| The Indian Craze: Primitivism, Modernism, and Transculturation in American Art, 1890–1915 E Hutchinson Duke University Press, 2009 | 220 | 2009 |
| Seeing High and Low: Representing Social Conflict in American Visual Culture S Burns, D Steinberg, PM Burnham, M Debakis, J Simon, P Hills, ... Univ of California Press, 2006 | 53 | 2006 |
| Modern Native American Art: Angel DeCora's Transcultural Aesthetics E Hutchinson The Art Bulletin 83 (4), 740-756, 2001 | 29 | 2001 |
| The Indian Craze: Primitivism E Hutchinson Modernism, and Transculturation in, 1890 | 26 | 1890 |
| Louis Comfort Tiffany and Laurelton Hall: an artist's country estate AC Frelinghuysen, E Hutchinson Metropolitan museum of art, 2006 | 18 | 2006 |
| From Pantheon to Indian Gallery: Art and Sovereignty on the Early Nineteenth-Century Cultural Frontier E Hutchinson Journal of American Studies 47 (2), 313-337, 2013 | 16 | 2013 |
| “The Dress of His Nation” Romney’s Portrait of Joseph Brant E Hutchinson Winterthur Portfolio 45 (2/3), 209-228, 2011 | 14 | 2011 |
| Progressive primitivism: race, gender and turn-of-the-century American art EW Hutchinson Stanford University, 1999 | 11 | 1999 |
| When the" Sioux Chief's Party Calls": Käsebier's Indian Portraits and the Gendering of the Artist's Studio E Hutchinson American art 16 (2), 41-65, 2002 | 9 | 2002 |
| They Might Be Giants: Carleton Watkins, Galen Clark, and the Big Tree E Hutchinson October 109, 47-63, 2004 | 8 | 2004 |
| Handicraft, Native American Art and Modern Indian Identity E Hutchison Seeing high and low: Representing social conflict in American visual culture …, 2006 | 6 | 2006 |
| Indigeneity and sovereignty: The work of two early twentieth‐century Native American art critics E Hutchinson Third Text 14 (52), 21-29, 2000 | 5 | 2000 |
| A “Narrow Escape” Albert Bierstadt’s Wreck of the “Ancon” E Hutchinson American Art 27 (1), 50-69, 2013 | 2 | 2013 |
| Nature's Nation Revisited E Hutchinson American Quarterly 56 (4), 1089-1097, 2004 | 2 | 2004 |
| Native American Identity in the Making: Gertrude Käsebier’s ‘Girl with the Violin’ E Hutchinson Exposure 33, 21-32, 2000 | 2 | 2000 |
| Native American Art at Laurelton Hall E Hutchinson Louis Comfort Tiffany and Laurelton Hall: An Artist’s Country Estate …, 0 | 2 | |
| The Materiality of Color: The Production, Circulation, and Application of Dyes and Pigments, 1400–1800 E Hutchinson Early American Literature 50 (2), 567-571, 2015 | 1 | 2015 |
| 5. Angel DeCora’s Cultural Politics E Hutchinson The Indian Craze, 171-220, 2009 | 1 | 2009 |
| Native American Identity in the Making: Gertrude Kasebier's" Girl with the Violin" E Hutchinson EXPOSURE-NEW YORK THEN DAYTONA BEACH- 33 (1/2), 21-32, 2000 | 1 | 2000 |
| Hearts of Our People: Native Women Artists, by Jill Ahlberg Yohe and Teri Greeves, eds. Seattle: University of Washington Press, 2019. Exh. cat. 344 pp.; 400 color … EW Hutchinson The Art Bulletin 102 (4), 150-155, 2020 | | 2020 |
