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The Thin Red Line
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Additional DVD options | Edition | Discs | Price | New from | Used from |
DVD
November 6, 2001 "Please retry" | — | 1 | $7.38 | $1.75 |
DVD
November 2, 1999 "Please retry" | — | 1 | $13.23 | $2.00 |
DVD
August 7, 2012 "Please retry" | — | 1 |
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Genre | Military & War |
Format | Color, NTSC, Multiple Formats, Anamorphic, Dolby, Closed-captioned, Widescreen, DTS Surround Sound |
Contributor | James Caviezel, James Jones, Nick Nolte, Mark Boone Junior, Ben Chaplin, Kirk Acevedo, Benjamin Green, Simon Billig, Sean Penn, George Clooney, John Cusack, Adrien Brody, Penelope Allen, Terrence Malick See more |
Language | English |
Runtime | 2 hours and 50 minutes |
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Product Description
A powerful frontline cast - including Sean Penn, Nick Nolte, Woody Harrelson and George Clooney - explodes into action in this hauntingly realistic view of military and moral chaos in the Pacific during World War II.
Product details
- Aspect Ratio : 2.35:1
- Is Discontinued By Manufacturer : No
- MPAA rating : R (Restricted)
- Product Dimensions : 7.5 x 5.25 x 0.5 inches; 0.01 Ounces
- Director : Terrence Malick
- Media Format : Color, NTSC, Multiple Formats, Anamorphic, Dolby, Closed-captioned, Widescreen, DTS Surround Sound
- Run time : 2 hours and 50 minutes
- Release date : May 21, 2002
- Actors : James Caviezel, Sean Penn, Nick Nolte, Kirk Acevedo, Penelope Allen
- Subtitles: : English, Spanish
- Language : Unqualified, English (Dolby Digital 5.1), English (Dolby Digital 2.0 Surround), French (Dolby Surround), Spanish (Dolby Surround), English (DTS 5.1)
- Studio : 20th Century Fox
- ASIN : B00005PJ8T
- Writers : James Jones, Terrence Malick
- Number of discs : 1
- Best Sellers Rank: #33,262 in Movies & TV (See Top 100 in Movies & TV)
- #474 in Military & War (Movies & TV)
- #3,477 in Action & Adventure DVDs
- #5,660 in Drama DVDs
- Customer Reviews:
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James Jones fought on Guadalcanal. “The Thin Red Line” is the middle book in his trilogy on the Second World War. Regrettably, I have read none of his works. In terms of infantry combat in the Pacific theater of the Second World War from the American perspective, I’ve only read Norman Mailer’s “The Naked and the Dead.” I’ve been told by a thoughtful reviewer that James Jones is much better. More often than not, I’ve read the book first, then seen the movie. This movie, directed by Terrence Malick, with a true all-star cast, was released in 1998. The movie will lead me to read the book.
The Battle for Guadalcanal took place between August 07, 1942, and February 09, 1943. The island is the principal one in the Solomon Island chain, which is east of and roughly parallel to Papua New Guinea. Thus, it is in the Southern Hemisphere, a long way from Japan. The Japanese had placed an airfield there so that they could bomb Brisbane, Australia. That was the impetus for the battle, to seize the airfield for the Allied Forces.
None of the above, save for the importance of the airfield, is in the movie. Which adds to its authenticity. There is no grand overview, definitely no end date. Mainly there is what we once called jungle before it got upgraded to a rain forest. There is the long voyage on a crowded ship, finally with relief mixed with terrible dread, the climb down the rope ladders into the landing craft. The landing is unopposed! Where are the Japanese? The soldier’s entire world is, at most, a platoon, within a company. Still not a shot fired when two tortured and very dead G.I.s are found. The order is to take some no-name hill. The Japanese announce themselves with pinpoints of light coming from the distant hill, and suddenly a dead buddy. The rush through the vegetation, when one can only see the person in front of you. Death by accident. A grenade pin prematurely pulled, and your vitals are gone. The shame of it all, as one is dying. Another death that will be dressed up as “heroic,” in official reports and letters home to family. No one dies from a stupid accident, though about 20% do.
Another very authentic touch is when Private Bell receives the “Dear Jack” letter from his wife: “I’ve met an Air Force captain, am in love and would like a divorce.”
Eventually the Americans take the hill, sustaining serious casualties, long before medical evacuation by helicopter was possible. It is indeed even grimmer to be wounded back then. When those pinpoints of light become captured Japanese soldiers, the savagery of reprisals for lost buddies cuts loose. What Geneva Convention? My thoughtful reviewer says that it is even more graphic in the book and must have been even more so in actual life. The haunting question resonated: “How did we lose the good that was given to us?”
The fighting on Guadalcanal exceeded, in intensity and savagery, virtually anything American soldiers have experienced in wars after WW II. Nonetheless, there are some common threads. One reviewer scoffed that it really happened: when a Captain disobeys the direct order from a Lt. Colonel and tells him he is disobeying. Nick Nolte played an excellent “mad dog” Lt. Col. screaming over the radio to take the hill by frontal assault (and damn the casualties is under the breath). The captain said NO… I’ll do a flanking maneuver. The captain of our company did EXACTLY the same thing in Vietnam, when ordered to deploy tanks at night, individually, to strongpoints along the road. It truly would have been suicide IF the PAVN had been waiting. And the Captain prevailed… to the lasting gratitude of “the men.”
In the midst of this carnage, Malick again and again shows the incredible beauty of the natural world, another strong point of resonance with me. The cinematography is, literally, breathtaking, even though the word is a cliché. Also, Malick commences with two G.I.s wandering in a native village whose inhabitants maintain life in the midst of the madness of war. The natives are from the same ethnic stock as those who inhabited the Central Highlands of Vietnam, and who did much the same thing, and were a “favorite” of the G.I.s there, the beloved Montagnard.
I’ll close with a true war story whose ultimate truth I will never know. When I returned from Vietnam, I was stationed at Fitzsimmons Army Hospital in Denver. There were 20-30 of us in similar circumstances: we had all been combat medics, had a short time left in the Army, and did not have a good attitude. The Brass “cut us a deal,” that both sides kept: “Don’t cause trouble and your duties will not be onerous.” But there was one E-7 sergeant who had been in the Army 25-30 years, a serious alcoholic, who liked to give us a hard-time. The E-7 rank was more than a hint of disciplinary problems after that length of service. He called us the array of pejorative terms that implied we were effeminate. Real men like him, he assured us, had fought in the real war. On one island they captured a Japanese hospital and he helped kill every patient. Yeah, probably so much barstool bluster, but it nags that he very will might have, reinforced by “The Thin Red Line.” 5-stars, plus.
It is really a film about a group of young American teenagers who were barely men who are told by an ambitious Colonel to take a hello from the front which requires them to run an entire mile up the front of the hill with nothing to shield or cover them from harm while Japanese soldiers are hidden in the bunker with machine guns and keep cutting the Americans down who are ordered to run up the hill. The best scene in the entire film is when the captain refuses Nick Nolte's order to send the rest of his man up the hill and rush the bunker in broad daylight where they certainly will be killed. He refuses to send all of his men into a death trap when there are other ways to take the bunker.
The cinematography and composition of shots, the contrasts of scenes from the Guadacanal Natives to the soldiers on the same island, to the juxtaposing of scenes are some of the best I have seen in over thirty years. In this character study about several different young soldiers who know they won't make it and are ordered to take the hill, even though the Captain who leads his men say they can achieve a better result by flanking the bunker and going through the jungle on the other side and surprising the enemy from that life saving perspective. But the Colonel, has been passed over for promotion, and it doesn't matter to him that all the soldiers who will die because if they rush it at once, someone will get through and take out the machine gun nest and clear the way to take the island. And he will be a General, and will give a great speech on, why should those men have given their lives?
This film makes you uneasy not because of dismembered soldiers (there is only one such scene in the book) but because of all the politicizing of soldiers losing their rank because they don't put career ahead of everything. It shows the entire selfishness of war for one's own gain. Soldiers separated from their families who love them, and the few men who make a difference by volunteering to run up the hill and take it in a suicide mission. This film makes you uneasy because of how powerless the characters feel. The men haven't had a drop of water from the Colonel in several hours after taking the bunker because Nick Nolte wants him to press on while they're still motivated to take the rest of the island. john Cuzac, the leader of his platoon brings up how thirsty the men are when Nick Nolte gives them a direct order to push on. In 1 of the strongest scenes in the entire novel, John just looks at Nick Nolte without saying a word until the Colonel finally breaks down and tells the man were going to hold up for an hour so 1 of you can go down and get water for the troops. You can see the shame and Nick Nolte's face how his ambition almost allowed innocent lives to die when they didn't have to. But you can also feel from his great acting skill about the humiliation of being passed over for a previous promotion. We get it!
THis is an engrossing film like Citizen Kane or Das Boot and All's Quiet on the Western Front but for totally different introspective reasons. the movie keeps moving forward and backward in time from holding hands and love and holding a woman to being attacked by bullets and being surrounded by death and gunfire. The treatment of the Japanese as villains is not evil, but human beings who are just as afraid to die as the Americans are. When the guns are taken away from the Japanese they cry and hold their wounded just like any soldier would do which makes it hard for the Americans to execute them when they have so much in common. the Americans who were instructed with guarding them realize that it isn't worth taking their lives and remember their humanity.
Finally, there is one haunting scene that stays with me. An unnamed soldier falls in slow motion towards the ground, and a baby chickling next to him hatches to be born with life as the camera pulls up, we see the beautiful waving grass of the meadow in lush tropical foliage.
I was never in the military and it made me wonder how I would get through such experiences and mixed feelings about not having to.
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Wer nun glaubt, viele Schlachten zu sehen, wird enttäuscht. Der Film besticht nicht - oder besser gesagt - weniger durch Kampfhandlungsszenen, als vielmehr durch die Botschaft, die er transportiert.
Erreicht wird dieses zum einen durch den Wechsel von wunderschön in Szene gesetzten Naturaufnahmen und von den Menschen darin, die eins mit dieser Natur sind, und zum anderen durch grausame Szenen, wenn sie durch den Einsatz entstehen.
Amerikanische Soldaten sollen einen Hügel einnehmen, der uneinnehmbar erscheint. Der vorgesetzte Offizier (Nick Nolte) befiehlt den Angriff aus sicherer Position heraus, der befehlshabende Offizier, der die Soldaten kommandiert, weigert sich, diesen selbstmörderischen Angriff durchzuführen und das Leben der ihm anvertrauten Soldaten zu riskieren.
Schlußendlich wird der Befehl doch ausgeführt, der Hügel genommen, allerdings unter großen Verlusten, ein sogenannter Pyrrhus-Sieg. Die Gegner werden auch nicht als die Bösen dargestellt, denn es gibt keine Sieger und keine Besiegten. Sie sind genauso verzweifelt, wie die Amerikaner es sind, fernab der Heimat ihr Leben zu riskieren.
In all diesem Chaos versuchen die Männer, auf ihre jeweils eigene Art mit den Geschehnissen fertig zu werden. First Sergeant Edward Welsh (Sean Penn) kompensiert seinen Frust durch Sarkasmus, Private Jack Bell (Ben Chaplin) denkt immer nur an seine Frau, und Private Witt (Jim Caviezel) entfloh dem Ganzen vorher, indem er sich unerlaubt entfernte und im Einklang mit der Natur und den Eingeborenen lebte, und danach, indem er Sinn und Unsinn des Krieges immer wieder in Frage stellte, aber dennoch großen Mut bewies, als es darauf ankam.
Private Witt aka Jim Caviezel hat wenig gesprochen, aber das mußte er auch gar nicht. Seine ausdrucksvollen, intensiven Augen waren beredt genug. Bei einer Szene, als er einem Kameraden beistand, der irrtümlich eine Handgranate zündete und unter Einsatz seines Lebens verhinderte, daß noch andere sterben mußten, zeigte die Kamera in einer längeren Einstellung die Gefühle, die Witt durchströmten, als er seinen Kameraden sterben sah.
Seine Augen spiegelten all das wieder, was der Krieg hervorgerufen hat: Furcht, Entsetzen, Unverständnis, Verletzlichkeit. In den letzten Sekunden der Einstellung veränderten sie sich zu einem positiven Gefühl, ich würde es als Frieden bezeichnen, das trifft es am besten. Es war die Erkenntnis, daß der Kamerad nicht alleine war, und daß er ihm in den letzten Minuten seines Lebens beistehen konnte.
Meiner Meinung nach kann man den Film durchaus als Allegorie bezeichnen, weil er durch die vielen Rückblenden, und die vielen "stillen" Kommentare der einzelnen Soldaten dem Zuschauer klar macht, um was es überhaupt geht.
Die Sinnlosigkeit von Kriegshandlungen, das Zerstören von Natur und Menschenleben. Ich finde, eindringlicher, als Terrence Malick das gemacht hat, kann man das nicht transportieren.
Der Film lädt zum Nachdenken ein, man wird unweigerlich in die Story hineingezogen, bzw. in die Botschaft getragen, die der schmale Grat vermitteln möchte, und verstärkt wird das Ganze noch, indem am Ende ganz deutlich gezeigt wird, daß auch mit der Eroberung des Hügels und dem Sieg über die Japaner nichts gewonnen ist.
Private Witt ist derjenige, der das mit seinem Leben bezahlen muß. Bei einem Erkundungsgang werden die Amerkikaner von einer Nachhut der Japaner überrascht, und er lenkt sie ab, um seinen Kameraden den sicheren Rückzug zu ermöglichen.
Besonders betroffen war ich fast am Schluß des Films, als Welsh (Sean Penn) am Grab von Witt stand und fragte:
"Where's your spark now?"
Dabei sind mir die Tränen gekommen.
Hierzu muß man wissen, daß die beiden kurz vorher eine Unterhaltung hatten. Welsh wollte von Witt wissen, warum er immer so ruhig sei, und alles versucht, so positiv zu sehen. Er sagte:
"You still believe in the beautiful light are ya? How do you do that? You're a magician to me".....
Darauf Witt:
"I still see a spark in you".....
Ohne Worte.....
Film ist mMn daher absolut empfehlenswert.
This does not depict war heroes but is an accurate tale of human frailty. A movie that is a world away from Private Ryan or Guns of Navarone.
A gloriously filmed, thoughtful story with a stella cast.