Knights of the Round Table, 1953 Is Playing on TCM on January 13 (USA)


Knights of the Round Table
, 1953, is playing on Turner Classic Movies on January 13 at 2 p.m.

The film was highly successful costing $2,616,000.00 and making a profit of $1,641,000.00 or $14,536,985.95 in today’s money.

This image has an empty alt attribute; its file name is rt2382.jpg
1953 — American actors Ava Gardner and Robert Taylor on the set of Knights of the Round Table, directed by Richard Thorpe. — Image by © Kobal/Sunset Boulevard/Corbis

This is a fine example of ’50’s style epics. Big name cast, colorful costumes, flashy swordplay, beautiful damsels and wild inaccuracies. The great Robert Taylor, who starred in several historical movies, is the honorable Sir Lancelot, a far more noble and pure portrayal than was recorded in all the legends, Ava Gardner is the stunningly beautiful Queen Guinevere, the ever dependable Felix Aylmer is the mysterious Merlin, Mel Ferer is a somewhat subdued and less than charismatic King Arthur. See it for the spectacle, costumes, word-play filled dialog and over the top Stanley Baker as Sir Mordred. Lancelot’s joust with Niall Mac Ginnis is very well done. 8 stars for pure eye filling entertainment value. Review by Wayner50 (United States) for the IMDB.

Some behind the scenes photos:

This image has an empty alt attribute; its file name is rt7412.jpg
Robert Taylor and Mel Ferrer
Robert Taylor, Mel Ferrer and a lucky woman.
This image has an empty alt attribute; its file name is rt4593.jpg
Waiting.
coffee
Coffee with Ava Gardner
Phoning.
Big Horse
Robert Taylor hated armor.
Waiting


T

Posted in Uncategorized | Tagged , , , , , , , , | 3 Comments

Undercurrent, 1946, Is Playing on TCM on January 3

Happy New Year2024.There are 2 Robert Taylor films on Turner Classic Movies in January.

Undercurrent, 1946, is playing on TCM on January 3 at 1 p.m.

Director Vincente Minneli said of Undercurrent : He [Robert Taylor] out acted her [Katharine Hepburn] and stole the picture as the demanding and sadistic husband.  It was Kate who was miscast. (Charles Tranberg, Robert Taylor: a Biography, BearManor Media, 2011, pages 176-177.)

abc

All of the criticisms of this movie might well be flushed down the loo. This is one powerhouse of an interesting movie.  Call it Film-Noir. Call it Mystery/Suspense. Call it Psychological Thriller. Call it what you may…I call it: absorbing drama.  It moves very deliberately…and the facts are revealed one by one, in true mystery fashion, until the fantastic, thrilling ending.

Those who say that Hepburn and Mitchum were miscast are just so wrong. Hepburn wasn’t playing Hepburn here…she wasn’t Tracy Lord here. She wasn’t a know-it-all New England uppity snob here. Not a worldly character at all. She played a different character than I’ve ever seen her do. Hepburn doesn’t rely on her stable of clichés to capture our imagination here. She does it with imagination and as few of the Hepburn cornerstone mannerisms as possible. Good result!

Und23 (10)

Robert Taylor is fascinating to watch. He has so many secrets in this role. And they reside behind his facade for us to watch and enjoy. He slowly swirls into controlled mania and desperate determination. Very fine, indeed. He should have been nominated for this one.

And then there’s Mitchum! What can one say about Mitchum without gushing foolishly. Gee whiz…the first time you see him…he shows us a side of him we have hardly ever seen! He seems at peace, mild in character, mellow in mood…pensive…other worldly. Likable even! Never gruff or abrasive like we’ve seen him so many times before.

What is unique about this story is that we really do not know what is going to happen next. We spend most of the movie residing in Hepburn’s character’s mind. Her wondering, her confusion, her search for the truth — at all costs.

RT677

I was expecting not to like this movie. I was expecting it to be another formulaic Hepburn vehicle about high society. But this is where this movie takes a left turn into an underrated mystery.  I enjoyed the use of the theme to the Third Movement of Johannes Brahms’ Third Symphony throughout the movie. It lent a delicious air of mystery, love and luscious pastoral passion to the whole affair.

And to say that Vincente Minnelli was WRONG for this movie? Gee whiz! He was perfect! Why compare him to Hitchcock? Minnelli has manufactured a mystery world all his own. Sure there are devices. All movies have devices. But they are handled so deftly…we don’t rely on them to make us aware of the story — they don’t get in our way. They heighten our interest and this very absorbing plot.

Well done. I wish it had been a longer movie…it was THAT kind of movie. I recommend this one…Review by Enrique Sanchez, Miami, FL for the IMDB.

Posted in Uncategorized | Tagged , , , , , , , , , , , , , , | 3 Comments

Christmas with Robert Taylor and His Family

Merry Christmas and Happy Hannukah from Judith’s blog.

The following excerpt is from …but I have promises to keep, My Life Before, With & After Robert Taylor, by Ursula Thiess, Xlibris Corporation, 2007, pages 154 & 155.

Christmas-Tree-German
German Christmas Tree

My German heritage of celebrating Christmas rather dominated my family, and my husband was beginning to see it through my eyes.  Until the introduction of what this season really meant to me, he had looked at it as commercialism rather than a holiday to be enjoyed. But once he appointed himself Santa Claus to his children, his whole attitude changed.

Beatrice Nebraska airport in front of his Beechcraft plane.(Gage County Historical Society)
Robert and Ursula Taylor and Ruth Brugh (his mother) ca. 1953.

As was my tradition, in the early evening of the 24th, we had our big Christmas dinner, usually surrounded by family and close friends, which was sometimes enhanced by neighborhood caroling.  This whole, loving procedure of Santa-deception was carefully rehearsed and orchestrated.  With the full support of our guests, we imagined the sound of tiny hooves and Santa’s happy face smiling down at us.  The Christmas tree was always put up the day before and stayed behind locked doors until our meal was finished and Mr. Claus appeared.

1961 Wyoming
Terry, Robert, Tessa and Ursula Taylor in 1961.

I don’t know long it took our two, smaller children before they started why Daddy excused himself and disappeared just before dessert each year. Santa Robert would run down to the gate, a considerable distance from the house, ring the bell, and, through the intercom, deliver his first “ho-ho-ho” message.  He then had conversations concerning general behavior with his young audience, who seemed slightly intimidated by the rumbly voice on the other end.  This meant happy entertainment for the rest of the diners, which always included some of our friends, Art and Barbara, and sometimes Bob’s mother and mine when she was visiting from Germany during the holidays.  Even though our two mothers spoke different languages, there was definite communication between them, as we observed them laughing quite a lot.

Robert and Ursula Taylor in 1954, the year they married.
Robert and Ursula Taylor in 1954, the year they married.

Michael and Manuela were great Christmas-boosters for their smaller siblings–but also the first to tell Terry that Santa was fake.  He had a hard time dealing with that initially, but once he came to terms with the disappointment of having lost out to cold realism, he effectively guided his younger sister through that period with imagination and suspense.

While we all sat down to visit our dessert, Dad returned, usually rubbing his hands, saying, “It’s cold here. Do you think it’s snowing outside? Maybe Santa is due for a visit.”

a mid-seventies shotof Bob's family: Manuela, Tessa, Ursula and Terry; courtesy of Terry Taylor
Manuela Thiess, Tessa, Ursula and Terry Taylor in the mid 1970s. (Photo property of Terry Taylor).

“Oh, no,” the children would excitedly tell him, “you missed him again, Daddy.  He was already here! He talked to us and he said he put a sack of toys by the door.  Can we go now and see?  With great effort, they pulled the fragrant sack (courtesy of the horse grain company) into the living room and came face-to-face for the first time with the glittering tree.

Our giant, fieldstone fireplace threw out waves of warmth and comfort.  Holiday songs were heard throughout the house and the small of fresh pine was everywhere.  It was a time of magic and hopefully will be remembered by my children as such.

RT6526
Posted in Uncategorized | Tagged , , , , , , , , , , , | 5 Comments

When Ladies Meet, 1941, Is Playing on TCM on November 13 (USA)

When Ladies Meet, 1941, is playing on Turner Classic Movies on Monday, November 13 at 10 a.m. est.

rt5041
Joan Crawford, Robert Taylor and Greer Garson in “When Ladies Meet,” 1941.

It is the story of a married couple, a lady author and a charming single journalist. Joan Crawford, the author, considers herself a “modern woman” freed from tiresome conventions and moral imperatives. Despite the movie’s 1941 date, the author’s relativistic attitude toward marriage and fidelity would be right at home in today’s left-wing intellectual circles. Her gradual evolution towards a different attitude is the meat of the movie. Mirroring the situation in her book is the situation of the married couple, Greer Garson and Herbert Marshall. The fourth member of the group is Robert Taylor as a journalist whose surface gaiety hides a serious moral foundation.The four actors make the movie much better than the script. Garson and Crawford strike sparks off each other in every scene they share. Herbert Marshall is suitably smooth and sleazy. But it’s Robert Taylor in a role involving physical comedy whose work is the most impressive. As it turns out, he is the person most grounded in reality–and the hidden hand behind everything.

Everything has the expected MGM gloss–extravagant costumes, beautiful sets, excellent photography. Highly recommended.  Review by me.

Here’s a few photos:


Posted in Uncategorized | Tagged , , , , , , , , , , , , , | 4 Comments

Personal Property, 1937, Is Playing on TCM on October 24 at 4:30 a.m. (USA)

Personal Property, 1937, is playing on Turner Classic Movies on Tuesday, October 24 at 4:30 a.m.

abc
Robert Taylor, Jean Harlow and Reginald Owen

I’m a sucker for this movie. I’ve watched it many times and never fail to enjoy the excellent visuals, the superior acting and just the general silliness of it all. Robert Taylor is wearing much too much makeup but looks great anyway, especially in the bathtub scene!  Harlow’s cough is real and is a sad reminder of her fatal disease. The hat “business” with the bailiff is truly charming as is Raymond’s reaction to the news that the bailiff is expecting a baby that night. The centerpiece is, of course, the dinner party. The superb timing by all the actors pulls off a series of sight gags (pepper in the cocktail, the over-filled wine glass, the missing dinner, the dressing). I especially like the interaction between Raymond and his mother. It seems so natural. Highly recommended.  Review I wrote for Amazon.com.

RT4640
Jean Harlow and Robert Taylor

Posted in Uncategorized | Tagged , , , , , , , , , , , , , , , , , , , , | 2 Comments