User Reviews

It all begins rather straight-forwardly. Stein was a clown and stage performer in Berlin, a man without politics, working with his wife and children to bring joy to those who attended his shows. Through flashbacks we see how his audience slowly becomes more and more Nazi, going from one stray soldier with swastika to a barroom full of military. He is eventually told he can no longer perform and, being Jewish, it is only a matter of time before he and his kin are placed on a train out of the ghetto and into a camp. Back in the present, however, his affable nature and overabundance of intelligence show a seemingly well-adjusted man, one the patients relate to, the doctors rely on to bridge the gap between them and the survivors, and who has seduced the head nurse, a woman half his age, into an affair that the head doctor knows about and turns the other way. You see Dr. Nathan Gross (Derek Jacobi) feels he can help Stein, knowing that there is something buried deep down inside him, a guilt we can only assume stems from the fact that his family is nowhere to be seen. It appears he has survived while the rest disappeared. Only by giving him some freedom and trust can he begin to try and help.

Stein uses his charm and charisma, that which made him such a success on the stage in Germany, to become the favorite of all—laughing with the patients, not at them; engaging in his love affair with Ayelet Zurer's Nurse Grey; partaking in his secret stash of alcohol hidden away in every vent around the building; and just making the most of his stay, as though it's all a vacation. That is until one morning when he hears a distant barking. Discovering there is a dog in the hospital—something he was promised from day one would never occur—he begins to seek it out. Finally stumbling across the room with the animal, he gets down on all fours and turns into a canine himself. Barking, drooling, lashing out at the staff, Stein is not as put together as we had once thought.

This all now leads to the true nature of the film. I believe it is the most original tale of WWII and the Holocaust that I have seen. While most these days focus on the camps and the battles and how much they affect those involved at the present, Adam Resurrected shows us the long-lasting ramifications being treated as an inferior, as an animal, that the experience had. The film is all about the psychological scarring the war left on these survivors, from the abuse, the torture, the separation from loved ones, and even the fact that they are alive while so many are not. One may call Adam Stein a lucky man for the series of events that transpired to him. Lucky that he was seen by a man for whom he read the mind of during one of his acts in Germany, a Commandant played by Willem Dafoe who took Stein under his wing to make him laugh and forget about the horrible things he was doing; lucky that all he had to do was pretend to be a dog, doing tricks for his master while all the other Jews worked outside biding their time until death. Only when you see the toying that went on, Stein desperately attempting to save his family, doing everything he is asked for by this man he saved from committing suicide not long ago, do you see how much easier it would have been if he had just been killed.

Goldblum's Stein is a tour de force, a performance he spent a year researching and preparing for. This broken man has all his armor stripped away by the barking of some thing hidden under a sheet in a room. It is either a dog or maybe someone like him, someone degraded so much that he has become an animal in appearance as well as in spirit. Goldblum plays the magician to perfection, his quirkiness lending itself to the clownish way he goes about his life, but portrays the tortured soul to great effect too; a man able to control his own body, making it bleed, making it get sick, destroying himself over and over again as he does his best to help those around him, not yet in a healthy enough state to help himself. Utterly believable and completely transformed in his character, Adam Stein is whom we see on screen. A Holocaust survivor only starting to overcome the pain and sorrow inflicted upon him during the war and after, a man coming to grips with the fact that his name is not Stein but the number burned into his arm.

I credit Schrader for directing a stellar film, allowing Goldblum to really perform his heart out for the duration, a time span for which he is in frame almost 100% of the time. The attention to detail is impeccable, right down to the toy train at the hospital, a locomotive that gets under Stein's skin, perhaps a little too much until we are shown the flashback to the train that transported the Jews, both exact replicas of each other, making that toy a symbol of his incarceration. Adam Resurrected is truly a story of his journey to find salvation, for himself and those around him. A great line comes from a response to one man's quest for God as follows, "God is out to lunch. He left a note; it's on your arm." Maybe God abandoned them all as he sat back and watched the atrocities occur, but these people, the doctors, patients, and Stein especially, won't give themselves that luxury. They are there for the long run, doing their best to survive and cope with the fact that they still have the gift of life, hopefully with enough time to make something of it.

Paul Schrader's latest film concerns Adam Stein, a patient in a mental hospital caring for those who suffered during the Holocaust. Adam was once a great comedy performer known through out Germany. Haunted by the past when he had to act as a dog for the Commandant of the camp as well as play violin for the prisoners as they went into the gas chambers, Adam is just trying to get by. He refuses to deal with his past until a small boy who thinks he's a dog shows up at the hospital.

The film is more magical realism than stark reality (Adam has a psychic ability) and is more an allegory of the the struggle of people to survive. It is a Holocaust tale to be sure, but the implications of its themes apply to everyone's life. Are we all not a little mad? Are we all not locked in our own prisons? I'm not sure the film is wholly successful in exploring all of its themes but at the same time it is one huge helping of food for thought.

The real find of the film is Jeff Goldblum. Sure we all knew he is a great actor, but I for one never really knew how great he was. Here he goes through every emotion imaginable. He is funny and touching and heart breaking and human. He becomes Adam Stein, disappearing into the role so completely that you stop thinking its an actor and instead see him as the character. Its a masterful performance that unjustly got overlooked by the Oscars.

If you want to see a fantastic performance in a dark, but hopeful tale, see this film. It will stay with you.

This is a highlight. "Adam resurrected" is a powerful narration about a German-Jewish Holocaust survivor and his struggle to cope with his traumata in a psycho-therapeutic clinic in Israel. Adam Stein, our protagonist, embodied by Jeff Goldblum, has survived a German concentration camp but lost his family. An SS-officer made him live and behave like a dog and it is only when another dog-like being arrives in the clinic that Stein finds a way to escape his manic world of excess. An extraordinarily mighty and brilliant performance by Jeff Goldblum who carries the whole movie to a difficult, funny and intense experience.

Paul Schrader directed Adam Resurrected, a tale about a Jewish vaudeville entertainer during the Weimar period who later suffered dehumanization at the hands of a concentration camp commandant and survived. Noah Stollman adapted the screenplay from Yoram Kaniuk's novel of 40 years before, Schrader fashions another story with his infamous thematic elements of man vs. himself and man vs. man while simultaneously wavering between reality and psychological breakdown.

Jeff Goldblum is Adam, a Jewish entertainer who is recognized by Commandant Klein (Willem DaFoe), at a concentration, as a talented comedian/musician, etc. from the 1930's. DaFoe dehumanizes Goldblum by making him mimic the actions of a dog, and years later, Goldblum flashes back to these events as he struggles to maintain his sanity and corral survivor's guilt. Derek Jacobi plays Dr. Nathan Gross at the sanitarium for survivor's where Adam (Goldblum) ends up. Once at the sanitarium in the 1960's, Adam (Goldblum) meets a boy who is locked up and acts like a dog. The irony is the boy will become Adam's salvation and resurrect his humanity lost long ago.

The subject matter is sure to repel many people and because it is a highly artsy type of film that requires viewers to play intellectual/literary gymnastics with the continuously changing tone of the film and recognizing irony, metaphors, and symbols. Black comedy, the Holocaust, Jewish guilt, mental illness, and sexual perversion are all woven tightly together and they alternate freely in sharing the focus of any particular scene. The novel was similar in that narrators appeared who were different from previous narrators in the without readers recognizing them as such. There is also not a whole lot of action and set changes. Schrader explained the difficulty understanding the film. Confounded viewers expected simple explanations for things instead of discovering something for themselves. However, this idea of using humor to survive is not new and has been filmed many times before, often to much better effect. Life Is Beautiful comes to mind.

Budget restraints are evident throughout the film with the black and white concentration camp flashbacks masking the modernity of the setting. Another area in which the low budget is evident is in the Euro-Israeli cast, although it does add an aura of authenticity. Besides the stars Goldblum, DaFoe and Jacobi, the rest of the cast is foreign including the brilliant Ayelet Zurer as Adam's (Goldblum) female interest Gina Grey. As in many lower budget films, the strengths are usually the dialog and acting. In the case of Adam Resurrected, it's mainly the acting of Goldblum and the terrific young boy playing his canine counterpart in the sanitarium: Tudor Rapiteanu. **1/2 of 4 stars.