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Once Upon a Time in Hollywood: A Novel Libro de bolsillo – 29 junio 2021
Plazo | Por mes | costo de financiamiento | Total |
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24 meses | $10.14* | $70.58 | $243.58 |
18 meses | $12.54* | $52.77 | $225.77 |
12 meses | $17.55* | $37.71 | $210.71 |
9 meses | $22.45* | $29.06 | $202.06 |
6 meses | $32.38* | $21.28 | $194.28 |
3 meses | $62.22* | $13.67 | $186.67 |
Opciones de compra y productos Plus
The Instant #1 New York Times bestseller
Quentin Tarantino’s long-awaited first work of fiction — at once hilarious, delicious, and brutal — is the always surprising, sometimes shocking new novel based on his Academy Award- winning film.
RICK DALTON – Once he had his own TV series, but now Rick’s a washed-up villain-of-the week drowning his sorrows in whiskey sours. Will a phone call from Rome save his fate or seal it?
CLIFF BOOTH – Rick’s stunt double, and the most infamous man on any movie set because he’s the only one there who might have gotten away with murder. . . .
SHARON TATE – She left Texas to chase a movie-star dream, and found it. Sharon’s salad days are now spent on Cielo Drive, high in the Hollywood Hills.
CHARLES MANSON – The ex-con’s got a bunch of zonked-out hippies thinking he’s their spiritual leader, but he’d trade it all to be a rock ‘n’ roll star.
HOLLYWOOD 1969 – YOU SHOULDA BEEN THERE
Críticas
“Quentin Tarantino’s first novel is, to borrow a phrase from his oeuvre, a tasty beverage…He’s here to tell a story, in take-it-or-leave-it Elmore Leonard fashion, and to make room along the way to talk about some of the things he cares about — old movies, male camaraderie, revenge and redemption, music and style…In Once Upon a Time in Hollywood, Tarantino makes telling a page-turning story look easy, which is the hardest trick of all.” — Dwight Garner, The New York Times
“Classic, sparks-flying Tarantino…Tarantino’s explosive dialogue, with its blend of streetwise and formal cadences, is almost as effective written down as read aloud…Far from being the throwaway artifact it sometimes pretends to be, Tarantino’s first novel may even, as he’s hinted, herald the start of a new direction for this relentlessly inventive director.” — The Washington Post
“Tarantino, celebrated for his screenplays, truly is a literary force, stepping forward as a novelist adept at using an omniscient point of view to powerful effect in a novel driven by its characters’ inner lives and smart, witty, and salty dialogue of propulsion and nuance, hilarity and heartbreak….It will also offer a stereoscopic experience for most readers as they envision the characters as played by the movie’s cast…a doubling that will inspire fanatic comparisons between film and page. But this is a work of literary art in its own right, a novel that, if the movie didn’t exist, would captivate readers with its own knowing vision and zestful power.” — Donna Seaman, Booklist
Biografía del autor
Quentin Tarantino was born in 1963 in Knoxville, Tennessee. He is the writer-director of nine feature films, the winner of two Academy Awards for Best Original Screenplay, and the author of the novel Once Upon a Time in Hollywood. Cinema Speculation is his first work of nonfiction.
- Número de páginas416 páginas
- IdiomaInglés
- EditorialHarper Perennial
- Fecha de publicación29 junio 2021
- Dimensiones10.64 x 2.64 x 16.81 cm
- ISBN-100063112523
- ISBN-13978-0063112520
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Detalles del producto
- Editorial : Harper Perennial (29 junio 2021)
- Idioma : Inglés
- Libro de bolsillo : 416 páginas
- ISBN-10 : 0063112523
- ISBN-13 : 978-0063112520
- Dimensiones : 10.64 x 2.64 x 16.81 cm
- Clasificación en los más vendidos de Amazon: nº11,812 en Libros (Ver el Top 100 en Libros)
- Opiniones de los clientes:
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Para calcular la calificación global por estrellas y el desglose porcentual por estrellas, no utilizamos un promedio simple. En cambio, nuestro sistema considera aspectos como la fecha de la reseña y si el autor compró el artículo en Amazon. También se analizaron las reseñas para verificar la fiabilidad.
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Quentin es un escritor hecho y derecho. Divertido, inteligente y con mucha profundidad.
Magnífica lectura.
Revisado en México el 22 de mayo de 2023
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Movie tie-ins would appear on round paperback spindles in drug stores and supermarkets often weeks before a movie opened nationwide. Some were great, and most were stilted, barely covering basic scenes, and not providing much else. A typical movie tie-in book would be something like “The Towering Inferno” or “Cannonball Run.”
Timothy Zahn famously ghosted the first Star Wars novelization, however, on the Ballentine paperback cover which came out months before the movie hit screens it listed George Lucas as author. Many of these books are now collectors’ items if they had additional scenes, or the final script was significantly changed for actual filming or other reasons like limited press runs. Alan Dean Foster’s “Alien” paperback is highly collectible now for many of those reasons. The movie tie-in for “The Omen” was extremely popular, even today; however, the final chapters were lame, disappointing horror fans because the book was so uneven.
Philip K. Dick absolutely refused to write a movie tie-in for Blade Runner, forcing the studio to hire a hack writer to bang out a super crappy book. With Blade Runner sequels the original novella by PKD appeared with the original title and Blade Runner graphics.
Used bookstores will often have a movie tie-in section so you might find good ones if you look around. Another way is simply finding the source material for a film that you like. Was the movie an original screenplay or based upon a published work like a novel or short story? Usually, movie tie-ins will be published the same year as the movie appears. If the story writer and /or screenplay author and the novelization author are the same person it does get weird because there isn’t any need to give credit to yourself, it has a copywrite for publication.
This book is entertaining and provides lots of back stories to the main characters. Additional scenes, thoughts and memories of characters, and descriptions of places and even sights and sounds emanating from TV and radios are throughout the narrative. Scenes of the film are altered or missing. So, when you reflect on the film and after having read this book, you can appreciate both for what you find. Both are complete in their own ways, and they compliment each other very well. The ending of the book is substantially abbreviated, allowing the reader to compare the book ending to the movie ending.
If the main characters in this film resonate with you. If the theme and purpose (of the film) had you thinking and you really want to know more about those characters and this time, then check out this book. Another aspect of this book is that the characters have opinions about music and films based upon what the characters like, so you could make the mistake of saying “Tarantino likes blah blah blah film or music” – it is obvious that Tarantino is clueing you in to the character by those things. He personally might have his own set of likes and dislikes. I think one should not compare this book with a Pulitzer Prize winning novel but compare it with other movie tie-in books – on that level, it is a good book and fun to read. The whole ‘Cowboys vs. Hippies’ aspect of the film is less overt in the book, but it’s there if you look for it. The main theme of a love affair with movies during this pivotal moment of course runs through the whole novel and film.
A wonderfully immersive read.