George Tinworth (November 5, 1843 – September 10, 1913 was a ceramic artist. Born at 6 Milk Street, Walworth Common, South London, England, Tinworth was the son of a greengrocer turned wheelwright and the family suffered extreme poverty. He may have been aware of the Chartist meeting and subsequent enclosure of nearby Kennington Park (then a common) in 1852.
Pictured right: George Tinworth for Doulton Lambeth a vase with twin griffin handles, 1875
the body of the vase incised with scrolling foliage and enhanced with florets, in green, blue, white and brown 27cm high, artist monogram. Sold at Bonhams Sep 2008 for £1260
Brought up to follow in his father’s footsteps, he spent his spare time carving off-cuts and soon showed a precocious talent for art. At nineteen he pawned his overcoat to pay for a set of evening classes at the local Lambeth School of Art in Kennington Park Road. In the same year of his life he created the magnificent ‘The Mocking of Christ’, which is now on show at the Cuming Museum on the Walworth Road, Southwark.
Pictured left: George Tinworth for Doulton Lambeth, ‘Playgoers’ A good mouse group, circa 1880 Modelled as three mice watching a Punch and Judy show, with a musician mouse and a mouse with a plate standing either side of the show, in tones of green, blue and cream 13cm high, incised GT with impressed factory marks (minor chips to ears). Sold at Bonhams Sep 2008 for £4560
Although at the height of his fame he was visited regularly by royalty, leading members of church and state, and distinguished literary figures and the most prominent critics, he remained close to his humble origins in speech and thought.
From the Lambeth School of Art (still going strong as The City & Guilds of London Art School) he went on to the Royal Academy art school in 1864, winning various medals for his work. After the Royal Academy he got a job at Royal Doulton, the famous Lambeth pottery manufacturer, in 1866. It was at this point that Doulton started producing art pottery with George Tinworth as their main designer. His father died in 1867 so he was left as the main supporter of his mother and family.
Pictured left: George Tinworth for Doulton Lambeth A model of a frog padling in a canoe, circa 1890 In tones of blue, greens and brown 7cm high, impressed factory mark (R to one paddle). Sold at Bonhams Sep 2008 for £1800
At Doulton, he produced vases, jugs, humorous figures and animals and larger pieces. The Cuming Museum contains three examples of his life-sized clay heads and a terracotta s cene entitled The Jews making bricks under Egyptian Taskmasters. This last was presented to the museum by Doulton and Co in 1914 as a memorial to Tinworth. They seem not to have recognised that it could be interpreted as an allegory of the exploitation of his fellow clayworkers.
Many of his pieces were shown at the Royal Academy where they were admired by John Ruskin, amongst others. The first to be exhibited there in the year he joined the school was a group of children fighting called “Peace and Wrath in Low Life”. A large scale terracotta fountain, “The Fountain of Life”, was donated to Kennington Park by Henry Doulton in 1872 (or 1869?). This was vandalised in the 1980s and The Friends of the Park are seeking funding for its restoration.
Pictured right: George Tinworth for Doulton Lambeth ‘Conspiracy to Kill Paul, (Acts 23:12)’ A Framed Terracotta Plaque, circa 1880 modelled with a group of men and women seated and standing around a table in conversational groups, around a central standing figure, incised with the wording ‘Certain of the Jews banded together and bound themselves under a curse saying that they would neither eat nor drink until they had killed Paul.’ and Tinworth’s own comment, ‘It is a pity that the lazy lunatics had not something better to do’, in stepped wooden and glass fronted frame 45.5 x 28cm, incised ‘G.Tinworth’ and ‘H.Doulton and Co. Lambeth’. Sold at Bonhams March 2008 for £1920
Other pieces by Tinworth are to be found in the Lambeth-based Museum of Garden History, adjacent to the main entrance of St Bede’s College, Manchester, in the panel above the entrance to the former Doulton Works in Black Prince Road, Lambeth, the Baptist Chapel in Wraysbury and in Truro Cathedral, Cornwall.
The Cuming Museum has Tinworth’s major independent art project in storage. This is a four-foot high model of a project for an elaborate memorial to Southwark’s connection with Shakespeare, made in 1904. Enough public donations were never achieved to realise it. Though this was Tinworth’s most ambitious autonomous art project, he also made a number of complex figure compositions in relief, including The Release of Barabas and Saul attacking David.
Copyright (C) 2000,2001,2002 Free Software Foundation, Inc. 51 Franklin St, Fifth Floor, Boston, MA 02110-1301 USA Everyone is permitted to copy and distribute verbatim copies of this license document, but changing it is not allowed.
Related
