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The Man Who Walked Through Walls Paperback – August 21, 2018
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Paperback, August 21, 2018 |
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Aymé’s genius lies in imagining the practical unfolding of bizarre and difficult situations. In each story, anarchic comedy is arrested by moments of pathos, only to descend into anarchy and hilarity once more ...
Pushkin Collection editions feature a spare, elegant series style and superior, durable components. The Collection is typeset in Monotype Baskerville, litho-printed on Munken Premium White Paper and notch-bound by the independently owned printer TJ International in Padstow. The covers, with French flaps, are printed on Colorplan Pristine White Paper. Both paper and cover board are acid-free and Forest Stewardship Council (FSC) certified.
- Print length160 pages
- LanguageEnglish
- PublisherPushkin Press
- Publication dateAugust 21, 2018
- Dimensions5.11 x 0.9 x 7.76 inches
- ISBN-101782273271
- ISBN-13978-1782273271
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"A subtle blend of dry humour, surrealism and social critique." — The Lady (UK Magazine)
"The greatest French writer of the day." - Georges Simenon
"All of his writings are characterized by their irony, humour and realism, and are concerned with unearthing and examining ... the workings of society and ordinary people's darker motives." - Bloggerel.com
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Product details
- Publisher : Pushkin Press (August 21, 2018)
- Language : English
- Paperback : 160 pages
- ISBN-10 : 1782273271
- ISBN-13 : 978-1782273271
- Item Weight : 10.4 ounces
- Dimensions : 5.11 x 0.9 x 7.76 inches
- Best Sellers Rank: #1,587,771 in Books (See Top 100 in Books)
- #10,206 in Psychological Fiction (Books)
- #33,917 in Classic Literature & Fiction
- #65,692 in Literary Fiction (Books)
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Another in a series of superior small Pushkin Press paperbacks...love the small books with the French flaps and beautiful paper.
I have been collecting these Pushkin Press books for years - an exceptional roster of writers, mostly in translation. I find these books not only a pleasure to read, but also s pleasure to hold!
Top reviews from other countries
This cannot be said of the next one, entitled "Sabine Women", is about a woman called Sabine who has the ability at will to multiply herself with identities that live in totally different locations. Moreover, each of the likenesses has the capacity to do the same, so in the end there are sixty-seven thousand look-alikes all over the world, each of them in some way linked to the experiences of any one of them. Not only does their ability to multiply run out of control (like the broom in the Sorcerer's Apprentice), but so, I think, does the story itself, which is wild and much too long.
The title of the next story is "Tickets in Time". In this one the government has a way (unexplained) of temporarily killing unproductive citizens - they disappear from the land of the living for a number of days each month. They are given tickets to indicate the number of days docked each month, the number depending on the degree of their unproductivity. They come back to life when the new month begins. What would be the effect of such a scheme?
"The Problem of Summertime": if governments can add an hour to summer time, why stick at one hour? In 1942 the Vatican gave relief to a world weary of the war by ordaining that time should advance by seventeen years. What happens to a Frenchman when he suddenly finds himself living seventeen years later with the knowledge of what happened in the interval? And after he has lived for some time in that future, what happens when, for some unaccountable reason, he suddenly finds himself back in 1942?
There is nothing surrealistic about the next story, "The Proverb", a painful story of paternal bullying, with an unexpectedly charitable ending.
"Poldevian Legend": the wrong people are given precedence in entering Heaven through the Pearly Gates.
"The Wife Collector" is about a tax-collector who is in arrears with his own taxes. The title gives you a clue to this the zaniest of all the stories in the book.
"The Seven League Boots": a gang of young schoolboys are obsessed by a pair of boots which a weird junk-shop owner has displayed in his window with the label that they are Seven League Boots. Until the last paragraph this story is less supernatural than the others, but examines gang-relationships and the touching relationship of one of the gang to his mother.
"The Bailiff": another story involving the Pearly Gates: when a bailiff approaches the Pearly Gates, St Peter and God disagree whether a bailiff should be cast into Hell, and he is given his life back so that - he is told - by the time of his next death the evidence will be clearer one way or the other. But when the time comes, God and St Peter are still at odds.
"While Waiting": The opening sentence of this story; "During the 1939-1972 war, in Montmartre, at the door of the grocer on rue Caulincourt, there was a queue of fourteen people who, having become friendly, decided never to part again." For what was there to go home for? They explain the misery of their lives in war-time, mostly at great length. The war seems never-ending, and so does this story.
The book is certainly of its time and place, with the impact of the First and Second World Wars on the pysche of France and coming through in a number of places. A number of the stories are also rooted in French life of the 1940s and 50s, which then provides the author with a springboard for his flights of fancy.
Definitely worth a go and I really enjoyed it.
Margaret Crisp, is a delight, both in its physical printing and design, and in the absorbing stories by Marcel Ayme. A modern statue of a man half-walking out through a wall at the spot in Paris where the title story ends is a famous landmark. Marcel Ayme is a writer to be admired - and I say that as the author of eight novels and two books of short stories myself. I have a photograph of my friend Margaret Crisp in Paris, standing beside the staute mentioned above. Well worth its modest price as a collectors item for those who love fiction. - Anthony Grey