J R R Tolkien - Poems by the Famous Poet - All Poetry

Famous poet /

J R R Tolkien

1892-1973

John Ronald Reuel Tolkien was born of British parents in Bloemfontein, South Africa in January of 1892, but moved with his mother, Mabel Tolkien, to England, at the age of  three. Tolkien lost his father when he was very young. In 1904 Tolkien's mother died, and the young John Ronald Reuel moved with his brother Hilary to his aunt's home in England (the West Midlands).

Then they moved to the Birmingham suburb of Edgbaston. Mabel and her children became estranged from both sides of the family in 1900 when she was received into the Roman Catholic Church. From then on, both Ronald and Hilary were brought up in the faith of Pio Nono, and remained devout Catholics throughout their lives. The parish priest who visited the family regularly was the half-Spanish half-Welsh Father Francis Morgan.  In 1904 Mabel Tolkien was diagnosed as having diabetes, incurable at that time. She died on 15 October of that year leaving the two orphaned boys effectively destitute. At this point Father Francis took over, and made sure of the boys' material as well as spiritual welfare, although in the short term they were boarded with an unsympathetic aunt-by-marriage, Beatrice Suffield, and then with a Mrs Faulkner.



In 1908 Tolkien attended Oxford. In 1915 he was awarded First Class Honours degree in English Language and Literature. Next year Tolkien married Edith Bratt, whom he had met in 1908. During WW I Tolkien served in the army and saw action on the Somme. He returned home suffering from shell shock, and while convalescing he started to study early forms of language and work on Silmarillion (published 1977). For the rest of his life, Tolkien expanded the mythology of his fantasy worlds.



In 1918 Tolkien joined the staff of New English Dictionary and in 1919 he became a freelance tutor in Oxford. Tolkien then worked as a teacher and professor at the University of Leeds. In 1925 he became Professor of Anglo-Saxon at Oxford University. He was appointed Merton Professor of English at Oxford in 1945, retiring in 1959. His scholarly works included studies on Chaucher (1934) and an edition of Beowulf (1937). He was also interested in the Finnish national epos Kalevala, from which he found ideas for his imaginary language Quenya and which influenced several of his stories. Most of the inhabitants of Tolkien's imaginary Middle-Earth are derived from English folklore and mythology, or from an idealized Anglo-Saxon past.



With C.S. Lewis, Charles Williams and other friends, Tolkien formed an informal literary group called The Inklings, which took shape in the 1930s. They all had an interest in storytelling and their Tuesday lunchtime sessions in the Bird and Baby public house became  a well known part of Oxford social life. At their meetings the Inklings read aloud drafts of fiction and other work. Williams died in 1945 and the meetings faded out in 1949. - Other members of the club included Christopher Tolkien, JRR's son.



In the mid-1960s American paperback editions of The Lord of the Rings started to gain cult fame. The Tolkiens moved in 1968 to Poole near Bournemouth but after the death of his wife in 1971, Tolkien returned to Oxford. In 1972 he received CBE from the Queen. Tolkien died on September 2, 1973.



The Hobbit was published when the author was 45 years old (1937). He developed further the history of Middle-Earth in The Lord of the Rings. It was published when Tolkien was over 60. His motivation for creating a new mythical world arose from his fascination in myths and folklore. Another motivation was his rejection of modern England. He rarely watched a film, busied himself with the early English dialects of the West Midlands, and enjoyed the company of other professors.



Tolkien's epic world is populated by elves, dwarves, magicians, and evil monsters. He saw himself as a Hobbit: "I like gardens, trees and unmechanized farmlands; I smoke a pipe, and like good plain food...." Tolkien made up languages for the races that inhabit his Middle-earth. for the background of his stories he created a complex history, geography, and society. But he also wished, that the stories leave scope for other minds to develop his ideas further. Since the publication of The Lord of the Rings, a whole industry of fantasy literature, computer games, and other by-products, have been created by a worldwide community of Tolkien's fans to continue his work.



Published works:



A Middle English Vocabulary, 1922

Sir Gawain and the Green Knight, 1925

Beowulf: The Monsters and the Critics, 1936

Songs for the Philologist, 1936 (collection, with E.V. Gordon and others)

The Hobbit 1937

Farmer Gill of Ham, 1949

The Homecoming of Beorhtnoth Beorhthelm's Son, 1954 (radio play)

The Fellowship of the Ring 1954

The Two Towers(1954)

The Adventures of Tom Bombardil and Other Verses from the Red Book, 1962

Ancrene Wisse, 1962 (ed.)

Tree and Leaf, 1964

The Tolkien Reader, 1966

The Road Goes Ever On, 1967

Smith of Wootton Major, 1967

Bilbo's Last Song, 1974

Sir Gawain and the Green Knight 1975 (translator, ed. by Christopher Tolkien)

Tree and Leaf, Smith of Wootton Major, The Homecoming of Beorhtnoth Beorhthelm's Son, 1975

The Father Christmas Letters, 1976

Bilbo's Last Song, 1977

Silmarillion, 1977  

Pictures by J.R.R. Tolkien, 1979

Unfinished Tales of Númenor and Middle-earth, 1980 (ed. by Christopher Tolkien)

Poems and Stories, 1980

The Letters of J.R.R. Tokien: A Selection, 1981

The Old English Exodus, 1981 (translator)

Mr Bliss, 1982

Finn and Hengest, 1983

The History of Middle-Earth, 1983 (ed. by Christopher Tolkien - publication of posthumous works continues)

The Book of Lost Tales 1-2, 1983-84 (ed. by Christopher Tolkien)

The Monster and the Critics and Other Essays, 1984

Lays of Beleriand, 1985 (ed. by Christopher Tolkien)

The Shaping of Middle-Earth, 1986 (ed. by Christopher Tolkien)

The Lost Road and Other Writings, 1987 (ed. by Christopher Tolkien)

The Return of the Shadow, 1988 (ed. by Christopher Tolkien)

The Treason of Isengard, 1989 (ed. by Christopher Tolkien)

The War of the Ring, 1990 (ed. by Christopher Tolkien)

Sauron Defeated, 1991 (ed. by Christopher Tolkien)

Morgoth's Ring: The Later Silmarillion Part 1, 1993 (ed. by Christopher Tolkien)

The War of the Jewels: The Later Silmarillion Part 2, 1994 (ed. by Christopher Tolkien)\







Bibliography and image source: Books and Writers
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Song Of Aragorn

All that is gold does not glitter,
Not all those who wander are lost;
The old that is strong does not wither,
Deep roots are not reached by the frost.
From the ashes a fire shall be woken,
A light from the shadows shall spring;
Renewed shall be blade that was broken,
The crownless again shall be king.

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Analysis (ai): This poem conveys themes of hope, resilience, and the triumph of good over adversity. The three stanzas build upon each other, with the first establishing the deceptive nature of appearances and the enduring strength of old wisdom, the second expressing the potential for renewal and rebirth from darkness, and the third foreshadowing a restoration of order and rightful rule.

Compared to the author's other works, this poem shares themes of heroism, perseverance, and the struggle against evil. However, its brevity and focus on prophecy distinguish it from Tolkien's more expansive and complex narratives.

In the context of its time period, this poem reflects the post-World War II era's longing for renewal and hope amidst the devastation and uncertainty. Its themes of resilience and the triumph of good over adversity resonated with readers weary of war and searching for meaning in a changing world.
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The Road Goes Ever On

The Road goes ever on and on
   Down from the door where it began.
Now far ahead the Road has gone,
   And I must follow, if I can,
Pursuing it with eager feet,
   Until it joins some larger way
Where many paths and errands meet.
   And whither then? I cannot say.
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Analysis (ai): The poem "The Road Goes Ever On" by J.R.R. Tolkien is a meditation on life's journey. The speaker follows the road, which represents the unknown future, with eagerness and determination. The poem suggests that life is a journey of self-discovery, and that the destination is less important than the journey itself.

The poem's simple language and repetitive structure create a sense of forward motion. The use of the present tense conveys a sense of immediacy, as if the speaker is on the journey right now. The poem's short lines and simple rhyme scheme make it easy to read and remember, which suggests that the poem's message is one that is meant to be carried with the reader on their own life's journey.

The poem can be compared to Tolkien's other works, such as "The Hobbit" and "The Lord of the Rings." Like these works, "The Road Goes Ever On" explores the themes of adventure, friendship, and courage. However, "The Road Goes Ever On" is more personal and introspective than Tolkien's other works. It is a poem about the individual's journey through life, and it offers a message of hope and encouragement for those who are facing the unknown.

The poem can also be compared to the time period in which it was written. Tolkien wrote "The Road Goes Ever On" in the early 20th century, a time of great change and upheaval. The poem's message of hope and adventure was likely a welcome one for those who were facing the challenges of the time. The poem's message is still relevant today, as it offers hope and encouragement to those who are facing the unknown future.
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The Drinking Song

Ho! Ho! Ho! To the bottle I go
To heal my heart and drown my woe.
Rain may fall and wind may blow,
And many miles be still to go
But under a tall tree I will lie,
And let the clouds go sailing by.
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Analysis (ai): "The Drinking Song" reflects the author's characteristic tone of nostalgia and escapism. The poem expresses the speaker's desire to escape their sorrows through intoxication, a theme prevalent in the works of the time period. Unlike the author's other works, which often explore complex narratives and rich imagery, "The Drinking Song" is concise and direct, capturing the essence of the speaker's longing for solace. The poem's simple language and straightforward imagery effectively convey the speaker's desire to find comfort in nature and forget their troubles.
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