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Mark Kermode

Film critic and broadcaster Mark Kermode writes a monthly column for the Observer. Twitter @kermodemovie

May 2024

  • Ewan McGregor, Kerry Fox and Christopher Eccleston in Shallow Grave (1994).

    Mark Kermode on film
    Mark Kermode on… Danny Boyle, a director who defines British pop culture

    As his dazzling debut, Shallow Grave, gets a 30th anniversary rerelease, here’s to an extraordinary career that ranges from Trainspotting to Slumdog Millionaire and that unforgettable London 2012 Olympic opening ceremony

April 2024

  • Film director Celine Sciamma

    Mark Kermode on film
    Mark Kermode on… Céline Sciamma, the auteur who finds the universal in the unique

    From gritty banlieue drama Girlhood to period piece Portrait of a Lady on Fire and animation My Life As a Courgette, the French director’s films never fail to connect eloquently with us

March 2024

  • From left: Robert Englund as Freddy Krueger in A Nightmare on Elm Street (1984); Sandra Peabody and Lucy Grantham in The Last House on the Left; Scream 2.

    Mark Kermode on film
    Mark Kermode on… director Wes Craven, who made horror ‘a positive force in a world filled with fear’

    As A Nightmare on Elm Street turns 40, here’s to the softly spoken American creator of some of cinema’s most memorable scares, from razor-clawed serial killer Freddy Krueger to the sequel-spawning Scream

February 2024

  • Steve McQueen, left, with Chiwetel Ejiofor on the set of 12 Years a Slave.

    Mark Kermode on film
    Mark Kermode on… director Steve McQueen, a boundary-pushing master

    From his feature debut, Hunger, to his new documentary, Occupied City, the Oscar-winning director and Turner prize winner’s work has been a long, lively conversation between art and film

January 2024

  • Clockwise from top left: Sandra Hüller in The Zone of Interest, Jamie Bell in All of Us Strangers, Teo Yoo and Greta Lee in Past Lives, Emma Stone in Poor Things and Da'Vine Joy Randolph (centre) of The Holdovers at the Palm Springs international film festival, January 2024.

    And the winner should be… our film critics reveal their personal Oscars shortlists

    Ahead of the official Academy nominations on Tuesday, Observer critics and film writers choose their standout movies, performances, directors and more
  • Carrie-Anne Moss and Guy Pearce in Memento (2000); Joseph Gordon Levitt in Inception (2010); Cillian Murphy in Oppenheimer (2023).

    Mark Kermode on film
    Mark Kermode on… director Christopher Nolan, a magician of cinema as memory

    From Memento to the Golden Globe-winning Oppenheimer, the head-scrambling British-American director has revelled in using cinema as a time machine – and a conjuring trick
  • Leonardo DiCaprio and Lily Gladstone

    ‘It opened a lot of old wounds’: Leonardo DiCaprio and Lily Gladstone on Killers of the Flower Moon

    The co-stars of Scorsese’s epic, based on the true story of murders of Native people in 1920s Oklahoma, talk about the key role of the Osage people in the film’s making

December 2023

  • Yorgos Lanthimos

    ‘My films are all problematic children’: director Yorgos Lanthimos on Poor Things, shame and his creative soulmate Emma Stone

  • five middle class people having a sunless picnic by some rocks, no one talking to anyone else

    Mark Kermode on film
    Mark Kermode on… director Joanna Hogg: ‘Her films have always been haunted by ghosts’

November 2023

  • Leigh McCormack leans over the edge of an old cinema balcony, rapt, in Terence Davies's autobiographical Distant Voices, Still Lives.

    Mark Kermode on film
    Mark Kermode on… the revered British director Terence Davies: ‘He had to fight to get every film made’

    From Distant Voices, Still Lives to Benediction, the lyrical work of the late director was suffused with the ‘ecstasy’ of cinema – and his fraught Liverpool childhood

September 2023

  • Donald Sutherland and Julie Christie in Don’t Look Now.

    Mark Kermode on film
    Kermode on… Nicolas Roeg: ‘Nothing is what it seems’

    In the first of a new monthly Observer column on his favourite film-makers, Mark Kermode salutes the elliptical vision of the director of Don’t Look Now, Walkabout, Performance and so much more
  • Mark Kermode in his 1956 Dodge Coronet

    After 10 years, I’m stepping down as the Observer’s film critic. Here are my top films from the decade

    As I leave the post, I look back on how cinema has changed since 2013 and, below, pick a favourite movie from each year of my tenure – as well as a turkey
    • Mark Kermode's film of the week
      Brother review – brilliantly acted Canadian coming-of-age drama

    • Mark Kermode's film of the week
      Past Lives review – a spine-tingling romance of lost chances

    • Mark Kermode's film of the week
      Passages review – body language speaks volumes in seductive three-way love story

August 2023

  • A still from Blue Beetle.

    Mark Kermode's film of the week
    Blue Beetle review – superhero fun with immigrant survival subtext

    How will a law graduate use beetle-based powers to help his beleaguered Latino family? Believable dynamics and boisterous comedy add charm to a familiar genre
  • From left, director William Friedkin, Mark Kermode and Exorcist writer William Peter Blatty in 1998.

    My friend Billy: Mark Kermode remembers The Exorcist director William Friedkin

    The Observer film critic on his hero, who died last week aged 87, a man dedicated to telling stories his way and who had a wicked sense of humour
  • Archie Madekwe sitting in a racing car

    Mark Kermode's film of the week
    Gran Turismo review – gamer turned pro racing driver movie pushes most of the right buttons

    District 9 director Neill Blomkamp’s true-life tale is unable to swerve the cliches yet delivers pedal-to-the-metal entertainment

July 2023

  • a boy with a bloodied face sits at a table with a lighted candle on it. to his left, a disembodied arm on the table, its hand in his

    Mark Kermode's film of the week
    Talk to Me review – an Evil Dead for the Snapchat generation

  • Margot Robbie, as Barbie, in a world of pink.

    Mark Kermode's film of the week
    Barbie review – a riotous, candy-coloured feminist fable

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