Siegfried Sassoon - Poems by the Famous Poet - All Poetry

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Siegfried Sassoon

1886-1967  •  Ranked #55 in the top 500 poets

Siegfried Sassoon was perhaps the most innocent of the war poets. John Hildebidle has called Sassoon the "accidental hero." Born into a wealthy Jewish family in 1886, Sassoon lived the pastoral life of a young squire: fox-hunting, playing cricket, golfing and writing romantic verses.

Being an innocent, Sassoon's reaction to the realities of the war were all the more bitter and violent -- both his reaction through his poetry and his reaction on the battlefield (where, after the death of fellow officer David Thomas and his brother Hamo at Gallipoli, Sassoon earned the nickname "Mad Jack" for his near-suicidal exploits against the German lines -- in the early manifestation of his grief, when he still believed that the Germans were entirely to blame). As Paul Fussell said: "now he unleashed a talent for irony and satire and contumely that had been sleeping all during his pastoral youth." Sassoon also showed his innocence by going public with his protest against the war (as he grew to see that insensitive political leadership was the greater enemy than the Germans). Luckily, his friend and fellow poet Robert Graves convinced the review board that Sassoon was suffering from shell-shock and he was sent instead to the military hospital at Craiglockhart where he met and influenced Wilfred Owen.

Sassoon is a key figure in the study of the poetry of the Great War: he brought with him to the war the idyllic pastoral background; he began by writing war poetry reminiscent of Rupert Brooke; he mingled with such war poets as Robert Graves and Edmund Blunden; he spoke out publicly against the war (and yet returned to it); he influenced and mentored the then unknown Wilfred Owen; he spent thirty years reflecting on the war through his memoirs; and at last he found peace in his religious faith. Some critics found his later poetry lacking in comparison to his war poems. Sassoon, identifying with Herbert and Vaughan, recognized and understood this: "my development has been entirely consistent and in character" he answered, "almost all of them have ignored the fact that I am a religious poet."

SIEGFRIED SASSOON'S STATEMENT

'I am making this statement as an act of wilful defiance of military authority, because I believe that the war is being deliberately prolonged by those who have the power to end it.

I am a soldier, convinced that I am acting on behalf of soldiers. I believe that this war, upon which I entered as a war of defence and liberation, has now become a war of aggression and conquest. I believe that the purposes for which I and my fellow-soldiers entered upon this war should have been so clearly stated as to have made it impossible to change them, and that, had this been done, the objects which actuated us would now be attainable by negotiation.

I have seen and endured the sufferings of the troops, and I can no longer be a party to prolong those sufferings for ends which I believe to be evil and unjust.

I am not protesting against the conduct of the war, but against the political errors and insincerities for which the fighting men are being sacrificed.

On behalf of those who are suffering now I make this protest against the deception which is being practiced on them; also I believe that I may help to destroy the callous complacency with which the majority of those at home regard the continuance of agonies which they do not share, and which they have not sufficient imagination to realise.'

Image source: liv-coll.ac.uk

Further Information:
War poet's medal to go on display
A bravery medal awarded to one of Britain's most famous war poets is to go on display at a military museum.

Siegfried Sassoon's Miltary Cross, which was found on the Scottish island of Mull 90 years after it went missing, was due to be auctioned.

But a private agreement has ensured the medal will not leave Britain or become part of a private collection.

The World War I medal is to go on show at the Royal Welsh Fusiliers' museum at Caernarfon Castle in Gwynedd.

Military Cross

It will be part of a new display of artifacts from artists and poets who served with the Royal Welsh Fusiliers.

The private deal has been struck to sell the medal jointly to the museum trust and the poet's grand-daughter, Kendall Sassoon, and her family.

It will be displayed along with memorabilia of artists including Robert Graves and David Jones.

Major General Jon Riley, chairman of the Royal Welsh Fusiliers Museum Trust, said: "Siegfried Sassoon and his contemporaries are a cherished part of our regimental family, and we take enormous pride in keeping their memory fresh."

The family of Siegfried Sassoon believed he had hurled his Military Cross into the River Mersey in protest over the war.

But the medal was found 90 years later at Benbuie Lodge on Mull.

The item, along with Sassoon's identification tag, had been expected to raise up to £25,000 at auction.

His Webley revolver, which was also found in the attic, has been given to the Imperial War Museum.

Sassoon achieved renown for his vehement criticism of the war and was acclaimed as a writer of satirical anti-war verse.

His medal was discovered by Robert Pulvertaft, whose stepfather George was Sassoon's son.

Mr Pulvertaft was clearing out the attic when he came across the award.

Sassoon, who was known as "Mad Jack" for his acts of bravery, won the Military Cross for bringing in wounded and dying comrades lying close to German lines in 1916.

Famous soldier

He returned to Britain in April 1917 after being wounded and became increasingly disillusioned with the war. He later refused to return to duty.

Rather than court martial a national hero, the army sent Sassoon to Craiglockhart Hospital near Edinburgh to be treated for shell-shock.

The same year he was thought to have hurled the medal into the Mersey in a "paroxysm of exasperation".

But it was only its ribbon that he had sent floating away on the river.

After the war Sassoon wrote six volumes of autobiography. He was awarded the Queen's Medal for Poetry in 1957.
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The Hero

'Jack fell as he'd have wished,' the mother said,
And folded up the letter that she'd read.
'The Colonel writes so nicely.' Something broke
In the tired voice that quavered to a choke.
She half looked up. 'We mothers are so proud
Of our dead soldiers.' Then her face was bowed.

Quietly the Brother Officer went out.
He'd told the poor old dear some gallant lies
That she would nourish all her days, no doubt
For while he coughed and mumbled, her weak eyes
Had shone with gentle triumph, brimmed with joy,
Because he'd been so brave, her glorious boy.

He thought how 'Jack', cold-footed, useless swine,
Had panicked down the trench that night the mine
Went up at Wicked Corner; how he'd tried
To get sent home, and how, at last, he died,
Blown to small bits. And no one seemed to care
Except that lonely woman with white hair.
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Analysis (ai): "The Hero" is a satirical poem that critiques the glorification of war and the idealized image of heroism prevalent during World War I. It contrasts the mother's idealized perception of her son as a "hero" with the reality of his cowardly and chaotic death, showing the disparity between wartime propaganda and the brutality of battle.

Compared to Sassoon's other works, "The Hero" is relatively shorter and more focused, reflecting his disillusionment and bitterness with the war. It also shares similarities with other poems of the time, such as Wilfred Owen's "Dulce et Decorum Est," which also exposes the horrors of war and challenges the romantic notions of heroism.

The poem's strength lies in its use of irony and understatement. The mother's pride in her son's "glorious" death is juxtaposed with the bitter reality of his demise, highlighting the disconnect between her perception and the actual events. The "gallant lies" told by the Brother Officer further emphasize the gap between propaganda and reality.
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133  

Suicide In The Trenches

I knew a simple soldier boy
Who grinned at life in empty joy,
Slept soundly through the lonesome dark,
And whistled early with the lark.

In winter trenches, cowed and glum,
With crumps and lice and lack of rum,
He put a bullet through his brain.
No one spoke of him again.

You smug-faced crowds with kindling eye
Who cheer when soldier lads march by,
Sneak home and pray you'll never know
The hell where youth and laughter go.
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Analysis (ai): This brutal poem exposes the horrors of trench warfare, contrasting the carefree youthfulness of a soldier with the bleak reality of his suicide. The stark language emphasizes the violent and dehumanizing conditions, contrasting sharply with the idealistic glorification of war.

Compared to Sassoon's earlier poems, this work exhibits a more direct and unflinching portrayal of war's psychological toll. It reflects the disillusionment prevalent during World War I, exposing the hypocrisy of those who support war without experiencing its true horrors.

The poem's brevity and simple language make its message all the more powerful, leaving a haunting reminder of the sacrifices made by soldiers and the futility of war.
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Survivors

No doubt they’ll soon get well; the shock and strain 
  Have caused their stammering, disconnected talk. 
Of course they’re ‘longing to go out again,’— 
  These boys with old, scared faces, learning to walk. 
They’ll soon forget their haunted nights; their cowed 
  Subjection to the ghosts of friends who died,— 
Their dreams that drip with murder; and they’ll be proud 
  Of glorious war that shatter’d all their pride… 
Men who went out to battle, grim and glad; 
Children, with eyes that hate you, broken and mad.
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Analysis (ai): This poem depicts the grim realities of war through the perspective of shell-shocked survivors, using stark and concise language to convey their trauma.

In contrast to Sassoon's earlier patriotic poems that glorified war, "Survivors" reveals the disillusionment of soldiers during World War I. It shares similarities with other poems in his war collection, "The Old Huntsman," as it exposes the physical and psychological toll of combat.

The poem's structure, with its abrupt shifts in tone and perspective, reflects the fragmentation of the soldiers' minds. The initial optimism about recovery gives way to the haunting memories of violence and the realization that war has shattered their youthful innocence.

Sassoon's use of repetition and parallelisms emphasizes the dehumanizing effects of war. The soldiers, once "grim and glad," are now "broken and mad," reduced to mere victims of a senseless conflict. Their hatred and anger become a testament to the horrors they have witnessed.

Overall, "Survivors" is a powerful indictment of the glorification of war, exposing its devastating consequences on the human psyche and the fragility of youth.
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