Last Train to Paris
仕様 | 価格 | 新品 | 中古品 |
CD, CD, インポート, 2010/12/14
"もう一度試してください。" | CD, インポート |
—
| ¥2,007 | ¥600 |
CD, クリーン, インポート, 2010/12/14
"もう一度試してください。" | インポート, クリーン |
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| ¥3,762 | ¥186 |
CD, CD, 2011/1/19
"もう一度試してください。" | CD |
—
| — | ¥406 |
CD, インポート, 2010/12/14
"もう一度試してください。" | インポート |
—
| — | ¥680 |
CD, クリーン, インポート, 2010/12/14
"もう一度試してください。" | インポート, クリーン |
—
| — | ¥4,537 |
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曲目リスト
1 | Intro |
2 | Yeah Yeah You Would Featuring Grace Jones |
3 | I Hate That You Love |
4 | Ass On The Floor Featuring Swizz Beatz |
5 | Looking For Love Featuring Usher |
6 | Someone To Love Me |
7 | Hate You Now |
8 | Yesterday Featuring Chris Brown |
9 | Shades Featuring Lil Wayne, Justin Timberlake, Bilal, and James Fauntleroy |
10 | Angels Featuring Notorious B.I.G., and Rick Ross |
11 | Your Love Featuring Trey Songz |
12 | Strobe Lights Featuring Lil Wayne |
13 | Hello Good Morning Featuring T.I. |
14 | Last Night Part 2 |
15 | I Know Featuring Chris Brown, Wiz Khalifa, and Seven of Richgirl |
16 | Loving You No More Featuring Drake |
17 | Change |
18 | Coming Home Featuring Skylar Grey |
商品の説明
DIDDY - DIRTY MONEY: Last Train to Paris
We're abroad on tour when I meet her, the woman of my dreams. We spend the night together, but I never get her name. When I wake up, she's gone.
I'm infatuated with her, really blown away. A couple of months go by, and I bump into her again on tour overseas. We get together, and we're inseparable for three months. We go to New York, Miami, all the places where I get it poppin'.
Then, suddenly, we have a misunderstanding and she just breaks out on me. But absence makes the heart grow fonder. We're in two different parts of the world and she's remembering all the good times while I'm thinking if I had another chance I wouldn't lose her again. One night in London, I get offstage at 9:45pm and I hear that she's in Paris. It's one of the foggiest nights, so I can't take my plane, I can't drive. The only way I can get to her is the last train to Paris...
This episode, inspired by a real-life encounter from his past, is the starting point of the new album Last Train to Paris by the Sean "Puffy" Combs' new group Diddy-Dirty Money. With dark, atmospheric beats and a cinematic back story, the new project represents an entirely new side of the rap impresario. Fans may think they know him, but as he prepares to unleash his latest smash, they are about to experience an entirely new Combs, and an entirely new sound. Diddy-Dirty Money is about to redefine dance music for the new decade.
Europe didn't just provide an evocative backdrop for the story that is Last Train to Paris, it also inspired the sound. Though Combs is known for his contribution to hip hop, he is also a passionate fan of dance music, often traveling to global hot spots like Ibiza and Berlin to take in the new sounds emerging from the techno scene. Blending elements of UK grime, Mediterranean techno and the 808s of American hip hop, the album represents a new sound that Combs calls "train music."
No stranger to the finer things, Combs amassed a crew of some of the top names in music to help him bring his vision to life. TI, Rick Ross and Lil Wayne all lend guest vocals, but the biggest contribution comes from band members Dawn Richard and Kalenna. "Dawn and I aren't background singers simply standing next to Diddy," says Kalenna. "Diddy-Dirty Money isn't just more of the same. It's an organic group that grew out of a shared passion for music."
Kalenna started writing songs at 11, when she would accompany her father--a rapper and army man--into the studio. As a military daughter, she moved often, living in diverse locations including Alaska, Germany and Hawaii. In music, she found a home for herself even as "home" was constantly changing. "Growing up, I understood how music can take you away and help you escape," she says. "At the same time I began learning how music brings people together; how it can heal and comfort." She eventually channeled her talent for songwriting into a successful career penning hits for Jill Scott, Jennifer Lopez, Timbaland and multi-platinum producer Rodney Jerkins.
Dawn Richard will be recognizable to fans as a member of the group Danity Kane, formed via the MTV series Making the Band 3. The New Orleans native grew up watching her father perform. A musician, choir director and former member of R&B group Chocolate Milk, he instilled in her a love of music, even as her tastes evolved. "I was more into alternative music," she says, naming influences including The Cranberries, Sheryl Crow and Green Day. "I saw myself as the leader of a rock band with pink hair, singing the music I love."
When Combs paired Richard and Kalenna together to write songs for Danity Kane in 2009, he knew immediately that he had a powerful new songwriting team, describing them as "kindred spirits." With so many far-reaching influences between them, combining forces as Dirty Money is nothing less than "divine intervention," says Richard. "We mirror each other. We're all perfectionists with a strong work ethic. We push and challenge each other."
The trio's unmatched creative chemistry reveals itself in the latest blockbuster single "Hello Good Morning". The group premiered the single in front of 25 million viewers on American Idol on March 31st. The high-energy track, with its urgent, atmospheric beats, was perfectly suited to an explosive performance with spectacular special effects. Idol producers even issued a warning to viewers about the intense strobe lights used onstage.
Ross, who also lent vocals to the lead single "Angels", is just another member of the extended Dirty Money family. Lil Wayne was passionate about the new sound being crafted, and dropped verses on "Strobe Lights", a teasing, funky club banger, and "Shades", a trippy track also featuring Bilal. Mario Winans produced the 80s-influenced "Give My All To You" while Rodney Jerkins produced the international party jam "I Want Your Love".
"I'll even take off my shades," sings (yes, sings) Combs on "Twisted", hinting at a new, emotional core to his sound. The multilayered track represents some of the many influences of Last Train. With a soaring synth riff that reflects the head-trip that is falling in love, he recalls a post-millennial Prince. Other tracks veer from tribal drums to church organs to gritty instrumentals, all combining to form the new sound.
While Combs has had unsurpassed success in many different realms, from fashion to spirits to film, the lush soundscape of Last Train represents a renewed commitment to music from the multitalented impresario. By opening up a chapter of his own life to tell the story, he's crafted an album that is expressive and exciting. Sure, this album will make you dance, but Dirty Money is more than just dance music. It's a movement.
登録情報
- メーカーにより製造中止になりました : いいえ
- 製品サイズ : 14.2 x 1 x 12.5 cm; 100 g
- メーカー : Interscope Records
- EAN : 0602527403113
- SPARSコード : DDD
- レーベル : Interscope Records
- ASIN : B003MX5OZS
- ディスク枚数 : 1
- Amazon 売れ筋ランキング: - 421,574位ミュージック (ミュージックの売れ筋ランキングを見る)
- - 5,336位ヒップホップ (ミュージック)
- - 130,117位輸入盤
- カスタマーレビュー:
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トップレビュー
上位レビュー、対象国: 日本
レビューのフィルタリング中に問題が発生しました。後でもう一度試してください。
これのきっかけはYouTube見てて、オススメ動画にDiddy Dirty Money "Coming Home ft.Skylar Gray"がでてきて、それをみました!
もー、頭が真っ白になるくらいよかったです!
そしてすぐにCD買わなきゃ!と決断しました!
他の洋楽であればラップ/ヒップホップやロックや色々聴きます★
でも、これは今までになかった感じの気持ちになりました!
買って後悔はするわけがありません!絶対に!
★おまけ情報★
Dawnという女性シンガーがいます、超美人でセクシーです! 注意してください!w
Well...this is Completly new Diddy!!
I think this is the best album of all the Artist!!
C'mon GET IT!!!!!!!!
Don't think 'bout it!!
You'll never ever regret it!!
But you'll regret it if u don't GET IT!!!!
C'mon lets go!
God bless y'all
Coming Home Featuring Skylar Grey が気に入って購入しました。
なかなか良いアルバムだと思います。みなさんも聴いてみては如何ですか!。
残念なことに、女性メンバーのKalenna HarperとDawn Richardがそれぞれ、
ソロ活動を始めるようで、最後のアルバムになってしまうのかな?。
でもKalenna HarperもDawn Richardも、素晴らしい歌唱力なのでソロも期待できそうですね!。
Diddyは、どうするのかな?。
お目当ての同曲はやはり素晴らしく、何度聴いても飽きないです。
それ以外の曲はさほど期待していなかったのですが、1曲目からラストの
16曲まで、どれも完成度の高い楽曲が多かったです!
特に女性ヴォーカリストの声が素晴らしいです。
満足できるアルバムでした!
Diddyのヘロヘロラップが少ない。2人の女性陣がしっかり歌っている。
と言った感じ。hiphopでもない。果たしてフロア受けするような曲はあるのだろうかと思ってしまうような内容ですが、決して悪いわけではありません。むしろ良い。
Diddyが言っているようにこのアルバムは通して聞くことがコンセプトのようです。なので、ずーと終わりまで聞けてしまいます。気持ちいいし、久しぶりにおちついて曲を聴きました。とにかく何回も聞くとどんどん良さがわかってきます。曲がかっちょよい。お勧めできます。 ただ、もう少し売れそうなバリバリの曲があれば星5つだったんだけど。そのうち出るRemixが楽しみ。
他の国からのトップレビュー
Unsurprisingly, there are plenty of guests artists here to pick up the slack for the lack of talent overall in the group. Diddy has talent at hyping things up and production but zero rapping or singing talent. Kalenna & Dawn are good enough but not outstanding - "where's the solo album good" on their own. Chris Brown, Wiz Khalifa, Lil Wayne, Justin Timberlake, Usher, Rick Ross, T.I.,& Drake amongst a few others handle the heavy lifting. For example, Yesterday sounds like a Chris Brown song with Dirty Money in the background and Diddy whispering 8 bars on the track. Looking For Love with Usher sounds like an excellent Usher song that easily could have been on his last album or serve as a single on the next one. The album pretty much skates along in that manner.
The production is excellent, simply put, featuring production from Danja, Darkchild, Swizz Beats, Seven,and Alex Da Kid amongst others. It has a unique sound that doesn't really go the techno route but is still forward and (surprisingly) "urban" (read Black). It's comparable to the futuristic sound that was found on Press Play from Diddy a few years ago.
Of course there are some missteps though such as Strobe Lights which is as wack as it sounds. The song was so weak and so bad that Lil Wayne could not save it. Unlistenable. Yeah Yeah You Would ft. Grace Jones is decent but kind of weird...it's not as bad as Strobe Lights but it's along the same premise. Those are the only two songs where I was thinking "wtf is this??" in a bad way. The rest of the album is pretty solid and at times outstanding (Looking For Love, Yesterday, I Hate That You Love Me). The singles released are all pretty good songs but they date all the way back to early 2010. Angels & Hello Good Morning have slightly lost their impact but new singles A on The Floor, Coming Home, and Loving You No More keep the momentum going.
If Diddy had any talent rapping (or singing) this album would be one of the top albums of the year. No matter how many checks he writes, his rhymes are pretty much wack and his delivery and flow are so forced and unnatural. It doesn't matter how many people ghostwrite the album, Diddy comes off as not being a rapper...which he isn't. I will say that the album is an entertaining listen and ranks right up there with Puff Daddy & The Family as far as his discography. It's more cohesive and has more of a purpose rather than just being a collection of songs. Make no mistake about it, Last Train To Paris is a mainstream hip-pop album but it's good for what it is. Don't expect Waka Flocka Flame hardness or a lyrical masterpiece but instead a good set of music by an unlikely source. 4 Stars.
*UPDATE 5-23-2011*
Had to bump this thing up to 5 stars. It's still jamming hard! Diddy has outdone himself.
2022年8月12日にスペインでレビュー済み