David Bowie – Look At The Moon! (Live Phoenix Festival 97)
Label: | ISO Records – 0190295198671, ISO Records – DBBLALP 95994, Parlophone – 0190295198671, Parlophone – DBBLALP 95994 |
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Series: | Brilliant Live Adventures [1995-1999] – 4 |
Format: | 3 x Vinyl, LP, Album, Limited Edition |
Country: | |
Released: | |
Genre: | Electronic, Rock |
Style: | Drum n Bass, Alternative Rock, Art Rock |
Tracklist
A1 | Quicksand | ||
A2 | The Man Who Sold The World | ||
Driftin' Blues / The Jean Genie | |||
A3.a | Driftin' Blues | ||
A3.b | The Jean Genie | ||
A4 | I'm Afraid Of Americans | ||
B1 | Battle For Britain (The Letter) | ||
B2 | Fashion | ||
B3 | Seven Years In Tibet | ||
C1 | Fame | ||
C2 | Looking For Satellites | ||
C3 | Under Pressure | ||
D1 | The Hearts Filthy Lesson | ||
D2 | Scary Monsters (And Super Creeps) | ||
D3 | Hallo Spaceboy | ||
E1 | Little Wonder | ||
E2 | Dead Man Walking | ||
E3 | White Light / White Heat | ||
F1 | O Superman | ||
F2 | Stay |
Companies, etc.
- Phonographic Copyright ℗ – Jones/Tintoretto Entertainment Co., LLC
- Licensed To – Parlophone Records Ltd.
- Copyright © – Parlophone Records Ltd.
- Record Company – Warner Music Group
- Recorded At – Phoenix Festival
- Mastered At – Air Mastering
- Pressed By – Optimal Media GmbH – BK16065
- Pressed By – Optimal Media GmbH – BK17788
Credits
- Bass, Vocals, Keyboards – Gail Ann Dorsey
- Design – Scott Minshall
- Drums – Zachary Alford
- Guitar, Synthesizer, Vocals, Music Director – Reeves Gabrels
- Lead Vocals – Gail Ann Dorsey (tracks: F1)
- Mastered By – John Webber
- Photography By [Back Cover & Inside Trifold] – Pat Pope
- Photography By [Front Cover & Inside Trifold] – PG Brunelli*
- Piano, Keyboards, Synthesizer – Mike Garson
- Producer [Produced For Release By] – Aisha Cohen, Nigel Reeve
- Vocals, Guitar, Saxophone – David Bowie
Notes
Made in Germany. Issued in a 6-panel trifold sleeve.
Recorded live at the Phoenix Festival, Long Marston, England on 20th July, 1997 direct from the mixing desk.
Recorded live at the Phoenix Festival, Long Marston, England on 20th July, 1997 direct from the mixing desk.
Barcode and Other Identifiers
- Barcode (scanned): 190295198671
- Label Code: LC 30419
- Matrix / Runout (Side A): BK16065-01 A1 0190295198671-01
- Matrix / Runout (Side B): BK17788-01 B1 0190295198671 I Λ
- Matrix / Runout (Side C): BK16065-02 C1 0190295198671-02
- Matrix / Runout (Side D): BK16065-02 D1 0190295198671-02
- Matrix / Runout (Side E): BK16065-03 E1 0190295198671-03
- Matrix / Runout (Side F): BK16065-03 F1 0190295198671-03
- Rights Society: GEMA / MCPS
Other Versions (2)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
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Recently Edited | Look At The Moon! (Live Phoenix Festival 97) (2×CD, Album, Limited Edition, Stereo) | ISO Records, ISO Records, Parlophone, Parlophone | 0190295198688, DBBLACD 95994 | Worldwide | 2021 | ||
New Submission | Look At The Moon! (Live Phoenix Festival 97) (18×File, ALAC, Album) | Parlophone | none | Worldwide | 2021 |
Recommendations
Reviews
- Won't anyone with the repress version make a new separate release? I see both versions for sale here, but there must be a difference at the matrix or at the sleeve? Something indicating a difference between the 1st pressing and the repressing? I only have the 1st pressing which this entry is based on, so I can't add the new release myself...
- As a Warwickshire native now, the Long Marston festivals were a high point of the 1990s, from the Bulldog Bash to the Phoenix Festival. To have recordings of this performance is such a blessing as it was such a revered show amongst many fans. Fashion and all the quasi-industrial tinged notes of his performance are captured in all their pomp.
- I can't see any entries for the repressed versions so how can you tell the difference? i.e. runouts?
- So happy this one in particular was repressed! Bowie Earthling Era live -- compelling, gorgeous sounding arrangements of some classics, and a showcase for some underappreciated 90s tracks that are finally getting their due. One of my fav Bowie periods; wish it contained more Outside material, but that's a minor nitpick, there are other live albums for that.
Excellent quality soundboard recording with enough fan noise to give you the live feel. - Thanks for your below comment The Vinyl Dealer. There is alot of Bowie material, particularly the live recordings – and some of the live projects can be hit and miss (?). However, the hits can be amazing. It's hard to keep up with which Bowie vinyl records to buy, pointers are helpful.
I was googling live bowie, and landed on the Montreux jazz festival July 28, 2002; it's fantastic. It made me wonder if it is available on vinyl (I can't find it). Some of the songs are played differently, and I hesitate to say this, but even better. + the interspersed banter can be hilarious / heart warming. I don’t know, but Bowie seems to be ‘relaxed’ into himself around the turn of the century, totally comfortable and excelling at live performance. - Despite the clumsy BLA campaign one thing I cannot complain about are the quality of the vinyl pressings and this is no exception. It was recorded directly from the mixing desk and sounds superb.
- So far I have listened to this entire series (5 on vinyl, the last one digitally), and this is the winner to me. Lovely packaging, excellent performances, and top notch recording and mastering. If you only need one of these, go for this one (#2 is very good as well).
- Well, since a longer time people are able to read the terms "scalpers" and "sharks". Those terms should mean that there are people only inside the Discogs-Universe to make the highest profits possible. But everytime I read those comments with "sharks" and "scalpers" I laughing out loud, because these people will not trying to understand the mechanic of markets. Really, they do not try. But, they only cry! I believe there should be the opposite position available: "Criers". What you are looking at and dealing with is not your water, your clothes, your flat, your food, your medicine etc. Vinyl is just a kind of hobby and nothing necessary for a life to live. You just need to acceppt that limited goods with a high popularity will find a new price at the point, where furthermore people wanna pay the price. But yes, a lot of people will not be able to pay this. This is okay - this is a normal working market place. Please, accept this kind of mechanic and stop crying. Thanks! P.S: However there should be vinyls for a reasonable price if this is music who everyone needs to listened to once a time. But this submission here is the wrong place :)
Release
For sale on Discogs
Sell a copy45 copies from $47.50