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Viva Maria! [DVD]

Brigitte Bardot (Actor), Jeanne Moreau (Actor), Louis Malle (Director, Writer) Rated:

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Format: DVD

4.1 274 ratings

IMDb6.3/10.0

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Genre	Foreign
Format	Closed-captioned, Color, NTSC, DVD, Subtitled
Contributor	George Hamilton, Poldo Bendandi, Brigitte Bardot, Jeanne Moreau, Gregor von Rezzori, Jean-Claude Carrire, Paulette Dubost, Francisco Reiguera, Jos ngel Espinosa 'Ferrusquilla', Carlos Lpez Moctezuma, Claudio Brook, Louis Malle, Roberto Pedret, Jonathan Eden See more
Language	French
Runtime	1 hour and 59 minutes

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Product Description

France's most famous bombshells, Brigitte Bardot and Jeanne Moreau, "make an unbeatable comedy team" (Motion Picture Herald) in this "joyfully romantic fairy tale for adults!" (Life)! "Fast-moving, eye-catching and filled with sight gags" (Cue), this hysterical film from three-time OscarÂ(r)-nominated* director Louis Malle (My Dinner With Andre) and co-writer Jean-Claude Carriere satirizes everything from American westerns to revolutions, dictators, the Church, priesthood and even sex itself! When two women Â both named Maria Â unwittingly invent the striptease circa 1910, they become such a hit that enthusiastic audiences strip along with them! But when one of the Marias falls for a handsome revolutionary (George Hamilton), she finds that she has unwittingly embroiled the two of them in an armed peasant revolt! *1987: Original Screenplay, Au Revoir Les Enfants; 1981: Director, Atlantic City; 1972: Director, Murmur of the Heart

Product details

Aspect Ratio ‏ : ‎ 2.35:1
Is Discontinued By Manufacturer ‏ : ‎ No
MPAA rating ‏ : ‎ Unrated (Not Rated)
Package Dimensions ‏ : ‎ 7.52 x 5.39 x 0.59 inches; 2.4 Ounces
Director ‏ : ‎ Louis Malle
Media Format ‏ : ‎ Closed-captioned, Color, NTSC, DVD, Subtitled
Run time ‏ : ‎ 1 hour and 59 minutes
Release date ‏ : ‎ April 5, 2005
Actors ‏ : ‎ Brigitte Bardot, Jeanne Moreau, George Hamilton, Paulette Dubost, Claudio Brook
Subtitles: ‏ : ‎ English, French, Spanish
Studio ‏ : ‎ MGM (Video & DVD)
ASIN ‏ : ‎ B00079ZA6S
Writers ‏ : ‎ Jean-Claude Carrire, Louis Malle
Number of discs ‏ : ‎ 1

Best Sellers Rank: #120,753 in Movies & TV (See Top 100 in Movies & TV)
- #1,611 in Musicals (Movies & TV)
- #1,828 in Foreign Films (Movies & TV)
- #2,138 in Westerns (Movies & TV)

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4.1 274 ratings

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4.1 out of 5

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Mike Ellis

French Striptease VS. Serious subject

Reviewed in the United States on March 19, 2023

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Not a comedy or musical. Leading ladies, thrown into serious situation, interesting but soap opera. RENT!

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John D. Aldridge

Silly fun romp with the girls

Reviewed in the United States on October 4, 2007

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This is a fun escapist romp. What was at the time(1965) a pretty racy stage act with Bardot and Moreau is now rather quaint and charming. I have to admit that when it came to sex the French were certainly more open minded then we Americans were at the time. Some of the political ideology of the time effects some of the action and dialogue providing a groan and a chuckle. The great on-location photography is colorful and provides realism. Many inventive visual jokes help make this fast paced adventure enjoyable and upbeat. George Hamilton as a revolutionary?...now that's a laugh!! I would have loved to have seen this bright sunny picture when it first came out, at a Parisian theatre on a cold dark rainy afternoon.

11 people found this helpful

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Ania Peter

Malle, Bardot and Moreau: a unique combination

Reviewed in the United States on March 9, 2007

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Well, I've fallen in love with this movie when I was 22 and I still love it at 64. Did Louis Malle make any other comedies like this? I don't know. It's a masterpiece by an allround master of cinema giving his hand to comedy. Of course I know all his great 'serious' movies, what film-goer doesn't at my age in Europe. Newcomers please consult the IMDB. "Show but no substance" says Halliwell. But then he probably didn't get the satire (very French). And not the unique interplay of Bardot (for once allowed to be as beautifull as sexy and intelligent) and Moreau (who was always the sophisticated sexy one). "But" a show? what a show!

So I won't give you a summary - you can easily get that at Am.com, but a rating of what interests ME most cf. new releases: This DVD-transfer is ok, clear picture and sound, not restored but acceptable, and I wish I could get rid of the English subtitles.

12 people found this helpful

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Amazon Customer

Brigitte Bardot is great - the film is not

Reviewed in the United States on May 1, 2017

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Brigitte Bardot is awesome, but the film is not. This is similar to most B. Bardot films. It seems the studios want so badly to get Bardot on screen that they will write anything on a sheet of paper and think she can deliver a great a film. This simply is not true. And the possibility of two beautiful ladies who perform striptease and vaudeville type shows are just NOT going to be involved in a revolution. The acting is certainly not great, but B. Bardot is just so gorgeous it is hard to dislike the film. There are also some pretty decent gunfights. This may have been better suited as a western.

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David E. Miller

Des sous-titres ! Que c'est bon !

Reviewed in the United States on April 22, 2005

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This is great farce! You'll adore "Team Maria" (Bardot and Moreau), enjoy the often spectacular scenery, and get a real kick out of the bizarre and offbeat moments in this wonderful film. As for me, I highly appreciate the French subtitles. I have a number of French films, and although I understand French quite well, I sometimes miss bits of dialogue. This is the only French language film (though a few words of Spanish and English are uttered, too) I have on DVD that actually provides French subtitles. If you are a student of the French language, this film is a must. And if you are a student of La Bardot . . . eh bien, qu'attends-tu ?

16 people found this helpful

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venita varga

outstanding and unique look at revolutions, female entertainers

Reviewed in the United States on October 20, 2013

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It is hard to try and place this film in a "box" as it is over the top in so many ways. A satire on "sex stars", westerns, "puppet" dictators, the Catholic church and their officials and revolutionary leaders; it transgresses ALL of these and does it with a grin. It deserves its reputation as a beautifully photographed "travelogue" in Mexico also. I chose it to show off the director, Louis Malle, and the breadth of his talents.

One person found this helpful

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Mary LaFon

What a fun classic romp with these two beauties

Reviewed in the United States on October 4, 2014

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What a fun classic romp with these two beauties. I did have a problem viewing it in english. I know it is there as I have seen it in english, so it was me, however maybe the instructions could have been clearer.

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Samantha S.

I really enjoyed it!

Reviewed in the United States on August 5, 2018

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A satirical film with the great Jeanne Moreau. I had a blast watching it. :)

3 people found this helpful

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Benedict Cowell

Tyranny Marianne, The Blackfriars and Delacroix

Reviewed in the United Kingdom on July 6, 2023

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Tyranny Marianne, The Blackfriars and Delacroix

Bardot was my second 'pin up' my last. I can almost identify the occasion when she captured by allegiance. Over sixty years I have cherished her image; the image is as evergreen, as vivid as ever. But it was not the sex symbol, not the Bardot who for a time was prevailed upon to hawk her female attributes to a lubricious male audience, but the woman and the actress whose charm went far beyond that, and it is one of the paradox of this which is interesting. She is at her most splendid and attractive when she is conventionally dressed , conventional that is when she wears clothes which do not flaunt the female but manifests her feminine,and she is divinely feminine, and compelling because of her exuberance and exhilarating, because she clearly enjoys being a woman and because she enjoys being an emancipated woman free of the constraints of respectable society.

This is the woman who features in that fantasy satire of Malle's 'Viva Maria'. It takes two such woman of quite different dispositions to make this film a delightful romp but more than a romp. There are some moving moments in this film, and some quite horrendous depictions of men in power and the cruelties to which they stoop. Power is such that these men are indifferent to human suffering and so depraved that to keep power are prepared to inflict pain and suffering on women who are more than their prey and might be their casualties and victims. I won't rehearse the story, sufficient to say that at its best it runs the whole gamut of human emotions from fantasy and comedy to love and tragedy and what makes it cohere and what makes it a most original film is that Bardot and Moreau seem to enjoy each other, and neither upstages the other. but play to one another, especially in the dance and song routines in the early part of the film where there is almost a striptease, but the genius of both is not the titillation but the zest and gusto in which they they perform,,and almost self-depreciation of their own manifest charms. Once the revolution starts there are startling contrasts. Moreau has most of the dramatic moments, her love scene with Morales, her speech which sparks of the revolution,on the death of Morales. Bardot is the field officer of the Revolution once she is enlisted in the fight.

The travelling fair with which Bardot becomes involved when escaping, after the death of her father has acts ranging from Acrobats to conjurers and all their skills ad arts are humorously deployed in the battles to save the ladies from prison,potential torture,and a firing squad.

It is not necessary to know the history of France to enjoy this film but much of the satire is rooted in French History and culture but I first saw this film in France more years ago than I care to forget ,living in France,and slowly becoming to understand the deep structures and assumptions that France and being French entailed, and I had a French fiancé who inducted be into French life and although she was quite different from either Bardot or Moreau they bear testimony to all that being French and woman involve.

One comes away from the film with a number of salutary reflections and also correctives to the conventional ideas. Bardot can act, she can dance, she has a delightful voice and she has a radiant smile which melts scepticism. Moreau was a perfect foil, an actress capable of comedy but also high seriousness so together they are central to the artistic and the satirical success of a film which has so many facets and shades. But enjoy the film on it merits, it does not date, there are some ravishing landscape sequences, there is some splendid comedy which give the film sui generis authenticity. The film reminds me of my salad days and my perennial delight in the many faceted appeal of Bridget Bardot.

One person found this helpful

Tita Fürst - Koren

Wenn Maria und Maria eine Revolution anzetteln

Reviewed in Germany on May 28, 2018

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1965 drehte Louis Malle eine Western-Komödie mit zwei wunderbaren Schauspielerinnen. Maria I (Brigitte Bardot) spielt eine Irin, deren Vater ein Freiheitskämpfer war. Schon als kleines Mädchen hatte sie den Leuten "Geschenke" gebracht, die sich als Feuerkörper jeglicher Art zeigten. Die beiden waren immer auf Trab, bis der Vater den Soldaten zum Opfer fiel. Maria I vergaß nicht die Brücke, wo der Vater gestorben ist, samt Soldaten in die Luft zu jagen. So zusagen als einen letzten Geschenk für den lieben Vater. Weil sie als Junge gekleidet war, suchte keiner nach einem Mädchen.
In Lateinamerika findet sich sich zufällig bei einem Zirkus oder Varieté. Dort ist gerade eine große Tragödie passiert, eine Sängerin wollte ohne ihren Liebhaber nicht mehr leben. Weil sie im Duet mit Maria II (Jeanne Moreau) sang, blieb diese auf der Strecke. Der Hunger trieb Maria I in den Wagen von Maria II, eine Sängerin und Künstlerin aus Paris (sehr wichtig!). Die hat sehr schnell die Potentiale des "jungen Mannes" erkannt. Maria I war solches/weibliches Benehmen zwar suspekt, aber man gewöhnt sich an alles, wenn dabei etwas rausspringt. Und keiner suchte eine junge Frau, so war sie bei dem Varieté sicher.
Das Varieté war jetzt um eine Maria reicher. Die "zwei Maria's" wurden bald zu einer Attraktion. Sie sangen nicht besonders gut, aber ein flottes (fast) Striptease war immer drin. Maria I, die von den Männern bisher nicht viel wußte, erkannte, dass sie ganz nützlich sind. Sie schrieb die Namen ihrer Verehrer an eine Tafel und die Liste wurde lang und länger.
Wie das Leben so spielt, wurde die ganze Varieté-Gruppe verhaftet, weil Maria I nicht Ruhe geben konnte. Wenn ein Mensch in Gefahr war, da musste sie helfen (mit dem Schießeisen natürlich). Der Großgrundbesitzer Don Rodríguez verhaftete dabei auch Flores (George Hamilton), der für die Freiheit des Landes mit dem Namen San Miquel kämpfte.
Die Varieté-Gruppe war nicht ohne. Werther, ein Deutscher, war sehr stark, seine Gruppe sang, sprang und kämpfte, wenn notwendig. Auch die anderen wie Rodolfo (der Messerwerfer) konnten mehr als nur spielen.
Es gelang ihnen die Gefangenen zu befreien, wobei Flores tödlich verwundert wurde. Er bat Maria II, in die er sich verliebt hat, seinen Kampf weiterzuführen.
Maria I wollte am Beginn nicht mitmachen, als sie sah, dass die Leute eine starke Hand (die mit Waffen umgehen kann) brauchen, war sie dabei. So wurden Maria und Maria Anführerinnen der Freiheitskämpfer in dem Land, das sie nur wenig kannten.
Was dabei alles passiert, wird bei jedem Zuschauer einige laute Lachsalven "verursachen". Mit viel List, Können, besonders aus der Varieténummern wurde z.B. ein Zug "gefangengenommen". Eigentlich taten es die Bienen.
Als der Präsident verzweifelt um Rat bittet, antwortet die heilige Kirche mit wahrhaft perfekten Methoden. Der Bischof bzw. Abt hat wieder die heilige Inquisition ins Leben gerufen, damit man die beiden Maria's endlich zur Vernunft bringt. Nicht nur, dass die Mönche in ihren Kleidern fast nichts sahen, auch die Instrumente waren buchstäblich noch aus der Zeit, als die Spanier diese Länder besetzt haben. So war der Werkzeug nicht zu gebrauchen. Aber auch die Armee hatte kein Glück mit den Damen. Was immer sie tun wollten, überall waren die Freiheitskämpfer zur Stelle. Und wenn es nicht mehr ging, kam Werther und löste das Problem mit einer Hand, so stark war sie...
Die Revolution siegte, Flores wurde schon mit dem Denkmal bedacht... Die Maria's gaben Interviews fur amerikanische Zeitschriften, in denen sie beteuern, dass ihnen Amerika als Vorbild dient.
Jeder Kampf ist einmal zu Ende, jeder Einwanderer möchte nach Hause. Auch unsere Künstler wollten nach Europa. Wie ihnen das gelingt, zeigt das Ende.

Man muß wirklich zweimal lesen. Ja, es ist ein Film von Louis Malle. Nur in 'Milou en mai' (und einige Episoden in Filmen) hat er seine komödiantische Ader gezeigt. Der Film ist eine Persiflage an Westernfilme UND Westernkomödien. Alle Klischee's wurden gezeigt. Die Häuser fliegen in die Luft, die Leute ballern um sich. Man denkt, es wären alle verwundert, wenn nicht tot, als wieder hinter einen Berg, Baum, Wald dieselben Leute springen und schreien. Es gibt EINEN bösen reichen Mann, der zwei "arme Mädchen" verführen wollte, es gibt EINEN schönen Held (oh, George Hamilton in jungen Jahren). Es gibt verschiedene Personen, die aus dem Bilderbuch der Westernfilme entsprungen sind. Nur gut und nur schlecht sind die Personen. Dazwischen gibt es nichts - höchstens die Maria I und II, die sowieso unnatürliche Kräfte besitzen.

Und was besonders auffällt, alle amüsieren sich bei Dreharbeiten. Die Bardot und die Moreau spielen mit einer Leichtigkeit, mit Spontaneität, dass man den ganzen Film grinsen muß.
Für mich sind oft solche Rollen schwieriger als die "üblichen", in denen ich besonders Jeanne Moreau gesehen habe (B. Bardot hat zu wenig gespielt, aber auch in Komödien). Deswegen bin ich den beiden dankbar für die Stunden der Heiterkeit. Ganz hinten kommen dann einige Gedanken. Dieser Film ist zwar Komödie, aber der Schauplatz des Filmes, die Zeit des Geschehens (am Beginn des 20 Jhr) sagen uns - es ist auch bitterer Ernst. Nur kann man die Geschiche aus einer anderer Perspektive sehen.
PERFEKT!

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Arend

BB in een fantastische rol

Reviewed in the Netherlands on September 5, 2023

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Schitterende film met Brigitte Bardot. Toen ik jonger was en deze film voor het eerst zag werd ik meteen verliefd op BB.

Ook het verhaal zit goed in elkaar maar een ondertiteling in het Nederlands of Engels zou welkom zijn.

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Steiermark

Alles Bestens ! Pünktlich und gut !

Reviewed in Germany on August 9, 2023

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Alles Bestens ! Pünktlich und gut !

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Lichtschein

Viva Maria!

Reviewed in France on September 14, 2017

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Irlande, 1891. Une petite fille et son père font sauter une caserne britannique... Seize ans plus tard - et quelques attentats en sus! - la petite Mary est devenue une belle jeune femme (Brigitte Bardot). Son père ayant été tué, c'est en Amérique centrale qu'elle poursuit désormais le combat contre l'ennemi anglais. Traquée, elle trouve refuge au sein d'une troupe de saltimbanques ambulants et se lie d'amitié avec Marie (Jeanne Moreau) avec laquelle elle forme un duo sensationnel, "Maria et Maria, les petites femmes de Paris"! Mais confrontées à la barbarie de la dictature, elles épousent la cause d'un jeune révolutionnaire (George Hamilton) tombé sous les balles d'un ignoble gouverneur et excitent le peuple à la révolte...
Sorti en 1965, ce film de Louis Malle réunit dans une réjouissante parodie de western deux des plus grandes actrices françaises, Brigitte Bardot et Jeanne Moreau. Complémentaires et complices, elles forment un formidable duo. Si le scénario pèche un peu par manque de consistance ( et ce, malgré l'association des talents de Louis Malle et de Jean-Claude Carrière), on se laisse aisément emporter par le rythme échevelé de cette comédie légère et pétillante à souhait. Les seconds rôles, notamment Paulette Dubost et Claudio Brook, sont bons. Autres atouts: la musique de Georges Delerue et la photo d'Henri Decaë (une référence).
"Viva Maria!" n'est pas le meilleur film de Louis Malle mais il vous fera passer un bon moment.

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