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I, Claudius
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Additional DVD options | Edition | Discs | Price | New from | Used from |
Genre | Kids & Family |
Format | Box set, Color, Full Screen |
Contributor | Flora Robson, John Abbott, Siân Phillips, John Hurt, Emlyn Williams, John Paul, Frances White (II), George Baker, Margaret Tyzack, Patrick Stewart, Eileen Corbett, Herbert Wise, Dirk Bogarde, Ian Ogilvy, Derek Jacobi, Brian Blessed, Robert Newton See more |
Language | English |
Runtime | 12 hours and 20 minutes |
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Product Description
Meet the most powerful family in antiquity--emperors, murderers, blackmailers, debauchers, and one wise man. This brilliant award-winning epic traces the history of the Roman Empire from 50 b.c. to a.d. 50, from the reign of Augustus and his wife, Livia, through the treacherous Tiberius, the cunning Caligula, and finally Claudius, a most unlikely emperor. Starring Sian Phillips, Brian Blessed, and Derek Jacobi as Claudius, this is the original, uncut British production, including some scenes not shown in the PBS broadcast and an added-value program, "The Epic That Never Was." 13 hours on 7 cassettes or 5 DVDs in a collector's box. "Excellent indeed"--Time.
Product details
- Is Discontinued By Manufacturer : No
- MPAA rating : Unrated (Not Rated)
- Product Dimensions : 7.75 x 5.5 x 1.75 inches; 13.6 ounces
- Director : Herbert Wise
- Media Format : Box set, Color, Full Screen
- Run time : 12 hours and 20 minutes
- Release date : August 15, 2000
- Actors : Derek Jacobi, Siân Phillips, Flora Robson, Emlyn Williams, Eileen Corbett
- Language : English (Dolby Digital 2.0 Mono)
- Studio : IMAGE ENTERTAINMENT
- ASIN : B00004U12X
- Number of discs : 5
- Best Sellers Rank: #37,753 in Movies & TV (See Top 100 in Movies & TV)
- #3,078 in Kids & Family DVDs
- #3,927 in Action & Adventure DVDs
- #6,548 in Drama DVDs
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The first thing that makes I Claudius worth watching is its basic plot-line. Claudius is the stuttering cripple grandchild of Augustus Caesar and he lives in the house of Augustus (Octavian) Caesar and his wife, Livia. As such, no one takes Claudius very seriously and in fact he is regarded as a fool. However while it's true that he is clumsy, he stutters, and he walks funny, his brain is anything but crippled. When he learns that the wife of Caesar is systematically poisoning all who stand in the way of her stepson Tiberius from taking the throne when Caesar dies, he is indeed in the fortunate position of being regarded as an idiot since all who stand in Livia's way soon discover that "poison is king".
After watching the first two episodes, my impression was that the series lumbered along a bit, not completely devoid of interest, but also not the riveting high production ride that "Rome" was. In terms of PRODUCTION and even acting, Rome is of a higher caliber for the most part, the difference between a well-financed modern production and a theatre presentation put to film 35 years ago. In spite of that, there are many memorable characters here as well (John Hurt's Caligula, and Claudius himself are certainly unforgettable).
Having finished the complete Rome series (only 2 seasons), "I Claudius" picks up almost exactly where Rome ends, i.e. with Octavian (Augustus) and Livia now with children of their own. Even Marcus Agripa is still in the scene when the series begins. Occasionally "I, Claudius" borders on a soap, and as I said, it plods along somewhat in the beginning. But most will not be able to tear themselves away from it after getting through the third episode. Come to think of it, it took me a few episodes to get hooked on "Rome" as well. The acid test for me in this case was the fact that I actually spent one or two nights watching it until dawn. For a show to do that to me it has to be engaging. "I, Claudius" fits that bill once it gets rolling and I'd urge anyone who gets the series not to be put off by the initial 'stage' vibe. Even without the high production value of HBO's Rome, the basics of the storyline here should be enough for most to maintain interest. And having seen Rome already will really give you an edge on getting into it since you'll already be familiar with many of the main characters and background on Julius Caesar, how Augustus came to be emperor, etc - which is where "I, Claudius" begins. Another likable device used in this series is the voice-over narration by Claudius himself. The story is his tale.
For those who inevitably start getting confused by the plethora of family lines and character names, there is a small insert in the DVD set outlining who's who. And while another detracting factor is that there are no subtitles, the sound if turned up a bit is clear enough to be mostly well understood. I used subtitles with HBO's Rome (region 2) to get familiar with people and place names. I was sorry there were no subtitles here, but it really turned out to be much less of an issue than I thought it would be. Again, if you've already seen "Rome" you are in a much better position toward appreciating and understanding this series.
You haven't seen so many snakes in one basket since "Rome". Even without the lavishness or attention to detail that made Rome great, "I, Claudius" remains a mesmerizing tale.
The series consists of 13 one-hour episodes. They begin prior to Claudius' birth and continue through to his death. We are introduced to the men and women who were important imperial figures: Augustus, portrayed as a reluctant emperor; his wife Livia, mother of the nation, far more ambitious than any around her, and in many ways the power behind the dynasty; her sons Drusus and Tiberius, one destined to die early and the other to become emperor (the only emperor never to be deified, in fact); Agrippa, also ambitious but bumbling; Antonia, daughter of Marc Antony, and portrayed ultimately as the most honourable woman in Rome.
With this mix, the story begins of the jockeying for position within the royal family. Livia is determined that Tiberius succeed Augustus, and systematically eliminates all rivals. Whenever someone rises to prominence such that he might pose a challenge (Julia's sons, Germanicus, etc.) they are either discredited and exiled or, for safety sake, an accident or illness is arranged. After Livia is gone we see the rise and fall of Caligula, and the unlikely succession to power of Claudius. Once again intrigue enters in the form of the emperor's wife, not once, but twice, with finally Nero being favoured over Claudius' son Britannicus, who is murdered shortly after Claudius' death. Nero is the last of the Claudians, a prominent family Livia worked to hard to secure on the throne.
Perhaps the greatest scene is the dinner part in which Livia, Claudius, and Caligula are discussing prophecies and the future, at which point Livia confesses her crimes and her motivations to Claudius in hopes that he will, when emperor (a prediction he in no way believes), see to her deification.
Derek Jacobi plays Claudius (from young man to old) with great skill and care. Fortunately for Jacobi, whose career spans stage and screen as well, he has the acting ability to avoid being type-cast, but there is a tendency to default to Claudius (see the scene in the movie 'Dead Again' in which Jacobi plays a man with a stutter). Sian Phillips almost steals the show with her masterful portrayal of Livia. Her speech to the dying Augustus, explaining to him as he slips away why she was compelled to poison him, is a remarkable performance. Brian Blessed plays Augustus with skill. John Hurt, known for bizarre and eccentric performances, manages to interject the right amount of mania into Caligula.
Ultimately, Claudius did write histories and commentaries, but they have not survived. It is unknown if they did not survive due to political censorship (which I, Claudius implies) or because they simply weren't that good.
Alas, in truth, Claudius was neither as competent or caring an individual as one would believe from this re-creation. But it is fair to say that he was a good sight better than those before and after his reign. If you'll invest 13 hours in this series (and yes, it is worth it), take the time to invest a few hours in a legitimate history to find some of the historical realities that were 'glanced over lightly'.
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Brilliant.