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Tuesday
Apr232024

What Movies Give You Nightmares?

by Cláudio Alves

There's no stopping A24, its ascension as distributor and studio one of the last decade's biggest success stories. Just this month, Civil War marked their most successful opening weekend, even expanding to IMAX. Speaking of those giant screens, A24 has been re-releasing some of their greatest hits in the format, starting with Ex Machina back on March 27th. Uncut Gems is coming May 22nd, while April's selection hits theaters tomorrow, beckoning audiences to relieve a movie nightmare like none other. It's Hereditary, Ari Aster's promising debut and one of the few theatrical experiences that caused me sleepless nights. Believe me, when you watch as many horror flicks as I do, that's rather special…

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Monday
Apr222024

Cannes 2024: Three more titles join the Official Competition

by Cláudio Alves

Michel Hazanavicius joins the Official Competition with an animated film.

As expected, a few more titles have been added to this year's Cannes Film Festival lineup. In the Premiere section, Jessica Palud's Maria Schneider biopic joins a star-studded selection. One of this year's two Count of Monte-Cristo adaptations will screen Out of Competition, while a pair of buzzy documentaries will bow in the Special Screenings program. They are Oliver Stone's Lula and Lou Ye's An Unfinished Film. Other new titles in that section include Arnaud Desplechin's latest Paul Dedalus film and Tudor Giurgiu's Nasty. But of course, the most important announcements concern the Main Competition, where three films complete the 22-title lineup…

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Monday
Apr222024

TCM Film Fest: Detective & Cop Films - Se7en, The Big Heat, The Mad Miss Manton

by Christopher James

The TCM Film Festival always brings out the stars, and this year was no exception as David Fincher (left) took to the stage for a Q&A before Se7en.

The theme of this year’s TCM Film Festival was “Most Wanted: Crime and Justice in Film.” You know what that means? Lots of cop and detective stories - be they young or old, eager or disillusioned, good or dirty. 

The three films from this programming block I was lucky enough to attend span nearly sixty years, showing how much the crime genre has been pushed. From screwball comedy in the 30s, noir in the 50s and violent nihilism in the 90s, each new era brings with it a new interpretation of the same roles in society.

Throughout the week, I'll be publishing recaps of the films I've seen from the festival, grouped by similar themes or slotted under similar programming categories. To begin, let's take a look at three very dissimilar films that all involve law enforcement unraveling a murder in their respective cities...

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Sunday
Apr212024

How Had I Never Seen..."Blue Sky"?

by Nick Taylor

If you had approached me on the street and asked if I was a Jessica Lange fan, I would have answered with an emphatic “duh!” But since you clicked on this link, I'm coming to you through your screen to tell you this informatioin. Having originally met Lange in high school via the actress-heavy ordeal that is American Horror Story, watching her communicate an actual character amidst so much lurid, proudly threadbare plotting was revelatory to witness. Lange served Ryan Murphy’s baroque and sentimental grotesqueries with leonine force. Even as subsequent seasons leaned too heavily on her characters as pillars to be toppled, and it became all too easy to project Lange’s distaste towards her surroundings into her vainglorious Supreme and dissatisfied ringleader, she gives a hell of a good show, finding ways to keep herself amused and visibly gratified (or maybe relieved) to play off her talented co-stars. I haven’t touched the show in years, and still I can remember her broken line reading of “in the gloaming” as she stumbles through a crowd of patients in Asylum, her bitchy, hilarious  refusal to act like she’s invading anyone’s space when she saunters through the Murder House despite no longer owning it.

On the strength of this output I quickly searched for her star-making performances in Frances and Tootsie, which further cemented my impression of her as a supernova capable of great versatility. I’ve seen plenty of other films she’s starred in, yet as her 75th birthday approached, I realized there was a major blind spot I needed to correct. How on Earth have I not seen any of Jessica Lange’s post-1982 Oscar nominations? I’ve spent the past week pouring over those features, and though Country and Sweet Dreams are perhaps in greater need of reappraisal, I’ve found pouring over Blue Sky to be the most rewarding, and the most fun to try pinning down. So, without further ado - Happy 75th Birthday, Jessica Lange...

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Sunday
Apr212024

Jessica Lange: 75th Birthday and "Men Don't Leave"

by Eric Blume

One of our great screen icons, Jessica Lange, celebrates a big birthday this weekend:  75 years, and thankfully still going strong.  Lange is one of only 24 actors to win the Triple Crown of Acting (she has 2 Oscars, 3 Emmys, and 1 Tony).

Lange is a personal favorite actor of mine, and I’ve written about her on the site numerous times, so I thought for her three-quarter-century mark, I’d hold a moment for one of her less-heralded, lesser-known performances, a bit of a departure from her usual delivery:  her soft, lightly comic, and sweetly sad performance in Paul Brickman’s 1990 film Men Don’t Leave...

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