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Tommy Flanagan Neuburg 1994-9
Tommy Flanagan ‘made even the very best sound better’. Photograph: Reinhard Köchl
Tommy Flanagan ‘made even the very best sound better’. Photograph: Reinhard Köchl

Tommy Flanagan: In His Own Sweet Time review – a masterly touch

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(Enja)
He played for everyone from Ella Fitzgerald to John Coltrane, but solo the pianist is a truly captivating force

With a name revered in the jazz world but almost totally unrecognised elsewhere, Tommy Flanagan, who died in 2001 aged 71, was the complete pianist. In the late 50s he played on John Coltrane’s Giant Steps and Sonny Rollins’s Saxophone Colossus, followed by years as accompanist to Ella Fitzgerald and Tony Bennett. It wasn’t just that he was reliable; Flanagan made even the very best sound better. When, finally, he emerged as a leader in his own right, the full extent of his brilliance became clear. He was much admired for his touch, a quality difficult to define but easy to recognise.

It’s certainly in full bloom on this 1994 live album, one of his few completely solo recordings (although not his only one, as the notes here imply). This is its first release. The 10 tracks, all slow-to-moderate in tempo, include such rare delights as Tadd Dameron’s If You Could See Me Now and Billy Strayhorn’s Day Dream. Flanagan takes his time, as the album title suggests, but every movement is so purposeful, every phrase so judiciously rounded, that you can almost hear the audience holding its collective breath.

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