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Rebel without a Crew: Or How a 23-Year-Old Filmmaker With $7,000 Became a Hollywood Player Paperback – Illustrated, September 1, 1996


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Named One of The Hollywood Reporter’s “100 Greatest Film Books of All Time”

Famed independent screenwriter and director Robert Rodriguez (
Sin City, Once Upon a Time in Mexico, Spy Kids, Machete) discloses all the unique strategies and original techniques he used to make his remarkable debut film El Mariachi on a shoestring budget.

This is both one man's remarkable story and an essential guide for anyone who has a celluloid story to tell and the dreams and determination to see it through. Part production diary, part how-to manual, Rodriguez unveils how he was able to make his influential first film on only a $7,000 budget. Also included is the appendix, "The Ten Minute Film Course,” a tell-all on how to save thousands of dollars on film school and teach yourself the ropes of film production, directing, and screenwriting. 

A perfect gift for the aspiring filmmaker.

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Editorial Reviews

Review

“Robert Rodriguez won critical acclaim and the attention of every studio in Tinseltown with his action-packed debut feature, El Mariachi—but the question remains: However did he write, direct, shoot, and edit the flick all by his lonesome…and for a paltry $7,000? You’ll find that out and more in this straight-talking and highly entertaining memoir-cum-moviemaking primer... you will never view an independently made movie (or $7,000) the same way again.”—Entertainment Weekly

“There's no one in the American film business quite like Robert Rodriguez, who plays completely outside the rules imposed by Hollywood studios… Given his success rate, it's clear his method works… Rodriguez has long been a hero to independent filmmakers.”—
The Daily Telegraph

"A hero to the independent film crowd."—
The New York Times

“Only someone very young or ignorant would attempt to make a feature film with $7,000 dollars and no crew. This is because most people know such an endeavor is impossible. Not only did Robert Rodriguez create ‘El Mariachi’ under those conditions but at 23 he became a Hollywood success overnight…
Rebel Without a Crew is the kind of book one would expect from someone who had the courage to break with convention and enough talent for it to pay off almost immediately.”—The Los Angeles Times

About the Author

ROBERT RODRIGUEZ is an independent screenwriter and director of more than fifteen feature films. He pioneered the “Mariachi-style” and “one-man film crew” styles of filmmaking, and is the founder of the production company, Troublemaker Studios. Some of Rodriguez’s films include Sin City, Desperado, Once Upon a Time in Mexico, The Faculty, Sharkboy and Lavagirl, Spy Kids, Planet Terror, and Machete. He has collaborated with Quentin Tarantino on From Dusk Till Dawn and Grindhouse. 

Product details

  • Publisher ‏ : ‎ Plume; Illustrated edition (September 1, 1996)
  • Language ‏ : ‎ English
  • Paperback ‏ : ‎ 285 pages
  • ISBN-10 ‏ : ‎ 0452271878
  • ISBN-13 ‏ : ‎ 978-0452271876
  • Item Weight ‏ : ‎ 2.31 pounds
  • Dimensions ‏ : ‎ 5.35 x 0.8 x 7.95 inches
  • Customer Reviews:

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Customer reviews

4.7 out of 5 stars
4.7 out of 5
970 global ratings
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I had low expectations for this book and was pleasantly surprised to encounter a novel of such depth of field.
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Top reviews from the United States

Reviewed in the United States on February 26, 2014
Rodriguez, much like many independent filmmakers, entered the cinema world with a movie that cost not even a skirmish of a typical Hollywood blockbuster. To make the movie, Rodriguez used his own money (a piddling $7,000) by participating in a experimental clinical drug testing and even veto some of the seemingly inexpensive movie tools (slate) to keep the costs down. The result was "El Mariachi", the movie that launched his career and showed that with a little creativity, anyone could make it in the business.

No matter what your opinion on the movie is (which is very good, in my opinion), you cannot deny that "Rebel Without a Crew" is a fantastic read. Rodriguez depicts the making of the film and then its subsequent celebration at film festivals in chronological order, breaking them down into dates like a diary. In the process, he shows what he did to keep the costs down and used a variety of techniques to make a movie look like a million bucks, such as using a ladder instead of crane for crane shots, a wheelchair for a dolly a la Godard or using a sound effects track on a VHS camera. It's also important to note that Rodriguez shot this whole film with only one camera and not a single crew member on the set. He was also 23 years old, two years younger than Orson Welles was when he made "Citizen Kane". This is a rags-to-riches story straight out of "Cinderella" and yet it's true. The book is so gripping that it would make an excellent movie. That's how good it is.

This book is extremely entertaining, but it's also very informative and refreshingly without prejudice towards Hollywood. When reading this book, you get a complete understanding of what it takes to get not only your movie made but also sold, distributed and promoted. Rodriguez gets to meet or contact with many of premier directors at that time, most notably Jonathan Demme, Richard Linklater and, of course, his future war buddy Quentin Tarantino. As the movie becomes more successful, Rodriguez achieves critical recognition, winning numerous awards and successfully entering the mainstream with films like "Desperado" and, after the book's release, "The Faculty" and "From Dusk Til' Dawn". In the end, Rodriguez had done the near impossible: he became an independent filmmaker that succeeded in Hollywood without losing his roots.

The icing in the cake, however, is the astonishing "Ten-Minute Film School", one of the book's final appendixes that details how you could make a movie without the need of a million dollars or even ten THOUSAND dollars. Rodriguez argues that using your smarts to overcome financial barriers, rather than being expensive, can turn a bad little movie into a great little movie. In the end, he offers encouragement for aspiring directors to keep their passions strong and following them will lead you to enormous fulfillment. Amen to that, hombre.

"Rebel Without a Crew" is one of the best books about making movies ever conceived, a tonic to the costly film schools and programs that promise you many and deliver little. At the same time, it's also a great underdog story of how a certain nobody used his brains and wit to achieve the impossible and become a success story - all for a mere seven grand. Engrossing, insightful and endlessly engaging, "Rebel Without a Crew" belongs in every movie lover's collection. Don't even think of making movies without buying this book first.

Strongest recommendation to buy.
13 people found this helpful
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Reviewed in the United States on May 5, 2000
This is a delightful, funny, amazing and inspirational book. It's the remarkable account of how one 23-year-old made a film on the cheap, and how hard he had to work (it was a labor of love, of course) to do that. This book also gives an insightful glimpse into the dazzling world of Hollywood glitz from the point-of-view of "an ordinary Joe" who suddenly finds himself catapulted into a world of limos, expense accounts, and who-you-know mentality. Included in the book are Rodriguez's famous "Ten Minute Film School" essay and the script for his film "El Mariachi" as he wrote it. (No, it's not in "proper script format", but since he wrote, directed, shot, and edited the whole film himself, it didn't matter. Rodriguez rule number one: You don't always have to follow the rules.)
Readers who aren't dying to make their own movies will still find this a tremendously good tale of how an ordinary, middle-class, almost-a-dropout can become a success. Rodriguez's formula for success is a true homily: 10% inspiration + 90% prespiration, and a little blood donated to science. Oh, and a whole lot of chutzpah.
For aspiring independent film-makers, this book is truly a must-read. For everybody else, it's a ripper of a true tale, well told and likeable.
Oh, and don't forget to pair it with the video of "El Mariachi", the film the book is all about. It shows how stylish a "cheap" film can be, and it's a lot of fun, especially when you know all the "inside jokes": cheat sheets, wheelchair dollies, why everybody always gets shot in the chest, etc.
16 people found this helpful
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Reviewed in the United States on November 26, 2023
It’s a good book and really inspiring if you are a young filmmaker.
One person found this helpful
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Reviewed in the United States on February 7, 2020
The first half or so of this book really kicks ass. It's mostly told in diary form and picks up when Rodriguez is a financially struggling film student who volunteers for a month-long paid drug study so he can make $3,000 towards financing his first feature length film. The idea is to make a straight-to-video cheapie for under $10,000 as a kind of demo reel, the proceeds from which he'd use to build his skills and reputation with an even better sequel and so on. The stories from in the hospital are funny and you get a great sense of his singleminded focus and determination. Then we go to Mexico where he makes the film, with lots of great behind-the-scenes detail. Then back to Texas for post-production, and on to Hollywood to try to sell it to a Spanish language distributor, hoping to make just enough to live on and make the next film. The low rent video distributors give him the runaround, but with a big dose of luck he strikes it rich and his little $7,000 action movie takes Hollywood and the top tier festival circuit by storm. A real ripping yarn up to this point. This is the Cinderella happy ending, but the book isn't nearly finished yet, although the interesting stuff is.

What follows is about 100 pages of victory lap and namedropping. It's a diary, so it's understandable that his sudden success, fame, and wealth would lead him to gush about all the cool people he's met, but compared to the first part of the book which is rife with inspiring anecdotes and useful filmmaking tips, the second half just feels like padding.

I'd just finished reading two seminal and very concise film books--https://amzn.to/388trHY and https://amzn.to/2UxWuRx--so maybe that's why this felt a bit bloated and self-indulgent. Still, the first half is excellent, so dig in!
11 people found this helpful
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Top reviews from other countries

Carla Cristiny
5.0 out of 5 stars veio sem o plástico de proteção mas em boas condições
Reviewed in Brazil on April 12, 2024
Veio sem o plástico de proteção mas mesmo assim está em ótimas condições. Demorou um pouco mas já tinha sido informado antes da compra, então foi tranquilo
Agnieszka
5.0 out of 5 stars Wild ride
Reviewed in the United Kingdom on August 23, 2023
Inspired, honest and unassuming, a testament of great talent. This book also happens to be a great handbook on how to run your own business and fuel your passion.
Edder Leyva
5.0 out of 5 stars A BOOK THAT EVERY FILMMAKER SHOULD READ// UN LIBRO QUE CUALQUIER CINEASTA DEBERÍA LEER
Reviewed in Mexico on March 8, 2021
It does not matter if you are studying cinema or you are just an amateur.
This is a must read for all movie lovers. Robert Rodríguez tells of the way in which a film is made without equipment, without a crew and without a budget.

is a diary during his filming of "El Mariachi"
You just need an idea and enough passion to make it.
-----------------------------------------------------------------------------------------------------------------------------------No importa si estás estudiando cine o solamente eres aficionado.
Esta es una lectura obligatoria para todos los amantes del cine. Robert Rodríguez cuenta la forma en la que se realiza una película sin equipo, sin crew y sin presupuesto.
es un diario durante su filmación de "El Mariachi"
Solamente necesitas una idea y la suficiente pasión para lograrlo.
Amazon Kunde
5.0 out of 5 stars Inspirierendes Buch für Filmliebhaber
Reviewed in Germany on May 20, 2021
Ich liebe Filme, Serien, und fast alles was damit zu tun hat.
Da Ich mich selber für einen Werdegang in diese Richtung interessiere, empfahl mir ein guter Freund dieses Buch zu lesen... und Ich wurde nicht enttäuscht!

Ganz im Gegenteil, Ich hatte nach 2-3 Tagen das Buch bereits durch, da Ich sehr starkes Interesse hatte wo Mr. Rodriguez Reise als nächstes hingeht, und im allgemeinen einfach wie früher das Business in Hollywood aussah.

Klare Leseempfehlung!
Macchiavello Carlo
5.0 out of 5 stars il mito realmente svelato dal suo creatore
Reviewed in Italy on March 22, 2016
questo libro è il diario di viaggio della creazione di El mariaci, il primo lungometraggio in pellicola 16mm girato da Robert Rodriguez.
La vera storia scritta da Rodriguez stesso, di come con 7000 $ girò il suo film, poi lo montò in vhs e lo fece girare, solo dopo la Sony ne acquisi i diritti, e lo rieditò in 35mm con tutte le lavorazioni del caso.
Tutta l'energia, la passione, le sofferenze sopportate per ottenere un risultato negli anni 90 impossibile.
Il padre di ogni videomaker e filmaker moderno svela trucchi e spiega perchè il suo modo di girare a Hollywood funziona poco, e invece funziona a livello globale. Suggerito a tutti coloro che vogliono intraprendere la carriera cinematografica, e sono stufi di sentirsi dire come fare film con i milioni di dollari.
4 people found this helpful
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