The Lark Ascending by George Meredith - Famous poems, famous poets. - All Poetry

The Lark Ascending

He rises and begins to round,
He drops the silver chain of sound
Of many links without a break,
In chirrup, whistle, slur and shake,
All intervolv’d and spreading wide,
Like water-dimples down a tide
Where ripple ripple overcurls
And eddy into eddy whirls;
A press of hurried notes that run
So fleet they scarce are more than one,
Yet changingly the trills repeat
And linger ringing while they fleet,
Sweet to the quick o’ the ear, and dear
To her beyond the handmaid ear,
Who sits beside our inner springs,
Too often dry for this he brings,
Which seems the very jet of earth
At sight of sun, her music’s mirth,
As up he wings the spiral stair,
A song of light, and pierces air
With fountain ardor, fountain play,
To reach the shining tops of day,
And drink in everything discern’d
An ecstasy to music turn’d,
Impell’d by what his happy bill
Disperses; drinking, showering still,
Unthinking save that he may give
His voice the outlet, there to live
Renew’d in endless notes of glee,
So thirsty of his voice is he,
For all to hear and all to know
That he is joy, awake, aglow,
The tumult of the heart to hear
Through pureness filter’d crystal-clear,
And know the pleasure sprinkled bright
By simple singing of delight,
Shrill, irreflective, unrestrain’d,
Rapt, ringing, on the jet sustain’d
Without a break, without a fall,
Sweet-silvery, sheer lyrical,
Perennial, quavering up the chord
Like myriad dews of sunny sward
That trembling into fulness shine,
And sparkle dropping argentine;
Such wooing as the ear receives
From zephyr caught in choric leaves
Of aspens when their chattering net
Is flush’d to white with shivers wet;
And such the water-spirit’s chime
On mountain heights in morning’s prime,
Too freshly sweet to seem excess,
Too animate to need a stress;
But wider over many heads
The starry voice ascending spreads,
Awakening, as it waxes thin,
The best in us to him akin;
And every face to watch him rais’d,
Puts on the light of children prais’d,
So rich our human pleasure ripes
When sweetness on sincereness pipes,
Though nought be promis’d from the seas,
But only a soft-ruffling breeze
Sweep glittering on a still content,
Serenity in ravishment.

For singing till his heaven fills,
’T is love of earth that he instils,
And ever winging up and up,
Our valley is his golden cup,
And he the wine which overflows
To lift us with him as he goes:
The woods and brooks, the sheep and kine
He is, the hills, the human line,
The meadows green, the fallows brown,
The dreams of labor in the town;
He sings the sap, the quicken’d veins;
The wedding song of sun and rains
He is, the dance of children, thanks
Of sowers, shout of primrose-banks,
And eye of violets while they breathe;
All these the circling song will wreathe,
And you shall hear the herb and tree,
The better heart of men shall see,
Shall feel celestially, as long
As you crave nothing save the song.
Was never voice of ours could say
Our inmost in the sweetest way,
Like yonder voice aloft, and link
All hearers in the song they drink:
Our wisdom speaks from failing blood,
Our passion is too full in flood,
We want the key of his wild note
Of truthful in a tuneful throat,
The song seraphically free
Of taint of personality,
So pure that it salutes the suns
The voice of one for millions,
In whom the millions rejoice
For giving their one spirit voice.

Yet men have we, whom we revere,
Now names, and men still housing here,
Whose lives, by many a battle-dint
Defaced, and grinding wheels on flint,
Yield substance, though they sing not, sweet
For song our highest heaven to greet:
Whom heavenly singing gives us new,
Enspheres them brilliant in our blue,
From firmest base to farthest leap,
Because their love of Earth is deep,
And they are warriors in accord
With life to serve and pass reward,
So touching purest and so heard
In the brain’s reflex of yon bird;
Wherefore their soul in me, or mine,
Through self-forgetfulness divine,
In them, that song aloft maintains,
To fill the sky and thrill the plains
With showerings drawn from human stores,
As he to silence nearer soars,
Extends the world at wings and dome,
More spacious making more our home,
Till lost on his aërial rings
In light, and then the fancy sings.
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Analysis (ai): The poem depicts a lark's soaring flight and joyful song, evoking a sense of pure joy and the interconnectedness of all living things. Its musicality and repetition create a hypnotic rhythm, reflecting the lark's unrestrained outpouring of joy. The poem's imagery of water and nature conveys a sense of fluidity and renewal, while the bird's song inspires a profound sense of harmony and contentment.

Compared to the author's other works, this poem stands out for its lightness and optimism, moving away from the more somber themes of his earlier works. It reflects the Victorian era's fascination with nature, beauty, and the power of music. The poem's emphasis on the joy and freedom found in the natural world mirrored the era's desire to escape the constraints of industrialization and urban life.
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TomP8 - I have never read a poem which so adequately describes the experience a person can have when hearing a sound.  I mean the experience when you are "taken back" or taken away from the present reality even momentarily, and taste what can only be described as a heavenly sensation.  Meredith points out that what the lark does with his song, we cannot do with our crude voices.  We can appreciate but we cannot immitate.  But he points out that the way people have lived or are living their lives can have the same inspirational and uplifting effect.  "Yet men have we..."
on Mar 05 2022 09:17 AM PST   x  edit
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- Par excellence!
on Sep 04 2020 05:21 PM PST   x  edit
- Thoughtful!
on Sep 28 2020 04:27 PM PST   x  edit
Linda Marshall - Vaughan Williams' music was worthy of a better poem than this. Meredith never wrote much poetry of quality.
on Sep 05 2019 05:42 PM PST   x  edit
R.C. Cohn - I am not his fan.
on Sep 05 2019 04:41 PM PST   x  edit
- Very nicely written.

Nicely penned
on Sep 05 2019 01:34 AM PST   x  edit
Rebecca Parris - It's a pity that the picture is wrong. Skylarks are mottled brown, at least they are in Britain. Could it be that there are birds called skylarks, that look like the one pictured, in other countries?
on Jul 11 2019 12:02 PM PST   x  edit
Mark Maddox - Its a Lark Bunting in the picture Rebecca if you are still out there wondering!
on Dec 19 2021 10:11 AM PST   x  edit
Mark Maddox - Lark Bunting (Calamospiza melanocorys), so its a bunting not a lark!
on Dec 19 2021 10:11 AM PST   x  edit
Terry Collett - Good poem.
on Sep 04 2016 04:01 AM PST   x  edit
Himanshu singla - df
on May 06 2015 04:39 AM PST   x  edit
Himanshu singla - 5
on May 06 2015 04:39 AM PST   x  edit

Comments from the archive

LarryATilander - I like the it, but he does ramble on. Quite well written though.
on Mar 30 2010 11:01 AM PST   x  edit
- Such a brilliant poem. What more is there to say?
on Mar 30 2010 01:12 AM PST   x  edit
I-Like-Rhymes - To paraphrase

"A Skylark ... such a bird thou never wert, "
Thanks for the heads-up, I have adjusted the picture.
Jim
Oldpoetry Team
on Mar 30 2010 01:12 AM PST   x  edit
Teddybard - still a brilliant poem.

whats the thing in the picture it sure as hell is not a skylark

KT
on Mar 29 2010 06:58 PM PST   x  edit
Phatalvision - Thank you. It is now "music's mirth", as it should be.
on Mar 28 2010 12:28 PM PST   x  edit
- From guest Charles DeFanti (contact)
It's "music's mirth," not "musci's mirth" in line 18.
on Mar 28 2010 12:06 PM PST   x  edit
- From guest Espri (contact)
A beautiful work. I love the music that Vaughan Williams composed that correllates.
on Dec 14 2007 03:25 AM PST   x  edit
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