Nicholas II

TOP 5 Books on the Life and Reign of Nicholas II

One of the questions I am asked most is “can you recommend a good book on Nicholas II?”

Putting aside the numerous beautiful pictorials which have been published over the years, I have compiled the following *list of 5 books, which for the most part, present an honest assessment on the life and reign of Russia’s last Emperor and Tsar.

In addition, are the following honourable mentions: Nicholas and Alexandra by Robert K. Massie (1967); Last Years of the Court at Tsarskoe Selo Volume I (2010) and Volume II (2017) by General Alexandre Spiridovitch; Thirteen Years at the Russian Court (1921) by Pierre Gilliard; At the Court of the Last Tsar (1935) by A.A. Mossolov; and The Coronation of Tsar Nicholas II (2012)

*NOTE: all of the books listed here are in English and listed in order of the year they were published. With the exception of Oldenburg’s 4-volume study, all the remaining titles are available from your favourite bookseller. Second hand copies can also be found on eBay, aLibris, Biblio, etc.

The Last of the Tsars: Nicholas II and the Russian Revolution
Author: Robert Service
Published in 2017 by Pan Macmillan (UK)
382 pages, illustrated

The Last of the Tsars was published just before the 150th anniversary of the birth of Emperor Nicholas II in 1868, and the 100th anniversary of his murder in 1918. I have to say that I was reluctant at first to read this book, however, once I got into it, I couldn’t put it down!

This book was researched and written by the well known British historian and Sovietologist Robert Service. Wile the author is clearly not one of Nicholas II’s adherents – he rehashes the negative Bolshevik assessment of the Tsar – this book is still worth a read.

Service’s meticulous research offers some very interesting new details about the last eighteen months of Nicholas II’s life. What sets Service’s book a cut above those previously written, is that he avoids the details of the murder and burial of the Tsar and his family, and instead, explains in intricate detail the events between the Tsar’s abdication in February 1917 and his death in July 1918.

Drawing on Nicholas II’s own diaries and other hitherto unexamined contemporary documents, The Last of the Tsars reveals a compelling account of the social, economic and political foment in Russia in the aftermath of Alexander Kerensky’s February Revolution, the Bolshevik seizure of power in October 1917 and the beginnings of Lenin’s Soviet republic.

***

The Romanov Royal Martyrs: What Silence Could Not Conceal
Published in 2019 by Mesa Potamos Publications (Cyprus)
508 pages, illustrated

The Romanov Royal Martyrs: What Silence Could Not Conceal draws on letters, testimonies, diaries, memoirs, and other texts never before published in English to present a unique biography of Tsar Nicholas II and his family. A lively portrait of the Imperial Family emerges from their own personal writings and in the writings of those who lived very close to them. Based strictly on primary sources, the book also brings to light a multitude of unknown and unrevealed facts, which evince that many truths in regard to the life and martyrdom of the Royal Martyrs remain silenced or distorted to this day. The result is a psychographic biography that explores the essential character of the royal family in a deeper and inspiring way.

This voluminous book includes nearly 200 black and white photographs, and also features a 56-page photo insert, of more than 80 high-quality images of the tsar and his family, all of which have been colourised by the acclaimed Russian artist Olga Shirnina (aka Klimbim), and appear here in print for the first time.

The Romanov Royal Martyrs: What Silence Could Not Conceal was my personal choice for Romanov Book of the Year in 2019. Click HERE to read my review, published on 18th November 2019.

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The Court of the Last Tsar: Pomp, Power and Pageantry in the Reign of Nicholas II
Author: Greg King
Published in 2006 by John Wiley & Sons, Inc. (US)
559 pages, illustrated

While a massive body of work has been devoted to the last of the Romanovs, The Court of the Last Tsar is the first book to examine the people, mysteries, traditions, scandals, rivalries, and riches that were part of everyday life during 22+ year reign of Nicholas II.

This richly illustrated volume includes 24-pages of colour photographs; more than 80 black-and-white photos; floor plans of the Winter Palace (St. Petersburg), the Alexander Palace (Tsarskoye Selo), the Grand Kremlin Palace (Moscow), among others.

King’s study draws on hundreds of previously unpublished primary sources, including memoirs, personal letters, diary entries, and official documents. His research invites you to experience dozens of extravagant ceremonies and entertainments attended by members of the Imperial Court, which numbered more than fifteen thousand individuals.

Chief among these, of course, was Nicholas II, Emperor and Tsar who ruled an empire that stretched over one-sixth of the earth’s land surface. His marriage to Princess Alix of Hesse in 1894 and their Coronation in 1896 are two of the most spectacular ceremonies described in this lavish volume.

The Court of the Last Tsar brings the people, places, and events of this doomed but unforgettable wonderland to vivid and sparkling life.

***

A Lifelong Passion: Nicholas and Alexandra, Their Own Story
Authors: Sergei Mironenko and Andrei Maylenas
Published in 1997 by Doubleday (US); Weidenfeld & Nicolson Ltd (UK)
559 pages, illustrated.

These letters, most of which are published here for the first time, offer an intimate look at some of the most momentous events of the early 1900s, including Russia’s participation in World War I and the fall of the Romanov dynasty in the October 1917 Bolshevik Revolution. Among the correspondents are Alexandra’s beloved but domineering grandmother, Queen Victoria of Great Britain, and Nicholas’ cousin, Kaiser Wilhelm II of Germany. Most poignant, though, are the letters and diaries of the last Tsar and Tsarina, which stand as eloquent expressions of one of the great love affairs of the late 19th and early 20th centuries.

A Lifelong Passion begins in 1884 with the couple’s first childhood meeting and chronicles their intense courtship and first joyful years of marriage. Their happiness, however, was not to last, as they were quickly overtaken by the forces of war and revolution. The discovery that their only son and heir Alexei was stricken with hemophilia opened the family to the formidable and perhaps malign influence of the monk Rasputin, whose gory death is here recounted by one of the murderers. Though unshaken in their love for one another, Nicholas and Alexandra could not hold their country together, and their story ends with a chilling account of their murder by the Bolshevik revolutionaries.

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Nicholas II: Twilight of the Empire
Author: Dominic Lieven
Published in 1993 by St. Martin’s Press (US); Pimlico (UK)
292 pages, illustrated

What is there new to say about Russia’s last monarch? Almost everything. Previous biographies have told of the shy family man, the father of the hemophiliac heir, the victim of the infamous murder at Ekaterinburg in 1918. This book provides new insights into those parts of the story, but it looks above all at Nicholas as political leader and emperor, as it portrays the Old Regime’s collapse and the origins of Bolshevik Russia in a way that will surprise readers.

Nicholas II was not stupid. Nor was he weak as is commonly thought. The dilemmas of ruling Russia were vast and contradictory, and it was an illusion to think that simply by agreeing to become a constitutional monarch Nicholas could have preserved his dynasty and empire. Drawing many eerie parallels to events unfolding in Russia today, Lieven shows that social and technological change had far outstripped the existing political and executive structures. Lieven argues that the inability of the Tsar and his government to recognize these growing anachronisms and to devise new systems constructively helped lead to the devastating chaos out of which the new order arose.

Drawing on his fifteen-year study of Imperial Russia and using archival material and other sources all over the world, Cambridge Research Professor Dominic Lieven shows that the downfall of both the Imperial and Soviet Regimes fit into a pattern of ongoing Russian history, one that bears close scrutiny if we are to understand the turmoil of the post-Cold War period.

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OUT OF PRINT, BUT A HIGHLY RECOMMENDED READ!

Last Tsar: Nicholas II, His Reign and His Russia – 4 Volumes
Author: Sergei S. Oldenburg
Published in 1975 by Academic International Press (US)
228 pages (Vol. I), 315 pages (Vol. 2), 224 pages (Vol. 3), 356 pages (Vol. 4)

The 4-volume Last Tsar. Nicholas II, His Reign & His Russia by the noted Russian historian and journalist Sergei Sergeiivich Oldenburg (1888-1940), remains the most comprehensive English language study of Nicholas II to date. Originally published in 1939 in Russian, the first English edition was not published until 1975.

It is a major document in modern Russian historiography. The final contribution of a Russian nationalist historian, it provides uniquely sensitive insights into the character, personality, and policies of Russia’s last tsar. It has no rival as a political biography of Nicholas II and is without peer as a comprehensive history of his reign.

Click HERE to read my article about this highly sought after set and its’ author Sergei Sergeiivich Oldenburg

Video tour of the Museum of Emperor Nicholas II in Moscow

Posted on 2 Days Ago by Paul Gilbert

CLICK on the image above to watch the VIDEO

Duration: 2 minutes, 57 seconds. Language: Russian

For English subtitles: please click on the closed captioning button [cc] and then use translate [i.e. Google]

NOTEl: at the beginning of the video, please note the bust of Emperor Nicholas II on a pedestal, situated to the left of the museum.

***

Situated in a quiet side street in the Basmanny district, situated in northeastern Moscow, is a small museum dedicated to Russia’s last Tsar. The Museum of Emperor Nicholas II, which is part of the Nicholas II Cultural Foundation was established in April 2018.

The Foundation was created to support the Museum of Emperor Nicholas II and his family, as well as other initiatives to restore and disseminate the historical truth about the life and reign of Emperor Nicholas II.

Both the Foundation and the Museum were fojnded by the famous Russian art historian Alexander Vasilyevich Renzhin. It was during the 1990s that Renzhin began to collect, bit by bit, everything related to Emperor Nicholas II and his family. During that time, he managed to amass a collection of more than 3,000 authentic items which reflect on the private lives of the Imperial Family from 1868 to 1918.

The museum’s collection includes sacred relics and unique icons that belonged to the Imperial Family: church utensils; rare books; ceremonial portraits of Emperors Alexander II, Alexander III, and Nicholas II; more than 500 original photographs; authentic autographs; state documents; porcelain and glassware; personal items of Nicholas II and Alexandra Feodorovna; memorial items of the Romanov dynasty; a complete set of state awards established by Nicholas II; postcards; chromolithographs; engravings and much more.

Of particular note is unique memorabilia from the Holy Coronation of Emperor Nicholas II in May 1896: earthenware glasses and plates decorated with the coats of arms and monograms H II [Nicholas II] and AF [Alexandra Feodorovna], miraculously preserved fine crystal glasses with engravings and paintings, cups, plates and saucers from the service with the new coat of arms introduced in 1856.

In the spring of 2008, Renzhin donated his collection as a gift to the Nikolo-Ugreshsky Monastery.

In February 2021, the Museum of Emperor Nicholas II was forced to close its doors, due to the COVID-19 pandemic, and the museum’s mounting debt of almost 9 million rubles (more than $13,000 USD) in arrears of rent.

A Russian oligarch Konstantin Malofeev, and founder of the Tsargrad TV channel, came to the rescue by providing Renzhin’s rare collection with a new venue in which to display his vast collection. The Museum of Emperor Nicholas II re-opened in the Museum of Russian Art, the former manor house of Nikolai Eremeevich Struisky (1749-1796) – situated in Moscow’s historical district – on 10th February 2021.

FURTHER READING:

The Great Pilgrimage of Emperor Nicholas II in 1913 + VIDEO

Museum of Emperor Nicholas II in Moscow + VIDEO

Museum of Emperor Nicholas II re-opens in Moscow + PHOTOS

Tutor to Nicholas II reflects on his August student

Posted on 2 Days Ago by Paul Gilbert

Portrait of Adjutant General Nikolai Nikolayevich Obruchev (1830–1904)
Artist: Nikolai Alexandrovich Yaroshenko (1846-1898)

Adjutant General Nikolai Nikolayevich Obruchev (1830–1904), tutor to Tsesarevich Nikolai Alexandrovich, reflects on the future Emperor Nicholas II

“Tsar Nicholas II was of average height – 5 feet and 7 inches (about 170 cm). His slender figure was impeccable in proportion to his build, shone with the exceptional elegance of his innate grace, which, combined with a military bearing, athletic perfection, and the gentle smoothness of the Sovereign’s movements, was the outward appearance of his Imperial majesty and Royal simplicity …

“The Tsar’s hair was golden-reddish in colour; somewhat darker than his always carefully trimmed, well-groomed beard. The features of his beautiful elongated face, which often shone with a charming smile, were his blue eyes. All who had the honour of ever seeing the Emperor up close, were struck by the bottomless depth of these wonderful eyes, in which, as in a mirror, his beautiful soul was reflected. His physical appearance was a worthy frame for his bright soul …

“I was always impressed with the mind and the wonderful spiritual qualities of my student and the ability of the Heir Tsesarevich to quickly grasp the essence of the subject being presented and his phenomenal memory. His English tutor said about his student: “He was very curious and diligent, causing even good-natured ridicule from others, and was overly keen on reading, spending most of his free time reading a book.” At the end of his education, the Heir Tsesarevich retained an interest in books throughout his life and continued to improve his knowledge by reading and talking with competent and outstanding people of his time and amazed them with his extensive knowledge on various subjects …”

The portrait of General N. N. Obruchev was painted in 1897 by the Russian artist of Ukrainian origin Nikolai Alexandrovich Yaroshenko (1846-1898)

After the revolution, the portrait of General Obruchev ended up in the collection of the Pavlovsk Palace Museum. In 1966, it was transferred to the N. A. Yaroshenko Memorial Museum-Estate in Kislovodsk.

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CLICK HERE TO REVIEW THE CATALOGUE

Cross procession in memory of the Holy Royal Martyrs held in Ekaterinburg

Posted on 3 Days Ago by Paul Gilbert

PHOTO: “Transfer of the Romanov family to the Ural Soviet”. 1927. Artist Vladimir Nikolaevich Pchelin (1869-1941). From the Collection of the Sverdlovsk Regional Museum of Local Lore in Ekaterinburg.

On 30th April 2024, a Cross Procession along the “Path of Sorrows” honouring the memory of Emperor Nicholas II, Empress Alexandra Feodorovna, and their daughter Grand Duchess Maria Nikolaevna was held in Ekaterinburg. The day marked the 106th anniversary of their arrival in the Ural capital from Tobolsk.

Accompanying them were a number of servants: Dr. Evgeny (Eugene) Sergeyevich Botkin, Prince Vasily Alexandrovich Dolgorukov, maid Anna Stepanovna Demidova, valet Terentiy Ivanovich Chemodurov and boatswain Ivan Dmitrievich Sednev.

Every year on this day, the Ekaterinburg Diocese prayerfully celebrate the memory of the Holy Royal Martyrs. In churches, prayers are made to the Holy Imperial Family, and people also honour them by taking part in the Cross Procession along the “Ekaterinburg’s Path of Sorrow”, to the places associated with them on the day of their arrival in the Ural capital.

The clergy of the Ekaterinburg Diocese lead the Cross Procession along the “Ekaterinburg Cross Procession”, they are joined by Orthodox Christians, monarchists and other adherent’s to the last Tsar and his family. Together they prayfully walk the Path of Sorrows, walking in the footsteps of the Tsar, his family and their faithful servants, expressing their love and reverence for them.

The “Ekaterinburg Path of Sorrows” begin at the place where Emperor Nicholas II, Empress Alexandra Feodorovna and Grand Duchess Maria Nikolaevna disembarked from the train on 30th April 1918. Here, near the Shartash Railway Station (in 1918 – Yekaterinburg-II Station), a Memorial Cross and foundation stone were installed. A church in honour of the Valaam Icon of the Mother of God, one of the three miraculous icons that appeared during the reign of Nicholas II, will be constructed on this site.

The Cross Procession then proceeds along Vostochnaya Street, where the Church of the Icon of the Mother of God “Port Arthur” was erected at the intersection with Shevchenko Street. Here, according to the historical version, on 23rd May 1918, Tsesarevich Alexei Nikolaevich, Grand Duchesses Olga, Tatiana and Anastasia Nikolaevna arrived by train, placed under arrest, and then taken to the Ipatiev’s House.

In 2008, a memorial stone was laid at the site, and in 2017, the construction of the Church of the Icon of the Mother of God “Port Arthur” was completed, the consecration of the church was performed by Metropolitan Kirill of Yekaterinburg and Verkhoturye.

Not far from the railway station, in Nevyansky Lane, stands the Church in Honour of the Reigning Icon of the Mother of God. It was consecrated in 2011 by Metropolitan Kirill of Yekaterinburg and Verkhoturye. In 1918, the Yekaterinburg-I Station was located here, and it was here on 30th April 1918, that the train carrying the Tsar, his family and their servants stood for several hours. An angry mob had gathered at the station, forcing the train to travel to the Yekaterinburg-II Station.

PHOTO: view if the mosaic panel depicting the Holy Royal Martyrs, situated in the Imperial Room, a side-chapel located in the Lower Church of the Church on the Blood

The Cross Procession along the Path of Sorrows ends at the Church on the Blood on Tsarskaya Street. The Memorial Church was constructed on the site of the Ipatiev House, demolished in 1977. It was here, in the early morning hours of 17tj July 1918, that the Imperial Family and four faithful servants met their violent deaths at the hands of a firing squad and their martyrdom. Situted in the Lower Church there is the “Tsar’s Room” aka as “The Imperial Room” – the altar of the side-chapel in honour of the Holy Royal Martyrs, which was erected on the site of the murder room, with the blessing of Metropolitan Kirill of Yekaterinburg and Verkhoturye for the Tsar’s Days 2018.

My efforts to clear the name of Russia’s much slandered Tsar – Paul Gilbert

Posted on 8 Days Ago by Paul Gilbert

During the month of May, we celebrate the anniversaries of the birth of Emperor Nicholas II in the Alexander Palace on 19th May (O.S. 6th May) 1868, and the Holy Coronation of Nicholas II in Moscow on 27 May (O.S. 14 May) 1896.

In recognition of these historic events, I am reaching out to friends and followers for donations to help support me in my research on the life and reign of Nicholas II, and my personal mission to clear the name of Russia’s much slandered Tsar.

There are many web sites, blogs and social media pages dedicated to the Romanovs. However, Despite the fact that I am now retired, I continue to work very hard searching Russian archival and media sources to bring something new to the table every day. This includes First English translations of articles researched by a new generation of Russian historians; news on the Romanovs, their palaces, exhibitions, etc; + photos, videos and more.

Your donation helps support my research, the cost of translations, maintenance of my news blog Nicholas II. Emperor. Tsar. Saint, and the organization and promotion of Romanov themed events, such as the 1st International Nicholas II Conference.

If you enjoy all the articles, news, photos, and videos which I personally research, write and share, please help support my work in the coming year ahead by making a donation.

Click HERE to make a donation in US Dollars by CREDIT CARD or PAYPAL

Donations as little as $5 are much appreciated, and there is NO obligation!

Thank you for your consideration.

Another way that you can support my work, is by purchasing my semi-annual periodical SOVEREIGN, which features articles on the life and reign of Nicholas II, his family and the history of Imperial Russia. The articles featured in each issue are based on new research from Russian media and archival sources. The No. 12 Winter 2024 issue includes 17 articles, 130 pages. 114 Black & White photos. Price: $20 USD.

Click on the link below to review a list of the 17 articles featured in this issue, and to order your copy from AMAZON:

CLICK HERE for more details and to order SOVEREIGN No. 12 Winter 2024 issue

*Please note that the No. 13 Summer 2024 issue will be available in July 2024

Video tour of the Museum of Nicholas II and his Family in Tobolsk

Posted on 9 Days Ago by Paul Gilbert

A new video of the Museum of the Family of Emperor Nicholas II in Tobolsk was released last week, which gives those of us who cannot travel to Russia at the present time, a wonderful opportunity to see the interiors and exhibits featured in the former Governor’s House, where the Imperial Family were held under house arrest from August 1917 to April 1918.

The commentary is in Russian, however, this should not stop those who do not understand the language from viewing this interesting tour.

Below, I have provided notes on some of the more interesting exhibits and interior details featured in this video tour. The times noted below indicate the location of the detail in the video:

The video opens with host Andrei Smirnov walking through the historic area of Tobolsk – the former capital of Siberia.

At 0:31 – Andrei Smirnov turns and points to the Kremlin.

At 0:45 – Andrei enters through the entrance to the former Governor’s House. The wooden fence has recently been recreated around the property, which provides visitors with a more accurate historic recreation of what the Imperial Family saw when they were permitted outside for walks and exercise.

At 1:15 – Andrei enters the Governor’s House, which is today known as the Museum of the Family of Emperor Nicholas II. Inside he meets Andrei Ivanov, who serves as a guide for groups visiting the museum.

At 1:45 – a full view of a scale model of the Governor’s House and grounds.

At 2:05 – tiny figures of Nicholas II and his children, sitting outside the Governor’s House, while being photographed. At 2:30, you can also see the tiny figures of some of the Imperial Family’s retainers crossing over a wooden walkway leading from the Kornilov House to the Governor;s House.

At 2:07 – a view of the main entrance to the Governor’s House (right), the greenhouse (left) and a partial view of the garden that the Imperial Family used to walk and exercise. The garden was surrounded by a wooden fence.

PHOTO: Emperor Nicholas II and Empress Alexandra Feodorovna seated on the balcony located above the entrance to the Governor’s House.

At 2:09 – the camera zooms in to the entrance and the balcony, situated on the upper floor. It was here that the Imperial Family would sit and watch the town’s residents pass by on a daily basis. Many of them would stop and make the sign of the cross and bowing towards the Imperial Family. It was on this balcony in what is believed to the last photograph (above) of Nicholas II and Alexandra Feodorovna was taken in early 1918.

At 2:11 – a scale model of the Kornilov House, situated across the street from the Governor’s House. It was here, that most of the Imperial Families servants and retirnue were housed.

At 2:27 – the garden appears much larger in the scale model than it does in vintage black and white photographs. The Emperor enjoyed all forms of physical exercise and activity. He spent much time in this garden, sawing and chopping wood, he even dug a small duck pond.

At 2:42 – the Dining Room, where the Imperial Family along with several of their faithful retainers dined together. A photograph shows where each of them sat during meals. The photographs on the table show who sat where.

At 3:00 – vintage photographs of the Imperial Family dining together in Tobolsk during their house arrest, as well as during happier times at Tsarskoye Selo, Livadia, even the Imperial Yacht ‘Standart‘. While at home, they did not dine surrounded by opulence and splendour, as did their ancestors, nor did they eat gourmet meals. Instead they enjoying more simple Russian and English fare. For instance, in happier times, afternoon tea usually consisted of nothing more than fresh bread with butter and a few biscuits.

At 3:43 – a beautiful tablecloth protected under glass, bearing the monogram of ‘Nikolai Alexandrovich’, made by the monks of a local monastery.

At 4:04 – account books and invoices which kept a record of the expenses for food and other essential items used by the Imperial Family. On display are receipts for “milk, cream, bread and Porcini mushrooms . . .”

At 4:25 – in recent years, a memorial plaque dedicated to the Imperial Family has been installed on the façade of of the Museum of the Family of Emperor Nicholas II in Tobolsk.

PHOTO: scale model of the Kornilov House, as seen in the video

At 4:27 – Andrei and the museum guide ascending the original staircase to the upper floor, where the Imperial Family slept.

At 4:50 – the staircase leads directly into the former Study of Emperor Nicholas II, who spent a lot of time here writing and reading.

At 5:09 – a piano which Empress Alexandra Feodorovna and the grand duchesses enjoyed playing in the evenings.

At 6:03 – Empress Alexandra Feodorovna’s room, where she spent much of her time doing embroidery and needlework, reading her books on religion, and resting. The original stucco ceiling has been preserved, it was cleaned and painted, however, one corner of the historic look can still be seen.

At 6:17 – this white natural silk shawl belonged to Empress Alexandra Feodorovna. The Empress’s wardrobe included several Manila shawls, one of which has been preserved to the present day and now in the collection of the museum.

At 6:39 – iconic photographs which depict Nicholas II and Alexei sawing and chopping wood in the garden, which supplied the Imperial Family with firewood during the cold Siberian winter of 1917/1918.

At 7:06 – the grand duchesses bedroom, which is filled with photographs of how they lived at both Tsarskoye Selo and Tobolsk.

At 7:28 – vintage photos of how the grand duchesses room looked during their stay decorate the wall. A folding army cot similar to what the grand duchesses slept stands against the wall.

At 8:11 – the bell tower of a nearby church is seen from a window of the upper floor, however, this is not the Church of the Annunciation of the Blessed Virgin, where the Imperial Family were temporarily allowed to walk to and worship in. This church was demolished by the Soviets in 1956.

At 8:44 – contemporary view of the facade of the former Governor’s House, now the Museum of Nicholas II and His Family, and a partial view of the recently reconstructed wooden fence which surrounded the house and grounds, where the Imperial Family were held under house arrest fromAugust 1917 to April 1918.

FURTHER READING:

*You can order this title from most AMAZON outlets, including
the United States, United Kingdom, Canada, Australia,
France, Germany, Spain, Italy, Netherlands, Poland, Sweden and Japan
*Note: prices are quoted in local currencies

CLICK HERE TO ORDER THE PAPERBACK EDITION @ $17.99 USD

English. Paperback. 246 pages with more than 80 Black & White photos

In August 1917, Russia’s last Tsar, his family and their retinue of faithful servants and retainers were exiled to Tobolsk in Siberia, where they were held under house arrest until April 1918.

The seven chapters in this book explore the eight months that the Imperial Family spent in captivity in the former mansion of the regional governor.

This book features the first Enlgish translations of Eugene Kobylinsky’s interrogation and Vasily Pankratov’s recollections, which provide twp very different eye witness accounts of the Tsar and his family.

In addition are chapters on the woman who photographed the Imperial Family in Tobolsk, the fate of the church where they worshipped, and the fate of both the Kornilov and Governor’s Houses.

This is the first book dedicated entirely to the Imperial Family’s stay in Tobolsk to be published in English.

Father Vasiliev: Confessor to the Imperial Family

Posted on 10 Days Ago by Paul Gilbert

PHOTO: Tsesarevich Alexei Nikolaevich and
Archpriest Alexander Petrovich Vasiliev. Livadia, 1912.

Alexander Petrovich Vasiliev (1868-1918), was an archpriest, tutor to the children of Tsar Nicholas II, confessor of the Imperial Family, and monarchist.

He was born into a peasant family in the village of Shepotovo, Smolensk Province. He was orphaned at an early age. He studied at the school of the famous pedagogue Sergei Aleksandrovich Rachinsky (1833-1902).

After graduating from school, Rachinsky facilitated Vasiliev’s admission to the Belsk Theological School, after which Alexander Petrovich entered the Bethany Theological Seminary, and then the St. Petersburg Theological Academy. In 1893, he graduated with the degree of Candidate of Theology.

While studying at the Academy, he married Olga Ivanovna. The couple had seven children.

On 19th July 1892, he was ordained to the priesthood and sent to St. Nicholas Church, where he served as rector, in the village of Yam-Izhora, Tsarskoye Selo District.

While studying at the Academy, and following the example of his first teacher S.A. Rachinsky, Vasiliev founded a temperance society. The first sermons on sobriety were delivered in the Church of the Righteous Prince Alexander Nevsky at the famous Vargunin paper mill in Maly Rybatskoye, a village located on the southeastern outskirts of St. Petersburg. Alexander Vasiliev’s sermons inspired the Vargunin workers to create a temperance society at the church. The first meeting was attended by 60 people, the second attracted 146 people.

In May 1894, he was transferred to the Church of the Presentation of the Lord in Polyustrovo, and from 7th September of the same year he combined his service in Sretensky Church with the rectorship of the Church of the Exaltation of the Holy Cross at the Holy Cross Community of Sisters of Mercy

PHOTO: Tsesarevich Alexei Nikolaevich with his tutors among others . . . from left to right: Assistant Chief of the Palace Police, Colonel N.P. Shepel; Alexei’s “sailor-nanny” A.E. Derevenko; French tutor Pierre Gilliard; Tsesarevich Alexei Nikolaevich; Russian language and literature tutor Pyotr Petrov and Archpriest Alexander Vasiliev. Spala 1912.

In 1910, Father Alexander was appointed spiritual father and tutor to the children of Emperor Nicholas II and Empress Alexandra Feodorovna.

According to eyewitnesses, members of the Imperial Family were very fond of the divine services performed by Father Alexander Vasiliev.

In his memoirs, Protopresbyter Georgy Ivanovich Shavelsky (1871-1951) reflected on Fr. Alexander Vasiliev: “Before his appointment to the Imperial Court, he enjoyed fame in St. Petersburg as an excellent public preacher, a practical teacher of law, and a beloved spiritual father. His excellent spiritual qualities, kindness, sympathy, simplicity, honesty, zeal for carrying out God’s work, and affability endeared him to both his disciples and his flock. …”

In 1913, he became an archpriest and first rector of the Feodorovsky Sovereign Cathedral in Tsarskoye Selo. In 1914, he was appointed as confessor to the Imperial Family.

He took an active part in the right-wing monarchist movement; in 1910 he was elected a member of the Russian People’s Union of the Archangel Michael (RNSMA). He attended the opening of the Conference of Monarchists, held in Petrograd on 21-23 November 1915.

PHOTO: Archpriest Alexander Vasiliev in
Fedorovsky Gorodok in Tsarskoye Selo. 1916.

In 1915, through the efforts of Father Alexander, a wooden church was built at the Tsarkoselskoye Brethren Cemetery, where soldiers of the Tsarskoye Selo garrison and soldiers who died in the hospitals of Tsarskoye Selo were buried.

On 7th September 1916, his son Sergei Alexandrovich, an officer of the Pavlovsk Regiment, died at the Front. Out of sympathy for her spiritual father’s grief, Empress Alexandra Feodorovna offered to transfer his other sons from combat units to the rear, but he refused, but his son’s death undermined his health.

Following the February 1917 Revolution and the abdication of Emperor Nicholas II, the head of the new Provisional Government Alexander Kerensky (1881-1970) decided to send the Imperial Family into exile to Siberia.

On the evening before their departure, Archpriest Alexander Vasiliev served a parting moleben before the Znamensky Icon of the Mother of God. With the departure of the Imperial Family to Tobolsk, the priest’s health began to deteriorate noticeably, and he began to experience severe pain in the heart.

In early 1918, he was appointed rector of the Church of St. Catherine the Great Martyr in Yekateringof. The monumental 5-domed church featured an altar and two side-chapels: the northern one dedicated to the Martyr Alexandra and the southern one to St. Nicholas the Wonderworker. The iconostasis was made by the Novgorod iconographer Chistyakov. The bell tower was built according to the project of the architect Vasily Dorogulin in 1871-1873. The church was destroyed by the Soviets in 1929.

On 29th August 1918, Father Alexander Vasiliev was arrested by the Cheka in Petrograd. On 5th September – the first day of the Red Terror – Archpriest Alexander Vasiliev was shot by a Bolshevik firing squad, along with the clergy of St. Catherine’s Church. Like so many victims of Lenin’s Red Terror, Vasiliev’s remains were most likely thrown into an unmarked mass grave and forgotten.

Memory Eternal! Вечная Память!

The fate of Tsesarevich Alexei’s Peugeot Bebe

Posted on 12 Days Ago by Paul Gilbert

PHOTO: 10-year-old Tsesarevich Alexei Nikolaevich, driving his motorcar, a Peugeot BP1 Bebe, accompanied by driver Adolfe Kegresse in front of the White Tower, situated in the Alexander Park, near the Alexander Palace at Tsarskoye Selo in 1914

Among the fleet of more than 50 motorcars that were used only by Emperor Nicholas II and members of his family was a fully functional, gasoline-powered Peugeot BP1 Bebe. The Peugeot Bébé was a line of the smallest cars that Peugeot produced between 1901 and 1919.

In 1912, the famous French automaker Peugeot released the Peugeot Bebe, designed by Ettore Bugatti, complete with a four-cylinder engine with a displacement of 855 cm3 and power of 10 hp. The model was first presented to the public at the Paris Motor Show in 1912.

The Peugeot Bébé came to Russia in May 1913 at the IV International Automobile Exhibition in St. Petersburg, an event that was attended by the Tsar. Its price was 4000 francs (with bodywork). In 1913 one franc was worth 0.37 kopecks, thus the pricetag for this motorcar worked out to 1900 rubles including taxes.

PHOTO: Tsesarevich Alexei riding along the pathways of the Alexander Park in the back seat of his Peugeot Bebe, 1914

Alexei’s paternal grandmother Dowager Empress Maria Feodorovna, bought a Peugeot BP1 Bebe motorcar for Tsesarevich Alexei on his nameday[1] – 18th October.

Alexei received the car on Sunday, 18th (O.S. 5th) October, 1914, and on Thursday, 22nd (O.S. 9th) October, Emperor Nicholas II wrote in his diary: “I took a brisk walk with Maria and Anastasia todat. We saw Alexei in the park, riding in a small motorcar presented to him on 5th October”.

PHOTO: 10-year-old Tsesarevich Alexei Nikolaevich, accompanied by driver Adolphe Kegresse in his Peugeot BP1 Bebe, near the White Tower in the Alexander Park. In the back seat is Grand Duchess Anastasia. Standing next to the motorcar is the French tutor Pierre Gilliard. 1914.

PHOTO: Tsesarevich Alexei taking his aunt Grand Duchess Olga Alexandrovna for a spin around the Alexander Park in his Peugeot BP1 Bebe. Standing in the background are Alexei’s sisters Grand Duchesses Anastasia and Maria Nikolaevna. 1914.

Since all members of the Imperial Family were avid amateur photographers, each of them had their own camera. Thousands of their personal photographs have survived to the present day, including several photographs in which Tsesarevich Alexei is photographed behind the wheel of his Peugeot Bebe.

Despite the fact that the motorcar was very light (350 kg) and had a length of about two and a half meters, the 10 hp engine allowed it to reach speeds of up to 60 km per hour.

Of course, Alexei did not “drive” his motorcar very often. His parents could not risk the safety of their hemophiliac son, since any injury received in an accident could be fatal for him. Therefore, they assigned the Tsar’s personal chauffeur Adolfe Kegresse (1879-1943) to accompany Alexei while he was out driving. His drives were restricted to the tree-lined alleys of the Alexander Park at Tsarskoye Selo, and he was only permitted to drive in first gear. According to witnesses, Alexei drove “quite confidently”. He often took his sisters and tutors on short drives.

PHOTO: after the 1917 Revolution, the Alexander Palace became a museum. Tsesarevich Alexei’s Peugeot BP1 Bebe was put on display, bext the wooden slide in the Marble Hall [aka the Mountain Hall]

Following the February 1917 Revolution, Tsesarevich Alexei’s Peugeot Bébé stood ownerless for a very long time. After Emperor Nicholas II’s collection of more than 50 motorcars housed in the Imperial Garage’s at Tsarskoye Selo, St. Petersburg, Moscow, Livadia and Mogilev were “confiscated” by the Provisional Government, the Peugeot Bebe remained at Tsarskoye Selo, where it was placed on display in the Marble Hall [aka the Mountain Hall] of the Alexander Palace, and removed from the lists of the Provisional Government Motor Depot.

In photographs taken in the 1920s of the Marble Hall in the Alexander Palace, Alexei’s motorcar is clearly visible, sitting next to the wooden slide, constructed in 1833, at the behest of Emperor Nicholas I and his wife Empress Alexandra Feodorovna.

PHOTOS: after the 1917 Revolution, the Alexander Palace became a museum. Tsesarevich Alexei’s Peugeot BP1 Bebe was put on display, bext the wooden slide in the Marble Hall [aka the Mountain Hall]

There is no doubt that the Bolsheviks considered Tsesarevich Alexei’s Peugeot Bébé as nothing more than an extravagant “toy” and of no historical value. The motorcar stood in the Alexander Palace until 1929.

In 1930, Alexei’s Peugeot BP1 Bebe was transferred to the collection of the Leningrad Palace of Pioneers, also housed in the Alexander Palace. During the 1930s, pioneers who were members of the motoring club learned to drive in the Tsesarevich’s motorcar. In 1942 – during the Great Patriotic War – a bomb hit the Anichkov Palace [where the Peugeot Bébé jad been moved], and Tsesarevich Alexei’s motorcar was irretrievably lost.

NOTES:

[1] Russians celebrate name days separately from birthdays. Celebrations range from the gifting of cards and flowers to full-blown celebrations similar to birthday parties. Such a celebration begins with attendance at the divine services marking that day (in the Russian tradition, the All-Night Vigil and Divine Liturgy), and usually with a festive party thereafter. The Russian Imperial family followed a tradition of giving name-day gifts.

Before the October Revolution of 1917, Russians regarded name days as important as, or more important than, the celebration of birthdays, based on the rationale that one’s baptism is the event by which people become “born anew” in Christ.

On this day – Nicholas II embarks on his final journey

Posted on 13 Days Ago by Paul Gilbert

PHOTO: Emperor Nicholas II, Empress Alexandra Feodorovna
and their daughter Grand Duchess Maria Nikolaevna

Today – 26th (O.S. 13th) April 1918 – marks the 106th anniversary of the transfer of members of the Russian Imperial Family from Tobolsk to Ekaterinburg. It was on this day, that they embarked on their final journey to Golgotha.

Emperor Nicholas II, Empress Alexandra Feodorovna, along with their daughter Grand Duchess Maria Nikolaevna departed Tobolsk for Ekaterinburg. They were accompanied by several members of their retinue. Together, they would be imprisoned in the Ipatiev House, and subsequently murdered in the early morning hours of 17th July 1918. There were no survivors.

In the early morning hours of 26th (O.S. 13th) April 1918 they departed Tobolsk under the escort of Vasily Yakovlev’s detachment, which comprised of a convoy of nineteen tarantasses (four-wheeled carriages). Yakovlev was acting on order from the Bolshevik leadership to “deliver Nicholas II to the red capital of the Urals” – Ekaterinburg.

PHOTO: A very sad photo . . . the tarantasses which transported Emperor Nicholas II, Empress Alexandra Feodorovna and Grand Duchess Maria Nikolaevna from Tobolsk to Tyumen, and then by train to Ekaterinburg. This photo was hastily shot by Charles Sydney Gibbes from the window of the Governor’s Mansion on the morning of 26th (O.S. 13th) April 1918.

As Tsesarevich Alexei Nikolaevich was very ill, he remained in Tobolsk, with his three sisters Grand Duchesses Olga, Tatiana and Anastasia, as well as Pierre Gilliard, Charles Sydney Gibbes and other members of the family’s retinue. They reunited with their parents and sister in Ekaterinburg the following month.

From the diary of the Tsar that day: “At 4 o’clock in the morning we said goodbye to our dear children and climbed into the tarantases. The weather was cold, with an unpleasant wind, the road was very rough with terrible jolts from a seized-up wheel.”

Update on the restoration of the Imperial Railway Pavilion at Tsarskoye Selo

Posted on 23 Days Ago by Paul Gilbert

PHOTO: the Imperial Railway Pavilion [aka as the The Tsar’s Train Station] at Tsarskoye Selo and it’s architect Vladimir Aleksandrovich Pokrovsky (1871-1931)

NOTE: links to other interesting articles are highligted in red below – PG

Further to my August 2023 announcement that the Imperial Railway Pavilion at Tsarskoye Selo would be restored, I am pleased to provide the following update, which includes photos [taken in March 2024] of the progress being made on this important historic project, one which is closely connected to Emperor Nicholas II.

The building is currently hidden under scaffolding and outdoor construction hoarding, as experts carry out the restoration of the facade, it’s historic elements and install a new roof. This work can be seen in the photos published in this article, all of which were taken a few weeks ago.

The Imperial Railway Pavilion [aka as the Tsar’s Train Station] is a registered cultural heritage site of federal significance, an act which saved the building from destruction. Despite the fact that the building has not been used since the 1930s, it has been preserved in fairly good condition. The unique building will be restored to its original. In addition to the building itself, the 200-meter passenger platform and canopy will be reconstructed and the unique paintings which once decorated the walls and ceilings of the interior, and which have been partially revealed by restorers, will be revived.

The next stage, after a detailed study, will be the design, and then the restoration. The concept of using the building as a museum after the completion of the work will also be worked out.

The restoration work on the Imperial Railway Pavilion is part of a comprehensive development proect which includes the nearby Feodorovsky Gorodok, and other buildings to their original pre-revolutionary look.

The original wooden Imperial Railway Pavilion and the covered platform were constructed in 1895. They were intended to receive Imperial Trains arriving at Tsarskoye Selo through the Aleksandrovskaya Station, which is situated north of the pavilion on the St. Petersburg-Warsaw railway line.

On 25th January 1911, the wooden station was destroyed by fire. It was decided to erect a new stone building on the same site by the architect Vladimir Aleksandrovich Pokrovsky (1871-1931) with the participation of a graduate of the Academy of Arts Mikhail Ivanovich Kurilko (1880-1969).

The new pavilion was designed in the Neo-Russian Style beloved by Nicholas II. The Fepdorovsky Gorodok, the Feodorovsky Sovereign Cathedral, the Sovereign’s Martial Chamber, and the barracks of His Majesty’s Own Convoy were all built in the same style. Together, they form an architectural ensemble in which motifs of ancient Russian architecture were used. In addition, the planning and design of the Imperial Railwat Pavilion was influenced by the Imperial Railway Station, which has survived to this day at the Vitebsky Railway Station in St. Petersburg.

The front part of the building consists of three halls. In the center there is a square lobby with a front porch, large enough to accomodate automobiles and carriages. The halls on the sides of the vestibule were intended for the Emperor and his retinue: on the south side was the Tsar’s Hall, on the north side – the Retinue Hall. A metal canopy was built above the platform and tracks, adjacent to the eastern façade of the station.

Paintings became an unusual decoration of the walls and ceilings of the building’s interior. They were made using a tempera-glue technique on plaster. A unique painting has been partially preserved [see photo below] to this day, which will allow experts to restore it in full to its original.

During the First World War of 1914-1917, the Imperial Railway Pavilion was used to receive wounded Russian soldiers, who were transferred to the hospital established by the Empress Alexandra Feodorovna in the Feodorovsky Gorodok. And after the Revolution of 1917, it was renamed the Uritsky Pavilion and was used as a dormitory for workers of the Track Repair of the Mechanical Plant.

The Tsarist emblems were removed from the building’s facade, and the ceremonial halls were divided by walls. The building began to lose its former grandeur and ceremonial appearance: the porch was adapted for the kitchen, furniture, lamps, objects of decorative and applied art were lost.

Now in the 21st century, a new life awaits the former Imperial Railway Pavilion. Following completion of the reconstruction of the building and restoration of the interiors, the Board of Trustees of the Tsarskoye Selo Station Foundation, will discuss proposals for the future use of the building.