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Without Feathers Mass Market Paperback – February 12, 1986
Purchase options and add-ons
- Print length224 pages
- LanguageEnglish
- PublisherBallantine Books
- Publication dateFebruary 12, 1986
- Dimensions4.17 x 0.64 x 6.64 inches
- ISBN-100345336976
- ISBN-13978-0345336972
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Editorial Reviews
Amazon.com Review
Though each piece is funny, two of them are particularly notable examples of Allen's distinctive style (borrowed in large part from S.J. Perelman by way of the Borscht Belt, but distinctive, nevertheless)--"The Whore of Mensa" and "If the Impressionists Had Been Dentists." Here's an excerpt from the latter: Mrs. Sol Schwimmer is suing me because I made her bridge as I felt it and not to fit her ridiculous mouth! That's right! I can't work to order like a common tradesman! I decided her bridge should be enormous and billowing, with wild, explosive teeth flaring up in every direction like fire! Now she is upset because it won't fit in her mouth! She is so bourgeois and stupid, I want to smash her! I tried forcing the false plate in but it sticks out like a star burst chandelier. Without Feathers is fine, funny prose, from an American master. If you're a fan, seek it out immediately. It's a document from the days when Woody was not important, but merely hysterically funny. --Michael Gerber
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About the Author
Product details
- Publisher : Ballantine Books; First Edition (February 12, 1986)
- Language : English
- Mass Market Paperback : 224 pages
- ISBN-10 : 0345336976
- ISBN-13 : 978-0345336972
- Item Weight : 4.6 ounces
- Dimensions : 4.17 x 0.64 x 6.64 inches
- Best Sellers Rank: #681,783 in Books (See Top 100 in Books)
- #335 in Political Humor (Books)
- #594 in Parody
- #1,434 in Humor Essays (Books)
- Customer Reviews:
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About the author
Woody Allen’s prolific career as a comedian, writer, and filmmaker has now spanned more than six decades and multiple award winning films. Mr. Allen’s first screenplay was for What’s New Pussycat?, which was released in 1965. He has written and directed more than 45 feature films, including Annie Hall, Manhattan and more recently, Midnight in Paris, Blue Jasmine & Rainy Day in New York. Woody Allen is the author of Getting Even, Without Feathers, and Side Effects, among numerous other books.
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The two plays, especially "Death", are particularly good and show the dialogue is typical Woody Allen in top-form (eg. dealing with a Kafka-esque situation).
SEA SCROLLS". This book has always cheered me up when I am down and still does.
From the play, speech by Diabetes, a Greek slave--
"What's the big deal about freedom? It's dangerous. To know one's place is safe. Don't you see, Doris,
governments change hands every wee, political leaders murder on another, cities are sacked, people are
tortured. If there's a war, who do you think he's killed? The free people. But we're safe because no matter
who's in power, they all need someone to do the heavy cleaning."
Gee, thanks for that Woody. This is not accurate historically, socially or most importantly, as a matter of humor.
He has a piece near the beginning of the book called "The Whore of Mensa" about brilliant young Brandise graduates that, for an hourly fee, will discuss Blake with wealthy men starved for culture. While not funny, it was sharp and cutting. It made me smile in a snide way to see him ridicule tremendously smart people who waste their brainpower on literary minutia. His "If the Impressionists Had Been Dentists" follows in a similar mode, making fun of the wave of exciting new perspectives in art at the begging of the 20th century. For Woody, the artists were shallow, damage, dishonest, and often jerks. Maybe so, like their pictures.
Anybody and posit that life is hard and then you die. Most 15-year-olds get it just fine. But we can find absurdist humor in old Monty Python skits and laugh.
Not here.
Top reviews from other countries
Anyway, Woody Allen is a great writer of humorous essays and stories, and Without Feathers is a joy to read if you appreciate his cynical, absurdist humour. The book touches on everything from Impressionist art to opera to civil disobedience, poetry, and, of course, existentialism (Allen's favourite theme) in his irreverent, anything-for-a-gag style. Death and God are both wonderful plays, Death about a cowardly salesman in a city at night, who's forced by his neighbours to join a vigilante group hunting a serial killer; and God an actor and writer trying to find an ending for their play, as the fourth wall is repeatedly exploded by increasing meta-awareness.
Allen's approach in his prose is to discuss and satirise literary trends of the past, "feasting on the fantasies of his favourite writers" as the Glasgow Herald put it. So he takes the work of the existentialists and adds to it his own comic spin. That might make it seem like you need to have read a hundred other books to "get" Without Feathers, but that's not the case. Though inspired by the past Allen's writing stands alone; there'll always be a gag that anyone can appreciate, even if your only experience of existentialism is wondering if you should keep waiting for the bus or just cut your losses and walk.
This is a book by one of the most gifted writers of humor and one must always be careful and mind his or her surroundings while reading this book as it can make you burst into laughter anywhere.
A great read.
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