From the Publisher
Congratulations to Jacqueline Winspear! Maisie Dobbs is the #4 pick on the July-August BookSense 76 List
About the Author
Jacqueline Winspear was born and raised in England, once worked as a nanny, later spent ten years in English publishing as a sales and marketing manager and now lives in Northern California with her husband. Birds of a Feather is her second novel featuring private investigator Maisie Dobbs.
Excerpt. © Reprinted by permission. All rights reserved.
SPRING 1929
CHAPTER ONE
Even if she hadn’t been the last person to walk through the turnstile at Warren Street tube station, Jack Barker would have noticed the tall, slender woman in the navy blue, thigh-length jacket with a matching pleated skirt short enough to reveal a well-turned ankle. She had what his old mother would have called “bearing.” A way of walking, with her shoulders back and head held high, as she pulled on her black gloves while managing to hold on to a somewhat battered black document case.
“Old money,” muttered Jack to himself. “Stuck-up piece of nonsense.”
Jack expected the woman to pass him by, so he stamped his feet in a vain attempt to banish the sharp needles of cold creeping up through his hobnailed boots. He fanned a half dozen copies of the Daily Express over one arm, anticipating a taxi-cab screeching to a halt and a hand reaching out with the requisite coins.
“Oh, stop—may I have an Express please, love?” appealed a voice as smooth as spooned treacle.
The newspaper vendor looked up slowly, straight into eyes the color of midnight in summer, an intense shade that seemed to him to be darker than blue. She held out her money.
“O’ course, miss, ’ere you are. Bit nippy this morning, innit?”
She smiled, and as she took the paper from him before turning to walk away, she replied, “Not half. It’s brass monkey weather; better get yourself a nice cuppa before too long.”
Jack couldn’t have told you why he watched the woman walk all the way down Warren Street toward Fitzroy Square. But he did know one thing: She might have bearing, but from the familiar way she spoke to him, she certainly wasn’t from old money.
At the end of Warren Street, Maisie Dobbs stopped in front of the black front door of a somewhat rundown Georgian terraced house, tucked the Daily Express under her left arm, carefully opened her document case, and took out an envelope containing a letter from her landlord and two keys. The letter instructed her to give the outside door a good shove after turning the key in the lock, to light the gas lamp at the base of the stairs carefully, to mind the top step of the first flight of stairs—which needed to be looked at—and to remember to lock her own door before leaving in the evening. The
letter also told her that Billy Beale, the caretaker, would put up her nameplate on the outside door if she liked or, it suggested, perhaps she would prefer to remain anonymous.
Maisie grinned. I need the business, she said to herself. I’m not here to remain anonymous.
Maisie suspected that Mr. Sharp, the landlord, was unlikely to live up to his name, and that he would pose questions with obvious answers each time they met. However, his directions were apt: The door did indeed need a shove, but the gas lamp, once lit, hardly dented the musky darkness of the stairwell. Clearly there were some things that needed to be changed, but all in good time. For the moment Maisie had work to do, even if she had no actual cases to work on.
Minding the top step, Maisie turned right on the landing and headed straight for the brown painted door on the left, the one with a frosted glass window and a To Let sign hanging from the doorknob. She removed the sign, put the key into the lock, opened the door, and took a deep breath before stepping into her new office. It was a single room with a gas fire, a gas lamp on each wall, and one sash window with a view of the building across the street and the rooftops beyond. There was an oak desk with a matching chair of dubious stability, and an old filing cabinet to the right of the window.
Lady Rowan Compton, her patron and former employer, had been correct; Warren Street wasn’t a particularly salubrious area. But if she played her cards right, Maisie could afford the rent and have some money left over from the sum she had allowed herself to take from her savings. She didn’t want a fancy office, but she didn’t want an out-and-out dump either. No, she wanted something in the middle, something for everyone, something central, but then again not in the thick of things. Maisie felt a certain comfort in this small corner of Bloomsbury. They said that you could sit down to tea with just about anyone around Fitzroy Square, and dine with a countess and a carpenter at the same table, with both of them at ease in the company. Yes, Warren Street would be good for now. The tricky thing was going to be the nameplate. She still hadn’t solved the problem of the nameplate.
As Lady Rowan had asked, “So, my dear, what will you call yourself? I mean, we all know what you do, but what will be your trade name? You can hardly state the obvious. ‘Finds missing people, dead or alive, even when it’s themselves they are looking for’ really doesn’t cut the mustard. We have to think of something succinct, something that draws upon your unique talents.”
“I was thinking of ‘Discreet Investigations,’ Lady Rowan. What do you think?”
“But that doesn’t tell anyone about how you use your mind, my dear—what you actually do.”
“It’s not really my mind I’m using, it’s other people’s. I just ask the questions.”
“Poppycock! What about ‘Discreet Cerebral Investigations’?”
Maisie smiled at Lady Rowan, raising an eyebrow in mock dismay at the older woman’s suggestion. She was at ease, seated in front of the fireplace in her former employer’s library, a fireplace she had once cleaned with the raw, housework-roughened hands of a maid in service.
“No, I’m not a brain surgeon. I’m going to think about it for a bit, Lady Rowan. I want to get it right.”
The gray-haired aristocrat leaned over and patted Maisie on the knee. “I’m sure that whatever you choose, you will do very well, my dear. Very well indeed.”
So it was that when Billy Beale, the caretaker, knocked on the door one week after Maisie moved into the Warren Street office, asking if there was a nameplate to put up at the front door, Maisie handed him a brass plate bearing the words “M. Dobbs. Trade and Personal Investigations.”
“Where do you want it, miss? Left of the door or right of the door?”
He turned his head very slightly to one side as he addressed her. Billy was about thirty years old, just under six feet tall, muscular and strong, with hair the color of sun-burnished wheat. He seemed agile, but worked hard to disguise a limp that Maisie had noticed immediately.
“Where are the other names situated?”
“On the left, miss, but I wouldn’t put it there if I were you.”
“Oh, and why not, Mr. Beale?”
“Billy. You can call me Billy. Well, people don’t really look to the left, do they? Not when they’re using the doorknob, which is on the right. That’s where the eyes immediately go when they walk up them steps, first to that lion’s ’ead door knocker, then to the knob, which is on the right. Best ’ave the plate on the right. That’s if you want their business.”
“Well, Mr. Beale, let’s have the plate on the right. Thank you.”
“Billy, miss. You can call me Billy.”
Billy Beale went to fit the brass nameplate. Maisie sighed deeply and rubbed her neck at the place where worry always sat when it was making itself at home.
“Miss . . .”
Billy poked his head around the door, tentatively knocking at the glass as he removed his flat cap.
“What is it, Mr. Beale?”
“Billy, miss. Miss, can I have a quick word?”
“Yes, come in. What is it?”
“Miss, I wonder if I might ask a question? Personal, like.” Billy continued without waiting for an answer. “Was you a nurse? At a casualty clearing station? Outside of Bailleul?”
Maisie felt a strong stab of emotion, and instinctively put her right hand to her chest, but her demeanor and words were calm.
“Yes. Yes, I was.”
“I knew it!” said Billy, slapping his cap across his knee. “I just knew it the minute I saw those eyes. That’s all I remember, after they brought me in. Them eyes of yours, miss. Doctor said to concentrate on looking at something while ’e worked on me leg. So I looked at your eyes, miss. You and ’im saved my leg. Full of shrapnel, but you did it, didn’t you? What was ’is name?”
For a moment, Maisie’s throat was paralyzed. Then she swallowed hard. “Simon Lynch. Captain Simon Lynch. That must be who you mean.”
“I never forgot you, miss. Never. Saved my life, you did.”
Maisie nodded, endeavoring to keep her memories relegated to the place she had assigned them in her heart, to be taken out only when she allowed.
“Well, miss. Anything you ever want doing, you just ’oller. I’m your man. Stroke of luck, meeting up with you again, innit? Wait till I tell the missus. You want anything done, you call me. Anything.”
“Thank you. Thank you very much. I’ll holler if I need anything. Oh, and Mr. . . . Billy, thank you for taking care of the sign.”
Billy Beale blushed and nodded, covered his burnished hair with his cap, and left the office.
Lucky, thought Maisie. Except for the war, I’ve had a lucky life so far. She sat down on the dubious oak chair, slipped off her shoes and rubbed at her feet. Feet that still felt the cold and wet and filth and blood of France. Feet that hadn’t felt warm in twelve years, since 1917.
She remembered Simon, in another life, it seemed now, sitting under a tree on the South Downs in Sussex. They had been on leave at the same time, not a miracle of course, but difficult to arrange, unless you had connections where connections counted. It was a warm day, but not one that took them entirely away from the fighting, for they could still hear the deep echo of battlefield cannonade from the other side of the English Channel, a menacing sound not diminished by the intervening expanse of land and sea. Maisie had complained then that the damp of France would never leave her, and Simon, smiling, had pulled off her walking shoes to rub warmth into her feet.
“Goodness, woman, how can anyone be that cold and not be dead?”
They both laughed, and then fell silent. Death, in such times, was not a laughing matter.
Rita Barrington's narration creates a vivid sense of time, place, and character in MAISIE DOBBS. When Lady Rowan discovers her servant-girl, Maisie, studying in the library, she arranges for tutoring. WWI intrudes, and education is put on hold when Maisie goes to the battlefields of France as a nurse. After the war, she becomes a private investigator. Her first case seems to be a straightforward case of infidelity but soon has her dealing with her own experiences in the war. Barrington's voices help the listener keep straight the many characters as the story's threads weave events from pre-war to wartime to post-war England, making a tapestry of war's devastation. N.E.M. © AudioFile 2005, Portland, Maine-- Copyright © AudioFile, Portland, Maine
“Never follow a story with a question, Maisie, not immediately. And remember to acknowledge the storyteller, for in some way even the messenger is affected by the story he brings.”Highlighted by 1,371 Kindle readers
