Love and Friendship Theme in The Merchant of Venice | LitCharts
The Merchant of Venice

The Merchant of Venice

by

William Shakespeare

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Love and Friendship Theme Analysis

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Themes and Colors
Prejudice and Intolerance Theme Icon
Human and Animal Theme Icon
Law, Mercy, and Revenge Theme Icon
Greed vs. Generosity Theme Icon
Reading and Interpretation Theme Icon
Love and Friendship Theme Icon
LitCharts assigns a color and icon to each theme in The Merchant of Venice, which you can use to track the themes throughout the work.
Love and Friendship Theme Icon

In connection with mercy and generosity, The Merchant of Venice also explores love and friendship between its characters. The central romantic relationship of the play is that between Bassanio and Portia. Their marriage is paralleled by several others: the elopement of Shylock's daughter, Jessica, with the Christian, Lorenzo; and the marriage of Portia's servant, Nerissa, to Bassanio's companion, Gratiano. In addition, numerous critics have suggested that the strongest friendship in the play—between Antonio and Bassanio—also approaches romantic love. In addition, the play shows how strong the amicable ties are that connect all the various Venetian characters.

Given the generosity that they motivate between characters, love and friendship might seem to offer alternatives to the ugly emotions of prejudice, greed, and revenge on display in The Merchant of Venice. However, beginning with Bassanio's borrowing money from his friend Antonio in order to woo Portia, the play also demonstrates that the apparent purity of love and friendship can be tainted by selfish economic concerns. In addition, love and friendship are also at the mercy of the law, as seen in Portia's being subject to the terms of her father's riddle of the caskets.

Related Themes from Other Texts
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Love and Friendship Quotes in The Merchant of Venice

Below you will find the important quotes in The Merchant of Venice related to the theme of Love and Friendship.
Act 1, scene 1 Quotes
In sooth, I know not why I am so sad.
Related Characters: Antonio (speaker)
Page Number: 1.1.1
Explanation and Analysis:
I hold the world but as the world, Gratiano—
A stage, where every man must play a part;
And mine a sad one.
Related Characters: Antonio (speaker), Gratiano
Page Number: 1.1.81-83
Explanation and Analysis:
In my school-days, when I had lost one shaft,
I shot his fellow of the selfsame flight
The selfsame way, with more advised watch,
To find the other forth; and by adventuring both,
I oft found both.
Related Characters: Bassanio (speaker)
Related Literary Devices:
Page Number: 1.1.140-144
Explanation and Analysis:
Act 1, scene 2 Quotes
I dote on his very absence.
Related Characters: Portia (speaker), Bassanio
Page Number: 1.2.300
Explanation and Analysis:
Act 2, scene 6 Quotes
All things that are,
Are with more spirit chased than enjoy'd.
Related Characters: Gratiano (speaker)
Page Number: 2.6.13-14
Explanation and Analysis:
But love is blind, and lovers cannot see
The pretty follies that themselves commit.
Related Characters: Jessica (speaker)
Page Number: 2.6.37-38
Explanation and Analysis:
Act 3, scene 2 Quotes
Tell me where is fancy bred,
Or in the heart or in the head?
How begot, how nourished?
Reply, reply.
It is engender'd in the eyes,
With gazing fed; and fancy dies
In the cradle, where it lies.
Let us all ring fancy's knell;
I'll begin it – Ding, dong, bell.
Related Characters: Portia (speaker)
Page Number: 3.2.65-73
Explanation and Analysis:
Act 5, scene 1 Quotes
The man that hath no music in himself,
Nor is not moved with concord of sweet sounds,
Is fit for treasons, stratagems, and spoils;
The motions of his spirit are dull as night,
And his affections dark as Erebus.
Let no such man be trusted.
Related Characters: Lorenzo (speaker)
Page Number: 5.1.92-97
Explanation and Analysis: