Best Timothée Chalamet Movies: 'Wonka,' 'Dune,' 'Lady Bird,' and More
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The Best Timothée Chalamet Performances: ‘Lady Bird,’ ‘Little Women,’ ‘Dune,’ ‘Wonka,’ and More

"Call Me By Your Name," "Beautiful Boy," and more peachy performances from the young star.
Best Timothee Chalamet Films
Clockwise from bottom left: "Little Women," "Wonka," "Dune: Part Two," "Call Me By Your Name," and "Bones and All."
Courtesy Everett Collection

[Editor’s note: This list was originally published in December 2024, and has since been updated with new entries.]

There are few stars of his age who generate as much foaming at the mouth celebrity obsession as Timothée Chalamet. Ever since the one-two punch of “Lady Bird” and “Call Me By Your Name” arrived in 2017, the young actor has been the darling of social media fan accounts fawning over his signature long black hair and delicate, porcelain features. It’s made him the archetypal onscreen heartthrob of his generation and garnered him those pesky Leonardo DiCaprio comparisons that have lingered over the course of his career.

Does that online thirst translate into being a movie star? That’s a question that various outlets have tried to unpack over the course of Chalamet’s career with varying degrees of success. He certainly has the chops for it: beyond his pretty, pretty face, Chalamet has a sensitive onscreen presence that can be played straight — as in “Call Me By Your Name,” where he’s heartbreakingly earnest as a queer young man going through a formative sexual awakening — or amusingly subverted, as seen in his performance as the pretentious boyfriend in “Lady Bird.”

But beyond his name-making films, Chalamet hasn’t landed in a specific Hollywood niche. His juiciest role after his initial breakout was in “Little Women,” where he re-teamed with “Lady Bird” director Greta Gerwig to again play a supporting role for Saoirse Ronan’s free-spirited Jo March. But as a leading man, he’s struggled to find the films that give his talents a real platform. He was good in forgettable prestige bait like “The King” and “Beautiful Boy,” and admirably weird in “Bones and All,” his second collaboration with “Call Me By Your Name” director Luca Guadagnino. Nothing he’s done has brought him back to the Oscar stage since “Call Me By Your Name” netted him a Best Actor nomination, becoming one of the youngest stars of all time to receive that honor. There was also “Wonka,” and while it’s fun to see an actor with such a cool kid reputation star in something as endearingly dorky as a “Charlie and the Chocolate Factory” prequel musical from the guy who made the “Paddington” films, it isn’t the type of film that helps a budding still-young A-lister fully bloom.

Looking at this list, you’ll note a general absence of blockbuster action films in his resume. There’s one obvious exception to this: Denis Villeneuve’s “Dune” films, in which he takes on the role of Paul Atreides, the messiah figure of Frank Herbert’s seminal science fiction saga. The original 2021 film was a financial and critical success, but its release was hampered slightly by the pandemic. So it’ll be fascinating to see how the better received “Part Two,” which immediately picks up from the first film’s conclusion, performs in theaters after a nearly three-year wait and intense hype. Could a brainy sci-fi epic be what firmly mints and verifies Chalamet as a true blue movie star? Stranger things have happened, but if not, he’ll take a more classic approach in his next project, going the biopic route to portray a young Bob Dylan in James Mangold’s long-delayed “A Complete Unknown.”

With “Dune: Part Two” releasing in theaters, IndieWire decided to look at the best films in Chalamet’s growing roster of great performances. Although many films on this list aren’t exactly modern classics, Chalamet shines brightly in all of them, and the movies are ranked based on his performance in them rather than their overall quality as projects. Read on for our ranking of the top 12 best Timothée Chalamet performances so far, ranked from so-called “worst” to best.

With editorial contributions from David Ehrlich.

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