Dopo che un traghetto viene bombardato a New Orleans, un agente dell'A.T.F. si unisce ad un'indagine utilizzando una tecnologia di sorveglianza sperimentale per trovare l'attentatore.Dopo che un traghetto viene bombardato a New Orleans, un agente dell'A.T.F. si unisce ad un'indagine utilizzando una tecnologia di sorveglianza sperimentale per trovare l'attentatore.Dopo che un traghetto viene bombardato a New Orleans, un agente dell'A.T.F. si unisce ad un'indagine utilizzando una tecnologia di sorveglianza sperimentale per trovare l'attentatore.
- Premi
- 1 vittoria e 6 candidature
- Beth
- (as Donna Scott)
Trama
Lo sapevi?
- QuizThe movie went through pre-production in New Orleans. Just a few weeks before production was to begin, Hurricane Katrina devastated the city. With the location in ruins, the movie made the decision to find a new location to shoot. A few weeks after the decision, canceling the movie altogether was in talks. Finally, three months after the hurricane, the film returned to New Orleans, Louisiana and began pre-production once again.
- BlooperAgent Carlin discovers the evidence of blasting caps washed ashore at 1245; he returns the call to the victim at 1318 (1:18pm). He seems to do quite a lot in those 33 minutes: investigates the surface and underside of the Crescent City Bridge, visits the police department to notify them that it is a crime scene, gets a cup of coffee there (by inquiring the location of the coffee pot), drives back to the ATF office, and attempts to reach his partner.
- Citazioni
Doug Carlin: Everything you have, you lose, right? Mother, father - gone. Good looks, Pryzwarra? - gone. Loved ones gone in a second. That's what this job teaches you, isn't it? No matter what, no matter how hard you grab onto something - you still lose it, right?
- Curiosità sui creditiThe opening production logos stop in mid-sequence, reverse for a moment, then stop again and continue forward.
- Colonne sonoreWhen The Saints Go Marching In
Traditional
Performed by the US Navy Southwest Regional Band
First of all, the cinematography was stunning. Tony Scott and his DOP, Paul Cameron, do fantastic work -- every shot is beautifully composed. And all the footage that involves a cast of thousands (meaning the crowd scenes) is masterful work.
I don't know why I started with commenting on the photography (also the editing) of this movie. It's probably because that is what struck me from the very beginning, particularly when there is so much going on in the opening sequence. Yet you never get lost. Above all, the performances and story are great and really suck you in. Yes, this movie requires a fair bit of suspension of disbelief. I would go so far as to say the plot was far-fetched, but the heart of the story just takes you along for the ride.
For the record, I felt Scott's most recent teaming with Denzel, Man on Fire, was one of the best movies of 2004. I don't think Deja Vu is as good as Man on Fire, but it's right up there as one of the most entertaining and thrilling movies I've seen this year.
For sheer entertainment and an intriguing (though not flawless) plot, Bruckheimer, Scott and Co. sure have DELIVERED the goods.
I recommend you see Deja Vu on the big screen with a big, loud audience for maximum enjoyment. Part of the appeal last night was exactly that; hearing the audience -- as one -- laugh, applaud and sigh along with this movie and getting swept up in that communal experience.
post scriptum -- Any fans of Otto Preminger's wonderful 1994 classic Laura may be delighted by the echoes of that storyline in Deja Vu.
- maxmillion99
- 9 nov 2006
I più visti
Dettagli
Botteghino
- Budget
- 75.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 64.038.616 USD
- Fine settimana di apertura Stati Uniti e Canada
- 20.574.802 USD
- 26 nov 2006
- Lordo in tutto il mondo
- 180.557.550 USD
- Tempo di esecuzione2 ore 6 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.39 : 1