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Edmund Dulac's illustrations from: Arabian Nights, Beauty and the Beast, Dreamer of Dreams, Daughters of the Stars, Edmund Dulac's Picture Book for the Red Cross, Fairies I have Met, Fairy Tales of Hans Christian Andersen, The Garden of Paradise, Gods and Mortals in Love, Kingdom of the Pearl, Le Papillon Rouge, The Little Mermaid, The Raven and Other Poems, The Rubaiyat, Stealers of Light, The Snow Queen, Tanglewood Tales, The Tempest. In addition to book illustrations, Dulac also illustrated magazines, and designed stamps and banknotes.
Also see Edmund Dulac Catalog by Book
The Entomologist's Dream is an illustration for the story, Le Papillon Rouge (The Red Butterfly) by Gerard D'Houville. The story was published in the Christmas 1909 edition of L'Illustration, the French news and art magazine. In the story, the entomologist is driven mad by his failure to find a blood red butterfly for the lady whose attentions he seeks. One night, after many years of searching, he ransacks his entire butterfly collection. As he frees the insects from their cases, they magically wake and fly off into the night. The entomologist is heartbroken, and is discovered dead in the morning.
Dreamer of Dreams is the second of two books written by the much-loved Queen Marie of Romania that Edmund Dulac illustrated. Marie was the daughter of Prince Alfred, the second son of Queen Victoria and Prince Albert.
Stealers of Light (1916) is another tale that Dulac illustrated by Marie, Queen King of Romania, 1875-1938. She was born a British royal princess, Princess Marie of Edinburgh. At 16, she married Ferdinand I of Romania after turning down a marriage to her first cousin, King George V of England. During her reign, Bram Stoker wrote Dracula, making her adopted country synonymous with vampires. Being a princess was hard enough, but being Queen of Transylvania was even more difficult.
The Kingdom of the Pearl was written by well-known Parisian jeweler, Leonard Rosenthan, in 1919 and published in Paris as Au Royaume de la Perle. He commissioned Dulac for 10 illustrations for the deluxe English edition published in 1920 in London by Nisbet & Co. They are done in a Persian miniature style, but uniquely Dulac.
The picture book was Dulac's contribution to WWI relief efforts. He also contributed to Princess Mary's Gift Book.
Cerberus, the Black Dog of Hades
The Story of Aucassin and Nicolette
The Rubaiyat: Peace to Mahmud on his golden Throne!
The Rubaiyat: A Solitary Ring-Necked Dove
The Rubaiyat: I Stopped to Watch a Potter
The Rubaiyat: Angel of the drink of Darkness
The Rubaiyat: An Angel Came Shining through the Dusk
The Rubaiyat: All are But Stories
The Rubaiyat: Heav'n But the Vision of Fulfill'd Desire
The Rubaiyat: The Face of Wretched Man
The Rubaiyat: That Spring Should vanish with the Rose
The Rubaiyat: Turned Down an Empty Glass
The Rubaiyat: Hidden by the Sleeve of Night
Only two Dulac illustrations were completed when The Daughters of the Stars was published in 1939, earlier than planned due to the outbreak of WWII. He designed the entire volume, including the chapter heads and scroll designs.
back to main catalog by artist
edmund dulac's picture book for the red cross
fairy tales of hans christian andersen
the raven and other poemsA couple of these are our sister sites
Art Passions Fairy Tale Scholarship blogSur La Lune Annotated Fairy Tales
Open Culture Center for Story and Symbol Resources
Art of Myth and Fairy Tale (art prints)
William Morris articles at William Morris Tile
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Copyright information: Images on this website are believed to be copyright free. My words, however, are not so don't lift them and claim them as your own. If you believe there is a copyright issue, please see the FAQ for how to proceed. That said, I have spent no small amount of money on antique books and done a lot of work scanning and cleaning up the art here. Some sites, such as Wiki Art and others have made available much of my work without attribution. That kind of takes the fun out of it. Still, you are welcome to use the images for any purpose, including displaying them on your blog or personal website, sharing them on social media, creating derivative works, and making their beauty available to others. Attribution is nice, but not required.