In March 1956, the mystery novel Badge of Evil was released to generally favorable reviews and its sales were brisk, with two printings in hardcover. Edward Muhl, the head of production of Universal-International, believed the novel had cinematic possibilities and arranged to purchase the film rights through the literary agency Curtis Brown. By April 1956, the Los Angeles Times reported that the film rights had been acquired and that Albert Zugsmith (known as the "King of the Bs") had been tapped as producer. Zugsmith then assigned television writer Paul Monash to write the script adaptation within four weeks. Zugsmith then read Monash's script, but did not care for it and temporarily halted any further development on the project. By December 1956, Zugsmith had received a memo from Universal executive Mel Tucker inquiring about the development of Badge of Evil and suggested the possibility of casting Charlton Heston as the lead.
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Touch of Evil
(1958)1
Country | |
Runtime | 1 hr 51 min |
Budget | $829 000 |
Premiere: World | $2 285 063 April 23, 1958 |
USA | $2 247 465 |
Other countries | $37 598 |
Box Office – Budget | $1 456 063 |
Premiere: USA | $2 247 465 March 30, 1958 |
theaters | 45 |
rollout | 112 days |
Digital: World | August 7, 2012 |
Parental Advisory | Frightening & Intense Scenes, Alcohol, Drugs & Smoking, ... |
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Also Known As |
Badge of Evil
(United States)
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Description
A stark, perverse story of murder, kidnapping and police corruption in a Mexican border town.Сast and Crew
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Critique: 12
The bravura of the opening sequence of Orson Welles’s last Hollywood picture grabs you by the throat.
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The film has always been full of reckless energy, and now it is, as they say, better than ever.
Touch of Evil is a savvy starter because Welles' astonishing cinematic invention and his persuasive presence as star are prime noir at tractions.
It is typical of Orson Welles that he takes a B-movie thriller set on the Mexican border and gives it a Shakespearian grandeur.
Classic film noirs epitome and epitaph, Orson Welless Touch of Evil gets a stunning new UHD upgrade from Kino Lorber.
The film has always been a favorite of those who enjoy visual and dramatic flamboyance.
Made in 1958, it was Orson Welles’s last Hollywood film, and in it he makes transcendent use of the American technology his genius throve on...
Like the bomb that’s lobbed in the boot of the soft-top car in its opening scene, Touch Of Evil is a film where we can hear the faint so...
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A very technically advanced noir from the skillful Wells. With the cool rhythm of the narrative, the thick atmosphere of a border town, masterful framing, witty dialogues bursting from the mouths of characteristic characters – it’s hard not to enjoy the action for the entire two hours. Translated to English