  Bindery. 

Londini.  In  Oificina  Tliomae  Bertheleti  typis  impress. 
Anno.M.D.XLII.     [1582] 

117.  ANTONINUS  (S.).  Summula  confessionis  utilissi- 
raa,  in  qua  agitur  quomodo  se  habere  debeat  confessor  erga 
penitentem.  Roman  character,  double  columns.  128  un- 
numbered leaves  luithout  signatures  and  catchwords,  35 
lines  tothe  page.  Rubricated  throughout  and  initials  painted 
in  red  and  blue.  Small  folio,  red  morocco,  panelled  sides 
with  blind  toolings,  gilt  inside  borders,  silk  linings,  by 
The  Club  Bindery. 

Venetiis:  BartholomsBus  Cremonensis,  1473 

*Rare.     Hain,  1176;  Proctor,  4224;  Pellechet,  840. 

118.  APIANUS  (PETER).  Cosmographia,  per  Gemmam 
Phrysium.  .  .  .  restitutam.  Additis  de  adem  re  ipsius 
Gemrage  Phry.  libellis.  Woodcut  on  title-page,  four  movable 
luoodcnts  of  astronomical  diagrams,  and  several  others  in 
the  text.     4to,  contemporary  vellum. 

Antuerpise:  Arnoldus  Berckmanus,  1539 

*  Harrisse  No.  229. 

119.  APOLLONIUS  RHODIUS.  Argonautica,  cumscho- 
liis,  gr^ece.  FiRST  Aldine  Edition.  8vo,  red  morocco, 
gilt,  Aldine  anchor  on  sides,  floral  back,  gilt  edges,  prob- 
ably by  Lewis. 

Venetiis.  in  pedibus  Aldi  et  Andrese  Soceri,  1521 

18 


120.  APOTHEGMS.  Les  Apophtegraes,  ou  Bons  Mots 
des  Anciens,  tirez  de  Plutarque  deDiogene  Laerce,  d'Elien, 
d'Athenee,  de  Stobee,  de  Maerobe,  &  de  quelques  autres. 
De  la  traduction  de  Nicolas  Perrot,  Sieur  d'Ablancourt, 
avec  un  Traite  des  Stratagemes  de  Froutin  &  de  la  Bataille 
des  Romains.  [Vignette  hy  B.  Picart.)  12mo,  red  levant 
morocco  gilt,  gilt  edges  by  Trautz-Bauzonnet. 

Amsterdam:  Fran^-ois  I'Houore,  1730 

121.  [APPERLEY  (C.  J.).]  Memoirs  of  the  Life  of  the 
late  John  Mytton,  Esq.  of  Haston,  Shropshire  .  .  .  with 
Notices  of  his  Hunting,  Shooting,  Driving,  Racing,  Eccen- 
tric and  Extravagant  Exploits.  By  Nimrod.  Second 
Edition  (with  considerable  additions).  18  full-page  col- 
ored plates  by  Henry  Aiken  and  T.  J.  Rawlins.  8vo, 
red  levant  morocco,  emblematic  tooling,  gilt  edges,  by 
Zaehnsdorf.  London:  Rudolph  Ackermanu,  1837 

122.  APULEIUS.  Les  Metamorphoses  ou  I'Ane  d'Or, 
avec  Le  Demon  de  Socrate,  tvaduits  en  Fran^^ais  avec  des 
Remarques  (par  I'Abbe  Compain  de  St.  Martin).  Frontis- 
piece and  12  ijlates  engraved  hy  Thomassin  after  Desmaretz. 
2  vols. ,  12mo,  orange  levant  morocco,  gilt,  gilt  edges,  by 
Chambolle-Duru.  Paris:  Michel  Brunet,  1707 

123.  APULEIUS.  Cupid  and  Psyche;  a  mythological 
tale,  from  the  Golden  Ass  of  Apuleius.  Translated  by 
Hudson  Gurney.  2  plates  after  Cipriani.  Large  Paper 
COPY.  Royal  Svo,  half  calf  gilt,  gilt  top,  uncut,  by  Kauf- 
mann.  London:  J.  Wright,  1800 

124.  APULEIUS.  (Euvres.  Traduction  nouvelle  par 
V.  Betolaud.  4  vols.  8vo,  red  levant  morocco  gilt,  with 
monogram  E.  B.,  gilt  edges,  by  Belz-Niedree. 

Paris,  1835-38 

125.  APULEIUS.  L'Ane  d'Or;  ou.  La  Metamorphose. 
Traduction  de  Savalete  et  preface  de  J.  Andrieux.  En- 
gravings  hy  Racinet  et  Benard.  Royal  8vo,  red  levant 
morocco  gilt,  gilt  top,  uncut,  original  covers  bound  in, 
by  Ramage.  Paris:  Didot,  1872 

126.  AQUINO  (THOMAS  DE).      Prima   pars  SecundfB. 

Gothic  characters,  douhle  columns.  176  unnumbered  leaves 
(including  last  hlank,  which  is  missing  m  this  copy),  with- 
out signatures  and  catchwords;  61  lines  to  the  page.  Ruhri- 
cated  throughout  and  initials  painted  in  red.  Folio,  dark 
green  levant  morocco,  gilt  edges,  by  Chambolle-Duru. 

Mentz:  Petrus  Schojffer,  1471 
*  First  Edition.      The  A.  Firmin-Didot  copy.     Hain,  1447; 
Proctor,  97. 

19 


■CU 


127.  ARENE  (PAUL  AUGUSTE).  Jean-des-Fi^ues. 
Etching  by  Emile  Benassit.  First  Edition.  18mo,  half 
purple  morocco  gilt,  uncut,  original  covers  bound  in,  by 
Bo)ileu.  Paris,  1870 

128.  ARETINO  (LEONARDO  BRUNI).  De  Bello  Italico 
adversvs  Gothos.  Roman  character.  64.  unnumbered 
leaves,  unthout  signatures  and  catchwords;  32  lines  to  the 
page.  Finely  painted,  ornamental  initials,  arid  on  the 
lower  margin  of  the  first  page  a  beautiful  painted,  ornament 
enclosing  an  Italian  coat  of  arms.  Folio,  old  French  red 
straight-grain  morocco,  gilt  tooled  ornamental  borders,  back 
and  inside  borders,  silk  linings,  gilt  edges,  by  Bozerian, 

(Venetiis):  Nicholas  Jenson,  1471 
*The  very  large   copy  from   the   Beckford   library.     Hain, 
1559;  Proctor,  4080. 

129.  ARIAS  MONTANUS  (BENEDICTUS)  Human* 
Salutis  Monuraenta  B.  Aria  Montani  studio  constructa  et 
decantata.  Engraved  title.  Head  of  Christ  and  70  cojjper- 
plates  of  Biblical  subjects  by  Wierix,  Van  der  Borcht  and 
others.  4to,  blue  straight-grain  morocco,  gilt  fillets  and 
edges.  Antwerp:  (Chr.  Plantinus),  1571 

130.  ARIAS  MONTANUS  (BENEDICTUS).  Virtutis 
Exercitatissim?e  probatum   Deo  spectaculum,  ex  Davidis, 

'  Pastoris,  etc.  Engraved  title  and  4^  plates,  3  of  which  are 
repeated.  4to,  red  levant  morocco  gilt,  gilt  edges,  by 
Trautz-Bauzonnet 

Ex  Officina  M.  Zacharise  Paltheuii,  Impensis  J.  T.  et  I.,  I. 
de  Bry,  1597. 

131.  ARIOSTO  (LODOVICO).  Orlando  Furioso,  tutto 
ricorretto,  et  di  nuove  figure  adornato.  Annotated  by  G. 
Ruscelli,  and  with  a  life  by  G.  Pigna.  With  J^G  full-page 
woodcuts  after  Dosso  Dossi.  8vo,  olive  brown  levant  mo- 
rocco gilt,  gilt  edges,  \>y  F.  Bedford. 

Venetia:  Appresso  Vincenzo  Valgrisi,  1566 

*  This  edition  contains  the  5  cantos  which  do  not  appear  in 
Valgrisi's  first  edition. 

133-  ARIOSTO  (LODOVICO).  Roland  Furieux,  Poeme 
Ileroique.  Traduction  nouvelle  par  M  *  *  *  (Mirabaud). 
4  vols.  12nio,  old  French  red  morocco,  gilt  fillets,  gilt 
edges,  by  Padeloup.  La  Haye:  Pierre  Gosse,  1741 

*  Large  Paper  copy,  from  the  collection  of  Charles  Nodier. 

133.  ARIOSTO  (LODOVICO).  Roland  Furieux.  Tra- 
duction nouvelle  et  en  prose  par  M.  V.  Philippon  de  la  Mad- 
elaine.  Introduction  par  Jules  Janin,  Frontispiece,  15 
fidl-yage  plates  on  India  paper  and  numerous  text  illustra- 
tions. Royal  8vo,  half  red  levant  morocco  gilt,  gilt  top, 
uncut,  by  Branj'.  Paris,  1864 

20 


134.  ARISTOTLE.  Organon  (hoc  est  logici  ac  dialectic! 
libri),  gr?ece.  Vol.  I  of  the  works.  23 4  unnumbered  leaves^ 
with  signatures.  Woodcut  headings  and  initials.  Folio, 
red  straight-grain  morocco  gilt,  gilt  linings,  gilt  edges,  by 
Bozerian.  Venetiis:  Aldns  Manucius,  1495 

*  First  Edition.     A  perfect  copy  of  Vol.  I.     Hain-Copinger, 
1657,  I:  Proctor,  5547. 

135.  ARISTOTLE.  Le  secret  des  secretz  de  Aristote. 
Pour  cognoistre  les  complexion  des  homines  ^t  des  femmes 
Lesquelz  il  fist  pour  le  roy  Alexandre  son  disciple.  4-  wood- 
cuts. Small  8vo,  red  levant  morocco,  gilt  edges,  by  Trautz- 
Bauzonnet.  [Paris:  Verard]   [ca.  1500] 

136.  ARISTOTLE.  (Works  of  Aristotle,  translated  from 
the  Greek  by  Thomas  Taylor.)  10  vols,  royal  4to,  cloth, 
uncut.  London:  Printed  for  the  translator,  1806-1812 

*  History  of  Animals;  Rhetoric,    Poetic   and   Nicomachean 
Ethics;  Metaphysics,  etc. 

137.  ARISTOTLE.  History  of  Animals.  Translated  by 
R.  Cresswell.  London,  1862;  The  Politics  and  Economics 
of  Aristotle.  Translated  by  Edward  Walford.  London, 
1853.     3  vols.  12mo,  brown  morocco,  gilt  tops. 

London,  1853-1862 

138.  [ARMSTRONG  (JOHN).]  Of  Benevolence:  an 
Epistle  to  Enmenes.  [With  the  half-title.]  4to,  half  brown 
calf,  by  The  Club  Bindery.  London:  A.  Millar,  1751 

139.  ARMSTRONG  (JOHN).  Miscellanies.  First  Edi- 
tion. 2  vols.  12mo,  red  levant  morocco  gilt,  gilt  ed^es,  bj^ 
David.  London,  1770 

140.  ARNAULD  (ANTOINE).  De  la  Frequente  Com- 
munion; on  les  Sentiments  des  Peres,  des  Papes,  etc.,  .  .  . 
sont  fidelement  exposez,  etc.  Fourth  Edition,  ruled  in  red 
ink.  4to,  old  red  morocco,  gilt  fillets,  red  morocco  doub- 
lure, gilt  edges,  by  Du  Seuil.       Paris:  Antoine  Vitre,  1644 

*  From  the  Library  of  J.  J.  de  Bure,  the  elder. 

141.  ARNAULD  D'ANDILLY  (ROBERT).  Lettres. 
Edition  Nouvelle.  13mo,  calf,  gilt  fillets,  gilt  edges,  by 
Bauzonnet.  Paris  [Brussels,  Foppens  1652] 

142.  ARNE  (THOMAS  AUGUSTINE).  Phoebe  at 
Court,  an  Operetta,  in  two  Acts.  The  Dialect,  turned  into 
Iludibrastic  Verse,  new  Songs  added,  etc.  First  Editiox. 
Small  4to,  polished  calf  gilt,  gilt  edges,  by  Pratt  (two  leaves 
skilfully  repaired).  London:  Cox  and  Bigg,  1776 

*  Altered  from  Lloyd's  "  Capricious  Lovers." 

21 


143.  ARNOLD  (RICHARD).  [Chronicle  of  London.] 
In  this  booke  is  Conteyned  the  names  of  y®  baylifs  Custos 
mairs  and  sherefs  of  the  cite  of  londo  from  the  tj^me  of 
king  richard  the  furst.  &  also  th  artycles  of  the  Chartur 
and  libarties  of  the  same  Cyte.  And  of  the  chartur  and 
Liberties  off:  England  wj^th  odur  dyuers  mat's  good  and  ne- 
cessary for  enery  Citize  to  vndir  stond  and  knowe.  Whiche 
ben  shewid  i  chaptirs  after  the  fourme  of  this  kalendir 
folowing.  Folio,  brown  levant  morocco,  blind  tooled  in 
panels,  doublure  of  red  morocco,  panel  and  rich  border 
ornaments,  in  brown  morocco  case,  by  Mercier. 

[Antwerp:  Andrian  van  Berghem,  ca.  1503] 

*  A  PERFECT  COPY  OF  THE  FIRST  EDITION,  ending  with  the 
record  of  April  12,  1503  (the  death  of  Prince  Arthur),  which  is 
continued  in  later  issues.  It  is  notable  as  containing  the  first 
appearance  in  English  of  the  famous  ballad  of  "  The  Nut- 
brown  Maid",  which  occupies  folios  75-77.  Collation;  Pre- 
liminarjr  blank  leaf,  Al.  Table  A2-A4.  List  of  Sheriffs,  Al- 
A8  (verso  blank).— Chronicle,  B1-B4,  C1-E8  in  eights,  F1-R6  in 
sixes;  H,  1  leaf,  1[  1,  1  leaf;  S1-V5,  C-Cl  (2  leaves)  Sl-3,  Cv- 
vii,  T1-T6,  Vi-Vv  (verso  blank).  The  twelve  preliminary- 
leaves  are  unnumbered,  but  on  Bl  the  numbers  begin  and  ex- 
tend by  folios  to  CXVIII,  the  numerals  occurring  at  the  bottom 
of  the  first  column  of  each  recto. 

The  Huth  collation  gives  the  number  of  preliminary  leaves 

as  eleven.     In  that  copy  the  three  introductory  leaves  are  m 

facsimile. 

[See  Reproduction.] 

144.  ARS  MEMORANDL  Memorabiles  Evangelista- 
rum  Figurse.  15  curious  full-page  woodcuts,  evidently 
copied  from  those  of  the  Xylographic  edition  priyited  in 
Germany  about  IJilO.  4to,  blue  levant  morocco,  gilt 
panels,  gilt  edges,  by  The  Club  Bindery. 

[Phorzheim]  Thomas  Phorcensis  Cognomento  Anshelmi, 
1502. 

*  First  Edition.  The  object  of  this  book  was  to  assist  in 
memorizing  the  order  and  chief  topics  of  the  successive  chap- 
ters of  the  four  Evangelists  through  emblematic  illustration 
and  Latin  verse  [by  the  monk  Pierre  Rosenheim  (Simler)]. 
One  of  the  earliest  books  by  the  first  printer  in 
Phorzheim. 

145.  ART.  L'Art:  Revue  Hebdomadaire  illustree. 
With  thousands  of  etchings,  full-p)age  plates  and  illustra- 
tions in  the  text.  42  vols.  imp.  4to,  maroon  levant  morocco, 
blind  tooled  fillets,  gilt  tops,  uncut  (some  bindings  rubbed). 

Paris,  1875-87 

*  One  of  5  copies,  with  a  duplicate  set  of  the  plates. 
PROOFS  before  letters,  on  Japan  paper.  A  complete  set  of 
the  Revue  up  to  1887  and  including  Vol.  I  of  that  year. 

23 


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petl  rimftc  lo  ti,ct,ro.c  ictbcgco  A4CiicaUauiipfO;ct  man 

to:Dftt^ljiitiort;t0troilO!O'bI'flrcrtjatrtTaurccrt?Acf»mon0 
n  promcreDoiJ  iliiQiimap.ioHcrfcDlJcfojft^cnonci 
Jticrcpoufi^'f  fariocltuiMiap.iDc  Or  parte  notCooroiic 
tOljptav  vc,-O.U)licOrr  m|il  vf  ooo.dlae  mlnu  ijaiicpf  d  one 
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lt>^n  (ftulDpc  :.oii0lKfcrtomaUctljoii0ijcpoiulabarmcr£muait 
If  no  rtju0  jf!  00.1  ^iiaii  pou  loo.  ao  i)cvtciv  ao  *f  dm,  ,nc 

l'or3KmuUetoo)>0rciicu>oiie0oo.aIoacaUaupfO;e3nwn, 

OOctj  fpi^  thatpeljancQftmtti  to  mtf*  (tcmotpoiiv  mmm 
y  Oralbr piapncto  poii  agapnc  Ipfic  a  o  pc fl;ri  mc  fpiiDc 
p-pf^itiefo  .tliiUpriui  ttgoo  f  ujolnotlcfif  brtipnDc 
^balnntcrlcfaf  D  rtKflutl)toiuticmapD.ma0tobct!o:ico:iIiirJ> 
flTahcpou  tcDp.forfcoanrf.i  tttlioifgtiit  lucre  aroou 
I'Oi  in  mp  mpnOcof  attman  hpno*:.  jfllonc  bnr  pon  a  loac 

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^otTmantomorne.fcrfofulfirr.TncrrntftoooDponfopiaP 
h  nD  r^at  pc  mn0lK.fr  jmpwir  &d:itc.noo  Icngr  r  nialicDdap. 
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PctajolOe)Kto,rt;e0tcncmoDOC0oo.iUoncabanpr^jcOma« 


t'ea»#itbffor0f  o^ojacanOpon(TcrIiatlpflri!5bfttli!amtJ 
^  ^jri-nrcbecbecliarffc.vfpchcrolargeinhtuTtnrrofmpnamc. 
I  oilujpltwue.rtjotfept^fnilonc.uio  DmopOof  r^amc 


Arnold's  Chronicle,  1503. 

A    PAGE    FROM    THE    BALLAD    OF    "  ThE    NuT    BrOWN    MaYDE.  " 

(See  Xo.  143.) 


146.  ASCHAM  (ROBERT).  The  Scliolemaster  Or  plaine 
and  perfite  way  of  teachyng  children,  to  vnderstand,  write, 
and  speake,  the  Latin  tong,  but  specially  purposed  for  the 
priuate  brynging  up  of  youth  in  lentlemen  and  Noble  mens 
houses,  and  commodious  also  for  all  such,  as  haue  forgot 
the  Latin  tonge,  and  would,  by  themselues,  without  a 
Scholemaster,  in  short  tyme,  and  with  small  paines,  recouer 
a  sufficient  habilitie,  to  vnderstand,  write,  and  speak  Latin. 
Small  4to,  brown  levant  morocco,  richly  tooled,  gilt  edges, 
by  The  Club  Bindery. 

London:  Printed  by  lohn  Daj^e  dwelling  ouer  Aldersgate, 

1570. 

*  First  Edition.     Contains  the  final  leaf  with  the  printer's 
device. 

147.  ASSOUCY  (CHARLES  COYPEAU  D').  L'Ovide 
en  belle  humeur.  Printer'' s  mark  '■'■la .  Sphere'''' on  title. 
12mo,  blue  levant  morocco,  triple  line  border,  gilt  back  and 
inside  borders,  gilt  edges,  by  Trautz-Bauzonnet 

Suivant  la  Copie  imprimee  a  Paris  (Le^'de,  B.  &  A.  El- 
zevier),  1651. 

148.  ASSOUCY  (CHARLES  COPYEAU  D').  Le  Ivge- 
ment  de  Paris,  Travesty  en  vers  bvrlesqves,  de  M''  Das- 
soucy.  12mo,  grey  morocco  gilt,  wide  dentelle  borders, 
gilt  edges,  by  Thompson.  Paris:  Gabriel  Qvinet,  1664 

149.  ASSOUCY  (CHARLES  COPYEAU  D').  Les  Avan- 
tvres  de  Monsievr  d'Assoucy.  First  Edition.  Woodcut 
portrait.  2  vols,  in  1,  12mo,  red  levant  morocco  gilt,  gilt 
edges,  by  Chambolle-Duru,       Paris:  Claude  Audinet,  1677 

150.  ASTRUC  (ZACHARIE).  Les  Alhambras.  16 
planches  hors  textc.     Royal  8vo,  original  covers,  uncut. 

Paris,  1908 

*  One  of  50  copies  with  the  plates  in  two  states. 

151.  ASTRY  (SIR  J.  A.— Translator).  The  Royal  Poli- 
tician, represented  in  One  Hundred  Emblems.  Written  in 
Spanish  by  Don  Diego  Saavedra  Faxardo.  .  .  .  With  a  large 
Preface,  containing  an  Account  of  the  Author,  his  Works, 
and  the  usefulness  thereof.  Done  into  English  from  the 
original  by  Sir  J.  A.  Astry.  Portrait  of  William,  Duke  of 
Gloucester  {m  duplicate),  and  103  emblematical  engravings. 
2  vols.  12mo,  blue  levant  morocco,  pointille  tooling,  gilt 
edges,  b^^  Riviere. 

London:  Printed  for  Matt.  Gylliflower,  1700 

152.  AUBERY  (ANTOINE).  Memoires  pour  I'Histoire 
du  Cardinal  Due  de  Richelieu.  Vols.  1  and  2  (should  be 
5),  1-^mo,  red  morocco,  gilt.     Cologne:  Pierre  Marteau,  1667 

3iJ 


153.  AUBIN:  Refuge  Francois.  Histoire  des  Diables  de 
Louduii,  etc.  .  .  et  de  la  condamnation  &  du  suplice  d'Ur- 
bain  Grandier.  12mo,  red  levant  morocco  gilt,  backs  orna- 
mented with  the  monogram  "  E.  B.,"  gilt  edges,  by  Hardy- 
Mennil.      Amsterdam:  Aux  Depens  de  la  Compagnie,  1752 

154.  AUDUBON  (JOHN  JAMES).  The  Birds  of  America 
from  drawings  made  in  the  United  and  their  territories. 
SOO  colored  plates.  7  vols,  royal  8vo,  green  levant  morocco^ 
gilt  backs,  side  corners,  gilt  edges,  specimens  of  original 
blue  wrappers  bound  in,  by  Bedford. 

New  York:  Published  by  J.  J.  Audubon, 1840-41-42-43-44 

155.  AUDUBON  (JOHN  JAMES)  and  BACHMAN 
(JOHN).  The  Quadrupeds  of  North  America.  155  colored 
plates.  3  vols,  royal  8vo,  bound  uniform  with  the  preced- 
ing lot,  by  Bedford.  New  York,  1849-1854 

156.  AUGUSTINUS  (ST.).  Enchiridion  de  fide  con- 
scriptus    ad    Laurentium    primicerium.      First    Edition. 

Gothic  character,  59  unnumbered  leaves,  luithout  signatures 
and  catchivords,  27  lines  to  the  page.  Rubricated,  and  ivith 
initials  painted  in  red.  4to,  old  red  straight-grain  morocco, 
gilt.  [Cologne:  Ulric  Zell,  ca.  1467] 

*  Large  copy  of  this  rare  volume.  From  the  Count 
Boutourlin  collection,  with  bookplate.  Hain,  2028;  Proctor, 
810. 

157.  AUGUSTINUS  (ST. ).  Le  livre  de  la  foy,  de  I'esper- 
ance  et  de  la  charite,  traduit  en  frangoys  par  Antoine 
Arnauld.  With  the  Latin  text  at  the  end.  8vo,  red  levant 
morocco,  gilt  edges,  by  Chambolle-Duru.  Paris,  1648 

158.  AUMALE  (HENRI  D'ORLEANS— DUG  D').  Lettre 
sur  I'histoire  de  France.  Adresse  au  Prince  Napoleon. 
First  Edition.  8vo,  mauve  levant  morocco,  brown  russia 
linings,  gilt  top,  uncut,  by  Zaehnsdorf.  [Name  "  H.  G. 
Bohn,  Esq.,"  on  title.]  Londres:  W.  Jeffs,  1861 

159.  AUNOY  (OR  AULNOY— LA  COMTESSE  D'). 
Memoires  de  la  Cour  d'Espagne  [1679-1681].  Cinquieme 
edition,  revue  et  corrigee.  2  vols,  in  1,  12mo,  green  levant 
morocco,  gilt  fillets,  gilt  edges,  by  Belz-Niedree. 

Amsterdam:  N.  Etienne  Lucas,  1716 

160.  [AUSTEN  (JANE).]  Sense  and  Sensibility:  a 
Novel.  By  A  Lady.  3  vols.  12mo,  blue  levant  morocco 
gilt,  gilt  tops,  uncut. 

London:  Printed  for  the  Author,  1811 

*FiRST  Edition.  Scarce  in  uncut  state,  and  with  all  the  half- 
titles. 

24 


161.  [AUSTEN  (JANE).]  Mansfield  Park:  a  Novel. 
First  Edition.  3  vols.  12mo,  blue  levant  morocco  gilt, 
gilt  tops,  uncut.  London:  Printed  forT.  Egerton,  1814 

*  First  Edition,  with  all  the  half-titles. 

162.  [AUSTEN  (JANE).]  Northanger  Abbey,  and  Per- 
suasion. With  a  Biographical  Notice  of  the  Author.  4 
vols.  12mo,  original  boards,  entirely  uncut  (\f  ith  new  backs, 
And  the  labels  missing,  except  one).     London :  Murray,  1818 

*  First  Edition  ;  not  often  found  in  boai-ds.  Each  volume 
contains  the  half-titles,  and  in  Vol.  I  are  the  four  pages  of 
advertisements. 

163.  AUVRAY  (JEAN).  Le  Banquet  des  Muses,  ou  vers 
Satyriques  du  Sieur  Auvray.  8vo,  red  levant  morocco,  gilt 
fillets  and  edges,  by  Trautz-Bauzonnet. 

Rouen:  David  Ferrant,  1624 

164.  AYRES  (PHILIP).  Emblems  of  Love.  In  four 
Languages.  Dedicated  to  the  Ladys.  First  Edition,  En- 
graved throughout,  and  printed  on  one  side  of  the  paper  only. 
Frontispiece  by  S.  NichoUs,  and  4-?  plates  of  emblems.  Small 
8vo,  red  levant  morocco  gilt,  gilt  edges,  by  The  Club 
Bindery. 

Printed  for  John  Wren  .  .  .  near  Great  Turnstyle,  [1680] 

165.  AYRES  (PHILIP),  Emblemata  Amatoria.  With 
43  plates  engraved  by  J.  van  Vianen;  engraved  text  in  four 
languages : — Latin,  French,  Italian  and  Dutch.  Small  8vo, 
red  levant  morocco,  gilt  rose  ornaments  on  back,  gilt  fillets, 
gilt  edges,  by  Thibaron. 

Londe  [Hollande] :  I'Amoureux  \_ca.  1700] 

166.  AZARIA  AND  HUSHAI:  A  Poem  (attributed  to 
Pordage  and  also  to  Settle).  Small  4to,  half  red  levant 
morocco,  gilt  edges,  by  Riviere,  London:  Charles  Lee,  1682 


25 


TWENTY-FIRST   SESSION,   MONDAY,  8:15    P.  M. 


A  SELECTION  OF  BOOKS 

FINE  BINDINGS. 

167.  ALBUM.  Blank  Album,  oblong  folio.  Green 
straight- grain  morocco,  gilt  borders,  centre  and  corners 
ornaments,  painted  in  brown  and  red,  on  the  centre  of  the 
front  cover  a  gilt  circular  frame  with  glass,  enclosing  a 
charming  miniature  portrait  of  a  lady,  gilt  back,  and  inside 
borders,  silk  linings,  gilt  edges,  by  Susse.  About  1840 

168    ALMANACH  Royal,  annee  M.DCC.LVII.     8vo. 

Paris,  1757 

*  Old  French  citron  morocco,  gilt  and  mosaic  compartments 
inlaid  in  tinsel  paper,  gold  and  red,  covered  with  isinglass?, 
painted  arms  in  the  centre  similarly  covered,  the  compart- 
ments of  citron  morocco  covered  with  gold  dots,  and  outlined 
by  tooled  scrolls  of  dark  brown  morocco,  mosaic  back,  gilt 
edges,  probably  by  Dubuisson.  In  a  citron  levant  morocco  slip 
case. 

169.  ANACREON.  Odte,  grsece,  prefixo  commentario 
quo  poet»  genus  traditur.  Printed  in  capitals.  16mo,  old 
English  red  straight-grain  morocco,  large  grape-vine 
wreaths  exquisitely  tooled  and  gilt  on  the  sides,  corner 
ornaments  of  pointille,  etc.,  gilt  tooled  back,  morocco 
joints,  gilt  edges,  by  Roger-Payne,  in  a  morocco  slip  case. 

Parmse,  in  sedibus  Palatinis  (Bodoni),  1791 

170.  ANTONINUS  (MARCUS  AURELIUS).  Vita  di  M. 
Aurelio  Imperadore,  con  le  alte  et  profonde  sue  Sentenze, 
notabili  document!  ammirabili  essempi,  &  lodeuole  norma 
di  uiuere,  Tradotta  di  Spagnuolo  in  lingua  Toscana  per 
Mambrino  Roseo  da  Fabriano.     8vo. 

Vinegia:  Bartholomeo  detto  I'lmperador,  &  Francesco 
Venetian  o,  1543. 

*  Old  Italian  red  morocco,  richly  gilt  tooled,  in  compart- 
ments, with  the  Demetrius  Canevari  Medallion  in  centre 
representing  the  Sun  driving  his  chariot,  and  the  title  of  the 
book  stamped  in  gold  on  both  covers,  gilt  edges.  Skilfully 
rebacked  and  corners  restored.  Exhibited  at  the  Burlington 
Fine  Arts  Club  and  reproduced  in  Catalogue,  plate  47. 

171.  APOLLONIUS  RHODIUS.  Argonauticon  libri 
quatuor,  gr^ece,  cum  scholiis  grnecis.  Text  printed  in 
capitals.,  tlie  commentary  m  minuscules.  171  leaves,  ivitli 
signatures.  Editio  Princeps.  4to.  Hain,  1292;  Proctor, 
6407.         Floreutise:  [Lorenzo  di  Francesco  di  Alopa],  1496 

*  Old  English  green  levant  morocco,  gilt  panelled  sides,  gilt 
tooled  lateral  floral  ornaments,  gilt  back,  gilt  edges,  by  Roger 
Payne. 

26 


:''   ^X?'ii-i!^iM*-- 


The  Eael  of  Leicester's  Copy  of  Aristotle,  1554. 
(See  No.  173.) 


BOOKS  IN  FINE  BIKDING— Continued. 

172.  APULEIUS.  L'Araovr  de  Cvpido  et  de  Psiche, 
Nouuellement  histoiree,  &  Exposee  tant  en  vers  Italiens, 
que  Franyoys  .  [par  Jean  Maugin,  dit  le  Petit  Angevin]. 
Engraved  borders  and  thirty-two  looodcut  illustrations  after 
the  so-called  Raphael  designs,  copied  from  the  engravings 
of  Marc  Antonio,  presumably  by  Bernard  Solomon.  24mo, 
old  red  morocco,  the  arms  of  Madame  de  Pompadour 
on  each  cover,  within  border  composed  of  crown  and  fieur- 
de-lys  stamps,  gilt  edges,  in  a  morocco  case. 

Paris:  lanne  de  Marnef,  1546 

173.  ARISTOTLE.  Aristotelis  de  Moribus  ad  Nicoma- 
chum,  grrece.    4to.  Parisiis:  apud  Adr.  Turnebum,  1554 

*  Contemporary  English  binding  in  brown  calf,  the  sides  in 
compartments,  decorated  with  an  ornamental  cartouche  painted 
in  dark  green  and  silver,  within  gilt  lines,  corner  pieces  in 
gold,  the  spaces  occupied  by  a  semis  of  small  gold  trefoils;  in 
the  centre  the  device  of  the  Bear  and  ragged  staff  stamped  in 
silver  and  gold,  gilt  mosaic  back,  gilt  edges ;  bound  for  Robert 
Dudley,  Earl  of  Leicester,  the  favorite  of  Queen  Elizabeth. 
Specimens  from  his  library  are  very  rare.  The  James  Maid- 
ment  and  Sir  Edward  Sullivan  copy,  shown  at  the  Burlington 
Fine  Arts  Club  Exhibition,  and  illustrated  in  the  Catalogue, 
plate  73.     In  a  straight-grain  morocco  slip  case. 

[See  Reproduction.] 

174.  AUDOENUS  (JOANNES).  Epigrammata,  cura  A.  A. 
Renouard.     Large  Paper.     12mo.  Paris,  1794 

*  Old  English  green  straight-grain  morocco,  gilt  panelled 
sides,  with  floral  corner  ornaments,  gilt  tooled  back  and  inside 
borders,  leather  joints,  gilt  edges,  by  Roger  Payne:  with  his 
autograph  bill  inserted:  "...  Bound  in  the  very  best  manner 
in  the  finest  green  morocco  of  an  extra  rich  grain.  Seio'd  in 
the  best  manner  on  bands  on  ye  outside  of  the  back  .  .  .  ,"  etc. 
Preserved  in  a  case.     From  the  Beckford  library. 

175.  BALBI  (G.  B.).  Balletti  d'invenzione  nella  Finta 
Pazza.  Engraved  title  and  18  x>Jates  of  dances  after  Stefano 
delta  Bella,  all  colored  by  hand  and  heightened  ivith  gold. 
Oblong  4to.  [Paris,  1645] 

*  Old  French  brown  morocco,  rich  gilt  tooled  borders,  th& 
panels  covered  by  a  semis  of  interlaced  "A's",  gilt  edges 
(corners  and  back  restored).  The  presentation  copy  to 
Anna  of  Austria,  Queen  of  King  Louis  XIII  of  France,  with 
her  arms  painted  on  the  title-page,  and  a  manuscript  dedicatory 
letter,  signed  by  the  author. 

176.  [BALDERIC]  Vie  du  bien-heureux  Robert  d'Ar- 
brissel  fondateur  de  I'ordre  de  Fontevrauld.  (Text  in  Latin 
and  French.)     Buled  throughout  in  red.     8vo. 

A  la  Fleche,  1648 

*  Contemporary  French  binding  in  red  morocco,  gilt  tooled 
ornamental  borders,  the  panels  covered  with  a  semis  of  iater- 

27 


BOOKS  IN  FINE  BINDING— Continued. 

laced  Bs,  Ds  and  fleurs-de-lys,  alternately  placed,  with  the 
ARMS  OF  Jeanne  Baptiste  de  Bourbon,  Abbess  of  Fonte- 
VRAULT,  daughter  of  Henry  IV  and  Charlotte  des  Essars, 
stamped  on  each  cover;  semis  of  small  fleurs-de-lys  in  the 
panels  of  the  back,  gilt  edges. 

177.  BEAUCHASTEAU  (F.  M.  CHASTELET  DE).  La 
Lyre  du  Jeune  Apollon,  ou  la  Muse  Naissante.  Ruled 
throughout  with  red  ink.  Engraved  title  and  19  fine  portraits, 
including  that  of  the  author  and  one  of  Queen  Henrietta 
Maria,  wife  of  Charles  I.  4to,  old  French  citron  morocco, 
richly  tooled  and  gilt  with  scrolls  and  pointille  ornaments, 
the  arms  of  a  prelate  of  the  celebrated  Fouquet  family 
inlaid  in  the  centre  of  each  cover,  gilt  back,  gilt  edges. 

Paris,  1657 

*  First  Edition.  This  collection  of  French  and  Italian 
poems  was  by  an  extraordinary  French  boy,  who  afterwards 
went  to  England.  It  is  a  very  curious  book,  almost  unknown 
to  collectors.  The  two  extra  leaves  and  portrait  of  Cardinal 
d'Este  in  part  II  are  missing. 

178.  BELLORIUS  (JO.  PETRUS).  Veterum  Illustrium 
Philosophorum,  Poetarum,Rhetorum  et  Oratorum  Imagines, 
ex  vetustis  nummis,  gemmis,  hermis,  marmoribus,  aliisque 
monumentis  desumptse.    Frontispiece  and  92  plates.    Folio. 

Romse,  1685 

*  Old  French  red  morocco,  gilt  panelled  sides,  fleurs-de-lys  in 
the  corners,  with  the  arms  of  Jean-Baptiste  Colbert,  Mar- 
quis DE  ToRCY,  stamped  in  gold  on  each  cover,  gilt  back,  gilt 
edges. 

179.  BERGER  (J.  A.  DE).  Succincta  Commentatio  de 
Imperio  Maris  Adriatici  Caesari  qua  Regi  Dalmatarum  ac 
principi  Istriae  ut  et  Regi  Neapoleos  atque  Sicilise  proprio, 
sive  Confutatio  Scriptionis  apud  Londorpium  T.  I.  Act. 
Publ.  Lib.  II.  Cap.  XV.  Pro  Republica  Venetorum  concin- 
natse.     4to.  Lipsise,  1723 

*  Contemporary  German  binding  in  red  morocco,  the  covers 
being  embossed  with  gold  on  one  side  and  silver  on  the  other; 
in  the  centre  a  medallion  portrait  of  Charles  VI,  Emperor  of 
Germany,  surmounted  by  two  Cupids  supporting  a  crown,  and 
at  the  sides  the  flgures  of  Peace  and  Justice.  At  the  top,  in  a 
cartouche,  substained  by  two  angels,  is  a  presentation  inscrip- 
tion in  German  to  "  Herrn  Frantz  Jacob  des  Heil.  Rom.  Reichs 
Graf  en  und  Herrn  von  und  zu  Brandis,"  etc.,  and  below  a 
representation  of  the  Magi  on  their  way  to  Bethlehem ;  the 
intervening  spaces  having  coats  of  arms  of  German  Princes. 
The  lower  cover  is  the  same  with  the  exception  of  the  repre- 
sentation of  the  Nativity  in  the  place  of  the  above  inscription. 
A  curious  and  interesting  specimen. 

180.  BERNIS  (FRANgOIS  JOACHIM  DE  PIERRE, 
CARDINAL  DE).  Qiuvres  Meslees  en  prose  et  en  vers. 
12mo,  old  red  morocco,  gilt  back,  wide  floral  borders  on 
the  sides,  the  arms  of  Madame  de  Pompadour  on  both 
covers,  gilt  and  floral  end  papers,  gilt  edges. 

Geneve :  Chez  Ant.  Philibert,  1753 

28 


English  Embkoideeed  Binding,  about  1600. 
(See  No.  188.) 


BOOKS  IN  FINE  BIKDING— Continued. 

181.  BERRETINI  AND  PETRIOLI.  TabuUe  Anatomife. 
27  full-page  plates.  First  issue.  Royal  folio,  scored  riis- 
sia,  filleted  panels  ou  sides,  gilt  edges,  hy  Roger  Payne. 

Romse,  1741 

*  A  charaoteristic  bill  to  Dr.  Moseley  is  inserted  "...  exceed- 
ing fine  Russia  of  ye  true  colour  as  imported.  This  book 
being  printed  on  a  full  sheet  of  paper  for  each  leaf,  left  the 
irregularitys  of  the  outside  ...  I  think  but  few  if  any  other 
booli-binder  would  have  guarded  against  that  deffict  (sic) 
which  would  have  shew'  d  itself  odious  like  a  bad  folded 
octavo."  Also  inserted  is  the  receipt  written  in  Paynes  auto- 
graph and  signed  "  Roger  Payne,  Bookbinder." 

182.  BERTAUT  (JEAN).  Recueil  de  quelques  vers 
amoureux.     8vo.     Paris:  veufve  de  Mamert  Patisson,  1602 

*  Old  vellum,  a  semis  of  gilt  fieurs-de-lys  on  the  sides,  the 
arms  of  Henry  IV  on  the  centre  of  each  cover  and  crowned  H 
in  the  corners,  gilt  back  and  edges,  in  a  silk  bag. 

183.  [BEVERIDGE  W.]  (Bishop  of  St.  Asaph).  The 
Church  Catechism  explained  for  the  use  of  the  Diocese  of 
St.  Asaph.     4to.  Lond.  1704 

*  Old  English  red  morocco,  gilt  panelled  sides,  with  lateral 
ornaments,  the  crowned  monogram  of  Queen  Anne  stamped 
in  gold  in  the  centre  and  in  the  corners,  gilt  back,  gilt  edges. 

184.  BIBLE  (THE  HOLY),  containing  the  Olde  Testa- 
ment and  the  New,  with  the  Book  of  Common  Prayer,  etc. 
12mo.  Lond.  1638 

*  Contemporary  English  silk  binding  embroidered  with  gold 
and  silver  thread  and  spangles,  in  the  centre  panels  the  figure 
of  a  man  in  needle  work ;  the  back  divided  into  three  panels 
with  flowers  in  colored  silk,  silver  clasps,  gilt  edges,  in  a  case. 

185.  BIBLIA:  dat  is  de  gantsche  H.  Schrifture.  En- 
graved title.     8vo.  Dordrecht,  1720 

*  Contemporary  Dutch  binding  in  tortoiseshell,  chased  sil- 
ver floral  corner  ornaments,  hinges,  clasps  and  rings  at  top 
for  a  chain,  gilt  edges. 

186.  BIBLIA:  das  ist  die  gantze  Heilige  Schrift,  Alten 
und  Neuen  Testaments,  nach  der  Teutschen  Ubersetzung 
D.  Martin  Luthers.     Thick  12mo.  Lemgo,  1731 

*  Contemporary  German  binding  of  repousse  silver ;  on  the 
front  cover,  within  a  framework  of  scrolls  and  cherubs'  heads, 
an  oval  panel  representing  Moses ;  on  the  back  cover,  enclosed 
by  a  similar  frame,  another  oval  panel  representing  Aaron;  the 
back  divided  into  three  symbolical  panels ;  chased  silver  clasp 
with  figure  of  St.  Anna,  gilt  edges.  In  the  same  volume  are 
bound  thi'ee  other  works  of  a  devotional  character. 

187.  BIBLIA  GALLICA.  La  Sainte  Bible.  Billed 
throughout  in  red,  and  with  numerous  woodcuts. 

Lyon:  Ian  deTournes,  1554 

*  Contemporary  French  binding  in  calf,  covered  with  a  Gro- 
lieresque  design  in  compartments  formed  by  interlaced  bands 
painted  black  and  outlined  in  gold,  with  gilt  scrolls  and  ara- 
besques painted  yellow,  blue,  etc. ;  gilt  and  blind  tooled  back, 
gauffred  gilt  edges;  in  a  morocco  case  lined  with  deer  skin.    A 

FINE  SPECIMEN. 

29 


BOOKS  IN  FINE  BIDDING— Continued. 

188.  BIBLE,  that  is,  the  Holy  Scriptures  contained  in 
the  Old  and  New  Testament  (with  the  Booke  of  Common 
Prayer).     Folio.  London:  Robert  Barker,  1607 

*  Contemporary  English  binding  embroidered  with  gold  and 
silver  threads,  spangles  and  colored  silks ;  covers  with  a  rep- 
resentation of  the  Garden  of  Eden  and  the  Fall  of  Adam  and 
Eve  (this  last  in  needle  work),  and  at  the  bottom  of  each  the 
inscription  "  A  Dreame"  ;  the  back  divided  into  four  panels 
filled  with  birds,  insects,  trees,  etc.,  gauffred  gilt  edges.  In  a> 
morocco  case.    A  beautiful  and  interesting  specimen. 

[See  Reproduction.] 

189.  BIBLE.  [Das  alte  und  Neue  Testament  verdeutschet 
dureh  D.  Martin  Luther].     8vo.  Leipzig,  1755 

*  Contemporary  German  binding  in  repousse  silver ;  the 
sides  divided  into  three  panels,  and  a  Louis  XV  border.  The 
panels  on  the  front  cover  represent  Cain  and  Abel,  Moses  giv- 
ing the  laws,  and  Lot's  wife ;  those  on  the  back  cover  the 
Annunciation,  Christ  Blessing  the  Children  and  Christ  at  the 
Well.  Silver  back,  also  divided  into  three  panels,  represent- 
ing Biblical  scenes,  and  the  repousse  silver  clasp  has  a  figure 
of  St.  John  the  Baptist. 

190.  BODIN  (JEAN).  Les  six  livres  de  la  Repub- 
lique.     First  Edition.     Folio. 

Paris:  Chez  Jacques  du  Puys,  1576 

*  Old  French  red  morocco,  richly  tooled  and  gilt  in  com- 
partments, with  arabesques,  leaf  sprays,  scroll  work,  small 
vases,  etc.,  in  the  style  called  "a  la  fanfare,"  back  gilt  in  a, 
similar  manner,  gilt  edges,  by  Le  Gascon.     In  a  morocco  slip 

case. 

[See  Eeproduction.] 

191.  BOILEAU-DESPREAUX  (NICOLAS).  CEuvres 
poetiques  accompagnees  de  nouvelles  notes  par  M.  Auger. 
Portrait  of  Boileau  after  Rig aud  inserted.  8vo.      Paris,  1825 

*  Calf,  outside  borders  of  gilt  line  tooling,  blind  tooled  orna- 
mental corners,  and  centre  stamped  with  architectural  frame, 
heightened  by  coloring  in  green,  blue,  yellow  and  red,  in  the 
manner  of  enamel,  gilt  edges.  Interesting  specimen  of  modern 
French  binding  done  by  L.  Fontaine,  an  apprentice  of  Liege, 
at  Paris,  in  1839. 

192.  BONNE  FEMME  (LA),  ou  le  Pheuix,  parodie 
d'Alceste,  in  deux  actes  (and  7  other  dramatical  pieces  by 
Piis  and  Barre).     8vo.  Paris,  1780-81 

*  Old  French  red  morocco,  gilt  tooled  dentelle  borders  on  the 

sides,    WITH   THE    ARMS    OF    QUEEN   MaRIE    ANTOINETTE    in   the 

centre  of  each  cover;  gilt  back,  silk  linings,  gilt  edges,  by 
JUBERT.     In  a  morocco  slip  case.     Fine  specimen. 

193.  BOOK-COVER.  A  wooden  book-cover.  Folio, 
gilt  panelled  sides,  ornamental  borders;  on  the  central 
panel  of  the  front  cover  is  painted  the  figure  of  a  martyr, 

30 


Le  Gascon  Binding. 
(See  No^  190.) 


BOOKS  IN  FINE  BIKDIl^G— Continued. 

and  on  that  of  the  back  cover  several  arma,  and  the 
inscription  "  Inventario  delle  cose  mobili  della  Sacristia 
del  domo  di  Siena,"  etc. ;  all  in  perfect  imitation  of  the 
famous  Sienese  bindings  of  the  15th  Century. 

194.  BOOK-COVER.  A  16th  Century  Italian  book  cover, 
the  sides  richly  tooled  and  gilt  in  compartments,  with  the 
ARMS  OF  THE  GoNZAGA  FAMILY  in  the  Centre,  adapted  to 
use  as  a  writing  portfolio.     Folio. 

195.  BOSCHIUS  (JACOBUS).  Symbolographia  sive  de 
Arte  Symbolica  Sermones  Septem.  Frontispiece  and  171 
plates  engraved  by  J.  MiXller  and  J.  G.  Wolfgang,  contain- 
ing 2,052  emblems.     Folio.       Augustse  Vindelicorum,  1702 

*  Contemporary  German  binding  in  red  morocco,  richly 
tooled  and  gilt  in  a  design  of  leaves,  scrolls,  flowers,  birds, 
etc.,  with  the  seal  of  the  monastery  "  Ettalensis"  on  the  front 
cover,  and  the  arms  of  Placidus,  Abbot  of  the  said 
MONASTERY,  on  the  back  cover,  gilt  back  and  edges. 

196.  BOURGOING  (FRANgOIS).  Les  Veritez  et  Ex- 
cellences de  Jesus-Christ  nostre  Seigneur,  Engraved  title. 
4  vols,  in  2  vols.     4to.  Paris,  1636 

*01d  French  red  morocco,  gilt  tooled  dentelle  borders  on  the 
sides,  inner  corner  ornaments  of  scrolls  and  dots,  the  arms  OF 
Cardinal  Richelieu  in  the  centre;  gilt  backs  and  edges. 

197.  BULL  (GEORGE).  Opera  omnia,  latine  conscripta. 
Portrait  by  Vander  Gucht.     Folio.  Londini,  1721 

*  English  binding  of  the  19th  Century  in  silver  gilt  over  vel- 
vet. The  covers  have  five  medallions,  with  figures  of  cupids 
at  play,  joined  by  pierced  strap- work,  with  heads,  birds,  ani- 
mals and  vases  of  flowers,  a  narrow  chased  border  surrounding 
the  whole;  chased  back  representing  cupids  and  garlands, 
chased  and  pierced  clasps,  silk  linings,  gaviffred  gilt  edges ;  in 
a  cloth  case. 

198.  BUSSY  (ROGER  DE  RABUTIN,  COMTE  DE).  Les 
Memoires  de  Messire  Roger  de  Rabutin  Comte  de  Bussy. 
Lieutenant  General  des  Armees  du  Roy,  et  mestre  de 
Camp  General  de  la  Cavalerie  legere.  Portrait  by  Edelinch 
after  Le  Febure.  First  Edition.  2  vols.  4to,  old  citron 
morocco,  floral  backs,  the  arms  of  Madame  Sophie  de 
France  (1734-1782),  daughter  of  Louis  XV,  on  the  sides, 
gilt  edges.  Paris,  1696 

199.  C^SAR.  I  Commentarii  di  C.  Giulio  Cesare  (Bal- 
delli's  translation).  2  maps  and  JfO  plates  engraved  on  cop- 
per after  the  designs  of  Andrea  Palladio.     4to. 

Venetia:  Pietro  de'  Franceschi,  1574 

*  Olive  morocco,  in  compartments  formed  by  interlaced  fil- 
lets paintc-d  red  and  gray,  interspersed  with  gold  dots  and  orna- 
mented with  arabesques  painted  in  various  colors  and  outlined 
in  gold,  gilt  and  painted  back;  doublure  of  dark  olive  morocco, 
entirely  tooled  and  gilt  in  a  design  similar  to  that  on  the  front 
cover,  gauffred  and  painted  gilt  edges  (joints  slightly  cracked 
at  top  and  lower  part).     From  the  library  of  Baron  Seilliere. 

81 


BOOKS  IN  FINE  BlKDIliJG— Continued, 

200.  CAVICEO  (JACOMO).  II  Peregrine  nuovamente 
revisto.     8vo.  [Venice]  1533 

*  Old  Italian  binding  in  red  morocco,  gilt  borders  of  inter- 
lacing fillets  and  arabesques  on  the  sides,  in  the  centre  of  each 
cover  the  well-known  medallion  device  of  Demetrio  Canevari 
representing  the  Chariot  of  the  Sun,  above  it  the  title  of  the 
book  printed  in  gold  capitals,  gilt  edges;  in  a  morocco  slip  case. 
From  the  library  of  Baron  de  La  Roche  Lacarelle. 

201.  CAMPEGGI  (RIDOLFO).  Lagrimedi  Maria  Verg.^e. 
Engraved  title.     4to.  Bologna,  1617 

*  Contemporary  Italian  brown  morocco,  gilt  arabesque  bor- 
ders, the  corners  formed  by  escutcheons  containing  the  arms 
of  France  and  the  arms  of  Medicis,  fleurons  in  the  inner  cor- 
ners, semis  of  fleurs-de-lys  and  "  besants  "  alternately  placed, 
with  the  crowned  Arms  of  Queen  Marie  de  Medicis  in  the 
centre  of  each  cover,  gilt  back  and  edges;  in  a  morocco  slip 
case. 

The  Presentation  copy  to  the  Queen,  to  whom  the  work  is 

dedicated. 

[See  Reproduction.] 

202.  CARACCI  (ANNIBALE).  Pensieri  diversi  lineati 
et  intagllati  d'Annibale  Caracci.  Title  engraved  by  Bloe- 
mart,  and  Jfi  plates  hy  Caracci.  Portrait  of  Pope  Clement 
JCI,  engraved  by  Frezza,  inserted.     4to. 

Presso  Venanzio  Monaldini  [1609] 

*  Italian  silk  binding  of  the  beginning  of  the  19th  century, 
embroidered  gold  borders  on  the  sides,  the  arms  of  a  member 
of  the  noble  Albini  family  embroidered  in  colored  silks  and 
gold  in  the  centre  of  each  cover,  gilt  edges. 

203.  CASTIGLIONE  (BALDASSARE).  Le  Parfait  Cour- 
tisan;  de  la  traduction  de  Gabriel  Chapuis  (in  French  and 
Italian).     8vo.  Lyon,  1580 

*  Contemporary  French  binding  in  red  morocco,  the  sides 
in  mosaic  compartments  of  citron  and  brown  morocco  cov- 
ered with  gilt  tooled  ornaments,  accompanied  by  interlaced 
Ys,  <I)S,  c^  and  A  and  closed  s.^  gilt  back,  gilt  edges,  by 
Clovis  Eve  (skilfully  restored  and  i-ebacked).  Probably 
bound  for  Philippe  Des  Portes,  abbe  de  Thyron. 

204.  CERVANTES-SAAVEDRA  (MIGUEL  DE).  His- 
toire  de  1' Admirable  Don  Quichotte  de  laManclie,  Tradnite 
de  I'Espagnol  de  Michel  de  Cervantes.  Nouvelle  edition. 
Illustrated  luiih  56  plates,  including  frontispieces,  and  ruled 
with  red  lines.     6  vols.  12mo.  Paris,  1713 

*  Old  French  red  morocco  gilt,  the  Arms  of  Elizabeth 
Farnese,  Queen  of  Philip  V  of  Spain,  on  the  covers,  fleurs- 
de-lys  in  the  panels  of  the  backs ;  doublure  of  olive  morocco, 
with  dentelle  borders,  gilt  edges,  probably  by  Duseuil. 

33 


Binding  for  Marie  de  Medicis. 
(See  No.  201.) 


BOOKS  IN  FINE  BINDING— Continued. 

205.  CERVANTES-SAAVEDRA  (MIGUEL  DE).  Lefy 
Principales  Avantiires  de  Tadrairable  Don  Quicbotte,  re- 
presentees en  figures  par  Coypel,  Picart  le  Remain,  et 
autres  habiles  maitres.  Fleuron  on  title,  a  vignette  hf/ 
Schley,  and  SI  very  fine  plates  engraved  hy  Fokke,  Picart, 
Schley  and  Tanje  after  Boucher,  Cochin,  Coypel,  Lebas, 
Picart  and  Tremolieres,  all  unnumbered  and  first  impres- 
sio7is.     Large  4to.  La  Haye:  Pierre  de  Houdt,  174& 

*  Large  Paper.  Old  Frencli  red  morocco,  wide  gilt  tooled 
dentelle  borders  on  the  sides,  baronial  arms  in  the  centre,  gilt 
back  and  inside  borders,  blue  silk  linings,  gilt  edges,  by 
Padeloup. 

206.  CHARTIER  (JEAN).  Histoire  de  Charles  VII  roy 
de  France,  par  Jean  Chartier,  Jacques  le  Bouvier,  Mathieu 
de  Coucy,  et  autres  autlieurs  du  temps.  Qui  contient  les 
choses  les  plus  memorables,  advenues  depuis  I'an  1422 
jusques  en  1461.     Folio.       Paris:  Imprimerie  Royale,  1661 

*  Old  French  olive  morocco,  panels  of  green  morocco  with 
an  oval  of  olive  morocco,  enclosed  in  a  gilt  wreath  and  bearing 
THE  Arms  of  Kino  Louis  XIV  of  France;  broad  borders  with 
a  "semis"  of  "X"  repeated,  also  on  the  panels  of  the  back,  gilt 
edges,  probably  by  Boyer. 

207.  COMMINES  (PHILIPPE  DE).  Cronique  et  his- 
toire contenant  les  choses  advenues  durant  le  regne  du 
Roy  Loys  unziesme,  &  Charles  huictiesme  sou  filz.       16mo. 

Paris:  par  Jehan  Ruelle,  1560 

*  Old  French  brown  morocco,  medallion  representing  the 
Crucifixion  stamped  in  gold  on  the  centre  of  each  cover,  and 
on  the  back,  the  skull,  the  royal  arms  of  France,  and  the  motto 
"  SPES  MEA  devs ",  gilt  edges;  bound  for  King  Henry  III  of 
France.     (Shghtly  restored.) 

208.  COMMON  PRAYER  (The  booke  of),  and  adminis- 
tration of  the  Sacramentes,  and  other  rites  and  Ceremonies 
in  the  churche  of  Englande  (with  The  Psalter  or  Psalms  of 
David,  after  the  translation  of  the  great  Bible,  poynted  as- 
it  shal  be  saide  or  song  in  Churches,  with  Certayne  Godly 
Prayers).  Black  letter.  Titles  ivithin  ivoodcut  figured  bor- 
ders, the  first  in  red  and  black.  Imprinted  at  London  in 
Powles  Churchyard,  by  Richard  Jugge  and  lohn  Cawood, 
1571. — The  Whole  Boke  of  Psalmes,  collected  into  Englishe 
metre  by  T.  Sternhold,  W.  Whitingham,  I.  Hopkins,  and 
others.  Black  letter.  Title  within  ivoodcut  border,  and 
music  noted  on  5  lines.  Imprinted  at  London  by  John 
Day,  1571.  In  one  volume,  small  4to.  (Slight  defect  on 
one  leaf,  injuring  two  words  of  text.)  London,  1571 

*  Contemporary  English  (or  Lyonnese)  binding  in  calf,  the 
sides  stamped  with  large  centre  and  corner  ornaments  painted 
white,  brown  and  green  on  a  gold  ground,  the  spaces  between 
the  ornaments  splashed  with  white,  richly  gilt  back,  gauffred 
and  painted  gilt  edges  (in  a  blue  morocco  slip  case). 

No  FINER  COPY  of  the  Common  Prayer,  Psalter  and  Psalms 

33 


BOOKS  IN  FINE  BINDING— Continued. 

of  1571  could  be  desired,  It  is  said  to  have  been  bound  by 
Archbishop  Parker's  binder,  but  the  binding  is  characteristic 
of  the  Lyonnese  style,  of  which  many  specimens  were  executed 
late  in  Queen  Elizalseth's  reign,  and  through  the  reign  of 
King  James  I.  From  the  libraries  of  Lord  Crawford  and  Lord 
Amherst. 

209.  COMMON  PRAYER  (The  Book  of)  and  Adminis- 
tration of  the  Sacraments  and  other  Rites  and  Ceremonies 
of  the  Church.     8vo.  London :  John  Baskett,  1719 

*  Contemporary  English  morocco,  inlaid  with  black  and  red, 
the  centre  pieces  and  corners  being  tulips  of  green.  Bound 
without  any  back,  which  is  an  unusual  form  of  bookbinding. 
The  inlays  are  of  a  character  rarely  found,  the  tulips  and 
lozenge  centre  and  corner-pieces  are  in  chamois  leather 
stained  green,  and  the  narrow  fillet  inlays  are  of  light  brown 
morocco.  Probably  from  the  workshop  of  Charles  Mearne  or 
his  successors.     (Upper  cover  loose.) 

210.  COMMON  PRAYER  (The  Book  of)  and  Adminis- 
tration of  the  Sacraments  and  other  Rites  and  Ceremonies 
of  the  Church.     12mo.  Oxford,  1772 

*  Contemporary  binding  in  repousse  silver,  the  sides  divided 
into  compartments  formed  by  floral  scroll  ornaments  and 
medallions  representing  scriptural  scenes,  repousse  silver  back 
and  clasp. 

211.  COWLEY  (ABRAHAM).  Works,  now  published 
out  of  the  author's  original  copies.  Seventh  Edition.  Por- 
trait engraved  hy  Faithorne.     Folio. 

London:  H.  Herringman,  1681 

*  Contemporary  English  binding  in  red  morocco,  gilt  panelled 
sides,  inlays  of  citron  and  blue  morocco,  covered  with  designs 
of  flowers  and  fruit,  stars  and  crescents,  gilt  edges.     A  most 

ELABORATE    AND    REMARKABLE   SPECIMEN    OF    ENGLISH    BlBLIO- 

PEGY  OF  THE  PERIOD.  From  the  library  of  Silence  Folkes 
with  her  book-plate,  and  inscriptions  on  title:  "Silence  Folkes 
her  booke  Anno  Dni  1705,"  and  "  Given  by  my  good  friend  Mrs, 
March." 

212.  DIAMANTE  DEL  CRISTIANO,  devocionario  com- 
pleto  nuevamente  revisado  que  contiene  las  Horas  divinas, 
etc.     Engraved  plates.     16mo.  Barcelona,  1855 

*  Contemporary  Spanish  binding  in  mother-of-pearl,  the  front 
cover  carved  to  represent  the  Flight  into  Egypt,  velvet  back, 
silver  clasp,  gilt  edges. 

213.  DIODORUS  SICULUS.  Bibliothec^e  Historic^  libri 
XVIL     Thick  16mo. 

Lugduni:  apud  Hsered.  Seb.  Gryphii,  1559 

*  Contemporary  French  calf,  the  sides  stamped  in  a  rich  de- 
sign of  arabesques  and  scrolls  painted  green,  white  and  black, 
on  a  gold  ground,  with  the  arms  of  Jacques  Malinfant  of 
Toulouse,  almoner  to  the  Queen  of  Navarre,  stamped  in  gold 
in  the  centre  of  each  cover,  painted  and  gilt  ornamental  panels 
on  the  back,  gaufl'red  and  painted  gilt  edges  (skilfully  rebacked 
and  corners  restored).  In  a  morocco  case.  From  the  Firmin- 
Didot  collection. 

34 


BOOKS  IN  FINE  BINDING— Continued. 

214.  DONNE  (JOHN).  The  Poems  of  John  Donne, 
from  the  text  of  the  edition  of  1633.  Revised  by  James 
Russell  Lowell,  with  the  various  readings  of  the  other  edi- 
tions of  the  seventeenth  century,  and  with  a  Preface,  an 
Introduction  and  Notes  by  Charles  Eliot  Norton.  3  etched 
portraits.  2  vols.  12mo.    New  York:  The  Grolier  Club,  1895 

*  Green  levant  morocco,  gilt  and  mosaic  decoration  in  com- 
partments, and  panels  of  dark  blue  and  light  brown  morocco, 
doublure  of  red  morocco  tooled  in  narrow  borders,  red  moire 
silk  linings  in  cases,  by  The  Club  Bindery.     One  of  380  copies. 

215.  DORE  (PIERRE).  L'Image  de  vertu  demonstrant 
la  perfection  &  saincte  vie  de  la  bienheuree  vierge  Marie 
mere  de  dieu.  Ruled  throughout  in  red.  Small  cut  on  title 
and  woodcut  initials.  8vo.    Paris:  Maistre  P.  Vidoue,  1540 

*  Contemporary  French  binding  in  brown  morocco,  gilt 
panelled  sides  formed  by  ornamental  borders,  gilt  arabesques 
in  the  inner  panel,  the  arms  of  King  Francis  I  of  France, 
surrounded  by  the  order  of  St.  Michel,  in  the  centre  of  each 
cover,  gauffred  gilt  edges  (skilfully  restored).  In  a  morocco 
slip  case.  From  the  Baron  Double  library,  and  reproduced  in 
Guigard's  "  Nouvel  Armorial  du  Bibliophile." 

216.  DUCLOS  (CHARLES  PINOT).  Considerations  sur 
les  Moeurs  de  ce  siecle.  Portrait  engraved  by  Duflos  after  De 
La  Tour  and  a  plate  by  De  Lafosse  after  Oravelot.     12mo. 

Paris,  1764 

*  Old  French  red  moi*occo  gilt,  with  the  arms  of  a  Lady  of 
the  Du  Plessis  de  Wignerot  de  Richelieu  d'Aiguillon 
family,  accompanied  by  another  coat  of  arms,  probably  those 
of  her  husband,  stamped  in  gold  on  the  centre  of  the  covers, 
gilt  edges,  probably  by  Padeloup. 

217.  ECHARD  (LAURENCE).  A  General  Ecclesiastical 
History.     Folio.  London.  1702 

*  In  a  17th  century  repousse  and  pierced  metal  binding,  or- 
namental borders  on  the  sides,  the  Crucifixion  on  the  front 
cover,  and  the  Resurrection  on  the  back ;  repousse  and  pierced 
back  and  clasps. 

218.  ELLIS  (JOHN).  S.  Austin  Imitated:  or  Retrac- 
tations and  Repentings  In  reference  unto  the  late  Civil  and 
Ecclesiastical  Changes  in  this  Nation.  With  the  "  Leaf  of 
approbation  "  preceding  the  engraved  title  Small  4to,  old 
morocco,  gilt  edges,  gilt  back,  stamped  on  each  side  with 

THE  ARMS  OF  CHARLES  II  OF  ENGLAND. 

London:  W.  Godbid  [1662] 

219.  EMERSON  (R.  W.).  Poems.  First  Edition. 
12mo.  Boston,  1847 

*  Light  green  levant  morocco,  entirely  tooled  and  gilt  in  a 
design  of  trefoils  and  stars,  with  the  author's  name  in  the 
centre,  gilt  edges,  by  the  Doves  Bindery.  In  a  morocco  slip 
case. 

The  following,  in  the  autograph  of  T.  J.  Cobden-Sander- 
SON,  is  written  on  one  of  the  fly-leaves:  "  Emerson.  Designed 
by  me  <Sb  Bound  at  the  Doves  Bindery,  Hammersmith,  for  Mr. 
Robert  Hoe,  New  York.     T.  J.  Cobden-Sanderson,  1S94." 

35 


BOOKS  IN  FINE  BINDING— Continued. 

220.  EPISTOLvE  INDICT  et  Japanic?e  de  multarum 
gentium  ad  Christ!  Mem,  per  Societatem  Jesu  conversione. 
Item  de  Tartarorum  potentia,  moribus,  et  totius  Asife  re- 
ligione.     2  vols,  in  one,  8vo. 

Lovanij  :  apud  Rutgerum  Velpium,  1570 

*  Brown  levant  morocco,  the  sides  covered  with  a  rich 
Grolieresque  design  formed  by  interlaced  bands  in  dark  brown 
and  citron  morocco  outlined  in  gold,  gilt  mosaic  back;  doublure 
of  green  morocco,  entirely  tooled  and  gilt  in  an  elegant  lace 
design,  gilt  edges,  by  Cape.  In  a  morocco  slip  case.  A  beau- 
tiful specimen  of  modern  binding. 

221.  ESCHERNY  (F.  L.  D').  Melanges  de  Litterature, 
d'Histoire,  de  Morale  et  de  Philosophie.     3  vols.  12mo. 

Paris,  1811 

*  Contemporary  French  red  straight-grain  morocco,  gilt  bor- 
ders on  the  sides,  with  the  arms  of  Napoleon  I.  stamped  in 
gold  in  the  centre  of  the  covers,  gilt  backs  and  edges. 

222.  EVANGELIUM  SANCTUM  D.  N.  Jesu  Christi  con- 
scriptum  a  quatuor  Evangelistis,  ■  arabice  et  latine.  154 
woodcuts  hy  L.  Penni  after  Tempest  a.     Folio. 

Romas:  in  typographia  Medicea,  1590 

*  Brown  morocco,  the  sides  richly  tooled  and  gilt,  with  orna- 
mental corner  pieces  in  mosaic  on  a  gold  ground,  4  mosaic 
dragons,  4  gold  lions  and  2  gilt  medallions  in  imitation  of  an- 
cient cameos ;  in  the  centre  a  sunken  oval  panel  of  ivory  morocco 
with  figures  of  Sagittarius  and  arabesques  painted  brown  and 
outlined  in  gold,  the  ground  covered  by  a  semis  of  stars,  in  the 
inner  centre  a  coat  of  arms  stamped  in  gold  and  silver  within 
an  ornament  of  arabesques,  gilt  mosaic  back,  gilt  edges,  in  a 
morocco  ease.  The  Hoe  catalogue  states  the  arms  to  be  those 
of  Claude  de  Bouillon. 

223.  EXERCISE  Spiritual,  ou  le  Chrestien  peut  appren- 
dre  la  maniere  d 'employer  le  jour  au  service  de  Dieu,  par 
V.  C.  P.     Frontispiece  and  engraved  plates.     8vo. 

Paris,  1664 

*  Contemporary  French  binding  of  white  satin,  embroidered 
in  an  ornamental  design  of  gold  threads  and  cords  forming  a 
frame  on  each  side;  on  that  of  the  front  cover  being  a  painted 
and  embroidered  head  of  Christ,  and  in  the  one  of  the  lower 
cover  a  head  of  the  Virgin;  back  embroidered  in  colored  silks, 
rose  silk  linings,  gilt  edges,  in  a  cloth  case. 

224.  FAERNUS  (GABRIEL).  Fabulse  Centum,  ex  anti- 
quis  auctoribus  delects.       (Text  in  French  and  in  Latin.) 

Frontispiece  and  numerous  fine  copper  engravings  hy  C.  Du 
Bosc.     4to.  Londini,  1743 

*  Contemporary  English  binding  in  compartments  of  mosaic 
formed  of  citron,  blue  and  red  morocco,  within  gold  lines,  and 
with  ornaments  of  fleurons,  dots,  and  stars,  in  the  centre  and 
corners  the  arms  of  an  English  nobleman,  gilt  back  and  broad 
inside  borders,  silk  linings,  gilt  edges.  In  a  morocco  slip  ease. 
A  very  fine  specimen  of  English  18th  century  mosaic  binding  in 
perfect  condition. 

36 


BOOKS  IN  FINE  BINDING — Continued. 

225.  FENELON  (F.  DE  SALIGNAC  DE  LA  MOTHE). 
CEuvres  spirituelles.  Nouvelle  edition.  Portrait  engraved 
hy  Daulle  after  Vivien.  4  vols.,  Paris,  1752;  Histoire  de  la 
Yie  et  des  ouvrages  de  Fenelon,  Amsterdam,  1729.  Together, 
5  vols.  12mo. 

*  Old  French  olive  green  moroeco,  gilt  floral  borders  on  the 
sides,  with  the  arms  of  Princesse  Victoire-Louise-Mabie- 
Thebese,  daughter  of  Louis  XV,  in  the  centre  of  the  covers, 
gilt  edges,  by  FouRNiER. 

226.  FLAUBERT  (GUST AVE).  Bouvard  et  Pecuchet. 
CEuvre  Posthume.  First  Edition.  22  original  water- 
color  SKETCHES  ON  MARGINS,  HEAD-AND-TAIL  PIECES,  &C.    Small 

8vo,  dark  blue  levant  morocco,  elaborately  decorated  on  back 
and  sides  in  a  design  of  intertwining  flowers  and  leaves  with 
inlays  of  light-blue,  brown  and  red  morocco,  doublure  of  dark 
green  levant  with  inlays  of  red  and  olive,  red  silk  end-papers, 
gilt  over  rough  leaves,  original  covers  bound  in,  by  Gruel. 
In  slip  case.  Paris:  Alphonse  Lemerre,  1881 

227.  FRANCINI  (HORACE  DE).  Hippiatrique.  Ou 
est  traicte  des  causes  des  maladies  du  Cheual  tant  interieures 
qu'exterieures.     4to.  Paris,  1607 

*  Old  French  olive  morocco,  the  arms  of  Jacques  Auguste 
DE  Thou,  and  his  second  wife,  Gasparde  de  La  Chastre,  stamped 
in  gold  on  the  centre  of  each  cover,  and  their  interlaced  mono- 
gram repeated  six  times  on  the  panels  of  the  back,  gilt  edges. 
From  the  Library  of  Baron  A.  de  Seilliere,  with  bookplate. 

228.  GOMBAULD  (JEAN  OGIER  DE).  L'Endimion. 
Frontispiece-title  and  16  plates  engraved  hy  Crispin  de  Pass, 
Leonard  Gaultier,  and  Picart,  brilliant  impressions.  First 
Edition.  8vo,  old  olive  morocco,  gilt  back  with  the  mono- 
gram I.  M.  in  four  panels,  sides  ornamented  with  stars  and 
fleurs-de-lys  with  the  same  monogram  repeated  four  times, 
the  ARMS  OF  Cardinal  Mazarin  in  the  centre,  gilt  edges. 

Paris :  Nicholas  Buon,  1624 

229.  GRAFFIGNY  (FRANCOISE  D'ISSEMBOURG 
D'HAPPONCOURT  DE).  Cenie.  Piece  en  cinq  actes. 
Representee  pour  la  premiere  fois  par  les  Comediens  Frangois 
Ordinaires  du  Roi,  le  25  Juin  1750.  12mo,  old  red  morocco 
gilt,  gilt  edges,  with  the  arms  of  Marie  Josephe  de  Saxe, 
mother  of  Louis  XVI,  on  the  sides,  by  Padeloup.     Paris,  1751 

230.  GUARINI  (BATTISTA).  II  Pastor  Fido,  the  Faith- 
ful Shepherd.  A  Pastoral  now  translated  out  of  the  originall. 
[By  Sir  Richard  Fanshaw.]  First  Edition.  Portrait  of 
Guarini  engraved  hy  Cross  and  a  plate,  and  an  inserted  por- 
trait hy  Faithorne.     4to.  London:  R.  Raworth,  1647 

*  Contemporary  English  black  morocco,  with  the  arms  OF 
King  Charles  I.  of  England  stamped  in  gold  on  the  centre  of 

37 


BOOKS  IN  FINE  BINDING— Continued. 

each  cover,  gilt  edges.  The  presentation  copy  to  King  Charles 
I,  with  his  motto  and  signature  "Bum  spiro  spero.  C.  B."  in 
his  autograph  on  the  first  fly-leaf.  Below  it  is  the  following 
inscription  in  a  17th  century  hand:  "This  book  was  presented 
to  K.  Charles  I.  by  Sr.  Eichard  Fanshaw,  the  translator;  and 
the  Motto  above  is  of  His  Majesties  own  hand-vrriting. "  The 
above  is  the  copy  mentioned  by  Lowndes. 

231.  GUIDETTUS  (JOHANNES).  Cantus  Ecelesiasticus 
Officii  Ma j oris  Hebdoma,  nunc  autem  a  Francisco  Suriano 
emendatus.  Officium  vero  a  S.  Manlilio  restitutum.  Full- 
page  copper  engraving  representing  the  Last  Supper,  wood- 
cut initials  and  music  noted  on  4  lines.  Printed  in  Mack  and 
red.     Folio.     (Leaf  containing  engraving  mended.) 

Romge,  1619 

*  Contemporary  Italian  binding  in  red  morocco,  the  sides 
tooled  and  gilt  in  a  design  representing  two  saints  conversing; 
architectural  background,  all  within  gilt  tooled  ornamental 
borders,  gilt  edges.     A  very  unusuaij  specimen. 

232.  HERMANN  (M.  K.).  Anterhaltungen  eines  Christen 
mit  Gott  und  seinen  Heiligen.  Frontispiece  and  a  plate. 
12mo.  Augsburg  [18th  century] 

*  Contemporary  German  binding  in  red  straight-grain  mo- 
rocco, ornamental  silver  frames  of  open  work  on  both  sides, 
and  centre  ornaments,  the  one  on  the  front  cover  representing 
the  Crucifixion,  and  that  on  the  back,  cover,  the  Resurrection ; 
ornamental  silver  piece  on  the  back,  Abraham  ready  to  sacri- 
fice his  son,  silver  clasps,  gilt  edges. 

233.  HEURES  Imprimees  par  I'ordre  de  Monseigneur  le 
Cardinal  de  Noailles,  Archeveque  de  Paris;  A  I'usage  de 
son  Diocese.  Portrait  of  Clement  XI,  inserted,  and  3  plates 
engraved  by  Thomassin,  with  the  arms  of  Cardinal  Noailles 
on  each  plate.    Ruled  in  red  ink.     12mo.  Paris,  1701 

*  Old  French  red  morocco  gilt,  the  arms  of  Pope  Clement 
XI  on  the  centre  of  each  cover,  the  tiara  and  crossed  keys  alter- 
nately stamped  on  the  panels  of  the  back;  doublure  of  red  mo- 
rocco, with  dentelle  borders,  and  the  crossed  keys  surmounted 
by  the  tiara  in  the  centre,  gilt  edges,  by  Duseuil.  Probably 
the  copy  presented  to  the  Pope  by  Cardinal  de  Noailles. 

234.  HEURES  Nouvelles  dediees  a  Madame  Royale,  con- 
tenant  Les  Exercises  du  Matin  &  du  Soir.     12mo. 

Bruxelles:  Jean  Joseph  Boucherie    [1759] 

*  Old  French  red  morocco,  gilt  tooled  dentelle  borders  on  the 
sides,  in  the  centre  a  large  vase  filled  with  flowers  and  sur- 
rounded by  insects,  gilt  back  and  inside  borders,  silk  linings, 
gilt  edges,  by  Padeloup,  in  a  morocco  slip  case. 

A  most  exquisite  specimen  of  binding.  Copper-plate  of 
the  Crucifixion  by  J.  Galle  inserted.  This  volume  formerly  be- 
longed to  the  Princess  Elizabeth,  sister  of  Louis  XVI,  and 
has  her  autograph  signature,  dated  from  the  Temple,  1793, 
where  she  was  imprisoned  prior  to  her  execution  the  following 
year. 

This  is  the  earliest  knovra  specimen  of  typography  from  a 
Brussels  press  in  which  the  script  type  is  in  imitation  of 
engraving. 

38 


BOOKS  IN  FINE  BINJJING— Continued. 

235.  HEURES  Nouvelles  dediees  a  la  Reine.  Rare  frontis- 
piece containing  the  portrait  of  Marie  Leczinska,  praying,  and 
copper-plates.     12mo.  Paris,  1761 

*  Old  French  green  morocco,  the  sides  with  mosaic  ornaments 
in  red  and  citron  morocco  elaborately  tooled  and  gilt,  pointille 
ground,  on  the  centre  of  the  front  cover  an  oval  miniature  paint- 
ing representing  St.  Peter,  another  on  the  back  representing  St. 
Therese;  gilt  tooled  mosaic  back,  gilt  inside  borders,  silk  linings, 
by  Padeloup.     Eemarkable  specimen;  in  morocco  slip  case. 

236.  HOE  (ROBERT).  One  Hundred  and  Seventy-Six 
Historic  and  Artistic  Book-Bindings,  dating  from  the  Fif- 
teenth Century  to  the  Present  Time.  Pictured  hy  etchings, 
autotypes,  and  lithographs,  after  the  originals,  selected  from 
the  li})rary  of  Robert  Hoe.  2  vols,  royal  4to,  brown  levant 
morocco,  gilt  fillets,  doublure  of  red  morocco,  large  corner 
ornaments  of  scrolls,  azure  tooled,  gilt  edges,  by  Mercier. 
(Small  stain  on  two  margins.) 

New  York :  Dodd,  Mead  and  Co.,  1895 

*  The  only  copy  printed  with  the  illustrations  on  vel- 
lum, and  the  text  on  Japan  paper.  Annotated  by  Carolyn 
Shipman. 

237.  HUGO  (HERMANNUS).  Pia  Desideria  Emblem- 
atis,  Elegiis  &  affectibus  SS.  Patrum  illustrata.  46  emblem- 
atic woodcuts  by  C.  van  Sichem,  and  several  remarkable  tail- 
pieces, apparently  from  silver  plates.     Small  8vo. 

Antuerpiae,  1628 

*  Old  French  red  morocco,  the  sides  and  back  richly  tooled 
and  gilt,  with  inscription  in  the  centre  of  each  cover:  "Hoc  te 
munere  donavit  Claudius  Tapin,  1642" ;  gilt  edges. 

238.  HYGINUS.  Fabularum  liber,  ad  omnium  poetarum 
lectionem  mire  necessarius  &  antehac  nunquam  excusus. 
Poeticon  astronomicon  libri  quatuor.  Paleephati  de  fabulosis 
narrationibus,  liber  I,  etc.     Folio. 

Basileae:  apud  loan.  Hervagium,  1535 

*  Old  Italian  brown  morocco,  gilt  borders  on  the  sides  formed 
by  interlacing  bands,  the  spaces  filled  with  arabesques,  on  the 
centre  of  each  cover  the  Cameo  medallion  representing  the 
Chariot  of  the  Sun,  surrounded  by  the  Greek  inscription, 
Demetrio  Canevari,  physician  to  Pope  Urban  VIII.  Over 
the  medallion  of  the  front  cover  the  title  of  the  book  is  tooled 
in  gold  capitals,  gilt  edges.  In  the  finest  condition.  In  a 
morocco  slip  case.  From  the  Libri,  Solar,  Firmin-Didot  and 
Techener  libraries. 

Laid  in  is  a  strip  of  paper  with  a  Latin,  sentence  said  to  be 
in  the  handwriting  of  Canevari. 

239.  JEANNE  (JACQUES).  Thresor  sacre  des  prero- 
gatives et  grandeurs  de  la  glorieuse  et  tres  saincte  Vierge 
Marie  Mere  de  Dieu.  Engraved  title  and  fine  copper-plates. 
8vo.  Paris,  1620 

*  Old  French  red  morocco,  gilt  panelled  sides,  centre  and 
corner  ornaments  of  scrolls  and  pointille  in  the  inner  panel, 
gilt  tooled  back,  gilt  edges,  by  Le  Gascon.  In  morocco  ease. 
Fine  specimen  in  perfect  condition.  From  the  Beckford 
Library. 

39 


BOOKS  IN  FINE  BINDING— ContwMed. 

240.  JOANNES  CHRYSOSTOMUS.  Homelies  ou  Ser- 
mons au  peuple  d'Antioche.    Ruled  throughout  in  red.    8vo, 

Paris,  1689 

*  Old  French  blue  morocco,  the  sides  in  mosaic  compartments 
of  red  and  citron  morocco  richly  tooled  and  gilt  with  pointille 
ornaments,  in  the  manner  of  Le  Gascon,  gilt  mosaic  back,  gilt 
inside  borders  and  edges,  by  Padeloup,  in  a  morocco  slip  case. 

241.  JOANNES  DAMASCENUS.  Opera,  graBce  et  latine. 
Item  loannis  Cassiani  Eremitae  non  prorsus  dissimilis  ar- 
gument!.    Folio.  Basileae,  1559 

*  Contemporary  French  binding  in  brown  morocco,  gilt  tooled 
borders  of  interlacings  and  arabesques  on  the  sides,  with  inter- 
laced silver  "HD"  in  the  corners,  central  panels  tooled  and 
gilt  with  arabesques  and  small  fleurs-de-lys,  three  interlaced 
silver  crescents  in  the  upper  and  lower  part,  the  title  of  the 
work  stamped  in  gold  capitals  in  the  centre  of  the  front  cover 
(much  restored),  in  a  morocco  slip  case.  Probably  bound  for 
Henry  II  and  Diane  de  Poitiers. 

242.  JOVIUS  (PAULUS).  Historiarum  sui  temporis 
Tomus  Primus  (Vol.  I  only).     Folio. 

Florentiae:  Laurentius  Torrentinus,  1550 

*  From  the  Maioli  collection  in  a  XVIth  century  Italian 
Binding  in  brown  calf  with  an  exquisite  pattern  on  the  sides  of 
geometrical  interlacements  in  compartments,  formed  of  bands 
painted  in  black  within  gold  lines,  some  of  the  spaces  filled  with 
gold  dots,  and  two  at  the  top  and  the  bottom,  having  a  decora- 
tion of  arabesque  ornament  consisting  of  gold  lines  with  varie- 
gated leaf -shapes ;  the  title  of  the  work  stamped  in  gold  capitals 
in  the  centre-piece  of  the  front  cover,  the  name  ' '  Tho.  Maiolii 
et  Amicorvm"  at  the  foot;  and  in  the  centre-piece  of  the  lower 
cover  Maioli 's  motto  "Ingratis  Servire  Nephas";  back  orna- 
mented in  the  same  manner,  gilt  edges.  One  of  the  most 
magnificent  specimens  of  bindings  executed  for  Thomas 
Maioli.     In  straight-grained  morocco  case. 

243.  KEMPIS  (THOMAS  A).  De  Imitatione  Christi 
libri  IV.     Engraved  title;  ruled  throughout  in  red.     Folio. 

Parisiis:  e  Typographia  Regia,  1640 

*  Contemporary  Italian  binding  embroidered  in  colored  silks 
and  silver  threads,  the  arms  of  Pope  Benedict  XIII  em- 
broidered in  the  centre  of  each  cover,  satin  linings,  gilt  edges, 
in  a  cloth  case.  A  facsimile  of  this  binding  is  given  by  Count 
Libri  in  his  Monuments  peu  connus,  etc.  Exhibited  at  the  Art 
Treasures  Exhibition  in  1876. 

The  above  volume  is  the  first  production  of  the  Imprimerie 
Eoyale  established  by  Cardinal  Eichelieu. 
[See  Eeproduction.] 
40 


A'Kempis:  Italian  Embroidered  Binding  for  Pope  Benedict  VIII. 
(See  No.  243.) 


BOOKS  IN  FINE  BINDING— Continued. 

244.  KEMPIS  (TPIOMAS  a).  De  I'lmitation  de  Jesus 
Christ.  Traduction  nouvelle  par  le  Sieur  de  Beiiil  (L.  I.  Le 
Maistre  de  Sacy).  Frontispiece  and  4  plates  engraved  hy 
Audran  and  Bosse  after  Baugin.     8vo.  Paris,  1663 

*  Old  red  morocco,  gilt  crowned  H  within  laurel  branches 
in  the  corners,  with  the  arms  of  Henrietta  Maria,  Queen  of 
Charles  I  of  England,  in  the  centre  of  each  cover,  surrounded 
by  a  laurel  wreath,  the  crowned  H  repeated  in  the  panels  of 
the  back,  gilt  edges  in  a  levant  morocco  slip  case.  Portrait  of 
Queen  Henrietta  Maria,  engraved  by  Hollar  after  Van  Dyck, 
laid  in. 

245.  KEMPIS  (THOMAS  a).  L'Imitation  de  Jesus- 
Christ.  Traduction  nouvelle  par  le  Sieur  de  Beiiil.  Ruled 
throughout  luith  red  ink.     Frontispiece  and  ^  plates.     8vo. 

Paris,  1690 

*  Old  French  citron  morocco,  the  sides  and  back  worked  in  a 
mosaic  in  red,  green,  ivory  and  dark  brown  morocco  with  gilt 
toolings ;  doublure  of  olive  morocco  richly  tooled  and  gilt  in 
an  ornamental  design  in  the  Louis  XV  style,  gilt  end  papers, 
gilt  painted  edges,  by  Monnier  (signed  six  times,  once  on  each 
outside  cover  and  twice  on  each  inside  cover).  In  a  morocco 
case.  One  of  the  finest  bindings  executed  by  Monnier, 
and  one  of  the  most  remarkable  for  its  curious  effects.  The 
mosaic  designs  represent  personages  in  Chinese  costume,  among 
pagodas,  flowers  and  animals,  including  a  parrot,  a  dog  and  a 
camel  led  by  a  negro. 

[See  Frontispiece.] 

246.  KLEINKNECHT(C.  D.).  ImmerQuellender  Brunn 
Taglich-Heiligher  Andachten.  Frontispiece  and  4  plates 
engraved  hy  Friderich.     12mo.  Ulm,  1735 

*  Contemporary  German  binding  in  repousse  silver,  on  the 
front  cover  a  representation  of  the  Annunciation,  and  on  the 
back  cover  one  of  the  Nativity ;  repousse  back  and  clasps,  gilt 
edges. 

247.  KRANTZ  (ALBERTUS).  Saxonia.  Title  luithin 
an  interlaced  and  ornamental  woodcut  border.  Initials 
jjainted  in  gold  and  colors.     Folio.  Colonise,  1520 

*  Old  French  dark  brown  calf,  the  sides  covered  with  a  geo- 
metrical design  of  interlacing  bands  painted  black,  ornaments 

^  and  fleurons  painted  white  and  green,  all  outlined  in  gold.  In 
the  centre  the  title  of  the  work,  and  in  a  cartouche  at  the 
bottom  the  name  "lo.  grolierii  et  amicorvm";  on  the 
centre  of  the  lower  part  Grolier's  motto  :  ' '  portio  mea 
DOMiNE  SIT  IN  TERRA  viVENTivM " ;  gilt  back,  gilt  edges, 
in  a  morocco  slip  case.  From  the  library  of  Herr  von  Druffel, 
Miinster,  Westphalia.  Unknown  to  Le  Roux  de  Lincy, 
[See  Reproduction.] 

41 


BOOKS  IN  FINE  BINBl'i^G— Continued. 

248.  LACTANTIUS.  Divinarumlnstitutionum  libri  VII; 
de  Ira  Dei  liber  I,  etc.  16mo.  (Lateral  margin  of  title  cnt 
off.)  Lugduni,  1594 

*  Contemporary  French  red  morocco,  the  sides  and  back 
tooled  and  gilt  in  a  semis  of  fleurs-de-lys  and  crowned  dolphins, 
crowned  Hs  in  the  corners,  the  arms  of  King  Henry  IV  of 
France  surrounded  by  the  orders  of  St.  Michael  and  the  Holy 
Ghost,  stamped  in  gold  in  the  centre  of  each  cover,  gilt  edges 
(two  corners  and  upper  and  lower  part  of  back  skilfully 
restored).     In  a  morocco  case.     From  the  Double  collection. 

249.  LA  FONTAINE  (JEAN  DE).  Fables  choisies,  avec 
un  nouveau  commentaire  par  M.  Coste.  Portrait  of  La 
Fontaine  e^igraved  after  Bigaud,  plate  of  ^sop  and  ani- 
mals, and  2^9  vignettes  engraved  in  copper.     2  vols.  12mo. 

Paris,  1769 

*  Old  French  red  morocco,  with  the  arms  of  Marie  Josephine 
Louise  de  Savoie,  Comtesse  de  Provence,  in  the  centre  of 
the  covers,  gilt  backs  and  edges. 

250.  LEONE  EBREO.  Leon  Hebrieu  de  L'Amour  (traduit 
par  Ponthus  de  Thyard).     2  vols,  in  one.     8vo. 

Lyon:  lean  de  Tournes,  1551 

*  Old  French  brown  morocco,  gilt  panelled  sides,  fieurons  in 
the  corners,  centre  ornaments  with  crowned  Ls  and  crowned 
interlaced  As,  gilt  back  and  edges,  bound  for  King  Louis  XIII 
and  Queen  Anna  of  Austria,  by  Le  Gascon ;  initials  HD  in 
the  centre  of  the  covers,  probably  added  at  a  later  date;  in  a 
morocco  slip  case.     From  the  library  of  H.  Bordes. 

251.  LITANIaE  omnium  Sanctorum,  cum  selectis  aliquot 
hymnis  et  orationibus.  Ruled  throughout  with  red  ink.  2 
fine  copper-plates.     Bvo. 

Antuerpife:  ex  officina  Plantiniana,  1621 

*  Old  French  red  morocco,  the  sides  tooled  and  gilt  in  com- 
partments formed  by  interlaced  bands,  with  pointille  and  other 
ornaments,  fleursde-lys  and  crowned  Ls  in  the  intervening 
spaces,  THE  arms  of  King  Louis  XIII  of  France  in  the  centre 
of  each  cover,  gilt  back,  the  crowned  Ls  repeated  5  times  in  the 
panels,  gilt  edges,  by  Le  Gascon.     In  a  morocco  slip  case. 

252.  LITURGIE  (LA),  c'est  a  dire  le  formulaire  des 
prieres  publiques,  de  I'administration  des  sacremens,  et  des 
autres  ceremonies  et  coiitumes  de  I'Eglise,  selon  I'usage  de 
I'Eglise  Anglicane.     12mo.  Londres,  1678 

*  Contemporary  English  red  morocco,  the  sides  entirely  tooled 
and  gilt  with  pointille  in  the  manner  of  Le  Gascon,  central  and 
lateral  inlays  of  olive,  green  and  citron  morocco,  outlined  in 
gold,  gilt-tooled  back,  gilt  edges,  probably  by  Charles  Mearne 
in  a  morocco  slip  case.     In  the  finest  condition. 

253.  LONGUS.  Les  Amours  Pastorales  de  Daphnis  et 
de  Chloe.  Plates  engraved  by  Audran  after  Philippe 
d^  Orleans.     12mo.     The  advertisement  misbound. 

[Paris],  1718 

*  Large  Paper        Light  brown  levant  morocco,  the  sides  in 

43 


GrOLIER'S    COPT   OF   THE   SaXONIA   OF   A.    KrANTZ. 

(See  No.  247.) 


6^0 


BOOKS  IN  FINE  BINDING— Contintte^. 

mosaic  compartmeuts  of  ornamental  leaves  in  darker  brown, 
orange  red  and  citron  morocco,  outlined  in  gold,  and  richly 
tooled  and  gilt  with  dots,  in  the  manner  of  Padeloup;  doublure 
of  red  levant,  gilt  borders,  silk  linings,  gilt  edges,  by  Marius 
Michel,  in  a  morocco  slip  case.  Plate  ot  the  Petit s  pieds  inserted 
at  end. 

254.  LOWELL  (JAMES  RUSSELL).  Conversations 
with  Old  Poets.     First  Edition.     Small  8vo. 

Cambridge,  1845 

*  Bound  in  white  vellum,  with  decorative  ornaments  in  gold 
on  sides,  yellow  silk  ties,  original  colors  preserved,  in  brown 
morocco  case,  by  T.  J.  Cobden-Sanderson. 

A  most  attractive  example,  not  signed  on  the  cover  as  usual, 
hutin  thehinder's  autograph  "  LoivelVs  Conversations.  Bound 
by  me  at  Hampstead,  1893,  T.  J.  Cobden-Sanderson." 

255.  MAITLAND  CLUB.  Babell :  a  Satirical  Poem,  on 
the  Proceedings  of  the  General  Assembly  in  the  year 
M.DC.  XCII.  (by  Archibald  Piccairne).  4to.  Edinburgh,  1830 

*  The  only  copy  printed  on  vellum.  Blue  morocco,  the 
sides  in  mosaic  compartments  of  red,  light  blue,  brown,  ivory 
and  citron  morocco,  all  elaborately  tooled  and  gilt  with  point- 
ille  and  fillet  woi-k,  gilt  mosaic  back,  gilt  tooled  inside  bor- 
ders, doublure  and  linings  of  vellum,  with  floral  borders 
illuminated  in  gold  and  colors,  gauffred  gilt  edges,  by  Hayday. 
In  a  morocco  slip  case.     A  beautiful  specimen. 


256.  MANTUANUS  (BAPTISTA).     Omnia  Opera  Bap- 
tisti?e  Mantuani  Carmelitse.     Folio. 

Bononise:  Benedictus  Hectoris,  1502 

*  Old  French  brown  morocco,  on  the  sides  an  ornament  of 
interlaced  ribbon  painted  in  dark  brown  outlined  with  gold  and 
arabesque  in  colors ;  on  the  centre  of  the  front  cover  the  title 
of  the  volume  and  in  the  lower  part  the  name  "  lo  grolierii 
ET  AMICORVM,"  and  on  the  centre  of  the  back  cover  Grolier's 

motto     "  PORTIO   MEA    DOMINE    SIT  IN   TERRA   VIVENTIVM,"   gilt 

edges  (very  skilfully  rebacked).  In  a  morocco  slip  case.  On 
the  fly-leaf  are  the  signatures  of  Thomas  Ruddiman,  1730,  and 
Alexander  Boswell,  1758,  both  of  Edinburgh.  Not  recorded  by 
Le  Roux  de  Lincy. 


257.  MARTIAL.       Epigrammaton     libri,     animadversi, 
emendati,  et  commentariolis  luculenter  explicati.     8vo. 

Sedani:  Typis  loannis  Jannoni,  1624 
*  Old  French  red  morocco,  gilt  tooled  dentelle  borders  on  the 
sides,  with  a  centre  ornament  inlaid  in  citron  morocco  within 
gold  lines,  gracefully  tooled  and  gilt,  gilt  back,  gilt  inside  bor- 
ders, colored  and  gilt  paper  linings  and  ends,  gilt  edges,  by 
Padeloup,  in  a  morocco  slip  case. 

[See  Reproduction.] 
43 


BOOKS  IN  FINE  BmBJ-NG— Continued. 

258.  METHODUS  CATECHISMI  Catholici,  antea  docte 
ex  decreto  S.  Concilij  Tridentini  S.  D.  N.  Pij.  V.  Pont. 
Max.  iussu  scripti,  ad  parrochos.     16mo.         Lngduni,  1579 

*  Old  French  red  morocco,  the  sides  and  back  tooled  and 
gilt  with  floral  ovals,  within  a  border  of  leaf  sprays,  in  the  cen- 
tre of  the  front  cover  an  escutcheon  "  d  la  fasce  chargee  de 
trois  fleur-de-lis ,"  and  on  the  back  cover  a  natural  fleur-de-lys 
surrounded  by  the  motto  "  Expectata  non  elndet,"  gilt  edges. 
Probably  bound  for  Marie- Marguerite  de  Valois  de  Saint- 
Remy  (see  Guigard  "  Armorial  du  Bibliophile  ").  From  the 
White  Knights  and  Heber  collections. 

259.  MISSALE  ROMANUM  ex  decreto  Sacrosanct!  Con- 
cilii  tridentini  restitutum.  Engraved  title,  10  plates  and 
borders  by  Messager.  Folio.   Parisiis,  1631  (altered  to  1632) 

*  Old  French  red  morocco,  panelled  sides,  exquisitely  gilt 
tooled  large  centre  pieces,  lateral  and  corner  pieces  formed  of 
scroll  and  pointille  work,  gilt  tooled  back,  gilt  edges,  by  Le 
Gascon. 

260.  MUNSTER  (SEBASTIEN).  La  Cosmographie  Uni- 
verselle,  contenant  la  situation  de  toutes  les  parties  du 
monde,  avec  leurs  proprietez  et  appartenances.  Woodcut 
portrait  of  Munster,  numerous  maps  {2  relating  to 
America)  and  views  of  cities^  and  nearly  900  other  wood- 
cuts, including  arms,  portraits,  etc.     Folio. 

Au  despens  de  Henry  Pierre,  1556 

*  Contemporary  French  binding  in  calf,  the  sides  tooled  and 
gilt  in  a  semis  of  fleurs-de-lys,  centre  ornaments  painted  blue 
and  white,  outlined  in  gold,  enclosed  within  an  oval  studded 
with  trefoils,  the  order  of  St.  Michel,  gilt  medallions  of  KiNa 
Henry  II  of  France,  commemorative  of  his  wars  in  Italy, 
Germany  and  France  in  the  corners,  gilt  tooled  and  painted 
back,  gilt  edges  (joints  and  corners  skilfully  restored).  In  a 
morocco  slip  case.     From  the  H.  Bordes  collection. 

261.  NAPOLEON  and  JOSEPHINE.  Testamentum 
Novum.  Bound  with  Clement  Marot  and  De  Beza's 
"  Pseaumes  de  David."  Ruled  in  red  ink.  12mo,  red  mo- 
rocco, richly  tooled  in  panels,  gilt  edges,  with  gold  clasps 
on  morocco  thongs,  by  Le  Gascon.  In  a  modern  case  of 
brown  levant  morocco.  Paris:  Cellier,  1656-1659 

*  Described  in  the  Hoe  catalogue  as  presentation  copy  from 
Josephine  Beauharnais  to  Napoleon  before  herman-iage  to  him, 
with  autograph  inscription,  ' '  Au  General  Bonaparte  ce  testa- 
ment Lutherain  est  presente  de  part  de  la  veuve  Beauharnois," 
and  Napoleon's  signature  below.  It  passed  into  the  hands  of 
Cardinal  Fesch,  Napoleon's  step-uncle,  and  was  privately  dis- 
posed of  to  the  Duke  of  Sussex  when  the  Fesch  collection  was 
sold  in  Paris.     Contains  bookplate  of  the  Duke  of  Sussex. 

262.  NATALIS  (HIERONYMUS).  Evangelicse  Historise 
Imagines  Ex  ordine  Euangeliorum,  quse  toto  anno  in  Misspe 
sacrificio  recitantur.  In  ordinem  teraporis  vitte  Christi 
digestse.  Engraved  title  and  153  plates  by  Jerome,  Jean, 
and  Antoine  Wierix,  A.  Collaert,  and  C.  de  Mallery,  after 

44 


•^yu^^^*■^^■^tryif'^ry^rv[^>u'^t^yuwy|f^vr^^%t'^0•^lM^lM\lf■vJr■%^ytr*''^*|'■S^ 


Martial's  Epigrams,  1624,  bound  by  Padeloup. 
(See  No.  257.) 


BOOKS  IN  FINE  BIKDING—Co7itinued. 

ihe  designs  of  Martin  de  l^os  and  Bern.  Pass.     Ruled,  ivitk 

red  lines.     Folio.  Autuerpijo,  159G 

*01d  English  red  morocco,  mosaic  compartments  of  black 

and  citron  jnorocco  on  the  sides,  elaborately  tooled  and  gilt 

with  pointillu  and  other  ornaments,  gilt  back  and  edges,  by 

Samuel  Mearne. 

263.  OFFICE  de  laSemaineSaincte.  Engraved  title  and 
plates.     8vo.  Paris,  1659 

*  Old  French  red  morocco,  the  sides  and  back  covered  with  a 
semis  of  crowned  Ls  and  flevirs-de-lys,  gilt  edges,  bound  for 
King  Louis  XIV. 

264.  OFFICE  de  la  Semaiue  Sainte  en  Latin  &  en  Fran- 
cois a  I'nsage  de  Rome  &  de  Paris.  Engraved  title  and  3 
plates  by  Scotin.     8vo.  Paris,  1746 

*  Old  French  red  morocco,  gilt  tooled  sides  in  compartments, 
WITH  THE  ARMS  OF  Marie  Leczinska,  Queen  of  Louis  XV,  in 
the  centre  of  each  cover  and  her  crowned  monogram  in  the 
corners,  the  same  repeated  five  times  on  the  panels  of  the  back, 
gilt  end-papers,  gilt  edges,  by  Padeloup. 

265.  OFFICIO  della  B.  V.  Maria  per  tutti  i  tempi  delP 
anno.     Frontispiece  and  IJf  plates  after  J.  Passarus.     8vo. 

Roma,  1756 
^  Contemporary  Italian  binding  in  marbled  calf,  the  sides  in 
compartments  formed  by  interlaced  bands  painted  light  blue 
and  grey  outlined  in  gold  and  accompanied  by  gilt  ornaments, 
gilt  laack,  painted  gilt  edges,  in  a  contemporary  and  richly  gilt 
marbled  calf  slip  case. 

266.  ORIENTAL  BOOK  COVER  in  repousse  silver  for 
carrying  the  Koran,  one  of  the  sides  worked  in  a  design  of 
leaves  and  flowers,  and  the  other  with  circular  ornaments 
in  the  Arabian  style  (7f  x  5^  inches).  19th  century. 

267.  PAUSANIAS.  Accurata  Grecise  Descriptio,  grsece 
et  latine,  cum  notis  G.  Xylandri  et  F.  Sylburgii.     Folio. 

Hanovise,  161.3 

*  Old  French  red  morocco,  gilt  panelled  sides,  dentelle 
boi'ders,  the  central  panel  covered  with  the  monogram  of 
Cardinal  Emanuel  of  Savoy,  alternated  with  fleurons,  his 
arms  stamped  in  gold  on  the  centre  of  each  cover,  back  gilt 
with  same  monograms,  gilt  edges,  in  morocco  case.  On  the 
first  fly-leaf  is  the  following  inscription:  "Ex  dono  lUus- 
trissimi  Principis  a  Sabaudia  Immanuelis  Cardinalis  anno 
1633."  Bookplate  of  Hadrian  Beverland  with  his  autograph  on 
title.  From  the  Earl  of  Crawford's  library  (second  sale).  Ex- 
hibited at  the  Burlington  Fine  Arts  Club  Exhibition  of  Bind- 
ings. 

268.  PLUTARCH.  Vitne  comparatse  illustrium  virorum 
Grsecorum  et  Romanorum.     3  vols,  16mo, 

Lugduni:  apud  Antonium  Gryphium,  1566 

*  Old  French  red  morocco,  the  sides  and  back  tooled  and 
gilt  with  floral  ovals,  within  a  border  of  leaf-sprays,  in  the 
centre  of  the  front  covers  an  escutcheon  "a  la  fasce  chargee 
de   trois   fleur-de-lis  "   and    on    the    back  covers    a    natural 

45 


%oo 


BOOKS  IN  FINE  Bl'NDlNG— Continued. 

fleur-de-lys  within  the   motto  "expectata   non    eludet,"    gilt 
edges,  in  morocco  slip  cases. 

Probably  bound  for  Marie-Marguerite  de  Valois  de  Saint- 
Remy,  daughter  of  Henry  de  Saint-Remy,  natural  son  of  King 
Henry  III  of  France.  See  Guigard,  "  Armorial  du  Bibliophile." 
From  the  Didot  and  Double  collections. 

269.  PONTANUS    (JOANNES    JOVIANUS).     Amorum 
libri   11.     De   amore   coniugali    III.     Tumiilorum  II,    etc. 
Initials  painted  in  gold.     8vo. 

Venetiis:  in  sedibus  Aldi  et  Andrese  soceri,  1518 
*From  the  Library  of  Grolier,  bound  in  contemporary 
brown  morocco,  the  sides  elegantly  tooled  and  gilt  in  a  geo- 
metrical interlaced  pattern,  with  arabesques,  on  the  centre  of 
the  front  cover  the  title  of  the  book  printed  in  gold  capitals, 
and  on  the  lower  part  the  name  "  lO.  grolierii  et  amicorvm  " ; 
and  on  the  centre  of  the  back  cover  Grolier's  motto,  "  portio 
MEA  DOMINE  SIT  IN  TERRA  vivENTiVM " ;  gilt  back,  vellum  fly- 
leaves, gilt  edges.  On  the  lower  cover  there  have  been  added, 
probably  by  another  owner,  two  crescents,  painted  in  white 
and  red.  Corners  very  skilfully  restored.  In  red  morocco  slip 
case. 

In  this  volume  the  ownership  of  Grolier  is  further  established 
by  his  autograph  signature  on  the  verso  of  leaf  64,  which  reads, 
"  lo.  Grolierij  Lugdunensis  et  amicoruvi  "  From  the  De  Selle, 
Leon  Techener,  Baron  Franchetti,  and  Count  de  Mosburg  col- 
lections.    Le  Roux  de  Lincy,  251. 

270.  PORTFOLIO.  A  morocco  portfolio,  in  8vo,  the 
sides  gilt  in  a  semis  of  fleurs-de-lys,  enclosed  in  lozenges, 
and  lined  with  silk. 

271.  PROCi:S-VERBAL  de  I'assemblee  de  notables,  tenue 
s,  Versailles,  en  I'annee  M. DCCLXXXVII.    4to.     Paris,  1788 

*  Old  French  red  morocco,  with  the  arms  of  the  Dauphin 
LouiS-JosEPH  (d.  1789),  first  son  of  Louis  XVI,  stamped  in  the 
centre  of  the  covers,  and  his  crowned  monogram  repeated  on 
the  panels  of  the  back,  gilt  edges. 

272.  PROCOPIUS.  De  Bello  Persico.  First  Edition. 
Small  folio.  Roma3:  Eucharius  Silber,  1509 

*  From  the  Maioli  Library,  bound  in  old  Italian  calf,  the 
sides  in  compartments  formed  by  bands  painted  black  and 
silver  and  outlined  in  gold,  filled  in  with  gilt  scrolls  and  ara- 
besques, some  painted  red  and  silver,  the  ground  of  the  cen- 
tral compartment  covered  by  a  thick  pointille  of  gold,  the  title 
of  the  work  in  the  centre  of  the  front  cover,  and  the  inscription 
"  THO.  MAIOLI  et  AMICORVM  "  at  the  bottom;  and  Maioli's  in- 
terlaced monogram  in  the  centre  of  the  back  cover,  gilt  back, 
gilt  edges,  in  a  morocco  slip  case.  One  side  slightly  cracked 
and  some  slight  restorations,  otherwise  one  of  the  most  beau- 
tiful specimens  executed  for  Maioli.  From  the  Didot  and 
Mosbourg  collections. 

[See  Reproduction.] 
46 


BOOKS  IN  FINE  BINDING— Continued.  — — ___  / 

273.  PSAULTIER  DE  DAVID,  contenant  cent  cin- 
quante  Pseaumes,  avec  les  Hymnes  et  Cantiques  de  toute 
I'Aniiee.     Bided  throughout  in  red.      With  a  copperplate. 

Paris:  lamet  Mettayer,  1586 

*  Contemporary  French  olive  morocco,  in  the  centre  of  the 
upper  cover  a  gilt  medallion  representing  the  Crucifixion,  and 
on  that  of  the  lower  one  the  arms  of  King  Henry  III,  skulls  in 
the  corners;  skull,  arras  of  France,  fieurs-de-lys  and  the  motto 
"  SPES.  MEA.  DEVS."  on  the  panels  of  the  back,  gilt  edges 
(corners  and  back  slightly  restored),  in  a  levant  morocco  slip 
case.     Engraved  portrait  of  King  Henry  IH  inserted. 

274.  RECUEIL  des  Portraits  et  Eloges  en  vers  et  en 
prose  [de  personnage  de  temps,  par  Mile,  de  Montpensier  et 
autres].     8vo.  Paris,  1659 

*  Old  French  red  morocco,  gilt  triple  fillet  borders  on  the 
sides,  and  fleurs-de-lys  in  the  corners,  repeated  five  times  in  the 
panels  of  the  back,  with  the  arms  of  Marie-Anne-Louise 
d'Orleans,  Duchesse  de  Montpensier  stamped  in  gold  in 
centre  of  each  cover,  gilt  edges.     In  morocco  case.     In  the 

FINEST   CONDITION. 

Third  edition.  Not  only  did  "la  Grande  Mademoiselle" 
own  this  copy,  but  she  is  believed  to  have  contributed  several 
of  the  "portraits."  On  the  title  is  the  signature  of  Charles  de 
Lorraine  (fifth  duke  of  the  name),  to  whom  the  book  was 
probably  given  by  Mademoiselle  de  Montpensier.  From  the 
libraries  of  C.  Van  Baviere,  R.  S.  Turner,  Baron  de  La  Roche- 
Lacarelle  and  Count  de  Mosbourg,  with  book-plates. 

275.  RECUEIL  General  des  Caquets  de  I'Acouchee.  Ou 
discours  facecieux,  ou  se  voit  les  mceurs,  actions,  et  fagons 
de  faire  des  grands  et  petits  de  se  siecle.  First  collected 
EDITION.     Engraved  frontispiece.     8vo. 

[Paris:]  Iinprime  au  temps  de  ne  se  plus  fascher,  1623 

*  Orange  levant  morocco,  the  sides  and  back  covered  with 
mosaic  compartments  in  red  and  blue,  exquisitely  tooled  and 
gilt  doublure  of  blue  levant,  wide  gilt  tooled  dentelle  bor- 
ders, gilt  edges,  by  Trautz-Bauzonnet.  In  pig-skin  case, 
lined  with  deer-skin. 

This  is  no.  18  of  the  twenty-two  mosaic  bindings  by 
Trautz-Bauzonnet,  and  especially  interesting  on  account  of  the 
design,  which  was  never  repeated:  it  was  executed  in  1876. 
From  the  library  of  Eugene  Paillet,  with  his  autograph  signa- 
ture. 

[See  Reproduction.] 

276.  REGISTRE.  Le  Registre  des  ans  passez  puis  la 
creation  du  raonde  iusques  a  lannee  presente  Mil  cincq  cens 
xxxii.  Nearly  100  ivoodcuts  colored  by  hand.  Two  parts  in 
one  volume.  4to,  old  red  morocco,  gilt  back,  arms  of 
Madame  de  Pompadour  on  the  sides,  gilt  edges. 

Paris:  Antoine  Couteau  pour  Galliot  du  Pre,  1532 

47 


00 


BOOKS  IN  FINE  BIKDING— Continued. 

277.  SACRE  et  Couronnement  de  Louis  XVI  roi  de  France 
et  de  Navarre,  a  Rheims  le  11  Juin  1775  (par  I'abbe  Pichon), 
precedes  de  reclierches  sur  le  sacre  des  rois  de  France  (par 
Gobet).  Engraved  title,  frontispiece,  48  full-page  or  douhle- 
page  plates  of  the  ceremonies  and  costumes  of  the  coronation, 
within  borders,  14  vignettes,  and  a  plan  of  the  city  of  Rheims, 
engraved  hy  Patas.    4to!  Paris,  1775 

*  Large  Holland  Paper.  Old  French  red  morocco,  gilt  triple 
line  border  on  the  sides,  fleurs-de-lys  in  the  corners,  with  the 
ROYAL  ARMS  OF  FRANCE  stamped  in  gold  on  the  centre  of  cover, 
gilt  back,  gilt  edges.  Laid  in  is  an  official  document,  dated  1777, 
signed  by  Louis  XVI. 

278.  SALLUSTIUS.  De  coniuratione  Catilinae'.  Eiusdem 
de  Bello  lugurthino,  etc.     First  Aldine  Edition.    Initials 

painted  in  gold,  and  colored  anchor.     8vo. 

Venetiis,  in  asdibus  Aldi  et  Andrese  Asulani,  1509 

*  From  the  Library  of  Grolier  bound  in  old  marbled  brown 
morocco,  the  sides  tooled  and  gilt  in  a  geometrical  pattern,  in 
the  centre  of  the  front  cover  the  title  of  the  book  in  gold  capi- 
tals, and  in  the  lower  part  the  name  "lO.  grolierii  et  ami- 
corvm";   and  in  the  center  of  the  back  cover  Grolier 's  motto 

"PORTIO   MEA  DOMINE   SIT   IN  TERRA  VIVENTIVM, "   gilt   back,   gilt 

edges,  vellum  fly  leaves,  in  a  morocco  slip  case. 

From  the  Libri  and  Baron  de  La  Eoche  Lacanelle  collection. 
Le  Roux  de  Liney,  no.  270   (?). 

279.  SANNAZARO  (JACOPO).  Arcadia,  Vinegia, 
Marchio  Sessa,  1532 ;  Rime  di  Messer  Giacobo  Sannazaro, 
Vinegia,  Nicolo  d'Aristotile,  1532;  Ameto  di  Giovanni  Boc- 
caccio, Vinegia,  G.  de  Gregori,  1526.     In  one  vol.     Svo. 

*  Old  black  morocco,  gilt  panelled  sides,  centres  lozenges, 
with  a  figure  holding  a  flag  on  the  front  cover  and  inscription 
on  the  back,  gilt  edges  (much  restored).     In  a  morocco  case. 

280.  SAVONAROLA  (HIERONYMUS).  De  Simplicitate 
christians  Vitae  libri  V.  Ruled  throughout  in  red.  Engraved 
title  illuminated  in  gold  and  colors,  and  letters  of  address  and 
dedication  heightened  with  gold.     12mo.       Antuerpite,  1635 

*  Old  French  citron  morocco,  gilt  panelled  sides,  outside  and 
inner  fleurons,  pointille  tooling  in  the  panels,  inlaid  centre 
pieces  of  red  morocco  with  interlaced  Ns  on  the  front  cover  and 
interlaced  Bs  on  the  back  cover,  gilt  back,  silver  clasps,  gauflfred 
and  painted  gilt  edges,  by  Le  Gascon.  Presentation  copy  from 
the  editor,  Jean  Balesdens,  to  Nicolas  Barreau,  almoner  of 
King  Louis  XIII,  to  whom  the  volume  is  dedicated. 

281.  STRADA  (lACOBUS  DE).  Epitome  du  Thresor 
des  Antiquitez,  traduit  par  lean  Louveau  d 'Orleans.  Numer- 
ous cuts  of  ancient  Roman  medals.     4to. 

Lyon:  Jacques  de  Strada  et  Thomas  Guerin,  1553 

*  Old  French  brown  morocco,  the  sides  tooled  and  gilt  in  com- 
partments formed  by  interlacings,  the  spaces  occupied  by  leaf 
sprays  and  arabesques,  gilt  back  and  edges,  by  Clovts  Eve. 
Fine  specimen  from  the  Beekford  Library. 

48 


Binding  for  Maioli. 
(See  No.  272.) 


BOOKS  IN  FINE  BINDING— Continued. 

282.  TASSO  (TORQUATO).  La  Gerusalemme  Liberata 
con  le  figure  di  Giambatista  Piazzetta.  Frontispiece,  portrait 
of  Empress  Maria  Theresa,  20  plates  ivithin  ornamental  bor- 
ders, initials,  letters,  vignettes  and  tail-pieces,  engraved  by 
Polanzani  after  Piazzetta.     Large  folio.  Venegia,  1745 

*  Old  French  red  morocco,  richly  gilt  tooled  borders  of  leaves 
on  the  sides,  inner  corner  ornaments  of  tlowers  and  leaves,  the 
ARMS  OF  Louis-Jules  Baron  Mancini  Mazarini,  Due  de 
NiVERNAis,  on  the  centre  of  both  covers,  gilt  b.-n'k;  doublure  of 
olive  morocco,  gilt  tooled  broad  dentelle  borders,  with  the  same 
arms  stamped  in  the  corners,  silk  linings,  gilt  edges,  by 
Padeloup,  with  his  ticket  pasted  at  the  foot  of  the  frontispiece. 
In  a  morocco  slip-case.    A  magnificant  specimen. 

283.  TAYLOR  (JEREMY).  The  Rule  and  Exercises  of 
Holy  Living;  The  Rule  and  Exercises  of  Holy  Dying.  En- 
graved frontispieces  and  2  plates.     In  one  volume,  8vo. 

London:  M.  Flesher  for  Richard  Royston,  1686 

*  Contemporary  English  binding  in  red  morocco,  the  sides  in 
mosaic  compartments  of  ivory  and  black  morocco,  richly  tooled 
and  gilt  with  flowers,  leaf -sprays,  scrolls,  etc.,  gilt  mosaic  back, 
THE  FORE  edges  PAINTED  to  a  floral  design  and  gilded,  by 
Samuel  Mearne.     In  a  morocco  ease. 


284.  TENNYSON    (ALFRED,  LORD).       Maud.       First 
Edition.     12mo.  London:  E.  Moxon,  1855 

*  Crimson  levant  morocco,  sides  and  back  covered  with  rich 
tooling  of  roses  and  leaves,  foliage  inside  borders,  foliage 
gauffred  edges,  by  Cobden-Sanderson,  signed  "18  C.  S.  (lO. " 
In  maroon  morocco  solander  case. 

An  early  and  exquisite  specimen. 


285.  TESTAMENT  (Het  nieuwe)  onses  Heeren  lesu 
Christi.     Title  within  aii  architectural  ivoodcut  border.     8vo. 

Middelburch,  1617 

*  Seventeenth  century  Dutch  binding  in  purple  silk, 
borders  of  flowers  embroidered  in  colored  silks  and  gold  thread 
in  the  sides,  corner  pieces  of  gold  thread  and  pearls,  with  a 
medallion  containing  a  representation  of  Faith  on  the  front 
cover,  and  of  Hope  on  the  back  cover,  both  in  fine  needlework; 
large  fleiuons  on  the  back  in  gold  thread  and  pearls,  gauffred 
gilt  edges,  in  a  silk  velvet  bag. 

286.  TESTAMENT  (Het  Nieuwe),  ofte  alle  Boeken  des 
Nieuwen  Verbonts  onses  Heeren  Jesu  Christi.  Engraved 
title.     16mo.  Amsterdam,  1700 

*  Dutch  binding  of  tortoise  shell,  of  the  first  part  of  the  19th 
century,  ornamental  central  panels,  silver  hinges,  silver  filigree 
clasps,  gilt  edges. 

In  the  same  volume  are  bound  two  other  works  of  a  devotional 
character. 

49 


BOOKS  IN  FINE  BINDING — Continued. 

287.  THEOPHRASTUS.  De  historia  plantaram  libri 
decern.  Eiusdem  de  eausis  plantarum  .  .  .  Aristotelis  proble- 
matum  .  .  .,  graece.     Small  folio.  Venetiis :  Aldus,  1497 

*  From  the  librakt  of  Henry  II  and  Diana  de  Poictiers. 
Olive  morocco,  gilt  gauffred  edges,  the  sides  beautifully 
ornamented  with  the  royal  arms,  interlaced  D  H  D,  inter- 
laced  CRESCENT,   BOW   AND   FLEURS-DE-LYS,   WITH    CLASPS.      In    a 

red  morocco  slip  case. 

A  wonderfully  fine  example  of  the  famous  library  of  Anet, 
with  the  back  entirely  sound,  which  is  a  circumstance  of  extra- 
ordinary rarity  in  volumes  of  this  kind.  The  ornamental  design 
by  the  binder  is  contained  within  a  broad  rectangular  frame- 
work on  the  sides,  which  is  formed  by  a  number  of  fillets,  gilt 
and  blind  tooled.  The  pattern  of  the  inner  panel  is  a  gUt 
geometrical  interlacement.  Above  the  upper  border  the  title  is 
stamped  in  gold,  outside  and  beneath  it  are  the  crescent  and  the 
D.H.D.  In  the  central  space  are  the  royal  arms,  collar  and 
crowned  H.H.  within  an  ornamental  frame  composed  of  four 
united  bows,  around  which  are  scattered  the  crescent  and  other 
devices.  At  the  top  of  the  central  compartment  the  letter  A.  in 
gold,  which  may  mean  Anet.  It  cannot  be  the  Greek  numeral 
"one,"  because  this  volume  is  complete  in  itself,  and  if  con- 
sidered in  relation  to  the  set  of  Aristotle,  published  by  Aldus, 
could  only  be  considered  as  volume  V,  not  volume  I.  On  the 
front  edge  the  letter  H  stands  in  the  midst  of  the  arabesque 
gauffering;  on  the  top  edge  is  the  D  and  H  monogram,  and  on 
the  bottom  the  interlaced  crescents. 

[See  Reproduction.] 

288.  TURBERVILLE  (GEORGE).  The  Booke  of  Faul- 
conrie  or  Hauking,  for  the  onely  delight  and  pleasure  of  all 
Noblemen  and  Gentlemen:  collected  out  of  the  best  authors, 
as  well  Italian  as  Frenchmen,  etc.  Gothic  type.  Curious 
woodcuts.     4to.  London:  for  Christopher  Barker,  1575 

*  Old  blue  velvet,  silver  bosses  and  large  silver  falcons  on  the 
sides,  red  silk  linings,  gauffred  gilt  edges,  in  a  morocco  slip 
ease. 

289.  TURBERVILLE  (GEORGE).  The  Noble  Arte  of 
Venerie  or  Hunting.  Wherein  is  handled  and  set  out  the 
Vertues,  Nature  and  Properties  of  fivetene  sundrie  Chaces 
Togither  with  the  order  and  maner  how  to  hunte  and  kill 
every  one  of  them.  Gothic  type.  Numerous  curious  wood- 
cuts and  4  pp.  of  music  at  end.     4to. 

[London]  emprinted  by  Henry  Bynneman  for  Christopher 
Barker   [1575]. 

*  Stag  skin,  silver  corner  bosses  and  stags  on  the  sides,  doub- 
lure and  linings  of  sprinkled  calf  gilt  and  blind  tooled,  with 
rabbits  and  foxes  stamped  in  the  centre,  gauffred  gilt  edges, 
in  a  morocco  slip  case. 

50 


Mosaic  Binding  by  Trautz-Bauzonnet. 
(See  No.  275.) 


BOOKS  IN  FINE  BINDING— CowiwMed 

290.  VENETIAN  BOOK-COVER  in  morocco  of  the  end 
of  the  16th  century.  8vo,  gilt  tooled  sides  and  flaps  in  com- 
partments, with  morocco  bands,  gilt  chased  and  pierced  brass 
clasp.  Saec.  XVI, 

291.  WHITE  (FRANCIS).  Treatise  of  the  Sabbath-Day. 
Containing  a  Defence  of  the  Orthodoxall  Doctrine  of  the 
Church  of  England,  against  Sabbatarian-Novelty.     4to. 

London,  1635 

*  Contemporary  English  binding  iu  brown  morocco,  gilt 
panelled  sides,  the  arms  of  Archbishop  Laud  stamped  in  gold 
in  the  centre  of  each  cover,  gilt  edges.  From  the  Amherst 
Library. 


TWENTY-SECOND   SESSION,  TUESDAY,  2:30  P.M. 

292.  13      (J.).    The  Epitomie  of  the  Art  of  Husbandry. 
-*-^*     Comprizing  all  necessary  Directions  for  the 

Improvement  of  it,  viz.  Plowing,  Sowing,  Grafting,  Gar- 
dening, Ordering  of  Flowers,  Herbs;  Directions  for  the  Use 
of  the  Angle,  ordering  of  Bees,  &q.  To  which  is  Annexed 
by  way  of  Appendix,  a  New  Method  of  Planting  Fruit- 
Trees,  and  Improving  of  an  Orchard:  With  directions  for 
Taking,  Ordering,  Teaching  and  Curing  of  Singing  Birds, 
by  J.  B.  Gent.  Small  8vo,  brown  levant  morocco  gilt,  gilt 
edges,  by  The  Club  Bindery.  Loudon,  1685 

293.  B.  (T.— Gent).  A  Poem  of  the  Drawing  Room; 
together  with  three  Epilogues.  The  way  of  the  World, — 
The  Provoked  Wife — The  Pilgrim.  Small  Svo,  dark  red 
roan,  gilt  edges.  London:  James  Roberts,  1716 

294.  BACHERIUS  (PETRUS).  Hortulus  Precationum. 
Dat  is  het  Hofkender  bedinghen:  Inhoudende  velschoone 
ende  costelijcke  ghebeden,  ghetrocken  vut  diversche  heyli- 
ghe  ende  gheleerde  mannen,  met  sommighe  ghebeden  op 
die  Evangelien.  Each  page  within  architectural  ivoodcut 
borders  and  ivith  ivoodcuts  representing  scenes  from  the  life 
and  passion  of  Christ.  4to,  contemporary  Flemish  binding 
in  calf,  gilt  panelled  sides,  corner  and  centre  ornaments, 
gauffred  gilt  edges  (rebacked  and  corners  restored).  Last 
leaf  of  table  missing.  Loeven:  Jan  Bogaert,  1566 

295.  BACON  (SIR  FRANCIS).  Essaies.  Religious  Medi- 
tations. Places  of  perswasion  and  disswasion.  Seene  and 
allowed.  16mo,  green  levant  morocco  gilt,  gilt  edges,  by 
The  Club  Bindery.  Printed  at  London  for  John  Jaggard,1606 

*  Excessively  Rare.    Third  edition  and  the  first  ' '  Pirated  '* 
edition  of  Bacon's  Essays,  with  the  blank  leaves  completing 
the  first  and  last  signatures. 
51 


296.  BACON  (SIR  FRANCIS).  The  Essaies  of  S^  Fran- 
cis Bacon  Knight,  the  Kings  Solliciter  Generall.  12mo, 
original  vellum,  gilt,  with  the  original  end-papers. 

Imprinted  at  London  by  lohn  Beale,  1612 

*  Fourth  Edition,  enlarged.  It  is  dedicated  "  To  my  loving 
brother,  Sr  John  Constable,"  and  the  Table  calls  for  forty- 
Essays;  the  last  two,  however,  were  not  included — "Of  the 
Publike  "  and  "  Of  Warre  and  Peace."  The  "  Mediations  "  and 
"  Colours  of  Good  and  Evil  "  were  also  omitted,  but  they  are 
retained  in  Jaggard's  edition  of  the  same  date. 

297.  BACON  (SIR  FRANCIS).  The  Wisdome  of  the 
Ancients,  done  into  English  by  Sir  Arthur  Gorges,  Knight. 
12mo,  light  brown  levant  morocco,  gilt  edges,  by  The  Club 
Bindery.  London:  Imprinted  by  John  Bill,  1619 

*  The  Latin  edition  was  published  in  1609. 

298.  BACON  (SIR  FRANCIS).  Certaine  Miscellany 
Works  of  the  Right  Honovrable  Francis  Lo.  Verulam. 
Published  by  William  Rawley.  Small  4to,  brown  levant 
morocco  gilt,  gilt  edges  and  inside  borders,  by  The  Club 
Bindery.  (Front  margin  badly  cut  by  a  former  binder, 
though  it  still  has  considerable  breadth.) 

London:  Printed  for  I.  Haviland,  1629 

*  First  Edition.  Contains  the  general  title  and  three  sepa- 
rate titles. 

299.  BACON  (SIR  FRANCIS).  The  Two  Bookes  of 
Sr.  Francis  Bacon  of  the  Proflcience  and  Advancement  of 
Learning,  Divine  and  Hvmane.  Third  Edition.  Small 
4to,  red  levant  morocco  gilt,  gilt  edges,  by  The  Club  Bind- 
ery.       Oxford:  Printed  by  I.  L.  for  Thomas  Huggins,  1633 

300.  BACON  (SIR  FRANCIS).  Resuscitatio,  or,  bring- 
ing into  Publick  Light  several  Pieces  of  the  Works,  Civil, 
Historical,  Philosophical,  and  Theological,  hitherto  Sleep- 
ing, of  the  Right  Honourable  Francis  Bacon.  Together 
with  his  Lordship's  Life.  The  Second  Edition,  somewhat 
enlarged.  By  William  Rawley.  Portrait.  Folio,  brown 
levant  morocco  gilt,  gilt  edges,  by  ChamboUe-Duru. 

London:  S.  Griffin,  1661 

*  Contains  the  extra  leaf,  signature  O  o.  "  Essay  of  Fame  " 
and  the  "  Perfect  List"  at  the  end. 

301.  BACON  (SIR  FRANCIS).  The  Essays  or  Counsels 
civil  and  moral,  and  Wisdom  of  the  Ancients.  Edited  b}^ 
B.  Montagu.  Thick  12mo,  crimson  levant  morocco,  sides 
and  back  covered  with  a  decoration  in  pointille  scroll  de- 
signs, doublure  of  crimson  levant,  gilt  edges,  by  The  Club 
Bindery,  signed  by  Leon  Maillard,  in  half  morocco  cover. 

London  :  William  Pickering  [1845] 

*  One  of  only  two  copies  printed  on  vellum.  With  the 
ex  libris  of  D.  C.  Majoribanks. 

52 


Binding  for  Henry  II  and  Diana  de  Poictiers, 
(See  No.  287.) 


302.  BACON  (SIR  FRANCIS).  Essays,  Of  the  Profi- 
cience  and  Advancement  of  Learning;  Novum  Organum. 
Edited  by  B.  Montagu.     3  vols.  12mo,  calf,  antique. 

London:  Pickering  [1845-1850-1851] 

303.  BADAUDERIES  PARISIENNES.  Les  Rassemble- 
ments  physiologies  de  la  rue  observees  et  notees  par  Paul 
Adam,  Athys,  Blum,  etc.  Prologue  par  Octave  Uzanne. 
Plates  by  Felix  Vallotton  and  text  illustrations  by  Fr.  Cour- 
boin.  4to,  figured  silk,  gilt  top,  uncut,  original  covers 
bound  in. 

Paris:  imprime  pour  les  Bibliophiles  Independants,  1896 

*  One  of  225  copies  printed  on  vellum  paper,  the  full-page 
illustrations  on  Japan  paper. 

304.  BALBUS  DE  JANUA  (JOHANNES).  Summa  qufe 
vocatur  Catholicon.  Gothic  character,  double  columns, 
with  the  "  Incipit  "  printed  in  red;  372  unnumbered  leaves 
(should  be  373),  ivithout  signatures  and  catchwords;  66 
lines  to  the  page;  rubricated  throughout  and  initials  painted 
in  blue  and  red.  First  Edition.  Large  folio,  red  levant 
morocco,  gilt  inside  borders,  gilt  edges,  by  Matthews,  in  a 
case.  Mainz  [John  Gutenberg],  1460 

*  This  is  regarded  as  the  Fourth  Book  printed  with  a 
DATE,  and  its  great  rarity  and  value  have  been  mentioned  by- 
many  bibliographers.  The  missing  leaf  is  the  189th,  corre- 
sponding to  signature  v5. 

A  CLEAN  AND  VERY  LARGE  COPY,  having  several  leaves  with 
rough  edges,  and  with  the  ancient  manuscript  signatures  still 
visible.  On  the  top  margin  of  the  first  page  is  the  following 
inscription:  "  Iste  liber  pertinet  ad  fratres  Carthusienses  in 
domo  Rutilana  S.  Sixti  unanimiter  commorantes."  The  Sun- 
derland (since  rebound)  and  Ives  copy.  Hain-Copinger,  2254; 
Proctor,  146. 

[See  Reproduction.] 

305.  BALLADS.  Ancient  Ballads  &  Broadsides  Pub- 
lished in  England  in  the  Sixteenth  Centurj^  chiefly  in  the^ 
earlier  years  of  the  Reign  of  Queen  Elizabeth.  Reprinted 
from  the  unique  original  copies,  mostly  in  black-letter, 
preserved  in  the  library  of  Henry  Huth,  Esq.  Thick  small 
4to,  brown  levant  morocco,  gold  and  blind  tooled,  doublure 
of  maroon  russia,  gilt  top,  uncut,  by  Zaehnsdorf. 

London:  Whittingham,  1867 

*  One  of  50  copies.  Among  the  writers  represented  are  W. 
Elderton.  John  Symon  and  George  Mell. 

306.  [BALZAC  (J.  L.  G.  DE).]  Le  Barbou.  Vignette  on 
title.  First  Edition.  Small  8vo,  red  levant  morocco,  gilt 
fillets,  gilt  over  rough  edges,  by  Cuzin.  (Frontispiece 
missing.)  Paris:  Augustin  Courbe,  1648- 

53 


307.  BALZAC  (J.  L.  G.  DE).  Lettres  Familieres  de  Mon- 
sieur de  Balzac,  a  Monsieur  Chapelaiu.  Engraved  frontis- 
piece, 8vo,  red  levant  morocco,  gilt  side  panels,  gilt  edges, 
by  The  Club  Bindery.  Paris:  A.  Courbe,  1G56 

308.  BALZAC  (J.  L.  G.  DE).  Les  Entretiens.  12mo,  blue 
levant  morocco,  entirely  uncut,  by  Motte. 

Amsterdam:  L.  et  D.  Elzevier,  1663 

*  Second  Elzevier  Edition. 

309.  BALZAC  (J.  L.  G.  DE).  Les  (Euvres  Diverses.  12mo, 
blue  levant  morocco,  entirely  uncut,  by  Trautz-Bauzonnet. 

*  Third  Elzevier  Edition.  Amsterdam :  D.  Elzevier,  1664 

310.  BALZAC  (J.  L.  G.  DE).  Lettres  Choisies  Du  Sr.  de 
Balzac.  Engraved  title.  12ino,  red  levant  morocco,  gilt 
fillets  and  corner  ornaments,  gilt  top,  uncut,  by  Chatelin. 

Amsterdam:  les  Elseviers,  1678 

311.  BANKS  (JOHN).  The  Innocent  Usurper;  or.  The 
Death  of  the  Lady  Jane  Gray.  A  Tragedy.  First  Edition. 
Small  4to,  dark  blue  levant  morocco  gilt,  gilt  edges,  by  The 
Club  Bindery.  London:  Printed  for  R.  Bentley,  1694 

*The  performance  of  this  play  was  prohibited  by  the  author- 
ities. 

312.  BANKS  (JOHN).  The  Albion  Queens:  or,  The 
Death  of  Mary,  Queen  of  Scotland.  A  Tragedy.  Small 
4to,  half  brown  levant  morocco,  gilt  edges,  by  Riviere. 

London:  Ric.  Wellington  and  E.  Rurabal,  1704 

*  This  is  "The  Island  Queens,"  1684,  under  a  new  title. 

313.  BANVILLE  (THEODORE  F.  DE).  Odes  Funam- 
bulesques.  Frontispiece  engraved  by  Bracquemond,  in  two 
states  {one  on  India  paper),  music  score  at  page  8,  and 
{inserted)  jJortr ait  printed  in  red.  16mo,  red  levant  morocco, 
gilt  top,  uncut,  original  covers  bound  in,  by  Cuzln. 

*  First  Edition,  printed  on  Holland  paper.     Alencon,  1857 

314.  BAPST  (GERMAIN).  Histoire  des  Joyaux  de  la 
Couronne  de  France  d'apres  des  documents  inedits.  50 
engraved  illustrations.     4to,  original  covers,  uncut. 

Paris,  1889 

*  Presentation  copy  from  the  author,  with  inscription. 

315.  BARBERINO  (FRANCESCO).  Documenti  d'Amore. 

Engraved  title  a  nd  15  full-page  plates  by  Bloemaert,  Zuccaro, 
etc.  Royal  8vo,  green  levant  morocco,  gilt  fillets,  gilt 
edges,  in  a  case,  by  Noulhac.         Roma:  V.  Mascardi,  1640 

316.  BARBEYD'AUREVILLY  (JULES).  DuDandysme 
et  de  G.  Brummell.  16mo,  cloth,  uncut,  original  covers 
bound  in,  by  Pierson.  Caen:  B.  Marcel,  1845 

*  First  Edition.    From  the  library  of  Edmond  de  Goncourt, 
with  his  autograph. 

54 


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JDco  nuca?  conftrtuadnc  pnapdliwr  ct 
fuie  (pcciabue  ct  gtibue  Oicrmus.ccind 
DP  ira;i*mmc  rubiug^mwG.SodS  Q2qp  q>-  confVauc 
conti^  alia  ]2^<td.liait  ilU  que  gfvmij  Icnrurn  gc 
nciar  m  ammo  auoimris.nt-  pcrnteaiirit./liia 
impciFccta  Ocitr  ilia  que  impc2h:ctu^(ciiru>  gcna 
rat  uf  bomo  albiis. 

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fitiua  tjanfmua  n-opzocj  ct  rctjanfitiua^lit 
tjanfitiua  confV2iiao  c  ilU  m  qua  non  onoituj  ft 
cH  rianficD  actus  ill'  pafTionie  a?  yna  pcjfona  m 
aliam.ut  foatce  oiznt.rzanfihua  c  ilia  m  qua  on 
Oitur  fieri  tzanficD  actus  uV  pafrionis  oe  vna  gfo 
na  m  alia.actus  ut  OiUqo  tc.pafTionio.ut  oibgor 
a  tc.Rcnp2ofac  I lU  in  quaoiioitur  ficn  n>Rcxi 
o  actiie  ul'  pafTionis  oc  vua  i^fona  m  lcjp(am.uc! 
^  plunbufm  Jcipfie.Qiici?  ruig;wlantT?r  qfjc^j  plu 
ralitcr.Sm^iIanfut  Oili^o  mc.oiligor  a  mc.plu 
rabtcr  ut  oih«3;imurnop.oili<jimur  a  nobis. ct  D2 
a  red  c\6  c  itci;  ct  pzoco  quoO  g(V  n?.  )n  iiccipzora 
.i.rcitczatiua.lACtJanfittua  c  illa.ni  qua  oiToitur 
ficn  tzanficD  actus  ul  pafTionio  a?  vna  ^rona  m 
alia  occGjmVnatp.i.aT  ca  fiuali.nt  yo(^o  tcutoooc 
afftliu  mcuivff  pj  q>  B  cDnfVzucro.Oilicjo  cc  Oili 
qsntc  mc  ii  c  TCtJJliifmua.imo  c  tiifitiua.Omnis 
cnim  coniVruao  rctzan fitiua  mOig^t  ubo  fubiunc 
ttui  moOi  oiaDiuctiua  coniuctionculf  Ooonc  bn 
tc  vim  coniuncconis  aoiuctiuc.ut  rogo  tc  ut  Oil 
<5jS  mc.Gr  fciao  q>  tirf  rpcocfcoiuncroiiis  ctjnuc 
niunt  Ccn  rfJoent  tnbus  motibufm  natuia.c  cni^ 
iriotu9  rolcct  ifli  osmtcnic  conflrzuao  tjanfitiua 
Item  c  motue  ozailanc.ct  buic  conucnit  rcapzo 
o  ODnOzuao.Gt  c  mbtufccmpontwo.ct  buic  mo 
tuj  rnoct  III'  oonuGnit  conftmcco  rctaanfitiua.ln 
tzanfitiua  uo  confl-zuao  no  coucmt  motui  1;  qcrt 
i^^jGo  pt  qucn.an  bcf  coiVziicco.bcc  capa  c  pc 
r*'"~|'rri  fir  rntzan  fitiua.  Dico  q>  fimplicitcr  c  m^'ii 
fitiua. q2  non  of^oitur  ibi  ficn  t?anfico  actue  ucl 
pafTionifoi?  vna  pfcna  in  ali.l.GfV  tamcn  ibi  rlifi 

Catholicon,  1460,  printed  by  John  Gutenberg. 
(See  No.  304.) 


317.  BARBEY  D'AUREVILLY  (JULES).  Une  Vieille 
Maitresse.  First  Edition.  3  vols.  8vo,  half  blue  morocco 
gilt,  gilt  tops,  uncut.  Paris,  1851 

318.  BARBEY  D'AUREVILLY  (JULES).  Onze  Eaux- 
fortes.  Designed  and  engraved  by  Felix  Buhot  for  "  Une 
Vieille  Maitresse.''''     8vo,  boards.  Paris,  1880 

319.  BARBEY  D'AUREVILLY  (JULES).  Un  Pretre 
Marie.  First  Edition.  %  vols.  12mo,  half  red  levant  mo- 
rocco, gilt  tops,  uncut,  by  Reymann.  Paris,  1865 

*  With  autograph  signature  of  the  author  on  the  half-title. 

320.  BARBEY  D'AUREVILLY  (JULES).  Une  Histoire 
Sans  Nom.  First  Edition.  12mo,  half  blue  levant  mo- 
rocco, gilt  back,  figured  blue  satin  sides,  gilt  top,  uncut, 
original  covers  bound  in,  by  The  Club  Bindery.    Paris,  1882 

*  Holland  paper  copy. 

321.  BARBEY  D'AUREVILLY  (JULES).  Le  Chevalier 
Des  Touches.  Dessins  de  Julien  Le  Blant  graves  par  Cliam- 
pollion.  8vo,  brown  morocco,  gilt  fillets,  gilt  top,  uncut, 
original  covers  bound  in,  by  The  Club  Bindery.     Paris,  1886 

*  One  of  20  copies  on  thick  India  paper,  with  the  portrait  and 
etchings  in  3  states. 

322.  BARBEY  D'AUREVILLY  (JULES).  Les  Dedicaces 
a  la  main  de  M.  Barbej^  d'Aurevillj^  Notice  par  M.  Jean 
de  Bonnefon.  63  reproductions  in  facsimile  and  a  portrait 
of  the  author.    Royal  8vo,  original  covers,  uncut.    Paris,  1908 

*  One  of  19  copies  on  Japan  paper,  with  the  portrait  in  two 
states. 

323.  BARBE-MARBOIS  (COMTE  FRANgOIS).  Corn- 
plot  d'Arnold  et  de  Sir  Henry  Clinton  contre  les  Etats-Unis 
d'Amerique  et  contre  le  General  Washington  Septembre 
1780.  Orne  de  deux  portraits  (Washington  and  Arnold, 
by  Adam  after  du  Simitier)  et  d'une  carte.  First  Edition. 
8vo,  red  straight-grain  morocco  gilt,  gilt  top,  uncut,  by 
The  Club  Bindery.  Paris:  Didot,  1816 

324.  BARCLAY  (SIR  RICHARD).  The  Felicitie  of 
Man,  or.  His  Summum  Bonum.  Emblematic  frontispiece 
title,  engraved  by  W.  M.  (Marshall?).  4to,  blue  morocco, 
blind  tooled,  gilt  edges,  some  lower  margins  uncut,  by 
Larkins.  London:  Printed  by  R.  Y.,  1631 

325.  BARCLAY  (ROBERT).  Barclay  his  Argenis:  or. 
The  Loves  of  Poliarchus  and  Argenis:  Faithfully  trans- 
lated out  of  Latine  into  English,  by  Kingsmill  Long,  Gent. 
First  Edition.  Folio,  brown  levant  morocco,  gilt  edges, 
by  Thompson.  Marginal  notes  in  ink  and  pencil  through- 
out. London :  Printed  by  G.  P.  for  Henry  Seile,  1625 

55 


326.  BARCLAY  (ROBERT).  Barclay  his  Argenis,  or, 
The  Loves  of  Polj^archus  &  Argeuis.  Faithfully  translated 
out  of  Latin  into  English  by  Kingsmill  Long,  Esquire.  The 
Second  Edition,  beautified  with  Pictures.  Small  4to,  calf 
gilt,  gilt  edges,  by  F.  Bedford. 

London  :  For  Henry  Seile,  1636 

*  First  Illustrated  Edition,  containing  an  Engraved  Title, 
Portrait  of  Barclay  by  Claude  Mellan,  and  24  plates  engraved 
by  Leonard  Gaultier  and  Claude  Mellan. 

327.  [BARCLAY  (SIR  WILLIAM— Governor  of  Vir- 
ginia).] The  Lost  Lady.  A  Tragj^  Comedy.  Small  folio, 
blue  levant  morocco,  corner  ornaments,  gilt  edges,  by  The 
Club  Bindery.     (Tiny  hole  in  ff). 

Imprinted  at  London  by  JO.  Okes  for  John  Colby,  1638 

*  First  Edition,  of  which  only  two  other  copies  are  known, 
both  in  public  libraries.  The  Henry  Edward  Bunbury  copy 
(rebound). 

328.  BARENGER  (ANDRE  THOMAS).  Le  Guide 
fidele  de  la  vraie  gloire.  Engraved  throughout  by  Franc. 
Ertinger:  title.,  leaf  of  approbation,  dedication,  preface,  and 
forty-nine  illustrations,  opposite  luhich  are  as  many  pages 
of  text.  Small  8vo,  red  levant  morocco,  gilt  ornaments  on 
the  back  and  sides,  gilt  edges,  by  C.  Claessens. 

Paris:  C.  Guerard,  1688 

329.  BARFORD  (RICHARD).  The  Assembly.  An 
Heroi-Comical  Poem  in  Five  Cantos.  First  Edition. 
Small  8vo,  brown  leather,  gilt  edges,  by  The  Club  Bindery. 

London,  1726 

*  Contains  the  final  leaf  of  advertisements. 

330.  BARHAM  (RICHARD  H.  D.).  The  Ingoldsby 
Legends,  or,  Mirth  and  Marvels.  2  portraits,  3  engraved 
titles,  and  17  plates,  by  Cruikshank  and  Leech.  First 
Edition.  With  the  printiiig  on  page  236.  3  vols.  8vo, 
green  levant  morocco  gilt,  gilt  tops,  uncut,  by  The  Club 
Bindery.  London,  1840-42-47 

331.  BARHAM  (RICHARD  H.  D).  The  Life  and  Re- 
mains of  Theodore  Edward  Hook.  Portraits.  First  Edi- 
tion. 2  vols.  12mo,  half  green  levant  morocco,  gilt  tops, 
uncut,  by  Alio.  London,  1849 

332.  BARHAM  (RICHARD  H.  D.).  The  Life  and  Let- 
ters of  the  Rev.  Richard  Harris  Barham,  author  of  the 
Ingoldsby  Legends:  with  a  selection  from  his  Miscellaneous 
Poems.  By  his  Son.  Portrait.  First  Edition.  2  vols,  small 
8vo,  half  red  morocco  gilt,  gilt  tops,  uncut.      London,  1870 

56 


333.  [BARNES,  JULIANA.]  The  Book  containing  the 
Treatises  of  Hawking;  Iluutiug;  Coat- Armour;  Fishing; 
and  Biasing  of  Anns.  As  printed  at  Westminster,  by 
Wynkyn  de  Worde;  the  Year  of  the  Incarnation  of  our 
Lord  M  CCCC  LXXXXVI.  Edited  by  Joseph  Haslewood. 
Royal  8vo,  brown  levant  morocco,  rich  floral  and  emblem- 
atic gold  tooling,  gilt  edges,  by  Joly.  London,  1810 

*  Edition  limited  to  150  copies. 

334.  BASAN  (PIERRE  F.— Editor).  Recueil  d'Estampes 
gravees  d'apres  les  tableaux  du  cabinet  de  Monseigneur  le 
Due  de  Choiseul.  Portrait^  engraved  title,  13  pages  of  en- 
graved text,  and  128  plates  engraved  by  Le  Bas,  Delvaux, 
Dunher,  etc.  4to,  red  morocco  gilt,  gilt  edges,  by  Kal- 
thoeber.  "  Paris,  1771 

*  First    issue,    with  the  plates  before  letters,    and  half  of 
them  before  numbers. 

335.  BASAN  (PIERRE  F.— Editor).  Collection  de  Cent- 
vingt  Estampes  [with  text].  Engraved  by  Borgnet,  Ma- 
thieu,  Le  Grand  and  others,  from  the  paintings  in  the  col- 
lection of  M.  Poullain.  4to,  red  levant  morocco,  gilt  fillets, 
gilt  edges,  by  Hardy-Mennil.  Paris:  Basan  et  Poignant,  1781 

*  Many  of  the  plates  are  proofs  before  the  engraver's  name. 

336.  BASCHET  (ARMAND).  Le  Roi  chez  la  Reine  ou 
Histoire  Secrete  du  Mariage  de  Louis  XIII  et  d'Anne 
d'Autriche.  8vo,  red  levant  morocco  gilt,  gilt  top,  uncut, 
by  Cape.  Paris,  1864 

*  Printed  on  thick  Holland  Paper. 

337.  BATE  (JOHN).  The  Mysteries  of  Nature  and  Art; 
of  Water  Works;  of  Fire  Works,  etc.  The  Third  edition 
with  many  additions.  Engraved  and  printed  title,  and 
separate  titles  to  each  part.  [No  portrait  issued  with  this 
edition.]  Small  4to,  brown  levant  morocco  gilt,  gilt  edges, 
b}'  The  Club  Bindery. 

London:  Printed  for  Andrew  Crooke,  1654 

338.  BATES  (WILLIAM).  The  Danger  of  Prosperity: 
Discovered  in  several  Sermons  Upon  Prov.  1,  27.  Small 
8vo,  old  red  morocco,  with  compartments  in  blue,  covered 
with  rich  tooling,  flowers,  leaves,  and  scroll  work,  gilt 
edges.     [Autograph  of  Elizabeth  Roberts  on  title.] 

London  :  Brabazon  Aylmer,  1685 

*  A  remarkable  specimen  of  English  binding  of  the  period. 

339'.  BAUDELAIRE  (CHARLES).  Les  Fleures  du  Mai. 
First  Edition.  12mo,  Ijrown  levant  morocco,  doublure  of 
a  lighter  shade,  blind  tooled,  emblematic  ornament  in  the 
centre,  gilt  over  rough  edges,  original  covers  bound  in,  by 
Chambolle-Duru.  Paris,  1857 

*  Unique  copy,  with  two  original  drawings  by  Hannoteau 
and  Bichard  inserted. 

57 


340.  BAUDELAIRE  (CHARLES).  Les  Epaves.  Pieces 
Condamnees ;  Galanteries;  Eplgraphes;  Pieces  Diverses; 
BouflConneries.  12mo,  calf  gilt,  gilt  top,  uncut,  by  Riviere. 
(Margin  of  one  page  torn.)  Bruxelles,  1866 

341.  BAUDERON  (BRICON).  Paraphrase  sur  la  Phar- 
maeopoee,  divisee  en  deux  livres.  16mo,  blue  levant  mo- 
rocco, gilt  edges,  by  Trautz-Bauzonnet. 

Lyon:  Estienne  Servain,  1596 

*  From  the  Yeraeniz  collection. 

342.  [BAXTER  (NATHANIEL)  or  BRETON  (NICHO- 
LAS).] Sir  Philip  Sydneys  Ourania,  That  is,  Endimions 
Song  and  Tragedie,  Containing  all  Philosophie.  Written 
by  N.  B.  Small  4to,  maroon  levant  morocco  gilt,  doub- 
lure of  green  morocco,  mosaic  ribbon  ornamentation  in 
maroon,  gilt  filigree,  rough  gilt  edges,  byKaufmann.  (Cor- 
ner of  title  repaired  and  some  margins  strengthened.) 

London:  Printed  by  Ed.  Allde  for  Edward  White,  1606 

*  Very  scarce.  Attributed  to  both  Nicholas  Breton  and 
Nathaniel  Baxter,  but  probably  by  the  latter,  as  he  was  tutor 
to  Sir  Philip  Sidney.  At  sig.  I3  there  are  some  interesting  ref- 
erences to  America : 

' '  Plenty  of  Goulde  is  in  America, 
Peru,  Mollucus  and  Phillipiana, 
Little  Goulde  or  Silver  in  Virginia 

America  so  neare  the  burning  line 
Breedeth  abundantly  the  golden  mine,"  etc. 

343.  BAXTER  (RICHARD).  The  Saints  Everlasting 
Rest;  or,  a  Treatise  of  the  blessed  State  of  the  Saints  in 
their  enjoj'ment  of  God  in  glorJ^  Portrait  {inserted)  and 
engraved  frontispiece,  by  T.  Cross.  Separate  titles  to  the 
four  parts.  (Name  erased  from  blank  margin  of  title.) 
Small  4to,  brown  levant  morocco,  gilt  and  blind  tooling, 
gilt  edges,  by  Bedford. 

London  :  For  Francis  Tyton  and  Jane  Underhill,  1662 

344.  BAXTER  (RICHARD).  Poetical  Fragments  : 
Heart-Employment  with  God  and  It  Self.  The  Concordant 
Discord  of  a  Broken-healed  Heart.  Sorrowing-rejoicing, 
Fearing-hoping,  Dying-living.  The  third  edition.  16mo, 
blue   levant  morocco,  richly  tooled,  gilt  edges,  by  Riviere. 

London:  Tho.  Parkhurst,  1699 

345.  BAYLE  (PIERRE).  Dictionnaire  historique  et 
critique.  Nouvelle  edition,  augmentee  de  notes  extraites 
de  Chaufepie,  Joly,  La  Monnoie,  Leduchat,  L.-J.  Leclere, 
Prosper  Marchand,  etc.,  etc.  16  vols.  Svo,  half  green  levant 
morocco  gilt,  gih  tops,  uncut,  by  Matthews.         Paris,  1820 

*  The  last  volume  contains  a  life  of  the  author  and  a  general 
Index. 

58 


346.  BAY  PSALM  BOOK.  A  Literal  Reprint  of  the 
Baj"  Psalm  Book,  being  the  earliest  New  England  version 
of  the  Psalms  and  the  first  book  printed  in  America.  8vo, 
blue  levant  morocco  gilt,  gilt  top,  uncut,  by  Matthews. 

Cambridge,  1862 

*  Only  50  copies  printed  for  subscribers. 

347.  BE  AMES  (THOMAS).  The  Rookeries  of  London: 
Past,  Present,  and  Prospective.  Woodcut'  illustrations. 
12mo,  half  green  levant  morocco,  gilt  top,  uncut,  by  Zaehns- 
dorf.  London,  1850 

348.  BEARDSLEY  (AUBREY).  The  Yellow  Book.  An 
Illustrated  Quarterly.  Complete  set.  With  many  drawings 
by  Beardsley,  Housman,  etc.  13  vols.  4to,  decorated  yellow 
cloth,  uncut.  London,  1894-97 

349.  BEARDSLEY  (AUBREY).  The  Savoy.  An  Illus- 
trated Quarterly.  Edited  by  Arthur  Symons.  With  nu- 
merous illustrations  by  Beardsley.  8  parts  (complete  set), 
royal  8vo,  boards  and  paper.      London,  Jan'y  to  Dec,  1896 

350.  BEARDSLEY  (AUBREY).  The  Pierrot  of  the 
Minute.  A  Dramatic  Phantasy,  written  by  Ernest  Dowson. 
Frontispiece,  initial  letter^  vignette,  etc.,  by  Beardsley.  4to, 
decorated  vellum.  London,  1897 

*  One  of  30  copies  on  Japan  vellum. 

351.  BEARDSLEY  (AUBREY).  A  Book  of  Fifty  Draw- 
ings. With  an  Iconography^  by  Aymer  Vallance.  4to, 
decorated  vellum,  gilt  top,  uncut.  London,  1897 

*  Japan  paper  copy ;  only  50  printed. 

352.  BEARDSLEY  (AUBREY).  Early  Work.  With 
2  portraits  and  155  illustrations.     4to,  decorated  buckram. 

*  Japan  paper  copy;  only  120  printed.  London,  1899 

353.  BEARDSLEY(AUBREY).  A  Second  Book  of  Fifty 
Drawings.  Portrait.  4to,  decorated  vellum,  gilt  top, 
uncut.  London,  1899 

*  One  of  50  copies  on  Japan  vellum. 

354  BEARDSLEY  (AUBREY).  Later  Work.  With 
173  illustrations.     4to,  buckram,  London,  1901 

*  Japan  paper  copy. 

p  355.  BEARDSLEY  (AUBREY).  Under  the  Hill,  and 
other  Essays  in  Prose  and  Verse.  With  illustrations.  4to, 
decorated  cloth,  uncut.  London,  1904 

*  Japan  paper  copy. 

356.  BEARDSLEY  (AUBREY).  Illustrations  to  Salome. 
17  plates  on  Japan  paper.     Quarto,  half  vellum  case. 

London  [n.  d.] 
59 


357.  BEATTIE  (JAMES).  The  Minstrel ;  or,  the  Progress 
of  Genius,  in  two  books.  With  some  other  Poems.  Four 
plates  erigraved  after  the  designs  by  Burney.  l"-imo,  half 
red  levant  morocco  gilt,  gilt  top,  uncut.  London,  1797 

358.  BEAUCHAMPS  (P.  F.  G.  DE).  Les  Amours  d'ls- 
mene  et  d'Ismenias.  Engraved  title,  vignette  and  S  plates 
on  copper.  Small  8vo,  old  French  red  morocco,  gilt  back, 
the  Arms  of 'Madame  de  Pompadour  on  the  sides,  gilt 
edges  (small  blank  margin  of  title  cut  off,  2  plates  missing). 

La  Haye,  1743 

359.  BEAUCHESNE  (A.  DE).  Louis  XVII,  sa  vie,  son 
agonie,  sa  mort;  captivite  de  la  Famille  Royale  au  Temple. 
Troisieme  Edition,  enrichie  d'autograplies  et  ornee  des  por- 
traits de  la  Famille  Royale,  graves  en  taille- douce  sous  la 
direction  de  M.  Henriquel  Dupont.  2  vols,  royal  8vo,  half 
brown  levant  morocco  gilt,  gilt  tops,  uncut,  by  Hardy. 

Paris,  1861 

*  In  addition  to  the  illustrations  issued  with  this  work,  39  por- 
traits and  22  views,  many  of  them  India  proofs,  have  been 
added. 

360.  BEAUCHENE  (M.).^  Maximes,  Reflexions  et  Pen- 
sees  Diverses.  Deuxieme  Edition,  corrigee  et  augmentee. 
12mo,  brown  straight-grain  morocco  gilt,  gilt  edges,  by 
Trautz-Bauzonnet.  Paris,  1818 

361.  BEAUMARCHAIS  (PIERRE).  Theatre  Complet. 
Reimpression  des  Editions  Princeps,  avee  les  variautes. 
Portrait.  4  vols.  8vo,  red  levant  morocco,  gilt  fillets  and 
panels,  gilt  edges,  by  Lortic.  Paris,  1869-71 

*  One  of  15  copies  on  China  paper. 

362.  BEAUMONT  AND  FLETCHER.  The  Maides 
Tragedy.  Woodcut  on  title.  Small  4to,  crimson  levant 
morocco  gilt,  gilt  edges,  by  Chambolle-Duru.  [Bottom 
corner  of  title  supplied  and  some  repairs  to  last  leaf.] 

London:  Printed  for  Richard  Higgenbotham,  1619 

*  An  extremely  rare  issue  of  the  First  Edition,  having 
a  variation  in  the  imprint  unknown  to  Gregg  and  other  bibli- 
ographers. The  usual  title  reads  "printed  for  Francis  Con- 
stable." 

363.  BEAUMONT  AND  FLETCHER.  Phylaster.  Or 
Love  l.yes  a  Bleeding.  Written  by  Francis  Baymont  and 
John  Fletcher,  Gent.  First  Edition.  Woodcut  on  title. 
Small  4to,  crimson  levant  morocco  gilt,  gilt  edges,  by  David. 

London:  For  Thomas  Walkley,  1620 

*  The  Mitford  and  Locker-Lampson  copy,  rebound.  With  an 
autograph  note  by  Mitford  on  the  Malone  and  Kemble  copies, 
etc.,  and  a  pencilled  page  of  comments  on  the  play  by  Fred- 
erick Locker. 

60 


364.  BEAUMONT  AND  FLETCHER.  A  King  and  No 
King.  And  now  the  second  lime  Printed,  according  to  the 
true  Copie.  Small  4to,  flexible  red  levant  morocco,  gilt 
edges.  London:  Printed  for  Thomas  Walkley,  Ki'^o 

365.  BEAUMONT  AND  FLETCHER.  Cvpid's  Re- 
venge. As  it  was  often  Acted  (with  great  applause)  by  the 
Children  of  the  Reuells.  The  Second  Edition.  Small 
ito,  red  levant  morocco  gilt,  gilt  edges,  by  David. 

London:  Printed  for  Thomas  lones,  1630 

366.  BEAUMONT  AND  FLETCHER.  Philaster,  or 
Love  lies  a  Bleeding.  The  fourth  impression.  Small 
4to,  red  levant  morocco  gilt,  gilt  edges,  by  David. 

London:  Printed  by  W.  J.  1634 

367.  BEAUMONT  AND  FLETCHER.  The  Knight  Of 
the  Bvrning  Pestle.  Full  of  Mirth  and  Delight.  Small  4to, 
red  levant  morocco,  partly  uncut,  by  Riviere. 

London:  Printed  by  N.  O.  for  I.  S.  1635 

*  Second  Edition,  with  the  blank  leaves  at  the  beginnuig 
and  end.  There  are  two  issues,  both  dated  1635.  This  is 
probably  the  first,  with  "  Beamount  "  on  title.  Both  omit 
the  dedication  by  Walter  Burre  to  ^Ir.  Robert  Cassar,  found 
only  in  the  first  edition  of  1613.  The  issue  above  has  a  smaller 
type  in  the  address  "To  the  Readers  of  this  Comedy,"  and 
larger  in  the  Prologue. 

368.  BEAUMONT  AND  FLETCHER.  The  Knight  Of 
the  Burning  Pestle.  Full  of  Mirth  and  Delight. — As  it  is 
now  Acted  by  Her  Majesties  Servants  at  the  Private  house 
in  Drury  Lane.  Small  4to,  red  levant  morocco  gilt,  gilt 
edges,  by  F.  Bedford.  (Lacks  sigs.  Bo  B3,  and  slight  repairs 
to  the  margins  of  the  last  two  leaves,  but  has  the  prelimi- 
nary blank  leaf  A:  ) 

London:  Printed  by  N.  O.  for  L  S.  1635 

*  Second  Edition.     Beaumont  correctly  spelt  on  the  title. 

369.  BEAUMONT  AND  FLETCHER.  The  Maides 
Tragedie.  The  Fourth  Impression,  Revised  and  Retined. 
Woodcut  on  title.  Small  4to,  green  morocco,  gilt  ornaments 
on  back  and  sides,  gilt  edges,  by  Zaehnsdorf.  (A  trifling 
repair  to  bottom  corner  of  title.) 

[London] :  Printed  by  E.  G.  for  Henry  Shepherd,  1638 

370.  BEAUMONT  AND  FLETCHER.  A  King  and  No 
King.  And  now  the  fourth  time  printed,  according  to  the 
true  Copie.  Small  4to,  crimson  levant  morocco,  entirely 
uncut  (several  margins  skilfully  repaired). 

London:  Printed  by  E.  G.  for  William  Leake,  1639 

*  Fourth  Edition,      Scarce  in  uncut   state.     Contains  the 
original  blank  fly-leaves. 

61 


V 


371.  BEAUMONT  AND  FLETCHER.  Wit  without 
Money.  A  Comedie,  As  it  hath  beene  Presented  with  good 
Applause  at  the  private  house  in  Drurie  Lane,  by  her 
Majesties  Servants.  First  Edition.  4to,  red  levant  mo- 
rocco, gilt  edges,  by  David. 

London:  Printed  by  Thomas  Cotes,  for  Andrew  Crooke, 
and  William  Cooke,  1639. 

372.  BEAUMONT  AND  FLETCHER.  Comedies  and 
Tragedies.  Written  by  Francis  Beavmont  And  lohn 
Fletcher,  Gentlemen.  Never  printed  before,  And  now  pub- 
lished by  the  Authours  Originall  Copies.     Brilliant  impres- 

l-^''  sion  of  the  portrait  of  Fletcher  by  Marshall — Second  state, 

A  with    "-Vates  Duplex''^  in  capitals.      London:  Printed  for 

y  Humphrey  Robinson,  and  for  Humphrey  Moseley,  1647 ;  The 

Wild  Goose  Chase.  A  Comedie.  As  it  hath  been  Acted 
with  singular  Applause  at  the  Black-Friers.  First  Edition. 
London:  Printed  for  Humphrey  Moseley,  1652.  Folio,  two 
works  in  one  volume,  red  levant  morocco,  back  and  sides  gold 
tooled  in  panels,  gilt  edges,  by  Bedford.    London,  1647-1652 

*  First  collected  edition,  edited  by  Ja.  Shirley,  and  contain- 
ing 34  plays,  all  that  had  not  previously  appeared.  A  large 
copy,  measuring  ISig  x  8}{  inches. 

373.  BEAUMONT  AND  FLETCHER.  The  Beggars 
Bush.  .  .  .  You  may  speedily  expect  those  other  Playes, 
which  Kirkman,  and  his  Hawkers  have  deceived  the  buy- 
ers withall,  selling  them  at  treble  the  value,  that  this  and 
the  rest  will  be  Sold  for,  which  are  the  onely  Originall  and 
corrected  copies.  As  they  were  first  purchased  by  us  at  no 
mean  rate,  and  since  printed  by  us.  Small  4to,  mottled 
calf  gilt,  by  The  Club  Bindery. 

London:  Printed  for  Humphrey  Robinson,  1661 

*  The  play  first  appeared  in  the  collected  folios  of  1647.  It 
was  first  printed  separately  in  1661,  two  issues  appearing  with 
the  same  date,  one  with  the  curious  complaint  against  Kirk- 
man on  the  title,  and  the  other  omitting  it.  It  is  difficult  to 
decide  which  had  priority,  but  this  edition  is  the  more  inter- 
esting. No  copy  issued  by  Kirkman  is  known,  and  it  is  un- 
likely that  he  did  issue  one.  Very  scarce.  From  the  Lefferts 
collection. 

374.  BEAUMONT  AND  FLETCHER.  The  Island 
Princess;  or  the  Generous  Portugal.  A  Comedy.  As  it  is 
Acted  at  the  Theatre  Roj'al,  b.y  His  Majesties  Servants. 
Small  4to,  red  levant  morocco,  gilt  back,  corner  ornaments, 
gilt  edges,  by  Riviere. 

London:  Printed  for  H.  R    and  A.  M.  1669 

*  First  separate  edition,  previously  printed  in  the  collected 
folio  of  1647.     Not  mentioned  by  Gregg. 

375.  BEAUMONT  AND  FLETCHER.  The  Prophetess: 
or,  The  Histor}' of  Dioclesian.  With  alterations  and  addi- 
tions after  the  manner  of  an  opera.  Small  4to,  brown  levant 
morocco  gilt,  gilt  edges,  by  The  Club  Bindery,    London,  1690 

*  First  Edition  of  the  alteration  by  Betterson. 

62 


376.  BECKER  AND  VON  HEFNER.  Kunstwerke  nud 
Genithscbafteii  des  Mittelalters  und  der  Renaissance.  Ded- 
icatory frontispiece  {to  FredricJi  Wilheliti  IV)  colored  by 
hand,  and  i^v  colored  plates.  3  vols.  4to,  half  brown  mo- 
rocco. Frankfurt,  1852 

377.  [BECKFORD  (WILLIAM).]  Italy;  with  Sketches 
of  Spain  and  Portugal.  By  the  author  of  "Vathek." 
First  Edition.  2  vols.  8vo,  half  brown  levant  morocco 
gilt,  gilt  tops,  uncut.  London,  1834 

378.  [BECKFORD  (WILLIAM).]  Biographical  Memoirs 
of  Extraordinary  Painters.  Engraved  frontispiece.  12mo, 
half  green  morocco  gilt,  gilt  top,  uncut,  by  C.  Lewis. 

*  A  burlesque  by  the  author  of  "Vathek."      London,  1834 

379.  BEDDOES  (THOMAS  LOVELL).  The  Bride's  Trag- 
edy. First  Edition.  8vo,  polished  calf  gilt,  gilt  edges, 
b}- Riviere.  London:  Rivington,  1822 

380.  BEDDOES  (THOMAS  LOVELL).  The  Poems,  Post- 
humous and  Collected.  [With  Memoir.]  2  vols.  12mo,  red 
levant  morocco  gilt,  gilt  edges,  by  David.         London,  1851 

381.  BEHN  (APHRA).  The  Luckey  Chance,  or  an  Al- 
derman's Bargain.  A  Comedy.  First  P^dition.  Small 
4to,  green  levant  morocco  gilt,  gilt  edges,  by  Pratt. 

London:  R.  H.  for  W.  Canning,  1687 

382.  BEHN  (APHRA).  The  Emperor  of  the  Moon:  a 
Farce.     First  Edition.    Small  4to,  half  dark  blue  calf. 

London:  R.  Holt,  1687 
383    BEHN    (APHRA).     The  Emperor  of  the   Moon:  a 
Farce.     Second  Edition      Small  4to,  maroon  levant  mo- 
rocco gilt,  gilt  edges,  by  Pratt.  London :  R.  Holt,  1688 

384.  BEHN-  (APHRA).  The  Forc'd  Marriage,  or  the 
Jealous  Bridegroom,  a  tragi-comedy.  Second  Edition. 
Small  4to,  red  straight-grain  morocco  gilt,  gilt  edges,  by 
Riviere.  London:  James  Knapton,  1688 

385.  BELLA  (STEPHANODELLA).  Divers  Embarque- 
ments.  A  set  of  8  etched  plates,  followed  bj^  two  other 
sets  of  plates,  the  first  of  8  "  Varie  figure  "  and  the  second 
of  13  pastoral  scenes.  Oblong  4to,  brown  levant  morocco, 
gilt  fillets  with  ornamental  corners,  gilt  edges,  by  David. 

Paris,  ca.  1700 

386.  BELLAY  (JOACHIM  DU).  Recueil  de  Poesie, 
presente  a  tresillvstre  Princesse  Madame  Marguerite,  seur 
Vnique  du  Roy,  &  mis  en  lumiere  par  le  comandement  de 
maldicte  Dame.  Reueu,  &  augmente  depuis  la  premiere 
edition.  Par  I.  D.  B.  A  Small  bvo,  blue  levant  morocco, 
back  and  sides  richly  decorated  in  panels  of  small  tools, 
gilt  edges,  by  Trautz-Bauzonnet 

Paris:  Guillaume  Cauellat,  1553 
63 


387.  BELLAY  (JOACHIM  DU).  Ode  svr  la  Naissance 
dv  petit  Dvc  de  Beavmont,  fils  de  Monseign.  de  Vandosme 
Roy  de  Navarre.  4to,  red  levant  morocco,  doublure  of 
olive  morocco  covered  with  an  elaborate  design  in  scrolls, 
leaf  sprays  and  azured  ornaments,  gilt  edges,  by  Chambolle- 
Durn,  the  gilding  by  Marius  Michel.     Paris:  F.  Morel,  1561 

388.  BELLAY  (JOACHIM  DU).  Les  CEavres  Fran- 
coises. 8vo,  red  levant  morocco,  tooled  in  compartments 
with  interlacing  fillets,  gilt  edges,  by  Cape. 

Paris:  F.  Morel,  1573 

389.  BELLEROPHON,  of  Lvst  tot  Wysheyd.  Vignette 
on  title-page,  and  31  copperplates.  4to,  brown  levant  mo- 
rocco, blind-tooled,  gilt  edges,  by  Petit. 

Amsterdam:  Dirck  Pietersz,  1614 

390.  BELLERS  (FULKE).  Abrahams  Interment:  or 
The  good  Old-mans  Buriall  in  a  good  Old  Age.  Opened  in 
a  Sermon,  At  Bartholomews  Exchange,  July  24.  1655.  at 
the  Funerall  of  the  WorshipfuU  John  Laraotte  Esq;  Some- 
times Alderman  of  the  City  of  London.  With  a  Short  Nar- 
rative of  his  Life.  Portrait  of  John  Lamotte  by  Faithorne. 
Small  4to,  brown  morocco,  gilt  edges,  by  The  Club  Bindery. 

London;  Printed  by  R.  I.,  1656 

391.  BELLOY  (PIERRE  L.  B.  DE).  (Eavres  Choisies. 
2  vols.  18mo,  green  vellum,  uncut,  in  cases. 

Paris:  Didot,  1811 

*  Printed  on  vellum.     From  the  Syston  Park  collection. 

392.  BEMBO  (PIETRO).  De  Aetna  ad  Angelum  Chabrie- 
lem  liber.  First  Edition.  Roman  character,  30  numbered 
leaves,  22  lines  to  the  page.  Small  4to,  blue  straight-grain 
morocco,  covered  with  exquisite  gold  tooling  in  compart- 
ments, inside  panels  of  citron  morocco,  watered  silk  linings, 
vellum  fly-leaves,  gilt  edges,  by  Thouvenin. 

Venetiis:  in  aedibus  Aldi  Romani,  1495 

*  The  first  Latin  book  printed  by  Aldus,  and  one  of  the 
most  beautiful  specimens  from  his  press.  The  Beckford  copy. 
Renouard,  p.  7,  no.  4;  Hain,  3765;  Proctor,  5550. 

393.  BEMBO  (PIETRO).  Lettere.  Primo  volume  (Vol.  I 
only).  4to,  old  brown  morocco,  gilt  panelled  sides,  with 
arabesque  ornaments,  gilt  edges  (rebacked  and  corners  re- 
stored).    4  leaves  missing. 

Roma:  Valerio  Dorico  et  Luigi  Fratelli,  154S 

*  Printed  on  vellum.     Very  scarce  in  this  state. 

394.  [BENARD.]  Eloge  de  I'Enfer.  3  vignettes  and  16 
p)lates  by  Sibellius.  2  vols.  12mo,  half  red  levant  morocco 
gilt,  gilt  tops,  uncut.  La  Haye:  Pierre  Gosse,  Jr.,  1759 

6i 


395.  BENI  (PAOLO).  Risposta  alle  consideration!  o 
dubbi  del  Dottor  Malacreta  sopra  il  Pastor  Pido.  Ito,  old 
vellum.     Wormed.  Padova,  1600 

396.  BEQUET  (EMILE),  BERTHET  and  others.^  Fleur 
des  Nouvelles.  Marie  ou  le  Moiichoir  bleu,  [par  Etienne 
Bequet]  suivi  de  contes  et  nouvelles  diverses  [par  Elie  Ber- 
thet,  Madame  de  Bawr,  et  Heuesippe  Moreau]  recueillis  par 
Arthur  Delauoue.  16mo,  blue  levant  morocco,  gilt  edges, 
by  Hardy-Mennil.  Paris,  ISS-i 

39  7.  BERAIN"  (.JOHANNES).  Ornemens  Inuentez  par 
J.  Berain.  Portrait  by  S.  Silverstre  after  Vivien,  and  lJi.5 
plates.     In  a  portfolio,  large  folio,  half  red  morocco  case. 

[Paris,  ca.  1697] 
*  First  Edition,  with  the  imprint  of  Theuret. 

398  BERANGER.  (PIERRE  JEAN  DE).  Chansons. 
Second  Edition  [with  additions].  2  vols.  12mo,  blue  levant 
morocco  gilt,  gilt  over  rough  edges,  by  Cuzin.       Paris,  1821 

399.  BERANGER  (PIERRE  JEAN  DE).  Chansons 
Nouvelles  et  Dernieres.  12mo,  green  levant  morocco,  gilt 
edges,  by  Reymaun.       Paris:  Perrotin  (Didot  I'aine),  1833 

400.  BERGERAC  (SAYINIEN  CYRANO  DE).  Les 
CEuvres  diverses  de  jM^  de  Cyrano  Bergerac.  Vignette  on 
title,  dedication  pages,  and  {inserted)  portrait.  4to,  maroon 
levant  morocco  gilt,  gilt  edges,  by  Hardy. 

Paris:  Charles  de  Sercy,  1664 

401.  BERGERAC  (SAVINIEN  CYRANO  DE).  Les 
Qi]uvres  diverses.  Portrait  and  7  plates  hy  Laurent  Scherm. 
2  vols,  small  8vo,  green  levant  morocco  gilt,  gilt  edges,  by 
Bauzonnet-Trautz.  Amsterdam,  1699 

402.  BERGOMENSIS  (JACOBUS  PHILIPPUS).  No- 
vissime  liystoriarum  omnium  repercussiones  .  .  .  .,  que  Supple- 
mentum  supplementi  Cronicarum  nuncupautur.  4  full-page 
woodcuts  surrounded  hy  fine  ornamental  borders,  represent- 
ing the  creation  of  Eve,  the  Temptation,  Adam  and  Eve 
expelled  from  Eden,  the  murder  of  Abel,  the  construction  of 
the  tower  of  Babel,  and  numerous  small  cuts  in  the  text  repre- 
senting cities.  Folio,  brown  levant  morocco,  panelled  sides 
with  blind  tooled  ornaments,  gilt  edges,  by  David. 

Yenetiis:  Albertinus  de  Lissona  Yercellensis,  1503 
*  Folios  441  V.  to  f.  442  v.   contain  an  account   of  tlie  first 
voyage  of  Columbus  and  of  the  newly  diseovered  island. 

403.  BERINGTON  (JOSEPH).  The  History  of  the  Lives 
of  Abeillard  and  Heloisa ;  comprising  a  period  of  eighty-four 
years,  from  1079  to  1163.  With  their  genuine  Letters,  from 
the  collection  of  Amboise.     4to,  calf,  gilt  back. 

Birmingham,  1787 
65 


404.  BERNARD  (AUGUSTE).  Geofroy  Tory,  peintre  et 
graveur,  Premier  Imprimeur  Royal,  reformateur  de  I'Ortho- 
graphe  et  de  la  Typographic  sous  Francois  ler.  36  ivoodcut 
illustrations.  Royal  8vo,  dark  green  levant  morocco  gilt,  gilt 
top,  uncut,  by  Emile  Rousselle.  Paris,  1865 

*  Printed  on  vellum. 

405.  BERNARD  (PIERRE  JOSEPH).  CEuvres.  With 
4  plates  in  two  proof  states  hy  Boisson  after  Prud'hon.  Folio, 
maroon  levant  morocco  gilt,  gilt  over  rough  edges,  by  Cham- 
boUe-Duru.  Paris:  P.  Didot  I'Aine  1797 

*  Large  paper  copy,  on  French  vellum  paper. 

406.  BERNARD  (PIERRE  JOSEPH).  L'Art  d'Aimer. 
Small  4to,  boards,  uncut,  in  a  case. 

Parme:  Bodoni,  MDCCIIC  [1798] 

*  One  of  a  small  number  on  Lauge  Holland  paper. 

407.  BERNARD,  MIRABAUD  ET  LE  MASCRIER.  Le 
Monde,  son  Origine  et  son  Anti quite;  De  L'Ame  et  de  son 
Immortalite;  Essai  sur  La  Chronologic.  First  Edition.  3 
parts  (the  third  part  without  title)  in  one  volume,  8vo,  old 
red  morocco  gilt,  gilt  edges,  by  Derome  the  younger,  with  his 
ticket.  Londres  [Paris,  Briasson],  1751 

408.  BERNI  (FRANCESCO).  Orlando  Innamorato  com- 
posto  gia  del  Signor  Matteo  Maria  Boiardo  Conte  di  Scandi- 
ano,  et  rifatto  tutto  di  nuovo.  4to,  brown  morocco  richly 
tooled  and  gilt  in  compartments,  doublure  of  red  levant,  gilt 
edges,  in  the  manner  of  Nicolas  Eve,  by  Hardy. 

Milan:  Andrea  Calvo,  1542 

409.  BERNIS  (FRANCOIS,  CARDINAL  DE).  CEuvres. 
Two  portraits  and  5  plates.  2  vols.  12mo,  purple  straight- 
grain  morocco  gilt,  gilt  edges,  by  Thouvenin.  (Blank  cor- 
ner of  one  leaf  torn  off.)  Paris,  1822 

410.  BEROALDE  DE  VERVILLE  (FRANQOIS).  Le 
Cabinet  de  Llinerve.  Au  quel  sont  plusieurs  singularites, 
figures,  tableau,  antiques,  etc.  First  Edition.  12mo,  old 
French  citron  morocco  gilt,  gilt  edges.  (Lower  margins 
slightly  waterstained.)  Paris:  Matthieu  Guillemot,  1596 

411.  [BEROALDE  de  VERVILLE  (FRANgOIS).]  Le 
Moyen  de  Parvenir.  CEuvre  contenant  la  raispn  de  tout  ce 
qui  a  este,  est,  &  fera,  etc.  12mo,  red  levant  morocco  gilt, 
doublure  of  green  morocco,  silk  guards,  gilt  edges,  by  Lortic. 

[Holland,  ca.  1700] 

412.  BEROALDE  DE  VERVILLE  (FRANCOIS).  Le 
Moyen  de  Parvenir.  Qiluvre  contenant  la  raison  de  tout  ce 
qui  a  este,  est,  &  fera,  etc.  12mo,  brown  levant  morocco,  blind 
tooled  fillets,  gilt  edges,  by  Thomson.       (Height  139  mm.) 

[Holland,  ca.  1700] 

*  Although  similar  to  the  above,  this  edition  is  entirely  reset. 

66 


413.  B^ROALDE  DE  VERVILLE  (FRANCOIS).  Le 
Moyen  de  Parvenir,  etc.  2  vols.  16mo,  old  red  French  mo- 
rocco gilt,  gilt  edges.  Nulle  part,  100070038  [1738] 

414.  BEROALDE  DE  VERVILLE  (FRANgOIS).]  Le 
Moyen  de  Parvenir,  etc.  Nouvelle  Edition  (edited  by  B.  de 
la  Monnoye).  Frontispiece  hy  Martinet  with  inverted  por- 
trait of  the  author.  2  vols.  12mo,  old  citron  levant  morocco 
gilt,  gilt  edges,  in  cases. 

A  ******  [Paris,  Grange]  10070057  (1757) 

*  From  the  Nodier  and  Pixerecourt  Collections. 

415.  BERQUIN  (ARNAUD).  Idylles.  Engraved  title, 
and  24  plates  hy  Delaunay,  Ponce  and  others  after  Marillier. 
First  Edition.  2  vols,  in  one.  12mo,  orange  levant  morocco, 
richly  tooled,  and  inlaid  with  green  morocco,  gilt  edges,  by 
Ciizin.     In  an  orange  levant  morocco  case.      [Paris,  1774-75] 

416.  BERQUIN  (ARNAUD).  Romances.  Frontispiece 
and  6  plates  hy  Delaunay,  Ponce  and  others,  and  12  pages  of 
music.     First  Edition.     12mo,  Spanish  calf  gilt,  gilt  edges. 

*  Large  and  thick  paper  copy.  Paris,  1776 

417.  BERTAUD  (JEAN).  Encomium  loannis  Bertaudi 
Petragorici  Turrisalbae  in  ducatu  Engolismensi  alumni,  de 
cultu  trium  Mariarum  adversus  Lutheranos  cum  missa  solen- 
niore  et  officio  canonico  earumdem.  Woodcut  hy  Geofroy 
Tory  on  the  title-page  and  25  other  fine  cuts, — mostly  full 
page, — reprints  of  those  in  Vostre's  Book  of  Hours.  The 
mass  and  office  of  the  three  Marys  are  in  Gothic  characters, 
red  and  hlack,  within  heautiful  historiated  and  ornamental 
horders.  4to,  blue  levant  morocco,  gilt  borders,  doublure  of 
red  levant  with  border  repeated,  gilt  edges,  by  Chambolle- 
Duru.     (Side  of  one  woodcut  shaved.) 

*  Eare.  [Paris]  :  Jodocus  Badius  Ascensius,  1529 

418.  BERTRAND  (LOUIS).  Gaspard  de  la  Nuit.  Fan- 
taisies  a  la  maniere  de  Rembrandt  et  de  Callot ;  Nouvelle  edi- 
tion, augmentee  de  pieces  en  prose  et  vers,  et  precedee  d'un'e 
introduction  par  M.  Charles  Asselineau.  Frontispiece  by 
Felicien  Bops.  Svo,  green  levant  morocco,  back  and  sides 
decorated  with  owls,  gilt  over  rough  edges,  by  Lortic. 

Bruxelles,  1868 

*  One  of  50  copies  on  large  Holland  paper. 

419.  BERWICK  (JAMES  FITZ-JAMES).  Memoires  du 
Marechal  de  Berwik,  due  et  pair  de  France,  et  generalissime 
des  armees  de  Sa  Majeste.  Portrait.  First  Edition.  2  vols. 
12mo,  red  levant  morocco,  gilt  edges,  by  Hardy-Men  nil. 

A  Londres  [Paris],  1758 

67 


420.  BEST  (THOMAS).  A  Concise  Treatise  on  the  Art 
of  Angling,  confirmed  by  actual  experience,  and  minute  ob- 
servations. "With  the  proper  Methods  for  Breeding  and 
Feeding  Fish,  and  of  making  Fish-Ponds,  Stews,  &c.  Frontis- 
piece. The  Fourth  Edition,  corrected  and  improved.  12mo, 
half  brown  levant  morocco,  gilt  top,  uncut.         London,  1798 

421.  [BESTE  (GEORGE).]  A  True  Discourse  of  the 
late  Voyages  of  discoveries,  for  the  finding  of  a  passage  to 
Cathaya,  by  the  Northwest,  under  the  conduct  of  Martin  Fro- 
bislier  Generall :  Devided  into  three  Bookes.  In  the  first 
whereof  is  shewed,  his  first  voyage.  Wherein  also  by  the  Way 
is  sette  out  a  Geographicall  description  of  the  Worlde  habitable 
with  a  generall  Mappe  adioyned.  In  the  Second,  is  set  out 
his  second  voyage  with  the  adventures  and  accidents  thereof. 
In  the  Thirde,  is  declared  the  strange  fortunes,  with  a  sev- 
erall  description  of  the  Countrey  and  the  people  there  in- 
habiting. Printed  in  Gothic  type^  ivitJi  two  folded  maps, 
the  coat-of-arms  of  Sir  Christopher  Hatton,  a  ivoodcut  of  a 
fish  {p.  15)  and  a  large  historiated  initial.  4to,  blue  straight- 
grain  morocco,  gilt  edges.     London:  Henry  Bynnyman,  1578 

*  Very  bare.  There  are  at  least  two,  and  probably  three 
issues  of  this  work,  of  which  this  is  presumably  the  second. 
Signature  aiiij  is  here  printed  correctly;  in  the  first  it  is  aiii. 
Numerous  errors  are  corrected  on  this  page,  showing  it  to  have 
been  reset.  The  typographical  differences  throughout  the  text 
are  many. 

The  majis  have  been  skilfully  repaired,  but  are  nevertheless 
very  fine  examples,  the  map  of  the  world  having  margins  on  all 
sides,  and  the  word  ' '  West ' '  being  intact. 

422.  BETTERTON  (THOMAS).  The  Amorous  Widow,- 
or,  the  Wanton  Wife :  a  Comedy.  As  it  has  been  Acted  in  all 
Theatres  with  great  Applause  for  many  Years:  By  Her  Ma- 
jesty's Servants.  Never  Printed  before.  First  Edition. 
Small  4to,  half  red  levant  morocco,  gilt  edges. 

London:  W.  Turner,  1706 

*  Betterton  played  the  part  of  Lovemore. 

423.  BEWICK  (THOMAS).  A  General  History  of 
Quadrupeds.  186  cuts  of  animals  and  numerous  tail-pieces. 
First  Edition.  Royal  8vo,  citron  levant  morocco  gilt,  gilt 
top,  uncut,  by  The  Club  Bindery.  Newcastle,  1790 

*  Large  paper  copy,  with  the  two  leaves  of  addenda.  Mar- 
maduke  Tunstall's  copy,  containing  pencilled  notes  on  several 
pages. 

424.  BEWICK  (THOMAS).  A  General  History  of  Quad- 
rupeds. TJie  figures  engraved  on  wood  hy  T.  Bewick.  The 
THIRD  edition.  8vo,  citrou  levant  morocco,  gilt  back,  gilt  toj^, 
uncut,  by  Chambolle-Duru.  Newcastle,  1792 

68 


425.  BEWICK  (THOMAS).  A  General  History  of  Quad- 
rupeds. The  figures  engraved  on  wood  by  T.  Bewick.  The 
FOURTH  EDITION.  Royal  8vo,  green  levant  morocco  gilt,  gilt 
top,  uncut,  by  T.  Broga.  Newcastle,  1800 

*  Large  paper  copy. 

426.  BEWICK  (THOMAS).  History  of  British  Birds: 
containing  descriptions  of  the  Land  and  the  Water  Birds. 
The  figures  engravecl  on  wooel  hy  T.  Bewick.  2  vols.  Svo, 
green  levant  morocco  gilt,  gilt  tops,  uncut,  by  Bedford. 

Newcastle,  1797-1804 

*  First  issue  of  the  First  Edition,  uncut,  with  the  mis- 
printed price  on  title-page,  and  earliest  form  of  advertisement 
on  last  page  of  Vol.  1,  the  tail-piece  "before  the  bar"  in  Vol.  1 
and  other  features. 

427.  BEWICK  (THOMAS).  A  History  of  British  Birds, 
containing  the  History  and  Description  of  the  Land  and  the 
Water  Birds.  TJie  figures  engraved  on  wooel  by  T.  Bewick. 
2  vols,  royal  Svo,  green  levant  morocco,  gilt  backs  and  side 
panels  in  Roger  Payne's  style,  gilt  edges,  with  some  rough 
leaves,  by  Bedford.  London,  1805 

*  Large  paper  copy  of  the  second  edition,  with  an  inserted 
portrait. 

428.  BEWICK  (THOMAS).  A  General  History  of  Quad- 
rupeds. The  figures  engraved  on  wood  by  Thomas  Bewick. 
The  fifth  edition.  Imperial  Svo,  green  levant  morocco,  gilt 
back  and  side  panels  in  Roger  Payne's  style,  gilt  edges,  by 
Bedford.  Newcastle,  1807 

*  Imperial  paper  copy,  with  the  following  plates  inserted : 
The  unfinished  print  ' '  Waiting  for  Death, ' '  with  the  original 
wrapper  and  description;  the  large  print  of  Kyloe  Ox;  unique 
impressions  of  the  Chillingham  Bull  on  India  paper,  and  in 
three  other  states;   portrait;   facsimile  letter  and  drawing. 

429.  BEWICK  (THOMAS).  The  Fables  of  ^sop,  and 
others.  With  designs  on  wood  by  Thomas  Bewick.  Imperial 
Svo,  green  levant  morocco,  gilt  back  and  side  panels  in  Roger 
Payne's  style,  gilt  edges,  by  Bedford.  Newcastle,  1818 

*  Imperial  paper  copy,  with  portrait  inserted  and  the  sub- 
scriber's receipt  before  the  title. 

430.  BEWICK  (THOMAS).  Select  Fables.  With  cuts 
designed  and  engraved  by  Thomas  and  John  Bewick,  and 
others,  previous  to  the  year  1784;  together  with  a  memoir; 
and  a  descrij^tive  Catalogue  of  the  works  of  ]\Iessrs.  Bemck. 
Royal  Svo,  red  levant  morocco,  emblematic  tooling  on  back, 
gilt  top,  uncut,  by  Matthews.  Newcastle,  1820 

*  Subscriber  's  large  paper  copy,  signed  by  Bewick,  and 
with  an  India  paper  proof  portrait. 

69 


431.  BEWICK  (THOMAS).  A  General  History  of  Quad- 
rupeds. The  figures  engraved  on  wood  hy  Bewick.  Seventh 
edition.  4to,  red  levant  morocco,  gilt  over  rough  edges,  by 
Marius  Michel,  Newcastle,  1820 

*  Large  paper  copy  ;  with  portrait,  India  proof  before  letters. 

432.  BEWICK  (THOMAS).  A  Supplement  to  the  His- 
tory of  British  Birds.  The  figures  engraved  on  wood  hy  T. 
Bewick.  Part  I  containing  the  history  and  description  of 
Land  Birds.  (Part  II  containing  the  history  and  description 
of  Water  Birds.)  First  Edition.  8vo,  green  levant  morocco 
gilt,  gilt  top,  uncut,  by  Bedford.  Newcastle,  1821 

*  Thick  paper  copy,  with  final  leaf  of  advertisement  of 
"History  of  Quadrupeds"  and  "Fables  of  iEsop." 

433.  BEYLE  (HENRI).  De  I'Amour.  First  Edition. 
2  vols.  12mo,  half  red  levant  morocco  gilt,  gilt  tops,  uncut,  by 
David.  Paris,  1822 

434.  BEYLE  (HENRI).  La  Chartreuse  de  Parme,  par 
I'auteur  de  Rouge  et  Noir.  First  Edition.  2  vols.  8vo,  half 
calf.  Paris,  1839 

435.  BEYLE  (HENRI).  L'Abbesse  de  Castro  par  M.  de 
Stendhal.  First  Edition.  8vo,  half  brown  morocco  gilt,  un- 
cut, original  covers  bound  in.  Paris,  1839 

436.  BIBLIOGRAPHICAL  miscellanies,  being  a  selection 
of  Curious  Pieces,  in  Verse  and  Prose.  [Edited  by  Ph. 
Bliss.]  4to,  light  brown  levant  morocco,  centre  ornaments, 
gilt  top,  uncut,  by  Pratt.  Oxford,  1813 

*  One  op  104  copies  on  Large  paper.  This  copy  belonged 
to  the  Editor,  Dr.  Philip  Bliss.  An  autograph  letter  from  him 
is  inserted  and  his  name  is  on  the  page  of  advertisement.  The 
volume  contains  the  first  appearance  of  several  selections,  others 
are  from  unique  originals. 

437.  BIBLIOPHILE  FANTAISISTE  (Le).  Ou  choix 
de  pieces  desopilantes  et  rares.  Portrait  of  Villon,  inserted. 
18mo,  half  blue  morocco,  gilt  top,  uncut.  Turin  [1869] 

*  One  of  100  copies  on  Holland  paper. 

438.  BICKELL  (DR.  L.).  Bucheinbande  des  XV.  bis 
XVIII.  Jahrhunderts ;  aus  Hessischen  Bibliotheken.  With 
52  illustrations.    Large  folio,  cloth,  morocco  back,  gilt  top. 

.     Leipzig,  1892 

439.  BIDPAY.  Directorium  humanae  vitse  alias  parabolge 
antiquorum  sapientium.  Gothic  character.  82  unnumbered 
leaves,  ivith  signatures  A-M.  119  woodcuts,  some  repeated. 
Folio,  red  levant  morocco,  gilt  inside  dentelle  borders,  gilt 
edges,  by  Bauzonnet-Trautz.  .  . 

[Strassburg:  Johann  Priiss,  ca.  1483] 

*  First  issue,  the  chapter -headings,  having  the  Eoman 
numerals.  Fine  and  large  copy  from  the  Yemeniz  library. 
Hain-Copinger,  4411 ;  Proctor,  558. 

70 


440.  BIDPAY.  Das  ist  das  buoch  der  weissheit  darin 
erlernt  wlirt  der  welt  lauff.  Gothic  characters.  119  curious 
ivoodciits.  Small  folio,  contemporary  binding  in  calf, 
panelled  sides  with  blind  stamped  ornaments,  red  edges. 

Strassburg:  Johann  Gruninger,  1529 
*  Rare.     The  famous  story  of  Kalila  and  Dimna,  known  in 
medieval  Latin  as  the  Directorium  Humanse  Vitae. 

441.  BIERSTADT  (O  A.).  The  Library  of  Robert  Hoe, 
a  contribution  to  the  History  of  Bibliophilism  in  America. 
100  illustrations  and  a  portrait.  8vo,  green  levant  morocco, 
panelled  back  and  sides,  doublure  of  the  same  material 
with  borders  and  leaf  sprays,  gilt  over  rough  edges,  by 
The  Club  Bindery.     In  a  cover  and  case.     New  York,  1895 

442.  BIGORNE  qui  Mange  tout  les  Hommes  qui  fot  le 
Comademet  de  leurs  Femmes.  Woodcut.  12mo,  red  levant 
morocco,  gilt,  by  Cape.  [Paris:  Crapelet,  1840] 

*  Facsimile  reprint,  on  vellum. 

443.  BILLARDON  DE  SAUVIGNY  (E.).  Les  Apres 
Soupers  de  la  Societe.  Petit  Theatre  Lyrique  et  moral. 
Engraved  titles,  22  plates  and  60  pages  of  music,  engraved 
by  Eisen,  Binet  and  Martinet.  6  vols.  16mo,  old  French 
red  morocco  gilt,  gilt  edges  (Vol.  6  not  uniform). 

Paris:  Chez  I'Auteur  [1783] 

444.  BINET  (ESTIENNE).  Meditations  Afeectueuses 
sur  la  Vie  de  la  tres  Sainte  Vierge  Mere  de  Dieu.  En- 
graved title-page  and  32  plates  by  C.  de  Mallery  and  C. 
Galle,  after  th.  Gcdle.  12mo,  blue  morocco,  gilt  edges, 
probably  by  Charles  Lewis  (one  leaf  re-margined). 

Anvers:  Martin  Nutius  aux  Depens  de  Theodore  Galle, 
1632. 

*  From  the  Beckford  collection. 

445.  BIOGRAPHIE  Universelle,  ancienne  et  moderne, 
ou  histoire,  par  ordre  alphabetique,  de  la  vie  publique  et 
privee  de  tous  les  hommes  qui  se  sout  fait  remarquer  par 
leurs  ecrits,  leurs  actions,  leurs  talents,  leurs  vertus  ou 
leurs  crimes.  Ouvrage  entierement  neuf,  redige  par  une 
societe  de  gens  de  lettres  et  de  savants.  With  numerous 
portraits.  52  vols.  8vo,  red  levant  morocco,  gilt  backs,  gilt 
edges,  by  Belz-Niedree.      Paris:  Michaud  freres,  1811-1828 

*  Copy  on  papier  velin. 

446.  BIRCH  (THOMAS).  The  Heads  of  Illustrious  Per- 
sons of  Great  Britain,  engraved  by  Mr.  Houbraken  and  Mr. 
Vertue.  With  their  Lives  and  Characters.  Beautiful  im- 
pressions of  the  108  plates,  some  of  them  being  proofs.  2 
vols,  large  folio,  pigskin,  stamped  back  and  side  orna- 
ments and  panels,  gilt  over  rough  edges,  by  The  Club 
Bindery.  London:  1743-1751 

*  Large  paper  copy  of  the   First  Edition.      From  the 
library  of  the  Earl  of  Aylesford,  with  his  bookplate. 

71 


447.  BISSELIUS  (JOHANN).  Delieiffi  .^statis.  Three 
engraved  titles,  two  full-page  plates  and  21  vignettes  by 
Kilian.     12mo,  red  levant  morocco,  gilt  fillets,  gilt  edges. 

*  The  Heber  copy.   [Monachii :  Nicolai  Henrici],  1644 

448.  BITAUB:E    (P.    J.).     Joseph.     Quatrieme    edition. 

Portrait,  engraved  by  Saint-Aubin  after  Cochin,  and  9 
plates  by  Nee  after  Marillier.  2  vols.  8vo,  old  French  red 
straight-grain  morocco  gilt,  silk  linings,  gilt  edges;  in 
morocco  slip  cases.  Paris:  Didot,  1786 

*  Printed  on  vellum,  and  one  of  a  very  few  copies  to  which 
the  pubhsher  added  a  painted  miniature  portrait,  and  a  set 
of  miniature  paintings  on  vellum  copied  from  the  engraved 
plates. 

449.  BIVERUS  (PETRUS).  Sacrum  Oratorium  Piarum 
Imaginum  Immaculate  Marite.  Engraved  title  and  42  cop- 
per-plates, representing  subjects  of  the  old  and  new  Testa- 
ments, in  the  rnanner  of  Theo.  Oalle.  4to,  red  levant  mo- 
rocco, corner  ornaments,  gilt  back  and  edges,  by  David. 

Antuerpife:  Officina  Plantiniana,  1634 

450.  BLADES  (WILLIAM).  The  Life  and  Typography 
of  William  Caxton,  England's  first  printer.  57  plates, 
specimens  of  Caxton' s  types,  etc.,  on  India  paper.  2  vols. 
4to,  original  half  roan,  gilt  tops,  uncut  (one  back  repaired). 

London,  1861-63 

451.  BLADES  (WILLIAM).  A  List  of  Medals,  Jettons, 
Tokens,  &c,  in  connection  with  Printers  and  the  Art  of 
Printing.     93  plates.     12rao,  cloth.  London,  1869 

*  Only  100  copies  printed.  Presentation  copy  from  the 
author. 

452.  BLAKE  (WILLIAM).  Songs  of  Innocence.  17 
leaves,  containing  designs  and  text  colored  by  hand.  8voi 
citron  levant  morocco,  mosaic  sides  and  back  of  tulips, 
leaves,  etc.,  on  a  red  background,  doublure  of  red  levant 
with  similar  mosaic  border,  gilt  over  rough  edges,  by  The 
Club  Binder}'. 

The  Author  and  Printer,  William  Blake,  1789 

*  With  Mr.  Hoe's  note  that  this  copy  was  given  by 
Blake  to  his  physician.  As  the  arrangement  of  the  plates 
differs  from  that  in  the  copy  sold  in  part  I  of  the  Robert  Hoe 
collection,  they  are  listed  as  they  appear  here : 

Page  1.  Blank.  2.  Frontispiece  of  Piper.  3.  Title  "Songs  of 
Innocence,  the  author  and  printer,"  etc.  (as  above).  4.  Blank. 
5.  Introduction,  "Piping  down  the  Valleys  Wild,"  etc.  6. 
Blank.  7.  The  Shepherd.  8.  Infant  Joy.  9-10.  Cradle  Song. 
11.  Laughing  Song.  12-13.  The  Little  Black  Boy.  14.  The 
Voice  of  the  Ancient  Bard.  15-16.  The  Ecchoing  Green.  17. 
Nurses  Song,  "When  the  voices  of  children  are  heard  on  the 
green.  And  laughing  is  heard  on  the  hill."  18.  " 'Twas  on  a 
72 


Holy  Thursday.  "  19.  On  Anothers  Sorrow.  20-21.  Spring. 
22.  The  School  Boy.  23.  A  Dream  24-25.  The  Little  Girl 
Lost.  "In  Futurity  I  prophetic  see."  25-26.  The  Little  Girl 
Found,  "All  the  night  in  woe."  27.  The  Blossom.  28.  The 
Lamb.  29.  The  Little  Boy  lost.  30.  The  Little  Boy  found. 
31-32.  Night.  33.  The  Cliimney  Sweeper,  "  When  my  mother 
died,"  etc.     34.  The  Divine  Image. 

453.  BLAKE  (WILLIAM).  Illustrations  of  the  Book  of 
Job.  Invented  and  Engraved  by  William  Blake.  First 
Edition.  Engraved  title  and  21  plates,  proofs  on  India  paper. 
Large  folio,  new  half  cloth  and  boards,  gilt  top,  uncut. 

London:  Published  .  .  March  8,  1825,  by  William  Blake. 

*  First   Edition.    Large  paper  copy.    Very  soarce   in 
THIS  state. 

454.  BLAKE  (WILLIAM).  There  is  no  Natural  Religion. 

Facsimile  reproduction,  in  colors.  Small  4to,  original  paper 
covers.  London,  1886 

455.  BLAKE  (WILLIAM).  The  Prophetic  Books  of 
William  Blake.  Jerusalem.  Edited  by  E.  R.  D.  Maclagan 
and  A.  G.  B.  Russell.     Roj^al  8vo,  boards,  uncut. 

Loudon,  1904 

456.  BLANC  (CHARLES).  L'CEuvre  Complet  de  Rem- 
brandt, decrit  et  commente  par  Charles  Blanc.  Etched  fac- 
similes on  India  Paper.  2  vols,  in  1,  royal  8vo,  red  levant 
morocco  gilt,  gilt  edges  by  Alio.  Paris,  1859 

*  Large  Paper  Copy. 

*■  457.  BLOODGOOD  (S.  DEWITT).  The  Sexagenary;  or, 
Reminiscences  of  the  American  Revolution.  S  inserted 
portraits.     8vo,  half  blue  morocco,  gilt  top,  uncut. 

*  One  of  50  copies  on  Large  Paper.  Albany,  1866 

458.  BLOOMFIELD  (ROBERT).  The  Farmer's  Boy:  a 
Rural  Poem.  First  Edition.  Vignettes  {some  by  Thomas 
Bewick).  4to,  green  levant  morocco,  gold  tooled  borders, 
gilt  edges,  by  The  Club  Bindery.        London:  Vernor,  1800 

*  Unusual  copy,  printed  on  a  paper  different  from  that  of 
the  ordinary  first  edition  and  with  the  title  on  India  paper. 

459.  BLOOMFIELD  (ROBERT).  The  Farmer's  Boy;  a 
rural  poem.  Woodcuts  hy  Bewick.  12mo,  half  green  levant 
morocco  gilt,  gilt  top,  uncut.  London,  1820 

460  BLOUNT  (THOMAS).  The  Art  of  making  Devises: 
treating  of  Hieroglyphicks,  S3'raboles,  Emblemes,  Enig- 
ma's, Sentences,  Parables,  Reverses  of  Medalls,  Armes 
Blazons,  &o.  Small  4to,  brown  levant  morocco,  gilt  edges 
by  Riviere.  London:  Printed  for  John  Holden,  1650 

*  Lowndes'  Second  Edition,  but  not  differing  from  the  edi- 
tion of  1648,  except  that  the  plates  precede  instead  of  follow 
the  text. 

73 


461.  BLOUNT  (THOMAS).  Boscobel:  or,  The  History 
of  his  Sacred  Majesties  Most  miraculous  Preservation  After 
the  Battle  of  Worcester,   3.  Sept.   1651.     First  Edition. 

Portrait  {by  Faithorne),  another  inserted,  coat  of  arms  by 
Robt.  Vaughan,  and  folding  plate.  12mo,  russia  gilt,  gilt 
edges.  London:  Henry  Seile,  1660 

*  From  the  Beckford  collection. 

462.  BLOUNT  (THOMAS).  Boscobel:  or,  the  History 
of  His  Sacred  Majesties  most  miraculous  i)reservation 
After  the  Battle  of  Worcester,  3  Sept.  1651.  Portrait  of 
Charles  II,  erigraved  view,  and  2  folding  plates.  12mo, 
half  green  morocco,  gilt  top,  uncut.  London,  1822 

463.  BLUNDERELLA:  or,  the  Impertinent.  A  tale: 
To  which  is  Added  The  Beau  Monde,  or,  the  Pleasures  of  St. 
James's.  A  new  ballad.  To  the  Tune  of,  Oh!  London  is 
a  fine  Town  &c     Folio,  half  brown  levant  morocco,  uncut. 

London:  A.  Dodd,  1730 

464.  BLUNT  (WILFRID  SCAWEN).  In  Vinculis.  Por- 
trait on  Japan  paper.     12mo,  original  paper  covers,  uncut. 

*  Large  paper  copy,  one  of  50  copies  printed.     London,  1889 

465.  BLUNT  (WILFRID  SCAWEN).  The  Love  Lyrics 
and  Songs  of  Proteus,  with  the  Love  Sonnets.  Small  4to, 
vellum.  London,  1892 

*  Kelmscott  Edition,  only  300  copies  printed. 

466.  BOADEN  (JAMES).  Fountainville  Forest,  a  Play 
in  five  acts  (founded  on  the  Romance  of  the  Forest),  as 
performed  at  the  Theatre-Royal,  Co  vent- Garden.  First 
Edition.  8vo,  black  morocco,  gilt  edges,  by  The  Club 
Bindery.  London,  1794 

467.  BOADEN  (JAMES).  The  Life  of  Mrs.  Jordan; 
including  original  private  correspondence  and  numer- 
ous anecdotes  of  her  contemporaries.  2  vols,  thick  8vo, 
red  levant  morocco  gilt,  gilt  edges,  by  Pratt.     London,  1831 

*  Extra-illustrated,  by  the  insertion  of  275  portraits,  some 
proofs,  some  in  colors  and  many  quite  scarce,  Original  Por- 
trait Drawings  in  Color  and  a  few  autograph  letters 
including  one  from  Samuel  Rogers,  1829,  mentioning  Turner's 
illustrations  for  the  first  edition  of  "Italy." 

468.  BOADEN  (JAMES).  The  Life  of  Mrs.  Jordan; 
including  original  private  correspondence,  and  numerous 
anecdotes  of  her  contemporaries.  Portrait  and  a  facsimile 
{another  portrait  inserted).  First  Edition.  2  vols.  8vo, 
boards  (somewhat  broken),  uncut.  London,  1831 

469.  BOAISTUAU,  DE  TESSERANT  and  DE  BELLE- 
FOREST.  Histoires  Prodigieuses,  extraictes  de  plusieurs 
fameux  Autheurs,  Grecs  &  Latins,  sacres  &  Prophanes  .  .  . 
augmente  de  dix  histoires  par   Francois  de    Belle-Forest 

74 


Comingeois.     7^    woodcuts.     2  vols.    16mo,  old  greeu  mo- 
rocco gilt,  gilt  edges.  Paris;  Jean  de  Bordeaux,  1574 

*  A  third  title  is  in  Vol.  II  introducing  Belleforest's  portion 
of  tlie  work. 


470.  BOCCACCIO  (GIOVANNI).  Genealogise  deorum 
gentilium  libri  XV.  Roman  character.  396  leaves  (includ- 
ing the  blanks  11  and  296)  luithout  signatures  and  catch- 
words; Jfl  lines  to  thepage.  Initials  painted  in  red.  First 
Edition.  (Blank  leaf  11  missing.)  Venetiis,  1472;  De 
montibus,  sylvis,  fontibus,  lacubus,  flurainibus,  staguis,  etc. 
Roman  characters,  76  'unnumbered  leaves  {last  blank)  with- 
out signatures  and  catchwords:  J^l  lines  to  the  page.  First 
Edition.  (Blank  leaf  76  missing.)  Venetiis,  1473.  In 
one  volume,  folio,  old  green  morocco,  gilt  floral  borders  on 
the  sides,  gilt  edges. 

Venetiis:  [Vindelimus  de  Spira],  1472-73 

*  First  Editions.  Hain-Copinger,  3315,  3326;  Proctor,  4045 
&  4048. 

471.  BOCCACCIO  (GIOVANNI).  L'Amorosa  Fiam- 
metta,  1565;  Ameto,  1545;  Laberinto  d'Amore,  1545.  In 
one  vol.     8vo,  old  vellum.         Venezia:  Giolito,  1545,  1565 

472.  BOCCACCIO  (GIOVANNI).  A  Treatise  excellent 
and  corapedious,  shewing  and  declaring,  in  maner  of 
Tragedye,  the  falles  of  sondry  most  notable  Princes  and 
Princesses  with  other  Nobles,  through  f  mutabilitie  and 
change  of  vnstedfast  Fortune  together  with  their  most 
detestable  &  wicked  vices.  First  compjied  in  Latin  hy 
the  excellent  Gierke  Bocatius,  an  Italian  borne.  And  sence 
that  tyme  translated  into  our  English  and  Vulgare  tong, 
BY  Dan  John  Lidgate,  Monke  of  Burye.  And  nowe 
newly  impr^^nted,  corrected,  and  augmented  out  of  diuerse 
and  sundry  olde  written  copies  in  parchment.  In  ?edibus 
Richardi  Tottelli.  Third  Edition.  Title  ivithin  an  elab- 
orate luoodcut  border.,  and  13  curious  ivoodcuts,  including 
^^  Adam  and  Eve  in  the  garden  of  Eden,''''  and  numerous 
woodcut  initials.  Small  folio,  blue  levant  morocco,  covered 
with  a  rich  mosaic  of  red  and  citron  levant  in  compart- 
ments, heavilj'  tooled,  doublure  of  vellum,  gilt  borders, 
vellum  fly-leaves,  gilt  edges,  in  a  case,  by  The  Club  Bind- 
ery. 

Imprinted  at  London  in  Flete-strete  within  Temple  barre 
at  the  sygne  of  the  hande  and  starre,  by  Richard  Tottel, 
the  x.  day  of  September  in  the  yeare  of  oure  Lorde.     1554. 

*  Tall  copy  measuring  12  3/16x7  11/16  inches.  It  contains 
"  The  daunce  of  Machabree  "  (12  pp,  at  end),  also  the  duplicate 
leaf  CCXX,  with  "  Greneacres'  a  Lenucy  vpon  John  Bochas," 
sometimes  missing. 

75 


473.  BOCCACCIO  (GIOVANNI).  The  tragedies,  gathered 
by  Jhon  Bochas,  of  all  such  Princes  as  fell  from  theyr  estates 
throughe  the  mutability  of  Fortune  since  the  creacion  of 
Adam,  vntil  his  time:  wherein  may  be  seen  what  vices 
bring  menne  to  destruccion,  wyth  notable  warninges  howe 
the  like  may  be  auoyded.  Translated  into  Englysh  bj^  John 
LiDGATE,  MoNKE  OF  BURYE.  Title  ivitliin  a  ivoodcut  bor- 
der and  crude  ivoodcut  representing  the  Creation  of  Eve, 
the  tempting  of  Adam,  etc.  Folio,  full  brown  levant  mo- 
rocco gilt,  gilt  edges,  hy  Bedford. 

Imprinted  at  London,  by  John  Wayland,  at  the  signe  of 
the  Sunne  ouer  against  the  Conduite  in  Flete-strete.  Cum 
priuilegio  per  Septennium.      [1555-58.] 

*  The  fine  Sir  Edward  Sullivan  copy,  with  bookplate.  Printed 
in  Gothic  type,  with  double  columns.  On  the  title-page  of  the 
copy  of  this  edition  described  by  Hazlitt  are  written  these 
words:  "This  book  was  bought  in  the  yere  of  Or  I^orde  God 
1555,"  which  appears  to  fix  the  date  earlier  than  it  has  usually 
been  given  by  Lowndes  and  others. 

474.  BOCCACCIO  (GIOVANNI).  Le  Decameron  traduict 
par  Maistre  Antoine  Le  Mag'on.  Medallion  portraits  on  the 
verso  of  title  arid  10  cuts.  16mo,  blue  levant  morocco,  gilt 
centre  ornaments,  gilt  edges,  by  Trautz-Bauzonnet. 

Lyon:  Guillaume  Roville,  1558 

475.  BOCCACCIO  (GIOVANNI).  Le  Decameron.  Por- 
trait, 5  frontispieces,  110  plates  and  97  tail-pieces,  engraved 
by  Lempereur,  Le  Mire  and  others,  after  Grai^elot,  Boucher, 
Cochin  and  Eisen.  5  vols.  8vo,  old  green  levant  morocco, 
rich  gilt  back  and  side  ornaments,  gilt  edges. 

Londres  [Paris]  1757-61 

*  Large  Holland  paper  copy. 

476.  BOCCACCIO  (GIOVANNI).  Nouvelles  de  Jean 
Boccace.  Traduction  libre,  Ornee  de  la  Vie  de  Boceace, 
des  Contes  que  Lafontaine  a  erapruntes  de  cet  auteur,  etc. 
8  plates  erigraved  by  Courbe  and  Delvaux,  after  Marillier. 
4  vols,  in  2,  8vo,  blue  morocco,  gilt  and  blind-tooled  bor- 
ders, gilt  edges,  by  Duplanil.  Paris:  L.  Duprat,  1802 

477.  BOCCACCIO  (GIOVANNI).  Les  Dix  Journees  de 
Jean  Boceace  traduction  de  le  Magon  reimprimee  par  les 
soins  de  D.  Jouaust.  Avec  Notice,  Notes  et  Glossaire  par 
M.  Paul  Lacroix.  Onze  Eaux-fortes  par  Flameng.  4  vols. 
8vo,  brown  levant  morocco  gilt,  gilt  over  rough  edges,  by 
Marius  Michel.  Paris,  1873 

*  One  of  15  copies  on  Whatman  paper,  with  proof  impressions 
of  the  etchings. 

478.  BOCCACCIO  (GIOVANNI).  The  Decameron.  Now 
first  completely  done  into  English  Prose  and  Verse  by  John 
Payne.     3  vols,  small  4to,  vellum,  gilt  tops,  uncut. 

London:  Villon  Society,  1886 

*  Large  Paper  copy,  only  a  small  number  printed. 

76 


479.  BOCCACCIO  (GIOVANNI).  Le  Decameron.  Illus- 
trations de  Jacques  Wagrez.  Traduction  et  notes  de  Fran- 
cisque  Reynard.  3  vols,  thick  royal  4to,  light  green  levant 
morocco,  back  and  side  corners  ornamented  with  mosaic 
flowers  in  citron  and  dark  green,  figured  yellow  and  rose 
silk  linings,  gilt  over  uncut  edges,  with  the  original  covers, 
by  Canape.  Paris,  1890 

*  One  of  25  copies  printed  on  Japan  paper,  with  the  full-page 
plates  in  three  states,  engraver's  etching,  remarque  proof,  and 
proof  after  letters,  and  a  duplicate  set  of  the  vignettes,  proofs 
laefore  letter.     On  the  half-title  of  Volume  I   is  an  exquisite 

ORIGINAL  WATER-COLOR  DRAWING  SIGNED  BY  JACQUES  WaGREZ. 

480.  BOCCHIUS  (ACHILLES).  Symbolicorum  Qu?es- 
tionura,  libri  quinque.  Portrait  and  150  copper-plates  by 
G.  Bonas,  one  colored  by  hand.  8vo,  old  red  morocco, 
broad  gilt  borders,  blue  silk  linings,  gilt  edges,  probably  by 
Derome  the  Elder. 

Bononise:  Nov?e  Academipe  Bocchianse,  1555 

*  First  Edition. 

481.  BOCCHIUS  (ACHILLES).  Symbolicorvm  Qvses- 
tionvm,  De  vniuerso  genere,  quas  serio  ludebat,  libri 
qvinqve.  With  a  portrait  and  151  copper -plates.  4to, 
brown  morocco  gilt,  gilt  edges,  by  Matthews. 

Bononise:  Apud  Societatem  Typographiae  Bononiensis,  1574 

482.  [BODONI  (G.  B.).]  Gestorum  ab  episeopis  Salutien- 
sibus  Anakephalseosis  recusa  quum  ad  eam  sedem  nuper 
esset  evectus  Josephus  Joachimus  Lovera  patricius  savilia- 
nensis.  Each  page  within  typographical  ornaments,  front- 
ispiece and  numerous  vignettes.     8vo,  half  calf,  uncut. 

Parmse  ex  regio  typographeo  (G.  B.  Bodoni),  1783 

483.  BOHN  (HENRY  G.— Editor).  A  Dictionary  of 
Quotations  from  the  English  Poets.  Thick  small  4to,  red 
levant  morocco,  doublure  of  russia,  russia  guards,  gilt  top, 
uncut,  by  Zaehnsdorf.         London:  Privately  printed,  1867 

484.  BOIARDO  (MATTEO  MARIA).  Tutti  li  libri  de 
Orlando  Inamorato.  Numerous  cuts.  4to,  red  levant  mo- 
rocco, the  sides  richly  tooled  and  gilt  in  compartments, 
doublure  of  green  levant,  dentelle  borders,  gilt  edges,  by 
Cape,  in  a  morocco  slip  case.  Mediolani,  1539 

*  This  edition  contains  only  the  three  books  of  Boiardo  and 
first  book  of  Agostini. 

485.  BOILEAU-DESPREAUX  (NICOLAS).  CEuvres 
diverses  Du  Sieur  d  *  *  *  avec  le  Traite  du  Sublime 
ou  du  merveilleux  dans  le  discours.  Traduit  du  Grec  de 
Longin.  Allegorical  frontispiece  and  one  other  plate.  4to, 
green  levant  morocco  gilt,  gilt  edges,  by  Petit. 

Paris:  Denys  Thierry,  1674 
*One  of  four  issues  of  the  First  Edition. 
77 


486.  BOILEAU-DESPREAUX  (NICOLAS).  CEavres 
completes  contenant  ses  poesies,  ses  ecrits  en  prose,  sa 
traduction  de  Lougin,  ses  lettres  a  Racine,  a  Brossette,  et  a 
diverses  autres  personnes.  Avec  les  variantes,  les  Textes- 
d'Horace,  de  Juvenal,  &c.  Portrait  of  Boileau  by  Si.  Auhin, 
and  6  plates  by  Moreau  in  two  states.  '6  vols.  8vo,  calf  gilt, 
gilt  tops,  uncut,  by  Bedford.  Paris,  1809 

*  Large  copy,  on  papier  velin. 

487.  B0ILEAU-DESPR:EAUX  (NICOLAS).  CEuvres. 
9  vignettes  by  Girardet,  and  others,  after  Fortin.  2  vols, 
large  folio,  purple  morocco  gilt,  uncut,  in  cases. 

Paris:  P.  Didot,  I'Aine,  1819 

*The  only  copy  printed  on  vellum,  with  the  dedication 

from  the  printer  to  Louis  XVIII.     It  also  contains  the  original 

drawings  made  for  the  vignettes.     From  the  collections  of  the 

Duchesse  de  Berry  and  Beaufoy. 


TWENTY-THIRD    SESSION,  TUESDAY,  8:15    P.M. 

488.  BOILLOT  (JOSEPH).  Nouveaux  Pourtraitz  et 
figures  de  termes  pour  user  en  I'architecture.  First  Edi- 
tion. Title  ivithin  an  architectural  border  engraved  on 
copper,  author'' s  portrait  and  55  plates  on  loood  and  copper, 
tlie  latter  ivith  the  name  of  Boillot.  Folio,  brown  levant 
morocco,  panelled  sides,  with  blind  tooled  ornaments,  gilt 
edges,  by  Lortic.     Rare.        Lengres:  Jehan  de  Prey  [1592] 

489.  BOIS-JOURDAIN.  Melanges  historiques,  sati- 
riques  et  anecdotiques  de  la  fin  du  regne  de  Louis  XIV,  des 
premieres  annees  de  celui  de  Louis  XV,  et  de  la  Regence. 

With  an  engraving.     3  vols.  8vo,  half  purple  calf. 

Paris:  Chevre  et  Chanson,  1807 

490.  BOIS-ROBERT  (FRANCOIS  LE  METEL  DE).  Les 
Epistres  en  Vers  et  autres  CEuvres  Poetiques.  Small  8vo, 
blue  levant  morocco  gilt,  gilt  edges,  by  Trautz-Bauzonnet. 

Paris,  1659 

491.  BOIS-ROBERT  (FRANCOIS  LE  METEL  DE).  La 
Jalouse  d'elle-raesrae.  Comedie.  ISino,  citron  levant  mo- 
rocco gilt,  gilt  edges,  by  Trautz-Bauzonnet. 

Suivant  la  Copie  imprimee  a  Paris,  1662 

492.  BOISSARD  (JEAN  JACQUES).  Theatrum  Vit« 
Hu mange.  First  Edition.  Engraved,  title,  portrait  and 
60  copper-plate  illustrations  by  De  Bry,  from  sacred  and 
profane  history.  Small  4to,  brown  levant  morocco  gilt, 
skull  and  cross-bone  ornaments,  gilt  edges,  by  Motte. 

Mediomatricorum  Civitas  (Metz) :  Abraham  Faber,  im- 
pensis  Theodori  Bryi,  1596. 

78 


493.  BOISSY  (DESPREY  DE).  Lettres  sur  les  spec- 
tacles; avec  une  Histoire  des  Ouvrages  pour  &  contre  les 
Theatres.  Sixieme  Edition,  Revue,  corrigee  &  augmentee 
par  I'Auteur.  'Z  vols.  12mo,  red  morocco  gilt,  gilt  edges, 
probabl}^  by  Derome.  Paris,  1777 

494.  BOISSY  (LOUIS  DE).  The  Frenchman  in  London. 
A  Comedy.  From  the  French.  First  Edition.  8vo, 
black  morocco,  gilt  edges,  by  The  Club  Bindery. 

London, 17r5 

495.  BOLDONI  (OCTAVIUS).  Theatrvm  Temporanevm 
^Eternitati  Ca^saris  Montii  S.  R.  E.  Cardinalis  et  Archiep. 
Mediolanen.  Sacrvm,  etc.  Frontispiece,  vignette  on  title, 
S  plates  and  60  emblem  vignettes  by  J.  Paul  Bianchi.  Small 
folio,  red  levant  morocco,  gilt  ornaments,  gilt  top,  by 
Smeers.  Mediolani,  1636 

496.  BOLOGNE  (PIERRE  DE).  Amusemens  d'un  Sep- 
tuagenaire,  ou  Contes,  Anecdotes,  Bon  Mots,  Naivetes,  &c. 
mis  en  vers.     12mo,  red  straight-grain  morocco,  gilt  edges. 

Paris,  1786 

*  From  the  Pixerecourt  and  La  Bedoyere  collections  with 
labels. 

497.  BOLSWERT  (BOETIUS  A.— Editor).  Le  Pelerin- 
age  de  Deux  Sfjeurs  Colorabelle  et  Volontairette  Vers  leur 
Bien-aj^me  en  la  Cite  de  Jerusalem:  Contenant  les  divers 
accidens  arrivez  en  leur  voyage.  Mis  en  lumiere  par 
Boetivs  a  Bolswert;  &  nouvellement  traduit  en  Frangois. 
With  27  curious  plates  by  Bolswert.  Small  8vo,  brown 
levant  morocco,  gilt  panels,  gilt  top,  uncut,  by  Riviere. 

Bruxelles:  F.  Toppens,  1684 

*  It  is  possible  that  this  book,  first  printed  in  1636,  suggested 
to  Bunyan  the  idea  of  "  Pilgrim's  Progress." 

498.  BONANNI,  HERMAN,  SCOONBEEK  (and  others). 
Histoire  du  Clerge  Seculier  et  Regulier.  Des  Congrega- 
tions de  Chanoines  et  de  Clercs  &  des  Odres  Religieux  de 
I'un  et  de  I'autre  sexe,  qui  out  ete  etablis  jusques  a  Pres- 
ent. JfJfJf  plates  of  costumes  of  the  Clergy  and  all  Religious 
Orders,  including  frontispieces.  4  vols.  8vo,  red  levant 
morocco  gilt,  gilt  edges,  probably  by  Derome  the  younger. 

Amsterdam:  Pierre  Brunei,  1716 

*  Large  Paper   copy  from  the  La  Valliere  and  Renouard 
Collections. 

499.  BONARELLI  (PROSPERO).  II  Solimano  tragedia 
<iel  Co.  Prospero  Bonarelli,  all'  Illustrissimo  Sig.  Alessan- 
dro  Tasca  .  .  .  Con  due  lettere  Discorsiue  al  S""  Antonio 
Brvni.  Engraved  title  and  o  plates  by  Callot.  4to,  red 
levant  morocco,  gilt  edges,  by  Cape.  [Bologna,  1649] 

79 


500.  BONIFACIUS   VIII.      Liber   Sextus   Decretalium. 

Gothic  character  of  two  sizes,  double  columns.  11^1  unnum- 
hered  leaves  without  signatures  and  catchwords;  Jf8  and  70 
lines   to    the  page.     Headings  printed  in  red,   and  first 

-260  -         INITIAL   ILLUMINATED   IN   GOLD    AND    COLORS.      Folio,    dark 

brown  levant  morocco,  gilt  panelled  sides,  gilt  inside  borders, 
vellum  linings,  gilt  edges,  by  Matthews,  in  a  case. 

Mentz:  Johannes  Fust  and  Petrus  Schoeffer,  1465 

*  First  Edition.  Printed  on  vellum.  A  few  leaves 
slightly  stained,  otherwise  a  fine  and  perfect  copy,  with  the 
preliminary  4  leaves  containing  the  "  Explicatio  arboris  con- 
sangviinitatis "  by  Joannes  Andrea.  The  Sunderland  [since 
rebound],  and  Ives  copy.     Hain-Copinger,  3586;  Proctor,  81. 

[See  Reproduction.] 

501.  BONIFACIUS  VIII.  Liber  Sextus  Decretalium. 
CZ^ '^  Gothic  characters  of  two  sizes,  double  columns.  162  unnum- 
bered leaves  tvithout  signatures  and  catchwords;  51  and  66 
lines  to  the  page.  Rubricated  throughout :  first  initial 
painted  in  gold,  the  others  in  blue  and  red;  at  the  end  the 
printer'' s  mark  printed  in  red.     Folio. 

Mentz:  Petrus  Schoeffer, 1473 

*  Printed  on  vellum.  Exceedingly  rare.  Contemporary 
German  binding  In  wooden  boards,  covered  with  stamped 
calf  (rebacked),  ornamented  brass  clasps,  centre  and  corner- 
pieces.     Hain,  3590;  Proctor,  101, 

502.  BONNARD  (BERNARD  DE).  Poesies.  Portrait. 
24mo,  green  straight-grain  morocco  gilt,  gilt  edges,  by 
Simier.  Paris,  1824 

503.  BONNEFONS  (NICOLAS  DE).  Les  Delices  de  la 
Campagne,  suite  du  Jardinier  Frangois,  ou  est  euseigne  a 
preparer  pour  1' usage  de  la  vie,  tout  ce  qui  croist  sur  la 
terre  &  dans  les  eaux  .  .  .  Cinquiesme  Edition,  Augmentee 
par  I'Autheur.  Engraved  frontispiece.  12mo,  red  levant 
morocco,  gilt  edges,  by  Marius-Michel.  Paris,  1673 

*The  second  part  of  this  book,  "  Le  Floriste  Francois,"  treats 
of  the  origin  of  tulips,  with  a  catalogue  of  their  names  and 
colors,  while  the  third  part  is  devoted  to  hunting  and  fal- 
conry. 

504.  BONNETAIN  (PAUL).  Uue  Femme  a  Bord.  Hol- 
land paper  copy.     12mo,  cloth,  uncut.  Paris,  n.  d. 

*  Presentation  copy  from  the  author  to  Edmond  de  Goncourt, 
with  inscription. 

80 


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-  -  ^_-  anclrccfcono«»momibjuiucms.mtcrlrc.tx)^c«c8licj 

.,  jtirmuS'tv)  mcii^nuft'CUptcs  bm?opiGmcifb?cpnnptuadmno< 

i.  cifo cj  )>3ti<nc -I  laud c HOIS iHu )c.q6 qn  rccolo flc^' tc b20g"cnna 
/^Tfalrc  rtiiSq.reimU'Cctccj.pfad  cu  mqnrupofTuj  btulcBpomgo  p* 
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ipo.uti«5c\j?rbu5pBt>c  vimirc  ambu(c5m  Vimcttrj.ic.|K.&i.r), 
Oum  fcam  .plantrnir  cdifi  rctTro  toictur  ■%  ofuctur  biuu6  urns  fa  f 
ctta  imcdb)t«?fitcmm">aiidi«)^.y;(;nij.q.i.aduocamti  fi-utp  ca 
ipo^lpno:ificataT&)tatarmteo:pa»6.tepb5.temlta.m.fi.ipo^ 
q?  cojpm  mcbiarcddati^  Uiftiac  ^mmta.ut.;clv»f.O».ocs.ut  fie  c;: 
radiccrmt aic  ct atco  pictc.mdurcqt  mrHcta.btitudhic  mcrca^. 
tc  pc.oi.irj.illa  au.ct.c.fc.fit  auti?  op?mcon'ale^uc<;>iT.iuucnc8 
mfVruat.cn  parib;  ofciat.^tcfidcS  cxculTo  ncgligcrtc  fomnoq.tc 
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mc?  fcmtilla  amoriB  bm?  fcic  m  cts  mucnics  millaflaatTtiumat. 
utcu  crcucit.flama  Oig-jrinmiafaaat.te.pz.&i.ry.fi  ^mo«fi,audatc8 
ig^tur  Ipcopusj-mclioiib^  tomb)rob>tatcsT.mcntDrepbettdctcr 
aplc«f>02.tetml)cnb>  aut  no  rdtOo.J^'N^fi'f  agpiua  cota  tontetc  no 
ap?ria  osmcn.tc.pj.Di-n.ri  cnimqtMt.ad.fi.p.fol.paKjt^abanm* 
culotocc^xxn»j.q.in.c.i.Afcribaturjgi^wifUlftdcricm«cqcq*d 
in  b  ope  rcpj>;ndcdu  c>af}it.mc  tii  rcddat  aliquattf  m  b»16  cjfcu^ 
fatii  ognofcctc  AxrifatiB aflFcus. ano  tsbtlis  am«  que  co^te  g^cro 
fi  )cu  ad  n-udmct  O-udcrvs  qb?  artiaboj  ct  abrolutc  ypcWoz  manii 
ad  caUmu  mute  (iq  ad  id  inruffincnlTmnl  mc  sgnofca-Si  qcf  aut 
ibi fticu notaoigjiu ctVtt(c.pu60iuincpotvnc.fc6o  rcucrcdiflio 
pfifub  ciii?  Vmbta  qcfcoTtoc^cn  fcico  licj  mdignus-Dno  cniitom 

Decretalium  of  Bonifacius  VIII,  1465. 

Printed  on  Vellum  by  Fust  and  Schoeffer. 

(See  No.  500.) 


505.  BOOK  OF  FUN  (The).  Comprising:  "The  Illus- 
trated English  Grammnr,  or  Lindley  Murray  Simplified  "; 
"The  Comic  Speaker  "  ;  "  Illustrated  Arithmetic,  or  Cypher- 
ing made  Comical";  and  "The  Comic  History  of  Rome." 
Lithographic  title-page  and  numerous  woodcut  illustrations. 
12mo,  red  levant  morocco,  gilt  top,  uncut,  cloth  covers 
bound  in.  London  [n.  d.] 

506.  BOOK  OF  GEMS  (The).  The  Poets  and  Artists  of 
Great  Britain.  Edited  by  S.  C.  Hall.  First  Edition.  With 
lJi.9  vignettes  on  steel  after  Turner,  Reynolds,  Mulready , 
Lawrence,  etc.  3  vols.  8vo,  calf  gilt,  gilt  tops,  uncut,  by 
Riviere.  London,  1836-37-38 

507.  BORDELON  (LAURENT).  Moliere  comedien  aux 
Champs  Elisees.  Nouvelle  Historique,  Allegorique  & 
Comique.  Frontispiece  hy  Welsing.  First  Edition.  18mo, 
red  levant  morocco,  gilt  edges,  by  Cape. 

Amsterdam :  A.  Braakman,  suivant  la  copie  de  Paris,  1696 

508.  BORDELON  (LAURENT).  L'Histoire  des  Imagina- 
tions extravagantes  de  Monsieur  Oufle  causees  par  la  lec- 
ture des  livres  qui  traitent  de  la  Magie,  du  Grimoire,  des 
Demoniaques,  .  .  .  le  tout  enrichi  de  figures,  &  accompagne 
d'un  tres-grand  nombre  deNottes  curieuses,  que  rapportent 
fidellement  les  endroits  des  Livres.  With  8  plates.  First 
Edition.  3  vols,  in  1.  13mo,  brown  calf,  gilt  edges,  by  C. 
Smith.  Amsterdam,  1710 

*The  Beckford  copy,  with  bis  memorandum,  "  Handrot  sale, 
July  1833." 

509.  BOREL  (PETRUS).  Champavert.  Contes  immo- 
raux.  First  Edition.  Vignette  on  title,  hy  Godard  after 
Jean  Gigoux.     8vo,  half  brown  morocco,  gilt  top,  uncut. 

Paris:  Eugene  Renduel,  1833 

510.  BOREL  (PETRUS).  Rapsodies.  With  etched  frontis- 
piece.    16mo,  cloth.  Bruxelles,  1868 

*  One  of  280  copies  printed. 

511.  BOREL  (PETRUS).  Champavert.  Contes  immo- 
raux.  8  etchings  by  Audrien  Auhry  and  a  facsimile.  8vo, 
half  maroon  morocco,  gilt.  Bruxelles,  1873 

*  One  of  200  copies  on  Holland  paper. 

512.  BOREL  (PETRUS).  Madame  Putiphar.  Seconde 
edition,  conforme  pour  le  texte  et  les  vignettes  a  I'edition 
de  1839.  Preface  par  M.  Jules  Claretie.  3  vols.  8vo,  half 
maroon  levant  morocco,  uncut,  by  Carayon.         Paris,  1877 

*  One  of  50  copies  on  large  Whatman  paper. 

81 


513.  BORJA  (JUAN  DE).  Empresas  morales.  Frontis- 
piece by  E.  Collin  and  2"2Jf.  copper -plate  emblems  {cuts  on 
pages  Ji-l  and 331  have  been  cancelled  and  others  substituted). 
Part  I,  second  edition;  Part  II,  first  edition.  4to,  blue  mo- 
rocco, wide  gilt  borders,  gilt  edges,  by  Schaefer. 

Brussels:  F.  Foppens,  1680 

*  From  the  Cortina  Collection,  with  arms. 

514.  BORROMEO  (CARLO).  Cantiques  Nouveaux  de 
S.  Charles  Borromee  et  de  S*^*'  Catherine  d'Alexandrie.  Tires 
d'un  manuscrit.  8vo,  old  red  morocco,  gilt  back,  narrow 
side  borders,  gilt  edges.  a  L'isle  Sonnante,  1779 

*  A  curious  satire,  with  frontispiece  by  B.  L.  Prevost  after 
C.  N.  Cochin,  the  younger,  six  plates  by  N.  C.  B.,  five  of  them 
in  two  states;  also  two  inserted  portraits. 

515.  BORROW  (GEORGE).  Targum,  or  Metrical  Trans- 
lations from  Thirty  Languages  and  Dialects.  First  Edi- 
tion.    8vo,  half  calf,  gilt  top.  St.  Petersburg,  1835 

516.  BOSSE  (ABRAHAM).  La  Maniere  Vniverselle  de 
Mr.  (Girard)  Desargves  Lyonnois,  povr  poser  I'essiev,  & 
placer  les  heures  &  autres  choses  aux  cadrans  av  soleil. 
Engraved  title  and,  numerous  plates.  8vo,  polished  calf 
gilt,  gilt  edges,  by  Raparlier  (title  at  p.  28). 

Paris:  Pierre  des- Hayes,  1643 

517.  BOSSE  (ABRAHAM).  Traite  des  Pratiques  geome- 
trales  et  perspectives,  enseignees  dans  I'Academie  Royale 
de  la  Peiuture  et  Sculptvre.  Engraved  frontispiece-title, 
leaf  of  dedication,  tide  between  pp.  47  and  49,  and  67  other 
plates  illustrative  of  perspective.  8vo,  polished  calf  gilt,  gilt 
edges.  Paris:  Chez  I'Auteur,  1666 

518.  BOSSE  (ABRAHAM).  De  la  maniere  de  graver  a 
I'eau-forte  etau  burin,  et  de  la  gravure  en  maniere  noire. 
Avec  la  fagon  de  construire  les  Presses  modernes,  &  d'im- 
primer  en  Taille-Douce.  Nouvelle  Sedition,  Augmentee  de 
I'impression  qui  imite  les  tableaux,  de  la  Graviire  en 
maniere  de  crayon,  &  de  celle  qui  imite  le  lavis.  Frontis- 
piece, dedicatory  plate,  4  vignettes  and  21  folding  plates  en- 
graved by  Ertinger,  Bonnet  and  Fessard.  8vo,  mottled 
calf,  red  edges.  Paris,  1758 

519.  BOSWELL  (JAMES).  The  Journal  of  a  Tour  to  the 
Hebrides,  with  Samuel  Johnson,  L.L.D.,  containing  some 
Poetical  Pieces  by  D""  Johnson,  relative  to  the  Tour,  and 
never  before  published ;  a  Series  of  his  Conversation,  Lit- 
erary Anecdotes,  and  Opinions  of  Men  and  Books:  with  an 
Authentick  Account  of  the  Distresses  and  Escape  of  the 
Grandson  of  King  James  II,  in  the  Year  1746.  8vo,  orig- 
inal russia  binding,  gilt  back  panels,  edges  entirely  un- 
trimmed.  London,  1785 

*  First  Edition.     Boswell's  own  copy,  with  manuscript 
corrections  and  additions  in  his  autograph. 

82 


520.  BOSWELL  (JAMES).  The  Lifeof  SamuelJohnson, 
LL.D.  Comprehending  an  account  of  his  studies  and 
numerous  works,  in  chronological  order;  a  series  of  his 
epistolary  correspondence  and  conversations  with  many 
eminent  persons;  and  various  original  pieces  of  his  com- 
position, never  before  published.  The  whole  exhibiting  a 
view  of  literature  and  literary  men  in  Great-Britain,  for 
near  half  a  century,  during  which  he  flourished.  Portrait. 
First  Edition.  2  vols.  4to,  blue  levant  morocco  gilt,  gilt 
tops,  UNCUT,  by  The  Club  Bindery.  London,  1791 

*  Inserted  is  an  autograph  letter  from  William  Forbes  to  Miss 
Bos  well. 

521.  [BOUCHER  (FRANCOIS).]  Fran(;ois  Boucher,  Le- 
moyne  et  Natoire,  by  Paul  Mantz.  Numerous  full-ioage 
illustrations.     Folio,  in  cloth  portfolio.  Paris,  1880 

*  One  of  50  copies  on  Holland  paper. 

522.  BOUCHET  (JEAN).  Les  anciennes  et  modernes 
genealogies  des  Roys  de  France  et  mesmement  du  roy  Phara- 
mond.  Avec  leurs  Epitaphes  et  Effigies.  Leitres  hdtardes. 
64  woodcut  portraits.  Small  4to,  calf  gilt,  gilt  edges,  bj' 
Bauzonnet.     The  Yemeniz  copj^ 

Poictiers:  par  Jacques  Bouchet,  1535 

523.  BOUCHET  (JEAN).  Les  Triumphes  de  la  noble  et 
amoureuse  Dame:  et  Part  de  hounestement  aymer,  compose 
par  le  Traverseur  des  voyes  perilleuses.  Lettres  hdtardes. 
Title  in  red  and  black  within  a  fine  ornamental  looodcut  bor- 
der on  black  ground,  and  a  woodcut.  Folio,  brown  levant 
morocco,  the  sides  tooled  in  an  interlaced  Grolieresque  pat- 
tern, gilt  edges,  b}^  Cape. 

Paris:  pour  Ambroise  Girault,  1536 

524.  BOUCHOT  (HENRI).  La  Femme  Anglaise  et  ses 
Peintres.  Colored  frontispiece,  19  full-page  plates  and  nu- 
merous luoodcuts  in  the  text.     4to,  original  covers,  uncut. 

*  One  of  30  copies  on  large  vellum  paper.  Paris,  1903 

525.  BOUDARD  (JEAN  BAPTISTE).  Iconologie,  tiree 
de  divers  auteurs.  630  copper-plates,  3  of  which  are  colored 
by  hand.  3  vols,  in  1.  8vo,  brown  levant  morocco  gilt,  gilt 
edges,  by  Motte.  Vienne:  J.  T.  de  Trattneru,  1766 

526.  BOURCHIER  (JOHN,  LORD  BERNERS— Trans- 
lator). The  History  of  the  Valiant  Knight  Arthur  of  Little 
Britain.  A  Romance  of  Chivaby.  Frontispiece  and  2^ 
plates  engraved  by  Heath  from  illuminated  drawings  in  an 
old  manuscript. .  4to,  red  morocco,  back  and  sides  richl}- 
tooled,  with  coat  of  arms,  doublure  of  vellum,  uncut  edges, 
by  Thompson.  London,  1814 

527.  BOURGET  (PAUL).  Andre  Cornells.  First  Edi- 
tion.    12mo,  half  red  levant  morocco,  gilt  top,  uncut. 

Paris,  1887 
83 


528.  BOURGHESIUS  (JOANNES).  Vita?  Passionis  et 
Mortis  Jesn  Christi  Domini  nostri  Mysteria,  Pijs  Medita- 
tionibus  et  Adspirationibus  exposita  par  P.  Joannem  Bour- 
ghesium  .  .  .  Figuris  seneis  expressa  perBoetiuin  a  Bolswert. 
Engraved  title  and  76  brilliant  copper-plates  by  Bolsiuert. 
Small  8vo,  red  levant  morocco  gilt,  gilt  edges,  by  Bedford 
(half-title  repaired).  Antwerpise,  1622 

529.  BOURSAULT  (EDME).  Le  Mort  Vivant,  comedie. 
Dediee  a  Monseignevr  le  Due  de  Guise.  Representee  par 
les  Comediens  du  Roy.  First  Edition,  12mo,  green 
levant  morocco,  gilt  edges,  by  Trautz-Bauzonnet.  Paris,  1662 

530.  BOURSAULT  (EDME).  Le  Portrait  du  Peintre, 
ou  la  Contre-Critique  de  L'Escole  des  Femmes.  Comedie 
Representee  sur  le  Theatre  Royal  de  I'Hostel  de  Bourgogne. 
12mo,  red  levant  morocco  gilt,  gilt  edges.  Paris,  1663 

*  The  First  Edition,  containing  passages  which  were  after- 
wards suppressed. 

531.  BOURSAULT  (EDME).  LeMedecin  Volant,  Come- 
die. First  Edition.  12mo,  green  levant  morocco,  gilt 
edges,  by  Trautz-Bauzonnet.  Paris,  1665 

532.  BOURSAULT  (EDME).  La  Metamorphose  des 
Yevx  de  Phil  is,  changez  en  Astres.  Pastoralle.  Repre- 
sentee par  la  Troupe  Royale,  Et  mise  au  Theatre.  First 
Edition.  12mo,  green  levant  morocco,  gilt  edges,  by 
Trautz-Bauzonnet.  Paris,  1665 

533.  BOURSAULT  (EDME).  CEuvres  de  M.  Boursault, 
contenant  les  pieces  de  Theatre,  Nouvelle  Edition  augmen- 
tee.  Two  frontispieces  and  7  other  plates.  2  vols.  12mo, 
vellum  boards,  uncut,  by  Pouillet.  Amsterdam,  1721 

534.  BOURSAULT  (EDME.).  Le  Prince  de  Conde, 
roman  historique.  Suivi  d'eclaircissements  et  de  pieces 
interessantes  sur  les  regnes  de  Frangois  II,  de  Charles  IX 
et  de  Henri  III.  Papier  yelin  copy.  2  vols.  12mo,  red 
morocco,  gilt  edges,  probably  by  Derome.  Paris,  1792 

535.  BOUSSOLE.  LaBoussole  des  Amans.  12mo,  citron 
levant  morocco  gilt,  gilt  edges,  by  Trautz-Bauzonnet. 

Cologne,  167Q 

536.  BOUTEROiTE  (CLAUDE).  Recherches  Curieuses 
des  Monoyes  de  France,  depuis  le  commencement  de  la 
monarchie.  Vignettes  by  N.  Boiinart  and  numerous  p>loites 
of  coins  in  the  text.  Folio,  blue  morocco  gilt,  gilt  edges,  by 
Boyet.  Paris:  Ed  me.  Martin,  1666 

*  From  the  libraries  of  the  Due  de  la  Valliere  and  Prince 
Radziwill. 

84 


537.  BOZE  (CLAUDE  GROS  DE).  Histoire  de  I'Aea- 
demie  Royale  des  Inscriptions  et  Belles-Lettres,  etc.  En- 
graved frontispiece^  3  fleurons  and  3  vignettes:  3  vols, 
small  8vo,  old  red  morocco  gilt,  arms  of  the  Cardinal  de 
Fleury,  gilt  edges.  Paris:  H.  L.  Guerin,  1740 

538.  BRACHELIUS  (ADOLPH).  Historianum  Nostri 
Temporis.  Editio  Ultima.  In  duas  Partes  divisa,  etc. 
Frontispiece  and  97  portraits.     12mo,  vellum,  boards. 

Amsterdam:  J.  van  Meurs,  1659 

539.  BRADLEY  (JOHN  W.).  A  Dictionary  of  Minia- 
turists, Illuminators,  Calligraphers,  and  Copyists,  with 
reference  to  their  works,  and  Notices  of  their  Patrons,  from 
the  Establishment  of  Christianity  to  the  Eighteenth  Cen- 
tury. Large  Paper  copy.  3  vols,  royal  8vo,  cloth,  gilt 
tops,  uncut.  London:  Quaritch,  1887-1889 

540.  BRAMSTON  (JAMES).  The  Man  of  Taste.  Oc- 
casion'd  by  an  Epistle  of  Mr.  Pope's  on  that  Subject. 
First  Edition.  Frontispiece  and  vignette.  8vo,  morocco, 
uncut.  London:  J.  Wright,  1733 

541.  BRANDT  (SEBASTIAN).  Stultifera  Navis.  Nar- 
ragonice  perfectionis  nunquam  satis  laudata  nauis.  Roman 
character.  CLIX  numbered  leaves,  a  blank,  and  4-  un- 
numbered leaves  betiueen  HJ/.  and  lJf5,  tuith  signatures ;  30 
lines  to  the  page  ;  117  woodcuts.  4to,  citron  levant  morocco, 
gilt  panels,  back  and  inside  borders,  gilt  edges,  by  Bedford. 

Basilefe;  Johannes  Bergman  de  Olpe,  1497 

*  On  verso  of  leaf  76  there  are  references  to  the  dis- 
covery OF  America.     Hain,  3750. 

542.  [BRATHWAIT  (RICHARD).]  A  Solemne  Joviall 
Disputation,  Theoreticke  and  Practicke;  briefly  shadowing 
the  Law  of  Drinking:  together  with  the  Solemnities  and 
Controversies  occurring,  etc. ;  also  The  Smoaking  Age,  or, 
the  man  in  the  mist:  with  the  life  and  death  of  Tobacco. 
Dedicated  to  those  three  renowned  and  imparalle'd  Heroes, 
Captain  Whiffe,  Captaine  Pipe,  and  Captaine  Snuffe,  etc. 
Engraved  froyitispieces  by  Marshall  to  both  parts,  but  lacks 
both  explanatory  leaves.     12mo,  calf,  gilt,  hy  W.  Pratt. 

OENOZ.   *T  HOPOAIE:  At  the  Signe  of  Teare-Nose.  1617 

*  First  Edition.     The  frontispieces  are  tlie  earliest  known 
work  of  Marshall. 

543.     BRATHWAIT     (RICHARD).       A     New     Spring 
Shadowed  in  Sundry  Pithie  Poems.    Musophilus.     Woodcut     Z^  O    " 
on  title.     Small  4to,  calf  gilt,  gilt  edges.     (Very  slight  re- 
pair to  the  margin  of  sig.  E2.) 

London:  Printed  by  G.  Eld  for  Thomas  Baylie,  1619 

*  First  Edition.     One  of  only  four  perfect  copies  known. 

85 


75- 


544.  [BRATHWAIT  (RICHARD).]     Natvres  Embassie : 
/St            or,  the  Wilde-mans  Measvres:    Danced  naked  by  twelue 

Satyres,  with  sundry  others  continued  in  the  next  Section. 
Wilde  men  may  dance  wise  measures;  Come  then 

ho, 
Though  I  be  wilde,  my  measures  are  not  so. 

16mo,  red  levant  morocco  gilt,  gilt  edges,  by  Lortic. 

[London] :  Printed  for  Richard  Whitaker,  1621 

*  First  Edition.     With  the  separate  titles  to  each  part. 

545.  BRATHWAIT  (RICHARD).     The  English  Gentle- 
Mi  —      woman,  drawne   out   to   the   full   Body:  Expressing,  what 

Habilliments  does  best  attire  her,  what  Ornaments  doe 
best  adorne  her,  what  Complements  doe  best  accomplish 
her.  Frontispiece-title  engraved  hy  Marshall.  Small  4to,- 
red  levant  morocco  gilt,  gilt  edges,  by  Riviere.  (Lacks 
the  "Explanation  of  the  Frontispiece";  the  frontispiece 
and  title  re-margined,  and  corners  of  some  of  the  last  leaves 
repaired.) 

London:  Printed  by  B.  Alsop  and  T.  Fawcet  for  Michael 
Sparke,  1631. 

*  First  Edition. 

c^^^qo  546.  [BRATHWAIT  (RICHARD).]  A  Strange  Meta- 
morphosis of  Man  transformed  into  a  Wildernesse.  De- 
ciphered in  characters.  18mo,  dark  blue  levant  morocco 
gilt,  gilt  edges,  by  The  Club  Bindory. 

London :  Printed  by  Thomas  Harper  and  are  to  be  sold 
by  Lawrence  Chapman,  1634. 

*  First  Edition,  apparently  unknown  to  most  bibliographers 
of  Brathwaite. 

j^ȣ  547.   BRATHWAIT  (RICHARD),     A  Survey  of  History : 

or,  a  Nursery  for  Gentry.  Contrived  and  Comprized  in  an 
Intermixt  Discourse  upon  Historicall  and  Poeticall  Rela- 
tions, etc.  Engraved  title  by  W.  Marshall.  Small  4to, 
half  blue  levant  morocco  gilt,  gilt  edges. 

Imprinted  at  London  by  I.  Okes  for  Jasper  Emery,  1638 

548.  [BRATHWAIT  (RICHARD).]  Barnabees  Journal 
Sb^^°~  under  the  Names  of  Mirtilius  &  Faustulus  shadowed:  for 
the  Travellers  Solace  lately  published,  to  most  apt  numbers 
reduced,  and  to  the  old  Tune  of  Bamabe  commonly  chanted. 
By  Corymboeus.  Engraved  title  by  W.  Marshall^  and 
separate  titles  to  each  part.  18mo,  dark  blue  levant  morocco, 
ornamental  gilt  tooling,  doublure  of  green  levant  panels,  gilt 
borders,  gilt  edges,  by  The  Club  Binder3\  (A  few  headlines 
shaved.)  [London:  Printed  by  John  Haviland,  1638] 

*  First  Edition,  many  passages  of  which  were  altered  in 
later  issues  to  suit  a  more  modern  taste.  It  was  licensed  to 
John  Haviland,  June  7,  1638,  but  no  imprint  is  on  the  volume. 
The  frontispiece  by  Marshall  appeared  only  in  this  edition. 


549.  BRATHWAIT  (RICHARD).     The  English  Gentle-      ^  aj 
man;  and  the  English  Gentlewoman:  Both  In  one  Volvme 
couched,  and  in  one  Modell  portrayed  :  to  the  living  glory  of 

their  Sexe,  thelastingstory  of  their  Worth.  Being  presented 
to  present  times  for  ornaments;  commended  to  posterity  for 
Presidents.  With  a  Ladies  Love-Lectvre  And  a  Svpplement 
lately  annexed,  and  Entituled  The  Tvrtle's  Trivmph.  The 
Third  Edition  revised,  corrected,  and  enlarged.  Engraved 
frontispiece  by  Marshall,  and  with  the  two  folding  leaves  of 
explanation.  Folio,  mottled  calf  gilt,  centre  ornaments,  gilt 
edges,  by  Bedford.      London :  Printed  by  John  Dawson,  1641 

*  Although  described  on  the  title  as  "Third  Edition,"  it  is 
probably  the  first  issue  of  the  two  books  in  this  form. 

Contains  a  few  lines  of  errata  at  the  end  of  part  one,  not 
found  in  all  copies. 

550.  BRATHWAIT   (RICHARD).     The  Honest  Ghost,     .qq£o 
or  A  Voice  from  the  Vault.     Engraved  title  by  Vaughan 

and  one  plate  ivith  preliminary  leaf  of  description  {all  re- 
margined). 12mo,  red  morocco  gilt,  with  arms,  gilt  edges, 
by  Murton.     London  :  Printed  for  Ric.  Hodgkinsonue,  1658 

*  First  Edition.  Apparently  a  thick  paper  copy.  From  the 
Bindley  collection,  with  bookplate,  and  with  the  Griswold 
Arms  on  the  cover. 

551.  BRATHWAIT    (RICHARD).     A   Comment   Upon    3,^00 
the   Two   Tales   of   our   Ancient,   Renowned,   and   Ever- 
Living   Poet   Si'  Jeffray   Chaucer,    Knight.     The   Miller's 

Tale,  and  The  Wife  of  Bath.  First  Edition.  12mo,  brown 
levant  morocco,  gilt  and  blind-tooled,  gilt  over  red  edges, 
by  Riviere.  London:  Printed  by  W.  Godbid,  1665 

552.  BRATHWAIT  (RICHARD).     Drunken  Barnaby's     o.  ^  00 
Four  Journeys  to  the  North  of  England.     In  Latin  and     ^^    ~~ 
English  Verse.     Wittily  and  Merrily  (tho'  near  One  Hun- 
dred Years  ago)  compos'd;    found  among  some  old  musty 
Books,  that  had  a  long  time  lain  by  in  a  Corner;  and  now 

at  last  made  publiek.  To  which  is  added,  Bessy  Bell. 
Frontispiece  after  W.  Marshall.,  ayid  another  plate.  Second 
Edition.  12mo,  brown  straight-grain  morocco  gilt,  gilt 
edges.  London:  S.  Illidge,  1716 

*  With  introductory  matter  and  an  Index  not  found  in  the 
First  Edition.     The  Lefferts  copy,  with  bookplate. 

553.  BRATHWAIT  (RICHARD).     Drunken  Barnaby's       ^  ^ 
Four  Journeys  to  the  North  of    England.     In  Latin  and     ''*'   ~ 
English    Metre.     Wittily   and    merrily   (tho'    an    Hundred 
Years  ago)  compos'd;  found  among  some  old  musty  Books 

that  had  lain  a  long  time  by  in  a  Corner,  and  now  at  last 
made  publiek.  Together  with  Bessy  Bell.  Illustrated  with 
several  new  copper  cuts  {engraved  by  J.  Clark).  12mo,  calf 
gilt,  gilt  edges,  by  C.  Lewis.  London :  S.  Illidge,  1723 

*  Inserted  is  a  portrait  of  William  Bosworth,  the  supposed 
author  of  the  book,  after  the  print  by  Glover.  The  Third 
Edition  and  the  first  to  contain  the  plate  of  the  Puritan  hang- 
ing his  cat  for  catching  a  mouse  on  the  Sabbath  day. 


o.  t  19       ^^^-  BRATHWAIT  (RICHARD).  Barnabse  Itinerarium, 
3^5         etc.     Edited  b}'  Joseph  Haslewood.     Plates,  some  inserted, 
by  Hazlewood.     12mo,  green  morocco  gilt,  gilt  edges. 

London,  1818 

*  Joseph  Haslewood's  edition  of  1818,  with  a  collection  of 
title-pages,  engravings,  etc.,  from  various  editions  and  trial- 
proofs  for  his  new  edition  published  in  two  volumes,  1830. 
Haslewood's  copy,  with  his  bookplate,  corrections  and  notes. 

"  This  is  a  cut-clown  copy  to  size  ivith  the  later  one,  of  the 
first  edition  edited  by  me.  It  has  the  printer's  specimens,  <&c. 
(set  up  for  the  next  edition),  in  the  precedent  matter,  and  is 
embellished  or  illustrated  with  several  incidental  prints,  etc." 

^^  555.  BRATHWAIT  (RICHARD).  Barnabfeltinerarium, 

o^5  —  or,  Barnaby's  Journal.  With  a  Life  of  the  Author,  a 
Bibliographical  Introduction  to  the  Itinerary,  and  a  Cata- 
logue of  his  Works.     Edited  by  Joseph  Haslewood,     Two 

portraits  and  re-production  of  the  engraved  title  of  the  first 
edition.  2  vols.  12mo,  olive  straight-grain  morocco  gilt, 
gilt  edges.  London,  1820 

*  Eighth  Edition,  of  which  only  123  copies  were  issued. 
Joseph  Haslewood's  copy,  with  his  pencilled  note,  ''A  choice 
picked  copy  for  the  Editor  himself." 


5o"- 


556.  BRATHWAIT  (RICHARD).  Barnabfe  Itinerarium, 
or  Barnabee's  Journal.  With  a  Life  of  the  Author,  a 
Bibliographical  Introduction  to  the  Itinerary,  and  a  Cata- 
logue of  his  Works.  Edited  from  the  first  edition,  by 
Joseph  Haslewood.  New  edition,  carefully  revised  by  W. 
Carew  Hazlitt.  Plates.  2  vols.  8vo,  red  levant  morocco, 
gilt  tops,  uncut,  by  The  Club  Bindery. 

London:  Printed  for  private  circulation,  18T6 

*  One  of  two  copies  printed  on  vellum,  with  signed 
statement  by  the  printers  to  that  effect. 

557.  BRAYLEY  (EDWARD  W.).  Views  in  Suffolk, 
Norfolk  and  Northamptonshire;  illustrative  of  the  Works 
of  Robert  Bloomfield,  accompanied  with  descriptions, 
[and].  Memoir  of  the  Poet's  Life.  Numerous  illustrations. 
Original  edition.     4to,  sprinkled  calf. 

London:  Vernor  [^ca.  1806] 
*Avitograph  "...  Smets,  Savannah,  Nov.  30th,  1824,"  on 
title. 

558.  BRETEX  (JACQUES).  Les  Tournois  de  Chauvenci, 
donnes  vers  la  fin  du  treizieme  siecle.  Annotes  par  feu 
Philibert  Delmotte  .  .  .  et  publics  par  H.  Delmotte,  son  fils. 
8vo,  rose  velvet  embossed  with  a  design  in  panels,  silver- 
gilt  corners  and  clasps,  vellum  linings,  gilt  edges.  In  a 
half-morocco  case.  Valenciennes,  1835 

*  Printed  in  Gothic  type  on  vellum.  Outline  frontispiece  on 
India  paper,  with  two  duplicates  painted  by  hand,  and,  in- 
serted, a  sepia  portrait  of  Delmotte  by  Madou,  an  illuminated 
facsimile  page  of  text  and  two  pages  of  arms  colored  by  hand. 


559.  BRETT  (ARTHUR).  Threnodia.  On  the  Death 
of  the  High  boru  Prince  Henry,  Duke  of  Glocester.  First 
Edition.  Small  4to,  blue  levant,  centre  panels  of  brown 
stamped  morocco,  the  intervals  studded  with  gilt  dots,  gilt 
edges,  by  Riviere. 

Oxford:  Printed  by  H.  Hall,  for  Ric.  Davis,  1660 

560.  BRIANVILLE  (CLAUDE-ORONCE  F.  DE).  His- 
toire  Sacree  en  Tableaux,  j)our  Monseigneur  le  Dauphin. 
Frontispiece  and  138  illustrations  hy  S.  Le  Clerc.  3  vols. 
12mo,  old  red  morocco  gilt,  gilt  edges,  by  Derome. 

Paris:  Charles  de  Sercy,  1677-75 

561.  BRIDGES  (ROBERT),  Prometheus  the  Firegiver. 
First  Edition,     Small  4to,  half  parchment,  uncut. 

Oxford :  H.  Daniel,  1883 

*  Only  100  copies  privately  printed. 

562.  BRIDGES  (ROBERT).  Plays.  Consisting  of  Nero. 
Parts  1  and  2.  Palicio;  Ulysses;  CapUves;  Achilles;  Hu- 
mours; Feast  of  Bacchus.  First  Editions.  8  plays  in  1 
vol.  4:to,  brown  levant  morocco,  panelled  back  and  sides, 
gilt  top,  uncut,  by  The  Club  Bindery.         London,  1885-94 

*  At  the  back  are  bound  the  original  paper  covers,  5  original 
manuscript  prologues  by  Thomas  Hutchinson,  and  several 
addressed  envelopes  in  Bridges'  autograph. 

563.  BRIDGES  (ROBERT).  The  Feast  of  Bacchvs. 
4to,  half  parchment,  uncut.  Oxford:  H.  Daniel,  1889 

*  One  of  105  copies  privately  printed. 

564.  BRIDGES  (ROBERT.)  The  Growth  of  Love.  4to, 
half  parchment,  uncut.  Oxford:  H.  Daniel,  1890 

*Only  100  copies  privately  printed. 

565.  [BRISSART-BINET  (C.  A.).]  Cazin;  Sa  Vie  et 
ses  Editions.  Par  un  Cazinophile.  8vo,  half  red  morocco 
gilt,  gilt  top,  uncut  Cazinopolis  [Reims],  1863 

*  One  of  50  copies  on  large  paper. 

566  BRITISH  DRAMA.  The  Ancient  British  Drama. 
Vignettes  on  titles.  3  vols.  London,  1810,  also,  the  British 
Drama,  comprehending  the  best  Plays  in  the  English  lan- 
guage. Vignettes  on  titles.  5  vols  London,  1804.  Together, 
8  vols,  roj^al  8vo,  half  brown  levant  morocco  gilt,  gilt  tops, 
uncut,  by  Zaehnsdorf.  London,  18L0-1804 

*  Edited  by  Sir  Walter  Scott.  The  material  of  the  former  is 
taken  chiefly  from  Dodsley's  Old  Plays. 

567.  BRITISH  ESSAYISTS.  The  British  Essayists;— 
Tatler,  Guardian,  Rambler,  Spectator,  Mirror,  etc.,  with 
Prefaces,  Historical  and  Biographical.  Portraits  on  India 
paper.  38  vols.  12mo,  half  cloth  and  boards,  paper  labels, 
uncut.  Boston:  Little  Brown  and  Co.,  1866 

*  One  of  100  copies  on  large  paper. 


568.  BROGLIE  (JACQUES  VICTOR  ALBERT,  DUG 
DE).  La  Journee  de  Fontenoy.  4to,  olive  levant  morocco, 
elaborately  tooled  on  the  back  and  sides  with  an  original 
design,  inside  borders,  green  silk  linings,  gilt  top,  uncut, 
by  The  Club  Bindery.  Navarre,  1897 

*  One  of  75  copies  on  papier  velin,  with  the  12  etchings  by 
Lalauze  in  2  states,  also  an  original  water-color  drawing  by 
Lalauze. 

569.  BROME  (ALEXANDER).  A  Canterbury  Tale, 
translated  Out  of  Chaucers  old  English  Into  our  now  vsvall 
language.  Whereunto  is  added  the  Scots  Pedler.  Newly 
enlarged  by  A.  B.  Small  4to,  green  levant  morocco,  gilt 
edges,  by  Riviere.  Printed  in  the  yeare  1641 

*  First  edition  of  Brome's  earliest  production.  One  of 
only  two  copies  known. 

570.  BROME  (ALEXANDER).  The  Coming  Lovers. 
A  Comedy.  First  Edition.  Small  4to,  blue  levant  mo- 
rocco gilt,  gilt  edges,  by  The  Club  Bindery. 

London:  Printed  for  Will.  Sheares,  1654 

571.  BROME  (ALEXANDER— Editor).  The  Rump,  or 
A  Collection  of  Songs  and  Ballads,  made  upon  those  who 
would  be  a  Parliament,  and  were  but  the  Rump  of  a  House 
of  Commons,  five  times  dissolv'd.  Frontispiece.  Small 
8vo,  green  morocco,  gilt  centre  panels  on  a  blind-tooled 
background,  doublure  and  end  papers  of  brown  morocco, 
with  broad  gilt  and  blind-tooled  borders,  gilt  edges,  by 
Hering.  In  blue  morocco  solander  case.  (Front  margin 
of  last  leaf  restored. ) 

London:  Printed  for  H.  Brome  and  N.  Marsh,  1660 

*  First  Edition  .  Very  rare.  This  copy  is  on  thick  paper 
AND  is  believed  TO  BE  THE  ONLY  COPY  KNOWN.  The  Per- 
kins copy,  with  a  long  MS.  note  inserted,  which  calls  attention 
to  certain  points  not  discovered  in  other  copies  examined,  and 
pronounces  this  to  be  "  the  only  copy  at  present  known  with- 
out these  variations." 

The  collection  was  edited  by  Alexander  Brome,  who  also 
wrote  many  of  the  songs.  Most  of  these  pieces  appeared  from 
time  to  time  in  the  form  of  broadsides. 

572.  BROME  (ALEXANDER).  Songs  and  other  Poems. 
First  Edition.  Portrait  by  Hertochs.  12mo,  red  levant 
morocco,  richly  tooled,  gilt  edges,  by  Riviere.  (Title  re- 
margined at  top,  and  errata  cut  down  and  inlaid.) 

London:  Printed  for  Henry  Brome,  1661 

*  E.  H.  Granger's  copy,  with  autograph  dated  1785,  on  re- 
verse of  portrait. 

573.  BROME  (ALEXANDER— Editor).  Rump:  or  an 
exact  collection  Of  the  Choycest  Poems  and  Songs  relat- 
ing to  the  Late  Times  By  the  most  Eminent  Wits,  from 
Anno    1639.   to   Anno    1661.       Frontispiece   and   engraved 

90 


title.      Small  8vo,  green   levant   morocco  gilt,  gilt  edges, 
by  R.  De  Coverly. 
London:  Printed  for  Henry  Brome  and  Henry  Marsh,  166.i 

*  The  Address  to  the  Reader  is  the  same  as  in  the  First  Edi- 
tion (1660),  but  the  text  is  altogether  different. 

574.  BROME  (ALEXANDER).  Songs  and  other  Poems. 
The  Second  Edition,  Corrected  and  enlarged.  Portrait  by 
Loggan.  12mo,  blue  levant  morocco  gilt,  gilt  edges,  by 
Riviere.  London:  Printed  for  Henry  Brome,  1664 

*  With  the  extra  leaf  at  end  containing  ' '  Mr.  Brome's  Songs," 
printed  lengthwise  of  the  page. 

575.  BROME  (ALEXANDER,  and  others— Transla- 
tors). The  Poems  of  Horace,  Consisting  of  Odes,  Salyres, 
and  Epistles,  Rendered  in  English  Verse  by  Several  Per- 
sons. Portrait  of  Brome  by  Loggan  and  of  Horace  by  Dun- 
staJl.  12mo,  red  levant  morocco,  gilt  and  blind  tooled,  gilt 
edges,  by  Riviere.  (Name  stamped  on  reverse  of  one  por- 
trait. )     London :  Printed  by  E.  Cotes  for  Henry  Brome,  1666 

*  First  Edition,  with  the  leaf  of  imprimatur.  The  greater 
part  of  these  translations  were  made  by  Brome.  Others  were 
by  Sir  Richard  Fanshaw,  Cowley,  Sir  John  Denham,  Sir  Thomas 
Hawkins,  and  Ben  Jonson. 

576.  BROME  (ALEXANDER).  Songs  and  other  Poems. 
The  Third  Edition  enlarged.  Portrait  of  Brome  by 
Loggan.  12mo,  sprinkled  calf.  (Piece  of  margin  torn 
from  p.  125.)  London:  Printed  for  Henry  Brome,  1668 

*  Apparently  the  only  "enlargement"  from  the  second  edi- 
tion is  the  poem  entitled  "On  a  Parson  and  a  Lawyer." 

577.  BROME  (ALEXANDER)  and  others.  A  Collec- 
tion of  Loyal  Songs  Written  against  the  Rump  Parliament, 
Between  the  Years  1639  and  1661.  With  an  Historical  In- 
troduction to  the  Whole.  2  vols.  12mo,  russia  gilt,  gilt 
edges.  London:  Printed  for  J.  Stone,  1731 

578.  BROME  (RICHARD).  The  Antipodes;  a  comedie. 
Acted  in  the  Yeare  1638.  First  Edition.  Small  4to,  red 
levant  morocco  gilt,  gilt  edges,  by  Zaehnsdorf. 

London:  Printed  by  J.  Okes,  1640 

*  Laid  in  is  a  four-page  letter  from  Prof.  Lake  comparing 
this  with  the  Hammond  copy. 

579.  BROME  (RICHARD).  A  Joviall  Crew;  or.  The 
Merry  Beggars.  Presented  in  a  Comedie,  at  the  Cock-pit 
in  Drury-Lane,  in  the  year  1641.  First  Edition.  Small  4to, 
calf.         London:  Printed  by  J.  Y.  for  E.  D.  and  N.  E.,  1652 

*  The  Perkins  copy,  with  arms  on  sides. 

580.  BROME  (RICHARD).  Five  New  Plays  (Viz.), 
Madd  Couple  well  matcht,  Novella,  Court  Beggar,  City  Witt, 
Damoiselle.  First  Edition.  Portrait  by  Cross  (slightly 
defective  on  lower  blank  margin).  12mo,  red  levant  mo- 
rocco gilt,  gilt  edges,  by  The  Club  Bindery. 

London:  Printed  for  Humphrey  Moselj^  etc.,  1653 

91 


581.  BROME  (RICHARD).  Five  new  Playes:  viz.  The 
English  Moor,  1658 ;  The  Love-sick  Court,  1658 ;  TheWeeding 
of  the  Covent  Garden,  1658;  The  New  Academy,  1658;  The 
Queen  and  Concubine,  1659.  Each  with  separate  titles.  In 
one  volume,  12mo,  original  calf,  with  the  label. 

London:  Printed  for  Andrew  Crook,  etc.,  1658-59 

*  First  Editions.  The  English  Moor  has  the  two  titles,  that 
of  1658  without  the  author's  name,  and  the  cancel  title  of  1659 
with  the  author's  name.  Extremely  rare  in  this  state,  the  two 
copies  in  the  British  Museum  being  both  imperfect  and  the 
Grenville  copy  having  only  the  cancel  title.  The  Sir  Henry 
Hope  Edwards  copy,  with  bookplate. 

582.  BRONGNIART  (A.).  Traite  des  arts  ceramiques 
ou  de  poteries  considerees  dans  leur  histoire,  leur  pratique 
et  leur  theorie.  2  vols.  8vo.  With  an  oblong  4-to  atlas  con- 
taining 60  plates,  tables,  etc.  Together,  3  vols,  green  levant 
morocco  gilt,  gilt  edges.  Paris,  1854 

583.  [BRONTE  (CHARLOTTE).]  Poems.  First  Edi- 
tion; with  Smith,  Elder  cO  Co.  title.  12mo,  half  green 
levant  morocco  gilt,  gilt  top,  uncut.  London,  1846 

584.  [BRONTE  (CHARLOTTE).]  Jane  Eyre.  An  Auto- 
biography. Edited  by  Currer  Bell.  3  vols.  12mo,  half 
brown  levant  morocco,  gilt  tops,  uncut,  by  Champs. 

London, 1847 

*  First  Edition.  Very  scarce.  This  copy  has  the  adver- 
tisements bound  in  the  back. 

585.  [BRONTE  (CHARLOTTE).]  Shirley.  A  Tale. 
By  Currer  Bell.  First  Edition.  3  vols.  12mo,  half  green 
levant  morocco,  gilt  tops,  uncut,  by  Champs.  London,  1849 

586.  BRONTE  (CHARLOTTE).]  Villette.  By  Currer 
Bell.  First  Edition.  3  vols.  12mo,  half  blue  levant  mo- 
rocco, gilt  tops,  uncut.  London,  1853 

587.  BRONTE  (CHARLOTTE).]  The  Professor,  a  Tale. 
First  Edition.  2  vols.  12mo,  half  green  levant  morocco 
gilt,  gilt  tops,  uncut,  by  Champs.  Loudon,  1857 

588.  BROUER  (MATTHEUS).  Zederyke  Zinnebeelden 
der  Tonge,  door  Mattheus  Brouerius  van  Niedek.  Frontis- 
piece engraved  hy  Folkema,  vignettes  and  JfO  emblems.  Small 
8vo,old  red  morocco, gilt  panels, gilt  edges.  Amsterdam, 1716 

589.  BROUER  (MATTHEUS).  Zederyke  Zinnebeelden 
der  Tonge.  Frontispiece-title  engraved  by  J.  Folkema  after 
A.  Houbraken,  and  J/J  vignettes.  8vo,  green  morocco,  gilt 
and  blind-tooled,  gilt  top,  uncut,  by  The  Club  Bindery. 

Amsterdam:  Pieter  Meijer,  1764 

92 


590.  BROUGHAM  (HENRY  PETER,  LORD).  Albeit 
Luuel;  or,  The  Chateau  of  Languedoc.  First  Edition. 
3  vols.  12mo,  red  morocco  gilt,  gilt  tops,  uncut,  bj' 
Matthews.  Loudon,  1844 

*  Suppressed  on  the  eve  of  publication. 

591.  BROUGHTON  (HUGH).  A  Concent  of  Scripture, 
by  H.  Brovgliton.  Small  4to,  brown  straight-grain  morocco, 
bliud  tooled  panels,  gilt  fillet,  gilt  over  rough  edges. 

[1591  or  1592] 

*  Perfect  copy  on  vellum  of  the  second  edition,  with  an 
ordinary  woodcut  "T"  beginning  the  dedication.  It  has  37 
leaves  of  letterpress,  no  colophon,  an  engraved  title,  a  folded 
map  with  both  hemispheres  in  one  globular  projection,  and 
four  plates,  which  are  more  brilliant  impressions  than  those  in 
the  copy  sold  in  Part  I.  of  the  Robert  Hoe  collection  (no.  515). 
The  engraved  title  is  not  signed  "  WR"(ogers),  and  the  top  and 
bottom  margins  of  the  map  are  much  wider.  Only  three  copies 
on  vellum  are  known,  the  third  being  in  the  Bodleian  Library. 

Dawson  Turner's  copy  with  his  autograph  and  manuscript 
notes  on  the  fly-leaf. 

592.  BROUGHTON  (HUGH).  Epistolse  Hebrpeae,  qua 
Byzantiaco  Judseo  respondetur  de  religione,  etc.  Translated 
from  the  Hebrew  into  Greek  and  Latin.  Map  and  four 
engraved  plates,  probably  by  W.  Rogers.  4to,  sprinkled 
calf,  gilt  back.  Amsterdam,  1606 

*  A  British  Museum  duplicate. 

593.  BROWN  (JOHN,  D^).  Barbarossa.  A  Tragedy. 
As  it  is  Perform'd  at  the  Theatre-Royal  in  Drury  Lane. 
First  Edition.  8vo,  black  morocco,  gilt  edges,  by  The 
Club  Bindery.  London  :  J.  and  R.  Jonson,  1755 

*  Prologue  and  epilogue  by  Garrick. 

594.  BROWN  (RAWDON).  Avisi  di  Londra.  (Com- 
munication to  the  Philobiblon  Society.)  Bvo,  brown  levant 
morocco,  doublure  and  flj^-leaves  of  maroon  russia,  gilt 
top,  uncut,  b}"  Zaehnsdorf.  [London,  n.  d.] 

595.  [BROWN  (THOMAS).]  A  Description  of  Mr. 
D(ryde)n's  Funeral.  A  Poem.  The  Third  Edition,  with 
Additions.     Small  folio,  half  morocco.  London,  1700 

596.  [BROWNE  (I.  H.).]  A  Pipe  of  Tobacco;  in  Imita- 
tion of  Six  Several  Authors  (Young,  Pope,  Swift  and 
others).  First  Edition.  Bvo,  roan  (cut  down,  and  sev- 
eral margins  defective).  London,  1736 

597.  BROWNE  (WILLIAM).  Britannia's  Pastorals; 
Lond.  print,  for  Geo.  Norton,  dwell:  at  Temple-barr,  (1613). 
(II)  Britannia's  Pastorals.  The  second  Booke.  .  .  .  Lon- 
don; Printed  by  Thomas  Snodham,  1616.  First  Editions 
OF  BOTH  PARTS.     Engraved  title  by  W.  Hole.     Small  folio, 

93 


two  books  in  one  volume,  crimson  levant  morocco  gilt, 
doublure  of  crimson  morocco,  gilt  edges,  by  The  Club 
Bindery.  (Several  margins  repaired,  and  tiny  wormhole 
through  a  few  pages.)  London,  1613,  1616 

598.  BROWNING  (ROBERT).  Selections  from  the 
Poetry;  with  an  Introduction  by  Richard  Grant  White. 
Portrait  in  two  states.  8vo,  citron  levant  morocco,  gilt, 
corner  ornaments,  by  Cuzin.  New  York  [1883] 

*  Large  Japan  paper  copy,  only  70  printed. 

599.  [BRUEYS  (DAVID  AUGUSTIN).]  Gabinie. 
Tragedie  Chretieune.  First  Edition.  18mo,  red  levant 
morocco,  gilt  edges,  byThibaron.  Paris,  1699 

600.  BRUGIS  (THOMAS).  Vade  Mecum:  or,  a  Com- 
panion for  a  Chyrurgion :  fitted  for  times  of  peace  or  war. 
Compendiously  shewing  the  yong  Artist  the  use  of  every 
severall  Instrument  belonging  to  a  Chyrurgion ;  etc.  Por- 
trait of  the  author  engraved  by  T.  Cross.  16mo,  dark  brown 
levant  morocco  gilt,  gilt  edges,  by  The  Club  Bindery. 
[Contemporary^  medical  manuscript  laid  in.] 

London:  Printed  by  T.  H.  for  Thomas  Williams,  1652 

*  First  Edition.     Watts  gives  the  date  of  the  first  edition  as 
1651,  in  wliich  be  is  probably  in  error. 

601.  BRUNES  (JOHANNES  DE).  Emblemata  of  Zinne- 
werck.  Engraved  title  and  52  copper-plate  illustrations  hy 
Pass,  Blon,  Vander  Venne  and  others.  4to,  green  levant  mo- 
rocco gilt,  gilt  edges,  by  Riviere. 

Amsterdam:  Abraham  Latham   [after  1624] 

602.  BRUNET  (GUSTAVE).  Fantaisies  Bibliographi- 
ques.  12mo,  half  red  levant  morocco  gilt,  top,  uncut,  by 
David.  Paris,  1864 

*  Holland  paper  copy,  only  250  printed. 

603.  BRUNET  (GUSTAVE).  La  France  litteraire  au 
XVe  siecle  ou  catalogue  raisonne  des  ouvrages  en  tout  genre 
imprimes  en  langue  francaise  jusqu'a  Tan  1500.  First  Edi- 
tion. 8vo,  half  red  levant  morocco  gilt,  gilt  top,  uncut,  by 
David.  Paris,  1865 

*  One  of  300  copies  on  Holland  paper. 

604.  BRUNET  (GUSTAVE).  Imprimeurs  imaginaires  et 
libraires  supposes.  Etude  bibliographique  suivie  de  re- 
cherches  sur  quelques  ouvrages  imprimes  avec  des  indications 
fictives  de  lieux  ou  avec  des  dates  singulieres.  First  Edition. 
8vo,  half  red  levant  morocco  gilt,  gilt  top,  uncut,  by  David. 

Paris,  1866 

605.  [BRUNET  (GUSTAVE).]  Bibliomania  in  the  Pres- 
ent Day  in  France  and  England;  or  some  accounts  of  cele- 
brated recent  sales,  from  the  French  of  Philomneste  Junior. 
Portrait.     12mo,  paper.  New  York,  1880 

*  One  of  30  copies  on  vellum  paper. 

94       ■ 


606.  BRUNO  (GIORDANO).  II  Candelaio,  comedia. 
12ino,  old  citron  morocco,  with  inlaid  borders  of  red  morocco, 
gilt  edges.     (2  leaves  missing.)  Parigi,  1582 

607.  BRYANT  (WILLIAM  CULLEN).  Thirty  Poems. 
First  Edition.  Post  8vo,  citron  levant  morocco  gilt,  gilt  over 
rough  edges,  by  The  Club  Bindery.  New  York,  1864 

608.  BRYANT  (W.  C.)  and  GAY  (S.  H.).  A  popular 
History  of  the  United  States,  from  the  first  discovery  of  the 
Western  Hemisphere  by  the  Northmen,  to  the  end  of  the  first 
century  of  the  Union  of  the  states.  Preceded  by  a  sketch  of 
the  pre-historic  period  and  the  age  of  the  mound  builders. 
Portrait,  numerous  steel  plates  and  ivoodcuts.  First  Edition. 
4  vols,  royal  8vo,  half  red  straight-grain  morocco,  gilt  tops, 
uncut.  New  York,  1876-81 

609.  BUCK  (SIR  GEORGE).  The  Great  Plantagenet. 
Or  a  continved  svccession  of  that  Royall  Name,  from  Henry 
the  Second,  to  our  Sacred  Soveraigne  King  Charles.  Small 
4to,  purple  straight-grain  morocco  gilt,  gilt  edges. 

London :  Printed  by  Nicholas  and  John  Okes,  1635 

*  The  First  Edition  was  published  in  1605,  and  is  here  re- 
printed with  the  author 's  alterations  and  additions.  This  copy 
has  both  the  separate  title  to  ' '  Eclog  between  Damaetas  and 
Silenus, ' '  and  the  leaf  preceding  title,  with  the  royal  arms. 

610.  BUCK  (SIR  GEORGE).  The  History  of  the  Life 
and  Reigne  of  Richard  the  Third.  Portrait  of  Richard  III, 
hy  Cross.  Second  Edition.  Folio,  brown  levant  morocco 
gilt,  gilt  edges,  by  The  Club  Bindery. 

London:  Printed  by  W.  Wilson,  1647 

611.  BUCKINGHAM  (JOHN  SHEFFIELD,  DUKE 
OF).  The  Works  of  John  Sheffield,  Earl  of  Mulgrave,  Mar- 
quis of  Normanby,  and  Duke  of  Buckingham.  2  vols.  12mo, 
blue  straight-grain  morocco  gilt,  gilt  edges. 

London :  Printed  for  Jolm  Barber,  1726 

*  The  Gosford  Copy. 

612.  BULLEN  (A.  H.— Editor).  Lyrics  from  the  Song- 
Books  of  the  Elizabethan  Age.  8vo,  half  calf,  gilt  top,  un- 
cut.    Large  Paper  Edition  limited  to  250  copies. 

London,  1887 

613.  BULLEN  (A.  H.— Editor).  Speculum  Amantis: 
Love  Poems  from  rare  Song-Books  and  Miscellanies  of  the 
Seventeenth  Century.  4to,  half  blue  calf,  gilt  top,  uncut. 
500  copies  printed.  London:  Privately  Printed,  1889 

614.  BULLEN  (A.  H.— Editor).  Poems,  Chiefly  Lyrical, 
from  Romances  and  Prose-Tracts  of  the  Elizabethan  Age: 
With  chosen  Poems  of  Nicholas  Breton.  8vo,  half  calf,  gilt 
top,  uncut.     Large  Paper  Edition,  260  copies  printed. 

London,  1890 
95 


615.  [BULLET  (JEAN  BAPTISTE).]  Recherches  Histo- 
riques  siir  les  Cartes  a  Jouer,  Avec  des  Notes  critiques  &  in- 
teressantes.  First  Edition.  Small  8vo,  calf  gilt,  gilt  edges, 
by  Trautz-Bauzonnet.  Lyon,  1757 

616.  BULLIARD  (PIERRE).  Dictionnaire  Elementaire 
de  Botanique ;  Histoire  des  Plantes  Veneneuses  et  Suspectes 
de  France.  First  Edition.  10  plates,  9  of  which  are  colored. 
2  vols,  in  1,  4to,  old  red  morocco  gilt,  gilt  edges. 

Paris,  1783-84 

617.  BULLIARD  (PIERRE).  Herbier  de  la  France,  ou 
Collection  complette  des  plantes  indigenes  de  ce  royaume; 
Avec  leurs  Details  Anatomiques,  leurs  Proprietes,  et  leurs 
Usages  en  Medecine.  384  plates.  4  vols.  4to,  old  red  mo- 
rocco gilt,  gilt  edges  (4  parts  missing). 

Paris :  Didot  le  Jeune,  1780-93 

618.  BULLOCK  (WILLIAM).  Virginia  Impartially  ex- 
amined, and  left  to  publick  view,  to  be  considered  by  all 
Indicious  and  honest  men.  Under  which  Title,  is  compre- 
hended the  Degrees  from  34  to  39,  wherein  lyes  the  rich  and 
healthfuU  Countries  of  Roanock,  the  now  Plantations  of  Vir- 
ginia and  Mary-land.  Looke  not  upon  this  Booke,  as  those 
that  are  set  out  by  private  men,  for  private  ends;  for  being 
read,  you'l  find,  the  publick  good  is  the  Authors  onely  aime. 
For  this  Piece  is  no  other  then  the  Adventurers  or  Planters 
faithfuU  Steward,  disposing  the  Adventure  for  the  best  ad- 
vantage, advising  people  of  all  degrees,  from  the  highest 
Master,  to  the  meanest  Servant,  how  suddenly  to  raise  their 
fortunes.  Peruse  the  Table,  and  you  shall  finde  the  way 
plainely  layd  downe.  By  William  Bullock,  Gent.  First 
Edition.  Small  4to,  red  levant  morocco  gilt,  gilt  edges,  by 
The  Club  Bindery.  (Small  repairs  to  blank  margins  of  the 
title-page.)  London:  Printed  by  John  Hammond,  1649 

619.  [BULWER-LYTTON  (SIR  EDWARD).]  Eugene 
Aram.  A  Tale.  First  Edition.  3  vols.  12mo,  original 
boards,  uncut  (joints  weak).  London,  1832 

620.  [BULWER-LYTTON  (SIR  EDWARD).]  Ernest 
Maltravers.  First  Edition.  3  vols.  12mo,  original  boards, 
uncut.  London,  1837 

621.  [BULWER-LYTTON  (SIR  EDWARD).]  Alice,  or 
the  Mysteries:  a  Sequel  to  "Ernest  Maltravers."  First 
Edition.  3  vols.  12mo,  original  half  cloth  and  boards 
(loose),  uncut.  London,  1838 

622.  [BULWER-LYTTON  (SIR  EDWARD).]  Zanoni. 
First  Edition.  3  vols.  12mo,  original  half  cloth  and  boards 
(loose),  uncut.  London,  1842 

96 


623.  [BULWER-LYTTON  (SIR  EDWARD).]  The  Last 
of  the  Barons.  First  Edition.  3  vols.  12mo,  original  half 
cloth  and  boards  (one  loose),  uncut.  London,  1843 

624.  [BULWER-LYTTON  (SIR  EDWARD).]  Harold, 
the  last  of  the  Saxon  Kings.  First  Edition.  3  vols.  12mo, 
original  half  cloth  and  boards  (somewhat  loose),  uncut. 

London,  1848 

625.  [BULWER-LYTTON  (SIR  EDWARD).]  TJie  Cax- 
tons,  a  family  picture.  First  Edition.  3  vols.  12mo,  origi- 
nal cloth  (slightly  worn),  uncut.  London,  1849 

626.  [BULWER-LYTTON  (SIR  EDWARD).]  Th0 
Poetical  and  Dramatic  Works.  Portrait  and  engraved  titles. 
First  Collected  Edition.     5  vols.  12mo,  cloth,  uncut. 

London,  1852-4 

627.  BUNYAN  (JOHN).  The  Pilgrim's  Progress  from 
this  World  to  that  which  is  to  come;  to  which  is  added  the 
Life  of  the  Author.  Frontispiece  portrait,  21  plates  and  a 
map,  by  J.  Sturt.     8vo,  sprinkled  calf  gilt,  red  edges. 

London,  1775 

628.  BUNYAN  (JOHN).  The  Pilgrim's  Progress  from 
this  World  to  that  which  is  to  come.  With  a  memoir  of  the 
author,  by  George  Cheever.  Numerous  engravings  hy  G.  E. 
and  J.  Dalziel  from  designs  hy  Harvey.  Royal  8vo,  half  dark 
red  morocco,  gilt  top,  uncut.  One  of  50  copies  on  Large 
Paper,  London,  1850 

629.  BURGMAIER  (HANS).  Images  de  Saints  et  Saintes 
issus  de  la  famille  de  I'empereur  Maximilian  I.  119  plates 
from  the  original  wood  blocks  by  Frank,  Seemann,  and  others, 
after  the  designs  of  H.  Burgmaier,  presented  in  the  Hofbiblio- 
thek  in  Vienna.  Folio,  red  morocco  gilt,  wide  borders,  arms 
on  the  covers,  gilt  edges.        Vienne :  la  Veuve  Alberty,  1799 

630.  BURGUNDIA  (ANTONIUS  A.).  Lingua?  Vitia  & 
Remedia  Emblematice  expressa.  Engraved  title  and  93  plates, 
containing  the  cancel  leaf  pages  15-^6  (blank).  Oblong  24mo, 
red  levant  morocco  gilt,  gilt  edges,  by  Trautz-Bauzonnet. 

Antwerpiae,  1631 

631.  BURGUNDIA  (ANTONIUS  A.).  Mundi  Lapis 
Lydius  sive  Emblemata  Moralia  nobilissimi  viri.  D.  Antonii 
a  Bvrgvndia  quondam  Archidiaconi  Brugensis  in  quibus 
Vanitas  per  Veritatem  falsi  accusatur  &  conuincitur.  Versi- 
bus  illustrabat  Avrelivs  Avgvstinvs  Clemens  Bruxellensis, 
Fr.  Eremita  Augustinianus.  Engraved  title  by  Diepenbeck 
and  51  copper-plate  emblems  by  J.  Galle.  4to,  old  calf,  gilt 
back.  Antwerpise  [1665] 

632.  [BURKE  (EDMUND).]  The  Case  of  Great-Britain 
and  America,  addressed  to  the  King,  and  both  Houses  of 
Parliament.  8vo,  red  levant  morocco  gilt,  panelled  sides,  un- 
cut, by  Zaehnsdorf.  London,  1769 

97 


633.  BURNABY  (CHARLES).  The  Reform 'd  Wife.  A 
Comedy :  As  it  is  Acted  at  the  Theatre-Royal,  in  Drury- 
Lane.  Small  4to,  half  sprinkled  calf,  gilt  top,  uncut,  by 
Lloyd.  London :  Thos.  Bennet,  1700 

*  Contams  the  final  leaf  of  "Poems  and  Plays  (by  Suckling, 
Shakespeare,  etc.).     Printed  by  Tho.  Bennet." 

634.  BURNAND  (SIR  FRANCIS  C).  The  Incompleat 
Angler.  After  Master  Izaac  Walton.  Illustrations  in  colors, 
hy  Harry  Furniss.     8vo,  calf  gilt,  gilt  top,  uncut,  by  Riviere. 

London,  1887 

635.  BURNET  (JOHN).  Practical  Hints  on  Light  and 
Shade  in  Painting.  Illustrated  by  Examples  from  the  Italian, 
Flemish,  and  Dutch  Schools.  With  8  plates  {39  illustrations) 
on  India  paper.     4to,  boards,  uncut.     Large  Paper  copy. 

London,  1826 

636.  BURNET  (JOHN).  A  Treatise  on  Painting.  In  four 
parts.  With  illustrations  from  the  Italian,  Venetian,  Flem- 
ish, and  Dutch  Schools.    4to,  cloth,  uncut.       London,  1835-1837 

*  Contains  4  title-pages,  and  120  figures  on  33  plates. 

637.  BURNET  (JOHN).  A  Treatise  on  Painting.  In 
four  parts.  Consisting  of  an  Essay  on  the  Education  of  the 
Eye  with  reference  to  Painting,  and  practical  hints  on  Com- 
position, Chiaroscuro,  and  Color.  Portrait  and  numerous 
illustrations.     4to,  polished  calf,  gilt  edges,  by  Lewis. 

London,  1837 

638.  BURNET  (JOHN).  Rembrandt  and  his  Works; 
comprising  a  short  Account  of  his  Life;  with  a  critical  Ex- 
amination into  his  principles  and  practice  of  Design,  Light, 
etc.  Illustrated  hy  examples  from  the  etchings  of  Rembrandt. 
Folio,  original  cloth.  London :  David  Bogue,  1849 

*  One  of  50  copies  printed  on  large  and  thick  paper,  with  the 
plates  on  India  paper. 

639.  BURNET  (JOHN)  and  CUNNINGHAM  (PETER). 
Turner  and  his  Works:  illustrated  ivith  10  Examples  from 
his  Pictures,  and  Critical  Remarks  on  his  Principles  of  Paint- 
ing.    4to,  cloth,  uncut.  London,  1859 

640.  BURNS  (ROBERT).  Poems,  Chiefly  in  the  Scottish 
Dialect.  Portrait  of  Burns  hy  Beugo  after  Nasmyth.  8vo, 
half  green  levant  morocco,  gilt  top,  with  some  uncut  edges,  by 
Zaehnsdorf.  Edinburgh:  Printed  for  the  Author,  1787 

*  Second  issue  of  the  first  Edinburgh  edition,  with  the  errors 
on  page  263  corrected  to  "skinking"  and  "Haggis."  Con- 
tains the  half-title  usually  missing. 

641.  BURNS  (ROBERT).  Poems,  Chiefly  in  the  Scottish 
Dialect.  Second  Edition,  considerably  enlarged.  Portrait 
of  Burns  hy  Beugo  after  Nasmyth,  and  an  extra  portrait  en- 

98 


graved  by  Tiehout,  inserted.    2  vols.  8vo,  red  levant  morocco, 
dentelle  borders,  gilt  edges,  by  Riviere. 

London :  Printed  for  T.  Cadell,  1793 

*  On  the  back  of  the  half-title  of  volume  one,  there  is  an 
obituary  notice  of  Burns  written  by  a  contemporary  owner, 
copied  from  the  "Star"  July  27,  1796,  the  day  after  Burns' 
death. 


642.  BURNS  (ROBERT).  Letters  Addressed  to  Clarinda, 
&c.  By  Robert  Burns,  the  Ayrshire  Poet.  Never  before 
published.  First  Edition.  IGmo,  green  straight-grain  mo- 
rocco, gilt  edges,  by  Bedford. 

Glasgow :  Printed  by  Niven,  Napier,  &c.,  1802 

*  The  letters  to  "Clarinda"  (Agnes  M'Lehose)  are  undated, 
but  were  written  in  Edinburgh  in  1787-88,  just  previous  to  his 
marriage  with  Jean  Armour,  although  not  printed  until  five 
years  after  Burns'  death. 


643.  BURNS  (ROBERT).  The  Works  of  Robert  Burns; 
with  an  account  of  his  life,  and  a  criticism  on  his  writings. 
To  which  are  prefixed,  some  observations  on  the  character 
and  condition  of  the  Scottish  Peasantry.  .  .  .  The  second  edi- 
tion. London :  printed  for  T.  Cadell,  Jun.  and  "W.  Davies,  .  .  . 
1801.  Also,  Reliques  of  Robert  Burns;  consisting  chiefly  of 
original  letters,  poems,  and  critical  observations  on  Scottish 
songs.  Collected  and  published  by  R.  H.  Cromek.  .  .  .  Lon- 
don :  printed  for  T.  Cadell,  and  W.  Davies,  .  .  .  1808.  Por- 
trait hy  N eagle  after  Nasmyth.    5  vols.  8vo,  calf,  gilt. 

*  Large  paper  copy.  London,  1801-8 

644.  BURNS  (ROBERT).  Poems,  Chiefly  in  the  Scottish 
Dialect.  Numerous  illustrations.  Imperial  8vo,  green  levant 
morocco  gilt,  gilt  edges,  by  Bedford. 

Kilmarnock,  1786   (1867) 

*  Eeprint  of  the  First  Edition  oi^  Large  paper.  Only  50 
copies  printed.  Extra-illusteated  by  the  insertion  of  86 
plates,  many  proofs,  and  some  of  Stothard's  illustrations,  re- 
touched for  the  engraver.  At  the  end  is  bound  a  facsimile  of 
the  original  manuscript  of  the  ' '  Jolly  Beggars. ' '  Glasgow, 
1823. 

645.  BURTON  (ROBERT).  The  Anatomy  of  Melancholy: 
what  it  is.  With  all  the  kindes,  cavses,  symptomes,  prog- 
nosticks,  and  severall  cvres  of  it.  In  three  maine  partitions, 
with  their  seuerall  Sections,  INIembers,  and  Svbsections. 
Philosophically,  medicinally,  historically  opened  and  cut  vp, 
by  Democritvs  lunior.  With  a  Satyricall  Preface,  conducing 
to  the  following  Discourse.  The  Second  Edition,  corrected 
and  augmented  by  the  Author.  Small  folio,  maroon  levant 
morocco,  richly  tooled,  inside  borders,  gilt  edges,  by  Riviere. 

At  Oxford :  Printed  by  John  Lichfield,  1624 

99 


64:6.  BURTON  (ROBERT).  The  Anatomy  of  Melancholy. 
What  it  is,  with  all  the  kinds,  causes,  symptomes,  prognos- 
tickes,  &  seuerall  cures  of  it.  In  three  Partitions,  with  their 
severall  Sections,  members  &  subsections.  Pliilosophically, 
Medicinally,  Historically,  opened  &  cut  up.  By  Democritus 
Junior.  With  a  Satyricall  Preface,  conducing  to  the  follow- 
ing Discourse.  Fifth  Edition.  Engraved  title  in  compart- 
ments, containing  portrait  of  Burton,  hy  C.  le  Blon.  Small 
folio,  brown  levant  morocco  gilt,  gilt  edges,  some  uncut,  by 
The  Club  Bindery.    Oxford:  Printed  for  Henry  Cripps,  1638 

*  With  the  bookplate  of  Sir  Eob  't.  Throckmorton. 

647.  BURTON     (ROBERT).       Anatomy    of    Melancholy. 

Engraved  facsimile  of  the  original  title,  India  proof;  and 
extra  illuminated  titles.  3  vols.  8vo,  red  levant  morocco,  gilt 
tops,  uncut,  by  Bradstreet.  Cambridge :  Riverside  Press,  1861 

*  Large  Paper  Copy ;  only  75  printed. 

648.  BUTLER  (FRANCES  ANNE).  [Fanny  Kemble.] 
Poems.  First  Edition.  Portrait  hy  Cheney  after  Sully. 
12mo,  blue  levant  morocco,  gilt  back  and  side  panels  after  the 
manner  of  Roger  Payne,  gilt  over  uncut  edges,  by  Riviere. 

Philadelphia,  1844 

*  Laid  in  is  a  one-page  letter  by  Fanny  Kemble,  relative  to 
the  assumption  of  her  name  by  another. 

649.  BUTLER  (SAMUEL).  Hudibras,  with  Dr.  (Prey's 
annotations.  A  new  edition,  corrected  and  enlarged.  Wood- 
cuts, 64  portraits  and  numerous  plates,  proofs  on  India  paper. 
3  vols.  8vo,  green  levant  morocco  gilt,  gilt  edges,  by  Riviere. 

London,  1819 

*  Laege  Paper  Copy  of  the  best  modern  edition. 

650.  BUTSCH  (ALBERT  FIDELIS).  Die  Biicher-Orna- 
mentik  der  Renaissance.  With  105  plates.  Folio,  in  half- 
cloth  portfolio.  Leipzig,  1878 

651.  BUTSCH  (ALBERT  FIDELLS).  Die  Biicherorna- 
mentik  der  Hoch-und  Spatrenaissance.  With  111  plates. 
Folio,  half  maroon  levant  morocco,  gilt  top,  uncut,  by 
Carayon.  Leipzig,  1881 

652.  BYFIELD  (NATHANIEL).  An  Account  of  the  Late 
Revolution  in  New- England.  Together  with  the  Declaration 
of  the  Gentlemen,  Merchants,  and  Inhabitants  of  Boston, 
and  the  Country  adjacent.  April  18, 1689.  Written  by  M>'. 
Nathanael  Byfield,  a  Merchant  of  Bristol  in  New-England,  to 
his  Friends  in  London.  Small  4to,  red  levant  morocco  gilt, 
gilt  edges,  by  Pratt.    London:  Printed  for  Ric.  Chiswell,  1689 

*  First  Edition.  Very  scarce.  The  author  was  one  of  the 
early  settlers  of  Bristol,  Rhode  Island,  his  name  being  found  as 
one  of  the  original  members  of  the  First  Congregational 
Church  there  in  1687.  Later  he  is  called  Captain  Byfield, 
probably  from  having  served  in  some  of  the  numerous  expedi- 
tions against  the  Indians.  Tlie  volume  gives  a  narrative  of  the 
Revolution  in  New-England  in  which  Gov.  Andros  was  seized 
and  deposed. 

100 


653.  BYLAERT  (HANS  JACOB).  [Dutch  title.]  Nou- 
velle  mauiere  de  Graver  en  Cuivre  des  estampes  coloriees; 
de  fa(^on  que,  quoiqu'imprimees  dans  une  Presse  ordinaire, 
elles  couservent  Pair  &  le  Caractere  du  Dessin.  Traduit 
du  Hollandais  par  L.  G.  F.  Kerroux.  2  plates.  8vo, 
half  calf,  uncut.  Leide,  1772 

*The  Dutch  and  the  French  texts  are  on  opposite  pages. 

654.  BYRON  (GEORGE  GORDON.  LORD).  English 
Bards  and  Scotch  Reviewers.  With  the  additional  pas- 
sages from  the  subsequent  editions.  4to,  dark  blue  straight- 
grain  morocco,  gilt  edges  (portion  of  back  cover  repaired). 

[London]  1815 
*  Extra-illustrated  copy  from  the  Drury  Collection,  with 
special  title-page  and  the  original  text  inlaid  to  quarto,  supple- 
mented by  manuscript  readings  of  the  variations  in  text  of  the 
3rd,  4th  and  5th  editions.  Twenty-six  portraits  are  inserted,  in- 
cluding a  colored  stipple  of  Madame  Catalani,  mezzotint  by  C. 
Turner  of  the  Earl  of  Aberdeen,  etc. 

655.  BYRON  (GEORGE  GORDON,  LORD).  The  Works 
of  Lord  Byron;  with  his  Letters  and  Journals,  and  his 
Life,  by  Thomas  Moore.  First  issue.  Portrait,  and  33 
frontispieces  and  vignettes.     17  vols.  12mo,  cloth,  uncut. 

London:  John  Murray,  1832-33 

BIBLES. 

(See  also  under  Manuscripts,  nos.  2425-2428.) 

THE  FAMOUS  GUTENBERG  (OR  "42-LINE")  BIBLE. 

656.  BIBLIA  LATINA.  Gothic  character's,  double 
columns.  61^2  unnumbered  leaves  ivithout  signatures  or 
catchwords,  including  last  blank.  Leaves  1-5  r.  with  JfO  lines 
to  the  page,  leaf  5  v.  has  Jfl  lines  ;  leaf  6  and  the  succeeding 
pages  generally  have  Jt.2  lines.  Rubricated  throughout  and 
with  numerous  large  and  small  ornamental  initials  painted 
in  blue,  red,  etc  ,  the  titles  of  the  books  in  red  on  the  upper 
margins  throughout.  Fol.  1  v.,  col.  1:  Incipit  epistola 
sancti  iheronimi  |  ad  paulinura  presbiterum  de  omnibus  | 
diuine  historic  libris.  capitulu  p'mu  {printed  in  red).  \ 
[F]Rater  ambrosius  |  tua  michi  munus-  |  cula  pferens. 
detulit  I  sir  et  suauissimas  |  Iras,  q  a  principio  |  amicicia 
U'  fide  pba-  |  te  iam  fidei  z  veteris  amicicie  noua:  |  .  .  . 
Fol.  5  r.,  col.  1 :  Incipit  liber  bresith  que  nos  genesim  | 
dicim'  {printed  in  red)  \  [I]N  principio  creanit  deus 
celu  I  et  terram.  Terra  autem  erat  inanis  et  |  vacua:  et 
tenebre  erat  sup  facie  abissi  .  .  .  Fol.  32Jf.  v.,  col.  1.  line  21  : 
.  .  .  laudet  dnm.  All'a.  Fol.  325  r.,  col.  1 :  [I]ungat 
epistola  quos  iiigit  sacerdoti-  |  um :  immo  carta  non  diuidat : 
quos  I  xpi  nectit  amor  .  .  .  FoL  6Jfl  v. ,  col.  2^  line  Jfi :  Venio 

101 


BIELEQ— Continued. 

cito  amen.  Veni  domine  ihe-  |  su.  Gratia  dni  nri  iliesu 
cristi  til  omni-  |  hj  vobis  ame.  Fol.  6Jf2  blank.  Bound  in 
2  vols,  folio,  red  levant  morocco,  blind  tooled  panels,  the 
titles  of  the  work  printed  in  gold  letters  around  the  inner 
panels  of  the  front  covers,  doublures  of  light  brown  levant 
with  gilt  tooled  borders,  vellum  flj^-leaves,  gilt  edges,  by 
Mercier,  in  morocco  cases. 

[MoGUNTi^,  Jo.  Gutenberg  et  Jo.  Fust,  1450-55] 

*  Editio  Princeps  of  the  Bible.  Whereas  all  copies  vary 
slightly,  the  above  is  one  of  the  few  with  headings  at  the  com- 
mencement of  the  Epistle  of  St.  Jerome,  the  prologue  to  Genesis, 
and  the  first  book  of  Genesis  printed  in  red,  it  being  presumed 
that  on  account  of  the  difficulty  encountered  in  printing  in  a 
second  color,  this  undertaking  was  discontinued.  In  the  British 
Museum  copy  these  spaces  were  left  blank.  The  other  chapter 
headings  throughout  ai'e  written  in  red,  thus  preserving  the 
symmetry  of  the  pages.     The  present  copy  is  absolutely 

PERFECT    AND   GENUINE   THROUGHOUT,  AND    MEASURES   15X10^ 
INCHES. 

At  the  end  of  each  volume  there  is  a  Latin  inscription  dated 
March  7,  1471,  and  authenticated  by  a  notary,  showing  that 
this'Bible  belonged  to  a  certain  John  Vlieghet,  priest  and  bene- 
ficiary of  the  Cathedral  of  Utrecht,  and  that  he  left  it  to  the 
monastery  called  ad  Castrum,  near  Amersford.  The  Hoe 
catalogue  states  that  this  copy  was  formerly  in  the  library  of 
Lord  Ashburnham,  and  that  it  was  sold  a  year  before  his  death. 
Hain,  3031;  Pellechet,  3265;  Hessels,  p.  170,  No.  6;  Proctor,  56. 

Twenty-seven  copies  on  paper  (four  containing  Vol.  I  only, 
and  one  only  Vol.  II)  are  known  to  exist.  By  calculations 
based  on  the  proportionate  use  made  of  two  of  the  four  kinds 
of  paper  used  for  the  book,  Dr.  Schwenke  suggests  that  the 
total  number  of  paper  copies  printed  may  have  been  180. 

657.  BIBLIA  LATINA.  Gothic  character,  double  col- 
umns; 4-81  unnumbered  leaves  without  signatures  and 
catchwords;  Jf8  lines  to  the  page;  first  page  ornamented 
luith  a  semi-border  and  a  large  initial  illuminated  in 
GOLD  AND  COLORS;  rubricated  throughout  and  initials 
painted  in  red  and  blue.  Bound  in  2  vols.  Folio,  old  red 
morocco,  gilt  edges,  probablj^  by  Padeloup  (binding 
rubbed).  Nurnberg:  Antonius  Koberger,  1475 

*  A  magnificent  copy  of  this  very  rare  Bible,  and  one  of  the 
most  noted  books  from  the  celebrated  press  of  Coburger.  From 
the  libraries  of  Cardinal  Lomenie  de  Brienne  and  Michael 
WodhuU.     Hain,  3056;  Proctor,  1970. 

658.  BIBLIA  LATINA.  Gothic  character^  double  col- 
umns., Jf70  unnumbered  leaves  {^including  2  blank  leaves'], 
luith  52  lines  to  the  page.  2  large  historiated  initials 
illuminated  in  gold  and  colors,  representing  St.  Jerome 
and  a  View  of  the  Garden  of  Eden;  a  few  other  illuminated 
initials  and  the  remainder  painted  in  blu^e  and  red.     Folio, 

103 


BIBLES — Continued. 

old  blue  straight-grain  morocco,  blind-tooled  borders,  gilt 
edges,  in  a  morocco  slip  case.  (The  two  blanks  a^  and 
H.^*'  and  last  leaf  containing  the  Register  missing;  two- 
thirds  of  2  leaves  (a~  and  a^)  in  facsimile  and  3  leaves 
soiled.)  Venetiis:  Nicolaus  Jenson  Gallicus,  1476 

*  Printed  on  vellum;  only  seven  or  eight  copies  known 
IN  THIS  STATE.  The  first  Jenson  Edition  and  the  most  beautiful 
specimen  printed  in  Gothic  character  from  his  press.  From 
the  Hanrott  Library.  Hain-Copinger,  3061;  Pellechet,  2290; 
Proctor,  6696. 

659.  BIBLIA  LATINA.  Gothic  characters,  double  col- 
umns. 1  unnumbered  leaf,  cccclxj  numbered,  and  6  un- 
numbered = -^68  leaves,  without  signatures  and  catchivords; 
51-53  lines  to  the  page.  Rubricated  throughout;  first  initial 
illuminated  in  gold  and  colors,  the  others  painted  in  red  and 
blue.     Large  folio.      Nuremberg:  Antonius  Koberger,  1478 

*  Koberger's  Fourth  Edition  of  the  Bible.  Contempo- 
rary German  binding  in  wooden  boards  covered  with  stamped 
calf  (rebacked  and  front  cover  split,  also  small  portion  of  mar- 
gin of  first  leaf  mended,  and  a  few  vvormholes). 

On  the  recto  of  first  leaf  is  the  following  inscription  in  a 
15th  century  hand :  "  Hunc  noui  veterisque  testamenti  librum 
Jacobus  Helder  prutenus  singulari  ductus  fauore  ob  sue  anime 
salutem  fratribus  moybensibus  decreuit  fore  transmittendum." 
Hain,  3069;  Proctor,  1989. 

660.  BIBLIA  LATINA.  Biblia  cum  summariorum  ap- 
paratu  pleno,  quadruplicique  repertorio  insiguita.  Gothic 
character,  double  columns;  title  in  red  and  black,  ornamental 
and  historiated  woodcut  initials  8vo,  brown  levant  mo- 
rocco, panelled  sides,  gilt  centre  ornaments  and  fleurons  in 
the  corners,  vellum  linings,  gilt  edges,  by  F.  Bedford. 
(Blank  leaf  preceding  the  text  missing.) 

Lugduni:  in  officina  Jacobi  Mareschal,  1514 

661.  BIBLIA  LATINA,  Vetus  Testamentum.  Sacra 
Biblia  ad  LXX.  interpretum  fidem  diligentissime  tralata. 
Muled  throughout  in  red  ink,  and  the  initials  illuminated  in 
gold  and  colors.  Woodcut  of  the  Creation  at  the  beginning  of 
Genesis.  4to,  contemporary  binding  in  dark  brown  morocco, 
gilt  panelled  sides,  with  the  title  stamped  in  gold  capitals  on 
the  centre  of  the  front  cover,  gilt  arabesques  in  the  Aldine 
manner  on  the  back,  gilt  edges  (slightly  cracked,  back  and 
corners  restored).    Basile?e:  per  Andream  Cratandrum,  1536 

662.  BIBLIA  GALLICA.  Le  premier  [et  seconde]  vo- 
lume de  la  Bible  en  frangoj^s.  Lettres  bdtardes,  double  col- 
umns; 333  woodcuts,  some  of  considerable  size,  mainly  re- 
prints of  those  by  Verard  in  the  edition  of  1517.  2  vols, 
in  1,  folio,  scored  russia,  gilt  centre  and  corner  ornaments, 
gilt  edges,  by  Tripton.  (Blank  leaves  (?)  at  the  end  of  both 
volumes  missing  )       Paris:  Anthoyne  Bonnemere,  1537-38 

663.  BIBLIA  GALLICA.  Le  premier  [et  second]  volume 
de  la  Bible  en  Frangois  (translated  bj^  Raoul  de  Presles). 
Lettres  bdtardes,  double  columns ;  titles  within  architectural 

103 


BIBIjES— Continued. 

ivoodcut  borders.,  and  229  woodcuts,  some  of  considerable 
size,  reprints  of  those  by  Verard  in  the  edition  of  1517. 
2  vols,  in  one,  folio,  brown  levant  morocco,  gilt  Grolieresque 
ornaments  in  the  centre  of  each  side,  gilt  edges,  b}^  David. 
(Some  leaves  supplied  from  a  shorter  copy.)     Rare. 

Paris:  Nicolas  Conteau  pour  Oudin  Petit,  1541 

664.  BIBLE.  The  Bible  (Genevan  or  "  Breeches  ")  trans- 
lated according  to  the  Ebrew  and  Greek  and  compared 
with  the  best  translations  in  divers  languages,  with  most 
profitable  Annotations,  Chronologies,  Calendar,  etc.  Gothic 
type.  Title  within  ivoodcut  borders,  and  ivoodcuts.  Large 
folio,  old  russia  gilt.         London :  Christopher  Barker,  1583 

665.  BIBLE. — (I)  Biblia,  dat  is,  de  gantsche  hejdige 
Schrifture,  vervattende  alle  de  canonijcke  boecken  des 
Ouden  en  des  Nieuwen  Testaments.  (II)  Het  Nieuwe 
Testament,  ofte  alle  Boecken  des  Nieuwen  Verbonts  ouses 
Heeren  Jesu  Christi.  (Ill)  De  Boecken  genaemt  Apo- 
cryphe.  Three  parts  in  two  volumes.  Polio,  blue  levant 
morocco,  gilt  and  blind  tooled,  gilt  edges,  by  The  Club 
Bindery.  Leyden,  by  de  Weduwe  Johan  Elzevier,  1663 

*  The  Elzevier  Bible,  known  as  the  "Bible  des  Etats."  con- 
taining two  maps,  one  of  Jerusalem,  Volume  I,  folio  229,  and 
"  Het  Beloofde  Landt  Canaan,"  engraved  by  Broeck  after  C. 
Visscher  Volume,  II,  preceding  folio  1.  The  first  volume  has  a 
rubricated  title  following  a  frontispiece  engraved  by  Mathani 
after  N.  Berchem.  Between  the  folios  324  and  325  in  Volume 
I  is  a  second  title,  "  De  Prophetien  der  Propheten,"  1663. 
Inserted  are  eighty-five  double  plates  engraved  by  C.  Visscher, 
N.  Visscher.  Clemendt  de  Jonghe,  and  others,  after  de  Bruyn, 
Visscher.  de  Vos,  Vinckenbooms,  Rubens,  Pieter  de  Jode,  J. 
Jordaens,  Tintoret,  and  others  The  second  volume  has  also 
an  inserted  double  frontispiece. 

666.  BIBLE.  La  Sainte  Bible  traduite  enfrangois  sur  la 
Vulgate;  avee  des  Notes  courtes  tirees  des  SS.  Peres  & 
des  meilleurs  Interpretes,  pour  1  intelligence  des  endroits 
les  plus  difficiles,  La  Traduction  du  Pseautier  selon 
I'Hebreu  a  cote  de  la  Vulgate,  et  la  Concorde  des  Quatre 
Evangelistes.  Frontispiece,  by  S.  Thornassin  (repaired) 
and  numerous  vignettes.  3  vols.  4to,  old  brown  morocco, 
doublure  of  citron  morocco,  gilt  edges.  Liege,  1700 

667.  BIBLE.  Biblia,  Das  ift:  Die  Heilige  Schrif t  Altes 
und  Neues  Testaments,  Naeh  der  Deutschen  Uerbersetz- 
ung  D.  Martin  Luthers,  etc.  4to,  original  stamped  calf, 
with  bosses  (no  clasps,  and  back  repaired). 

Germantown  .    .   .   Christoph  Saur,  1743 

*  First  Edition  of  the  Saur  Bible. 

668.  BIBLE.  Bibliorum  Sacrorum  Vulgatse  versionis 
Editio.  .  .  .  Jussu  Chrestianissimi  Regis  ad  Institutio- 
nem  Serenissimi  Delphini.  8  vols  8vo,  red  levant  morocco, 
vellum  linings,  uncut,  by  Belz-Niedree.     Paris:  Didot,  1785 

*  Printed  on  vellum. 

104 


TWENTY  FOURTH  SESSION,  WEDNESDAY,  2:30  P.M. 

669.  /CABINET  SATYRIQUE  (Le).     Recueil   parfaict 
^^     des  vers  piquants  et  gaillards  de  ce  temps,  tire 

des  secrets  Cabinets  des  Sieursde  Sj-gognes,  Regnier,  Motiu, 
Maynard  et  autres.  Frontispiece  etching .  2  vols  in  1.  12mo, 
citron  levant  morocco,  gilt,  uncut.     By  ChamboUe-Duru. 

*  Printed  un  India  paper.  Paris,  1864 

670.  C^SAR  (CAIUS  JULIUS).  Opera.  Roman  char- 
acters, 168  unnumbered  leaves  ivithout  sigriatures  and 
catchwords;  38  lines  to  the  page  {Fol.  1  a  blank,  cut  away). 
Fol.2  r.:    (G)  Allia  est  omnis  diuisa  in  partes  tres:  qua-  ^ 

rum  I  unani  incolut  beige:  .  .   .     Fol.  166  v.,  line  21:  Anno        (^OO 
Christi.   M.CCCC.  Ixix.  die  uero.  xii.  mensis  mail.    Paulo 
I  florente.  ii.  anno  eius.   v.  Rome  in  domo  Petri  de  Maxi-    p  -/— 
mis.     Fol.  167  r.  :  (D)  Ictatoris  Cesaris  cumentarios :  iam    u>^^ 
pridem  multadiligentia  |  me  recognonisse  memineram.  •  •  •    o,      n 
Same  page,  line  34- :      •   •   •  I  &  pro  uirili  imitandum.     Fol.    7^.^^^-^^*^ 
167  V.  contains  an  index  of  19  lines.     Fol.  168  blank  {cut  s_/ 

away).     Folio,  light  brown  levant  morocco,  the  sides  cov-/)_^.^r— 
ered  with  a  rich  Grolieresque  design  of  mosaic  interlacings        ^  r- 

in  dark  brown  levant  outlined  in  gold,  mosaic  back,  vellum       M-^^  >2 
linings  and  fly-leaves,  gilt  edges,  hy  The  Club  Bindeey; 
in  a  case. 

Rom?B,   [Conradus  Sweynheym    et  Arnold  us   Pannartz,]        f 
1469.  ''^Y^ 

*  Editio  princeps  ;  OP  EXTREME  RARITY  A  clean  and  large 
copy  measuring  ISy  xSJ^  inches.  Bound  with  the  volume  are 
six  vellum  pages  from  a  13th  century  Latin  MS.  treatise  on  Law. 
The  Sunderland  and  W.  H.  Crawford  copy,  since  rebound. 

671.  CESAR  (CAIUS  JULIUS).  C.  Julii  C^esaris  qu^e 
extant  Ex  Emeudatione  Jos.  Scaligeri.  Engraved  title  and 
other  illustrations.  12mo,  olive  morocco,  back  inlaid  with 
red  morocco  and  covered  with  small  dots,  gilt  borders,  gilt 
edges,  by  Padeloup 

Lugduni  Batavorum:  Ex  Officina  Elzeviriana,  1635 

672.  CESAR  (CAIUS  JULIUS).  Memoires.  Translated 
by  M.  Artaud.  3  vols.  8vo,  red  levant  morocco,  gilt  backs, 
with  the  monogram  E.  B.,  gilt  edges,  by  Belz-Niedree. 

Paris,  1835-37 

673.  CAILLY  (JACQUES -DE).  Di verses  Petites  Poesies 
duChevallier  d'Aceilly.  Premier  Volume  (all  issued).  12mo, 
blue  levant  morocco,  crowned  monogram  on  the  back,  arms 
on  the  sides,  gilt  edges,  by  Duru. 

Paris:  Andre  Cramoisy,  1667 

*  First  Edition  of  the  only  volume  issued.  Presentation 
copy  from  the  author  (probably  to  M.  Monicault,  whose  auto- 
graph is  on  a  flyleaf).  From  the  Collection  of  Baron  J.  F. 
Pichon. 

105 


J 


674.  CALEDONIA;  or,  The  Pedlar  turn'd  Merchant.  A 
T^agi-Coraed5^  As  it  was  Acted  by  His  Majesty's  Subjects 
of  Scotland  in  the  King  of  Spain's  Province  of  Darien. 
First  Edition.  Small  4to,  blue  levant  morocco,  ornate 
borders,  gilt  on  rough  edges,  by  The  Club  Bindery. 

London:  Printed  ...  by  the  Booksellers  of  London,  1700 

675.  CALENDRIER  Historique  d'Orleans,  Curieux  & 
necessaire,  avec  le  detail  du  commerce  de  la  Ville  &  du 
Departement  du  Loiret  .  .  .  Annee  1792.  ISmo,  old  red 
morocco,  gilt  back,  the  sides  covered  with  gold  tooling 
having  in  the  centre  pastoral  and  other  emblems,  green 
figured  satin  linings,  gilt  edges.  Orleans  [1795] 

676.  CALENDRIER  Recreatif,  ou  Choix  d'Anecdotes 
Curieuses  et  de  Bons-Mots.     16mo,  old  green  morocco. 

Amsterdam  [Paris] :  Veuve  Duchesne,  1786 

677.  CALLOT  (JACQUES).  Vie  de  la  Mere  de  Dieu 
representee  par  Emblesmes.  With  an  inserted  portrait  of 
Callot,  title  and  26  plates.  4to,  red  straight-grain  morocco 
gilt,  gilt  edges,  by  The  Club  Bindery.  [Paris]  [1626] 

678.  CALLOT  (JACQUES).  Salvatoris,  Beata?  Mariae 
Virginis  Sanctorum  Apostolorum  imagines,  1631. — Cos- 
tumes de  la  Noblesse  Lorraine,  1625. — Capitano  de  Baroni, 
1622.  Engraved  title  and  51{.  plates.  Three  works  in  one 
vol.  4to,  red  straight-grain  morocco  gilt,  gilt  edges,  by 
The  Club  Bindery.    ^  Paris,  1622-1631 

679.  CAMERARIUS  (GEORGIUS).  Emblemata  Ama- 
toria.  Engraved  title  and  80  copper-plates.  Oblong  24mo, 
old  red  morocco  gilt,  gilt  edges. 

Venetiis:  Ex  Typographia  Sarcinea,  1627 

680.  CAMERARIUS  (JOACHIM).  Symbolorum  &  Em- 
blematum  ex  re  herbaria  desumptorum  centuria  una.  En- 
graved title  and  100  fine  emblematic  copper  engravings  by 
Hans  Schroder.     4to. 

Noribergfe:  J.  Hofmann  &  H.  Camox,  1590 

*  Brown  morocoo,  the  sides  tooled  and  gilt  in  compartments, 
the  intervening  spaces  occupied  by  arabesques,  floral  orna- 
ments and  gilt  sprays,  in  the  manner  of  Clovis  Eve,  Royal 
ARMS  OF  France  and  Navarre  in  the  centre,  gilt  edges,  in  a 
inorocco  slip  case.  With  the  engraved  bookplate  of  Guy 
Pellion. 

Presentation  copy  from  the  author,  with  autograph 
inscription. 

681.  CAMERARIUS  (JOACHIM).  Joachimi  Camerarii 
Symbolorum  ac  Emblematum  ethico;  politicorum.  IVith 
400  engraved  plates  in  the  text.  4  parts  in  one  vol.  Small 
8vo,  red  levant  morocco  gilt,  gilt  edges,  by  The  Club 
Bindery.  Moguntife,  1697 

*  Jossph  Knight's  copy,  with  his  bookplate. 

106 


682.  CAMERARIITS(P.).  The  Living  Librarie,  or,  medi- 
tations and  observations  historical,  natvral,  moral,  political, 
and  poetical.  Written  in  Latin.  (Translated  by  J.  Molle.) 
First  Edition.  Small  folio,  red  levant  morocco,  gilt  edges, 
by  The  Club  Bindery.    London  :  Printed  by  Adam  Islip,  1621 

683.  CAMPBELL  (THOMAS).  Life  of  Mrs.  Siddons. 
First  Edition.  2  vols.  8vo,  citron  levant  morocco,  gilt  and 
mosaic  backs  and  sides  elaborately  tooled  in  the  manner  of 
Derome,  gilt  over  rough  edges,  by  David.         London,  1834 

*  Extra- Illustrated  by  the  in.sertion  of  186  portraits,  etc., 
including  41  portraits  of  Mrs.  Siddons,  a  brilliant  mezzotint  of 
E.  Kean,  colored  portrait  of  Kynaston,  and  a  water-color 
drawing  of  Glasgow  Cathedral.  A  large  number  of  the  plates 
are  in  proof  state. 

684.  CAMPBELL  (THOMAS).  Poetical  Works.  Por- 
trait, and  20  vignettes  after  designs  of  Tamer.  Small  8vo, 
citron  morocco  gilt,  gilt  edges,  hy  Brany.         London,  1837 

*  A  portrait  by  Holl  and  illustrations  by  Westall,  both  proofs, 
are  inserted. 

685.  CANEVARI  (DEMETRIO).  Ars  Medica.  Folio, 
wrappers,  uncut  (stamp  on  verso  of  title). 

Genevse:  apud  J.  Pavonem,  1627 

686.  CAPELLA  (GALEAZZO).  Beschribung  und  Ge- 
schicht  des  Meylandischen  Kriegs,  etc.  Translated  into 
German  by  D.  Wencelaum  Lincken.     Small  folio,  boards. 

Berne:  M.  Apiarius,  1539 

687.  CAPON  (GASTON).  Les  Petites  Maisons  galantes 
de  Paris  au  XVIIP  siecle.  Folies,  Maisons  de  Plaisance  et 
Vide-Bouteilles  d'apres  des  documents  iuedits  et  des  rap- 
ports de  police.  Preface  par  R.  Yve-Plessis.  Orne  de  16 
planches  hors  texte.  Holland  paper  copy.  8vo,  original 
wrappers,  uncut.  Paris,  1902 

688.  CARACCI    (ANNIBALE).      Le  Arti    di    Bologna. 

Portrait  of  A.  Caracci  and  80  plates  representing  the  itin- 
erant trades  of  Bologna,  engraved  by  S.  Guilini,  after  A. 
Caracci.  Folio,  old  Italian  brown  calf,  borders  formed  by 
interlaced  bands  painted  in  red  within  gold  lines,  accom- 
panied by  gold  tooled  ornaments  and  the  arms  of  a  prelate 
of  the  noble  Spinola  Family  of  Genova,  gilt  back  and 
edges.  Roma,  1740 

689.  CARAMAN  (RIQLTET,  COMTE  A.  DE).  Anet.  sou 
passe,  son  etat  actuel.  Notice  historique  sur  les  person- 
nages  qui  ont  illustre  ce  sejour;  sur  les  phases  diverses 
qu'a  subies  son  architecture  et  sur  les  principaux  evene- 
ments,  dont  il  a  ete  le  theatre.  FrontisjDiece  and  25  photo- 
graphic tllustrations.  12mo,  brown  levant  morocco,  bauds 
of  dark  brown,  crowned  "  H  "  of  Henri  II  and  the  crescent 
of  Diane  de  Poitiers  in  mosaic  (a  reproduction  of  the 
frontispiece)  on  the  sides,  gilt  edges,  by  Cape.       Paris,  1860 

107 


690.  [CAREW  (RICHARD).]  Examen  de  Ingenios. 
The  Examination  of  mens  Wits.  In  which,  by  cliscouering 
the  varietie  of  natures,  is  shewed  for  wliat  profession  each 
one  is  apt,  and  how  far  he  shall  profit  therein.  By  John 
Huarte.  Translated  out  of  the  Spanish  tongue  b}^  M. 
Camillo  Camilli.  Englished  out  of  his  Italian,  by  R.  C. 
Esquire.  4to,  blue  levant  morocco  gilt,  gilt  edges,  by  The 
Club  Bindery.  London:  Adam  Islip,  1604 

*  Thu-d  Edition.    J.  Payne  Collier's  copy. 

691.  CAREW  (THOMAS).  The  Works  of  Thomas 
Carew,  Sewer  in  ordinary  to  Charles  the  First.  Reprinted 
from  the  original  edition  of  M.DC.XL.  Edited  by  Lord 
Dundrennan.     12mo,  boards,  cloth  back,  uncut. 

*  Ojaly  125  copies  printed.  Edinburgh,  1824 

692.  CAREY  (HENRY).  Poems  on  Several  Occasions. 
First  Edition.  12mo,  red  levant  morocco  gilt,  gilt  top, 
uncut,  by  The  Club  Bindery.  London:  J.  Kent,  1713 

*  Very  unusual  in  this  state,  with  uncut  edges,  half-title  and 
final  blank  leaf.     Lowndes  does  not  mention  it. 

693.  CAREY  (HENRY).  Dramatick  Works.  First 
Edition.     Small  4to,  calf  (rebacked,  and  edges  damaged). 

London:  For  S.  Gilbert,  1743 

*  The  H.  W.  Poor  copy,  with  bookplate. 

694.  CARIGNAN  (PRINCE  DE).  Maximes  et  Reflex- 
ions politiques,  morales  et  religieuses  d'un  Administrateur 
Couronne,  qaalifie  du  titre  de  philosophe  bienfaisant,  ex- 
traites  des  "  Memoires  de  Stanislas  Leckzinski,"  Roi  de 
Pologtie,  mort  en  1766,  8vo,  blue  levant  morocco,  gilt  fil- 
lets, scrolls,  and  dots,  gilt  edges,  uncat,  by  Joly,  in  case. 

Parme:  Bodoni,  1822 

*  According  to  Melzi,  this  work  is  attributed  to  Prince  de 
Carignan,  afterwards  King  of  Sardinia. 

695.  CARPANI  (JOSEPH).  Haydn,  Sa  Vie,  ses  Ouvrages, 
ses  Voyages  et  ses  Aventures,  traduction  De  D.  Mondo. 
8vo,  half  green  levant  morocco,  gilt  top,  uncut.     Paris,  1837 

696.  CARRA  (JEAN  LOUIS).  Esprit  de  la  Morale  et 
de  la  philosophie,  divise  en  quatre  parties.  12mo,  old  red 
morocco  gilt,  gilt  edges.  La  Haye,  1777 

697.  CASA  (GIOVANNI  DELLA).  Le  Galatee.  Text 
in  French,  German,  Spanish,  Italian  and  Latin.  Small 
8vo,  red  levant  morocco,  gilt  edges,  by  Trautz-Bauzonnet. 

Geneve:  Jean  de  Tournes,  1609 

698.  CASANOVA  DE  SIENGALT  (GIOVANNI 
JACOPO).  Memoires  ecrits  par  lui  meme.  Edition  origi- 
nale,  la  seule  complete.  6  vols.  12mo,  half  maroon  mo- 
rocco, gilt  tops,  uncut.  Bruxelles,  I860 

108 


699.  CASSETTE.  La  Cassette  Ouverte  de  I'lllustre 
Criole;  ou,  Les  Amours  de  Madame  de  Maintenon.  12mo, 
red  levant  morocco,  gilt  edges,  by  Traiitz-Bauzoniiet. 

Ville  Franche  [Holland]  1691 

*  First  Edition.     Attributed  to  Pierre  Lenoble. 

700.  CASTANIER  (PROSPER).  La  Courtisane  de 
Memphis.  Illustratioyis  by  A.  Calbet.  12mo,  half  red 
levant  morocco  gilt,  red  satin  sides,  gilt  top,  uncut,  origi- 
nal covers  bound  in,  by  The  Club  Bindery.  Paris,  1900 

*  One  of  50  copies  on  Japan  paper,  with  an  extra  set  of  the 
full-page  plates,  in  red. 

701.  CASTANIER  (PROSPER).  La  Fille  de  Cresus. 
Roman  antique.  Illustrations  hy  F.  Schmidt.  12mo,  half 
orange  levant  morocco  gilt,  figured  satin  sides,  gilt  top,  un- 
cut, by  The  Club  Bindery.  Paris,  1901 

*  One  of  50  copies  on  Japan  paper,  with  an  extra  set  of  the 
full-page  plates,  in  red. 

702.  CATANEO  (PIETRO).  I  Quattro  Primi  Libri  di 
Architettura  di  Pietro  Cataneo  Senese.  With  43  woodcuts 
and  diagrams,  some  full-page,  and  woodcut  initials.  Folio, 
brown  levant  morocco,  rough  edges  (some  margins  restored). 

[Colophon]  :  In  Venegia,  in  casa  de  figliuoli  di  Aldo,  1554 

*  First  Edition  of  the  first  four  books.  Very  large  copy, 
with  some  uncut  leaves. 

703.  CATS  (JACOB).  Silenus  Alcibiadis,  sive  Proteos. 
Text  in  Dutch,  Latin,  and  French.  Numerous  emblems  and 
other  illustrations  by  Schillemans,  P.  de  Oode,  Alex.  Van  de 
Vinne,  c&c.  4to,  brown  straight-grain  morocco,  richly  tooled, 
gilt  edges  (misbound,  with  part  I  last;  title-page  mended). 

Middelburgh :  Ex  Officina  Johannis  Hellenij,  1618 

*  The  book  is  in  three  parts,  with  the  emblems  repeated. 

704.  CATS  (JACOB).  Proteus  ofte  Minne-beelden  ver- 
andert  in  Sinne-beelden.  Bound  "with  three  other  works  by 
Cats.  Engraved  titles  and  tnore  than  100  emblems  by  J. 
Swelinck  after  Adrian  van  der  Venne.     4to,  original  vellum. 

Rotterdam,  1625-27 

705.  CATS  (JACOB).  Alle  de  Wercken.  With  2  frontis- 
pieces, 2  portraits,  and  434  plates,  besides  a  title  vignette  by 
Goeren,  repeated  in  the  second  volume.  Two  vols,  in  one. 
Folio,  old  calf,  gilt.  Amsterdam,  1726 

*  A  large  number  of  the  plates  are  emblematical  and  after 
Van  der  Venne  's  designs,  engraved  by  Hondius,  van  Dalen  and 
others. 

706.  CATULLUS  (CAIUS  VALERIUS).  Poesies.  Trans- 
lated by  Ch.  Heguin  de  Guerle.  8vo,  red  levant  morocco,  gilt 
back,  T\dth  the  monogram  E.B.,  gilt  edges,  by  Belz-Niedree. 

Paris,  1837 


707.  CATULLUS  (CAIUS  VALERIUS).  The  Attis. 
Translated  into  English  Verse,  with  Dissertations  On  the 
Myth  of  Attis,  on  the  Origin  of  Tree- Worship,  and  on  the 
Galliambic  Metre.  By  Grant  Allen.  Royal  8vo,  half  vellum, 
uncut.  London,  1892 

*  Large  paper  copy,  only  60  printed. 

708.  CATULLUS  (CAIUS  VALERIUS).  The  Carmina. 
Now  first  completely  Englished  into  Verse  and  Prose,  the 
Metrical  Part  by  Capt.  Sir  Richard  P.  Burton,  and  the  Prose 
Portion,  Introduction,  and  Notes  Explanatory  and  Illustra- 
tive by  Leonard  C.  Smithers.  Portrait.  8vo,  half  vellum, 
uncut,  London,  1894 

*  Printed  for  the  Translators  for  private  subscribers  only. 

709.  CANCIONERO  de  Obras  de  Burlas  Provocantes  a 
Risa.  12mo,  citron  levant  morocco  gilt,  gilt  edges,  by  Bed- 
ford. Madrid  [1841] 

*  Only  100  copies  printed. 

710.  CAULFIELD  (JAMES).  Calcographiana :  the  Print- 
sellers  Chronicle  and  Collectors  Guide  to  the  Knowledge  and 
Value  of  Engraved  British  Portraits.  8vo,  brown  morocco 
gilt,  gilt  edges,  by  J.  MacKenzie  London,  1814 

*  Illustrated  by  the  insertion  of  90  portraits,  including  origi- 
nals by  Paithorne,  White  and  Magdalen  de  Passe,  also  the  por- 
trait of  Henry,  Prince  of  Wales,  from  the  Hieroologia. 

From  the  collection  of  John  Allan. 

711.  CAUSSINUS  (NICOLAUS).  De  Symbolica  .Egypti- 
orum  Sapientia:  also,  Polyhistor  Symbolicus,  Electorum 
Symbolorum,  &c.,  by  the  same  author.  First  Edition.  En- 
graved frontispiece  hy  L.  Gaultier.  4to,  brown  levant  mo- 
rocco, tooled  in  panels  and  arabesques,  gilt  edges,  by  Riviere. 

Parisiis,  1618 

712.  CAVENDISH  (GEORGE).  The  Life  of  Cardinal 
Wolsey.  And  Metrical  Visions,  from  the  original  autograph 
manuscript.  With  notes  and  other  illustrations,  by  Samuel 
Weller  Singer.  5  portraits,  3  etchings  and  a  facsimile.  2 
vols,  royal  8vo,  blue  morocco,  gilt  edges,  by  Hayday. 

*  Large  paper  copy,  only  50  printed.  Chiswick,   1825 

713.  CAVENDISH  (GEORGE).  The  Life  of  Thomas 
Wolsey,  Cardinal,  Archbishop  of  York.  Small  4to,  vellum, 
with  ties.  London,  1893 

*  Kelmscott  Press  edition,  one  of  a  few  printed  on  vellum. 

714.  CANTON    (WILLIAM).      The   Recuile   of   the    His- 
o  f  tories  of  Troie ;  First  traslated  out  of  latin  in  to  Freche  .  .  . 

y.  Q      in  the  yere  .  .  .  MCCCCLXIIII,  and  translated  out  of  Frenche 

^  "^  in  to  Englishe  by  Wyllyam  Caxton  .  .  .  begon  the  fyrst  day  of 

^  Marche  in  the  yere  MCCCCLXVIII,  and  fynished  in  the  xix 

of  Septembre  in  the  yere  mencyoned  by  the  sayd  Caxton  in 

the  ende  of  the  seconde  booke,  etc.     Separate  titles  to  each 

110 


of  the  three  books  with  woodcut  on  each.  Small  folio,  old 
russia  gilt,  inside  joints,  gilt  edges.  (A  small  hole  injuring 
two  letters  has  been  repaired  on  folio  24  of  the  third  book. ) 

Now  imprynted  anno  domini  MCCCCCliii  by  "Wyllyam 
Coplad  dwelling  in  Fletestrete  at  the  Signe  of  the  Rose  Gar- 
lande  nyghe  unto  Fletebrydge.      [1553] 

*  The  John  Fuller-Russell  copy.     Extremely  rare. 

715.  CAXTON  (WILLIAM— Translator).  The  Game  of 
the  Chesse,  by  William  Caxton.  Reproduced  in  facsimile 
from  a  copy  in  the  British  Museum.  With  a  few  remarks  on 
Caxton 's  typographical  productions,  by  Vincent  Figgins. 
4to,  mottled  calf  gilt,  gilt  over  red  edges,  by  Bedford. 

London,  1860 

*  Printed  with  type  specially  cast  for  the  purpose,  on  paper 
made  expressly  for  the  book,  and  as  nearly  as  possible  like  the 
original,  with  23  woodcuts  traced  from  the  originals. 

716.  CAXTON  (WILLIAM— Translator).  The  Golden 
Legend.  Woodcut  title,  borders  and  initials.  3  vols,  small 
folio,  original  half  canvas  and  boards,  uncut. 

[Colophon]  Here  ends  this  new  edition  of  William  Cax- 
ton's  Golden  Legend;  in  which  there  is  no  change  from  the 
original,  except  for  correction  of  errors  of  the  press,  &  some 
few  other  amendments  thought  necessary  for  the  understand- 
ing of  the  text.  It  is  edited  by  Frederick  S.  Ellis,  &  printed 
by  me  William  Morris  at  the  Kelmscott  Press,  .  ,  .  and  finished 
on  the  12th  day  of  September  of  the  year  1892. 

*  The  C.  B.  Foote  copy  with  bookplates.  Contains  the  in- 
serted slip  in  volume  1,  seldom  found. 

717.  [CAXTON  (WILLIAM).]  Caxton  Celebration,  1877. 
Catalogue  of  the  Loan  Collection  of  Antiquities,  Curiosities 
and  Appliances  connected  with  the  Art  of  Printing.  Edited 
by  George  Bullen.    4to,  cloth,  uncut. 

London:  Printed  at  the  Elzevier  press  [1877] 

*  One  of  12  copies  on  hand-made  paper,  with  presentation 
inscription  of  J.  C.  Wilkins,  a  member  of  the  Executive  Com- 
mittee. 

718.  CAXTON  (WILLIAM— Translator).  The  Order  of 
Chivalry,  translated  from  the  French.    Edited  by  F.  S.  Ellis. 

Frontispiece  Ijy  Bur  ne- J  ones.     8vo,  limp  vellum,  with  ties. 

London,  1893 

*  One  of  a  few  copies  printed  on  vellum  at  the  Kelmscott 
Press. 

719.  CAXTON  (WILLIAM).  The  History  of  Godefrey 
of  Boloyne  and  of  the  Conquest  of  Jherusalem.  Corrected 
for  the  press  by  H.  H.  Sparling.  Royal  8vo,  limp  vellum, 
silk  ties.  London,  1893 

*  Kelmscott  Press  edition,  one  of  a  very  few  printed  on  vel- 
lum. 

CAXTON  (WILLIAM).    See  under  Chaucer  and  Higden. 

Ill 


720.  CAYET  (PIERRE  VICTOR  PALMA).  Chronologie 
Novenaire,  contenant  I'Histoire  de  la  Gverre,  sovs  le  regne  dv 
tres  chrestien  Roy  de  France  &  de  Nauarre,  Henry  IIII. 
First  Edition.  Frontispiece  with  equestrian  portrait  of 
Henri  IV.,  hy  Gaultier.  3  vols,  small  8vo,  red  morocco  gilt, 
gilt  edges,  by  Derome  the  younger.  Paris :  Richer,  1608 

721.  CAYLUS  (A.  C.  COMTE  DE).  Les  Manteanx. 
First  Edition.  2  parts  in  one  volume,  small  Svo,  old  red 
morocco  gilt,  gilt  edges  (lacks  frontispiece).     La  Haye,  1746 

722.  CAYLUS  (A.  C.  COMTE  DE).  Memoires  de 
I'Academie  des  Colporteurs.  9  plates  designed  hy  the  author. 
First  Edition.  Small  Svo,  red  morocco  gilt,  gilt  edges,  prob- 
ably by  Derome.  [Paris],  1748 

*  From  the  Pixerecourt  and  Nodier  collections,  -with  tickets. 

723.  CAYLUS  (A.  C.  COMTE  DE).  Recueil  d'Anti- 
quites  Egyptiennes,  Etrusques,  Grecques  et  Romaines.  Por- 
trait hy  Littrel,  engraved  title  to  Vol.  I,  six  frontispieces, 
numerous  vignettes  and  826  plates  in  the  text.  7  vols.  4to, 
old  green  morocco,  gilt  panels,  gilt  edges.  Paris,  1761 

*  Second  edition  of  Volume  I  (which  was  first  published  in 
1752)  and  first  edition  of  the  others.  Volume  VII  is  a  post- 
humous Supplement  edited  from  the  manuscripts  of  the  author 
by  M.  de  Bombarde. 

724.  CAYLUS  (MADAME  DE).  Souvenirs.  Nouvelle 
Edition,  avec  une  introduction  et  des  notes  par  M.  Charles 
Asselineau.  With  original  portrait  draiving  and  5  miniatures 
within  gold  horders.  8vo,  red  levant  morocco  covered  with  a 
design  of  fleur-de-lys,  grotesques  and  panels,  with  a  lion  ram- 
pant in  center,  doublure  of  blue  levant  with  deep  borders, 
gilt  edges,  with  cover  and  case,  by  Gruel.  Paris,  1860 

*  Printed  on  vellum,  probably  one  of  2  copies  so  issued. 

725.  CELIERES  (PAUL).  Entre  deux  paravents,  scenes 
et  comedies  en  vers.  4  eaux-fortes  de  E.  Boilvin  in  2  states. 
8vo,  maroon  levant  morocco,  gilt  fillets,  gilt  top,  uncut,  with 
the  original  covers,  by  The  Club  Bindery.  Paris,  1879 

*  One  of  25  copies  on  Japan  paper. 

726.  CERISIERS  (RENE  DE).  Reflections  Chrestiennes 
et  Politiques  sur  la  Vie  des  Roys  de  France.  4  portraits. 
First  Edition.  12mo,  blue  levant  morocco,  fleurs-de-lys  orna- 
ments, gilt  edges,  by  Trautz-Bauzonnet. 

Paris:  la  Veuve  Jean  Camusat,  1641 

727.  CERVANTES  (MIGUEL  DE).  The  History  of  Don 
Quixote  of  La  Mancha.  Edited  with  notes  and  memoir  by 
John  G.  Lockhart.  16  original  etchings  hy  R.  de  Los  Bios. 
4  vols.  8vo,  cloth.  London,  1881 

*  One  of  50  copies  on  laid  paper,  with  proof  etchings  on 
Japan  paper. 

113 


728.  CHALMERS  (GEORGE).  The  Poetic  Remains  of 
some  of  the  Scotish  Kings  (James  I.,  James  IV.,  James  V., 
Mary,  Queen  of  Scots,  etc.).  Now  first  collected.  Engraved 
portrait  of  James  I.  hy  Picart,  and  facsimiles.  Post  8vo,  blue 
levant  morocco  gilt,  gilt  top,  uncut,  by  The  Club  Bindery. 

London,  1824 

729.  CHALUSSAY  (BOULANGER  DE).  Elomire.  Hypo- 
condre,  ou  les  medecins  vengez.  Comedie.  First  Edition. 
12mo,  red  levant  morocco  gilt,  gilt  edges,  by  Thibaron-Joly. 

Paris:  Charles  de  Cercy,  1670 

730.  [CHALUSSAY  (BOULANGER  DE).]  La  Critique 
du  Tartuffe.     Comedie.     12mo,  original  vellum  wrappers. 

Paris :  Gabriel  Quinet,  1670 

*  First  Edition.     Attributed  to  Boulanger  de  Chalussay  and 
also  to  de  Valliers. 

731.  CHAMBERLAINE  (JAMES).  A  Sacred  Poem. 
"Wherein  the  Birth,  Miracles,  Death,  Resurrection,  and  Ascen- 
sion of  the  Most  Holy  Jesus  Are  Delineated.  Together  With 
Poems  on  several  Occasions.  Engraved  frontispiece  title  in  6 
compartments,  and  1  plate.  First  Edition.  12mo,  brown 
levant  morocco,  blind-tooled,  with  mosaic  panels  of  green  and 
maroon  morocco,  gilt  dots  and  corner  ornaments,  gilt  edges, 
by  Riviere.     London :  Printed  for  R.  E.  and  R.  Bentley,  1680 

732.  CHAMPLAIN  (SAMUEL  DE).  Les  Voyages  [en 
1604,  1610,  1611]  dv  sievr  de  Champlain  Xaintongeois,  capi- 
taine  ordinaire  pour  le  Roy,  en  la  marine.  Divisez  en  devx 
livres.  ou,  jo\T:'nal  tres-fidele  des  observations  faites  es  des- 
couuertures  de  la  Nouuelle  France :  tant  en  la  descriptio  des 
terres,  costes,  riuieres,  ports,  haures,  leurs  hauteurs,  &  plu- 
sieurs  declinaisons  de  la  guide-aymant ;  qu'en  la  creace  des 
peuples,  leur  superstition,  facon  de  viure  &  de  guerroyer: 
enrichi  de  quantite  de  figures.  Ensemble  deux  cartes  geo- 
grafiques :  la  premiere  seruant  a  la  nauigation,  dressee  selon 
les  compas  qui  nordestent,  sur  lesquels  les  mariniers  nauigent : 
L 'autre  en  son  vray  Meridien,  auec  ses  longitudes  &  latitudes: 
a  laquelle  est  adiouste  le  voyage  du  destroict  qu'ont  trouue 
les  Anglois,  audessus  de  Labrador,  depuis  le  53^  degre  de 
latitude,  iusques  au  63^  en  I'an  1612,  cerchans  vn  chemin  par 
le  Nord,  pour  aller  a  la  Chine.  Maps  and  plates.  4to,  calf, 
gilt  back,  side  borders,  gilt  edges. 

Paris :  Chez  Jean  Berjon,  1613 

*  First  Edition  of  the  first  Three  Voyages.   The  Beekford 
copy. 

733.  CHAMPLAIN  (SAMUEL  DE).  Les  Voyages  de  la 
Nouvelle  France,  Occidentale,  dicte  Canada,  etc.  Folded 
copper-plate  map  and  6  engravings;  Traitte  de  la  Marine  et 
du  devoir  d'un  bon  Marinier.  2  ivoodcuts;  Ledesme,  Doc- 
trine Chrestienne,  Traduite  en  Langage  Canadois  par  le  R.  P. 

113 


Breboenf ;  Masse,  L'Oraison  Dominicale  traduite  en  Langage 
des  Montagnars  de  Canada.     4to,  contemporary  vellum. 

Paris:  Claude  Collet,  1632 

*  The  only  complete  edition  of  Champlain,  containing 
the  reprinted  leaves  (corrected)  of  pages  27  to  29,  cancelled  be- 
cause of  the  statements  reflecting  on  Cardinal  Eichelieu,  not 
contained  in  all  copies. 

This  is  the  last  of  Champlain 's  works,  printed  shortly  before 
his  last  voyage  to  Canada  (where  he  died  in  1635),  and  it  is 
perhaps  the  most  important  as  it  contains  a  review  of  all  pre- 
ceding French  Expeditions  to  the  New  World,  interwoven  with 
Champlain 's  account  of  his  own  Voyages  to  Canada,  together 
with  a  history  of  that  country.  It  gives  the  first  accurate  ac- 
count of  the  life,  habits,  and  warfare  of  the  Indians  in  what 
is  now  the  State  of  New  York. 

734.  CHAMPMESLE  (CHARLES  CHEVILLET  DE). 
Les  OEuvres.     2  vols.  12mo,  old  red  morocco  gilt,  gilt  edges. 

Paris :  Par  la  Compagnie  des  Libraires  Associes,  1742 

*  From  the  Didot  collection. 

735.  CHAMPSAUR  (FELICIEN).  Masques  Modernes. 
Frontispiece  par  Felicien  Bops.  12mo,  striped  red  silk,  un- 
cut, original  covers  bound  in,  by  The  Club  Bindery. 

Paris,  1889 

736.  CHAMPSAUR  (FELICIEN).  Nuit  de  Fete.  Illus- 
trations hy  Gourguet,  Lucas  and  Bottini.  Royal  8vo,  striped 
red  silk,  uncut,  original  covers  bound  in,  by  The  Club  Bindery. 

Paris,  1899 

737.  CHANSONNIER  (NORMAND).  Preface  de  Joseph 
L'Hopital.  Table  Historique  de  A.  Join-Lambert.  Head- 
pieces and  ornamental  page  borders  hy  Ad.  Giraldon.  Small 
folio,  dark  green  levant  morocco,  inside  gold  borders,  gilt 
edges  on  the  rough,  original  covers  preserved  (binding  un- 
finished as  to  its  final  details).  Paris,  1905 

*  One  of  125  copies  printed. 

j'^^738.   CHANSONS  Nouvelles  et  Airs  de  Cour  [et  d'Opera] 

Nouveau  Recueil.     Troisieme  Edition.     12mo,  seven  parts 

in  one   volume,    blue   levant   morocco   gilt,    gilt  edges,  by 

Trautz-Bauzonnet.  Paris,  1690-91 

*  This  book  appears  to  contain  the  six  complete  parts  of  the 

first  volume,  made  up  of  the  first,  second  and  third  editions; 

also  the  first  part  of  the  second  volume,  perhaps  the  only  part 

issued.     Some  of  tlie  Chansons  are  in  Dutch. 

739.  CHAP-BOOKS  (AMERICAN).  (I  )  An  Exact  Ac- 
count of  the  Trial  and  Execution  of  Captain  Jeane  for  the 
most  vile  and  unheard  of  cruel  Murder  of  Richard  Peyne, 
his  Cabbin-boj%  in  his  Passage  homewards  from  South 
Carolina,  etc.  (II.)  The  Great  and  Wonderful  News  From 
America,  on  the  arrival  of  Captain  Williams,  Commander 
of  the  Ship,  called  the  Dolphin,  who  was  Seven  Weeks  and 
three  Days  in  their  Passage  from  Hallifax,  in  North 
America,  being  bound  for  Bristol,  but  by  contrary  Winds 

114 


was  forced  to  pat  in  at  Parkgate.  Vignette.  (III.)  The 
Havannah's  Garland,  consisting  of  three  excellent  New 
Songs  I.  On  the  Siege  and  Taking  of  Havannah.  II.  O  to 
be  married  if  this  the  Way.  Licensed  and  entered  accord- 
ing to  order.  Vignette.  (IV.)  The  Poor  Unhappy  Trans- 
ported Felon's  Sorrowful  Account  of  his  Fourteen  Years 
Transportation  at  Virginia,  in  America.  History  of  the 
Life  of  James  Revel,  the  unhappy  Sufferer.  .  .  .  Licensed 
and  enter'd  according  to  Order.  4  vols,  small  8vo,  citron 
levant  morocco,  uncut,  in  a  morocco  case,  by  Riviere. 

n.  p. — probably  London,  end  of  XVIIIth  century 

740.  CHAP-BOOKS.  A  Collection  of  Forty-One  Curious 
Pamphlets,  most  of  them  with  woodcuts.  Among  others 
are:  "  The  History  and  Lives  of  all  the  most  Notorious 
Pirates,"  "The  Hull  Tragedy,"  "  The  Life  and  Adventures 
of  Capt.  John  Deane,"  etc.  12mo,  green  lev?vnt  morocco 
gilt,  gilt  top,  uncut,  by  Bedford. 

London,  Worcester,  etc.  [n.  d.] 

*  Lettered  on  back  "  Beggar's  Balderdash." 

741.  CHAP-BOOKS.  The  Coalman's  Courtship  to  the 
Creel-wife's  daughter;  Odd  History  of  a  Scottish  Thief; 
The  London  Sp}';  History  of  the  King  and  the  Cobler;  The 
Laird  of  Cool's  Ghost;  The  Merry  Tales  of  the  Wise  Men  of 
Gotham;  and  others.  Woodcuts.  24  works  in  one  vol., 
12mo,  green  levant  morocco,  gilt  toj),  by  Alfred  Matthews. 

1814-17 

*  Twenty-four  popular,  old  tracts,  all  reprinted  from  earlier 
editions  at  Glasgow,  Stirling,  Falkirk  and  Paisley.  They  relate 
to  Scotland  and  Scottish  manners,  with  the  exception  of  two 
or  three.  John  Payne  Collier's  copy,  with  his  notes  on  the 
fly-leaf. 

742.  CHAPELAIN  (JEAN).  La  Pueelle,  ou  la  France 
delivree.  Engraved  frontispiece,  12  copper-plates.  12mo, 
red  morocco  gilt,  gilt  edges,  by  Trautz-Bauzonnet. 

Suivant  la  copie  iraprimee  a  Paris  [Amsterdam:  J.  Jans- 
son]  1656. 

*  Tall  copy.     132mm.     Annex  to  the  Elzeviers. 

743.  CHAPELLE  and  BACHAUMONT.  CEuvres  de 
Chapelle  et  de  Bachaumont.  12mo,  old  citron  morocco 
gilt,  gilt  edges.  La  Hale,  1755 

744.  CHAPELLE  and  BACHAUMONT.  Voyage  de 
Chapelle  et  Bachaumont,  suivi  de  quelques  autres  Voyages 
dans  le  meme  genre.  Frontispiece  by  De  Launay  after 
Marillier.     24mo,  calf  gilt,  gilt  edges.  Geneve,  1777 

745.  CHAPMAN  (GEORGE).  The  Whole  Works  of 
Homer;  Prince  of  Poetts.  In  his  Iliads,  and  Odysses. 
Translated  according  to  the  Greeke,  by  Geo:  Chapman. 
At  London  printed  for  Nathaniel  Butler  [1616].     Homer's 

115 


Odysses  Translated  according  to  ^  Greeke.  By  Geo: 
Chapman.  Imprinted  at  London  by  Rich:  Field,  for  Na- 
thaniel Butler.  Frontispiece  title,  and  on  reverse  oval  por- 
trait of  Chapman  surrounded  by  clouds.  Engraved  title  to 
the  Odyssey.  Folio,  red  levant  morocco,  tooled  in  inter- 
laced fillets,  doublure  of  red  levant,  gilt  edges,  by  The 
Club  Bindery.  London  [1616] 

*  The  first  collected  edition  ;  the  second  complete  edition 
of  the  Iliad,  the  first  of  the  Odyssey,  with  the  very  scarce 
plate  containing  the  Prince  of  Wales'  insignia,  etc. 

746.  CHAPMAN  (GEORGE).  Bussy  d'Ambois:  a  Tra- 
gedie:  As  it  hath  been  often  Acted  with  great  Applause. 
Being  much  corrected  and  amended  by  the  Author  before 
his  death.  Fourth  edition.  Small  4to,  calf,  with  the  F. 
Perkins  arms,  gilt  edges.       London:  Printed  by  A.  N.,  1641 

*  Contains  alterations  in  the  text,  a  Prologue  after  title,  and 
an  Epilogue  at  the  end,  not  in  the  first  edition. 

747.  CHAPMAN  (GEORGE).  The  Hymns  of  Homer; 
the  Batrachomyomachia;  and  two  original  poetical  hymns. 
With  an  introductory  preface.  By  S.  W.  Singer.  12mo, 
half  brown  levant  morocco  gilt,  gilt  top,  uncut,  by  Alio. 

Chiswick:  C.  Whittingham,  1818 

748.  CHARLES  I.  EIkwv  BaatXtKi].  The  |  Povrtraictvrel 
of  I  His  Sacred  |  Maiestie  |  in  |  his  solitvdes  |  and  |  svfifer- 

y /-]   - —    ings.  I  Rom.  8.     More  then  Conqueror,  &c.  |  Bona  agere,  & 

'  ^  mala  pati,  Regium  est.  |  M.DC.XLVIH.   8vo,  brown  levant 

morocco,  back   and   sides   richly  gilt   and   blind-tooled  in 

fleur-de-lis,  crowns,  and  scrolls,   doublure   of  blue   levant 

morocco,  gilt  edges,  by  The  Club  Bindery.  [n.  p.],  1648 

*  The  genuine  First  Edition  [Almack,  No.  I],  with  the  leaf 
of  Errata.  "  Eikon  Basilike  "  has  been  attributed  both  to  King 
Charles  and  to  Dr.  Gauden.  Fifty  editions  are  said  to  have 
been  printed  at  home  and  abroad  during  the  year  1648-9. 

749.    CHARLES  IL — Relation   en  forme  de  journal,  du 

/^  /O      voyage  et   sejour.    Que   Le   Serenissime   es   Tres-Puissant 

-^  Prince  Charles  II  Roy  de  la  Grand'  Bretagne,  &c.    Portrait 

and  If.  plates  engraved  by  D.  and  P.  Philippe  and  Theodor 

Matharn  after  N'.  Venue  and  J.  T.  Vliet.     First  Edition. 

Folio,  blue  levant  morocco,  gilt  back,  gilt  edges,  by  Riviere. 

La  Haye:  Adrian  Vlacq,  1660 

750.  CHARLEVOIX  (PIERRE  ANTOINE  XAVIER 
DE).  Histoire  de  I'lsle  Espagnole  ou  de  S.  Dominique.  S 
maps  in  Vol.  I.,  10  maps  in  Vol.  II.,  with  2  vignettes  after 
A.  Humblot.     2  vols,  large  4to,  calf  gilt,  gilt  edges. 

Paris:  Francois  Barois,  1730 

*  First  Edition.  From  the  libraries  of  J.  J.  de  Bure,  the 
elder,  and  Count  Henry  de  la  Bedoyere. 

116 


751.  CHARLEY  CHALK;  or,  The  Career  of  an  Artist: 
being  Sketches  from  the  Real  Life;  comprising  a  narrative 
of  his  extraordinary  adventures  in  Great  Britain  and  Ire- 
land, France  and  Greece.  Illustrations  by  Jacob  Parallel. 
8vo,  citron  levant  morocco  gilt,  gilt  top,  uncut,  by  Cham- 
bolle-Duru.  London:  G.  Berger,  n.  d.  [ca.  1845] 

752.  CHARRON  (PETER).  Of  Wisdome,  three  bookes 
written  in  French  by  Peter  Charro  Docf  of  Lawe  in  Paris. 
Translated  by  Samson  Lennard.  With  the  engraved  title  by 
Hole  and  the  very  rare  portrait  of  the  author  by  Vaughan. 
4to,  mottled  calf,  gilt  back  and  edges,  by  Bedford. 

At  London :  Printed  For  Edward  Blount  &  Will :  Aspley 
[1630] 

753.  CHARTARIUS  (VINCENTIUS).  Imagines  Deorum, 
qui  ab  antiquis  colebantur,  etc.  Portrait  of  Verderius  and 
88  woodcuts  in  the  text.  4to,  old  calf,  gilt  edges  (rebacked, 
lacks  signature  Ci).    Lugduni:  apud  Steph.  Michaelem,  1581 

*  Joseph  Knight's  copy,  with  his  bookplate,  autograph,  and 
pencilled  note. 

754.  CH ARTIER  (ALAIN).  Les  (P^uvres.  Small  8vo, 
blue  levant  morocco  gilt,  doublure  of  orange  morocco  with 
wide  dentelle  border,  gilt  edges,  by  Trautz  Bauzonnet,  in 
a  brown  morocco  case.  Paris:  Galliot  du  Pre,  1529 

755.  CHASSANT  (A.)  and  TAUSIN  (HENRY).  Dic- 
tion naire  des  Devises  Historiques  et  Heraldiques.  With  5 
plates  contaiyiing  36  ^figures.  3  vols.  12mo,  half  brown  mo- 
rocco gilt,  gilt  tops,  uncut,  by  Champs.  Paris,  1878 

756.  CHASSE  (LA)  an  filles,  ou  jardin  d'amour 
reforme.  Dans  le  quel  est  enseigne  la  maniere  de  conserver 
&  d'entretenir  une  maitraisse.  Par  L.  G.  avocat.  Cut  on 
title.  Small  8vo,  red  levant  morocco  gilt,  gilt  edges,  by 
Duru.  Autun:  Pierre  Laymere  [ca.  1690] 

*  A  very  rare  little  book.  From  the  librai'y  of  Charles  Nodier, 
with  book-plate. 

757.  CHAUCER  (GEOFFREY).  The  Canterbury 
Tales.  Gothic  type.  37 Jf  unnumbered  leaves  {including  3 
blanks),  without  signatures  and  catchwords.  29  lines  to  the 
page.     Initials  painted  in  red. 

Fol.  i,  blank  {cutaway);  Fol.  2r.:  Whan  that  Apprill 
with  his  shouris  sote  |  And  the  droughte  of  march  hath  pcid 
I  rote  I  .  .  . .  Fol.  266  blank  {cut  away).  Fol.  373  r.,  line 
26:  Explicit  tractatus  Galfrydi  Chaucer  de  |  Penitencia  vt 
dicitur  pro  fabula  Lectoris.  Fol.  373  v.:  Now  pray  I  to 
hem  alle  that  herkene  this  litil  tretyse  |  or  rede,  thatyf  ther 
be  ony  thing  that  liketh  hem  that  |  thereof.  . . .  Same  page, 

117 


line  28: ....  Qui  cii  patre  et  spii  sco  viuit  et  regnat  |  deus. 
Per  omnia  secula  seculol^  Amen.  Fol.  37 Jf  blank  {cut 
away).  Thick  small  folio,  brown  levant  morocco,  the  sides 
blind  tooled  in  the  manner  of  the  early  16th  century 
English  bindings,  with  the  title  of  the  book  stamped  in 
gold  around  the  inner  panel  of  the  front  cover,  doublure  of 
vellum,  gilt  dentelle  borders,  vellum  fly-leaves,  gauffred 
gilt  edges,  by  Mercier,  in  a  brown  levant  morocco  case. 

[Westminster:  William  Caxton,  ca.  1477-78] 

*  First  Edition  of  Chaucer's  Canterbury  Tales,  and  one 
OF  the  earliest  books  printed  in  England,  being  probably 
the  fourth  or  fifth.  There  are  eleven  existing  copies  of  this 
book,  according  to  Seymour  De  Ricci  (A  Census  of  Caxtons, 
Bibliographical  Society,  1909),  of  which  only  two  are  perfect, 
namely  one  of  the  copies  of  the  British  Museum,  and  that  of 
Merton  College,  Oxford.  The  other  nine  copies  recorded  by 
him  are  all  more  or  less  deficient,  and  none  of  them  has  either 
first  or  last  leaf.  In  the  above  the  last  leaf  exists  in  perfect 
condition,  but  the  three  blanks  are  missing,  and  17  leaves  (2-8, 
138,  152,  and  299-306)  are  in  perfect  facsimile  made  from  the 
British  Museum  copy. 

The  collation  of  the  volume  is  as  follows:  A-Z  8  (A  1  blank); 
A-I  8,  K  10  (K  10  blank,  L-Q  8,  R  6,  S-Z  8;  Aa  6  (Aa  6 
blank)  =  374  leaves.  Hain-Copinger,  4921;  Blades,  12;  Sey- 
mour De  Ricci,  22 ;  Proctor,  9626. 

[See  Reproduction.] 

758.  CHAUCER  (GEOFFREY).  The  workes  of  GeflEray 
Chaucer  newlye  printed,  wyth  dyuers  workes  whych  were 
never  in  print  before:  As  in  the  table  more  plajmly  doth 
appere.  Folio,  red  levant  morocco,  gilt  panels,  gilt  edges, 
by  F.  Bedford  (small  repairs  to  the  four  preliminary 
leaves,  title  and  some  leaves  in  the  last  two  signatures 
remargined  or  repaired). 

Prynted  by  John  Reynes  dwellynge  at  the  sygne  of  saynte 
George  in  Pauls  Churchyarde,  154'-i. 

*  Second  collected  edition  containing  The  Plowman's 
Tale  for  the  first  time.  Very  tall  copy,  measuring  12,5^  x  8)4,  in. 
A  facsimile  title  is  laid  in. 

759.  CHAUCER  (GEOFFREY).  The  workes  of  Geffrey 
Chaucer,  newlie  printed,  with  divers  addicions,  which  were 
never  in  print  before:  With  the  siege  and  destruccion  of 
the  worthy  Citee  of  Thebes  compiled  by  Jhon  Lidgate, 
Monke  of  Berie.  Folio,  brown  levant  morocco,  gilt  back 
and  edges,  by  Joly.     l'2f  x  8^  in. 

[Colophon]:  Imprinted  at  London  by  Jhon  Kyngston  for 
Jhon  Wight,  1561. 

*  Very  fine  copy  of  the  First  Issue  of  the  edition 
edited  by  John  Sto  we  the  historian,  with  the  woodcuts  to  the 

118 


... 

I  ^  (H  (^ic  m  ««!  of  ft  fl«  ^  frt{Ct<0  /  ^  fl^f  atjfct)  6i. 
ptwftn«/QtMt^  ^^U3^  ^  nai«  ^  Osngft  ^ue  fk^i)  m  f jjmt* 
J ^  mercg  of  tvifi  ia  afSBag  wt>^  6>  tefce^ue  ^pm  6)  nt«« 
:  QT^fi  ^^  tBan^^K  f §»(  ^  »m^f  0  (^(  5c  f6  of b?  no(  (bng^ 
ptrfcum  m  goo^ee  /  ^t  j^aP  (|^e«  (^(  (^  fcBtfntc  of 
t^  m^t  ma^  tto  (^mg?  ^o  0u^  met)  tBoP  fJtffw  ^^nj/^nb? 
e0e  ^  (I5af  %m  f^wng^  of  goij?  anb?  of  affie  ^'Pg  ^itc^e 
<inb?  of  i^  |Koftcego»)  of  atrngeffite  ^f  ^  6f? ,  tr^cime 
f^uffe  »n«»)  $tt?Krf?on»  tB^(  ie  #  fiwgt  of  ?xn<(tm«/attb? 
«fftt  (^  tB«b?  of  ;Jfy(I.  CnfJ  /i(  i©  m5e;&«  86ff«  of  t^um 
't^xt  ioge  ^(0  no  con^tatiopft  of  tBoo  nc  ^uam<£4^vt 
«ffe  ^twg©  fit  ^(J  of  i^ia  ^tfkniif>p(^te  «« i«  pactnfs 
fio  f  ^  ptjne©  of  ^ffe/i^w  ae  t«  f^  'e&ffitj^)  tom^n^  f^( 
mojjfct)  w«ttt<Ke  <wfri(^e  of  ot^t©  ;Jo^e  /  (^w  ac  (^  fot>g 
of  mat)  t^i  Wiyfonf  tBae  fowf  anb?  »tS  i^  mocfc  c&w  t^t) 
^  fomt ,  &fixit  <i6  IK^j^&M)  (^  fobg  5Ba«  fj6e  anb?  ^«P+ 
^6&  «nt>2  tMo:6»P/;j6  Mw^nioX  ant^  fo  f^tonje  antij  fo  ^oP 
k^i  i^x  ma^  no  t^Mtg2  «np^tc  ^i^/#«  a©  neg^^t  tg  ^tm 
g«t  m  (^«|?  ne  eoP!ie/Bu^  cuetg  foufe  wp&mff^tCip  tSi^^  t^e 
pg^t  of  f^  F»«f)?#  6no\B|?Mg2  of  ^^  6:;9nj>ft/t:5i0  8&f; 
fft&?  txgne  mag  mat)  purd5«tt  0g  ^»uec(  ^tt]p6t^P/fln&j  (fe 
gPot^c  \  65S6mf|fc/(Pt  p&nfe  of  Joge  %>  ^tmgw  anb?  (§«if^ 
Qtnfcj  i%  te^f  $g  (mtwgf /anb?  #  Ppf  $g  »(0  anb?  m« 
fafifttaoi)  of  fjjwte  /  Co  t^  Pgf  ^  15«  fe^nge  i^  fewg§^ 
8i(0  ^ng  pjtcgou*  8^obp  Q?mc»)  ♦ 

d^^fR<^  'C»5xrf«6t«  <6«P^^t>i  <C^ue«  5{ 
fl^imtftMCw  S(  ^lotwt  }»o  fiBuKt  Ifertojte  ♦ 

Chaucer's  Canteebxjey  Tales.    Printed  by  Caxton.    1477-1478. 
(See  No.  757.) 


"Prologues."  Inserted  is  the  portrait  of  Chaucer  ("The 
Progenie  of  Geffrey  Chaucer")  from  the  edition  of  1598. 

This  edition  of  1561  was  evidently  a  trade  issue,  separate 
titles  being  printed  for  each  bookseller  who  took  copies.  The 
earliest  issues  have  woodcuts  to  "  The  Prologues,"  the  prelimi- 
nary leaves  nvimbering  fifteen.  The  second  issue  had  only  ten 
preliminary  leaves,  owing  to  the  omission  of  the  woodcuts. 
The  title  of  this  copy  is  within  an  architectural  border  with  a 
representation  of  the  King  sitting  in  Parliament  at  the  top,  at 
the  bottom,  within  the  ornamental  border,  is  a  small  shield 
with  the  device  of  Richard  Grafton.  Other  issues  had  a  title 
mainly  occupied  by  a  large  armorial  woodcut; — these  have  no 
bookseller's  device. 

The  portrait  of  Chaucer  is  sometimes  found  in  this  edition, 
but  has  in  such  cases  been  inserted  from  the  edition  of  1598, 
where  it  is  noted  on  the  title  as  being  one  of  the  additions  to 
that  "Impression." 

760.  CHAUCER  (GEOFFREY).  The  Workes  of  Geffrey 
Chaucer,  newlie  printed,  with  divers  addicions,  which  were 
never  in  print  before ;  With  the  siege  and  destruccion  of 
the  worthy  Citee  of  Thebes,  compiled  by  John  Lidgate, 
Monke  of  Berie.  1561.  Folio,  contemporary  calf,  stamped 
with  a  double  border  of  blind  ornaments,  with  clasps,  with 
the  letters  "I.  P."  in  the  centre  of  the  cover. 

[Colophon]:  Imprinted  at  London,  by  Jhon  Kingston  for 
Jhon  Wight,  1561. 

*  A   VERY   FINE  COPY   OF   StOWE'S  SECOND  ISSUE   without  the 

portrait  and  woodcuts  to  the  Prologues,  but  with  ten  Prelimi- 
nary leaves.  A  trifling  piece  of  the  margin  of  fo.  163  is  lack- 
ing, injuring  a  letter.     Bookplate  of  Samuel  Warren  (?). 

761.  CHAUCER  (GEOFFREY).  The  Workes  of  our 
Antient  and  lerned  English  Poet,  Geffrey  Chaucer,  newly 
Printed.  In  this  Impression  you  shall  find  these  Additions: 
1.  His  Portraiture  and  Progenie  shewed.  2.  His  Life  col- 
lected, &c.  Folio,  green  levant  morocco,  back  and  sides 
tooled  in  gold  panels,  doublure  of  vellum,  gilt  borders,  gilt 
edges,  by  The  Club  Bindery.  (Small  hole  in  sig.  Gi.) 

London:  Impeusis  Georg.  Bishop,  Anno  1598 

*Speght's  First  Edition,  and  the  first  containing  the  portrait 
of  Chaucer  ("The  Progenie  of  Geffrey  Chaucer")  probably  en- 
graved by  John  Speed.  The  preface  to  this  edition  is  by  Fran- 
cis Beaumont.     A  very   fine  copy  with  the  final  blank 

LEAF,  AND  THE  LEAF  OF  ERRATA  BETWEEN  Ciii  AND  Civ.  l23s  X  8in. 

762.  CHAUCER  (GEOFFREY).  The  Works  of  our 
Ancient,  Learned  and  Excellent  English  Poet  Jeffrey 
Chaucer:  as  they  have  lately  been  Compar'd  with  the  best 
Manuscripts:  and  several  things  added,  never  before  in 
Print,  etc.  Portrait  ''The  Progenie  of  Chaucer,'"  {from 
the  re-engraved  plate).  Folio,  red  levant  morocco,  gilt  in 
a  Grolieresque  design,  gilt  edges,  by  David. 

London  :  Printed  in  the  year  1687 

*  A  re-impression  of  Speght's  sixth  edition. 

119 


763.  CHAUCER  (GEOFFREY).  TheCanterbury  Tales  of 
Chaucer.  To  which  are  added  an  Essay  upon  his  Language 
and  Versification,  Introducing  Discourse,  and  Notes.  5  vols, 
post  8vo,  half  green  levant  morocco,  richly  gilt,  gilt  tops,  un- 
cut, by  Alio.  London:  Printed  for  T.  Payne,  1775-1778 

*The  fifth  volume  (the  Glossary)  is  very  scarce.  The  title 
mentions  only  four  volumes,  and  that  there  is  a  fifth  is  un- 
known to  many.  The  first  issue  of  Tyrwhitt's  edition.  A  num- 
ber of  scarce  portraits  of  Chaucer  and  a  series  of  plates  by 
Stothard  have  been  inserted. 

764.  CHAULIN  (N.  P.).  Precis  des  pieces  dramatiques 
de  W.  Shakespeare,  avec  observations  et  notices  12mo, 
purple  calf  gilt,   blind-tooled  panels,  gilt  edges,  by  Simier. 

Paris,  1829 

765.  CHAUVEAU  (HARDOUIN).  C'est  I'ordre  qui  a 
este  tenu  a  la  novvelle  et  ioj^evse  entree,  que  treshault, 
tresexcellet,  &  trespuisat  Prince,  le  Roy  treschretien  Henry 
deuzieme  de  ce  nom,  afaicte  en  sa  bonne  ville  &  cite  de 
Paris,  capitale  de  son  Roj^aume,  le  sezieme  iour  de  luin 
M.D.XLIX.  With  11  large  luoodcuts  by  Jean  Cousin. 
Quarto,  original  rose-colored  vellum  wrappers,  some  leaves 
uncut,  silk  ties  (blank  corner  of  one  leaf  torn  off). 

Paris:  Jacques  Roffet,  [1549] 

766.  CHEEKE  (HENRY— translator).  A  Certayne 
Tragedie  wrytten  fyrst  in  Italian,  by  F.  Niger  Bassentinus, 
entitled,  Freewyl,  and  translated  into  Englishe  by  Henry 
Cheeke.  First  Edition.  Gothic  type.  Small  4to,  red 
levant  morocco  gilt,  gilt  edges,  by  Bedford. 

John  Tisdale  (?)  [n.  p.]  [1561] 

*  Extremely  rare.  An  old  "moralitie  "  written  by  F.  Niger 
(Negri  or  Neri)  of  Bassano,  showing  the  "  devylish  devise  of  the 
Popish  religion." 

767.  CHENIER  (ANDRE).  Poesies.  Precedees  d'une 
notice  par  H.  H.  de  Latouche.  Nouvelle  Edition,  With 
engraved  portrait,  after  H.  Dupont.  12mo,  green  calf, 
gilt,  gilt  top,  uncut,  by  Matthew^s.  Paris,  1858 

768.  CHESTERFIELD  (EARL  OF).  Miscellaneous 
Works:  consisting  of  Letters  of  his  Friends,  never  before 
printed,  and  various  other  articles.  To  which  are  pre- 
fixed Memoirs  of  his  Life,  tending  to  illustrate  the  civil, 
literary  and  political  History  of  his  Time.  By  M.  Maty  .  .  . 
The  Second  Edition  .  .  ,  with  an  Appendix,  containing 
Sixteen  Characters  of  Great  Personages,  &e.  Portraits 
engraved  by  Bariolozzi,  Sherwi7i,  and  others.  4  vols.  8vo, 
half  red  levant  morocco  gilt,  gilt  tops,  uncut,  by  Pratt. 

London.  1779 

769.  CHEVIGNE  (AUGUSTIN  RENE,  COMTE  DE). 
Contes  Remois.  Vignette  and  SO  illustrations,  by  M.  Perlet. 
Royal  8vo,  blue  levant  morocco,  red  and  green  mosaic 
roses  tooled  in  gilt  on  the  back  and  in  the  side  corners,  gilt 
edges,  by  Alio.  Paris,  1843 

120 


770.  CHEVIGNE  (AUGUSTIN  RENE,  COMTE  DE). 
Les  Contes  Remois.  Dessins  par  E.  Meissonier.  8vo, 
orange  levant  morocco  gilt,  gilt  edges,  by  David.  Paris,  1858 

*  Portrait  and  30  plates  by  Perlet  have  been  inserted.    Papier 
velin  edition. 

771.  CHEVIGNE  (AUGUSTIN  RENE,  COMTE  DE). 
Les  Contes  Remois.  India  proof  portrait  of  the  author,  hy 
Buland  after  Debay,  and  51  vignettes  on  icood  after  Meis- 
sonier. 8vo,  half  green  levant  morocco  gilt,  gilt  top,  uncut, 
hy  Zaehnsdorf.  Paris,  1868 

772.  CHEVIGNE  (COMTE  L.  M.  J.  DE).  La  Chasse  et 
la  Peche,  suivies  de  poesies  diverses.  3  lithographic  illus- 
trations after  David,  proofs  on  India  paper.  16mo,  red  calf 
gilt,  gilt  edges,  by  Bauzonnet,  with  his  ticket.      Paris,  1836 

773.  CHIPPENDALE  (THOMAS).  The  Gentleman  and 
Cabinet-Maker's  Director.  Being  a  large  collection  of  the 
most  Elegant  and  Useful  Designs  of  Household  Furniture 
in  the  Gothic,  Chinese,  and  Modern  Taste.  160  copper- 
plates. Large  folio,  red  levant  morocco  gilt,  ornamented 
with  deep  double  borders,  pointille  tooling,  with  the  arms 
of  Achilles  Seilliere  in  centre  of  sides,  gilt  edges,  by  Lortic 
(a  few  pages  foxed).  London,  1754 

*  First  Edition.     Large  copy,  scarce. 

774.  CHOLINES  (NICOLAS  DE).  Les  Neuf  matinees 
du  Seigneur  de  Cholieres.  Dediees  a  Monseigneur  de  Ven- 
dosme.  Reueues,  corrigees  &  augmentees  par  I'Autheur. 
12mo,  red  levant  morocco  gilt,  gilt  edges,  by  Niedree. 

Paris:  Jean  Richer,  1586 

775.  CHOLli:RES  (NICOLAS  DE).  La  Gverre  des 
Masles  contre  les  Femelles:  Representant  en  trois  Dialogues 
les  prerogatives  and  dignltez  tant  de  I'vn  que  de  I'autre 
sexe.  Auec  les  Meslanges  Poetiques.  Small  8vo,  blue 
levant  morocco  gilt,  gilt  edges,  by  Trautz-Bauzonnet. 

Paris:  Pierre  Cheuillot,  1588 

*  First  Edition.     One  of  the  scarcest  of  Choliere's  works. 

776.  CHOLINES  (NICOLAS  DE).  La  Guerre  des 
Masles  contre  les  Femelles.  Representant  en  trois  Dia- 
logues les  prerogatives  &  dignitez  tant  de  I'un  que  de 
I'autre  sexe.  Avec  les  meslanges  Poetiques.  ]2mo,  old 
red  straight-grain  morocco,  gilt  vine  border,  and  mono- 
gram of  Adolphe  Audenet  gilt  edges,  by  Koehler. 

Paris:  Gilles  Robinot,  1614 

*  From  the  Nodier  Collection,  with  his  label. 

777.  CHOYSELAT  (PRUDENT  LE).  Discours  Oeeon- 
omique,  non  moins  utile  que  recreatif.  Small  8vo,  brown 
levant  morocco,  gilt  back,  gilt  edges,  by  Alio. 

Rouen:  Martin  le  Menestrier,  1612 

*  From  the  collection  of  M.  J.-B.  Huzard,  who  wrote  a  bib- 
liography of  this  treatise. 

131 


778.  CHRETIEN  (NICOLAS).  Les  Tragedies  de  N. 
Chretien  Sievr  des  Croix  Argentenois.  Volume  I  contains 
"  Les  Portugaiz  Infortunez,"  without  separate  title-page, 
"  Tragedie  d'Amnon,  et  Thamar,"  1608,  and  "  Albovin  ou 
la  Vengeance,"  1608;  Volume  11.  "  Le  Ravissement  de 
Cefale, "  1608,  "Les  Amantes,  ou  la  grande  pastorelle," 
1613,  and  "  Rosemonde  ou  la  Vengeance,"  1603.  2  vols. 
12mo,  green  morocco  gilt,  gilt  edges.  '  Rouen,  1608 

779.  CHRISTIE  (JAMES).  An  Inquiry  into  the  Early  His- 
tory of  Greek  Sculpture.     Portrait.     4to,  boards  (worn). 

London,  1833 

780.  CHRONICLE  OF  ENGLAND,  PRINTED  AT  ST. 
ALBANS,  1483.  Folio  1:  HEre  begynnys  a  schort  &  breue 
tabuU  on  thes  Cronicles  And  ye  must  vnderstond  y*^  eueri 
leef  is  markid  vnder  with  A.  on.ij  iij.  &  iiij.  &  so  forth  to 
viij.  an  whatsum  eii  ye  fjmd  shortli  writin  in  this  table,  jq 
shalt  find  oppenli  in  the  same  letter. 

Folio  9:  (I)N  so  myche  that  it  is  necessarie  to  allcreaturis 
of  criston  religyon.  or  of  fals  religj^on:  os  getyles  and 
machomytes:  to  knaw  their  prince  or  prynces  that  regne 
apon  them,  and  theem  to  obey.  So  it  is  commodyus  to 
knaw  theer  nobull  actis  or  dedys.  and  the  circumstas  of 
theer  lyues.  Therfoor  i  yeer  of  our  lorde.  M.iiij'^.lxxxviij. 
And  in  the  xxiij.  yeer  of  the  regne  of  Kyng  Edward  the 
fourth  at  Saynt  Albons  so  that  all  men  may  knaw  the  actys 
naemly  of  our  nobull  kyngys  of  Englond  is  copylit  together 
thys.book.  &  moor  ouer  istranslayt  owtof  latin  i  to  englich 
froom  the  begiyng  of  the  world  .  .  .  etc. 

Colophon:  Here  endethe  the  Croniclis  of  Englode  with 
the  frute  of  timis.     Sanctus  albanus. 

287  leaves,  fo.  8  blank,  with  woodcuts;  the  initials  and 
some  chapter  headings  printed  in  red.  The  preliminary 
leaves,  including  Table,  to  ani,  avi  to  bi,  bvi,  If  and  2,  Ig.Ki  to 
8,  and  the  last  leaf  in  facsimile,  but  containing  in  all  260 
genuine  leaves,  27  being  in  facsimile.  The  last  blank — 
making  up  the  correct  number  of  leaves,  288,  is  missing. 
4to,  brown  levant  morocco,  gilt  and  blind  tooled,  doublure 
of  vellum,  vellum  fly-leaves,  gilt  edges,  by  Riviere. 

St.  Albans  Printer,  1483 
*  Only  about  seven  copies  of  this  excessively  rare  book  are 
known,  all  imperfect. 

[See  Reproduction.] 
122 


Jbttif  fo  \in  fox^  j^^ttt  nt  6>  QTwrnanbie  .l]bi;j«  Anwc  apct  f^ ' 
Jboe  Ibc^^i^)  fo  (Ocffctsftg  $f)la)\t«2mc6  d?c  ^ul:c  of  an^gamc: 
Qopon  Ibtpmc  fe  bcgai  Jictti  i^  fecund  af  c  Itgng  of  ^nglo^  (on^ 
55ljoni  fcnt  €  i^owiac  of  Cat)^4buti  tegnc^  an^  ^ic^  ♦ 
5Q  oti^auc  Jbo6  cmptout  aft  ^nti  tip  fbuttl)  gi)  )pcw  .an^  titttt : 
of  t)tm  t6  Kbtttt^n  bot  A)0.i  ^  Dboe  maiilg  fo  t^  cl)ucf)c*an^  %f 
b  fub^ut^  0^^^'  tip  ^^«pci: of  t^  bgno;  of  Ctcelg  ♦  J^wgo  ^ 
fatic6>()otc6>tiU>aci a nobutt man t^)ie  tgmcatpac^a  nobutt 
^ocfo4  of  %  nadow  of  dp  fajpowc  ♦  '|«>tp  oj^tiof  fcnt  Q(o^)5  ^^p 
faft  at  3  cc"f^l«m  bgan  tf?«j  time  ♦  b  tf^  Sotf^ipfiitt  w  an  9^ag  ^ 
woTi^  tijt^()tclg  ^t  f  pofib  to  IJbcibie  of  rr^zxd .  att  tf^ge  o<^«  maUe 
thcjKagc  fe  f  uc  pocf  mci) 

__v'  ^ntto^omtm.^»C*(?j?|?im* 

^"WrQtnoccndu©  Kce  p|x  ftf  t  i^onotiuc  (^mi  ♦  gcte  f  OJij  •  wo 
^^i^  mAjti^  'Ct^tt^  n)an  ]ba6  a  ^emp  tcuote  man  *  ^  &ti9E^  ftci^ 
nicnfefodct^tm:(j^^Oftnffc^ti,gcteagGnc  ^ctcof  %\m 
fl?c  Kiel)  nattiG0  Ijtm  (^nocUta  ♦  ant>  bg  ftwngtb  $  6>bc  t^  p|x 
(po^  ♦  tifjc  Ifetc^j  3(nnoccnt  falb  ♦  g  lb*  i^ . galeae  ^  fl«^  w  <o  ftaSce 
♦an^Ibo5  Xbotffljtpfwttj^tcfouc^)  of  (cnt(gctcnai:^*tl?c  Kictj^ 
time  Sa^  att  t^  kgngcc  ^  ^t  f  tincce  nt  (?t6  |?r«^  .  g  Ip  /pwofecS^ 
em  ^i  £o  brtng  rf}t0  p&pc  Q(nnoccnt  m  topics  t>ianitc  ajcnctatt 
ti)C  laft  aW7grt2  Jbae  ccf  fi^  g  ^0  cnrngcj  Xbci  t^iprngc^  tJjutg^r 
t^c  tugcmcnt  of  50^:^(12  U)0«5  pjpc  agenc  ♦ow^  Uuc^  ptofctRbulg 
an^^a0  tetifi^  at  Saucongncc  ♦ 

CC  igoB  ^tcpfcntf;atBo^i:g>i2  jgcnnfuftw  fon  Boewatc 

hgwgofmgion^. 

^Bri?tctt{)tgin)nq  ^gentjtl^at  Dbag^c  fttft  Ifcac  wale  Itg  ^ 

togn^oaanonc  ack^i^tlptg^gng^f '^^'^^"^^^^^^  *^^** 
^p  Ff  fi^  d}c  f«  an^comc  w  fo  cn3lon3>f|?utg^  confctt  g  ftt^S^ 


Chronicle  of  England,  !St.  Albans  Printer,  1483. 
(See  No.  780.) 


781.  CHURCHYARD  (THOMAS).  The  Firste  part  of 
Churchyard es  Chippes  Contayninge  Twelue  seuerall  La- 
bours. Deuised  and  published  onl3'e  by  Thomas  Church- 
yard Gentleman.  Small  4to,  red  levant  morocco  gilt,  gilt 
edges,  by  Bedford.  (The  inner  border  of  the  woodcut  title 
restored,  and  some  corners  replaced.) 

Imprinted  at  London  ...  by  Thomas  Marshe,  1578 

*  Second  Edition.  Very  scarce.  Churchyard  in  his  youth 
was  page  to  the  Earl  of  Surrey,  and  he  mentions  his  indebted- 
ness to  him  for  his  instruction  in  poetic  composition.  The  poem 
in  this  volume,  "  Tragecall  discours  of  the  iinhappie  mans 
life,"  is  autobiographical,  narrating  his  experiences  as  a  soldier 
in  Scotland  and  France,  where  he  had  been  taken  prisoner 
several  times,  and  concludes  by  lamenting  his  poverty  and  the 
neglect  of  those  he  once  thought  his  friends. 

782.  CHURCHYARD  (THOMAS).  The  Firste  Parte  of 
Churchyardes  Chippes,  containing  Twelve  severall  Labours; 
also  Churchj'ard's  Miscellaneous  Poems,  antidote  against 
Melanchoh^  2  vols.  4to,  blue  straight  grain  morocco,  gilt 
tops,  by  Zaehnsdorf.  [London,  n.  d.] 

*  Collier's  reprints,  with  pencil  notes,  probably  in  his  hand- 
writing. 

783.  CHURCHYARD  (THOMAS).  A  generall  rehearsall 
of  warres,  wherein  is  flue  hundred  seuerall  seruices  of  land 
and  sea:  as  sieges,  battailles,  skirmiches,  and  encounters. 
A  thousande  gentle  mennes  names,  of  the  best  sort  of  war- 
riours.  A  praise  and  true  honour  of  Soldiours:  A  proofe 
of  perfite  Nobilitie.  A  triall  and  first  erection  of  Heraldes: 
A  discourse  of  calamitie.  And  ioyned  to  the  same  some 
Tragedies  and  Epitaphes,  as  manj^  as  was  necessarie  for  this 
firste  booke.  All  whiche  woorkes  are  dedicated  to  the  right 
honourable  sir  Christopher  Hatton  knight,  vize  Chamber- 
lain, Captain  of  the  gard :  &  one  the  Queenes  maiesties 
priuie  counsail.  Small  4to,  green  morocco  gilt,  gilt  edges. 
(Corners  of  title,  first  and  last  leaves,  and  a  few  inner  mar- 
gins restored.) 

Imprinted  at  London  by  Edward  White  [1579] 

*  First  Edition.  Extremely  rare.  The  running  title  of 
of  this  book  is  "  Churchyardes  Choise,"  but  in  reality  it  is  the 
second  part  of  the  "  Chippes." 

Churchyard  was  probably  with  Sir  Philip  Sidney  in  Ireland, 
as  one  of  the  pieces  is  an  account  of  an  entertainment  given  in 
Munster  by  Sidney  to  Sir  Humphrey  Gilbert.  The  Hill  (Bibli- 
otheca  Anglo-Poetioa)-Gilchrist-Heber-Corsar  copv.  with  Gil- 
christ's autograph  on  title.  ^ 

784.  CHURCHYARD  (THOMAS).  A  light  Bondell  of 
lively  discourses  called  Churchyardes  Charge,  presented  as 
a  Newe  yeres  gifte  to  the  right  honourable,  the  Earle  of 
Surrie,  in  which  Bondell  of  verses  is  sutche  varietie  of 
matter,  and  severall  inventions,  that  male  bee  as  delitefuU 

133 


to  the  Reader,  as  it  was  a  Charge  and  labour  to  the  writer, 
sette  forthe  for  a  peece  of  pastime.  Title  in  ivoodcut  border. 
Small  4to,  maroon  levant  morocco  gilt,  gilt  edges,  by  The 
Club  Bindery.   Imprinted  at  London  by  Jhon  Kyngston,  1580 

*  First  Edition.  Extremely  scarce,  very  few  copies  being 
known.  On  the  back  of  the  title  is  written  an  interesting 
poetical  inscription  to  Edward  Fairfax,  possibly  by  Church- 
yard. 


785.  CHURCHYARD  (THOMAS).  Churchyards  Chal- 
lenge. Printer'' s  ornament  on  title.  Small  4to,  brown  levant 
morocco,  gilt  and  blind  tooled,  gilt  edges,  by  Morrell. 

London:  Printed  by  John  Wolfe,  1593 

*  A  PERFECT  COPY  OF  THE  FiRST  EDITION,  and  believed  to  be 
the  only  copy  (of  the  half  dozen  in  existence)  with  the  prelim- 
inary blank  leaf  "A."  The  volume  contains  a  collection  of 
Chui'chyard's  pieces — many  of  which  were  circulated  only  in 
manuscript  and  the  authorship  of  which  had  been  claimed  by 
others — and  in  support  of  his  claim  he  says:  "  The  books  that  I 
can  call  to  memorie  already  printed,"  a]so  some  that  he  had 
apparently  written  for  others:  ''These  Workes  following  are 
gotten  from  me  of  some  such  noble  freends  as  I  am  loath  to 
offend,"  with  a  list  of  a  few  that  had  been  completely  lost. 

786.  CHURCHYARD  (THOMAS)  and  RICHARD  ROB- 
INSON). A  Trve  Discovrse  Historicall,  of  the  Svcceeding 
-Governovrs  in  the  Netherlands,  and  the  Ciuill  warres  there 
begun  in  the  yeere  1565.  with  the  memorable  seruices  of 
our  Honourable  English  Generals,  Captaines  and  Souldiers, 
especially  vnder  Sir  lohn  Norice  Knight,  there  performed 
from  the  yeere  1577.  vntill  the  yeere  1589.  and  afterwards 
in  Portugale,  France,  Britaine  and  Ireland,  vntill  the  yeere 
1598.  Translated  and  collected  by  T.  C.  Esqvire,  and  Ric. 
Ro.  ovt  of  the  Reuerend  E.  M.  of  Antwerp,  his  fifteeue 
bookes  Historise  Belgicoe;  and  other  collections  added. 
Small  4to,  red  morocco  gilt,  gilt  edges,  by  The  Club  Bindery. 

At  London:  Imprinted  for  Matthew  Lownes,  ItiO^ 

*  First  Edition.  Contains  descriptions  of  the  campaigns  in 
which  Barnaby  Rich,  George  Gascoigne,  and  Sir  Philip  Sidney 
served,  with  a  full  narrative  of  Sidney's  death  at  Zutphen. 

787.  CHURCHYARD  (THOMAS  —  Translator).  The 
Three  First  Books  of  Ovid  de  Tristibus  translated  into  Eng- 
lish. By  Thomas  Churchyarde.  Small  4to,  brown  morocco 
gilt,  with  the  arms  of  Lord  Spencer  in  gold  on  the  sides, 
doublure  of  vellum  covered  with  a  rich  gold  design,  having 
in  the  center  the  coronet  of  the  Earl,  vellum  flj'-leaves  with 
gold  borders,  gilt  edges  gauff  red,  b}'  C.  Lewis.     London,  1816 

*  Only  36  copies  were  printed  from  the  original  in  the 
Althorp  Library  by  Earl  Spencer  for  the  Roxburghe  Club. 

124 


788.  GIBBER  (COLLEY).  A  Letter  from  Mr.  Cibl>er, 
to  Mr.  Pope,  Inquiring  into  the  Motives  that  might  induce 
him  in  his  Satyrical  Works,  to  be  so  frequently  fond  of  Mr. 
Gibber's  Name.  The  Second  Edition.  Small  8vo,  brown 
morocco,  gilt  edges,  by  The  Club  Bindery. 

London:  Printed  and  Sold  by  W.  Lewis,  174^ 

*  Although  called  the  Second  Edition  in  the  title  it  is  really 
the  Second  issue  of  the  First  Edition,  with  the  same  title-page, 
excepting  that  the  "Second  Edition  "  is  here  substituted  for 
the  ornament  above  the  imprint  in  the  first  issue. 

789.  GIBBER  (GOLLEY).  Dramatic  Works.  Portrait. 
4  vols.  12mo,  half  green  levant  morocco,  gilt  tops,  uncut. 

London,  176a 

790.  GIGERO.  Epistolse  ad  M.  Brutum,  ad  Quintum 
fratrem,  ad  Octavium  et  ad  'Atticum.  Roman  characters 
with  passages  printed  in  Greek.  199  unnumbered  leaves 
ivithout  signatures  and  catchwords;  38  lines  to  the  ptage. 
First  page  within  a  fine  semi-border,  with  an  initial  in  the 
interlaced  style  illuminated  in  gold  and  colors,  and  capitals 
painted  in  blue  and  red.  Folio,  red  levant  morocco,  gilt- 
tooled  back  and  inside  dentelle  borders,  gilt  edges,  by 
Trautz-Bauzonnet. 

Romse:  Conrad  Sweynheym  &  Arnold  Pannartz,  1470 

*  Bibliographers  are  not  decided  whether  this  edition,  or 
that  of  Jenson,  printed  in  the  same  year,  is  to  be  regarded  as 
Editio  Princeps.  According  to  the  copy  in  the  Sunderland 
Library  Catalogue,  quoted  as  having  203  leaves,  the  above  is 
imperfect.  The  first  leaf  is  in  facsimile.  Hain-Copinger  5213; 
Proctor,  3311. 

791.  GIGERO.  Orationes.  Roman  characters.  298 
leaves,  including  the  first  and  last  blanks,  ivithout  signa- 
tures and  catchiuords;  37  lines  to  the  page.  Initials  painted 
in  red.  Folio,  old  French  red  morocco,  gilt  triple  lines  on 
the  sides,  with  the  arms  of  Count  de  Hoym  stamped  in 
gold  in  the  centre  of  each  cover,  gilt-tooled  back  and  inside 
borders,  gilt  edges,  by  Du  Seuil. 

[Venetiis]  Adam  of  Ammergau,  1472 

*  A  LARGE  COPY  OF  THIS  RARE  EDITION.  From  the  libraries 
of  Count  de  Hoym,  the  Abbe  Rive,  and  Hon.  George  A.  Ellis, 
with  bookplate  of  the  latter.     Hain,  5128;  Proctor,  4150. 

792.  GIGERO.  Epistol?e  familiares.  8vo,  original  limp 
vellum,  in  morocco  case.  [Lyon,  circa  1503] 

*  The  forged  Aldine  Edition  of  1502.     Printed  on  vellum, 

ENTIRELY     UNCUT,     AND     PROBABLY    THE     ONLY   PERFECT    COPY 

KNOWN,  as  the  other  three  vellum  copies  mentioned  by  Re- 
nouard  seem  to  lack  the  title-page.  From  the  Sunderland 
library. 

793.  GIGERO.  Officiorum  libri  tres,  collatis  variis  ex- 
emplaribus  accuratissime  recogniti:  Cato  Maior  sive  de 
Senectute.  Laelius  sive  de  Amicitia,  etc.,  cum  annota- 
tionibus  Erasmi  Roterodami.  Ruled  throughout  luith  red 
iiik.     Title-page   within  a  luoodcut  border,  with  device  of 

125 


publisher.  16mo,  brown  levant  morocco,  the  sides  inlaid 
with  interlaced  bands  of  citron,  green  and  dark  blue  morocco 
within  gold  lines;  doublure  of  brown  levant  richlj'  gilt- 
tooled  in  the  manner  of  the  Eves,  gilt  edges,  by  G.  Benard. 
In  morocco  case. 

Lutetife:  Petrus  Vidonseus  sumptibus  Petri  Viart,  1523 

*  Printed  on  vellum  ;   probably  the  only  copy  in  this 

STATE. 

794.  CICERO.  De  Officiis  libri  tres;  de  Amicitia,  de 
Senectute  dialogi  duo,  etc.  16ino,  calf,  the  sides  of  the 
contemporary  Lyonnese  binding,  painted  in  blue  within 
gold  lines  in  an  interlaced  Grolieresque  pattern,  have  been 
skilfully  inlaid  in  the  covers,  gauffred  edges.  In  a  mottled 
calf  slip-case.  Lugduni:  apud  Seb.  Gryphlinum,  1546 

795.  CICERO.  De  Officiis  libri  tres.  Cato  major,  vel  de 
Senectute.  Lselius,  vel  de  Amicitia,  etc.  Engraved  title. 
Ruled  throughout  in  red.  12mo,  old  French  red  morocco 
gilt,  doublure  of  red  morocco,  gilt  edges,  by  Duseuil. 

Amstelodami:  ex  Officina  Elzeviriana,  1677 

796.  CICERO.  Marcus  Tullius  Ciceroes  three  bookes  of 
duties  to  Marcus  his  sonne,  tourned  out  of  Latine  into 
English,  by  Nicholas  Grimald.  Whereunto  the  Latine  is 
adioyned.  Small  8vo,  brown  levant  morocco,  back  and 
sides  panelled  and  richly  gilt,  inlays  of  green  morocco,  gilt 
edges,  by  The  Club  Bindery.  Inscription  on  title  in  ink, 
"  William  Waller  his  Booke,  1656."  London,  1583 

*  Printed  in  double  columns,  the  Latin  in  Roman  type,  the 
English  in  Gothic  characters. 

797.  CICERO.  (Euvres  completes.  Translated  by  M. 
Delcasso.  36  vols.  Svo,  red  levant  morocco,  gilt  backs,  with 
the  monogram  E.  B.,  gilt  edges,  by  Belz-Niedree. 

Paris,  1835-37 

798.  CIECA  DI  LEONE  (PIETRO)  and  GOMARA 
(FRANCESCO  LOPEZ  DE).  Cronica  del  Gran  Regno  del 
Perv,  con  la  discrittione  di  tutte  le  prouincie,  e  costumi,  e 
riti,  con  le  nvove  citta  edificate,  &  altre  strane  &  inarauig- 
liose  notitie;  Historia  della  Nvove  Indie  Occidentali,  con 
tvtti  i  discoprimenti,  &  cose  notabili,  auuenute  dopo  I'ac- 
quisto  di  esse;  and  Historia  di  don  Ferdinando  Cortes, 
marchese  della  Valle,  Capitano  Valorosissimo,  con  le  sve 
maravigliose  prodezze  nel  tempo,  che  discopri,  &,  acquisto 
la  nuoua  Spagna.  3  vols.  Svo,  red  levant  morocco,  gilt  and 
blind  tooled,  gilt  edges,  by  Lortic. 

Venecia:  Francesco  Lorenzini  da  Turino,  1560 

*  Complete  sets  are  very  scarce. 

799.  CIM  (ALBERT).  Une  Bibliotheque.  L'artd'acheter 
les  livres,  de  les  classer,  de  les  Conserver  et  de  s'en  servir. 
12mo,  wrappers,  uncut.  Paris,  1902 

*  One  of  40  copies  printed. 

126 


800.  CIM  (ALBERT).  Amateurs  et  Voleurs  de  Livres. 
Frontispiece.  12mo,  original  wrappers,  uncut.  300  copies 
printed.  Paris,  1903 

CLAUDE'S   "  Liber  Veritatis. "     See  No.  2096. 

801.  CLAUDIANUS  (CLAUDIUS).  CI.  Claudiani  Qusb 
extant.  Nic.  Heinsius  Dan.  Fil.  Recensuit  ac  notas  addidit, 
post  primam  editioneni  altera  fere  parte  nunc  auctiores. 
Accedunt  selecta  Variorum  Commentaria,  aecurante 
C!.(ornelio)  S.(clirevelio),  M.  D.  Engraved  title,  ruled  in 
red.  8vo,  red  morocco  gilt,  doublure  of  red  morocco, 
dentelle  borders,  gilt  edges,  by  Boyet. 

Amstelodami:  Ex  Officina  Elzeviriana,  1665 

802.  CLAUDIANUS  (CLAUDIUS).  (Euvres  completes. 
Translated  by  Heguin  de  Guerle  and  Alph.  Trognon.  2 
vols.  8vo,  red  levant  morocco,  gilt  backs,  with  the  mono- 
gram E.  B. ;  gilt  edges,  by  Belz-Niedree.         Paris,  1830-33 

803.  CLAVIERE  (E.  DE).  Figure  Emblematique  en 
trois  langves,  et  seulement  en  une  visible  de  foy.  Ov  se 
pevt  voir  vne  flevr  de  loiianges  du  Roy  Tres-Chrestien,  de 
la  Royne,  de  Monseigneur  le  Dauphin,  tfc  le  Monseigneur  le 
Due  d'Orleans.  Small  Bvo,  blue  levant  morocco,  gilt  edges, 
by  Chambolle-Duru.  Paris,  1607 

804.  CLELAND  (JAMES).  A  Monument  of  Mortalitie, 
upon  the  death  and  funeral  of  the  Gracious   Prince  Lodo- 

vick,  late  Duke  of  Richmond  and  Lenox,  &,c,.    Frontispiece   fdO   - 
of  Duke  lying  in  state.     Small   4to,  blue  levant  morocco 
gilt,  gilt  top,  uncut,  by  Bedford. 

London :  Printed  hy  William  Stansby,  1624 

805.  CLEVELAND  (JOHN).     Poems.     By  J.  C.     With       ^      . 
Additions  never  before  Printed.     Portrait.     16mo,  old  calf,      c/O  - 
gilt  back.  [London]  :  Printed  in  the  Yeare  1654 

*  From  the  Coi'ser  Collection. 

806.  CLEVELAND  (JOHN).     Poems.     By  J.  C.     With 
Additions  never  before  Printed.     Portrait.     16mo,  citron  .    //}  __ 
levant  morocco  gilt,  gilt  edges,  by  Chambolle-Duru. 

[London] :  Printed  in  the  Yeare  1656 

807.  CLEVELAND  (JOHN).     Poems.     With  Additions 

never  before  Printed.     Bast  portrait  from  an  earlier  edition     S(J  -. 
inserted.     16mo,  green  levant  morocco,  gilt  edges,  b}'  The 
Club  Bindery.     (Title  mended.) 

London:  Printed  for  W.  Shears,  1662 

808.  CLEVELAND  (JOHN).     Clievelandi  Vindicite;  or, 
Clieveland's     Genuine     Poems,    Orations,     Epistles,    <fcc.      ^;'  — 
Purged  from  the  many  False  and  Spurious  Ones,  &Q..  Por- 
trait of   Cleveland  from  another   edition    inserted.     First 
AUTHORIZED  EDITION.     12mo,  citrou  levant  morocco,  gilt 

edges.  London:  Printed  for  Obadiah  Blagrave,  1677 

127 


qr,  809.   COCKTON  (HENRY).     Stanlej^  Thorn.     IS  plates 

^  i:^  ^hy  Cruikshank,  Crowquill  and  Leech.     First  Edition.     3 

^<^      vols.  12mo,  half  roan,  uncut.  London,  1844 

810.  CODRINGTON  (ROBERT).  The  Life  and  Death, 
of  the  lUvstriovs  Robert  Earle  of  Essex,  etc.  Containing 
at  large  the  wars  He  managed,  and  the  Commands  he  had 
in  Holland,  the  Palatinate,  and  in  England.  Together  with 
some  wonderfull  observations  both  of  himself,  and  his 
Predecessors,  and  many  most  remarkable  Passages  from  his 
Infancie,  unto  the  day  of  his  Death.  Frontispiece  by  W. 
Hole.  First  Edition.  4to,  red  levant  morocco,  gilt  edges, 
by  The  Club  Bindery.  London:  F.  Leach,  1646 

811.  COGAN  (HENRY— Translator).  The  History  of 
Diodorus  Siculus.  Containing  all  that  is  Most  Memorable 
and  of  greatest  Antiquity  in  the  first  Ages  of  the  World 
until  the  War  of  Troy.  Done  into  English  by  H.  C.  Gent. 
First  Edition.     Small  folio,  old  calf  (rebacked). 

London:  Printed  by  John  Macoek  for  Giles  Calvert,  1653 

812.  COKAIN  (SIR  ASTON).  Small  Poems  of  Divers 
Sorts,  including  Two  Comedies,  with  the  second  title-page. 
A  Chain  of  Golden  Poems  Embellished  with  Wit,  Mirth 
and  Eloquence,  and  separate  titles  to  The  Obstinate  Lady, 
and,  Trappolin.  Portrait.  16mo,  morocco  gilt,  by  W. 
Pratt.     (Portrait  cut  close  and  mounted.) 

London:  Printed  by  William  Godbid,  1658  [1659] 

*  First  Edition,  very  rare  with  the  portrait.  The 
second  title-page  is  variously  dated  1658  and  1659,  in  this  case 
it  is  1659.     Cornelius  Paine's  copy. 

813.  COLARDEAXJ  (CHARLES  PIERRE).  (Euvres 
chQisies  de  Colardeau.  Nouvelle  edition,  ornee  d'une  giav- 
ure.  Royal  8vo,  half  red  morocco,  gilt  and  blind-tooled, 
uncut.  Paris,  1825 

*  Large  paper  copy.  Frontispiece  engraved  by  Bosq  and 
Devilliers  after  Desenne,  proof  before  letters  on  India  paper. 
Inserted  portrait,  proof  on  India  paper. 

814.  COLERIDGE  (HARTLEY).  Poems.  With  a  Me- 
moir of  his  Life  by  his  Brother,  Derwent  Coleridge.  Por- 
trait. 2  vols.  12mo,  red  levant  morocco,  back  panels  in 
gilt  and  blue  mosaic,  gilt  tops,  uncut,  bj-  Champs. 

London,  1851 

815.  COLERIDGE  (HARTLEY).  Essays  and  Marginalia. 
Edited  by  his  brother,  Derwent  Coleridge.  Portrait.  2 
vols.  12mo,  red  levant  morocco,  back  panels  in  gilt  and 
blue  mosaic,  gilt  tops,  uncut,  by  Champs.         London,  1851 

128 


10 


J 


816.  COLERIDGE  (SAMUEL  TAYLOR).  Letters,  Con- 
versatious  and  Recollections  of  S.  T.  Coleridge,  2  vols. 
8vo.  London:  Moxon,  1836 

*The  above  and  the  following  13  lots  are  uniformly  bound  in 
red  levant  morocco,  back  panels  in  gilt  and  blue  mosaic,  gilt 
tops,  uncut,  by  Champs. 

817.  COLERIDGE  (SAMUEL  TAYLOR).  The  Friend: 
a  series  of  Essays  to  aid  in  the  formation  of  fixed  principles  ^ 
in  Politics,  Morals,  and  Religion,  with  Literary  Amuse-/^^  — 
ments  interspersed.  Third  Edition:  with  the  Author's  last 
Corrections,  and  an  Appendix,  and  with  a  synoptical  Table 
of  the  contents  of  the  work.  By  Henry  Nelson  Coleridge. 
3  vols.  12mo.  London:  Pickering,  1837 

818.  [COLERIDGE  (SAMUEL  TAYLOR).]     The  Life  of    -y  r^ 
Coleridge.     By  James  Gillman.     8vo,  uncut.     Vol.  I  only 
(all  published).  Loudon:  Pickering,  1838 

819.  COLERIDGE  (SAMUEL  TAYLOR).     On  the  Con-     ^--c. 
stitution  of  the  Church  and  State  according  to  the    idea  of 
each.     12mo.  London:  Pickering,  1839 

820.  COLERIDGE   (SAMUEL    TAYLOR).      Biographia 
Literaria;  or,   Biographical  Sketches  of  my  Literary  Life     i  C 
and  Opinions.     Second  Edition,  prepared  for  publication    '  ^ 
in  part  by  the  late  Henry  Nelson  Coleridge,  completed  and 
published  by  his  Widow.     IJi-  portraits^  etc.,   inserted.     3 
vols.  12mo,  uncut.  London:  Pickering,  1847 

821.  COLERIDGE  (SAMUEL  TAYLOR).  The  Poetical 
and  Dramatic  Works  of  Coleridge.     3  vols.  r2mo. 

London:  Pickering,  1847 

822.  COLERIDGE  (SAMUEL  TAYLOR).  Aids  to  Re-  ,  ^ 
flection.  Edited  by  Henry  Nelson  Coleridge.  2  vols.  12mo,  ./ ^ 
uncut.  London:  Pickering,  1848 

823.  COLERIDGE   (SAMUEL    TAYLOR).      Notes    and 
Lectures  upon  Shakespeare  and  Some  of  the  Old  Poets  and       9  7  {5 
Dramatists,  with  other   Literary  Remains  of   S.   T.    Cole- 
ridge.    Edited  by  Mrs.  H.  N.    Coleridge.     First  Edition. 
2  vols.  12mo.  London:  Pickering,  1849 

824.  COLERIDGE    (SAMUEL  TAYLOR),     Confessions 
of  an    Inquiring   Spirit    and    Some    Miscellaneous   Pieces.         J 
Edited  from  the  author's  MS.  by  Henry  Nelson   Coleridge. 
12mo.  London:  Pickering,  1849 

825.  COLERIDGE  (SAMUEL  TAYLOR).     Essays  on  his 
Own  Times:  forming  a  Second  Series  of  The  Friend.  Edited      '  ^ 
by  his  Daughter.     First  Edition.     3  vols.  12mo,  uncut. 

London:  Pickering,  1850 

826.  COLERIDGE  (SAMUEL  TAYLOR).     Specimens  of      7 
the  Table  Talk  of  the  late  Samuel  Taylor  Coleridge.     Por- 
trait.    12mo,  uncut.  London,  1851     / 

129 


<    ^  -- 


7 


827.  COLERIDGE  (SAMUEL  TAYLOR).  Notes  on  Eng- 
lish Divines.  Edited  by  the  Rev.  Derwent  Coleridge.  First 
Edition.     2  vols.  12mo.  London:  Moxon,  1853 

828.  COLERIDGE  (SAMUEL  TAYLOR).  Notes,  Theo- 
logical, Political,  and  Miscellaneous.  Edited  by  Derwent 
Coleridge.    First  Edition.     12mo.  London:  Moxon,  1853 

829.  [COLERIDGE  (SARA).]  Phantasmion.  12mo,  un- 
cut. London:  Pickering,  1837 

*  Uniform  with  the  13  preceding  lots. 

830.  COLLE  (CHARLES).  La  Parie  de  Chasse  de  Henri 
IV,  comedie  en  trois  Actes  et  en  Prose.  Avec  quatre  estampes 
en  taille-douce,  d'apres  les  desseins  de  Gravelot.  First  Edi- 
tion.    8vo,  red  levant  morocco,  gilt  top,  uncut,  by  Reymann. 

Paris :  Veuve  Duchesne,  1766 

831.  COLLIER  (JOHN  PAYNE).  A  Bibliographical  and 
Critical  Account  of  the  Rarest  Books  in  the  English  Lan- 
guage, alphabetically  arranged,  which  during  the  last  fifty 
years  have  come  under  the  observation  of  J.  Payne  Collier. 
4  vols.  8vo,  red  levant  morocco  gilt,  gilt  tops,  uncut. 

New  York,  1866 

*  Large  Paper  Copy.  One  of  two  printed  on  drawing  paper. 
Laid  in  are  sis  letters  from  the  author  relating  to  his  works  and 
reprints. 

832.  COLLIN'S  Scripscrapologia ;  or,  Collin's  Dish  of  All 
Sorts.  Consisting  of  Songs  adapted  to  familiar  tunes,  and 
which  may  be  sung  without  the  Chaunterpipe  of  an  Italian 
Warbler,  or  the  ravishing  Accompaniments  of  Tweedle-dum 
or  Tweedle-dee.  Portrait  of  Collins,  Scripscrapologiae  Scrip- 
tor.    12mo,  original  boards,  uncut.     (Back  repaired.) 

Birmingham:  Published  by  the  Author  himself,  1804 

833.  COLONNA  D'ISTRIA  (OTTAVIO).  Origine,  e 
Discendenza  della  Famiglia  Colonna  d'Istria.  Folded  copper- 
plate genealogical  tree.  4to,  old  red  morocco,  with  crest,  and 
ARMS  OF  Spinola  ou  cach  side,  gilt  edges. 

Parigi :  Vedova  Ballard,  1777 

834.  COLONNA  (FRANCESCO).  Tableau  des  riches  in- 
ventions couvertes  du  voile  des  feintes  amoureuses,  qui  sont 
representees  dans  le  Songe  de  Poliphile,  devoilees  des  ombres 
du  Songe  et  subtilement  exposees  par  Beroalde  de  Verville. 
Engraved  title  and  180  woodcuts  ascribed  to  J.  Goujon  and  J. 
Cousin,  including  that  of  the  Sacrifice  to  Priapus  intact. 
Large  4to,  red  levant  morocco,  gilt  edges,  by  ChamboUe-Duru. 

Paris:  Matthieu  Guillemot,  1600 

130 


I 


835.  COLUMBUS.  Epistola  Christofori  Colom:  cui  etas 
nostra  multum  debet:  de  Insulis  Indie  supra  Gangem  nuper 
invetis.  Four  leaves,  small  Gothic  type,  40  lines  to  a  full  page, 
last  leaf  blank.  Small  4to,  crimson  straight-grained  morocco, 
gilt.  Impressit  Rome  Eucharius  Silber,  1493 

*  The  first  dated  edition,  and  the  first  containing  the 
printer's  name  and  date.  The  Henry  C.  Murphy  copy. 
Harrisse  no.  3.     Hain-Copinger,  5492;  Proctor,  S87U. 

[See  Eeproduetion.] 

836.  COLUMBUS.  Verardus- Columbus.  In  laudem  Sere- 
nissimi  Fedinandi  Hisp.  regis; — De  Insulis  nuper  inuentis. 
Epistola  Cliristoferi  Colom  ad  Magnificum  dominum  Ra- 
phaelem  Sanxis.  Portrait  of  "Fernandus  Rex  hyspanie"  on 
the  title-page,  4  woodcuts  and  the  arms  of  Castile  in  the  text 
and  verso  of  last  leaf.  Small  4to,  citron  levant  morocco  gilt, 
gilt  edges,  by  Bedford.     [Basileffi :  J.  Bergman  de  Olpe]  1494 

*  The  first  part  of  this  work  is  merely  a  drama  on  the  capture 
of  Granada  from  the  Moors  by  Ferdinand.  The  letter  of  Colum- 
bus to  Eaphael  Sanxis,  translated  from  the  Spanish  into  Latin 
by  Alexander  de  Cosco  and  published  in  the  year  1493,  occupies 
the  final  seven  and  a  half  leaves.  Hain-Copinger,  15942;  Proc- 
tor, 7770.     Harrisse,  no.  15. 

837.  COLUMBUS.  [Habrisse  (Henry).]  Notes  on 
Columbus.     Folio,  limp  levant  morocco,  gilt  top,  uncut. 

New  York:  Privately  Printed,  1865 

*  No.    1   OF   TWO   COPIES   PRINTED   ON   INDIA   PAPER.      The   whole 

edition,  consisting  of  ninety-nine  copies,  was  for  private  dis- 
tribution only,  and  was  printed  at  the  expense  of  Samuel  L.  M. 
Barlow.  This  copy  has  the  presentation  inscription  initialled 
by  Mr.  Barlow. 

838.  COLUMBUS.  Kennedy  (John  S.).  The  Letter  of 
Christopher  Columbus  announcing  the  Discovery  of  the  New 
World.  Facsimile  of  the  Earliest  Edition  [Harrisse  No.  2]. 
12rao,  cloth.  New  York,  1890 

839.  COLUMBUS.  The  Letter  of  Columbus  on  the  Dis- 
covery of  America.  A  Facsimile  of  the  Pictorial  Edition, 
with  a  New  and  Literal  Translation,  and  a  Complete  Reprint 
of  the  Oldest  Four  Editions  in  Latin.     8vo,  cloth,  uncut. 

New  York :  Lenox  Library,  1892 

*  One  of  250  copies  printed. 

840.  [COMBE  (WILLIAM).]  The  Tours  of  Doctor  Syn- 
tax. In  Search  of  the  Picturesque;  a  Poem.  Sixth  edition, 
with  new  plates.  In  Search  of  Consolation.  Third  edition. 
In  Search  of  a  Wife.  Third  edition.  Colored  plates  hy 
Rowlandson.     3  vols.  8vo,  cloth,  gilt  tops,  uncut. 

London  [undated  but  ca.  1830] 
131 


841.  COMMINES  (PHILIPPE  DE).  Cronique  et  hys- 
toire  faicte  et  composee  par  feu  messire  Philippe  de  Com- 
mines  eheualier  seigneur  Dargenton,  coutenant  les  choses 
aduenues  durant  le  regne  du  roy  Loys  vnziesme  ....  Lettres 
hdtardes.  Title  ivitJiin  an  architectural  tvoodcut  horder,  full- 
page  tvoodcut  on  the  verso  of  title-page  and  ornamental  ini- 
tials. Folio,  red  levant  morocco,  gilt  panels,  enclosing  a  blind 
tooled  border  of  fleurs-de-lys,  doublure  of  blue  levant,  gilt 
tooled  borders  of  leaf  and  branches,  silk  linings,  gilt  edges, 
by  Lortic.  Lyon:  par  Claude  Nourry  dit  le  Prince,  1526 

842.  COMMINES  (PHILIPPE  DE).  Les  Memoires  de 
Messire  Philippe  de  Commines,  Sr.  d'Argenton.  Derniere 
edition.  12mo,  blue  levant  morocco,  elaborate  floral  and 
scroll  design,  gilt  over  red  edges,  by  Cape. 

Leide :  Chez  les  Elzeviers,  1648 

*  This  copy  measures  5%  x  2%  inches. 

843.  COMMONWEALTH  OF  ENGLAND.  The  Govern- 
ment of  the  Coinmon-wealth  of  England,  Scotland,  and  Ire- 
land, and  the  Dominions  thereto  belonging;  as  it  was  pnb- 
lickly  declared  at  Westminster  the  16.  day  of  December  1653. 
Small  folio,  brown  levant  morocco,  gilt  top,  by  Zaehnsdorf, 

London,  1653 
*  Eeprinted  by  Baron  J.  B.  Heath  and  presented  to  members  of 
the  Philobiblon  Society,  1867. 

844.  COMMUNION.  Order  for  the  Administration  of  the 
Holy  Communion  and  Occasional  Offices  according  to  the  Use 
of  the  Church  of  England.  4to,  vellum  boards,  gilt  tooled, 
uncut.  London :  Wm.  Pickering,  1848 

845.  COMMUNYCACYON  BYTWENE  GOD  AND 
MAN. —  [Text  begins,  A2]  Deus.  Our  gracyous  god  moost 
in  magnyfycece  His  mercyful  eyen  castetli  fr5  heue  on  hi," 
etc. 

[Colophon]  Thus  endeth  the  comunycacyon  bytwene  god 
and  man.  Enprynted  at  London  in  Flete-strete  at  y  sygne 
of  y  Sonne  by  me  Wynkyn  de  Worde.  Woodcut  of  a  man 
kneeling  at  the  feet  of  God.  Small  4to,  brown  morocco,  gilt 
edges,  in  an  olive  levant  morocco  case. 

[London,  n.  d.,  ca.  1499] 

*  This  remarkable  production  of  the  press  of  Wynkyn 
DE  "Worde  appears  to  be  unknown  to  all  bibliographers. 
Printed  in  the  larger  type  used  by  De  Worde  in  the 
SuLPiTius  of  1499,  and  without  punctuation  marks  of  any 
KIND,  32  lines  to  the  page.  It  begins  on  signature  A2,  and 
is  in  the  form  of  a  dialogue  between  Deus  and  Homo,  the 
Creator  accusing  his  creature  of  ingratitude  and  sin,  and  Man 
acknowledging  the  truth  of  the  charge  and  expressing  con- 
trition. 

133 


li..u 


ir.iSpidoIa  Xb-'tftofaM'  XToloiii:  cm'  cti^:^  iiofTra  iijulnuti  dcbctrdc 
'^Mfiiiit^'lndk  fiipra  ;i?jnf,ctii  mipcr  imictiti'Sdquar.pcrqiiircn 
liu'  ocfauo  aiitca  incnfc  aufpiciiii';  trc  inmcttiVitHoaini  f  anaiidi 
iu-  IDclifabct  If^ifpania^f'rf^c^'i  niiiVut?  fiicr.u.'ad  Ul^a^  nificil  dfini 
C''jb:uicm  Sanclxs.cocuiidcin  fcrcniiTiiiio:uin  Tftcgim)  Xcfiu^' 
I  arliT  inina.auJ  pcmrofiiti  ic  litfcrjfuf,  v\r  IcandiT  dc  JCcfcc  ab 
iDilpano  idiomatc  iii  latum  roiicrtitfcrtio  IKviUn  ilDatj-ilD-cccc* 
vc-uj-'iPoimficatiit!  auwndri  £>c,cti  'anno  'iPniiic, 

Uontatii  fufccptcproin'nric  rem  pcrftctam  rnccotife 
I  iitiim  fiiillc  fratxi  tibi  fo:c  fcio:bat?  coftitui  c.varare 
que  te  VHiiifcuiuriij  rd  in  boc  ncftro  uincrc  pcltc  i  < 
ucntcq?  adiiioiaantfZTicdmibtcrtio  dk  pofti$  ^*  /, 
dibuodifcciri  tn  tnarc  Indiai paiicni.vbi plurimaa  ' 
fnfiitaa imiutncru^ babitataa lx»nniiibui? rcppcri.-quarutn omui^  » 
um  p:o  foclicilTitno  iRcc.c  ucftro  p:ccciiio  celebrate  i  veriUia  ertc 
luj  contradiccntc  iiemiiie  polTcflioneni  acccpiqp:i»neq5  eariini  di^ 
ui  SaUiaton's noiticri  hiipofuKcuinp  fretus? aurilio  tain  ad  banc;. 
^adcctcrafialia^HTncruimia-'cam  nrolndi  i6ii9nal.">anin  vo-„ 
cant-3lianm»  ctiS  vnam  quancj5  none  nonn'tu  tnuicnpaniiSuip  ^ 
pe  alia  infiilanj  S^anctc  ili>aric  ioncc  ptionia-alia  f  crnandinani  j 
alia  IDtjnibcllani-alinia  loanani  •  t  fie  de  reliqnit'  appcllari  tufTi* 
/XcnffpfiiTunn  in  cam  nniiilam  quani  diiduni  '^cana  voani  diri 
appulnnu3:iii,rta  eiiitiiittue  oceidentcin  verfuft  aiiquantulu  pccf 
fi.tanici5  cam  magna  nullc  rcpcrto  fine  ini)cni:rt  ncn  mfula:rcd 
continentan  JCbataip:ouineiam  eiTccrediderini:  nulla  tn  vi'dcna 
oppida  nmnfcipianc  in  maiitimfti  flta  confimb'  picter  aliqnos  vt 
ceo  1  p:cdia  rullicarcum  quo^  inceliijlot^ui  ncquiba  quare  Hnnil 
ac  nos)  videbantfurripiebant  fuii;am./iP;of  rcdicbar  vltra:  cxiiiU 
mang  aliqua  me  vrbcm  villafuc  inucntiirum.Dcmqs  vidcb  q-'  \d^ 
f  c  admedii  .m rclTis  nicbil  nom' cmcrpcbat.":  bnios  via  net?  ad  fcp 
taitrienenjdcferebat:qiipfefi3i:crec7roptaba.tcrrii?creninirec;i)a 
bat  b:uina:  ad  Siiftrumqj  crat  in  vete  cotcdere;  nee  nnnus?  vcn-' 
ti  flac.itantib''  fucccdebat  •  coflitui  alior.  no  opcrirf  fticcctruo:  t  fic 
retroccdcniJad  pe:tii  qucnda  quein  fipnauerani  linn  rcucrftm-vri 
de  diiotj  befet!  ex noftria  in  tcrram  mill  qui  inncftifarcnt eflcr  nc 
TRcr  in  ca  pjoninria  vrbefnc  alique  lf?i  per  trcs  dies  abulaucrunt 
'3nticncmtiT5(nnnmero;;  popnlosc  babitationcsparuaBtamcn 
<!  abfq5  vWo  regimine.-quapjeptcr  rcdicrunt-  '3ntcrra  cc:o  inn  in> 
tellcKra  a  ^bufddm'3ndis?qm»  ibidem  fuircepcraquobmcj^-' 


Columbus  Letter,  Eome,  1493.     The  first  dated  edition. 
(See  No.  835.) 


V 


846.  CONFESSION  OF  FAITH  (A)  Owned  ^and  Con- 
sented to  by  the  Elders  and  Messengers  of  the  Churches  In 
the  Colony  of  Connecticut  in  New-England,  assembled  by 
Delegation  at  Say  Brook,  September  9th  1708.  Eph.  4.  5. 
One  Faith,  Col.  2.  5.  Joying  and  beholding  your  Order  and 
the  steadfastness  of  your  faith  in  Christ.  First  Edition. 
Small  8yo,  original  calf,  with  some  uncut  leaves. 

New  London  in  N.  E. :  Printed  by  Thomas  Short,  1710 

*  The  first  book  printed  in  Connecticut,  very  few  copiea 
of  whicli  are  known.  Autographs  of  "Helena  Tallcott,  1731," 
and  "Nathan  Perkins." 

847.  CONGREVE  (WILLIAM).  A  Pindarique  Ode, 
Humbly  Offer 'd  to  the  King  On  His  Taking  Namure.  First 
Edition.     Folio,  red  morocco,  uncut,  by  The  Club  Bindery. 

London:  Jacob  Tonson,  1695 

848.  CONGREVE  (WILLIAM).  Works.  Containing  the 
Tragedies,  Comedy,  Masques  and  Poems.  3  vols.  8vo,  red 
levant  morocco  gilt,  gilt  edges  (some  uncut),  by  Riviere. 

London,  1710 

*  First   Collected  Edition,  on  Large  Paper. 

849.  CONSTANTINI  (ANGELO).  La  Vie  de  Scara- 
mouche.  Frontispiece  hy  Gouwen.  12mo,  green  levant  mo- 
rocco gilt,  the  Arms  of  Adolphe  Audinet  on  the  sides,  gilt 
edges,  by  Bauzonnet.  Paris:  Claude  Barbin,  1695 

850.  CONSTITUTION  FRANQAISE.  La  Constitution 
Francoise,  Decretee  par  I'Assemblee  Nationale  constituante, 
aux  annees  1789,  1790  et  1791 ;  Acceptee  par  le  roi  le  14  sep- 
tembre  1791.  24mo,  red  levant  morocco  gilt,  foliage  decora- 
tion on  sides,  doublure  of  green  morocco,  silk  guards,  gilt  top, 
uncut.  Paris:  Didot,  I'Aine,  1791 

*  Printed  on  vellum. 

851.  CONTEMPLATIO  Totius  Vit^  et  Passionis  Do- 
mini Nostri  Jesu  Christi.  Fleuron  on  title  and  49  ivoodcuts 
in  the  text.  Small  8vo,  browTi  calf,  blind  tooled  gauffred  gilt 
edges.  Venetiis :  apud  J.  Ostaum  &  P.  Valgrisium,  1557 

*  From  the  Hamilton  Palace  collection. 

852.  CONTES  et  Nouvelles  en  vers,  par  Voltaire,  Vergier, 
Senece,  Perrault,  &c.  Portraits  and  vignettes  hy  Duplessis 
Berthaidt.  2  vols,  in  one.  12mo,  red  levant  morocco,  deco- 
rated in  panels,  gilt  over  uncut  edges,  by  Cape.     Paris,  1862 

*  One  of  20  copies  on  India  paper. 

853.  CONTES  secrets  russes  (Rousskiia  zavetnia  skazki). 
Traduction  complete.  12mo,  original  wrappers,  uncut.  Only 
220  printed.  Paris,  1891 

133 


854.  COOKE  (JOHN).  Greene's  Tu  quoque,  or  The  Cit- 
tie  Gallant.  As  it  hath  beene  diuers  times  acted  by  the 
Queenes  Maiesties  Seruants.  "Written  by  I.  Cooke,  gent. 
Large  woodcut  {a  portrait  of  Greene  as  Buhhle) ,  on  title, 
within  tlack  borders.  Small  4to,  crimson  levant  morocco, 
doublure  of  the  same,  ornate  borders,  uncut,  by  The  Club 
Bindery.    In  a  case.     (.Several  margins  skilfully  restored.) 

Printed  at  London  for  lohn  Trundle,  1614 

*  First  Edition.  But  few  copies  exist  in  uncut  state  and 
only  one  has  ever  been  sold  at  auction. 

855.  COOKE  (JOHN).  Greenes  Tu  quoque,  or  The  Cittie 
Gallant.  As  it  hath  beene  diuers  times  acted  by  the  Queenes 
Maiesties  Seruants.  Woodcut  of  Thomas  Green  on  title. 
Second  Edition.  Small  4to,  maroon  straight-grain  morocco. 
blind  and  gilt  tooled,  gauffred  gilt  edges  (inner  margins  of 
some  leaves  restored).  London:  Thomas  Dewe,  1622 

*  The  play  was  edited  by  Thomas  Heywood,  and  first  per- 
formed vmder  the  title  ' '  The  City  Gallant ; ' '  but  the  inimitable 
acting  of  Green,  who,  in  reply  to  every  compliment,  says  "  Tu 
quoque,"  occasioned  the  author,  out  of  regard  for  him,  to  add 
it  to  the  title. 

856.  COOKE  (WILLIAM).  Memoirs  of  Samuel  Foote, 
Esq.  with  a  Collection  of  his  genuine  Bon-Mots,  Anecdotes 
&c.  mostly  original.  And  Three  of  his  Dramatic  Pieces,  Not 
published  in  his  Works.  Portrait.  3  vols.  12mo,  calf,  gilt 
tops,  uncut,  by  Eiviere.  London,  1805 


TWENTY-FIFTH  SESSSION,  WEDNESDAY,  8:15  P.  M. 

857.  [COOPER  (JAMES  FENIMORE).]  The  Wept  of 
Wish-Ton -Wish,  a  T<ile.  First  Edition.  2  vols.  12mo, 
red  levant  morocco  gilt,  gilt  tops,  uncut,  by  The  Club 
Bindery.  Philadelphia,  18^9 

858.  [COOPER  (JAMES  FENIMORE)].  The  Pathfinder. 
First  Edition.  2  vols,  r.nno,  red  levant  morocco  gilt,  gilt 
tops,  by  The  Club  Bindery.  Philadelphia,  1840 

859.  [COOPER  (JAMES  FENIMORE).]  The  Pathfinder; 
or,  The  Inland  Sea.  First  English  Edition.  3  vols. 
12mo,  original  cloth,  paper  labels,  uncut.  London,  1840 

860.  COPPEE  (FRANgOIS).  Le  Reliqnaire.  Eaux-forie 
de  Leopold  Flameng.  First  Edition.  16mo,  half  calf, 
uncut,  original  covers  bound  in,  by  Champs.        Paris,  1866 

134 


861.  COPPICE  (FRANgOIS).  Le  Passant,  Coraedie  en 
iin  acte,  en  vers.  12nio,  red  levant  morocco,  gilt  fillets,  gilt 
top,  uncut,  original  covers  bound  in,  by  Joly.     Paris,  i»69 

*  First  Edition,  on  India  papei-,  with  an  original  water-color 
drawing  by  O.  A.  Poirson  inserted,  and  autograph  note  by  the 
artist,  on  a  fly  leaf. 

862.  COPPEE(FRANgOIS).  Poemes  Modernes.  l-2mo, 
blue  levant  morocco,  with  monogram,  gilt  top,  uncut, 
original  covers  bound  in.  Paris,  1869 

*  Printed  on  India  paper. 

863.  COPPEE  (FRANCOIS).  Poesies.  (1864-1869.)  Por- 
trait in  two  states  by  Rajon.  Small  8vo,  red  levant  morocco 
gilt,  gilt  edges,  by  Alio.  Paris,  1870 

*  One  of  25  copies,  on  India  paper. 

864.  COPPEE  (FRANgOIS).  L'Abandonee,drarae.  First 
Edition.  12mo,  half  calf,  uncut,  original  covers  bound  in, 
by  Champs.  Paris,  1871 

*  Presentation  copy  from  the  author  to  M.  de  Lescure,  with 
inscription. 

865.  COPPEE  (FRANCOIS).  Le  Cahier  Rouge.  12mo, 
original  covers,  uncut.  Paris,  1874 

*  First  Edition,  on  India  paper. 

866.  COPPEE  (FRANgOIS).  Les  Recits  et  les  Elegies. 
Recits  Epiques.  L'Exilee.  Les  Mois.  JeunesFilles.  First 
Edition.  16mo,  half  calf,  uncut,  original  covers  bound  in, 
by  Champs.  Paris,  1878 

867.  COPPEE  (FRANgOIS)  and  D'ARTOIS.  La  Guerre 
de  cent  ans.  Drame  en  cinq  actes.  16rao,  half  calf,  uncut, 
original  covers  bound  in,  by  Champs.  Paris,  1878 

*  First  Edition,  printed  on  thick  paper.  Presentation  copy, 
with  autograph  of  the  author. 

868.  COPPEE  (FRANCOIS).  LeTresor;  comedie.  First 
Edition.  16mo,  half  calf,  uncut,  original  covers  bound  in, 
by  Champs.  Paris,  18";  9 

*  Presentation  copy,  with  the  author's  autograph  inscrip- 
tion. 

869.  C0PP:EE  (FRANgOIS).  LeTresor.  12mo,  original 
covers,  uncut,  Paris,  1880 

*  Printed  on  India  paper. 

870.  COPPEE  (FRANgOIS).  La  Bataille  d'Hernani, 
poesie.  First  Edition.  16mo,  half  calf,  original  covers 
bound  in,  by  Champs.  Paris,  1880 

871.  COPPEE  (FRANgOIS).  La  Marchaude  de  Jour- 
naux.  Conte  Parisien.  First  Edition.  16mo,  half  calf, 
uncut,  original  covers  bound  in,  by  Champs.       Paris,  1880 

185 


872.  COPPEE  (FRANgOIS).  Bleuette.  Illustrations  by 
Henry  Pille.  P'irst  Edition.  Small  folio,  three-quarter 
blue  levant  morocco,  uncut,  original  wrappers  bound  in, 
by  Guetant.  Paris,  n.  d.  [1880] 

*  This  copy  has  the  illustrations  in  4  states,  each  showing  a 
different  application  of  color. 

873.  COPPEE  (FRANgOIS).  (Euvres.  Poesies  1864- 
1872.  Le  Reliquaire,  Poemes  divers,  &q.  Eauxfortes  par 
E.  -Boilvin.  Holland  paper  copy.  4to,  half  citron  levant 
morocco,  gilt  back,  gilt  top,  uncut,  vellum  covers  bound  in, 
by  Zaehnsdorf.  Paris,  1883 

874.  COPPEE  (FRANgOIS).  La  Nourrice.  First  Edi- 
tion. 16mo,  half  calf,  uncut,  original  covers  bound  in,  by 
Champs.  Paris,  1886 

875.  COPPEE  (FRANgOIS).  Le  Liseron.  First  Edi- 
tion. 16mo,  half  calf,  uncut,  original  covers  bound  in,  by 
Champs.  Paris,  1886 

876.  COPPEE  (FRANCOIS).  En  Province.  First  Edi- 
tion.  16mo,  half  calf ,  original  covers  bound  in,  by  Champs. 

Paris,  1886 

877.  C0PP:EE  (FRANgOIS).  Une  Mauvaise  Soiree. 
Poeme.  First  Edition.  lOmo,  half  calf,  uncut,  original 
covers  bound  in,  by  Champs.  Paris,  1887 

878.  COPPEE  (FRANgOIS).  Arriere  Saison :  Poesies. 
16mOj  half  calf,  uncut,  original  covers  bound  in,  by  Champs. 

Paris,  1887 

879.  COPPEE  (FRANgOIS).  L'Enfant  de  la  Balle. 
Conte  Parisien.  First  Edition.  16mo,  half  calf,  uncut, 
original  covers  bound  in,  by  Champs.  Paris,  1888 

880.  COPPEE  (FRANQOIS).  Henriette.  First  Edition. 
16mo,  half  calf,  uncut,  original  covers  bound  in,  by 
Champs.  Paris,  188» 

881.  COPP:£e  (FRANgOIS).  Les  Paroles  sinceres.  First 
Edition.  16mo,  half  calf,  uncut,  original  covers  bound  in, 
by  Champs.  Paris,  1891 

882.  COQUELIN  (BENOIT  CONSTANT).  L'Art  du 
Comedien.  Fen-and- ink  portrait  of  the  author  by  Toussaint 
on  half-title.  16mo,  half  blue  levant  morocco,  gilt  top, 
uncut,  original  covers  bound  in.  Paris,  1894 

883.  COQUETTE.  La  Coquette  Punie,  on  le  Triomphe 
de  rinnocence  sur  la  Perfidie.  12mo,  green  levant  morocco 
gilt,  uncut,  by  Hardy-Mennil. 

La  Haye :  Aux  Depens  de  la  Compagnie,  1740 

136 


884.  COQUILLART  (GUILLAUME).  Sensuyuent  les 
droitz  Nouveaulx:  Avec  le  debat  des  dames:  Et  des  araies 
Lauqueste  entre  la  Simple:  et  la  Rusee:  Avec  son  plaidoye: 
La  coniplaincte  de  Echo  a  Narcisus  .  .  .  Lettres  hcUardes, 
double  columns.  Title  in  red  and  black,  and  woodcut  on 
verso;  printer''s  mark  at  the  end.  4to,  reddish  brown  mo- 
rocco  gilt,    gilt    edges,    by    Bauzonnet-Trautz. 

Imprime  nouuellement  a  Paris  par  Philippe  le  Noir 
raaistre  Imprimeur  [ca.  1515]. 

*  Probably  the  second  edition  of  the  famous  satires,  and  of 
great  rarity.  It  was  unknown  to  Brunet,  and  is  described 
only  in  the  supplement,  by  G.  Brunet  and  Descharaps.  From 
the  Clinehamps,  Solar,  Armand  Bertin  and  Double  collections. 

885.  CORBET  (RICHARD).  Certain  Elegant  Poems, 
written  by  Dr.  Corbet,  Bishop  of  Norwich.  16 mo,  brown 
levant  morocco,  gilt  panels,  gilt  edges,  in  morocco  case,  by 
The  Club  Bindery.  London :  Printed  by  R.  Cotes,  1647 

*  First  Edition.  The  85-page  issue,  with  three  blank  pages 
between  53-55.  On  page  12  there  is  a  refei-ence  to  Shakespeare's 
Richard  III.,  which  would  indicate  that  Burbage  was  the  orig- 
inal "  Richard." 

886.  [CORBET  (RICHARD).]  Poetica  Stromata:  or,  a 
Collection  of  Sundry  Pieces  in  Poetry:  Drawne  by  the 
known  and  approved  Hand  of  R.  C.  First  Edition. 
16mo,  red  morocco  gilt,  gilt  edges.  [n.  p.]  anno  1648 

887.  [COREY  (JOHN).]  A  Cure  for  Jealousie.  A 
Comedy.  As  it  was  Acted  at  the  New  Theatre  in  Little 
Lincolns-Inn-Fields.  First  Edition.  4to,  half  cloth 
(slightly  wormed).  London:  Richard  Harrison,  1701 

888.  [COREY  (JOHN).]  The  Metamorphosis:  or,  the 
Old  Lover  Out-witted.  A  Farce.  As  it  is  now  Acted  at 
the  New  Theatre  in  Lincolns-Inn-Fields.  Written  by  the 
Famous  Moliere.  First  Edition.  4to,  dark  green  mo- 
rocco, gilt  edges,  by  Zaehnsdorf. 

London :  Bernard  Lintott,  1704 

889.  CORNAZARO  (ANTONIO).  Proverbii  in  Facetie. 
12mo,  red  straight-grain  morocco,  gilt  back  and  sides, 
doublure  and  linings  of  blue  silk,  gilt  over  rough  edges, 
by  Bozerian,  jeune.  Parigi:  P.  Didot,  1812 

*  The  Renouard  copy  with  bookplate.  Only  a  few  copies, 
probably  100,  issued. 

890.  CORNEILLE  (PIERRE).  Polyeucte  martyr,  trage- 
die.  First  Twelvemo  Edition.  12mo,  blue  levant  mo- 
rocco, gilt  inside  borders,  gilt  edges,  by  Cuzin. 

Imprime  a  Rouen  &  se  vend  a  Paris:  Chez  Antoine  de 
Sommaville,  1644. 

137 


891.  CORNEILLE  (PIERRE).  L'lllnstre  Theatre.  Le 
Cid,  Horace,  Cinna,  La  Mort  de  Pompee,  Polyeucte;  and, 
Le  Menteur.  ]6rao,  red  levant  morocco  s^ilt,  gilt  edges,  by 
Traiitz-Bauzonuet.     (General  title  missing.) 

Suivant  le  copie  imprimee  a  Paris,  1644-45 

892.  CORNEILLE  (PIERRE).  Heraclius,  Empereur 
d'Orient.  Tragedie.  FirstEdition.  4to,  red  levant  mo- 
rocco, gilt  inside  borders,  gilt  edges,  by  Cuzin. 

Rouen  &  Paris:  Sommaville,  1647 

893.  CORNEILLE  (PIERRE).  Le  Theatre.  Portrait  and 
Jf.  engraved  title-pages.  4  vols.  l2mo,  blue  levant  morocco  gilt, 
gilt  edges,  by  David.  Paris:  Guillaume  de  Luyne,  1682 

*  This  was  the  last  edition  printed  under  Corneille's  super- 
vision. 

894.  CORNEILLE  (PIERRE).  Theatre,  avec  des  Com- 
mentaires,  &c.  [Par  Voltaire.]  Front isijiece  portrait  and 
S,lf  plates  after  designs  by  Gravelot.  12  vols.  8vo,  old  red 
morocco,  with  the  ARMS  OF  La  Borde  DE  Mereville,  gilt 
edges,  by  Derome.  [Geneve]  1764 

*  This  edition   was  printed   by  subscription  raised  by  Vol- 
taire for  the  benefit  of  Corneille's  great-granddaughter. 

From  the  Portalis  collection. 

^  895.  CORNEILLE  (THOMAS).  Le  Tragedies  et  Com- 
edies. Engraved  title  to  each  volume  and  play.  5  vols. 
12mo,  red  levant  morocco  gilt,  gilt  edges,  by  Trautz-Bau- 
zonnet.  Paris,  1662-1678 

896.  CORNEILLE    (THOMAS).     Poemes    Dramatiques. 

Engraved  titles,  and  12  plates  hy  Matheus,  Chauveau,  and 
others.  3  vols,  in  2,  small  8vo,  red  levant  morocco  gilt,  gilt 
edges,  by  Bedford.  Paris,  1665-66 

897.  CORNU  (PIERRE  DE).  Les  (Euvres  Poetiques, 
Contenaut  Sonnets,  Chansons,  Odes,  Discours,  Eclogues, 
Stances,  Epitaphes,  &  autres  diverses  poesies.  Small  8vo, 
blue  levant  morocco,  floral  ornaments,  gilt  edges,  bj'- 
Trautz  Bauzonnet. 

Lyon  :  Pour  Jean  Huguetan  [de  I'imprimerie  de  Thibaud 
Ancelin],  1583. 

898.  CORYAT  (THOMAS).  (I).  Coryats  Crudities 
Hastily  gobled  vp  in  five  Moneths  trauells  in  France, 
Sauoy,  Italy,  Rhetia  comonly  called  the  Grisons  countrj^ 
Heluetia  alias  Switzerland,  some  parts  of  high  Germanj^ 
and  the  Netherlands;  Newly  digested  in  the  hungry  aire  of 
Odcombe  in  the  County  of  Somerset,  &  now  dispersed  to 
the  nourishment  of  the  trauelling  Members  of  this  King- 
dome,  etc.  (II).  Three  Crvde  Veines  are  presented  in  This 
Booke  following  (besides  the  fore-said  Crvdities)  no  lesse 
flowing  in  the  body  of  the  Booke,  then  the  Crvdities  them- 
selues,  two  of  Rhetoricke  and  one  of  Poesie,  etc.     First 

138 


Edition.  Engraved  frontispiece,  containing  j)ortrait  of  the 
author,  by  Hole  (usually  missing),  full-length  portrait  of 
Coryat  ivith  a  Venetian  courtezo.n,  etc.  Thick  small  4to, 
green  levant  morocco  gilt,  gilt  edges,  by  Riviere.  [Tall 
copy.]  London:  Printed  by  W.  S.,  1611 

899.  COTGRAVE  (JOHN).  Wits  Interpreter:  the  Eng- 
lish Parnassus,  etc.  The  Third  Edition  with  many  new 
Additions.  Engraved  fro7itis2nece  (a  new  engraving  based 
on  that  in  the  two  former  editions,  but  unsigned).  12mo, 
green  levant  morocco  gilt,  gilt  edges,  by  Riviere. 

London  :  Printed  for  N.  Brook,  1671 

900.  COTIN  (CHARLES).  Recueil  des  Enigmes  de  ce 
temps.  12mo,  red  levant  morocco,  gilt  edges,  by  Trautz- 
Bauzonnet.  Paris:  Nicolas  Le  Gras,  1687 

901.  COTTON  (CHARLES).  Poems  on  Several  Occa- 
sions. 8vo,  blue  levant  morocco,  gilt  and  mosaic  back, 
side  borders  and  centre  ornaments  in  red  and  brown  mo- 
rocco, Gasconesque  tooling,  gilt  edges,  by  The  Club  Bind- 
ery. London:  Thomas  Basset,  1689 

*  First  Edition.  "  The  Retirement,"  addressed  to  Mr.  Isaak 
Walton,  appears  on  p.  133. 

902.  COTTON  (CHARLES).  The  Compleat  Gamester; 
or,  Full  and  Easy  Instructions  for  Playing  at  ail  Manner 
of  usual  and  most  Genteel  Games,  after  the  best  Method, 
viz.  I.  Ombre,  Piquet,  &c.  Engraved  frontispiece  and  leaf 
of  explanation.  12mo,  dark  red  levant  morocco  gilt,  gilt 
edges,  bj^  The  Club  Bindery. 

London:  Printed  for  J.  Wilford,  1721 

903.  COUCH  (JONATHAN).  A  History  of  the  Fishes  of 
the  British  Isles.  S53  colored  plates  from  drawings  by  the 
author.     4  vols,  royal  8vo,  cloth,  uncut.        London,  1868-69 

904.  COUSIN    (CHARLES).     Voyage  dans   un    Grenier 

par  Charles  C de  la  Societe  des  Amis  des  Livres. 

Bouquins,  Faiences,  Autographes  &  Bibelots^    Royal  4to, 
red  levant  morocco  gilt,  gilt  edges,  by  Chambolle-Duru. 

Paris,  1878 

*  One  of  10  copies  printed  on  Japan  paper,  with  the  8  etchings 
in  three  states,  10  colored  plates,  also  examples  of  bookbinding, 
autograph  facsimiles,  etc. 

905.  COUSIN  (CHARLES).  Racontars  illustres  d'un 
vieux  colleetionneur.  Designs  by  Felix  Regaraey,  engrav- 
ings by  Charles  3Ianso,  etchings  by  Abot  and  Cattelain, 
luith  3  of  the  23  colored  plates  in  six,  ten,  and  eleven  states. 
Twenty-four  portraits  and  other  plates  in  black,  four  m  two 
states,  two  in  three  ;  aiid  numerous  facsimiles  and  woodcuts 
in  the  text.  2  vols,  in  1,  4to,  brown  levant  morocco  gilt, 
gilt  top,  uncut,  original  wrappers  bound  in,  by  The  Club 
Bindery.  Paris,  1887 

*  One  of  150  copies  on  Japan  paper. 

139 


906.  COUSIN  (JEAN).  Livre  De  Perspective  de  Jehan 
Cousin  Senonois,  maistre  Painctre  a  Paris.  Full-page  plate 
and  58  diagrams,  &c.,  some  folded.  Folio,  original  vellum, 
with  ties.  (Title-page  in  duplicate,  but  both  with  pieces 
torn  from  blank  margins.)  Paris:  Jehan  le  Royer,  1560 

*  First  Edition. 

907.  COUSIN  (VICTOR).  Du  Vrai  du  Beau  et  du  Bien. 
Deuxieme  edition  augmentee  d'an  appendice  sur  I'art 
Frangais.  8vo,  blue  calf,  filleted  panels,  gilt  edges,  by 
Trautz-Bauzonnet.  Paris,  1854 

*  Portrait  and  autograph  letter  of  Cousin  inserted. 

908.  COUTUMES  DE  NORMANDIE.  Le  Grand  Coustu- 
mier  du  pays  &  duche  de  Normandie.  Avee  plusieurs 
additions,  allegations,  concordances  composees  par  Guil- 
laume  le  Rouille  Dalencon,  &c.,  &c.  Title  in  red andhlack, 
with  woodcut  border.  Floral  initials  in  text.  Gothic  char- 
acter, double  column.  Folio,  olive  green  levant  morocco 
gilt,  gilt  edges,  by  David.     Rouen:  Nicolas  Le  Roux,  1539 

909.  COWLEY  (ABRAHAM).  Poeticall  Blossomes.  The 
second  edition  enlarged  by  the  author.  Portrait.  16mo, 
citron  levant  morocco  gilt,  gilt  edges,  by  Lewis.  (One  leaf 
shaved  close  by  the  binder.) 

London:  Printed  by  E.  P.  for  Henry  Seile,  1636 

*  Second  Edition,  nearly  as  rare  as  the  first.  Very  fine  im- 
pression of  the  portrait  of  Cowley  (the  second  or  smaller  plate). 

910.  COWLEY  (ABRAHAM).  Loves  Riddle,  A  pastoral 
comfedie;  Written,  At  the  time  of  his  being  Kings  Scholler 
in  Westminster  Schoole.  Portrait  {the  second  or  smaller 
plate).     16mo,  brown  levant  morocco  gilt,  gilt  edges. 

London:  Printed  by  John  Dawson,  for  Henry  Seile,  1638 

*  First  Edition.  Very  rare  with  the  portrait.  With  the 
leaf  of  "  Epilogue"  at  end  completing  sig.  F. 

911.  COWLEY  (ABRAHAM).  A  Satyre  against  Seper- 
atists,  or,  the  Conviction  of  Chamber-Preachers,  and  other 
Chismatickes  contrary  to  the  Discipline  of  this  our  Pro- 
testant Profession.  By  A.  C.  Generosus.  Small  4to,  brown 
levant  morocco  gilt,  gilt  edges,  by  Riviere. 

*  First  Edition.         London:  Printed  for  A.  C,  1642 

912.  COWLEY  (ABRAHAM).  The  Mistresse,  or  seuerall 
copies  of  Love-Verses.  12mo,  old  brown  morocco  gilt, 
richly  tooled,  with  the  initials  E.  P.  (E.  Phillips,  nephew  of 
Milton),  in  gold  in  centre,  gilt  edges. 

London:  Printed  for  Humphrey  Moseley,  1647 

*  First  Edition.  Above  the  Errata,  on  H^  verso,  is  the  fol- 
lowing note:  "The  Printer  made  such  hast  (least  the  other 
imperfect  Copie  should  get  the  start  of  this)  as  hath  occasioned 
these." 

Phillips  has  made  a  few  corrections  in  ink :  2  portraits  laid  in. 

140 


913.  COWLEY  (ABRAHAM).  A  Poem  on  the  late  Civil 
War.  4to,  red  morocco,  uncut,  by  The  Club  Bindery.  (No 
half-title.)  London:  Printed,  1679 

914.  COWLEY  (ABRAHAM,  AND  others— Translators). 
Anaereon,  done  into  English  out  of  the  Original  Greek. 
12mo,  morocco,  gilt,  by  Matthews  (corners  of  title  and  last 
two  leaves  restored).  Oxford:  L.  Lichfield,  1683 

915.  COWLEY  (ABRAHAM).  The  Works  of  Mr.  Abra- 
ham Cowley.  32  portraits  and  plates  by  Vandergucht,  etc. 
3  vols.  8vo,  calf  gilt,  gilt  edges,  by  Pratt.  With  the 
License  Leaf. 

London:  Printed  for  J.  Tonson  (C.  Harper)  etc.  1710-11 

916.  COWLEY  (HANNAH  P.).  The  Belle's  Stratagem, 
a  Comedy.  First  Edition.  Bvo,  red  morocco,  gilt  edges, 
by  The  Club  Bindery.  London,  1782 

917.  COWLEY  (HANNAH  P.).  The  Town  before  you, 
a  Comedy.  First  Edition.  8vo,  brown  levant  morocco, 
gilt  back,  gilt  edges,  by  Riviere.  London,  1795 

918.  COWPER  (WILLIAM).  Olney  Hymns,  in  Three 
Books.     12mo,  old  calf.  London,  1779 

*  First  Edition.  This  copy  contains  the  scarce  suppressed 
preface  by  John  Newton,  of  which  very  few  copies  are  known. 

919.  COWPER  (WILLIAM).  Poems.  A  New  Edition. 
Illustrations  hy  Stothard.  2  vols.  12mo,  sprinkled  calf,  gilt 
backs,  yellow  edges,  by  Bedford.  London,  'l798 

*  With  a  duplicate  set  of  the  Stothard  plates  inserted,  colored 
in  imitation  of  the  original  drawings. 

920.  COWPER  (WILLIAM).  Poetical  Works.  2  vols. 
8vo,  red  levant  morocco  gilt,  elaborately  tooled  borders,  gilt 
edges,  by  Riviere.  London,  1853 

*  Extra-illustrated  by  the  insertion  of  206  engravings  on  steel 
copper,  and  wood  by  Stothard, ,  Cruikshank,  WestaU,  Harvey  and 
others;  most  of  them  proofs  on  India  paper,  in  several  states. 

921.  CRABBE  (GEORGE).  Poetical  Works;  with  Let- 
ters and  Journals,  and  Life,  by  his  Son.  Engraved  titles  and 
frontispieces  hy  E.  Finden  after  G.  Stanfield.  8  vols.  12mo, 
calf  gilt,  gilt  tops,  uncut,  by  Bedford.  London,  1834 

922.  CRADOCK  (JOSEPH).  Zobeide.  A  Tragedy.  (Pro- 
logue by  Goldsmith.)  Fiest  Edition.  Small  8vo,  brown  mo- 
rocco. London :  Printed  for  T.  Cadell,  1771 

923.  CRAIG  (W.  M.).  A  Course  of  Lectures  on  Drawing, 
Painting,  and  Engraving.  Aquatint  frontispiece  in  5  states. 
8vo,  half  red  levant  morocco  gilt,  gilt  top,  uncut,  by  Alio. 

London,  1821 
141 


924.  CRAMER  (DANIEL).  Emblematum  Sacrorum. 
Das  ist  Fiinfftzig  Geistlielier  in  Kupffer  gestochener  Emble- 
matum ausz  der  H.  Sclirifft  von  dem  siissen  Namen  und 
Creutz  Jesu  Christi.  Inventirt,  und  angegebeu  durch  den 
Ehrwiirdigen  und  Hochgelelirten  Herrn  Daniel  Cramern  .  .  . 
Naclimaln  von  Herrn  Cunrado  Bachmanno  .  .  .  mit  Latein- 
ischen  und  Teutschen  von  M.  C.  R.  aber  mit  Frantzosischen 
unnd  Italianischen  Versen  oder  Reymen  erklaret  gezieret  und 
zu  einem  Gottseitgen  Stam  und  Geseiten  Bucli  angeordnet. 
Engraved  border  to  titles,  portrait,  and  fifty  copper-plate  en- 
gravings to  each  part;  the  second  part  has  an  additional  sym- 
bol facing  the  portrait.  Printed  on  one  side  of  the  paper 
only.  8vo,  red  levant  morocco,  gilt  and  blind-tooled  in 
panels,  gilt  edges,  by  Riviere. 

Franckfurt  am  Mayn.    In  Verlegung  Lucffi  Jennis  1624 

925.  CRAMER  (DANIEL).  Emblemata  Moralia  Nova, 
Das  ist:  Achtzig  Sinnreiche  Nachdenckliche  Figuren  ausz 
heyliger  Sclirifft  in  Kupfferstiicken  fiirgestellet  worinnen 
sclione  Anweisungen  zu  wahrer  Gottesforclit  begrieffen.  80 
spirited  copper -plates,  and  engraved  title.  Small  8vo,  printed 
on  one  side  of  the  paper  only,  blue  morocco,  gilt  top,  uncut. 

Franckfurt  am  Mayn,  1630 

926.  CRANE  (WALTER).  Renascence,  a  Book  of  Verse. 
Engraved  title  and  vignettes.     4to,  boards,  uncut. 

*  One  of  65  copies  on  Large  Paper.  London,   1891 

927.  CRAPELET  (G.  A.— Editor).  Les  Demandes  faites 
par  le  Roi  Charles  VI,  touchant  son  etat  et  le  gouvernement 
de  sa  personne  avec  les  Reponses  de  Pierre  Salmon,  &c.  Dix 
planches  et  facsimile.    Imperial  8vo,  boards,  uncut.    Paris,  1833 

*  One  of  7  copies  on  Holland  paper,  with  a  duplicate  set  of 
the  plates  beautifully  painted  in  gold  and  colors,  on  vellum. 
From  the  J.  J.  de  Bure  collection.. 

928.  CRASHAW  (RICHARD).  Steps  to  the  Temple, 
Sacred  Poems.  With  The  Delights  of  the  Muses.  The  Sec- 
ond Edition  wherein  are  added  divers  pieces  not  before  ex- 
tant. Frontispiece  portrait  by  Cross,  and  with  the  separate 
title  to  "The  Delights  of  the  Muses."  16mo,  blue  levant  mo- 
rocco, gilt  and  blind-tooling,  gilt  edges  by  Riviere. 

London :  Printed  for  Humphrey  Moseley,  1648 

*  The  Portrait  appears  in  the  second  edition  for  the  first  time. 

929.  CRASHAW  (RICHARD).  Steps  to  the  Temple,  the 
Delights  of  the  Muses,  and  Carmen  Deo  Nostro.  The  Second 
Edition  {really  the  third).  Small  8vo,  bro^^^l  morocco  gilt, 
gilt  edges.  London:  In  the  Savoy,  1670 

930.  CR^BILLON  (PROSPER  JOLYOT  DE).  (Euvres. 
Portrait  and  9  plates,  after  Moreau.  2  vols.  8vo,  red  levant 
morocco  gilt,  gilt  edges,  by  Petit.  Paris,  1818 

*  Large  Paper  Copy,  extra-illustrated  with  2  portraits  and 
19  plates,  including  the  series  by  Peyron  and  Monnet^  the  latter 
proofs  before  letters. 

143 


931.  CREBILLON  (PROSPER  JOLYOT  DE).  (Euvres; 
avec  les  notes  de  tons  les  conimentateurs.  Editiou  publiee 
par  M.  Parrelle.  3  portraits  of  the  author,  2  inserted,  ayid  8 
plates  by  Simonet  and  others  after  Moreau,  some  of  the  plates 
in  ttvo  states,  proofs  before  and  after  letters.  2  vols,  royal 
8vo,  half  green  levant  morocco  gilt,  gilt  tops,  uncut,  by  Alio. 

Paris,  1828 

932.  CRENNE  (HELISENNE  DE).  Les  angoysses 
dovlovrevses  qvi  precedent  d'amovrs:  Contenant  troys 
parties,  Composees,  par  Dame  Helisenne :  Laquelle  exhorte 
toutes  personnes  a  ne  suyure  folle  Amour.  Titles  within  an 
engraved  border,  and  110  curious  woodcuts.  12mo,  red  levant 
morocco  gilt,  gilt  edges,  by  Bauzonnet-Trautz. 

On  les  vend  a  Paris  en  la  Rue  neufue  Nostre  dame  a  Len- 
seigne  Sainct  lehan  Baptiste  contre  Saincte  Geneuiefue  des 
Ardens  par  Denys  lanot  [1538?] 

*  First  Edition.  In  addition  to  the  title-pages  of  the  three 
parts  mentioned  above,  a  fourth  title  reads  ' '  Sesuyt  vne  ample 
et  accommodee  narration,  faicte  par  le  magnanime  Gvezinstra. ' ' 
Twenty-nine  lines  to  a  page.  The  privilege  on  the  verso  of  the 
title  is  dated  September  11,  1538. 

From  the  Yemeniz  library. 

933.  CRENNE  (HELISENNE  DE).  Les  CEvvres  de 
Madame  Helisenne  de  Crenne.  A  scauoir,  Les  angoisses 
douloureuses  qui  procedent  d 'amours;  Les  Epistres  familieres 
&  inuectiues;  Le  songe  de  ladicte  Dame.  Le  tout  reueu  & 
corrige  de  nouueau  par  elle.'  8  curious  woodcut  illustrations. 
18mo,  old  blue  morocco,  with  the  aems  on  the  sides  of 
Jeanne  Baptiste  d 'Albert  de  Luynes^  comtess  de  Verrue. 

Paris:  Estienne  Grouleau,  1560 

934.  CRETIN  (GUILLAUME).  Chantz  royaulx,  oraisons 
et  autres  petitz  traictez.  Lettres  bdtardes.  Title  in  red  and 
black.  8vo,  old  red  morocco,  gilt  edges.  Writing  on  several 
margins. 

Paris  par  maistre  Simon  du  Bois  pour  Galliot  du  Pre,  1527 

935.  CROCE  (GIULIO  CESARE).  Histoire  de  Bertholde, 
contenant  ses  Avantures,  Sentences,  Bon-Mots,  Reparties  In- 
genieuses,  &c.  Frontispiece.  8vo,  brown  levant  morocco, 
gilt  edges,  by  Motte.  La  Haye,  1750 

936.  CRUIKSHANK  (GEORGE).  Italian  Tales.  Tales 
of  Humour,  Gallantry,  and  Romance,  selected  and  translated 
from  the  Italian.  First  Edition.  16  illustrations  by  George 
Cruikshank.     8vo,  calf  gilt,  gilt  top,  uncut,  by  Bedford. 

London,  1824 

937.  CRUIKSHANK  (GEORGE).  A  series  of  plates  to 
illustrate  Cruikshank 's  Comic  Almanac,  all  proofs  on  India 
paper,  on  39  large  unfolded  sheets ;  and  containing  about  150 
distinct  engravings. 

*  Very  fine  impressions  of  these  scarce  plates. 

143 


938.  CRUIKSHANK  (GEORGE).  Drawings  by  G. 
Cruiksliank^  prepared  by  him  to  illustrate  an  intended  auto- 
biography. Published  for  Sir  Benjamin  Ward  Richardson. 
A  series  of  49  plates  on  India  paper,  mounted  on  heavy  white 
paper.     4to,  wrappers.  London,  1895 

*  Only  50  copies  printed. 

939.  CRYMES  (THOMAS).  Parliamentum  Imperatori- 
um:  seu  Carmina  Progymnastiea.  With  the  rare  engraved 
portrait  of  the  author  by  Thomas  Cross,  inserted  from  the 
Bindley  copy.  8vo,  light  brown  morocco,  gilt  edges.  Signal 
Bl   (a  blank?)  missing.  London:  G.  Dawson,  1654 

940.  CUNNINGHAM  (ALLAN).  Poems  and  Songs.  With 
an  Introduction,  Glossary,  and  Notes,  by  Peter  Cunningham. 
16mo,  cloth,  uncut,  original  covers  bound  in.     London,  1847 

941.  CUNNINGHAM  (HENRY  WINCHESTER).  Chris- 
tian Remick,  an  early  Boston  artist.  A  Paper  read  At  a 
I\Ieeting  of  the  Club  of  Odd  Volumes  of  Boston,  Massachu- 
setts, February  24,  1904.  Small  4to,  half  brown  morocco, 
uncut.     Only  100  copies  printed. 

Boston :  Club  of  Odd  Volumes,  1904 

942.  CUNNINGHAM  (PETER).  The  Story  of  Nell 
Gwyn;  and  the  Sayings  of  Charles  the  Second.  First  Edi- 
tion. Frontispiece  and  vignettes.  12mo,  original  cloth,  un- 
cut. London,  1852 

943.  CURTIUS  RUFUS  (QUINTUS).  Histoire  d 'Alex- 
andre le  Grand.  Translated  by  MM.  Aug  et  Alph.  Trognon. 
3  vols.  8vo,  red  levant  morocco  gilt,  with  the  monogram 
"E.  B.,"  gilt  edges,  by  Belz-Niedree.  Paris,  1828-29 


944.  TT^AMHOUDERE   (JOSSE  DE).]      La  Practicqve 
L-*-^     et  Enchiridion  des  causes  criminelles,  illustree 

par  plusieurs  elegantes  figures,  redigee  en  escript  par  losse 
de  Damhoudere  .  .  .  fort  vtile  &  necessaire  a  tous  Souuerains, 
Baillifz,  Escoutestes,  Mayeurs,  &  aultres  Justiciers  &  Officiers. 
With  56  plates  of  crimes  and  punishments.  4to,  red  morocco 
gilt,  gilt  edges,  by  Bradel-Derome. 

Louvain :  Estienne  VVauters  &  lehan  Bathen  Imprimeurs, 
I'an  1554. 

*  First  French  translation  by  Damhoudere  of  the  ' '  Praxis 
rerum  criminaliiun. ' '  Some  of  the  plates,  owing  to  the  sub- 
jects represented,  are  nearly  always  missing.  From  the  library 
of  Eugene  Paillet. 

945.  DAMPIERRE  (MARQUIS  DE).  Recueil  de  fan- 
fares pour  le  chasse  a  une  et  a  deux  trompes.  Music  noted 
on  scale  of  five  lines.  Engraved  throughout  hy  Madame 
Ogcr.     Portrait  hy  Henriques  and  plates  hy  the  same  after 

144   ■ 


Breton.  Oblong  4to,  blue  levant  morocco,  ornamental  gilt 
borders,  doublure  of  red  levant  morocco,  gilt  edges,  by  Cham- 
bolle-Duru.  Paris:  Chez  Mr  Le  Clerc   (18th  Century) 

*  From  the  library  of  Baron  Pichon,  for  whose  bindings  the 
tools  used  on  this  book  were  specially  made. 

946.  DANCOURT  (FLORENT  CARTON).  CEuvres 
Choisies.  5  vols.  18mo,  green  vellum  covers,  uncut,  in  half 
red  morocco  cases.  Paris:  Didot,  1811 

*  Printed  on  vellum.     From  the  Syston  Park  Library. 

947.  DANIEL  (SAMUEL).  The  Whole  Workes  of  Sam- 
uel Daniel  Esquire  in  Poetrie.  Engraved  title  hy  Cockson. 
Small  4to,  brown  morocco  gilt,  gilt  edges. 

London :  Nicholas  Okes  for  Simon  Waterson,  1623 

*  A  copy  formerly  belonging  to  General  Thomas  Harrison, 
the  regicide,  with  his  autograph  ' '  Tho.  Harrison 's  Booke ' '  on 
the  reverse  of  the  title-page,  and  his  portrait  inserted.  The 
volume  is  apparently  made  up  of  the  edition  of  Daniel 's  ' '  Cer- 
tain Small  Poems  lately  printed"  issued  in  1605,  preceded  by 
the  1623  edition  of  the  ' '  Whole  Workes. ' '  No  copy  is  known 
to  have  been  issued  in  this  form  by  the  publisher,  and  it  is 
probable  that  they  were  originally  bound  together  by  order  of 
General  Harrison,  and  later  by  another  owner. 

948.  DANTE  ALIGHIERI.  Le  Terze  Rime  di  Dante.  8vo, 
blue  morocco  gilt,  gilt  edges.  (One  of  the  copies  without  the 
anchor.)     Cleaned  and  a  few  leaves  mended. 

Venetiis :  in  yEdibus  Aldi,  1502 

949.  DARCEL  and  DELANGE.— Recueil  de  Faiences 
Italiennes  des  XVe,  XVIe  et  XVIJe  siecles.  100  colored  plates. 
Royal  folio,  half  red  levant  morocco  gilt,  gilt  top,  uncut. 

Paris,  1869 

950.  DAUDET  (ALPHONSE).  Fromont  Jeune  et  Risler 
Aine,  moeurs  parisiennes.  Notice  litteraire  par  Gustave 
'Geffroy,  douze  compositions  de  Em.  Bayard  gravees  a  I'eau- 
forte  par  J.  Massard.     2  vols.  8vo,  original  paper  covers. 

*  One  of  150  copies  on  large  Japan  paper.  Paris,   1885 

951.  DAUDET  (ALPHONSE).  The  twelve  original  de- 
signs by  Emile  Bayard  for  "Fromont  jeune  et  Risler  aine," 
and  three  states  of  the  plates,  engraver's  etching  on  Japan 
paper,  proof  with  the  artist's  name  in  dry  point,  and  proof 
with  the  artist's  and  engraver's  name.  4to,  half  brown  levant 
morocco,  uncut,  by  Carayon.  Paris,  1885 

952.  DAUDET  (ALPHONSE).  Sapho— Mceurs  parisi- 
ennes. Illustrations  de  Rossi,  Myrhach,  etc.  12mo,  half  brown 
levant  morocco  gilt,  gilt  top,  uncut,  original  covers  bound  in, 
by  Krafft.  Paris,  1887 

*  One  of  50  copies  on  Japan  paper, 

145 


953.  DAUDET    (ALPHONSE).     Trente  ans  de  Paris,   a 

travers  ma  vie  et  mes  livres.  Illustre  par  Bieler,  Montegut, 
Myrhacli,  Picard  et  Rossi.  12mo,  half  brown  levant  morocco 
gilt,  gilt  top,  uncut,  original  covers  bound  in,  by  Kraift. 

*  One  of  125  copies  printed  on  Japan  paper.         Paris,  1888 

954.  DAUDET  (ALPHONSE).  La  Lutte  Pour  la  Vie. 
Piece  en  Cinq  Actes,  six  Tableaux.  First  Edition.  8vo, 
half  cloth  and  boards,  uncut,  original  covers  bound  in. 

*  One  of  75  copies  printed.  Paris,  1890 

955.  DAULBY  (DANIEL).  (1).  A  Descriptive  Catalogue 
of  the  Works  of  Rembrandt,  and  of  his  Scholars,  Bol,  Livens, 
and  Van  Vliet,  &c.     Large  paper,  uncut.     Liverpool,  1796; 

(2).  A  Catalogue  of  Drawings,  Prints  [&c.]  belonging  to  the 
late  Daniel  Daulby  .  .  .  particularly  ...  of  the  works  of  Rem- 
brandt .  .  .  sold  by  auction,  Liverpool,  August  12,  1799. 
Priced,  with  purchasers'  names;  (3).  Catalogue  ...  of  the 
etchings  of  Rembrandt  and  his  scholars  .  .  .  sold  by  auction 

[London]  May  14,  1800.  Priced,  with  purchasers'  names, 
and  inlaid.  Proof  portrait  of  Rembrandt  by  T.  Worledge; 
and  another  engraved  by  Chapman.  Bound  in  1  vol.  4to, 
half  morocco,  gilt  top,  partly  uncut. 

956.  DAVENANT  (SIR  WILLIAM).  The  Witts.  A 
Comedie.  Small  4to,  red  levant  morocco  gilt,  gilt  edges, 
by  Riviere.  Lacks  leaf  of  License,  and  several  pp  re- 
paired. London:  Printed  for  Richard  Meighen,  163& 

*  First  Edition.     Tall  copy,  almost  uncut. 

957.  DAVENANT  (SIR  WILLIAM).  Gondibert;  an 
Heroick  Poem.  Small  4to,  brown  levant  morocco  gilt,  gilt 
edges,  by  Ruban.    London:  Printed  by  Tho.  Newcomb,  1651 

*  First  Edition.  Presumably  a  presentation  copy  from  the 
author,  with  inscription:  ''Madam.  When  you  have  read 
this  Poeme  if  you  like  it.  give  the  Author  thankes  and  be  as- 
sured of  the  constant  affection  of  yr.  most  humble  .servant. " 

958.  DAVENANT  (SIR  WILLIAM).  Two  Excellent 
Plays:  The  Wits,  a  Comedie:  The  Platonick  Lovers,  a 
Tragi-Comedie.  The  second  edition  of  each  play.  12mo, 
red  levant  morocco,  gilt  edges,  by  Riviere.  The  Lefferts 
copy.  London:  G.  Bedel  and  T.  Collins,  1665 

959.  DAVENANT  (SIR  WILLIAM).  The  Siege  of 
Rhodes:  The  first  and  second  part;  As  they  were  latelj^ 
Represented  at  His  Highness  the  Duke  of  York's  Theatre 
in  Lincolns-Inne  Fields.  The  First  Part  being  lately  En- 
larg'd.  Fourth  Edition.  4to,  brown  levant  morocco  gilt, 
gilt  edges,  by  Riviere.        London:  Henry  Herringman,  1670 

960.  [DAVID  (J.  B.  F.  C.).]  Anacreon  Venge,  ou  Lettres 
au  sujet  de  la  nouvelle  Traduction  d'Anacreon  annoncee 
dans  I'annee  litteraire.  Small  8vo,  old  green  morocco  gilt, 
Arms  of  Charles  de  Rohan,  Prince  de  Soubise,  on  sides. 

A  Critieopolis  (Paris) :  Chez  Pierre  L'Observateur,  1755 

146 


961.  DAVID  (JOANNES).  Occasio  Arrepta.  Neglecta. 
Hnius  Comraoda:  lUius  Incommoda.  Engrailed  title  and  12 
plates  hjj  Theodore  Galle,  and  'printer'' s  device  on  final  leaf. 
4to,  purple  levant  morocco,  gilt  top,  uncut,  by  Chambolle- 
Duru. 

Antverpife:  Ex  officina  Plantiniana,  apud  Joannem 
MoretLim,    IbOo. 

*  Very  unusual  in  uncut  state. 

962.  DAVID  (JOANNES).      Duodecim    Specula   Deum. 

Engraved  title,  12  hrilliant  copperplates  by  Theodore  Galle, 
and  Plantiii^s  device  on  lastleaf.  8vo,  calf,  fleurs-de-lys  on 
back  and  crucifixion  on  sides. 

Antverpiae:  Ex  Ol^cina  Plantiniaui,  1610 

963.  DAVID  (JOANNES).  Delineata  Poem'tentia  Evan- 
gelici  David;  Delineata  Comniunio  Immaculata.  26  en- 
graved plates  by  Van  Mechelen.  Two  works  in  one  vol., 
12mo,  old  red  morocco,  gilt  fleur-de-lys  borders,  gilt  edges. 

Antverpi?e:  Gerardi  Wolffchatij,  1629 

*  From  the  Da  Bure  Collection. 

964.  DAVIES  (SIR  JOHN).  Nocse  teipsum.  This  Oracle 
expounded  in  two  Elegies.  I.  Of  Humane  knowledge.  2.  Of 
the  Soule  of  Man,  and  the  immortalitie  thereof.  Newly 
corrected  and  amended.  Small  4to,  red  levant  morocco, 
gilt  edges,  by  Stikeman.  (Stamp  on  title,  leaf  A  3  misplaced, 
and  some  leaves  mildewed.) 

London:  Richard  Field  for  John  Standish,  1602 

*  Second  Edition.     Very  scarce. 

965.  DAVIES  (JOHN)  and  MARLOWE  (CHRISTO- 
PHER). Epigrammes,  written  by  Sir  John  Davies;  and  Cer- 
taine  of  Ovid's  Elegies,  translated  by  Christopher  Marlowe. 
.  .  .  Preface  by  Charles  Edmonds.  Small  4to,  red  levant  mo- 
rocco, uncut.      London :  Printed  at  the  Chiswick  Press,  1870 

*  Large  vellum  copy,  one  of  only  6  copies  so  printed.    (Isham 
Reprint.) 

966.  DAVISON  (FRANCIS).  Davisons  Poems,  or,  A 
Poeticall  Rapsodie.  Deuided  intosixe  Bookes.  The  fourth 
Impression,  Newly  corrected  and  augmented  and  put  into 
a  forme  more  pleasing  to  the  Reader.  Small  Svo,  brown 
levant  morocco  gilt,  gilt  edges,  by  Mercier.  (1st  blank  leaf 
missing.)    London:  Printed  by  B.  A.  for  Roger  lackson,  1621 

*  Very  rare.     One  of  the  earliest  Ens^lish  anthologies,  with 
contributions  from  Spenser,  Sydney,  Greene  and  others. 

967.  [DAVY  (SIR  HUMPHRY).]  Salmonia:  or.  Days 
of  Fly  Fishing.  In  a  Series  of  Conversations.  With  Some 
Account  of  the  Habits  of  Fishes  belonging  to  the  Genus 
Salmo.  By  "An  Angler."  Second  Edition.  6  plates  of  views 
by  E.  Finden,  and  cuts  of  fish,  etc.  Small  Svo,  half  maroon 
morocco,  gilt  top,  uncut.  London,  1829 

147 


968.  DE  BRY— GRAND  VOYAGES. 

Part  I.  Hariot.  Admiranda  Narratio  .  .  .  de  commodis 
et  incolarvm  ritibvs  Virginiae,  nvper  admodvm  ab  Anglis, 
qvi  a  dn.  Riehardo  Greiuvile  .  .  .  eo  in  coloniam  anno. 
M.D.LXXXV.  dedvcti  svnt  inventae,  svmtvs  faciente  dn. 
Waltero  Raleigh,  etc.  Anglico  scripta  sermone  a  Thoma 
Hariot.  Engraved  frontispiece-title  in  an  architectural 
border^  coat  of  arms  of  the  Elector  Maximilian,  map  of 
Virginia,  and  28  plates  by  De  Bry  and  G.  Veen  {Nos.  5, 
6,  11,  and  15).     Folio,  cloth,  uncut. 

Francoforti  ad  Moenum:  Joannes  Wecheli,  1590 

*  First  issue  of  the  First  Edition  of  the  Latin  translation 
of  Harlot's  "  Virginia,"  1588,  the  first  of  De  Bry's  "Grands 
Voyages." 

Part  II.  Le  Moyne  and  Laudonniere.  Brevis  Narra- 
tio eorvm  qu?e  in  Florida  .  .  .  acciderunt,  secunda  in  illam 
Nauigatione,  duce  Renato  de  Laudoniere,  Anno  M  D  LXIIII. 
AdditPB  figurre  &  Incolarura  eicones  ibidem  ad  vivi'i  ex- 
pressse  .  .  .  Auctore  lacobo  le  Moj^ne,  cui  cognomen  de 
Morgues,  Laudonierum  in  ea  Navigatione  sequuto.  Tiuo 
engraved  frontispiece-titles  of  architectural  design,  map  of 
Florida  and  4.2  plates.     Folio,  cloth,  uncut. 

Francoforti  ad  Moenum:  Joannes  Wechel,  1591 

*  First  ISSUE  of  the  First  Edition  of  Jacques  Le  Moyne's 
narrative  of  the  second  French  Huguenot  expedition  to  Florida, 
commanded  by  Jean  Ribaut  (156'?),  Rene  de  Laudonniere  (1564), 
and  Dominique  de  Gourgues(1567).  It  is  the  second  of  De  Bry's 
"Grands  Voyages,'"  and  was  originally  written  in  French,  but 
when  De  Bry  bought  the  manuscript  after  Le  Moyne's  death 
in  London  about  1588,  he  had  it  translated  into  Latin,  adding 
engravings  which  are  in  part  the  same  as  those  in  the  author's 
"  Clef  des  Champs,"  1586. 

Part  III.  Staden  and  De  Lery.  (1)  America  Tertia 
Pars  Memorabile  provincife  Brasili?e  Historiam  contines, 
germanico  primum  sermone  scriptara  a  loane  Stadio  [Hans 
Staden]  .  .  .  Addita  est  Narratio  profectionis  loannis 
Lerij  in  eaindein  Provinciam.  His  accessit  Descriptio  .  .  . 
&  eiconibus  in  ?es  incisis  ac  ad  vivum  expressis  illustrata, 
ad  normam  exemplaris  pr?edictorum  Autorum.  (11)  Navi- 
gatio  in  Brasiliam.  A  loanne  Lerio  Bvrgvndo  Gailice 
primiim  scripta.  Ttvo  similar  engraved  title-pages  of  archi- 
tectural design,  a  map;  '■'■  Americce,  pars  magis  cognita," 
engraved  coat  of  arms  of  William.,  Count  Falcdine,  and 
plate  with  seven  escutcheons,  plate  of  Adam  and  Eve,  thirty 
other  plates  in  Staden  s  work,  and  ten  in  de  Lery's.  Folio, 
cloth.  Francoforti  ad  Moenum:  Joannes  Wechel,  1592 

*  Second  issue  of  thk  First  Edition,  with  the  figures  of  the 
six  Virtues  in  the  plate  on  a  3  recto,  and  the  name  "  Theodori 
De  Bry"  after  "oflScina,"  ou  the  engraved  title  instead  of 
"Sigismundi  Feyrabendii." 

148    . 


DE  BRY— GRAND  VOYAGES— Continued. 

Part  IV.  Benzoni.  Americte  Pars  Qvarta.  Sive  In- 
signis  &  Adrairanda  Historia  de  reperta  primura  Occiden- 
tali  India  a  Christophoro  Colninbo  Anno  M.CCCCXCII  Scripta 
ab  Hieronjano  Bezono  [sic].  Aecessit  prseterea  illaruni 
Regiouuin  Tabula  chorographica.  Omnia  elegantibus  figuris 
in  ais  incisis.  Tivo  similar'  engraved  frontispiece-titles.,  a 
plate  of  escutclieons,  two  vignettes,  a  map  "  Occidentalis 
Americcp  partis,''''  and  twenty-four  other  plates  with  descrip- 
tive text.     Folio,  cloth. 

Francoforti  ad  Moenum:  Joannes  Fej'rabend,  1594 

*  Second  issue  of  the  First  Edition  of  the  title-page  and 
most  of  the  plates.  In  the  penultimate  line  of  the  title,  the 
last  two  letters  in  "  Rudolphus  "  are  partially  defaced  in  cor- 
rection, and  in  the  last  line,  "  prevelegio  "  is  altered  to  "  privi- 
legio." 

Part  V.  Benzoni.  Americpe  Pars  Qvinta.  Nobilis  & 
admiratione  plena  Hieronymi  Bezonl  Mediolanensis,  secun- 
d?e  sectionis  Hla:  Hispanornm,  tuna  in  Nigrittas  seruos 
suos,  turn  in  Indos  crudelitatem,  Galloramqz  piratarfi  de 
Hispanis  toties  reportata  spolia;  Aduentii  item  Hispanorii 
in  Nouam  Indite  continentis  Hispaniam,  eoruraq,  contra 
incolas  eius  regionis  sfenitiam  explicans  Additaad  singula 
fere  Capita  scholia,  in  quibus  res  Indi?e  luculenter  expo- 
nnntiir.  Aecessit  prteterea  Tabula  Chorographica  Nouse 
Hispanife  in  India  Occidentalj.  Omnia  elegantibus  figures 
in  ?BS  incisis  expressa.  Two  similar  engraved  frontispiece- 
titles,  portrait  of  Columbus,  map,  "  Hispanice  Novce  sive 
Magnce.  recens  et  vera  descriptio,  1595,'''  and  twenty-two 
other  plates.     Folio,  cloth.     [Franeofurti  ad  Moenum],  1595 

*  Second  issue  of  the  First  Edition,  with  corrected  title- 
page.  In  the  fifth  line  "  Hia "  is  inserted  for  the  omitted 
word.  "Historite,"  and  in  the  third  line  from  the  last,  "  In- 
vistis  "  is  corrected  to  "Invictis." 

Part  VI.  Benzoni.  Araeric?e  Pars  Sexta.  Sive  Historise 
ab  Hieronyino  Bezono.  In  hac  eniin  reperies,  qua  ratione 
Hispani  opnletissimas  illas  Peruani  regni  provincias  occu- 
parint,  capto  Rege  atabaliba:  deide  orta  inter  ipsos  His- 
panos  in  eo  regno  civilia  bella.  Additus  est  brevis  de 
Fortunatis  insulis  Coraeutariolus  in  duo  capita  distinctns. 
Item  additiones  ad  singula  Capita  Histoi-iam  illustrantes. 
Aecessit  Pervani  regni  chorographica  Tabula.  Omnia  ele- 
gantibus figuris  in  a3S  incisis.  Two  similar  engraved  frontis- 
piece titles,  dordile  plan  of  Cusco,  doid^le  map  of  America 
forming  a  dp  mi-planisphere,  with  figures  of  Columbus, 
Vesputius,  Magellan,  and  Pizarro  at  the  corners,  and 
twenty-eight  other  plates.      Folio,  cloth. 

[Franeofurti  ad  Moenum],  1596 

*  First  Edition.  This  Part  contains  the  third  and  last  por- 
tion of  Benzoni's  History  relative  to  Peru. 

149 


DE  BEY— GRAND  YOYAG^S— Continued. 

Part  VII.  Schmidel.  Amerie?e  Pars  VII.  Verissiina 
et  Ivcvndissima  Descriptio  Prsecipvarvm  Qvarvndam  In- 
disB  regionum  &  Insularum,  .  .  .  iam  primum  ab  Vlrico 
Fabro  [Ulrich  Schmidel]  .  .  .  inuentse.  lUustrata  vero  pul- 
cherrimis  imaginibas.  Printed  title  within  an  engraved 
horder  and  vignette,  similar  to  those  in  Part  III.  Folio, 
cloth.  Francofurti  ad  Moenum,  1599 

*  First  Edition.  The  original  German  text  was  printed  in 
1597  at  Francfurt. 

Part  VIII.  Artus.  Americre  Pars  VIII.  Continens 
Primo,  Descriptionem  trium  Itinervm  Francisci  Draken, 
qvi  peragrato  primvm  vuiverso  terrarvm  orbe,  postea  cum 
nobilissimo  Equite  lohanne  Havckens,  ad  expugnandum 
ciuitatem  Panama  in  Indiam  nauigauit.  Secvndo,  iter  no- 
bilissimi  Equitis  Thomse  Candisch  qui  duorum  fere  annorum 
spacio,  13,000.  Anglicana  miliaria  in  mariconfecit,  ubi 
describuntur  quoque  omnia  quae  in  hoc  itinere  ipsi  acci- 
derunt  &  visa  sunt.  Tertio,  duo  itinera,  Gvaltheri  Ralegh 
.  .  .  quibus  describitvr  avrifervra  et  potentissimum  Regaum 
Gviana.  Vignette  on  title,  map  of  Guiana.,  and  18  other  plates. 
Pages  78  of  Part  I  and  3  of  Part  II  have  no  maps.  Folio, 
cloth.       Francofurti  ad  Moenum:  Matthaeus  Becker,  1599 

*  First  issue  of  the  First  Edition. 

Part  IX.  De  Acosta.  Americse  Nona  &  postrema  Pars. 
Qva  de  RationeElementorvm:  de  Novi  Orbis  Natvra:  [by 
Jos.  de  Acosta]  de  livivs  incolarvm  svperstitiosis  cultibus: 
deq;  forma  Politise  ac  Reipubl.  ipsorum  copiose  pertrac- 
tatur:  Catalogo  Regum  Mexicanorum  omnium,  a  primo 
vsq,  etc.  His  accessit  designatio  illivs  navigatioois,  qvam 
5.  naues  Hollandic?e  Anno  1598  per  fretum  Magellanum  in 
Muloccanas  insulas  tentarunt:  .  .  .  Addita  est  tertio  Nav- 
igatio  recens,  qvam  4.  navivm  pr?efectus  Olevier  a  Noort, 
proxime  suscepit,  etc.  Engraved  frontispiece  title,  3  vig- 
nettes., map  of  the  Straits  of  Magellan,  and  39  other  plates. 
Folio,  cloth. 

Francofurti  ad  Moenum:  Matthaeus  Becker,  1603 

*  First  Edition.  The  words  "  Postrema  pars  "  on  the  title 
page  would  appear  to  indicate  that  Theodore  De  Bry's  heirs 
intended  to  end  the  series  with  the  ninth  part ;  and  it  was  not 
until  seventeen  years  later.  1619,  that  Jean  Theodore  De  Bry 
continued  it. 

Part  X.  De  Bry.  America  Pars  Decima:  Qua  conti- 
nentur,  I.  Duse  Navigationes  Dn.  Americi  Vesputii.  II. 
Solida  narratio  de  moderno  provincifE  Virginige  .  .  .  Authore 
Raphe  Hamor  Virginiae  Secretario.  III.  Vera  descriptio 
Novse  Angliae,  ...  a  CajDitaneo  Johanne  Schmidt  delineata. 
Omnia  nunc  primum  in  lucem  edita,  atque  elegantis  in  ses 
incisis  iconibus  illustrata.  The  so-called  '■'■  Neptune""  vig- 
nette on  the  title-page,  representing  a  fleet  of  ships  in  the 

150 


DE  BEY— GRAND  YOYAGEQ— Continued. 

background,  and  in  the  foreground  Neptune  to  the  left,  an 
Indian  woman  to  the  right,  both  seated.  Twelve  other  plaies. 
Folio,  cloth.  Oppeuheiinii:  Ilieronymus  Gallerus,  1G19 

*  Second  Issue. 

Part  XL  De  Bry.  Americse  Pars  Undeciraa:  Seu  de- 
scriptio  admirandi  itineris  a  Guillielmo  Sehouten  Hollando 
peracti :  qua  ratione  in  meridionali  plaga  f reti  Magellanici 
novum  hactenusque  incognitum  in  mare  Australe  transitum 
patefecerit,  etc.  Omnia  elegantibus  mappis,  atque  iconibus 
in  PBS  incisis.  Oppenheimii:  Hieronymus  Gallerus,  1619 

*  The  only  edition.  On  the  title-page  is  an  engraving  of 
the  two  hemispheres,  above  which  are  portraits  of  Magellan 
and  Sehouten;  to  the  left  are  smaller  medallions  of  "  Franci 
Drack  "  and  "  Olivi  von  Noort,"  to  the  right,  "Thomas  Can- 
disch  "  and  "  Georg:  Speilbergh."  Two  maps,  "  Nova  Guinea" 
and  "Tabula  Hydrographica  Maris  Australis,"  and  twenty- 
nine  other  plates,  one  of  them  a  repetition  of  that  on  the  first 
title-page.  The  two-page  map  of  the  East  Indies,  "Mar  di 
India,"  found  in  the  Huth  and  Church  copies  between  folios 
al  and  a3  (not  in  this  copy  nor  mentioned  by  Brunet)  is  Plate  I 
in  Part  XIII. 

Part  XII.  Herrera,  Ordones,  and  De  Acosta.  Novi 
Orbis  Pars  Dvodecima.  Sive,  Descriptio  Indife  Occidenta- 
lis,  Auctore  Antonio  de  Herrara.  .  .  .  Accesservnt  et 
aliorv^m  Indise  Occidentalis  Descriptiones,  vti  &  uauiga- 
tionum  omnium  per  Fretum  Magellanicum  succincta  nar- 
ratio,  etc.  Engraved  frontispiece-title  with  standing  figures, 
'"''  MageUanus''''  and  ^^  Franciscus  Pisardu^'  at  the  left  and 
■right  of  the  foot,  also  medallion  portraits  of  Columbus  and 
Vesputius.  The  remainder  of  the  border  is  in  7iine  com- 
partments. Fourteen  numbered  maps  are  in  Herrara^  text 
and  nineteen  plates  in  de  Acosta^s.     Folio,  cloth. 

*The  only  edition.        F'rancofurti  ad  Moenum,  1024 

Part  XIII.  De  Bry.  Decima  Tertia  Pars  Historian  Amer- 
eanse,  qu?e  continet  exactam  et  accvratam  descriptionem 
I.  Nov?e  Anglise,  Virginise,  Brasilise,  Giiiauae,  &  insuhe  Ber- 
mudfe,  quarum  hactenus  exigua  &  imperfecta  notitia  habita 
fuit.  II.  Terrse  Australis  incognitfe,  cuius  chorographia 
antehac  in  nullo  Itinerario  a.ut  Navigatione  litteris  tradita. 
III.  Expugnationis  vrbis  S.  Salvatoris  &  Sinus  Omnium 
Sanctorum  ab  Hollandis  fact?e.  &  quomodo  Hispani  vrbe  & 
Sinu  illo  rursiis  potiti  sint.  IV.  Novi  Mexici,  Cibol?e,  Cin- 
alote,  Quivirte,  reruraqz  memorabilium,  qute  in  lucatan, 
Guatimala,  Fonduris  &  Panama  observatse  sunt,  nee  non 
aliquot  Anglicarum  iis  locis  coloniarum.  V.  Navigationis 
Hollandorum  per  Vniversum  orbem,  duce  lacobo  Eremita. 

VI.  Classis  Hispanicfe  pr?edivitis  ab  Hollandis,  duce  Petro 
Heinio,  in  portu  insulfe,  qui   Matanza   dicitur,  interceptfe. 

VII.  Vrbis  Olindfe  de  Fernambucco  in  Brasilia  ab  Hollan- 
dis, duce  Henrico  Cornelio  Lonekio,  occupatse.  Additis 
passim  tabvlis  ^eri  incisis,  qvibus  jam  memoratse  descrip- 

151 


DE  BRY— GRAND  YOY AGES,— Continued. 

tiones  illustrantur.  Engraved  frontispiece- title,  and  the  fol- 
foiving  plates  outside  the  text :  I.  East  Indies,  two-page, 
luith  "'Mar  di  India''"'  in  the  lower  left-hand  corner  and 
^^  America  nouiter  delineata  "  in  the  lower  right.  2.  Smith's 
map  of  Virginia  with  ^'■Virginia''''  at  the  top.  S.  ^^  Das 
Norder  Theil  des  Lands  Brasilien.''''  J/..  ^^  Die  Landschafft 
Guaiana.""  5.  "■  Fretum  Magellanicum,''''  which  appears 
in  Part  IX,  also.  6.  A  plate  representing  the  Spanish 
fleet,  ivifh  medallion  portraits  of  "  General  Pieter  Pieters 
Hayn  "  aud  "  Admirael  HendricJc  Cornelisz  Lonq;''''  in  the 
lower  left-hand  corner,  a  map,  ^^  Das  Eylandt  Cuba.''''  7. 
"  S.  Salvador.'''  8.  "  Description  de  la  India s  Ocidentalis.''^ 
9.  "  Olinda^^  and  '"' Olinda  de  Phernambuco,^''  a  double 
folded  plate.     Folio,  cloth.       Francofurti  ad  Moenutn,  1634 

*The  Only  Edition.  Twenty  one  copperplate  engravings, 
including  three  maps,  are  in  the  text.  The  map  with  the 
words  "  Mar  di  India"  in  the  leftliand  corner  mentioned  in 
the  Huth  and  Church  catalogues  as  in  Part  XI,  occurs  in  this 
volume  as  the  first  plate. 

Togeth(ir  13  vols,  folio,  cloth.  1590-1634 

969.  DE  BRY-HARIOT.  Marveillevx  et  estrange  Rap- 
port, tovtes  fois  fldele,  des  coramoditez  qvi  se  trovvent  en 
Virginia,  des  facons  des  natvrels  habitans  d'iceele,  laqvelle 
a  este  novvellement  descovverte  par  les  Angloisqvemessire 
Richard  Greinville  chevalier  y  mena  en  colonic  Ian.  1585.  a 
la  charge  principale  de  messire  Walter  Raleigh  chevalier 
svrintendant  des  mines  d'estain,  favorise  par  la  Royne 
d'Angleterre,  et  avtorise  par  ses  lettres  patentes.  Par 
Thomas  Harlot  servitevr  dv  svsdit  messire  Walter  I'vu  de 
cevx  de  la-dite  colonic,  et  qvi  ya  este  employe  a  descovvrir 
Tradvit  novvellement  d'Anglois  e  fracois.  Engraved  title 
ivithin  architectural  border;  the  coat  of  arms  of  the  Due  of 
Bavaria;  map  of  Virginia,  and  28  plates,  by  De  Bry  and 
G.  Veen.  Folio,  green  levant  morocco  gilt,  gilt  edges,  by 
Chambolle-Dnru. 

Francoforti  ad  Moenum,  typis  Joannis  Wecheli,  1590 
*  From  the  Ives  collection.  This  French  version  of  the  first 
Part  of  the  Grand  Voyages  of  De  Bry  is  the  only  Part  that  was 
published  in  French,  and  appears  to  have  been  published  before 
the  English,  Latin  and  German  versions.  Tlie  plates,  being 
the  earliest  impression,  are  superior  to  those  of  the  Latin  edi- 
tion. It  is  op  the  greatest  possible  rarity,  only  13  copies 
having  been  known  to  exist  as  far  back  as  1850,  and  very  few 
of  them  complete.    This  copy  is  not  only  complete  but  in 

PERFECT  AND  BRILLIANT  CONDITION  THROUGHOUT.      A  duplicate 

map  of  Virginia  is  also  inserted. 
152 


970.  DECKER  (THOMAS).  The  Whore  of  Babylon. 
As  it  was  acted  by  the  Princes  Servants.  Written  by 
Thomas  Dekker.  4to,  crimson  levant  morocco  ^ilr,  doub- 
lure of  the  same.  Entirely  uncut,  some  leaves  un- 
opened (some  corners  restored),  by  The  Club  Bindery. 

London:   Printed  for  Nathaniel  Butter,  1607 
*  First  Edition.     Very  rare  in  this  condition,  only  one  copy 
having  been  sold  at  auction. 

971.  DEFFAND  (MARIE  DE  VICHY-CHAMROND 
MARQUISE  DU).  Lettres  a  Horace  Walpole,  Ecrits 
dans  les  annees  1766  a  1780  ;  auxquelles  sont  jointes 
des  Lettres  a  Voltaire,  ecrites  dans  les  annees  1759  a 
1775.  Publiees  d'apres  les  originaux  deposes  a  Straw- 
berry-Hill. Portrait  by  Forshell.  4  vols.  8vo,  half  calf, 
uncut.  Paris,  18  L2 

972.  DEFFAND  (MARIE  DE  VICHY-CHAMROND, 
MARQUISE  DU).  Correspondance  Inedite  de  M°^e  (j^ 
Deffand,  precedee  d'une  Notice  par  le  Marquis  de  Sainte- 
Aulaire.  2  vols.  8vo,  red  levanfc  morocco  gilt,  gilt  edges, 
by  Trautz-Bauzonnet.  Paris,  1859 

973.  DEFFAND  (MARIE  DE  VICHY-CHAMROND, 
MARQUISE  DU).  Correspondance  complete  de  M'"^  du 
Deffand  avec  la  duchesse  de  Choiseul,  I'abbe  Barthelemy 
et  M.  Craufurt  publiee  avec  une  introduction  par  M.  le 
M'^  de  Sainte-Aulaire.  3  vols,  royal  8vo,  half  brown  levant 
morocco  gilt,  gilt  tops,  uncut,  by  Zaehusdorf.       Paris,  ISGO 

974.  [DEFOE    (DANIEL).]      The  Double  Welcome.      A      ^ 
Poem  to  the  Duke  of  Marlboro.      First  Edition.      4to,  half        -o   '^ 
roan.  London,  1705 

975.  [DEFOE  (DANIEL).]  The  Life  and  Adventures 
of  ]\Irs.  Christian  Davies,  commonly  called  Mother  Ross;  who 
in  several  Campaigns  under  King  William  and  the  late  Duke 

of  Marlborough,  in  the  quality  of  a  Foot-Soldier  and  Dragoon,        -^^  -cts 
gave  many  proofs  of  Courage  and  Bravery.     First  Edition. 
Small  8vo,  original  calf.  .  London,  1740 

976.  DEFOE  (DANIEL).  La  Vie  et  les  Aventures  De 
Robinson  Crusoe.  Traduction  Revue  et  corrigee  sur  la  belle 
Edition  donnee  par  Stockdale  en  1790,  augmentee  de  la  vie 

de  I'Auteur.     Map  and  19  colored  engravings  hy  Delignon        3*5 '^■^ 
after  Stothard.     3  vols.  Svo,  calf  gilt,  gilt  edges,  by  Duplanil. 

Paris  [1800] 
*  The  translation  was  made  by  Madame  de  Montmorency. 
153 


977.  DEFOE  (DANIEL).  The  Life  and  surprising  Ad- 
ventures of  Robinson  Crusoe,  of  York,  Mariner.  With  in- 
r-Q  *;  troductory  verses  by  Bernard  Barton.  Illustrated  ivith 
numerous  engravings  from  drawings  hy  George  Cruikshank 
expressly  designed  for  this  edition.  2  vols.  12mo,  green 
levant  morocco,  gilt  edges,  by  Louise  Reymann.  London,  1831 

*  Large  Paper  Copy. 

978.^  DEFOE    (DANIEL).     The  Life  and  Adventures  of 
r-    :!   Robinson   Crusoe,   Mariner,   of   Hull.     Biographical  Memoir 
and  Illustrative  Notes  [by  John  Ballantyne]  .  .  .  With  8  Etch- 
ings hy  M.  Mouilleron  and  Portrait  hy  L.  Flameng.     2  vols. 
8vo,  cloth,  uncut.  London,  1882 

*  One  of  150  copies  on  Large  Paper,  with  proof  etchings  on 
Japan  paper. 

979.  DELAROA  (JOSEPH— Editor).  Les  Patenotres 
d'un  Surnumeraire,  conseils  d'un  grand-oncle  recueillis  &  mis 
en  lumiere  par  Joseph  Delaroa.  18mo,  citron  levant  morocco, 
gilt  panels,  doublure  of  blue  morocco,  wide  dentelle  borders, 
gilt  edges,  by  Hardy-Mennil.  Lyon,  1860 

980.  DELAVIGNE  (JEAN  FRANCOIS  CASIMIR). 
Messeniennes  et  Poesies  diverses.  Theatre;  et,  Dernier 
Chants;  Poemes  et  Ballades  sur  I'ltalie.  8  vols.  8vo,  half 
red  levant  morocco,  gilt  fillets,  gilt  tops,  uncut.  Paris,  1833-45 

*  Printed  on  vellum  paper,  with  the  portrait  by  Salmon  and 
10  other  plates  by  Koenig,  Laeour,  Tavernier,  and  others  after 
Alfred  Johannot  in  two  states,  including  proofs  before  letters  on 
India  paper.  Inserted  are  an  autograph  letter  by  Delavigne, 
an  original  sepia  and  pencil  portrait  of  the  poet,  and  over  150 
views  and  portraits,  including  twelve  of  Delavigne,  in  from  one 
to  three  states.  The  inserted  plates  are  after  the  designs  of 
Deveria,  David,  Turner,  Northcote,  Westall,  and  others,  and 
include  proofs  on  India  paper  before  letters,  and  before  the 
artists'  names.  The  26  plates  after  Deveria  are  all  proofs  be- 
fore letters  on  India  paper,  and  four  have  duplicates  after  letters, 
also  on  India  paper. 

981.  DELAVIGNE  (JEAN  FRANQOIS  CASIMIR). 
Theatre.  Portrait  and  12  plates.  6  vols.  8vo,  half  brown 
morocco  gilt,  gilt  tops,  uncut.  Paris :  Didier,  1850 

*  Large  paper  copy. 

982.  DELECLUZE  (E.  J.).  Notice  sur  la  vie  et  les  ou- 
vrages  de  Leopold  Robert,  suivie  de  la  Description  des  quatre 
Tableaux  de  ce  peintre.     Royal  8vo,  original  covers,  uncut. 

Paris,  1838 

983.  DELEPIERRE  (OCTAVE).  Analyse  des  travaux 
de  la  Societe  des  Philobiblon  de  Londres.  8vo,  orange  levant 
morocco,  doublure  and  linings  of  brown  russia,  gilt  top,  un- 
cut, by  Zaehnsdorf .  London,  1862 

*  Only  300  copies  printed. 

154 


984.  DELESTRE  (J.  B.).  De  la  Physiognomonie.  Texte, 
Dessin,  Gravure.  Numerous  illustrations.  Imperial  8vo, 
half  green  levant  morocco  gilt,  gilt  top,  uncut,  by  Smeers. 

Paris,  1866 

985.  DELILLE  (JACQUES).  L 'Homme  des  Champs, 
on  les  Georgiques  francoises.  4  plates  designed  and  engraved 
by  C.  Guerin.  First  Edition.  4to,  red  straight-grain  mo- 
rocco, gilt  borders,  gilt  edges,  by  Thraner.     Strasbourg,  1802 

986.  [DELL  (HENRY).]  The  Spouter;  or,  The  Triple 
Revenge.  A  Comic  Farce  in  two  acts.  As  it  was  intended  to 
be  perform 'd.  With  the  Original  prologue,  written  by  the 
Author,  and  intended  to  be  spoke  by  Mr.  Garrick,  dress 'd  in 
Black.  First  Edition.  8vo,  brown  morocco,  gilt  edges,  by 
The  Club  Bindery.     With  the  final  blank  leaf,  F2. 

London :  Printed  and  sold  by  W.  Reeve,  1756 

987.  DELMET  (PAUL).  Chansons  de  Femmes.  Poesies 
de  Henri  Bernard,  Theodore  Botrel,  Maurice  Boukay,  and 
others.  Preface  by  Armand  Silvestre.  15  lithographs  by 
Steinlen  and  the  music  of  each  song.  Royal  8vo,  half  red 
levant  morocco,  uncut,  original  wrappers  bound  in,  by  Car- 
ay  on.  Paris,  1896 

*  One  of  50  copies  printed  on  Japan  paper. 

988.  DELMET  (PAUL).  Chansons  de  Montmartre.  15 
lithographies  de  Steinlen.  4to,  half  red  levant  morocco,  gilt 
top,  uncut,  original  covers  bound  in,  by  Carayon. 

*  One  of  75  copies  on  Holland  paper.  Paris    [n.   d.] 

989.  DE  LORME  (PHILIBERT).  Le  Premier  Tome  de 
I'Architecture.  With  204  diagram  illustrations  of  building. 
First  Edition,  Folio,  red  levant  morocco,  gilt  edges,  by 
Cuzin.  Paris:  F.  Morel,  1567 

*  The    title-page    lettered    ' '  premier    tome, ' '    but    no    second 
volume  was  issued. 

990.  DELPHINUS  (PETRUS).  Epistolee.  Title  within 
a  woodcut  border,  and  woodcut.  Initials  illuminated  in  gold 
and  colors.  Folio,  old  Venetian  red  morocco  gilt,  the  arms  of 
Doge  Marco  Foscarini  stamped  in  gold  in  the  centre  of  each 
cover,  gilt  edges.  Venetiis:  Bernardinus  Benalius,  1524 

*  Very  rake,  especially  with  the  2  leaves  of  Errata,  as  in  the 
above  copy.    From  the  library  of  Count  de  La  Bedoyere. 

991.  DELVAU  (ALFRED).  Dictionnaire  de  la  Langue 
Verte.     12mo,  half  green  morocco,  gilt  top,  uncut. 

Paris,  1866 

992.  DEMOSTHENES.  Orationes,  Grace.  3  vols.  8vo, 
old  French  blue  morocco,  tooled  ornamental  borders  on  the 
sides,  gilt  backs  and  inside  borders,  silk  linings,  gilt  edges,  by 
Bozerian ;  with  the  Aldine  anchor  stamped  in  gold  (at  a  later 
date)  on  the  centre  of  the  covers.  From  the  Syston  Park 
Library.  Venetiis :  apud  Paulum  Manutium,  1554 

155 


993.  DEMOUSTIER  (CHARLES  ALBERT).  Lettres  a 
Emilie  siir  la  Mythologie.  Portrait  hy  Tardieu  and  36  plates 
after  Moreau.  6  parts  in  2  vols.  8vo,  dark  blue  straight- 
grain  morocco,  gilt  and  blind  tooled,  gilt  edges.     Paris,  1809 

994.  [DENHAM  (SIR  JOHN).]  The  Sophy.  As  it  was 
acted  at  the  Private  House  in  Black  Friars  by  his  Majesties 
Servants.  Folio,  blue  levant  morocco,  gilt  back,  gilt  edges, 
by  Chambolle-Duru.     (Final  blank  leaf  missing.) 

London :  Richard  Hearne  for  Thomas  Walkley,  1642 

*  First  Edition.  Very  rare.  No  record  appears  of  its 
sale  at  auction  since  1825  and  there  seems  to  be  no  biblio- 
graphical notice  of  it  except  with  the  Poems  in  1668  and  later. 

995.  [DENHAM  (SIR  JOHN).]  Coopers  Hill.  A  Poeme. 
Small  4to,  citron  levant  morocco  gilt,  gilt  edges,  by  Riviere. 

London:  For  Tho.  Walkley,  1642 

*  First  Edition.     Very  rare. 

996.  DENHAM  (SIR  JOHN).  Coopers  Hill.  Written 
in  the  years  1640.  Now  printed  from  a  perfect  copy;  and  a 
corrected  Impression.  Sixth  edition,  but  the  first  au- 
thorized ONE.  Small  4to,  blue  levant  morocco,  gilt  edges,  by 
Riviere.  London :  Humphrey  Moseley,  1655 

*  In  the  address  to  the  Eeader,  it  states :  ' '  You  have  seen  this 
Poem  often,  and  yet,  never;  for,  though  there  have  been  Five 
Impressions,  this  now  in  your  hand  is  the  only  true  copie, ' '  etc., 
signed  J.  B. 

997.  DENHAM  (SIR  JOHN).  The  Destruction  of  Troy, 
an  Essay  upon  the  Second  Book  of  Virgils  ^neis.  Written 
in  the  year,  1636.  Small  4to,  brown  levant  morocco  gilt,  gilt 
«dges,  by  Riviere.  London :  Humphrey  Moseley,  1656 

998.  DENHAM  (SIR  JOHN).  Poems  and  Translations, 
with  the  Sophy.  First  collected  edition.  Small  8vo,  brown 
levant  morocco,  covered  with  a  rich  leaf  design,  with  inlays  of 
green  morocco,  the  intervals  studded  with  dots,  centre  mosaic 
of  brown  and  citron,  gilt  edges,  by  Riviere. 

London :  H.  Herringman,  1668 

999.  DENHAM  (SIR  JOHN).  Poems  and  Translations, 
with  the  Sophy.  Third  impression.  12mo,  original  old  Eng- 
lish black  morocco,  elaborately  tooled,  gilt  edges. 

London:  Printed  by  J.  M.  for  H.  Herringman,  1684 

1000.  DENHAM  (SIR  JOHN).  Poems  and  Translations; 
with  the  Sophy,  a  Tragedy.  The  Fifth  Edition.  8vo,  old 
brown  morocco,  gilt  back. 

London:  Printed  for  Jacob  Tonson,  1709 

*  Large  paper  copy  of  the  Fourth  collected  edition.  [The 
Fifth  edition  of  "  The  Sophy. "] 

156 


1001.  DENIS  (JEAN  BAPTISTE).  Memoires  Anecdotes 
de  la  Cour  et  dii  Clerge  de  France.  Avec  THistoire  du  Dif- 
ferend  du  Cardinal  de  Noailles  avec  les  Eveques  de  Lucon  & 
de  la  Rochelle,  &  les  Jesuites.  Frontispiece,  folded  map,  and 
four  portraits.  ]2mo,  o-reen  morocco,  the  monogram  of  the 
JMarquis  de  Coislin  on  the  back  panels  and  his  arms  on  the 
sides,  gilt  edges,  partially  uncut,  hv  Duru. 

"  Londres  (Holland)  1712 

1002.  DENISOT  (NICOLAS).  Noelz  par  le  Conte  d'Al- 
sinoys.  Autres  Noelz  sur  les  Chants  de  plusieurs  belles  Chan- 
sons. 12mo,  red  levant  morocco  gilt,  gilt  edges,  by  Trautz- 
Bauzonnet.  Mans,  1847 

*  One  of  50  copies  on  Holland  paper. 

1003.  DENNISTOUN  (JAMES).  Illustrations  for  the 
IMemoirs  of  the  Dukes  of  Urbino.  33  plates  on  India  paper. 
4to,  cloth.  n.  p.,  1851 

*  Presentation  copy,  with  a  three-page  letter  from  the  author 
to  Dr.  Wellesley  laid  in. 

1004.  DENON  (VIVANT).  Point  de  Lendemain.  Conte 
iUustre  de  treize  compositions  de  Paul  Avril.  Royal  8vo, 
•citron  levant  morocco,  borders  in  emblematic  tools  and  scrolls, 
gilt  over  uncut  edges,  original  covers  bound  in,  by  ChamboUe- 
Duru.  Paris,  1889 

*  One  of  75  copies  on  Japan  paper,  with  each  illustration  in 
two  states,  the  duplicates  being  proofs  before  letters.  On  the 
half-title  is  an  original  water-color  drawing  by  Avrjl. 

1005.  DEPPING  (GUILLAUME).  Merveilles  de  la 
Force  et  de  I'Adresse — agilite — souplesse — ^dexterite — les  ex- 
•ercises  du  corps  chez  les  anciens  et  chez  les  modernes.  69  illus- 
trations by  Ronjot,  Sellier,  etc.     12mo,  half  cloth,  uncut. 

*  Printed  on  India  paper.  Paris,  1869 

1006.  DESAUGIERS  (MARC  ANTOINE  MADE- 
LEINE). Chansons  et  poesies  diverses.  .  Sixieme  edition 
considerablement  Augmentee.  Portrait  hy  J.  M.  Fontaine 
after  A.  Deveria  and  facsimile.  4  vols.  16rao,  half  blue  mo- 
rocco, gilt  backs,  uncut.  Paris,  1827 

1007.  DESCAMPS  (JEAN  BAPTISTE).  La  Vie  des 
Peintres  Flamands,  AUemands  et  Hollandois;  avec  des  por- 
traits Graves  en  tailledouce,  une  indication  de  leurs  princi- 
paux  Ouvrages,  &  des  Reflexions  sur  leurs  differentes 
manieres.  Frontispiece  engraved  by  Lebas  after  Descamps, 
two  dedicatory  vignettes  with  the  arms  of  the  Comte  de  Vence 
and  of  La  Live  de  Jully,  engraved  by  Lemire  after  Descamps, 
and  168  portraits  engraved  by  Ficquet,  Gaillard,  Legrand, 
M.  Aubert,  and  others.  4  vols.  8vo,  red  levant  morocco,  gilt 
•edges,  by  Hardy-Mennil.  Paris,  1753-64 

157 


1008.  DESCAMPS  (JEAN  BAPTISTE).  Voyage  pit- 
toresqiie  de  la  Flandre  et  du  Brabant,  Avec  des  Reflexions 
relativement  aux  Arts  &  quelques  Gravnres.  Dedicatory  vig- 
nettes with  the  arms  of  the  Marquis  de  Marigny,  5  unsigned 
plates,  and  folding  map.  First  Edition.  8vo,  red  levant 
morocco,  gilt  edges,  by  Hardy-Mennil.  Paris,  1769 

1009.  DESCARTES  (RENE).  Passiones  Animee.  12mo, 
red  morocco,  gilt  edges. 

Amstelodami :  Ludovicus  Elzevirius,  1650 

*  One  of  two  Latin  editions  of  this  date,  the  other  being  in 
quarto.     The  Syston  Park  copy. 

1010.  DESCAVES  (LUCIEN).  Les  Emmures.  First 
Edition.  12mo,  half  red  cloth,  uncut,  original  covers  pre- 
served. Paris,  1894 

*  One  of  10  copies  printed  on  Holland  paper. 

1011.  DESCAVES  (LUCIEN).  Flingot.  Illustrations  et 
Gravures  de  Georges  Jeanniot.  8vo,  original  paper  wrappers, 
uncut.  Paris,  1907 

*  One  of  10  copies  printed  on  Japan  paper  with  the  etchings 
in  three  states. 

1012.  DESCHAMPS  (EUSTACHE).  Le  Miroir  de  Mari- 
age,  Poeme.  8vo,  half  citron  levant  morocco  gilt,  gilt  top, 
uncut.  Reims,  1865 

*  Only  100  copies  printed. 

1013.  DESCLOZEAUX.  Gabrielle  d'Estrees,  Marquise 
de  Monceaux,  Duchesse  de  Beaufort.  Frontispiece  portrait 
on  India  paper.  Royal  8vo,  half  brown  morocco,  figured 
satin  sides,  gilt  top,  uncut,  original  covers  bound  in,  by  The 
Club  Bindery.  Paris,  1889 

1014.  DESCRIPTION  (A)  of  a  Great  Sea-Storm,  that 
happened  to  some  ships  in  the  Gulph  of  Florida,  in  Septem- 
ber last;  Drawn  up  by  one  of  the  Company,  and  sent  to  his 
Friend  at  London.  Folio  broadside,  1  p.,  mounted  on  silk 
and  folded  to  12mo,  in  silk  covers  (worn  at  folds  but  neatly 
repaired).  London:  Printed  by  Thomas  Milbourn,  1671 

*  The  Poem  mentions  Virginia,  Bermuda,  etc. 

1015.  DESCRIPTION  (LA)  de  la  superbe  et  imaginaire 
entree  faicte  a  la  Royne  Gijllette  passant  a  Venise,  en  faveur 
du  Roy  de  la  Malachie  son  futur  espoux,  le  premier  iour  de 
Septembre,  1582.  Traduicte  de  la  langue  caracteree  en  lan- 
gue  francoise.  12mo,  red  levant  morocco  gilt,  gilt  edges,  by 
Trautz-Bauzonnet.  [n.  p.]  1607 

1016.  DESHOULIERES  (ANTOINETTE  DU  LIGIER 
DE  LA  GARDE).  Poesies.  Brilliant  portrait  engraved  iy 
van  Schuppen  after  E.  S.  Ckeron.  2  vols.  8vo,  old  red  mo- 
rocco gilt,  arms  on  the  sides,  gilt  edges. 

Paris:  Jean  Vilette,  1707-11 
158 


1017.  DESLAURIERS.  Les  (Euvres  de  Bruscambille. 
Contenant  ses  Fantasies,  Imaginations,  Paradoxes,  &  autres 
discours  Comiques.  12mo,  red  levant  morocco  gilt,  gilt  edges, 
by  Trautz-Bauzonnet.  Lyon :  Jean  Huguetan,  1634 

1018.  [DESLAURIERS.]  Pensees  Faeetieuses,  et  Bons 
Mots  de  Bruscambille,  Comedien  Original.  Frontispiece. 
12mo,  red  levant  morocco,  gilt  edges,  by  Cape. 

Cologne,  1709 

1019.  DESPERIERS  (BONA VENTURE).  Les  Nouvelles 
Recreations  &  joyeux  devis.  Title  within  a  woodcut  border. 
16mo,  citron  levant  morocco,  gilt  centre  ornaments,  gilt  edges, 
by  Trautz-Bauzonnet.  Paris:  Nicolas  Bonfos,   1572 

1020.  DESPfiRIERS  (BONA VENTURE).  Cymbalum 
Mundi,  ou  Dialogues  Satyriques  sur  differens  Sujets.  Nou- 
velle  Edition.  Frontispiece  and  4  plates  hy  F.  de  Bakker. 
12mo,  half  blue  levant  morocco  gilt,  gilt  top,  uncut. 

Amsterdam  et  Leipzig,  1753 

1021.  DESP:fiRIERS  (BONAVENTURE).  (Euvres  Fran- 
coises. 2  vols,  12mo,  red  levant  morocco  gilt,  gilt  edges,  by 
Lortic.  Paris,  1856 

*  India  paper  copy. 

1022.  DESPORTES  (PHILIPPE).  Les  Premieres 
(Euvres.  Au  Roy  de  Pologne.  4to,  red  levant  morocco  gilt, 
gilt  edges,  by  Thibaron-Joly.      Paris:  Robert  Estienne,  1573 

*  First  Edition. 

1023.  DE  VINNE  (THEODORE  LOW).  The  Printers' 
Price  List.     12mo,  half  morocco,  gilt  top,  uncut.     N.  Y,,  1871 

1024.  DE  VINNE  (THEODORE  LOW).  The  Invention 
of  Printing.  A  Collection  of  Facts  and  Opinions  descriptive 
of  early  prints  and  playing  cards,  the  block-books  of  the  fif- 
teenth century,  the  legend  of  Lourens  Janszoon  Coster,  of 
Haarlem,  and  the  work  of  John  Gutenberg  and  his  associates. 
Illustrated  with  facsimiles  of  early  types  and  woodcuts.  8vo, 
cloth,  uncut.  New  York,  1876 

1025.  DE  VINNE   (THEODORE  LOW).       The  Practice 

of  Typography :  a  treatise  on  the  processes  of  type-making 
the  point  system,  the  names,  sizes,  styles  and  prices  of  Plain 
Printing  Types.     12mo,  cloth.  New  York,  1900 

*  Presentation  copy  from  the  author. 

1026.  DE  VINNE  (THEODORE  LOW).  The  Practice 
of  Typography  Correct  Composition  a  treatise  on  spelling 
abbreviations,  the  compounding  and  division  of  words,  the 
proper  use  of  figures  and  numerals,  italic  and  capital  letters, 
notes,  etc.  with  Observations  on  Punctuation  and  Proof-read- 
ing.    12mo,  cloth.  New  York,  1901 

*  Presentation  copy  from  the  author. 

159 


1027.  DIALOGUE  (LE)  de  consolation  entre  lame  et 
raison,  faict  et  compose  par  ung  religeiix  de  la  reformation 
de  lordre  de  Fontevrault  (Francois  Le  Roy).  Lettres 
idtardes.  Woodcut  on  the  verso  of  title.  8vo,  blue  levant 
morocco,  gilt  panelled  sides,  the  arms  of  Charles  Louis  de 
Bourbon,  Count  Villafranca  on  the  centre  of  the  covers, 
and  his  crowned  monogram  in  the  corners,  gilt  edges,  by 
Lortic.     Rare.  Paris:  Pierre  Sergent,  1537 

1028.  DIALOGUS  CREATURARUM.  Dyalogus  creatnr- 
aruna  moralizatus  omni  materie  morali  iucundo  et  edificativo 
modo  applicabilis.  103  unnwinbered  leaves,  with  signatures, 
34  lines  to  the  page.  With  122  curious  and  interesting  out- 
line woodcuts  and  on  the  recto  of  the  last  leaf,  above  the 
colophon,  a  large  cut  of  the  arms  of  the  city  of  Oouda.  Folio, 
red  levant  morocco,  gilt  edges,  by  Trautz-Bauzonnet.  [First 
blank  missing.]  .    Gouda:  Gerardus  de  Leeu,  1482 

*A  TALL  COPY.     Hain,  6127;   Campbell,  562;   Proctor,  8929. 

1029.  DIBDIN  (CHARLES).  The  Cobler:  or,  A  Wife  of 
Ten  Thousand.  A  baUad  opera.  In  two  acts.  First  Edi- 
tion.    8vo,  morocco,  by  The  Club  Bindery.       London,  1774 

1030.  DIBDIN  (CHARLES).  Songs,  naval  and  national, 
with  a  Memoir  and  Addenda.  Characteristic  sketches  hy 
George  Cruikshank.  First  Edition.  12mo,  half  brown 
levant  morocco,  gilt  and  inlaid  back,  gilt  top,  uncut,  by 
Krafft.  London,  1841 

1031.  DIBDIN  (THOMAS  FROGNALL).  Poems.  Title- 
vignette  hy  Poole.     8vo,  new  cloth,  uncut. 

London:  Printed  for  the  author,  1797 

*  Only  500  copies  printed.     Nearly  the  wliole  of  the  edition 
was  destroyed. 

1032.  [DIBDIN  (THOMAS  FROGNALL).]  Brief  Re- 
marks upon  The  Preface  and  Notes  of  G.  A.  Crapelet,  attached 
to  his  Translation  of  the  30th  letter  of  the  Bibliographical, 
Antiquarian,  and  Picturesque  Tour.  Royal  8vo,  boards,  mo- 
rocco back  (a  few  pages  foxed).  London,  1821 

*  Only  36  copies  printed.     Presentation  copy  from  the  author. 

1033.  DIBDIN  (THOMAS  FROGNALL).  An  Introduc- 
tion to  the  Knowledge  of  rare  and  valuable  editions  of  the 
Greek  and  Latin  Classics.  Together  with  an  account  of 
polyglot  Bibles,  polyglot  Psalters,  Hebrew  Bibles,  Greek 
Bibles  and  Greek  Testaments;  the  Greek  Fathers,  and  the 
Latin  Fathers.  .  .  Fourth  Edition;  greatly  enlarged  and  cor- 
rected. 2  vols.  8vo,  red  levant  morocco  gilt,  gilt  edges,  by 
Matthews.  London,  1827 

160 


1034.  DIBDIN  (THOMAS  FROGNALL).  A  Biblio- 
graphical Antiquarian  and  Picturesque  Tour  in  the  Northern 
Counties  of  England  and  in  Scotland.  Numerous  fine  en- 
gravings, many  on  India  paper.  2  vols,  extended  to  3,  royal 
8vo,  red  levant  morocco,  gilt  backs  and  side  corners,  gilt 
edges,  by  Bedford.  London,  1838 

*  Large  paper  copy,  extra-illustrated  by  the  insertion  of  152 
plates.  The  original  illustrations  are  in  duplicate,  and  there 
are  many  scarce  proofs,  besides  13  of  the  cancelled  pages. 

1035.  [DIBDIN  (THOMAS  FROGNALL).]  Cotman 
(J.  S.)  &  Turner  (Mrs.  D.).  A  Series  of  Etchings  adapted 
to  illustrate  Dr.  Dibdin's  Bibliographical  Tour  in  France 
and  Normandy.  37  plates,  proofs  on  India  paper.  Royal 
8vo,  half  morocco,  gilt  top.  [n.  p.]    [n.  d.] 

1036.  DICKENS  (CHARLES).  Bleak  House.  39  illus- 
trations by  H.  K.  Browne.  First  Edition.  8vo,  calf,  gilt 
back,  gilt  top,  uncut,  by  Riviere.  London,  1853 

1037.  DICKENS  (CHARLES).  Little  Dorrit.  Illustra- 
tions by  H.  K.  Browne.  First  Edition.  8vo,  red  levant 
morocco  gilt,  gilt  top,  uncut.  With  two  original  covers 
bound  in.  London,  1857 

1038.  DICKENS     (CHARLES).       Our    Mutual    Friend. 

Illustrations  by  Marcus  Stone.     First  Edition.     2  vols. 
8vo,  green  levant  morocco  gilt,  gilt  edges,  by  David. 

London, 1865 

1039.  DICKENS  (CHARLES).  The  Mystery  of  Edwin 
Drood.  13  illustrations  by  S.  L.  Fildes,  and  a  portrait. 
First  Edition.  8vo,  olive  levant  morocco  gilt,  gilt  edges, 
by  David,  London,  1870 

1010.  [DIDEROT  (DENIS).]  Le  Fere  de  Famille,  come- 
die  en  cinq  Actes,  et  en  Prose,  avec  un  discours  sur  la 
poesie  dramatique.  First  Edition.  12mo,  green  levant 
morocco,  panels  tooled  in  floral  ornaments,  gilt  edges,  by 
Chambolle-Duru.  Amsterdam,  1758 

1041.  DIDEROT  (DENIS).  (Euvres.  Portrait.  Large 
Paper  copy.  22  vols.  8vo,  half  blue  levant  morocco,  gilt 
tops,  uncut,  by  David.  Paris,  1821 

1042.  DIDEROT  (DENIS).  Jacques  le  fataliste  et  son 
Maitre.  Douze  dessins  de  Maurice  Leloir  graves  a  I'eau- 
forte  par  Courtry,  De  Los  Bios,  Mongin,  Teyssonnieres. 
Imperial  8vo,  green  levant  morocco,  doublure  of  red  levant, 
Roman  border,  gilt  over  rough  edges,  original  covers  bound 
in,  by  Cuzin.  Paris,  1884 

*  One  of  130  copies  on  Japan  paper,  for  subscribers,  with  the 
plates  in  two  and  three  states. 

161 


1043.  DIDOT  (FRANCOIS  AMBROISE).  Essai  de  Fables 
Nouvelles  dediees  au  Roi;  suivies  de  poesies  diverses  et 
d'une  epitre  sur  les  progres  de  I'imprimerie.  12mo,  half 
red  morocco,  uncut.  Paris,  1786 

*  This  is  probably  the  only  copy  printed  on  vellum. 

1044.  DIEULAFAIT  (LOUIS).  Diamants  et  pierres 
precieuses.  Ouvrage  illustre  de  ISO  vignettes  par  B.  Bon- 
nafoux,  P.  Sellier,  A.  Marie,  etc.  China  paper  edition. 
12mo,  half  cloth.  Paris,  1871 

1045.  [DIGBY  (KENELM  HENRY).]  The  Broad  Stone 
of  Honour;  or  Rules  for  the  Gentlemen  of  England.  8vo, 
blue  morocco,  richly  tooled,  gilt  edges,  by  Lewis. 

London:  Rivington,  1823 

*  Large  Paper  copy  of  the  Second  Edition,  published  anony- 
mously, while  the  author  was  a  Protestant.  On  becoming  a 
Roman  Catholic,  he  rewrote  the  work. 

1046.  DIGUET  (CHARLES).  Les  Jolies  Femmes  de 
Paris.  Vingt  eaux-fortes  par  Martial;  ornenients  par 
Morin.  8vo,  half  red  levant  morocco  gilt,  gilt  top,  uncut, 
with  the  original  vellum  wrappers  bound  in.  Limited  edi- 
tion. Paris,  1870 

1047.  DILKE  (THOMAS).  The  Lover's  Luck:  a  Comedy. 
First  Edition.  Small  4to,  calf  gilt,  gilt  edges,  by  Lloyd 
&  Wallis.  London:  Printed  for  Henry  Playford,  1696 

1048.  DILKE  (THOMAS).  The  City  Lady;  or  Folly 
Reclaim'd.  A  Comedy.  First  Edition.  Small  4to,  half 
blue  calf.  London:  Printed  for  H.  Newman,  1697 

1049.  DILKE  (THOMAS).  The  Pretenders;  or.  The 
Town  Unmaskt.  A  Comedy.  First  Edition.  4to,  half 
brown  levant  morocco,  gilt  edges,  by  Riviere. 

London:  Printed  for  Peter  Buck,  1698 

1050.  DILLON  (JOHN).  Retribution;  or,  the  Chieftain's 
Daughter.  A  tragedy,  in  five  acts.  First  Edition.  8vo, 
morocco,  by  The  Club  Bindery.  London,  1818 


162 


TWENTY  SIXTH  SESSION,  THURSDAY,  2:30  P.  M. 

1051.  DILWORTH  (W.  H.)-  The  Life  of  Alexander 
Pope,  Esq. ;  with  a  View  of  his  Writings,  and  Many  curious 
Anecdotes  of  his  noble  patrons.  As  well  as  of  the  Cotem- 
porary  Wits,  Friends,  and  Foes.  Portrait.  12mo,  red 
levant  morocco  gilt,  fancy  panels,  gilt  edges,  by  The  Club 
Bindery.  London,  1759 

1052.  DIODORUS  SICULUS.  Les  troys  premiers  livres 
de  I'histoire  de  Diodore  Sicilien  historiographe  grec,  trans- 
latez  de  latin  en  frangoys  par  Anthoine  Macault.  Ruled 
throughout  luith  red  ink.  Title  within  a  ivoodcut  border, 
full-page  ivoodcut  of  Francis  1  listening  to  the  reading  of 
a  hook,  large  and  small  ornamental  initials,  and  Oeofroy 
Torifs  device  of  the  "  Pot  casse  "  on  last  leaf  4to,  red  velvet, 
gilt  edges. 

Paris:  en  la  rue  de  la  Jaifverie  devant  la  Magdalaine  a 
I'enseigne  du  Pot  Casse  (Olivier  Mallard),  1535. 

*  Printed  on  vellum;  of  extreme  rarity.  The  large 
woodcut  mentioned  above  is  regarded  as  Tory's  masterpiece, 
it  having  been  used  by  Mallard  when  he  took  over  the  stock  of 
Tory,  who  died  in  1533.  This  copy  belonged  to  Francois  de 
Bourbon,  Duo  d'Estouteville,  grand-uncle  of  Henry  IV:  his 
arms,  quartered  with  those  of  Estouteville,  are  painted  in  gold 
and  colors  on  the  verso  of  the  title,  together  with  his  motto 
"  non  est  mortale  quod  opto."  From  the  libraries  of  the  Duo 
de  La  Valliere,  MacCarthy-Reagh,  Baron  Pichon  and  Lord  Ash- 
burnham,  since  rebound. 

105:3.  DIODORUS  SICULUS.  Sept  livres  des  Histoires  de 
Diodore  Sicilien  nouvellement  traduyts  de  grec  en  franeoys 
(par  Jacques  Amyot).  Folio,  red  levant  morocco,  gilt 
panels,  gilt  edges,  by  Niedree. 

Paris:  Michel  de  Vascosan,  1554 

1054.  DIOGENES  LAERTIUS.  Vita?  Philosophorum. 
Poman  characters.  186  unnumbered  leaves  ivithout  signa- 
tures and  catchwords,  SJf  lines  to  the  page.  Small  folio, 
brown  straight-grain  morocco,  gilt  watered  silk  linings, 
gilt  edges,  by  Simier.     (Last  blank  leaf  cut  away.) 

Venetius:  Nicholaus  Jenson,  1475 

*  First  Edition,  tall  copy.  Dibdin,  Moss  and  other  bibliog- 
raphers unite  iu  describing  this  as  one  of  the  finest  specimens 
of  the  typographical  work  of  Jenson,  and  one  of  the  most  beauti- 
ful volumes  printed  in  the  15th  century.  Hain-Copinger,  6199; 
Proctor,  4095. 

163 


1055.  DISRAELI  (BENJAMIN).  The  Revolutionary 
Epick.  The  work  of  Disraeli  the  Younger.  First  Edition. 
Only  50  copies  printed.     4to,  boards,  uncut.      London,  1834 

1056.  [D'ISRAELI  (ISAAC).]  Quarrels  of  Authors;  or, 
Some  memoirs  for  our  Literar}^  History.  Portrait  inserted. 
3  vols.  12mo,  half  russia,  gilt  tops,  uncut.        London,  1814 

*  Contains  a  letter  from  D'Israeli,  in  the  third  person,  also 
a  presentation  inscription. 

1057.  [D'ISRAELI  (ISAAC).]  Curiosities  of  Literature. 
Sixth  Edition.     3  vols.  8vo,  half  russia,  gilt  tops,  uncut 

London,  1817 

1058.  D'ISRAELI  (ISAAC).  Curiosities  of  Literature, 
by  I.  D'Israeli,  Esq.  Illustrated  by  Bolton  Corney,  Esq., 
.  .  .  Second  edition,  revised  and  acuminated.  Small  8vo, 
red  straight-grain  morocco  gilt,  gilt  top,  uncut,  by  The  Club 
Bindery.  London,  1838 

1059.  DOBREE  (SAMUEL).  The  Book  of  Death.  Ttuo 
2)lates  07)  India  ])aper.     8vo,  boards,  uncut. 

London:  W.  Bulmer,  1819 

*  Only  60  copies  privately  printed. 

1060.  DOBSON  (AUSTIN).  Vignettes  in  Rhyme,  and 
Vers  de  Societe  (now  first  collected).  First  Edition. 
12mo,  original  cloth,  uncut.  London,  1873 

1061.  DOBSON  (AUSTIN).  Proverbs  in  Porcelain,  and 
other  Verses.    First  Edition.    12mo,  cloth.    London,  1877 

1062.  DOBSON  (AUSTIN).  Eighteenth  Century  Essays. 
First  Edition.  Frontispiece  on  India  pa2Jer.  8vo,  blue 
levant  morocco,  gilt  borders,  gilt  top,  uncut,  by  The  Club 
Bindery.  London,  1882 

*  One  of  50  copies  on  Large  Paper. 

1063.  DOBSON  (AUSTIN)  Old-World  Idylls  and  other 
Verses.  Frontispiece.  12mo,  brown  levant  morocco,  gilt 
top,  uncut.  London,  1883 

*  Large  Paper  copy  of  the  First  Edition,  limited  to  50 
copies  signed  by  the  Author.  George  Boughton's  copy,  with 
the  manuscripts  of  two  "occasional poems  "  by  Dobson,  signed 
and  dated,  and  two  one-page  letters  from  Dobson  to  Boughton 
inserted,  one  thanking  the  latter  for  a  painting. 

One  of  the  poems  commences: 

"  The  spring  will  come,  but  ah!  will  she 
The  girl  that  Boughton  promised  me 

***** 

Then  by  and  by  the  crowd  will  rush 

To  praise  these  fruits  of  Boughton's  brush." 

1064.  DOBSON  (AUSTIN).  Old-World  Idylls  and  other 
Verses.     First  Edition.     12mo,  cloth,  gilt  top,  uncut. 

London,  1883 

164 


1065.  DOBSON  (AUSTIN).  Thomas  Bewick  and  his 
Pupils.     95  illustrations.     4to,  half  vellum,  uncut. 

London,  1884 

*  Special  edition.     One  of  200  copies  printed  for  England. 

1066.  DOBSON  (AUSTIN).  At  the  Sign  of  the  Lyre. 
First  Edition.  Frontispiece.  Post  8vo,  blue  levant  mo- 
rocco, gilt  edges,  by  The  Club  Bindery.  London,  1885 

*  One  of  75  Large  Paper  copies,  avitographed  by  the  author. 

1067.  DOBSON  (AUSTIN).  At  the  Sign  of  the  Lyre. 
First  Edition.  Frontispiece  by  E.  A.  Abbey.  12mo, 
cloth.  London,  1885 

1068.  DOBSON  (AUSTIN).  A  Memoir  of  Thomas  Be- 
wick, written  by  himself.  Embellished  by  numerons  wood 
engravings,  designed  by  the  author  for  a  Work  on  British 
Fishes.  A  New  Edition,  Prefaced  and  Annotated  by 
Austin  Dobson.     Large  8vo,  cloth,  uncut. 

Newcastle-upon-Tyne,  1887 

1069.  DOBSON  (AUSTIN).  Life  of  Oliver  Goldsmith. 
First  Edition.     8vo,  cloth,  gilt  top,  uncut.     London,  1888 

1070.  DOBSON  (AUSTIN— Editor).  Prior  (Matthew). 
Selected  Poems  of  Matthew  Prior.  With  an  Introduction 
and  Notes  by  Austin  Dobson.  Etched  portrait  by  G.  W. 
ahead.     12mo,  cloth,  gilt  top,  uncut.  London,  1889 

*  Autograph  presentation  copy  from  Austin  Dobson,  with  the 
following  inscription  and  manuscript  notes  in  his  autograph  on 
fly-leaf: 

"  For  Robert  Hoe,  with  best  wishes  fr.  Austin  Dobson. 
16,  ix,  1904. 

"N.  B.  I  find  I  said  nothing  about  the  1716  edition  here; 
but  when  the  Introduction  was  reprinted  in  the  third  series 
of  the  Eighteenth  Century  Vignettes,  1896,  I  added  the  fol- 
lowing footnote  to  p.  254  of  that  volume : 

"'A  second  unauthorised  collection  appeared  in  1716, 
which  he  [Prior]  expressly  repudiated  by  notice  in  the  Lon- 
don Gazette  for  March  24  in  that  year.'  " 

1071.  DOBSON  (AUSTIN).  Horace  Walpole.  A  Me- 
moir. With  an  Appendix  of  Books  Printed  at  the  Straw- 
berry Hill  Press.  Illustrations  by  Percy  and  Leon  Moran. 
Square  8vo,  red  levant  morocco,  uncut,  by  R.  W.  Smith. 

New  York:  Dodd,  Mead  &  Co.,  1890 

*  One  of  four  copies  on  vellum;  extra  illustrated  by  the 
insertion  of  10  original  drawings  by  Leon  Moran,  and  a  set  of 
plates  in  three  states. 

1072.  DOBSON  (AUSTIN).  William  Hogarth.  Portraits 
and  plates.  8vo,  olive  levant  morocco,  gilt  panels,  gilt  top, 
uncut,  by  The  Club  Binder3^     New  York  and  London,  1891 

*  Extra  ILLUSTRATED  by  the  insertion  of  103  plates  after  the 
designs  of  Hogarth. 

165 


1073.  DOBSON  (AUSTIN) .  The  Ballad  of  Beau  Brocade, 
and  other  Poems  of  the  XVIIIth  Century.  First  Edition. 
60  illustrations  by  Hugh  Thompson  on  Japan  paper.  Royal 
8vo,  cloth,  uncut.  London,  1892 

*  One  of  a  Umited  edition  on  Large  Paper. 

1074.  DOBSON"  (AUSTIN).  Eighteenth  Century  Vig- 
nettes. First  Edition.  7  plates  on  India  paper.  4to, 
half  vellum,  uncut.  London,  1892 

*  One  of  250  copies  on  Large  Paper. 

1075.  DOBSON  (AUSTIN).  Proverbs  in  Porcelain,  to  which 
is  added  "  Au  Revoir, ' '  a  Dramatic  Vignette.  First  Edition. 
2Jf.  illustrations.     Small  4to,  cloth,  uncut.  London,  1893 

1076.  DOBSON  (AUSTIN).  Eighteenth  Century  Vig- 
nettes. Second  Series.  First  Edition.  16  illustrations. 
4to,  half  vellum,  uncut.  London,  1894 

*  One  of  200  copies  printed  on  Large  paper. 

1077.  DOBSON  (AUSTIN).  Poems  on  Several  Occasions. 
Illustrations  in  two  states  by  Lalauze,  signed  by  the  artist., 
and  portrait  by  Strang.  2  vols.  8vo,  red  levant  morocco, 
gilt  fillets,  gilt  tops,  uncut,  by  The  Club  Bindery. 

New  York:  Dodd,  Mead  and  Co.,  1895 

*  One  of  50  copies  on  Japan  paper. 

1078.  DOBSON  (AUSTIN).  The  Story  of  Rosina,  and 
other  Verses.  First  Edition.  Illustrations  on  Japan  and 
India  paper  by  Hugh  Thompson.     4to,  buckram,  uncut. 

*  One  of  250  copies  on  Large  paper.  London,  1895 

1079.  DOBSON  (AUSTIN).  A  Postscript  to  Dr.  Gold- 
smith's Retaliation,  being  an  Epitaph  on  Samuel  Johnson. 
4to,  half  red  morocco. 

[Oxford:  Clarendon  Press],  Printed  in  June,  1896 

*  Only  a  few  copies  printed.  Signed  by  the  author.  Mr. 
Dobson  has  stated  in  regard  to  this :  "I  wrote  the  '  Postscript ' 
in  1896,  to  be  read  at  the  Johnson  dinner  at  Pembroke  College, 
Oxford,"  etc. 

1080.  DOBSON  (AUSTIN).  Verses  Read  at  the  Dinner 
of  the  Omar  Khayyam  Club  on  Thursday,  25th  March, 
1897.  8vo,  half  red  morocco,  uncut,  original  covers  bound 
in.  London:  Chiswick  Press,  1897 

*  One  of  100  copies  printed  for  Edmund  Gosse  in  March, 
1897,  to  be  presented  to  the  members  of  the  Omar  Khayyam 
Club  as  a  memento  of  his  Presidency. 

1081.  DOBSON  (AUSTIN).  Carmina  Votiva  and  Other 
Occasional  Verses.  First  Edition.  Square  12mo,  maroon 
levant  morocco,  gilt  borders,  gilt  over  rough  edges,  original 
covers  bound  in,  by  The  Club  Bindery. 

London:  Printed  for  private  circulation,  1901 

*  One  of  a  limited  edition  signed  by  the  author. 

1082.  DOBSON  (AUSTIN).  Side- Walk  Studies.  First  Edi- 
tion. Illustrations.  12mo,  cloth,  gilt  top,  uncut.  London,  1902 

166 


1083.  DOCTRINE  (La)  et  instruction  que  baillent  et 
monstreut  les  bons  peres  a  leurs  enfants;  Le  testament  du 
pere  lequel  il  laissa  a  son  fils.  Gothic  letter;-  five  ivoodcuts, 
one  repeated.  8vo,  green  levant  morocco,  doublure  of  red 
levant,  gilt  centre  ornaments,  gilt  edges,  by  Bauzonnet. 

Lyon:  Guillaume  Balsarin,  1523 

*  From  the  Firmin  Didot  and  Yemeniz  Collections. 

1084.  [DODSLEY  (ROBERT).]  The  Economy  of  Human 
Life.  Translated  from  an  Indian  Manuscript,  written  by 
an  ancient  Bramin.  Small  8vo,  polished  calf  gilt,  gilt 
edges.  London,  1751 

*  First  Edition.     Large  Paper  copy,  with  the  engraved 
frontispiece  in  the  finished  state. 

1085.  DODSLEY  (ROBERT).  A  Select  Collection  of 
Old  Plays.  A  new  Edition  with  additional  notes  and  cor- 
rections by  I.  Reed,  O.  Gilchrist  and  J.  P.  Collier,  with 
Five  Old  Plays  forming  a  Supplement.  13  vols.  8vo,  half 
olive  morocco,  gilt  tops.  London,  1825-33 

*  Large  Paper  copy. 

1086.  DONDEY  (THEOPHILE).  Poesies  Posthumes  de 
Philothee  O'Neddy  (Theophile  Dondey).  12mo,  half  red 
levant  morocco,  gilt  top,  uncut,  by  Rousselle.     Paris,  1877 

*  One  of  75  copies  on  Holland  paper. 

1087.  DONI  (ANTONIO  FRANCESCO).  I  Marmi  del 
Doni,  Academico  Peregrino.  Portraits  and  numerous  other 
illustrations  engraved  on  wood,  after  the  designs  of  the 
printer,  Marcolini.  First  Edition.  4  parts  in  1  vol.  4to, 
red  levant  morocco  gilt,  gilt  edges,  by  Riviere  (washed  and 
small  defect  in  title-page,  which  contains  also  the  library 
stamp  of  Cardinal  Alexandro  d'Este).     In  Vinegia,  1552-53 

1088.  DONI  (ANTONIO  FRANCESCO).  Les  Mondes 
celestes,  terrestres  et  infernaux.  Le  Monde  petit,  grand, 
imagine,  mesle,  risible,  des  sages  et  fols,  et  le  tresgrand ; 
I'Enfer  des  escoliers,  des  mal  mariez,  des  putains  et  ruf- 
fians, etc.  lo  ivoodcuts.  8vo,  blue  levant  morocco  gilt, 
dentelle  borders,  gilt  edges,  by  Trautz-Bauzonnet. 

Lyon:  Estienne  Michel,  1580 

1089.  DONNA Y  (MAURICE)  et  DESCAVES  (LUCIEN). 
La  Clariere  Comedie  en  cinq  actes,  en  prose.  12mo,  olive 
green  levant  morocco  gilt,  gilt  top,  uncut,  original  covers 
bound  in,  by  The  Club  Bindery. 

Paris:  Editions  de  la  Revue  Blanche,  1900 

*  One  of  20  copies  on  vellum  paper  "  Tirage  special  pour 
les  XX,"  -with  the  signatures  of  the  authors. 

1090.  DONNE  (JOHN).  The  Works  of  John  Donne, 
Dean  of  Saint  Paul's,  1621-1631.  With  a  Memoir  of  his 
Life,  by  Henry  Alford.  Portrait.  6  vols.  8vo,  sprinkled 
calf  gilt,  gilt  edges,  by  Pratt.  London,  1839 

167 


1091.  DONNE  (JOHN).  Unpublished  Poems  of  Donne. 
4to,  boards,  uncut.  [n.  p. — n.  d.] 

*  A  Large  Paper  copy,  with  a  letter  from  the  editor  [dated 
1858],  John  Simeon,  to  Sir  F.  Madden  inserted. 

1092.  DORAN  (JOHN).  New  Pictures  and  Old  Panels. 
Portrait.  12mo,  half  brown  levant  morocco  gilt,  gilt  top, 
uncut,  by  V.  Krafft.  London,  1859 

*  Extra  illustrated  by  the  insertion  of  59  portraits  and  views. 

1093.  DORAN  (JOHN).  "Their  Majesties'  Servants." 
Annals  of  the  English  Stage  from  Thomas  Betterton  to 
Edmund  Kean.  Edited  and  revised  by  Robert  W.  Lowe. 
50  copper-plate  portraits  and  80  woodcuts.  3  vols,  royal 
8vo,  cloth,  uncut.  London,  1888 

*  Large  Paper  copy,  3u0  printed,  with  the  plates  in  two 
states. 

1094.  DORAT  (CLAUDE  JOSEPH).  Lettre  de  Zeila; 
Lettre  de  Barnevelt;  Le  Pot-Pourri;  Lettre  d'Alcibiade  a 
Glicere.  With  9  plates,  10  vignettes  and  9  culs-de-lampe 
by  Longueil,  after  Eisen.     8vo,  calf  gilt,  gilt  edges. 

Paris :  Sebastien  gorry,  1764 

*  First  Editions  of  the  two  last  works  on  Holland  paper. 
Bound  with  the  Marquis  of  Pezay's  "  Zelis  au  Bain." 

1095.  DORAT  (CLAUDE  JOSEPH).  Les  Raisers,  pre- 
cedes du  Mois  de  Mai,  poeme.  Frontispiece  engraved  hy 
Ponce,  after  Eisen,  a  full-page  plate  by  de  Longueil,  23 
vignettes,  and  22  culs-de-lampe  engraved  by  Alianiet,  Ba- 
quoy,  Binet,  Delaunay,  Lingee,  de  Longueil,  Masquelier, 
Massard,  Nee  and  Ponce,  after  Eisen.  8vo,  citron  levant 
morocco,  covered  with  a  rich  mosaic  design  in  red  morocco, 
outlined  in  dark  green  morocco  bands,  the  mosaics  orna- 
mented with  small  gilt  circles,  flowers,  etc.,  doublure  of 
olive  brown  morocco,  gilt  dentelle  borders,  in  the  manner 
of  Derome,  gilt  edges,  in  a  green  morocco  case,  by  Marius 
Michel,  La  Haye  et  Paris:  Lambert  &,  Delalain,  1770 

*  On  Holland  paper,  with  title  printed  in  red  and  black. 
One  of  the  masterpieces  of  18th  century  engraving. 

1096.  DORAT  (CLAUDE  JOSEPH).  Recueil  de  Contes 
et  de  Poemes,  par  M.  D  *  *  *,  ci-devant  mousquetaire. 
Troisieme  edition  augmentee  de  I'Hermitage  de  Beauvais. 
Proofs  before  letters  of  the  7  plates  and  10  vignettes,  en- 
graved by  Massard,  de  Longueil,  and  de  Ghendt,  after  the 
designs  of  Eisen.  8vo,  blue  levant  morocco  gilt,  with  crest, 
gilt  edges,  by  Charabolle-Duru.  La  Haye,  1770 

*  Large  Paper  copy.  Contains  Selim  and  Sell  ma;  Irza  et 
Marsis  ou  I'isle  merveilleuse ;  Alphonse;  Les  Cerises;  La 
Meprise,  lettre  de  Zelia;  Lettre  de  Julie. 

168 


1097.  DORAT  (CLAUDE  JOSEPH).  Fables  nouvelles. 
£?  frontispieces  engraved  by  De  Ghendl,  after  Marillier,  1 
plate  (repeated)  by  Delamiay,  after  Marillier,  1  fleiiron,  99 
vignettes,  and  99  tail-jneces  by  Arrivet,  Baquoy,  Delaunay, 
Duflos,  etc.,  after  Marillier.  2  vols,  in  1.  8vo,  green  levant 
morocco,  gilt  tooled  dentelle  borders,  in  the  manner  of 
Derome,  doublure  of  red  morocco,  gilt  borders,  gilt  over 
rough  edges,  by  Cuzin.  La  Haye  et  Paris,  1773 

*  Large  Paper  copy. 

1098.  DORAT  (CLAUDE  JOSEPH).  Recueil  de  Contes 
et  de  Poemes  par  M.  D  *  *  *.  Quatrieme  edition ;  Corrigee 
par  I'Auteur,  augmentee  du  Coureur  alerte  &  de  la  Mois- 
sonneuse.  6  plates  and  5  vignettes  by  Eisen.  8vo,  half 
green  levant  morocco  gilt,  gilt  top,  uncut,  by  Alio. 

La  Haj^e:  Delalain,  1776 

1099.  DORAT  (CLAUDE  JOSEPH).  Poesies.  Portrait, 
with  vignette  beloiv,  engraved  by  N.  Delaunay,  after  Denon. 
4  vols.  24mo,  old  red  morocco  gilt,  gilt  edges.     Geneve,  1777 

*  First  Edition. 

1100.  DORNIS  (JEAN).  Les  Freres  d'Election.  Illus- 
trations de  Myrbach,  gravees  sur  bois  par  E.  Steinmann. 
8vo,  three-quarter  maroon  levant  morocco,  uncut,  original 
covers  bound  in,  by  Carayon,  Paris,  1896 

*  One  of  60  copies  on  India  paper. 

1101.  DOUCET  (JEROME).  Princesses  de  Jade  et  de 
Jadis.  Original  water-color  drawings  by  Lorant- 
Heilbronn.  Royal  4to,  blue  levant  morocco,  borders  of  in- 
terlaced narrow  bands  inlaid  in  red  morocco,  within  gold 
lines,  mosaic  back,  doublure  of  brown  levant,  blind  tooled 
dentelle  borders,  with  gold  pointille,  silk  linings,  gilt  edges, 
by  Carayon,  in  a  case. 

*  Unique  copy,  comprising  the  58  original  water-colors 

ILLUMINATED    IN    GOLD    AND    SILVER,    BY    LORANT-HEILBRONN, 

the  text  entirely  WRITTEN  BY  THE  ARTIST  for  the  edition 
printed  for  the  "  Societe  d'Editions  d'Art,"  and  used  for  the 
publication  of  the  work.  From  the  collection  of  Albert 
Belinac. 

1102.  DOUGLAS  (GAVIN).  The  Poetical  Works  of 
Gavin  Douglas,  Bishop  of  Dunkeld,  with  memoir,  notes, 
and  glossary  by  John  Small,  M.A.,  F. S.A.Scot.  Fac- 
similes. 4  vols.  8vo,  brown  morocco,  gilt  panels,  doublure 
of  vellum,  gilt  tops,  uncut.  Edinburgh,  1874 

*  Printed  on  vellum. 

169 


1103.  DOWSON      (ERNEST     CHRISTOPHER).       The 

Pierrot  of  the  ]Minnte :  a  dramatic  phantasy  in  one  act.  Writ- 
ten by  Ernest  Dowson.  Frontispiece,  Initial  Letter,  Vignette, 
and  Cul-de-lampe  hy  Aubrey  Beardsley.  Royal  8vo,  cloth, 
gilt.    One  of  300  copies.  London,  1897 

1104.  DRAKE  (JOSEPH  R.)  and  HALLECK  (FITZ- 
OREENE).  The  Croakers.  Royal  Svo,  olive  green  levant 
morocco,  gilt  fillets,  gilt  edges,  by  The  Club  Bindery. 

New  York:  (The  Bradford  Club),  1860 

*  One  of  100  copies  printed.  Extra-illustrated  with  66 
plates,  including  portraits  and  early  views  of  New  York,  many 
in  proof  state. 

1105.  DRAKE  (NATHAN).  Evenings  in  Autumn:  a 
Series  of  Essays,  narrative  and  miscellaneous.  2  vols.  12mo, 
half  citron  levant  morocco,  gilt  tops,  uncut.         London,  1822 

1106.  DRAKE  (NATHAN).  Noontide  Leisure;  or, 
Sketches  in  Summer,  outlines  from  nature  and  imagination, 
and  including  a  Tale  of  the  Days  of  Shakespeare.  2  vols. 
12mo,  half  citron  levant  morocco,  gilt  tops,  uncut. 

London,  1824 

1107.  DRAKE  (NATHAN).  Mornings  in  Spring;  or  re- 
trospections, biographical,  critical,  and  historical.  2  vols. 
12mo,  half  citron  levant  morocco,  gilt  tops,  uncut. 

London,  1828 

1108.  DRAYTON  (MICHAEL).  Englands  Heroicall 
Epistles,  Newly  Corrected,  With  Idea.  Fourth  Edition ( ?) 
Small  quarto,  original  limp  vellum,  names  written  on  title- 
page.  London :  Printed  by  I.  R.  for  N.  L.,  1600 

*  Described  by  Hazlitt  as  the  only  copy  known ;  not  mentioned 
by  Lowndes. 

1109.  DRAYTON  (MICHAEL).  To  the  Maiestie  of  King 
James.  A  gratulatorie  Poem  by  Michaell  Drayton.  Small 
4to,  red  levant  morocco,  gilt  panels,  gilt  edges,  by  The  Club, 
Bindery. 

At  London  Printed  by  lames  Roberts,  for  T.  M.  and  H.  L. 

1603. 

*  The  First  Edition;  with  a  curious  copperplate  genealogical 
tree  bound  at  the  end. 

1110.  DRAYTON  (MICHAEL).  Poems.  12mo,  old  limp 
vellum.  (Margins  of  title  repaired,  lacks  over  100  leaves  in 
the  centre  of  the  volume. )      London :  Printed  for  N.  Ling,  1605 

*  First  Edition. 

170 


1111.  DRAYTON  (MICHAEL).  Poly-Olbion.  By  Michael 
Drayton  Esqr.  Engraved  title,  double-page  copper-plate 
maps,  portrait  of  the  Prince  of  Wales  by  Hole,  and  portrait 
of  John  Selden  by  White  inserted.  Small  folio,  red  levant 
morocco  gilt  in  early  17th  century  English  manner,  gilt  over 
marbled  edges,  by  The  Club  Bindery.  (Slight  repairs  to  leaf 
"Upon  the  frontispiece"  and  engraved  title,  etc.) 

London :  For  M.  Lownes,  I.  Browne,  I.  Helme  and  I.  Busbie, 

n.  d.  [1612] 

*  First  issue  of  the  first  edition  of  the  first  part  (eight- 
een songs)  indicated  by  the  absence  of  a  printed  title  and  table^ 
and  having  the  portrait  of  Prince  Henry  in  proof  state,  before 
the  inscription. 

Extremely  rake,  apparently  unknown  to  Hazlitt  ano 
OTHER  bibliographers  of  the  works  of  Drayton,  who  refer  only 
to  the  second  edition  of  1613.  John  Selden  edited  the  volume 
and  appended  many  descriptive  notes  to  the  songs.  Drayton 
wrote  of  this  edition  ' '  Some  of  the  stationers,  that  had  the  sell- 
ing of  the  first  part  of  this  poem,  iecause  it  went  not  so  fast 
away  in  the  sale  as  some  of  their  beastly  and  atominahle  trash 
.  .  .  have  either  despitefully  left  out,  or  at  least  carelessly 
neglected,  the  Epistles  to  the  readers,  and  so  have  cozened  the 
buyers  with  unperfected  boolcs." 

1112.  DRAYTON  (MICHAEL).  Poems;  newly  Corrected 
by  the  Author.  [Probably  the  sixth  edition.]  Small  8vo, 
original  limp  vellum  covers,  with  ties. 

London:  W.  Stansby  for  John  Smethwicke,  1613 

*  Collation  the  same  as  in  the  1610  edition,  except  for  two 
final  blank  leaves. 

1113.  DRAYTON  (MICHAEL).  The  Battaile  of  Agin- 
court.  Fought  by  Henry  the  fift  of  that  name,  King  of  Eng- 
land, against  the  whole  power  of  the  French:  under  the 
Raigne  of  their  Charles  the  sixt.  Anno  Dom.  1415.  The 
Miseries  of'Queene  Margarite,  the  infortunate  Wife  of  that 
most  infortunate  King  Henry  the  sixt,  etc.  Portrait  of  Dray- 
ton by  W.  Hole.  Small  folio,  citron  levant  morocco  gilt,  gilt 
edges,  by  Mercier,  in  brown  levant  case.  The  bottom  of  sig. 
C.  ^  is  folded  upwards,  showing  the  full  uncut  leaf. 

London:  Printed  for  William  Lee,  1627 

*  First  Edition,  with  the  Final  blank  leaf. 

1114.  DRAYTON  (MICHAEL).  Poems  by  Michael  Dray- 
ton Esquyer.  Newly  Corrected  &  Augmented.  Engraved 
title,  ivith  four  foUage-eiit wined  pillars.  Small  8vo,  citron 
levant  morocco  gilt,  gilt  edges,  by  David.  (Several  corners 
repaired. ) 

London  Printed  by  Willi:  Stansby  for  John  Smethwick 
[1630] 

*  Probably  the  fourth  collected  edition.  One  of  a  few  copies 
with  the  rare  pages  465-496  "Idea." 

171 


1115.  DRAYTON  (MICHAEL).  The  Muses  Elizivm, 
Lately  discouered,  by  a  new  way  over  Parnassvs.  The  pas- 
sages therein,  being  the  subiect  of  ten  sundry  Nymphalls. 
Leading  three  Diuine  Poemes,  Noahs  Floud. '  Moses,  his  Birth 
and  Miracles.  David  and  Golia.  First  Edition.  Small  4to, 
brow^n  levant  morocco,  gilt  tooling,  gilt  edges,  by  Riviere. 
(Some  margins  repaired.) 

London:  Thomas  Harper,  for  John  Waterson,  1630 

1116.  DRAYTON  (MICHAEL).  The  Works  of  Michael 
Drayton,  Esq. ;  a  Celebrated  Poet  in  the  Reigns  of  Queen 
Elizabeth,  King  James  I  and  Charles  I.  Portrait.  4  vols.  8vo, 
citron  morocco  gilt,  gilt  edges. 

London:  Printed  for  W.  Reeve,  1753 

1117.  DROZ  (GUSTAVE).  Monsieur,  Madame  &  Bebe. 
Edition  illustree  par  Edmond  Morin,  et  ornee  d'un  portrait 
de  I'auteur  en  frontispiece,  grave  par  Leopold  Flameng. 
Imperial  8vo,  three-quarter  morocco,  uncut.  Paris,  1878 

*  One  of  50  copies  on  Whatman  paper. 

1118.  [DRYDEN  (JOHN).]  Lachrymae  Musarum:  The 
Tears  of  the  Muses;  Exprest  in  Elegies;  written  by  divers 
persons  of  Nobility  and  Worth  upon  the  death  of  the  most 
hopefull,  Henry  Lord  Hastings.  Only  sonn  of  the  Right 
Honourable  Ferdinando  Earl  of  Huntingdon.  Collected  by 
and  set  forth  by-R.  B.  Frontispiece.  Small  8vo,  dark  blue 
morocco,  decorated  with  panels  of  stamped  leather  surrounded 
by  a  floriated  design  of  red  and  green  inlays,  gilt  edges,  by 
Riviere,  in  a  morocco  case.       London:  Printed  by  T.  N.,  1650 

*  Pages  88-92  contain  Diyden's  first  publislied  work:  "Upon 
the  death  of  the  Lord  Hastings."  There  are  also  contributions 
by  Herrick,  Denham,  Marvel,  Bronie,  Campion,  etc. 

1119.  DRYDEN  (JOHN).  The  Tempest,  or  the  Enchanted 
Island.  A  Comedy,  As  it  is  Now  Acted  at  Their  Majesties 
Theatre  in  Dorset-Garden.  Third  Edition.  Small  4to,  red 
levant  morocco  gilt,  by  F.  Bedford. 

London :  Printed  by  J.  M.  for  H.  Herringman ;  and  sold 
by  R.  Bentley,  1690. 

1120.  DRYDEN  (JOHN).  Fables,  Ancient  and  Modern; 
Translated  into  Verse,  from  Homer,  Ovid,  Boccace,  and 
Chaucer :  with  original  poems.  Fourth  Edition.  Engraved 
frontispiece  hy  Van  der  GucJit  and  a  portrait  hy  Vertue  (in- 
serted).    12mo,  polished  calf  gilt,  gilt  edges,  by  F.  Bedford. 

London:  Jacob  Tonson,  1734 

1121.  DRYDEN  (JOHN).  The  Works,  now  first  collected. 
Illustrated  with  notes,  historical,  critical,  and  explanatory, 
and  a  Life  by  Sir  Walter  Scott.  Portrait.  18  vols.  8vo,  blue 
calf,  gilt  and  blind  tooled.  London,  1821 

172 


1122.  DU  BARTAS  (GUILLAUME  DE  SALUSTE, 
SEIGNEUR).  Commentaires  et  Annotations  sur  la  Sep- 
maine  de  la  Creation  du  monde.  Engraved  title.  4to,  old 
French  reddish  brown  morocco,  tooled  and  gilt  in  a  pattern 
of  lozenges  formed  by  intersecting  leaf-sprays,  the  centre  of 
each  containing  two  interlaced  Bs,  the  same  monogram,  but 
of  a  larger  size  in  the  centre  of  the  covers,  within  a  wreath, 
gilt  edges,  possibly  bound  for  Leon  de  Bouthillier,  Comte 
DE  Chavigny,  minister  of  state  in  a  morocco  case.  (Binding 
restored  in  places.) 

Paris :  Abel  1  'Angelier,  de  1  'Imprimerie  de  Pierre  Chevillot, 
1583. 

1123.  DU  BARTAS  (GUILLAUME  DE  SALUSTE, 
SEIGNEUR).  Bartas:  His  Devine  Weekes  and  Workes 
Translated :  &  Dedicated  to  the  Kings  most  excellent  Maiestie, 
by  Josuali  Sylvester.  Woodcuts.  4to,  light  brown  levant 
morocco  gilt,  doublure  of  the  same,  gilt  corner  and  centre 
ornaments,  gilt  edges,  by  Chambolle-Duru. 

At  London :  Printed  by  Humfrey  Lownes,  1605 

*  ' '  The  first  edition  of  Sylvester 's  translation  was  a  small 
8vo,  London,  1598,  of  which  no  perfect  copy  is  known.  This  is 
a  Large  Paper  copy  of  the  first  collected  edition.  Many  of  the 
separate  parts  had  been  translated  by  different  hands  and 
previously  published." — Hoe  Catalogue. 

1124.  DU  BARTAS  (GUILLAUME  DE  SALUSTE, 
SEIGNEUR).  Bartas  his  Devine  Weekes  &  Workes  Trans- 
lated :  &  Dedicated  To  the  Kings  most  excellent  Maiestie  by 
losuah  Sylvester.  Engraved  title  {corner  supplied)  and 
woodcuts.  Second  collected  edition.  4to,  brown  levant 
morocco,  gilt  borders,  gilt  edges,  by  The  Club  Bindery. 

Printed  at  London  By  Humphray  Lownes,  1608 

*  A  number  of  minor  pieces  have  been  omitted  in  this  edition, 
— all  after  ' '  The  Triumph  of  Faith ' '  in  the  collation  of  the 
edition  of  1605. 

1125.  DU  BARTAS  (GUILLAUME  DE  SALUSTE, 
SEIGNEUR).  Du  Bartas  his  Diuine  Weekes  And  Workes 
with  A  Compleate  Collectio  of  all  the  other  most  delight-full 
Workes  Translated  and  written  by  y  famous  Philomusus, 
losvah  Sylvester  Gent.  Frontispiece  title  in  compartments 
hy  Elstracke,  and  numerous  ornaments  throughout.  Folio, 
brown  levant  morocco,  richly  tooled  in  borders,  gilt  edges,  by 
The  Club  Bindery. 

London  printed  by  Humphray  Lownes  [1621] 

*  Fifth  collected  edition  of  Sylvester 's  translations  of  Du 
Bartas,  and  the  first  collected  edition  of  his  translations  and 
original  poems.  Contains  Thomas  Hudson's  translation  of  "The 
History  of  Judith. '  - 

173 


1126.  DU  BEC  (JEAN).  Histoire  du  Grand  Tamerlanes, 
ou  sont  descrits  les  rencontres,  escarmouches,  batailles,  sieges, 
assauts,  escallades,  prinses  de  villes  &  places  fortes,  deffendues 
&  assaillies  auec  plusieurs  stratagemes  de  guerre,  qu'il  a  con- 
duites  &  mises  a  fin,  durant  son  regne,  de  quarante  ou  cin- 
quante  ans.  Frontispiece  portrait.  12mo,  blue  levant  morocco, 
gilt  edges,  by  Cape.  Paris :  Daniel  Guillemot,  1612 

1127.  DU  BOIS  (HENRI  Pi:NE).  Historical  Essay  on 
the  Art  of  Bookbinding.     12mo,  wrappers,  uncut. 

New  York,  1883 

*  Autograph  presentation  copy  from  the  author. 

1128.  DU  BOIS  (HENRI  p£nE).  American  Bookbind- 
ings in  the  Library  of  Henry  William  Poor.  Illustrated  in 
gold-leaf  and  colors  by  Ediuard  Bierstadt.  8vo,  cloth, 
uncut.  New  York,  1903 

*  One  of  35  copies  on  Imperial  Japan  paper.     Printed  at  the 
Marion  Press. 

1129.  DU  CAMP  (MAXIME).     Une  Histoire  d'Amour. 

Portrait  by  Lamotte  and  8  illustrations  in  three  states,  en- 
graver''s  etching,  proofs  before  and  after  the  engraver'' s  name, 
by  Bulard.  16mo,  orange  levant  morocco,  tooled  in  fillets, 
gilt  over  rough  edges,  original  covers  bound  in,  by  Chara- 
bolle-Duru.  Paris,  1888 

*  One  of  100  copies  on  Japan  paper. 

1130.  DUCHAT  (YVES).  Relation  dv  Voyage  de  Gode- 
froy  de  Bvillon,  En  la  Palestine.  Contenant  se  qui  s'est 
passe  en  Assie,  entre  les  Barbares,  &  Turcs,  centre  les 
Francois,  &  autre  Prince  Chrestiens,  pour  la  deliuerance, 
de  la  ludee,  &  du  S.  Sepulchre.  Ensemble  les  sieges,  com- 
bats &  prises  d'Antioche,  de  Hierusalem,  de  Nicee,  &  autre 
villes  de  ludee,  &  d'Egipte,  &  reduction  de  la  Capadoce,  & 
autre  Prouinces.  Small  8vo,  red  morocco,  narrow  chain 
borders  on  the  sides,  purple  moire  silk  linings,  gilt  edges, 
by  Bozerian.  Paris:  lean  Petit-par,  1636 

*  The  Beckford  copy. 

1131.  [DUCH:^:  de  VANCY.]  Histolres  Edifiautes. 
Pour  servir  de  Lecture  aux  jeunes  Personnes.  12mo,  old 
blue  morocco,  the  (second)  arms  of  the  Marechal  de 
Richelieu  in  the  centre,  dentelle  borders,  rose  silk  linings, 
gilt  edges.  Paris,  1757 

1132.  DUCHESNE  AlNlS  (JEAN).  Essai  sur  les  Nielles, 
gravures  des  orfevres  florentins  du  XV©  siecle.  Numerous 
plates  on  India  paper.  4to,  half  red  morocco,  gilt  top, 
uncut.  Paris,  1826 

*  One  of  six  copies  on  large  Holland  paper. 

174 


1133.  DUCLOS  (CHARLES  PINOT,  SIEUR).  Acajou 
et  Zirphile.  Conte.  4to,  green  straight-graia  morocco, 
corners  ornamented  with  small  tools,  gilt  edges,  by  R.  de 
Coverley.  a  Miuutie,  1744 

*This  romance  was  written  to  utilize  the  ten  plates  afte*" 
Boucher's  designs  engraved  by  Chedel  for  the  story  called 
"  Faunillane  ou  I'lnfante  jaune,"  1741,  by  the  Comte  de  Tessin, 
Swedish  Minister  to  France.  Two  copies  in  quarto  were  printed 
at  the  author's  expense,  after  which  he  returned  to  Swodm. 
His  publisher,  Prault,  wishing  to  use  the  plates,  engaged 
Duclos  to  write  the  present  romance. 

1134.  DUCLOS  (CHARLES  PINOT,  SIEUR).  Histoire 
de  Louis  XL  First  Edition.  2  vols.  12mo,  green  morocco 
gilt,  gilt  edges,  by  Derome.     La  Haye:  Jean  Neaulme,  1745 

1135.  DUCLOS  (CHARLES  PINOT,  SIEUR).  La  Reine 
de  Golconde.  Conte.  First  Edition.  12mo,  original 
paper  wrappers,  uncut.  Paris,  1768 

1136.  DUCLOS  (CHARLES  PINOT,  SIEUR).  (Euvres 
morales  et  galantes,  suivies  de  son  voyage  en  Italie.  Por- 
trait hy  DeJvaux,  after  Cochin.  4  vols.  8vo,  red  straight- 
grain  morocco,  gilt  edges.  Paris:  Des  Essarts,  1797 

1137.  DUCLOS  (CHARLES  PINOT,  SIEUR).  Memoires 
Secrets  sur  le  Regne  de  Louis  XIV,  la  Regence,  et  le  Regne 
de  Louis  XV.  2  vols.  8vo,  half  maroon  levant  morocco, 
gilt  tops,  uncut,  by  Rousselle.  Paris,  1864 

*  One  of  195  copies  on  Holland  paper. 

1138.  DUDLEY  (DOROTHY).  The  Cambridge  of  1776: 
with  which  is  incorporated  the  Diary  of  Doroth}'  Dudley. 
Numerous  illustrations.     8vo,  cloth,  gilt  top. 

Cambridge,  1876 

1139.  DUER  (WILLIAM  A.).  Reminiscences  of  an  Old 
New  Yorker.     4to,  cloth,  uncut. 

New  York :  W.  L.  Andrews,  1867 

*  Presentation  copy  from  the  publisher.     One  of  35  copies. 

1140.  DUFF  (EDWARD  GORDON— Editor).  The  Dia- 
logue or  Communing  between  the  Wise  King  Salomon  and 
Marcolphus.  Frontispiece.  Square  8vo,  cloth,  uncut.  350 
copies  printed.  London,  1892 

1141.  DUFF  (EDWARD  GORDON).  Early  Printed 
Books.  11  facsimiles  on  Japan  paper.  8vo,  half  vellum,  un- 
cut. London,  1893 

*  One  of  150  Large  Paper  copies. 

1142.  DUFF  (EDWARD  GORDON).  William  Caxton. 
25  reproductions.     4to,  half  cloth,  uncut.     250  copies  printed. 

Chicago:  Caxton  Club,  1905 

175 


1143.  [DUFFETT  (THOMAS).]  The  Amorous  Old- 
woman;  or,  'Tis  Well  if  it  Take.  A  Comedy.  Acted  By 
His  Majesties  Servants.  Written  By  a  Person  of  Honour. 
First  Edition,  4to,  red  levant  morocco,  gilt  edges,  by  The 
Club  Bindery.     (Small  stamp  on  reverse  of  title.) 

London:  Simon  Neale,  1674 

1144.  DUFFETT  (THOMAS).  New  Poems,  Songs,  Pro- 
logues and  Epilogues.  Never  before  Printed.  Set  by  The 
most  Eminent  Musicians  about  the  Town.  First  Edition. 
Small  8vo,  red  levant  morocco,  gilt  borders,  gilt  edges,  by  The 
Club  Bindery.     ( Some  headings  cut  into. ) 

London :  Nicholas  "Woolfe,  1676 

1145.  DUGDALE  (SIR  WILLIAM).  The  History  of  St. 
Pauls  Cathedral  in  London,  From  its  Foundation  until  these 
Times :  Extracted  out  of  Originall  Charters,  Records,  Leiger 
Books,  and  other  Manuscripts.  Beautified  tvith  sundry  Pros- 
pects of  the  Church,  Figures  of  Tomhes  and  Monuments. 
First  Edition.  Folio,  red  straight-grain  morocco,  side  fillets, 
gilt  edges,  by  C.  Kalthoeber,  with  his  ticket. 

London :  Printed  by  Tho.  Warren,  1658 

*  W.  Beckf ord  's  cojjy,  containing  numerous  engravings  by 
W.  Hollar,  the  original  sketch  of  St.  Paul's  after  the  fire,  and 
an  inserted  engraving  by  T.  Miiller. 

Several  of  the  plates  (Nos.  5,  6,  9,  21)  were  lost  and  re- 
executed  for  the  later  edition  by  an  inferior  artist.  Nos.  7  and 
20  are  omitted  in  the  second  edition. 


1146.  DUGDALE  (SIR  WILLIAM).  Origines  Juri- 
diciales ;  or.  Historical  Memorials  of  the  English  Laws,  Courts 
of  Justice,  Forms  of  Tryal,  Punishment  in  Cases  Criminal, 
Law-Writers,  Law-Books,  Clrants  and  Settlements  of  Estates, 
Degree  of  Serjeant,  Inns  of  Court  and  Chancery.  Also  a 
Chronologic  Of  the  Lord  Chancellors  and  Keepers  of  the  Great 
Seal,  Lord  Treasurers,  Justices  Itinerant,  Justices  of  the 
Kings  Bench  and  Common  Pleas,  Barons  of  the  Exchequer, 
Masters  of  the  Rolls,  Kings  Attorneys  and  Sollicitors,  and 
Serjeants  at  haw.  The  Third  Edition  with  Additions.  Folio, 
old  English  red  straight-grain  morocco  gilt,  gilt  edges. 

London :  Printed  for  Christop.  Wilkinson,  1680 

*  This  edition  contains  numerous  plates  and  eight  portraits, 
two  more  than  the  second.  The  new  ones  are  those  of  John 
Selden  and  Sir  John  Vaughan  by  E.  White.  The  others  are  by 
W.  Hollar   (3),  D.  Loggan   (2),  and  W.  Faithorne- (1). 

1147.  DU  HALDE  (G.  B.).  Description  Geographique, 
etc.,  de  1 'Empire  de  la  Chine  et  la  Tartaric  Chinoise.  With 
50  maps  and  14  e^igravings  in  the  text.  4  vols,  large  folio, 
red  morocco  gilt,  gilt  edges.         Paris :  P.  G.  Le  Mercier,  1735 

*  From  the  collection  of  J.  Laffitte. 

176 


1148.  DUMAS  (ALEXANDRE).  Nouvelles  Contem- 
poraines.  Etched  portrait  of  the  author.  First  Edition. 
12mo,  half  blue  levant  morocco  gilt,  gilt  top,  uncut,  by 
Champs.  Paris,  1826 

1149.  DUMAS  (ALEXANDRE).  Catherine  Howard, 
drame  en  cinq  actes  et  en  huit  tableaux.  First  Edition.  Svo, 
cloth,  uncut.  Paris,  1834 

*  Etching  by  Nanteuil,  proof  on  India  paper,  and  3  other 
plates  inserted. 

1150.  DmiAS  (ALEXANDRE).  Don  Juan  de  Marana; 
ou  la  Chute  d'un  Ange,  mystere  en  cinq  actes.  Frontispiece 
etched  after  Celestin  Nanteuil.  First  Edition.  Svo,  half 
blue  levant  morocco,  uncut,  original  covers  bound  in,  by  Alio. 

Paris,  1836 

1151.  DUMAS  (ALEXANDRE).  Le  Chevalier  de  Maison- 
Rouge.  Illustrations  de  Jidien  Le  Blant  gravees  sur  hois  par 
Leveille  [a  I'eau-forte  par  Gery-Bichard.]  [Preface  par  G. 
Larroumet.]  2  vols.  Imperial  8vo,  red  levant  morocco,  with  a 
chiselled  and  colored  military  figure  on  the  front  cover  of  each 
volume,  gilt  over  rough  edges,  by  Raparlier. 

Paris:  Emile  Testard,  1894 

*  One  of  35  copies  China  paper.  The  full-page  illustrations 
are  in  four  states,  remarque  proofs  both  finished  and  in  outline, 
proofs  in  bistre,  and  lettered  impressions. 

1152.  DUMAS  (ALEXANDRE,  Fils).  Un  Cas  de  Rup- 
ture. First  Edition-  16mo,  half  citron  levant,  uncut,  origi- 
nal wrappers  bound  in,  by  Champs.  Paris,  1854 

1153.  DITMAS  (ALEXANDRE,  Fils).  Un  Pere  Prodigue. 
4to,  half  blue  morocco,  blue  silk  sides,  gilt  top,  uncut,  by  The 
Club  Bindery.  Paris!^  1859 

*  Printed  on  large  paper,  with  presentation  inscription,  ' '  a 
Gustave  Boulanger.     Son  bien  affectionne  A  Dumas  f . ' ' 

1154.  DUMAS  (ALEXANDRE,  Fils).  Les  Idees  de  Mme. 
Aubray.    8vo,  half  red  morocco,  gilt  top,  uncut.      Paris,  1867 

*  First  Edition.  With  presentation  inscription  by  the  author 
on  the  half-title. 

1155.  DUMAS  (ALEXANDRE,  Fils).  Le  Filleul  de  Pom- 
pignac,  Comedie  en  quatre  actes,  en  prose  par  ]\I.  *  *  *  [le  7 
mai  1869].  12mo,  half  orange  levant  morocco,  gilt  top,  uncut, 
by  Pousetoux,  Paris,  1869 

*  First  Edition.     Printed  on  Holland  paper. 

1156.  DUMAS  (ALEXANDRE,  Fils).  La  Prineesse 
Georges.    Svo,  cloth,  gilt  top,  uncut,  original  covers  bound  in. 

Paris,  1872 

*  With  inscription  on  half-title  "A  ma  grande  maman  George 
Sand.     Son  tien  filial  A.  Dumas  f." 

177 


1157.  DUMAS  (ALEXANDRE,  Fils).  Une  Visite  de 
Noees,  comedie  en  un  acte.  First  Edition.  18mo,  half  cloth, 
gilt  top,  uncut,  original  covers  bound  in.  Paris,  1872 

1158.  DUMAS  (ALEXANDRE,  Fils).  Une  Visite  de 
Noces,  comedie  en  un  acte.    8vo,  half  red  morocco,  uncut. 

Paris,  1872 

*  Second  (?)  edition.  One  of  24  copies  printed  on  Holland 
paper.  Presentation  inscription  by  the  author  to  Henri  Mirault, 
to  whom  the  play  is  dedicated. 

Inserted  is  a  portrait  engraved  by  A.  Legenisel. 

1159.  DUMAS  (ALEXANDRE,  Fils).  L'Etrangere, 
Comedie  en  cinq  actes.  8vo,  half  red  levant  morocco,  gilt  top, 
by  Pousetoux.  Paris,  1877 

1160.  DUMAS  (ALEXANDRE,  Fils).  La  Princesse  de 
Bagdad,  piece  en  trois  actes.  First  Edition.  8vo,  half  red 
levant  morocco,  gilt  top,  uncut,  by  Pousetoux.  Vellum  paper 
copy.  Paris,  1881 

1161.  DUMAS  (ALEXANDRE,  Fils).  Herminie;  TAma- 
zone.  Small  4to,  blue  levant  morocco,  floral  back,  doublure 
of  red  morocco,  tooled  in  an  outline  border,  blue  satin  linings, 
gilt  over  rough  edges,  original  covers  bound  in,  by  Marius 
Michel.  Paris,  1888 

*  One  of  225  copies  on  vellum  paper  with  14  etchings  by 
Deville  after  A.  Eobaudi,  each  in  three  states,  also  the  Original 
Drawings  by  Eobaudi,  each  signed. 

1162.  DUNBAR  (WILLIAM).  The  Poems,  now  first  col- 
lected. "With  notes,  and  a  memoir  of  his  life.  By  David  Laing. 
Woodcuts.  2  vols.  8vo,  brown  levant  morocco,  gilt  tops,  uncut, 
by  Grieve.  Edinburgh,  1834-66 

*  Large  and  thick  paper  copy,  with  the  Supplement. 

1163.  DU  PERAC  (STEFANO).  I  Vestigi  dell'  antichita 
di  Roma.  Engraved  title  and  39  copper-plate  views  of  ruins 
and  monuments  of  ancient  Rome.    Oblong  folio,  half  morocco. 

Roma :  Lorenzo  clella  Vaccheria,  1575 

*  In  the  same  volume  are  bound :  Antiquarum  Statuarum 
Urbis  Eomse,  quae  in  publicis  privatisque  locis  visuntur,  icones. 
80  copper-plates.  Eomte,  3584;  (and)  Amplissimi  ornatissimique 
triumph!  ex  antiquissimis  lapidum,  nummorum  et  librorum  monu- 
mentis  accuratissima  descriptio  Onuphrii  Panvinii.  12  plates. 
Eomge,  1618. 

1164.  DU  PEYRAT  (GUILLAUME).  Traitte  de  I'Origine 
des  Cardinaux  du  Saint  Siege,  Et  particulierement  des  Fran- 
cois. Avec  deux  Traittez  curieux  des  Legats  a  Latere.  [Par 
M.  D.  L.  L.]  12mo,  red  levant  morocco,  gilt  edges,  by  Trautz- 
Bauzonnet.  Cologne,  1665 

1165.  DUPLESSIS  (GEORGES).  Les  Merveilles  de  la 
Gravure.  Illustrated  with  34  Vignettes  hy  P.  Sellier.  12mo, 
half  cloth,  uncut.  Paris,  1869 

*  Printed  on  India  paper. 

178 


1166.  DUPLESSIS  (GEORGES).  Histoire  de  la  Gravure 
en  Italie,  en  Espagne  en  Allemagne,  dans  les  Pays-Bas,  en 
Angleterre  et  en  France  suivie  d 'indications  pour  former  une 
collection  d'estampes.  Contenant  73  reproductions  de  gravures 
anciennes  executees  pour  la  plupart  par  le  procede  de  M. 
Amand  Durand.  4to,  half  red  levant  morocco,  uncut,  by 
Carayon.  Paris,  1880 

*  One  of  50  copies  on  Whatman  paper. 

1167.  DUPONT  (PAUL).  Histoire  de  I'lmprimerie.  2  vols. 
royal  8vo,  half  brown  levant  morocco,  gilt  tops,  uncut,  original 
covers  bound  in,  by  The  Club  Bindery.  Paris,  1854 

1168.  DUPONT  (PAUL).  Une  Imprimerie  en  1867.  Par- 
ti ait  of  Gutenberg,  frontispiece  on  India  paper  and  numerous 
woodcuts  in  the  text.  4to,  half  brown  levant  morocco  gilt, 
red  top,  uncut,  original  covers  bound  in.  Paris,  1867 

1169.  DUPONT- AUBERVILLE.  Art  Industriel.  L'Orne- 
ment  des  Tissus.  recueil  historique  et  pratique,  avec  des  notes 
explicatives  et  une  introduction  generale,  ouvrage  edite  sous  la 
direction  de  M.  Bachelin-Deflorenne.  With  100  colored  plates. 
Folio,  red  levant  morocco,  gilt  edges,  by  Chambolle-Duru. 

Paris,  1877 

1170.  DU  PUY  (N.).  Caracteres,  Pensees,  Maximes,  et 
Sentimens.  First  Edition.  12mo,  brown  levant  morocco, 
gilt  edges,  by  Trautz-Bauzonnet. 

Paris :  Nicholas  de  Burre,  1693 

1171.  DURAND  (CATHERINE  BEDACIER,  MADAME). 

Les  Belles  Grecques,  ou  1 'Histoire  des  plus  fameuses  Courtis- 
anes  de  la  Grece,  et  Dialogues  Nouveaux  des  Galantes 
Modernes.  Frontispiece  and  four  plates.  16mo,  brown  levant 
morocco,  blind  tooled,  gilt  top,  uncut,  by  Duru.      Paris,  1715 

1172.  DURANDUS  (GUGLIELMUS).  Rationale  divinorum 
ofificiorum.  Gothic  character,  double  columns.  1  unnumbered 
leaf  and  cxcvii  numbered  without  signatures  and  catchwords ; 
55  lines  to  the  page.  Rubricated  throughout.  Initials  painted 
in  red;  and  2  large  ones  in  red,  green  and  brown.  Polio,  blue 
levant  morocco,  panelled  sides  with  blind  tooled  ornamental 
borders,  by  Riviere.     Hain-Copinger,  6483 ;  Proctor,  1996. 

Nurenberge :  Antonius  Koburger,  1480 

1173.  DURAS  (CLAIRE  L.  DE  KERSAINT,  DUCH- 
ESSE  DE).  Jgdouard,  par  I'auteur  d'Ourika.  2  vols.  12mo, 
blue  levant  morocco  gilt,  a'ilt  over  rough  eda'es,  bv  Chambolle- 
Duru.  "        ^  ^         ^  p^^.^^  ^g25 

*  FiKST  Edition.    Printed  on  large  (?)  vellum  paper. 

179 


1174.  DUKAS  (CLAIRE  L.  DE  KERSAINT,  DUCH- 
ESSE  DE).  Ourika.  Troisieme  edition.  Engraved  frontis- 
piece and  title-page.  12mo,  blue  levant  morocco  gilt,  gilt 
edges,  by  Cliambolle-Duru.  Paris,  1826 

*  Vellum  paper  copy. 

1175.  DURER  (ALBERT).  Les  Qvatre  Livres  d'Albert 
Dvrer,  Peinctre  &  Geometrien  tres  excellent,  De  la  proportion 
des  parties  &  pourtraicts  des  corps  humains.  Tradiiicts  par 
Loys  Meigret  Lionnois,  de  langue  Latine  en  Francoise.  Numer- 
ous woodcut  diagrams.  Folio,  brown  levant  morocco,  panels 
in  fillets  and  azured  ornaments,  gilt  edges,  by  David. 

A.  Arnheim:  Chez  lean  leansz.  1614 

1176.  DURER    (ALBERT).      The   Passion   of   Our   Lord 

Jesus  Christ.  With  37  illustrations.  8vo,  red  velvet,  the  sides 
decorated  with  brass  ornaments,  centre  showing  the  mono- 
gram of  Durer,  brass  clasp,  gilt  edges,  in  maroon  levant  mo- 
rocco case.  London,  1844 

*  Printed  on  vellum. 

1177.  DURER  (ALBERT).  GEuvre  .  .  .  reproduit  et  public 
par  Amand-Durand ;  texte  par  Georges  Duplessis.  108  illus- 
trations on  Japan  paper.  Imperial  4to,  red  levant  morocco, 
blind-tooled  fillets,  uncut,  by  JMasson-Debonnelle. 

Paris:  Amand-Durand  [1857] 

1178.  DURER  (ALBERT).  Albert  Durer  a  Venise  et  dans 
les  Pays-Bas :  autobiographic,  lettres,  journal  de  voyages, 
papiers  divers,  traduits  de  I'allemand  avec  des  notes  et  une 
introduction  par  Charles  Narrey  Ouvrage.  Orne  de  27  grav- 
ures  sur  papier  de  Chine.  Royal  8vo,  citron  levant  morocco, 
gilt  top,  uncut,  original  covers  bound  in.  Paris,  1866 

*  Printed  on  Holland  paper. 

1179.  DURET  (THEODORE).  Histoire  de  J.  Me  N. 
Whistler  et  son  CEuvre.  Frontispiece  portrait  after  Boldini, 
19  plates,  and  many  illustrations  in  the  text.  4to,  original 
covers,  uncut.  Paris,  1904 

*  One  of  50  copies  on  Japan  paper,  with  the  19  x^lates  in  two 
states. 

1180.  DURET  (THEODORE).  Histoire  des  Peintres  Im- 
pressionistes  Pissarro,  Claude  Monet,  Sisley,  Renoir,  Berthe 
I\Iorisot,  Cezanne,  Guillaumin.    4to,  original  covers,  uncut. 

Paris,  1906 

"  No.  14  of  100  copies  printed  on  Japan  paper,  with  the  full- 
page  plates  in  two  states,  on  Japan  and  on  plate  paper,  or  Japan 
and  India  paper,  in  black,  in  color,  etc. 

1181.  DURFEY  (THOMAS).  Wit  and  Mirth;  or  Pills  to 
purge  Melancholy;  being  a  Collection  of  the  best  Merry  Bal- 
lads and  Songs,  Old  and  New.    Fitted  to  all  Humours,  having 

180 


each  their  proper  Tune  for  either  Voice,  or  Instrument :  Most 
of  the  Songs  being  new  Set.  Portrait  by  G.  Vertue.  6  vols. 
12mo,  red  levant  morocco  gilt,  gilt  edges,  by  Bedford. 

London :  W.  Pearson,  for  J.  Tonson,  1719-20 

1182.  DUSIMITIER  (PIERRE  EUGJINE).  Portraits  des 
Generaux,  Ministres  et  ]\Iagistrats  Qui  se  sont  rendu  celebres 
dans  la  Revolution  des  Treize  Etats-Unis  de  I'Amerique  Sep- 
tentrionale.  Dessines  d'apres  Natur  Par  M.  Dusimitier, 
Peintre,  &  I'un  des  Curateurs  de  la  Societe  Philosophique  de 
Philadelphie.  Et  graves  a  Paris  Par  M.  Prevost.  4to,  half 
red  calf,  uncut.  Paris,  1781 

*  Besides  the  13  portraits  constituting  this  collection,  there 
are  proofs  before  letters  of  five  of  them,  and,  inserted,  three 
portraits  of  Franklin,  by  Felicier,  Goldar,  and  Tardieu  after 
Duplessis  (proof  before  letters)  ;  a  portrait  of  Gates  by  Desrais; 
two  portraits  of  Pitt;  three  of  Hancock,  one  by  Felicier,  and  one 
a  duplicate;  and  three  views,  including  the  Burning  of  New 
York,  by  Halbou  after  Le  Barbier. 

Bound  at  the  end  is  a  series  of  16  plates,  "Eeeueil  d'Estampes 
representant  les  differents  Evenemens  de  la  Guerre  qui  a  procure 
1 'Independance  aux  Etats  unis  de  I'Amerique,"  engraved  by 
F.  Godefroy,  N.  Ponce  and  Dupuis  after  Godefroy,  Ponce,  P.  C. 
Marillier,  and  others. 

From  the  library  of  H.  Destaiilleur. 

1183.  DUSIMITIER  (PIERRE  EUGIilNE).  Portraits  of 
the  Generals,  Ministers,  Magistrates,  Members  of  Congress, 
and  others,  Who  have  rendered  themselves  Illustrious  in  the 
Revolution  of  the  United  States  of  North  America.  Drawn 
from  the  Life,  by  M.  Dusimitier,  and  engraved  by  the  most 
eminent  artists  in  London.    4to,  half  russia,  gilt  back. 

London:  R.  Wilkinson,  1783 

*  12  portraits — including  Washington,  Laurens,  Gates,  Jay, 
Deane,  and  others — brilliant  original  impressions,  engraved  by 
B.  B.  E[llis].     No.  1  of  the  series  (all  published). 

1184.  DUTUIT  (AUGUSTE).  Collection  des  Livres  et 
IManuscrits.  Niimerous  colored  plates  and  illustrations  in  the 
text.    Folio,  boards,  uncut.  Paris,  1899 

*  One  of  350  copies.     Ruled  with  red  ink. 


1185.  Tj^ARLY  METRICAL  TALES;  including  the  His- 
^-^  tory  of  Sir  Egeir,  Sir  Gryme,  and  Sir  Gray- 
Steill.  Frontispiece  hy  W.  H.  Lizars  after  C.  Kirkpatrick 
Sharpe,  portrait  of  the  Earl  of  Eglinton  by  Lizars,  and  final 
vignette  by  W.  Geikie,  all  on  India  paper.  8vo,  half  red 
morocco  gilt,  and  mosaic  back,  silk  sides,  gilt  top,  uncut. 

Edinburgh,  1826 
*  One  of  12  copies  printed  on  thick-paper.     Presentation  copy 
from  the   Editor,  David  Laing,  to  Eobert   Balmanno,  with  in- 
scription on  the  fly-leaf. 

181 


1186.  EBSWORTH  (J.  W.).  Cavalier  Lyrics;  'for  Church 
and  Crown.'     Woodcuts.    8vo,  wrappers,  uncut. 

London  and  Hertford;  now  first  imprinted  for  private 
circulation,  1887. 

*  One  of  150  copies,  signed  by  the  author. 

1187.  EDGEWORTH     (MARIA).       Tales     and     Novels. 

Frontispieces  and  engraved  titles  to  each  volume.     18  vols. 
12mo,  cloth,  uncut.  London,  1832 

1188.  EDWARDS  (EDWARD).  The  Life  of  Sir  Walter 
Raleigh,  based  on  contemporary  documents  preserved  in  the 
Rolls  House,  the  Privy  Council  Office,  Hatfield  House,  the 
British  Museum,  and  other  manuscript  repositories,  British 
and  foreign.  Together  with  his  letters:  now  first  collected. 
Portrait  hy  C.  H.  Jeens  after  Francis  Zucchero,  armorial 
hearings,  genealogical  table,  and  two  facsimiles.  2  vols.  8vo, 
half  green  morocco  gilt,  gilt  tops,  uncut.  [London]  1868 

1189.  EGAN  (PIERCE).  Pierce  Egan's  Finish  to  the 
Adventures  of  Tom,  Jerry  and  Logic,  in  their  pursuits 
through  Life  in  and  out  of  London.  Illustrated  hy  the  pencil 
of  Mr.  Robert  Cruikshank  in  36  (colored)  scenes  from  real 
life,  and  enriched  with  several  designs  on  wood  hy  the  same 
artist.  8vo,  red  levant  morocco,  corner  ornaments,  gilt  top, 
by  Wood.  (Title,  half-title,  and  dedication  in  facsimile,  and 
1  page  remargined.)  London,  1830 

*  First  Issue  of  the  Fibst  Edition. 

1190.  ELIOT  (GEORGE).  The  Novels  and  Life,  com- 
prising :  Scenes  of  Clerical  Life,  2  vols.,  1858 ;  Adam  Bede, 
3  vols.,  1859;  The  Mill  on  the  Floss,  3  vols.,  1860;  Silas 
Marner,  1  vol.,  1861;  Romola,  3  vols.,  1863;  Felix  Holt,  the 
Radical,  3  vols.,  1866;  The  Spanish  Gvpsy,  a  Poem,  1  vol., 
1868;  Middlemarch,  4  vols.,  1871-72;  the  Legend  of  Jubal, 
1  vol.,  1874;  Daniel  Deronda,  4  vols.,  1876;  Theophrastus 
Such,  1  vol.,  1879 ;  The  Life,  as  related  in  her  Letters  and 
Journals,  edited  by  J.  W.  Cross,  3  vols.  1885.  Together,  29 
vols.  12mo  and  8vo,  polished  calf,  gilt  backs,  gilt  tops,  uncut, 
by  Riviere.  Edinburgh  and  London,  1858-1885 

*  All  of  the  above  are  first  editions. 

1191.  ELIOT  INDIAN  TRACTS.  New  Englands  First 
Fruits ;  in  respect,  first  of  the  Conversion  of  some,  Conviction 
of  divers.  Preparation  of  sundry,  of  the  Indians.  2.  Of  the 
progresse  of  Learning,  in  the  CoUedge  at  Cambridge  in  Mass- 
cusets  (sic)  Bay.  With  divers  other  speciall  Matters  concern- 
ing that  Countrey  .  .  .  etc.     Small  4to,  brow^n  levant  morocco 

182 


gilt,  gilt  edges,  by  W.  Pratt  for  H.  Stevens.     (Lacks  leaf  at 
end  containing  the  Errata.) 

London:  Printed  by  R.  0.  and  G.  D.  for  Henry  Overton, 

1643. 

*  First  of  the  Eliot  Indian  Tracts,  and  like  all  of  the 
SERIES,  VERY  RARE.  The  first  account  of  tlie  endeavors  to 
Christianize  the  Indians,  and  the  first  account  of  Harvard  Col- 
lege. The  authorship  is  unknown,  but  Hugh  Peters  is  believed 
to  have  had  some  part  in  its  composition,  and  it  is  supposed  that 
President  Dunster  wrote  the  account  of  Harvard. 

Tall  copy,  measuring  7  1/4  x  5  7/16  inches. 

1192.  ELIOT  INDIAN  TRACTS.  [Shepard  (Thomas).] 
The  Day-breaking,  if  not  The  Sun-Rising  of  the  Gospell  With 
the  Indians  in  New-England.-  4to,  green  levant  morocco  gilt, 
gilt  edges,  by  Pratt.      London :  Printed  by  Rich.  Cotes,  1647 

*  Second  of  the  Eliot  Indian  Tracts.  Probably  written  by 
Thomas  Shepard,  first  pastor  of  the  First  Church  in  Cambridge, 
Massachusetts.  His  book,  ' '  The  Clear  Sunshine  of  the  Gospel 
breaking  forth  upon  the  Indians  in  New  England,''  1648,  sug- 
gests the  present  one  by  the  similarity  of  its  title.  Tall  copy, 
measuring  7  1/4x5  7/16  inches. 

1193.  ELIOT  INDIAN  TRACTS.  Shepard  (Thomas). 
The  Clear  Sun-shine  of  the  Gospel  breaking  forth  upon  the 
Indians  in  New-England.  Or,  An  Historicall  Narration  of 
Gods  Wonderfull  Workings  upon  sundry  of  the  Indians,  both 
chief  Governors  and  Common-people,  in  bringing  them  to  a 
willing  and  desired  submission  to  the  Ordinances  of  the 
Gospel ;  and  framing  their  hearts  to  an  earnest  inquirie  after 
the  knowledge  of  God  the  Father,  and  of  Jesus  Christ  the 
Saviour  of  the  World.  4to,  blue  morocco  gilt,  some  edges 
uncut,  by  Bedford.     (Some  corners  supplied.) 

London:  Printed  by  R.  Cotes,  1648 

*  Third  of  the  Eliot  Indian  Tracts.  Tall  copy,  measuring 
7  7/16  X  5  9/16  inches. 

From  the  Crawford  collection. 


1194.  ELIOT  INDIAN  TRACTS.  The  Glorious  Progress 
of  the  Gospel  amongst  the  Indians  in  New  England.  Mani- 
fested By  three  Letters,  under  the  Hand  of  that  famous 
Instrument  of  the  Lord  Mv.  John  Eliot,  And  another  from 
]\Ir.  Thomas  Mayhew  jun:  both  Preachers  of  the  Word,  as 
well  to  the  English  as  Indians  in  New  England.  Wherein  The 
riches  of  Gods  Grace  in  the  effectuall  calling  of  many  of  them 
is  cleared  up :  As  also  a  manifestation  of  the  hungring  desires 
of  many  People  in  sundry  parts  of  that  Country,  after  the 
more  full  Revelation  of  the  Gospel  of  Jesus  Christ,  to  the 
exceeding  Consolation  of  every  Christian  Reader.  Together, 
With  an  Appendix  to  the  foregoing  Letters,  holding  forth 

183 


Conjectures,  Observations,  and  Applications.  By  I.  D.  Minis- 
ter of  the  Gospell.  Published  by  Edward  Winslow.  _  4to, 
blue  levant  morocco,  gilt  edges,  by  Pratt  (lower  margins  of 
2  pp.  uncut,  but  several  top  margins  cut  close,  and  last  leaf 
creased  and  repaired.) 

London :  Printed  for  Hannah  Allen,  1649 
*  Fourth  of  the  Eliot  Indian  Tracts. 


1195.  ELIOT  INDIAN  TRACTS.  Eliot  (Rev.  John,  and 
others).  Strength  out  of  Weaknesse;  Or  a  Glorious  Manifes- 
tation Of  the  further  Progresse  of  the  Gospel  among  the 
Indians  in  New-England.  Held  forth  in  Sundry  Letters 
from  divers  Ministers  and  others  to  the  Corporation  estab- 
lished by  Parliament  for  promoting  the  Gospel  among  the 
Heathen  in  New-England ;  and  to  particular  Members  thereof 
since  the  last  Treatise  to  that  effect,  Published  by  Mr  Henry 
Whitfield  late  Pastor  of  Gilford  in  New-England.  Title  in 
ornamental  woodcut  border.  4to,  blue  morocco  gilt,  gilt  edges, 
partly  uncut  (small  portions  of  several  leaves  supplied). 

London :  Printed  by  M.  Simmons,  1652 

"  Sixth  of  the  Eliot  Indian  Tracts.  This  is  the  first  of 
three  editions  published  during  1652. 

1196.  ELIOT  INDIAN  TRACTS.  Eliot  (Rev.  John) 
AND  Mayhew  (Thomas).  Tears  of  Repentance :  Or,  A  further 
Narrative  of  the  Progress  of  the  Gospel  Amongst  the  Indians 
in  New-England :  Setting  forth,  not  only  their  present  state 
and  condition,  but  sundry  Consessions  of  sin  by  diverse  of 
the  said  Indians,  wrought  upon  by  the  saving  Power  of  the 
Gospel;  Together  wdtli  the  manifestation  of  their  Faith  and 
Hope  in  Jesus  Christ,  and  the  Work  of  Grace  upon  their 
Hearts.  Related  by  Mr.  Eliot  and  Mr.  Mayhew,  two  Faithful 
Laborers  in  that  Work  of  the  Lord.  Published  by  the  Corpo- 
ration for  propagating  the  Gospel  there,  for  the  Satisfaction 
and  Comfort  of  such  as  wish  well  thereunto.  Small  4to,  crim- 
son levant  morocco  gilt,  gilt  edges,  by  Pratt. 

London:  Printed  by  Peter  Cole,  1653 

*  Seventh  of  the  Eliot  Indian  Tracts.  It  agrees  with  the 
Church  copy,  but  differs  from  that  in  the  Historical  Society  of 
Pennsylvania,  which  has  2  extra  leaves  inserted.  Tall  copy, 
measuring  7  3/4x5  1/2  inches,  some  lower  margins  being  un- 
cut. 

1197.  ELIOT  INDIAN  TRACTS.  Eliot  (Rev  John).  A 
Late  and  Further  ^Manifestation  of  the  Progress  of  the  Gospel 
amongst  the  Indians  in  New-England.  Declaring  their  con- 
stant Love  and  Zeal  to  the  Truth:  With  a  readinesse  to  give 
Accompt  of  their  Faith  and  Hope;  as  of  their  desires  in 
Church  Communion  to  be  Partakers  of  the  Ordinances  of 
Christ.      Being    a    Narrative    of    the    Examinations    of    the 

184 


Indians  about  their  Knowledge  in  Religion,  by  the  Elders  of 
the  Churches,    4to,  blue  morocco,  gilt  edges,  by  Bedford. 

London:  Printed  by  M.  S. [immons],  1655 

*  Eighth  of  the  Eliot  Indian  Tracts.  Tall  copy,  measur- 
ing 7  5/16  X  5  5/16  inches. 

From  the  Crawford  collection. 

1198.  ELIOT  INDIAN  TRACTS.  A  further  Accompt  of 
the  Progresse  of  the  Gospel  amongst  the  Indians  in  New- 
England,  and  Of  the  means  used  effectually  to  advance  the 
same.  Set  forth  In  certaine  Letters  sent  from  thence  declar- 
ing a  purpose  of  Printing  the  Scriptures  in  the  Indian  Tongue 
into  which  they  are  already  Translated.  With  which  Letters 
are  likewise  sent  an  Epitome  of  some  Exhortations  delivered 
by  the  Indians  at  a  fast,  as  Testimonies  of  their  obedience  to 
the  Gospell.  As  also  some  helps  directing  the  Indians  how  to 
improve  naturall  reason  unto  the  knowledge  of  the  true  God: 
(Also) 

Some  Helps  for  the  Indians  shewing  them  How^  to  improve 
their  natural  Reason,  To  know  the  True  God,  and  the  true 
Christian  Religion.  1.  By  leading  them  to  see  the  Divine 
Authority  of  the  Scriptures.  2.  By  the  Scriptures  the  Divine 
Truths  necessary  to  Eternall  Salvation.  Undertaken  At  the 
Motion,  and  published  by  the  Order  of  the  Commissioners  of 
the  LTnited  Colonies,  by  Abraham  Peirson.  Examined  and 
approved  by  Thomas  Stanton  Interpreter-Generall  to  the 
United  Colonies  for  the  Indian  Language,  and  by  some  others 
of  the  most  able  Interpreters  amongst  us.  4to,  blue  morocco 
gilt,  gilt  edges,  by  Bedford.  London:  M.  Simmons,  1659 

*  Ninth  of  the  Eliot  Indian  Tracts,  containing  the  second 
part  by  Pierson,  -which  has  been  sold  as  a  separate  treatise.  The 
first  is  occasionally  found  unaccompanied  by  that  portion  of  the 
complete  work. 

1199.  ELIOT  INDIAN  TRACTS.  A  Brief  Narrative  of 
the  Progress  of  the  Gospel  amongst  the  Indians  in  New-Eng- 
land, in  the  Year  1670.  Given  in  By  the  Reverend  Mr.  John 
Elliot,  Minister  of  the  Gospel  there,  in  a  Letter,  etc.  Small 
■Ito,  green  morocco  gilt,  gilt  edges,  by  W.  Pratt  for  H.  Stevens. 

London :  Printed  for  John  Allen,  1671 

*  Eleventh  of  the  Eliot  Indian  Tracts  and  one  of  the 
scarcest  of  the  series.  The  Eev.  T.  E.  Marvin  in  making  his 
reprint  in  1868,  stated  that  it  was  made  from  a  manuscript  copy 
of  the  one  in  the  British  Museum,  owing  to  his  inability  to  find 
one  in  America. 

1200.  ELIZABETH  (QUEEN).  Christian  Prayers  and 
IMeditations  in  English  French  Italian  Spanish  Greeke  and 
Latine.  Imprinted  at  London,  by  John  Dave,  An.  1569. 
Woodcut  borders  containing  designs  of  the  Dance  of  Death, 
the  Virtues,  etc.  presumably  after  Holbein  and  Durer,  on 
every  page.    Post  8vo,  brow^n  levant  morocco,  covered  with  an 

185 


elaborate  scroll  design  in  mosaic  of  green,  ivory  and  citron 
morocco  gilt,  doublure  of  brown  levant  morocco,  gilt  edges,  by 
The  Club  Bindery.  (Title-page  and  portrait  of  Queen  Eliza- 
beth and  the  last  leaf  of  text  and  colophon  leaf,  in  facsimile.) 

London,  1569 

*  First   Edition  of  the   collection   op   Private  Prayers, 

COMMONLY    known    AS    "  QUEEN    ELIZABETH'S    PrAYER    BoOK.  " 

The  only  perfect  copy  known  is  that  on  vellum  in  the  Lambeth 
Palace  Library,  from  which  the  facsimiles  in  the  above  were 
made.  It  is  believed  that  John  Foxe  collected  the  prayers  and 
edited  the  volume  for  the  Queen 's  own  private  use,  while  the 
inclusion  of  so  many  prayers  in  foreign  languages  (omitted  in 
later  editions)  shows  that  this  first  edition  was  not  intended  for 
the  general  public :  In  fact,  for  many  years,  the  Lambeth  Palace 
copy,  was,  for  this  reason,  supposed  to  be  unique.  This  was  the 
first  book  printed  in  England  that  vied  in  artistic  merit  with  the 
famous  Horse  issued  from  the  Paris  presses  about  the  commence- 
ment of  the  century. 

1201.  ELIZABETH  (QUEEN).  A  Booke  of  Christian 
Prayers,  collected  out  of  the  ancient  writers,  and  best  learned 
in  our  time,  worthy  to  be  read  with  an  earnest  mind  of  all 
Christians,  in  these  dangerous  and  troublesome  dales,  that 
God  for  Christes  sake  will  yet  still  be  mercifull  unto  us. 
Third  Edition.  Printed  in  black-letter.  4to,  brown  levant 
morocco  gilt,  gilt  edges,  by  Bedford.  (Title  and  some  other 
leaves  repaired.)  London,  1590 

*  The  text  is  substantially  the  same  as  in  the  1578  edition; 
title  with  woodcut  border,  verso  with  full  page  woodcut  of 
Elizabeth.     With  the  Birket  Foster  bookplate. 

1202.  ELIZABETH  (QUEEN).  A  Booke  of  Christian 
Praiers,  collected  out  of  the  ancient  Writers,  and  best  learned 
in  our  time;  worthy  to' be  read  with  an  earnest  minde  of  all 
Christians  in  these  daungerous  and  troublesom  dales,  that 
God  for  Christ  sake  will  yet  stil  be  merciful  vnto  vs.  Fourth 
Edition.  Gothic  type.  4to,  blue  levant  morocco  gilt,  gilt 
edges,  by  Bedford,  (Minute  hole  in  blank  margin  of  title,  a 
few  corners  repaired.)  London,  1608 

*  Practically  the  same  as  the  1590  edition. 

1203.  ELIZABETH  (QUEEN).  The  Book  of  Common 
Prayer  and  Administration  of  the  Sacraments  and  other  Rites 
and  Ceremonies  of  the  Church,  togetber  with  the  Psalter.  A 
facsimile  reprint  of  the  edition  of  1571.  12mo,  green  levant 
morocco,  gilt  edges,  by  Arnaud. 

London :  William  Pickering,  1853 

1204.  ELYOT  (SIR  THOMAS).  Of  the  Knowledeg 
whiche  maketh  a  wise  man.  8vo,  light  brown  levant  morocco, 
gilt  panels,  gilt  edges,  by  The  Club  Bindery. 

Londini  in  fedibus  Thom^  Bertheleti,  1533 

*  First  Edition.    Printed  in  Gothic  type.    Size  5  3/8  x  3  3/4. 

186 


1205.  ELYOT  (SIR  THOMAS).  The  Boke  named  the 
Gouernour  deuised  by  syr  Thomas  Elyot  knyght.  [Colophon] 
Londini  in  aedibus  Thomas  Bertheleti  typis  impress.  Cum 
priuilegio  ad  imprimendum  soliini.  Anno.  M.D.XLIIII.  8vo, 
old  calf,  gilt  and  blind-tooled  back,  side  panels,  gilt  edges  (last 
leaf  repaired).  London,  1544 

*  Fourth  edition.  Printed  in  Gothic  type :  with  an  inserted 
portrait. 

1206.  ELYOT  (SIR  THOMAS).  The  Defence  of  good 
women,  devised  and  made  by  Sir  Thomas  Elyot  knyght.  Title 
in  tvoodcut  border  with  date  1534  at  the  foot  and  with  the 
-final  leaf.  8vo,  light  brown  levant  morocco,  gilt  panels,  gilt 
edges,  by  The  Club  Bindery.  London,  1545 

*  Printed  in  Gothic  type.     5  3/8  x  3  3/4  inches. 

1207.  EMBLEMS.  Acht-en-Dertig  konstige  Zinnebeelden : 
met  Dichtkundige  Uitleggingen  Verrykt,  door  een  liefhebber 
der  nederduitsche  poezy,  38  circular  engravings  of  emMenis. 
4to,  brown  levant  morocco,  gilt  back  and  side  ornaments,  gilt 
top,  uncut,  by  Riviere.  Amsterdam,  1737 

1208.  EMBLEMS.  Emblemata  Anniversaria  Academies 
Altorfinse  studiorum  juventutis  exercitandorum  causa  propo- 
sita  et  variorum  orationibus  exposita.  Engraved  title  and 
numerous  emtlematic  medallions  engraved  on  copper.  4to, 
half  calf.  Norimbergae,  1597 

*  In  the  same  volume  is  bound :  Orationes  IV.  panegyricas  in 
florentissimo  apud  Gothanos  gymnasio  habitse  a  M.  Joanne 
Weitzio.  Ambergse,  1610.  Autograph  of  the  Eev.  K.  Capell  on 
title-page. 

1209.  EMBLEMS.  Emblemata  Selectiora.  Typis  elegan- 
tissimis  expressa,  nee  non  Sententiis,  Carminibus,  Historiis 
ac  Proverbiis,  ex  scriptoribus  cum  sacris  tum  profanis,  anti- 
quis  &  recentioribus,  illustrata.  38  copper-plates  of  Emblems. 
4to,  half  levant  morocco,  gilt  top.  Amstelaedami,  1704 

1210.  ENCHANTED  PLANTS  (THE).  Fables  in  Verse. 
Inscribed  to  Miss  Montolieu,  and  Miss  Julia  Montolieu. 
Colored  frontispiece  by  L.  Schiavonetti,  after  W.  Hamilton^ 
laid  in.  12mo,  red  straight-grain  morocco,  gilt  borders,  gilt 
edges.  London :  Bensley,  1801 

*  One  of  2  copies  printed  on  vellum. 

1211.  ENGRAVINGS.  A  collection  of  ancient  engravings 
illustrating  Fishing,  Hunting,  Biblical,  and  Mythological  sub- 
jects. Castles,  &c.,  by  Johannes  van  Londerseel,  Vischer, 
Tempesta,  Thomte  de  Leu,  de  Voss,  and  Orlandi.  11  frontis- 
pieces and  203  full-page  copper-plates.  Oblong  4to,  brown 
morocco,  gilt  back,  filleted  sides,  gilt  inside  borders,  by  Mat- 
thews. [Rome]    [1586-1605.] 

*  From  the  Bossiana  's  Library,  Alexandria. 

187 


1212.  ENGRAVINGS.  Catalogue  de  I'Exposition  de  Grav- 
ures  anciennes  et  modernes  4  Juillet  1881.  With  illustra- 
tions, some  in  colors.  4to,  pigskin,  blind-tooled  back  and  side 
borders,  gilt  top,  uncut,  by  The  Club  Bindery.        Paris,  1881 

*  Only  100  copies  printed. 

1213.  ENTRATA  (La  magnifica  et  triumphale)  del  Chris- 
tianiss.  Re  di  Francia  Henrico  secondo  di  questo  nome  fatta 
nella  nobile  &  antiqua  Citta  di  Lyone  a  luy  &  a  la  sua  serenis- 
sima  consorte  Chaterina  alii  21.  di  Septemb.  1548.  Woodcuts. 
4to,  old  vellum.         Lyone :  appresso  Guglielmo  Rovillio,  1549 


1214.  ENTREE.  La  joyeuse  &  magnifique  Entree  de  Mon- 
seigneur  Francoys,  tils  de  France,  et  frere  unicque  du  Roy, 
par  la  grace  de  Dieu,  Due  de  Brabant,  d'Anjou,  Aleneon, 
Berri,  &c.  en  sa  tres-renommee  ville  d'Anvers.  Engraved  title 
and  21  double-page  copper-plates  ascribed  to  Abr.  de  Bruyn. 
Folio,  brown  levant  morocco,  blind  toolings,  gilt  edges. 
(Library  stamp  on  the  back  of  title  and  last  page.) 

Anvers :  Christophle  Plantin,  1582 

1215.  ENTRETIENS.  Les  Entretiens  galans  d'Aristipe  et 
d'Axiane:  contenant  Le  langage  des  Tetons,  &  leur  Pane- 
gjrrique;  Le  Dialogue  du  Fard,  &  des  Mouches;  D'un  grand 
Miroir,  &  d'vn  Miroir  de  Poche;  Du  Masque  &  des  Gands, 
auec  plusieurs  autres  galanteries.  16mo,  green  levant  morocco 
gilt,  gilt  edges,  by  Bauzonnet-Trautz. 

Paris,  Claude  Barbin,  1664 

1216.  EPISCOPIUS  (JOHANN).  Paradigmata  Graphices 
Variorum  Artificum.  Frontispiece-title  by  "G.L.",  and  57 
plates  engraved  by  Episcopius  after  Michael  Angelo  and  other 
celebrated  scidptors.    Small  folio,  calf,  painted  red  on  sides. 

[La  Haye],  N.  Visscher  [1671] 

1217.  EPISTOL^E  GREECE.  Epistolfe  diversorum  philos- 
ophorum,  oratorum,  Rhetorum  sex  et  viginti,  etc.,  grace.  138 
{last  blank)  and  266  {the  86th  blank)  leaves,  ivith  signatures ; 
26  lines  to  the  page.  2  parts  in  one  vol.  4to,  brown  morocco, 
gilt  edges.  First  part  bound  at  end.  Hain-Copinger,  6659 ; 
Proctor,  5569 ;  Renouard,  p.  18.       Venetiis :  apud  Aldum,  1499 


1218.  ERASMUS  (DESIDERIUS).  Farrago  nova  episto- 
larum  Des.  Erasmi  Roterodami  ad  alios,  &  aliorum  ad  hunc. 
Title  ivithin  a  fine  woodcut  border  by  Ursus  Graff,  ivoodcut 
headings  and  initials.  Folio,  brown  levant  morocco,  blind 
tooled  ornamental  borders,  gilt  edges,  by  David. 

Basileae:  apud  lo.  Frobenium,  1529 

188 


1219.  ERASMUS  (DESIDERIUS).  The  praise  of  Folie, 
a  booke  made  in  latine  by  that  great  clerke  Erasmus  Rotero- 
dame.  Englished  by  Sir  Thomas  Chaloner,  knight.  Printed 
in  Gothic  type.  Title  within  a  woodcut  border  and  inserted 
portrait  of  Erasmus.  Small  4to,  dark  green  levant  morocco 
the  sides  with  interlaced  mosaic  of  brown,  green,  cream  and 
red  levant;  in  the  centre  of  front  side  there  is  a  delicate  ivory 
carving,  probably  representing  the  bath  of  Diana;  inlaid 
borders,  silk  linings,  gilt  edges,  in  a  case,  by  The  Club  Bind-  'Z  /O 
ery,  Leon  !Maillard,  finisher.  Sir  M.  M.  Sykes'  copy,  since 
rebound,  with  bookplate  laid  in.  Measures  7  5/8  x  5  3/16 
inches. 

(Colophon)  Imprinted  at  London  in  Fletestrete  in  the 
House  of  Thomas  Berthelet,  Anno,  M.D.  LXIx  (date  wrong, 
title  dated  1549). 

*  First  Edition. 

1220.  ERASMUS  (DESIDERIUS).  Flores  aliquot  sen- 
tentiarum.  The  flowers  of  fencils  translated  in  English  by 
R.  Taverner.  Gothic  type.  16mo,  Spanish  calf  gilt,  gilt 
edges,  by  Tout.  London :  by  W.  Copland,  1550 

1221.  ERASMUS  (DESIDERIUS).  L'Eloge  de  la  Folic, 
Compose  en  forme  de  Declamation.  Par  Erasme  de  Rotter- 
dam :  Avec  quelques  Notes  de  Listrius,  &  les  belles  figures  de 
Holbenius:  le  tout  sur  1 'Original  de  I'Academie  de  Bale.  .  . 
Traduite  nouvellement  en  Francois  Par  Mr.  Gueude^dlle. 
Derniere  Edition,  revue,  corrigee  &  augmentee  de  nouveau, 
avec  une  Table  des  matieres  fort  ample  &  tres-exacte.  Frontis- 
piece with  portraits  of  Erasmus,  Sir  Thomas  More,  and  Hol- 
bein, engraved  title,  and  80  engravings  after  Holbein,  6  being 
folded  plates.    12mo,  calf  gilt,  gilt  edges,  by  Petit. 

Leide:  Pierre  Vander  Aa,  1715 

1222.  ERASMUS  (DESIDERIUS).  Les  Colloques  d 'Eras- 
me, Ouvrage  tres  interessant;  par  la  diversite  des  Sujets,  par 
I'Enjoument,  &  pour  I'Utilite  Morale:  nouvelle  traduction. 
Par  Monsr  Gueudeville,  Avec  des  Notes,  &  des  Figures  tres- 
ingenieuses.  Divisees  en  six  tomes.  Engraved  frontispiece 
by  Schynove,  a  coat-of-arms,  and  60  unsigned  vignettes  in  the 
manner  of  Romain  de  Hooge.  6  vols,  in  3.  12mo,  red  morocco, 
narrow  side  borders,  gilt  edges,  by  Padeloup. 

Leide:  Pierre  Vander  Aa  and  Boudouin  Janssen  Yander 
Aa,  1720. 

1223.  ERASMUS  (DESIDERIUS).  L'Eloge  de  la  Folie. 
Traduction  par  M.  Barrett.  Orne  de  douze  Figures.  12mo, 
half  red  levant  morocco,  gilt  top,  uncut.  Paris,  1789 

189 


1224.  ESPRIT.  L  'Esprit  des  Esprits,  ou  Pensees  Choisies ; 
Dans  le  gout  des  Maximes  de  la  Rochefoucault.  12mo,  red 
morocco  gilt,  floriated  borders  on  the  sides,  gilt  edges,  by 
Padeloup.  Londres,  1778 

1225.  [ESTIENNE  (HENRI).]  Deux  dialogues  du  nou- 
veau  langage  francois,  Italianize,  &  autrement  desguize,  prin- 
eipalement  entre  les  courtisans  de  ce  temps.  16mo,  green 
levant  morocco  gilt,  gilt  edges,  by  Bauzonnet-Trautz. 

Envers  (Antwerp)  :  Guillaume  Niergue,  1579 

1226.  ESTIENNE  (HENRI).  Proiect  du  livre  intitule  de 
la  precellence  du  langage  Francois.  Ruled  throughout  with 
red  ink.  8vo,  old  blue  straight-grain  morocco,  gilt  dentelle 
borders  on  the  sides,  silk  linings,  gilt  edges. 

*  The  Eenouard  copy.        Paris :  Mamert  Patisson,  1579 

1227.  ESTIENNE  (HENRI).  L'Art  de  Faire  les  Devises, 
etc.  Engraved  frontispiece  with  the  arms  of  Cardinal 
Mazarin,  to  whom  the  hook  is  dedicated.  Small  Svo,  original 
vellum  (slightly  waterstained).  Paris:  Jean  Pasle,  1645 

1228.  ESTIENNE  and  LIEBAULT.  L 'Agricvltvre,  et 
Maison  Rvstiqve  de  M.  Charles  Estienne,  et  lean  Liebavlt, 
Docteurs  en  Medecine.  Plus  vn  brief  recueil  des  chasses  du 
Cerf ,  du  Sanglier,  du  Lieure,  du  Renard,  du  Blereau,  du  Con- 
nil,  du  Loup,  des  Oiseaux,  &  de  la  Fauconnerie.  37  woodcuts 
in  the  text.  Bound  with  Jean  de  Clamorgan's  "Chasse  du 
Loup."  4to,  red  levant  morocco,  gilt  edges,  by  Chambolle- 
Duru.  Paris :  Jaques  du  Puis,  1583 

1229.  ETRENNES  aux  Dames,  avec  le  calendrier  de  I'annee 
1763.  Premiere  partie.  Notice  des  femmes  illustres  dans  les 
belles-lettres.  Seconde  partie.  Notice  des  livres  composes 
par  des  femmes.  4  vignettes,  2  hy  D.  Sornique  after  De  Seve. 
2  parts  in  1  vol.  24mo,  old  bro-wn  morocco,  gilt  borders,  gilt 
edges  (several  pages  mended).  Paris,  1763 

1230.  ETRENNES.  Utiles  et  Necessaires  aux  Commereans 
et  Voyageurs  ou  Indicateur  Fidele.  Frontispiece  and  158 
colored  maps  and  plans.  24mo,  red  morocco  gilt,  gilt  edges, 
probably  by  Derome.  Paris:  S.  Defnos,  1774 

1231.  ETRENNES  Nationales,  curieuses  et  instructives, 
enrichies  de  figures,  d 'Anecdotes  Historiques,  Et  d'une 
infinite  de  traits  remarquables.  Annee  bissextile  1788. 
Frontispiece,  and  12  other  woodcuts.  24mo,  old  green  mo- 
rocco, wide  side  borders,  with  the  Altar  of  Love  in  the  centre, 
gilt  edges.  Paris  [1788] 

1232.  EUGENE  DE  SAVOIE.  La  Vie  du  Prince  Eugene 
de  Savoie,  Marechal  de  Camp  en  Italic.  Portrait  hy  P.  van 
Gunst.  12mo,  red  levant  morocco,  gilt  edges,  by  Hardy- 
Mennil.  La  Haye :  A.  Moetjens,  1702 

190 


1233.  EURIPIDES.  La  Tragedie  d'Euripide,  nominee 
Hecuba:  traduicte  de  Grec  en  rhytlime  frangoise,  dediee  au 
Roy.  8vo,  green  levant  morocco,  gilt  inside  dentelle  borders, 
gilt  edges,  by  Trantz-Bauzonnet.     Paris :  Rob.  Estienne,  1550 

1234.  [EVANS  (ABEL).]  The  Apparition.  A  Poem. 
12mo,  red  morocco,  gilt  edges. 

[London]  Printed  in  the  Year  1710 

1235.  EVELYN  (JOHN).  Memoirs  of  John  Evelyn,  Esq., 
F.R.S.  Author  of  The  "Sylva,"  &c.  &c.  Comprising  his 
Diary  from  1641  to  1705-6,  and  a  selection  of  his  familiar 
letters,  to  which  is  subjoined,  the  Private  Correspondence  be- 
tween King  Charles  I  and  Sir  Edward  Nicholas ;  also  between 
Sir  Edward  Hyde,  afterwards  Earl  of  Clarendon,  and  Sir 
Richard  Browne,  Ambassador  to  the  Court  of  France,  in  the 
time  of  King  Charles  I.  and  the  Usurpation.  Edited  from  the 
original  MSS.  by  William  Bray,  Esq.  F.A.S.  With  portraits 
of  Evelyn,  his  wife,  and  Sir  Richard  Broivne  after  Kneller 
and  Nanteuil,  5  other  plates,  and  an  etching  hy  Evelyn. 
5  vols.  8vo,  green  morocco,  gilt  tops,  uncut,  by  The  Club 
Bindery.  London :  Henry  Colbum,  1827 

1236.  EVENT  AIL.  L'Eventail  Satyrique.  Probably  writ- 
ten by  Pierre  Cotignon  sieur  de  Lacharnay.  First  Dated 
Edition.  Printed  in  italic  type.  18mo,  red  levant  morocco, 
gilt  edges,  by  Cape.  [n.  p.]  1625 

1237.  EVERARD  (GILES).  Panacea;  or.  The  Universal 
Medicine,  being  a  discovery  of  the  WonderfuU  Vertues  of 
Tobacco  Taken  in  a  Pipe,  with  its  Operation  and  Use  both  in 
Physick  and  Surgery.  Engraved  frontispiece  of  the  author 
smoking  a  clay  pipe-  16mo,  light  brown  morocco,  gilt  edges, 
by  The  Club  Bindery.  London,  1659 

1238.  EVERETT  (EDWARD).  Orations  and  Speeches 
on  Various  Occasions.  Second  Edition.  Portrait  on  India 
paper  ~by  J.  Cheney  after  B.  M.  Staigg.  3  vols,  royal  8vo, 
half  russia,  gilt  tops.     Large  paper.  Boston,  1850 

1239.  EXAMPLES  FOR  KINGS.— Examples  for  Kings; 
or.  Rules  for  Princes  to  goveme  by.  Wherein  is  contained 
these  ensuing  particulars:  (1).  A  Discourse  touching  Regall 
and  Politique  Government;  (2).  A  Prince  must  be  just  in  his 
sentence;  (3).  What  Man  is  fit  to  be  a  Governour,  and  to 
beare  Rule;  (4).  That  a  Prince  ought  to  be  true  of  his  word; 
(5).  That  a  Prince  ought  to  be  religious;  (6).  That  a  Prince 
ought  not  to  shed  innocent  blood ;  &e.,  &c.  Small  4to,  brown 
levant  morocco  gilt,  gilt  edges,  by  Riviere. 

London :  Printed  for  Henry  Hutton,  1642 

191 


1240.  EYB  (ALBERTUS  DE).  Margarita  poetiea. 
Gothic  characters,  double  columns.  6  unnumbered  leaves  and 
ccxcvii,  with  signatures :  44  lines  to  the  page.  Folio,  contem- 
porary German  binding  of  oak  boards  covered  with  stamped 
calf,  brass  comers  and  centre  pieces,  clasps  (rebacked).  Last 
blank  missing.     Hain  6815. 

[Strassburg,  Printer  of  the  1481  "Legenda  aurea"  (Martin 
Schott?),]  ca.  1482. 

1241.  Tj^ABRE    (FERDINAND)      L'Abbe  Tigrane,  ean- 
-*-       didat  a  la  papaute.     JJn  portrait  d'apres  J. -P. 

Laurens  et  vingt  eaux-fortes  originales  de  E.  Budaux.  8vo, 
maroon  levant  morocco  gilt,  gilt  over  rough  edges,  original 
covers  bound  in,  by  Marius  Michel.  Paris,  1890 

*  One  of  150  copies  on  Japan  paper,  with  a  duplicate  set  of 
the  etchings,  proofs  before  letters. 

1242.  FAERNUS  (GABRIEL).  Centvm  Fabulge  ex  an- 
tiqvis  scriptoribvs  delectfe,  et  a  Gabriele  Faerno  Cremonensi 
Carminibus  explicatae,  Hac  Editione  variorum  Sententiis 
Sapientum  adornatffi.  Copperplate  vignette  on  title-page,  and 
100  woodcuts  signed  "A."  16mo,  green  levant  morocco  gilt, 
gilt  edges,  by  The  Club  Bindery. 

Bruxellis :  Apud  Franciscum  Foppens,  1682 

*  Joseph  Knight 's  copy,  with  his  bookplate. 

1248.  FAERNUS  (GABRIEL).  Fabul^e  Centum.  Text 
in  Latin  prose  and  verse.  Frontispiece  hy  C.  Du  Bosc  and 
100  copperplates.  4to,  old  olive  green  morocco  gilt,  gilt 
edges^  by  Derome. 

Londini:  Guill.  Darres  &  Claude  Du  Bosc,  1743 

1244.  FAIL  (NOEL  DU).  Les  Contes  et  discours  d'Ev- 
trapel :  et,  Discours  d'aucuns  propos  rustiques,  facecieux  et  de 
singuliere  recreation.  3  vols,  in  one.  12mo,  orange  levant 
morocco,  floral  decoration,  gilt  edges,  by  Trautz-Bauzonnet. 

[Paris]  1732 

1245.  FALCONER  (WILLIAM).  The  Shipwreck,  a  poem 
by  William  Falsoner,  a  Sailor:  .  .  .  The  text  illustrated  by 
additional  notes,  and  corrected  from  the  first  and  second 
editions,  with  a  life  of  the  author,  by  James  Stanier  Clarke. 
With  5  engraved  vignettes,  and  3  plates.  Royal  8vo,  original 
boards,  uncut.         London :  Printed  for  William  Miller,  1804 

*  Royal  Paper  copy. 

1246.  FANE  (FRANCIS).  Love  in  the  Dark,  or  The  Man 
of  Business.  A  Comedy :  Acted  at  the  Theatre  Royal  by  His 
Majesties  Servants.  First  Edition.  Small  4to,  light  blue 
levant  morocco,  gilt  edges,  by  Riviere. 

In  the  Savoy.  Printed  by  T.  N.  for  Henry  Herringman, 
1671. 

192 


1247.  FANSHAW    (SIR  RICHARD).        II  Pastor  Fido.  ^-z,' 
The  faithfull  Shepheard.       Written  in  Italian  by  Baptista 
Guarini.     With  the  addition  of  divers  other  Poems,  Conclud- 
ing with  a  short  Discourse  of  the  Long  Civill  Warres  of  Rome. 
Engraved  portrait  hy  Gross.     4to,  brown  levant  morocco,  gilt 

fillets,  gilt  edges,  by  David. 

London :  Humphrey  Moseley,  1648 
*  See  No.   230  for  presentation  copy  of  the  edition  of   1647 
from  Fanshaw  to  Charles  I. 

1248.  FARLEY  (ROBERT).  Lychnocausia,  sive  Moralia 
Facum  Emblemata.  Text  in  Latin  and  English,  One  copper- 
plate and  59  woodcuts.  First  Edition.  Small  8vo,  maroon 
levant  morocco  gilt,  gilt  edges,  by  Ramage. 

London :  Tho.  Cotes,  1638 


<7'- 


1249.  FARNECIO    (ISABEL).       Reales   Exequias   de   la  / 
serenissima  senora  Da  Ysabel  Farnesio  Princesa  de  Parma,  y 
Reynade  las  Espanas :  Celebradas  en  la  Santa  Iglesia  Cathe- 
dral en  la  Imperial  Corte  Mexicana.     With  16  copperplates, 
surrounded  Ijy  woodcut   borders.     4to,  blue  levant  morocco 

gilt,  gilt  edges,  by  The  Club  Bindery.  Mexico,  1767 

1250.  FARQUHAR  (GEORGE).     The  Works  of  the  late         ^-_ 
Ingenious  Mr.  George  Farquhar;  Containing  all  his  Poems, 
Letters,  Essays  and  Comedies.    The  Tenth  Edition.    To  which 

are  added  some  Memoirs  of  the  Author,  never  before  Pub- 
lished.    2  vols.  12mo,  sprinkled  calf,  gilt  backs,  by  Bedford. 
London :  Printed  for  Jolui  Rivington    &c.,  1772 


1251.  FAVART  AND  DE  VOISENON.  La  Fee  urgele,  ou 
ce  qui  plait  aux  dames,  comedie  en  quatre  actes,  meslee 
d'ariettes.  First  Edition.  8vo,  red  morocco,  gilt  edges,  by 
The  Club  Bindery.  Paris :  la  Veuve  Duchesne,  1765 


/ 


1252.  FAVORAL     (SIEUR).       Les    Contes    et    Discours    ^       ^ 
Facetieux   Recueillies.      First  Edition.      12mo,  blue  levant       ^^    — 
morocco  gilt,  gilt  edges,  by  Trautz-Bauzonnet. 

Paris :  Jean  Corrozet,  1615 

1253.  FELLOWES    (W.  D.).     A  Visit  to  the  Monastery 

of  La   Trappe,   in   1817 :   with   Notes   taken   during   a   tour  ^^ 

through  le  Perchie,  Normandy,  Bretagne,  Poitou,  Anjou,  le       3  T  ~ 
Bocage,  Touraine,  Orleanois,  and  the  environs  of  Paris.     12  ' 

colored  plates,  an  etching,  an  outline  plate,  and  a  vignette  on 
India  paper.  Large  8vo,  figured  brown  silk,  uncut,  by  The 
Club  Bindery.  London :  William  Stockdale,  1818 

1254.  FELLTHAM    (OWEN).       Resolves,   Divine,   Moral    ^    o  ___ 
and  Political.       Title-page  within  a  border  and  rubricated. 

12mo,  light  brown  straight-grain  morocco,  gilt  top. 

London:  Pickering,  1840 

193 


1255.  FEMALE  FACTION.  The  Female  Faction :  or,  the 
Gay  Subscribers.     A  Poem.     Folio,  half  morocco. 

London,  1729 

1256.  FEMALE  REBELLION  (THE).  A  tragicomedy 
from  a  MS.  in  the  Hunterian  Museum  University  of  Glasgow. 
4to,  half  green  levant  morocco  gilt,  gilt  top,  uncut,  by  Alfred 
Matthews.  Printed  for  private  circulation,  1872 

*  A  presentation  copy  from  the  editor,  Alexander  Smith,  to 
J.  Payne  Collier,  with  the  autographs  of  both  on  the  fly-leaf. 
One  of  50  copies  printed. 

The  manuscript  contains  neither  date  nor  author's  name,  but 
the  play  was  probably  written  in  the  latter  part  of  the  reign  of 
Charles  II. 

1257.  FEMMES.  Les  Femmes  Keepsake  des  Keepsakes. 
Orne  de  dome  heaux  portraits  de  femmes.  8vo,  half  red  mo- 
rocco gilt,  gilt  top,  uncut.  Paris:  Louis  Janet  [ca.  1850] 

1258.  FENELON  (F.  DE  SALIGNAC  DE  LA  MOTTE). 
Les  Aventures  de  Telemaque  fils  d'Ulysse.  First  Complete 
Edition.  Portrait  engraved  by  Duflos,  frontispiece,  24  copper- 
plates and  a  map.  2  vols.  12mo,  old  green  morocco  gilt,  the 
ARMS  OF  Louis  XV  in  the  centres  of  the  covers,  crowned 
monograms  on  the  panels  of  the  backs,  gilt  edges.  In  green 
morocco  cases.  Paris :  Jacques  Estienne,  1717 

*  ' '  Louis  XVI  carried  these  two  volumes  with  him  into  the 
prison  of  the  Temple,  and  a  slip  of  paper  still  attached  to  a  fly- 
leaf indicates  that  they  were  No.  1054  in  an  inventory  of  the 
belongings  of  Louis  Capet.  This  was  probably  the  copy  used 
by  the  King  for  the  daily  lessons  that  he  gave  to  his  son. ' ' — Roe 
Catalogue. 

1259.  [FENTON  (ELIJAH).]  Poems  on  Several  Occa- 
sions. Frontispiece.  First  Edition.  8vo,  red  levant  gilt, 
gilt  edges,  by  The  Club  Bindery.  London,  1717 

*  With  bookplate  of  Alexander  Hamilton  (not  the  American). 


194 


TWENTY. SEVENTH    SESSION,     THURSDAY,    8:15    P  M. 

1260.  FERGUSSON  (JAMES).  The  Illustrated  Handbook 
of  Architecture;  being  a  concise  and  popular  acccount  of  the 
different  styles  of  architecture  prevailing  in  all  ages  and  coun- 
tries. 850  illustrations.  2  vols. :  Also, — History  of  the  Mod- 
ern Styles  of  Architecture ;  being  a  sequel  to  the  Handbook  of 
Architecture.  312  illustrations.  First  Edition.  3  vols.  8vo, 
russia  gilt,  gilt  edges,  by  Bedford.  London,  1855-1862 

1261.  FERGUSSON  (JAMES).  The  Illustrated  Handbook 
of  Architecture :  being  a  concise  and  popular  account  of  the 
different  styles  of  architecture  prevailing  in  all  ages  and  all 
Countries.  About  900  illustrations.  Second  Edition,  Svo, 
half  roan,  gilt  top,  uncut.  London,  1859 

1262.  FERGUSSON  (JAMES).  A  History  of  Architecture 
in  all  countries  from  the  earliest  times  to  the  present  day, 
1015  illustrations,  2  vols.  History  of  Indian  and  Eastern 
Architecture,  394  illustrations.  History  of  Modern  Styles  of 
Architecture,  312  illustrations.  Together  4  vols.  8vo,  half 
roan,  gilt  tops,  uncut.  London,  1862-76 

1263.  FERRAND  (ANTOINE).  Pieces  libres  de  M^.  Fer- 
rand,  et  Poesies  de  quelques  auteurs  sur  divers  sujets.  Vi- 
gnette. Small  Svo,  red  levant  morocco,  gilt  panels,  corner 
and  centre  ornaments,  gilt  top,  uncut,  by  F.  Bedford, 

Londres  [Paris]  1747 

*  From  the  library  of  E.  G.  Hibbert.  Ferrand  's  contributions 
extend  only  through  page  18. 

1264.  FERRIAR  (JOHN),  Illustrations  of  Sterne:  with 
other  Essays  and  Verses.  Second  Edition.  2  vols,  small 
8vo,  sprinkled  calf,  gilt  tops,  uncut.  London,  1812 

1265.  FEUILLE  (DANIEL  DE  LA— Editor).  Devises  et 
Emblemes  Anciennes  et  Modernes,  tirees  des  plus  celebres 
Auteurs.  Engraved  title  and  50  plates  containing  718  de- 
vices.    4to,  calf  gilt,  gilt  edges,  by  David.     Amsterdam,  1698 

1266.  FEUILLET  (OCTAVE),  Chamillac,  comedie  en 
cinq  actes.  Royal  8vo,  red  levant  morocco,  gilt  back,  uncut, 
original  wrappers  bound  in,  by  Champs.  Paris,  1888 

*  First  Edition  one  of  30  copies  on  large  Holland  paper  for 
the  ' '  Amis  des  Livres  de  Lyon, ' '  with  two  original  water-color 
drawings  by  Robaudi. 

1267.  FEUQUIERES  (ANTOINE  DE  PAS,  MARQUIS 
DE).  Memoires.  Contenants  ses  Maximes  sur  la  Guerre,  & 
I'application  des  Exemples  aux  Maximes.  4  maps.  4  vols. 
in  2,  8vo,  red  levant  morocco,  gilt  edges,  by  Trautz-Bauzonnet, 

Amsterdam:  Fr.  I'Honore  et  fils,  1741 
195 


1268.  FICHET  (GUILLERMUS).  Rhetoricorum  libri  III. 
Koman  character.  194  unnumbered  leaves,  without  signa- 
tures and  catchwords;  23  lines  to  the  page.  First  initial 
illuminated,  the  others  painted  in  blue  and  red.  4to,  old 
French  green  morocco,  ornamental  gilt  back,  gilt  triple  lines 
on  the  sides,  gilt  inside  borders,  gilt  edges. 

In  Parisiorum  Sorbona  [Paris,  Ulrieus  Gering,  Martinus 
Crantz  &  Mich.  Friburger,  1471]. 

*  A  FINE  EXAMPLE  FROM  THE  FIRST  PaRIS  PRESS,  of  which  it  is 

said  there  are  only  15  copies  known,  12  being  in  public  libraries. 
Both  Hain  and  Brunet  give  191  leaves  as  the  right  number,  while 
the  above  copy  has  194,  although  the  two  leaves  containing  the 
epistles  of  the  author  addressed  to  the  Archbishop  of  Lyon  and 
Cardinal  Bessarione  are,  as  usual,  wanting.  From  the  libraries 
of  Cardinal  de  Lomenie,  Wodhull  and  Lord  Amherst. 

1269.  FIELD  (NATHANIEL).  Amends  for  Ladies.  With 
the  merry  prankes  of  Moll  Cut-Purse :  Or,  the  humour  of 
roaring :  A  Comedy  full  of  honest  mirth  and  wit.  As  it  was 
Acted  at  the  Blacke-Fryers,  both  by  the  Princes  Servants,  and 
the  Lady  Elizabeths.  Second  Edition.  8vo,  half  green 
levant  morocco,  gilt  edges,  by  Riviere. 

London :  Printed  by  lo.  Okes,  1639 

*  The  Duke  of  Eoxburgh  's  copy,  with  bookplate. 

1270.  FIELDING  (HENRY)  Plays:  Love  in  Several 
Masques,  a  Comedy,  1728;  The  Temple  Beau,  1730;  The 
Coffee-House  Politician,  or  The  Justice  Caught  in  his  own 
Trap,  1730;  The  Grub-Street  Opera,  to  which  is  added  The 

rA        Masquerade,   a   Poem,   1731;   The   Universal   Gallant,   1735; 
^  Miss  Lucy  in  Town,  a  Farce,  with  songs,  1742 ;  Tumble-down 

Dick,  or  Phaeton  in  the  Suds,  a  Dramatic  Entertainment,  1744 ; 
The  Intriguing  Chambermaid,  with  songs  set  to  music,  1750 ; 
The  Letter  Writer,  1750.  8vo,  brown  levant  morocco  gilt,  gilt 
edges.     London:  Printed  for  J.  Watts,  etc.  v.  d.  [1728-1750] 

*  All  First  Editions.  Except  that  a  portion  of  one  leaf 
has  been  repaired,  all  of  the  nine  plays  are  fine  copies  and  ex- 
tremely rare  in  this  state. 

1271.  FIELDING  (HENRY).     The  History  of  the  Adven- 
10         tures  of  Joseph  Andrews,  And  of  his  Friend  Mr.  Abraham 

f\  Adams.     Written  in  Imitation  of  The  Manner  of  Cervantes, 

'  Author  of  Don  Quixote.     First  Edition.     2  vols.  12mo,  brown 

levant  morocco  gilt,  gilt  edges,  by  Riviere.  London,  1742 

1272.  FIELDING   (HENRY).     Miscellanies.     3  vols.  8vo, 
.     brown  levant  morocco  gilt,  gilt  edges,  by  Riviere. 

\{0  London,  1743 

*  Large  paper  copy  of  the  First  Edition,  containing  ma- 
terial printed  here  for  the  first  time,  including  the  author's 
famous  ' '  Life  of  Mr.  Jonathan  Wild. ' ' 

196 


1273.  FIELDING    (HENRY).       The   Wedding-Day.       A 

Comedy,  as  it  was  acted  at  the  Theatre-Royal  in  Drury-Lane,  

by  His  Majesty's  Servants.     First  Edition.     8vo,  blue  levant    ^^ 
morocco,  uncut,  by  Riviere.     Rare  state. 

London :  Printed  for  A.  Miller,  1743 

*  The  Epilogue  was  spoken  by  Mrs.  Woffinglon.     The  cast  was 
mrtable,   including   Macklin,   Garrick,   Mrs.    Pritchard,   etc. 

1274.  FIELDING  (HENRY).    The  History  of  Tom  Jones: 

A.  Foundling.     First  Edition,  second  issue,  with  the  correc-      ^^  ' 
tions,  and  no  errata.     6  vols.  ]  2mo,  old  calf,  gilt  backs. 

London,  1749 

*  From  the  James  Hatch  collection,  with  bookplates. 

1275.  FIELDING  (HENRY).  An  Enquiry  into  the 
Causes  of  the  Late  Increase  of  Robbers,  &c.  wdth  some  pro- 
posals for  Remedying  tliis  Growing  Evil.     In  which  the  pres-    j^ 

ent  Reigning  Vices  are  impartially  exposed;  and  the  Laws 

that  relate  to  the  Provision  for  the  Poor,  and  to  the  Punish- 
ment of  Felons  are  largely  and  freely  examined.  First  Edi- 
tion. 8vo,  red  levant  morocco  gilt,  uncut,  by  The  Club 
Bindery.  London,  1751 

1276.  FIELDING    (HENRY).      Amelia.     First  Edition. 

4  vols.  12mo,  original  calf,  sprinkled  edges.     (Name  of  former     ^  « 

owner  on  2  titles.)  London:  A.  Millar,  1752     ^ 

*  Contains  the  leaf  of  advertisement  in  vol.  2. 

1277.  FIELDING   (HENRY).     (I.)   A  Clear  State  of  the 
Case  of  Elizabeth  Canning,  Who  hath  sworn  that  she  was 
robbed  and  almost  starved  to  Death  by  a  Gang  of  Gipsies  and 
other  Villains  in  January  last,  for  which  one  Mary  Squires    Kir-l^ 
now  lies  under  Sentence  of  Death.     London,  1753.     First  Edi-    / 
tion.     (II.)   A  clear  State  of  the  Case  of  Elizabeth  Canning, 

. .  .  [same  text  as  above! .  The  second  edition.  London :  Printed 
for  A.  Millar,  1753.    8vo,  brown  morocco  gilt,  gilt  top,  uncut. 

*  Bound  with   the   above   is   Dr.   Hill 's   ' '  Story  of   Elizabeth 
Canning  considered. ' '     Etched  portrait  by  Worlidge  inserted. 

1278.  FIELDING    (HENRY).      The  Dramatic   Works   of 
Fielding.       First  Collected  edition.       3  vols.  12mo,  Spanisli     /-^~ 
calf,  gilt.  London,  1755 

*  The  sub-titles  have  different  dates,  and  the  plays  contained 
iu  each  volume  are  not  those  indicated  on  the  general  titles. 

1279.  FIELDING  (HENRY).     The  Journal  of  a  Voyage 

to  Lisbon.     First  Edition.     Small  8vo,  maroon  levant  mo-    J^— ' 
rocco  gilt,  gilt  top,  uncut,  by  Riviere,  with  the  half  title. 

London,  1755 
197 


1280.  FIELDING  (HENRY).  The  Fathers:  or,  The 
Good-Natur 'd  Man.     A  comedy.     As  it  is  Acted  at  the  The- 

-  X      atre  Royal,  in  Drury-Lane     Fiest  Edition.     8vo,  sprinkled 
IV  calf  gilt,  gilt  top,  some  edges  uncut,  by  Pratt.     London,  1778 

*  Written  many  years  before  Fielding 's  death,  and  mentioned 
by  him  in  the  preface  to  his  Miscellanies,  1743,  as  ' '  The  Good 
Natured  Man."     Prologue  and  Epilogue  by  Grarrick. 

1281.  FIELDING    (HENRY).      The   History   of   Amelia. 
^^     Illustrations  'by  George  Cruiksliank.     2  vols.  12mo,  half  ma- 
roon levant  morocco,  gilt  tops,  uncut,  by  Krafft.  London,  1832 

1282.  [FIELDING   (SARAH).]     The  Lives  of  Cleopatra 
^^      and  Octavia.     First  Edition.     4to,  blue  levant  morocco  gilt, 

gilt  edges,  by  The  Club  Bindery. 

London :  Printed  for  the  author,  1757 

1283.  FILHOL  (A.  M.)  and  LAVALLEE  (J.).  Cours 
historique  et  elementaire  de  peinture,  ou  galerie  complete 
du  Musee  Napoleon.  With  10  volumes  entitled  '^Galerie du 
Musee  Napoleon,^ ^  containing  portrait  of  Filliol  hy  Banquet 
after  Bourdon,  and  720  plates,  luitli  a  duplicate  set  of  proofs 
before  letters,  in  black  or  bistre,  besides  the  portraits  of 
Napoleon  and.  Josephine  in  the  volume  of  text.  11  vols, 
imp.  8vo,  old  French  red  straight-grain  morocco  gilt,  silk 
linings,  uncut.  One  of  the  copies  on  large  "papier 
VELIN."  Paris,  1804-15 

1284.  FILSON  (JOHN).  The  Discovery,  Settlement, 
AND  PRESENT  STATE  OF  Kentucke  :  aud  An  Essaj'  towards 
the  Topography  and  Natural  History  of  that  important 
Country;  To  which  is  added  an  Aj^pendix,  containing: 

I.  The  Adventures  of  Col.  Daniel  Boon(e),  one  of  the 
first  Settlers,  comprehending  every  important  Occurrence 
in  the  political  Histoiy  of  that  Province. 

II.  The  Minutes  of  the  Piankashaw  council,  held  at  Post 
St:Vincent,  April  15,  1784. 

III.  An  Account  of  the  Indian  Nations  inhabiting  within 
the  Limits  of  the  Thirteen  United  States,  their  Manners 
and  Customs,  and  Reflections  on  their  Origin. 

IV.  The  Stages  and  Distances  between  Philadelphia  and 
the  Falls  of  the  Ohio;  from  Pittsburg  to  Pensacola  and 
several  other  Places; — The  Whole  illustrated  by  a  new  and 
accurate  map  of  Kentucke  and  the  Country  adjoining , 
drawn  from  actual  Surveys.  Bortrait  of  Daniel  Boone,  en- 
graved by  Longacre  (inserted).  8vo,  green  levant  morocco 
gilt,  doublure  of  the  same  with  ornate  border,  gilt  top, 
ALL  other  edges  UNCUT,  by  Bradstreet.  In  orange  levant 
case.  Wilmington:  Printed  by  James  Adams,  1784 

*The  original  edition  accompanied  by  the  excessively 

RARE  MAP  engraved  IN  PHILADELPHIA  BY  HENRY  D.  P  URSELL, 
198 


AND  PRINTED  FOR  THE  AUTHOR  BY  T.  RooK  in  1784.  The  ex- 
istence of  this  map  was  doubted  for  many  years,  but  there  are 
five  copies  known  to  be  in  this  country,  three  of  whicli  are  in 
public  collections.  The  map  is  hinged  loosely,  with  skilful  re- 
pairs in  the  folds,  in  an  8vo  binding  of  green  levant  morocco, 
with  elaborate  border,  by  Joly.  This  is  the  first  and  only 
COPY'  OF  Filson's  Kentucky  with   the   Philadelphia  map 

EVER  OFFERED  FOR  SALE  BY  AUCTION. 

The  Appendix  includes  "The  Adventures  of  Col.  Daniel 
Boon,  containing  a  Narrative  of  the  Wars  of  Kentucke,"  em- 
bodying much  pioneer  history  of  importance  here  first  printed. 

A  sheet  of  paper  is   loosely  inserted  on  which   is  written 

THREE    LINES    IN    THE   AUTOGRAPH  OF  DANIEL    BoONE,  reading: 

"febury  the  3d  17S7.  Re'd.  of  Daniel  Boone  of  Mrs.  Brock- 
mons  Money  Which  Was  Payd  him  to  Clear  out  thire  Lands 
the  sum  of  4-  6.  1."  (Signed  in  another  hand)  "Jacob  Cros- 
thwait."  The  authenticity  of  this  document  is  attested  by  a 
letter  from  Lyman  C.  Draper,  Sec'ty  of  the  Wisconsin  Historical 
Society,  stating  that  he  obtained  it  from  Boone's  son.  Col. 
Nathan  Boone. 


1285.  FIORETI  della  Bibbia  historiati  iu  lingaa  fioren- 
tina.  Numerous  woodcuts.  4to,  brown  levant  morocco, 
panelled  sides,  gilt  edges. 

Venecia:  Mattheo  di  Codecha  da  Parma,  1494 


1286.  FISHER  (JOHN— BISHOP  OF  ROCHESTER, 
AND  MARTYR).  This  treatise  concernynge  the  fruj-tfuU 
!  saynges  of  Dauyd  the  kynge  {&)  prophete  in  |  the  seuen 
penytencyall  psalmes.  Deuyded  |  in  seuen  sermons  was 
made  and  compyled  |  by  the  rught  reuerente  fader  in  god 
Johan  I  fyssher  doctour  of  dyuynyte  and  b3^sshop  of  | 
Rochester  at  the  exortacion  and  sterynge  of  |  the  moost 
excellente  pryncesse  Margarete  |  countesse  of  Rychemout 
{&)  Derby,  {&)  moder  |  to  our  souerayne  lorde  kynge  Hery 
the.  vii. 

Colophon :  Here  endeth  the  exposj^cyon  of  y^.  vii. 
psalmes.  Enpryn  |  ted  at  London  in  the  fletestrete  at  the 
sygne  of  ye  sonue  |  by  Wynkjm  de  Worde.  In  the  yere  of 
oure  lorde.  M  ]  CCCCC.viii.  ye.  xvi.  da^^  of  ye  moueth  of 
Juyn.  The  |  xxiii.  yeve  of  ye  reygne  of  our  souerayne 
lorde  kynge  He  |  ry  the  seuenth.  | 

146  leaves,  with  signatures,  printed  mainly  in  De  Worde's 
type  No.  3,  but  the  Latin  quotations  in  a  heavier  Missal 
type  with  Lombardic  initials;  the  first  page  in  the  same 
Missal  type  headed  by  a  large  woodcut  of  a  portcullis  sur- 
mounted by  a  royal  crown,  the  supporters  being  a  dragon 
and  hound,  with  the  motto  "  Dieu  et  mon  droit."  Large 
ornamental  woodcut  initials,  and  each  sermon  headed  by  a 

199 


wood-engraved  tablet  containing  the  text.  The  large  device 
of  De  Worde  on  the  verso  of  the  last  leaf. 

Small  4to,  brown  morocco  gilt  antique,  gilt  edges,  by 
F.  Bedford,  in  morocco  case.  The  lower  and  inner  blank 
margins  of  the  last  leaf  supplied,  and  a  few  trifling  repairs 
to  the  corners  of  the  first  few  leaves,  otherwise  a  very  fine 
copy.  London:  Wynkyn  de  Worde,  1508 

*  First  Edition.  Exceedingly  rare,  probably  not  more 
than  seven  or  eight  copies  known,  of  which  at  least  two 
are  imperfect. 

1287.  FISHER  (JOHN— BISHOP  OF  ROCHESTER, 
AND  MARTYR).  This  treatise  conceruynge  the  fruytful 
I  saynges  of  Dauid  the  kynge  {&)  prophete  in  |  the  seuen 
penytencyall  psalmes.  Deuyded  |  in  seuen  sermons  was 
made  and  compyled  |  by  the  ryght  reuerente  fader  in  god 
Johan  I  fyssher  doctoure  of  dyuynte  (&)  bysshop  of  | 
Rochester  at  the  exortacyo  and  sterynge  of  |  the  moost 
excellet  princesse  Margarete  coil  |  tesse  of  Rychemout  and 
Derby,  {&)  moder  to  |  our  souerayne  lorde  kynge  Henry 
the.  vii.  I  .  Small  4to,  old  blue  morocco,  blind  tooled 
(slight  repair  to  the  lower  margin  of  the  last  leaf). 

Colophon :  Here  endeth  the  exposycyon  of  the.  vii. 
psalmes.  En-  |  prynted  at  London  in  the  Fletestrete  at 
the  sj^gne  of  the  |  sonne,  by  Wynkyn  de  Worde  prynter 
vnto  the  moost  ex-  |  cellent  pryncesse  my  Lady  the  kynges 
graildame.  In  the  |  yere  of  oure  lorde  god.  M.CCCCC. 
and.  ix.  the  xii.  daye  |  of  the  moneth  of  Juyn.  | 

London:  Wynken  de  Worde,  1509 

*  De  Worde's  SECOND  EDITION,  equally  as  rare  as  the  first,  and 
practically  an  exact  verbal  reprint,  in  the  same  type,  but  with 
a  change  of  capitals  of  the  larger  type,  different  woodcut  ini- 
tials and  tablets  to  the  sermons,  and  a  new  woodcut  of  the 
portcullis,  with  crown,  etc.,  on  the  first  page.  The  Corser, 
Utterson  and  Menzies  copy. 

1288.  [FISHER  (PAYNE).]  Piscatoris  Poemata:  vel 
Panegyricum  Carmen  In  diem  Inaugurationis  Olivari,  &. 
Recitatum  nuper  in  Aula  Medii-Templi,  Decemb.  17, 
MDCLV.  Eruditissimo  Pientissimoq;  Domino,  Dom.  Hen- 
rico [engraved  arms]  Laurentio  Concilii  Dom.  Prsesidi,  una 
cum  Dom.  Coassessoribus  in  eodem  Concilio,  Dedicatum. 
With   three   brilliant  portraits, — the   very  rare   equestrian 

portrait  of  Cromwell  inscribed,  "  Vera  effigies  Illustrissimi 
amplissimq:  Herois  Oliveri   Cromwelli,'"  and  engraved  by 

200 


p.  stent,  the  rare  portrait  of  Bulstrode  WMtlock  by  W. 
Faithorne,  and  an  equestrian  portrait  of  Charles  Gustavus 
by  Stent,  dated  165Jf,.  Folio,  brown  levant  morocco,  fillets 
and  corner  ornaments,  gilt  edges,  by  The  Club  Bindery. 

Londini:  Typis  ThomjB  Newcombii,  1055-57 

*  Payne  Fisher,  who  called  himself  "  Paganus  Piscator,"  was 
poet  laureate  to  Oliver  Cromwell. 

Hardly  any  two  copies  of  this  book  have  the  same  contents. 
Lowndes  gives  sixteen  parts  from  which  different  copies  are 
made  up,  of  which  the  present  copy  contains  fourteen.  Pre- 
ceding the  title  there  is  a  leaf  containing  the  arms  of  Major- 
General  William  Butler,  executed  in  colors,  by  hand,  and  a 
second  leaf  of  dedication,  in  the  same  style.  From  the  library 
of  Sir  Robert  Throckmorton,  with  bookplate. 

1289.  [FITZ-GEOFFREY  (HENRY).]  Certain  Elegies 
done  by  Sundrie  Excellent  Wits,  with  Satyrs  and  Epigrams. 
(By  F.  Beaumont,  M.  Drayton,  and  N.  Hookes.)  Reprint 
of  the  edition  of  1620  by  E.  V.  Utterson.  16mo,  red  mo- 
rocco, gilt.  The  Beldornie  Press,  1843 

*Only  13  copies  printed.  E.  V.  Utterson's  copy,  with  his 
bookplate. 

1290.  FLACCUS  (CAIUS  VALERIUS).  L'Argonautique, 
on  Conquete  de  la  Toison  d'Or.  Translated  by  J.  J.  Caus- 
sin  de  Perceval.  8vo,  red  levant  morocco  gilt,  with  the 
monogram  E.  B.,  gilt  edges,  by  Belz-Niedree.       Paris,  1829 

1291.  FLAMMARION  (CAMILLE).  Les  Merveilles 
Celestes.  75  illustrations  and  2  plates.  12mo,  half  cloth, 
uncut.  Paris,  1869 

*  Printed  on  India  paper. 

1292.  FLATMAN  (THOMAS).  Poems  and  Songs.  The 
Third  Edition,  with  Additions  and  Amendments.  Portrait. 
Small  8vo,  blue  morocco  gilt,  gilt  edges. 

London:  B.  Tooke,  1682 

*  This  copy  contains  the  Errata  and  advertisements,  usually 
missing.     The  Bierstadt  copy,  with  bookplate. 

1293.  FLATMAN  (THOMAS).  Poems  and  Songs.  With 
many  Additions  and  Amendments.  Portrait.  Small  8vo, 
sprinkled  calf,  yellow  edges,  by  Bedford. 

London:  B.  Tooke,  1686 

1294.  FLAUBERT  (GUSTAVE).  Madame  Bovary, 
Moeurs  de  Province.  Douse  compositions  par  Albert  Fourie 
Gravees  a  Veauforte  Par  E.  Abot  et  D.  Mordant.  Impe- 
rial 8vo,  blue  levant  morocco,  floral  and  scroll  back  and 
side  corners,  panels  of  fillets  and  dots,  figured  silk  linings, 
gilt  over  rough  edges,  original  covers  bound  in,  hy  The 
Club  Bindery.  Paris,  1885 

*  One  of  100  copies  on  large  Japan  paper,  with  the  plates  in 
two  states,  proofs  before  letters  on  Japan  paper,  and  after 
letters  on  plate  paper. 

201 


1295.  FLAUBERT    (GUSTAVE).      Un    Coeur    Simple. 

Illustre  de  vingt-trois  compositions  x>ar  Emile  Adan,  gravees 
u  Veau-forte  par  Champ ollion.  8vo,  blue  levant  morocco, 
doublure  of  the  same  ornamented  with  floral  spraj^s  in  gold 
and  mosaic  of  red,  green  and  blue,  gilt  edges,  original  cov- 
ers bound  in,  by  Ruban.  Paris,  1894 

*  One  of  100  copies  on  large  vellum  paper  with  the  etchings 
in  two  states,  remarque  proofs  and  proofs  after  letters. 

1296.  FLAUBERT  (GUSTAVE).  Un  Coeur  Simple. 
Frontispiece  and  IJf.  illustrations  in  colors.  12mo,  red 
watered  silk,  original  covers  bound  in,  gilt  edges. 

[Evreux],  1903 
*One  of  110  copies  printed  with  the  frontispiece  in  6  states. 

1297.  FLAUBERT  (GUSTAVE).  Memoires  d'un  Fou. 
Portrait  by  A.  Margeot,  proof  on  Japan  paper.  Royal 
Bvo,  figured  silk,  uncut.  Paris,  1901 

*  One  of  100  copies  printed  on  tinted  Holland  paper. 

1298.  FLlSCHIER  (ESPRIT).  Histoire  de  Theodose  le 
Grand,  pour  Monseigneur  le  Dauphin.  Engratwd  vig- 
nettes, culs-de-lampe  and  ornamental  letters,  by  L.  Cossin. 
First  Edition.  4to,  blue  levant  morocco,  inside  borders, 
gilt  edges,  by  Duru.  Paris,  1679 

1299.  FLECHIER  (ESPRIT).  Histoire  du  Cardinal 
Ximenes.  Portrait  by  O.  F.  Edelinck.  4to,  old  red 
morocco  gilt,  doublure  of  red  morocco,  dentelle  borders, 
gilt  edges.  Paris:  Jean  Anisson,  1693 

*  First  Edition  ;  ruled  in  red  ink.  From  the  library  of 
Robert  Samuel  Turner . 

1300.  FL]gCHIER  (ESPRIT).  Oraisons  Funebres.  With 
a  portrait  of  F techier  by  St.  Aubin,  the  original  drawing, 
etching,  and  finished  proof  on  India  paper,  another  engraved 
by  Roger,  proof  before  letters,  a  portrait  of  Turenne  en- 
graved by  St.  Aubin,  and  of  the  Due  de  Montaiisier  en- 
graved by  Gaucher.  2  vols.  12mo,  blue  straight-grain 
morocco,  gilt  and  blind  tooled,  silk  linings,  uncut.  In  blue 
morocco  cases.  Paris:  Ant.  Aug.  Reuouard,  1802 

*  From  Renoviard's  own  collection     The  only  copy  printed 

ON  VELLUM. 

1301.  FLECHIER  (ESPRIT).  Memoires  sur  les  grands- 
jours  d'Auvergne  en  1665.  8vo,  red  levant  morocco  gilt, 
gilt  edges,  by  Hardy.    Paris,  [Printed,  not  published]  1856 

*  Thick  paper  copy.  "  Epreuve  non  destinee  au  commerce," 
with  two  plates  and,  inserted,  a  portrait  of  Flechier  and  an 
autograph  letter  from  Sainte-Beuve. 

1302.  FLETCHER  (GILES,  JUNIOR).  Christ's  Victory 
and  Triumph,  in  Heaven,  and  Earth,  over  and  after  Death. 
Wherein  is  lively  figured  his  Birth,  Circumcision,  Bap- 
tisme.    Temptation,  Passion,  Resurrection,  Assention.     In 

203 


foure  divine  Poems.  Third  Edition.  7  curious  j^lates  hy 
George  Yctte.  4to,  mottled  calf,  gilt  back  and  edges  (a  few 
pages  repaired).  Cambridge:  Roger  Daniel,  1640 

1303.  FLETCHER  (JOHN).  The  Tragedy  of  Thierry, 
King  of  France,  and  his  Brother  Theodoret.  As  it  was 
diverse  times  acted  at  the  Blacke-Friers  by  the  Kings 
Maiesties  Servants.  Second  Edition,  ito,  brown  levant 
morocco  gilt,  gilt  edges,  by  Riviere. 

London:  Humphrey  Mosely,  1648 

J  304.  FLETCHER  (PHINEAS).  Sicelides,  a  piscatory. 
As  it  hath  beene  Acted  in  Kings  Colledge,  in  Cambridge. 
First  Edition.     4to,  calf,  blind  tooled  borders  on  sides. 

London:  I.  N.  for  William  Sheares,  1631 

*  Fine,  tall  copy.  Initials  on  title  page  and  some  pencilled 
annotation. 

1305.  FLETCHER  (PHINEAS).  The  Purple  Island,  or 
The  Isle  of  Man :  Together  with  Piscatorie  Eclogs  and  Other 
Poeticall  Miscellanies.  First  Edition.  4to,  old  red  mo- 
rocco, gilt  edges.  Printed  by  the  Printers  to  the  Universi- 
tie  of  Cambridge,  1633. 

*  Large  paper  copy,  with  the  final  leaf  R-4,  an  engraving 
of  arms  on  verso  of  title,  and  engraved  dedicatory  plate.  Last 
leaf  unnumbered,  and  No.  pages  97-100,  as  usual. 

1306.  FLEUR  (LA)  des  commandemens  de  dieu  auec 
plusieurs  exemples  et  auctoritez  extraites  tant  de  sainctes 
escriptures  que  d'autres  docteurs  et  bons  anciens  pere. 
Gothic  character.  377  leaves,  with  signatures^  Jfi  lines  to  the 
page.  3  woodcuts  on  title,  repeated  at  the  iDeginning  of  the 
text,  and  another  cut.  Folio,  brown  levant  morocco,  panelled 
sides,  with  blind  tooled  ornamental  borders,  gilt  inner 
panel,  gilt  and  blind  tooled  back,  doublure  of  citron  levant, 
gilt  arabesque  borders,  gilt  edges,  hy  Joly.  (Last  leaf  con- 
taining the  colophon  missing.) 

[Paris:  Anthoine  Verard,  1499] 

*  Very  scarce.    Hain,  7131 ;  Copinger  II,  2523;  Proctor,  8444. 

1307.  FLEUR  LASCIVE.  La  Fleur  Lascive  Orientale. 
With  engraved  frontispiece.  12mo,  half  blue  morocco,  un- 
cut. Oxford:  Bibliomaniac  Society,  1882 

*  One  of  500  copies  printed  exclusively  for  the  members  of 
the  Bibliomaniac  Society. 

1308.  FLEURY  (EDOUARD).  Les  Manuscrits  a  Minia- 
tures de  la  Bibliotheque  de  Laon.  50  plates  and  85  initials 
engraved  in  the  text.  2  vols,  small  folio,  half  green  morocco, 
gilt  tops,  uncut.  Laon,  1863 

203 


1309.  FLEURY-HUSSON  (JULES).  Les  Chats.  Par 
Champfleury,  Square  8vo,  blue  levant  morocco,  back  and 
sides  tooled  with  figures  of  cats,  inside  borders,  red  silk 
linings,  gilt  top,  uncut,  by  ChamboUe-Duru.        Paris,  1870 

*  Extra  illustrated  by  the  insertion  of  an  autograph  letter  of 
the  author,  a  portrait  by  Bracquemond  in  two  states,  proofs  in 
black  and  bistre,  the  latter  on  India  paper,  and  18  other  plates 
7  being  portraits,  including  proofs  before  letters  and  on  India 
paper. 

1310.  FLEURY-HUSSON  (JULES).  Histoire  de  la  Cari- 
cature au  Moyen  Age  et  sous  la  Renaissance.  Colored 
frontispiece  and  numerous  woodcut  illustrations.  12mo, 
half  blue  levant  morocco,  gilt  top,  uncut,  original  covers 
bound  in.  Paris,  1876 

1311.  FLITNER  (JOHANN).  Nebulo  Nebulorum  hoc 
est:  loco-seria  Vernaculse  nequitise  Censura.  Frontispiece 
and  33  engravings  in  the  text.  Small  8vo,  red  morocco,  gilt 
edges,  by  Cape. 

[n.  p.]  Secundo  sedita  a  loanne  Coopmans  Leowerdiense, 
1636. 

*  With  the  bookplate  of  L.  Pasquier. 

1312.  FLORIAN  (J.  P.  CLARIS  DE).  Galatee,  roman 
pastoral  imite  de  Cervantes.  Small  8vo,  old  French  green 
morocco  gilt,  gilt  edges,  in  a  morocco  slip  case. 

Paris:  Didot  I'aine,  1784 

*  Extra-illustrated  by  the  insertion  of  5  charming  original 
drawings  in  sepia. 

1313.  FLORIAN  (J.  P.  CLARIS  DE).  Les  Six  Nouvelles. 
Frontispiece  by  Guyard,  after  Pernotin,  and  6  inserted  plates 
after  Queverdo.  First  Edition.  12mo,  green  morocco 
gilt,  gilt  edges,  by  Derome.  Paris,  1784 

1314.  FLORIAN  (J.  P.  CLARIS  DE).  Melanges  de  Poesie 
et  de  Litterature.  With  6  plates  by  Dambrun,  Longueil  and 
Delignon,  after  Queverdo.  First  Edition.  12mo,  green 
morocco  gilt,  gilt  edges,  by  Derome.         Paris:  Didot,  1787 

1315.  FLORIAN  (J.  P.  CLARIS  DE).  Kedar  et  Amela. 
With  10  illustrations  in  colors.  12mo,  citron  levant  morocco, 
gilt  and  mosaic  back,  sides  with  mosaic  bands  of  mauve, 
richly  tooled  in  a  graceful  design,  inside  borders  inlaid, 
gilt  over  rough  edges,  original  covers  bound  in,  by  Ruban. 

Paris,  1901 

*  Japan  paper  copy,  with  an  original  water-color  by  Fauret. 

1316.  FLORUS  (LUCIUS  ANNiEUS).  Abrege  de  I'His- 
toire  Romaine.  Translated  bj'^  F.  Ragon.  8vo,  red  levant 
morocco  gilt,  with  monogram  E,  B.,  gilt  edges,  by  Belz- 
Niedree.  Paris,  1826 

204 


1317.  FOLENGO  (TEOFILO).  Orlandino  per  Liraerno 
Pitocco.  Small  cuts.  8vo,  blue  straight- grain  morocco, 
gilt  edges.  Part  2  (containing  "Chaos  del  triperuno  ") 
missing.  Vinegia,  1526 

1318.  FOLENGO  (TEOFILO).  Histoire  Maccaronique 
de  Merlin  Coccaie,  prototype  de  Rabelais.  2  vols.  12mo, 
blue  morocco  gilt,  gilt  edges,  by  Derome. 

Paris:  Toussaincts  du  Bray,  1606 

1319.  FOOTE  (SAMUEL).  Plays;  as  follows:  The 
Knights,  a  Comedy,  1754;  The  Englishman  in  Paris,  1753; 
The  Englishman  Returned  from  Paris,  1756;  The  Lame 
Lover,  1770;  The  Bankrupt,  1776;  The  Cozeners,  1778; 
The  Maids  of  Bath,  1778;  The  Devil  upon  Two  Sticks,  1778; 
The  Nabob,  1778;  A  Trip  to  Calais,  1778.  All  First 
Editions.     8  vols.  8vo,  morocco  (2  colors),  gilt  edges. 

London, 1753-78 

1320.  [FORD  (JOHN).]  The  General  Cashier'd:  A  Play, 
as  Designed  for  the  Stage.  Humbly  Inscrib'd  to  His  High- 
ness Prince  Eugene  of  Savoy.  Small  4to,  dark  green  levant 
morocco  gilt,  gilt  over  rough  edges,  by  Zaehnsdorf. 

London,  1712 

1321.  FORD  (JOHN).  The  Dramatic  Works  of  John 
Ford.  With  Introduction  and  Explanatory  Notes  by  Henry 
Weber  2  vols,  roj^al  8vo,  half  red  levant  morocco  gilt, 
gilt  tops,  uncut,  by  Bedford.  Edinburgh,  1811 

*  Large  Paper  copy, 

1322.  FOUCQUET  (JEHAN).  Heures  de  Maistre  Esti- 
enne  Chevalier.  Texte  restitue  par  M.  L'Abbe  Delaunay. 
Upwards  of  50  full-page  miniatures  in  gold  and  colors  after 
Foucquefs  famous  paintings.,  the  250  pages  of  text  sur- 
rounded hy  illuminated  borders  chosen  from  celebrated 
manuscripts,  each  pattern  different,  and  numerous  tuood- 
cuts.  2  vols,  royal  8vo,  blue  levant  morocco  gilt,  side 
panels,  gilt  edges,    by  Bedford.         Paris;  L.  Ciirmer,  1867 

*  One  of  the  finest  chromolithographic  works  ever  published. 

1323.  FOUILLOUX  (JACQUES  DU).  La  Venerie  de 
laques  du  Fouilloux,  Gentilhomme,  Seigneur  dudit  lieu, 
pays  de  Gastine,  en  Poitou.  Dediee  au  Roy  Tres-chrestien 
Charles,  neusiesme  de  ce  nom.  Avec  Plusieurs  Receptes 
&  Remedes  pour  guerir  les  Chiens  de  diuerses  maladies. 
Plus  L' Adolescence  de  I'Autheur.  57  woodcuts,  the  one  on 
the  verso  of  title  representing  the  author  giving  a  copy  of 
his  hook  to  Charles  IX — and  music  score.  8vo,  red  levant 
morocco  gilt,  deers'-heads  on  back  panels,  inside  borders 
with  figures  of  dogs  and  deer,  gilt  edges,  hy  Trautz-Bau- 
zonnet. 

Poitiers:  Par  les  de  Marnefz,  et  Bouchetz,  freres  [1562] 

*  Printed  in  italic  characters.    Contains  Guillaume  Bouchet's 
"  La  Complainte  du  Cerf." 

205 


1324.  FRANCE  (ANATOLE).  Le  Puits  de  Sainte  Claire. 
First  Edition.  12mo,  half  light  green  levant  morocco, 
back  tooled  in  leaf-spraj^s,  Dresden  silk  sides,  gilt  top, 
uncut,  original  covers  bound  in,  by  The  Club  Bindery. 

*  One  of  30  copies  on  Japan  paper.  Paris,  1895 

1335.  FRANCE  (AN ATOLE).  Histoire  Contemporaine. 
L'Orme  du  Mail.  First  Edition.  Inserted  is  a  portrait 
by  Louis  Monzies,  proof  before  letters,  with  author'' s  signa- 
ture, and  a  letter  referring  to  it.  12m o,  half  maroon  levant 
morocco  gilt,  gilt  top,  uncut,  original  covers  bound  in,  by 
Ourvand.  "  Paris,  1897 

*  One  of  30  copies  on  Japan  paper. 

1326.  FRANCE  (ANATOLE).  La  Leeon  bien  apprise. 
Image  par  Leon  Lebegue  pour  les  Bibliophiles  Independ- 
ants.  Plain  and  colored  illustrations.  4to,  half  mauve 
levant  morocco  gilt,  gilt  top,  uncut,  pictorial  covers  bound 
in,  hy  Noulhac,  Paris,  1898 

*  One  of  210  copies  issued  by  subscription.  With  the  above  is 
bound  an  issue  of  the  Poem  with  plain  illustrations,  a  duplicate 
set  of  plain  plates  before  the   text,  all  proofs  on  India  paper, 

and  ELEVEN    PLATES    COLORED    BY  HAND   UNDER  THE   DIRECTION 
OF    THE    ARTIST,  WITH    HIS    MANUSCRIPT    COMMENTS. 

1327.  FRANCE  (ANATOLE).  Histoire  Contemporaine. 
L'Anneau  d'Amethj^ste.  12mo,  half  maroon  levant  mo- 
rocco gilt,  gilt  top,  uncut,  original  covers  bound  in,  by 
Ourvand.  Paris,  1899 

*  One  of  40  copies  on  Japan  paper. 

1328.  FRANCE  (ANATOLE).  Thais.  Compositions  de 
Paul-Albert  Laurens,  Qravures  a  Veau-forte  de  Leon  Bois- 
son.  Royal  8vo,  brown  levant  morocco,  tooled  in  compart- 
ments in  an  oriental  design  of  mosaic  in  light  and  dark 
green,  rose,  blue,  citron,  red,  orange,  and  ivory  morocco, 
tooled  in  gilt  fillets,  dots,  conventional  leaves,  etc.,  doublure 
of  green  morocco,  gilt  borders  introducing  oriental  tools, 
white  corded  silk  guards,  gilt  over  rough  edges,  original 
covers  bound  in,  by  Gruel.  Paris,  1900 

*  One  of  20  copies  on  vellum  paper,  with  the  full-page  plates 
in  four  states,  and  the  illustrations  in  the  text  in  three ;  one  on 
Japan  paper. 

1329.  FRANCE  (ANATOLE).  LeProcurateur  de  Judee. 
Vignette  and  tailpiece  by  T.  Callot.  8vo,  maroon  levant  mo- 
rocco, tooled  in  a  panel  of  Grecian  design  in  fillets,  wide  orna- 
mental inside  borders,  gilt  edges,  by  Lortic.         Paris,  1901 

*  French  manuscript  in  italic  characters  by  Victor  Bouton; 
written  on  vellum  within  borders  of  red  and  gold,  8>4  x  5}^ 
inches.  31  leaves;  the  title-page  in  red,  blue  and  gold,  with 
large  initials  in  gold  on  a  black  ground,  and  small  initials  in 
red,  blue  and  gold.  Bound  in  at  the  end  is  the  announcement 
of  the  death  of  Bouton,  August  12,  1901. 

206 


1330.  FRANCIS  (FRANCIS).  Newton  Dogvane.  A 
Story  of  English  Country  Life.  First  Edition.  •?  illus- 
trations hy  John  Leech.  3  vols.  13mo,  red  levant  morocco 
gilt,  gilt  tops,  by  The  Club  Bindery.  Loudon,  1869 

1331.  FRANgOIS  DE  NEUFCHITEAU  (NICOLAS, 
COMTE).  Conseils  d'un  Pere  a  son  Fils  imites  des  vers 
que  Muret  a  ecrits  en  Latin  pour  I'usage  de  son  neveu.  8vo, 
original  boards,  uncut.  A  Parme :  Imprime  par  Bodoni,  1801 

*  The  text  of  the  above  is  printed  in  Latin,  French,  Italian 
and  German. 

1332.  FRANEAU  (FRASNEAUJEAN).  lardin  d'Hyver 
ov  Cabinet  des  Flevrs  Contenant  en  XXVI  Elegies  les  plus 
rares  et  signalez  Fleurons  des  plus  fleurissans  parterres. 
lUustre  d^ excelle7ites figures  representantes  aunaturel  les  plus 
belles  fleurs  des  Jardins  domestiqu'es.  4to,  original  vellum 
wrappers.  Dovay:  Pierre  Borremans,  1616 

1333.  FRANKLIN  (ALFRED).  Recherches  sur  la  Bibli- 
otheque  Publique  de  I'Eglise  Notre-Dame  de  Paris  au 
XIIP  siecle  d'apres  des  documents  inedits.  8vo,  half  blue 
levant  morocco  gilt,  gilt  top,  uncut,  by  Cape.      Paris,  1863 

*One  of  10  copies  printed  on  papier  chamois. 

1334.  FRANKLIN  (ALFRED).  Recherches  sur  la  Bib- 
liotheque  de  la  Faculte  de  Medecine  de  Paris  d'apres  des 
documents  entierement  inedits  suivies  d'une  notice  sur  les 
manuscrits  qui  y  sont  conserves.  Frontispiece.  12mo,  half 
blue  levant  morocco  gilt,  gilt  top,  uncut,  by  Cape. 

*  One  of  300  copies  on  papier  velin.  Paris,  1864 

1335.  FRANKLIN  (ALFRED.)  Histoire  de  la  Biblio- 
theque  de  I'Abbaye  de  Saint- Victor  a  Paris  d'apres  des 
documents  inedits.  8vo,  half  blue  morocco  gilt,  gilt  top, 
uncut,  by  Cape.  Paris,  1865 

*  One  of  253  copies  on  papier  velin. 

1336.  FRANKLIN  (ALFRED).  Etude  historique  et 
topographique  sur  le  Plan  de  Paris  de  1540,  dit  Plan  de 
Tapiserie.  Frontispiece.  8vo,  red  levant  morocco,  gilt 
panels,  doublure  of  dark  blue  levant  morocco,  broad  gold 
tooled  borders,  gilt  top,  uncut,  in  a  case,  by  Rousselle. 

Paris:  Aug.  Aubry,  1869 

*OnE  of  4  COPIES  PRINTED  ON   VELLUM. 

1337.  FRANKLIN  (BENJAMIN).  Memoires  de  la  vie 
privee,  ecrits  par  lui-meme,  et  addresses  a  son  fils;  Suivis 
d'un  Precis  historique,  de  sa  Vie  politique,  et  de  plusieurs 
Pieces,  relatives  a  ce  Pere  de  la  Liberte.  2  parts  in  one 
vol.  8vo,  half  maroon  levant  morocco,  gilt  fillets,  gilt  top, 
uncut,  by  The  Club  Bindery.  Paris:  Buisson,  1791 

207 


1338.  [FRANKUM  (RICHARD).]  The  Bee  and  the 
Wasp.  A  Fable  in  Verse.  First  Edition.  ^  full-page 
etchings  by  George  Cruikshank.  12mo,  half  blue  calf  gilt, 
gilt  top,  uncut,  original  wrappers  bound  in. 

London :  Charles  Tilt,  1832 

1339.  FREDERICK  THE  GREAT.  Memoires  pourservir 
a  I'Histoire  de  Brandebourg.  De  Main  de  Maitre.  Portrait 
of  the  King  and  title-vignette.  First  Edition.  12mo,  red 
levant  morocco,  gilt  edges,  by  Hardy-Mennil. 

Im  prime  pour  la  Satisfaction  du  Public,  1750 

1340.  FREDOL    (ALFRED).      Le    Monde   de   la   Mer. 

Illustre  de  22  planches  tirees  en  coideur,  14  planches  en  noir 
tirees  a  part,  et  320  vignettes  intercalees  dans  le  texte.  Im- 
perial 8vo,  half  green  levant  morocco,  gilt  top,  uncut,  by 
David.  Paris,  1866 

1341.  FR:^NE  (LA  MARQUISE  DE).  Memoirs  de 
Madame  la  Marquise  de  Frene.  Tlvo  portraits  and  28 
plates.     12mo,  red  levant  morocco,  gilt  edges,  by  Hardy. 

Amsterdam,  1701 

*  The  Agueneau  family  burned  all  copies  of  this  book  which 
they  could  secure. 

1342.  FROISSART  (JEAN).  Le  Premier  (le  Second  et 
le  Tiers)  Volume  des  Chroniques  de  France,  d'Angleterre, 
d'Escoce,  d'Espaigne,  de  Bretaigne,  de  Gascogne,  de  Flan- 
ders et  lieux  circonvoisins.  Lettres  Bdtardes,  double  col- 
umns. 3  vols,  thick  folio.  Vols.  I-II  in  old  French  red 
morocco  gilt,  gilt  edges,  Vol.  Ill,  new  red  morocco  gilt,  gilt 
edges,  in  imitation  of  the  old  binding,  by  Clyde. 

Paris:  Antoine  Verard  [n.  d.,  1495-1500] 

*  Printed  on  vellum.  Vol.  I  is  printed  "  pres  I'hostel  Dieu," 
and  is  consequently  the  second  edition  (after  1500).  Vols.  II 
and  III  are  printed  "  sur  le  pont  Nostre  dame,"'  indicating  the 
first  editions  (about  1495).  On  the  titles  of  Vols.  I-II  is  the 
signature  "  E.  Denouyers,  1595." 

The  three  volumes  contain  altogether  165  finely  painted 
AND  ILLUMINATED  MINIATURES,  besides  one  of  full-page  size  on 
the  verso  of  the  preliminary  leaf  8  of  Vol.  I,  and  many  hun- 
dreds of  illuminated  initials.  The  subjects  of  the  chapters  are 
written  on  the  margins  by  a  contemporary  hand.  Vols.  I  and 
II  from  the  Meerman,  Utterson  and  Ashburnham  libraries ; 
Vol.  Ill  from  the  Ashburnham  library. 

Preliminary  leaf  8  of  Volume  II  and  leaf  6  of  Vol.  Ill  miss- 
ing, and  leaves  26,  31  and  151-154  (6  in  all)  of  Vol.  I  supplied  in 
contemporary  manuscript.     A  volume   IV  on  vellum  of  the 
second  edition  was  sold  at  the  d'Ourchss  sale. 
[See  Reproduction.] 

208 


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tie  paregr  im  Sa»re  ©efa  fcttjrff  rr  fen  Ur^ 
ftoje  Itrrsicrmirrif  <i  ff  frfwff  ♦  ^f  a§onc  fe 
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fienofece^picar^enurro^i^^fmiife*  ^£r 
e/f  olctiteScntrc^  ef  orre^f  ^  Ow  camanDr/ 
mffif  bu  rof  tiffrance  pour  ortrndic  fa  re 
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^enhiekpaffa^e  *  Serorbongfercrre 
.  tt  tee  (kne  qm  "^enoknt  ftngt<int^itent  ' 
beuanf  (efduftfi  ^tant  quantitc  be  "^aifi 
feautf:  que  De  mat  5  /emBfore  Diof  (tr/nr  n( 
^(SSop^*  ^ibemanSatetavati  »ia^rj? 

Froissart's  Chronicles,  printed  on  vellum  by 

(See  No.  1342.) 


^;.-^ 


Verard,  Paris    (1495-1500). 


1343.  FROISSART  (JEAN).  Le  premier  [second,  trois- 
i^me  et  quatrieme]  volume  de  Froissart,  Des  croniques  de 
france,  daugleterre,  de  gascogne,  de  flandres  et  lieux  cir- 
convoisins.  Lettres  bdtardes,  double  columji.-i.  4  vols,  bound 
in  3.  Small  folio,  green  levant  morocco,  gilt  panelled  sides, 
the  arms  of  France  in  the  centre  of  the  covers,  richly  gilt 
backs;  doublure  of. red  levant  with  gilt  tooled  borders  of 
leaf-sprays,  gauffred  gilt  edges,  by  Lortic. 

Paris,  pour  Jehan  Petit,  1518 
*  Rare  edition.     From  the  library  of  Ambi'oise  Firmin-Didot, 
but  not  in  liis  sale.     274  mm. 

1344.  FROISSART  (JOHN).  (I.)  HEre  begynneth  the 
fyrst  volum  of  Syr  Johan  Froyssart:  of  the  Cronycles  of  . 
Englande  Fraunce  Spayne  Portyngale  Scotlaude  Bretayne 
Flaunders:  and  other  places  adioynynge.  Translated  out 
of  frenche  into  our  materall  Englysshe  tonge  by  Johan 
Bouchier  knj^ght  lorde  Berners: 

[Colophon]  Thus  endeth  the  firste  volume  of  sir  Johan 
Froissart:  of  the  cronycles  .  .  .  Imprinted  at  London  in 
Fletestrete  at  the  synge  of  the  George  by.  Wyllyam 
Myddylton. 

(II.)  C  Here  begynneth  the  thirde  and  fourthe  boke  of 
sir  John  Froissart  of  the  cronycles  of  Englande  Fraunce 
Spaygne  Portyngale  Scotlande  Bretayne  Flaunders  and 
other  places  adioynyng  translated  out  of  Frenche  in  to 
englj^sshe  by  Johan  Bourchier  Knyght  lorde  Berners,  dep- 
utie  generall  of  y  kynges  towne  of  Calais  and  marchesse 
of  the  same. 

[Colophoji]  C  Thus  endeth  the  thirde  and  fourthe  boke 
of  sir  John  Froissart  of  the  cronycles  .  .  .  The  whiche  two 
bokes  be  copyled  in  to  one  volume  &  fynysshed  in  the 
sayd  towne  of  Calais  the.  x.  day  of  marche  in  the.  xvi.  yere 
of  our  said  soueraj^ne  lordes  raigne.  Imprinied  at  London 
in  Fleetestrete  bj^  Rycharde  Pynson  printer  to  the  kynges 
most  noble  grace.  And  ended  the  last  day  of  August:  the 
yere  of  our  lorde  god.  M.  D.  xxxv.  C  Cum  priuylegio  a  rege 
indulto. 

Printed  in  Gothic  type.  2  vols,  folio,  red  levant  mo- 
rocco, gilt  borders  in  the  manner  of  Derome,  gilt  edges,  by 
Riviere.      (Trifling  repairs  in  places.) 

London:  Wm.  Middleton,  undated,  and  Rd.  Pynson,  1525 
■"■  The  first  English  translation  op  Froissart  and  one  of 
THE  FINEST  COPIES  IN  EXISTENCE.  There  appear  to  have  been 
209 


three  editions,  one  by  Pynson,  1523-1525,  another  with  bis 
name  as  printer,  but  supposed  to  be  a  pirated  edition,  and  the 
other  by  W.  Middleton.  Copies  are  frequently  found  made 
up  from  the  three  editions.  Utterson,  in  his  reprint  of  Pynson's 
edition,  says  "  Middleton's  impression  is  line  for  line  with 
Pynson 's."  In  the  title  of  Volume  I.,  Henry  VIII.  is  styled 
"  Of  the  churche  of  Englande  and  also  of  Irelande  in  earth  the 
supreme  heade."  As  Henry  did  not  assume  this  title  uniil 
1530,  it  is  clear  that  the  date  of  the  first  volume  is  at  least  five 
years  later  than  that  of  the  second.  Middleton  did  not  begin 
to  print  until  about  ten  years  after  Pynson's  death. 

Collation:  Vol.  1.  Title  with  two  rows  of  printer's  ornaments 
below  it  and  surrounded  by  a  border  of  pieces,  the  initial  letter 
"  H  "  being  a  woodcut  with  scroll  design.  At  (verso  woodcut  of 
the  royal  arms,  supported  by  a  griffin  and  a  grej'hound,  with  a 
portcullis  on  each  side,  and  surmounted  by  two  angels  hold- 
ing a  scroll  containing  a  Latin  inscription  and  surrounding  a 
rose).  "€[  The  preface  of  Johan  Bourchyer  knight  lorde  Berners, 
translatour  of  this  present  cronycle,"  A2.  Table,  A3-A6  and 
B1-B4  (verso  blank).  Text  in  CCCCLI  chapters,  a-v,  aa-vv, 
and  aaa-ooo4  ending  on  the  recto  with  the  colophon,  in  sixes. 
ooo4  vei'so  blank.     Folios  i-cccxxii. 

Vol.  II.  Title  in  a  broad  woodcut  border  ascribed  to  Holbein 
(see  letters  H.  H.  in  center  of  the  left  side),  Al  (verso  tlie  large 
woodcut  of  the  royal  arms,  already  described).  Preface,  a2. 
Table,  A2  verso-a8  (verso  blank).  Text  in  CCXLIX,  chapters. 
A-[J6,  AA-UUO,  AAA-0008  in  sixes,  ending  on  the  recto 
with  the  colophon.  On  the  verso  is  Pynson's  device  No.  7,  a 
full-page  woodcut  of  a  coat  of  arms,  said  by  Herbert  to  be  Pyn- 
son's.    Folios  I-CCC.xix. 

1345.  FROISSART  (JEHAN).  Ci  seosieut  vntrettie  de 
moralite  q  sappelie  le  temple  dounoiir:  fait  ditte  et  ordoue 
p  venerable  et  discrete  psonne  sire  Jehan  Froissart.  Non 
encores  ci  devant  imprirae  VI.  C.  [Biographical  note  by 
P.  Chabaille.]  Woodcut  on  title.  Square  12mo,  red  levant 
morocco,  gilt  centre  ornaments,  uncut,  by  Cape.   Paris,  1845 

*  Vellum  copy,  printed  in  Gothic  characters. 

1346.  FROUDE  (JAMES  ANTHONY).  History  of  Eng- 
land from  the  Fall  of  Wolsey  to  the  Death  of  Elizabeth. 
Portrait  of  Queen  Elizabeth  engraved  by  C.  H.  Jeens.  VZ 
vols.  8vo,  cloth,  uncut  (back  of  one  volume  repaired). 

London,  185G-1870 

1347.  FROUDE  (JAMES  ANTHONY).  Short  Studies 
on  Great  Subjects.     4  vols.  Svo,  cloth,  uncut. 

Loudon,  1868-83 

1348.  FROUDE  (JAMES  ANTHONY).  The  Cat's  Pil- 
grimage. Vignette  on  title,  and  6  illustrations  by  J.  B  4to, 
original  boards.  Edinburgh,  1870 

210 


1349.  FULLER  (MARGARET).  Memoirs  of  Margaret 
Fuller  Ossoli.     2  vols.  12mo,  cloth.  Boston,  1852 

*The  chapters  on  Concord  and  Boston  were  written  by 
Ralph  Waldo  Emerson.  The  Foote  copy,  with  bookplate  by 
French. 

1350.  FULLER  (THOMAS).  The  History  of  the  Holy 
War,  and  the  Holy  State  and  the  Profane  State.  2  vols. 
12rao,  calf,  antique.  London:  Pickering,  1840 

1351.  FULVIUS    (ANDREAS).       Illustrium     Imagines. 

Each  page  within  fine  architectural  and  ornamental  wood- 
cut borders,  with  numerous  medallion  portraits  of  Roman 
Emperors  and  Empresses  on  a  black  ground.  8vo,  old 
green  straight-grain  morocco,  silk  linings. 

Romps:  aDud  Jacobum  Mazodium,  1517 

*  First  Edition.  Printed  on  vellum,  probably  the  only 
copy  in  this  state.  On  the  title-page  is  the  following  inscrip- 
tion in  the  handwriting  of  John  Eck,  the  well-known  adversary 
of  Luther:  "  lUustrissimo  et  ampliss.  principi  vere  catholico. 
D.  Georgio  Saxonum  duel,  Marchioni  Misnae,  Tyringorum  pro- 
vincise  praesidi,  studiorum  meceuati  ac  patrono  liberaliss., 
Heroi  incomparabili  lo.  Eckius  humihs  Capell.  in  insigne 
obsequii  transmisit."  From  the  Pinelli  and  MacCarthy-Reagh 
libraries. 

1352.  FUM:EE  (MARTIN).  Du  Vray  et  Parfait  Amour. 
Ecrit  en  Grec,  par  Athenagoras.  One  vol.  in  2.  12mo,  old 
citron  morocco  gilt,  gilt  edges.      Paris:  D.  Guillemot,  1612 

*  The  book  was  falsely  attributed  to  Athenagoras. 


1353.  f^  ABDORRHACHAMAN.     L'onirocrite  Mussul- 
^^     man,  ou   La  Doctrine  et  Interpretation  des 

Songes  selon  les  Arabes.     De  la  Traduction  de  M.  Pierre 
Vattier.     12mo,  red  morocco  gilt,  gilt  edges,  bj-  Padeloup. 

Paris:  T.  Jolly,  1664 

1354.  GAINE  (HUGH).  The  Journals  of  Hugh  Gaine, 
Printer.  Edited  by  Paul  Leicester  Ford.  Portrait  and 
86  facsimiles.     2  vols,  royal  8vo,  half  vellum,  uncut. 

New  York,  1902 
*  One  of  30  copies  printed  on  Imperial  Japan  paper. 

1355.  GAINSBOROUGH  (THOMAS).  A  Collection  of 
Prints  illustrative  of  English  Scenery,  from  the  drawings 
and  Sketches  of  Tho?  Gainsborough,  R.A.,  in  the  various 
collections  of  the  Right  Honourable  Baroness  Lucas;  Vis- 
count Palmerston ;  George  Hibbert,  Esq. ;  Dr.  Monro  and 
several  other  gentlemen.  60  plates,  mainly  tinted.  Folio, 
old  red  straight-grain  morocco  gilt,  gilt  edges  (somewhat 
rubbed)  London:  Boydell  [n.  d.] 

211 


1356.  GAINSFORD  (THOMAS).  The  Historie  of  Trebi- 
zond.  In  foure  Bookes.  First  Edition.  4to,  browu  levant 
morocco,  gilt  panels,  gilt  edges,  by  Riviere  (inner  margin 
of  title  restored  and  a  few  headlines  shaved). 

London:  Tho.  Downe  and  Eph.  Dawson,  1616 

1357.  GALE  (NORMAN).  Here  be  Blue  and  White 
Violets.  Frontispiece  in  two  states.  Rugby  [1891].  Large 
Paper  copy,  only  25  made.  A  June  Romance.  Rugby 
[1891].  Large  Paper  copy,  one  of  23  copies.  Prince 
Redcheek.  Rugby  [1891].  Gorillas.  Rugby  [1891].  A 
Cotswold  Village.  One  of  15  copies.  Presentation 
COPY,  Rugby,  1893.  A  Fellowship  in  Song,  by  Hayes, 
Le  Gallienne  and  Gale.  Rugby,  1893.  Meadowsweet 
[1889].  One  of  50  printed  in  red  and  black.  7  vols.  12mo, 
original  paper  covers.  Rugby,  1891-93 

1358.  GALLE  (PHILIPPE).  (I)  Semideorvm  Marino- 
rvm  Amnicorvmqve  Sigillarise  Imagines  perelegantes,  in 
picturte  statuarifeque  artis  tyronum  usum,  a  Philippo  Gal- 
Iseo  delineatfe  scalptfe,  et  feditfe.  (II)  Nimpharvm  Oceani- 
tidvm,  Ephydridvm  Potamidvm,  Naiadvm,  Lynadvmqve 
leones,  in  gratiam  pictvrje  studios?e  ivventvtis  delineatfe, 
scalptse,  et  editse.  A  Philip,  Gallaeo.  Engraved  title  and 
17  plates  of  river-gods  and  nymphs  in  each  luork.  8vo, 
green  morocco  gilt.  Antwerp,  1686-87 

1359.  GARNIER  (P.)  Traite  complet  de  la  Chasse  des 
Alouettes  au  Miroir  avec  le  Fusil,  Deuxieme  edition.  Re- 
vue corrigee  et  considerablement  augmentee.  Small  8vo, 
dark  green  levant  morocco  gilt,  gilt  top,  uncut,  by  Rous- 
selle.  Paris:  Auguste  Aubry,  1866 

*  Printed  on  yellum. 

1360.  GARNIER  (ROBERT).  Les  Tragedies  de  Robert 
Garnier,  Conseiller  du  Roy.  Portrait  Printed  initalicsand 
ruled  in  red  ink.  12mo,  red  levant  morocco,  gilt  fillets,  gilt 
edges,  by  Trautz  Bauzonnet. 

Paris:  Mamert  Patisson  chez  Robert  Estienne,  1585 

1361.  GARNIER  (ROBERT).  Les  Tragedies.  13mo, 
red  levant  morocco  gilt,  gilt  edges,  by  Chambolle-Duru. 

Paris:  Jean  Fuzy,  1607 

1362.  GARNIER  (ROBERT).  Les  Tragedies.  12mo, 
red  levant  morocco,  gilt  ornaments,  gilt  edges,  by  Trautz- 
Bauzonnet.  Rouen:  R.  de  Rouves,  1612 

1363.  GARTHWAIT      (HENRY)      MONOTE22APON. 

The  Evangelicall  Harmonic,  Reducing  the  foure  Evangelists 
into  one  continued  context;  and  in  it  the  entire  historie  of 
the  acts  and  sayings,  life  and  death  of  our  Lord  and 
Saviour  Jesus  Christ:  duelj'  ordered  according  to  the  dis- 
tinction of  times.     Engraved  title  by  Marshall.     4to,   red 

312 


levant  morocco,   gilt  poiutille  tooling,   gilt  edges,  by  The 
Club  Bindery. 

Printed  by  Thomas  Buck  and  Roger  Daniel,  Printers  to 
the  University  of  Cambridge,  1634. 

*  Tall  copy  measuring  7}^  x  5%  inches,    with  the  rare  Pre- 
liminary Leaf  containing  printer's  ornament. 

1364.  GAUCHET  (CLAUDE).  Le  plaisir  des  Champs; 
avec  I'instruction  de  la  Venerie,  Volerie,  etc.  4to,  red 
levant  morocco  gilt,  gilt  edges,  by  Trautz-Bauzonnet. 

Paris:  Abel  I'Angelier,  1604 

1365.  GAULT  de  SAINT-GERMAIN  (P.  M.).  Vie  de 
Nicolas  Poussin.  Ornee  de  planches  gravees  en  taille-douce 
et  a  Veau-forte,  par  F.  Massard.  Royal  8vo,  half  maroon 
morocco  gilt,  gilt  top,  uncut.  Paris:  P.  Didot,  1806 

1366.  GAUTIER  (JUDITH).  Isoline.  Avec  douze  eaux- 
fortes  par  Auguste  Constantin.  Holland  Paper  copy. 
4to,  satin,  gilt  back  and  sides,   uncut.  Paris,  1882 

^  1367.  GAUTIER  (L:fiON).  Les  Epopees  frangaises. 
]Etude  sur  les  origines  et  I'histoire  de  la  litterature  nation- 
ale.  First  Edition.  3  vols,  royal  8vo,  half  red  morocco 
gilt,  gilt  tops,  uncut,  by  Cecil  and  Larkins.     Paris,  1865-68 

*  Presentation  copy  from  the  Author,  with  inscription,  and 
autograph  letter  inserted. 

1368.  GAUTIER  (THEOPHILE).  Albertus  ou  I'ame  et 
le  peche.  Legende  theologique.  Frontispiece  by  Celestin, 
and  portrait  of  the  author,  proof  on  India  paper,  both  in- 
serted. 12mo,  red  levant  morocco,  gilt  fillets  and  outline 
flowers,  gilt  edges,  by  Marius  Michel.  .   Paris,  1833 

1369.  GAUTIER  (TH:E0PHILE).  La  Comedie  de  la 
Mort.  Portrait  by  Therond.  First  Edition.  8vo,  half 
brown  levant  morocco  gilt,  gilt  top,  uncut,  by  Alio. 

Paris,  1838 

*  An  autograph  poem,  signed,  by  Gautier,  laid  in. 

1370.  GAUTIER  (THEOPHILE).  Les  Grotesques. 
First  Editon.     2  vols.  8vo,  half  calf,  uncut,  by  Alio. 

Paris,  1844 

1371.  [GAUTIER  (THEOPHILE).]  Le  Tombeau  de 
Theophile  Gautier.  4to,  brown  levant  morocco,  skull  and 
cross-bone  ornaments  in  the  back  panels  and  side  corners, 
gilt  top,  uncut,  original  covers  bound  in,  by  Alio. 

Paris,  1873 

*  One  of  20  copies  printed  on  India  paper,  with  an  etched 
portrait  of  Gautier. 

This  book  is  a  collection  of  verses  on  the  death  of  Gautier, 
by  Victor  Hugo,  Theodore  de  Banville,  E.  Bergerat,  Jules 
Claretie,  Heredia,  Arsene  Houssaye,  John  Payne,  Swinburne, 
and  others, 

213 


1372.  GAUTIER  {TH:E0PHILE).  Les  Jeunes-France. 
Romans  Gogueuards  suivis  de  contes  humoristiques.  12mo, 
half  green  levant  morocco,  uncut,  original  covers  bound 
in,  by  Alio.  Paris,  1873 

*  Holland  paper  copy. 

1373.  GAUTIER  (THEOPHILE).  Histoire  du  Romant- 
isme  suivie  de  notices  romantiques  et  d'une  etude  sur  la 
poesie  franeaise  1830-1868  avec  un  index  alphabetique. 
12mo,  half  green  levant  morocco  gilt,  figured  green  and 
blue  silk  sides,  gilt  top,  uncut,  original  covers  bound  in, 
by  The  Club  Bindery.  Paris,  1874 

*  One  of  50  copies  on  Holland  paper. 

1374.  GAUTIER  (THIEOPHILE).  L'Eldorado  ou  For- 
tunio.  11  full-page  plates  hij  F.  Milius,  in  two  states,  etch- 
ings on  Jaimn  and  vellum  paper,  and  the  81  vigriettes  in 
two  extra  states  before  letters,  in  black  and  inhistre  on  India 
jjaper.  Roj^al  8vo,  blue  levant  morocco,  back  and  sides 
tooled  in  interlacing  fillets,  tapestrj^  linings,  gilt  top,  un- 
cut edges,  original  covers  bound  in,  by  Marius  Michel. 

Paris:  Imprime  pour  les  Amis  de  Livres,  1880 

*  One  of  120  copies  on  vellum  paper. 

1375.  GAUTIER  (THEOPHILE).  Mademoiselle  de 
Maupin.     3  portraits.     12mo,  boards,  uncut  (cover  broken). 

*  Holland  paper  copy.  Paris,  1880 

1376.  GAUTIER  (THEOPHILE).  Mademoiselle  de 
Maupin;  double  amour.  Reimpression  textuelle  de  ledi- 
tion  originale;  notice  bibliographique  par  M.  Charles  de 
Lovenjoul.  Frontispiece  portrait  by  Burney  after  Nanteuil, 
title-vignette  and  6  other  plates,  by  ChampoUion  after  Tou- 
douze;  in  two  states.  2  vols,  royal  8vo,  blue  levant  mo- 
rocco, panels  of  interlacing  fillets,  doublure  of  orange 
morocco,  border  of  roses,  gilt  over  rough  edges,  original 
covers  bound  in,  by  Cuzin.     In  half  blue  levant  cases. 

*  One  of  150  copies  on  Japan  paper.  Paris,  1883 

1377.  GAUTIER  (THEOPHILE).  Le  Capitaine  Fracasse ; 
public  en  trois  volumes  avec  un  avant-propos  par  Mme. 
Judith  Gautier.  Dessins  de  Charles  Delort  graves  par 
Mongin.  3  vols,  royal  8vo,  half  green  levant  morocco,  2 
shades  of  leather,  uncut,  by  Caraj^on. 

Paris:  Librairie  des  Bibliophiles,  1884 

*  One  of  150  copies  printed. 

1378.  GAUTIER  (THEOPHILE).  Le  Roi  Candaule. 
Illustre  de  vingt  et  une  compositions  par  Paul  Avril.  Pre- 
face par  Anatole  France.  Roj^al  8vo,  olive  levant  morocco, 
doublure  of  brown  morocco,  a  scene  from  the  book  chiselled 
in  colors  on  the  inside  of  the  front  cover,  ornaments  in  blue 

214 


and  orange  morocco  in  the  corners  of  the  back  inside  cover, 
brown  satin  guards,  gilt  over  rough  edges,  with  the  original 
covers,  by  Raparlier.  Paris,  1893 

*  One  of  200  copies  printed  on  Japan  paper. 

1379.  GAUTIER  (THEOPHILE).  Emaux  et  Cainees. 
Cent  dix  aquarelles  par  He7iri  Caruchet,  reproduites  en 
couleurs.  12mo,  light  brown  levant  morocco,  "  semis  "  of 
flowers  in  red  mosaic,  outlined  in  red  bands,  Persian  silk 
linings,  gilt  over  rough  edges,  original  covers  bound  in,  by 
The  Club  Bindery.  Paris,  1895 

1380.  GAUTIER  (THEOPHILE).  Celle-ci  et  Celle-la  ou 
la  jeune  France  passiounee  avant-propos  de  Maurice  Tour- 
neux.  Illustrations  de  Francois  Courhoin.  8vo,  blue 
levant  morocco,  entirely  covered  with  an  original  design 
composed  of  small  tools  forming  borders  and  compartments, 
blue  silk  linings,  gilt  toi3,  uncut,  original  covers  bound  in, 
by  The  Club  Bindery.  Paris,  1900 

*  One  of  135  copies,  with  the  plates  in  two  states — first  etch- 
ing and  remarque  proof. 

1381.  GAY  (JEAN).  Quelques  Femmes  Bibliophiles. 
16mo,  citron  straight-grained  morocco  gilt,  gilt  top,  uncut. 

Bordighere,  1875 

*  One  of  50  copies  printed,  not  for  sale. 

1382.  GAY  (JOHN).  Rural  Sports.  A  Poem.  Inscribed 
to  Mr.  Pope.  First  Edition.  Small  folio,  blue  morocco  gilt, 
gilt  edges,  by  The  Club  Bindery.     (Lacks  half-title.) 

London:  J.  Tonson,  1713 

1383.  GAY  (JOHN).  The  Petticoat:  an  Heroi-Comical 
Poem.  In  Two  Books.  First  Edition.  8vo,  red  morocco, 
gilt  edges.  London,  1716 

1384.  [GAY  (JOHN).]  Three  Hours  after  Marriage.  A 
Comedy.  First  Edition.  Small  8vo,  citron  levant  morocco 
gilt,  gilt  edges,  by  The  Club  Bindery. 

London:  Bernard  Lintot,  1717 

1385.  GAY  (JOHN).  Poems  on  Several  Occasions.  First 
Edition.  Frontispiece  and.  two  plates.  2  vols,  in  1.  4to, 
red  morocco  gilt,  gilt  edges,  by  The  Club  Bindery. 

London,  1720 

1386.  GAY  (JOHN).  Poems  on  Several  Occasions.  9 
plates  engraved  after  Du  Guernier.  2  vols.  12mo,  red  levant 
morocco  gilt,  by  Champs.       London :  J.  and  R.  Tonson,  1767 

1387.  GAY  (JOHN).  Achilles  in  Petticoats.  An  opera. 
As  it  is  performed  at  the  Theatre-Royal,  in  Covent  Garden  . . . 
Written  by  ]\Ir.  Gay,  with  alterations  [by  Colmau].  8vo,  red 
straight-grain  morocco,  gilt  edges,  by  The  Club  Bindery. 

London :  "W.  Strahan,  1774 
215 


1388.  GAY  (JOHN).  Fables  by  John  Gay,  with  a  Life  of 
the  Author.  EmbelUslied  ivith  a  plate  to  each  fahle  (all 
proofs).  Royal  8vo,  red  morocco  gilt,  gilt  edges,  by  C.  Lewis. 
Large  Paper  copy.  London :  Barton  and  Harvey,  1793 

1389.  GED  (WILLIAM).  Biographical  Memoirs  of  Wil- 
liam Ged;  including  a  particular  account  of  his  progress  in 
the  Art  of  Block-Printing.  Edited  by  J.  Nichols.  First 
Edition.     8vo,  calf,  gilt.  London:  J.  Nichols,  1781 

*  Ged  was  the  inventor  of  stereotype  printing  in  Great  Britain. 

1390.  GELL  (SIR  WILLIAM)  and  GANDY  (JOHN  P.). 
Pompeiana;  the  Topography,  Edifices  and  Ornaments  of 
Pompeii.  First  Series;  also, — Pompeiana;  the  Topography, 
Edifices  and  Ornaments  of  Pompeii,  the  Result  of  Excavations 
since  1819.  By  Sir  William  Gell.  Second  Series.  2  vols. 
Portraits,  engraved  vieivs,  head-pieces,  &c.,  a  numher  on  India 
paper,  and  in  tivo  states,  ivith  duplicate  plates  of  the  frescoes 
in  colors.  Together,  3  vols,  thick  4to,  red  levant  morocco,  gilt 
borders,  gilt  edges,  by  F.  Bedford.  London,  1817-1832 

*  Large  paper  copy  of  the  First  Series.     Only  25  copies  were 
printed  of  the  Second  Series  in  this  form. 

1391.  GELLERT  (CHRISTIAN  •  FURCHTEGOTT). 
Fables  et  Contes.  (Traduits  principalement  de  I'allemand 
de  Gellert  par  Boulanger  de  Rivery,  avec  un  Discours  sur  la 
Litterature  Allemande).  Four  vignettes  after  Eisen.  16mo, 
red  levant  morocco  gilt,  gilt  edges,  by  Thibaron.      Paris,  1754 

*  Holland  paper  copy. 

1392.  GELLIUS  (AULUS).  Noctes  Attics.  Roman 
characters,  198  unnumhered  leaves  (first  blank),  ivith  signa- 
tures; 36  lines  to  the  page.  Folio,  old  green  levant  morocco, 
the  ARMS  OP  Count  de  Hoym  stamped  in  gold  on  the  centre  of 
the  covers,  and  his  crowned  monogram  on  the  panels  of  the 
back;  doublure  of  citron  morocco,  gilt  tooled  wide  dentelle 
borders,  gilt  edges,  by  Padeloup  le  jeune,  with  his  ticket  on 
the  first  page.  Hain-Copinger,  7520;  Proctor,  4423.  (First 
blank  leaf  missing,  and  blank  leaves  182  and  183  pasted  to- 
gether.) 

Venetiis:  per  Andream  lacobi  de  Paltasichis  Catharensem, 
1477. 

1393.  GELLIUS  (AULUS).  Noctium  Atticarum  libri  un- 
deviginti.  Small  8vo,  green  levant  morocco  gilt,  gilt  edges, 
by  Bedford.  [Colophon]  Venetiis:  in  Ji^dibus  Aldi,  1515 

*  First  issue  of  this  edition,  with  the  word  preceding  the 
colophon  mispelled — ' '  duerniorem. ' ' 

21G  • 


1394.  GEMS.  Gemniffi  Antiquae.  A  Series  of  37  Drawings 
of  Antique  Gems,  on  fine  vellum  (with  2  exceptions)  done  by 
A.  Marinkel.     4to,  dark  blue  morocco  gilt,  by  C.  Smith. 

[n.  p.— n.  d.] 

1395.  GENEST  (JOHN).  Some  Account  of  the  English 
Stage,  from  the  Restoration  in  1660  to  1830.  10  vols.  8vo, 
original  cloth,  uncut.  Bath,  1832 

1396.  GENTLEMAN  FISHER  (THE),  or,  The  Whole 
Art  of  Angling.  Being  a  Collection  and  Improvement  of  all 
that  has  been  hitherto  written  upon  that  Subject  ....  The 
different  "Ways  of  Angling  .  .  .  The  Laws  of  Angling,  Frontis- 
piece hy  Hulshurgh.  Second  Edition.  12mo,  brown  levant 
morocco,  richly  ornamented  sides,  dentelle  borders,  in  the 
manner  of  Derome,  by  The  Club  Bindery. 

London :  Printed  for  H.  Curll,  1727 
*  A  tall  copy,  the  fore  and  lower  edges  of  the  title  being  uncut. 

.  1397.  GERHARD  (JOHANN).  Lust-und  Artzeney-Garten 
des  Koniglichen  Propheten  Davids.  150  oval  copper-plates 
and  150  engravings  of  rare  and  curious  plants.  12mo,  red 
levant  morocco,  gilt  edges.  Regenspurg :  C.  Fischern,  1675 
*  Bookplate  of  David  Eobert  Clark. 

1398.  GERSON  (JOHANNES).  Opus  tripartitum  de 
prgeceptis  decalogi,  de  confessione  et  de  arte  moriendi.  Gothic 
character;  32  unnumbered  leaves  ivithout  signatures  and  catch- 
words; 27  lines  to  the  page;  leaves  1  and  32  blank.  Hain, 
7653;  Proctor,  804.  4to,  brown  levant  morocco,  blind  tooled 
panels  wdth  gilt  forget-me-nots  and  fleurons  in  the  corners, 
gilt  edges,  by  The  Club  Bindery. 

[Colonige:  Ulricus  Zell,  ca.  1468] 

_  1399.  GESANGBUCH.  Gesangbuch  zum  gottesdienst- 
lichen  Gebrauche  fiir  protestantisch-evangelische  Christen. 
Frontispiece  by  Baumann  after  Leonardo  da  Vinci.  Small 
8vo,  dark  brown  velvet,  with  pierced  and  engraved  silver-gilt 
corners,  centre  and  end  pieces  and  clasps,  gilt  edges.  The 
centre-piece  on  the  front  cover  represents  the  Crucifixion,  that 
on  the  back  cover,  the  Resurrection.     [Stamp  on  title.] 

Zweibriicken :  G.  Ritter,  1852 

1400.  GESSNER  (SALOMON).  CEuvres.  2  (inserted) 
portraits  of  Gessner,  one  of  Diderot  and  51  plates  after  Moreau 
and  others.  4  vols.  8vo,  green  morocco,  emblematic  tools  on 
the  backs,  side  borders,  uncut.     In  brown  morocco  cases. 

Paris :  Ant.  Aug.  Renouard,  1795 
*  One  of  two  copies  on  vellum.     The  portraits  and  plates 
are  in  two  states,  trial  proof  and  proof  before  letters  on  India 
paper. 

217 


1401.  GESSNER  (SALOMON).  The  Death  of  Abel  in 
five  books  attempted  From  the  German  of  Mr  Gessner.  Por- 
trait, engraved  title,  and  four  plates  l)y  Blackherd  after 
StotJiard.     Royal  8vo,  boards  (worn),  uncut.     London,  1797 

*  Large  Paper  Edition,  rollowing  ' '  The  Death  of  Abel ' ' 
are  ' '  New  Idyls,  by  S.  Gessner.  With  a  Letter  to  M.  Fuslin,  on 
Lan^i  jape  Painting;  and  The  Two  Friends  of  Bourbon,  a  moral 
ta^      oy  M.  Diderot, ' '  with  two  plates,  also  by  Blackberd  after 

>,hard. 

1402.  GESSNER  (SALOMON).  (Euvres  Complettes  de 
Gessner.  3  portraits  of  the  autlior  and  others  hy  St.  Aubin, 
<&c.,  also,  49  plates  engraved  hy  Baquoy,  Dambrun,  Delvaux, 
Dupreel,  and  others  after  designs  of  Moreau,  in  two  and  three 
states.  4  vols.  8vo,  red  straight-grain  morocco,  gilt  borders, 
gilt  edges,  by  Bozerian. 

Paris :  Antoine-Augustiu  Renouard,  1799 

*  One  of  20  copies  on  Holland  paper.  Extra-illustrated  by  the 
insertion  of  an  original  sepia  drawing  of  Gessner  by  A.  Golden- 
stadt  after  A.  Gratf,  and  33  plates  after  Borel,  Le  Barbier,  and 
Marillier. 

1403.  GIBBON  (EDWARD).  The  History  of  the  Decline 
and  Fall  of  the  Roman  Empire.  8  vols,  royal  8vo,  red  levant 
morocco,  gilt  edges,  by  Brany.  Oxford,  1827 

*  One  of  50  copies  on  Large  Paper.  Extra-illustrated  by  the 
insertion  of  engraved  vignette  title,  to  each  volume  from  the 
Thomas  Tegg  edition,  1827,  and  a  number  of  ]3roof  portraits 
and  frontispieces,  on  India  paper. 

1404.  GIBBONS  (THOMAS).  Britannia's  Alarm:  a  poem, 
Occasioned  by  the  Present  Rebellion.  To  which  is  added,  a 
Fable  of  the  Vine  and  Bramble.  First  Edition.  Small  8vo, 
leather,  by  The  Club  Bindery.  London,  1745 

*  Presentation  copy  from  the  author,  with  inscription  on  the 
title-page. 

1405.  GIBBONS  (THOMAS).  An  Elegy  on  the  Death  Of 
the  Reverend  Mr.  Peter  Goodwin,  who  departed  this  life 
November  27,  1747,  in  the  LXlVth  year  of  his  Age.  Small 
8vo,  leather,  by  The  Club  Bindery.  London,  1748 

*  Title  in  a  mourning  border,  and  mourning  bands  at  tiie 
beginning  and  end  of  the  poem. 

1406.  GILDON  (CHARLES).  The  Roman  Brides  Re- 
venge. A  Traged3^  First  Edition.  Small  4to,  half  brown 
morocco.  London :  John  Sturton,  1697 

1407.  [GILDON  (CHARLES)  ]  A  Comparison  between 
the  Two  Stages,  with  an  Examen  of  the  Generous  Con- 
queror, etc.     12mo,  brown   levant  morocco  gilt,  gilt  edges. 

London, 1703 
*Sir  Frederick  Grant's  copy,  with  an  autograph  note  on  Gil- 
don's  attack  on  Steele's  "Christian  Hero." 

218 


1408.  GILLISS  (WALTER).  The  Story  of  a  Motto  and 
a  Mark,  being  a  brief  sketch  of  a  few  printers'  "  marks  " 
and  containing  the  facts  concerning  the  mark  of  the  Gilliss 
Press.     12mo,  vellum,  uncut.  New  York,  1902 

*  One  of  12  copies  printed  on  French  vellum'paper.  Presen- 
tation copy  from  the  author, 

1409.  GINESTE  (RAOUL).  Soirs  de  Paris.  •  ^essinsde 
Minartz  graves  sur  bois  par  Paillard.  8vo,  blue  i  ant  mo- 
rocco, gilt  borders,  gilt  top,  uncut,  original  covers  bound 
in,  by  The  Club  Bindery.  Paris,  1905 

*  Only  138  copies  printed. 

1410.  GIRALDI  (G.  B.).  Lbs  Cent  excellentes  Nouvelles 
mis  d'ltalien  en  Francois  par  Gabriel  Chappuys  Tourau- 
geau.  First  French  Edition.  2  vols.  Bvo,  blue  levant 
morocco  gilt,  gilt  edges,  by  Trautz-Bauzonnet.  (Library 
stamp.)  Paris:  Pour  Abel  I'Angelier,  1584 

1411.  GIROFFLIER  (Le)  aux  dames  emsemble  le  dit  des 
sibiles.  Letires  hdtardes.  18  ivoodcuts.  4to,  red  levant 
morocco  gilt,  gilt  edges,  bj'  Cape. 

Imprime  a  Paris  par  Michel  le  Noir  (before  1520).  [Re- 
print 1861.] 

*  An  admirable  facsimile  of  the  exti'emely  rare  first  edition, 
made  in  1861  by  Pilinski. 

1412.  GISSEY  (ODO  DE).  Les  Emblesmes  et  Devises 
du  Roy,  des  Princes,  etc.  Engraved  title,  dedication,  and 25 
plates.  4to,  red  levant  morocco,  gilt  and  blind-tooled,  gilt 
edges,  by  Riviere.  Paris,  1656 

1413.  GLANVIL  (BARTHOLOMEW).  Batman  uppon 
Bartholome,  his  Booke  de  Proprietatibus  Rerum,  newly 
corrected,  enlarged  and  amended :  with  such  additions  as 
are  requisite  unto  every  severall  Booke.  Folio,  brown  le- 
vant morocco,  mosaic  compartments  of  green  morocco 
richly  tooled  and  gilt  on  the  sides,  gilt  mosaic  back,  gilt 
edges,  in  a  case,  by  The  Club  Binder3^ 

London :  Imprinted  by  Thomas  East,  1582 

*  Very  rare.  Mr.  Douce  is  of  the  opinion  that  Shakespeare 
was  well  acquainted  with  this  work.  Inserted  are  10  wood- 
cuts from  the  Dutch  Edition  of  Glanvil  printed  at  Harlem  by 
Jacob  Bellaert,  1485. 

1414.  GLANVILLE  (JOHN).  Variety;  or  Poetical  Pro- 
lusions.   Frontispiece.    12mo,  boards,  uncut.     London,  1811 

*The  author  in  his  preface  states  that  the  best  of  this 
"variety"  is  from  "the  glowing  pen  of  Mr.  Samuel  Blake 
Frome." 

219 


1415.  GLAPTHORNE  (HENRY).  Poems,  by  Henry 
Glapthorn.  First  Edition.  Small  4to,  red  morocco  gilt, 
gilt  edges,  by  Mackenzie. 

London:  Printed  by  Richard  Bishop  for  Daniel  Pake- 
man,  1639. 

1416.  GLAPTHORNE  (HENRY).  Argalus  and  Par- 
thenia.  As  it  hath  been  Acted  at  the  Court  before  their 
Maiesties:  and  At  the  Private-House  in  Drury-Lane,  By 
their  Maiesties  Servants.  First  Edition.  4to,  half  brown 
levant  morocco,  gilt  edges,  by  Riviere. 

London:  R.  Bishop,  1639 

1417.  GLAPTHORNE  (HENRY).  The  Tragedy  of  Al- 
bertvs  Wallenstein,  Late  Duke  of  Fridland,  and  Generall 
to  the  Emperor  Ferdinand  the  second.  The  Scene,  Egers. 
And  Acted  with  good  Allowance  at  the  Globe  on  the  Banke- 
side,  by  his  Majesties  Servants.  Second  Edition.  4to, 
calf,  arms  on  the  sides,  gilt  edges. 

London:  Thomas  Paine  for  George  Hutton,  1640 
*  The  Griswold  copy. 

1418.  GLAPTHORNE  (HENRY).  "Wit  in  A  Constable. 
A  Comedy  written  1639.  And  now  Printed  as  it  was  lately 
Acted  at  the  Cock-pit  in  Dniry  lane,  by  their  Majesties  Ser- 
vants, with  good  allowance.  First  Edition.  Small  4to,  red 
levant  morocco  gilt,  gilt  top,  uncut,  by  David. 

London :  Printed  by  lo.  Okes,  for  F.  C,  1640 

1419.  GLAPTHORNE  (HENRY).  The  Ladies  Priviledge. 
As  it  was  Acted  with  good  allowance  at  the  Cock-pit  in  Drury- 
lane,  And  before  their  Majesties  at  White-Hall  twice.  By 
their  Maiesties  Servants.  First  Edition.  4to,  red  levant 
morocco  gilt,  gilt  edges,  by  The  Club  Bindery. 

London :  J.  Oakes,  for  Francis  Constable,  1640 

*  A  tall  copy,  measuring  7%  x5%  inches. 

1420.  GLAPTHORNE  (HENRY).  The  Hollander.  A 
Comedy  written  1635.  And  now  Printed  as  it  was  then  Acted 
at  the  Cock-pit  in  Drury  lane,  by  their  Majesties  Servants, 
with  good  allowance.  And  at  the  Court  before  both  their 
Majesties.  First  Edition.  4to,  red  morocco  gilt,  gilt  edges, 
by  The  Club  Bindery.       London :  J.  Oakes  for  A.  Wilson,  1640 

1421.  GLOVER  (RICHARD).  Leonidas,  A  Poem.  Frontis- 
piece portrait  iy  Fittler  with  a  proof  on  India  paper  added, 
and  6  other  plates,  hy  Bartolozzi  after  W.  Hamilton,  Delatre 
after  Burney,  and  N eagle,  Holloway  and,  Heath  after  Stothard, 
with  proofs  of  the  Holloivay  and  Bartolozzi  engravings  added. 
2  vols.  8vo,  green  levant  morocco,  broad  gilt  borders  on  sides, 
gilt  backs  and  inside  borders,  gilt  tops,  uncut,  by  The  Club 
Bindery.  London :  T.  Bensley,  1798 

*  Extra-illustrated  by  the  insertion  of  5  plates, — 2  by  P.  W. 
Tomkins,  each  in  three  states;  2  by  C.  Warren  in  two  states; 
and  1  by  Smith  after  Thurston  in  two  states. 

220 


1422.  GOBIN  (ROBERT).  Les  loups  rauissans.  Cestuy 
liure  Oil  autrement  doctrinal  moral  Intitule  est:  qui  deliure 
Douze  chapitres  en  general  Ou  chascun  se  brutte  et  rural  Nest 
par  trop  il  pourra  congnoistre  Comment  euiter  vice  et  mal  On 
doit  et  tres  vertueux  estre.  Lettres  Batardes.  With  43 
woodcuis.  Small  4to,  green  levant  morocco  gilt,  doublure  of 
red  morocco,  gilt  in  compartments,  gilt  edges,  by  Marius 
Michel. 

Imprime  pour  Antlioine  Verard  marcliand  libraire  demour- 
antaParis  [1503]. 

1423.  [GODWIN  (MARY  WOLLSTONE CRAFT).]  Ori- 
ginal Stories,  from  real  life ;  with  conversations,  calculated  to 
regulate  the  affections,  and  form  the  mind  to  truth  and  good- 
ness. First  Edition.  12mo,  brown  straight-grain  morocco 
gilt,  gilt  edges,  by  The  Club  Bindery.  London,  1788 

1424.  [GODWIN    (MARY  WOLLSTONECRAFT).]      A 

Vindication  of  the  Rights  of  Woman:  with  Strictures  on 
Political  and  Moral  Subjects.  First  Edition.  3  portraits  of 
the  Author,  2  inserted.  8vo,  half  brown  morocco,  gilt  top, 
uncut.  London,  1792 

1425.  GODWIN  (MARY  WOLLSTONECRAFT).  Origi- 
nal Stories  from  Real  Life;  with  Conversations,  calculated  to 
Regulate  the  Affections,  and  form  the  mind  to  truth  and 
goodness.  A  new  edition.  Illustrated  hy  Wm.  Blake.  12mo, 
half  brown  levant  morocco  gilt,  gilt  top,  uncut. 

London,  1796 

1426.  GODWIN  (MARY  WOLLSTONECRAFT).  Maria, 
ou  le  malheur  d'etre  femme,  ouvrage  posthume  de  Mary  Woll- 
stonecraft  Godwin:  imite  de  I'anglais  par  B.  Ducos.  First 
Edition  in  French.  12mo,  half  green  levant  morocco  gilt, 
gilt  top,  uncut.  Paris,  1798 

1427.  GODWIN  (MARY  WOLLSTONECRAFT).  Post- 
humous Works  of  the  Author  of  a  Vindication  of  the  Rights 
of  Woman.  4  vols.  12mo,  half  blue  morocco  gilt,  gilt  top, 
uncut.     (Name  on  title  of  vol.  4.     Some  notes  in  ink. ) 

London,  1798 

1428.  GODWIN  (MARY  WOLLSTONECRAFT).  A  De- 
fence of  the  Character  and  Conduct  of  the  late  Mary  Woll- 
stonecraft  Godwin,  founded  on  principles  of  Nature  and 
Reason,  as  applied  to  the  peculiar  circumstances  of  her  case; 
in  a  series  of  letters  to  A  Lady.  12mo,  half  morocco  gilt,  gilt 
top,  uncut.  London,  1803 

1429.  GODWIN  (WILLIAM).  Memoirs  of  the  Author 
of  a  Vindication  of  the  Rights  of  Woman.  Portrait  of  Mary 
Wollstonecraft  Godivin.  12mo,  three-quarter  levant  mo- 
rocco gilt,  gilt  top,  uncut.  London,  179S 

221 


1430.  GODWIN  (WILLIAM).  Mandeville.  A  Tale  of 
the  Seventeenth  Century  in  England.  First  Edition. 
3  vols.  12mo,  half  brown  levant  morocco  gilt,  brown  silk 
sides,  gilt  tops,  uncut,  by  The  Club  Bindery.      Edinburgh,  1817 

1431.  GOETHE  (JOHANN  WOLFGANG  VON). 
Werther.  Traduit  de  TAllemand  par  M.  L.  de  Sevelinges. 
3  plates  hy  J.  D.  Bertaux,  after  Berthon.  18mo,  half  green 
morocco  gilt,  gilt  top,  uncut  Paris,  1825 

1432.  GOETHE  (JOHANN  WOLFGANG  VON).  Faust, 
tragedie  traduite  en  franeais  par  M.  Albert  Stapfer.  3  por- 
traits, and  17  illustrations  hy  E.  Delacroix.  Folio,  red 
levant  morocco,  with  figure  of  Mephistopheles,  and  title  on 
cover  inlaid  in  bro\^Ti  morocco,  doublure  of  green  levant 
morocco,  gilt  edges,  original  covers  bound  in,  by  Kaparlier. 

*  Two  portraits  are  inserted.  Paris,   1828 

1433.  GOETHE  (JOHANN  WOLFGANG  VON).  Faus- 
tus,  A  Dramatic  Mystery;  the  Bride  of  Corinth;  the  First 
Walpurgis  Night.  Translated  from  the  German  of  Goethe, 
and  illustrated  with  notes,  by  John  Anster,  and  including 
Part  Two  of  Faustus.  2  vols.  12mo,  calf  gilt,  gilt  edges,  by 
F.  Bedford.  London,  1835-64 

1434.  GOETHE  (JOHANN  WOLFGANG  VON).  Les 
Souffrances  du  Jeune  Werther,  traduites  par  le  Comte  Henri 
de  La  B.  [edoyere].  8vo,  half  green  levant  morocco  gilt,  gilt 
top,  uncut,  by  Alio.  Paris,  1845 

*  Large  Holland  paper  copy,  with  three  plates  after  Moreau 
the  younger,  proofs  before  letters.  Inserted  are  four  etchings 
by  Burdet  after  Tony  Johannot  in  two  states,  proofs  before 
letters  on  India  paper  and  lettered  impressions. 

1435.  GOETHE  (JOHANN  WOLFGANG  VON).  Rei- 
nike  Fuchs.  Engraved  title,  36  copper -plates,  25  woodcuts, 
etc.,  by  B.  Rahn  and  A.  Schleich  after  Wilhelm  von  Kaul- 
hach.  Royal  4to,  citron  levant  morocco,  gilt  panels,  gilt 
edges,  by  Riviere.  Miinehen,  1846 

1436.  GOETHE  (JOHANN  WOLFGANG  VON). 
CEuvres,  Traduction  nouvelle  par  Jacques  Porchat.  Por- 
trait hy  Goutiere.  10  vols,  in  11,  8vo,  red  levant  morocco 
gilt,  gilt  edges,  by  Petit.    Paris :  L.  Hachette  &  Cie.,  1859-63 

*  Only  100  copies  printed. 

1437.  GOFFE  (THOMAS).  The  Raging  Tvrke,  or, 
Baiazet  the  Second.  A  Tragedie  written  by  Thomas  Goffe, 
Master  of  Arts,  and  Student  of  Christ-Church  in  Oxford,  and 
Acted  by  the  Students  of  the  same  house.  First  Edition. 
Small  4to,  red  levant  morocco  gilt,  gilt  edges,  by  David. 

London:  Printed  by  Avgvst.  Mathew^es,  for  Richard 
Meighen.  1631. 

223 


'0 


200 


1438.  GOLDSMITH  (OLIVER).  An  Enquiry  into  the 
Present  State  of  Polite  Learning  in  Europe.  Vignette  on 
title.  12mo,  niger  morocco,  large  festoon  borders  on  sides, 
panel  back,  dentelle  borders,  entirely  uncut,  by  The  Club 
Bindery.     In  case. 

London :  Printed  for  R.  and  J.  Dodsley,  1759 

*  First  Edition,  uncut,  with  the  half-title.     Inserted  is  an 

AUTOGRAPH     LETTER     FROM     GOLDSMITH     TO     HIS     PUBLISHER,     J. 

Dodesley  (sic)  written  from  Gray's  Inn,  "Sir  I  shall  tale  it  as 
a  favour  if  you  can  let  me  have  ten  guineas  by  bearer,  for  which 
I  promise  to  account.     I  am  sir  your  humble  Servant, 

Oliver  Goldsmith. 
March  10th,  1764. 
P.S.  I  shall  call  to  see  you  on  Wednesday  next  with  copy,  etc." 

1439.  [GOLDSMITH  (OLIVER).]  The  Citizen  of  the 
"World;  or,  Letters  from  a  Chinese  Philosopher  Residing  in 
London,  to  his  Friends  in  the  East.  2  vols.  12mo,  light  blue 
levant  morocco,  tooled  and  inlaid  in  an  elaborate  design,  silk 
linings,  all  edges  uncut,  by  The  Club  Bindery  (margin  of 
one  title  repaired). 

London :  Printed  for  the  Author,  and  sold  by  J.  Newbery, 
1762. 

*  First  Edition,  uncut.  Two  issues  were  printed  in  this 
year,  of  which  this  is  thought  to  be  the  first. 

1440.  [GOLDSMITH   (OLIVER).]     The  Life  of  Richard 
Nash,  of  Bath,  Esq. :  Extracted  principally  from  his  Original        ^ 
Papers.     Portrait  of  Nash  by   Walker.     8vo,  maroon   levant        /  ^  ~ 
morocco,  elaborate  borders,  gilt  back,  gilt  edges,  by  The  Club      / 
Bindery.  London:  Printed  for  J.  Newbery,  1762      ' 

*  First  Edition.  C  Large  Paper  copy:  Very  tall,  with  many 
lower  edges  uncut.  Contains  the  leaves  of  advertisement  of 
' '  Books  just  Published  by  J.  Newbery. ' ' 

1441.  [GOLDSMITH   (OLIVER).]     The  Life  of  Richard 

Nash,  Esq. ;  late  Master  of  the  Ceremonies  at  Bath.       Ex-  /',■) 

tracted  principally  from  his   Original  Papers.     Portrait   of      2/1/  ~ 
Nash  hy  Walker.     8vo,  red  levant  morocco  gilt,  dentelle  bor- 
ders, entirely  uncut,  by  The  Club  Bindery. 

London :  Printed  for  J.  Newbery,  1762 

*  Second  Edition.  Large  Paper  copy,  uncut.  Extremely 
rare.  Contains  the  leaf  of  advertisements  of  ' '  Books  just 
Published  by  J.  Newbery"  (works  of  Goldsmith  and  others). 
This'  edition  is  entirely  reset,  and  includes  a  Dedication  not  in 
the  first  edition. 

1442.  GOLDSMITH    (OLIVER).     The    Traveller;    or,    A 
Prospect  of   Society,   a  Poem.       Inscribed  to  the  Rev.   Mr.     -  y,     ) 
Henry  Goldsmith.     Fine  portrait  of  the  autlior,  after  Rey- 
nolds, inserted.     4to,   citron  levant   morocco,   with   a   broad 
panel  of  intertwined  scroll  design  on  the  sides,  inlaid  with 

233 


1^1^ 


w 


red  and  blue  morocco,  doublure  of  same  colored  levant,  silk 
linings,  gilt  edges,  in  a  case,  by  The  Club  Bindery.  (Half- 
title  restored  on  inner  margin.) 

London:  Printed  for  J.  Newbery,  1765 

*  First  Edition  ;  second  issue,  the  first  having  been  published 
Dee.  19,  1764.  Contains  the  leaf  of  advertisements,  usually 
missing. 

1443.  GOLDSMITH  (OLIVER).  The  Traveller,  or  a 
Prospect  of  Society.  A  Poem  Inscribed  to  the  Rev.  Mr. 
Henry  Goldsmith.  By  Oliver  Goldsmith,  M.B.  The  Second 
Edition.  4to,  dark  green  levant  morocco,  elaborate  panels 
of  Persian  design,  in  pointille  tools;  doublure  of  the  same 
leather,  with  half  title,  ma,  edges  uncut,  in  a  case,  by  The 
Club  Bindery. 

London :  Printed  for  J.  Newbery,  in  St.  Pauls  Church-yard, 

1765. 

*  Presentation  copy  from  Goldsmith,  with  inscription  on 
the  half-title.  "With  tlie  Author's  test  esteem."  This  is  not 
a  new  issue  of  the  date  1765,  but  a  new  edition.  The  type  is 
lighter  faced,  and  occasional  changes  of  phraseology  occur,  e.  g., 
line  12,  page  3,  in  the  first  edition,  "Amidst  the  store,  'twere 
thankless  to  repine ' '  here  reads  ' '  Amidst  the  store,  should  thank- 
less   pride   repine. ' ' 

1444.  [GOLDSMITH  (OLIVER).]  The  Vicar  of  Wake- 
field: A  Tale.     Supposed  to  be  written  by  Himself.     2  vols. 

12m0,  ORIGINAL  CALF,  RICHLY  GILT  BORDERS  AND  BACKS,  DOUBLE 
LETTERING   PIECES,    IN    MOROCCO   SOLANDER    CASE. 

Salisbury :  Printed  by  B.  Collins,  MDCCLXVI  [1766] 

,.,  s-^  *  The  rare  First  Edition,  and  the  earliest  issue,  having 

K  [j  the  misprint  ' '  Waekcfield ' '  for  ' '  Wakefield ' '  in  the  headline 

of  p.  95  vol.  II,  and  OF  exceptional  interest,  being  a  presen- 
tation COPY  FROM  Goldsmith  with  "from  the  Author"  on 
title  op  volume  one;  written  in  his  hand. 

The  following  four  points  make  this  copy  one  of  the 
most  interesting  and  desirable  in  existence: — (I)  It  is  a 
presentation  copy  from  the  author.  (II)  It  is  in  the  original 
calf,  gilt  borders  and  backs,  with  double  lettering  pieces;  where- 
as it  is  usually  unlettered  and  without  tooling.  Probably  one 
of  a  few  copies  specially  bound  for  the  author  for  presentation. 
(Ill)  Its  unusual  size;  the  copy  measuring  slightly  over  6%  x4 
inches.     (IV)  It  is  the  first  issue  of  the  first  edition. 

1445.  GOLDSMITH     (OLIVER).        The    Good    Natur'd 
^  Man:  a  Comedy.     As  Performed  at  the   Theatre  Royal  in 

Covent-Garden.     8vo,  green  levant  morocco,  ornate  panels  on 

sides,  gilt  top,  other  edges  entirely  uncut,  by  Riviere.     (Inner 

margin  of  Epilogue  repaired.)         London:  "W.  Griffin,  1768 

*  First  Edition:  very  scarce  in  uncut  state.    The  prologue 

is  by  Dr.  Johnson. 

224 


1446.  GOLDSMITH  (OLIVER).  The  Deserted  Village,  a 
Poem.  Vignette  on  title — ''The  sad  historian  of  the  pensive 
plain,"  by  Isaac  Taylor.  Large  4to,  blue  levant  morocco, 
covered  with  a  design  of  interlaced  inlays  in  ivory,  green,  and 
citron,  forming  compartments,  each  surrounded  with  delicate 
tooling ;  doublure  of  blue  levant,  dentelle  borders,  silk  linings, 
ENTIRELY  UNCUT,  in  a  case,  by  The  Club  Bindery. 

London :  Printed  for  W.  Griffin,  1770 

*  First  Quarto  Edition,  uncut.  Very  unusual  in  this  con- 
dition. Measures  11  1/16x8  3/4,  with  Mr.  Hoe's  note  on  the 
fly-leaf  ' '  uncut  copy  of  the  first  quarto  edition,  presumably  the 
form  in  which  the  poem  was  first  printed. ' ' 

1447.  GOLDSMITH  (OLIVER).  The  Deserted  Village, 
a  Poem.  By  Dr.  Goldsmith.  Small  8vo,  boards  (not  origi- 
nal), EDGES  ENTIRELY  UNCUT,  witli  the  half-title.  In  a  mo- 
rocco case.  London :  Printed  for  W.  Griffin,  1770 

*  Second  issue  of  the  first  octavo  edition,  with  the  mis- 
print "head,"  page  9  line  1,  corrected  to  "hand."  A  note  on 
the  fly-leaf  in  the  handwriting  of  Mr.  Hoe  reads; — "The  first 
edition  of  this  poem  was  issued  in  two  sizes,  4to,  and  small  8vo. 
It  cannot  he  said  ivith  certainty  which  is  the  absolute  first  im- 
ipression,  hut  the  latter  is  ivithout  question  by  far  the  rarer." 

1448.  GOLDSMITH  (OLIVER).  The  Deserted  Village, 
a  poem.  By  Dr.  Goldsmith.  Small  Svo,  green  levant  mo- 
rocco, wide  borders  on  sides,  inlaid  in  black  morocco,  elabo- 
rately tooled;  doublure  of  black  morocco,  green  silk  guards, 
uncut,  original  wrappers  bound  in,  by  The  Club  Bindery. 

London :  Printed  for  W.  Griffin,  1770 

*  Third  issue  of  the  First  Octavo  Edition.  The  ornaments 
are  different  and  the  type  of  the  title-page  is  smaller,  etc. 

1449.  GOLDSMITH  (OLIVER).  She  Stoops  to  Conquer;- 
or,  The  Mistakes  of  a  Night.  A  Comedy.  As  it  is  Acted  at 
the  Theatre-Royal  in  Covent  Garden.  Written  by  Doctor 
Goldsmith.  Svo,  citron  levant  morocco,  doublure  of  the  same, 
with  artistic  gold  tooled  panels,  gilt  over  rough  edges,  by 
Chambolle-Duru.         London:  Printed  for  F,  Newbery,  1773 

,  *  The  genuine  first  issue,  which  varies  considerably,  both 
in  the  preliminary  matter  and  in  the  book  itself,  from  other 
editions  published  the  same  year.  The  preliminary  pages  con- 
sist of  title,  1  leaf;  dedication  to  Johnson,  Prologue  by  David 
Garrick;  Epilogue,  1  leaf.  This  edition  was  issued  without  half- 
title.  The  Comedy  B.  to  P.  1  in  fours.  The  pagination  and 
signatures  are  very  incorrectly  marked,  some  of  the  variations 
being  quite  important,  some  of  which,  if  not  all,  were  corrected 
in  later  issues.  P.  9,  C.  1,  the  catchword  "Scene"  is  here 
printed  in  small  "type,  sig.  Kl  p.  65  misprinted  56,  sig.  LI,  mis- 
printed 3,  and  its  pagination  misprinted;  the  headline  of  this 
page  is  also  misprinted  "A  Comedy,"  sig.  L2,  pp.  75-76,  mis- 
printed 83-68,  sig.  L3,  77-78,  misprinted  69-86.  There  are 
numerous  other  errors,  including  the  catchword  page  100  (reverse 
of  N2)  where  "Tony"  is  misprinted  for  "Hastings." 

225 


00 


1450.  GOLDSMITH  (OLIVER).  Retaliation:  a  poem. 
By  Dr.  Goldsmith.  Including  Epitaphs  on  the  most  Dis- 
tinguished Wits  of  this  Metropolis.  Vignette  portrait  on  the 
title.     4to,  crimson  levant  morocco  gilt,  gilt  edges,  by  Riviere. 

London:  Printed  for  G.  Kearsly,  1774 

*  Tall  copy  of  the  First  Edition,  with  the  half-title; 
frequently  missing.     Published  posthumously. 

1451.  GOLDSMITH    (OLIVER).       An  Enquiry  into  the 
^^     Present   State   of   Polite   Learning   in   Europe.     Small   8vo, 

'n  ^niger  morocco,  large  festoon  borders,  gilt  back,  dentelle  bor- 
^         ders,  ENTIRELY  UNCUT,  by  The  Club  Bindery.     (Several  por- 
tions of  margins  supplied.)     In  a  case. 

London :  Printed  for  J.  Dodsley,  1774 

*  Second  edition  with  the  half-title.   Very  rare  in  uncut  state. 

,  1452.  GOLDSMITH    (OLIVER).      Essays.      CoUecta   re- 

"-^  /]  -  virescunt.     Vignette  on  title  ly  Bland.     12mo,  orange  limp 
^     '^     levant  morocco,  gilt  top,  other  edges  uncut,  by  R.  W.  Smith. 
(Several  portions  of  margins  skilfully  restored.) 

London :  Printed  for  I.  and  F.  Rivington,  1775 

*  Eare  in  this  state. 

1453.  GOLDSMITH  (OLIVER).  The  Haunch  of  Ven- 
ison ;  a  Poetical  Epistle  to  Lorde  Clare.  By  the  late  Dr.  Gold- 
smith. Portrait  of  the  author,  drawn  hy  Henry  Bunhury^ 
Esq.;  and  etched  hy  Bretherton.  4to,  light  green  levant  mo- 
rocco, with  four  broad  panels  decorated  with  ribbon  and 
floral  designs,  inlaid  in  ivory,  blue  and  citron  morocco ;  doub- 
lure of  green  levant  with  inlaid  border,  vellum  fly-leaves,. 
uncut,  in  a  case,  by  The  Club  Bindery. 

London:  Printed  for  J.  Ridley,  in  St.  James's  Street,  and 
G.  Kearsley,  in  Fleet  Street,  1776. 

*  First  Edition.  Very  rare  in  uncut  state.  This  copy  is 
still  in  the  original  colored  and  figured  wrappers,  and  has  merely 
been  stitched  into  the  morocco  binding.  With  the  scarce 
half-title,  and  the  extra  leaves  signature  D,  of  four  pages,, 
at  the  end. 

.^      1454.  GOLDSMITH  (OLIVER).  The  Vicar  of  Wakefield. 
y^  f~\'^'^  K  Tale.     2  vols,  in  1,  8vo,  crimson  levant  morocco,  panelled 
^    '  sides,  gilt  top,  other  edges  uncut,  by  Riviere. 

London :  Printed  by  Samuels  and  Ritchie,  1792: 

*  Extra-illustrated  by  the  insertion  of  three  different  j)or- 
traits  of  Goldsmith,  and  6  plates  by  Stothard,  all  proofs. 

1455.  GOLDSMITH  (OLIVER)  and  PARNELL 
(THOMAS).  Poems  by  Goldsmith  and  Parnell.  8  wood- 
cut vignettes  and  5  full-page  illustrations  hy   Thomas  and 

I      ^     John  Bewick.     4to,  original  boards,  uncut,  somewhat  worn. 

^^  London :  W.  Bulmer,  1795 

*  First  Edition.  Printed  on  Whatman  paper.  The  text  con- 
sists of  The  Deserted  Village,   The  Traveller,  the  Hermit,  and 

'  the  Lives  of  Goldsmith  and  Parnell  by  Isaac  Eeed  and  Goldsmith, 

respectively. 

226 


1456.  GOLDSMITH        (OLIVER)        and        PARNELL      ^ 

(THOMAS).     Poems  by  Goldsmith  and  Parnell.     Woodcut    '-^ 
illustrations   by   the   Bewicks.       Royal   8vo,   original   boards, 
uncut.  London :  Printed  by  W.  Bulmer,  1804 

*  Printed  on  Wliatman  paper. 

1457.  GOLDSMITH  (OLIVER).  The  Vicar  of  Wakefield: 

A  Tale.       24  colored  plates  hy  Thomas  Rowlandson.       8vo,    yA  — 
crimson  levant  morocco  gilt,  gilt  edges,  by  Cuzin.  /  ^ 

London :  R.  Ackermann,  1823 

1458.  GOLDSMITH    (OLIVER).       The  Vicar   of  "Wake-      ^      j-^ 
field.     Illustrations  hy  George  Cruikshank.     12mo,  half  ma-     ^  /  __ 
roon  levant  morocco,  gilt  top,  uncut,  by  Krafft.    London,  1832        / 

1459.  GOLDSMITH  (OLIVER).  The  Poetical  AVorks  of 
Oliver  Goldsmith.  Illustrated  by  wood  engravings  from  the 
designs  of  Members  of  the  Etching  Club.  With  a  Biographi- 
cal Memoir  and  Notes -on  the  Poems.  Edited  by  Bolton  Cor- 
ney With  38  ivoodcut  illustrations  hy  Cresivick,  Bed- 
grave,  Cope  and  others  Small  4to,  blue  levant  morocco  gilt, 
gilt  edges,  by  Chambolle-Duru.  London,  1846 

1460.  GOLDSMITH     (OLIVER).       Works.       Edited    by 

Peter  Cunningham.     4  vols.   8vo,  blue  levant  morocco  gilt,    /  ,/  Q  — 
gilt  edges,  by  Matthews.  London,  1854       '^ 

*  Extra-illustrated  by  the  insertion  of  113  plates,  including 
52  portraits.     Most  of  these  are  proofs,  some  in  2  or  3  states. 

1461.  GOLDSMITH    (OLIVER).       The  Vicar   of  Wake- 

field,  by  Oliver  Goldsmith.     32  illustrations  hy  William  Mul-    y  ^    — 
ready,  R.A.     4to,  green  levant  morocco  gilt,  gilt  top,  uncut, 
by  Riviere.  London,  1855 


-^    )  - 


^  '^ 


1462.  GOLDSMITH    (OLIVER).      -Le  Vicaire  de  Wake-  — 
field  par  Olivier  Goldsmith.     Traduction  de  M.  Aignan  revue        O  — 
par  Remond.     Illustrations  anglaises  par  31.  Georges  Thomas. 
Fleurons  et  vignettes  par  M.  Macquoid.     Square  8vo,  green 
morocco  gilt,  gilt  edges.                                             Paris  [n.  d.] 

■"  Printed  on  rose-tinted  paper. 

1463.  GOLDSMITH    (OLIA^ER).       Le  Vicaire  de  Wake-        /?  ijf 
field;  traduction  nouvelle  et  complete  par  B.-H.   Gausseron.      ^ 
Illusti-ations  in  colors.     Royal  8vo.  original  covers,  uncut. 

Paris:  A  Quantin  [n.  d.] 

*  One  of  100  copies  on  Japan  paper. 

1464.  GOLDSMITH  (OLIVER).  The  Deserted  Village.  -^■^"'^ 
Illustrated  hy  the  Etching  Cluh,  icith  35  tvoodcuts.  Small  ^  ^  ~~ 
4to,  green  morocco  gilt,  gilt  edges,  by  Hayday.    London,  1857         ^ 


227 


TWENTY  EIGHTH  SESSION,  FRIDAY,  2:30  P.  M. 


1465.  GOMARA  (FRANCISCO  LOPEZ  DE).  La  His- 
toria  General  de  las  Indias.  With  the  rare  folding  map  of 
ihe  New  World  by  Ivan  Bellero.  8vo,  red  levant  morocco 
gilt,  gilt  edges,  by  Lortic.  Anvers:  Juan  Steelsio,  1554 

1466.  GOMARA  (FRANCISCO  LOPEZ  DE).  Historia 
de  Mexico,  con  el  descubrimiento  de  la  Nueva  Espaiia. 
Ar7ns  of  Cortes  on  the  title-page.  8vo,  red  levant  morocco 
gilt,  gilt  edges,  by  Lortic.  Anvers:  Juan  Steelsio,  1554 

1467.  GOMBERVILLE  (MARIN  LE  ROY  DE).  The 
Doctrine  of  Morality.  Translated  into  English  by  T.  M. 
Gibbs.  Frontispiece,  portrait,  vignettes  and  100  engrav- 
ings hy  Daret  after  Otho  Vaenius.  Folio,  red  morocco, 
gilt  ornaments,  gilt  edges.  London,  1721 

*  From  the  collections  of  the  Earl  of  Arran  and  of  the  Earl 
of  Ormond. 

1468.  GOMERSALL  (ROBERT).  The  Tragedie  of  Lo- 
dovick  Sforza  Dvke  of  Millan.  First  Edition.  Engraved 
title  hy  Cecill,  and  the  leaf  of  Explanation  opposite.  Small 
8vo,  blue  levant  morocco,  gilt  borders,  gilt  edges,  by  The 
Club  Bindery.  Imprinted  at  London  in  the  yeare  1628 

*  A  large  copy. 

1469.  GONCOURT  (EDMOND  and  JULES  DE).  Sophie 
Arnould,  d'apres  sa  correspondance  etses  memoires  inedits. 
First  Edition.  12mo,  half  cloth,  uncut,  original  covers 
bound  in.  Paris,  1857 

1470.  GONCOURT  (EDMOND  and  JULES  DE).  Les 
Maitresses  de  Louis  XV.  Lettres  et  documents  inedits. 
2  vols,  royal  8vo,  red  levant  morocco,  gilt  borders,  doublure 
of  citron  morocco  with  floral  borders,  gilt  tops,  uncut,  by 
Thibaron-Joly.  Paris,  1860 

*  First  Edition.  One  of  8  copies  printed  on  Holland  paper. 
Extra-illustrated  by  the  insertion  of  154  portraits  and  two  au- 
togi'aphs  of  Madame  du  Barry  and  Edmond  de  Goncourt, 
There  are  proofs  before  letters  of  the  portrait  of  the  Prince  de 
Conde  by  Scriven,  Cardinal  de  Bernis,  by  Savart,  the  Dauphin, 
by  Lempereur,  the  Due  de  Choiseul,  by  Moreau,  and  Louis 
XVIII,  by  R.  Morghen;  fine  proofs  by  St.  Aubin  (9),  Le  Beau 
(9),  Gaucher  (6),  Ceroni  (6),  Cochin  (5),  Ficquet  (4),  Savart  (2), 
Marcenay  (3),  Delatre  (3) ;  portraits  of  Madame  de  Pompadour, 

328 


by  Ceroni,  St.  Aubin,  Littret,  Le  Beau,  Watson,  Mariage, 
Dieu,  and  Cochin,  after  Beauvardet  (2)  and  Latour;  of  Madame 
du  Barry,  by  Ceroni,  Gaucher,  Le  Beau,  etc.  There  are  in 
addition  two  original  etchings  by  Madame  de  Pompadour,  and 
a  portrait  of  Louis  XV  (Volume  II,  p.  212)  of  marvellous  exe- 
cution, "  fait  a  la  plume  "  by  Oudiuot  in  1795. 

1471.  GONCOURT  (EDMOND  AND  JULES  DE).  Gavarni 
[Guillaume  Sulpice  Chevallier]  rhoraine  et  I'ceuvre.  Por- 
trait by  Flameng.  First  Edition.  8vo,  original  paper 
covers.  Paris,  1873 

1472.  GONCOURT  (EDMOND  and  JULES  DE). 
L'Amour  au  dix-huitieme  Siecle.  Orname^ital  borders, 
etched  frontispiece  and  2  vignettes.  First  Edition,  on 
Whatman  paper.  Svo,  half  blue  morocco  gilt,  gilt  top, 
uncut.  Paris,  1875 

1473.  GONCOURT  (JULES  DE).  Eaux-fortes  de  Jules 
de  Goncourt.  Notice  et  Catalogue  de  Philippe  Burty. 
Folio,  loose,  in  a  portfolio.  Paris,  1886 

*  One  of  100  copies  on  Holland  paper,  with  the  etchings  on 
Japan  paper. 

1474.  [GOODALL  (CHARLES).]  Poems  and  Transla- 
tions, written  Upon  Several  Occasions,  and  To  Several 
Persons.  By  a  late  Scholar  of  Eaton.  First  Edition. 
Small  8vo,  old  red  morocco  gilt,  gilt  edges. 

Loudon:  Henry  Bon wicke,  1689 

*  These  poems  have  been  attributed  to  the  Earl  of  Rochester. 

1475.  GOUDEAU  (fiMILE).  Poemes  Parisiens.  Illus- 
trations de  Ch.  Jonas,  gravees  sur  bois  par  H.  Paillard. 
Svo,  citron  levant  morocco,  gilt  panels,  gilt  top,  uncut,  by 
The  Club  Bindery.  Paris,  1897 

*  One  of  138  copies  printed  on  China  paper. 

1476.  GOULD  (ROBERT).  The  Laurel,  a  Poem  on  the 
Poet-Laureat.  First  Edition.  4to,  green  morocco,  gilt 
edges,  by  The  Club  Bindery.       London:  Benj.  Tooke,  1685 

1477.  GOZLAN  (LEON).  Balzac  chez  lui.  Souvenirs  des 
Jardins.  First  Edition.  12mo,  three  quarter  olive  levant 
morocco  gilt,  gilt  top,  original  covers  bound  in,  by  Fonte- 
ney.  "  Paris,  1862 

1478.  GRAFFIGNY  (FRANgOISE  D'ISSEMBOURG 
d'H.).  Lettres  d'une  Peruvienne,  Nouvelle  edition,  aug- 
mentee  d'une  suite  qui  n'a  point  encore  ete  imprimee. 
Proof  impressions  of  the  2  frontispieces  and  2  vignettes 
after  Desenne.  2  vols.  18mo,  purple  morocco  gilt  and 
blind  tooled,  gilt  edges,  by  Ledoux.  In  half  morocco 
-cases.  Paris:  Didot  I'aine,  1797 

*  Printed  on  vellum. 

339 


1479.  G[RAY],  R[OBERT].  Virginia's  Cure:  or  An 
Advisive  Narrative  concerning  Virginia.  Discovering  The 
true  Ground  of  that  Churches  Unhappiness,  and  the  only 
true  Remedy.  As  it  was  presented  to  the  Right  Reverend 
Father  in  God  Guilbert  Lord  Bishop  of  London,  September 
2,  1661.  Now  publish'd  to  further  the  Welfare  of  that 
and  the  like  Plantacions:  By  R.  G.  4to,  citron  levant  mo- 
rocco, covered  with  a  rich  design  with  mosaic  of  red  levant, 
tooled  in  scrolls  and  sprays,  doubled  with  red  levant,  bor- 
ders, gilt  edges,  by  The  Club  Bindery.  (Lacks  D  4,  a 
blank.)  London:  Printed  by  W.  Godbid  for  Henry 
Brome  at  the  Signe  of  the  Gun  in  Ivy-lane,   1662. 

*  First  Edition.  A  very  large  copy,  measuring  7I4  x  53^ 
inches.  "  This  is  an  eai'ly  tract  relating  to  Virginia,  and  is  of 
such  rarity  that  Sabin  says  he  had  never  seen  a  copy.  It  was 
reprinted  by  Peter  Force  in  his  Tracts,  vol.  3,  No.  15."— Church 
Catalogue. 

[See  Reproduction.] 

1480.  GRAY  (THOMAS).  Poems,  by  Mr.  Gray.  Small 
folio,  original  half  calf  and  boards,  uncut.  Only  200 
COPIES  PRINTED.  Parma:  Printed  by  Bodoni,  1793 

1481.  GRAY  (THOMAS).  The  Poems  of  Gray.  Extra 
ILLUSTRATED,  hy  the  insertion  of  112  proof  portraits  and 
views.,  many  proofs  in  different  states,  and  a  fragment  of 
nianuscrip)t  hy  Gray.  The  portraits  include  11  of  Gray,  one 
engraved  by  Caroline  Watson.  8vo,  green  levant  morocco 
gilt,  doublure  of  red  levant,  gilt  tooled  after  the  manner  of 
Derome,  gilt  edges,  by  Bedford.      London:  T.  Bensley,  1800- 

*  Largest  paper  copy. 

1482.  GRAY  (THOMAS).  The  Poems  of  Gray.  Extra 
Illustrated  hy  the  iiisertion  of  over  70  plates,  including 
numerous  portraits  of  Gray,  duplicates  in  the  earliest  state 
of  the  illustrations  published  with  the  book,  and  many  other 
plates,  proofs  on  India  paper  and  before  letterst  8vo,  green 
levant  morocco  gilt,  doublure  of  red  levant,  gilt  tooled  in 
the  manner  of  Derome,  gilt  edges,  by  Matthews. 

London:  T.  Bensley,  1800 

*  Contains  the  rare  full-length  portrait  of  Gray  by  Rados. 

1483.  GREENE  (ROBERT).  Morando  The  Tritame- 
ron  of  Loue:  Wherein  certaine  pleasaunt  Conceites, 
uttered  by  diners  worthy  personages  are  perfectly  dys- 
coursed,  and  three  doubtfull  questj^ons  of  Loue,  mostpithely 
and  pleasauntly  discussed.  First  Edition  of  the  first 
PART.  Printed  in  Gothic  type.  Small  4to,  red  levant  mo- 
rocco,giltedges,  by  DeCoverly.  London:  Edward  White, 1584 

*  From  the  Earl  of  Jersey,  and  the  Locker  collections,  with 
bookplates. 

230 


Virginias  Cure: 


O  R 


An  ADVISIVE  NARRATIVE 

VIRGINIA 

D  I  S  C  O  \'  E  R  I  N  G 

The  true  Ground  of  that  C  h  u  p.  c  h  e  s 

Unliappinefs,  and  the  only  true  Pvemcdy. 

As  it  was  prefented  to  the  Right  Reverend  Father  in  God 
GVILBERT  Lord  Bifliop  of  London  , 
Sef Umber  2.  i  6  6  i. 


Now  publifli'd  to  further  the  Welfare  of  that 
and  the  like  PLANTATIONS: 

By  K.  G. 


zAiii  this  Gojpel  of  the  K'mgdomc  jhall  U  pre.-ich'd  in  all  the  world  , 

for  a  wityiefs  unto  all  Natloris  ,  and  then  fi'-iU  the  ]E,nd  come , 

Mat.  24.  14. 
Is  /f  time  for  joH  O  ys  to  dmll  in  pur  celled  hotifes  ,  and  this  Houfe 

lie  wafle  ?  Jiorv  therefore  thw  faith  the  Lord  of  Hofts  ,  Cotifilsr 

yommtyss.   Hag.  i.  4,  5. 


LorMfi ,  Printed  by  W.  Cjodhld  for  Henry  Brome  at  the  Signe  cf 
the  (]tm  in  Ivy- lane,  1662, 


Gray's  "Virginia's  Cure/'  1662. 
(See  Xo.   1479.) 


1484.  GREENE  (ROBERT).  The  Spanish  Masquerade. 
Wherein  vnder  a  pleasant  deuise,  isdiscouered  effectuallie, 
in  certaine  breefe  sentences  and  Mottos,  the  pride  and  in- 
solencie  of  the  Spanish  estate:  with  the  disgrace  conceiued 
by  their  losse,  and  the  dismaied  confusion  of  their  troubled 
thoughtes.  Whereunto  by  the  Author,  for  the  better  vn- 
derstanding  of  his  deuice,  is  added  a  breefe  glosse.  Small 
4to,  calf  gilt,  gilt  edges,  by  F.  Bedford.  (Top  margins  of 
some  leaves  repaired.)  Printed  at  London  by  Roger  Ward 
for  Thomas  Cadman,  1589. 

*  One  of  two  issues  of  the  First  Edition,  both  published 
this  year. 

1485.  GREENE  (ROBERT).  Cicerconis  Amor,  Tullies- 
Love:  wherein  is  discoursed,  the  prime  of  Ciceroes  youth, 
setting  out  in  liuely  Portraitures,  how  yong  Gentlemen, 
that  Ajnne  at  Honor,  should  leuell  the  end  of  their  affec- 
tions, holding  the  loue  of  Countrey  and  Friends  in  more 
esteeme,  etc.  [Seventh  Edition.]  Small  4to,  polished 
calf,  gilt,  by  W.  Pratt. 

London:  W.  Stansby  for  John  Smethwicke,  1616 

1486  GREENE  (ROBERT).  Greenes  Farewell  to  Follie. 
Sent  to  Courtiers  and  Scholers,  as  a  president  to  warne 
them  from  the  vaine  delights,  that  drawes  youth  on  to 
repentance.  Second  Edition.  4to,  brown  levant  morocco, 
gilt  edges,  some  lower  edges  uncut,  by  The  Club  Binderj*. 

London:  W.  White,  1617 

1487.  GREENE  (ROBERT).  Philomela,  The  Lady  Fitz- 
Waters  Nightingale.  Fourth  Edition.  Small  4to,  green 
morocco,  gilt  edges  (a  few  headlines  shaved,  margin  of  A* 
repaired  and  small  piece  torn  from  margin  of  I). 

London :  George  Purslowe,  1631 

1488.  GREENE  (ROBERT).  The  Dramatic  Works  of 
Robert  Greene,  to  which  are  added  his  Poems,  with  some 
account  of  the  author,  and  notes,  by  the  Rev.  Alexander 
Dyce.  2  vols.  8vo,  green  morocco  gilt,  arms  in  gold  on  the 
sides,  gilt  tops,  uncut,  by  Clyde.     London:  Pickering,  1831 

*  One  of  12  copies  on  large  paper.     The  Griswold  copy  with 
Arms. 

1489.  GRESSET  (JEAN  BAPTISTE  LOUIS).  CEuvres, 
avec  Le  Parrain  Magnifique,  poeme  en  dix  chants,  ouvrage  post- 
hume.  Portrait  of  Gresset  hy  St.  Aubin  after  Nattier,  in  four 
states,  from  open-letter  proof  to  the  finished  plate,  also  eight 
plates  engraved  by  Simonet  (7)  and  de  Ghendt  after  the  de- 
signs of  Moreau,  each  plate  in  five  states,  viz.,  engraver's  etch- 
ing, proof  before  letters  on  plate  and  on  yelloiv  paper,  the 
lettered  proof,  and  the  ordinary  impression.     2  vols.,   Svo,. 

231 


green  levant  morocco,  donblures  of  red  morocco  with  dentelle 
borders  and  corner  ornaments,  gilt  over  rough  edges,  by  Ciizin. 

Paris :  Ant.  Aug.  Renouard,  1811 

*  Large  papier  velin  copy.  Extra-illustrated  by  the  inser- 
tion of  a  portrait  engraved  by  Delvaux  (1787)  after  Beruer 
and  an  original  sepia  drawing  as  frontispiece  to  Vol.  II. 

1490.  GRESSET  (JEAN  BAPTISTE  LOUIS).  (Euvres. 
2  vols.  18mo,  green  vellum,  uncut.  Paris :  Didot,  1806 

*  Printed  on  vellum.     From  the  Syston  Park  Library. 

1491.  GRESSET  (JEAN  BAPTISTE  LOUIS).  Poemes. 
Illustrations.  8vo,  blue  levant  morocco  gilt,  gilt  edges,  by 
Thibaron.  Paris :  Chez  D.  Jouaust,  1867 

*  One  of  2  copies  on  vellum.  Extra-illustrated  by  the 
insertion  of  2  portraits  of  the  author,  and  7  brilliant  plates  by 
Moreau,  proofs  before  letters. 

1492.  GRESWELL  (REV.  WILLIAM  PARR).  Annals 
of  Parisian  Typography,  containing  an  account  of  the  Earliest 
Typographical  Establislmients.  Frontispiece  and  facsimiles. 
8vo,  cloth,  uncut.  London,  1818 

*  Large  Paper  copy. 

1493.  GRIFFITH  (ELIZABETH).  The  School  for  Rakes, 
a  Comedy.  As  it  is  Performed  at  the  Theatre-Royal  in  Drury- 
Lane.    First  Edition.    8vo,  morocco.  London,  1769 

1494.  GRIMM  (HERMAN).  Life  of  Michael  Angelo. 
Translated  with  the  author's  sanction,  by  Fanny  Elizabeth 
Bunnett.  2  vols,  royal  8vo,  green  levant  morocco  gilt,  gilt 
edges,  by  R.  W.  Smith.  Boston,  1866 

*  Large  Paper  copy.  Extra-illustrated  with  120  portraits 
and  views,  also  an  original  drawing  of  St.  Mark's,  Venice. 
Many  of  the  plates  are  proofs. 

1495.  GRIMiM  (M.  M.).  German  Popular  Stories.  Trans- 
lated from  the  Kinder  unci  Haus  Marchen.  Collected  bj^  M.  M. 
Grimm.  Etched  plates  dy  George  Cruikshank.  2  vols,  small 
8vo,  brown  levant  morocco  gilt,  gilt  tops,  uncut,  by  Bedford. 
With  the  half-titles,  and  leaf  of  advertisement  at  the  end  of 
Vol.  II  (but  lacking  those  at  the  beginning). 

London :  C.  Baldw\Ti,  1823 ;  C.  Robins,  1826 

*  First  Edition  of  Volume  II,  and  second  edition  of  Vol.  I, 
the  word  ' '  marchen ' '  modified ;  ' '  The  Travelling  Musicians,  or, 
the  Waits  of  Bremen, ' '  on  page  9;  "  The  Waggish  Musicians ' ' 
on  page  81,  etc. 

1496.  GRIMSTON  (WILLIAM  LUCKYN,  (FIRST)  VIS- 
COUNT). The  Lawyer's  Fortune;  or,  Love  in  a  Hollow  Tree. 
A  comedy.  Engraved  frontispiece.  Small  8vo,  brown  levant 
morocco  gilt,  gilt  edges,  by  The  Club  Bindery.      London,  1736 

233 


1497.  GROLIER  CLUB.  A  Decree  of  Star  Chaml)er  con- 
cerning Printing',  made  July  11,  1637.  Illuminated  vujnette- 
titlr,  hcafJings,  tail-pieces,  rfr.  8vo,  red  levant  morocco  g-ilt, 
"wide  side-borders,  silk  linings,  gilt  top,  uncut,  wilh  the  original 
covers  bound  in,  by  David.    New  York  :  The  Grolier  Club,  1884 

*  One  of  only  150  copies  of  the  first  book  published  by  the 
Club. 

1498.  GROLIER  CLUB.  (1).  Transactions  of  the  Grolier 
Club  from  its  Foundation  January,  1884,  to  July,  1885.  Part 
I.;  (2).  Transactions  of  the  Grolier  Club  from  July,  1885,  to 
February,  1894.  Part  II.;  (3).  Transactions  of  the  Grolier 
Club  from  February,  1894,  to  July,  1899.  Part  III.  Etched 
portraits  and  illustrations,  some  on  Japan  paper.  3  vols.  4to, 
original  wrappers,  uncut. 

New  York:  The  Grolier  Club,  1885- '94- '99 
,  *  Limited  editions  of  each  part. 

1499.  GROLIER  CLUB.  Rubaiyat  of  Omar  Khayyam,  the 
Astronomer-Poet  of  Persia.  Rendered  into  English  verse  by 
Edward  Fitzgerald.  Initials,  &c.,  in  gold  and  colors.  8vo, 
blue  levant  morocco,  covered  with  an  elaborate  Persian  design, 
doublure  of  brown  morocco,  wide  borders,  bv  Ramage. 

New  York:  The  Grolier  Club,  1885 

*  One  of  150  copies  on  Japan  paper. 

1500.  GROLIER  CLUB.  Irving  (Washington).  A  His- 
tory of  New  York  from  the  Beginning  of  the  World  to  the  End 
of  the  Dutch  Dynasty.  Illustrations  hij  Geo.  H.  Bougliton, 
Will  H.  Drake,  and  Howard  Pyle,  and  etchings  by  Henry  C. 
Eno  and  F.  Raiiljicheck.  2  vols.  8vo,  brown  levant  morocco, 
gilt  backs,  elaborate  borders,  doublure  of  red  morocco,  gilt 
borders,  silk  guards,  gilt  over  rough  edges,  in  morocco  cases, 
by  Joly.  New  York :  The  Grolier  Club,  1886 

*  One   of  2   copies  printed  on   vellum,  with   duplicate  im- 
pressions of  the  etchings. 

1501.  GROLIER  CLUB.  De  Vinne  (Theodore  Low).  His- 
toric Printing  Types.  A  Lecture  read  before  the  Grolier  Club 
of  New  York,  January  25,  1885,  with  Additions  and  new  Illus- 
trations. Facsimiles  of  types,  d-c.  Royal  8vo,  crimson  levant 
morocco,  blind  and  gold-tooled  panels,  corner  ornaments, 
broad  inside  borders,  vellum  fly-leaves,  gilt  top,  bv  Matthews. 

New  York:  The  Grolier  Club,  1886 

*  One  of  2  copies  printed  on  vellum.     Presentation  copy 
from  the  author  to  Mr.  Iloe,  with  inscription. 

1502.  GROLIER  CLUB.  Reade  (Charles).  Peg  Woffington. 
2  vols.  12mo,  blue  levant  morocco,  gilt  panels,  gilt  tops,  uncut, 
by  Joly.  New  York :  The  Grolier  Club,  1887 

*  One  of  250  copies. 

333 


1503.  GROLIERCLUB.  DeVinne  (Theodore Low).  Chris- 
topher Plantin  and  the  Plantin-Moretus  Museum  at  Antwerp. 
Illustrations  hy  Joseph  Pennell.  Royal  8vo,  brown  levant  mo- 
rocco gilt,  panels  of  interlacing  fillets,  comer  ornaments,  gilt 
top,  uncut,  original  wrappers  bound  in,  by  The  Club  Bindery. 

New  York :  The  Grolier  Club,  1888 
"  One  of  300  copies. 

1504.  GROLIER  CLUB.  Areopagitica.  A  Speech  of  Mr. 
John  Milton,  for  the  Liberty  of  Unlicensed  Printing.  With 
an  introduction  by  James  Russell  Lowell.  Small  8vo,  boards, 
uncut.  New  York :  The  Grolier  Club,  1890 

*  One  of  325  copies  on  Holland  paper.     A  specimen  signature 
on  vellum  is  loosely  inserted. 

1505.  GROLIERCLUB.  Curtis  (George  William).  Wash- 
ington Irving :  A  Sketch.  Portraits  of  Matilda  Hoffman  and 
Irving,  and  cut  of  CocMoft  Hall  Summer  House.  Svo,  red 
morocco,  gilt  top,  uncut.      New  York :  The  Grolier  Club,  1891 

*  One  of  344  copies  printed. 

1506.  GROLIER  CLUB.  Conway  (Moncure  Daniel). 
Barons  of  the  Potomack  and  the  Rappahannock.  Facsimile. 
8vo,  boards,  uncut.  New  York :  The  Grolier  Club,  1892 

*  One  of  360  copies  on  Italian  hand-made  paper. 

1507.  GROLIER  CLUB.  Catalogue  of  an  exhibition  of  Illu- 
minated and  Painted  Manuscripts  together  with  a  few  early 
printed  books  with  illuminations — also  some  examples  of 
Persian  Manuscripts  and  an  introductory  essay.  Plates  in 
facsimile.  8vo,  olive  green  levant  morocco,  uncut,  by  R.  W. 
Smith.  New  York:  The  Grolier  Club,  1892 

*  One  of  350  copies. 

1508.  GROLIER  CLUB.  Catalogue  of  Original  and  Early 
Editions  of  some  of  the  Poetical  and  Prose  Works  of  English 
Writers  from  Langland  to  Wither.  87  facsimiles  of  title-pages 
and  frontispieces.    8vo,  red  levant  morocco,  uncut. 

New  York :  The  Grolier  Club,  1893 

*  One  of  3  copies  feinted  on  vellum. 

1509.  GROLIER  CLUB.  New  York  Laws.  Facsimile  of 
the  Laws  and  Acts  of  the  General  Assembly  for  their  Majesties 
Province  of  New  York,  &c.,  &c.,  at  New  York.  Printed  and 
sold  by  William  Bradford,  1694.  With  Historical  Introduc- 
tion, Notes  on  the  Laws,  &c.,  by  Robert  L.  Fowler.  Small  folio, 
vellum,  uncut.  New  York :  The  Grolier  Club,  1894 

*  Edition  limited  to  315  copies. 

1510.  GROLIER  CLUB.  A  Description  of  the  Early 
Printed  Books  owned  by  the  Grolier  Club,  with  a  brief  ac- 
count of  their  printers  and  the  history  of  typography  in  the 
fifteenth   century.      Facsimiles.      Folio,   light   bro"wn   levant 

234 


morocco,  gilt  back,  side  borders,  doublure  of  vellum,  gilt  over 
rough  edges,  by  The  Club  Bindery. 

New  York:  The  Grolier  Club,  1895 

*  One  of  3  copies  printed  on  vellum. 

1511.  GROLIER  CLUB.  Warren  (Arthur).  The  Charles 
Whittinghams  Printers.  With  many  portraits,  illustrations 
and  reproductions.  8vo,  brown  levant  morocco  gilt,  decorated 
with  a  floriated  design  of  very  rich  tooling,  doublure  of  vellum, 
gilt  over  rous'h  edges,  by  The  Club  Binderv. 

■  New  York:  The  Grolier  Club,  1896 

*  One  of  3  copies  printed  on  vellum. 

1512.  GROLIER  CLUB.  Koehler  (S.  R.)  A  Chronologi- 
cal Catalogue  of  the  Engravings,  Dry-Points  and  Etchings  of 
Albert  Diirer,  as  exhibited  at  the  Grolier  Club.  Illustrated. 
4to,  cloth,  uncut.  New  York:  Grolier  Club,  1897 

*  One  of  400  copies. 

1513.  GROLIER  CLUB.  Pichon  (Baron  Jerome).  The 
Life  of  Charles  Henry,  Count  Hoym,  Ambassador  from  Sax- 
ony-Poland to  France,  and  Eminent  French  Bibliophile,  1694- 
1736.  With  a  Sketch  of  the  life  of  the  late  Baron  Pichon. 
Engraved  portraits,  facsimiles  of  bindings  and  other  illus- 
trations. Royal  8vo,  original  silk-brocade  binding,  morocco 
back  and  comers,  uncut.      New  York :  The  Grolier  Club,  1899 

*  One  of  303  copies. 

1514.  GROLIER  CLUB.  Pichon  (Baron  Jerome).  The 
Life  of  Charles  Henry,  Count  Hojui,  Ambassador  from  Sax- 
ony-Poland to  France,  and  Eminent  French  Bibliophile,  1694- 
1736.  Royal  8vo,  dark  blue  levant  morocco,  covered  with  a 
scroll  tooling  in  compartments,  studded  with  dots,  vellum  lin- 
ings, gilt  top,  uncut,  with  leather  slip,  embroidered  inside  and 
in  brown  leather  case,  bv  The  Club  Bindery. 

New  York:  The  Grolier  Club,  1899 

*  One  of  3  copies  printed  on  vellum. 

1515.  GROLIER  CLUB.  Carpenter  (G.  R.).  A  transla- 
tion of  Giovanni  Boccaccio's  Life  of  Dante  with  an  introduc- 
tion and  a  note  on  the  portraits  of  Dante.  Portrait  of  Dante, 
and  folded  plate  of  Florence.    8vo,  original  boards,  uncut. 

New  York:  The  Grolier  Club,  1900 

*  One  of  300  copies. 

1516.  GROLIER  CLUB.  The  History  of  Helyas,  Knight 
of  the  Swan.  Translated  by  Robert  Copland,  from  the  French 
Version  published  in  Paris,  1504.  A  Literal  reprint  in  the 
types  of  Wynkin  de  Worde,  after  the  unique  copy  printed  by 
him  upon  parchment  in  London  MCCCCCXII.  Small  4to^ 
pigskin,  with  clasps,  uncut. 

New  York:  The  Grolier  Club,  1901 

*  One  of  325  copies  on  Whatman  paper. 

235 


1517.  GROLIER  CLUB.  Be  Vinne  (Theodore  Low). 
Title-Pages  as  Seen  by  a  Printer,  and  some  Observations  on 
the  early  and  recent  Printing  of  Books.  Numerous  fac- 
similes.    8vo,  half  red  straight-grain  morocco,  uncut. 

New  York :  The  Grolier  Club,  1901 

*  One  of  325  copies. 

1518.  GROLIER  CLUB.  Hart  (Charles  Henry— Editor). 
Catalogue  of  the  Engraved  Portraits  of  Washington.  With 
21  illustrations.     4to,  half  vellum,  uncut. 

New  York:  The  Grolier  Club,  1904 

*  One  of  425  copies. 

1519.  GROLIER  CLUB.  Stauffer  (David  McNeely). 
American  Engravers  on  Copper  and  Steel.  Numerous  fine 
portraits  on  Japan  paper.  2  vols.  8vo,  half  cloth  and  boards, 
uncut.  New  York :  The  Grolier  Club,  1907 

*  One  of  350  copies. 

1520.  GROLIER  CLUB.  De  Lincy  (A.  J.  V.  le  Roux). 
Researches  concerning  Jean  Grolier,  his  Life  and  his  Library. 
"With  a  Partial  Catalogue  of  his  books  Edited  by  Roger 
Portalis.  Translated  by  Carolyn  Shipman.  12  illustrations 
in  color  on  imperial  Japan  paper.  Imperial  8vo,  half  blue 
morocco,  uncut.  New  York:  The  Grolier  Club,  1907 

*  First  issue  of  the  First  Edition.  One  of  800  copies. 
With  numerous  marginal  corrections  and  notes  in  the  hand- 
writing of  Mr.  Hoe. 

1521.  GROLIER  CLUB.  Hawthorne  (Nathaniel).  The 
Scarlet  Letter.  Illustrated  hy  George  H.  Bought  on,  ivith 
the  plates  in  two  states,  histre  a7id  colored.  Royal  8vo,  half 
cloth  and  boards,  uncut.     New  York :  The,  Grolier  Club,  1908 

*  One  of  300  copies. 

1522.  GROTE  (GEORGE).  Plato,  and  the  other  com- 
panions of  Sokrates.  First  Edition.  3  vols.  8vo,  half  green 
levant  morocco  gilt,  gilt  tops,  uncut,  by  Riviere. 

London,  1865 

1523.  GROTE  (HARRIET  LEWIS).  Memoirs  of  the 
Life  of  Ary  Scheffer.  First  Edition.  Portrait  and  fac- 
simile.    8vo,  cloth,  uncut.  London,  1860 

1524.  GROTIUS  (HUGO).  Syntagma  Arateorum.  Opus 
poetic^e  et  astronomic  studiosis  utilissimum.  Numerous 
copper-plates  representing  the  signs  of  the  Zodiac  and  the 
principal   Constellations.     4to,   old  red  morocco,   gilt   edges. 

Ex  Officina  Plantiniana,  1600 

'     236 


1525.  GRUEL  (LfiON).  Manuel  Hisiorique  et  Biblio- 
grapliique  de  I'Amateur  de  Reliures.  Illustrated  with  126 
plates,  iacluding  etchings^  colored  reproductions.,  etc.;  and 
many  hundred  woodcuts.  4to,  dark  browu  calf,  richly 
chiselled  in  a  gothic  design  of  foliage  and  birds,  the  title 
in  gold  and  colors  on  the  front  cover,  silk  linings,  gilt  top, 
uncut,  hy  Gruel.     In  a  brown  morocco  case.        Paris,  1887 

*  One  of  110  copies  on  papier  des  Vosges.   A  masterpiece  of 

CHISELLED  BINDING. 

1526.  GUARD  (THEODORE  DE  LA).  Mercurius  Anti- 
mechanicus.  Or  The  Simple  Coblers  Boy.  With  his  Lap- 
full  of  Caveats  (or  Take  heeds)  Documents,  Advertisements 
and  Prsemonitions  to  all  his  honest  fellow-tradesmen- 
Preachers,  but  more  especially  a  dozen  of  them,  in  or  about 
the  City  of  London.  First  Edition.  4to,  brown  levant 
morocco  gilt,  gilt  edges,  by  The  Club  Bindery  (margins  re- 
paired), London:  Printed  for  John  Walker,  1648 

1527.  GUEROULT  (GUILLAUME).  Le  Premier  (et 
second)  livre  des  emblem es.  88  emblematic  woodc^ds. 
2  parts  in  one  vol.  8vo,  red  levant  morocco,  gilt  centre 
ornaments,  gilt  edges,  by  Trautz-Bauzonnet. 

Lyon  :  Balthazar  Arnouillet,  1540 

1528.  GUERU  (HUGUES).  Les  Chansons  folastres  et  re- 
creative de  Gaultier  Gargville.  Engraved  frontispiece.  12mo, 
red  levant  morocco,  gilt  top,  uncut,  by  Canape.     Paris,  1858 

*  One  of  5  copies  on  India  paper. 

1529.  GUEVARA  (ANTONIO  DE).  L'Horloge  des 
Princes  avec  le  tresrenomme  livre  de  Marc  Avrele  .  .  . 
Traduit  en  partie  de  Castillan  en  Francois,  par  feu  N.  de 
Herberay  .  .  .  &depuis  reueu  &  corrige  nouuellment,  outre 
les  precedentes  impressions  par  cy  deuant  imprimees. 
Thick  12mo,  red  levant  morocco  gilt,  gilt  edges,  by  Trautz- 
Bauzonnet.  Paris:  Chez  Gabriel  Buon,  1588 

1530.  GUIFFREY  (JULES).  Antoine  Van  Dyck,  sa  Vie 
et  son  Q^uvre.  With  28  full-page  engravings,  one  fleuron 
and  90  illustrations  in  the  text.     Folio,  in  a  cloth  portfolio. 

*  One  of  50  copies  on  Holland  paper.  Paris,  1882 

1531.  GUILLEMIN  (AMEDEE).  Les  Chemins  de  Fer. 
lllustre  de  121  vignettes.     12mo,  half  cloth,  uncut. 

*  Printed  on  India  paper.  Paris,  1869 

1532.  [tTABINGTON    (WILLIAM).]      Castara.      The 

^-^  Second  Edition,  corrected  and  augmented. 
12mo,  brown  levant  morocco  gilt,  richly  ornamented  with 
a  scroll  design,  compartments  thickly  studded,  gilt  edges, 
by  Riviere.  London:  Printed  by  B.  A.  and  T.  F.,  1635 

237 


1533.  HAEFTEN  (BENEDICTUS).     Regia  Via   Crucis. 

Engraved  title  and  38  emhlematic  copper  engravings.  8vo, 
red  levant  morocco,  gilt  edges.  Antuerpiae,  1728 

1534.  HALEVY  (LUDOVIC).  Un  Mariage  d'Amour. 
First  Edition.  12mo,  half  green  levant  morocco,  uncut, 
original  wrappers  bound  in,  by  Champs.  One  of  40  copies 
on  Holland  paper.  Paris,  1881 

1535.  [HALIBURTON  (THOMAS  CHANDLER).]  The 
Clockmaker;  or,  The  Sayings  and  Doings  of  Samuel  Slick, 
of  Slickville.  First  English  Edition.  Portrait  and  5 
plates  in  Vol.  Ill  in  the  manner  of  John  Leech.  3  vols. 
12rao,  brown  levant  morocco  gilt,  gilt  tops,  uncut,  by  The 
Club  Bindery.  London:  Richard  Bentley,  1837-'38-'40 

1536.  [HALIBURTON  (THOMAS  CHANDLER).]  Rule 
and  Misrule  of  the  English  in  America.  First  English 
Edition.  2  vols.  12mo,  cloth,  uncut  (library  labels  on 
covers).  London,  1851 

1537.  HALL  (T.)  The  Queen's  Royal  Cookery;  or. 
Expert  and  ready  way  for  the  Dressing  of  all  sorts  of  Flesh, 
Fowl,  Fish,  etc. ,  and  making  all  sorts  of  Pickles,  also  mak- 
ing Variety  of  Pies,  Pasties,  etc. ;  with  the  Art  of  Preserv- 
ing and  Candying  of  Fruits  and  Flowers;  together  with 
several  Cosmetick  or  Beautifying  Waters,  etc.  Frontispiece 
in  compartments,  loith  a  portrait  of  Queen  Anne  at  top,  and 
one  plate.  16 mo,  blue  levant  morocco  gilt,  gilt  edges,  by 
The  Club  Bindery.  London:  For  S.  Bates,  1729 

1538.  HALLAM  (HENRY).  Introduction  to  the  Litera- 
ture of  Europe,  in  the  fifteenth,  sixteenth,  and  seventeenth 
centuries.  First  Edition.  4  vols.  8vo,  blue  levant  mo- 
rocco gilt,  gilt  edges,  bj^  Bedford.  London,  1837-9 

*  Extra  ILLUSTRATED  by  the  insertion  of  450  portraits,  the 
majority  being  proofs,  of  which  105  are  on  India  paper.  The 
portraits  include  fine  examples  of  engraving  by  Faithorne, 
Hollar,  Marshall,  Crispin  de  Pass,  Delaram,  Nanteuil,  Ficquet, 
Vertue,  and  others,  and  a  di-awing  of  Sir  John  Davies. 

1539.  HALLE   AND  GRAFTON'S  CHRONICLE.     The 

Vnion  of  the  two  noble  and  illustrefamelies  of  Lancastre  & 
Yorke,  beeying  long  in  continual  discensiou  for  the  croune 
of  this  noble  realme,  with  all  the  actes  done  in  bothe  the 
tymes  of  the  Princes,  bothe  of  the  one  linage  and  of  the 
other,  beginnyng  at  the  tj^me  of  k;y^ng  Henry  the  fowerth, 
the  first  aucthor  of  this  deuision,  and  so  successiuely  pro- 
ceadjmg  to  the  reigne  of  the  high  and  prudent  prince  king 
Henry  the  eight,  the  undubitate  flower  and  very  heire  of  both 
the  sayd  linages.     Title-page  within  a  ivoodcut  border,  ivith 

238 


a  view  of  the  King  sitting  in  Parliament,  and  Grafton's 
device  at  the  bottom;  a  large   woodcut  on  the  last  leaf  of 
Henry  VIII  with  the  Lords  and    Commons,  probably  bij 
Holbein;  a7id  large  woodcut  initials  throughout.     Folio,  red 
morocco  gilt,  gilt  edges,  by  Ilering. 
Londini:  In  officina  Richardi  Graftoni  typis  impress.  1548 
*  The  Heber  copy,  with  an  autograph  letter  of  that    collec- 
tor inserted,  in  which  he  writes:  '' The  first   U   leaves  in  the 
Chronicle  are  of  the  impression  distinguished  by  the  Arms  in- 
stead of  the  Nativity  and  loithout  the  enumeration  of  lines  in 
the  inner  margin,  being  in  my  opinion  {though  contrary  to  that 
of  Herbert)  those  ifliich  properly  belong  to  this  edition  of  154S, 
ivith  lohich  they  most  exactly  correspond.     It  is  on  the  lohole  a 
sound,  clean,  genuine  copy,  not  injured  or  defaced  by  any  scrib- 
bling,  which  is  a  state  in  ivhich  it  does  not  occur  once  in  a  hun- 
dred times.     There  is  no  one  of  the  series  of  Old  English  Chron- 
icles so  difficult  to  find  in  good  state,  especially  tvith  a  clean 
and  perfect  title-page,  as  Grafton's,  of  ivhich  be  it  remembered 
there  is  but  one  edition." 

1540.  HALLIWELL-PHILLIPS  (.JAMES  ORCHARD— 
Editor).  Torrent  of  Portugal.  An  English  Metrical  Ro- 
mance. Now  first  published  from  an  unique  manuscript  of 
the  fifteenth  century  preserved  in  the  Chetham  Library  at 
Manchester.  12mo,  brown  morocco,  wide  gilt  borders, 
gauffred'gilt  edges.  London,  1842 

*  One  of  6  copies  printed  on  thick  paper,  autographed 
by  the  printer,  John  Russell  Smith. 

1541.  HALLIWELL-PHILLIPS  (JAMES    ORCHARD— 

Editor).  Contributions  to  Early  English  Literature,  de- 
rived chiefly  from  Rare  Books  and  Ancient  Inedited  Manu- 
scripts, from  the  Fifteenth  to  the  Seventeenth  Century. 
Title-pacie  printed  in  blue,  red  and  black.  4to,  red  morocco 
gilt,  in  the  manner  of  Roger  Payne,  gilt  edges,  by  Riviere, 
London  [Brixton  Hill]:   For  Private  Circulation,  1849 

*  One  of  75  copies  printed  for  the  editor.     Contains,— "The 
.     Suddaine   Turne  of  Fortune's  Wheele,  &c.",  by  John  Taylor, 

1631;  "The  Life  of  St.  Katheriue,  Tale  of  the  Knight  and  his 
Wife,  and  an  Account  of  tlie  Magical  Manuscript  of  Dr.  Caius' : 
"The  Tale  of  the  Smyth  and  his  Dame,  and  the  Booke  of 
Robin  Conscience";  "Band.  Ruffe,  and  Cuffe,  a  Costume 
Shew.  &c.";  "Ballads  and  Poems  respecting  Hugh  of  Lin- 
coln"; and  "The  Interlude  of  Youth." 

1542.  HALSEY  (R.  T.  HAINES).  Pictures  of  Early  New 
York,  on  dark  blue  Staffordshire  Pottery,  together  with 
pictures  of  Boston  and  New  England,  Philadelphia,  the 
South  and  West.  With  166  colored  illustrations.  Imperial 
8vo,  blue  levant  morocco,  covered  with  mosaic  medallions  of 
light  blue  morocco,  tooled  in  a  floral   design,  small  orna- 

239 


ments  of  ivory  and  dark  blue  mosaic,  tlie  intervals  filled 
with  dark  blue  morocco;  doublure  of  blue  morocco,  floral 
borders,  gilt  over  rough  edges,  by  The  Club  Bindery. 

New  York:  Dodd,  Mead  and  Co.,  1899 

*  One  of  268  copies,  with  duplicate  set  of  the  plates,  in  colors, 
on  white  satin. 

1543.  HAMERTON  (PHILIP  GILBERT).  Etching  and 
Etchers.  35  etcliingi^  [some  original],  after  Seymour  Ha  den, 
Cope,  Redgrave,  Rembrandt,  etc.  Imp,  8vo,  half  blue 
morocco,  uncut.  London,  1868 

*  First  Edition,  of  which  very  few  copies  were  issued  in  un- 
cut state. 

1544.  HAMERTON  (PHILIP  GILBERT).  Painting  in 
France  after  the  decline  of  Classicism.  First  Edition. 
IJf  photo  graphic  illustrations.  4  to,  half  red  morocco  gilt, 
gilt  top,  uncut.  London,  1869 

1545.  HAMERTON  (PHILIP  GILBERT).  Man  in  Art, 
Studies  in  religious  and  historical  Art,  Portrait,  and  Genre. 
First  Edition.  With  J/.6  plates  in  mezzotint,  line-engrav- 
ing, etc.     Folio,  vellum,  uncut.  London,  1892 

*  Large  Paper  copy,  with  plates  on  Japan  paper. 

1546.  HAMILTON  (COUNT  ANTHONY).  Memoires 
du  Comtede  Grainmont,  par  le  C.  Antoine  Hamilton.  Edi- 
tion ornee  de  73  portraits  graves  d''apres  les  tahleaux  origi- 
naux.  4to,  green  straight-grain  morocco,  gilt  borders,  gilt 
edges,  by  Staggemeier  and  Welcher.     In  a  case. 

Londres:  Edwards,  ca.  1794 

*  Printed  on  vellum.  The  title-page  mentions  72  portraits, 
but  there  ai-e80,  printed  on  satin;  proofs  before  letters,  and  en- 
graved after  Harding  and  Voet,  by  Bartolozzi,  Birrell,  Barker, 
Claessens,  Clamp,  Gardiner,  Harding,  junior;  Knight,  Legoux, 
Nogent,  Osborne,  Parker,  Schiavonetti,  Silvester,  Tomkins, 
and  Van  den  Berghe. 

1547.  HAMILTON  (COUNT  ANTHONY).  Memoirs  of 
Count  Grammont.  A  new  edition.  To  which  are  prefixed 
a  biographical  sketch  of  Count  Hamilton,  and  a  translation 
of  the  epistle  to  Count  Grammont.  Illustratedhy  sixty-four 
portraits,  engraved  by  Edward  Scriven,  etc.  2  vols.  4to, 
blue  levant  morocco,  profusely  gilt  tooled,  blue  silk  linings, 
gilt  edges,  by  The  Club  Bindery.  London,  1811 

*  Large  Paper  copy.  Extra-illustrated  with  over  100  por- 
traits, including  proofs  of  the  Scriven  plates,  old  copper  plates — 
many  in  2  states  and  one  in  colors. 

1548.  HAMILTON  (WALTER).  French  Book-Plates. 
A  hand-book  for  Ex-Libris  Collectors.  Nu7nerous  fac- 
similes. First  Edition.  8vo,  wrappers,  uncut.  One  of 
36  copies  on  Japan  paper.  London,  1892 

240 


1549.  HAMILTON  (SIR  WILLIAM).  Collection  of 
Etruscan,  Greek  and  Roman  Antiquities.  Titles  within 
colored  borders,  vignettes  by  Nolli,  and  a  large  number  of 
plates,  colored  and  pld in.  4  vols,  atlas  folio,  red  levant  mo- 
rocco, gilt  fillets,  gilt  edges,  by  Chambolle-Duru. 

*  With  English  and  French  text.  Naples,  1706-67 

1550.  HANDEL  (GEORGE  F.)  and  SMITH  (JOHN  C). 
Anecdotes.  With  select  pieces  of  mnsic,  composed  by  J.  C. 
Smith,  never  before  published.  Folio,  half  cloth,  gilt  top, 
uncut.  London:  W.  Buhner  &  Co.,  1799 

*  Portrait  of  Handel,  by  E.  Harding  after  Denner;  and  of 
Smith,  by  Harding  after  Zoffany;  and  thirty-four  pages  of 
music  score. 

1551.  [HARDY  (THOMAS).]  Desperate  Remedies. 
First  Edition.     3  vols.  12mo,  cloth,  uncut.     London,  1871 

*  Hardy's  first  book.  Rare.  Fine  clean  copy,  without 
library  labels. 

1552.  HARDY  (THOMAS).  The  Hand  of  Ethelberta. 
A  Comedy  in  Chapters.  Illustrations.  First  Edition.  2 
vols.  8vo,  half  brown  levant  morocco,  gilt  tops,  uncut. 

London,  1876 

1553.  HARDY  (THOMAS).  The  Return  of  the  Native. 
First  Edition.  3Ia2J.  3  vols.  12mo,  cloth  (labels  removed 
from' covers).  London,  1878 

1554.  HARDY  (THOMAS).  Two  on  a  Tower.  First 
Edition.     3  vols.  12mo,  cloth,  uncut.  London,  1882 

1555.  HARDY  (THOMAS).  The  Woodlanders.  First 
Edition.     3  vols.  12mo,  cloth,  uncut.  London,  1887 

1556.  HARDY  (THOMAS).  Jude  the  Obscure.  First 
Edition.  Etching  by  H.  Macbeth- Raeburn  and  a  map  of 
Wessex.     8vo,  cloth,  gilt  top,  uncut.  London,  1896 

1557.  HARINGTON  (SIR  JOHN).  Ulysses  upon  Ajax. 
Written  by  Misodiaboles  to  his  friend  Philaretes.  First 
Edition.  Small  8vo,  gilt  edges,  by  Clarke  &  Bedford. 
(Sig.  D6  supplied  in  manuscript.) 

London:  Thomas  Gubbins,  1596 

1558.  HARINGTON  (SIR  JOHN— Translator).  The 
Englishmans  Docter,  or  The  School  of  Salerne,  or  Physicall 
Obseruations  for  the  perfect  Preseruing  of  the  bodj-  of  Man 
in  continuall  health.  8vo,  maroon  levant  morocco  gilt,  gilt 
edges,  hy  Lortic.      (One  corner  repaired.) 

London  Printed  for  lohn  Helme,  and  lohn  Busby  lunior, 

1607. 

*  First  Edition,  with  the  English  text  only.     Reprinted  in 
1618  under  the  title  of  "  The  Salerne  School." 

241 


1559.  HARIOT  (THOMAS).  A  briefe  and  true  report 
of  the  new  found  laud  of  Virginia.  Illustrations  in  the  text. 
Folio,  half  dark  blue  roan. 

[reprint]  Francoforti  ad  Moenura :  Typus  J.  Wecheli, 
1590. 

*  A  facsimile  of  the  original  edition. 

1560.  HARRISSE  (HENRY).  Christopher  Columbus 
and  the  Bank  of  Saint  George  (Uflficio  di  San  Giorgio  in 
Genoa).  Two  letters  addressed  to  Samuel  L.  M.  Barlow, 
Esquire.  Frontispiece  and  facsimile.  4to,  half  red  mo- 
rocco, gilt  top,  uncut.  New  York,  1888 

*  150  copies  were  printed,  of  which  21  were  destroyed  by  fire 
in  1894. 

1561.  HARRISSE  (HENRY).  The  Discovery  of  North 
America.  A  Critical,  Documentary,  and  Historic  Investi- 
gation, with  an  Essay  on  the  Early  Cartography^  of  the  New 
World,  including  Descriptions  of  250  Maps  or  Globes  exist- 
ing or  lost,  constructed  before  the  year  1536;  to  which  are 
added  a  Chronology  of  100  Voyages  Westward,  Projected, 
Attempted,  or  Accomplished  between  1431  and  1504;  Bio- 
graphical Accounts  of  the  300  Pilots  who  first  crossed  the 
Atlantic;  and  a  List  of  the  Original  Names  of  American 
Regions,  Caciqueships,  Mountains,  Islands,  Capes,  Gulfs, 
Rivers,  Towns  and  Harbours.  Illustrated.  4to,  brown  pig- 
skin, blind  tooled,  gilt  top,  uncut.  London,  1892 

*  One  of  10  copies  on  Japan  paper. 

1562.  HASIUS  (JOANNES).  Pref atio  laudatoria  in  Artem 
Chiromanticam.  Gothic  tj^pe.  Large  luoodcut  on  title,  and 
numerous  ivoodcid  figures  of  hands  loith  chiromantic  signs^ 
in  the  text.  Small  4to,  mottled  calf,  gilt  centre  wreaths,  by 
Birdsall.  Augustse:  per  Joannem  Erffordianum,  1518 

*  Rake.     From  the  Yemeniz  and  Lord  Amherst  libraries. 

1563.  HASLEWOOD  (JOSEPH— Editor).  Ancient  Criti- 
cal Essays  upon  English  Poets  and  Poesy.  Large  printer'' s 
device  on  titles.  2  vols.  4to,  brown  straight-grain  morocco, 
wide  gilt  borders,  gilt  edges.  London,  1811-15 

*  Includes  reprints  of  articles  by  George  Puttenham,  Gas- 
coigne,  Harvey,  Spenser,  K.  James,  Daniel,  and  others,  with 
facsimile  title-pages. 

1564.  HAWTHORNE  (NATHANIEL).  Twice-Told 
Tales.  First  Edition.  12mo,  red  levant  morocco  gilt, 
gilt  top,*  uncut,  with  the  advertisements  and  final  blank 
leaf  after  the  text,  by  The  Club  Bindery.  Boston,  1837 

1565.  HAWTHORNE  (NATHANIEL).  Doctor  Grim- 
shawe's  Secret.  A  Romance.  First  Edition.  12mo,  red 
levant  morocco  gilt,  gilt  edges,  original  covers  bound  in, 
by  The  Club  Bindery.  ^  Boston,  1883 

242 


1566.  HAWTHORNE  (NATHANIEL).  Complete  Works. 
With  introductorj'  notes  by  George  Parsons  Lathrop.  Illus- 
trated with  etchings  by  Blum,  Church,  Dielman  and  others. 
13  vols,  royal  8vo,  original  boards,  uncut. 

Cambridge:  Riverside  Press,  1883 

*  One  of  250  copies  ou  Large  Paper. 

1567.  HAWTHORNE  (NATHANIEL).  The  Hawthorne 
Portfolio.  A  series  of  24:  India  proofs  from  the'  original 
etchings  illustrating  the  new  Riverside  Edition.  Folio,  in 
a  green  cloth  portfolio.     Boston :  Houghton  and  Mii'flin,  1884 

*  Edition  limited  to  125  sets. 

1568.  HAWTHORNE  (NATHANIEL).  The  Marble 
Faun,  or  the  Romance  of  Monte  Beni.  Illustrated  luith 
photogravures.  2  vols.  8vo,  decorated  vellum,  gilt  tops, 
uncut.  Cambridge:  Riverside  Press,  1889 

*  Large  paper  copy.     Only  150  printed. 

1569.  HAWTHORNE  (NATHANIEL).  The  Scarlet 
Letter.  A  Romance  Literally  Reprinted  from  the  First 
Edition.  15  original  colored  illustrations  by  A.  Robaudi 
and  C.  Graham.  Royal  8vo,  citron  levant  morocco,  gilt 
and  mosaic  back,  sides  covered  with  a  rich  floral  design  in 
mosaic  of  ivory,  red,  and  green  morocco,  gilt  tooled,  doub- 
lure of  citron  morocco,  gilt  over  rough  edges,  in  a  blue 
morocco  case,  by  The  Club  Bindery.  New  York,  1904 

*  The  only  copy  printed  on  vellum,  with  the  plates  in  two 
states,  black  and  colored,  and  the  original  drawings  bound 
IN.  An  autograph  letter,  by  C.  Graham,  relating  to  the  draw- 
ings is  laid  in. 

1570.  HAYNOVIUS  (JULIANUS).  Via  Veritatis  ad 
Vitam.  Enible^natic  frontispiece-title  and  2Jf  copjper-plate 
emblems  of  oval  form  within  ornamental  borders.  l:<imo, 
original  vellum  covers.      Colonia?:  Ap.  J.  Kalcovium,  1651 

1571.  HAYTER  (CHARLES).  A  New  Practical  Treatise 
on  the  Three  Primitive  Colors,  assumed  as  the  Basis  of  a 
Perfect  system  of  Rudimeutal  Information.  Second  Edi- 
tion, with  ImjDi-ovements.  Frontispiece  and  4  colored  plates 
engraved  by  J.  Turiiball,  after  Hayter.  8vo,  boards,  uncut 
(new  back).  London,  1830 

1572.  HAYWARD  (SIR  JOHN).  The  First  Part  of  the 
Life  and  raigne  of  King  Henrie  the  IIII.  Extending  to  the 
end  of  the  first  yeare  of  his  raigne.  First  Edition.  With 
engraved  portrait  of  King  Henry  inserted.  Small  4to,  dark 
green  levant  morocco  gilt,  gilt  edges,  hy  Riviere. 

London:  lohn  Wolfe,  1599 
243 


1573.  HAZLITT  (WILLIAM  CAREW).  Old  English 
Jest  Books,  reprinted  from  the  originals  and  Edited  with 
Introduction  and  Notes  by  Hazlitt.  3  vols.  12mo,  brown 
morocco  gilt,  gilt  edges,  by  W.  Matthews.        London,  1866 

*  These    "  Merrie   Conceited    Jests,"  etc.,    are   by   Skelton, 
Peele,  Taylor,  Borde,  Tarlton  and  others. 

1574.  HAZLITT  (WILLIAM  CAREW).  Hand-Book  to 
the  popular,  poetical,  and  dramatic  Literature  of  Great 
Britain.  From  the  Invention  of  Printing  to  the  Restora- 
tion. Ro3^al  8vo,  sprinkled  calf  gilt,  gilt  top,  uncut,  by 
Bedford.  London,  18(57 

1575.  HAZLITT  (WILLIAM  CAREW— Editor).  Jests, 
new  and  old.  Containing  Anecdotes  of  Celebrities,  Living 
and  Deceased,  many  of  which  have  never  before  been  pub- 
lished. 8vo,  half  brown  morocco,  gilt  top,  uncut.  One  of 
100  copies  printed  on  large  handmade  paper  and  inter- 
leaved. London,  [1886] 

1576.  HAZLITT  (WILLIAM  CAREW).     A  Manual  for 

the  Collector  and  Amateur  of  Old  English  Plays.  Edited 
from  the  material  formed  bj^  Kirkraan,  Langbaine,  Downes, 
Oldys,  and  Halliwell  Phillipps,  with  extensive  additions 
and  corrections  by  Hazlitt.  4to,  half  cloth,  gilt  top,  uncut. 
250  coj)ies  printed.  London,  1892 

1577.  HEATON  (MARY  MARGARET).  The  History 
of  the  Life  of  Albrecht  Dtirer  of  Nlirnberg.  With  a  trans- 
lation of  his  letters  and  journal,  and  some  account  of  his 
works.  Frontispiece  portrait  and  30  illustrations.  First 
Edition.  Royal  8vo,  half  red  morocco  gilt,  gilt  top,  un- 
cut, by  W.  Matthews.  London,  1870 

1578.  HEFNER-ALTENECK  (J.  H  VON).  Eisenwerke 
Oder  Ornamentik  der  Schmiederkunst  des  Mittelalters  und 
der  Renaissance.  4to,  half  brown  morocco.    Frankfurt,  1870 

1579.  HEINSIUS  (DANIEL).  Nederduytsche  Poemata: 
Emblemata  Amatoria,  &c.  Frontispiece  and  numerous 
copper-plates  in  the  text.  Four  works  in  one  vol.  4to,  vel- 
lum gilt,  gilt  edges.         Amsterdam:  Willem  Jaussen,  1616 

1580.  [HELPS  (SIR  ARTHUR).]  Friends  in  Council: 
a  Series  of  Readings  and  Discourse  thereon.  First  Edi- 
tions OF  BOTH  SERIES.  4  vols.  12mo,  Cambridge  panelled 
calf  gilt,  gilt  tops,  uncut,  by  Riviere.  London,  1847-59 

1581.  [HELPS  (SIR  ARTHUR).]  The  Conquerors  of 
the  New  World  and  their  bondsmen:  being  a  narative  of 
the  principal  events  which  led  to  negro  slavery  in  the  West 
Indies  and  America.  First  Edition.  2  vols.  12mo,  cloth, 
uncut.  London,  1848 

244 


1582.  [HELPS  (SIR  ARTHUR).]  Onlita  the  Sert.  A 
Tragedy.  First  Edition.  12mo,  citron  levant  morocco 
gilt,  gilt  edges,  by  David.  London,  1858 

1583.  [HELPS  (SIR  ARTHUR).]  Organization  in  Daily 
Life.  An  Essay.  First  Edition.  12mo,  cloth,  uncut 
(label  removed).  London,  1862 

1584.  [HELPS  (SIR  ARTHUR).]  Casimir  Maremma. 
First  Edition,  2  vols.  12mo,  blue  levant  morocco,  gilt 
tops,  uncut,  by  The  Club  Bindery.  London,  1870 

1585.  [HELPS  (SIR  ARTHUR).]  Conversations  on  War 
and  General  Culture.  First  Edition.  12mo,  brown  mo- 
rocco gilt,  gilt  top,  by  The  Club  Bindery.         London,  1871 

1586.  [HELPS  (SIR  ARTHUR).)  Ivan  de  Biron,  or  the 
Russian  Court  in  the  middle  of  the  last  Century.  First 
Edition.  3  vols.  12mo,  red  levant  morocco  gilt,  gilt  tops, 
uncut,  advertisements  bound  in,  by  The  Club  Bindery. 

London,  1874 

1587.  [HELPS  (SIR  ARTHUR).]  Social  Pressure.  First 
Edition.  12mo,  blue  levant  morocco,  gilt  top,  uncut,  name 
on  title,  by  The  Club  Bindery.  •  London,  1875 

1588.  HEMANS  (FELICIA).  Poems  6  vols,  in  3.  ]2mo, 
red  morocco,  gilt  edges.  Edinburgh,  1859-54 

1589.  HENDERSON  (WILLIAM).  My  Life  as  an  Angler. 
Portrait,  and  67  woodcuts  by  Evans.  Royal  8vo,  blue  levant 
morocco,  gilt  panels  with  branches  of  leaves,  gilt  top,  un- 
cut, by  Rousselle.  London,  1879 

*  Large  Paper  copy,  with  the  full-page  illustrations  on 
India  paper. 

1590.  HENLEY  (WILLIAM  ERNEST).  A  Book  of 
Verses.     8vo,  original  boards,  uncut.  London,  1888 

*  First  Edition.  One  of  70  Large  Paper  copies.  With 
a  letter  from  the  author,  and  one  from  the  publisher,  David. 
Nutt,  laid  in. 

1591.  HENNIQUE  (LEON).  Minnie  Brandon.  12mo, 
citron  levant  morocco  gilt,  gilt  top,  uncut,  original  wrap- 
pers bound  in,  by  The  Club  Bindery.  Paris,  1899 

*  One  of  30  copies  on  papier  velin  ("  pour  les  XX  "),  with  the 
author's  signature. 

1592.  HENNIQUE  (LEON).  Deux  Patries:  drame  en 
cinq  tableaux  dont  un  prologue.  Nouvelle  edition,  itlustree 
de  compositions  originales  loar  Bertrand,  gravees  au  burin 
et  a  Veau-forte  par  Leo7i  Boisson.  Royal  8vo,  blue  levant 
morocco,  gilt,  uncut.  Paris,  1903 

*  One  of  50  copies  printed  on  Japan  paper,  with  a  duplicate 
set  of  the  etchings,  remarque  proofs. 

245 


1593.  HENNIQUE  (L^ON).  Benjamin  Rozes.  Illustra- 
tions et  gravures  de  Vadasz.  8vo,  original  paper  covers, 
uncut.         Paris:  Librairie  de  la  Collection  des  Dix  [n.  d.] 

*  One  of  10  copies  printed  on  Japan  paper,  with  the  etchings 
in  3  states. 


1594.  HENRICUS  DE  ZOEMEREN.  Epitoma  prim^e 
partis  dialog!  de  hsereticis  a  Guilhelmo  Okamo  compositi. 

Gothic  character.  132  unnumbered  leaves  {including  first 
and  last  blanks) ,  with  signatures  ;  Jf.1  lines  to  the  page.  Small 
folio,  brown  levant  morocco,  gilt  panelled  sides,  gilt  edges, 
by  Riviere.  Lovanii:  Joannes  de  Westfalia,  1481 

*  Very  scarce.     A  large  copy.  Hain-Copinger,  8435.  Camp- 
bell, 914.     Proctor,  9229. 

1595.  HERBALL.  The  great  herball  newly  corrected. 
The  contentes  of  this  boke.  A  table  after  the  latj^n  names 
of  all  herbes,  A  table  after  the  Englj'sshe  names  of  all 
herbes.  The  propertees  and  qualytes  of  all  thynges  in  this 
booke.  The  descrypcj^on  of  vrynes,  how  a  man  shall  haue 
treweknoweledge  of  all  sekenesses.  .  .  .  A  table,  quyeklj^to 
fynde  Remedyes  for  all  dyseases.  God  sane  the  Kynge. 
Title  within  an  architectural  border,  with  woodcut  initials. 
Small  folio,  original  blind  stamped  calf,  with  ties.  (Bind- 
ing skilfully  repaired  in  places  and  ties  added  at  a  later 
date,  several  margins  slightl}^  wormed  and  two  or  three 
need  slight  repairs.) 

Londini  in  edibus:  Thome  Gybson,  Anno  MDXXXIX 
[1539]. 

*A    LARGE    AND    FINE    COPY    OF    THIS    FAMOUS    HERBAL,  two 

editions  of  which  had  previously  appeared.     With  the  Table 
following  Title,  without  signatures,  and  some  pages  uncut. 

1596.  HENSLOWE  (PHILIP)  and  ALLEYN  (ED- 
WARD): being  the  Diary  of  Philip  Henslowe,  from  1591 
to  1609.  Edited  by  J.  Payne  Collier.  And  the  Life  of 
Edward  Alleyn.  By  J.  Payne  Collier.  To  which  is  added 
the  Alle.yn  Papers.     2  vols.  8vo,  cloth,  uncut. 

London:  Printed  for  the  Shakespeare  Society,  1853 

1597.  HERBERT  (EDWARD,  LORD  OF  CHERBURY). 
The  Exi)edition  to  the  Isle  of  Rhe.  Small  4to,  green  levant 
morocco,  doublures  of  brown  russia,  russia  guards,  gilt 
top,  uncut,  by  Zaehrisdorf.  London,  1860 

*  One  of  a  limited  nvimber  edited  by  the  Earl  of  Powis  and 
printed  for  the  Philobiblon  Society. 

246 


1598.  HERBERT  .(GEORGE).  The  Temple.  Sacred 
Poems  and  Private  Ejaculations.  First  published  edition, 
SECOND  ISSUE.  16mo,  blue  levant  morocco  gilt,  gilt  edges, 
by  Bedford.  Cambridge,  1633 

*  Poi'trait  of  the  author  inserted. 

1599.  HERBERT  (GEORGE).  The  Works  of  George 
Herbert,  in  prose  and  verse.  With  his  Life  by  Isaac  Walton 
and  Barnabas  Oley.  Portrait  and  plate.  2  vols.  8vo,  blue 
levant  morocco,  wide  gilt  borders,  gilt  edges,  b}^  Pawson  & 
Nicholson.  London  :  Pickering,  1853 

1600.  HERCULES.  Le  dodici  fatiche  d'Hercole.  Wood- 
cuts. 4to,  brown  morocco  gilt,  gilt  edges.    Firenze  \^ca.  1700] 

1601.  HEREDIA  (JOSE  MARIA  DE).  La  Nonne  Alferez. 
Illustrations  de  Daniel  Vierge,  gravees  par  Privat- Richard. 
18mo,  half  mauve  levant  morocco,  gilt  top,  uncut,  original 
covers  bound  in,  by  Ourvand.  Paris,  1894 

1602.  HEROIC  EPISTLE.  An  Heroic  Epistle  to  the 
Right  Honourable  Lord  Viscount  Sackville.     4to,  boards. 

London:  Printed  for  G.  Kearsley,  1783 

1603.  HERRICK  (ROBERT).  The  Works  of  Herrick. 
2  vols.  12mo,  citron  levant  morocco,  profusely  gilt,  gilt  tops, 
uncut,  by  Riviere.  Edinburgh,  1823 

1604.  HEYNS  (PIERRE).  Esbatiment  moral,  des  ani- 
maux.  Engraved  title  and  125  plates.  4to,  green  levant 
morocco  gilt,  emblematic  side  tooling,  gilt  edges,  by  David. 

Anvers:  Gerard  Smits  pour  Phillipe  Galle  [1578] 

1605.  HEYNS  (ZACHARIAS).  Emblemata,  Emblemes 
Chrestines  et  Morales,  &c.  Engraved  title,  portrait,  vignettes 
and  56  engraved  emblems.  Four  works  in  one  volume,  4to, 
blue  morocco,  gilt  fillets  and  ornaments,  gilt  edges,  by  The 
Club  Bindery.         Rotterdam:  Pieter  van  Waesberge,  1625 

1606.  HEYWOOD  (JOHN).  John  Heywoodes  woorkes. 
A  dialogue  conteynyng  the  number  of  the  effectuall  pro- 
uerbes  in  the  Englishe  tounge,  compact  in  a  matter  con- 
cernynge  two  maner  of  maryages.  With  one  hundred  of 
Epigrammes:  and  three  hundred  of  Epigrammes  upon 
three  hundred  prouerbes:  and  a  fifth  hundred  of  Epi- 
grams. Whervnto  are  now  newly  added  a  syxt  hundred  of 
Epigrams  by  the  saj^de  John  Heywood.  4to,  brown  mo- 
rocco gilt,  gilt  edges,  by  Riviere.  London,  1562 

*  A  LARGE  COPY  measuring  T^{  x  5i^  inches.  Parts  of  this 
work  were  published  much  earlier  than  1562 — the  first  in 
1546 — but  this  is  the  first  complete  edition.  It  is  one  of 
the  rarest  of  English  books  of  the  period  and  the  only  perfect 
copy  that  has  occurred  for  sale  within  the  last  forty  years, 
excepting  Mr..  David  Laing's  in  1879,  which  was  cropped 
throughout. 

247 


1607.  [HEYWOOD  (THOMAS).]  If  yoii  know  not  me, 
You  know  no  body  or  the  troubles  of  Queene  Elizabeth ; 
also.  The  Second  Part.  With  the  building  of  the  Royall 
Exchange  And  the  famous  Victory  of  Queen  Elizabeth 
anno  1588.  (Sixth  edition  of  the  first  part,  and  third  of 
the  second.)  Title  ivith  a  large  woodcut  of  Queen  Elizabeth. 
In  one  vol.  small  4to,  blue  levant  morocco  gilt,  gilt  edges, 
by  Riviere.     (A  few  corners  of  the  leaves  repaired.) 

London :  Printed  for  Nathanael  Bvtter,  1623 

1608.  HEYWOOD  (THOMAS).  The  Fayre  Maide  Of 
the  Exchange:  Together  With  the  merry  humours,  and 
pleasant  passages  of  the  Cripple  of  Fanchurch.  Furnished 
with  variety  of  delectable  Mirth.  Third  Edition.  Small 
4to,  green  levant  morocco  gilt,  gilt  edges,  by  David. 
(Slight  repair  to  signature  K  2.) 

London:  Printed  by  A.  G.,  1637 

1609.  HEYWOOD  (THOMAS).  The  Exemplary  Lives 
and  Memorable  Acts  of  nine  the  most  worthy  Women  of 
the  World :  Three  Jews,  three  Gentiles,  three  Christians. 
First  Edition.  With  ten  portraits  of  women,  eight  of 
ivhich  have  letter-press  on  the  hack.  The  frontispiece  por- 
traits of  Henrietta  Maria  and  Queen  Elizabeth  {p.  182)  fol- 
low traditional  lines.  The  portrait  of  Artemisia  is  a  type 
that  suggests  Joan  of  Arc.  4to,  citron  levant  morocco  gilt, 
gilt  edges,  by  The  Club  Binderj\     (A  few  trifling  repairs.) 

London:  Printed  by  Tho.  Cotes,  for  Richard  Royston, 
1640. 

1610.  HEYWOOD  (THOMAS).  The  Generall  History 
of  Women,  Containing  the  Lives  of  the  most  Holy  and 
Prophane,  the  most  Famous  and  Infamous  in  all  ages,  ex- 
actly described  not  only  from  Poetic^ll  Fictions,  but  from 
the  most  Ancient,  Modern,  and  Admired  Historians,  to  our 
Times.  First  Edition.  Engraved  title.  8vo,  green  levant 
morocco  gilt,  gilt  edges,  by  Riviere. 

London:  Printed  by  W.  H.  for  W.  H.,  1657 

1611.  HEYWOOD  (THOMAS).  The  Dramatic  Works 
of  Thomas  Heywood :  with  a  life  of  the  poet,  and  remarks 
on  his  writings,  by  J.  Payne  Collier.  2  vols.  8vo,  cloth,  un- 
cut.        London:  Printed  for  the  Shakespeare  Society,  1853 

1612.  HEYWOOD  (THOMAS)  and  BROME  (RICH- 
ARD). The  late  Lancashire  VVitches.  A  well  received 
Comedy,  lately  Acted  at  the  Globe  on  the  Banke-side,  by 
the  Kings  Majesties  Actors.  First  Edition.  4to,  citron 
levant  morocco,  gilt  edges,  by  David.  (Slight  repairs  to 
some  leaves,  in  one  place  injuring  2  letters.) 

London:  Thomas  Harper  for  Benjamin  Fisher,  1634 

248 


1613.  HICKS  (THOMAS).  Eulogy  on  Thomas  Crawford. 
Portrait  and  S  illustrations.  8vo,  half  green  morocco,  gilt 
top,  uncut.  NewYork:  Privately  printed  for  subscribers,  1865 

*  One  of  70  copies  printed  for  William  Loring  Andrews. 

1614.  HIEROGLYPHICS.  La  Science  des  Ilieroglyphes,  ou 
L'Art  d'exprimer  par  des  Figures  Symboliques,  les  Vertus, 
les  Vices,  les  Passions  &  les  Moeurs;  &c.  avec  diferentes 
[sic]  Devises  Historiques.  Ouvrage  utile  aux  Peintres, 
aux  Statuaires,  aux  Gravures  &  aux  Amateurs  des  Arts  qui 
dependent  du  Dessein.  576  figures  on  Jf.5  plates,  engraved 
on  copper  by  F.  de  Kaarsgieter  and  others.  4to,  original 
calf,  gilt.  La  Haye:  Jacques  van  den  Kieboom,  1736 

1615.  HIERONYMUS   (S.).     Vitse  Sanctorum   Patrum. 

Gothic  characters,  double  columns.  5  unnumbered  leaves, 
ccxxxviii  numbered ,  and  a  blank;  51  lines  to  the  page. 
Rubricated  throughout  and  initials  painted  in  red.  Folio, 
16th  century  German  binding  of  wooden  boards  covered 
with  pigskin,  stamped  in  ornamental  and  historiated  panels, 
clasps.  Nurnberg:  Antonius  Coburger,  1478 

*  Very  RARE.     Hain-Copinger,  8595;  Proctor,  1985. 

1616.  HIERO.NYMUS(S.).  Vitas  Patrum  (translated  into 
English  by  William  Caxton).  Gothic  type,  double  columns. 
8  unnumbered  leaves  and  SIf.8  numbered  {by  mistake  CCC- 
xlvii)  =  356  leaves,  with  signatures;  Ji.O-Jf.1  lines  to  the  page. 
Title  engraved  on  wood,  over  150  woodcuts  in  the  text,  sev- 
eral repeated,  Caxton'' s  large  device  on  the  rectn  of  the  last 
leaf,  and  large  cut  on  the  verso,  with  repetition  of  the  xylo- 
graphic  title.  Folio,  brown  levant  morocco,  blind-tooled 
borders  and  centre  panels  of  interlacings  on  the  sides; 
doublure  and  guards  of  same  colored  morocco  entirely 
blind  tooled,  gilt  edges,  by  C.  Hering.  (Title  and  second 
leaf  slightly  mended,  and  last  leaf  torn  and  repaired.) 

Westmynstre  by  me  Wynkyn  de  Worde  the  yere  of 
OUR  lorde  M.CCCC.lxxxxv.  and  the  tenth  yere  of 
oursouerayne  lorde  kyng  Henry  the  seuenth  [1495]. 

*  A    LARGE    COPY,     HAVING    SEVERAL     LEAVES    WITH     UNCUT 

EDGES.     Copinger,  II,  3961;  Proctor,  9697. 

1617.  HIERONYMUS  (S.).  Les  epistres  monseigneur 
sainct  Hierosme  en  francois.  Lettres  bdtardes,  double  col- 
umns. Title  in  red  and  black  within  a  ivoodcut  border,  and 
6  ivoodcids,  one  of  which  is  repeated  3  times.  Folio,  brown 
levant  morocco,  the  arms  op  Charles  Louis  de  Bourbon 
Count  of  Villafranca  in  the  centre  of  each  cover,  and 
his  crowned  monogram  in  the  corners,  gilt  edges,  by  Lortic 
(one  side  of  binding  damaged). 

Paris:  pour  Guillaume  Eustace,  1520 
249 


1618.  HIGDEN  (RALPH).  Polycronicon,  translated 
BY  William  Caxton.  Fol.  1  hlanJc;  fol.  2  r.:  Prohemye 
|[G]  Rete  thankynges  lawde  z  honoure  we  merytoryous-  |  ly 
ben  bounde  to  yelde  and  offre  vnto  wryters  of  hys-  |  toryes  . . , 
Ends  on  fol.  3  v.,  line  30:  Deo  gratias.  Fols.  4  r.  to  20  r.  con- 
tain the  table.  Fols.  20  v.  and  21  UanJc.  Fol.  22  r.:  [S]Yth 
the  tyme  that  the  grete  and  high  tonr  {sic)  of  babilone  was  [ 
bylded  men  haue  spoken  with  dyuerse  tonges  .  .  .  Fol.  246 
blank.  Fol.  449  r.,  line  20:  ...  .  Ended  the  second  day  of 
Juyll  the  xxij  yere  of  |  the  regne  of  kynge  Edward  the 
fourth  z  of  the  Incarnation  of  |  oure  lord  a  thousand  four 
honderd  foure  score  and  tweyne.  |  Fynysshed  per  Caxton. 
Foil.  449  V.  and  450  blank.  Gothic  character.  20  unnum- 
bered leaves-|-430  numbered  ccccxxviii=450  leaves,  includ- 
ing 5  blanks  with  signatures;  40  lines  to  the  page.  Folio, 
brown  levant  morocco,  richly  tooled  and  gilt  with  Tudor  roses 
and  other  ornaments,  vellum  linings,  gilt  edges,  by  Bedford, 
with  his  bill  for  cleaning,  repairing  and  binding  laid  in.  (First 
leaf  skilfully  mended,  some  wormholes,  and  blank  leaves  1, 
24  6  and  450  missing. )  Westminster  :  William  Caxton,  1482 

*  A  PERFECT  COPT  (with  the  exception  of  the  blanks  above 
mentioned),  and  unusually  large,  measuring  11%  x  8^^ 
INCHES.  The  pages  are  ruled  in  red  ink,  marginal  notes  and 
paragraph  marks  in  red  ink,  and  initials  in  red.  As  the  basis 
of  his  version  Caxton  used  the  translation  into  English  by  John 
de  Trevisa  in  1357,  and  added  an  eighth  book,  which  continued 
the  Chronicle  to  1460.  This  work  is  particularly  interesting 
because  it  is  Caxton 's  only  original  work  of  any  magni- 
tude. 

Seymour  de  Ricci  ("Census  of  Caxtons'')  records  eight 
perfect  copies  only,  some  of  which  are  made  up.  The  only  ones 
comparable  with  this  are  those  belonging  to  Earl  Spencer  (now 
in  the  Rylands  Memorial  Library,  Manchester)  and  the  copy  in 
the  New  York  Public  Library  (from  the  Towneley-Sykes-Dent- 
Perkins-Ives  collections).  Hain-Copinger,  8659;  Proctor,  9645; 
Blades,  46. 

[See  Reproduction.] 

1619.  HIGDEN  (RALPH).  Polycronycon  (translated 
BY  William  Caxton).  Gothic  type,  double  columns.  50 
unnumbered  leaves  (the  50th  blank),  CCCxlvii  numbered  and 
1  unnumbered.  Xylographic  title  printed  in  red,  over  a 
large  woodcut  of  St.  George  and  the  dragon,  the  same  cut  re- 
peated at  the  end,  woodcuts  in  the  text,  and  the  colophon 
within  a  pretty  ornamental  and  historiated  border.  Folio, 
red  levant  morocco,  the  sides  richly  tooled  and  gilt  in  a 
Grolieresque    pattern    of    interlacings    and    arabesques,    gilt 

250 


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tBozfpt^c  tt)  t^ieprcfence  C^f  /  an^  tBcfc  ano?  ptouff^tc  of  affc 
5tofu63i<ti©/ant^  t^at  e^ctc  tna^  6e  a  ^caj)  f^tmC  p2C6  n)  aC  cvj>; 
pGij  fRo^amce  t§at  ij^c  :3nf  goeCfc^o  aut>  m^facauneiee  ma^  fe  SSit§^ 
ftancct)  dno  oef^togco/  ant)  out  fc^^  cni)aun«:t)?/SS^ic&  it)  t^^fc  ; 
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pnitsn)  o60^u^ot^tic  fbrge^j^tigc  /  pcagcn^c  off i§?«)  tga^  f5a8B 
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HiGDEN  'S  '  '  POLYCKONICON,  '  '  1482,  TRANSLATED  AND  PRINTED  BY  CaXTON. 

(See  No.  1618.) 


back;  doublure  of  green  levant,  wide  gilt  tooled  borders,  gilt 
edges,  by  Joly.  (Upper  margin  of  one  leaf  (v  7)  skilfully 
mended.) 

Imprented  in  Southwerke  by  me  Peter  Treueris  at  expences 
of  John  Reynes  bokeseller  at  the  sygne  of  saynt  George  in 
Poules  chyrchyarde,  1527. 

*  Very  rare.     A  large  and  perfect  copy. 

1620.  HILLAIRE  (I.).  Speculum  heroicum  principis 
omnium  temporum  poetarum  Homeri,  id  est  argumenta 
xxiiij.  librorum  Iliados  (text  in  Latin  and  French).  Vig- 
nette on  title  with  medallion  of  Homer,  portrait  of  Hillaire 
and  2Jf  fine  engravings  by  Crispin  de  Pass,  all  brilliant 
impressions.  4to,  blue  levant  morocco,  gilt  edges,  by  Bed- 
ford. Traiecti  Batavorum,  1613 

1621.  HILLEMACHER  (FREDERIC).  Galerie  Histor- 
ique  des  Portraits  des  Comediens  de  la  Troupe  de  Moliere. 
With  Ji.2  portraits  in  two  states;  proofs  before  and  after 
letters.  8vo,  brown  levant  morocco  gilt,  gilt  edges,  by 
Masson-Debonnelle.  Lyon,  1861 

*  One  of  250  copies  printed. 

1622.  HIPPOCRATES.  'mnOKPlTOYS  'A$0PI2M0f. 
Aphorismi  Hippocratis.  Ex  recognitione  A.  Vorstii,  M.  P. 
Engraved  title.  Second  of  2  editions  printed  in  1628.  32mo, 
red  morocco  gilt,  gilt  edges. 

Lugd:  Batavorii.     Ex  ofificina  Elzeviriana,  1628 

1623.  HIPPOCRATES.  Coacai  Prsenotiones,  Gr^ec^  & 
Latin^.  12mo,  old  blue  straight-grain  morocco,  gilt  borders, 
silk  linings,  gilt  edges,  by  Bozerian. 

Amstelodami:  Ex  officina  Elzeviriana,  1660 

1624.  HISTOIRE  de  la  Vie  de  Tiel  Wlespiegle,  Contenant 
ses  faits  &  finesses,  ses  aventures,  &  les  grandes  fortunes  qu'il 
a  eues,  ne  s'etant  jamais  laise  tromper  par  aueune  personne. 
Nouvelle  Traduction  de  1  'Alemand  en  Frangois ;  ou  1  'on  a 
ajoute  a  cette  Edition,  plusieurs  pieces  qui  n'ont  point  encore 
paru  en  Frangois  jusques  a  present.  Frontispiece.  12mo, 
blue  levant  morocco  gilt,  gilt  edges,  by  Cape. 

Amsterdam,  1703 

1625.  HODGKIN  (JOHN  ELIOT).  Rariora,  being  notes 
of  some  of  the  printed  books,  manuscripts,  historical  docu- 
ments, medals,  engravings,  pottery,  etc.,  collected  (1858-1900). 
With  65  illustrations.    3  vols,  large  4to,  cloth,  gilt  tops,  uncut, 

London  [1900] 

1626.  [HOE  (ROBERT).]  Photographs  of  books,  china 
and  works  of  art  in  the  collection  of  an  amateur.  With  45 
illustrations.  Royal  8vo,  half  reddish  brown  morocco  gilt, 
gilt  top,  uncut.  New  York,  1875 

251 


1627.  HOE  (ROBERT).  A  Lecture  on  Bookbinding  as  a 
Fine  Art,  delivered  before  the  Grolier  Club,  February  26, 

1885.  63  illustrations  in  three  states; — vellum,  Japan  paper, 
and  satin.  Thick  4to,  citron  levant  morocco,  richly  tooled  in 
a  design  of  lace  and  ermine,  doublure  of  red  levant  morocco, 
wide  gilt  borders,  gilt  edges,  by  Riviere. 

New  York :  The  Grolier  Club,  1886 

*  Printed  on  vellum,  pkobablt  one  of  two  (or  three) 
so  ISSUED.  The  best  of  the  several  copies  in  the  library,  hav- 
ing the  plates  in  three  states,  on  vellum,  as  originally  issued 
with  the  work,  and  on  Japan  paper  and  proofs  on  satin,  which 
were  specially  made  for  Mr.  Hoe.  All  the  illustrations  were 
made  from  examples  in  Mr.  Hoe's  library. 

1628.  HOE  (ROBERT).  One  Hundred  and  Seventy-Six 
Historic  and  Artistic  Book-Bindings,  dating  from  the  Fif- 
teenth Century  to  the  Present  Time.  Pictured  hy  etchings, 
autotypes,  and  lithographs  after  the  originals,  selected  from 
the  lihrary  of  Rol)ert  Hoe.  2  vols,  royal  4to,  half  red  levant 
morocco.  New  York :  Dodd,  Mead  and  Co.,  1895 

*  The  edition  consists  of  200  copies  only,  all  printed  on  im- 
perial Japanese  paper. 

1629.  HOE  (ROBERT).  The  same,  in  original  sheets. 
2  vols. 

1630.  HOE  (ROBERT).  The  Library  of  Robert  Hoe.  A 
Contribution  to  the  History  of  Bibliophilism  in  America.  By 
0.  A.  Bierstadt.    Numerous  facsimiles.     8vo,  cloth,  uncut. 

New  York,  1895 

*  Printed  on  Japan  paper.     One  of  350  copies. 

1631.  HOE  (ROBERT).  A  Short  Histoiy  of  the  Printing 
Press,  and  of  the  Improvements  in  Printing  Machinery  from 
the  Time  of  Gutenberg  up  to  the  Present  Day.  Numerous  illus- 
trations, ito,  buckram,  uncut,  original  covers  bound  in. 

New  York :  Printed  and  Published  for  Robert  Hoe,  1902 

1632.  HOE  (ROBERT).  Catalogue  of  books  forming 
THE  LIBRARY  OP  RoBERT  HoE,  Comprising : 

Books  by  English  Authors  who  lived  before  the  year  1700. 

5  vols.  New  York,  1903-1905 

Books  in  English  later  than  1700.  3  vols.  New  York,  1907 
Books  printed  in  I^oreign  Languages  before  the  year  1600. 

2  vols.  New  York,  1907 

Books  in  Foreign  Languages  published  after  the  year 

1600.    4  vols.  New  York,  1909 

Books  of  Emblems.  New  York,  1908 

Manuscripts.  New  York,  1909 

Together,  16  vols.  8vo,  wrappers,  uncut.    New  York,  1903-1909 

*A  complete  set,  of  which  100  copies  were  privately  printed; 
"Books  in  Foreign  Languages"  and  "Manuscripts"  are 
printed  on  Imperial  Japan  paper. 

252 


1633.  HOFLAND  (THOMAS  CHRISTOPHER).  The 
British  Angler's  Manual,  or  the  Art  of  Angling  in  England, 
Scotland,  Wales  and  Ireland:  with  some  account  of  the  prin- 
cipal rivers,  lakes  and  trout-streams,  in  the  United  Kingdom; 
with  instructions  in  iiy-fishing,  trolling,  and  angling  at  the 
bottom,  and  more  particularly  for  the  trout.  First  Edition. 
14  plates  on  India  paper.  8vo,  green  levant  morocco  gilt,  gilt 
tops,  uncut,  by  Pratt.  London,  1839 

*  Labge  Paper  copy. 

1634.  [HOGARTH  (WILLIAM).]  A  Catalogue  of  the 
Pictures,  Sculptures,  Models,  Drawings,  Prints,  &c..  Exhibited 
by  the  Society  of  Artists  of  Great  Britain,  May  the  9th,  1761. 
With  2  plates  hy  Hogarth.    4to,  half  red  morocco. 

[London,  1761] 

*  Col.  Grant 's  copy  with  his  bookplate,  and  a  signed  inscrip- 
tion stating  he  had  never  seen  better  impressions  of  the  en- 
gravings. The  pamphlet  and  plates  show  evidence  of  having 
been  folded. 

1635.  HOGARTH  (WILLIAM).  The  Analysis  of  Beauty. 
Written  with  a  view  of  fixing  the  fluctuating  ideas  of  taste. 
New  Edition.  Frontispiece  and  2  folding  plates,  the  second  in 
its  original  state.  4to,  half  red  levant  morocco  gilt,  gilt  top, 
uncut,  by  Bedford. 

London.  Printed  by  W.  Strahan,  for  Mrs.  Hogarth,  1772 

1636.  HOGARTH  (WILLIAM).  Hogarth  Moralized;  a 
complete  edition  of  all  the  most  capital  and  admired  Works 
of  William  Hogarth,  accompanied  with  concise  and  compre- 
hensive explanations  of  their  moral  tendency,  by  the  late  Rev. 
Dr.  Trusler.  57  copper-plates,  proofs  on  India  paper,  and  12 
woodcuts.  Small  Svo,  half  citron  morocco  gilt,  and  inlaid  back, 
gilt  top,  uncut,  by  Cuzin.  London,  1831 

1637.  HOGARTH  (WILLIAM).  Anecdotes  of  William 
Hogarth,  written  by  himself:  with  Essays  on  his  Life  and 
Genius,  and  Criticisms  on  his  Works.  To  which  are  added  a 
Catalogue  of  his  Prints;  edited  by  J.  B.  Nichols.  With  48 
plates.  Svo,  red  levant-  morocco,  panelled  back  and  sides,  gilt 
top,  uncut,  by  Joly.  London,  1833 

HOGARTH  (WILLIAM).    See  also  No.  1756. 

1638.  HOLBEIN  (HANS).  Historianmi  Veteris  Instru- 
menti  Icones  ad  vivum  expressa?.  Una  cum  brevi,  sed  quoad 
fieri  potuit,  delucida  earundem  expositione.  Fine  impressions 
of  the  92  heantiful  woodcuts  engraved  hy  Hans  Liltzelherger 
from  the  designs  of  Holbein.  Small  4to,  brown  levant  morocco, 
gilt  panelled  sides,  interlaced  wreath  of  grapevines  in  centre, 
fleurons  in  corners,  gilt  edges,  by  Lortic. 

Lugduni:  Melchior  et  Caspar  Trechsel,  1538 
*  First    Edition.     The   Ambroise    Firmin-Didot    copy. 

353 


1639.  HOLBEIN  (HANS).  Les  simulachres  &  historiees 
faces  de  la  mort,  autant  elegamment  pourtraictes,  que  arti- 
ficiallement  imaginees.  First  Edition.  41  fine  woodcuts  of 
the  Dance  of  Death  engraved  after  the  designs  of  Holbein. 
Small  4to,  dark  brown  levant  morocco,  the  sides  entirely 
■covered  with  blind  tooled  ornaments  and  skulls ;  doublure  of 
gilt  vellum,  skulls  in  the  corners  and  centre,  gilt  edges,  in  a 
morocco  case,  by  Cuzin.    Rare. 

Lyon:  Melchior  et  Gaspar  Trechsel,  1538 

1640.  HOLBEIN  (HANS).  Imagines  Mortis.  His  acees- 
servnt  Epigrammata,  e  Gallico  idiomate  a  Georgio  Aemylio  in 
Latinum  translata.  Ad  haec,  Medicina  Animae,  tam  ijs,  qui 
iirma,  quam  qui  aduersa  corporis  valetudine  praediti  sunt, 
maxime  necessaria.  With  53  woodcuts  from  the  designs  of 
Holbein.  Small  8vo,  green  levant  morocco,  gilt  ornament  on 
the  sides,  gilt  edges,  by  Cape. 

Coloniae :  Apud  h^eredes  Arnoldi  Birckmanni,  1573 

1641.  HOLBEIN  (HANS).  Le  Triomphe  de  La  Mort. 
Grave  d'Apres  les  Dessins  Originaux  de  Holbein  par  Chretien 
de  Mechel  Graveur  a  Bale.  With  47  plates.  Small  Svo,  red 
levant  morocco,  gilt  and  blind  tooled  sides,  gilt  edges,  by 
Cape.  [Paris]  1780 

1642.  HOLBEIN  (HANS).  The  Dances  of  Death,  through 
the  various  stages  of  human  life ;  wherein  The  Capriciousness 
of  that  Tyrant  is  exhibited :  in  Forty-six  Copper-plates ;  done 
from  the  original  designs,  which  were  cut  in  wood,  and  after- 
wards painted,  by  John  Holbein,  in  the  town-house  of  Basil. 
To  which  are  prefixed,  descriptions  of  each  plate  in  French 
and  English,  with  the  Scripture  text  from  which  the  designs 
were  taken.  Etched  by  D.  Deuchar,  F.  A.  S.  4to,  panelled 
calf  gilt,  gilt  top,  by  Pratt.  London,  1803 

1643.  HOLBEIN  (HANS).  Icones  Yeteris  Testamenti. 
Illustrations  of  the  Old  Testament,  engraved  on  ivood,  from 
designs  by  Hans  Holbein.  Post  Svo,  blue  levant  morocco  gilt, 
gilt  top,  uncut,  by  Bedford.  London:  Pickering,  1830 

*  One  of  a  few  copies  on  heavy  India  paper. 

1644.  HOLBEIN  (HANS).  The  Dance  of  Death  exhibited 
in  elegant  engravings  on  wood,  with  a  Dissertation  on  the 
several  representations  of  that  subject,  &c.  8vo,  red  levant 
morocco  gilt,  gilt  edges.       London:  William  Pickering,  1833 

1645.  HOLBEIN  (HANS).  La  Danse  des  Morts,  expli- 
quee  par  Hippolyte  Fortoul.  53  India  proof  plates  by 
SrJdottliauer.  Small  8vo,  brown  levant  morocco,  blind  tooled 
gilt  edges,  by  Hardy.  Paris  [about  1835] 

*  Extra-illustrated  with  47  copper-plates  by  Mechel. 

254 


1646.  HOLBEIN  (HANS).  Emblems  of  Mortality;  rep- 
resenting, by  numerous  engravings,  Death  seizing  all  ranks 
and  conditions  of  people.  Imitated  from  a  painting  in  the 
cemetery  of  the  Dominican  Church,  at  Basil,  in  Switzerland, 
Frontispiece  and  46  tvoodcuts  hy  Anderson.  16mo,  calf  gilt, 
panelled  sides,  gilt  top,  uncut,  by  Pratt. 

Charleston,  and  New  Haven,  1846 

1647.  HOLBEIN  (HANS).  L 'Alphabet  de  la  Mort, 
suivi  d'anciens  poemes  francais  sur  le  sujet  des  trois  mors 
€t  des  trois  vis.  WitJmi  borders  of  the  16th  Century.  8vo, 
green  cloth,  uncut.     Large  Paper.  Paris,  1856 

1648.  HOLBEIN  (HANS).  Hans  Holbein,  par  Paul 
Mantz.  Dessins  et  Gravures  sous  la  Direction  de  Edouard 
Lievre.    Folio,  in  cloth  portfolio,  -wdtli  ties. 

Paris:  A.  Quantin,  1879 
*  One  of  100  copies  on  Holland  paper. 

1649.  HOLCROFT  (THOMAS).  The  School  for  Arro- 
gance. A  Comedy.  As  it  is  acted  at  the  Theatre  Royal, 
Covent  Garden.  First  Edition,  with  the  half-title.  8vo, 
red  morocco,  gilt  edges,  by  The  Club  Bindery.     London,  1791 

1650.  HOLCROFT  (THOMAS).  The  Road  to  Ruin:  A 
Comedy,  As  it  is  acted  at  the  Theatre  Royal,  Covent  Garden. 
First  Edition.  8vo,  brown  morocco,  gilt  edges,  by  The  Club 
Bindery,  London,  1792 

1651.  HOLIXSHED  (RALPH).  The  Chronicles,  com- 
prising :  The  description  and  historie  of  England,  Ireland, 
Scotland  and  beginning  at  Duke  "William  the  Norman  called 
the  Conqueror  and  descending  to  all  Kings  and  Queens  of 
England,  etc.  Titles  in  a  tvoodcut  border  and  numerous 
woodcuts  in  the  text.  3  vols,  in  2.  Folio,  pigskin,  blind 
tooled,  gilt  edges,  by  The  Club  Bindery.  (A  few  corners 
and  upper  and  lower  margins  of  one  title  supplied,  and  three 
blank  leaves  missing.)  London,  1586-1587 

1652.  HOME  (JOHN).  The  Siege  of  Aquileia.  A  Tra- 
gedy. As  it  is  acted  at  the  Theatre-Royal  in  Drury-Lane. 
First  Edition,  Small  8vo,  brown  morocco,  gilt  edges,  by 
The  Club  Bindery,  London,  1760 

1653.  HOMELIARIUS  DOCTORUM.  Homeli£e  et  postil- 
Iffi  doctorum  de  tempore  et  de  Sanctis  [collected  by  Paulus 
Diaconus].  Gothic  characters,  double  columns,  438  unnum- 
hered  leaves  without  signatures  and  catchwords,  including 
the  blanks  182,  183,  288  and  438;  47  lines  to  the  page.  Folio, 
brown  pigskin,  blind  tooled,  silk  linings,  by  The  Club  Bindery. 

[Cologne:  Printer  of  the  Sarum  Breviary,  ca.  1475]. 
*  Very  rare.     Not  in   Hain.     Copinger  II,   no.   3037;    Proc- 
tor,  1159. 

255 


1654.  HOMER.  Opera,  grtece.  Vol.  I,  containing  the  Ilias. 
First  Aldine  Edition.  8vo,  old  red  straight-grain  morocco 
gilt,  gilt  edges.  [Venice:  Aldus,  1504] 

*  Printed  on  vellum.     Only  7  or  8  other  copies  known.    The 
Ebner  copy,  mentioned  by  Renouard. 

1655.  HOMER.  Ilias,  neo-grrece.  Numerous  ivoodcuts,  evi- 
denilij  printed  from  blocks  of  the  first  part  of  the  16th  century. 
4to,  original  vellum.  (Small  portion  of  upper  margin  of  title 
cut  off,  and  small  hole  in  the  last  2  leaves.) 

Venetiis :  Petrus  Pinelli,  1640 

1656.  HOMER.  The  Iliad  and  Odyssey  of  Homer.  Numer- 
ous plates  after  Flaxman,  many  proofs  on  India  paper,  and 
with  2  portraits  inserted.  2  vols,  in  1,  oblong  folio,  half  cloth 
and  boards,  uncut.  London,  1805 

1657.  HOOD  (THOMAS).  The  Plea  of  the  Midsummer 
Fairies,  Hero  and  Leander,  Lycus  the  Centaur,  and  other 
poems.  First  Edition.  12mo,  half  green  morocco,  gilt  top, 
uncut.  London,  1827 

*  Dedicated  "To  my  dear  friend — Charles  Lamb." 

1658.  HOOD  (THOMAS).  National  Tales.  First  Edition, 
8  lithographic  plates  hy  Dighton.  2  vols.  12mo,  polished  calf, 
gilt  edges,  by  Bedford.  London,  1827 

1659.  HOOD  (THOMAS).  Whims  and  Oddities,  in  Prose 
and  Verse.  First  Edition  of  second  series.  Original  designs 
hy  the  Author.  2  vols.  12mo,  half  green  morocco,  gilt  tops, 
uncut.  London,  1829-27 

1660.  HOOD  (THOMAS).  Hood's  Own;  or  Laughter 
from  Year  to  Year.  First  Editions  of  both  series.  Numer- 
ous illustrations.  2  vols.  8vo,  half  green  levant  morocco  gilt^ 
gilt  tops,  uncut,  by  MattheAvs.  London,  1839-1861 

1661.  HOOD  (THOMAS).  Poetical  Works,  with  some  ac- 
count of  the  Author.  Portrait.  5  vols.  12mo,  half  green 
cloth,  uncut.  Boston,  1866 

*  Large  paper  copy,  only  100  printed. 

1662.  HOOD  (THOMAS).  Humorous  Poems.  Preface  by 
Alfred  Ainger.  130  illustrations  hy  Charles  E.  Brock.  Royal 
8vo,  buckram,  uncut.  London,  1893 

*  One  of  250  copies  on  Large  Paper. 

1663.  IIOOGHE  (ROMEYN  DE).  Hieroglyphica,  oder 
Denkbilder  der  alten  Volker,  namentlich  der  Aegyptier, 
Chaldaer,  Phonizier,  Jiiden,  Griechen,  Romer,  etc.  Title 
vignette  hy  J.  Wandelaar,  frontispiece,  dedicatory  leaf,  and 
sixty-three  other  engravings,  hrilliant  proofs.  4to,  red  levant 
morocco  gilt,  gilt  edges,  by  Motte, 

Amsterdam,  bey  Arkftee  und  Merkus,  1744 
256 


1664.  HOOK  (THEODORE).  Tentamen;  or,  an  Essay  to- 
wards the  History  of  Whittington  Some  time  Lord  Mayor  of 
London.  By  Vicesimus  Blinkinsop.  12mo,  red  levant  mo- 
rocco gilt,  gilt  top,  uncut,  by  Bedford.  London,  1820 

*  A   bitter   satire    ou   Alderman   Wood   and   Queen    Caroline, 
■which  -was  suppressed. 

1665.  HOOK  (THEODORE).  Sayings  and  Doings;  or,. 
Sketches  from  Life.  First,  Second  and  Third  Series.  First 
Editions.    9  vols.  12mo,  tree  calf,  gilt  tops,  uncut,  by  Ramage. 

*  Complete  Set.  London,  1824-1828' 


TWENTY-NINTH     SESSION,    FRIDAY,  8:15  P.    M. 


1666.  HOOTON  (CHARLES).  Colin  Clink.  First  Edi^ 
TiON.  With  15  plates  hy  John  Leech.  3  vols,  small  8vo, 
calf,  gilt  tops,  uncut,  by  Riviere.  London,  1841 

1667.  HOPE  (THOMAS).  Costume  of  the  Ancients. 
First  Edition.  With  200  plates.  2  vols,  royal  4to,  half  red 
levant  morocco,  gilt  tops,  uncut,  by  Alio.  London,  1809 

*  L*rge  paper  copy. 

1668.  [HOPE  (THOMAS).]  Anastasius:  or.  Memoirs  of 
a  Greek ;  written  at  the  close  of  the  eighteenth  century.  First 
Edition.  3  vols,  small  8vo,  mottled  calf  gilt,  gilt  tops,  by 
F.  Bedford.  London,  1819 

1669.  HOPE  (THOMAS).  An- Essay  on  the  Origin  and 
Prospects  of  Man.  3  vols.  8vo,  polished  calf  gilt,  gilt  tops,  un- 
cut, by  Bedford.  London,  1831 

1670.  [HOPER  (MRS.).]  Queen  Tragedy  restor'd;  a  Dra- 
matick  Entertainment.    First  Edition.    8vo,  morocco. 

London,  1749 

1671.  HORACE.  Poemata.  Small  8vo,  citron  levant  mo- 
rocco, the  sides  tooled  and  gilt  in  an  interlaced  border,  gilt 
edges,  by  Trautz-Bauzonnet. 

Venetiis :  apud  Aldum  Romanum,  1509 

*  Second  Aldine  edition,  equal  in  rarity  to  the  first,  and  con- 
taining for  the  first  time  "De  metrorum  generibus. "  From, 
the  Firmin-Didot  library. 

357 


1672.  HORACE.  Poemata  omnia,  crnn  Aldi  Manutii  et  M. 
Antonii  Mureti  Adnotationibus.  Ruled  throughout  with  red 
ink.  8vo,  contemporary  vellum  gilt,  on  the  centre  and  corners 
■of  the  covers  the  interlaced  initials  "P.  L.  M.  S.  H.,"  gilt  back, 
gilt  edges,  with  silk  ties.  Parisiis :  C.  Rogerius,  1580 

1673.  HORACE.  [Opera]  Cum  commentariis  selectissimis 
variorum :  &  scholiis  ititegris  Johannis  Bond,  etc.  Engraved 
title.  2  vols.  8vo,  old  French  blue  morocco,  emblem  of  the 
Golden  Fleece  stamped  in  gold  on  the  centre  and  comers,  and 
repeated  four  times  on  the  panels  of  the  back,  gilt  edges,  bound 
for  Baron  de  Longepierre.  Lugd.  Batav.,  1670 

1674.  HORACE.  Poemata,  illustrata  a  Joanne  Bond.  En- 
graved title.  12mo,  old  French  red  morocco  gilt,  inside 
horders,  gilt  edges. 

Amstelodami :  Apud  Danielem  Elzevirium,  1676 

1675.  HORACE.  Quinti  Horatii  Flaeei  Opera.  Text  en- 
graved throughout,  2  fleurons,  2  frontispieces,  and  225  illus- 
trations,— large  plates,  vignettes,  tail-pieces,  &c.  2  vols.  8vo, 
red  levant  morocco  gilt,  deep  scroll  borders  on  sides,  gilt  tops, 
uncut,  by  Chambolle-Duru.    Londini :  Johannes  Pine,  1733-37 

*  Origin Ai  issue,  with  the  error  "post,  est"  instead  of 
"potest"  in  the  vignette  on  page  108  of  vol.  2. 

1676.  HORACE.  (Euvres  completes.  Translated  by  M.M. 
Amar,  Andrieux,  Arnault,  etc.  2  vols.  8vo,  red  levant  morocco 
gilt,  with  the  monogram  E.  B.,  gilt  edges,  by  Belz-Niedree. 

Paris,  1831-32 

1677.  HORACE.  The  Works  of  Quintus  Horatius  Flaccus, 
illustrated  chiefly  from  the  Remains  of  Ancient  Art.  With  a 
Life  by  the  Rev.  Henry  Hart  Milman,  &c.  8vo,  red  levant  mo- 
rocco gilt,  gilt  edges.  London,  1849 

*  Every  leaf  surrounded  with  a  colored  border  of  different 
design,  eight  title-pages  similarly  treated  by  Owen  Jones,  and 
300  woodcut  illustrations  from  drawings  by  George  Scharf,  Jr. 

1678.  HORACE.  Quinti  Horatii  Flacci  Opera  cum  novo 
■commentario  ad  modum  Joannis  Bond.  Engraved  title  and  20 
photographic  illustrations.  Ruled,  in  red  ink.  12mo,  red  levant 
morocco  gilt,  gilt  edges,  by  Matthews. 

Parisiis :  ex  Typographia  Firminorum  Didot,  1855 

1679.  HORACE.  Les  (Euvres  d 'Horace.  Traduction 
nouvelle  par  M.  Jules  Janin.  Troisieme  edition.  Frontispiece 
portrait  hy  St.  Auhin.  12mo,  citron  levant  morocco,  gilt  scrolls 
with  mosaic  ornaments  of  grapes,  flasks,  and  flowers  in  blue, 
red  and  brown  morocco,  gilt  edges,  by  Casimir  Briotet. 

X  Paris,  1865 

258 


A   COLLECTION    OF    PRINTED    HOR/E 

From  the  Presses  of,  or  printed  for, 

PHILIPPE     PIGOUCHET.     SIMON     VOSTRE.     ALDUS     MANUTIUS. 

GUILLAUME  ANABAT,  GUILLAUME  GODARD,  DE  ST.  BASIG- 

NANA    GORGONI,    PIERRE    VIDOUE,     JEAN    DE    BRIE, 

SIMON     DU     BOIS,     GEOFROY     TORY,     OLIVER 

MAILLARD  SUCCESSOR  TO  TORY,  REGINALD 

CALDERIUS    (CHAUDIERE),    THIELMAN 

KERVER   11,   JULIEN    DUVAL 

■  1680.  HOR^.  Heures  a  I'usage  de  Romme.  Black  letter 
{lettres  hdtardes).  70  unnunihered  leaves,  with  signatures 
a-li8,  16;  33  lines  to  the  page.  Each  page  within  historiated 
woodcut  borders,  including  a  Dance  of  Death  in  51  subjects, 
cut  of  anatomical  man,  16  large  and  32  small  woodcuts.  Initials 
and  capitals  painted  in  gold  and  colors.  Small  4to,  brown 
levant  morocco,  blind  tooled  sides  in  the  manner  of  the  loth 
century  French  bindings,  doublure  of  green  levant,  tooled 
and  gilt  in  a  lace  design,  silk  linings,  gilt  edges,  by  Gruel,  in 
a  morocco  slip  case. 
Paris :  Philippe  Pigouchet  pour  Simon  A^ostre.  17  Sept.,  1496 

*  Printed  on  vellum.  Almanac  for  21  years  (1488-1508). 
On  the  fly-leaf  at  end  is  a  pen-and-ink  drawing  representing 
the  Royal  Church  of  St.  Quentin  in  Vermandois,  with  inscrip- 
tion in  French  dated  1645  and  signed  C[harles]  de  Croix,  who 
was  a  canon  of  the  said  church.  Fine  copy,  entirely  free  from 
coloring,  except  for  the  initial  letters.  Copinger,  II,  3112; 
Brunet,  Suppl.,  I,  606.     211  x  143  mm. 

1681.  HOUJE,.  Horas  beatiss.  uirginis  secundum  consuetu- 
dinem  romange  curige.  Septem  psalmi  penitential es  cum  letaniis 
&  orationibus  (graece).  Woodcut  representing  the  Annuncia- 
tion in  the  verso  of  title  and  ornamental  woodcut  headings  and 
initials  printed  in  red.  Greek  characters  in  red  and  black. 
112  leaves.  16mo,  contemporary  binding  in  stamped  calf 
(worn),  with  clasps.  Venetiis:  Aldus,  1497 

*  First  Edition.  Philip  Melanchton's  copy,  with  several 
Greek  Hymns  in  his  handwriting  and  his  autograph  signature 
on  one  of  the  fly-leaves,  besides  numerous  marginal  notes  in  his 
hand.  Also  autograph  of  John  Hess,  who  at  the  end  has  added 
the  following  note:  " Amw  XX  {1520)  die  XVI  Februarii 
erat  An.  etais  XXIII  Philippo  Melanchilioni."  The  16  pre- 
liminary leaves  containing  the  "Brevissima  Introductio " 
missing,  as  usual.  Eenouard,  p.  15,  no.  13;  Hain,  8830;  Proc- 
tor, 5560.  From  the  Bishop  Butler,  Costabili  and  Eiva  collec- 
tions.    109  X  80  mm. 

259 


PRINTED  B.OnM— Continued. 

1682.  HOR^.  Ces  presentes  Heures  a  lusaige  de  Romme 
au  long  I  sans  require  ....  [Colophon]  Cy  fine  (sic)  la  table 
de  ee  presetes  heures  |  a  lusaige  de  R5me  au  long  sans  require 
et  I  furent  faictes  pour  Simo  vostre :  Libraire  |  demourant  a 
Paris  a  la  rue  neuue  nostre  |  dame  a  lenseigne  sainct  Jehan 
leuageliste.  Gothic  characters.  116  unnumbered  leaves,  with 
signature  (a-o  8,  p.  4).  Each  page  within  ornamental  and 
historiated  woodcut  border,  including  a  representation  of  the 
Dance  of  Death  in  66  subjects.  Mark  of  Philippe  Pigouchef 
on  title,  anatomical  figure  of  m,an,  20  large  and  34  small  wood- 
cuts. 8vo,  full  brown  levant  morocco,  gilt  panelled  sides, 
vellum  linings  and  fly-leaves,  gilt  edges,  by  Riviere. 

Paris:   [Philippe  Pigouchet]  pour  Simon  Vostre  [ca.  1502] 

*  Printed  on  vellum.  Almanac  for  20  (19)  years  (1502- 
1520).  Extremely  rare,  only  two  other  copies  being  known. 
One  in  the  Bibliotheque  National  of  Paris,  and  the  other  in  the 
British  Museum.  In  the  finest  condition  and  entirely  free 
from  coloring.  Brunet,  V,  1586  (no.  59).  From  the  library 
of  the  Marquis  de  Courtanvaux.     183x110  mm. 

1683.  IIOR^.  Heures  a  I'usage  de  Chartres.  Ces  psetes 
heures  a  lusaige  de  Chartres  ont  este  faictes  |  pour  Simon 
Vostre  Libraire  demourant  a  Paris  a  la  rue  |  neuue  nostre 
dame  a  lenseigne  sainct  Je-  |  han  leuangeliste.  Black  letter 
{lettres  bdtardes) .  92  unnumbered  leaves  with  signatures  a-1  8, 
m4.  Each  page  within  ornamental  and  historiated  woodcut 
borders,  including  a  representation  of  the  Dance  of  Death  in 
66  subjects  with  several  repetitions.  Mark  of  Philippe 
Pigouchet  on  title,  anatomical  man,  and  16  large  and  38  small 
woodcuts.  8vo,  old  red  morocco  gilt,  gilt  edges.  (Signatures 
e  8,  k  1  and  m — in  all  6  leaves — ^missing.) 

Paris:   [Philippe  Pigouchet]  pour  Simon  Vostre  [ca.  1502] 

*  Printed  on  vellum.  Extremely  rare.  Almanac  for  20 
(19)  years  (1502-1520).  The  title-page,  anatomical  man  and 
large  woodcuts  are  all  illuminated  in  gold  and  colors.  Probably 
the  Mac-Carthy  copy.     182  x  110  mm. 

1684.  HOR^.  [Heures  a  I'usaige  de  Romme.]  —  [Colophon] 
Ces  heures  lusaige  de  Romme  tout  au  log  |  sans  riens  requerir 
on  este  Imprimees  a  Paris  |  par  Guillaume  Anabat  Imprimeur 
demourat  |  en  la  rue  saint  Jehan  de  Beauuays  pres  les  es-  ] 
colles  de  decret  a  lenseigne  des  Connis  Pour  gil  |  let  hardouyn 
libraire  demourat  au  bout  du  pont  |  au  change  a  lenseigne  de 
la  Rose.  Et  pour  Ger-  |  main  Hardouyn  libraire  demourat 
etre  les  deux  |  portes  du  Palays  a  lenseigne  saicte  marguerite. 
Black  letter  {lettres  bdtardes).  80  leaves  (A-I8,  K4,  a4). 
Each  page  surrounded  by  historiated  woodcut  borders,  an- 
atomical man  on  first  page,  2  full-page  woodcuts  {one  alle- 
gorical of  Peace  and  Discord),  11  medium  and  30  small  ones. 
Large  8vo,  Ancient  Lyonnese  binding  in  calf,  gold  centre 

260 


FEINTED  ROBJE— Continued. 

and  corners  ornaments,  a  semis  of  fleur-de-lis  at  intervals ;  the 
name  "margverite''  on  the  oval  of  the  central  ornament 
of  the  front  cover,  and  "avbery"  on  that  of  the  back  cover, 
repousse  silver  corners  and  clasps,  gilt  edges.  In  fine  condi- 
tion. Paris:  Guillaume  Anabat  [ca.  1508] 

*  Printed  on  vkllum.  Almanac  for  5  years  (1508-1512). 
The  Anatomical  Man,  all  the  woodcuts  and  16  of  the  borders 
are  beautifully  illuminated  in  gold  and  colors,  by  a  con- 
temporary artist.  From  the  Bibliotheque  de  Rosny,  which  be- 
longed to  the  Duehesse  of  Berry.  The  Rebillot  copy  mentioned 
by  Brunet   (?).     no.  230.     211x128  imn. 

1685.  HOR^.  Heures  a  lusaige  de  Rome  [  tout  au  long  sans 
rien  reqrir  |  iprimees  nouuellemet  a  paris. —  [Colophon]  Ces 
presentes  heures  a  lusaige  |  de.  Rome,  au  long  sans  riens 
reque-  |  rir.  Auec  loffice  de  la  conception  no-  ]  stre  dame  z 
plusieurs  aultres  suffrai  |  ges  nouuellement  adioutes,  ont  este  | 
imprimes  a  Paris  pour  Guillau-  |  me  godard  demourat  sur  le 
pont  au  I  cliage  deuat  lorloge  du  palays.  A  le  |  seigne  de 
Ihomme  sauuaige.  Black  letter  {lettres  hdtardes) .  116  leaves, 
(A  12,  B-0  8).  Each  page  within  grotesque,  ornamental  and 
historiated  woodcut  borders,  including  a  Dance  of  Death  in 
132  subjects  ('With  repetitions) ;  Mark  of  Godard  on  title, 
anatomical  man,  20  woodcuts  representing  the  destruction  of 
Jerusalem,  15  full-page  woodcuts,  24  small  cuts,  and  a  rebus  on 
the  last  page,  with  interpretation  in  French.  Small  8vo,  brown 
levant  morocco  gilt,  gilt  edges.  (Borders  surrounding  the 
large  woodcuts  slightly  shaved.) 

Paris:  Guillaume  Godard  [ca.  1514] 

*  Almanac  for  17  years  (1514-1530).  Brunet,  V,  1650,  no. 
302  (?).  171  X  111  mm. 

1686.  HORiE.  Hore  bte  Marie  virginis  secundum  vsuj 
Hierosolymitanu?.  Gothic  character  in  red  and  black.  With 
16  woodcuts  and  each  page  within  historiated  icoodcut  borders. 
8vo,  OLD  Lyonnese  binding  in  calf,  gold  ornaments  in  the 
comers  of  the  covers,  and  centre  medallions  representing  the 
crucifixion,  gilt  edges. 

Impresse  Lugduni  [de  St.  Basignana  Gorgoni],  1516 

*  Very  rare.  Almanac  for  21  years  (1516-1536).  The  cuts 
in  the  lower  part  of  the  borders  surrounding  the  calendar  repre- 
sent the  occupations  of  the  months.  The  signatures  in  the 
volume  are  placed  in  the  upper  margins.  From  the  Yemeniz 
and  Pirmin-Didot  libraries.  Brunet,  vol.  V,  1677,  no.  381. 
169x110  mm. 

1687.  HOR-'E.  Salus  anim^e  zu  Te^^'tsch  Selen  heyl  genant, 
mit  vil  schonen  gebeten  und  figuren.  Gothic  character  in  red 
and  black.  Woodcut  of  the  Virgin  and  Child  on  title,  61 
spirited  woodcuts  in  the  text  by  Hans  Springinklee,  with  mark 
H.  S.  K.  and  each  page  luithin  woodcut  borders.     8vo,  brown 

261 


FEINTED  KOBM— Continued. 

levant  morocco,  the  sides  in  compartments  divided  by  gilt  lines, 
blind  tooled  ornaments,  gilt  inside  borders  and  edges,  by  The 
Club  Binder\^        Niimberg:  durch  Friderichen  Peypiis,  1520 

*  An  exceedingly  bare  Grerman  Book  of  Hours  with  remark- 
able woodcuts,  by  a  contemporary  of  Diirer.     179  x  122  mm. 

1688.  HOR^-E.  Hore  deipare  Virginis  Marie  secudmn  vsimi 
Romanum,  plerisqj  fignris,  nouisque  effigiebus  adomate  .... 
Roman  character  in  red  and  hlack,  {a-n8,  o  4.)  Each  page 
surrounded  hy  ornamental  and  grotesque  woodcut  borders. 
Mark  of  Jehan  de  Brie  on  title,  15  full-page  woodcuts  and  19 
small  ones.  8vo,  contemporary  French  CxVlf,  the  sides 
covered  with  a  design  of  interlacings  and  ornaments  painted 
blue,  dark  bro^vn,  wliite,  green  and  red,  the  color  scheme  of 
the  two  sides  being  red  (rebacked),  gilt  gauffred  edges. 

Paris :  Pierre  Vidoue  pour  Jehan  de  Brie,  1522 

*  Almanac  for  17  years  (1522-1538).  The  Didot  copy,  prob- 
ably the  only  one  known;  described  in  Brunet,  Suppl.  622. 
180  X  115  mm. 

1689.  HOR^F].  Hore  in  laudem  beatissime  virginis  Marie 
secundiun  consuetudinem  Ecclesie  Parisiensis.  Black  letter 
{lettres  hdtardes)  in  Mack  and  red.  140  leaves.  "Pot  casse" 
on  title.  Each  page  surrounded  hy  fine  woodcut  borders  in  out- 
line composed  of  flowers,  insects,  animals;  with  Tory's  device, 
the  arms  of  France,  the  crowned  F  of  Francis  I  and  crowned 
L  of  Louise  de  Savoie,  the  arms  of  Fra^ice  and  Navarre,  etc.: 
and  14  large  outline  engravings.  4to,  citron  levant  morocco, 
mosaic  compartments  of  maroon  and  brown  morocco  outlined 
in  gold,  the  spaces  richly  tooled  and  gilt  with  flowers,  and  leaf- 
sprays,  gilt  mosaic  back,  vellum  linings  and  fly-leaves,  gaufi'red 
gilt  edges,  by  Thibaron-Joly,  in  a  morocco  case. 

Paris :  Maistre  Simon  du  Bois  imprimeur  pour  maistre  Geo- 
froy  Tory  de  Bourges,  22  October,  1527. 

*  Almanac  for  21  years  (1528-1548).  The  woodcuts,  with 
the  exception  of  two,  are  the  same  in  subject  as  those  of  the 
1524-25  edition,  but  they  are  entirely  different  in  design.  None 
of  the  engravings  or  borders  are  signed  by  Tory,  and  probably 
they  are  not  his  work.  The  last  woodcut  represents  "Death  on 
horseback. ' '  From  the  library  of  Eugene  Paillet,  with  his  auto- 
graph.    Brunet  no.  325.     213  x  140  mm. 

1690.  HORJi].  Horge  in  laudem  beatiss.  virginis  Marise. 
Ad  usum  Romaniun.  Roman  character  in  red  and  black.  Each 
page  within  very  fine  ornamental  borders  in  outline  with  the 
crowned  initial  of  Francis  I.,  the  Dauphin,  the  "pot  casse," 
etc.;  printer's  mark  on  title  and  14  large  outline  woodouts. 
Small  4to,  contemporary  French  binding  in  calf,  the  sides 
stamped  in  a  beautiful  arabesque  design  surrounding  the  "pot 
casse, "  (Tory's  mark),  executed  after  his  design,  and  prob- 
ably in  his  shop.     The  cro^vned  F  and  the  Salamander  are- 

262 


FEINTED  ROBM— Continued. 

alternately  repeated  on  the  panels  of  the  back ;  gauflred  gilt 
edges,  in  morocco  case.  (Signature  E  1  containing  the  angel  of 
the  Annunciation  in  perfect  facsimile) . 

Parrhisiis :  ex  officina  Gotofredi  Torini  Biturigici  ad  insigne 
Vasis  effracti,  20  Oct.,  1531. 

*  Almanac  for  30  years  (1531-1560).  Nearly  all  the  borders- 
have  the  double  cross.  One  of  the  most  beautiful  specimens  of 
the  French  typographical  art  of  the  Eenaissance.  The  Firmin- 
DiDOT  COPY  DESCRIBED  BY  Brunet,  no.  327.     201  X  133  mm. 


1691.  HORJE,  Horffi  Beatissimai  virginis  Marise  |  ad  vsum 
Romanum  |  Parisijs  sub  signo  Va-  |  sis  effracti.  |  Cum  Privi- 
legio.  Boman  character  in  red  and  hlack.  112  numbered 
leaves  (A-0  8).  Ruled  througJwiit  tvith  red  ink.  Title  within 
a  ivoodcut  border  and  18  fine  full-page  woodcuts  in  outline. 
Small  8vo.  Contemporary  French  calf,  the  sides  covered 
with  a  design  of  ornamental  interlacings  painted  dark 
brown,  light  green  and  ivory,  gilt  arabesques  on  a  pointille 
ground,  gilt  back  and  edges.  (Signatures  B  3  and  0  6-8  miss- 
ing). Paris,  1540 

*  Almanac  for  22  years  ( 1540-1561 ) .  These  ' '  Hours, ' '  published 
by  Maillard,  who  was  the  successor  to  Tory,  contain  the  same 
woodcuts  that  appeared  in  "Heures  antiques"  of  1527,  with 
the  exception  of  the  borders,  which  were  here  suppressed.  This 
edition  was  not  noticed  by  Bernard,  Brunet  and  other  Biblio- 
graphers, AND  THIS  IS  apparently  THE  ONLY  COPY  KNOWN. 
142  X  92  mm. 

1692.  HOR^.  HonB  in  laudem  beatissi  j  maj  virginis  Marige 
ad  vsum  |  Romanum  |  [mark  of  Tory]  \  Parisiis  |  Apud  Oliuer- 
ium  Mallardu  |  Sub  signo  vasis  etfracti.  |  1542  |  Cum  Priui- 
legio  Regis.  Roma^i  character  in  black  and  red.  176  unnum- 
bered leaves  with  signatures  A-Y.  Each  page  surrounded  by 
ornamental  woodcut  borders  in  outline,  with  the  crowned  F  of 
Francis  I,  the  crowned  L  of  Louise  de  Savoie,  the  arms  of 
France,  the  Salamander,  etc.,  and  19  fine  outline  woodcuts. 
8vo,  contemporary  French  calf  the  sides  covered  with  an 
ornamental  design  of  interlacings  painted  in  blue,  green,  red 
and  ivory,  outlined  in  gold ;  gilt  and  painted  back,  gauff red 
gilt  edges.  Paris :  0.  Maillard,  1542 

*  Almanac  for  8  years  (1543-1550).  This  Horas  is  a  second 
edition  of  the  one  printed  by  Tory  at  an  unknown  date  and  of 
which  no  copy  is  known  to  exist.  Maillard  found  the  wood- 
blocks in  the  stock  of  Tory  and  printed  from  them.  Extremely 
RARE.     Not  in  Brunet.     149  x  97  mm. 

1693.  HOR^.  Horae  in  Laudem  beatissimae  virginis  Marias, 
ad  vsum  Romanum.  Printed  in  black  and  red.  Each  page 
surrounded  by  charming  woodcut  borders,  some  in  outline  and 
some  in  black.  Printer's  mark  on  title,  14  large  u'oodcuts,  and 
ornamental  initials  on  a  " crible"  ground.    4to,  brown  levant 

263 


PEINTED  nOHM— Continued. 

morocco,  doublure  of  red  levant,  gilt  borders  of  leaf-sprays, 
gauffred  gilt  edges,  in  a  levant  morocco  slip  case,  by  Lortic. 

Parisiis:  ex  officina  Reginaldi  Calderij  &  Claudij  eius  filij, 
1549. 

*  Almanac  for  26  years  (1549-1574).  All  the  woodcuts  which 
ornament  this  beautiful  volume  had  been  already  used  in  the 
Heures  printed  by  Simon  de  Colines,  1543.  Three  of  the  wood- 
cuts bear  the  mark  (double  cross)  of  Geofroy  Tory.  In  his 
WORK  ON  Tory,  Auguste  Bernard  says  that  he  knows  of 
BUT  TWO  COPIES  OF  THE  ABOVE  EDITION.  Brunet,  V,  1662,  no. 
332.     227x168  mm. 

1694.  H0RJ5.  Hor^e  in  laudem  beatissimas  virginis  Marine 
nd  usum  Romanum.  Title  in  red  and  Mack;  each  page  sur- 
7'ounded  hy  pretty  ornamental  and  floral  'borders,  introducing 
insects,  birds,  etc.,  several  of  which  bear  in  the  lower  part  the 
arms  of  France,  of  Louise  of  Savoy,  crowned  initial  and  emblem 
of  Francis  I,  and  numerous  fine  woodcuts,  all  after  Tory. 
12mo,  brown  levant  morocco,  the  sides  tooled  and  gilt  in  an 
interlaced  Grolieresque  pattern  of  fillets,  scrolls  and  arabes- 
ques, gilt  back  and  inside  borders,  gilt  edges,  by  Lortic. 

Parisiis:  apud  Thielmanum  Kerver,  1556 

*  Almanac  for  8  years  (1556-63).  Brunet,  Hours,  no.  334. 
157x92  mm. 

1695.  HOR^.  Heures  de  nostre  Dame  a  lusage  de  Paris, 
toutes  au  long  sans  rien  requerir  auec  plusieurs  belles  oraisons 
z  histoires  ....  Gothic  character  in  red  and  black.  Small 
cut  on  title-page,  u'oodcut  of  the  anatomical  man,  12  illustra- 
tions for  the  Calendar  representing  the  occupations  of  the 
montJis,  {the  one  for  June  signed  "I.  F.")  and  41  other  tvood- 
cuts,  three  bearing  Geofroy  Tory's  mark  and  "L.  R."  8vo, 
CONTEMPORARY  FRENCH  RED  MOROCCO,  the  sidcs  toolcd  and  gilt 
in  compartments,  and  the  spaces  filled  with  scrolls,  leaf-sprays 
and  small  ornaments,  in  the  central,  upper  and  lower  compart- 
ments the  interlaced  initials  E  and  D ;  on  the  centre  of  the 
front  cover  the  name  "esperance'^  and  in  that  of  the  back 
cover  "driancovrt'^  ;  back  tooled  in  the  same  manner  and 
with  monogram  "E  D",  gilt  edges,  by  Clovis  Eve. 

Paris :  Julien  Duval,  1582 

*  Almanac  for  10  years  (1582-1591).  Unknown  to  Brunet. 
In  the  same  volume  is  bound:  "Le  quinze  effusions  du  sang 
de  nostre  Sauueur  &  Eedempteur  Jesus  Christ. ' '  Consisting  of 
50  leaves,  as  follows:  a  811.,  b  4U.,  A,  8  11.,  B  411.,  d  211., 
I-L  in  8s.     Paris,  Julien  du  Val.,  1537.     169  x  116  mm. 

1696.  HOR^.  Les  Heures  de  la  nouuelle  Imprimerie 
Inuentee  par  P.  Moreau.  Printed  in  script-type.  Frontispiece 
and  25  copper-plates.  12mo,  old  French  red  morocco,  the  sides 
richly  tooled  in  compartments  formed  by  interlacing  fillets, 
the    spaces    occupied    by    gilt    tooled    ornaments    of    scrolls, 

264 


PEINTED  KOBM— Continued. 

pointille,  and  fleurons;  doublure  of  green  morocco,  with  gilt 
panels,  outside  and  inside  corner  pieces  and  centre  ornaments 
of  scrolls  and  pointille,  gilt  edges,  by  Le  Gascon,  in  a  morocco 
slip  case.  Paris :  P.  Moreau,  1644 

*  A  magnificent  specimen  of  French  book-binding  of  the  17tli 
century. 


1697.  HORN  BOOK.  Four  Original  Horn  Books,  printed 
on  one  unfolded  sheet  of  paper  of  folio  size,  bearing  the  im- 
print in  one  corner.  Printed  in  Aberdene,  by  E.  Raban. 
Small  folio,  red  straight-grain  morocco,  by  The  Club  Bindery. 

Aberdeen  [ca.  1650] 

*  An  exceedingly  interesting  and  probably  unique  specimen, 
executed  by  Aberdeen's  first  printer,  Edward  Eaban,  about  the 
middle  of  the  17th  century.  Each  of  the  Horn  Books  has  the 
alphabet  and  the  Lord's  Prayer  in  Black  Letter,  but  they  are  not 
alike  in  type  or  setting.  This  sheet  has  evidently  been  pre- 
served in  a  book,  as  it  is  slightly  foxed  and  has  a  v?orm-hole 
near  the  margin. 

1698.  HORNE  (THOMAS  HARTWELL).  An  Introduc- 
tion to  the  Study  of  Bibliography.  To  which  is  prefixed  a 
Memoir  on  the  Public  Libraries  of  the  Antients.  Numerous 
facsimiles.  2  vols,  royal  8vo,  half  blue  levant  morocco,  gilt 
backs,  gilt  tops,  uncut,  by  Bedford. 

London :  Printed  by  Woodfall  for  T.  Cadell,  1814 

*  Lakge  and  thick  paper  copy.  Extra-illustrated  by  the 
insertion  of  portraits  of  Gutenberg,  Aldus,  Paulus  Manutius, 
Caxton,  and  others. 

1699.  HORNE  (THOMAS  HARTWELL).  An  Introduc- 
tion to  the  critical  study  and  knowledge  of  the  Holy  Scriptures. 
Eleventh  edition,  revised,  corrected,  and  brought  dowTi  to  the 
present  time.  Maps,  and  facsimiles  of  Biblical  manuscripts. 
4  vols.  8vo,  polished  calf  gilt,  gilt  edges,  by  Pratt. 

London,  1863 

1700.  [HORSMANDEN  (DANIEL).]  A  Journal  of  the 
Proceedings  in  The  Detection  of  the  Conspiracy  formed  by 
Some  White  People,  in  Conjunction  with  Negro  and  other 
Slaves,  for  Burning  the  City  of  New- York  in  America,  And 
Murdering  the  Inhabitants. 

which  Conspiracy  was  partly  put  in  Execution,  by  Burning 
his  Majesty's  House  in  Fort  George,  within  the  said  City,  on 
Wednesday  the  Eighteenth  of  March,  1741.  and  setting  Fire 
to  several  Dwelling  and  other  Houses  there,  within  a  few  Days 
succeeding,  And  by  another  Attempt  made  in  Prosecution  of 
the  same  infernal  Scheme,  by  putting  Fire  between  two  other 
Dwelling-Houses  within  the  said  City,  on  the  Fifteenth  Day  of 

265 


February,  1742 ;  which  was  accidentally  and  timely  discovered 
and  extinguished.     Containing, 

I.  A  Narrative  of  the  Trials,  Condemnations,  Executions, 
and  Behaviour  of  the  several  Criminals,  at  the  Gallows  and 
Stake,  with  their  Speeches  and  Confessions;  .  .  . 

II.  An  Appendix,  wherein  is  set  forth  some  additional  evi- 
dence concerning  the  said  Conspiracy  and  Conspirators,  .  .  . 

III.  Lists  of  the  several  Persons  (Whites  and  Blacks)  com- 
mitted on  Account  of  the  Conspiracy ;  .  .  .  By  the  Recorder  of 
the  City  of  New- York. 

4to,  crimson  levant  morocco,  corner  ornaments,  richly  tooled 
back  and  inside  borders,  gilt  top  on  the  rough,  all  other 
EDGES  TOTALLY  UNCUT,  in  morocco  case,  by  Francis  Bedford. 

New  York :  Printed  by  James  Parker,  at  the  New  Printing 
Office,  1744. 

*  A   REMARKABLE   COPY   OF  THE   RARE   FlRST    EDITION,   of   which 

only  three  copies  are  known.  The  copy  in  the  Church  Library 
has  a  half-title,  but  as  it  is  not  included  in  the  first  signature 
it  is  doubtful  if  it  was  a  part  of  the  original  edition. 

Important  as  a  printed  record  of  the  early  history  of  New 
York  City,  from  which  is  derived  information  relating  to  the 
famous  Negro  Plot  of  1741. 

1701.  HORTULUS  Anime  cum  aliis  quam  plurimis 
orationibus  pristine  impression!  superadd  itis.  Gothic 
char  act  er  in  red  and  black.  Title  in  red  beneath  a  cut  of 
the  Virgin.,  8Jf  large  and  small  spirited  woodcuts,  and  each 
page  luithin  ornamental  woodcut  borders.  8vo,  blue  mo- 
rocco gilt,  gilt  edges, 

Lugduni:  Joannes  Clein  impensis  Joannis  Koberger,  1517 

1702.  HOUDOY  (JULES).  Histoire  de  la  Ceramique  Lil- 
loise  precedee  de  documents  inedits  constatant  la  Fabrica- 
tion de  Carreaux  Peints  &  J^mailles  en  Flandre  et  en  Ar- 
tois  au  XIV*^  siecle.  Several  colored  plates.  Roj^al  8vo, 
half  blue  levant  morocco,  gilt  top,  uncut,  by  Belz-Nie- 
dree.  Paris,  1869 

1703.  HOUGHTON  (RICHARD  MONCKTON  MILNES, 
LORD).  Poems  of  Many  Years.  Memorials  of  a  Residence 
on  the  Continent.  2  vols,  in  1,  8vo,  citron  levant  morocco 
gilt,  gilt  edges,  b}^  Alio.  London,  1838 

*  Guizot's  copy,  with  his   library  stamp  on   the    half  titles. 
Probably  on  large  paper. 

1704.  HOUGHTON  (RICHARD  MONCKTON  MILNES, 
LORD).     Poems  of  Many  Years.     12mo,  calf,  gilt  edges. 

London,  1844 

1705.  HOUSSAYE(ARSi:NE).  Les  Grandes  Dames,  Mon- 
sieur Don  Juan,  Madame  Venus,  Les  Pecheresses  Blondes, 
Une  Tragedie  a  Ems.  Jf  plates  in  red  and  browji.  4  vols, 
in  2,  royal  8vo,  half  blue  morocco  gilt,  gilt  tops,  uncut. 

Paris,  1868-69 
266 


1706.  HOUSSAYE  (ARSi:NE).  Les  Parisiennes.  Le 
Jeu  des  Femmes.  (Mademoiselle  Phryae,  Les  Feinines 
Adulteres,  Les  Femmes  Dechues).  With  8  plates  in  red  and 
black.  4  vols,  in  2,  royal  8vo,  half  blue  levant  morocco 
gilt,  gilt  tops,  uncut.  Paris,  1869 

1707.  HOUSSAYE  (ARSJ^NE).  Histoire  du  il'^'^  Fau- 
teuil  de  I'Academie  Frangaise.  20  etched  portraits.  Bvo, 
half  light  green  levant  morocco,  inlaid  gilt  back,  gilt  top, 
uncut,  original  covers  bound  in,  by  Zaehnsdorf.    Paris,  1882 

*  One  of  400  copies  on  Holland  Paper,  with  the  portraits, 
proof  before  letters. 

1708.  HOUSSAYE  (ARSfiN'E).  Les  Confessions  Sou- 
venirs d'un  demi-sieele,  1830-1880.  Portraits,  facsimiles, 
&c.  Japan  paper  copy.  6  vols,  royal  8vo,  half  ivory 
levant  morocco,  gilt  and  inlaid  backs,  gilt  tops,  uncut,  orig- 
inal covers  bound  in,  by  Meunier.  Paris,  1885-91 

1709.  HOUSSAYE  (ARSJlNE).  La  Comedie  au  Coin  du 
Feu — La  comedie  a  la  fenetre.  Le  Roi  Soleil.  Le  Duel  de 
La  Tour.  Un  drame  en  cinq  actes  et  en  cinq  minutes  Mad- 
emoiselle Trente-Six  Vertus.  Les  comediennes.  12 mo, 
half  red  levant  morocco,  gilt  back,  figured  gilt  sides,  gilt 
top,  UDCut,  original  covers  bound  in,  by  The  Club  Bind- 
ery. Paris,  1886 

*  One  of  50  copies  on  Holland  paper. 

1710.  HOWARD  (EDWARD).  The  Usurper.  A  Trag- 
edy. As  it  was  acted  at  the  Theatre  Royal  by  His  Majes- 
ties Servants.  Small  4to,  blue  levant  morocco  gilt,  gilt 
edges,  by  The  Club  Bindery. 

London:  Printed  for  Henrj^  Herringuian,  1668 

*  First  Edition.  The  character  of  Damocles  is  supposed  to 
have  been  Intended  for  Oliver  Cromwell.  Hugo  de  Petra  is 
intended  for  Hugh  Peters,  the  Cromwellian  and  New  England 
divine. 

1711.  HOWARD  (EDWARD).  Outward  Bound;  or,  A 
Merchant's  Adventures.  First  Edition.  3  vols.  12mo, 
dark  brown  morocco  gilt,  gilt  tops,  uncut,  by  The  Club 
Bindery.  London,  1838 

1712.  HOWARD  (FRANK).  The  Spirit  of  the  Plays  of 
Shakespeare.  Exhibited  in  a  Series  of  outline  plates  illus- 
trative of  the  Story  of  each  Play.  '  Drawn  and  engraved,  by 
Frank  Howard.  With  quotations  and  descriptions.  5  vols. 
4to,   half  green  morocco,  gilt  tops,  uncut.          London,  1833 

*  Large  Paper  copy,  with  the  483  plates,  proofs  on  India 
paper. 

1713.  HOWARD  (MONTAGUE).  Old  London  Silver, 
its  History,  its  Makers,  and  its  Marks.  200  illustrations, 
and  over  Ji-,000  facsimiles  of  makers''  marks  and  hall-marks. 
Royal  8vo,  green  roan,  gilt  borders  and  top.   New  York,  1903 

267 


1714.  HROSVITA.  Opera  Hrosvite  illustris  virginis  et 
monialis  germane  gente  saxoniea  orte  nuper  a  Conrado 
Celte  inventa.  8  fine  full  page  ivoodcuts  ascribed  to  Albrecht 
Dilrer.  Folio,  brown  levant  morocco,  panelled  sides,  blind 
tooled  arabesque  borders,  gilt  edges,  by  Leighton.  (1  leaf 
(signat.  a  6)  inlaid). 

Impressum  Norumberga;  sub  Priuilegio  Sodalitatis  Cel- 
ticas  a  Senatu  Rhomani  Imperii  impetrato,  1501. 
*  First  Edition.    Second  Issue.    Rare. 

1715.  HUBBARD  (WILLIAM).  A  Narrative  of  the 
Indian  Wars  in  New-England,  From  the  first  Planting 
thereof  in  the  Year  1607,  to  the  Year  1677.  Containing  A 
Relation  of  the  Occasion,  Rise  and  Progress  of  the  War 
with  the  Indians  in  the  Southern,  Western,  Eastern  and 
Northern  Parts  of  said  Country.  Second  American  Edi- 
tion.    12mo,  original  sheep.  Boston:  John  Boyle,  1775 

1716.  [HUBERT  (SIR  FRANCIS).]  The  Deplorable  Life 
and  Death  of  Edward  the  Second,  King  of  England,  To- 
gether with  the  Downefall  of  the  two  Vnfortunate  Fauorits, 
Gavestone  and  Spencer.  Storied  in  an  Excellent  poem. 
Frontispiece  portrait.  l'2mo,  red  levant  morocco,  gilt  edges, 
by  David.     (Cancel  slip  on  page  91  inserted.) 

London:  Printed  for  Roger  Michell,  1628 

1717.  HUDSON,  DE  QUIROS  and  MASSA.  Descriptio 
ac  delineatio  Geographica  Detectionis  Freti,  sive,  Transi- 
tus  ad  Occasum,  supra  terras  Americanas,  in  Chinam  atque 
Japonem  ducturi.  Item,  Narratio.  .  .  .  super  tractu,  in 
quinta  Orbis  terrarum  parte,  cui  Australise  IncognitjB 
nomen  est,  recens  detecto  etc.  3  folded  maps  engraved  on 
copper  and  2  woodcuts.  4to,  red  levant  morocco  gilt,  gilt 
edges,  by  David.       Amsterodami:  Hesselius  Gerardus,  1612 

*  First  Edition.     Very  Rare.     The  first  account  of  the 
efforts  of  Hudson  to  find  the  North-west  passage. 

1718.  [HUGHES  [THOMAS).]  Tom  Brown  at  Oxford. 
First  Edition.  3  vols.  12mo,  original  cloth,  uncut  (slightly 
wor)i).  Cambridge,  1861 

1719.  HUGNY  (ERNEST).  LesE tapes  d.'une  Race- 
Sinorix.  Illustrations  by  Abel  Boye.  12rao,  half  green 
morocco,  green  silk  sides  (damaged),  gilt  top,  uncut,  origi- 
nal covers  bound  in,  by  The  Club  Bindery.  Paris,  1900 

1720.  HUGO  (HERMANNUS).  L'Ame  Amante  de  sou 
Dieu,  representee  dans  les  emblemes  de  H.  Hugo  et  dans 
ceux  d'Othon  Yaenius.  Frontispiece  and  108  emblematic 
copper-plates^  by  L.  Smit.  12mo,  red  levant  morocco, 
richly  gilt  tooled  borders,  gilt  edges,  by  Mercier. 

Cologne,  1717 
368 


1721.  HUGO  (VICTOR  MARIE).  Le  Dernier  Jour  d'lin 
Condamne.  First  Edition.  Facsimile  letter.  12mo,  red 
levant  morocco,  gilt  over  uncut  edges,  by  Cuziu. 

Paris,  1829 

1722.  HUGO  (VICTOR  MARIE).  Notre-Darae  de  Paris. 
First  Edition.  Woodcut  after  T.  Johannot.  2  vols.  8vo, 
red  levant  morocco,  gilt  fillets,  doublure  of  blue  morocco 
with  fillets,  gilt  edges,  original  covers  bound  in,  by  Cuzin. 

Paris,  1831 

1723.  HUGO  (VICTOR  MARIE).  Notre-Dame  de  Paris. 
3  vols.  8vo,  half  calf,  uncut,  by  Siraier  R.  Durol. 

Paris,  1832 

1724.  HUGO  (VICTOR  MARIE).  Notre-Dame  de  Paris. 
2  vols.  12mo,  red  levant  morocco,  gilt  edges,  by  Thibaron. 

Paris,  1841 

1725.  HUGO  (VICTOR  MARIE).  Les  Feuilles  d'Au- 
tomne;  et,  Les  Chants  du  Crepuscle.  12mo,  half  red  mo- 
rocco, uncut.  Paris,  1841 

1726.  HUGO  (VICTOR  MARIE).  Odes  et  Ballades. 
12mo,  half  red  morocco,  uncut.  Paris,  1841 

1727.  HUGO  (VICTOR  MARIE).  Les  Orientales.  12mo, 
red  levant  morocco,  gilt  edges,  by  Thibaron.        Paris,  1841 

1728.  HUGO  (VICTOR  MARIE).  Les  Orientales.  12mo, 
half  red  morocco,  totally  uncut.  Paris,  1841 

1729.  HUGO  (VICTOR  MARIE).  Les  Voix  Interieures; 
et,  Les  Rayons  et  les  Ombres.  12mo,  red  levant  morocco, 
gilt  edges,  by  Thibaron.  Paris,  1841 

1730.  HUGO  (VICTOR  MARIE).  Les  Voix  Interieures. 
12mo,  half  red  morocco,  totally  uncut.  Paris,  1841 

1731.  HUGO  (VICTOR  MARIE).  Les  Rayons  et  les 
Ombres;  and,  Les  Feuilles  d'Automne.  Edition  elze- 
virienne.  Frontispiece  and  ornaments,  by  E.  Fronient.  2 
vols,  in  1.     12mo,  half  blue  morocco  gilt,  gilt  top,  uncut. 

Paris,  1869 

1732.  HUGO  (VICTOR  MARIE).  Les  Chatiments  En- 
graved illustrations.  Royal  8vo,  half  red  levant  morocco 
gilt,  gilt  top,  uncut,  original  covers  bound  in,  b}'  David. 

Paris,  1882 

*  One  of  100  copies  on  Holland  paper,  with  the  series  of  10 
proof  etchings  by  Guerard  inserted. 

1733.  HUGO  (VICTOR  MARIE).  Le  Pape.  21  compo- 
sitions dessinees  et  gravees  par  Jean  Paul  Laurens.  4to, 
brown  levant  morocco,  gilt  fillets,  gilt  edges,  original  covers 
bound  in,  by  Engel.  Paris,  1885 

*  One  of  50  copies  on  Japan  paper,  with  the  plates  in  three 
states. 

369 


1734.  HULSIUS  (LEVINUS).  Emblemata  Anniversaria 
Academic  Noribergensis,  quae  est  Altorffii.  Title-border, 
dedicatory  arms  and  159  medallic  vignettes  on  copper.  4to, 
calf  gilt,  gilt  edges,  by  Bedford. 

Nurembergae:  per  Abr.  Wagemann,  1617 

1735.  HUNT  (LEIGH).  The  Descent  of  Liberty,  a  Mask. 
First  Edition.     12mo,  morocco  back,  uncut.    London,  1815 

1736.  HUNT  (LEIGH).  The  Feast  of  the  Poets,  and 
other  pieces  in  verse.  Second  Edition,  amended  and  en- 
larged.    12mo,  morocco  back,  uncut. 

London:  Gale  and  Fenner,  1815 

1737.  HUNT  (LEIGH)  and  BYRON  (GEORGE  GOR- 
DON, LORD).  The  Liberal;  Verse  and  Prose  from  the 
South.  First  Edition.  2  vols.  8vo,  polished  calf  gilt, 
gilt  tops,  uncut,  by  Bedford. 

London:  John  Hunt,  1822-1823 

1738.  HUNT  (LEIGH).  Lord  Byron  and  some  of  his 
Contemporaries;  with  Recollections  of  the  Author's  Life, 
and  of  his  visit  to  Italy.  Second  Edition.  With  5  por- 
traits and  facsimile.  2  vols.  8vo,  half  green  morocco,  gilt 
tops,  partly  uncut.  London,  1828 

1739.  HUNT  (LEIGH).  Poetical  Works.  First  Edi- 
tion.    8vo,  cloth  (not  original),  gilt  top,  uncut. 

London:  Moxon,  1832 

1740.  HUNT  (LEIGH).  The  Indicator,  and  Companion  : 
a  miscellany  for  the  fields  and  fire-side.  Portrait.  2  vols. 
12mo,  half  green  morocco  gilt,  gilt  tops.  London,  1831 

1741.  HUNT  (LEIGH).  Captain  Sword  and  Captain 
Pen.  A  Poem.  With  some  remarks  on  war  and  military 
statesmen.  First  Edition.  8  full-page  woodcuts  hy  J.  Jack- 
son after  Thornton  Leigh  Hunt.,  son  of  the  author.  12mo, 
original  cloth.  "    London,  1835 

1742.  HUNT  (LEIGH).  The  Palfrey:  a  Love-Story  of 
Old  Times.  First  Edition.  8vo,  original  wrappers,  uncut 
(somewhat  worn).  London,  1842 

1743.  HUNT  (LEIGH).  The  Poetical  Works  of  Leigh 
Hunt.  Containing  many  pieces  now  first  collected.  16mo, 
green  calf  gilt,  gilt  top,  uncut.  London,  1844 

1744.  HUNT  (LEIGH).  Stories  from  the  Italian  Poets; 
with  lives  of  the  writers.  First  Edition.  2  vols.  12ino, 
polished  calf  gilt,  gilt  tops,  uncut,  by  Bedford.  London,  1846 

1745.  HUNT  (LEIGH).  Men,  Women  and  Books:  a 
selection  of  Sketches,  Essays,  and  Critical  Memoirs,  from 
his  uncollected  Prose  Writings.  First  Edition.  Portrait. 
2  vols.  12mo,  tree  calf  gilt,  gilt  tops,  uncut,  by  Riviere. 

London,  1847 

270 


1746.  HUNT  (LEIGH).  A  Jar  of  Honey  from  Mount 
Hj'bla.  First  Edition.  Illustrated  by  Richard  Doyle. 
8vo,  lilac  levant  morocco  gilt,  dentelle  borders,  gilt  edges, 
original  boards  and  advertisements  bound  in,  by  Riviere. 

London,  1848 

1747.  HUNT  (LEIGH).  The  Town,  its  Memorable  Char- 
acters and  Events.  First  Edition.  With  Jf5  illusiratioyis. 
2  vols.  12mo,  red  levant  morocco  gilt,  wide  borders,  gilt 
edges,  by  The  Club  Bindery.  London,  1848 

1748.  HUNT  (LEIGH).  Autobiography  of  Leigh  Hunt, 
with  Reminiscences  of  Friends  and  Contemporaries.  First 
Edition.  Portraits  on  India  paper.  3  vols.  12mo,  original 
cloth,  uncut.  London,  1850 

1749.  HUNT  (LEIGH).  The  Religion  of  the  Heart.  A 
Manual  of  Faith  and  Dut3^  First  Edition.  l2mo.  original 
cloth,  uncut.  London,  1853 

1750.  HUNT  (LEIGH).  The  Old  Court  Suburb;  or.  Me- 
morials of  Kensington,  regal,  critical,  and  anecdotal. 
First  Edition.  2  vols.  12mo,  half  green  morocco,  gilt 
tops.  London,  1855 

1751.  HUNT  (LEIGH).  The  Correspondence  of  Leigh 
Hunt.  Edited  by  his  eldest  son.  First  Edition.  Portrait. 
2  vols.  12mo,  original  cloth,  uncut.  London,  1862 

1752.  HUNT  (LEIGH).  Essays.  Selected  and  Edited 
by  Reginald  Brimley  Johnson,  with  introduction.  Portrait 
by  S.  Lawrence  and  etchings  by  Herbert  Raillon.  Small 
8vo,  half  vellum,  uncut.  London,  1891 

*  Large  Paper  copy;  only  150  printed.  • 

1753.  HURT  ADO  DE  MENDOZ  A  (GARCIA).  Aventures 
et  Espiegleries  de  Lazarille  deTormes,  ecrites  parlui-merae. 
Nouvelle  Edition.  Ornee  de  quarante  figures,  dessinees  et 
gravees  par  N.  Ransonnette.  2  vols,  in  1,  8vo,  orange 
levant  morocco,  ornamented  with  quintuple  and  septuple 
fillets,  gilt  edges,  by  Joly.  Paris,  1801 

*  Large  and  thick  paper  copy,  with  portrait  and  89  plates  by 
N.  Ransonnette,  proofs  before  letters.  The  plate  at  Chapter 
XVII  of  Volume  II  is  unmutilated. 


1754.   TMAGO  Primi  Sseculi.     Societatis  Jesu  a  Provin- 

^     cia  Flandro-Belgica  eiusdein  Societatis  reprae- 

sentata.      Emblematic  frontispiece,   and   126  vignettes,   by 

Galle,  within  beautiful  borders.     Folio,  old  calf  (rebacked), 

gilt  edges.  Antwerpia?,  ex  officina  Plantiniana,  1640 

*  This  rare  and  curious  book  was  written  to  celebrate  the 

100th  anniversary  of  the  Jesuit  order.     Very  few  copies  of  the 

book  are  recorded,  as  it  was  suppressed. 

From  the  collection  of  David  Robert  Clark. 

271 


1755.  [IMBERT  (BARTHELEMY).]  Choix  de  Fabliaux, 
mis  en  vers.  2  vols,  in  1,  citron  levant  morocco,  gilt  panels, 
gilt  edges,  by  Mansell.     Tall  copy.  Geneve,  1788 

1756.  IRELAND  (SAMUEL)  and  HOGARTH  (WILL- 
IAM). Graphic  Illustrations  of  Hogarth,  from  Pictures, 
Drawings  and  Scarce  Prints,  in  the  possession  of  Samuel 
Ireland.  3  vols,  royal  4to,  bine  levant  morocco  gilt,  gilt 
edges,  by  Riviere. 

London:  Published  for  Samuel  Ireland,  1799 

*  Ireland's  own  copy  on  Large  Paper.  Extra-illustrated 

by  the  insertion  of  two  hundred  and  seventeen  plates  in 

TWO,   three  and   four    states,  including  impressions    in 

BLACK,    BROWN   AND    COLOR,    FIRST    ETCHINGS,    SIGNED    PROOFS, 

etc.  Whiere  the  plates  have  not  full  margins,  they  have  been 
skilfully  inlaid. 

A  note  in  Mr.  Hoe's  autograph  reads  "  The  plates  in  this 
(and  the  other)  voZ.(s)  were  r'eserved  by  Mr.  Ireland  &  selected 
by  him." 

Many  rare  plates  are  incorporated  in  this  magnificent  extra- 
illustrated  COPY,  including  the  very  rare  lesser  known  pro- 
ductions of  both  Ireland  and  Hogarth,  including  Tradesmen's 
Tickets,  Bookplates,  Funeral  Cards,  Coats-of-Arms,  Engraver's 
Cards  (including  Hogarth's),  Rare  Theatrical  Benefit  Cards, 
Portraits,  including  Viscount  Boyne,  James  Figg  (famous  fenc- 
ing master),  Sr.  James  Thoruhill,  Lad}^  Pembi-oke  (in  four 
states).  Duchess  of  Bolton  (in  three  states,  including  the  rare 
colored  state),  and  others,  "  Lovat's  Ghost  on  Pilgrimage  "  (by 
Ireland,  1747,  rare  original).  "Scene  in  a  Hay  Field  "  (in  three 
states),  etc. 

1757.  (IRELAND  (W.  H.— Translator).  Memoirs  of  a 
Young  Greek  Lady,  Madame  Pauline  Adelaide  Alexandre 
Panam,  against  his  Serene  Highness  the  Reigning  Prince  of 
Saxe  Cobourg.  Portraits.  8vo,  red  levant  morocco  gilt, 
ornamented  borders,  entirely  uncut,  by  The  Club  Bindery. 

London:  J.  Fairburn,  ]823 

1758.  IRVING  (WASHINGTON).  A  very  Early  Manu- 
script Journal  of  Washington  Irving.  From  July  1, 
1804,  to  Jan.  23,  1805,  lettered  "  1805  "  on  the  outside  cover 
and  called  ''  Journal  of  a  Tour  thro  France,  Italy,  Sicily.'''' 
115  closely  written  4to  pages,  old  vellum,  with  ties.  There 
are  two  pencil  drawings  on  front  end-paper  and  fl3'^-leaf,  and 
Irving's  memorandum  "-Achete  en  Bordeaux  Juillet  180 Jf.. 
Prix  S  liv,^^    another    ''■Ship  Matilda  27th  DecW  opposite 

Corsica.'''' 

*  One  of  the  most  important  Irving  manuscripts,  and 
probably  the  earliest  ever  offered  for  sale  by  auction. 
Washington  Irving  came  of  age  in  April,  1804,  and  owing 
to  the  delicate  state  of  his  health  his  brothers  determined  to 
send  him  abroad.  The  above  Journal  recounts  his  experiences 
from  his  arrival  in  Bordeaux  on  July  4,  thence  to  Toulouse, 
Nismes,  Avignon,  Marseilles,  Nice,  and  Genoa  (from  which 
place  he  sailed  for  Messina  the  day  before  Christmas,  1804),  the 
sea- voyage  and  his  experiences  in  quarantine,  ending  with 
January  23, 1805.  It  was  evidently  written  as  a  basis  for  let- 
ters home,  the  first  entry  beginning  "My  dear  Brother" 
(William  Irving),  and  contains  full  descriptions  of  scenery, 

272 


people,  and  adventures,  including  an  attack  by  pirates.  He 
describes  the  long  imprisonment  in  quarantine  before  Messina 
and  his  occupations,  such  as  studying  Italian,  reading  books  on 
Sicily,  and  sailing  over  the  harbor  in  the  yawl  belonging  to  the 
vessel.  While  much  of  this  Journal  has  been  used  by  Pierre 
M.  Irving  in  his  "  Life  and  Letters  of  Washington  Irving," 
there  are  numerous  interesting  incidents  which  have  not  been 
published  there,  serving  to  illustrate  Irving's  life  and  the  de- 
velopment of  his  character. 

1759.  IRVING  (WASHINGTON).  A  very  early 
Manuscript  Note  Book  of  Washington  Irving  when 
travelling  in  Europe  at  the  age  of  31  in  1805.  93  pages, 
small  4to,  labelled  by  Irving  "1805  "  on  the  front  cover. 
His  Autograph  inside  the  front  cover  and  bound  in 
vellum  wrappers,  with  flap  and  tie.  On  the  first  page 
Irving  has  written  "  Notes  of  a  Tour  in  Europe  in  1801^-5. 
Vol.  Ji-lli.  containing  Route  from  Zurich  to  Paris  ct  from 
Paris  to  London,  from  May  17th  to  Oct.  8th,  1805." 
Another  note  on  the  same  page  states  that  he  purchased 
the  book  at  Zurich  for  1^  livres. 

*  An  EARi.Y  Journal  to  which  Pierre  Irving  evidently 
DID  NOT  HAVE  ACCESS  IN  PREPARING  HIS  "Life  and  Letters 
of  Washington  Irving";  and  apparently  unpublished.  The 
account  of  the  week's  trip  from  Zurich  to  Paris,  May  19  to  24th, 
is  very  full.  The  Journal  next  commences  with  September 
22nd,  180o,  describes  the  trip  to  London,  where  he  landed 
October  8th,  1805,  closing  with  an  account  of  an  annoying 
delay,  at  Gravesend.  His  pencilled  comments  of  his  first 
IMPRESSIONS  OF  ENGLAND  cover  four  pages  and  will  be  found 
to  form  not  the  least  interesting  part  of  the  Journal : 

"J  had  expected  to  be  delighted  on  finding  myself  in  Eng- 
land, that  my  heart  loould  expand,  my  feelings  all  fly  out  to 
hail  my  kinsmen.  Quite  otherwise — except  during  my  ride 
from  Gravesend  to  London.  I  have  found  my  Jieart  has 
closed  up — all  the  social  feeling  has  retired  within  me.  I 
look  about  me  with  distrust.  If  I  wish  to  know  the  direction 
of  a  street  I  first  examine  the  physiognomy  of  mij  neighbor, 
and  ivhen  I  have  selected  I  make  my  inquiry  with  caution 
like  a  ivary  person  standing  on  my  guard  for  fear  of  insult. 
In  no  other  country  have  I  felt  anything  like  this.  I  feel 
like  one  of  our  savages  ivhen  visiting  a  strange  tribe.  He 
courts  their  friendship  though  he  eyes  them  with  distrust; 
he  holds  out  the  calumet  of  peace  but  grasps  his  tomahawk 
in  the  other  hand  ready  to  defend  himself,  etc." 

1760.  IRVING  (WASHINGTON).  Three  of  Irving's 
Manuscript  Note  Books,  written  about  1830,  for  "Ma- 
homet and  his  Successors,"  about  80  pages  each,  12mo, 
bound  in  limp  morocco,  labelled  b}^  Irving  on  one  volume 
"Arabs  No.  1,"  in  ink;  on  two  others  are  pasted  labels  of 
white  paper  on  which  Irving  has  written:  "Mem.  Con- 
cerning the  Arabs,  No.  1"  and  "Notes  on  the  Arabs, 
No.  2."  The  third  volume  is  unlabelled.  A  MS.  Index 
IN  Irving's  hand  is  in  one  volume. 

*  With  the  exception  of  a  few  blank  leaves  here  and  there, 
and  traces  of  the  removal  of  a  few  others,  the  250  pages  are 
covered  with  notes  in  ink  in  Irving's  fine  hand,  chiefly  con- 

273 


cerning  the  Arabs;  gathered  ia  1830  while  the  author  was  en- 
gaged on  the  "  Life  and  Successors  of  Mahomet''  (published  in 
1849  and  1850),  prepared  while  at  Madrid  and  intended  as  in- 
troductory to  other  volumes  which  he  had  in  contemplation 
connected  with  the  Moorish  domination  of  Spain.  Many  of 
these  notes  are  extracts  from  Sale's  "Koran,"  and  the  works 
of  d'Herbelot. 

A  few  pencilled  notes  of  a  more  personal  nature  are  written 
on  the  first  and  last  leaves,  and  in  one  he  records  the  final 
ARRANGEMENTS  with  MURRAY  FOR  THE  SALE  OF  "  The  Voy- 
ages of  Columbus":  "Aug.  3  {1830)  settled  with  Murray  about 
Volume  of  Voyages— 500  gs  (Ouineas)  at  6,  9  &  12  ms  (months)." 
He  also  describes  seeing  Louis  Philippe  take  the  oath  as  Kiug 
of  France,  and  on  August  18  (1830)  the  marriage  of  his  nephew 
when  General  Lafayette  gave  away  the  bride.  On  two  pre- 
liminary pages  of  one  volume  is  found  one  of  his  finest  pieces 
of  descriptive  writing  beginning 

"  There  is  a  clock  in  almost  every  room,  and  in  the  night  I 
can  hear  them  repeating  the  hours  to  one  another  like  iveary 
watchmen.  There  is  a  small  silver-toned  clock  in  a  Lady's 
Boudoir  that  tongues  it  so  quickly  and  sweetly,  etc." 

1761.  IRVING  (WASHINGTON).  Four  op  Irving's 
Manuscript  Note  Books  for  "Tour  on  the  Prairies," 
55  pages  in  all,  12mo,  marbled  wrappers,  labelled  by  Irving 
"Far  West  1,  2,  3  "  and  "Notes  on  the  Indians"  on  the 
fourth.  Two  have  labels  of  white  paper  pasted  on,  with 
"Notes  concerning  the  Far  West  1833  "  in  Irving's  hand. 

*  "Tour  on  the  Prairies"  was  published  in  London  in  1835 
and  a  month  later  in  America.  The  above  notes  relate  almost 
entirely  to  the  ethnology,  geography,  botany  and  zoology  of 
the  Far  West,  There  is  a  pencilled  list  of  books,  including  the 
works  of  Pike,  Long  and  Carver.  The  "Tour"  comprised 
Irving's  expedition  from  Fort  Gibson,  Ark.,  to  the  Pawnee 
Hunting  Grounds  in  October.  1832. 

1762.  [IRVING  (WASHINGTON).]  A  History  of  New 
York,  from  the  beginning  of  the  World  to  the  end  of  the 
Dutch  Dynasty,  by  Diedrich  Knickerbocker.  Folded  view 
of  "  New  Amsterdam  {now  New  York),''''  (strengthened  in 
the  folds,  which  are  very  slightly  worn),  2  vols.  12mo,  blue 
levant  morocco,  richly  tooled,  gilt  inside  borders,  gilt 
edges,  by  The  Club  Bindery. 

New  York:  Inskeep  and  Bradford,  1809 

*  First  Edition.     Tall  copy  measuring  7  x  4i^'  inches. 

1763.  [IRVING  (WASHINGTON).]  A  History  of  New 
York,  from  the  Beginning  of  the  World  to  the  End  of  the 
Dutch  Dynasty.  .  .  .  The  Third  Edition.  Frontispiece  by 
Leslie  and  Allston,  open  letter  proofs,  inserted.  2  vols, 
post  8vo,  red  levant  morocco,  gilt  panels,  edges  entirely 
uncut,  by  Riviere.  Philadelphia:  M.  Thomas,  1819 

*  Large  Paper  copy. 

1764.  [IRVING  (WASHINGTON).]  Bracebridge  Hall, 
or  the  Humourists.  A  Medley.  First  English  Edition. 
2  vols.  8vo,  red  levant  morocco  gilt,  gilt  tops,  uncut,  by 
The  Club  Bindery.  London,  1823: 

274 


1765  [IRVING  (WASHINGTON).]  The  Sketch  Book  of 
Geoffrey  Crayon,  Gent.  Z  vols.  8vo,  calf  gilt,  gilt  tops, 
uncut,  by  Holloway.  London:  John  Murray.  18^2 

*  Extra-illustrated  by  the  insertion  of  a  portrait  by  Scri  ven 
after  Newton,  and  6  plates  after  Leslie's  designs,  proofs  on 
India  paper. 

1766.  IRVING  (WASHINGTON).  Oliver  Goldsmith  :  a 
Biography.  First  Complete  Edition.  Illustrafed.  Square 
8vo,  blue  levant  morocco  gilt,  gilt  over  rough  edges,  by 
Matthews.  New  York:  G.  P.  Putnam,  1849 

*  ExTRA-iLLUSTRATED  by  the  insertion  of  53  plates,  including 
portraits  of  Goldsmith's  contemporaries,  a  number  being  proofs- 
on  India  paper. 

1767.  IRVING  (WASHINGTON).  Life  of  George  Wash- 
ington. Illustrated.  5  vols.  4to,  half  olive  morocco,  gilt 
tops,  uncut,  by  The  Club  Bindery.  New  York,  1855-59- 

*  First  Edition.  Large  Paper  copy,  with  India  proof  im- 
pressions of  all  the  plates,  including  the  supplementary  series. 

1768.  IRVING  (WASHINGTON).  Wolfert's  Roost,  and 
other  Papers.  Now  first  collected.  Frontispiece  and  en- 
graved title  by  Darley.  l"2ino,  red  levant  morocco  gilt,  gilt 
edges,  by  The  Club  Bindery.  New  York,  18c5 

1769.  IRVING  (WASHINGTON).  Sketch  Book  of 
Geoffrey  Crayon,  Gent.  Artist's  Edition.  120  engravings 
on  wood  from  original  designs.  Thick  small  4to,  red  levant 
morocco,  broad  side  borders,  gilt  edges,  bj^  Matthews. 

New  York,  1865 

*  Portrait  of  Irving  on  steel,  in  brown,  from  the  painting  by 
Stuart  Newton,  1820.  Further  illustrated  by  the  insertion  of 
45  plates,  including  an  original  drawing  of  the  Boar's  Head 
Tavern,  the  cancelled  title-page,  the  plates  by  Leslie,  Allston, 
and  Westall,  in  two  and  three  states,  engraver's  etching,  proofs 
before  letters  and  open-letter  proofs,  all  on  India  paper,  mezzo- 
tint portrait  of  Shakespeare  by  Turner  after  Jansen,  many 
proof  portraits  on  India  paper,  etc. 

1770.  IRVING  (WASHINGTON).  Sketch  Book  of 
Geoifrey  Crayon,  Gent.  Artist's  Edition.  Illustrated  with 
120  engravings  on  ivood  from  original  designs.  Ro3^al  8vo, 
green  levant  morocco  gilt,  gilt  edges,  by  Matthews. 

New  York,  1865 

*The  original  drawings  for  the  cover,  title-page,  and  10  other 
illustrations  are  inserted,  as  well  as  six  by  Shattuck,  Hill,  etc., 
apparently  never  engraved. 

1771.  IRVING  (WASHINGTON).  Bracebridge  Hall. 
Illustrated  by  Randolph  Caldecott.  12mo,  cloth,  gilt  edges 
(lacks  an  end-paper).  London,  1877 

1772.  IRVING  (WASHINGTON).  Old  Christmas.  Illus- 
trated by  Randolph  Caldecott.  12mo,  red  morocco  gilt,  gilt 
edges,  by  Bedford.  London,  1878 

375 


1773.  IRVING  (WASHINGTON).  The  Life  and  Voyages 
of  Christopher  Columbus  and  the  voyages  and  discoveries 
of  the  companions  of  Columbus.  3  vols,  roj^al  8vo,  vellum, 
gilt  tops,  uncut.  New  York,  1892 

*  Subscriber's  copy,  with  illustrations  on   India  and  Japan 
paper. 

1774.  IRVING  (WASHINGTON).  Old  Christmas;  from 
the  Sketch  Book  of  Washington  Irving.  Illustrations  hy 
Randolph  Caldecott.     Royal  Svo,  buckram,  uncut. 

*One  of  250  copies  on  Large  Paper.  London,  1892 

1775.  IRVING  (WASHINGTON).  Rip  Van  Winkle  and 
the  Legend  of  Sleepy  Hollow.  Illustrations  hy  George  H. 
BougJito7i.     Royal  Svo,  buckram,  uncut..  London,  1893 

*One  of  250  copies  on  Large  Paper. 

1776.  ISELBURG  (PETER).  Emblemata  Politica  In 
aula  magna  Curiae  Noribergensis  depicta.  Engraved  title, 
armorial  plate  and  32  emblems  engraved  hy  Peter  Iselhurg, 
all  brilliant  impressions.  4to,«calf,  gilt  back  and  edges,  by 
Bedford.  [Nuremberg,  1597] 


1777.  TABET  (GEORGE).     The  Poets'  Pleasaunce;  or, 
^      Garden  of  all  sorts  of  Pleasant  Flowers,  which 

our  Pleasant  Poets  have,  in  past  time,  for  pastime,  planted. 
By  Eden  Warwick  [the  Rev.  George  Jabet].  Engraved 
frontispiece  and  woodcut  borders.  Square  Svo,  green  levant 
morocco,  gilt  corner  ornaments,  gilt  edges,  by  Brany. 

London,  1847 

1778.  JACKSON  (CATHERINE  CHARLOTTE,  LADY). 
The  Last  of  the  Valois,  and  Accession  of  Henry  of  Navarre. 
1559-1589.     Illustrated.     2  vols,  small  Svo. 

New  York  [London],  1838 

1779.  JACKSON  (CATHERINE  CHARLOTTE,  LADY). 
The  First  of  the  Bourbons  [Henry  IV],  1589-1595.  First 
Edition.  With  10  steel  portraits.  2  vols,  small  Svo,  cloth, 
uncut.  London,  1890 

1780.  JACKSON  (JOHN).  A  Treatise  on  Wood  En- 
graving, historical  and  practical.  First  Edition.  Up- 
ivards  of  300  illustrations  engraved  on  wood.  Royal  Svo, 
half  green  morocco,  gilt  top,  uncut.  London,  1839 

*  Contains  the  view  of  Ovingham  Parsonage  at  p.  713,  some- 
times missing. 

1781.  JACOBI  (CHARLES  THOMAS).  Gesta  Typo- 
graphica,  or  a  Medly  for  Printers  and  others.  12mo,  cloth, 
uncut.  London,  1897 

*  One  of  50  copies  on  Japan  paper,  signed. 

276 


1782.  JACOBS  (JOSEPH— Editor).  The  Earliest  Eng- 
lish version  of  the  Fables  of  Bidpai,  "The  Morall  Philoso- 
phic of  Doni  "  by  Sir  Thomas  North,  whilom  of  Peterhouse, 
Cambridge.  Now  again  edited  and  induced  by  Joseph 
Jacobs,  late  St.  John's  College,  Cambridge.  Numerous 
woodcuts  in  the  text,  and  2  plates  with  duplicates  in  bistre. 
Royal  8vo,  half  vellum,  uncut.  London,  1888 

*  One  of  60  copies  printed. 

1783.  JACOBS  (JOSEPH— Editor).  The  Fables  of 
^Esop  as  first  printed  by  William  Caxton  in  1484  with  those 
of  Avian,  Alfonso  and  Poggio,  now  again  edited  and  in- 
duced by  Joseph  Jacobs.  Numerous  ivoodcuts,  and  a 
frontispiece  by  H.  Ryland  in  2  states.  2  vols,  royal  8vo, 
half  vellum,  uncut.  •  London,  1889 

*  Only  60  copies  printed. 

1784.  JACOBS  (JOSEPH— Editor).  English  Fairy  Tales. 
Illustrated  by  John  D.  Batten.  Royal  8vo,  boards,  gilt 
top,  uncut.  London,  1890 

*  Large  Paper  copy,  only  80  printed  on  Japan  paper. 

1785.  JACOBS  (JOSEPH— Editor).  Celtic  Fairy  Tales. 
Illustrated  by  John  D.  Batten.  Royal  8vo,  boards,  gilt 
top,  uncut.  London,  1892 

*  Large  Paper  copy,  only  125  printed  on  Japan  vellum,  with 
plates  in  2  colors. 

1786.  JACOBS  (JOSEPH— Editor).  Indian  Fairy  Tales. 
Illustrated  by  John.  D.  Batten.  Royal  8vo,  boards,  gilt 
top,  uncut.  London,  1892 

*One  of  160  copies  printed  on  Japan  vellum. 

1787.  JACOBS  (JOSEPH— Editor).  More  English  Fairy 
Tales.  Illustrated  by  John  D.  Batten.  Royal  8vo,  boards, 
gilt  top,  uncut.  London.  1894 

*  One  of  160  Large  Paper  copies  printed  on  Japan  paper,  with 
plates  in  2  states. 

1788.  JACOBS  (JOSEPH— Editor).  More  Celtic  Fairy 
Tales.  Illustrated  by  John  D.  Batten.  Royal  8vo,  boards, 
gilt  top,  uncut.  London,  1894 

*  One  of  125  copies  printed  on  Japan  paper,  with  plates  in  2 

states. 

1789.  JAMESON  (ANNA  MURPHY).  Memoirs  of  Cele- 
brated Female  Sovereigns.  First  Edition.  2  vols.  12mo, 
half  brown  levant  morocco,  gilt  tops,  uncut,  by  KraflEt. 

London,  1831 

1790.  JAMESON  (ANNA  MURPHY).  Memoirs  and 
Essays  illustrative  of  Art,  Literature,  and  Social  Morals. 
First  Edition.  12mo,  half  red  levant  morocco,  gilt  top,' 
uncut,  by  Krafft.  London,  1846 

277 


1791.  JAMIESON  (ROBERT— Editor).  Popular  Ballads 
and  Songs,  from  Tradition,  Manuscripts,  and  scarce  edi- 
tions; with  translations  of  similar  pieces  from  the  Ancient 
Danish  Language,  and  a  few  originals  by  the  Editor.  2  vols. 
Svo,  calf  gilt,  gilt  edges,  by  Matthews. 

Edinburgh:  A.  Constable  &  Co.,  1806 

1792.  JAMYN  (AMADIS).  Les  GEuvres  Poetiques.  First 
Edition.  Svo,  red  levant  morocco  gilt,  gilt  edges,  by 
Trautz-Bauzonnet.  (Title  and  3  following  leaves  skilfully 
mended.)  Paris:  Robert  Estienne  par  Mamert  Patisson, 1575 

1793.  JARDIN.  Le  Jardin  des  Roses,  de  la  valee  des 
larmes,  traduit  du  Latin  par  J.  Chenu.  16mo,  red  levant 
morocco  gilt,  gilt  edges,  by  Trautz-Bauzonnet.     Paris,  1850 

*  One  of  100  copies  on  Holland  paper.     From  the  Yenieniz 
collection,  with  label. 

1794.  JERROLD  (BLANCHARD).  The  Life  of  George 
Cruikshanli.  In  Two  Epochs.  First  Edition.  Vignettes 
on  titles,  and  SJ/.  illustrations,  including  2  portraits.  2  vols. 
12mo,  blue  levant  morocco,  gilt  panels,  Cruikshankian 
figures  on  side  corners,  gilt  tops,  uncut,  original  covers 
bound  in,  by  Wood.  London,  1882 

*  Extra-illustrated   by  the  insertion  of  85  plates,  some 
colored,  and  some  proofs  before  letters. 

1795.  JEST  BOOKS.  The  Gentleman's  Companion,  or 
an  elegant  and  lively  selection,  of  the  bon  mots,  repartees, 
&Q.  of  the  most  distinguished  characters,  in  the  brilliant 
circles  of  taste  and  fashion.  Frontispiece.  12mo,  red 
strai2:ht-grain  morocco,  gilt  edges,  by  The  Club  Bindery. 

London  [ca.  1790] 

1796.  JOHNSON  (CHARLES).  The  History  of  the  Life 
and  Intrigues  of  that  Celebrated  Courtezan,  and  Posture- 
Mistress,  Eliz.  Mann,  commonly  called  the  Roj^al  Soveraign. 
Part  I  only  (all  published  ?).     8vo,  half  calf,  uncut. 

London, 1724 

1797.  JOHNSON  (CHARLES).  A  General  History  of 
the  Lives  aad  Adventures  of  the  most  Famous  High- 
waymen, Murderers,  Street  Robbers,  etc.  To  which  is 
added  A  Genuine  Account  of  the  Voyage  and  Plunders 
of  the  Most  Notorious  Py rates.  Interspersed  with  several 
diverting  Tales  and  pleasant  Songs.  And  Adorned  ivitli 
the  Heads  of  {26)  of  the  tnost  RemarJcahle  Villains,  Curi- 
ously Engraved  on  Copper  {by  J.  Basire  and  Parr,  after' 
Jos.  Nichols  andWilliam  W.  Jett).  First  Edition.  Folio, 
crimson  levant  morocco,  panelled  sides  with  corner  orna- 
ments, full  tooled  floral  back,  inside  borders,  gilt  edges,  by 
Francis  Bedford. 

London :  Printed  for  and  sold  by  J.  Janeway,  in  White- 
Fryers,  1734. 

*  A  large  copy,  with  the  "Complete  Index  of  Malefactors' 
Names  "  at  end. 


1798.  JOHNSON  (ROBERT).  Essaies,  or,  Rather  Imper- 
fect Offers  by  Robert  lohnsou.  16rao,  brown  levant  mo- 
rocco gilt,  gilt  edges,  by  The  Club  Bindery. 

London :  Printed  for  John  Bache,  1607 

1799.  JOHNSON  (SAMUEL).  The  Lives  of  the  most 
eminent  English  Poets,  with  Critical  Observations  on  their 
Works.  Second  Edition  Portrait.  4  vols.  8vo,  green 
straight-grain  morocco  gilt,  gilt  edges.  London,  1781 

1800.  JONES  (E.  ALFRED).  The  old  English  Plate  of 
the  Emperor  of  Russia.  With  50  plates.  Royal  4to,  half 
brown  morocco  gilt,  uncut.  London,  1909 

1801.  JONES   (OWEN).     The    Grammar  of    Ornament- 

Illustrated  by  examples  from  various  styles  of  ornament- 
100  folio  plates,  drawn  on  stone  by  F.  Bedford,  and  printed 
in  colors.     Imperial  folio,  half  purple  morocco,  gilt  top. 

*  First  Edition.  London:  Day  and  Son,  1856 

1802.  JONSON  (BEN).  Poetaster,  or  the  Arraignment; 
As  it  hath  beene  sundry  times  priuately  acted  in  the  Blacke 
Friers,  by  the  children  of  Her  Maiesties  Chappell.  Com- 
posed by  Ben  lohnson.  Small  4to,  calf  (several  corners 
supplied  and  a  few  tiny  wormholes). 

*  First  Edition.        London:  Printed  for  M.  L.    1602 

1803.  JONSON  (BEN).  Catiline,  his  conspiracy.  Written 
by  Ben:  lonson.  Small  4to,  red  levant  morocco,  gilt  edges, 
by  Leighton.     (Several  pages  skilfuUj-  repaired.) 

London:  Printed  for  Walter  Burre,  1611 

*  First  Edition.  The  Locker-Lampson  copy,  with  bookplate. 

1804.  JONSON  (BEN).  The  Silent  Woman.  A  Comoedie. 
Acted  by  the  Cliildren  of  the  Revels.  The  Author  B.  lon- 
son.  Third  Edition.  Small  4to,  red  levant  morocco,  cov- 
ered with  a  rich  design  in  compartments  in  green  levant 
and  gilt,  doublure  of  red  levant,  gilt  borders,  gilt  edges,  by 
The  Club  Bindery.  Loudon:  William  Stansby,  1620 

1805.  JONSON  (BEN).  Bartholomew  Fayre:  a  comedie.  : 
The  Diuell  is  an  Asse:  a  comedie:  The  Staple  of  Newes.  A 
Comedie.  The  three  plaj^s  in  oue  volume.  Folio,  red  levant 
morocco  gilt,  gilt  edges,  by  The  Club  Bindery. 

London:  Printed  hy  I.  B.  for  Robert  Allot,  1631 

*  First  EoiTibN.  In  the  Staple  of  Newes  is  a  reference  to 
Pocahontas.  This  volume  is  often  called  the  second  volume  of 
the  first  collected  edition  of  Jonson's  works. 

1806.  JONSON  (BEN).  Catiline  His  Couspil•ac3^  A 
Tragedie.  Fourth  Edition.  4to,  dark  red  levant  mo- 
rocco, doublures  of  the  same,  entirely  uncut,  in  slip  case, 
by  The  Club  Bindery.  London:  Printed  for  A.  C,  1674 

379 


1807.  JOONES  (Z.)-  The  Hermit  of  Mona,  a  poem; 
Saled,  a  tale  of  the  eleventh  century;  with  other  pieces. 
12mo,  original  boards,  uncut.     New  back.        London,  1822 

1808.  JOSEPHUS  (FLAVIUS).  The  Jewish  War  of 
Flavins  Josephus:  a  new  translation,  by  the  late  Rev. 
Robert  Traill,  .  .  .  edited,  with  notes,  by  Isaac  Taylor. 
15  pictorial  illustrations.  2  vols,  royal  8vo,  half  brown 
levant  morocco,  gilt  tops,  uncut,  by  Pratt.       London,  1851 

1809.  JOSSELYN  (JOHN).  New-Englands  Rarities  Dis- 
covered: in  Birds,  Beasts,  Fishes,  Serpents,  and  Plants  of 
that  Country.  Together  with  The  Physical  and  Chyrurgi- 
cal  Remedies  wherewith  the  Natives  constantly  use  to  Cure 
their  Distempers,  Wounds  and  Sores.  Also  A  perfect  De- 
scription of  an  Indian  Squa,  in  all  her  Bravery;  with  a 
Poem  not  improperly  conferr'd  upon  her.  Lastly  a  chrono- 
logical table  of  the  most  remarkably  Passages  in  that 
Country  amongst  the  English.  First  Edition.  Illustrated 
with  Cuts.  16mo,  blue  levant  morocco,  covered  with  em- 
blematic tooling,  gilt  edges,  by  W.  Pratt. 

London:  Printed  for  G.  Widdowes,  1672 

1810.  JOSSELYN  (JOHN).  An  Account  of  two  Voy- 
ages to  New-England.     Wherein  you  have  the  setting  out 

•  of  a  Ship,  with  the  charges;  The  prices  of  all  necessaries 
for  furnishing  a  Planter  and.  his  Family  at  his  first  coming; 
A  Description  of  the  Countrey,  Natives  and  Creatures, 
with  their  Merchantil  and  Physical  use;  The  Government  of 
the  Countrey  as  it  is  now  possessed  by  the  English,  &c.  A 
large  Chronological  Table  of  the  most  remarkable  passages, 
from  the  first  discovering  of  the  Continent  of  America,  to 
the  year  1673.  First  Edition.  16mo,  red  levant  morocco 
gilt,  gilt  edges,  by  Pratt.  (Lacks  the  frontispiece,  with 
the  device  of  the  dragon,  and  the  two  advertisement  leaves 
at  the  end  of  the  first  part.) 

London :  Printed  for  Giles  Widdows,  1674 

1811.  JOUTEL.  Joutel's  Journal  of  La  Salle's  Last  Voy- 
age. A  reprint  (page  for  page  and  line  for  line)  of  the  first 
English  translation,  London,  1714;  with  the  Map  of  the  or- 
iginal French  edition,  Paris,  1713,  in  facsimile;  and  Notes 
by  Melville  B.  Anderson.  8vo,  half  vellum,  uncut.  One 
of  203  copies  on  handmade  paper. 

Chicago:  The  Caxton  Club,  1896 

1812.  JOVIUS  (PAULUS).  Le  Sententiose  imprese  di 
Monsignor  Paulo  Giovio  et  del  Signor  Gabriel  Symeoui. 
126  emblematic  woodcuts.  4to,  red  levant  morocco,  orna- 
mented with  rich  gilt  and  blind  tooling,  gilt  edges,  by 
Lortic.  Lyone:  appresso  Gulielmo  Roviglio,  1562 

280 


1813.  [JUDAH  (SAMUEL  B.  F.).]  Gotham  and  the 
Gothamites,  a  medley.     16mo,  original  boards,  uncut. 

New  York:  Published  for  the  Author,  1823 

*  This  satire  on  New  York  society  caused  the  impri.sonment 
of  the  author-publisher  and  the  suppression  of  the  work. 

1814.  JULLIP]N  (ADOLPHE).  Le  Romantisme  et 
I'Editeur  Renduel:  souvenirs  et  documents  sur  les  ecrivaina 
de  I'ecole  romantique  avec  lettres  inedites  adressees  par  eux 
a  Renduel.  50  illustrations,  portraits^  vignettes,  carica- 
tures, autographs,  etc.  12 mo,  half  green  levant  morocco 
gilt,  uncut,  original  covers  bound  in,  by  Carayon. 

Paris,  1897 

*  One  of  30  copies  printed  on  India  paper  for  M.  L.  Conqviet. 

1815.  JUNIUS  (HADRIANUS).  Emblemata,  ad  D.  Ar- 
noldum  Cobelium.  Eiusdem  senigmatum  libellus,  ad  D. 
Arnoldum  Rosenbergum.  First  Edition.  Each  page 
within  luoodcut  borders,  and  with  57  emblematic  woodcuts. 
8vo,  brown  levant  morocco,  gilt  tooling  in  the  Aldine  man- 
ner, gilt  edges. 

Antuerpife:  ex  officina  Christophori  Plantini,  1565 

1816.  JUNIUS.  Letters  of  Junius.  Engraved  title,  16 
copper-plate  portraits,  and  woodcuts  by  Bewick.  2  vols.  8vo, 
half  green  levant  morocco  gilt,  gilt  tops,  uncut,  by  Mat- 
thews.    Thick  Paper  copy.  London,  1796 

1817.  JUNIUS  [The  Letters  of].  Stat  Nominis  Umbra. 
21  portraits  by  Ridley,  and  numerous  woodcuts  by  Bewick. 
2  vols.  8vo,  red  morocco  gilt,  gilt  edges,  by  Bozerian  the 
Younger.     Thick  Paper  copy.  London,  1799 

1818.  JUSSERAND  (J.  J.).  The  English  Novel  in  the 
Time  of  Shakespeare  Translated  from  the  French  by 
Elizabeth  Lee.  Revised  and  enlarged.  Numerous  illustra- 
tions.    8vo,  vellum,  gilt  top,  uncut.  London,  1890 

*  One  of  65  copies  on  Japan  paper. 

1819.  JUSSERAND  (J.  J.).  A  French  Ambassador  at  the 
Court  of  Charles  the  Second.  Le  Comte  de  Cominges.  From 
his  unpublished  Correspondence.  Portraits.  8vo,  vellum, 
gilt  top,  uncut.  London,  1892 

*  One  of  65  copies  on  Japan  paper. 

1820.  JUSTINUS.  Des  Hochberumptesten  Geschicht 
schreybers  Justini  warhafftige  Hystorien  die  er  auss  Trogo 
Pompeio  gezogen  und  inn  Viertzig  vier  Biicher  aussgeteylt. 
.  .  .  Die  Hieronyraus  Boner  der  Zeyt  Schulthej^s  zu  Colmar 
auss  dem  Latein  inn  diss  volgend  Tetitsch  vertolmetscht 
hat.  Gothic  character.  50  fine  woodcuts.  Folio,  red  levant 
morocco,  gilt  borders  and  centre  ornaments,  gilt  inside 
borders,  gilt  edges.  Augspurg:  Heinrich  Steiner,  1532 

281 


1821.  JUSTINUS.  Histoire  Universelle;  extraite  de 
Trogae  Pompee.  Translated  by  Pierrot  and  Boitard.  2 
vols.  8vo,  red  levant  morocco  gilt,  with  monogram  E.  B., 
gilt  edges,  by  Belz-Niedree.  Paris,  1827-29 

1822.  JUVENAL.  Opus  nunc  demum  ab  omnibus  mendis 
purgatum,  &  pluribus  collatis  exemplaribus  suo  candori 
restitutum.  Interprete  loanue  Britannico,  una  cum  lodoci 
Badii  Ascensii  familiaribus  explanationibus.  Woodcuts. 
Folio,  brown  levant  morocco,  blind  tooled  panelled  sides, 
gilt  fleurons  in  the  corners,  gilt  over  uncut  edges,  by  Marius 
Michel.     Venetiis:  apud  F.  Bindonum  &  M.  Pasinum,  1548 

1823.  JUVENAL.  Les  Satires  de  luvenal  en  vers  fran- 
§ois,  Avec  vn  Discours  de  la  Satire,  &  quelque  autre  Poesie 
Par  M*"-  Denys  Challine,  12mo,  red  levant  morocco  gilt,  gilt 
edges,  by  Trautz-Bauzonnet.     Paris:  Edme  Pepingue,  1653 

1824.  JUVENAL.  Satirarum.  Libri  Quinque.  Cura 
S.  A.  Philippe.  Frontispiece  and  plate  engraved  by  Duflos, 
and  7  vignettes.  12mo,  old  French  morocco,  dentelle  bor- 
ders, blue  silk  linings  and  ends,  gilt  edges,  by  Derome. 

Lutetise  Parisiorum:  J.  Barbou,  1754 

1825.  JUVENAL.  Satires.  Translated  by  J.  Dusaulx 
and  corrected  hy  Jules  Pierrot.  2  vols.  8vo,  red  levant 
morocco  gilt,  with  the  monogram  E.  B.,  gilt  edges,  b}"  Belz- 
Niedree.  Paris,  1825-26 

1826.  JUVEJ^ALetPEKSIL^S.  Satyr^e.  Genuine  First 
Aldine  Edition.  8vo,  old  blue  straight-grain  morocco  gilt, 
gilt  edges,  by  Bozerian.  Venetiis:  in  sedibus  Aldi,  1501 

1827.  JUVENCUS.  La  Sacree  poesie  et  histoire  evan- 
gelique  mise  en  vers  frangois,  avec  sommaires  sur  chacun 
chapitre,  par  Pierre  Tamisier.  Curious  and  interesting 
small  luoodcuts.  Svo,  contemporary  French  calf,  tooled 
and  gilt  in  compartments  formed  by  interlacings,  the  spaces 
ornamented  with  arabesques  and  leaf  spraj^s,  gilt  back,  gilt 
edges,  by  Clovis  Eve.   (A  few  spots  and  somewhat  restored.) 

Lyon,  1591 

1828.  TZ"ALENDRIER    (Le    grant)    et   compost    des 
-'-^     Bergiers  auecq  leur  astrologie,  et  plusieurs 

aultres  choses.  Lettres  bdtardes.  Title  in  red,  calendar  in 
red  and  black,  numerous  spirited  and  curious  woodcuts  and 
ornamental  initials.  Small  folio,  green  levant  morocco, 
gilt  edges  (slightly  rubbed). 

Imprime  a  Troys  par  Nicolas  le  Rouge,  1529 

1829.  KALIDASA.  Sakoontala;  or,  the  Lost  Ring:  an 
Indian  Drama,  translated  into  English  prose  and  verse  from 
the  Sanskrit  of  Kalidasa.  By  Monier  Williams,  etc.  First 
Edition.    Every  page  surrounded  luith  a  border  in  gold  and 

282 


color's,  siib-titles  and  other  illustrations  similarly  treated; 
woodcuts,  etc.  4to,  red  levant  morocco  gilt,  j<ilt  edires,  by 
A.  Motte.  Hertford,  1855 

1830.  KALIDASA.  Sakoontala;  or,  the  Lost  Rinj?.  Au 
Indian  Drama.  Translated  into  Enji;lisli  prose  and  verse 
from  the  Sanskrit  of  Kjilidtisa,  by  Monier  Williams.  Each 
page  ivithin  illuminated  woodcut  borders,  colored  initials, 
head-pieces,  etc.  4to,  red  levant  morocco,  broad  gilt  borders, 
doublure  of  citron  levant  gilt,  vellum  end-papers,  in  a  mo- 
rocco case,  by  Riviere.  New  York,  1885 

*  One  of  4  copies  on  vellum. 

1831.  [KANNEMANN  (JOHANNES).]  Collectio  Du- 
arum  Passionum  Jesu  Christ!  (per  Johannem  Kannemann). 
Historia  martyrii  S.  Katheriufe  (per  Rabanum  Mauriim). 
Gothic  characters,  65  unnumbered  leaves  with  signatures; 
Jf-O  lines  to  tlie  page.  Folio,  black  levant  morocco,  blind 
tooled  panels,  gilt  edges,  by  Chambolle-Dnru;  in  a  case. 

[Koln:  Johaun  Koelhoff  the  Elder,  ca.  1477] 

*  Rare.       Tall    copy,  with    some    vincut    edges.       Hain- 
Copinger;  5480.     Copinger,  III:  p.  255.     Proctor,  1034. 

1832.  KEANE  (A.  H.)  The  early  Teutonic,  Italian,  and 
French  Masters.  Translated  and  edited  from  the  Dohme 
series  by  A.  H.  Keane.  Numerous  illustrations.  Royal 
8vo,  half  red  morocco,  gilt  top,  uncut.  London,  1«80 

1833.  KEATS  (JOHN).  Poems.  Small  8vo,  citron 
levant  morocco,  richly  gilt  tooled,  doublure  of  the  same, 
gilt  tooled;  gilt  over  marbled  edges,  in  a  case,  by  Mercier. 

London:  Printed  for  C.  &  J.  Oilier,  3  Welbeck  Street, 
Cavendish  Square,  1817. 

*  First   Edition.      A    tall    copy    with  the  half-title,   some 
leaves  uncut. 

1834.  KEATS  (JOHN).  The  Letters  and  Poems  of 
Keats.  Edited  with  a  Memoir  b}'  Jno.  Gilmer  Speed. 
Colored  portraits  and  facsimiles.  3  vols.  12rao,  original 
wrappers,  uncut.     One  of  350  copies.  New  York,  1883 

1835.  KEATS  (JOHN).  The  Poetical  Works  of  John 
Keats  edited  by  William  T.  Arnold.  Etched  portrait  07i 
Japan  yaper.  Royal  8vo,  green  levant  morocco,  gilt 
borders,  corner  ornaments,  gilt  top,  uncut,  original  covers 
bound  in,  by  Zaehnsdorf.      One  of  50  Large  Paper  copies. 

London,  1884 

1836.  [KEBLE  (JOHN).]  The  Christian  Year;  Thoughts 
in  Verse  for  the  Sundays  and  Holydays  throughout  the 
Year.  First  Edition.  2  vols,  small  8vo,  brown  levant 
morocco  gilt,  entirel}^  uncut,  advertisements  bound  in,  by 
Riviere.  Oxford,  1827 

283 


1837.  KEELING  (WILLIAM).  Liturgi^e  Britannicje,  or 
the  several  editions  of  the  Book  of  Common  Prayer  of  The 
Church  of  England,  from  its  compilation  to  the  last  revis- 
ion ;  together  with  the  Liturgy  set  forth  for  the  use  of  The 
Church  of  Scotland :  arranged  to  shew  their  respective 
variations.   8vo,  cloth,  uncut.  London:  Wm.  Pickering,  1842 

1838.  KEESE  (JOHN— Editor).  The  Poets  of  America. 
Illustrated  by  one  of  her  painters.  First  Editions  of  both 
series.  2  vols.  12mo,  brown  levant  morocco  gilt,  gilt 
edges.  New  York,  1840-1842 

*  Extra  iUustrated  by  the  insertion  of  80  portraits  of  authors 
mentioned  in  the  work,  in  addition  to  the  numerous  etchings, 
some  printed  in  red. 

1839.  KEESE  (JOHN— Editor).  The  Poets  of  America. 
Engraved  title  and  illustrations.  First  English  Edition. 
12mo,  blue  levant  gilt,  gilt  top,  uncut.  London,  1840 

1840.  [KELLY  (JOHN).]  The  Levee.  A  Farce.  As  it 
was  oifered  to  and  accepted  for  Representation  by  the 
Master  of  the  Old-House  in  Drury-Lane,  but  denied  a 
Licence.     8vo,  olive  morocco,  uncut.  London,  1744 

1841.  KEMPIS  (THOMAS  A).  Opera  et  libri  vit» 
fratris  Thom?e  de  Kempis  ordinis  canonicorum  regularium. 

Gothic  characters,  double  columns.  Jf.  unnumbered  leaves  + 
180  {numbered  by  mistake  CLXXVIIl)  with  signatures; 
6S  lines  to  the  page.  Rubricated  throughout,  and  initials 
painted  in  red  and  green.  Folio,  dark  brown  levant  mo- 
rocco, vellum  linings  and  fly-leaves,  gilt  edges,  by  The  Club 
Bindery.  Nurembergse:  per  Caspar  Hochfeder,  1494 

*Tall  copy.  Hain-Copinger,  9769;  Copinger,  III,  p.  270; 
Proctor,  2291. 

1842.  KEMPIS  (THOMAS  A).  De  Imitatione  Christi 
Libri  Quatuor.  With  the  correct  engraved  title,  and  ruled 
throughout  in  red  ink.  16mo,  dark  brown  levant  morocco, 
gilt  tooled  in  panels,  doublure  of  red  levant  morocco  with 
broad  dentelle  borders,  gilt  edges,  by  Lortic. 

Lugduni    [Batavorum] :    apud   Joh.    et   Dan.    Elsevirios 

[1653?]. 

*  First  Elzevir  Edition,  and  one  of  the  rarest  volumes 
from  that  press.  With  the  three  final  blank  leaves.  From 
the  library  of  Eugene  Paillet,  with  his  autograph  on  fiy-leaf. 

1843.  [KEMPIS  (THOMAS  A).]  Gerson  (Jean).  De 
rimitation  de  Jesu-Christ  traduite  d'apres  un  manuscrit 
de  1440  par  I'Abbe  Delaunay.  Each  page  within  orna- 
mental and  historiated  borders,  and  8  large  ivoodcuts  by  Le 
Maire,  after  Gostiaux.  8vo,  green  levant  morocco,  in  com- 
partments of  maroon  and  blue  morocco,  richly  tooled  and 

284 


gilt,  with  scrolls,  foliage,  arabesques,  mosaic  flowers,  etc., 
in  the  Eve  manner;  doublure  of  red  levant,  leaf  spray 
borders,  silk  linings,  gilt  edges,  in  a  morocco  slip  case,  hy 
Lortic,  Paris:  Tross,  1869 

*  Printed  on  vellum. 

KEMPIS  (THOMAS  A).    See  Nos.  243,  244  and  245. 

1844.  KENNEDY  (JOHN  PENDLETON).  Horse-Shoe 
Robinson,  Swallow  Barn,  Rob  of  the  Bowl,  and  Quodlibet. 
Illustrations.     4  vols.  12mo,  half  brown  morocco,  uncut. 

New  York,  1866 

1845.  KETHAM  (JOANNES).  Fasciculo  de  medicina 
vulgarizato  per  Sebastiano  Manilio  Romano.  Woodcuts 
{one  crudely  colored),  Roman  character,  52  unnumbered 
leaves,  with  signatures.  Folio,  red  morocco,  gilt  edges. 
(A  few  leaves  mended  and  some  of  the  woodcuts  slightly 
shaved.)  Venice:  Zuane  &  Gregorio  de  Gregorii,  1493 

*  Copinger,  II,  .3449-2433;  Reichling  Appendices,  II,  p.  199. 

1846.  KIPLING  (RUDYARD).  The  Story  of  the  Gadsbys ; 
a  Tale  without  a  Plot.  First  Edition.  8vo,  red  morocco, 
uncut,  original  covers  and  advertisements  bound  in. 

Allahabad:  A.  H.  Wheeler  &  Co.,  n.  d.  [1888] 

1847.  KIRKMAN  (FRANCIS— Editor).  The  Wits,  Or, 
Sport  upon  Sport.  Being  a  Curious  Collection  of  several 
Drols  and  Farces,  Presented  and  Shewn  For  the  Merriment 
and  Delight  of  Wise  Men,  and  the  Ignorant:  As  they  have 
been  sundry  times  Acted  In  Publique,  and  Private.  .  .  . 
By  Several  Stroleing  Players,  Fools,  and  Fidlers,  And  the 
Mountebancks  Zanies.  &c.  Small  4to,  green  levant  morocco, 
gilt  top,  uncut,  by  Riviere.      (Some  corners  supplied.) 

London:  Printed  for  Fran.  Kirkman,   1673 

*  Second  edition  of  the  second  part,  although  the  title  does 
not  designate  this  as  part  second. 

1848.  [KNE VET  (RALPH).]  Rhodon  and  Iris.  A  pas- 
torall,  as  it  was  presented  at  the  Florists  Feast  in  Norwich, 
Ma}^  3,  1631.  First  Edition.  Small  4to,  brown  levant 
morocco,  stamped  ornaments,  gilt  edges,  by  Riviere. 

London:  Printed  for  Michael  Sparke,  1631 

1849.  KOSTER  (LOURENS  JANSZOON).  Gedenk- 
schriften  wegens  het  vierde  eeuwgetijde  van  de  uitvinding 
der  Boekdrukkunst  door  Lourens  Janszoon  Koster,  van 
stadswege  gevierd  te  Haarlem  den  10  en  11  Julij  1823: 
bijeenverzameld  door  Vincent  Loosjes.  Portrait  hy  P. 
Velyn  after  J.  van  Campen,  engraved  title  after  G.  J. 
Michaelis,  and  three  other  plates,  one  colored,  after  J. 
Beckers  and  H.  van  Zutphen.  8vo,  blue  straight-grain 
morocco  gilt,  silk  linings,  gilt  edges,  i)y  W.  Carbentus. 

Te  Haarlem,  bij  Vincent  Loosjes,  1824 

285 


1850.  KRAUSSER  (JOHANN  ULRICH).  Historisehe 
Bilder  Bibel  vorstellend  die  Geschichte  der  H,  Patriarchen 
und  Erz  Vatter  der  Richter  unter  dem  Volck  Gottes.  188 
engraved  images,  iiicluding  titles  arid  plates,  most  of  which  are 
in  two  compartments.  8vo,  polished  calf,  extra,  gilt  edges, 
by  Cuzin.  Angspurg,  1702 

*  From  the  library  of  Comte  Joseph  de  Lagondie,  with  book- 
plate, also  his  arms  on  biuding. 

1851.  KRUL  (IAN  HERMANSZ).  Eerlycke  Tytkorting 
Bestaende  In  verscheyde  R3'men,  Minne-beelden:  Toe- 
Ghepast,  de  Lievende  lonckheyt.  t'Amstelredam.  With 
engraved  title,  portrait,  music  score  and  90  other  engrav- 
ings, vignettes,  etc.  11  parts  in  one  vol.  4to,  brown  levant 
morocco,  blind-tooled  panels,  gilt  edges, 

Amsterdam:  Pieter  Jansz,  1634 

*  The  first  work  contains  twenty-nine  other  engravings;  the 
second,  music  score  and  nineteen  engravings,  the  one  on  page 
36  signed  "  W.  W.  W.  O.  W.  W. ,"  the  one  on  page  153  signed 
G.  Donck.  The  fourth  work  has  eight  illustrations;  the  fifth, 
six;  the  sixth,  eight;  the  seventh,  seven;  the  tenth,  two. 

1852.  KUNZ  (GEORGE  F.)  and  STEVENSON  (CHARLES 
H.).  The  Book  of  the  Pearl.  The  History,  Art,  Science, 
and  Industry  of  the  Queen  of  Gems.  JSFumerous  illustra- 
tions, some  in  colors.  Imperial  8vo,  decorative  cloth,  gilt 
top,  uncut.  New  York,  1908 

*  Presentation_copy  from  the  authors. 

1853.  KYD  (THOMAS).  The  Spanish  Tragedy:  Or, 
Hieronimo  is  mad  againe.  Containing  the  lamentable  end 
of  Don  Horatio,  and  Belimperia;  With  the  pittifuU  Death 
of  Hieronimo.  Newly  Corrected,  Amended,  and  Enlarged 
with  new  Additions,  as  it  hath  of  late  been  diuers  times 
Acted.  Large  looodcut  on  title.  Small  4to,  red  levant  mo- 
rocco, gilt  edges,  by  The  Club  Bindery. 

London:  Printed  by  Augustine  Mathewes,  1023^ 

*  One  of  two  editions  printed  during  this  year. 

1854.  KYD  (THOMAS).  The  Spanish  Tragedy:  Or, 
Hieronino  is  mad  againe.  Containing  the  lamentable  end 
of  Don  Horatio,  and  Belimperia;  With  the  pitifull  Death 
of  Hieronimo.  Newly  Corrected,  Amended  and  Enlarged 
with  new  Additions,  as  it  hath  of  late  beene  divers  times 
Acted.     Large  ivoodcut  on  title.     Small  4to,  calf,  gilt  edges. 

London:  Printed  by  Augustine  Mathewes,  for  Francis 
Grove,  1633. 

*  The  amendments  are  said  to  have  been  made  by  Ben  Jon- 
son,  who  was  the  original  actor  of  the  part  of  Hieronimo.  The 
Perkins  copy.  (V 


^ 


Jt>' 


liiiHtiildii  ■ 


•iianiiuaHnt  ivfiif 
(ivrtunrvHi  uuajif.  )n  ccdt 


/^7^  v3Ut^0«u  K>>ifn«»i1 

k^tMA  v^»C IVtVlMCtitHtl?! 

tmitn  (tiTHitatit^  MobcH 


TouRAiNE  Missal,  Sixteenth  Century  Manuscript. 
(See  No.  2496.) 


CATALOGUE  OF 

Wi)t  ilibrar^  of 
Hotert  floe 

of  J^cto  Pork 

ILLUMINATED     MANUSCRIPTS,     INCUNABULA,    HISTORICAL 

BINDINGS,     EARLY      ENGLISH      LITERATURE,"^  RARE 

AMERICANA,    FRENCH      ILLUSTRATED     BOOKS, 

EIGHTEENTH  CENTURY  ENGLISH  AUTHORS, 

AUTOGRAPHS,    MANUSCRIPTS,    ETC. 


t|# 


Part  II— L  to  Z 


TO    BE    SOLD    BY   AUCTION 

BEGINNING    ON    MONDAY,    JANUARY    15 

1912 

BY 

d)e  antrerson  Auction  Company 

Madison  Avenue  at  Fortieth  Street 
New    York 


Telephone,  Bryant  7990 


(see  order  of  sales  on  page  3) 


BOOKS   AND   AUTOGRAPHS. 


Conditions  of  Sale. 


1.  All  bids  to  be    per    Lot    as  numbered  in  the  Catalogue. 

2.  The  highest  bidder  to  be  the  buyer;  in  all  cases  of  disputed  bids 
the  lot  shall  be  resold,  but  the  Auctioneer  will  use  his  judgment  as  to  the 
-good  faith  of  all  claims  and  his  decision  shall  be  final. 

3.  Buyers  to  give  their  names  and  addresses  and  to  make  such  cash 
payments  on  account  as  may  be  required,  in  default  of  which  the  lots 
purchased  to  be  immediately  resold. 

4.  Goods  bought  to  be  removed  at  the  close  of  each  sale.  If  not  so 
removed  they  will  be  at  the  sole  risk  of  the  purchaser,  and  subject  to 
storage  charges,  and  this  Company  will  not  be  responsible  if  such  goods 
are  lost,  stolen,  damaged  or  destroyed. 

5.  Tex'ius  Cash.  If  accounts  are  not  paid  at  the  conclusion  of 
each  Sale,  or,  in  the  case  of  absent  buyers,  when  bills  are  rendered,  this 
Company  reserves  the  right  to  recatalogue  the  goods  for  immediate  sale 
without  notice  to  the  defaulting  buyer,  and  all  costs  of  such  resale  will 
be  charged  to  the  defaulter.  This  condition  is  without  prejudice  to  the 
rights  of  the  Company  to  enforce  the  sale  contract  and  collect  the 
amount  due  without  such  resale  at  its  own  option.  Unsettled  accounts 
are  subject  to  interest  at  the  rate  of  six  per  cent,  per  annum. 

6.  All  books  are  sold  as  catalogued,  and  are  assumed  to  be  in  good 
•condition.  If  material  defects  are  found,  not  mentioned  in  the  catalogue, 
the  lot  may  be  returned.  Notice  of  such  defects  iiiiist  be  given 
promptly  and  tlie  goods  returned  within  ten  days  from 
the  date  of  the  sale.     No  exceptions  will  be  made  to  this  rule. 

7.  Autograph  Letters,  Dociunents,  Manuscripts  and  Bindings  are  sold 
-as  they  are  without  recourse.  The  utmost  care  is  taken  to  authenticate 
and  correctly  describe  items  of  this  character,  but  this  Company  wiU  not 
be  responsible  for  errors,  omissions,  or  defects  of  any  kind. 

8.  Sids.  We  make  no  charge  for  executing  orders  for  our  cus- 
tomers. We  use  all  bids  competitively  and  buy  at  the  lowest  price  per- 
mitted by  other  bids. 


Part  II  (L  to  Z) 


ORDER  OF  SALES 


Afternoons  and  Evenings  of  January  15  to  I9»  191^ 
Be^innin^  at  2.30  and  8.15  o'clock 


Monday  Afternoon, 
Monday  Evening, 
Tuesday  Afternoon, 
Tuesday  Evening, 
Wednesday  Afternoon, 
Wednesday  Evening, 
Thursday  Afternoon, 
Thursday  Evening, 
Friday  Afternoon, 
Friday   Evening, 


Lots  1855-2041 

"  2042-2231 

"  2232-2416 

"  2417-2518 

"  2519-270a 

"  2701-2880 

"  2881-3060 

"  3061-3250 

"  3251-3425 

"  3426-3621 


Following  the  sale  a  full  list  of  prices  will  be  printed 


Ci)e  3ttbrarp  of 
B^ofaert  Hoe 


PART  II— L  TO  Z 


THIRTIETH   SESSION,  MONDAY,  2:30    P.  M. 


1855.  T  ABE  (LOUISE).     GEuvres,  revues  et  corrigees 

par  la  elite  Dame.  8vo,  green  morocco  gilt, 
doublure  of  red  morocco  richly  gilt,  gilt  edges,  by  Thou- 
veniu.  Lion:  Ian  de  Tournes,  1556 

*  The  Nodier  copy  of  this  very  scarce  book,  with  his  name  on 
front  cover. 

1856.  LABORDE  (ALEXANDRE,  COMTE  DE).  Col- 
lection des  Vases  grecs  de  M'"  le  Comte  de  Lamberg,  expli- 
quee  et  publiee.  15If.  plates^  many  of  them  in  color,  cliiefly 
in  the  Etruscan  manner,  and  31  vignettes  and  culs- de-lamps. 
2  vols,  large  folio,  half  blue  levant  morocco  gilt,  gilt 
tops,  uncut.  Paris:  Didot,  1813-24 

1857.  LABORDE  (LEON,  COMTE  DE).  Histoire  de  la 
gravure  en  raaniere  noire.  Facsimile,  3  woodcuts  on  India 
paper,  9  lithographs.  Son  India  paper,  and  marks,  etc.,  in 
the  text.     Royal  8vo,  original  covers,  uncut. 

Paris:  Didot,  1839 

*  Large  paper  copy.     One  of  300  printed.     Presentation  copy 
from  the  author,  with  inscription. 

1858.  LABORDE  (LEON,  COMTE  DE).  Commentaire 
geographique  sur  I'Exode  et  les  Nombres.  With  13  large 
and  small  maps.  Folio,  red  straight-grain  morocco^ gilt, 
with  monogram  E.B.,  gilt  edges.         Paris  et  Leipzig,^1841 

*  First  Edition.     Printed  on  papier  velin. 


1859.  LABORDE  (L350N,  COMTE  DE).  De  I'Organisa- 
tion  des  Bibliotheques  dans  Paris.  Quatrieme  lettre. 
With  6  plates  on  India  paper  and  numerous  woodcuts 
(slightly  foxed).  First  Edition,  of  the  first  part.  Royal 
8vo,  red  straight-grain  morocco  gilt,  with  monogram  E.B., 
gilt  edges.  Paris,  1845 

1860.  LABORDE  (L:K0N,  COMTE  DE).  La  Renaissance 
des  Arts  a  la  Gourde  France,  Etudes  sur  le  seizieme  Siecle. 
8vo,  green  straight-grain  morocco  gilt,  with  monogram  E.B., 
gilt  edges.  Paris,  1850 

*Oae  of  105  copies  on  papier  velin. 

1861.  LABORDE  (L£0N,  COMTE  DE).  Les  Dues  de 
Bourgogne.  Etudes  sur  les  lettres,  les  arts  et  I'industrie 
pendant  le  XV^  siecle  et  plus  particulierement  dans  les 
pays-bas  et  le  duche  de  Bourgogne.  3  vols.  8vo,  half  scored 
russia,  gilt  tops,  uncut.  Paris,  1849-18  )2 

*  One  of  25  copies  containing  the  frontispiece  woodcut  "  Min- 
iature du  Froissard  de  Breslau,"  with  duplicate  proof  before 
letters.  Le  Roux  de  Lincy's  copy,  with  an  autograph  letter 
from  La  Borde  in  Volume  III. 

1862.  LABORDE  (LEON,  COMTE  DE).  Athenes  aux 
Xye  ,  XVP  et  XVIP  siecles  par  le  C'«  de  Laborde.  First 
Edition.  JfO  plates  and  numerous  ivoodcuts  (some  tinted). 
2  vols.  8vo,  half  blue  morocco,  gilt  tops,  uncut.    Paris,  1854 

1863.  LABORDE  (LlEON,  COMTE  DE).  De  I'Union 
des  Arts  de  I'industrie.  Passe  et  Avenir.  2  vols,  royal 
8vo,  red  levant  morocco,  blind  tooled  fillets,  gilt  edges,  by 
Cape.  Paris,  1856 

*  First  Edition.     One  of  100  copies  printed  on  Holland  paper. 

1864.  LABORDE  (L:fiON,  COMTE  DE).  Les  Archives 
de  la  France,  leurs  vicissitudes  pendant  la  Revolution,  leur 
regeneration  sous  I'Empire.  First  Edition.  Printed  on 
India  paper.  12mo,  red  levant  morocco,  gilt  edges,  by 
Thibaron.  Paris,  1867 

1865.  LA  BORDE  (VIVIEN  DE).  Du  Temoignage  de 
la  Verite  dans  I'Eglise.  Dissertation  Theologique,  Oil  Ton 
examine,  quel  est  ce  temoignage,  tant  en  general  qu'en 
particulier,  au  regard  de  la  derniere  Constitution.  Pour 
servir  Do  precaution  aux  Fideles,  &  d'apologie  a  I'Eglise 
Catholique  contre  les  reproches  des  Protestans.  12mo,  old 
red  morocco,  with  the  Longepierre  device  of  the  Golden 
Fleece,  gilt  edges.  [Paris],  1714 

*  First  Edition.     From  the  Yemeniz  collection. 

1866.  LA  BROUSSE  (JOACHIM  BERNIER  DE).  Les 
G^^vvres  Poetiques  dv  iSievr  Bernier  de  La  Brovsse.  [Les 
Bergeries  et  Eclogves  dv  Sievr  Bernier  de  La  Brovsse.]  En- 
graved title.  One  volume  in  2.  12mo,  red  morocco,  gilt  edges, 
probably  by  Padeloup.         Poictiers:  Julian  Thoreau,  1618 

288 


1867.  LA  BRUNE  (JEAN  DE).  La  Vie  de  Charles  V, 
due  de  Lorraine  et  de  Bar,  General issi me  des  Troupes  Iin- 
periales.  Divisee  en  cinq  Livres.  Second  Edition  revue 
ife  eorrigee.  Portrait  and  frontispiece ;  rided  in  red  ink. 
12mo,  red  morocco  gilt,  doublure  of  red  morocco,  gilt  edges, 
by  Boyet.  Amsterdam:  Jean  Garrel,  1691 

*  From  the  library  of  Baron  de  la  Roche  Lacarelle,  with 
bookplate. 

18  18  [LA  BRUYfiRE  (JEAN  DE).]  Les  Caracteres  de 
Theophraste.  Traduits  du  Grec :  avec  Les  Caracteres  ou  Les 
Moeurs  de  ce  Siecle.  Troisieme  Edition.  12mo,  red  levant 
morocco,  gilt  edges,  by  Cuziu.  Paris:  EstienneMichallet,1688 

1869.  LABRUYERRE  (L.).  Les  Ruses  du  Braconage, 
Mises  a  decouvert;  or  Memoires  et  Instructions  sur  la 
Chasse  et  le  Braconage.  Avec  quelqiies  figures  en  taille  de 
hois.  12mo,  levant  morocco,  emblematic  tooling,  gilt  edges, 
by  Duru.  •  "    Paris  1^771 

1870  LA  CALPRENEDE  AND  PERE  D'ORTIGUE  DE 
VAUMORIERE  Faramond,  ou  I'Histoire  de  France. 
With  7  frontispieces  and  36  plates  hy  Chauveau  and  Julie. 
12  vols,  small  8vo,  citron  morocco  gilt,  with  the  arms  OF 
Beatrix  de  Choiseul-Stainville,  Duchesse  de  Gram- 
MONT,  gilt  edges,  by  Padeloup.  (Pages  517-520  in  Vol.  Ill 
and  title  to  Vol.  IV  are  lacking.) 

*  First  Edition.         Paris:  Ant.  de  Sommaville,  1661-70 

1871.  LACE  BOOK.  Eyn  New  kunstlich  Boich  dairyn. 
C  und  XXXVIII  figuren,  monster  ad  stalen  befonden  wie 
man  na  der  rechter  art,  Lauffer  werck.  Spansche  stiche, 
mit  der  naelen,  etc.  TUle  within  a  ivoodcut  harder,  in  the 
lower  p)art  ttvo  women  sitting  at  a  loom,  full-page  portrait  of 
Emperor  Charles  V  in  state,  on  the  hack,  and  4-6  full  page 
woodcuts  of  fine  lace  and  embroidery  designs,  and  initials 
for  marking  linen.     Small  4to,  contemporary  stamped  calf. 

(Title  slightly  torn,  but  nothing  missing.) 

Koln  :   Peter  Quentell,  1527 

*  Extremely  Rare.  Good  copy  of  one  of  the  oldest  books 
on  lace  and  embroidery.  In  the  same  volume  is  bound  the  fol- 
lowing rare  book,  also  on  lace: 

"  La  FLEUR  DES  PATRONS  DE  LINGERIE  A  DEUX  ENDEOITZ,  A 
POINT  CROISE,  A  POINT  COLX'HE,  ET  A  POINT  PICQUE,  EN  FIL  D'OR, 

FIL  d'argext  et  FIL  DE  SOYE,  etc.  "  Title  iL'itliin  a  ivoodcut 
border  and  21  icoodcut  designs  of  laces  and  embroideries." 
Lyon  Claude  Nourry  diet  le  Prince  [ca.  1540]. 

1872.  LACE  BOOK.  Patrons  de  diuerses  manieres  In- 
uentez  tressubttlement  Duj^sans  a  Brodeurs  et  Lingieres  Et 
a  celuy  lesquelz  vrayement  Veullent  par  bon  entendemeut 
User  Dantique,  et  Roboesque  Frize  et  Moderne  proprement 
Eq  comprenant  aussi  Moresque.    Title  in  Gothic  letter  luithin 

289 


an  ornamental  border,  and  Jf.7  full-page  woodcut  designs 
of  laces,  emhroideries,  etc.,  including  a  large  woodcut  repre- 
senting Orpheus  surrounded  by  animals,  ivith  a  monogram 
composed  of  the  letters  M.  T.  H.  P.  4to,  old  vellum  (first 
leaf  in  facsimile).  Lyon:  Pierre  de  Sainete  Lucie  [ca.  ISIO] 

1873.  LACE  BOOK.  Patrons  de  lingerie  (Livre  nouveau 
dit) :  cestassavoir  a  deux  endroitz  a  point  croise,  point 
couche  et  point  picque,  etc.  JfS  pages  of  lace  designs.  Lj'on 
[ca.  1549].  4to,  red  levant  morocco,  gilt  edges.  Facsimile 
reprint.  [n.  p. — n.  d.,  ca.  1870] 

1874.  LACE  BOOK.  La  Gloria  et  I'honore  de  ponti 
tagliati,  e  ponii  in  aere,  opera  nova,  &  con  somma  dili- 
gentia  posta  in  luce.  Title  witldn  a  woodcut  border,  in  the 
lower  part  three  ivomen  engaged  in  the  making  of  lace,  and 
29  full-page  woodcuts  of  lace  designs.  4to,  citron  levant 
morocco,  the  sides  in  mosaic  compartments  of  green  mo- 
rocco, richly  tooled  and  gilt  with  flowers  and  foliage,  doub- 
lure of  red  levant,  gilt  borders,  gilt  edges,  by  The  Club 
Bindery,  in  a  case.  Venetia:  Mathio  Pagan,  1558 

*  Probably  the  only  known  copy.  From  the  dedication 
the  printer  Mathio  Pagan  appears  to  have  been  the  author  of 
the  book,  or  at  least  to  have  collected  the  models. 

1875.  LACE  BOOK.  Spendore  delle  virtvose  Giovani 
Done  si  contengono  molte,  &  varie  mostre  a  fogliami.  Cio 
e  pvnti  in  aere,  et  pvnti  tagliati,  belissimi,  &  con  tale  arti- 
ficio,  che  li  punti  tagliati  serueno  alii  punti  in  aere.  Et  da 
qvella  ch'e  sopragasi  far'si  possono,  medesimamente  molte 
altre.  Title  within  an  architectural  luoodcut  border,  and 
29  full-page  luoodcuts,  fine  designs  of  Venetian  point  lace. 
4to,  dark  green  levant  morocco,  gilt  panels,  gilt  edges,  by 
David.  Venetia:  Appresso  Jeronimo  Calepino,  1563 

1876.  LACE  BOOK.  Vecellio  (Cesare).  Corona  delle 
nobili  et  virtuose  donne  libro  primo  (secondo,  terzo, 
quarto).  Nel  quale  sidimostra  in  varii  disegni;  tutte  le 
sorti  di  mostre  di  punti  tagliati,  punti  aria,  &  punti  a  reti- 
cello.  102  fine  full-page  woodcuts  of  lace  designs  on  black 
ground.  4  parts  in  one  volume.  Oblong  4to,  brown  levant 
morocco,  gilt  panels,  doublure  of  light  brown  levant,  gilt 
ornamental  borders,  gilt  edges,  by  David.  (Titles  of  parts 
2  and  3  in  facsimile.) 

Venetia:  Appresso  Cesare  Vecellio,  1593 

1877.  LACE  BOOK.  Fiori  di  Ricami  nvovamente  posti 
in  Ivce:  nei  qvali  souo  varii,  et  diversi  disegni  di  lavori. 
Come  Merli,  Bauari  Manichetti,  &  altre  sorti  di  opere,  che 

290 


al  presente  sono  in  vso  vtilissimi  ad  ogni  stato  di  Donne. 
31  li'ood  cut  plates  of  beautiful  lace  designs  on  a  black  ground. 
Oblong  4to,  blue  levant  morocco,  panelled  side  borders,  gilt 
edges.      (Title  in  excellent  facsimile.) 

Siena:  Matteo  Florimi,  1593 

1878.  LACE  BOOK.  Vinciolo  (Federico).  Les  Singu- 
liers  et  noiiveaux  pourtraicts,  du  seigneur  Federic  de  Vin- 
ciolo Venetieu,  pour  toutes  sortes  d'ouvrages  de  lingerie. 
Portrait  of  Henry  III  and  Queen  Louise  of  Lorraine,  and 
94-  woodcut  plates  of  fine  lace  designs.  2  parts  in  one  vol. 
4to,  red  levant  morocco,  blind  panelled  sides,  with  gilt 
ornamental  borders,  gilt  edges,  by  Thierry.  (Title,  three 
following  leaves  and  last  leaves  in  facsimile.) 

Paris:  Jean  Le  Clerc,  1598 

1879.  LACE  BOOK.  Vecellio  (Cesare).  Corona  delle 
nobili  et  virtuose  donne,  libro  primo  (secondo,  terzo,  quarto). 
Nel  quale  si  dimostra  in  varii  disegni  tutte  le  sorti  di 
mostre  di  punti  tagliati,  punti,  etc.  109  plates  of  fine  and 
interesting  lace  designs.  4  parts  in  1  volume.  Oblong  4to, 
old  brown  morocco,  richly  tooled  and  gilt,  the  old  covers 
inlaid  (several  leaves  scribbled  on  margins  or  back). 

Venetia:  Appresso  Cesare  Vecellio,  1601 

1880.  LACE  BOOK.  Les  Singuliers  et  Nouveaux  Por- 
traicts,  du  Seigneur  Federic  Vinciolo,  Venitien,  pour  toutes 
sortes  d'ouvrages  de  Lingerie.  Woodcut  portrait  of  Henry 
IV  and  over  100  designs  of  laces,  dbc.  2  parts  in  1  vol. 
4to,  citron  levant  morocco,  gilt  centre  ornaments,  gilt 
edges,  by  Trautz-Bauzonnet.  Lj'on:  L.  Odet,  1603 

1881.  LACE  BOOK.  Vavassore  (Giovanni  Andrea). 
Opera  noua  uniuersal  intitulata  corona  di  racammi:  doue 
le  venerande  donne  z  fanciulle  trouaranno  di  varie  opere 
per  far  colari  di  camisiola:  z  torniamenti  di  letti,  etc.  Tide 
within  an  ornamental  woodcut  border,  and  56  pages  of  lace 
designs.  4to,  brown  levant  morocco,  gilt  ornamental  bor- 
ders, gilt  edges,  in  a  case,  by  The  Club  Bindery. 

Vineggia:  Giouanni  Andrea  Vauassore  [XVIth  Century] 

1882.  la"  CHAU  and  LE  BLOND.  Description  des 
principales  Pierres  Gravees  du  Cabinet  de  S.  A.  S.  Mon- 
seigneur  le  Due  d'Orleans,  premier  Prince  du  Sang.  Front- 
ispiece containing  portrait,  vignettes,  and  178  plates  of  an- 
tique gems,  mainly  by  St.  Aubin.  2  vols,  folio,  red  morocco 
gilt,  gilt  edges,  probably  by  Derome.  Paris,  1780-84 

*  Thick  Holland  paper.  This  copy  contains  original  im- 
pressions of  six  of  the  seven  suppressed  plates  (Volume  II, 
page  64  and  at  the  end)  known  as  "  medailles  spintriennes," 
containing  thirty- four  subjects  designed  and  engraved  by  St. 
Aubin,  and  rarely  found  in  copies  of  this  work. 

291 


1883.  LA  CHAUSSIEE  (PIERRE  CLAUDE  NIVELLE 
DE).  OEuvres.  Portrait  by  Ingouf,  after  La  Tour.  6  vols, 
in  5.  12mo,  calf,  gilt,  blind  tooled  borders,  gilt  edges,  by 
Thouvenin.  Paris:  Prault,  1762 

1884.  LACHIZE  (HENRI).  Une  Amazone  sous  le  Pre- 
mier Empire.  lUustree  de  36  compositions  par  Charles 
Thevenin.  8vo,  red  levant  morocco,  mosaic  interlacing  of 
darker  red  with  branches  of  roses  in  gold,  red  silk  linings 
with  gilt  borders,  gilt  over  rough  edges,  original  covers 
bound  in,  by  The  Club  Bindery.     In  case.  Paris,  1902 

*  Only  75  copies  printed  on  Japan  paper,  with  the  plates  in 
three  extra  states. 

1885.  LACKINGTON  (JAMES).  Memoirs  of  the  Forty- 
Five  First  Years  of  the  Life  of  James  Lackington,  the 
present  Bookseller  in  Chiswell-street,  Moorfields,  London. 
Written  by  himself  in  forty-seven  Letters  to  a  Friend. 
With  a  triple  Dedication.  .  .  .  Second  Edition.  4-  por- 
traits of  Lackington,  and  a  colored  print  of  Ms  shop  inserted. 
8vo,  half  green  levant  morocco  gilt,  gilt  top,  uncut,  by 
Alio.  London,  1794 

1886.  LA  CROIX-LAVAL.  Mes  Cent  Reliures.  With 
12  illustrations.    4to,  gray  cloth  portfolio.    Paris,  1882-1902 

*  One  of  75  copies  printed. 

1887.  LA  CROIX-LAVAL.  Album  de  Reproductions 
de  Reliures  d'Art.     With  171  plates.     4to,  cloth  portfolio. 

Paris,  1902 

1888.  LACTANTIUS.  Divinarum  institutionum  libri 
septem;  de  ira  Dei,  liber  I,  etc.  First  Aldine  Edition. 
8vo,  brown  morocco,  gilt  Aldine  anchor  on  the  sides,  gilt 
edges.         Venetiis:  in  sedibus  Aldi  et  Andrete  soceri,  1515 

*The  W.    H.    Crawford    copy.     Apparently    printed   on 
THICK  paper.     158  mm. 

1889.  LA  FARRE  (MARQUIS  DE).  Memoires  et  Re- 
flexions sur  les  principaux  evenemens  du  Regne  de  Louis 
XIV,  &  sur  le  caractere  de  ceux  qui  y  out  eu  la  principale 
part.  12mo,  red  levant  morocco,  gilt  edges,  by  Hardy- 
Mennil.  Amsterdam :  J.  F.  Bernard,  1755 

• 

1890.  LA  FARRE  (MARQUIS  DE).  Poesies.  Frontis- 
piece by  Delaunay,  after  Marillier.  24mo,  green  morocco 
gilt,  gilt  edges,  by  Derome.        Londres  [Paris,  Cazin],  1781 

1891.  LE  FEBURE  (FRANgOIS).  Livre  de  fleures  et  de 
feuilles  pour  servir  a  I'art  d'orfeverie.  Title  and  5  copper- 
plates of  leaves  and  flowers  engraved  by  Baltazar  Moncor- 
net,  from  the  drawings  of  Le  Fehure  for  the  use  of  jewelers 
and  goldsmiths.  4to,  blue  morocco,  gilt  edges,  by  The  Club 
Bindery.  [Paris],  163? 

293 


1892.  LAFENESTRE  (GEORGES).  Le  Livre  d'Or  du 
Salon  de  Peinture,  et  de  Sculpture,  etc.  With  107  etchings, 
jjroofs  before  letters.  7  vols,  imperial  8vo,  half  red  morocco, 
gilt  top,  uncut,  original  covers  bound  in,  by  Stikemau. 

Paris,  1870-85 

*  One  of  100  numbered  copies  on  Holland  paper. 

1893.  LA  FIZELlftRE  (ALBERT  DE)  L'(Euvre  Orig- 
inale  de  Vivant  Denon.  Collection  de  317  eaux-fortes  dessi- 
nees  et  gravees  par  ce  celebre  artiste  reunion  forma7it  V album 
le  plus  complet  et  le  plus  varie  pour  Vetiide  de  la  gravure  a 
Veau-forte  avec  tine  notice  tres-detaillee  sur  sa  vie  intime.  2 
vols,  roj'al  4to,  half  red  levant  morocco  gilt,  gilt  tops, 
uncut,  by  Petit.  Paris,  1873 

*  500  copies  printed,  with  portrait  by  C.  Guerin. 

1894.  LA  FONTAINE  (JEAN  DE).  Fables  choisies,  mises 
en  vers.  118  vignettes  by  Francois  Chauveau.  4to,  red 
levant  morocco,  gilt  back,  and  side  corners  "al'oiseau," 
gilt  edges, by  Trautz-Bauzonnet.  Paris:  Denys  Thierry,  1668 

*  One  of  two  issues  of  the  First  Edition  of  the  first  6 
books.  The  other  was  published  by  Claude  Barbin  the  same 
year. 

1895.  LA  FONTAINE  (JEAN  DE).  Les  Amours  de 
Psiche  et  de  Cupidon.  8vo,  citron  levant  morocco,  in  a 
rich  mosaic  of  blue  and  red  in  compartments  tooled  and 
gilt  with  floral  ornaments  and  studded  outlines,  doublure 
of  blue  morocco,  wide  dentelle  borders,  gilt  edges,  in  a 
levant  case,  bj^  Thibaron-Joly  (corner  of  one  leaf  torn). 

*  First  Edition.         Paris:   chez  Denys  Thierry,  1669 

1896.  LA  FONTAINE  (JEAN  DE).  Fables  Nouvelles, 
et  Autres  Poesies.  cV  vignettes  by  Chauveau.  12mo,  red 
levant  morocco  gilt,  gilt  edges,  b}'  Trautz-Bauzonuet. 

Paris:  Claude  Barbin,  1671 

*  This  volume  contains  8  new  Fables. 

1897.  LA  FONTAINE  (JEAN  DE).  Fables  Choisies 
mises  en  vers.  Engraved  title,  portraits  of  La  Fontaine  by 
Ficquet,  and  of  Louis  de  France  (inserted)  and  119  copper- 
plate viynettes.  2  parts  in  1  vol.  12mo.  green  levant  mo- 
rocco gilt, gilt  edges.  Amsterdam:  Daniel  De  la  Feuille,1700 

1898.  LA  FONTAINE  (JEAN  DE).  Pieces  de  Theatre, 
de  Monsieur  de  La  Fontaine.  12mo.  green  levant  morocco 
gilt,  gilt  edges,  by  Bedford.  La  Haj'e,  1702 

*  Contains  4  plays  by  La  Fontaine,  each  with  a  title-page 
dated  1701,  although  the  pagination  is  continuous. 

1899.  [LA  FONTAINE  (JEAN  DE).]  Two  Tales:  An 
Impossible  Thing,  and  The  Peasant  in  Search  of  His  Heifer. 
Small  4to,  half  brown  levant  morocco. 

*Attributed  to  La  Fontaine.   London:  J.  Roberts,  1720 
293 


1900.  LA  FONTAINE  (JEAN  DE).  Fables  Clioises. 
Frontispiece  by  Oudry^finisliedhyDupuis  and  engraved  by 
Cochin.  Portrait  of  Oudry  by  Tardieu  after  Largilliere, 
275  plates  by  Aubert.  Aveline,  Atiamet,  Baquoy,  Cochin, 
Flipart,  Oaillard,  Lemire,  Legrand,  L'empereur,  Lebas, 
Prevost,  Tardieu  and  others,  after  Oudry,  under  the  super- 
vision of  Cochin.  4  vols,  folio,  old  brown  morocco  gilt, 
gilt  edges. 

Paris:  de  I'imprimerie  de  Charles  Antoine  Jombert,  1755 

*  Large  Paper  copy.  This  edition  was  edited  by  de  Monte- 
nault,  who  wrote  the  prefatory  life  of  La  Fontaine. 

1901.  LA  FONTAINE  (JEAN  DE).  Contes  et  Nouvelles 
en  vers.  Portraits  of  La  Fontaine  engraved  by  Ficquet 
after  Pigaud,  of  Eisen  by  Ficquet  after  Vispre,  and  of 
Choffard  by  himself;  SO  fine  plates  by  Aliamet,  Baquoy, 
Chojfard,  Delafosse,  Flipart,  Lemire,  Leveau,  De  Longueil 
and  Ouvrier,  after  Eisen.  2  vols,  small  8vo,  brown  mo- 
rocco, gilt  dentelle  borders  in  the  Derome  manner,  silk 
linings,  gilt  edges,  in  cases,  by  The  Club  Bindery. 

Amsterdam  [Paris] ^  1762 

*  The  famous  edition  called  "Des  Fermiers  Generaux," 

ONE  OF  THE  MOST  BEAUTIFUL  ILLUSTRATED  BOOKS  OF  THE  18TH 

century.     The  plate  entitled  "  Le  cas  de  conscience  "  is  in  the 
uncovered  state.     The  introduction  was  written  by  Diderot. 

1902.  LA  FONTAINE  (JEAN  DE).  Contes  et  Nouvelles. 
The  whole  series  of  the  80  charming  plates  of  the  Fermiers- 
Generaiix  edition,  1762,  by  Eisen,  in  contemporaneous  col- 
oring by  a  good  artist.  In  one  volume.  Svo,  old  green 
morocco  gilt,  gilt  edges.  [1762] 

*  This  beautiful  set  is  probably  the  only  one  known  with  con- 
temporary coloring. 

1903.  LA   FONTAINE    (JEAN  DE).      Fables    Choisies. 

Frontispieces,  coat  of  arms,  2^3  vignettes,  229  culs-de-lampe, 
and  24-4-  plates.  6  vols,  in  3,  Svo,  green  morocco  gilt,  gilt 
edges,  by  Joublin.  Paris:  I'Auteur  Graveur,  1765-75 

1904.  LA  FONTAINE  (JEAN  DE).  Fables  Choisies, 
mises  en  vers.  Frontispiece  and  275  plates  by  Vinkeles  and 
Punt.  6  vols.  Svo,  red  levant  morocco  gilt,  uncut,  by 
Chambolle-Duru.  Leiden,  1786 

1905.  LA  FONTAINE  (JEAN  DE).  Contes  et  Nouvelles 
en  vers.  42  plates  in  from  1  to  3  states,  including  engraver'' s 
etchings.  Each  title  has  a  vignette  by  Choffard,  the  first  in 
duplicate,  proof  before  letter  in  colors.  2  vols.  4to, 
half  red  morocco  gilt,  uncut.    Paris:  P.  Didot,  I'aine,  1795 

*  Inserted  are  a  portrait  of  La  Fontaine  byLe  Mire  after 
Moreau,  and  6  plates,  5  by  Chevry,  after  Monnet,  in  one  or 
two  states,  and  one  after  Jouse.     Printed  on  papier  velin. 

294 


190G.  LA  FONTAINE  (JEAN  DE).  Les  Amours  de 
Psyche  et  de  Cupidon,  suivies  d'Adonis,  Poeme.  Edition 
ornee  de  gravures  d'apres  les  dessins  de  Gerard,  peintre. 
Royal  4to,  half  red  morocco,  gilt  top,  uncut.       Paris,  1797 

*  Inserted  is  a  portrait  of  La  Fontaine,  proof  on  India  paper. 

1907.  LA  FONTAINE  (JEAN  DE).  Fables  (with  Life). 
Portrait  of  the  author  by  St.  Aubin.  2  vols.  12mo,  russia, 
gilt  panels,  uncut,  by  Thouvenin.  lu  half  red  morocco 
cases.  Paris:  P.  Didot,  I'aine,  1813 

*  One  of  3  copies  printed  on  vellum. 

1908.  LA  FONTAINE  (JEAN  DE).  Fables  Inedites  du 
Xlle,  et  XIIP,  et  XIV*^   Siecles  et  Fables  de  La  Fontaine. 

Engraved  title  with  a  portrait  of  La  Fontaine  by  Cathelin 
after  Rigault,  proof  on  India  paper;  90  plates  engraved  by 
Paid  Legrand;  facsimiles  {one  missing).  2  vols.  8vo,  red 
levant  morocco  gilt,  emblematic  designs  in  panels,  dentelle 
borders,  gilt  edges,  by  Trautz-Bauzonnet.  Paris,  1825 

1909.  LA  FONTAINE  (JEAN  DE).  Fables.  Illustra- 
tions by  J.  J.  Grandville.  2  vols.  8vo,  red  straight  grain 
morocco  gilt,  gilt  edges,  by  Clarke  and  Bedford.  Paris, 1838 

-.  1910.  LA  FONTAINE  (JEAN  DE).  Contes  et  Noiivelles. 
Edition  illustree  par  MM.  Tony  Johannot,  Cam,  Roqueplan, 
Deveria,  C.  Boulanger,  Fragonard  pere,  Janet- Lange, 
Franrais,  Laville,  Ed.  Vattier  et  Adrien  Feart.  Royal 
8vo,  half  red  levant  morocco  gilt,  gilt  top,  uncut,  by  Brauy. 

Paris,  1839 

*  The  full-page  iUustrations  are  on  India  paper. 

1911.  LA  FONTAINE  (JEAN  DE).  Coutes  et  Nouvelles. 
Portrait  by  David  and  Varin  after  Eigault.  12mo,  half 
citron  levant  morocco  gilt,  gilt  top,  uncut,  by  Alio. 

Paris:  A.  Delahays,  1861 
•  *  Extra-illustrated  with  38  plates  after  Leroux,  Adams,  Bosc 
and  others. 

1912.  LA  FONTAINE  (JEAN  DE).  Fables  de  La  Fon- 
taine publiees  par  D.  Jouaust  avec  une  introduction  par 
Saint-Rene  Taillandier.  Ornees  de  douze  dessins  originaux 
de  Bodmer,  J.  L.  Brown,  F.  Daubigny,  Detaille,  (Jerome 
and  others.  2  vols,  imperial  8vo,  red  levant  morocco,  un- 
<?ut,  original  covers  bound  in,  by  Carayon.  Paris,  1873 

*  One  of  25  copies  on  India  paper  with  the  plates  in  two 
*         states. 

1913.  LA  FONTAINE  (JEAN  DE).  Contes  de  La  Fon- 
taine publies  par  D., Jouaust  avec  une  preface  de  Paul 
Lacroix.  Dessins  d'Ed.  de  Beaumont  graves  a  Veau-forte 
par  Boilvin.     2  vols.  12mo,  original  covers,  uncut. 

Paris,  1885 

*  One  of  20  copies  on  Whatman  paper,  with  the  portrait  and 
1 1  plates  in  two  states,  proofs  before  and  after  letters. 

295 


1914.  LAFOREST.  L'Art  de  soigner  les  pieds.  2  fold- 
ing plates.     r2mo.  Paris,  1782 

*  Old  French  red  morocco,  the  arms  of  Queen  Marie- 
Antoinette  stamped  in  gold  on  the  centre  of  each  cover,  gilt 
back  and  edges,  by  Derome.  From  tlie  library  of  Baron 
Pichon. 

1915.  LA  FOSSE  (ANTOINE  DE)  and  DUCHE  DE 
VANCY  (JOSEPH  FRANgOIS).  (Euvres  choisies.  r2mo, 
green  vellum,  uncut,  in  a  slip  case.  Paris,  1811 

*Printed  on  vellum.  The  Syston  Park  copy,  with  bookplate. 

1916.  LA  GRANGE-CHANCEL  (JOSEPH  DE).  Theatre 
de  Monsieur  de  La  Grange-Chancel.  Revu  &  corrige  par 
lui-meme.  Nouvelle  Edition.  Frontispieces  and  vignettes 
by  P.  Tanje  and  Picart,  and  10  other  plates.  2  vols.  16mo, 
blue  levant  morocco  gilt,  gilt  edges,  by  Hardy-Mennil. 

Amsterdam,  1746 

1917.  LA  GRANGE-CHANCEL  (JOSEPH  DE).  CEuvres 
choisies  de  La  Grange-Chancel.  12mo,  green  vellum,  uncut, 
in  a  half  red  morocco  case.  Paris,  1810 

*  Printed  on  vellum.     The  Syston  Park  copy. 

1918.  LAMARTINE  (ALPHONSE  DE).  Meditations 
Poetiques.  8vo,  blue  levant  morocco,  gilt  side  panels, 
doublure  of  citron  levant  morocco,  wide  gilt  dentelle 
borders,  gilt  over  uncut  edges,  by  Thibaron- Joly.  Paris,  1820 

*  First  Edition.  From  the  library  of  Eugene  Paillet,  with 
autograph.. 

1919.  LAMARTINE  (ALPHONSE  DE).  History  of  the 
Girondists;  or.  Personal  Memoirs  of  the  Patriots  of  the 
French  Revolution.  From  unpublished  sources.  Trans- 
lated by  H.  T  Ryde.  3  frontispiece  portraits.  3vols.  12mo, 
flexible  red  morocco,  srilt  tops,  uncut  London,  1883^ 

*  Extra-illustrated  by  the  insertion,  of  three  plates,  and  an 
autograph  letter  of  Mirabeau. 

1920.  LA  MARTINII:RE  (ANTOINE  AUGUSTIN 
BRUZEN  DE — Editor).  Nouveau  Recueil  des  Epigram- 
matistes  Fran(;ois,  anciens  et  modernes.  Contenant  ce  qui 
s'est  fait  de  plus  excellent  dans  le  Genre  de  I'Epigramme, 
du  Madrigal,  du  Sonnet,  du  Rondeau,  &  des  Petits  Contes  en 
Vers,  depuis  Marot  jusq'a  present.  Avec  la  Vie  des  Auteurs, 
des  Notes,  etc.  Frontispiece  and  portrait.  2  vols.  12 mo,  red 
morocco,  gilt  tops,  probably  by  Derome.     Amsterdam,  1720 

1921.  LA  MARTINlilRE  (ANTOINE  AUGUSTIN 
BRUZEN  DE).  Fables  Heroiques,  On  sont  renfermees  les 
plus  importantes  niaximes  de  la  Politique  &  de  la  Morale; 
Avec  des  Discours  Historiques  sur  chaque  Fable.  Frontis- 
piece and  60  vignettes.  2  vols,  in  1,  small  8vo,  red  levant 
morocco,  blind-tooled  fillets,  gilt  edges,  by  Cape. 

Amsterdam:  Jean  Pauli,  1720 

296 


1922.  LAMB  (CHARLES).  Elia.  Essays  whieli  have 
appeared  under  that  sij^nature  in  the  London  Magazine. 
London:  Printed  for  Taylor  and  Hessey,  Heet-Street,  18;'3. 
The  Last  Essays  of  Elia.  Being  a  sequel  to  essay's  pub- 
lished under  that  name.  London:  Edward  Moxon,  1833. 
First  issues  of  the  First  Edition.  2  vols.  ^2rao,  olive 
morocco  gilt,  gilt  tops,  uncut  (lacking  the  advertisements, 
but  with  half-title  in  the  second  series,  the  first  having  been 
issued  without  one),  by  Bedford.  London,  1823-33 

1923.  LAMB  (CHARLES).  Works.  A  new  Edition. 
Portrait.     5  vols.  Svo,  blue  leather  backs,  gilt  tops,  uncut. 

*  Large  Paper  COPY.     Only  100  printed.        Boston,   1865 

1924.  LAMBERT  (M.).  Nouveau  Manuel,  Simplifie  du 
Pecheur-Praticien;  suivi  de  I'Art  de  Faire  les  Filets,  par 

M.  Charles  B 10  ivoodciits  and  4  folded  plates.   12mo, 

red  levant  morocco  gilt,  gilt  edges,  by  Cape.   Paris  [ca.  1850] 

1925.  LAMBERT  (OSMUND).  Angling  Literature  in 
England;  and  Descriptions  of  Fishing  by  the  Ancients: 
with  a  notice  of  some  books  on  other  piscatorial  subjects. 
Small  Svo,  half  red  levant  morocco,  gilt  top,  uncut,  orig- 
inal vellum  covers  bound  in,  by  Zaehnsdorf.    London,  1881 

1926.  LAMBORN  (ROBERT  H.).  Mexican  Painting  and 
Painters.  A  Brief  Sketch  of  the  Development  of  the 
Spanish  School  of  Painting  in  Mexico.  With  3  illustrations. 
4to,  cloth,  i>ncut.  New  York,  1891 

*  Presentation  copy,  with  autograph  letter  inserted. 

1927.  LA  METTRIE  (JULIEN  OFFRAY  DE).  CEuvres 
Philosophiques.  First  Edition.  4to,  old  red  morocco 
gilt,  gilt  edges.  Londres  [Berlin],  1751 

1928.  LAMMENAIS  (HUGUES  FELICITE  ROBERT 
DE).  Paroles  d'un  Croyant.  First  Edition.  8vo,  red 
levant  morocco,  gilt  edges,  by  Thibaron.  Paris,  1^34 

1929.  LA  MONNOVE  (BERNARD  DE).  CEuvres 
Choisies.  Nouvelle  Edition.  12mo,  red  levant  morocco, 
gilt  edges,  uncut,  by  Hardy.  Bouillon,  1780 

1930.  LA  MOTTE  (ANTOINE  HOUDART  DE).  Fa- 
bles Nouvelles,  dediees  au  Roy.  Frontispiece  by  Tardieu 
after  C.  A.  Coypel.,  title -vignette  by  Simoneau  after  Vleii- 
ghels,  and  one  hundred  vignettes  erigraved  by  Cochin .,Gilloty 
Tardieu,  B.  Picart,  Simoneau  ancl  Edelinch,  after  Gillot, 
Coypel,  Edelinck.,  B.  Picart  and  Banc.  4to,  old  olive  mo- 
rocco, corner  and  centre  ornaments  of  gilt  and  mosaic  in 
red,  brown  and  citron  morocco,  delicately  tooled,  gilt  edges. 

Paris:  Gregoire  Dupuis,  1719 

*  Large  Holland  paper   copy,  ruled  in  red  ink.     From  the 
library  of  the  Marquis  Le  Tellier  de  Courtanvaux. 

297 


1931.  LA  MOTTE  (ANTOINE  HOUDART  DE).  GEuvres 
Choisies.     2  vols.  12mo,  green  vellum,  uncut.     Paris,  1811 

*  Printed  on  vellum,  The  Syston  Park  copy,  with  book- 
plate. 

1932.  LAMOTTE-VALOIS  (COMTE  DE).  Affaire  du 
Collier.  Memoires  inedits  du  Comte  de  Lamotte-Valois  sur 
sa  vie  et  son  epoque  (1754-1830)  publies  d'apres  le  manu- 
«crit  autographe  avec  un  historique  preliminaire,  des  pieces 
justificatives  et  des  notes  par  Louis  Lacour.  Holland  pa- 
per COPY.  12mo,  half  red  levant  morocco,  gilt  top,  uncut, 
by  Bedford.  Paris,  1858 

1933.  LANCE  (ADOLPHE).  Excursion  en  Italic.  15 
etchings  by  L.  Gauclierel.  8vo,  half  red  morocco  gilt,  gilt 
top,  uncut.  Paris,  1873 

*  One  of  500  copies  on  Holland  paper. 

1931.  LANCELOT  DU  LAC.  Le  premier  [second  et 
tiers]  volume  de  Lancelot  du  lac  nouuellement  imprime  a 
Paris.  Leiires  bdtardes,  double  columns,  titles  within  wood- 
cut bmrlers,  and  a  large  woodcut.  3  vols,  in  one,  folio, 
brown  levant  morocco,  gilt,  doublure  of  red  levant,  gilt 
edges,  by  Thibaron-Joly.  Paris:  Pour  Philippe  le  Noir,  1533 

*  Rare  edition  of  the  most  famous  of  the  Arthurian  Ko- 
mances,  described  by  Brunet  as  more  beautiful  than  the 
editions  of  1513  and  1530;  the  work,  in  part,  at  least,  of  Walter 
Map,  English  ecclesiastic  of  the  12th  Century,  who  wrote  in 
French. 

1935.  LANCIANI  (RUDOLFO).  Ancient  Rome  in  the 
Light  of  Recent  Discoveries.  With  100  illustrations.  8vo, 
half  vellum,  gilt  top,  uncut.       Boston  and  New  York,  1889 

1936.  [LANDO  (ORTENSIO).]  Paradoxes  ou  Sentences, 
debatues,  &  elegamment  deduites  contre  la  commune 
opinion.  Traite  non  moins  plein  de  doctrine,  que  de  re- 
creation pour  toutes  gens.  Reueu,  &  auginente.  16mo, 
red  levant  morocco,  gilt  edges,  by  Bauzonnet  (stamp  on 
title-page).  Lyon:  Thibauld  Payan,  1555 

1937.  LANDON  (LETITIA  E.).  Poetical  Works.  Por- 
trait and  4  plates.   4  vols.  12mo,  cloth,  uncut.   London,  1839 

1938.  LANDOR  (WALTER  SAVAGE).  Imaginary  Con- 
versations of  Literary  Men  and  Statesmen.  Second  Edi- 
tion. Corrected  and  enlarged.  3  vols.  8vo,  red  levant 
morocco  gilt,  gilt  tops,  wide  dentelle  borders,  uncut,  by 
The  Club  Bindery.  London,  1826-28 

1939.  LANDOR  (WALTER  SAVAGE).  Gebir,  Count 
Julian,  and  other  Poems.  First  Edition.  12mo,  calf  gilt, 
gilt  edges,  by  Bedford.  Loudon,  1831 

298 


1940.  LANDOR  (WALTER  SAVAGE).  Pericles  and 
Aspasia.  First  Edition.  2  vols  12mo,  half  red  levant 
morocco  gilt,  gilt  tops,  uncut,  by  Krailt.  London,  1836 

1941.  LANDOR  (WALTER  SAVAGE).  Andrea  of 
Hungary,  and  Giovanna  of  Naples.  First  Edition.  8vo,half 
red  levant  morocco,  gilt  top,  uncut,  by  Ki'afft.   London,  1839 

1942.  LANDOR  (WALTER  SAVAGE).  Fra  Rupert, 
the  last  part  of  a  Trilogy.  The  first  being  Andrea  of 
Hungarj^  the  second  being  Giovanna  of  Naples.  First 
Edition.  8vo,  half  red  levant  morocco,  gilt  top,  uncut, 
by  Krafft.  London,  1840 

1943.  LANDOR  (WALTER  SAVAGE).  Works.  2  vols. 
8vo,  original  cloth,  uncut.  London,  1846 

1944.  LANDOR  (WALTER  SAVAGE).  Hellenics.  En- 
larged and  completed.     12mo,  cloth,  uncut.     London,  1847 

1945.  LANDRIN  (ARM AND).  Les  Plages  de  la  France. 
Illustre  de  107  vignettes  par  A.  Mesnel.  12mo,  half  cloth, 
uncut.  Paris,  1868 

*  Printed  on  India  paper. 

1946.  LANE  (EDWARD  WILLIAM— Translator.)  Ar- 
abian Nights.  The  Thousand  and  One  Nights,  commonly 
called,  in  England,  the  Arabian  Nights'  Entertainments. 
A  new  translation  from  the  Arabic,  with  Copious  Notes. 
Illustrated  with  many  liuyidred  engravings  on  ivood,  from 
original  designs  hy  William  Harvey.  First  Edition.  3 
vols,  roj'al  8vo,  polished  calf  gilt,  gilt  edges,  by  Bedford. 

London,  1839-40-41 

1947.  [LANGLAND  (ROBERT).]  The  Vision  of  Pierce 
Plowman,  now  fyrste  imprynted  by  Roberte  Crowlej^ 
dwellyng  in  Ely  rentes  in  Holburne.  Anno  Domini  1550. 
Printed  in  Gothic  type.  Title  in  woodcut  border.  Small 
4to,  russia,  blind  tooled,  gilt  edges  (with  autograph  of 
former  owner  (1750)  on  last  page).  [^Colophoii]  Imprinted 
at  London  by  Roberte  Crowlej^,  dwellyng  in  Ely  Rentes  in 
Holburne.  The  yere  of  our  Lord,  M.D.L.  [1550] 

*  First  Edition. 

1948.  LANGLAND  (ROBERT).  The  vision  of  Pierce 
Plowman,  nowe  the  seconde  time  imprinted  by  Roberte 
Crowley  .  .  .  Whereunto  are  added  certayne  notes  and  co- 
tations  in  the  mergyne,  geuynge  light  to  the  Reader.  And 
in  the  begynning  is  set  a  briefe  summe  of  all  the  principall 
matters  spoken  of  in  the  boke,  etc.  Small  4to,  brown  levant 
morocco,  delicate   gilt  scroll  tooling,  inside   gilt  morocco 

299 


borders  and  joints,  gilt  edges,  in  morooco  solander  case, 
by  Scikeman.  (Small  hole  in  last  leaf  injuring  a  word. 
Autograph  of  John  Glanville  on  title.) 

London:  Roberte  Crowley,  1550 

*  Probably  the  third  edition,  having  variations  from 
another  edition  by  the  same  printer,  also  called  "second." 
Most  of  the  errors  of  pagination  have  been  corrected,  and  other 
changes  show  the  type  had  been  re  set. 

1949.  LA  PERRII:RE  (GUILLAUME  DE).  Le  Theatre 
des  bons  engins,  auquel  sont  contenuz  cent  Emblemes 
moraulx.  Each  page  luithin  elegant  woodcut  borders,  in 
the  style  of  the  French  Renaissance,  and  99  emhleniatic 
luoodcuts.  8vo,  brown  levant  morocco,  gilt  panelled  sides, 
gilt  edges,  by  Riviere. 

[Paris] :  De  I'imprimerie  de  Denys  lanot  [1539] 

1950.  LA  PERRlfiRE  (GUILLAUME  DE).  Les  Con- 
siderations des  quatre  mondes,  a  savoir  est:  Divio,  An- 
geliqvie,  Celeste,  &  Sensible:  comprinsesen  quatre  centuries 
de  quatrins.  Each  page  within  a  woodcut  border,  and, 
woodcut  portrait  of  the  author.  8vo,  brown  levant  morocco, 
gilt  tooled  borders,  gilt  back,  by  Trautz  Bauzonnet. 

Lyon:  Mace  Bonhomme,  1552 

1951.  [LA  PEYRERE  (ISAAC  DE).]  Relation  du 
Greenland.  Vignette  on  title,  folding  map  and  plate  on 
copper.  First  Edition.  12mo,  green  levant  morocco  gilt, 
leaf  spray  borders,  gilt  edges,  by  Joly.  Paris,  1647 

1952.  LAPIERRE  (J.  DE).  Le  Grand  Empire  de  I'vn 
et  lavtre  monde  divise  en  trois  Royavmes,  Le  Royaume 
des  Aueugles,  des  Borgnes,  &  des  Clair- voyants.  Le  tout 
enrichi  de  curieuses  inuentions  &  traicts  d'eloquence 
Frauyoises.  First  Edition.  Engraved  title  and  S  plcdes 
by  Crispin  de  Pass.  8vo,  brown  levant  morocco  gilt,  side 
panels,  gilt  edges,  by  Riviere.     Paris:  Denis  Moreau,  1625 

1953.  LA  PLACE  (P.  A.  DE).  Lettres  a  Myladi  *  *  * 
et  autres  CEuvres  Melees,  tant  en  prose  qu'en  vers.  With 
music.  3  vols.  12mo,  old  French  red  morocco  gilt,  the  arms 
OF  A.  R.  J.  Gualbert-Gabriel  de  Sartines,  lieutenant- 
generalof  police,  on  the  covers,  gilt  edges.    Bruxelles,  1773 

*  Holland  paper  copy  of  the  First  Edition. 

1954.  L'ARIVEY  (PIERRE  DE).  Les  Comedies  Face- 
cienses  a  I'imitation  des  anciens  Grecs,  Latins,  et  Modernes 
Italiens.      12ino,  original  vellum. 

Rouen:  Raphael  du  Petit  Val,  1601 

1955.  LA  ROCHEFOUCAULD  (FRANCOIS  (VI)  DUG 
DE).  Reflexions  ov  Sentences  et  Maximes  morales.  12mo, 
green  levant  morocco,  gilt  ornaments,  gilt  edges,  by  Thiba- 
ron.  Paris:  Claude  Barbin,  1665 

*  The  Second  Edition,  entirely  reset,  and  with  corrections, 
issued  the  same  year  as  the  first  edition. 

300 


1956.  LA  ROCHEFOUCAULD  (FRANCOIS  (VI)  DUC 
DE).  Reflexions  ou  Sentences  et  Maximes  Morales.  Front- 
ispiece by  S.  Picart.  I'^rao,  red  levant  morocco,  gilt  edges, 
by  Trautz-Baiizonnet.  Paris:  Claude  Barbin,  1671 

1957.  LA  ROCHEFOUCAULD  (FRANgOIS  (VI)  DUC 
DJ^).  Reflexions  ou  Sentences  et  Maximes  Morales.  12mo, 
red  levant  morocco,  gilt  edges,  by  Trautz-Banzonnet. 

Paris:  Claude  Barbin,  1675 

*  The  last  edition  published  during  the  author's  life,   with 
his  additions  and  corrections. 

1958.  LA  ROCHEFOUCAULD  (FRANgOIS  (VI)  DUC 
DE).  Maximes  et  Reflexions  morales.  Folio,  red  straight- 
grain  morocco,  gilt  borders,  arms  in  the  centre,  gilt  edges, 
by  Hering.  Parme:  Bodoni,  1811 

*  One  of  125  copies  printed  on  vellum  paper. 

1959.  LA  ROQUE  (S.  G.  DE).  Les  Premieres  (Euvres 
du  Sieur  de  la  Roque  de  Clermont  en  Beauuoisis.  Rouen, 
1596.  Les  Amours  de  Caristee,  1595.  Continuation  de 
I'Angelique  d'Arioste,  1595.  Les  Heureuses  Amours  de 
Cloridan,  1594  Four  works  in  1  vol.  12mo,  blue  levant 
morocco  gilt,  gilt  edges,  bj^  Trautz  Bauzonnet. 

Rouen,  1596-94 

1960.  LAS  CASAS    (BARTHOLOMEO    DE).     Complete 

set  of  the  Tracts  of  Las  Casas : 

• 

I.  Breuissima  relacion  de  la  destruycion  de  las  Indias: 
colegida  por  el  Obispo  do  fray  Bartolome  de  las  Casas 
[Colophon].  Impressa  ...  en  Seuilla  en  casa  de  Sebastian 
Trugillo  .  .  .  Alio  de  M  D.Lij. 

II.  (Second  part  of  the  first  tract.)  Aqui  se  contiene 
vna  disputa  .  .  .  entre  el  obispo  d(3  fray  Bartholome  de  las 
Casas  ...  y  el  doctor  Gines  de  Sepulveda  sobre  q  el  doctor 
contendia:  q  las  conquistas  de  las  Indias  contra  los  Indios 
eran  licitas,  etc.  Seuilla:  Trugillo,  x  dias  del  mes  de 
Setiembre  [1552]. 

III.  Aqui  se  cotiene  trej'uta  proposiciones  muy  juridi- 
cas  .  .  .  al  de  recho  q  la  j^glesia  y  los  principes  christianos 
tienen  o  puede  tener  sobre  los  infieles,  etc.  Seuilla:  Tru- 
gillo [1552]. 

IV.  Este  es  vn  tratado  q  el  obispo  de  la  ciudad  Real  de 
Chiapa  do  fray  Bartholome  de  la  Casas  .  .  .  compuso  por 
comission  del  Consejo  Real  de  las  Indias.  Seuilla:  Tru- 
gillo, 1552. 

V.  Entre  los  remedios  q  do  fray  Bartolome  de  las  casas 
.  .  .  referio  por  mandado  del  Emperador  ...  en  los  ayunta- 

301 


mietos  q  mado  hazer  sumagestad  .  .  .  ea  Valladolid  .  .  . 
para  reformacio  de  las  Indias.  .  .  .  Seuilla:  J.  Croberger, 
1552. 

VI.  Aqui  se  cotiene  vnos  auisos  y  reglas  para  los  confes- 
sores  q  oyeren  en  confessiones  de  los  Espanolos  que  son  o 
han  sido  en  cargo  a  los  Indiosde  las  Indias.  Seuilla:  Tru- 
gillo,  1552. 

VII.  Principia  queda  ex  quibus  procedendum  est  in  dis- 
putatione  ad  mauifestandam  et  defendendam  iusticiam 
Yndorum.     Hispali  (Seville):  Trugillo,  n.  d. 

VIII.  Tratado  coprobatorio  del  Imperio  soberano  y  priu- 
cipado  vniuersal  que  los  Rej'es  de  Castilla  y  Leon  tienen 
sobre  las  Indias.     Seuilla:  Trugillo,  1553. 

Bound  in  one  volume  4to,  with  the  separate  titles  to  each 
part,  brown  levant  morocco  gilt,  gilt  edges,  in  brown  mo- 
rocco case,  by  F.  Bedford.  Seville,  1552-53 

*  First  Editions,  the  last  tract  being  the  first  issue, 
where  two  lines  of  text  on  two  leaves  were  omitted  by  the 
printer,  but  have  been  supplied  by  a  contemporary  hand. 
The  first  tract  commences  a  new  chapter  on  sig.  gi,  which  has 
sometimes  been  counted  as  a  separate  publication,  making  nine 
in  all,  but  is  merely  a  continuation  of  the  preceding  pages. 

1961.  LAS  CASAS  (BARTHOLOMEO  DE).  Narratio 
Regionum  Indicarum  per  Hispanos  quosdam  devastatarum 
verissima.  Engraved  title  border  and  16  other  copper-plates 
depicting  Spanish  cruelties  to  India7is,  by  De  Bry,  after 
Jode  a  Winghe.  4to,  russia  gilt  and  blind  tooled,  gilt 
edges.    Francof  urti :  Theo.  de  Bry  &  Joannes  Saurius,  1598 

*  First  Latin  translation  of  Las  Casas'  "  Brevissima  Re- 
lacion,  etc." 

1962.  LA  SABLlfiRE  (ANTOINE  RAMBOUILLET  DE). 
Madrigaux.     12mo,  half  brown  morocco,  uncut. 

Paris  [Didot],  1825 
*One  of  500  copies  printed  for  Charles  Nodier  and  N.  Delangle. 

1963.  LA  SALE -(ANTOINE  DE).  La  Salade  nouuel- 
lement  imprimee  a  Paris.  Laquelle  fait  mention  de  tons 
les  pays  du  monde,  et  du  pays  de  la  belle  Sibille.  Lettres 
hdtardes.  Title  in  red  and  black,  luithin  an  historiated 
woodcut  border,  2  large  woodcuts  {repeated),  19  cuts  and  S 
folding  plates  {Mont  de  la  Sibille,  map  of  the  ivorld,  and 
genealogical  tree  of  the  kings  of  Ar agon).  Folio,  maroon 
levant  morocco,  gilt  edges,  by  Chambolle-Duru.  (Gene- 
alogical tree  slightly  shaved. )    Paris :  Philippe  le  Noir,  1527 

1964.  LA  SERRE  (JEAN  PUGET  DE).  Le  Tombeau 
des  Delices  du  Monde.  Portrait  of  Jean,  Comte  de  Tilly, 
by  L.  Vorsternian,  5  plates  by  Oalle,  Collaert  and  -P.  de  Jode, 
after  Van  der  Horst,  and  a  vignette  on  the  title-page.  8vo, 
old  green  morocco,  elaborately  tooled,  gilt  edges. 

Bruxelles:  F.  Vivien,  1632 
302 


i 


1965.  LA  SERRE  (JEAN  PUGET  DE).  Examen  de  la 
Religion,  dont  on  cherche  I'Eclaircissement  de  bonne  Foy. 
Attribue  [a]  Mr,  de  St.  Evremond.  12mo,  blue  morocco 
gilt,  red  silk  linings,  gilt  edges,  by  Derome.    Trevoux,  1745 

*  The  Parliament  of  Paris  ordered  this  book  to  be  burned. 
De  La  Serre  confessed  to  its  authorship  on  his  death-bed. 

1966.  LATHAM  (SIMON).  I.  Latham's  Falconry,  or, 
The  Faulcons  Lure,  and  Cure.  II.  Latham's  New  and 
Second  Booke  of  Falconry;  concerning  the  ordering  and 
training  up  of  such  Hawkes  as  was  omitted,  &c.,  in  his 
printed  Booke  of  the  Haggard,  Falcon  and  Gerfalcon.  S2 
woodcuts  in  the  second  part,  many  repeated.  Two  works  in 
one  volume,  4to,  green  levant  morocco  gilt,  gilt  edges,  by 
The  Club  Bindery.    (A  few  leaves  with  worm-holes. ) 

London:  Printed  by  I.  B.  for  R.  Jackson,  1615-1618 

*  First  Edition  of  each  book.  Between  the  two  books 
are  3  leaves  not  found  in  the  British  Museum  copy ;  the  first 
contains  the  matter  of  pages  69-70  of  first  part,  but  differently 
arranged,  and  numbered  69-150. 

1967.  LATIMER  (HUGH).  A  Notable  Sermo  of  §  reu- 
erende  father  Maister  Hughe  Latemer,  whiche  he  preached 
in  y  Shrouds  at  paules  churche  in  Londo,  on  the  xviii.  daye 
of  January.  1548.  16mo,  brown  levant  morocco  gilt,  gilt 
edges,  bj^  Bedford  (title  and  several  corners  repaired). 

Imprinted  at  London  by  Jhon  Daye  [ca.  1548] 

*  One  of  two  issues  of  the  First  Edition  of  the  famous 
Plough  Sermon.  Although  the  title  of  this  issue  is  similar  to 
the  other  of  1548  and  the  collation  is  the  same,  the  colophon 
differs  in  spelling  and  in  the  kind  of  type  used.  It  is  impossi- 
ble to  tell  which  is  the  earlier  of  the  two. 

1968.  LAUDONNlfiRE  (R.  G.).  Histoire  notable  de  la 
Floride  situee  es  Indes  Occidentales,  contenant  les  trois 
voyages  faits  en  icelle  par  certains  Capitaines  et  Pilotes 
FrauQois  ...  a  la  quelle  a  este  adiouste  un  quatriesme 
voyage  fait  par  le  Capitaine  Gourgues.  Mise  en  lumiere 
par  M.  Basanier.  8vo,  red  levant  morocco,  gilt  panelled 
sides  with  blind-tooled  ornamental  borders,  gilt  edges,  by 
Lortic.  Paris:  chez  Guillaume  Auvray,  1586 

*  First  Edition  of  one  of  the  earliest  works  relating  to 
Florida,  and  dedicated  to  Sir  Walter  Raleigh.  Translated  into 
English  in  1587  by  Hakluyt. 

1969.  [LAUJON  (PIERRE).]  Les  A  Propos  de  Societe  ou 
Chansons  de  M.  L****;  Les  A  Propos  de  la  Folic  ou  Chan- 
sons, Grotesques,  Grivoises  et  Annonces  de  Parade.  Frontis- 
pieces, plates  and  vignettes  hy  Moreau.  3  vols.  8vo,  citron 
levant  morocco  gilt,  gilt  edges,  by  Cuzin.  [Paris,]  1776 

*  The  illustrations  in  this  work  are  among  Moreau's  most 
charming  designs. 

303 


1970.  LAUTERBACH  (JOHANN).  Enchiridion  Veteris 
et  Novi  Testamenti,  avtore  lohanne  Lavterbacliio,  poeta 
coronato,  Lib.  vi.  comprsehensum.  With  4  title-pages  and 
167  ivoodcuis  by  J.  Amman.  Text  in  Latin  and  German. 
4  Parts  in  1  voL,  small  Svo,  brown  levant  morocco,  gilt 
ornaments,  gilt  edges,  by  Thompson.  Franckf  urt,  1573 

1971.  LAUZUN  (A.  L.  DE  GONTAUT-BIRON,  DUG  DE). 
Memoires.  Edition  complete,  precedee  d'un  etude  sur 
Lauzun  ses  Memoires  par  G.  d'Heylli.  With  3  engravings. 
Svo,  dark  blue  morocco,  wide  borders,  with  ducal  coronets, 
gilt  top,  uncut,  original  pictorial  covers  bound  in,  by  Alio. 

Paris,  1880 

*  One  of  12  copies  on  Japan  paper,  with  the  etchings  in  3 
states. 

1972.  LA  VIGNE  (DAVID  DE).  Spiegel  om  wel  te 
Sterven,  aanwyzende  met  beeltenissen  van  het  lyden  onses 
zaligmaakers  Jesu  Christi  alles  wat  een  zieke  moet  doen  om 
gelukkig  te  Sterven.  Engraved  text  and  Jf.2  fine  full-page 
copper-2)lafes,all  brilliant  impressions,  by  Romeyn  deHooghe. 
4to,  brown  levant  morocco,  gilt  panelled  sides,  emblematic 
tools  in  the  corners  and  panels  of  the  back,  gilt  edges,  by 
Alio.  Amsterdam,  1694 

1973.  LE  BRUN  (MARIE  LOUISE  l^LISABETH  VIGEE). 

Souvenirs.     3  engraved  portraits  by  BelUard.     3  vols.  Svo, 
half  blue  levant  morocco,  gilt  tops,  uncut,  by  Alio. 

Paris,  1835-37 

1974.  LE  BRUN  (MARIE  LOUISE  ELIZABETH  VIGl^E). 

Souvenirs.     2  vols.   12mo,  half  green  levant  morocco,  gilt 
tops,  uncut,  by  Hardy.  Paris,  1869 

*  Extra-illustrated  by   the    insertion  of   120  portraits    and 
views,  many  proofs  on  India  paper. 

1975.  LECONTE  DE  LISLE  (C.  M.).  Poemes  Antiques. 
SO  etchings  by  Louis  MuUer.  Royal  Svo,  dark  green  levant 
morocco,  wide  inside  borders,  gilt  over  rough  edges,  original 
covers  bound  in.     Paris:  Societe  des  Amis  des  Livres,  1908 

*  One  of  110  copies  on  papier  velin. 

1976.  LEDERER  (JOHN).  The  Discoveries  of  John 
Lederer  In  three  several  Marches  from  Virginia,  to  the 
West  of  Carolina,  and  other  parts  of  the  Continent :  Begun 
in  1669  and  ended  in  September  1670.  Translated  by  Sir 
William  Talbot,  Baronet.  Folded  map  eiigraved  by  Cross. 
Small  4to,  red  levant  morocco,  tooled  in  the  manner  of  Le 
Gascon,  doublure  of  red  levant,  gilt  borders,  gilt  over  rough 
edges,  by  The  Club  Bindery. 

London :  J.  C.  for  Samuel  Heyrick,  1672 

*  First  Edition.     With  the  leaf  of  License  facing  the  title. 

304 


1977.  LEE  (NATHANIEL).  The  Tragedy  of  Nero,  Em- 
perour  of  Rome:  As  it  is  Acted  at  the  Theatre-Royal  By 
His  Majesties  Servants  First  Edition.  Small  4to,  dark 
blue  levant  morocco  gilt,  gilt  edges,  by  The  Club  Bindery. 
(Several  corners  repaired.) 

London :  Printed  by  T.  R.  and  N.  T.  for  James  Magnus, 
etc.,  1675. 

1978.  LEE  (NATHANIEL).  Gloriana,  or  the  Court  of 
Augustus  Csesar.  Acted  at  the  Theatre  Royal,  by  their 
Majesties  Servants.  First  Edition.  Small  4to,  calf  gilt, 
gilt  edges,  by  Pratt.   (Piece  in  margin  of  page  59  restored.) 

London:  Printed  for  J.  Magnes  and  R.  Bentley,  1676 

1979.  [LEE  (NATHANIEL).]  Piso's  Conspiracy,  A 
Tragedy  Acted  at  the  Duke's  Theatre.  Small  4to,  red 
straight-grain  morocco,  gilt  edges,  by  The  Club  Bindery. 

London:  Printed  by  T.  M.  for  W.  Cademan,  1676 

1980.  LEE  (NATHANIEL).  Sophonisba,  or  Hannibal's 
Overthrow.  A  Tragedy.  First  Edition.  Small  4to,  red 
straight-grain  morocco,  gilt  edges,  by  The  Club  Bindery. 

London:  Printed  for  J.  Magnes  and  R.  Bentley,  1676 

1981.  LEE  (NATHANIEL).  The  Rival  Queens,  or  the 
Death  of  Alexander  the  Great.  First  Edition.  Small 
4to,  red  levant  morocco,  gilt  edges,  by  Mercier.  In  mo- 
rocco slip-case. 

London :  Printed  for  James  Magnes  and  Richard  Bentley, 
1677. 

*  Contains  a  commendatory  poem  by  Dryden. 

1982.  LEE  (NATHANIEL).  Ctesar  Borgia;  son  of  Pope 
Alexander  the  Sixth:  a  Tragedy  Acted  at  the  Duke's  The- 
atre by  Their  Ro3^al  Highnesses  Servants.  First  Edition. 
Small  4to,  calf  gilt,  gilt  edges,  by  Pratt. 

London:  R.  E.  for  R    Bentley,  1680 

*  Contains  a  Prologvie  by  Dryden. 

1983.  LEE  (NATHANIEL).  Lucius  Junius  Brutus; 
Father  of  his  Country.  A  Tragedy.  Acted  at  the  Duke's 
Theatre,  by  their  Royal  Highnesses  Servants.  First  Edi- 
tion.    Small  4to,  calf  gilt,  gilt  edges,  by  W.  Pratt. 

London:  Richard  Tonson  and  Jacob  Tonson,  1681 

1984.  LEE  (NATHANIEL).  Constantine  the  Great;  a 
Tragedy.  Acted  at  the  Theatre  Royal,  By  their  Majesties 
Servants.  Epilogue  by  Dryden.  First  Edition.  Small 
4to,  calf  gilt,  gilt  edges,  by  Pratt. 

London:  Printed  by  H.  Hills,  Jun.,  for  R.  Bentley,  1684 

1985.  LEE  (NATHANIEL).  Theodosius:  or,  The  Force  of 
Love,  a  Tragedy.  Acted  by  Their  Roj^al  Highnesses  Servants, 
at  the  Duke's  Theatre.  Second  Edition.  Small  4to,  brown 
levant  morocco,  gilt  side  ornaments,  gilt  edges, by  Riviere. 

London :  Printed  for  R.  Bentley  and  S.  Magnes,  1684 
305 


1986.  LEE  (NATHANIEL).  Mithridates,  King  of  Pontus, 
a  Tragedy.  Acted  at  the  Theatre  Royal,  by  their  Majestie's 
Servants.  Second  Edition,  with  the  Epilogue  by  Dryden. 
Small  4to,  maroon  levant  morocco,  gilt  borders,  gilt  edges, 
by  Pratt. 

London:  Printed  by  R.  E.  for  Richard  Bentley,  1685 

1987.  LEE  (NATHANIEL).  The  Massacre  of  Paris:  a 
Tragedy.  As  it  is  Acted  at  the  Theatre  Royal  by  their 
Majesties  Servants.  First  Edition.  Small  4to,  calf  gilt, 
gilt  edges,  by  Pratt. 

London:  Printed  for  R.  Beutley  and  M.  Magnes,  1690 

1988.  LEE  (NATHANIEL).  The  Works  of  Mr.  Nathaniel 
Lee,  containing  Mithridates,  King  of  Pontus,  Caesar  Borgia, 
Constantine,  Duke  of  Guise,  Sophonisba,  Nero,  Gloriana, 
Rival  Queens,  The  Massacre  of  Paris.  3  vols.  12mo, 
sprinkled  calf,  gilt,  bj^  F.  Bedford. 

London:  Printed  for  M.  P.,  1722 

*  The  John  Delaware  Lewis  cojjy. 

1989.  LEGENDE  DES  FLAMENS.  La  legende  des 
Flamens,  artisiens  et  haynuyers.  Ou  autrement  leur  cron- 
iqueabregee  en  la  quelle  sont  contenues  plusieurs  hystoires 
de  France  Angleterre  et  Allemaigne.  Leitres  bdtardes. 
Title  in  red  and  black.  With  30  woodcuts.  4to,  red  levant 
morocco,  tooled  in  a  rich  design  of  mosaic  compartments, 
in  green  and  citron  morocco  with  pointille  ornaments  in  the 
manner  of  Le  Gascon,  doublure  of  green  levant,  gilt  bor- 
ders tooled  in  pointille,  silk  linings,  gilt  edges,  in  a  morocco 
slip  case,  by  Riviere. 

Nouuellement  imprime  a  Paris  [Frangois  Regnaut],  1522 

*  First  Edition. 

1990.  LEGOUVE  (GABRIEL  M.  J.  B).  Le  Merite  des 
Femmes.  8vo,  brown  straight-grain  morocco,  blind-tooled, 
uncut,  by  Bozerian  jeune.  Paris,  1813 

*  One  of  three  copies  printed  on  vellum.  Besides  the 
three  plates  after  Moreau,  Desenne,  and  Guerin,  belonging  in 
the  book,  twenty-four  plates  after  Moreau,  Coiny,  Desenne, 
Isabey,  and  others  have  been  added,  some  in  three  and  four 
states,  also  the  original  drawing  of  the  illustration  by 
Guerin,  and  an  autograph  letter  of  the  author  to  the  publisher. 

From  the  library  of  Antoine  Augustin  Renouard. 

1991.  LEGOUVE  (GABRIEL  M.  J.  B.).  Le  Merite  des 
Femmes.  Nouvelle  edition  augmentee  de  Poesies  Inedites. 
Engraved  title,  and  5  plates,  proofs  before  letters,  by  Lecomte 
after  Deveria.  16mo,  red  levant  morocco  gilt,  gilt  over 
rough  edges,  by  Cuzin.  Paris,  1824 

306 


1992.  LEGOUVE  (GABRIEL  M.  J.  B.).  Le  Merite  des 
Femmes  suive  des  Notes  de  I'Autear  avec  une  Preface  par 
E.  Legouve  .  .  .  et  des  extraits  de  son  Histoire  Morale  des 
Femmes.  Frontispiece  grave -par  Lalauze.  Small  8vo,  blue 
levant  morocco  gilt,  gilt  top,  uncut,  original  covers  bound 
in,  byAmaud.  Paris,  1881 

*  One  of  20  copies  on  India  paper,  extra-illustrated  by  the 
insertion  of  18  illustrations,  including  a  portrait  of  Legouve, 
the  engraved  title  from  Janet's  edition  in  three  states,  and 
other  plates.  The  frontispiece  by  Lalauze  is  in  triplicate,  proofs 
before  the  inscription  in  black  and  red,  and  the  lettered  proof 
on  India  paper. 

1993.  LES^GROS  (NICOLAS).  Meditations  sur  la  Con- 
corde de  I'Evangile.  First  Edition.  Ruled  in  red  ink. 
3  vols.  12mo,  old  blue  morocco,  gilt  tooled,  doublure  of 
citron  morocco  with  gilt  borders,  gilt  edges. 

Paris:  Ch.  Osmont,  1730 

1994.  LEICESTER.  Leycesters  Common-wealth:  con- 
ceived, spoken  and  pvblished  with  most  earnest  protestation 
of  all  Dutifull  good  will  and  affection  towards  this  Realm, 
for  whose  good  onely,  it  is  made  common  to  many.  Inserted 
portrait  of  the  Earl  of  Leicester,  engraved  by  Marshall. 
Small  4to,  red  levant  morocco,  gilt  panels,  gilt  edges,  by 
The  Club  Bindery.  Printed  in  1641 

*  Lowndes  states  that  it  is  erroneously  attributed  to  Robert 
Parsons,  but  in  his  day  it  was  usually  known  as  "Parsons' 
Black  Book."  Lord  Burghley  is  said  to  have  supplied  the 
material.  Some  copies  have  a  poem,  "Leicester's  Ghost," 
appended,  not  in  this  copy.     [See  also  no.  2613,  Parsons.] 

1995.  [LEIGH  (RICHARD).]  Poems,  Upon  several  occa- 
sions, And,  to  several  Persons.  By  the  Author,  of  The 
Censure,  of  the  Rota.  First  Edition.  12mo,  blue  levant 
morocco  gilt,  gilt  edges,  by  Riviere. 

London :  Andr.  Clark  for  William  Hensman,  1675 

1996.  LEINSTER  (BOOK  OF).  The  Book  of  Leinster, 
some  time  called  The  Book  of  Glendalough,  a  collection  of 
pieces  (prose  and  verse)  in  the  Irish  Language  now  for  the 
first  time  published  from  the  original  manuscript  in  the 
library  of  Trinity  College,  Dublin,  by  the  Royal  Irish  Aca- 
demy, With  Introduction,  etc.,  by  Robert  Atkinson. 
Frontispiece.  Folio,  brown  levant  morocco  gilt,  gilt  edges, 
by  Zaehnsdorf  (frontispiece  repaired).  Dublin,  1880 

*  The  only  copy  printed  on  yellum,  and  the  only  one 
having  the  capitals  and  initials  colored  in  facsimile  of  the 
originals. 

1997.  LE  JOLLE  (PIERRE).  Description  De  la  Ville 
d'Amsterdam,  En  vers  burlesques.  Selou  la  visite  de  six 
jours  d'une  semaine.  Engraved  frontispiece  title,  with  plan 
of  the  city.  16mo,  red  levant  morocco,  gilt  centre  ornaments, 
gilt  edges,  by  Lortic.     Amsterdam :  Jaques  le  Curieux,  1666 

307 


1998.  LE  LOYER  (PIERRE).  Erotopegnie  ou  Passe- 
temps  d'Amonr.  Ensemble  une  Comedie  du  muet  insense. 
First  Edition.  8vo,  blue  levant  morocco,  gilt  centre  orna- 
ments, gilt  edges,  by  Trautz-Banzonnet. 

Paris:  pour  Abel  I'Angelier,  157& 

1999.  LE  MAIRE  (JEAN).  Les  Illustrations  de  Gaule 
et  singularitez  de  Troye,  contenant  troj^s  parties.  Auec 
Lepistre  du  Roy  Hector  de  troye,  Le  traictie  de  la  differ- 
ence des  scismes  et  de  concilles.  La  vraye  hystoire  et  non 
fabuleuse  du  Prince  Syach  ysmail  diet  Sophy,  etc.  Lettres 
hdtardes.  Title  in  red  and  black  with  woodcut  arms  of  the 
author  and  within  a  woodcut  border.  7  large  and  118  small 
woodcuts.  4to,  brown  levant  morocco,  exquisitely  blind- 
tooled  in  the  ancient  style,  gilt  inside  borders,  gilc  edges, 
by  Cape.  Lyon:  Par  Jaques  Mareschal,  1524 

*  Le  Maire  was  historiographer  at  the  Court  of  Louis  XII 
and  Anne  of  Brittany.  In  "Les  Illustrations  de  Gaule"  he 
traces  the  French  kings  back  to  Hector  of  Troy. 

2000.  LE  MAIRE  (JEAN).  Traicte  de  la  difference  des 
scismes  et  des  concilles  de  I'eglise  ...  La  vraye  histoire 
et  non  fabuleuse  du  prince  Sj^ach  Ysmail,  dit  Sophy,  etc. 
Gothic  letters,  double  columns.  Device  on  title  and  2  large 
woodcuts.  4to,  boards.  Part  of  Le  Maire's  "  Illustrations 
de  Gaule."  Paris:  Ambroise  Girault,  1533 

2001.  LEMAITRE  (JULES).  Contes  Blancs:  La  Cloche; 
La  Chapelle  Blanche;  Mariage  Blanc.  Illustrations  d 
V Aquarelle  de  il/"*^  Blanche  Odin.  Square  8vo,  light  brown 
satin  embroidered  in  a  thicket  of  eglantine  in  deep  pink, 
foliage  in  various  shades  of  green,  brocaded  green  and 
white  silk  linings,  gilt  over  uncut  edges,  original  covers 
bound  in,  by  The  Club  Bindery.    In  cloth  case.     Paris,  1900 

*One  of  210  copies  printed,  with  a  duplicate  set  of  the 
designs  in  wood  engraving. 

2002.  LEMAITRE  (JULES).  Myrrha  vierge  et  martyre. 
Plates  engraved  by  Leseur  after  designs  of  Foamier.  Royal 
8vo,  blue  levant  morocco,  side  panels  of  fillets  with  leaf 
spray  and  rosette  ornaments,  figured  blue-silk  linings,  gilt 
top,  uncut,  original  covers  bound  in,  by  The  Club  Bindery. 

Paris,  1903 

*  One  of  75  copies  on  Japan  paper,  with  the  etchings  in 
three  states. 

2003.  LEMAITRE  (JULES).  Serenus.  Histoire  d'un 
martyr.  20  woodcuts  engraved  by  Paillard  after  A.  F. 
Gorguet.  Royal  8vo,  maroon  levant  morocco,  blind  tooled 
ornaments,  gilt  over  rough  edges,  original  covers  bound  in, 
by  The  Club  Bindery.  Paris,  1905 

*  Only  115  copies  printed. 

308 


2004.  LEMONNIER  (ANTOINE  LOUIS  CAMILLE). 
G.  Courbet  et  son  ctmvre.  Gustave  Courbet  a  la  Tour  de 
Peilz  (Lettre  de  D"'  Paul  Collin).  Portrait  et  cinq  eaux- 
foiies  par  P.  Collin,  Ch.  Courtry,  3f.  Deshoutin,  Trimolet 
et  Waltner.  First  Edition.  8vo,  original  paper  covers, 
uncut.  Paris,  1868 

2005.  LEMONNIER    (ANTOINE    LOUIS    CAMILLE). 

LeSang  et  les  Roses,  romau.   12mo,  red  levant  morocco  gilt, 
gilt  top,  uncut,  by  The  Club  Bindery.  Paris,  1901 

*Oue  of  20  copies  on  papier  velin,  with  the  signature  of  the 
Author. 

2006.  LEMOYNE  (ANDRi:).  Les  Charineuses  et  les 
Roses  d'Antan  precedes  d'une  Etude  par  Jules  Levallois. 
17  etchings  hy  L.  de  Bellee,  Delaiiney,  H.  Dubois,  and 
others.  Royal  8vo,  half  brown  levant  morocco  gilt,  gilt 
top,  uncut,  by  Cuzin.  [Paris]  [ca.  1870] 

2007.  LE  MOYNE  (PIERRE).  La  Galerie  des  Femmes 
Fortes.  Eng  raved  froniispiece  ivith  jjortrait  of  Anne  of  Aus- 
tria, Queen  Regent,  mother  of  Louis  XIV,  and  20  full-length 
portraits.  12mo,  blue  levant  morocco  gilt,  inside  dentelle 
borders,  gilt  edges,  by  Niedree.   Leiden