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�ϥ�ɥᥤ�� > �٥ӡ����ʡ�70�� | comments (724) | trackbacks (0)

Comments

�ݥ� ���ե������ �ݥ������ | 2013/06/24 01:15 PM
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�ݡ��륹�ߥ� ���� | 2013/06/24 01:15 PM
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�ե���ե��� Ź�� | 2013/06/24 03:26 PM
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���㥹���åɥ��� �����ȥ�å� | 2013/06/24 03:26 PM
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�ե��饬�� �Хå� | 2013/06/24 06:23 PM
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Sacs Longchamp pas cher | 2013/10/01 12:16 AM
Good Excellente fa�on de d�crire r�v�lateur et fastidieux alin�a -- � obtenir les donn�es concernant sujet, que je vais livrer transmettre institution de l'enseignement sup�rieur �ducation.
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Clearcape | 2013/10/04 07:56 PM

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enassyDax | 2013/10/04 07:56 PM

Manolo Blahnik Shoes

Manolo Blahnik The Shoe Designer

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styperrisepay | 2013/10/04 07:57 PM

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Place it all collectively and the picture is vibrant for generics. This trend is set to accelerate over the subsequent few years. 6 [url=http://xn--cckp2a1j7eob5289c317a.lwvlosangeles.com/]�����ӥ��� �ܥǥ��Хå� ���㥳�ߡ���[/url] on the top 20 preferred [url=http://xn--cckp2a1j7eob1457jm0f.tooth-body.com/]�����ӥ��� ��ǥ����� ���꡼��졼�٥�[/url] promoting branded drugs are set to drop patent protection in 2011 and 2012, with two additional [url=http://xn--cckp2a1j7eob1457jm0f.lwvlosangeles.com/]�����ӥ��� �Хå� ��� �ޥ륤[/url] drugs which have more than a billion dollars a year in sales expiring in 2012. That's an astounding $43 billion dollars in branded drug sales that could be open to generic competition.

So it would appear to become a slam dunk to recommend generics maker Par Pharmaceuticals (PRX) as an eye-catching Magic Formula stock. Par generates 90% of its sales from generics, and all of its income. Par features a two pronged technique. Initially, it targets smaller sized and much less competitive drugs to create. By undertaking this, the organization can beat its competitors in filing abbreviated new drug applications (ANDAs) with all the FDA, which offers 180 days of marketing exclusivity right after the branded drug goes off patent. This really is huge within the generics enterprise windfalls from highmargin sales in these 180 days can more often than not create quite a few "normal years" worth of earnings. This provides Par a slight competitive benefit and also makes it possible for them to charge a little significantly more. On the downside, it frequently calls for Par to pay royalties to the branded maker.

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Competition may also lead to cheating. In Q1, Par recorded a $190 million charge to settle claims with the provider [url=http://xn--cckp2a1j7eob1457jm0f.tooth-body.com/]�����ӥ��� �ܥǥ��Хå� �쥶��[/url] overinflating the wholesale rates [url=http://xn--cckp2a1j7eob5289c317a.tooth-body.com/]�����ӥ��� ���� �٥��[/url] they report to insurers. The alleged scheme is the fact that Par (and competitors) charge less to pharmacies and report higher selling costs to insurers. Since the insurer is reimbursing the pharmacy at a greater price than they pay for the drugs, it's a good cause [url=http://xn--cckp2a1j7eob0556cok1a.tooth-body.com/]�����ӥ��� �Хå� �͵�[/url] for the pharmacy to decide Par's item more than a competitor's.

This can be a hard corporation to worth. It is difficult to predict the impact of new competition on existing sales, and if Par will probably be able to win exclusivity. The firm reports 12 firsttofile ANDAs, two possible firsttomarket possibilities, and strategy 5 to 7 new ANDA filings a year more than the following couple of years. Revenues and profitability are extremely boomandbust. Par also features a branded drug unit referred to as Strativa, but so far this unit has been unprofitable, and almost certainly will remain so for a variety of years.

You will discover a variety of possibilities for Par, but a median case puts a fair value http://xn--cckp2a1j7eob1457jm0f.lwvlosangeles.com/ of about $40 on the stock. Considering the fact that this is a pretty uncertain calculation, MagicDiligence features a neutral opinion. There are far better Magic Formula stocks to think about.
rillorgaralap | 2013/10/04 08:01 PM

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</p>New York City Police Department officer warns people they will be arrested for blocking a sidewalk during the Occupy Wall Street protest September 17, 2012 on the one year anniversary of the movement in New York. Police in New York on Monday arrested at least a dozen demonstrators marking the one-year anniversary of the Occupy Wall Street movement, witnesses said.<p>AFP PHOTO/Stan HONDA</p>?<p>Harry Styles has a new drinking buddy - new Radio 1 Breakfast Show host Nick Grimshaw.</p><p>The hell raising pair are new neighbours after One Direction heartthrob Harry moved into London's Primrose Hill.</p><p>And one of the locals, flamboyant celeb Grimshaw, was quick to introduce himself to the pop star and show him some of the celebrity haunts.</p><p>A source told The Sun, "Grimmy promised Harry he��d give him his very own guided tour of Primrose Hill. He showed him where his famous friends live and all their favourite boozers. They ended up in The Lansdowne until kicking-out time. </p><p>"They even stopped for a bite to eat with pals. They had a great night.��</p><p>The area is a fave with celebrities including Kate Moss and new Spider-Man star Rhys Ifans.</p><p>In other Styles news, Harry is reportedly getting back together with his television presenting cougar ex Caroline Flack.</p><p>A source told Heat magazine: "When they do meet up, it's likely to be privately at a mutual friend's place. Harry's attitude is, 'Who cares what people think? It's between us, but She doesn't want to be made a fool of again."</p>ALSO SEE:?<p></p><p>This week saw the that luxury department store Harrods has teamed up with the world's most digitally progressive fashion brand Burberry to not only live stream their Autumn/Winter 2012 show on the store's , but data mine the opportunity by democratising the buying process - i.e. giving consumers the opportunity to "be" a Harrods buyer for this exclusive opportunity. Fans of the luxury retailer are being invited to "Like" their favourite look from the Burberry AW12 show and Harrods will by default include those pieces in the AW buy, which will subsequently be sold in store. </p><p>We have already seen the democratisation of the editor via the rise of social media (i.e. everyone has a public voice that can matter whether it is via Twitter, a blog, a fan page etc.), and in early 2011 the created the world's first crowd-sourced designing experiment with the launch of the Bill Amberg collaboration Calgary tote bag. However, this is the first time that a UK department store has data mined/crowd-sourced publicly in advance of a collection launch/buy (Burberry ran this initiative with Bergdorf Goodman last September in the US). It is an highly pioneering move and will, once again, set Harrods ahead of its peers, positioning the store as a true digital innovator and retail brand leader. </p><p>This move is simply another in the department store's ongoing digital brand growth strategy. Harrods is already ahead of its competitors "socially" from a raw numbers perspective, over the last two years, it has amassed in excess of 165,000 Facebook fans, and over 85,000 Twitter followers - more than any of its competitors, even with regional stores combined. This digital community growth is a result of sheer investment and strategic interaction from the brand. For example, the Twitter feed is live 24/7, managed by an industry leading professional (not an intern), the tone of voice is completely in line with the overarching ethos and personality of the brand and every question and enquiry is dealt with and responded to within minutes, even on a weekend. </p><p>Managing the digital community for a retailer of this size isn't the easiest feat. To do it well, it does require the laborious task of 24/7 community maintenance and interaction, dealing with antagonistic consumer complaints about purchases, customer service and so on, and passing them on to the relevant in-house teams and maintaining a professional public representation of the brand overall. </p><p>Spurning positive endorsement proactively within the digital sphere also come hand-in-hand with the task. Harrods has not only pioneered intelligent digital activity - creating a slick GPS-based smartphone App to help consumers navigate around the store, launching - an online magazine on Harrods.com edited by former Financial Times fashion editor Nicola Copping (another example of how seriously digital editorial is being taken) and live streaming shows but has also proactively fostered digital relationships with key stakeholder on and offline. </p><p>This includes a relationship with another pioneering digital fashion brand, Dolce & Gabbana. Since "giant falling out" in 2010 between Dolce and one of Harrods' biggest competitors which resulted in said luxury department store no longer stocking the brand, Harrods has maximised its digital relationship with Dolce via its digital hub, and relationships with the brand's strong digital team, which has resulted in Harrods being treated as a key media platform with access behind the scenes to Dolce shows in Milan, exclusive Twitter interviews with the brand's models including David Gandy and even meet and greets with Domenico Dolce and Stefano Gabbana. </p><p>The symbiotic relationship between the editorial platforms of two non-traditional media outlets has set an bar for how digital engagement between brand and retailer can be leveraged for mutually beneficial goals. </p><p>Next week's Burberry show live stream partnership will simply be another string to the digital bow that Harrods has every right to wear with pride, and by the sounds of things, there is a lot more in the pipeline for the brand's digital growth in 2012. </p><p>Follow Nik Thakkar on Twitter:</p>?eGHZmFyID44mYu00M5dZQhYaAu%2FAmgJCGfYy66NCsZ3y2%2BCd8epkdQj2UKN14xi7V2f6zvgZ4FLzuHlXFqCtvHEMfu8cnurHGtdTrlO6FQ53rI4f%2FNo7oyXAvVcpcAPr4kIuB5Ua5hfpX3jCUjpesONZAp5v%2FZYto0CpL2BNQDbLKBQntDL%2BG2ZKPlg9r%2BFV?The One Direction lads are continuing their quest for worldwide domination - they are set to take to the stage and perform for an international...?<p> has linked to yet another beautiful girl - the star was seen driving in a car with Burberry model Cara Delevingne.</p><p>The pair left the Omega House in Soho earlier this week, and looked to be enjoying each other's company as they drove away together.</p><p><br>Bur-eautiful: Cara Delevingne</p><p>A source told The Mirror: </p><p><br>Heartthrob Harry Styles</p><p>An insider added to The Sun: </p><p>The twosome was spotted together earlier this year after they left exclusive Mayfair nightclub Le Baron together and are said to be close friends.</p><p>Delevingne's agent, Sarah Doukas, said of the 19-year-old: "She has the most beautiful face and engaging -personality, like her older sister Poppy. She is adorable and very talented. She also has the ability to shake up the energy in a room full of stuffy people and make people ask 'who is that girl?'."</p><p>There could be some sibling rivalry, as Cara's older sister Poppy admitted to Grazia she had a crush on the pop star.<br>She said: "I want to sit on Harry Styles' lap. I have a total crush on him. He walked past me at the Aquascutum show recently and I was salivating. I like his curly hair and he looks like a little cherub." </p>?<p>OpenDyslexic, a free-to-use font created by Abelardo Gonzalez, aims to help people with dyslexia read online content easier. </p><p>The open-sourced font features heavily-weighted bottoms to help give letters "gravity," thus curbing the brain's ability to rotate characters and make them look like other letters, explains the . </p><p>The BBC reports that a recent update to Instapaper, an app that allows users save Web pages to read later,. It has also appeared in word processors, e-readers and been installed on school computers.</p><p>Gonzalez, who released his designs in 2011, said he started to project in order to give people with developmental reading disorder a free alternative. </p><p>There are other, similar fonts being sold that are geared towards people with dyslexia. In 2010 "Dyslexie," a font developed by , was (though not speed) in people with dyslexia in a master's thesis , according to the Boston Globe.</p><p>OpenDyslexic works on the same principle as Dyslexie, except that it is free and open-source. Personal use copies of the latter reportedly cost around $90, while copies for school use may cost significantly more. </p><p>Approximately , according to the Dyslexia Research Institute. </p><p>Check out the new font (below).</p><p>LOOK:<br></p><p>Also on HuffPost:</p>?<p>We've teamed up with Greta Larkins, the genius behind the brilliant Tumblr in a weekly series of animated fashion shots.</p><p>This week, FashGif takes on this beaded jacket from 's spring 2013 show from . Can we expect to see wearing this on the campaign trail? We doubt it, but it sure would make things even more exciting.</p>Want more? Be sure to check out Stylelist on , and .<p><br>For previous Fashion Gifs, take a peek in our gallery below: <br><br><br></p>?<p>'The Dictator' has caused chaos on the Oscars red carpet, following</p><p>It all seemed to be going so well. General Admiral Aladeen aka Sacha Baron Cohen was happily giving red carpet host Ryan Seacrest details about his red carpet outfit: </p><p>"Hello Death to the West, I'm wearing John Galliano, with socks by K-Mart. As my friend Saddam Hussein once said to me, socks are socks. Don't waste money."</p><p>But there was an ominous urn in his hands, with the face of North Korean late dictator Kim Jong-il on the front. And so the Dictator carried on:</p><p>"It gave me an opportunity to bring my dear friend and double standards partner Kim Jong-il - it was his dream to come to the Oscars and be spread over the red carpet and Halle Berry's chest again..."</p><p>And then it all went haywire, as the Dictator appeared to trip, and the contents of the urn - about a hundred ashtrays' worth of powder, later reported to be likely to be pancake mix - went all over the thousand-dollar Burberry suit of a mortified Seacrest, who struggled to keep his composure. </p><p>The Dictator was unabashed, comforting Seacrest: "You can say you are wearing Kim Jong-il" - before he was unceremoniously bundled off by security.</p><p>Seacrest addressed the camera and his co-presenters: "I had a feeling he was up to something, I just didn't know what form it would take..."<br></p> <br>?<p>LONDON &mdash; Luxury goods maker Burberry Group PLC said Wednesday that sales of its signature trench coats and other outdoor wear led a 26 percent gain in full-year profit.</p><p>Burberry reported that net profit for the year ending March 31 was 263.3 million pounds ($415 million), up from 208.4 million pounds a year earlier but still just short of analyst expectations for 275 million pounds. Revenue rose 24 percent to 1.86 billion pounds, and the company raised its dividend by 25 percent to 25 pence.</p><p>Burberry reported double-digit sales gains in all regions. Asia-Pacific is its best-performing region, generating 37 percent of combined wholesale and retail revenue. Outerwear and leather goods accounted for about half of all sales, the company said.</p><p>Burberry shares were down 3.1 percent at 1,343 pence in early trading in London.</p><p>"A combination of profit taking after the recent rally, a weak broader market and results which were slightly shy of expectations has driven the price sharply lower in early trade," said Richard Hunter, head of equities at Hargreaves Lansdown Stockbrokers.</p><p>"Yet the numbers themselves are robust."</p><p>Burberry said it plans to invest at least 180 million pounds this year in new or remodeled stores, including Regent Street in London, Pacific Place in Hong Kong and a rebuilt store in Chicago.</p><p>During the past year, the company opened its first larger format stores in Hong Kong, Paris and Taipei.</p>?<p>I never gave clothes much thought, but I knew the moment my daughter refused to wear jeans at the age of two because they were "ugly," I was outclassed. And that precious toddler grew up to be my stylish Sarah who now works for Stylelist and lives and breathes fashion.</p>?<p>Fragrance is an important accessory which serves to amplify and sometimes influence your mood and therefore it needs as much thought as the colour of the bride's dress or the groom's buttonhole. </p>?Peter Boucher is commercial marketing director at Vodafone UK, where he works closely with businesses of all sizes and from all sectors to help them to find new and better ways of working. He originally joined Vodafone in 2002, and has since served in global brand marketing, as head of marketing for Vodafone live! and as marketing director and chief commercial officer at Vodafone Hungary. Prior to this, he worked in the food production and pharmaceuticals sectors, for companies including Unilever, Kraft Foods and GSK.?eGHZmFyID44mYu00M5dZQhYaAu%2FAmgJCGfYy66NCsZ3y2%2BCd8epkdQj2UKN14xi7V2f6zvgZ4FLzuHlXFqCtvHEMfu8cnurHGtdTrlO6FQ53rI4f%2FNo7oyXAvVcpcAPr4kIuB5Ua5hfpX3jCUjpesONZAp5v%2FZYto0CpL2BNQDbLKBQntDL%2BG2ZKPlg9r%2BFV?<p>WWD:</p><p>"I fear I've caused complete and utter confusion," Prince Charles told Burberry's 800-plus staffers who gathered to greet him when he inaugurated the company's new Horseferry House headquarters Thursday morning.</p><p></p> <br>?<p>When you're a hot 27-year-old prince, wooing the ladies doesn't stop at dinner and a movie. How about a movie premiere, a VIP after party and an even more chi-chi after party later? </p><p>That was apparently 's M.O. this week in London, where he in a shiny blue suit (that we've ). Who was the lucky lady? Reportedly it's Cressida Bonas, a model who was also in attendance at the premiere -- as Harry's date.</p><p>The pair avoided being photographed together (sneaky!), but later they at the Freemasons Hall in Covent Garden and then moved on to Le Salon nightclub in Mayfair. The Sun -- and Harry left just two minutes after her.</p><p>Bonas, 23, and seems to be something of a British socialite; she's the daughter of another model: Lady Mary-Gaye Georgiana Lorna Curzon. Another fun fact: she studied at Leeds University, where Harry's ex Chelsy Davy also studied.</p><p>We know Harry likes his blondes -- , and of course, -- so we won't be surprised if the Prince and the Model become the next .</p><p>Check out pics of Harry and Cressida below!</p><p></p><p></p><p>While we're at it, here are Prince Harry's cutest moments:<br></p><p>Want more? Be sure to check out HuffPost Style on , , and .</p>?eGHZmFyID44mYu00M5dZQhYaAu%2FAmgJCGfYy66NCsZ3y2%2BCd8epkdQj2UKN14xi7V2f6zvgZ4FLzuHlXFqCtvHEMfu8cnurHGtdTrlO6FQ53rI4f%2FNo7oyXAvVcpcAPr4kIuB5Ua5hfpX3jCUjpesONZAp5v%2FZYto0CpL2BNQDbLKBQntDL%2BG2ZKPlg9r%2BFV?<p>As the UK economic outlook remains gloomy, retailers are venturing further afield to develop international markets. But what is the impact of going global on the UK high street? Miya Knights finds out. </p><p>Where domestic retail sales are stagnating, it is easy to see why UK retailers are looking to foreign shores to boost growth. But what does this trend mean for the future of our local high streets? Technology is playing a central role in driving development forward on both fronts.</p><p>Luxury firms are perhaps the UK's most successful retail export, capitalising on the value of their brands to supplement slow domestic sales with growth abroad. In itself, this is nothing new. The cross-fertilisation of retail brands across regional markets has also brought us many now-familiar UK high street names, such as Gap from the United States, H&M from Sweden and Zara from Spain.</p><p>The difference today is that, while analysts predict virtually flat UK retail sales growth in spite of the usual Christmas boost, many more UK retailers are seeing markedly increased demand in overseas markets which they cannot afford to ignore. Burberry's latest sales figures, for example, grew by 21 per cent in the last quarter of 2011, largely driven by a ��210-million (36 per cent) sales boost in the Asia-Pacific region. In contrast, its sales in Europe were up by 20 per cent to ��160 million.</p><p>Daniel Lucht, research director for retail analyst ResearchFarm, said the lure of internationalisation was due to the impact of "a very austere economic outlook for 2012". This, in turn, has had the effect of generating a huge move away from debt-financed business growth. "Cash flow is going to be a big issue," says Mr Lucht. "For both retailers and consumers, it will be about not what they want, but what they can afford." He adds that the presence of essential infrastructure components, like communication networks and roads, is often a prerequisite for successful expansion, making countries like India challenging for overseas entrants, despite its rapidly expanding middle class.</p><p>"Most UK fashion and clothing retailers have piled into the Middle East," says Richard Fitzpatrick, director of Retailmap, a specialist retail analysis and competitor monitoring company. "But that is because of a number of large entrepreneurial firms who build and own their own retail properties." The presence of two or three very strong joint venture or franchise trading partners, such as Alshaya, Al Futtaim and Al Tayer, who provide the UK retailers with a complete turn-key solution - logistics, warehousing and access to the biggest shopping malls - have helped add the region to the UK's list of international destinations, alongside Asia.</p><p>Mr Fitzpatrick adds that high-end luxury brands have done well in the Middle East, Asia and also Russia because a growing proportion of their middle classes and super-rich are conspicuous in their consumption. But he says: "The value and budget segment is also probably one of the best UK exports, with the likes of Primark already starting to take Europe by storm. This is where we also see Tesco, George @ Asda, Sainsbury's TUI, Matalan and even New Look expanding."</p><p>Across 50 UK clothing and footwear retailers, surveyed by Retailmap in 2011, each traded in an average of 11 separate countries and had an average of six outlets per country. Some retailers had a much wider global exposure. Topshop, for example, is in 29 countries, yet even this UK high street fashion stalwart only averages five outlets per country. By comparison, Tesco operates in nine countries but it has an average of 250 stores per country in each of the grocery and own-brand clothing brand markets it operates in. "It is little surprise that in central Europe, Tesco's F+F clothing brand is one of the market-share leaders," says Mr Fitzpatrick.</p><p>"A UK high street chain with 200 or 300 stores is looking for greater economies of scale and efficiencies than any small joint venture or franchise investment can deliver," he says. "H&M, for<br>example, does 25% of its business in Germany alone." To put Topshop's global presence into perspective against the weak domestic market, its owner Sir Philip Green revealed recently that it was looking to close 250 to 260 stores from its 2,500-strong UK estate over the next three years. This will pave the way for ambitions to expand the Topshop brand further overseas.</p><p>The consequences of such strategies do not bode well for the UK high street. The government's recent retail review by TV retail guru, Mary Portas, found less than half the UK's retail spending is now on the high street and that this figure is falling.</p><p>But the lure of overseas profits need not necessarily sound its death knell. Technology can help span the miles between head office and the flagship store on the other side of the world, or automate finance reporting and administration with country-specific software rules. But it is the explosion in internet shopping, and its relatively lower operating costs and higher margins that have really been fuelling not only international UK retail ambitions, but also domestic ones too.</p><p>But, in some cases, UK retailers like Next are switching their international expansion plans away from opening lots of new overseas stores to setting up foreign language and international currency online shops. Perhaps, if eCommerce was as mature a decade ago, the cautionary tale of Marks & Spencer's experience would not have seen it unceremoniously pull out of its first foray into France, where it had operated 18 stores. Undeterred, it re-launched there last October, but with its first international transactional website, which the retailer said was part of its bricks-and-clicks global approach, preceding the opening of a flagship Paris store a few weeks later. </p><p>Success is, in fact, by no means assured abroad or even at home, in stores or online. Just think of the ill-fated Carphone Warehouse and Best Buy joint venture. The US electronics retailer last year ceased trading through 11 Best Buy UK stores, at the cost of some 1,100 jobs. Significantly, services spanning multiple channels, such as click and collect or reserve in-store and deliver to home, are becoming more popular in the UK where internet trade body, Interactive Media Retail Group (IMRG) recorded a significant rise in the percentage of click-and-collect online sales in the third retail quarter of 2011. </p><p>Accounting for 10.4 per cent of all UK eCommerce sales in the period, this merging of retail sales channels becomes all the more important in prospective foreign markets that also have a higher proportion of digital natives with multichannel expectations.</p><p>Adam Stewart, marketing director of Rakuten's Play.com, predicts: "In the year ahead, cutting-edge mobile devices, worldwide mobile and broadband penetration, and innovative social shopping services will open up global markets, providing huge growth opportunities for merchants large and small, and unparalleled consumer choice." Play.com, one of the UK's largest internet retailers, was recently acquired by Rakuten - the "Amazon of Japan" - for ��25 million.</p><p>The question is though, will UK retailers be able to keep up? Take Japan, the world's most digitally advanced nation, for example. According to IDTechEx research, 47 million Japanese adopted smartphones with tap-and-go payments functionality in three years, making its adoption of mobile payments technology one of the fastest roll outs of electronic products in history. Super-fast broadband speeds and 4G enable in-store ordering direct from a customer's smartphone, along with localised, targeted promotional offers and the widespread use of Quick Response (QR) codes.</p><p>The influence of the tech-savvy multichannel consumer and UK retail experience in more advanced multichannel markets is already making its presence felt on our local high streets. Women's fashion company Oasis is equipping staff with iPads to boost service levels and assisted sales, as well as reduce lost sales from out-of-stocks, for example. Ish Patel, strategic development director at Oasis' parent Aurora Fashions Group, points out that fast smartphone adoption is paving the way for mobile or mCommerce to help blend traditional physical and emerging online channels.</p><p>In this way, lessons learnt from going global may also help UK retailers better mind what is at home, despite the fact they may be strategically focused on distant shores.</p><p>This article orginally appeared in a special report on The Future of Retail, produced by Raconteur Media and published with The Times (UK). Please see www.raconteuronthetimes.co.uk for further articles from this report.</p><p>Follow Raconteur Media on Twitter:</p>?<p></p><p>LONDON - They say weather is a national obsession in Britain ? but perhaps more for Burberry Prorsum's Christopher Bailey than for most.</p><p>With a clap of thunder and a torrent of realistic rain running down the sides of a glass tent, the luxury brand's creative chief sent his umbrella-toting models down the catwalk in a finale that brought a smile to everyone's face.</p><p>Burberry, which stages its twice yearly runway shows in its own temporary Hyde Park tent, is the biggest and glitziest production during London Fashion Week. On Monday, the autumn and winter 2012 display drew a huge crowd of buyers and spectators, including a host of international stars such as Hollywood actress Kate Bosworth, celebrity photographer Mario Testino, and even Korean pop group Girls' Generation.</p><p>"I quite like celebrating rain," said Bailey, who has been credited with revitalizing the once-fusty fashion house and boosting its international style credentials. He's also known to create a spectacle using weather elements: Last year, he filled his catwalk with fake snow.</p><p>"I like the romance. I quite like the melancholy," he said of the rain.</p><p>It wasn't just the rain that was British ? much of the detailing on the clothes was, too. There was velvet quilting, corduroy, herringbone wool and tweed caps, riding jackets and skirts, and of course various incarnations of the brand's most famous garment, the trench coat.</p><p>Bailey said the collection was a study in merging city style and country living. Bridle leather straps, shearling parkas and the use of quilting were evocative of the horse-riding country lifestyle of the English upper class, while the appearance of cute owl drawings and appliques on some of the collection's T-shirts and sweaters, as well as gold metal fox belt buckles, were a fun and quirky take on the "country" theme.</p><p>"I like the idea of celebrating the country, celebrating the town," Bailey said after the show.</p><p>A huge range of coats and jackets made up much of the collection. Some were cinched in with candy-coloured belts with bows, while others had masculine tailored shoulders and large pouches. Cropped, down-filled puffer jackets were paired with tweed ruffled pencil skirts, giving the ladylike look a sporty twist.</p><p>The most striking coat was the one Bailey chose for his finale ? a quilted, belted creation in deep royal purple, cinched in at the waist but flaring out in a full skirt.</p><p>Colours were rich and autumnal, with mustard, burgundy, black currant and forest greens, while wide horizontal stripes in grey, navy and honey kept the look young and vibrant.</p><p>"I like it because it's British and I'm British," joked Leah Weller, a 20-year-old singer and model, who added that she was particularly fond of the gold-studded black gloves and clutch bags on show.</p><p>???</p><p>Associated Press writer Raphael Satter contributed to this report.</p> <br>?<p>He may be the world's one and only male supermodel, but David Gandy is also the most humble, sweetest most down to earth guy you could ever hope to meet. Despite being in an ego driven industry, this boy has his feet firmly on the ground.</p><p>I met him last year at the annual Scottish Fashion Awards and we hit it off. He was in town again for the 2012 Awards and very kindly invited me to afternoon tea. It wasn't all smooth sailing I nearly had to cancel because of my school run, but thanks to my dear, sweet friend Morna Rose we made it happen. And thanks to my wonderful hairdresser and make up artist Zak Coldicutt who moved appointments around to accommodate me.</p><p>Despite the fact that I was twenty minutes late and that the tea had gone cold, David was still as hot as ever, and shrugged off my tardiness in a gentlemanly manner. I blame the fabulous Celebrity Stylist Derek Warburton who had whisked me off to the Diamond Studio to style me for the Fashion Awards. En route back to the Blythswood Hotel we ran into Fashion Editor Janis Sue Smith and the lovely Patricia Fraser. When Derek's around there's no such thing as stopping to say a quick hello, five minutes quickly turned into fifteen.</p><p>But like I said to David the best things in life are worth waiting for.</p><p>We chatted all things Scottish Fashion Awards and about his fabulous new fitness app. This is his second year in town to support the Awards.</p><p>"I am a huge believer in supporting British fashion. Scotland has a huge amount of fashion talent. You just don't realise it until you are working in this industry and you end up meeting so many Scots. So it's fabulous that Tessa has set up this Awards ceremony in order to give them recognition and also to celebrate their great talent."</p><p>"We have got such great heritage, such great fashion, Westwood, Savile Row, Burberry, Pringle it's such a shame everyone is so keen to hotfoot it to Milan, Paris etc when we have so much going on here. I don't think of it as Scotland and England I think of it as Britain as a whole. If we didn't think of it as separate we could be a fashion giant. People just don't realise how much money fashion brings in. If we concentrated our efforts we could truly be a great Britain."</p><p>"I try to promote Britain as much as possible; I try to wear British made clothes. For the Awards I will be wearing a Marks and Spencer's jacket that cost ��99, it's a great cut, and lovely fabric. I wear a lot of Reiss and Topshop as well. It should be about the high street and not high end."</p><p>"I love coming to Glasgow, there's a much more relaxed atmosphere here, compared to London where there's a great deal of snobbery. People always ask me where I get my dark looks, I once said I have some Scottish heritage and it's totally stuck."</p><p>David is constantly asked where he gets his clothes and how he maintains such a fabulous physique. And trust me, this example of human perfection does not require photoshop. But thank god he's not like every other model you meet that say they can eat anything and still look great. David is very honest and admits he works hard to maintain this special level of perfection.</p><p>"I have to work at my body; I have to work a lot. Over the years I have worked with some of the best personal trainers in the business, and I have discovered there is no magic pill, no cheat's way. It's not about dieting; it's about changing your lifestyle. I am not suggesting cutting out all fats. I am suggesting that you look into nutritional guides etc, you have to research and change your lifestyle, learn what your body type can and cannot handle."</p><p>"I know what works, I am the evidence of what works. And I have put together all my knowledge into this new app. It's all the knowledge I have gained over the years through trial and error of what works for my body. It's very user friendly, it's not complicated, there are no silly diagrams. We have videoed all the moves, you can also Facebook it. I've also added a nutritional guide, because it's very important to cover that as well."</p><p>Three unknown facts about David:<br>He's very articulate, not just a pretty face<br>He's an absolute gent<br>His favourite tipple is English Breakfast tea</p><p></p><p>www.davidgandyfitness.com<br>davidjamesgandy.blogspot.com</p>?<p>Exposure to back-lit electronic devices, such as tablets, before bedtime could lead to sleeplessness, suggests a new study.</p><p>A two-hour exposure to self-luminous displays may cause melatonin suppression strong enough to affect sleep by disturbing the body's natural circadian rhythm, a small new study in the suggests.</p><p>��Our study shows that a two-hour exposure to light from self-luminous electronic displays can suppress melatonin by about 22%. Stimulating the human circadian system to this level may affect sleep in those using the devices prior to bedtime,�� said study author Mariana Figueiro, in a statement.</p><p></p><p>Melatonin is a hormone produced by the body when it��s dark to encourage sleepiness. </p><p>Suppression of melatonin by light has been implicated in sleep disturbances, increased risk for diabetes and obesity, as well as increased risk for more serious diseases, such as breast cancer.</p><p>Participants in the study used self-luminous tablets to read, play games, and watch movies. While one-hour exposure to tablets caused little affect, after two hours, melatonin levels dropped significantly.</p><p> </p><p>Figueiro said in a statement: ��We recommended dimming these devices at night as much as possible in order to minimize melatonin suppression, and limiting the amount of time spent using these devices prior to bedtime.��</p>?<p>WASHINGTON -- A slew of new polls shows Newt Gingrich leading the race for the Republican nomination, both nationally in three of the first four primary and caucus states. However, a close reading of both the recent polls and a recent focus group of Republicans shows that rank-and-file Republicans are far from a final decision. </p><p>Gingrich has certainly experienced a surge in support. Two new national surveys from and Fox News now show Gingrich with support in the mid-30-percent range and a wide lead over Mitt Romney and the rest of the Republican primary field. The current estimate produced by the , which is based on all available public polls, gives Gingrich a lead of 37 to 20 percent over Romney, with the rest of the Republican field in single digits. </p><p></p><p>The rise in support for Gingrich has also been evident in the early primary and caucus states. Gingrich now leads on a half dozen new polls in , and three recent surveys in . The former speaker is leading by even wider margins on recent polls in Florida conducted by , and . </p><p>Romney continues to lead in , but the most recent shows his support falling from 40 percent in late October to 35 percent last week. Meanwhile, support for Gingrich in New Hampshire has jumped to the mid-20-percent range on four recent surveys. </p><p>Although a plurality of Republicans now prefers Gingrich nationwide, it is also evident that most Republicans remain uncertain about how they will vote in their primaries or caucuses next year. The CNN/ORC poll conducted in late November, for example, found just over a quarter of Republicans (27 percent) said they would definitely support their first choice, with the rest either willing to change their minds (67 percent) or still completely undecided (6 percent). </p><p>Decision-making is farther along in the early primary and caucus states, but not by much. The Time/CNN surveys found just over a third of Republicans (between 34 and 39 percent) willing to say they are certain to support their first choices in Iowa, South Carolina and Florida, and only slightly more (44 percent ) in New Hampshire.</p><p>A of Republican primary voters, conducted last week by veteran Democratic pollster Peter Hart as part of a sponsored by the Annenberg Public Policy Center of the University of Pennsylvania, helps put these results in context. </p><p>While a focus group is not a survey -- its non-random recruitment and small sample size cannot provide a statistically representative view of any larger population -- the 12 voters from suburban Fairfax County, Va., who participated provide a richer view that helps flesh out the survey findings. </p><p>The Republicans in Hart's focus group found much to like about Gingrich. Virtually all rated him as highly competent, someone who they described variously as "experienced," a "great debater," the "smartest one running," someone who "stands firm in his beliefs," "get things done" and can "completely turn the ship around." </p><p>They were less enthusiastic about Romney, but still had praise. They lauded his "family values," said he "did a nice job at the Olympics" and as governor of Massachusetts, and called him a "politician" who is "good at it." </p><p>But the participants could also list many thing that troubled them about both Romney and Gingrich. Regarding Gingrich, some expressed concern about his personality, that he's "careless and combustible" or that "he's behaving himself in this campaign right now and saying what he's supposed to." Some participants worried that "his hands are already too dirty...with his experience and how he got there" or that "he has been in side the Beltway for a long time." Still others feared he might "give up some of his beliefs to get things done," that "something will come up in his marriage," or that "issues with his affairs will blow up like Clinton."</p><p>Misgivings about Romney began with the perception that he "goes with whatever people want to hear," and is "wishy-washy," "vanilla" or "manufactured." They complained that "he doesn't have the conviction, too phony," that he will "flip-flop," is a "R.I.N.O. -- Republican in name only" and that "repealing Obamacare will not be a priority."</p><p>In short, while these voters were more enthusiastic about Gingrich, it was also clear that they remain in the process of making a decision and are far from decided. When Hart asked whose vote was still "up for grabs," half raised their hands. At the same time, many indicated they had already narrowed their choices to some degree. Most, for example, said they had already ruled out supporting Herman Cain -- who dropped out of the race two days later -- and others had ruled out Paul or Perry, or even Gingrich or Romney. </p><p>The narrowing of choices among Republicans is also evident in a completed a week ago. They found that majorities of Republicans consider only Gingrich (62 percent) and Romney (54 percent) to be "acceptable" nominees for president. Even though Rick Perry, Ron Paul and Michele Bachmann well enough to rate them, between 52 and 58 percent of respondents now regard these candidates as "unacceptable" presidential nominees. </p><p></p><p>So for many Republicans, the race is narrowing to a choice between Gingrich and Romney, but it's a choice that often remains tenuous. According to Gallup Editor in Chief Frank Newport, 35 percent of Republicans on the same survey consider both Gingrich and Romney to be acceptable nominees, while 81 percent consider either candidate acceptable.</p><p>Last week, Peter Hart reflected on the fact that, while only two focus group participants walked in as Gingrich supporters, 7 were ready to vote for him on the way out. "Here we are a month away," Hart said. "Boy there's gonna be a lot of volatility." </p><p>The survey data says he could be right. </p> Subscribe to the ! <br>?In Your Fifties : Hair and Skin Care<br><br>Out of curiosity, I added up the price of the recommended skin care and hair products. The total was $211.00. As a woman in her early fifties, I would like to recommend the following products.<br>No way would I pay $100.00 for a skin correcter, even if it is Lancome. Clinique has a skin corrrecter<br>for less than half the price of the Lancome product. I've used it with good results, before my moisturizer.<br>LiftActiv Derm Source by Vichy is $45.00. A company called Yves Rocher makes a similiar product<br>for less money, I believe. Yves Rocher can be ordered through the mail and on line at their website.<br>I don't wear eye shadow anymore, however, when I did there's no way I would ever pay $48.00 for<br>eyeshadow. Lastly L'Oreal Color Shampoo for $18.00. Patene makes a Color Protecting Shampoo<br>for about $8.00 plus tax and the whole Patene Color Line is very good and a lot less expensive.<br>I'm not saying that Lancome, Vichy, Estee Lauder and L'Oreal are not good products. I'm sure<br>they have good products, but not every woman can afford their products and stay within her<br>budget for skin care, make up and hair care. I'm retired now, so I have the luxury of doing comparison<br>shopping of various skin care, make up and hair care. I hope this post has been helpful in some way.?<p>Almost every retailer now has the expertise to use Facebook to grow consumer awareness of their brand, however, there are only a handful of retailers that have truly monetised Facebook and extended its reach from a sharing space to a retail platform. A number of retail commentators have argued that whilst connecting with the consumer through social media is key, the monetisation of Facebook as a standalone platform has not happened, and will possibly never be a success. </p><p>This argument originated in the US after online retailers posted poor sales forecasts after Christmas from F-commerce sales. The argument focuses on the fact that Facebook is where people come to connect with their friends - and sometimes brands - but they do not go on to buy from Facebook pages and never will. I disagree with this sentiment entirely. <br> <br>I do agree that F-commerce is in its early stages, however it should not be dismissed; I would go as far to say that ignoring it could have a detrimental effect on a company's bottom line in the near future. To understand my argument, you only have to look at how technology has transformed the way people shop over the last 15 years, and subsequently how the evolution of technology will continue to change consumer habits. If you combine this with the need for Facebook to continue to diversify its revenue streams, I believe Facebook itself will push for F-commerce to be a success, as it's a natural progression/transition.</p><p>I also have reason to believe that Facebook will become an influential sales platform. As CEO of BrandAlley, an online retailer that specialises in designer 'flash sales', I have seen first-hand how F-commerce works; it has both driven sales and further engaged our Facebook followers. Since launching our F-commerce platform late last year, it already generates five per cent of sales and this is set to rise over the coming year.</p><p>It was 10 years ago that people questioned whether online shopping would become a viable platform for retailers, but with online sales generating ��68.2bn last year and counting for 17% of retail sales in the UK, it is clear that the consumer will continue to look online to make purchases. However, I believe that with the increase in people using social media platforms and accessing the internet on their mobile phone or tablet device, customers will begin to move away from the traditional homepage and seek sales in other locations. </p><p>Other retailers are with me on this argument. For example, Burberry has committed 60 per cent of its marketing budget on online and social media channels and companies as diverse as Procter & Gamble, Levi's and Delta AirLines have committed to selling their product or services on Facebook. <br> <br>The evolution of how the consumer shops will undoubtedly have a positive effect on F-commerce but how Facebook pushes the concept itself will also heighten the success of the platform. With Facebook's recent floatation, there is now a push from its shareholders to grow and further monetise Facebook and I believe F-commerce will form part of its growth plans. It is likely that Facebook will encourage brands to have fully functioning online stores. At first this will be free but eventually they will ask for a small percentage of the sales once they have consumer buy-in. <br> <br>So, how do you convert a growing fan base to buying your product? I think the answer is relatively straighforward in that you simply need to give them a reason to make that first jump into spending on the site. Exclusive previews or sales plus competitions are the easiest ways to quickly engage the consumer. Admittedly BrandAlley's flash sale format has helped us convert our customers into buying through Facebook. For example, we held an exclusive preview sale recently with 7FAM (Seven for all mankind) onFacebook which accounted for 50% of revenue for that particular sale. </p><p>A few years ago it was only a select few retailers who saw the importance of engaging with their customers via social media platforms. Now social media is very much part of the marketing mix but retailers need to start being commercially aware and monetising Facebook. I do not believe that F-commerce will overtake any other e-commerce platform right now, but when you have a captive audience of people who you know are interested in your brand, then the next logical step is to directly sell to them. Web users spend one in every eight minutes on Facebook which only goes to show the future and need for retailers to capitalise on this.</p><p>Facebook users may be in 'share mode' with their friends at the moment but I believe it is only a short time before they are in 'spend mode', buying their favourite brands through F-commerce.</p>?<p>For nearly 50 years, sat as an arbiter of fashion by publishing a yearly list of the 10 Best and Worst Dressed People in the Demi-monde. Although best known for his "Worst Dressed"list, he maintained a successful career as a fashion journalist. Richard Blackwell was a powerful syndicated columnist who wrote features in newspapers and lifestyle magazines. Matrons and starlets, stockbrokers and models, politicians and prize-fighters all jockeyed to be included. Blackwell's critiques could be cutting. Being included in Mr. Blackwell's Best Dressed list could quickly improve one's social standing in New York, Miami or Hollywood while being included in his worst dressed list could doom one to social Siberia.<br><br></p><p>Although Mr. Blackwell has gone on to his maker, we here at the STONEzone revived this hallowed tradition four years ago. We have vigilantly watched the world of entertainment, sports, politics, academia, art and fashion to determine who has style....and who truly doesn't.<br><br></p><p>Therefore, we proudly present our FIFTH ANNUAL 10 BEST AND WORST DRESSED PEOPLE IN AMERICA list for your consideration.<br><br></p><p>Compiling such a list is a far greater challenge than one might think. The advent of "casual fridays" is symptomatic of an overall decline in our standards regtarding what is right and wrong about the way Americans dress. Sadly, fashion today is more motivated by economics than aesthetics. Men are seen in both business and social settings in running shoes, tracksuits, sweats, T-shirts, and caps, which advertise either a sports teams or a brand of farm tractor. Women are seen outside the gym in spandex workout ensembles and hoodies. Women actually leave their homes with a Victoria Secret slogans on their ass.<br><br></p><p>Americans cared deeply about proper dressing in the 1930s, 40s and even the 50s. The 60's, a decade fashion forgot, also began a trend of informality that devolved over time from slovenliness in the 90's to dishevelment in the 2000's. The sheer number of men who will go out in public in a wife-beater is staggering. Very few can look like a young Marlon Brando but men still crowd casinos, bars, malls and sports events in this "outfit."<br><br></p><p>Our goal is to sort out those who are merely fashionable from those who possess real style, for fashion is fleeting and style endures. We also try to eschew "costume." That's why you won't find Lady Gaga or Tom Wolfe on our list. While both are distinctive in their dress, both are affecting a costume more appropriate for the stage. While fashion is about fads and what is "in" now, style is a personal factor that cannot be learned or taught - either you have it or you don't.<br><br></p><p>Style is, in fact, the direct opposite of fashion. Fashion is a look that is temporarily "in". Fashion is people imitating each other. It's about fitting in and looking like everyone else's Style. Fashion, on the other hand, is about individuality; what sets one apart from the crowd. Real style comes from within; it is the sign of your character and personality that you display to those who see you. Style never indulges fads or gimmicks.<br><br></p><p>Style is timeless. Style looked good thirty years ago and will be in good taste thirty years from now.<br><br></p><p>True style is never studied. It manages to make it's own statement heard above the temporary fads of fashion. Style requires good taste, individuality and a certain nonchalance, what the Italians call "Spezzatura." It is the art of dressing distinctively without looking like any thought or planning has been put into the final look. Being "thrown together," but perfect. It is said hoofer Fred Astaire threw his new custom made fine cut English suits against the wall repeatedly to "knock the newness out of them".<br><br></p><p>Finding our 10 Best and Worst Dressers requires careful study. The dressing of our citizens hasn't improved much in 2011. There are among us no Jack Kennedys or Gary Coopers, no Katharine Hepburns or Marlene Dietrichs, Instead we have Cee Lo Green, Jack Black, Snooki, or anyone of the Kardasians.<br><br></p>10 BEST DRESSED MEN OF 2011Joseph Gordon Levitt - The hot young actor is new to the Best Dressed list. He's developing a personal style that evokes a cool updated 50's Rat Pack look. White short point collared shirts, skinny black ties, narrow lapels with dark fitted suits teamed with a pork-pie hat mark Gordon Levitt as a hipster but a perfectly turned out hipster at that. He pulls of the monochromed shirt-tie-suit look without looking like Joe Pesce in the movie "Las Vegas".<br><br><p>Charlie Watts - When band-member Mick Jagger was wearing sequin tights and oversized Uncle Sam hats, the Rolling Stone's drummer was quietly going to Poole and Dege, two of Savile Row's oldest tailors. The result is somber, perfectly-fitting and low key suits that are as solid as his back-beat. Watts is as fastidious as Keith Richards is disheveled.<br><br></p><p>Larry Kudlow - The CNBC Talk Show host and ardent supply-sider makes our list for the fourth year in a row. Kudlow's sense of dress shirt, suit and tie combination is always right, and interesting. Kudlow show some whimsy with pink and patterned neckwear. New York Tailor Leonard Logsdail makes Kudlow's impeccable fit. The knot of his necktie is always so. The economic analyst and pro-growth advocate sets a standard other men can aspire to.<br><br></p><p>Gordon Woodrow - The long time top level Republican U.S. Senate staffer, Presidential appointee and businessman dresses like a country squire. He teams hefty tweeds with tattersall, checks and plaids and brown suede shoes, sometimes with a bright sweater-vest. Large knots the size of your fist in heavy wool ties. Woodrow always looks like he just came from shooting grouse or skeet on the Moor.<br><br></p><p>Prince Philip - Husband of the Queen Elizabeth II. Prince Phillip, born Prince Philip of Greece and Denmark, The Duke of Edinburgh, is long-time a client of Gieves & Hawkes Ltd, the venerable London tailor who's house style has military lineage. Phillip, father of Prince Charles, who prefers a double-breasted look made for him by Anderson and Sheppard, was rushed to the hospital with chest pains only weeks ago. The Duke has his dashing military dress uniforms made by Johns & Pegg Ltd, his kilts by Kinloch Anderson Ltd, and shoes and boots by John Lobb. Affectionately called "Charlie the Greek" by his country-men, no one can compare with Prince Phillip at Ascot. We wish him a speedy recovery from heart surgery.<br><br></p><p>Alan Flusser - The men's wear designer Alan Flusser knows more about men's clothing than perhaps anyone in the world and his taste level and flair make him the authority. Author and arbiter Flusser is an advocate for all that is correct and refined. Flusser is the designer other designers secretly emulate. The late saloon singer Bobby Short, a debonair dresser himself, consulted Flusser. Whether in a double breasted beaded stripe suit or with a scarf knotted ascot-style around his neck, Flusser is sartorial perfection.<br><br></p><p>Johnny Depp - Second year on the list. Last year we said "Now, rockers and actors, and those in the creative field can get away with things the rest of us cant, but Depp's dark look, his affection for hats and a minimal but tasteful jewelry land him on the list. Scruffy but never too scruffy, it's a look Depp has perfected. "No one has looked this good in a short brimmed straw fedora since Sinatra.<br><br></p><p>Jacob Stein - Few men can pull-off the bow-tie without looking like Pee Wee Herman or Malcolm X. Fox Talking head Bob Beckel from "The Five" was recently on-air with what appeared to be too perfect clip-on. Only clip ons that squirt or spin should been worn and then only if you are a comedian. Bow ties should never be perfect or prissy. They should be slightly askew, tousled and imperfect. Washington power lawyer Jacob Stein, lawyer for Monica Lewinsky, pulls this off like nobody else. Seen on K street, the dapper Stein always looks great. The DC barrister's wife owns a consignment shop and Stein clearly choses quality vintage pieces to mix into his traditional wardrobe.<br><br></p><p>Dave Beckham - Great tailoring is meant to hide imperfections, making the fat look thinner, the short look taller, hiding a paunch etc. In Dave Beckham's case none of that is necessary. His body and level of fitness are incredible. Not every man can wear a vest (what the Brits call a waistcoat) without looking like a riverboat gambler or John Foster Dulles. Beckham pulls them off along with smartly cut suits, newsboy caps, classic aviator sunglasses and perfectly tied scarfs which make him stand-out when he's he not semi-nude or in a soccer uniform.<br><br></p><p>Josh Mankiewicz - Hitting our list for the second year, this NBC Dateline reporter tops Brokaw, Lauer and Williams. His two-button natural shoulder suits are always fastidious, his shirts and ties chosen with care. His look is quiet, understated and always low-key. The length of his collar points chosen to compliment his face, are always accented with the perfect pocket-square in a puff that looks like he stuffed it in his breast pocket without a thought.<br><br></p><p>Bill Clinton - The ex-President wasn't much of a dresser when in the White House, buying off-the-rack and wearing the clothes of Donna Karan, who designed what a woman thought a man's clothes should look like. Since his heart surgery and becoming a vegan Clinton's inner pea-cock has revealed itself. Clinton has largely dumped the big shouldered double breasted suits than made him look blocky for three piece-models that accentuate his weight loss. His new look is dignified yet natty--what we want an ex-president to look like. Check out Clinton's photo on the cover of which outlines a path ahead for America and is designed to submarine Obama, who Clinton neither likes or respects - deep blue suit, silver tie and perfect fitting vest. Hail to the Ex-Chief!<br><br></p><p>LIFETIME AWARD: Willie Brown - From his hand-crafted Brioni suits to his extensive collection of hats, the former California Assembly Speaker could be the best dressed man in America. While most men should avoid brown as a suiting color (Philadelphia Brahmin Biddle was once asked why he had over 200 identical bespoke blue suits. "Because brown looks like shit," he replied) Willie brown pulls it off in both double-breasted and three piece vested models. As Mayor Brown sometimes changed clothes as many as four times a day for his various public ceremonies. A master of color-coordination, Brown's shoes, suit, shirt, necktie, hose and chapeau always complement each other.<br><br></p>The Worst Dressed Men of 2011Michael Moore - Looks like he slept in the Occupy Wall Street tents even though he didn't. Looks like he slept in his clothes and might have. The man gives the word "slob" new meaning. Oversized sweatshirts just make a fat guy look fatter. Slovenly. While we're at it, how about a shave?<br><br><p>Larry King - Thank God, this man is done in primetime. What is with the black shirt, black ties, black suspenders look? Who does Larry think he is - Johnny Cash? Even worse - the black shirt and white tie. Even Lucky Luciano wouldn't wear that. Larry actually wears clip-on suspenders. Clip-ons. Wise up Larry.<br><br></p><p>Simon Cowell - Fourth year on the WORST list. Man-boobs should be hidden not accentuated . This guy still looks like a wax pear that sat on a radiator too long. I swear he is buying out of the International Male catalog. A pinstriped suit with a shawl lapel? He's from the U.K and can afford the best. Rush this man to a proper tailor.<br><br></p><p>Jesse Ventura - Since leaving the governor's chair he looks like a homeless Hulk Hogan. The bald with a ponytail look is so...still bald. Jesse wants to be the Libertarian Party nominees for Vice President but there is no real support for him. Hint: If you are going to go on TV with outlandish conspiracy theories don't wear outlandish clothes and try washing your hair occasionally.<br><br></p><p>Chuck Schumer -This guy is a schlub. Schumer has been seen in the Senate wearing the same baggy-kneed, wrinkled suit and dress shirt and pilling sweater vest three days in a row. New York has some of the greatest tailors in the world. The senior senator needs to call one. Daniel Patrick Moynihan, who once held a US Senate seat from New York, was a dandy who fancied bold striped suits, polka-dotted bow ties and jaunty Irish walking hats. Schumer dresses out of the Salvation Army.<br><br></p>10 BEST DRESSED WOMEN OF 2011Natalie Portman could wear a garbage bag with an old rope around the waist for a belt and still look stylish. Portman is just one of a growing number of celebrities whose basic budget-friendly choices make them seem more relatable and down-to-earth than stars who drop thousands for a single, wear-it-once dress so fashion consultant picked out. For last year's Golden Globes she chose a simple pale pink dress decorated with a large red rose which flattered her body shape perfectly, a red Dior clutch and a pair of red platforms. Always well put together and elegant.<br><br><p>Pippa Middleton - Philippa Charlotte "Pippa" Middleton, the English socialite and younger sister of Catherine "Kate" Middleton embodies the best in English style and has elbowed her sister off our list this year. Since she was the maid of honor at her sister's wedding to Prince William she's surpassed her sister as a style-setter in the U.K. Some say she has a perfect derriere and in jeans, a mini-skirt or a party dress it seems so. Take that Kim Kardashian!<br><br></p><p>Blake Lively - The Gossip Girl star has legs that go on forever. If she's sporting a short skirt she hides the cleavage. If showing the decolletage she sheaths her legs in a long dress - in other words, Lively knows when too much is too much. Liveley knows purple just "works" for her as a color and she wears it a lot-meaning she knows what she looks good in.<br><br></p><p>Carly Foulkes - You know her as The T-Mobile Girl. The Canadian-born model and actress wears a summer dress like no one else. Foulkes is the "picture-perfect" brunette. Saucy, stylish and comfortable, she could get us to buy a phone or just about anything else. Always looks like she's ready for a picnic on a beautiful day.<br><br></p><p>Carla Bruni - The wife of the French President has a style that is continental, chic, and understated. Although Italian she may be the single best ambassador for French couture. Her look is spare and simple and accentuates clean lines. No flashy or bright colors works for her. Blues, grey, charcoal. Cutting edge chic.<br><br></p><p>Sophia Loren - Although she is seldom seen in public these days, when she is seen she wears high end Italian couture like no one else. This raven haired beauty is somehow sexier in her clothes than she would be au natural. If you have seen photos of her in a garter belt and silk seamed stockings, you have seen feminine perfection.<br><br></p><p>Eva Mendez - Two Latin spitfires make our list this year. For Sofia Vergara look below. Let's face it. Mendes could wear a shower curtain and she would still look good. The woman oozes sex yet never makes it tawdry. Ms. Mendes has a skin tone that allows her to choose any color, but which works particularly well with pastel colors. Mendes knows her body and selects outfits to accentuate it. Mendes is sultry and stunning, always.<br><br></p><p>Emma Watson - A stylish little hottie, the English actress who broke through in the Harry Potter films has graced the covers of Teen Vogue, the UK's Tatler and Italian Vogue. Watson cares about clothes and supports the British Fashion Industry in high style. Her choices are sure-footed. She has twice been chosen as the face of Burberry. Twiggy and Mia Farrow never looked this good in closely cropped hair.<br><br></p><p>Jennifer Aniston - This woman knows what she looks good in. She sticks to a short skirt and strappy heals because she knows it looks best on her. She rarely changes her hairstyle because she has a looks that works for her and sticks to it. Aniston has always been an example of impeccable style and hardly ever gets it wrong with her looks, both on and off screen.<br><br></p><p>Sofia Vergara - Usually seen on the arm of boyfriend, banking heir and someday politician Nick Loeb, Vergara has a strongly Latin influenced style that always has her looking chic on the red carpet or on the streets of Manhattan. The star doesn't shy away from her signature curve-hugging clothing. Equally stunning in jeans, dresses and colorful tops, Vergara wouldn't be caught dead in cut-off jean shorts proving you can be sexy without being vulgar.<br><br></p>The Worst Dressed Women of 2011Snooki - Last year when we said his girl has "a big all natural Italian rack" we were inundated with complaints. Seems the Jersey Shore gal isn't Italian.<br><br><p>Julianne Moore - Sadly this actress has no sense of coordination and can't piece together an outfit to save her life.<br><br></p><p>Christina Aguilera. - When one gains weight one must adjust the size and color of one's clothes to accommodate. This singer doesn't seem to understand that. Tight fitting clothing accentuates fat, doesn't minimize it. A female sausage about to pop.</p>?<p>MyDaily:</p><p>Rosie Huntington-Whiteley - the official Burberry Body - attended the Burberry Paris Boutique opening at the British Embassy in Paris today. And she was wearing Burberry, natch.</p><p></p> <br>?eGHZmFyID44mYu00M5dZQhYaAu%2FAmgJCGfYy66NCsZ3y2%2BCd8epkdQj2UKN14xi7V2f6zvgZ4FLzuHlXFqCtvHEMfu8cnurHGtdTrlO6FQ53rI4f%2FNo7oyXAvVcpcAPr4kIuB5Ua5hfpX3jCUjpesONZAp5v%2FZYto0CpL2BNQDbLKBQntDL%2BG2ZKPlg9r%2BFV?eGHZmFyID44mYu00M5dZQhYaAu%2FAmgJCGfYy66NCsZ3y2%2BCd8epkdQj2UKN14xi7V2f6zvgZ4FLzuHlXFqCtvHEMfu8cnurHGtdTrlO6FQ53rI4f%2FNo7oyXAvVcpcAPr4kIuB5Ua5hfpX3jCUjpesONZAp5v%2FZYto0CpL2BNQDbLKBQntDL%2BG2ZKPlg9r%2BFV?<p>From interactive ad campaigns to the world's debut 'Twit-walk' (catwalk via Twitter) Burberry has always been something of a trail blazer when it come...</p>?<p>We got a quick preview of the campaign from a a print photo. But now Rosie Huntington-Whiteley and Ryan Reynolds' ad for Marks & Spencer is here -- and the two gorgeous stars look, well, gorgeous.</p><p>The hazy video is simple but effective -- the director of the video didn't need to do much beyond instructing the actor and Burberry model to each give their best smoldering stares.</p><p>And how they smolder. , Ryan makes us believe he's only got eyes for Rosie as they walk the London streets. And who wouldn't?</p><p>Check out the ultra-romantic ad for Mars & Spencer's Fall/Winter 2011 collection below. </p><p>WATCH:</p><p></p> <br>?<p>www.mydaily.co.uk:</p><p>Looks like Marks & Spencer have added a touch of Hollywood sparkle to their Autumn/Winter 2011 campaign, which reveals Rosie Huntington-Whiteley and Ryan Reynolds as the impossibly attractive new faces of the British brand.</p><p>Following in the footsteps of other celebrity M&S spokesmodels, which include Twiggy, Dannii Minogue and Lisa Snowdon, Rosie and Ryan front the new Autograph campaign - the high street store's luxury in-house label.<br></p><p></p> <br>?Missing from the article are photos of models at the launch of the lingerie today, so I went to RHW (Rosie's twitter) and took a look. In amongst the comments of praise for the line, were also ...."nice to see curvy models for a change, not stick think ones". <br>Curvy? So I looked again, and wondered if the so called curvy ones are representing the 'plus' demographic. Certainly representing women that have a teeny bit of shape anyway, as her bra line goes to a "G" size. <br>Another comment on RHW was... "why do none of the models look happy?" A mystery to me, as the fashion world trains their models to look bored, and barely conscious. There's a smile in there somewhere, but for some unknown reason, it might detract the buyer from purchasing if they were to see a truly happy person. <br><br>Onto the headline for this article "Rosie covers up..." Odd choice for her to wear a very severe black dress better suited for going to a funeral than a lingerie launch.<br><br>Her lingerie line overall looks elegant and tasteful.?<p>www.mydaily.co.uk:</p><p>Rosie Huntington-Whiteley seems to be having a nude moment. First she had pulses racing in her plunging Burberry suit earlier this week, and now she's been perched front row at New York Fashion Week, in another flesh-hued ensemble.</p><p>The model-actress was snapped hanging out backstage at the Michael Kors show, in this perfectly coordinating, Sixties-inspired outfit of shift dress, knee-high boots and matching clutch...</p><p></p> <br>?Louis Vuitton Outlet is famous for the unique articules ,login Louis Vuitton Online Store and Louis Vuitton Handbag On Sale to buy your articles.Louis Vuitton Handbags have become the best seller in international market.such as Monogram Multicolore,Monogram Canvas Handbags.We also offer you other platforms.Owing to the various styles and models, up-to-date styling,elegant appearance,full range of colors and designs,quality and quantity assured,The bags in Louis Vuitton Outletand Louis Vuitton Online Store sell very well both at home and abroad. Now, Login Louis Vuitton Handbag On Sale to choose your favorites. What's more,the latest commodities are renowned all over the world for exquisite workmanship, skillful knitting and elegant design,famous for selected materials, novel designs, delightful colors and exquisite workmanship. For more relevant information, please login Louis Vuitton Outlet!?<p>When we think of American flag shirts, we usually think of or those Fourth of July tees churned by Old Navy instead of chic style.</p><p>But British model Rosie and her boyfriend Jason Statham hit Miami Beach yesterday to catch some rays American style, and we have to say... the look becomes a whole lot sexier on a supermodel.</p><p>Rosie slipped into a pair of dark shades to go with her blue bikini bottoms and a cut-off flag tee and she and Jason wove through a crowd on onlookers in Florida. Hmm... maybe it's a tee?</p><p>Check out photos of Rosie's look below and tell us: are you feeling her patriotic outfit?</p><p></p><p></p> <br>?<p>www.mydaily.co.uk:</p><p>Burberry have just announced their new scent 'Burberry Body'. It's billed as the brand's most sensual fragrance to date and will be fronted by model du jour, Rosie Huntington-Whiteley.<br></p><p></p> <br>?<p>www.mydaily.co.uk:</p><p>Rosie Huntington-Whiteley had temperatures soaring when she hit Macy's in New York last night, to celebrate the launch of the new Burberry fragrance.</p><p>The model-actress slipped into a sleek nude Burberry suit for the occasion, which featured a daring plunge neckline. And of course, Rosie being Rosie, opted to go sans shirt. (Or bra, by the looks of things.)</p><p></p> <br>?<p>Rosie Huntington-Whiteley loves wearing a trench coat.</p><p>So it's the ultimate irony that her new fragrance ad, which will continue to catapult her already-rising star, finds her removing a trench coat till she's wearing almost nothing at all. "This particular trench was amazing because it was silk and just felt amazing on the skin," the British model tells us. "I think that one had a sort of mink lining... which was really sexy," she adds, laughing. </p><p>Alas, for the sexy commercial, Huntington-Whiteley had to take it off -- almost entirely. "There are certain tricks," she laughs, explaining how she manages to undo the coat, roll around and somehow never reveal more than a generous hint of skin. </p><p>The ability to pose nearly naked with confidence is something Huntington-Whiteley learned from years modeling, including her turn as a Victoria's Secret Angel. She was less familiar, however, with acting, something she needed to learn quick as the female lead of this summer's "Transformers 3." </p><p>"Well I didn't have much time [to prepare]," she tells us about making the action flick. "It was like, from the moment I was asked to be in the film to my first day on set was about two weeks. So I didn't really have much preparation time, and there wasn't a finished script for me." </p><p>She added, "Physically it's very demanding -- you know you're running for like days and days on end, and you get bruises and cuts and scrapes and you fall and you get up." (When asked whether she would do it all again for a possible "Transformers 4," Rosie replies, "Absolutely.")</p><p>[Read more below]</p><p></p><p>Her new gig, thankfully, requires no falling, no running and certainly no bruising. As the face for Burberry's Body perfume, Huntington-Whiteley rolls around seductively in the aforementioned silk-and-mink trench coat, selling the shiny new fragrance for the British fashion house. </p><p>She also sold it last night at Macy's in Herald Square, where (wearing more than she wears in the commercial, but not by much). Last night's posing was easy, as it barely compared to the giant press tour she and Shia Labeouf endured for "Transformers 3." </p><p>It was on that long tour around the world, at photo calls and red carpets, that we saw Rosie wear an array of stunning dresses. Her favorite? Her gown for the movie's UK premiere in London, for which Burberry's creative director Christopher Bailey custom-designed her dress. "I said I want a Michelle Pfeiffer, 'Scar Face' dress," Rosie laughed. , she said, "I felt like a million dollars."</p><p>The only thing that could have possibly made it better, perhaps, would have been a guest-appearance by a royal -- one in particular. "I'm waiting for my proposal [from Prince Harry]," , admitting to a giant crush.</p><p>? How could she be attracted to those lame moves?</p><p>"I love a bad dancer!" laughs Rosie. "Most British men are bad dancers."</p><p>WATCH:</p><p><p><p></p> <br>?<p>She's baaaack!</p><p>After spending her year doing seemingly anything but runway modeling -- , and, oh yeah, -- Rosie Huntington-Whiteley has returned to the runway. </p><p>Walking in Sao Paulo Fashion Week (which, , is happening right now -- it can be hard to keep track!), Rosie took two turns for Animale, a line designed by Priscilla Darolt. </p><p>Although Rosie looked as natural as ever out on the catwalk in Brazil, it had been a while. The British model this past year with the explanation "I'm working that day" (on what we don't know) but her angel wings were missed.</p><p>It was refreshing seeing Rosie in something other than lingerie, however. Could this be the year she conquers not only the tabloids and the red carpet but high-fashion's runways as well? We think she's up to the challenge. </p><p>Plus she's gotta find some way . </p><p>Check out Rosie's runway return below.<br></p><p></p> <br>?<p>MyDaily:</p><p>The supermodel and face of Burberry Body was snapped in Miami Beach with her long term BF Jason Statham yesterday. While clearly we are well jels of Rosie's amazing abs, we have to admit her beach style is tres chic.</p><p></p> <br>?<p>Model and actress Rosie Huntington-Whiteley has been chosen as the body -- er, face of Burberry's newest fragrance, Body. </p><p>, which features Huntington-Whiteley showing off her famous figure wearing nothing but a satin trench by the iconic British brand. </p><p>The "Transformers 3" bombshell , "To be asked to be the first 'Burberry Body' is an amazing compliment." </p><p>A compliment you probably don't even need, of course, </p><p>Burberry Body will debut on September 1. .</p><p></p> <br>?<p>The unveiling of , normally released in December, is a ways away. But dedicated to , which celebrates its 40th birthday this year. </p><p>And why not? The models are all featured stark naked in warm-weather locales... seems more appropriate for August, anyway.</p><p>Unfortunately for those hoping for a sneak peek of 2013's big shoot, GQ Germany's spread is devoted to vintage pics from past calendars. The winning shot? A , posing with her back to Terry Richardson's camera in nothing but lil' shorts. Mysteriously, her nipple seems to have pulled a disappearing act...</p><p>WARNING: The photos below contain full-frontal nudity and may not be safe for viewing at work.</p><p>Other models to earn spots in the retrospective include Naomi Campbell, Natasha Poly and Ana Beatriz Barros, who does the sexy-messy-eating thing with a hunk of watermelon dribbling down her chest. [Ed. note: do men even find this sort of sloppiness attractive?] And a Pirelli retrospective wouldn't be complete without a vintage Kate Moss photo -- although there are plenty to choose from, GQ Germany's fave was from 1994, shot by Herb Ritts.</p><p>While on first glance (and second and third and fourth glance...) the photos simply show beautiful naked women naked, GQ Germany's roundup nicely juxtaposes the unique shoots, from to Mario Testino's souped-up glam in 2001, allowing the differences between the models, photographers and even historical eras to shine through.</p><p>See? Looking at topless models in GQ is so totally educational.</p><p>Check out plus some of GQ Germany's favorite vintage shots below.</p><p>NSFW PHOTOS:</p><p></p><p></p><p>Want more? Be sure to check out HuffPost Style on , , and .</p>?<p>Rosie Huntington-Whiteley has tweeted the first photos of her with her Mad Max 4 co-stars Zoe Kravitz, Riley Keough and Adelaide Clemens.</p><p>The quartet recently arrived in Namibia to start filming their roles as wives in Mad Max: Fury Road.</p><p>Rosie Huntington-Whiteley posted a picture on her Instagram account of herself and new Mad Max co-stars Zoe Kravitz, Riley Keough and Adelaide Clemens</p><p>The model-turned-actress - who got her start in Hollywood when she appeared in the third Transformers movie last year - will also be sharing the screen with Charlize Theron and Tom Hardy in the action flick, with Hardy taking over from Mel Gibson in the role of Max.</p><p></p><p> for her role as Furiosa in the film. She and Tom Hardy were first attached to Mad Max 4 in 2009, but it was postponed after a number of production setbacks.</p><p>She told</p><p></p><p>The fourth Mad Max film comes 27 years after the last instalment, Mad Max Beyond Thunderdome.</p><p></p>?Residence: New York, NY, US <br>Hometown: Devon, England <br>Height: 5'9" <br>Eye Color: Blue <br>Date of Birth: April 18, 1987 <br>Agency: Women Model Management <br>Campaigns: Abercrombie & Fitch, BCBG Max Azria, Burberry, Clinique, DKNY, Levi's, Topshop, Victoria's Secret<br><br>Rosie Huntington-Whiteley is often compared to other models, from Kate to Gisele to Natalia, but we think she's making quite a name for herself and needs no comparison.<br><br>Born in Devon, England, on April 18, 1987, Rosie is the oldest of three children and a distant relative of Queen Victoria. She was discovered in 2003 while attending Tavistock College. Always interested in fashion, she had her sights set on a career behind the camera until she walked into London's Profile Model Management looking for a little work experience. Instead of giving her an internship, the agency quickly signed her. <br><br>Rosie modeled locally for about a year before signing with Women Management in 2004; she landed on the covers of ELLEgirl and Teen Vogue that same year. Since her bright beginning, Rosie has appeared in many monthlies, including Elle and Japanese, Spanish, Chinese, Italian, and British Vogue, in whose November 2008 issue she was featured alongside Eden Clark and Jourdan Dunn in a feature celebrating the newest crop of British models. <br><br>As for campaigns, Rosie has worked with Tommy Hilfiger, Abercrombie & Fitch, Paul Smith, DKNY, BCBG Max Azria, Clinique Happy, Burberry, and Victoria's Secret. <br><br>Not a girl to be confined to glossy pages, Rosie is at home on the runways as well, having made her debut in September 2004 in the Nicole Miller and Vivienne Tam shows in New York. She continued her tour of the runways for Dsquared2, Just Cavalli, Moschino, Valentino, Betsey Johnson, Oscar de la Renta, Paul Smith, and Elie Saab in 2005. And 2006 and 2007 saw Rosie walking for Heatherette, Max Azria, Vera Wang, Marchesa, and Rock & Republic.<br><br>Fashion is not just Rosie's day job: She is a trendsetter on and off the runway, rocking such signature looks as short hemlines and of-the-moment clutches. She made waves at the 2008 Metropolitan Museum of Art Costume Institute Gala, to which she wore Burberry. Actually, she manages to make style waves no matter where she goes, most often at the hottest London parties and fashion events worldwide. This English girl lives in London and loves surfing as well as the green movement, having joined up with Green Thing, a new online community, to make the world a better place. Other Rosie favorites: steak, chips, and Diet Coke.?<p>Rosie Huntington-Whitely struck a seductive pose in for fall's Mario Testino-shot Burberry Body campaign.</p><p>But the British beauty has taken a more demure turn in ads for Marks & Spencer's latest Autograph collection, which hits stores today. The images see Rosie, 24, getting cozy with Ryan Reynolds, a decade her senior. </p><p>The model radiates classic elegance in a ladylike rose-hued blouse, seasonal staples like a chunky knit sweater and versatile blazer.</p><p>Rosie that the British high street store gives her pangs of nostalgia for her English upbringing.</p><p>What do you think of the images? We like that they have a hazy, cinematic look, which is fitting given Rosie's .</p><p>We also can't argue with the selection of easy-on-the-eyes Reynolds as Rosie's on-camera partner.</p><p>Check out the photo below -- what do you think of the pair?</p><p></p> <br>?<p>Burberry, the luxury British outerwear maker, will reveal all its looks via Twitter today, prior to the designs featuring on the runway. </p><p>The luxury brand is set to show at Kensington Gardens at 4pm, but in the brand's signature democratised fashion, fans from around the world will see the designs before key editors and guests at the runway show. </p><p>In an interview prior to London Fashion Week, that digital media is just as important to the brand as fashion design. </p><p>He said: "Burberry is now as much a media-content company as we are a design company, because it's all part of the overall experience. It's very important to consider new technologies with a light approach. Facebook, for example, is not just a mailbox. You need to keep it going, add content, create a genuine, non-deceptive relationship."</p><p>The runway show will also be l. London Fashion Week has an extensive digital schedule, . </p><p>Fans of fashion, and observers of digital media application, can follow . London Fashion Week runs until Wednesday, when male fashion will take over from five days of womenswear. <br></p> <br>?<p>, who is best known for playing Ron Weasley in the , has always been overshadowed by his co-stars. not only rid the wizarding world of He Who Must Not Be Named, but he has also had a successful theater career, and even took it all off for the lead role in "Equus." , on the other hand, has been embraced by the fashion world. In addition to landing the cover of Vogue, Teen Vogue, Marie Claire, Elle and now T Magazine's September issue, the has and .</p><p>So, back to Grint. Although he may not have quite the fashion cred of , the British-born actor has solidified his off-screen look. Whether walking the red carpet or doing errands, you can expect to see the child star wearing his uniform: a graphic t-shirt, blazer and dark slacks.</p><p>To celebrate Grint's 24th birthday on August 24th, we're taking a look back at how his style has changed (or hasn't changed) over the years. Which one of his blazer/tee combos is your favorite?</p><p>Want more? Flip through our many other and be sure to check out Stylelist on , , and .<br><br></p><p><br></p>?<p>Academy Awards producers are certainly regretting their decision to allow Sacha Baron Cohen to attend the award show in full "Dictator" regalia, after he .</p><p>"Ryan was visibly upset about the stunt but managed to keep his composure," an E! insider told me. "It's not only that Sacha used Ryan in a desperate attempt to get publicity for his film; it's the fact that the joke was just not funny."</p><p>But Seacrest didn't seem too torn up over the fumbled urn. </p><p>"My mom always told me to pack two jackets for red carpets, always wondered why. Now I know," . But behind the scenes, no one at the Academy of Motion Picture Arts and Sciences was laughing.</p><p>"It's the Oscars, for God's sake," an A-list TV presenter told me. "It's just not the time nor the place. We were all amazed that the academy allowed him to walk the carpet dressed like that in the first place. But after the incident they were livid. Unless he ever gets nominated for something, you can expect to never see him invited back again."</p><p>Jennifer Lopez was one of the first celebrities to talk with Seacrest after the incident, checking that her "American Idol" friend was okay. It turns out that it takes a lot more than Bisquick mix to stop Seacrest from asking that all-important question, "Who are you wearing?"</p><p></p><p></p> <br>?<p>On the opening night to the fashion world's biggest week, Fashion Night Out turns the streets of New York City into runways, the neighborhoods into the most trendy block parties and the stores into music venues. With celebs like Helen Mirren, Dwayne Wade, Justin Bieber, the Kardashians, Beth Ditto, Anna Wintour and even the enigmatic Banksy running around, you never know who you will be rubbing shoulders with. With everything open to the public, it's a free-for-all adventure through fashion and what the latest trends will be with the attention on every store trying to outdo their competition as to who will deliver the best party and attract the most faces. With name DJs supplying the soundtrack to each venue and free alcohol flowing like water, the choices as to what to do can be intense and overwhelming. <br><br>My night was made simple as the British buzz band, (and a band I have tipped to be one of the "") were flown in from Burberry to play at their SoHo flagship store and coincidentally would be the bands first American gig. I caught up with the lads from the tiny town of Morcombe who were wide-eyed about their maiden voyage to the city. "I am just thrilled to be in the city that gave us The Shang-Ri-La's and The Ronnetts!" bassist Deaks told me as I met with the band before their big gig. The band played two sets at the Burberry store to a packed audience who were curious to see a live band rather than someone spinning records. "Just last week were all crammed in a small room sleeping and recording together, now we have been put up at Tribeca Grand, I just can't believe this!" singer Matthew Whitehouse told me. Funny enough, Whitehouse is also a Burberry model, so the pairing of such a great brand and band was just inevitable. </p><p>The excitement the boys of The Heartbreaks had was displayed in the two 20-minute sets they played at Burberry. Set number one was as if they were their own opening act, showing off their sound and style to the audience who were fascinated with this new band. "This song went to number 482 on the Billboard 500 here, we are very excited to play it," Whitehouse told the audience before they broke into the catchy "Jealous, Don't You Know." The sound of The Heartbreaks is very British, so it was only fitting that Burberry was their debut performance. They are four very dapper gentlemen who make fantastic Britpop meets surf rock chic of music. While set one saw them introduce themselves, it was their second set that really had them cooking. With champagne flowing in the crowd and the band really breaking out of their shells, it was then that they had arrived in perfect fashion. "It is not really a proper gig, but it's cool," drummer Joseph Kondras told me after the gig. "We are really excited to hopefully come back now after we put our record out, we can't wait to get the record out," he continued. The Heartbreaks trip to New York City was short-lived but the excited and wide-eyed band will return home with their heads held up high. They are currently in the studio recording their debut with Frank Turner's producer Tristan Ivemy. The record is expected to be released in March and from the sound of it already, they should get used to being spoiled and having big things come their way. <br></p><p>Follow Salvatore Bono on Twitter:</p>?<p>The UK's first lady, Samantha Cameron, never attempts to hide her interest in A-list fashion shows. In fact, style is part of her job: she's the ambassador for the British Fashion Council, after all.</p><p>Last year, SamCam and other shows, and she also that was graced by the likes of Anna Wintour and Tom Ford. </p><p>And this year, she continues her sartorial streak, popping up at A-list shows and hanging with fashion's biggest names.</p><p>In a Jonathan Saunders green top paired with a black suit, she perched front row at both Burberry and Christopher Kane shows on Sunday. Later, she in a gorgeous pink frock and camped out next to Anna Wintour and Salma Hayek -- the latter of who was attending her first ever London Fashion Week show.</p><p>We can't wait to see where SamCam will show up next!</p><p>PHOTOS:</p><p></p><p></p><p>Related on HuffPost:</p> <br>?<p>The designer dress worn by Prime Minister David Cameron's wife to last year's royal wedding is being auctioned for charity.</p><p>Samantha Cameron was described as one of the best dressed guests when she wore the green, silk teal Burberry dress to the Duke and Duchess of Cambridge's nuptials, accessorising it with a dazzling orange scarf, statement necklace and nude shoes.</p><p>The garment will be sold to raise money for Save the Children.</p><p><br>The Burberry dress is being auctioned on eBay</p><p>Mrs Cameron said: "Save the Children do amazing work here in the UK and internationally.</p><p>"By taking part in the Born to Shop auction, the public can do their bit to help Save the Children make a difference to the lives of children all over the world.</p><p>"I love the Burberry dress I wore to the royal wedding, and am thrilled that I have been able to donate it to the Save the Children Born to Shop auction."</p><p>Fashionistas have eight days left to bid on the eBay auction to secure their piece of fashion history.</p><p>Launched on September 13, #bidboutique, Save the Children's first online auction in conjunction with both eBay and The British Fashion Council is supported by a host of celebrities and designers, including Preen, Erdem, House of Holland, Alexander McQueen and Piers Atkinson.</p><p>The Born to Shop #bidboutique online auction is part of the No Child Born to Die campaign which aims to stop the needless deaths of more than 7.6 million children every year.</p><p>With the money raised from the auction, Save the Children will be able to deliver life-saving aid to children in some of the world's poorest countries.</p>?<p>The Brits are here!</p><p>Britain's prime minister David Cameron and his wife, Samantha Cameron, finally touched down on this side of the pond on Tuesday to mark their long-awaited visit to the United States.</p><p>And of course, we were anxious to see what Mrs. Cameron, who's somewhat of a style icon, would be wearing, and we got our answer: a Burberry trench coat, Joseph trousers and L.K. Bennett shoes -- a favorite of -- </p><p>Despite her all-black ensemble, SamCam looked cool in the sun as she alighted from the plane with her husband, British prime minister David Cameron.</p><p>The Camerons spent the day with the Obamas in Washington before the president and the prime minister jetted off to Ohio for a basketball game.</p><p>While the boys , FLOTUS and Mrs. Cameron attended a mini-Olympics event with local school children at American University's Bender Arena. SamCam looked pretty in the she wore in February for her Fashion Week party at 10 Downing Street. Mrs. Obama opted for a frilly chartreuse cardigan by L'Wren Scott with very chic wide-legged trousers.</p><p>This wasn't the pair's first rendezvous; they at 10 Downing Street together (we know, SO cute!) and apparently swapped fashion tips, as </p><p>Check out all the pics below!</p><p></p> <br>?With the polka dot trend in full swing and as today happens to be the anniversary of the last Mickey and Minnie Mouse cartoon strip Walt Disney ever scripted, it gives me a tenuous enough reason to celebrate some animated fashion via Lazy Oaf's revisiting of Minerva's iconic look.?I agree with you. I don't know what the hype is. I find her incredibly unattractive in fact, borderline ugly. <br><br>If you take her features apart, the only thing that is pretty on her face are her eyes, their color, her mouth is okay. <br><br>But the entire package is lame. <br><br>I used to work in the city, where they'd occasionally film an episode by my work place, where I'd see her on occasion, she was skin and bones! too thin, even for my taste.<br><br>They do dress her beautifully though, and that's the only thing that she has going for her in terms of beauty.?<p>Art director Christopher Lee Sauve's impeccable style radar and youthful vision have won him a diverse and enviable client list of New York's finest, boasting names from Alexander Wang to DVF via W Hotels and the New York City Opera. However, it's the collection of 'scandalous' T shirts for his eponymous line that is making waves right now.</p><p></p><p>CLS has taken the rebellious cheeky controversy-courting spirit seen in his infamous 'Save Anna' shirts (in support of US Vogue's legendary Editor-In-Chief, Anna Wintour, when it was rumoured she was to be ousted from her Conde Nast throne) to a new level with this unisex range inspired by various designer and celebrity gaffes, making something so right from some things that are generally a bit wrong.</p><p></p><p>Featuring hand drawn illustrations of their subjects with details of the scandal scrawled and cut'n'pasted alongside in a truly punk fashion, CLS brings us some fun, tongue in cheek Ts that include Lady Gaga and the Meat Dress vs Peta, Karl Lagerfeld and Tom Ford's anti-fatty rants, and Madonna's controversial gun-heeled shoes. </p><p></p><p>Check out the whole range, which is available to buy at ��60 per shirt, on 's site - an amazing little site that brings the best in cutting edge and emerging New York and Los Angeles design talent to the UK - </p><p><br></p><p>Follow Sarah McGiven on Twitter:</p>?<p>Clumsies beware! White is going head to head with red in the colour battle to be this year's Christmas No. 1. </p><p></p><p>The Autumn / Winter 2011/12 catwalks were awash with snowy looks from top designers including , ��665), Alexander McQueen, Yves Saint Laurent and Hermes.</p><p></p><p>As prepares to open its White Wonders concept store, I had a sneak peek at some of the pieces designed exclusively for this Wonder Room pop up which, if - like me - you're an accident magnet and a slave to the dinner medal, you'll be pleased to hear includes a host of amazing alabaster accessories.</p><p><br>Burberry Pattison jacket, ��995</p><p>From a milky (��895) and Givenchy tote (��1,165) to a fitting Tom Ford White Musk candle and glitteringly sleek make up set from MAC, switching its signature black packaging to fit with the achromatic theme, the White Wonders collection is filled with gorgeous gifts and some seriously covetable clothing (the and Burberry trenches in white for men and women - HELLO). Brit Artist Marc Quinn, whose 2008 golden Microcosmos Siren sculpture of Kate Moss in a complicated looking yoga pose recently made headlines after reportedly fetching over $900,000 at auction, has also put together a capsule range of products for the store as well as a new installation which will be on display - hopefully no frozen blood heads this time.<br></p><p>I'm not sure whether I should have included this before I've got my own hot little hands on them as they're guaranteed sell outs (again), but in the spirit of seasonal sharing check out these festive L'Oreal sets which are also Selfridges exclusives. If you're a product junkie, you're going to want to be all over the - a fantastic diet alternative to the usual chocolate variety - which contains 24 mini treats from the likes of Lancome, Kiehls, Shu Uemura and YSL. There's also a genius version (��38) - mini screwdrivers and fortune telling fish be gone! </p><p></p><p>If you're brave enough to try to pull off the winter white trend on a clothing level it might be wise to make like Victoria Beckham (who also has a specially designed bag in the White Wonders collection) and match your beverage colour to your outfit to minimise staining dramas - mmmm Starbucks steamed milk with an almond shot... <br> <br><br>My favourite footwear pieces - all white Dr Martens & some classic retro Moonboots (��135)</p><p>Some White Wonders items are available to purchase now from but if you want to see the full range, the White Wonders Concept Store opens on 28th October and will be located within the Wonder Room on the ground floor of Selfridges' Oxford Street flagship. <br></p><p>Follow Sarah McGiven on Twitter:</p>?<p>Coachella officially kicks Music Festival season off in the US this weekend and, as the UK's Summer Festivals loom large, there's one thing you can guarantee - rain. Luckily, designers and retailers, ever quick to herald their Festival Fashion trends, have finally caught on to the fact that floral dresses, a plaid shirt and some cut off denims aren't really where it's at. What modern festival goers really need are cool, lightweight, at least shower-proof jackets and ideally ones that can be screwed up at the bottom of your backpack or tied round your waist when that sun decides to show itself. </p><p>Pac-a-macs have enjoyed a huge resurgence recently but can get a bit 'boil in the bag' so thankfully now there are some serious yet practical fashion options available that are perfect for everyday too and come in this season's cheeriest shade - bright, citrus-y, sunshine yellow. Here's my pick of some of the best rainwear out now, and a selection of cute wellies - including the inspired Moschino Cheap And Chic 'Wet-A-Porter' boots for Net-A-Porter.com - to go with them.</p><p></p><p>Top Row: , ��1,400, , ��395, , ��550, , ��300, , ��95,.</p><p>Bottom Row: , ��125 from , Ilse Jacobsen soft shell water repellent coat, ��110 from , Paddington Bear shower proof parka, and if you don't fancy going all out yellow, you can rock a hint of primary with this unisex - I have this, it's awesome - for half price! Now ��55 from .</p><p></p><p>Top Row: , ��235 from, in White, ��110 from , , ��125, exclusively from .<br>Second Row: Left and right - ��95 from Coggles.com now plus Poste Mistress Covent Garden and Harvey Nichols from May, and centre - Aigle Yellow Chantebelle boots, ��80 from .<br>Third Row: , ��85 (Top Tip - try Marc by Marc Jacobs stores 'Special Items' section for cheaper versions of these in a variety of colourways without the fitted style), , ��125, , ��250, all from.<br>Bottom Row: Aigle lightweight foldable wellingtons - roll them down to stash them in their own little carrier, ��75 from .</p><p>Follow Sarah McGiven on Twitter:</p>?She's borderline Tranny. The dress is too tight and looks exaggerated , especially with her breasts looking like they're about to explode.The hair is too sleek for the size of her head. She's got a large head and large features squeezing that type of statuesque body into a gress that's so detailed exaggerates what's already exaggerated by nature. The fingernails and the toe nails should match. Is that a daytime dress? She definitely looks like a transvestite.?<p>LONDON &mdash; It looks like for some designers, next spring is fashion's moment to shine &ndash; literally.</p><p>Metallic leather, shiny satin and foil-like fabrics in rainbow colors dazzled on the catwalk at Burberry Prorsum Monday, reinforcing a trend that already saw lashings of sequins and space-age style designs earlier in London Fashion Week.</p><p>Burberry, which typically puts on the most extravagant and celebrity-studded display during the week-long style extravaganza, went for flamboyant luxury for its latest spring collection. The catwalk was packed with iridescent swimsuits, metallic leather trench coats and satin corsets, and the palette was that of precious metals and gemstones: Gold, silver, emerald, turquoise and ruby.</p><p>"I wanted to do a collection that makes people smile," creative director Christopher Bailey said after the show. "I want it to be joyous, a bit sassier and sexier."</p><p>The show's front row guests included boy band One Direction's Harry Styles, burlesque actress Dita von Teese, "Slumdog Millionaire" star Dev Patel and tennis player Andy Murray.</p><p>Bailey opened with a structured white silk cape draped over a rose gold bodysuit with fine ruching.</p><p>Coats &ndash; especially Burberry's signature trench coats &ndash; featured prominently, but there was also a notable move toward capes and a puffy, button-less cocoon jacket shape.</p><p>Standout variations on the cape included one in silver leather, draped over an emerald shift dress, and another in clear orange plastic trimmed with python leather.</p><p>The repeated pairings of capes with corsets was inspired by early 1900s photos from the Burberry archive, Bailey said.</p><p>Meanwhile, trench coats were reimagined in a luxurious gold lace, a hot pink-to-red ombre, and in the finale, a rainbow of metallic textured leather in shiny fuchsia, purple, cobalt and bronze.</p><p>That same shiny colored leather was seen on the bags, too, paired with matching shades of clear plastic.</p><p>Burberry's Bailey wasn't the only one bit by the shiny, metallic bug. Holographic material and full-on sequined party dresses appeared at Jonathan Saunders, Topshop Unique had silver paired with white organza, and Preen's show featured metallic lace.</p><p>Scottish heritage brand Pringle also featured plastic details, though it was only a nod. The brand, best known for its fine argyle knits, updated frumpy `50s crew neck twinsets with vibrant colors like jade and canary yellow, and embellished them with geometric plastic beading.</p><p>Pringle, which presented its collection in a hotel room instead of on a catwalk, also featured a host of pretty sorbet shades, the other trend for next season. Knits and jackets were made in soothing hues of dove grey, lilac, pale lemon and powder pink.</p><p>Also showing on Day Four were Christopher Kane, Erdem and Peter Pilotto. The action will be winding down on Tuesday, the last day of womens' wear previews at the fashion week.</p>?<p></p><p>THE CANADIAN PRESS -- VANCOUVER - Three Canadian companies have been ordered to pay roughly $2.5 million for selling knock-off Louis Vuitton and Burberry handbags in what a Federal Court judge describes as an "egregious" case of trademark infringement.</p><p>Vancouver-based companies Singga Enterprises Inc. and Carnation Fashion Company, along with Altec Productions of Toronto, were accused of importing, manufacturing and selling handbags bearing Louis Vuitton and Burberry logos.</p><p>Louis Vuitton and Burberry filed their lawsuit after using private investigators for two years to visit warehouses and purchase fake handbags in person and online.</p><p>Judge James Russell said all three companies were involved in large-scale importing, manufacturing and selling of fake handbags and took steps to cover up their actions.</p><p>"All of the defendants' previous and ongoing actions are clearly knowing, planned and deliberate," Russell said in a written judgment posted to the court's website this week.</p><p>"The defendants have also attempted to deliberately conceal or cover up their wrongdoings, avoiding dealing with unknown individuals, obscuring domain name ownership and switching websites, and/or hiding such goods from view of the public or anyone entering their premises."</p><p>Neither Singga nor Altec appeared at hearings in the Federal Court last year, and neither provided any evidence to dispute the allegations.</p><p>Both companies were accused of running the counterfeit operations out of storefront warehouses and online. They also worked together, with Singga sending customers to Altec and receiving commissions in return.</p><p>Altec has continued to sell counterfeit bags online despite the ongoing court case, Russell said.</p><p>"Given the egregious nature of their activities, the normal trademark and copyright profit or damages assessments would not be sufficient, and punitive and exemplary damages should be awarded," Russell wrote.</p><p>"This is particularly true with the Altec defendants, who have blatantly continued their activities notwithstanding commencement of this proceeding, and have ignored the process of this court."</p><p>Singga was ordered to pay a total of nearly $850,000 to Louis Vuitton and Burberry, including $200,000 in punitive damages. Altec was ordered to pay about $1.2 million, including $250,000 in punitive damages.</p><p>Carnation owner Jessie Guo did appear at the hearings and admitted she was selling fake bags, though she insisted she wasn't familiar with Canadian trademark law. She also denied having any connection to Singga.</p><p>Lawyers for the fashion houses said Guo had been co-operative during the legal process and described her operation as significantly smaller in scale than Singga and Altec. Her company was ordered to pay $390,000.</p><p>"Guo gave me the impression that she may have learned her lesson and she expressed contrition for her past conduct," Russell wrote.</p><p>"Guo obviously knew, however, that what she was doing was wrong, and yet she kept on doing it for several years and simply hoped that she would not be found out. The clandestine nature of her activities confirms this. There is no real excuse. She was perfectly happy to go on doing what she knew was wrong in order to make money at the expense of the plaintiffs' rights."</p><p>Louis Vuitton adopted of a "zero-tolerance" policy for counterfeit goods in 2004, which has led to over 13,000 legal actions, 6,000 raids and about 950 arrests, according to the company's website.</p><p>A crackdown against stores in Vancouver-area shopping malls led to a successful 2008 lawsuit in which Louis Vuitton claimed $980,000 in damages and about $50,000 for court costs.</p> <br>?<p>Saturday rolls around and I'm annoyingly aware it's the first weekend in ages that no plans have been made with the beau - I worry that he has tired of my affections, (incredible as this may seem) ...My best friend Zoe saves the day with a text.</p>?eGHZmFyID44mYu00M5dZQhYaAu%2FAmgJCGfYy66NCsZ3y2%2BCd8epkdQj2UKN14xi7V2f6zvgZ4FLzuHlXFqCtvHEMfu8cnurHGtdTrlO6FQ53rI4f%2FNo7oyXAvVcpcAPr4kIuB5Ua5hfpX3jCUjpesONZAp5v%2FZYto0CpL2BNQDbLKBQntDL%2BG2ZKPlg9r%2BFV?%2BmT0BiOAFtrtokNKpUskOJ8H48FfJw8w2fwJRIZ%2FmkxHhB9wN3OKyzyLcj7%2BIaIUlBrT8Mnfgr0u5YNGmCouCEzr13WH06%2FKw9sAFVgPVn1yfM9c4bEk3KHP%2B65GOlBt?<p>Last night Burberry celebrated the launch of Body, the British fashion house's new fragrance, in Beverly Hills.</p><p>Serena Williams, Rachel Zoe, Kate Bosworth, and Solange Knowles are just a handful for the stars that attended the event. </p><p>Knowles, one of , served as the party's DJ and wore a bold printed blouse with a high-waisted blue skirt. </p><p>"I definitely gravitate toward prints and color," in an interview earlier this month. </p><p>We love her use of color and proportions. HIgh-waited pants and skirts are on the rise (pun intended)--and a great staples in your Fall wardrobe. </p><p><br>Here's a look at the event's stylish scene.<br></p> <br>?<p>Whether it's a Louis Vuitton, Proenza Schouler or Chanel that your heart desires, it's likely, if you're spending upwards of $1,000 on a purse, you want it to be real. </p><p>But there are plenty of people out there -- online and on street corners -- who are looking for people super keen on buying a Birkin to scam. (Can you imagine what it would feel like to think you've bought "the real deal" when all you've snagged is a knock-off? Blah.)</p><p>Avoid the feeling of "it" bag buying defeat, by checking out these tips from . Their five tidbits will help you spot a fake online, and will save you from serious sartorial heartbreak. </p><p>Easy Tells<br>Spotting replica handbags used to be simple; check the hardware, logos and material. Lightweight metal accents, slightly skewed logos and cheap materials are still the first lines of defence for warding off fakes, but with today��s higher-quality knock-offs, it��s a case of needing steps two through five as well.</p><p>Online Indicators<br>When buying a handbag online, make sure it��s from a reputable source. If sites are based in China or Hong Kong, proceed with caution, as the two countries make up 88.8 per cent of the goods seized. Also, check the descriptions and reviews for signs of inauthenticity. If customer reviews say the bags aren��t the real thing, then they likely aren��t.</p><p>Respectable Resellers<br>Just because a bag is sold online, it doesn��t mean it��s fake. Authentic and vintage handbags are often sold on eBay; buyers just need to be smart in researching the seller. If the deal looks too good to be true, it usually is. A Chanel bag will never be $50, so use common sense. Certified resale sites like Portero also offer discounts on authentic bags.</p><p>Craftsmanship Flaws<br>A Burberry or Prada handbag will not have crooked stitching or unfinished edges. High-end brands take ultimate pride in craftsmanship, so no imperfect bag would leave their factory for a legitimate retailer like Nordstrom. The leathers and fabrics of authentic bags will always be perfectly stitched and lined up, never crooked or gapped stitched.</p><p>Brand-Specific Giveaways<br>Know the signs to look for in the specific bag. For instance, Marc Jacobs�� zippers are embossed with either RiRi or Lampo and all Louis Vuitton bags made since the early ��80s have a date stamped somewhere on the interior. Brand fanatics spend time spotting knock-off bags to protect their favourite designers�� integrity, so a quick search before you buy will reveal specific tells for each high-end brand.</p><p>Armed with these five tips, spotting imitation designer handbags should be simple. Don��t fall into the impostor trap -- if the real thing is too expensive, buy an authentic, quality handbag of a lesser-known brand. </p><p>Here are real Hermes bags on the arms of celebs:<br></p><p>Also on HuffPost:</p>?<p>A graduate of London College of Fashion (LCF), Matteo Mollinari showed his Spring/Summer 2013 menswear and accessories range as part of LCFM, an initiative that brought together LCF menswear alumni Molinari, Domingo Rodriguez and Asger Juel Larsen to show their collections to an attentive audience that gathered on a runway at the Royal Society of Arts on 15 June 2012.</p>?In the early 1990's, the red carpet was far from the international fashion frenzy it has become today. No one ever heard of paying a stylist to "place" a piece of jewelry on a celebrity client, and loaning jewelry to the stars, so common today, was nearly unheard of -- or at least not widely discussed.?JACKSON, Miss. &mdash; A Georgia woman had little chance of surviving an illegal cosmetic procedure in Mississippi because the silicone-like substance that was injected in...?<p>Yesterday, on a long-awaited balmy Los Angeles day, Burberry chief creative officer Christopher Bailey hosted a classic English Tea at an Ivy-covered estate in Beverly Hills. The cute-as-a-button Brit had flown into town on a one day jaunt to celebrate the brand's very first beauty line, which launched at Nordstrom earlier this month.</p><p>Though the weather was schvitz-worthy, the intimate crowd -- which included Kate Bosworth, Lake Bell, Rachel Zoe and Jayma Mays -- managed to stay cool as the cucumber and chive tea sandwiches being served.</p><p>And Bosworth particularly stood out in a nude lace creation from the Burberry Porsum pre-fall '10 collection.</p><p>"We're twins!" the actress laughed as a fellow guest strolled by wearing the dress' black-hued counterpart. Only Bosworth added her own spin to the outfit with a tanned leather belt, lending a young, laid-back quality to the look.</p><p><br></p><p>GARDEN PARTY: Model May Anderson and Kate Bosworth.</p><p><br>She wasn't the only bold faced name to wear slick accessories. Nylon Fashion Director Dani Stahl, who was hosting a Lia Sophia jewelry event at the Sunset Tower Hotel later that evening, sported a cool copper headband; While Zoe effortlessly strutted the lush green lawn in a pair of stilt-like platform sandals that became a topic of guest conversation.</p><p>But the accessories with the most buzz were the lipsticks, eyeshadows and blushes in Burberry's brand new line of cosmetics. The collection, simply called Burberry Beauty, consists of twenty extremely wearable, classic shades including Brick Red No. 19, a deep, blood-hued lip color, and Russet Blush No. 01, a natural, peachy cheek powder.</p><p>Bosworth is a fan.</p><p>"I'm in love with the collection," she gushed to Bailey before inviting him to later meet her at Chateau Marmont for a drink.</p><p>But Bailey, who was only in town for twelve hours, had to decline.</p><p>"Next time," he said, looking genuinely bummed. As the air finally started to cool, it was anyone's guess what the designer would miss more: the company of a movie star or the first genuinely perfect night of summer.</p><p><br>Click here to read more at </p><p>Follow Style Section L.A. on Twitter:</p>?<p>This week, with runway newcomer Tali Lennox, daughter of rocker Annie Lennox. The 17-year-old is signed with Next Models and has already graced the catwalk for Prada, Roberto Cavalli, Burberry and Missoni. , "My family is very supportive; they have a lot of faith and trust in me. I talk through every aspect of my job with my mum, and she's given me a lot of self-belief and wisdom. I don't talk about it that much with most of my friends. It's nice to be with people who are detached from the industry."</p><p>She also shared her most memorable experience from the last season of shows: </p>Speeding through Milan on a motorcycle in heels and a minidress, trying to get from the Missoni show to the Versus show, being over four hours late. I rushed in and had four people doing my hair, two people doing my makeup, and another two on nails and toes all at the same time. I heard an Italian woman repeatedly calling "Tali, Tali! Where is Tali?" I finally make it to the backstage line where all the other girls are already lined up and see that the woman calling for me is Donatella Versace! The show set was like a playground, and I felt like the naughty girl at fashion school! <p>Check out some images of Tali on and off the runway.</p><p></p><p><br></p> <br>?<p>Meet the new faces of Burberry -- although they should look familiar to you. </p><p>That little lady on the right is Tali Lennox, daughter of songstress Annie, who is kind of a big deal. And on the right? Tara Ferry, son of rocker Bryan Ferry. </p><p>We would have loved to be a fly on the wall (on the beach?) at this photoshoot. We've already married them off to each other in our minds.</p><p>Take a look:</p><p></p><p>WATCH:</p><p></p> <br>?Tali is one of the most successful young models in the UK. Having shot the Topshop Christmas campaign in 2010 Tali has gone on to shoot for Burberry, and is the current face of Karen Millen. She has modelled for the likes of Burberry, Marc Jacobs, Julien Macdonald, House of Holland, Prada, Missoni, John Rocha, Topshop, Issa and Betty Jackson. Julein Macdonald personally asked herto be a guest judge on Britain and Ireland��s Next Top Model alongside Elle Macpherson. She has also customised and decorated a watering can that will be on show on a one-off pop-up shop on 63 Broadwick Street, London W1F. It is part of a series of exhibits designed by other celebrities, including Katharine Hamnett, David Shrigley and Bill Nighy, all to be auctioned on ebay ? .<br>Auction closes on Sunday May 20th.?<p>Apple has become one of the world's most valued brands, following stellar sales in both developed and emerging markets last year. </p><p>It was only beaten into second place by beverages giant Coca Cola in Interbrand's 13th annual global brand survey.</p><p>Technology giants dominated the listings in 2012, with social media giant Facebook entering the report at number 69 after making headlines as the third largest IPO in US history</p><p>Search engine Google experienced a 26% increase in brand value over the last year which helped to place it an impressive fourth, ahead of its rival Microsoft for the first time. Microsoft placed 5th.</p><p>But there was a distinct lack of British companies - just four in the list's 100 companies. This is partly explained by a number of fallers from last year's report, including Barclays which suffered from its rate-rigging scandal.</p><p>Barclays wasn't the only financial services company to suffer; Zurich and UBS also failed to make the grade in 2012. </p><p><br>Luxury brands also performed well</p><p>Luxury goods performed well, thanks mainly to their retained brand value - with Burberry placing at 82, Prada at 84, Tiffany and Co at 70 and Hermes at 63. </p><p>Louis Vuitton secured 17th place, with Gucci coming in close behind on 38th.</p><p>Automotive brands performed well too as companies become more attuned to the emotional connection consumers have with their cars.</p><p>This has caused many automakers to develop more effective, technologically savvy ways to reach target markets and help prospective buyers better relate to car brands. </p><p>Audi��s digital showroom, Audi City, combes digital product presentations and personal contact with dealers. It placed at 55.</p><p>Similarly, Ford (placed at 45) is working hard to improve MyTouch, its in-car communications and entertainment system. </p><p>Brands like BMW (placed 12th) and Hyundai (placed 53th) are investing in global brand campaigns and are becoming more digitally connected and tailored to narrower target groups. </p><p>The whole industry is hoping to engage customers and prospects in a relevant and personalised manner throughout the entire purchase cycle, said.</p><p>Another interesting brand to note was Smirnoff, which increased its brand value by 5%, but still only managed to place 90th, one place down on 2011.</p><p>Interbrand examines the three key aspects that contribute to a brand��s value:</p><p></p><p></p><p>Elsewhere, Amazon UK, Marks & Spencer and House of Fraser have topped the UK Ecommerce Performance Index study.</p><p>However, the report, which scored 25 of the UK��s top retailers�� websites against a detailed best practice benchmark, presented a disappointing average score of 58%, well short of 2011��s score of 63%, which indicates retailers are struggling to keep up with maturing consumer expectations.</p><p>David Bowen, product manager at EPiServer which produced , commented: ��The overall score of 58% demonstrates there is plenty of room for improvement and a real opportunity for savvy retailers to give themselves a significant competitive edge with just a few simple measures.��</p><p>The biggest bones of contention for consumer expectations were the speed of checkout process and the cost of delivery.</p><p>"We��ve seen some great examples of websites delivering excellent service in particular areas, but very few are scoring well at all stages of the online shopping journey," said Bowen.</p><p>"Many retailers have fallen down at different points too, so there��s no single point of concern across the board. Amazon is a great example of how taking care of every stage can deliver a superior customer experience and this will ultimately support increased conversions and sale values.</p><p>��Our findings highlight areas where even the UK��s top retailers are risking customer loyalty, extra revenue and market share by underestimating consumer expectation.��</p>?After 5 years pursuing their own successful careers ? Alana as a professional dancer and Lisa as a theatre producer, identical Scottish twins Alana and Lisa Macfarlane decided to join forces and are one of the hottest new presenters in the UK.<br><br>They started their presenting career with Verge Magazine, the UK��s largest student magazine that��s distributed to all UK universities and colleges, it's here they crafted their quirky yet personable presenting style.<br><br>The Mac Twins have covered some of the biggest music events including The Brits, Wireless Festival and Radio 1's Big Weekend. Away from music the girls have covered a range of events from London Fashion Week through to the 2012 Olympic Torch Relay. It seems like everyone wants to be interviewed by The Mac Twins and they have interviewed a host of stars including Ed Sheeran, Wretch 32, Keith Lemon, Katherine Jenkins, Plan B, Stooshe, Vic Reeves, Brooke Kinsella and Rizzle Kicks.<br><br>The girls have made a splash in the world of radio and feature on BBC Radio 1Xtra��s breakfast show with Twin B each week. As broadcasters their talents have been used for BBC Scotland TV and Sky's Digital's Community Channel, as well as hosting events at the o2.<br><br>The Mac Twins also model and act. Lisa appeared in the latest Harry Potter film (Deathly Hallows) and Alana is a fittings model for Burberry, Karen Millen, ASOS, Miss Selfridge and Ted Baker. They also have partnerships with Primark, Hobs Salons and Liza Smith celebrity Nails.<br><br>Alana currently runs her own performance school in Scotland called Gie It Laldy (www.gieitlaldy.com)<br><br>As DJ��s The Mac Twins were the official DJ��s for the World Series Squash Championships (live on Sky Sports), Tinchy Stryder��s ��Goji Headphones�� Launch, National Women��s Day at Aura night club, The Olympic Torch Relay in front of 30,000 people and are now the new resident DJ��s at top exclusive London club ��Whisky Mist�� every Friday night. For bookings or more information on the girls please contact info@thehubentertainment.com<br><br>As if this wasn��t enough the girls are training for a half marathon on October for MIND charity (alongside being official ambassadors for the charity) and Lisa has just returned from being the main reporter on the 5 day ��Tall Ship Voyage�� that will bought the Olympic Torch into Dover in front of 30,000 people.?<p>It was another week of eye-catching fashion moments. </p><p>Gabrielle Union tops our list in a black-and-silver printed Bill Blass dress she wore to a screening of ��Being Mary Jane�� in New York City Thursday night. Not only do we love the abstract print, but the neck-to-navel keyhole detail is super sassy. </p><p>The 2012 New Yorkers For Children Fall Gala took place Tuesday night, with model Selita Ebanks, Jessica White and "American Boy" singer Estelle in attendance--just to name a few. Ebanks wore a showstopping Jovani gown with a plunging neckline and chic cutout detailing along the shoulders. Oh, and we can't forget the design feature du jour---.</p><p>Across the pond, Corinne Bailey Rae was spotted sitting front row at the Spring 2013 Osman show at London Fashion Week. The songstress wore an adorable head-to-toe pea green-hued ensemble. Monochromatic looks aren't the easiest to pull off, but Corrine passed with flying colors. </p><p>Here's a look at those stunning gals and more of the week's style standouts in the slideshow below. <br></p>?<p>As thrifty fashion lovers, we're big fans of jumping in the car and hightailing it to outlet malls, which are usually tucked in faraway suburban highway exits and tantalize us with hours of budget name-brand shopping.</p><p>And we'll soon have another: Tom Ford Outlet, the first EVER in the world, is , that enclave of designer outlets located about an hour north of New York City.</p><p>Tom Ford has a reputation for being elusive with his designs, as in, holding and . Maybe his new store will require you to check bags before you scoop up a $20 $200 tee?</p><p>And it gets better, New Yorkers: Reed Krakoff is this summer.</p><p>Ford's outlet, which is set to open on July 15, will join the other posh designer outlet stores at Woodbury, which Roberto Cavalli, Bottega Veneta, Burberry, D&G, Oscar de la Renta, Valentino, Prada, YSL and others.</p><p>We're excited! Check out the video of Ford's fall 2012 collection below to get a sneak peek of what you might be able to score at his outlet shop.</p><p>WATCH:</p><p></p> <br>?<p>Shia LaBeouf will not be returning for according to his co-star Josh Duhamel.</p><p>The actor played Sam Witwicky in the first three movies and there has already been speculation about whether he would reprise the role for a fourth time, after he suggested he was "done" with the action-packed franchise.</p><p>And now Josh has told E! News that Shia would not be in the flick, and it doesn't look like he will be reprising his own role of Captain William Lennox either.</p><p>He said: "I don't think anybody's doing it. I know Shia's not doing it. I don't think Tyrese or Rosie [Huntington-Whiteley] or anybody else is doing it."</p><p>He continued: "Whenever these movies make that much money they're going to make as many as they can. [But] I haven't heard anything about it. They haven't called me."</p><p>Earlier this month it was revealed that </p><p>"Steven Spielberg and I are working on a whole new re-imagining of Transformers, the fourth instalment. We have been working on the idea for a few months. I'm excited about where it's headed," he said on his official website.</p><p>Producer Lorenzo di Bonaventura had already hinted that the franchise may be starting afresh.</p><p>"I think we really are going to do a reboot there. What that's going to be, we don't even know yet. We've got to get a story first," he told MTV.</p><p>Also on HuffPost:</p> <br>?<p>I'm not a cat calendar kind of girl (yet) so thankfully there's a whole ton of really cool, quirky or downright kitsch cat-related stuff around right now from high end designers to the High Street in fashion, footwear and all manner of other home and lifestyle accessories too.</p>?<p>A primary school worker in his 30s and a student are amongst those who have already pleaded guilty to looting and rioting in courts on Wednesday.</p><p>31-year-old Alexis Bailey from Battersea in South London pleaded guilty to burglary after being arrested in Croydon. </p><p>He will be sentenced at a later date and was granted bail, but with a curfew.</p><p>Defendants scheduled to appear today are from a number of backgrounds and up to 40 years old.</p><p>David Cameron said earlier 160 people had been charged with rioting related offences and courts were working through the night to process them.</p><p>The prime minister said: ��As I speak, sentences are already being passed, courts sat through the night last night, and will do again tonight. It is for the courts to sentence, but I would expect anyone convicted of violent disorder to be sent to prison.��</p><p>Despite the promise, some pleading guilty to rioting are already being let off with fines. David Attoh was told by chief of magistrates Melvyn Marks not to get into trouble again and fined ��150: ��You have a bright future ahead of you, if you get into trouble again you are going to jeopardise that future.��</p><p>The 18 year old student pleaded guilty to stealing two Burberry shirts in Hackney on Sunday evening.</p> <br>?Rosie Huntington-Whiteley had temperatures soaring when she hit Macy's in New York last night, to celebrate the launch of the new Burberry fragrance. The model-actress...?Extremist Symbolism in Fashion - a Cultural Statement or Unacceptable? You Decide...<p>Again, Nazi associated imagery is permeating into mainstream fashion, only this time it is not the swastika which has somehow made its way into the popular fashion world (a symbol with many different cultural and religious meanings), it is a symbol more specifically associated with the Nazi Party than the swastika, the Parteiadler - The Nazi Party eagle.</p>?<p>UPDATE 9/6 @2:00pm: <br>Jill Scott has taken to Twitter to refute the reporting conducted by TheYBF.com. The singer tweeted three messages last night stating that she in fact worked closely with Essence on the October cover shoot and that the only "coup" was having natural hair on the cover--not any discourse while producing it.</p><p>In addition, a PR rep for Essence issued the following statement to The Huffington Post:<br>Essence invited Jill to showcase her natural hair on the cover of the October issue and Jill was excited to do so. </p><p>Here's a look at Jill's tweet about the situation (note: It appears the tweets have since been deleted from Jill's timeline). </p><p>@ @ ok. U kinda got that right. I didn't stage a coup. It was a coup for Essence to have natural hair on the cover.</p>? Jill Scott (@missjillscott) <br><p>@ @ Essence Magazine and I completely worked together on this shoot. Yes it was important 4 me 2 b natural.</p>? Jill Scott (@missjillscott) <br><p>@ @ I needed my son to see mommy like he does at home. I wanted 2 show him that Mommy likes herself. Bravo Essence!</p>? Jill Scott (@missjillscott) <br><p>PREVIOUSLY: <br> and Viola Davis aren't the only stars ready, willing and able to show off their natural hair to the world. Grammy award-winning singer Jill Scott is proudly rocking her TWA (teeny weeny afro) on the cover of the . </p><p>In fact, for the feature. She told TheYBF.com that she "staged sort of a coup" by giving the glossy an ultimatum: either she shoots the cover with her natural hair or she doesn't shoot it at all. </p><p>Way to pull the diva card for a fabulous cause, Jill! The result, a perfectly polished and gorgeous cover to add to her collection. </p><p>In the October issue, the "Golden" songstress opens up about her hair and how much fun she has expressing herself through different styles. </p>��This is the simplest form of myself. I look in the mirror and it��s like, ��Hey, there you go. What��s up, girl?�� For me, hair is an accoutrement. Hair is jewelry. It��s an accessory. Tomorrow I may want a wig down to my butt and I��m gonna rock it, and the next day I may want a big Afro and I��m gonna rock that too�ġ�<p>We love her confidence and we totally adore this cover look. What do you think? <br></p><p></p>?<p>NEW YORK &mdash; Investors spent Tuesday preparing for two events sure to move markets this week: a Federal Reserve meeting and a court decision on whether Germany can help support its struggling neighbors. And if the stock market's gains Tuesday are any sign, they expect both events to turn out well.</p><p>The Dow Jones industrial average rose 69.07 points to close at 13,323.36. The average of 30 large company stocks has already gained 1.8 percent to start September, a month which is usually dismal for stocks.</p><p>Bank of America led the 30 stocks in the Dow, rising 5 percent, or 45 cents, to $9.03.</p><p>Federal Reserve officials will gather for a two-day meeting on Wednesday. Many expect the Fed will announce a new effort to revive the sluggish economy Thursday afternoon.</p><p>On the same day the Fed starts its meeting, Germany's high court is expected to rule on whether the country can participate in a European bailout fund. The court rejected a last-minute appeal to delay the decision on Tuesday.</p><p>"It's going to get interesting this week," said Randy Frederick, managing director of active trading and derivatives at the brokerage Charles Schwab.</p><p>Frederick expects the Fed will make some sort of move, especially after the government reported last Friday that employers added fewer than 100,000 jobs in August.</p><p>"Prior to the employment report people weren't as sure," Frederick said. "I am definitely on the majority side here. There's some sort of easing coming."</p><p>In other trading, the Standard & Poor's 500 index rose 4.48 points to 1,433.56. The Nasdaq composite increased 0.51 of a point to 3,104.53.</p><p>The assumption that the Fed will announce new stimulus measures is so widespread that some worry the market could take a plunge if the Fed fails to deliver.</p><p>Ron Florance, managing director of investment strategy at Wells Fargo Private Bank in Scottsdale, Ariz., said he's always wary when stocks rise on nothing more than expectations.</p><p>"These are the things that make you nervous, when markets are going strong in anticipation of news," Florance said.</p><p>On Tuesday, the Commerce Department reported that exports to Europe dropped 11.7 percent in July, stoking concerns that Europe's troubles could smother the U.S. recovery. Overall U.S. exports fell 1 percent to $183.3 billion, lowered by weaker sales of autos, telecom equipment and heavy machinery.</p><p>Morgan Stanley and Citigroup rose after the two banks settled a dispute over how much to value their jointly owned brokerage firm, Morgan Stanley Smith Barney. The deal cleared the way for Morgan Stanley to buy Citigroup's stake. Citi gained 83 cents to $32.66. Morgan Stanley rose 64 cents to $17.25.</p><p>A profit warning from luxury clothing chain Burberry helped tug down other high-end retailers in early trading. Burberry said slowing sales to China will likely weaken earnings. Ralph Lauren lost $4.09 to $156.22. Tiffany & Co. sank 78 cents to $62.26.</p><p>Among other stocks making moves:</p><p>_ Legg Mason jumped 5 percent following reports that its CEO will step down Oct. 1. Clients have been pulling money out of the money manager's funds, weakening revenue. Legg Mason's stock surged $1.38 to $26.85.</p><p>_ Hewlett-Packard gained 52 cents to $17.95, a 3 percent gain. The computer and printer maker said late Monday that it will cut 29,000 jobs by October 2014, or 2,000 more than it had previously planned. Sales of personal computers have slumped as people favor smartphones and lightweight tablet computers.</p><p>___</p><p>AP Business Writer Christina Rexrode contributed to this story.</p>?<p>Usually this time of year I'm running around London Fashion Week rushing from show to show and no matter what shoes I wear I end up with my feet punishing me in some way. So this season I decided on something slightly different. I decided to stay at home and see what brands were doing to promote their new collections via the internet and digital media.</p>?<p>British actor Jeremy Irvine refuses to sign up for social networking sites because he is convinced connecting with fans on the Internet would shatter his acting "credibility".</p><p>The War Horse star has no plans to start airing his thoughts on the web, and is baffled by actors who regularly update their online pages.</p><p></p><p>He tells Marie Claire magazine, "If you know too much about an actor's personal life, they lose all credibility when they try to portray a role."</p><p>Irvine also avoids looking up articles about himself on the Internet after his mother discovered a gay discussion page dedicated to the star.</p><p>He explains, "She emailed over a link to some gay forum about me. I was like, 'Mum, don't send me this stuff'. I've never Googled myself. I'd be terrified."</p><p>Also on HuffPost:</p>?<p>'s resident womaniser is doing little to dispel rumours he is dating model .</p><p></p><p>Not only did Harry turn up to support her as she took to the catwalk at the Burberry show during London Fashion Week yesterday, he was full on gushing to reporters about how "amazing" she looked. He was even caught locking lips with the model on camera!</p><p></p><p>Harry had taken up a plum seat on the f-row alongside Dita Von Teese, Dev Patel and Victoria Pendleton and when quizzed by ITN about Cara's catwalk appearance after the show, Harry smirked: "She was great, she did a great job. She looked amazing."</p><p></p><p></p><p>And then, if that wasn't enough to convince us he is totally rubbing belly buttons with her, he was caught congratulating Cara on camera, which involved a cheeky kiss. </p><p></p><p>It comes just days after Cara refused to comment on Harry when pressed by reporters. </p><p>Asked what was going on between her and the One Directioner, she said: "I've heard this thing. I don't know, I'm not going to answer that question. I like to keep my private life private and that's all I'm going to say."</p><p>Guess the cat's out of the bag now, Cara.</p><p> </p><p>> IN PICS: ONE DIRECTION'S ROAD TO WORLD DOMINATION<br></p>?<p><br> Burberry Prorsum sent killer coats down the runway for Fall 2011 RTW with heavy duty repetitive buckles. Try mixing the buckle trend into something other than a coat with a DIY kilt made from a wool scarf and three buckles. I love the drapey but structured look of the wrapped scarf with the hardware. It��s pretty easy to complete and the finished product is chic and looks anything but homemade. I can��t wait to wear this with some nubby tights, black combat boots and a fisherman��s sweater!</p><p>Follow the easy steps in the photos below to create a fun piece you'll wear all winter long! </p><p> :</p> <br> <br>?<p>Forget Fashion Week -- it's Wool Week in London, , with sheep even taking to the streets to celebrate the natural fiber. The event is part of the Campaign for Wool, spearheaded by Prince Charles and engaging more than 80 labels like Burberry, Pringle and Paul Smith.</p><p>So what does Wool Week entail? Via WWD:</p>On Monday, Savile Row was transformed into a meadow where sheep -- their wool dyed in brightly colored plaid patterns -- grazed, while many of the tailors opened their doors and archives to the public. The previous day, 15 yellow-dyed sheep gathered outside Selfridges to make their point about the importance of giving fleece a chance. <p>Selfridges department store is hosting a series of in-store events including, "its first graffiti knitting event alongside its very own knitted house. Pedlars will also showcase its scarf on a roll -- designed using 100% Scottish wool -- on the lower ground floor of the store in support of Wool Week," . </p><p>The store also held a Wool Week party with Prince Charles addressing the crowd via video. He remarked, "A couple of years ago I was shocked to discover that it often costs more the shear a sheep than a farmer would be paid for its wool," .</p><p>Check out pictures of the sheep on Monday and scroll down to keep reading. (We don't see any plaid sheep...but there were some really cute dogs in clothes watching.)<br></p><p></p><p> from its website:</p>The Campaign for Wool is a cross-industry initiative convened by HRH The Prince of Wales in January 2010. As a serious environmentalist, the Prince believes the natural, sustainable origin and highly technical structure of wool can offer fashion, interiors and the built environment many superior benefits. Choosing real wool - as the Prince understands - will also help to care for our planet. <br>?<p>We've all seen singers catapulted into the spotlight once they've been discovered on YouTube. Who could forget Stratford, Ont. native Justin Bieber? In 2007, the then 12-year-old posted videos of himself -- to name a few. A year later, Bieber was signed by Usher and the rest is, well, history.</p><p>But what about all the other YouTube personalities? Don't they get recognition, too? We're going to take a look specifically at makeup and style gurus. Whether you want to try a pull off a smoky cat-eye look for your birthday or learn how to -- yes, it's possible and apparently super easy -- there are a few people on the Internet we keep turning to for beauty answers.</p><p>Here are some of our favs. </p><p></p> <br>?<p>So usually this time of year I'm running around London Fashion Week rushing from show to show and no matter what shoes I wear I end up with my feet punishing me in some way. So this season I decided on something slightly different. As much as it pained me, I decided to stay at home and see what brands were doing to promote their new collections via the internet and digital media.</p><p>The British Fashion Council went into partnership with streaming media provider Rightster a number of years back. The partnership provides live streaming from London Fashion Week and this year was no different, with a large number of leading brands including Burberry, Mulberry and Vivienne Westwood all streaming their catwalk shows via the London Fashion Week website. </p><p>I've used the LFW streaming service in the past but this year I noticed for the first time the LFW official streams were supported by mobile devices and in particular Apple mobile devices. This meant I was able to view the catwalk shows whilst on the move. I even managed to use the Airplay feature on my iPad to stream the shows directly to my TV. I thought this was brilliant! I was able to watch the shows, eat Maltesers and tweet my thoughts easily at the same time. I even watched a few of the early morning shows from comfort of my bed.</p><p>The official streams covered a large number of shows but some brands decided to stream their shows via their own websites. This is where a site by the name of was extremely useful. CatwalkLive.tv provides a complete list of live streams for the key fashion shows across the world. The website is incredibly simple to use and even provides direct links to the live streams. It really couldn't be any easier! The site allowed me to plan my days based on the collections I wanted to see, and as I follow CatwalkLive.tv on twitter they also tweeted reminders of shows that were about to start.</p><p>A number of the larger brands added some really unique twists to their streaming media experience. For example Burberry, who I've always considered a leader when it comes to using digital and social media, provided the ability to create a custom invites and had a personal message from Christopher Bailey about the upcoming show.</p><p>Henry Holland showed his latest House of Holland collection live via his website and also teamed up with ebay allowing customers to easily order using their ebay accounts.</p><p>The shining star for me though had to be Topshop Unique, their live streaming provided the ability for viewers to take snapshots of the live show and post them directly to their Facebook page or Twitter feed, furthermore it was possible to purchase items directly from the collection on the same page as the live stream. A superb customer experience that left me feeling truly connected with the Topshop brand.</p><p>There were unfortunately a few leading brands that decided not to provide live streams including one of my favorite brands, Matthew Williamson. I hope that next year they will invite more of us into their shows by providing live streams. </p><p>Overall I did miss the live experience of actually being at London Fashion Week and will be heading up for the next season for sure. That said, for those not fortunate enough to attend the shows in person, the streaming media alternative is certainly a good alternative.</p><p>I'm really interested to hear what your experiences of watching any streams was and whether there was a brand that you thought provided an excellent experience or perhaps even one that didn't? </p><p>Please feel free to share by commenting below.</p><p>Zoe. x</p> <br><p>Follow Zoe Yates on Twitter:</p>?Featured in titles such as Marie Claire and listed in the top 10 to follow for London Fashion Week by Fashion Telegraph; Zoe shares her passion for fashion via Twitter, Facebook and . <br><br>When she's not writing, Zoe can often be found running on the streets of her home town, researching the latest trends or on the hunt for chocolate (her other love). <br><br>Zoe also assists a number of emerging fashion designers to help them create and maintain digital marketing activities through websites and other online media.?Her marriage is wonderful, she&#039;s given up alcohol and from tomorrow she&#039;s hosting the nightly &#039;Strictly&#039; spin-off show &#039;It Takes Two&#039;?<p>It's worth doing, this brain reboot, because otherwise you might think you'd gone to bed in the Noughties and woken up in the Seventies ? the 1870s, even. A cabinet full of Old Etonians; a Royal Wedding that people seemed to care about; a TV series about the noble bond between Edwardian servants and their masters; Barbours everywhere, aristo models, elbow patches, cords. Margaret Thatcher as style icon, Kate Middleton as role model, Samantha Cameron wearing Christopher Kane; in short, Tories that people actually want to be like.</p><p>&quot;It speaks volumes about our profoundly unequal society,&quot; says Owen Jones, author of Chavs: the Demonisation of the Working Class, &quot;and of the worshipping of wealth that has developed over the past 30 years. The lifestyles of the rich and privileged are celebrated by the media, and there's no pressure to downplay your roots. People aren't embarrassed about wealth any more, they're openly proud of it.&quot;</p><p>So much is obvious in the conspicuous consumption inherent in latterday label culture and the status of the It bag. But what is surprising is the rise in popularity of a very specific sort of aesthetic: not the Eurotrash bling of the late Nineties, which unashamedly proclaimed the wearer's affluence in a rather more democratic way, nor the hyper-luxurious but consciously minimal 'stealth wealth' that we saw in the seasons immediately following the credit crunch. No, it's unalloyed, wellies and waistcoat, jolly hockey sticks posh, stalking high streets and catwalks alike as if it were beating for grouse. Posh posh posh. There's simply no other word for it.</p><p>Not since Footlights College beat Scumbag College in The Young Ones has it been socially acceptable to out yourself as one of the upper classes, nor to speak or dress like one of them either. Of course, these people have always existed, but for the past decade, they have flattened their vowels and understood they'd never exactly be at the cutting edge of cool.</p><p>But these days we queue in our droves to pick up whatever Kate Middleton has last been seen in; we crash websites in our desperation to emulate her high-street take on patrician chic. We were once a nation of enfants terribles, with the Gallaghers at Downing Street and Alexander McQueen staging unsettling shows in dingy warehouses. Nowadays, Noel is telling the Daily Mail that we had it good under Thatcher, and McQueen's successor has designed the princess's wedding dress. And the Conservative PM's wife, an aristocrat in her own right, is an ambassador for the British Fashion Council.</p><p>&quot;It's a fabulous time to be posh,&quot; admits Kate Reardon, editor of Tatler. &quot;We've got an Old Etonian Prime Minister, Kate and William are dignified and discreet, in tune with the times, and the most successful companies are those that deal in luxury goods. Burberry's sales are up and their ads are full of posh people.&quot;</p><p>Indeed, Burberry's line-ups of the likes of Otis Ferry, Eddie Redmayne, Emma Watson and Cara Delevigne ? public school totty each one ? have had the desired effect of hyping the posh look overseas, too. The label announced a 21 per cent growth in final quarter sales last month, thanks to Asian tourists buying into this most traditional of heritage labels. Meanwhile, the scramble to track down and own pieces worn by the Duchess of Cambridge has generated an estimated ��1 billion for the economy, in what is being called 'the Kate effect', and Downton Abbey has gone down a storm with American audiences, further propagating posh as our most resonant national characteristic. It recalls the original brand of posh cool, personified by the louche stylings of the Duke of Windsor and the debutante glamour of Princess Margaret.</p><p>&quot;British elegance is effortless and traditional,&quot; says Emma Hill, creative director of Mulberry, whose autumn 2011 collection played out on a catwalk surrounded by foliage, and was inspired by some of the more socially rarefied pursuits of the Great British Outdoors.</p><p>&quot;Le Style Anglais became popular during the 1970s; it was en vogue to imitate the 'hunting, shooting, fishing' vibe of classic English fashion. It was the uniform of the country brought to town. English women are defined by these heritage influences and classics, and nowadays mix them with amazing street style.&quot;</p><p>There's a certain tribe ? one that includes the likes of Alexa Chung, as well as models Alice Dellal and Daisy Lowe ? whose indie influences have exerted pressure on the posh trope and turned it into streetwear. Floral tea dresses and sailor shifts worn with brogues and loafers, Barbours and tweed worn with denim, and battered leather satchels and briefcases that look like they may have accompanied their owners to prep school: all have helped re-appropriate and re-circulate the sartorial ticks of the upper echelons, thereby rehabilitating them for the rest of us plebs.</p><p>And this has kicked off something of a wider trend ? one need only look at the international catwalks. For autumn 2008, D&amp;G dressed models in knitwear, tartan and headscarves tied under the chin in imitation of our own Queen Elizabeth II. This season, meanwhile, saddle bags come courtesy of Gucci, Jerome Dreyfuss and Proenza Schouler, while Pierre Hardy's riding-whip necklaces for Hermes have a waiting list, even though they cost upwards of ��570,000. Labels such as Issa, Temperley and Jenny Packham have all boomed under the patronage of the Middleton sisters. The motifs of the upper-class lifestyle have become fashion staples in themselves, but not until recently have we seen such a wholesale ? and, more importantly, entirely unironic ? return to them.</p><p>&quot;When times are tough, you turn to what you know,&quot; says Peter York, author of The Sloane Ranger Handbook, which is being re-released digitally this year, 30 years after its publication. &quot;You look for things that are secure and unrisky. You rediscover the joy of a Barbour.&quot;</p><p>There's certainly something to be said for picking up design classics that are durable and timeless during a moment of financial misery, but you need only look at the many proliferating street-style blogs to see that it goes beyond this, that the uniform of the hipster nowadays was once that of the upper classes. Quilted jackets in country estate green; coloured cords worn with deck shoes; chambray shirts given a modern makeover with yoke patches and elbow pads.</p><p>Several revivals in recent years ? the Eighties, minimalism, grunge ? have been linked to the current socio-economic outlook (&quot;We're so wealthy we've lost all sense of what is tasteful&quot;; &quot;Uh oh, we're now a bit embarrassed about our wealth&quot;; &quot;We'd better dress the way we did the last time things got rocky&quot; respectively), and the posh trend is a continuation of this. We've moved from an era when the haves and have-nots had blended, thanks to credit cards and sub-prime mortgages. Nowadays, we have debt, unemployment and corduroy trousers to tell them apart.</p><p>&quot;It's stupid to say that there's any comfort to be had in 'knowing your place',&quot; adds Kate Reardon, &quot;but there is a sense of reassuring escapism to something like Downton Abbey. There's a perceived romance and elegance that is wonderful to lose yourself in.&quot;</p><p>&quot;Pop culture has conquered all before it,&quot; says Owen Jones, &quot;and it has become more democratic. An aristocrat and someone on a council estate might both watch The X Factor, and you wouldn't have heard regional accents on the BBC 30 years ago. So while leisure interests have embraced all classes, there has been a comeback of the trappings of privilege, of being posh and proud.&quot;</p><p>But before you go round shouting about it, be warned: the look also rests on a certain modesty and sense of &quot;Who, me?&quot;. It's the sort of self-effacingly confident humility that can only be learnt at the feet of Tiggy Legge-Bourke, or in the country's most exclusive schools. You can buy the Barbour and encourage the luxuriant growth of thick, shiny hair, but you can't imitate the breeding. And that is precisely the point.</p><p>&quot;It's not about being posh,&quot; says Sophia Beddow, social editor at Hello!. &quot;It's about having class. Before, what defined being 'posh' was pedigree ? it was all about where you came from. But the boundaries have changed: you only have to look at Kate Middleton and the way her family carried themselves throughout the Royal Wedding to see that.&quot;</p><p>In this way, the toff trend can be seen as a reaction against the ubiquity of the perma-tanned, partially-clothed, bandage-dress sort of celeb ? you might not like Kate Middleton's style (as indeed designer Vivienne Westwood does not, calling her &quot;ordinary&quot; in an interview last year) but at least she's always tastefully covered up.</p><p>&quot;After a succession of trashy It girls who we derided for being posh, at the moment we have good posh role models,&quot; says Kate Reardon. &quot;If Kate and William were morons, falling out of nightclubs, perhaps we'd feel differently. Flashy bankers are the most unpopular people on the planet right now; a bit of modest 'noblesse oblige' is more acceptable.&quot;</p><p>Perhaps we do have a grudging admiration for a lost race of people who dispense with their wealth in understated ways. In 1981, Margaret Thatcher paid for her own ��19 ironing board at Downing Street, we are told, while latterday MPs learnt how to 'flip' their houses to wring as much from their expenses as possible. There's certainly a zeitgeist for that sort of austerity, but the spectre of Margaret Thatcher abides right now, not least because of public sector strikes and government cuts so deep that Whitehall will run with blood, but because The Iron Lady seems to have rebirthed her as a fashion icon. Anya Hindmarch, handbag-maker to most of west London, even arrayed her Bond Street store with effigies of the former leader when the film was released, in celebration of her boxy suits and redoubtable handbags.</p><p>&quot;The cleverest thing about Thatcher's image was that her clothes never detracted from her character,&quot; Hindmarch explained when the display was unveiled. &quot;That was quite a feat, I suspect, to look good and still not be talked about for your clothes.&quot;</p><p>What was perhaps more of a feat was that these Maggie mannequins remained undisturbed and Hindmarch's gleaming vitrines survived unegged, but that's the difference in attitudes towards 'posh' these days. It is no longer something to resent or be embarrassed by, so much as something we all aspire to and ? thanks to a schismatic sense of social mobility ? believe is within our grasp. Being posh has become a way of demonstrating our tenacity and mettle during these difficult times. And that is why we stomach upper-class spokespeople in positions of power claiming that we're 'all in it together', and why it is no longer red rag to a bull to suggest that Thatcher did some good.</p><p>There is a difference, too, in the attitudes of the next generation, who remain less inflamed than their forebears when it comes to political protest. There have been murmurings of classism during the recent student protests, but the summer riots were proof enough that aspiration is rife ? and of the crushing scorn of the wealthy in their wake: credentials nowadays are not so much about acquisition as they are about etiquette.</p><p>&quot;There are plenty of girls out there who are well-bred, but do they have class,&quot; asks Sophia Beddow. &quot;You only have to watch an episode of Made in Chelsea to know the answer to that. Victoria Beckham is another case in point ? 'Posh' may have been her moniker in her early days as a Spice Girl, but today no one can dispute the fact she is one classy lady.&quot;</p><p>&quot;There's a difference between being posh and being rich,&quot; agrees Tatler's Kate Reardon. &quot;Posh is a way of living that can often be quite miserly and not about money. It was excruciating being posh under Tony Blair; posh people were fantastically unpopular. But these things are a reaction against what has come before. And, as with all trends, it's always darkest before the dawn.&quot;</p><p>Status update: How we wore</p><p>THEN</p><p>Posh Spice</p><p>Bursting into the 'spice-o-sphere' in 1997 with their single &quot;Wannabe&quot;, the Spice Girls were as brassy as they were brash... and everyone loved them for it.</p><p>Kate Moss</p><p>The uber-model of the Nineties was Croydon born and bred, but that didn't stop her penetrating Paris's most exclusive ateliers.</p><p>Cherie Booth</p><p>The First Lady of New Labour was raised in Lancashire by her mother after her father, the actor Tony Booth, left his family. She became a QC in 1995 and once stood for election as a Labour MP.</p><p>Denim jackets</p><p>Worn by all self-respecting followers of fashion, whether a faded punk version, a citified indigo number or sheepskin-lined a la Liam Gallagher.</p><p>D:Ream</p><p>One-hit wonders D:Ream found their career invigorated once more when Tony Blair's campaign managers chose &quot;Things Can Only Get Better&quot; as the soundtrack to the landslide election win in 1997.</p><p>Labour</p><p>The only party to see and be seen voting for: New Labour commandeered the affections of rock stars and pensioners alike ? this was 'Cool Britannia'.</p><p>NOW</p><p>Victoria Beckham</p><p>Shaking off the 'posh' nickname, ditching the hair extensions, fake tans and breast implants, the ex-Spice Girl has recreated herself as a fashion designer.</p><p>Kate Middleton</p><p>Middleton is the middle-class girl made good, snaring Prince William after chasing him up to university in St Andrews.</p><p>Samantha Cameron</p><p>Daughter of Sir Reginald Adrian Berkeley Sheffield, 8th Baronet, 'Sam Cam' grew up in a stately home in Yorkshire. The PM's wife is also creative director of luxury stationers Smythson and an ambassador of the British Fashion Council.</p><p>Shooting jackets</p><p>Quilted for warmth and patched for pressure on elbows for grouse season, the archetypal country-set style is being worn beyond the Glorious 12th.</p><p>Brian Cox</p><p>D:Ream's keyboard player Brian Cox became the cool face of particle physics, with a series on the BBC explaining natural phenomena.</p><p>Conservative</p><p>We now have a Tory government that is doing quite well in the polls. Cameron's aristo background ? and those of most of his cabinet ? are seemingly no turn-off.</p>?<p>But while the adopted Englishman may be right that the tea table remains a place of decorum, we Brits are once again going crazy for afternoon tea. Bettys Tea Rooms are a Yorkshire institution. Over the years, the venues have become almost as famous for their long queues as for their fancies. So much so that recently in its Harrogate and York branches, it has introduced a reservation system for teas to cope with booming demand.</p><p>&quot;We have definitely experienced a significant growth in people coming to take afternoon tea over the last five years,&quot; says Paula Kaye, a manager at Bettys. &quot;The customers are really diverse, not just older generations, also younger generations or groups of friends choosing it over, say, a day at the spa, and [they] see the venues as a nice place to meet socially.&quot;</p><p>At York and Harrogate, where guests sit in the Imperial Room and enjoy striking views, guests can now book for afternoon tea. It has also followed the trend in moving beyond the simple formula of scone, sandwich and a slurp of tea.</p><p>&quot;Over the last couple of years, there has been a growth in popularity from people wanting the experience,&quot; Kaye adds. &quot;We have worked on that in the last year to develop the total experience for the visitor.&quot;</p><p>Bettys isn't alone in enhancing the tea experience, with an increasing number of venues offering eye-catching teatime menus. Later this month, Japanese restaurant Nobu Berkeley in London's Mayfair is launching its own version of the British staple, serving up such delights as savoury beef and shrimp takoyaki, dorayaki (Japanese pancakes) and doughnuts filled with yuzu curd. The Langham Hotel in Westminster has a tea sommelier, while at the constantly evolving Parlour at Sketch restaurant on Conduit Street guests eat with mismatching crockery and from unusual three-tiered cake stands.</p><p>For the fashion-conscious, the Berkeley hotel, also in London, serves a Pret-a-Portea, where the cakes and treats are shaped like catwalk creations from designers such as Burberry, Bottega Veneta and Dolce &amp; Gabbana.</p><p>The Connaught Hotel's menu from two-Michelin-starred chef Helene Darroze features 30 different types of jam. The Sanderson has the Mad Hatter's Afternoon Tea, which tempts guests with playful dishes such as strawberry-and-cream mousse and a portion of passion fruit jelly, coconut panna cotta and exotic foam.</p><p>While hotels and restaurants are having more fun in their creative approaches to the afternoon meal, it is an important source of revenue for the venues too. Prices are sometimes high, and in many places you are compelled to order the set menu.</p><p>To enjoy the award-winning Claridge's tea, it costs ��38 per person; at the Ritz (which has seven sittings per day), afternoon tea is ��42 per person, rising to ��53 for the &quot;celebration tea&quot;. Of course, these prices all go up if you add champagne. Last year, the Cliveden hotel in Berkshire was offering what it said was the world's most expensive afternoon tea, at ��550 a person. For that you got white truffles, caviar and Chinese tea that costs ��2,000 a kilo. Celebrated venues such as Peacocks in Ely are more reasonable, with &quot;the full monty tea&quot; setting you back ��16. Tea and cake at London's trendy Riding House Cafe is from ��5.</p><p>Irene Gorman, the head of the Tea Guild, says the quality and demands have changed. It is no longer just friends meeting for tea, it has also become a time for business meetings. She also points out that it often offers a cheaper alternative to a night out, besides the fact that you might not fancy dinner after several sandwiches, scones and cakes in the middle of the afternoon.</p><p>&quot;You know what it's going to cost you beforehand, so the choice is yours before you go,&quot; she says. &quot;Unlike dinner, you don't have to wonder how much you're going to spend on wine. You want to be out, in nice surroundings. And it's still a great way of enjoying yourself.&quot;</p><p>The Tea Guild (tea.co.uk) offers membership to venues offering tea across the country. The criteria and examination process to join are strict and each year it inspects its members and gives a detailed report back to help to maintain quality. It also presents awards each year, those for excellence being like a Michelin star, while the top prizes, it says, are &quot; the Oscars&quot; of tea. Last year, Claridge's hotel won its top London award, while the Rocke Cottage Tea Rooms in Shropshire was &quot;Top Tea Place&quot;.</p><p>Its drive for quality is mirrored by campaigners from Devon, who are appealing to the EU to bestow the Devon cream tea with Protected Designation of Origin status. One of its stated aims is to stop inferior-quality copies.</p><p>&quot;Afternoon tea never went away,&quot; Gorman says. &quot;What is going away, however, is people not doing it very well. Certainly over the last 10 years it has got better. It's no longer seen as something you take your old auntie to.</p><p>&quot;People have very high expectations of it. It's the one meal you'll not forget if it's not good. We've become more sophisticated in our palates.&quot;</p>?<p>I have nothing against Wags per se. I rather admire them, with their glorious gusto for celebrity and conspicuous consumption and living the dream and over-sized sunglasses, but it is also a deadening prospect. What do I know about over-sized sunglasses? Or St Tropez tans or hair extensions or fake nails or, of course, posing for OK! with a certain vacant perfection? (I did once try a certain vacant perfection, it's true, but it made me dizzy and gave me dry elbows so, alas, I had to cancel the OK! photo-shoot.)</p><p>This Wag is Abbey Clancy, TV presenter, model, spokesperson for Lynx Attract For Her, the first Lynx fragrance for women ? &quot;it's young and flowery and really, really nice,&quot; she says, with a straight face ? and wife of England and Stoke footballer Peter Crouch, described by my son as &quot;the very, very tall spindly one who did that robot dance,&quot; as if this is going to help me place him. Still, I do ask Abbey if the very, very tall spindly one ever does a robot dance for her own private enjoyment, when she's been good, say, and made the beds and taken the rubbish out? &quot;No!&quot; she exclaims with horror. You're not a fan of the robot dance? &quot;It's bizarre!&quot;</p><p>She is very warm and rather fun, actually, and although we have a few sticky moments ? she doesn't much enjoy talking about tabloid newspaper revelations, predictably ? I have some fun myself. We have a splendid lunch. We go mad on credit cards in a designer childrenswear shop. I invite myself to her daughter, Sophia's, upcoming first birthday party, once I learn a mini-farm will be coming to their house. &quot;With piglets you can pet and everything?&quot; I query excitedly. &quot;And a little horse,&quot; she says. I'm on it, I tell her, and feel significantly cheered.</p><p>Anyway, she meets me as I come out of Macclesfield station, drawing up in one of those tank-sized Range Rovers. She is 25, and disappointingly non-blingy, dressed simply in black T-shirt, black skinny jeans and mid-heeled Kurt Geiger courts. She is 5ft 9ins, with legs going up to her armpits ? although not literally, as that would be freakishly hideous ? and is certainly gorgeous, with huge, amazingly green eyes and a distinctly non-orange complexion. It is creamy, if anything.</p><p>And your beauty regime, madam? &quot;Just baby wipes and Nivea.&quot; Are you sure, I ask, you don't want to name-drop Creme de la Mer, so they'll send us a big box of free stuff? &quot;Nivea,&quot; she repeats. Drat. Still, I climb into the car. She is, I quickly discover, a considerate road user if you don't count the instances when she harasses slower drivers with &quot;Come on, you soft shite&quot;, which are many.</p><p>I'd wanted to visit her at home ? she lives in nearby Alderley Edge, naturally ? for a good snoop, but she wouldn't have it. Her house is rented and doesn't have a good vibe or feel like home, she says. But does it have a swimming pool, I enquire. It does, she says. &quot;I don't use it but Pete takes the baby in every day and she absolutely loves it and me mum's dogs go in, too.&quot; What sort of dogs does your mum have? Morkies, she says. Morkie? A cross between Maltese and Yorkie, she explains. I say I'm planning to buy a Shiatsu crossed with a Poodle if only so I can tell everybody: &quot;I'm having a Shit-Poo&quot;. We laugh until the next slow driver comes along, who is also a &quot;soft shite&quot;.</p><p>She is originally from Liverpool, and is still very Liverpool, saying &quot;me&quot; for &quot;my&quot; ? &quot;I love to read and I love Martina Cole. She's me favourite&quot; ? and &quot;cewk&quot; for &quot;cook&quot; and &quot;bewk&quot;' for &quot;book&quot;. It can lead to some confusion. Last night, she says, she got a terrible fright when a mouse got into the house and crawled all over &quot;me Burberry tewks&quot;. Your Burberry tewks, I query? &quot;Me Burberry tewks,&quot; she confirms. And what is this Burberry tewks you speak of, Abigail? &quot;What's a tewks?&quot; Yes, what is this &quot;tewks&quot;? &quot;A jacket, like.&quot; A tux! A tux! &quot;I got Pete to catch it.&quot; The tewks? &quot;The mouse.&quot;</p><p>She then hoots the horn. Another soft shite? No, Pete driving his Range Rover in the opposite direction. He'd taken their daughter to her mother's for the day, and now he should be off to training, but is going the wrong way. She calls him and puts him on speaker phone. He forgot his wash-bag, apparently, so has to speed home for it. She finishes the call with: &quot;Love you!&quot;, to which he replies, &quot;Love you!&quot;. Nobody, it appears, loves me, but it may just be my dry elbows. I should cream them more. (E45? Is that the best? I would use Creme de la Mer, if I had any.)</p><p>She takes me to The Cheshire Smokehouse, a deli-cum-cafe where she appears to be well-known. &quot;I haven't got the baby with me today to trash the place,&quot; she tells the waitress. &quot;She's never any trouble,&quot; says the waitress, who is kindly as well as, possibly, long-suffering.</p><p>I would say that Abbey is one of those figure-conscious women who simply push food around a plate, if it were true, but it isn't. She can well pack it in. It is a joy to behold. She has scrambled eggs with smoked salmon, two rounds of toast with cream cheese, two cappuccinos, an orange juice, and then a scone piled with jam and cream. Yet you stay skinny? &quot;It's me genes,&quot; she says. I say a friend of mine had a baby at around the same time she did, and when she saw photos of Abbey taken a few weeks after Sophia's birth and noted her flat stomach, she burst into tears. A tummy tuck? &quot;Absolutely not!&quot; she says. &quot;When I had the baby me mum said I'd go back to normal and although I didn't believe her, I just did.&quot; Did you breastfeed? She didn't, she says, &quot;because I was in that much pain&quot;. When you tried? &quot;No, underneath&quot;. Down below? &quot;Yeah, and exhausted. And me mum didn't breastfeed and you do what your mum did, don't you?&quot;</p><p>I say if you were worried about your boobs, you were right to be so. I breastfed and now my boobs are like pitta breads before you've even put them under the grill and they've puffed out a bit. She says she saw a woman breastfeeding on a train the other day, and shudders. Hey, it's natural, I counter. She shudders again. This is not, I'm guessing, a world where 'natural' is rated that highly. That said, I tell her, I can't understand why men find breast implants attractive. Who wants to fondle a bag of silicone? She says, yeah, &quot;but all they see is: boob!&quot;. She can be sharp and funny. When we later discuss wine, and I say expensive ones are wasted on me, although I like to think I can tell the difference between a ��3.99 one and a ��9.99 one she says, &quot;not after two bottles you can't&quot; which, aside from anything else, is very true.</p><p>Born in Liverpool, the oldest of four, Abbey's father ran a tarmac business. I wonder if she grew up craving riches, so ask if she remembers yearning for things beyond the family's income. &quot;Yeah,&quot; she says, &quot;but I always got them.&quot; Like what? &quot;It was less high-end when I was younger, more high street, more like: can I have this pair of shoes from Topshop? I'd always had quite a privileged lifestyle, to be honest. I've never wanted for anything, but I do know the value of things. I'm not, like, a brat. And I've worked since I was 15, and always got me own stuff.&quot;</p><p>And what were you like at school? &quot;Always on report, always being told off for messing about, but always top of the class.&quot; Really, I enquire, patronisingly. &quot;I got all A-stars and one B for me GCSEs.&quot; Gosh, I exclaim, just as patronisingly. Did you work hard for them? Not really, she says.</p><p>So you were a smarty-pants? Probably, she says, but she was also absolutely determined to not stay on at school. &quot;I was already in a band and the teachers called my mum in and said: 'Abbey's so clever, it's a total waste if she follows her dream'. But I never wanted to do a job I didn't love, and I'd always wanted to be a model or an actress or a singer.&quot;</p><p>If you had gone ahead to study, what might you have studied? Something well rewarded, she says. &quot;If I had to study and work hard it would have to have the reward of a lot of cash. I'd want a nice house and a nice car and go to nice places on holiday.&quot; Is this the ultimate appeal of Wag-dom? Riches without endeavour?</p><p>The band was Genie Queen, which supported Blue on tour before splitting. Next, she appeared on Britain's Next Top Model, making it through to the last few, and met Pete. How? When? &quot;It was me friend Tommy's birthday and I was out with him and his wife, Karen, and I did fancy Pete before then.&quot; From seeing him on TV and in newspapers and the like? &quot;Yes. And we were in this restaurant and I saw him and I was like: 'Oh my God!' and I went to the toilet and walked past him and he just started talking to me and then begged me for me number... Only joking! We swapped numbers.&quot; How long till he called? &quot;An hour.&quot; Did you have any sense of where it would go? &quot;Oh, yeah. I knew he'd be me boyfriend.&quot; How? &quot;Just a feeling. I knew he was The One.&quot;</p><p>And what was your first experience of being a premiership footballer's girlfriend? &quot;When I finished Britain's Next Top Model, the day I got back, he said the England team were going to Portugal, did I want to come? I'd been away from me mum for eight weeks and I'd never left me mum's side in me life and I was like: 'Should I go or shouldn't I?'.&quot; You did go, and? &quot;It was really strange because I was really young, 19, and at the meal in the evening Victoria Beckham was sitting there, and David Beckham, and all these players you only see on TV, and their wives, and I felt quite intimidated and that my clothes were crap.&quot; Was Posh friendly? &quot;I didn't speak to her.&quot; Too frightened? &quot;Yeah.&quot;</p><p>She also went to Baden Baden for the 2006 World Cup but came home early when pictures of her sniffing cocaine were printed in a tabloid. This is another of our sticky moments. If you are living the dream you do not want it defiled, I suppose. How did you feel about it, I ask.</p><p>A sharp intake of breath and then: &quot;It makes it hard to trust people you thought you could trust. It's just embarrassing because it just lets people down, like me family, and then people have a certain image of you. When I'm a good person. I'm not an angel, but it was just a silly teenage thing that most teenagers in the world do. It wasn't nice.&quot;</p><p>Did someone you know sell that picture? &quot;Yes, but I don't want to go into it, because it scares me still.&quot; It is a massive betrayal, isn't it? &quot;Definitely. I wouldn't do that to anyone. I just don't understand people's mentality. If I saw Tom Cruise sitting here, I wouldn't go over and take a picture of him then sell it to a newspaper. People seem to do that nowadays. It's just bizarre.&quot;</p><p>She and Pete are among those suing News International for phone hacking. And what's the most ridiculous thing you've ever read about yourself in a tabloid, I ask. &quot;There have been millions of things.&quot; The latest, then. &quot;The latest is that I'm getting ��750 cellulite treatments and I don't even have cellulite!&quot; Absurd! &quot;I know.&quot;</p><p>We pay up and climb back into her car, where there is a bag of treacle toffees. &quot;Want one?&quot; Abbey, I'm stuffed! She pops one in her pretty mouth. It's my idea to stop at the childrenswear shop in chi-chi Wilmslow on the way back, as I need a baby gift. I ask Abbey if she likes shopping, shopping, shopping.</p><p>&quot;Not as much as I used to,&quot; she says. Still, although the price of the one little outfit I buy makes my eyes water, she proceeds to buy up half the shop for Sophia. I'm guessing not having to think about money simply becomes normal after a while.</p><p>Did Pete, I ask, cry when Sophia was born? &quot;He cried, and me mum cried, and me sister cried.&quot; Is she fat? I love a fat baby. &quot;She is very fat.&quot; Cellulite treatments? You're never too young. &quot;Ha, ha!&quot; Who gave Sophia her first-ever bath, always a nerve-wracking event? &quot;Pete did and he held on to her arm that tight her hand went blue!&quot;</p><p>She has never allowed Sophia to appear in the press, which is wise, and she has never done any 'at home' spreads. &quot;That way you open the door, don't you?&quot; And your wedding wasn't Hello!-ed? &quot;No, although it would have been very nice to have had it paid for!&quot; And you don't use Creme de la Mer? &quot;Nivea.&quot; Drat.</p><p>Finally, she drops me back at the station ? &quot;Come on, you soft shite!&quot; ? which is kind, and we part amicably although, I now realise, I've yet to receive an invite proper to the mini-farm party. It's my dry elbows, I bet. They've always held me back.</p>?<p>Whereas Miuccia Prada's recent seasons have seen her blokes kitted out in technicolor floral bri-nylon, lurex cardigans and stack-soled wedges, this time we saw suits... and suits... and suits. Grey, black, single and double-breasted, some with natty astrakhan collars, some seemingly sans trousers (but with flapping boxers and over-the-calf City Boy socks). It was all about the suit ? but they were suits that could be worn anywhere and by just about anybody. Prada wasn't the only one proposing that men be permanently suited and booted for winter: the power of this label is in epitomising what's making fashion tick at any one moment. Hence Italian cohorts Domenico Dolce and Stefano Gabbana proffered a parade of braid-embroidered gabardines, Tomas Maier's Bottega Veneta showed sleek, single-breasted styles and Christopher Bailey at Burberry Prorsum put a new twist on the Sloane Ranger with jewel-toned corduroy and whipcord two-pieces (Mellors flat-cap optional). Even Roberto Cavalli's usually navel-gazing, flesh-flashing catwalk was buttressed with Savile Row quality tailoring, give or take the odd odd chartreuse tux.</p><p>Is this really so surprising? The suit, after all, has been the linchpin of the male wardrobe for about two hundred years. What's rare is to see fashion designers embracing that conservatism with quite so much gusto.</p><p>The Italians, of course, have a tailoring tradition to rival Savile Row's ? although their craftsmen dotted about Rome, Milan and Florence cannot compare with the world's only true &quot;disguisery&quot; (the wonderful plural noun for a group of tailors) on &quot;The Row&quot;. But the suit reigned supreme during Paris fashion week too, Lanvin's muscular and full-shouldered, Louis Vuitton's sleek in camel and grey, and leather-bound at Stefano Pilati's final menswear show for Yves Saint Laurent (Raf Simons showed that over in Milan for his penultimate Jil Sander collection, too).</p><p>So what does the suit represent in the menswear landscape of today?</p><p>Power on the one hand and conservatism on the other. Mere months before The Iron Lady nabbed Meryl Streep an Oscar for her depiction of Margaret Thatcher, it feels as if this could be fashion's return to Wall Street's &quot;Greed is good&quot; Eighties ethos. These suits may be relatively sombre, even staid at times, but they scream &quot;money&quot; in a way a sweatshirt never could. A suit today can be the perfect sartorial palimpsest for rebellion; a language of dress every man understands but which can be utilised to say something revolutionary.</p><p>That's the way the American designer Thom Browne has always looked at the suit, using its &quot;rules&quot; to fight against the conventions still evident in male fashion. Browne's suit, less skinny than shrunken, single-breasted with trousers cropped high on the ankle, has dominated male style for the past half-decade. &quot;My goal for my collection is to be provocative and to make people think,&quot; says Browne. That's the purported aim of much flamboyant modern menswear, the difference with Browne's work being that the basis for these experiments are classic grey wool suits that could have been worn by bankers in the fifties. Turn a blind eye to the attention-grabbing &quot;skorts&quot;, beaded kaftans and tulle puffs Browne often favours: it's the proportions of the suit that are the most controversial and interesting thing.</p><p>Browne's combination of an ultra-trad base with subtly radical details finds echoes throughout menswear today. It's there in a poplin men's shirt by young London label Palmer//Harding, tucks and spiral pleats giving it a third dimension; and equally in Lucas Ossendrijver and Alber Elbaz's cross-breeding of a down jacket and officer's greatcoat at Lanvin.</p><p>&quot;The mix between tradition and newness is the story of this collection,&quot; said Elbaz backstage. And, for many men, raised on Casual Fridays and sportswear as everyday wear, there is a newness in the tradition of the suit, full stop.</p><p>The omnipotence of the suit for autumn/winter 2012 is part of fashion's standard flash-in-the-pan seasonal volte-face, but men are universally reclaiming the classic suit as a means of dressing up for the everyday. &quot;What we're seeing more and more of is younger customers buying into suiting,&quot; says Adam Kelly, buying manager of men's formalwear at London's Selfridges. &quot;The look is in no way just about workwear or occasionwear any more ? I think British guys in particular just have an increasingly vested interest in looking sharp.&quot; The cold hard facts back that assertion: at Selfridges, suiting sales to date have increased 28 per cent on last year. &quot;I look for something classic and timeless in dress,&quot; says Constantin Bjerke, the dapper founder and CEO of media website Crane.tv, who buys his suits from London's Turnbull &amp; Asser. &quot;A well-cut, beautifully-detailed and constructed suit will last a lifetime and always look stylish.&quot;</p><p>Nick Lazarus, a treaty underwriter with Hiscox in the City, concurs that in his clothes he seeks &quot;an emphasis on quality and not visual impact. Save the odd unfortunate incident, I have never really been one to stick my head above the parapet on account of an outlandish wardrobe&quot;.</p><p>Those characteristics ? stylish, timeless, quality ? are endlessly assigned to suits, especially in the bespoke bracket. The latter is suiting at its most traditional, time-consuming and expensive ? ready-to-wear (or, as tailors often disparagingly term it, &quot;off the rack&quot;) cannot compare to bespoke, where a pattern is drafted to a customer's individual measurements. Savile Row tailor Richard James describes the bespoke process as &quot;indulgence... time spent considering fabric,working on style, discussing small but important details to devise a unique suit that not only fits you perfectly and makes you feel great, but is also something you helped create&quot;. Even made-to-measure is a poor substitute in the eyes of the tailoring trade. &quot;It's not quite the same as having someone actually take a set of measurements and alterations for your figure. You can't improve on the fittings... distilling the pattern down till it actually fits,&quot; says Ritchie Charlton, managing director of Hayward of Mount Street. Charlton has been in the tailoring trade for three decades, working at high-profile establishments including Kilgour French Stanbury and the tailoring workrooms of Her Majesty's choice dressmaker, Hartnell, under former Christian Dior designer Marc Bohan in the early 1990s. In short, he knows his stuff ? today, his custom-made, four-figure suits clothe dedicated followers of style, rather than fashion, including Primal Scream's Bobby Gillespie and perennially pin-neat photographer Nick Knight. When asked about seasonal changes in bespoke, Charlton shrugs his shoulders and responds &quot;there are seasons as far as the weather goes&quot;. But he does concede that &quot;bespoke tailoring moves with men's fashion... a young guy who comes into the shop, generally he's going to want a neater, shorter-fitting jacket at the moment than perhaps he would have wanted in 2002.&quot;</p><p>That's possibly one of the most seductive things about suiting: the subtlety.</p><p>&quot;Every collection, I address different ideas of proportion,&quot; says Thom Browne, attesting that the elements that make his suits stand out are &quot;attention to detail, the quality of the make, but most importantly the proportion&quot;. That's what proves seductive for many men and indeed for designers: using the convention of the suit to say something new; a quiet radicalism.</p><p>That could be the strap-line for Savile Row's latest leap into the 21st century: a made-to-measure collaboration between H Huntsman &amp; Sons ? a bespoke bastion of tailoring tradition ? and Alexander McQueen, another bastion, albeit of iconoclastic rebellion. Both are quintessentially British: Huntsman has been tailoring to royalty for more than 160 years and McQueen, of course, created that dress. Lee McQueen himself was also responsible for outfitting royals in rather more anti-establishment styles, legend being that he scrawled a variety of four-letter pejoratives across the canvas interlining of suits destined for the Prince of Wales whilst apprenticing at Anderson &amp; Sheppard in the late 1980s.</p><p>Sarah Burton's offerings, available from June, veer towards the traditional, with cashmere frock-coats, dinner-jackets and, fittingly enough, Prince of Wales check suiting. Albeit with breeches and embroidered lapels, the jackets cut slimmer and tighter against the body. A tongue-in-cheek twist on three all-important classics of men's suiting, they seem tailor-made for the archetypal English dandy ? probably the most compelling argument for any style-conscious gentleman when buying another perfectly-proportioned suit.</p>?<p>The catalogue business is setting up a ��45 million joint venture with Chinese manufacturing giant Haier in a bid to tap into the country's buoyant economy and current spending boom.</p><br><br><p>Previous openings overseas have proved unsuccessful, including pilot stores in the Netherlands opened in 1998, while five stores in India were closed in 2009.</p><br><br><p>However, Argos will return to overseas expansion next year when it opens a trial store and internet delivery service in Shanghai, and ultimately aims to expand throughout the country.</p><br><br><p>It will follow in the footsteps of other UK retailers who have already got a foothold in the powerhouse Asian economy, such as Tesco, Burberry, Mothercare and Marks &amp; Spencer.</p><br><br><p>In the UK, Argos's customers are being badly hit by the squeeze in living standards because they tend to have lower disposable income and, with many renting, they have not benefited from the record low interest rates.</p><br><br><p>But in China, Argos hopes to tap into the booming middle classes who are spending freely as they reap the rewards of the country's rapid industrialisation.</p><br><br><p>The Chinese economy is expected to carry on growing faster than the West - it recently overtook Japan as the world's second biggest economy and is set to supplant the US as the number one economy in coming decades.</p><br><br><p>The new venture will draw on Argos's expertise in online retailing and Haier's distribution network in the country.</p><br><br><p>Haier, which makes TVs, fridges, freezers and washing machines, is one of the world's largest white goods manufacturers. It will own 51% of the joint venture.</p><p>PA</p>?<p>The retailer has also extended a contract with the same partner to sell its products in South-east Asia for a further six years until 2021, including in the new countries of Australia and Vietnam.</p><p>However, shares in Mulberry fell by 95p, or nearly 7 per cent, to ��13 yesterday, although they are still up by more than 44 per cent over the past year. Other luxury goods companies, such as Burberry, have seen their share prices hit in recently weeks over fears of slower spending among China's luxury consumers.</p><p>Mulberry said it had agreed &quot;heads of terms&quot; for a new distribution agreement for Japan via a joint venture vehicle owned by Club 21 and Mammina, a subsidiary of the department store group Isetan Mitsukoshi.</p><p>Under its contract extension with Club 21, the partner will open Mulberry flagship stores in Singapore, Hong Kong, Shanghai and Beijing.</p>?<p>Available in four shades, this light reflecting liquid can be used on bare skin or mixed with foundation which will give you an all-over luminous glow.</p><p>��22, Nars, </p><p>2. Colour Skin Enhancer</p><p>Use as a primer, and while the soy proteins will moisturise, a light-trapping formula will leave your skin looking refreshed. Available in five shades.</p><p>��64.50, by Terry, </p><p>3. Lustre Drops in Pink Rebel</p><p>Add a 'pearlised' sheen to your face and body by dabbing on a few drops of this water-based liquid.</p><p>��17.50 MAC, </p><p>4. Watt's Up! Soft Focus Highlighter For Face</p><p>A good place to start if you're not confident about illuminating just yet. Glide this cream-to-powder product over your cheeks and blend.</p><p>��24.50, Benefit, </p><p>5. Uplifting Liquid Illuminator, 04 Bronze</p><p>Want glow, not glitter? You can achieve a sun-kissed look with only a hint of shimmer with this pump-action product. </p><p>��20, Clinique, </p><p>6. Fresh glow</p><p>Use as an all-over moisturiser for your face and decolletage, or just apply only to the areas you would like to highlight.</p><p>��34, Burberry, </p>?<p>This autumn, the company that manufactured the world's first waxed cotton motorcycle jackets will open a five-storey flagship store on Bond Street. What started as motorcyclist utility garb has become the clothing must-have for A-list celebrities. The firm's new collection, to be launched next month, is inspired by its British roots ? less tailored, more baggy ? under the creative direction of Martin Cooper, who was the head of outerwear at Burberry for 16 years.</p><p>Harry Slatkin, Belstaff's chief executive, told The Independent on Sunday: &quot;The brand started in England. When it was bought by Italians [in the 1990s], it started to lose its way and lose its language. We wanted to make a firm commitment that it is back in England and that we're proud to be an English brand.&quot;</p><p>Last year, Belstaff was bought by Labelux, based in Vienna. Months earlier, Labelux had bought Jimmy Choo for ��500m. Four days later, Tommy Hilfiger became an investor and consultant. Both Slatkin, the founder of the fragrance company Slatkin &amp; Co, and Cooper joined the company and started the move back to Britain.</p><p>The firm was founded by Eli Belovitch and his son-in-law Harry Grosberg, in Longton, near Stoke, in 1924. At one time it produced more than 80,000 Trialmaster jackets a year. They were worn by bikers the world over, including the late Steve McQueen, star of The Great Escape. He started the move that helped such clothing cross the divide from niche market to mainstream appeal.</p><p>The firm once provided clothing for Lawrence of Arabia ? Peter O'Toole as Lawrence died on his motorbike wearing Belstaff. Today, its clothing is a movie staple. The Malenotti family, who ran the company until last year, had as rich a history in film as in the ragtrade. Franco Malenotti, motorbike designer and champion rider with an obsession for the coats, started with Belstaff in 1986 and bought the firm when it ran into financial difficulties. His father, Maleno Malenotti, was a film producer, a contemporary of Federico Fellini who worked with Sophia Loren.</p><p>Since then, Belstaff clothing has been worn in blockbusters including The Curious Case of Benjamin Button (Brad Pitt), Sweeney Todd (Johnny Depp) and Mission: Impossible III (Tom Cruise). Malenotti himself appeared in Pirates of the Caribbean: On Stranger Tides, while George Clooney and Angelina Jolie regularly wear the jackets off-set. Daniel Radcliffe had a specially made &quot;Harry Blouson&quot;, while Sherlock's tweed coat, as worn by Benedict Cumberbatch, is Belstaffian.</p><p>It is not only on the big screen that the name is revered. Pope Benedict XVI wears bespoke Belstaff made from soft cotton ? with white corduroy collar and cuffs ? when walking in the Vatican gardens.</p><p>Great outdoors meets the in-crowd: The utility brands that conquered the catwalk</p><p>Oakley: Many people adopting the Oakley swagger are unaware the brand started in the 1980s, making bikers' goggles. Jim Jinnard produced the first pairs from his garage, with ��150 in start-up capital. He named the firm after his dog.</p><p>Barbour: Founded in South Shields by John Barbour in 1894, the brand ? which was also worn by Steve McQueen and holds a royal warrant ? is now synonymous with country sports and wholesome walks.</p><p>Burberry: The 19th-century brand has consistently defied gloom-mongers during the recession and has survived being adopted as a fashion accessory by football hooligans in the 1980s.</p><p>Hunter: Who would have thought that 150 years after the North British Rubber Company started manufacturing, it would evolve into a wellie brand that united Kate Moss and Middle England? When David Cameron visited Washington in 2010, he took two pairs to give to the Obama children.</p>?<p>***</p><p>Thanks to Hansard for confirming what Between the Covers thought we heard when we listened to Education Questions on Monday. (We don't just read books, you know.) Not only is the Education Secretary, Michael Gove, making primary school children learn and recite poetry ? he's also got Tory MPs doing it, too. Kevin Brennan (Labour, Cardiff West) asked: &quot;Why is the Secretary of State having such a chilling effect on teacher morale?&quot; Gove, inset bottom, replied: &quot;As Robert Burns, that great poet, once said, 'facts are chiels that winna ding' ...&quot;. Next, John Haynes spoke up: &quot;When I think of the Opposition, I am reminded of Eliot's words: 'Shape without form, shade without colour,/Paralysed force, gesture without motion.'&quot; Finally, Gove wrapped up the debate, saying: &quot;I must be brief because, as Shakespeare [left] said, 'Let me not to the marriage of true minds/Admit impediments'.&quot; Impressive ? let's see more poetry in Parliament, please.</p><p>***</p><p>Fans of Irvine Welsh should look out for the new single &quot;Another Screen&quot; by Kormac, on which Welsh appears on vocals. Kormac wrote the song ? a lament about our screen-focused lives ? especially for Welsh, and turned up on his doorstep to ask him to take part. &quot;Rather than take out a restraining order,&quot; we're told, &quot;[Welsh] took him in, fed and watered him and sent him home with the track complete.&quot; The single is available on iTunes for 99p.</p><p>***</p><p>Do the results of a new poll by dottybingo.com help to explain the stratospheric success of E L James's 50 Shades of Grey, or just make it even more baffling? Forty-four per cent of the 400 members surveyed said they would rather read about sex than have it, and 43 per cent said that erotic literature made their own sex lives feel boring and routine. Readers, 50 Shades is not a fly-on-the-wall documentary, you know.</p><p></p><p></p><p></p><p>Finally, a special request for the publishers of Clive James's enemies. James, best known as a broadcaster, critic, commentator and novelist, is also a brilliant poet who has published nine collections. One of his more famous poems is &quot;The Book of My Enemy Has Been Remaindered&quot;, in which he takes satisfaction in imagining monumental piles of his rival's failed book. James has told Radio 4's Meeting Myself Coming Back that he's been very ill for two years, and is &quot;getting near the end ... I'm a man approaching his terminus&quot;. He is not there yet, but please, publishers, remainder the books of his enemies, just to give him some cheer.</p>?<p>According to the latest league table from BrandFinance Global 500, the value of luxury goods brands has rocketed this year with the likes of Louis Vuitton, Hermes and Ralph Lauren increasing their brand values by up to 24 per cent, while supermarket brands such as Sainsbury��s and Asda have seen their brand value fall.</p><p>The supermarkets woes are in stark contrast to the growth in upmarket brands ? luxury jeweller Tiffany &amp; Co made the Global 500 for the first time with a brand value of $2.9bn while purveyor of luxury cars - Rolls-Royce ? saw a 17 per cent increase in the value of the brand. Luxury goods houses Prada and Coach re-entered the top 500 this year and Christian Dior and Burberry join Tiffany as newcomers.</p><p>David Haigh, the chief executive of Brand Finance, said: ��The rise to prominence of luxury and lifestyle brands in this year��s report is impressive. Whilst the world remains shrouded in economic misery, people are investing their hard earned cash in brands they rely on to produce quality and long lasting products.��</p><p>As well as luxury goods, the techonology sector is the strongest contender in the brand stakes with 49 technology companies making the top 500 and Apple crowned king ? it is ranked as the world��s most valuable brand at $70.6bn.</p>?<p>Aside from enraging more pedantic viewers by using the wrong name for the Union Flag, Martin's moment of doubt over his team's decision to decorate pieces of furniture by painting on the national flag was symptomatic of a wider crisis in confidence in the most iconic British design feature of all.</p><p>In a summer that includes the Queen's Diamond Jubilee celebrations and the London Olympics, we are bound to see more than ever of the Union Flag, which had its birthday yesterday on the 406th anniversary of it being introduced by James I to represent the unification of the crowns of England and Scotland.</p><p>Research produced this week by the brand consultancy Coley Porter Bell found that the rash of Union Flag imagery appearing on packaging was starting to irritate many consumers.</p><p>More than 56 per cent of respondents to the survey said that brands that wished to highlight the &quot;Britishness&quot; of their product should only do so subtly. More than 25 per cent went as far as to warn that they found such patriotism distasteful.</p><p>Some brands were regarded as having a right to boast of their Britishness, a list topped by British Airways and ranging from Burberry to Marmite (rebranded Ma'amite for the Jubilee, groan). Marks &amp; Spencer appears to have assumed it scores highly with consumers in this regard, judging by its latest advertising campaign, &quot;A Summer to Remember&quot;, showing Twiggy, Jamie Redknapp and friends cutting a cake with Union Flag icing and enjoying a jubilee garden party beneath the bunting. John Lewis has launched a &quot;Union Jack&quot; range of mugs, keyrings, umbrellas and tea caddies, though the kaleidoscopic colours would not be recognised by James I or any monarch since.</p><p>&quot;There has been a growing groundswell of British iconography,&quot; says John Clark, planning director at Coley Porter Bell. The public might be less sympathetic towards the SEBO vacuum cleaner brand, which has launched a &quot;Felix Royale&quot; model in Union Flag livery for those that feel that dusting is a matter of national pride. The Government has dived in with its &quot;Great&quot; campaign, with more red, white and blue than John Bull's waistcoat.</p><p>Since the Second World War, the British people have had a complex relationship with the Union Flag. To one generation it was a symbol of a nation's fight for survival. Their children wanted to turn it into something less serious. Pete Townshend of The Who's Union Flag blazer typified this new attitude. &quot;He went to Savile Row to get it done, but all the tailors said it would be sacrilege so he had to go to the East End instead,&quot; says Paolo Hewitt, co-author of The A to Z of Mod, published later this month. &quot;It wasn't being disrespectful, but saying that a new era was upon us and it was time to lighten the load of symbols like the target and the Union Jack.&quot;</p><p>When Morrissey wrapped himself in a Union Flag in 1992, many of those for whom the far-right's misappropriation of the banner was too raw recoiled at the sight. And yet soon afterwards Oasis embraced the same flag with the enthusiasm The Who had shown 30 years earlier.</p><p>That Britpop confidence has faded and Stella McCartney seems to have appreciated the current desire for subtlety in her designs for the Team GB kit in various shades of blue without any red. Patriots should make the most of it. With Scottish independence creeping closer, that Union Flag blue might not be about much longer.</p>?<p>The third day of London Fashion Week may have showcased some of the strongest home-grown players in the industry, but Dame Vivienne thinks we have much to learn. Showcasing the autumn 2012 collection of her Red Label line at London Fashion Week, the designer said the rise of disposable fashion had made people look too similar.</p><p>&quot;In history people dressed much better than we do... If you saw Queen Elizabeth it would be amazing, she came from another planet. She was so attractive in what she was wearing,&quot; she said.</p><p>Hardly surprising then that her collection took inspiration from more nostalgic forms of dress, from Jermyn Street stripes, Savile Row tailoring, tartan and duchesse satin to headscarves.</p><p>But the designer said people were too conformist.&quot;People have never looked so ugly... We are so conformist, nobody is thinking. I'm a fashion designer and people think 'what do I know?' but I'm talking about all this disposable crap. So I'm saying buy less, choose well, make it last.&quot;</p><p>London Fashion Week has a reputation for launching the careers of young stars and JW Anderson's show proved this. Only his third standalone womenswear show, this marked his arrival on the international circuit.</p><p>At the other end of the scale, the Topshop Unique show offered a selection of utilitarian pieces in bonded tweed and Prince of Wales check. Boiler suits and workwear-esque dungarees were reinvented in velvet with silk sleeves, pockets and panels at the cuffs. Party dresses got the hardware treatment, with zips functioning as straps.</p><p>Fedora-cum-baseball caps, as well as modish spike-heeled boots with brothel-creeper soles, were evidence of the sort of typically British eclecticism and streetwear aesthetic that has built this brand's successful reputation at home and overseas.</p><p>If the shows spoke of Britain's international credentials, the front row at Mulberry was a microcosm of that. Singer Lana Del Rey was there, in honour of the fact the luxury luggage label has named a bag from their autumn collection after her. Actor Michelle Williams was there too, as well as Elizabeth Olsen, evidence of the lure of one of the UK's most lucrative names.</p><p>Fashion Week continues today with shows from Burberry and Christopher Kane and a presentation from McQ, the subsidiary line from Alexander McQueen, which marks its first London presence in more than a decade.</p>?<p>Burberry Prorsum has been showcased in the British capital since 2008 (prior to that the show was in Milan alongside that city's big guns) and it gives London Fashion Week an ultra-glossy and unusually corporate international lift.</p><p>Still, the label is quintessentially British at heart as could be seen in yesterday's procession of outerwear all of which appeared, as if by magic, beneath a shower of (man-made) rain. Blanket coats, bombers, waxed jackets and of course the label's famous trench coat, this time cut in a gabardine and tweed mix, remain the core of its business to this day.</p><p>Christopher Bailey, Burberry's creative director, understands this sensibility well. More typically English references came in the form of flared riding skirts, overblown dress shirts borrowed from men, animal print T-shirts, and for the country-house soiree, fringed dresses and quilted velvet in the colour of the forthcoming autumn season: ox-blood.</p><p>As well as respecting Burberry's British heritage, the powers that be at the label consistently have an eye on the future where digital innovation is concerned. The show was live-streamed on its website and looks can be ordered online for seven days meaning any customers may find themselves in possession of their autumn 2012 wardrobe almost half a year before they reach stores.</p><p>Christopher Kane is a man who is known for taking the potentially stuffy cliches of the bourgeois wardrobe and twisting them slightly ? or indeed quite a lot. His collection was inspired, he said, by art photographer Joseph Szabo's portraits of American teenagers and the ambivalence of adolescence. With that in mind, here was a woman ? or in fact a girl ? who strode down the runway in leather and pinstripe, velvet and moire, all in hard as nails colours ? royal blue, true red, purple and predominantly black ? and emphatically heavy square-toed ankle boots and Mary-Jane shoes.</p><p>If last season Kane invested the ubiquitous reference to mid-20th haute couture with a homespun feel, this time he darkened it to the point where it was almost gothic, and certainly mournful, in flavour. Black roses on narrow knee-length dresses were more nasty than nice; the ribbons threaded through neck-and waist-lines, similarly, came not in fluttering silks but padded black leather tied into stiff bows.</p><p>The over-riding toughness in mood belied the fine quality of workmanship and loving attention to detail throughout. Fabric treatments and embellishment were both extraordinary in their complexity and innovation. This could be seen in floral jewel-encrusted embroideries and garments covered entirely in what looked like pulled threads.</p><p>Chunky knit jumpers, cigarette pants and skinny leather coats only added to the impression of ferocity more than overt femininity in the stereotypical sense of the word.</p><p>The day kicked off with a confident showing courtesy of the designer pairing, Peter Pilotto and Christopher de Vos. Famed for their prints, the principal reference on this occasion was Japanese &quot;light trucks&quot; (literally, according to the show notes, cars covered in thousands of lights), Chinese mask make-up and overblown garden flowers ? specifically lilac, carnation and iris.</p><p>This came stamped or embroidered on to everything from jeans and Puffa jackets with exaggerated collars to signature, body-conscious jersey dresses that kicked at the hem. While the hyper-technical quality of the whole might not be to everyone's taste, there was no disputing the talent on display here.</p>?<p>Burberry is ramping up its expansion plans after earmarking ��200m for new stores this year as global demand for its luxury goods defies the downturn in the UK. The luxury brand, which will open in London, Brazil and Shanghai, unveiled a 26 per cent rise in pre-tax profits to ��376m for the year to March, on sales up 24 per cent to ��1.86bn. </p>?<p>Ahrendts gave them to the Ahrendts-Couch Family Foundation, which sold them at 1148p a share, totalling ��574,000.</p><p>The couple set up the private charity in the past few weeks in Delaware to give to good causes.</p><p>Ahrendts came under attack earlier this year when it emerged she received a one-off ��5.8m share payment last year.</p>?<p>Burberry will pay Paris-based InterParfums about ?181m (��142m) to terminate the deal from December. But it is continuing discussions with the company about how to structure a new deal. It said the outcome of discussions is &quot;uncertain&quot;. Termination of the agreement leaves Burberry open to pursue other options if a deal cannot be struck with InterParfums. </p><p>Burberry said it had taken the decision to end the contract &quot;to maintain flexibility in pursuing its objective to develop fully this business in the future&quot;.</p><p>The British brand has been renegotiating a number of contracts and licensees in a wholesale shake-up of its global business in order to give Burberry more control of how its products are sold to customers.</p>?<p>Tailoring and enhanced ranges drove a 26% rise in menswear sales,while non-clothing such as bags, small leather goods and accessories lifted 50%.</p><p>Burberry's total revenues were up 24% to ��1.9 billion in the yearto March 31 and pre-tax profits lifted to ��366 million as key Asian markets showed more strong growth and flagship stores in London and Paris performed well.</p><p>It is planning 15 new outlets in the current financial year, withthe focus on larger format stores such as its relocated site in London's Regent Street.</p><p>There are 63 stores in mainland China, accounting for 12% of revenues, and Burberry said it would continue to invest in the under-penetrated market.</p><p>As well as doubling its number of Facebook fans to 12 million at the year end, Burberry has extended its presence on Chinese social mediaplatforms and launched other initiatives such as Tweetwalk during London Fashion Week.</p><p>Richard Hunter, head of equities at Hargreaves Lansdown stockbrokers, described the annual results performance as robust.</p><p>He added: &quot;A 24% rise in pre-tax profits defies some of the economic gloom, whilst the company's exposure to some strong local markets continues to propel prospects.&quot;</p><p>PA</p>?<p>The luxury-goods retailer said the rise in sales to ��830m in the six months to the end of September from ��673m a year ago, was driven by strong sales of &quot;outerwear&quot; ? coats ? especially its range of trench coats. Sales of leather goods were also particularly strong.</p><p>The Duchess of Cambridge sparked a scramble for Burberry trench coats in March after wearing one on a trip to Belfast, with the make selling out online the next day. The brand is also favoured by the Queen and Kate Moss and advertised by Harry Potter star Emma Watson.</p><p>Burberry reported a 45 per cent sales bump to ��528m in its first half, as it sold more in existing stores, expanded to new ones and saw some strong returns from China.</p><p>Last month its shares had tumbled over concerns for the company's growth in the country after economists at Citi downgraded its economic outlook. Beyond the coats and leather bags, initiatives including men's tailoring and accessories, children's clothing and shoes continued to drive growth.</p><p>Angela Ahrends, Burberry's chief executive, said that the performance &quot;clearly demonstrates the continuing global momentum of the Burberry brand&quot;.</p><p>There was also a solid performance in its flagship markets, including New York, London, Paris and Hong Kong. The wholesale operation rose by one-fifth following sales to the Americas, emerging markets and of travel goods.</p><p>The company forecasts that average retail selling space will grow 15 per cent during the second half of its financial year. It hopes to open 25 new stores this year and double space in London.</p>?<p>Total sales came in at ��408m for the three months to the end of June, showing an underlying increase of 11 per cent. That is down from 15 per cent in the previous quarter and below analysts' forecasts of 13 per cent.</p><p>The shares fell 7 per cent to 1,189p and its chief executive Angela Ahrendts admitted the company was facing a &quot;more challenging external environment&quot;.</p><p>The sales slowdown came as Burberry confirmed its new flagship store on Regent Street will miss the Olympics. It will not open until September, having been earmarked to open during the summer.</p><p>The luxury sector is beginning to show signs of the impact of Europe's debt crisis and slower growth in emerging markets, including China.</p><p>Stacey Cartwright, chief financial officer at Burberry, said: &quot;This is a robust performance. We were up against tough comparisons. But we have a huge amount of brand momentum and we are in line, or better than peers.&quot;</p><p>Bethany Hocking, an analyst at Investec, said: &quot;We expect Burberry's shares to suffer today. We note, however, that full-year guidance appears unchanged and the first quarter is Burberry's smallest quarter. It is also against the toughest comparisons.&quot;</p><p>Burberry has been putting its house in order, tidying up messy licence agreements in Japan and focusing on a &quot;legacy clean-up&quot;, getting rid of cheaper product lines and selling less through discount outlets.</p><p>This has had an impact on sales, Ms Cartwright said, but would mean its margins had improved.</p><p>She added that Burberry had been &quot;eliminating the non-British-made outerwear at the lower price points&quot; and focusing on &quot;weaved, British-made fabrics&quot;.</p><p>Despite being hit by a 5 per cent drop in licensing revenue, shop sales rose 14 per cent to ��280m and comparable store sales were up 6 per cent.</p><p>Ms Cartwright said the focus remains on &quot;global flagship markets&quot; and the company will continue to open giant stores in key markets, where &quot;luxury travelling consumers&quot; continue to visit and spend.</p><p>Growth came from the UK, France, Germany and China, and several new stores are due to open this year, include in London, Chicago, Hong Kong and Shanghai.</p><p>In the capital, Burberry said London Fashion Week in September is a more desirable time to open a new store. </p><p>Ms Cartwright said: &quot;London will be interesting during the Olympics. There will be traffic chaos. </p><p>&quot;We are focused on the luxury travelling consumer, not those who are visiting for the Olympics. In Beijing, we didn't see an uplift at our store during the Olympics, so opening in September is better for us.&quot;</p>?<p>The luxury goods company could buy back the current licence which runs to 2017, extend it or even bid to take over Inter Parfums.</p><p>Sales of Burberry fragrances were ?210m (��176m) last year and are growing with the recent launch of Burberry Body. </p><p>In recent years, Burberry has bought out many licences taking direct control of its interests.</p><p>Inter Parfums also makes and distributes perfumes for Van Cleef &amp; Arpels, Jimmy Choo, Paul Smith and Montblanc.</p>?<p>Analysts have predicted total sales growth up 18-20 per cent with sales for the quarter forecast to be close to ��569m.</p><p>But like-for-like retail sales growth could be slightly down on last year at around 15 per cent.</p><p>The company's 10 million Facebook friends are testament to its growing social media presence ? it released images from the catwalk yesterday on a Twitter &quot;tweetwalk&quot;.</p>?<p>The company's shares have been buffeted by concerns over China in recent months but Burberry stressed the country accounts for only 10 per cent of its global revenues and that Shanghai and Beijing represent just two of its 25 flagship markets globally. Angela Ahrendts, the chief executive of Burberry, said: &quot;It [China] is a nice and strong market. But it is not a market that Burberry is overly dependent on. There are 25 Londons around the world and that is where Burberry is focused.&quot; </p><p>Indeed, China, where Burberry acquired its 50 franchise stores in September 2010, delivered a 30 per cent jump in like-for-like sales.</p><p>Shares in Burberry fell 74p, or 5 per cent, to 1,347p yesterday, although they are up nearly 20 per cent this year. </p><p>For the six months to 30 September, Burberry posted a 26 per cent rise in underlying profits to ��162m, on total revenues up 29 per cent to ��830m. </p><p>The profit rise was driven by an increase in margins and double-digit revenue growth across all its regions, divisions and product categories. </p><p>Its retail gross margin rose by 2.4 per cent to 66.7 per cent. Ms Ahrendts also cited strong performances in London, Paris, New York, Dubai and Hong Kong. But Asia-Pacific was the star, growing retail and wholesale revenues by 51 per cent to ��265.3m. </p><p>Since 2010, Burberry has doubled its workforce at its factory in Castleford, Yorkshire, which makes most of the gaberdine trenchcoats for its new Burberry Bespoke website. The site provides 12 million options, including different studs, cuffs and collars.</p>?<p>Like-for-like sales ground to a halt in the 10 weeks to 8 September, meaning its pre-tax profits for the year will come at the lower end of expectations. Analysts had predicted a total of between ��407m and ��455m. Following the announcement, shares slumped by almost 19 per cent, wiping ��1bn from its market value in what one analyst described as &quot;shooting the messenger&quot; over a crisis across luxury brands.</p><p>Burberry CEO Angela Ahrendts said the company's second quarter growth had slowed against &quot;historically high comparatives&quot; in a &quot;challenging market&quot;. &quot;Given this background, we are tightly managing discretionary costs and taking appropriate actions to protect short- term profitability,&quot; she added.</p><p>In the short term, the company's headcount has been frozen, travel expenditure will be cut and new IT projects have been deferred. The long-term strategies, including expansion into emerging markets and a diversification into non-clothing products, are still in place.</p><p>As luxury giants LVMH (behind Louis Vuitton) and PPR (Gucci, Alexander McQueen) took single digit hits, analysts pondered whether there could be a problem with growth across high-end manufacturers. Ahrendts didn't specify whether results were hit in Western markets or emerging markets ? leading to speculation it could be both.</p><p>The announcement was in stark contrast to an optimistic forecast at the opposite end of the retail sector. Primark said like-for-like sales had increased by 3 per cent in the year to 15 September, with 19 new branch launches increasing overall sales by 15 per cent.</p><p>Neil Saunders, managing director of retail analysts Conlumino, said the current economic climate protected super-cheap brands such as Primark, as well as those who sell to the &quot;uber wealthy&quot;, but Burberry is a different beast. &quot;In Western markets, a lot of Burberry's success is predicated on the fact they sell to a wide market. It may be a luxury brand, but middle-market consumers will stretch their budget upwards to purchase Burberry items,&quot; he said. Brands that sell to the middle market, such as Marks &amp; Spencer, have had a difficult year.</p><p>Growth in China has slowed, Mr Saunders said, because &quot;luxury businesses have piled into those markets so now it's much more competitive&quot;. In an environment where companies can no longer rely on Asian and Latin American markets for growth, Burberry needed to address customers' needs, he said.</p><p>Jaana Jatyri, CEO of Trendstop.com, said Burberry had fallen foul of the fickle fashion world: &quot;In this climate, people are watching what they spend.&quot;</p><p>The first store opened in Dublin in 1969, but aggressive expansion in the UK and Europe in recent years has seen that number soar to 242 today, with 19 stores opened in the last year alone. Unashamedly cheap, Primark apes trends and appeals to a young but trend-savvy clientele. Skinny jeans sell for ��11, and analysts are forecasting group profits (it's owned by Associated British Foods) for this year of ��970m.</p><p>Founded in Basingstoke in 1856 by a draper's apprentice and later renowned for its distinct tartan pattern, Burberry saw its yearly sales boom to ��3.5bn last year with the help of CEO Angela Ahrendts's commercial wiles and chief designer Christopher Bailey's fashion nous. Burberry has more than 500 outlets, and women's trench coats from the top Prorsum line start at ��1,095.</p>?<p>Instead, guests were greeted at the vast marquee in Kensington Gardens by a projected London skyline, in which Burberry's newly opened 44,000 sq ft flagship store on Regent Street featured prominently.</p><p>And chief creative officer Christopher Bailey's collection was no less bombastic, a celebration of the Prorsum line's high-end credentials with sumptuous fabrics and couture detailing, and a reassertion of its hip-heritage status among some of the world's wealthiest private clients.</p><p>The label's signature trench was reworked in a spectrum of holographic shades, from hot pink via aubergine to cobalt and apple green, and reimagined as cropped mini-capes, bolero bomber jackets and cocoon coats with the voluminous sack-back and drop-shouldered silhouette so redolent of the 1950s golden age of atelier craftsmanship.</p><p>Artisanal touches came on plisse silk corsets, laser-cut lace outerwear and separates, and a bustier dress covered in royal blue feathers, a bold statement of the brand's unshakable luxe identity and faith in its chosen commercial route.</p><p>Young designer Christopher Kane meanwhile, dealt with the nuts and bolts in his offering yesterday. Sharply cut and classically feminine crepe de Chine dresses in white, lemon yellow and bubblegum pink were ingeniously held together at the shoulder with moulded plastic fastenings shaped like wingnuts; they came as buttons on boxy jackets and skirts, too.</p><p>Restrained decoration came by way of fluid planes of fabric that cascaded down the front of minimal Sixties-style shift dresses. But Kane's vision of femininity was toughened up with padded leather motorcross jackets featuring an embossed pattern of roses, and haphazard strips of packing tape used as rough embellishment. His great strength as a designer is creating glamorously modern clothes that are conceptual, cool and comfortable.</p><p>Stiffly frilled organdie skirts and dresses were printed with nostalgically twee bows, which were later realised in 3D in the same rubberised plastic and worked into latticed skirts and jackets. &quot;That was a bit of a cash-and carry-moment,&quot; the designer said. &quot;The bows were meant to be sickly sweet, the colours were serene so you didn't know what was coming next.&quot;</p><p>London Fashion Week draws to a close today with shows from Mulberry and Meadham Kirchhoff.</p><p>Transport kindly provided by Mercedes Benz</p>?<p>Burberry Prorsum has been showcased in the British capital since 2009 (prior to that the show was in Milan alongside that city's big guns) and it gives London Fashion Week an ultra-glossy and unusually corporate international lift.</p><p></p><p>Still, the label is quintessentially British at heart as could be seen in yesterday's glamorous procession of outerwear all of which appeared, as if by magic, beneath a shower of (man-made) rain. Blanket coats, bombers, waxed jackets and of course the label's famous trench coat, which was this time cut in a gabardine and tweed mix, remain the core of its business to this day.</p><p>Christopher Bailey, Burberry's chief creative officer, understands this sensibility well. More typically English references came in the form of flared riding skirts, overblown dress shirts borrowed from men, animal print T-shirts, and for the country-house soiree, fringed dresses and quilted velvet in the colour of the forthcoming autumn season: ox-blood.</p><p>As well as respecting Burberry's British heritage, which remains the principal source of inspiration for the Prorsum collection and the brand as a whole, the powers that be at the label consistently have an eye on the future where digital innovation is concerned. The show was live-streamed on its website and looks can be ordered online for seven days meaning any customers may find themselves in possession of their autumn 2012 wardrobe and, of course, accessories finished with shiny brass duck and fox heads to go with it, almost half a year before they reach the store.</p><p>Christopher Kane is among London's most feted designers and a man who is known for taking the potentially stuffy cliches of the bourgeois wardrobe and twisting them slightly - or indeed quite a lot. His collection, shown earlier in the day, was inspired, he said, by art photographer Joseph Szabo's portraits of American teenagers and the ambivalence of adolescence. With that in mind, here was a woman - or in fact a girl - who strode down the runway in leather and pinstripe, velvet and moire, all in hard as nails colours - royal blue, true red, purple and predominantly black - and emphatically heavy square-toed ankle boots and Mary-Jane shoes.</p><p>If last season Kane invested the ubiquitous reference to mid-Twentieth haute couture that continues to sweep the ready-to-wear circuit with a homespun feel, this time he darkened it to the point where it was almost gothic, and certainly mournful, in flavour. Black roses appeared on narrow knee-length dresses that were more nasty than nice; the ribbons threaded through neck- and waist-lines, similarly, came not in fluttering silks but padded black leather tied into stiff bows.</p><p>The over-riding toughness in mood belied the fine quality of workmanship and loving? attention to detail throughout. Fabric treatments and embellishment were both extraordinary in their complexity and innovative. This could be seen in floral jewel-encrusted embroideries and garments covered entirely in what looked like pulled threads.</p><p>Chunky knit jumpers, cigarette pants and skinny leather coats only added to the impression of ferocity mor than overt femininity in the stereotypical sense of the word. It was all the more refreshing for that.</p><p>The day kicked off with a confident showing courtesy of the designer pairing, Peter Pilotto and Christopher de Vos. Famed for their prints, the principal reference on this occasion was Japanese 'light trucks' - literally, according to the show notes, cars covered in thousands of lights - Chinese mask make-up and overblown garden flowers - specifically lilac, carnation and iris.</p><p>This came stamped or embroidered onto everything from jeans and Puffa jackets with exaggerated collars to signature, body-conscious jersey dresses that kicked at the hem. While the hyper-technical quality of the whole might not be to everyone's taste, there was no disputing the talent on display here.</p>?<p>The Debrett's People of Today entry for ex-Formula 1 racing team owner Eddie Jordan needs to be updated as it emerged last week that Jordan and LDC private equity boss Darryl Eales snapped up the venerable guide to etiquette and genealogy, earlier this year. </p><p>There's been plenty of scepticism over oil explorers looking for black gold in the Falklands, so Rockhopper chief executive Sam Moody must feel vindicated after a $1bn deal on Thursday.</p><p>Premier Oil splashed out that amount to take a 60 per cent stake in the group.</p><p>Also on Thursday, Aegis boss Jerry Buhlmann announced the advertising group's ��3.2bn sale to Japan's Dentsu. He stands to make ��10m from the deal.</p><p>... at a loss</p><p>Barclays bosses and Bank of England deputy governors have had an awfully bad week but so have others.</p><p>On Tuesday, Kate Bostock, the one-time darling of the retail sector, quit as executive director for general merchandise at Marks 'n' Sparks, following the chain's worst UK sales performance in three-and-a-half years.</p><p>The myth that British luxury goods are immune to the financial crisis might not last for much longer after Burberry revealed a slowdown in sales growth on Wednesday with boss Angela Ahrendts admitting to a &quot;more challenging external environment&quot;. </p><p>On Thursday, Peugeot Citroen boss Philippe Varin admitted the French carmaker is losing ?100m a month.</p>?<p>It shows the potential for &quot;cross-pollination&quot; between directors of the UK's top companies, a relationship usually between the non-executive directors of companies who sit on the all-important remuneration committees which set board pay.</p><p>Looking at the extent to which cross-pollination may be a factor in high-pay culture in boardrooms is one of the key issues being scrutinised by Vince Cable, the Business Secretary, who is due to report on new proposals on corporate pay early in the new year.</p><p>It is no surprise that FTSE 100 business leaders fear proposals that could put ordinary employees on the key committees that set the pay of their firms' bosses. But a recent Department for Business, Innovation and Skills discussion paper has raised the issue of whether the practice of senior executives of one company sitting on the remuneration committees of other firms has contributed to the culture that caused directors' pay to rise by 41 per cent last year.</p><p>The department paper referring to pollination between boards says: &quot;There may be a risk of this where a non-executive is involved in setting the pay of someone who, in another company, may have a role in setting theirs.&quot;</p><p>To look into the basis of &quot;cross-pollination&quot; concerns, The IoS examined the most recent published company annual reports and information on corporate websites.</p><p>At Bovis, the housebuilders, Colin Holmes chairs the remuneration committee with a former banker, Alastair Lyons, as one of the other two members. But at Admiral Group, the Confused.com insurance group, Holmes sits on its remuneration committee setting the pay of its chairman ? Lyons.</p><p>The Department for Business says it is extremely common for individual directors to have a role in several companies, either as executives or part-time non-executives. So stakeholders had argued that &quot;there is a strong case for preventing these situations from arising&quot;, it states.</p><p>But Damien Knight, a director at the executive pay consultancy MM&amp;K, has submitted figures to the department claiming such practises are not common. &quot;It's just not true,&quot; he says. &quot;There is not one pair of FTSE 100 executives with membership of each other's boards.&quot;</p><p>However, there still may be cases where one party is a non-executive chairperson whose pay is set by these committees. Sir John Peace and David Tyler are both on the remuneration committee at the Burberry fashion group. But at the Experian credit agency ? another FTSE 100 company ? Tyler sits on its committee which decides the pay of the chairman, who is Peace.</p><p>The High Pay Commission last month produced a report calling for greater diversity on remuneration committees to curb the inflation in directors' rewards. Deborah Hargreaves, who chairs the commission, says: &quot;Our work has shown we must now break open the closed shop that sets pay for our top directors and get back to basics on executive pay.&quot;</p><p>She adds: &quot;The make-up of the non-executive directors, who determine executive pay deals, could be having an inflationary effect on pay. Even looked at in the most positive light, non-executive directors often come from a relatively small pool of individuals.&quot;</p><p>Remuneration committees comprise non-executive directors, some of whom can earn directorship fees of ��125,000 a year. But the department's paper refers to concerns that they are drawn from too narrow a group ? including executives of other companies.</p><p>Sarah Wilson, chief executive of the shareholder advisory firm Manifest monitors board structures, says &quot;We've moved on considerably from the days of cosy remuneration committees. I do not think one person can have that much influence.&quot;</p><p>But the TUC has told the Government it welcomes the proposal for employee representation on remuneration committees and is ready to organise training for workers. However, Janet Williamson, a senior policy officer, says: &quot;We are expecting fierce opposition from the corporate sector and the City. Those groups have a lot invested in the status quo.&quot;</p><p>The Association of British Insurers, which represents shareholders, will oppose the proposal. Its investor affairs spokesman, Marc Jobling, says: &quot;We agree that diversity of perspective is extremely important, not just on remuneration committees, but across the board as a whole. That addresses the 'cosy club' issue. There's a danger of group-think.&quot;</p><p>However, he claims directors' pay in European countries with worker-representatives can be equally high.</p><p>Even if straight swaps between boards are relatively rare, critics say the whole ethos of executives from one company setting the pay for top directors at another has the potential for a conflict of interest. While not directly boosting their own rewards, they are keeping corporate pay packages high, setting an environment for their own remuneration to rise when it is reviewed.</p><p>Hargreaves' reports states: &quot;The current market in executive pay relies on non-executive directors, acting in the interests of shareholders to bargain with the executive, who is acting in his own personal interest.</p><p>&quot;Most boards are made up predominantly of men from a financial or managerial background. Many of these non-executives are either current executive directors at other companies or recently retired executives. While they have no direct interest in the company, they may have an indirect financial interest in the level of remuneration given. Individuals taken from the same background are more prone to 'group think'.&quot;</p><p>Large numbers of executives on committees which set the pay for their peers can be detected in British boardrooms. For example, the Admiral's remuneration committee, which sets Lyons's pay, is chaired by John Sussens, who also chairs the committee at Cookson that assesses the pay of its chairman, Jeff Harris. But Harris sits on WH Smith's pay committee, which determines the pay package for its chief executive, Kate Swann ? and she is on the pay committee at Babcock International whose chief executive is Peter Rogers. Rogers sits on the pay committee at Galliford Try, the house-building firm, alongside Andrew Jenner who is finance director at the Serco services group ? whose chairman is also Alastair Lyons.</p><p>The remuneration committee at Experian, on which David Tyler also sits, sets the pay of the chief executive, Don Robert. He, in turn, sits on the remuneration committee of the catering group Compass which decides on the pay of the chief executive, Richard Cousins. Cousins is himself on the remuneration committee of Reckitt Benckiser, the household products business which was run by Bart Brecht. Tyler was himself a Reckitt director until 2009.</p><p>It's only recently that trade bodies such as the Institute of Directors have become more closely involved in the debate, as they fear that the reputation of business generally is being damaged. Indeed, it was the IoD's director general, Simon Walker, who attacked &quot;unsustainable&quot; rises in boardroom pay. And it is the IoD which suggests there should be voluntary discussions between employee representatives and remuneration committees and more information about the consultants used to help.</p>?<p>Croda was chosen by Deutsche Bank's Tim Jones as his top UK stock in the sector for 2012, citing a number of reasons, including his belief that demand for consumer products using its chemicals will continue to grow.</p><p>The analyst said that with more men wanting to take care of their appearance while an ageing population attempts to keep looking young, there has been a trend for &quot;increased grooming&quot; that has &quot;supported growth through the downturn&quot;.</p><p>The analyst, who kept his &quot;buy&quot; recommendation&quot;, also revived talk that Croda could become a bid target.</p><p>It is a familiar idea, with US company Dow Chemical one of the names frequently linked in takeover speculation.</p><p>Mr Jones said: &quot;External interest is possible given [Croda's] strong market positions, consumer focus and relatively small size of the company.&quot;</p><p>However, he conceded that &quot;valuation may prove an obstacle&quot; and predicted that in the sector &quot;management teams will remain cautious&quot;.</p><p>Despite the praise ? which included his speculating that the company's strong balance sheet could see it returning more cash to punters ? Croda eased up only 6p to 1,850p on the mid-tier index.</p><p>At the start of what was again described as a vital week for the eurozone, German leader Angela Merkel and and her French counterpart Nicolas Sarkozy's joint proposals for a new EU treaty were greeted with cautious optimism.</p><p>Yet while the FTSE 100 moved above the 5,600 level during trading for the first time since October, by the bell it was just 15.67 points stronger at 5,567.96, although this was still a five-week high.</p><p>The two state-backed blue-chip banks stormed ahead, with Lloyds grabbing the top spot after surging up 1.61p to 27p.</p><p>The sector was helped by Deutsche Bank's announcing that it remained &quot;positive on the UK domestic banks long-term&quot; and recommending punters buy into Lloyds as well as Royal Bank of Scotland (up 1.14p to 22.77p) and Barclays (up 1p to 191.65p).</p><p>Among the commodity stocks, Glencore International rose 14p to 424.95p after its boss Ivan Glasenberg claimed in an interview with the Swiss newspaper 20 Minuten that he would not get rid of any of his 15.8 per cent stake while working at the company.</p><p>Burberry was out of fashion with invesors, slipping 44p to 1,272p and propping up the foot of the top-tier index.</p><p>Unsurprisingly, it was gloomy news from China, one of the luxury brand's major growth markets, that did the damage after services sector data from the country showed further signs of a slowdown.</p><p>Good news may be rare in retail at the moment but as Peel Hunt pointed out, at least it's not snowing.</p><p>Twelve months ago, icy conditions forced shoppers to stay at home, whereas Christmas looks set to be milder this year.</p><p>The broker noted that online retailers, unable to offer their usual delivery guarantees, were particularly hit by last year's weather, citing Asos as one example.</p><p>Peel Hunt said that this year the AIM-listed clothing company's figures would impress in comparison.</p><p>Its analysts also upgraded its rating to &quot;buy&quot; in the wake of the group's share price losing more than 40 per cent since June. It rose 47p to 1,407p in response.</p><p>However, despite strong sales figures from sector bellwether John Lewis over the weekend, not every retailer was on the rise. Next declined 57p to 2,660p while Marks &amp; Spencer was 1.1p lower at 329p amid fears over sales discounts already being offered on the high street.</p><p>There was yet more woe for recruiters after Michael Page warned its profits for the year would be towards the lower end of City forecasts. It retreated 4.8p to 87.65p as a result. And coming after SThree's admission last week that it has seen a slowdown in trading , traders were looking nervously at sector peer Hays, which eased back 0.55p to 70.65p.</p><p>Evolution's Nigel Pearson clearly fancies himself as a film critic, arguing that while 3D technology &quot;cannot make a bad film good ... it can make a good film better&quot;. He went on to note that the increase this year in the number of 3D titles could only be good news for Cineworld, although the cinema company still failed to move from 204p.</p><p>Also on the small-cap index, its announcement that it had struck a ?222 m (��191m) deal to sell its Norwegian business saw newspaper publisher Mecom climb 12p to 197p.</p><p>FTSE 100 Risers</p><p>l International Airlines Group 157.9p (up 4.4p, 2.87 per cent) British Airways owner climbs as its latest traffic figures show a 2.1 per cent increase in the number of passengers over November.</p><p>l Lonmin 1,076p (up 13p, 1.22 per cent) Platinum producer manages to strike deal with South Africa's National Union of Mineworkers to raise the pay of its employees by as much as 10 per cent.</p><p>FTSE 100 Fallers</p><p>l Centrica 293.1p (down 3.2p, 1.08 per cent) Owner of British Gas falls despite announcing it is looking for joint-investment opportunities in upstream oil and gas with Qatar Petroleum.</p><p>l British American Tobacco 2,933p (down 23.5p, 0.79 per cent) Cigarette manufacturer drops for the first time in six trading sessions, as punters decide to move away from defensive stocks.</p><p>FTSE 250 Risers</p><p>l Pace 67.9p (up 10.65p, 18.6 per cent) Set-top box maker helped by Numis upgrading its rating to &quot;hold&quot; in the wake of last week's news that major supplier Western Digital has restarted production in Thailand.</p><p>l SDL 663p (up 32.5p, 5.15 per cent) Translation software company still climbing after announcing on Friday it has managed to agree ��68.4m takeover of small-cap marketing group Alterian.</p><p>FTSE 250 Fallers</p><p>l Bellway 732p (down 44.5p, 5.73 per cent) Housebuilder knocked back by Panmure Gordon's decision to downgrade its recommendation to &quot;hold&quot; from &quot;buy&quot;, citing the recent strong rise in the group's share price.</p><p>l Berkeley 1,316p (down 44p, 3.24 per cent) Builder slips despite a number of brokers ? including Credit Suisse and UBS ? all raising their target prices on the company following Friday's interim results.</p>?<p>I am struck by the ham analogy during a recent interview with Redmayne. Exactly 10 years since he was plucked from Cambridge University to play Viola opposite Mark Rylance's Olivia in a 400th-anniversary production of Twelfth Night, he has just learned that his current performance as Richard II at the Donmar Warehouse has been crowned Best Shakespearean Performance at the Critics' Circle Awards ? no mean feat, given that the season has also seen heavyweight Shakespeare contributions from the likes of Spacey, Tennant, Sheen and Fiennes.</p><p>In the intervening decade between Viola and Richard, Redmayne has worked fastidiously and uncompromisingly. Allergic to anything resembling complacency, he rarely takes a day off. Now he is talking to me over a cup of tea before heading back to the theatre for that night's performance, and he is radiant with excitement at the Critics' Circle news.</p><p>&quot;It's just the loveliest, loveliest thing that could have happened,&quot; he admits. But where most actors would take such a prize as cue to relax and enjoy the last weeks of the run, Redmayne shakes his head. He's going back to work.</p><p>&quot;Because you never get it right,&quot; he insists. &quot;You never get it close to getting it right, you never get one line exactly how your notion of it should be. That's what's so exciting about theatre. Most actors hate watching their own films because all you can see is the glaring mistakes, your own tricks and ticks. But people often ask, how can you do the same play night after night for months on end and not get bored? And that's the reason. In theatre you always have the chance to try and fix what you did the night before.&quot;</p><p>It seems remarkable that the London-born Redmayne, who has just turned 30 and is having, by any definition, a golden moment, should remain so self-critical. As well as giving his Richard every night, making lines like &quot;I live by bread like you, feel want/ Taste grief, need friends&quot; seem revelatory, he is also gracing Sunday night television screens as Stephen Wraysford in a landmark BBC1 adaptation of Sebastian Faulks's Birdsong, and charming cinema audiences in My Week With Marilyn. As soon as Richard II closes, the former Eton and Cambridge choral scholar is off to play (and sing) Marius in Tom Hooper's big-screen musical adaptation of Les Miserables, with Russell Crowe, Hugh Jackman, Helena Bonham Carter and Anne Hathaway. And with major theatre awards from the Olivier to the Tony already to his name, he is now up for a Bafta ? this year's Rising Star Award, which is voted for by the public ? and looking, increasingly, like the one to beat.</p><p>But this is also the young man who was so unconvinced he would make it as an actor that he seriously considered other career options after graduating, including art history and banking (his father and one of his three brothers are in finance; nobody else in his family is in the arts).</p><p>&quot;I didn't go to drama school, so there was no official transformation stage, no moment where I got a certificate, even a bit of paper, saying 'right, you're allowed to do this now,'&quot; he points out.</p><p>&quot;After university, I gave myself a year. I was working in a pub and doing excruciating auditions and wondering if my new agent who'd taken this huge punt on me would sack me, and I remember getting a part in an episode of Doctors and it was probably the most exciting thing that had ever happened in my life. Then I went to Liverpool to do a play called Master Harold... and the Boys and I was living in a hostel on my own for three months and it was the most wonderful experience. I started to think, secretly, 'well, maybe I can do this'. But I came back to London and nobody took any notice and I went back to work at the pub. I always felt a bit fraudulent, like I was waiting to be exposed.&quot; Munching a biscuit, he contemplates this. &quot;In a way, I still do. I still feel this incredible sense of gratitude that anybody actually lets me do this professionally.&quot;</p><p>In any other actor, this might come across as galling false modesty. Given his current ubiquity, it's easy to imagine that Redmayne's success has arrived largely overnight; but that &quot;star&quot; to which the Bafta nomination alludes has been gradually rising for 10 years. It may also be tempting, considering the green eyes, 6ft 1in frame, and ridiculous cheekbones that have won him Burberry modelling contracts and a multitude of devoted fans both male and female ? though he is currently single ? to assume that this is just another talented pretty boy who happened to get very lucky. But ever since Rylance gave him that first big break, Redmayne has personified the old adage that luck is merely what happens when hard work meets opportunity. As his CV has swelled, so too has his dedication; the more professional triumphs that have come his way, the more he has put his head down and worked harder. He certainly takes nothing for granted.</p><p>&quot;Listen, acting is not surgery,&quot; he remarks, &quot;it's entertainment. You're doing something to hopefully move people, to make them laugh, to transport them. But actors are vulnerable, and the reason we're vulnerable is that we're always trying to recreate human behaviour. And any human being has the right to look at that behaviour and decide if it looks real to them or not. Everyone has that capacity for judgment, everyone can turn around and say, 'sorry, but I just don't believe that'. So if you have thin skin ? and I don't have particularly thick skin ? then your need to constantly please people, well... it's completely impossible. That's why I still feel I've got so much work to do, to really try and nail this thing.'</p><p>If the drama-school credentials are lacking, Redmayne is, by his own admission, a &quot;sponge&quot;, and right from the outset he found himself in a formidable real-life classroom. &quot;My first film, Like Minds, was with Toni Colette, who was extraordinary,&quot; he remembers. &quot;I mean it was basically a mini-masterclass for acting on film at a time when all you could probably see were my eyebrows bouncing up and down on screen.&quot; We work out that, over 10 films, he has worked with at least 10 Oscar-winning actors, from each of whom he has learned valuable lessons.</p><p>&quot;It's just the greatest luck,&quot; he maintains, sounding mildly incredulous, &quot;to have been able to work with such brilliant people.&quot; But while these other actors may arrive in a rehearsal room or on set with their ideas fixed ? indeed William Hurt, whom Redmayne worked with on The Yellow Handkerchief, has his preferred rehearsal method guaranteed by a clause in his contract ? Redmayne subscribes to no fixed approach. He loves, he says, &quot;to be part of a director's vision&quot;, and to mix the process up; whether it be Tim Carroll and Dominic Cooke's work with &quot;intentions&quot; or Michael Grandage's desire to get a play up on its feet almost immediately &quot;so that he captures those instinctive things; whatever you do when you don't know the play well enough to be thinking about it.&quot;</p><p>Is there a quality that unites the directors Redmayne admires, I wonder? He considers this. &quot;Taste?&quot; he ventures. &quot;Generosity of spirit? Certainly, they create an atmosphere of kindness and freedom, an environment in which an actor can really take risks, and they have the silent confidence of being sensationally bright.&quot; He clarifies. &quot;I mean, the intelligence is never demonstrated or bragged about but it's just there ? so you feel confident in their confidence.&quot;</p><p>I ask which of his directors most exemplifies these traits and he eagerly cites early experiences with Tim Carroll (Twelfth Night), Phil Willmott (Master Harold... and the Boys), Dominic Cooke (Now or Later) and Tom Kalin (Savage Grace), as well as more recent ones with Michael Grandage (Red and Richard II), Derick Martini (Hick) and Philip Martin (Birdsong).</p><p>So, pretty much everybody then. Is this just the Redmayne people-pleasing imperative in action, I wonder? Has he ever had a rubbish experience? He blushes, lowers his eyes behind a gulp of tea. &quot;Well, there was one film I did ? obviously I can't name names ? but I was on set with a group of phenomenal actors doing a scene and struggling to make a particular line come alive and I had this great director standing over me going, 'come on, Eddie! I've seen you act on stage, I know you can do it, JUST MAKE IT LIVE!' It makes you... want to jump on the first plane to America.&quot;</p><p>Redmayne is a born-and-bred London boy, and seems almost as excited by the fact he has just had an offer accepted on his first flat, in Borough, as he is by his latest acting prize. But America has embraced him since day one; we have often joked how bizarre it is that he seems more at home playing dysfunctional, often gay Statesiders with distinctly warped backgrounds (most recently, a Texan serial-killing cowboy with a limp in Hick, for example) than well-balanced, well-educated, straight Englishmen from solid, happy families like his own.</p><p>&quot;Oh, this is an argument I often have with my mum,&quot; he chuckles. &quot;She always complains, &quot;but so-and-so's just playing himself,&quot; and I have to remind her that it's actually incredibly difficult to play yourself! But the further a character is from what you are, well...&quot; He thinks about this for a moment. &quot;It's like jumping off a cliff or something, and there's a high chance you're going to end up with egg on your face. So if you're going to end up with egg on your face anyway then it doesn't really matter how much; so you leap at it and go all guns blazing. When you're playing someone closer to you, you're much more constrained. All you can hear is how wrong you're getting it.'</p><p>There's that self-deprecating reflex again, but the metaphors he chooses, mixed though they may be, are revealing. I remember being struck, as we rehearsed a university production of David Hare's two-hander The Blue Room in 2001, that this was not your average college thesp. He pushed me ? pushed us both ? to go places with our characters that were dark, risky and dangerous. This capacity for plumbing depths is beautifully served in Birdsong. His wartime Stephen Wraysford is damaged and raw, while the flashbacks to 1910 reveal a young man in all his idealistic, romantic passion. That fissure within Wraysford is what most appealed to Redmayne, who had devoured the book as a teenager but had read a number of previous adaptation attempts that didn't seem to, in his terms, &quot;nail&quot; that conflict. &quot;The difficulty is that it's an extraordinary love story and then a World War One epic,&quot; he suggests. &quot;And the way the love story works, it's clandestine; it's one of deep eroticism that needs to be built through the unsaid, and delivered slowly. How do you do that and then the wartime plot, especially in a single film?&quot; Abi Morgan's version, though, did immediately impress him.</p><p>&quot;It didn't compromise or feel like it was cramming story into time but it had a length and a breadth that allowed the characters to breathe. And she had this conceit where Stephen's idyllic interlude in Amiens as a young man falling in love is juxtaposed with him during the war as this masochistic, cold human being. Actually, I think maybe it's similar to what I've been trying to do with Richard II. The audience see these two fundamentally different people, really taken to the extremes, and there's this vexed question that has to play out through the piece of how they might ever be reconciled.&quot;</p><p>On the mention of Richard, Redmayne checks the time, then jumps up. He's due back at the Donmar to revisit his flawed, vulnerable, painfully human king; and somehow ? who knows how ? try to improve upon whatever it was he did last night.</p><p>'Birdsong' ends Sunday, 9pm on BBC1. 'Richard II' is at the Donmar Warehouse, London () until 4 February. 'My Week with Marilyn' is in cinemas now</p>?<p>I realise that admitting you're a secret fan of Songs of Praise is like saying you believe in God or think that marriage is a good idea ? something not mentioned in public. In the media world, you're a laughing stock if you admit to any of the above. Morality in modern society is a pick 'n'mix affair ? feel free to do what you like and we won't judge you.</p><p>What fab roles models we've got in public life; the Milibands got married long after their kids were born, and Labour refuses to dignify marriage as a desirable state of affairs. God forbid Nick Clegg would raise his head above the parapet on this issue either. David Cameron approves of marriage ? but hesitates to make it financially rewarding.</p><p>Our leaders are so feeble about morality and belief it makes me feel slightly nauseous. When it comes to discussion about religion in modern Britain, every minority has got to have equal airtime, equal prominence, even though new statistics show we're overwhelmingly a Christian society, 70 per cent claiming it as their faith. Muslims constitute only 4.4 per cent of the population.</p><p>In this climate of embarrassment about spirituality and personal values, I wasn't surprised to read that the BBC was thinking of phasing out AD and BC, and replacing it with the anodyne expression Common Era ? although the director of editorial policy was on Radio 4's Feedback on Friday, backtracking like mad and claiming it was only an idea floated on a website. The BBC's head of religious broadcasting is Muslim, and the producer of Songs of Praise is a Sikh, neither of which bothers me. What I find more unsettling is the feeling that coverage of our mainstream religion is not regarded as a cornerstone of the output. Aaqil Ahmed, the BBC's head of religion and ethics (notice how religion gets only part-billing in his job description, ethics being now as important as belief), thinks that the Church of England is living in the past and shouldn't be given any preferential treatment. I agree about the former but not the latter.</p><p>The problem facing the Church of England can be summed up in two words ? Rowan Williams. This uncharismatic academic wrote a disastrous editorial for the New Statesman earlier this year, moaning about the coalition and claiming politicians didn't understand the climate of &quot;fear&quot; in the country. The same unelected, unaccountable chap was due yesterday at the 60th birthday of another bloke, Bob Geldof, who is always telling democratically elected leaders what they're doing wrong. At least Saint Bob has raised millions for the world's poor and needy, whereas the Archbishop of Canterbury has failed to offer any kind of leadership to his flock and is now rumoured to be ready to resign before the end of his tenure.</p><p>The church sits on a property portfolio worth ��5.3bn. It owns prime real estate, offices, shops, housing and 105,000 acres of farmland. Its bishops live in palaces, and the Church commissioners use their holdings to generate wealth to repair churches and fund their clergy. Over the years they have made some spectacular losses ? ��800m in the 1990s and ��40m in 2010, when they invested in property in New York just before the crash. Shouldn't they use more of their huge wealth to reach out to the needy in modern Britain, demonstrating their faith through direct action?</p><p>In spite of 70 per cent of us saying we believe in God, the number attending church is plummeting. It's an unappealing use of our time. We're turned off by ineffectual leaders and the endless wavering over gay priests and female bishops. There's so much the Church of England could be doing ? taking belief out of outdated buildings and into the lives of ordinary people in offices, canteens and schools. Rowan Williams has presided over a PR disaster for his church; at this rate, it will cease to exist except as somewhere we go to get married or be buried.</p><p>No wonder the BBC's head of religion thinks it's a turn-off. He's right, but please spare Songs of Praise.</p><p>Down and out in Paris ? fashion hits rock bottom</p><p>The most unpleasant hours of my early career were spent at couture shows in Paris, when I wrote about fashion. Nothing seems to have changed. Designers employ hatchet- faced PRs who take malicious pleasure in inspecting your invitation as if it's forged and cramming you into cramped rows of tiny seats in airless spaces you would not put a hamster in, let alone several hundred overdressed sweaty adults.</p><p>Once in your unforgiving chair, you can expect to wait at least an hour for the &quot;show&quot; ? usually a parade of unsmiling stick insects. Generally you can't see much, as photographers and favoured celebs fill the front row, with buyers next, and journalists further back. As the fashion press gives designers free publicity, without which their brands would be worthless, it's amazing more don't walk out.</p><p>At the Balenciaga show in Paris last week, the front benches collapsed, depositing everyone on the floor, and the entire audience, including VIPs such as actress Salma Hayek and Vogue's Anna Wintour, had to watch the show (and make notes) standing up. Burberry shows its range online and via Twitter ? surely a better option than risking spinal injury from a faulty seat.</p><p>Wesker's fare has gone stale</p><p>Kitchen by Arnold Wesker, revived at the National Theatre, has stunning staging and choreography, and excellent, energetic performances. It's set in the kitchen of a busy West End restaurant in the late 1950s, and its cast of 31 makes the piece expensive to stage. But there could be another reason it is rarely performed: Wesker's play has absolutely nothing to say but the blindingly obvious. Yes, loads of nationalities work in catering.</p><p>Yes, their ups and downs could be a simile for a larger world. But this piece has a great big hollow at its heart. Why didn't Wesker let someone else update his work?</p><p>The bestseller race starts here</p><p>On Thursday, 225 hardback books, three times the number usually published in a week, hit the shops as publishers fight for our cash in the run-up to Christmas. In spite of talk of the demise of books, the 10 bestsellers in 2010 racked up sales worth more than ��1m each.</p><p>Who will be the big winners this year? James Corden's autobiography, for sure. Jamie's Great Britain, half price in some shops, is already a runaway succes. But I'm not so sure about Heston Blumenthal at Home ? this man left his home for a hot new mistress. Maybe some fans won't buy into his latest version of domestic bliss. </p>?<p>Today, the biggest movie franchise of all time is Harry Potter, with eight films and box office of $7,706,147,978 (��4,755,340,955) under its belt. Just as its creator J?K Rowling is striking out with her first adult novel, The Casual Vacancy, so the films' three lead actors are beginning their post-Potter careers. At the ages of 24 (Rupert Grint), 23 (Daniel Radcliffe) and 22 (Emma Watson), they might well look at their predecessors' experience and wonder whether their best years are already behind them. Will they be Harrison Fords, or Mark Hamills?</p><p>Radcliffe has moved on with The Woman in Black, the most successful British horror film in 20 years. Grint was in the little-seen Second World War drama Into the White. And next week, Watson faces her first big box-office test since Harry Potter and the Deathly Hallows Part Two eased past the $1.3bn mark to become the highest-grossing film of 2011, and the biggest earner of the whole series.</p><p>The Perks of Being a Wallflower is based on a beloved young adult novel by Stephen Chbosky, who is also its director. It is set in 1990s Pittsburgh, and once again Watson plays the girl in a boy-girl-boy trio of high-school outsiders navigating the perils of adolescence. In this case, of course, those perils are more proms than potions. The young actress is required to portray a regular, troubled teen; unlike most of her peers, however, she has limited personal experience from which to draw inspiration.</p><p>A wealthy celebrity throughout her own teens, Watson was cast as Hermione Granger, in Harry Potter and the Philosopher's Stone ? the highest-grossing film of 2001 ? when she was only nine. There is plenty of evidence, too, to suggest a precocious shrewdness about her career. After fulfilling her contract on the first four Potter films, Watson was the last of the three leads to commit to completing the franchise, and her salary per sequel was doubled to ��2m. &quot;The pluses outweighed the minuses,&quot; the then-16-year-old said of her decision. &quot;Let's be honest,&quot; she told one US magazine, aged 17, &quot;I have enough money never to have to work again.&quot; She is now reported to be worth about ��26m. These are not the life circumstances of a regular, troubled teen.</p><p>Watson was born in Paris in April 1990, the daughter of two British lawyers who divorced when she was a child. Aged five, she moved to Oxfordshire with her mother, Jacqueline, and younger brother, Alex. Her father, Chris, now lives in London, and her parents have two more children each from their second marriages. Back in England, Watson attended the prestigious, private Dragon School. At nearby Headington, she would later go on to achieve 10 As at GCSE. Meanwhile, she trained and performed part-time with the Oxford branch of Britain's biggest youth theatre school, Stagecoach, whose alumni also include Jamie Bell, Myleene Klass and Cher Lloyd. It was from Stagecoach that she was plucked to play Hermione in 1999.</p><p>As the Potter franchise grew in quality and popularity, Watson was consistently awarded more favourable reviews than her two co-stars, though all three of their performances went almost unnoticed, smothered by all the veteran British talent surrounding them: Gambon, Smith, Rickman, Fiennes et al. Watson, Radcliffe and Grint never put in a dud turn, but neither did any of them display the sort of promise that points to awards-laden adult careers ? such as, say, Bell did in Billy Elliot.</p><p>In 2005, the young actress began a second career as a model, becoming the youngest ever cover star of Teen Vogue. Fashion endorsements and further magazine shoots followed. In 2009, she was named &quot;The Face of Burberry&quot;, and nowadays is known as &quot;The Face of Lancome&quot;. That sideways move into modelling, she claims, was a deliberate attempt to create a public profile discernible from bossy, geeky Hermione Granger.</p><p>She remains highly visible on news-stands and billboards, and yet her effect on style is negligible compared with contemporaries such as Alexa Chung, Blake Lively or Kristen Stewart ? also the star of a box-office-busting fantasy franchise, and whose surly, grunge-lite look is currently so in vogue. Last year, Watson was awarded Elle magazine's Style Icon Award by Vivienne Westwood, but not before the fashion designer could be heard wondering aloud at an awards ceremony: &quot;Who is Emma Watson?&quot;</p><p>Watson's personal life has always been the subject of speculation, as is predictable with any young star ? especially an attractive female one. Yet she has so far proven level-headed. She declared her intention to attend university following the completion of her Harry Potter duties, and, sure enough, enrolled at the Ivy League Brown University in Providence, Rhode Island, in 2009. Last year, she transferred to Worcester College, Oxford, to study English for a year before returning to Brown. She is known to have dated actor Johnny Simmons, and indie rocker/model George Craig. Her present boyfriend, however, is fellow Oxford student Will Adamowicz, who also transferred to the UK from Brown for the year.</p><p>In 2007, Watson took on her first non-Potter role, as an aspiring actress in a BBC Boxing Day drama, Ballet Shoes. She has voiced a character in an animated feature, The Tale of Despereaux (2008), played a small part in the Monroe biopic My Week with Marilyn (2011), and even starred in a student production of Chekhov's Three Sisters at Brown ? for which, of course, she received no fee. The Perks of Being a Wallflower will be her first lead role that involves no waving of wands.</p><p>Her future projects sound more ambitious. Watson has completed production on Sofia Coppola's The Bling Ring, a based-on-truth tale of teenagers who burgled the homes of Hollywood celebrities and &quot;fashion icons&quot;, including Paris Hilton. She's set to start filming on Darren Aronofsky's biblical epic Noah, alongside Russell Crowe and Anthony Hopkins, and is working with Guillermo del Toro on a new version of Beauty and the Beast ? all of which suggests that she has not only fine taste in directors, but also an excellent agent.</p><p>In an interview with this week's New Yorker, J?K Rowling discussed her career post-Potter. Her new novel is a dark and sometimes dirty satire on rural life, set around a parish council by-election. Teenagers and adults clash or coalesce in the village of Pagford, a microclimate not entirely unfamiliar to fans of Hogwarts. So fearful was the author of the pressure and scrutiny that would be heaped on her forthcoming work that she briefly planned to publish The Casual Vacancy under an assumed name.</p><p>The actors who have put faces to her wizarding characters can't even consider such a strategy. Hogwarts provided its protagonists with shelter from the harsher elements of the publishing and film industries, a protective insulation that will be harder to maintain the further they move from Harry, Ron and Hermione. Like Star Wars, Harry Potter created a world of its own, both onscreen and off: separate, somehow, from the day-to-day hits and flops of Hollywood. Now its stars, reduced to mere Muggles, will have to survive in a world without that magic. Watson, for one, looks well prepared.</p><p>A life in brief</p><p>Born: Emma Charlotte Duerre Watson, 15 April 1990, Paris.</p><p>Family: Parents divorced when she was five. Grew up in Oxfordshire with her mother and brother, Alex.</p><p>Education: Headington School and Dragon School, Oxford. Then Brown University in the US and Oxford University.</p><p>Career: Played Hermione in the Harry Potter films. Her first post-Potter lead role is in the just-opened The Perks of Being a Wallflower. Has been the &quot;face&quot; of both Burberry and Lancome.</p><p>She says: &quot;It's only recently that I've felt much better in my own skin and known my own worth a lot more.&quot;</p><p>They say: &quot;From the first moment, I thought you are going to be able to play a bright articulate girl with conviction, because that's who you are.&quot; J K Rowling</p>?<p>Reclining on a plush cream sofa with short, slicked hair and red lips, wearing a fitted black cocktail dress, she is every inch the sophisticated socialite. Poor Emma Watson, I then counter immediately, having constantly to prove to people like me that she isn't 11-years-old any more.</p><p>Her new role as the face of Lancome's &quot;Rouge in Love&quot; lipstick range will go some way towards changing that view ? shot by Mario Testino, the campaign captures her youthful vitality in a new and chic, gamine expression. It's rather more urbane and quite apart from the reputation for precociousness that the Harry Potter franchise ? fairly or not ? has foisted upon her.</p><p>&quot;As I've got older, and since I cut all my hair off, I've felt a bit more liberated about trying different things out,&quot; she smiles, when I suggest she has successfully shaken off the fetters of having played a gawky teenage witch for a decade. &quot;I think there's this idea that lipstick is something quite old or something you'd only wear at night. The nice thing about these is that they're really translucent, like a tinted lip balm, so you can wear them in a more casual way.&quot;</p><p>If she sounds like a professional, that's because she has been one for the majority of her 21 years. Picked from thousands to play Hermione Granger at the age of nine, after eight auditions for producer David Heyman, Watson is now ? eight films later ? rumoured to be worth ��43m. She signed a contract with Lancome in April to feature in the commercial for its Tresor Midnight Rose fragrance, and has been at Selfridges all day to promote the brand's latest launch of lipstick and nail varnish.</p><p>&quot;Make-up is actually something I've always really loved,&quot; she continues. &quot;The hair and make-up department on the Potter films were the people who saw me first thing in the morning and last thing at night, so that space was somewhere I felt at home. When we had spare time on set, I'd do their make-up and get them to teach me how to do stuff.&quot; Make-up artist on the films Amanda Knight remembers Watson making up extras for crowd scenes, too, but Watson has today left it to the professionals. &quot;I haven't had my make-up done for two or three months,&quot; she says, as if expecting me to say, &quot;No way!&quot; I raise my eyebrows and she laughs. &quot;I know! But it's really weird for me because I used to have it done every day. So it felt like a treat today.&quot;</p><p>She refers regularly to privileges and treats, to feeling lucky and counting her blessings, and she doesn't seem troubled or distracted by the host of opportunities available to her. She is studying English at Oxford, on a secondment from the American Ivy League campus Brown.</p><p>&quot;It's just given me time, really,&quot; she says. &quot;People use their time at university and at school, which I didn't have, to really think about and figure out what they want to do, and who they want to be. And it's been so nice not to be pushed around or pushed into doing things.&quot;</p><p>In fact, Watson has carefully peppered her career with choices that pertain very closely to her own interests, putting her name to a collection for eco-fashion range People Tree as well as partnering with designer Alberta Ferretti to work on a &quot;Pure Threads&quot; ethical line too. Her next film, The Perks of Being a Wallflower, will be released later this year. She paints and reads books. She has, she tells me guiltily, a university essay to hand in the next day, not yet finished.</p><p>&quot;Doing the Potters was such a bubble,&quot; she says, &quot;and then having to figure out how to function in the real world has been a challenge. But it's been the small successes for me: I know how to use a washing machine, I can cook. It's worth it to me not to feel disconnected from everything, feeling like I'm in touch with people who do other things than acting or being in the entertainment industry.&quot;</p><p>In a few hours, she will host the Lancome pre-Baftas party, posing in a crimson lace Valentino dress for the world's cameras. But for the moment, she has her bare feet hooked up underneath her and is fiddling with her BlackBerry; she looks at the basil plant poking out of my shopping bag and wonders what I'm having for dinner. She is terribly normal ? if elfishly beautiful ? in her rendition of a well-brought-up young woman.</p><p>&quot;I think humour has been a help,&quot; she says. &quot;I have schoolfriends, a group of people around me, who have carried me through this whole experience and aren't fazed if they ask, 'Oh what are you doing tomorrow?' and I say, 'I'm going up to see Mario [Testino] in Notting Hill, he's shooting me for the new Lancome campaign.' I don't know ? it is mad, and some days I feel a bit mad, but it's the balance that keeps me sane. I don't fully live it, this side of my life.&quot;</p><p>Watson is sanguine about the attention she receives and is logical about it; she plans to travel more now that she has a more lax schedule, and talks about going to the post office, buying milk, getting the Tube, though I can't believe for a minute that she is actually able to do these things fuss-free. &quot;Some days, for some reason, I can't go anywhere and I'm like, 'That was a mistake,' and other days no one will even notice me.&quot;</p><p>There was a time, though, towards the end of the Potter franchise, when Watson came of age and began appearing on front rows at shows such as Chanel and Burberry, in whose billboard campaigns she featured along with her younger brother in 2009. &quot;I was fully game for 'Throw me in this, throw me in that,'&quot; she admits, &quot;but I'd like to develop my own sense of style, and dress for myself. The press destroyed me over this Rodarte dress I once wore ? it was bright blue with chains on it.&quot; She laughs and shivers slightly. &quot;I loved it. And I wore a leather Christopher Kane dress with embroidered flowers all over it. It wasn't that crazy, but at the time...&quot;</p><p>She seems to have ridden out the post-Potter publicity admirably, though. &quot;Fashion gave me a chance to feel like I was something outside of Potter,&quot; she explains, of her appearances front row at shows such as Chanel and Burberry. &quot;I'm a multidimensional person and that's the freedom of fashion: that you're able to reinvent yourself through how you dress and how you cut your hair or whatever.&quot;</p><p>Her haircut was, of course, an international sensation, and turned into a global debate. Was it a good idea, did she regret it, why did she do it? Watson faced compliments and criticism in equal measure, staggeringly so. This was more than the average celeb 'do and more like a cultural event: Potter fans were horrified, while the fashion industry discreetly applauded the severing of Hermione's bookish locks.</p><p>&quot;I had journalists asking me if this meant I was coming out, if I was a lesbian now.&quot; She rolls her eyes. &quot;That haircut did make me realise how subjective everyone's opinion is. Some people were crazy for it and some people just thought I'd lost my shit. All I can do is follow my instincts, because I'll never please everyone.&quot;</p>?<p>1. Wooden shoe lasts, ��49.95, Selfridges; purple patterned socks, ��17, Paul Smith; Duchamp multi-striped socks, ��16.95, Harrods; oval frame, ��11, and square frame, ��9, John Lewis</p><p>2. Hugo Guinness for Coach billfolds, ��130 each, Coach</p><p>3. Burberry Prorsum duffel coat with detachable hood, ��1,895, Selfridges</p><p>4. Mr Chocolate moustaches, ��4.99, Selfridges</p><p>5. Anatomica 8-inch plate, ��50, National Gallery shop</p><p>6. Marni polka-dot cashmere scarf, ��395, Mr Porter</p><p>7. 'Crazy Clown Time', David Lynch, ��8.99, Amazon</p><p>8. Loewe Airplay speakers, ��649 each, Selfridges</p><p>9. Jansen mug, ��10.50, Liberty</p><p>10. Ties, ��60 each, Brian Clarke</p><p>11. Green Cycloc bicycle storage, ��61, Bodie &amp; Fou</p><p>12. Etre Fivepoint texting gloves, ��40, Selfridges</p><p>13. Cuben cushion by Simon C Page, ��39, This is a Limited Edition</p><p>14. House of Holland pants, ��21 each, Selfridges</p><p>15. Folk ruck bobble hat, ��65, Liberty</p><p>16. Chuck Taylor All Star Hi, ��81, Converse</p><p>17. '@earth' by Peter Kennard and Tarek Salhany, ��9.99, Tate shop</p><p>18. Washed holdall, ��38, Next</p><p>Click the links below to view the gift guides</p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p>?<p>The two women preside over modern textiles and fashion, and 20th century fashion there respectively. This is indeed an exhibition that lifts the spirits and that is ultimately as light-hearted as many of the designs included display lightness of touch. It is also the place to go to see some of the biggest, boldest, most beautiful and, at times, most crazed party dresses imaginable.</p><p>Take as prime example of the latter Cindy Beadman's late 1970s gown and accompanying coat, a fondant-hued extravaganza that comes complete with tiny quilted princess in her tower on its bodice, many, many sugar-pink roses here, there and everywhere, and even a hand-embroidered silver fairytale at the hem. &quot;They lived happily ever after in the land of eternal youth&quot; reads its hemline in suitably curvaceous ? and just marginally sinister ? script. American-born Beadman lived the dream in rural Oxfordshire apparently, Cullen explains, and the dress in question was worn by Anita Harris way back when. Worthy of Grayson Perry at his most hyper-feminine, it is perhaps the greatest example of designer folly in evidence. And given the premise, that is quite something. No less attention-seeking ? though fierce over and above purely frivolous ? is Zandra Rhodes' enormous gold lame design with pleated panniers and ruffles the size of elephant ears. Dated 1981, it is the sartorial embodiment of a Ferrero Rocher chocolate, if you will, courtesy of one of Britain's most flamboyant talents.</p><p>Ossie Clarke's gold leather jacket and corset, paired with an ultraviolet lace skirt, is another example of this country's affinity with peacock dressing and with rule breaking, too. Whatever, these are not clothes that are aimed at the shy.</p><p>The show is the first to be located in the museum's newly redesigned fashion gallery. Around 100 outfits from the museum's permanent collection are presented chronologically around its circumference and they are testimony, if ever any were needed, that there's nothing like a short, sharp edit to make fashion history sing. Around 50 per cent of the ballgowns in the show are owned by the V&amp;A also and the rest have been lent or donated by hardened ballgown lovers from Joan Collins (a pastel-pink, flower-strewn meringue designed by David and Elizabeth Emanuel) to Rosie Huntington-Whiteley (more narrow and contemporary: Burberry, Antonio Berardi).</p><p>The first floor is dedicated to the history of this work-intensive garment from the 1950s through to the mid-Noughties, taking in names including Worth London, Hardy Amies, Victor Stiebel, Yuki, Bill Gibb, John Cavanagh and Catherine Walker. The latter designer's high-collared white satin &quot;Elvis&quot; jacket and gown, hand-embroidered with tens of thousands of oyster pearls and made for the Princess of Wales, is all present and correct, for example. These are shown in a collection of vitrines that evoke the relatively demure and quaint environment of the dressing room of a young woman of means.</p><p>As well as the aforementioned outre looks, there's a comparatively quiet loveliness to a bell-shaped gown designed by Norman Hartnell for the Queen Mother in 1953. (Hartnell famously designed the Queen's Coronation gown.) This one's embroidered with jewelled, cornflower blue blossom and has panels of pleated tulle at the shoulder to ensure ma'am's upper arms are presented in the most pleasing way possible. It demonstrates the ability of a truly great dressmaker to both show consideration to the wearer and to crowd-please on a grand scale in one fell swoop.</p><p>According to Cullen, the overblown skirt that for the most part dominates, and that was upheld by this Royal Family member from the 1930s onwards in particular, was achieved post-crinoline by sewing as many layers of net into a waistline as it could accommodate. It is favoured both for its princessy connotations and because &quot;it is a chance for a designer to make a statement ? it's a blank canvas [a very large blank canvas] upon which they can showcase their expertise,&quot; she says.</p><p>There is an unashamed nostalgia to the look. &quot;That romantic tendency is very British,&quot; Cullen argues, &quot;and it's somehow different to the sophistication of Paris designs.&quot; It's true that there is an innocence to more traditional pieces such as these that harks back to a time when young debutantes came out for &quot;the season&quot; in the hope of meeting suitable husbands and were presented at court in strapless white puffs of dresses and the requisite long evening gloves (also white) should anyone think too much flesh was exposed.</p><p>Dame Vivienne Westwood's riposte to such a studiously virginal wardrobe is more wanton and no less wonderful for that. Her &quot;debutante&quot; dress dated 1994 has a signature corset proudly on display and a shredded hem as if our heroine has struggled over hill and dale battling against the elements to meet her beau.</p><p>In fact, Westwood's sensibility and wit clearly paves the way for many of the designs on the mezzanine floor ? or for the duration of this show, &quot;the ballroom&quot; ? that date from 2005 to the present and showcase the modern ballgown which, following in the footsteps of the grande dame of British fashion, upholds many of the requirements of formal dress all while subverting them.</p><p>Giles Deacon's pleated silk &quot;carwash&quot; dress (2007) rubs shoulders with a body-conscious floor-length gown constructed out of loops of silver leather by Gareth Pugh especially for the show. Then there's Atsuko Kudo's fetishistic latex snakeskin-print dress to consider; a feathered design made by Sarah Burton for Alexander McQueen and worn by Daphne Guinness to the 2011 Costume Institute Ball; a Stella McCartney gown with a bifurcated skirt sported by Annette Bening to the Golden Globes and the Jacques Azagury ensemble chosen by Helen Mirren when she picked up the Oscar for Best Actress for her performance in The Queen.</p><p>Despite including the odd red-carpet moment, this is less amplified exhibition than many of the recent international fashion blockbusters. That is not least because the latter are largely paid for by the fashion behemoths whose work they celebrate, somewhat lessening their impact in terms of academic value. Ballgowns is sponsored by Coutts and it is positively frugal by comparison. The effect is refreshing in its lack of bombast, whether that is intentional or not, and also apposite. Because if there is a single unifying factor to the show it may be found in a sense that the majority of the gowns on display here have their own stories and were worn and loved by the people for whom they were made. And that, it almost goes without saying, is a million miles away from the here today/gone tomorrow spirit that contemporary fashion all too often represents even at it is and all the more charming for that.</p><p>&quot;That's another facet of the British ballgown,&quot; Cullen agrees. &quot;These things were worn and worn.&quot;</p><p>Ballgowns: British Glamour Since 1950, Victoria &amp; Albert Museum, May 19 to January 2013; vam.ac.uk</p><p>'Ballgowns: British Glamour Since 1950', edited by Oriole Cullen and Sonnet Stanfill, ��20 V&amp;A Publishing, is out now</p>?<p>Ms Hill, who joined Mulberry in March 2008 after stints with Marks &amp; Spencer and Burberry, was appointed CBE.</p><p>Her efforts had previously earned her Best Accessories Designer at the 2011 Elle Style Awards and Best Designer Brand at the 2010 British Fashion Awards.</p><p>Burton, who designed the gown of Prince William's bride, was appointed OBE. After much speculation, she was chosen to take over from her mentor Alexander McQueen, who died in 2010.</p><p>She promised to stay true to his legacy, crediting him with teaching her everything she knew.</p><p>&quot;Everything I know I learned here. If you didn't know how to do something, Lee made you take on the challenge and would teach you how, or leave you to figure out how to do it yourself.</p><p>&quot;He once handed over a bias-cut houndstooth dress and said, 'Now, put a zip in it', then left for the weekend,&quot; she once said of McQueen.</p>?<p>It is, but not in the way you might assume. A spate of recent openings in the capital is proof of how fashion brands are adapting to compete with the rise of online convenience by fitting their premises out with technological gadgetry that promises to make shopping there an experience well worth the effort.</p><p>&quot;Many luxury brands have been reluctant to embrace new technologies as their values rest on craftsmanship and tradition,&quot; explains Olivia Solon, associate editor of Wired magazine. &quot;But a new breed of creative technologists and interaction designers are showing that circuit boards and pixels can be beautiful and aspirational as well as functional and ubiquitous.&quot; It depends to which theory you subscribe: that being in a shop makes you more likely to spend, or that the ease of one-click purchasing is more liable to make you profligate.</p><p>Either way, businesses must come up with increasingly complex ? not to mention entertaining ? ways of parting us from our cash. The new Burberry store on London's Regent Street is a monument to the brand's 156-year history as a heritage supplier of traditional outerwear. But alongside the pomp and circumstance sits some of the high-spec tech that the brand has become famous for recently. The 44,000 sq ft space houses 500 speakers and 100 screens, which feature brand imagery and catwalk videos, but will come into their own at in-store gigs and live-streamed fashion shows.</p><p>&quot;Regent Street is one of the most architecturally and culturally significant projects we have undertaken,&quot; says Christopher Bailey, the label's chief creative officer, &quot;bringing our physical and digital worlds together to create amazing experiences that encompass everything from fashion, to heritage, to music.&quot;</p><p>The aim is make customers feel like they are physically within the brand's website. If that sounds slightly oppressive, think of it this way: shopping in this store feels like the future as you imagined it as a child.</p><p>The old-school luxury is there (but of course) with added extras. Mirrors morph into video screens as you approach and at certain times of day, they screen rain showers within the store as part of an exciting immersion exercise; one that will, Burberry hopes, subliminally encourage you to buy one of their famous trenches.</p><p>Bring an item close to one of the mirrors and the screen shifts automatically to give you a 360-degree view of it. Sure, you could just turn it over in your hands ? but who wants that when you can have it projected 15-feet high? Take a jacket into one of the changing rooms and an auto-sensory tag inside directs the mirror to show you it with zoom-able details, or as it was worn in the catwalk show. That might mean seeing how a 7ft-tall 19-year-old looked in it, but what's self-esteem compared to feeling a bit like Tom Cruise in Minority Report?</p><p>&quot;It can be a bit gimmicky and tacky,&quot; says Olivia Solon, &quot;but luxury brands seem to be extremely conscious of this ? it very much depends on the execution.&quot; In Mayfair, a three-storey Georgian townhouse has recently been refurbished as the flagship store of McQ, Alexander McQueen's sister label. In the window, painstakingly embroidered, full-skirted tulle and applique dresses stand as testament to the house's commitment to atelier-level workmanship, while inside a raft of whizzy electronic devices are just as indicative of its progressive mindset.</p><p>Placing magnetic frames onto a touch-screen table allows you to explore the label's lookbooks and catwalk imagery; with one drag and flick, you can &quot;throw&quot; pictures onto a floor-to-ceiling screen on the wall opposite to either watch the show or see outfits in glorious technicolor. If there's something you particularly like, you can email it to yourself or your friends, or share it on Facebook or Twitter, with another few swipes. And all the while, you can pretend you're manning the Starship Enterprise.</p><p>We wanted to create a story and a home for McQ,&quot; explains McQueen's creative director Sarah Burton. &quot;The store offers special catwalk pieces alongside ready-to-wear collections in a rich, immersive environment.&quot;</p><p>The mens- and womenswear floors boast interactive mirrors, which switch from slideshows to giant cameras when you step in front of them. Try on some of this season's Blackwatch tartan, snap yourself and email it to your friends to get their opinion on whether to buy it or not. It builds on the fact most people are taking these kinds of shots on their phones behind the curtains anyway ? only this time, you do it on the shop floor. But if you're posting the picture on Facebook, chances are you're no shrinking violet.</p><p>While these installations are undeniably fun, it remains to be seen how efficacious they might be at pulling us out of our spending slump. But they make being inside a store more exciting and will go some way towards making customers feel valued as visitors rather than mere cash-cows. The digital aspects of these new stores are as much part of a branding exercise as they are about gathering data from social media, widening appeal or luring you in.</p><p>That's t