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Cafe Society [Blu-ray + DVD + Digital HD]
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Additional Blu-ray options | Edition | Discs | Price | New from | Used from |
Blu-ray
February 1, 2020 "Please retry" | — | 1 | $14.88 | $13.99 |
Watch Instantly with | Rent | Buy |
Café Society | — | — |
Purchase options and add-ons
Genre | Romance |
Format | Subtitled, NTSC, Widescreen |
Contributor | FilmNation Entertainment; Gravier Productions, Inc., Kristen Stewart, Steve Carell, Jeannie Berlin, Blake Lively, Letty Aronson, Corey Stoll, Woody Allen, Ken Stott, Parker Posey, Jesse Eisenberg, Stephen Tenenbaum, Edward Walson See more |
Language | English |
Runtime | 1 hour and 36 minutes |
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Video/Audio/Subtitles
- Codec: MPEG-4 AVC
- Resolution: 1080p
- Aspect ratio: 2.00:1
- Original aspect ratio: 2.00:1
- English: DTS-HD Master Audio 5.1
- English, English SDH, Spanish
Cafe Society [Blu-ray + DVD + Digital HD]
A young man arrives in Hollywood during the 1930s hoping to work in the film industry. There, he falls in love, and finds himself swept up in the vibrant café society that defined the spirit of the age.
Café Society is presented on Blu-ray courtesy of Lionsgate Films with an AVC encoded 1080p transfer in 2.00:1.
Cinematographer Vittorio Storaro is of course a legend in his field, having lensed such classics as The Bird With the Crystal Plumage, The Conformist, Last Tango in Paris, 1900 , Apocalypse Now and The Last Emperor. Storaro lights things magnificently throughout the picture, and even with some scenes graded (or lit) to a buttery yellow color, detail levels remain uniformly high. Fine details on costumes and other fabrics are virtually tactile at times, and close-ups offer precise looks at elements like facial pores and flyaway hair. Even some dimly lit scenes (including a wonderfully evocative candlelit sequence) don't really suffer much if at all in terms of deficits in shadow definition or general detail levels. Whatever the narrative shortcomings of Café Society, this is one gorgeous film to simply watch.
Audiotrack
Café Society continues the recent trend of Allen's films offering up surround tracks after a long almost insistent bout of mono soundtracks through the years. The film's DTS-HD Master Audio 5.1 has decent if never really overwhelming immersion, much coming courtesy of the enjoyable jazz score. Some of the crowded party scenes create a lifelike atmosphere will both well placed ambient environmental effects as well as nicely directional dialogue (or at least crowd noises). Fidelity is fine throughout the presentation, and there are no problems of any kind to report.
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Product Description
A 1930s romantic comedy shot on location in New York and Los Angeles.
Product details
- Is Discontinued By Manufacturer : No
- MPAA rating : PG-13 (Parents Strongly Cautioned)
- Product Dimensions : 0.7 x 7.5 x 5.4 inches; 2.4 Ounces
- Audio Description: : English
- Item model number : 43243131
- Director : Woody Allen
- Media Format : Subtitled, NTSC, Widescreen
- Run time : 1 hour and 36 minutes
- Release date : October 18, 2016
- Actors : Jeannie Berlin, Steve Carell, Jesse Eisenberg, Blake Lively, Parker Posey
- Producers : Edward Walson, Letty Aronson, Stephen Tenenbaum
- Studio : Lionsgate
- ASIN : B01JH4G6FM
- Country of Origin : USA
- Number of discs : 2
- Best Sellers Rank: #70,986 in Movies & TV (See Top 100 in Movies & TV)
- #768 in Romance (Movies & TV)
- #3,709 in Comedy (Movies & TV)
- Customer Reviews:
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The writing is Woody all the way. There is no mistaking that. The dialogue is still wrought with that Jewish angst, that unmistakable back-and-forth between his carefully drawn fully realized Jewish characters. Woody writes the most believable conversations in the business. It's very rich, flavorful and real. This is how people talk. And the dialogue in Café Society is near perfection.
The casting is brilliant. I won't go through the entire cast, character-by-character, but I will say they all fitted together beautifully. I'll admit to a big apprehension regarding Kristen Stewart. I was of the opinion, prior to seeing this, that she couldn't act. I've always considered her to be an actor with no range whatsoever. As bland and one dimensional as they come. In this, however, she was very good. Somehow Woody got an honest-to-goodness performance out of her. She actually showed some emotional range here. Another honorable mention: Steve Carrel. Terrific! Let me say that, although the casting as a whole was brilliant, there was no single outstanding performance. Together, though, they were superb. The big surprise was Kristen Stewart.
So, right now, today, this is my favorite Woody Allen movie. It wasn't too corny, too "jokey", too heavy, or too neurotic. It looked absolutely beautiful. The sets were fabulous, as was wardrobe. I thoroughly enjoyed this movie. Woody is a master.
So, the situation between the uncle, the nephew, and the breathtaking siren really grabs you, and it builds to quite a peak. Then, the story almost seems to start over. Pairing Jesse Eisenberg and Blake Lively seemed a bit strained, maybe because he's only 5'7" and she's 5'10" although they tried to mitigate that in the film. She does look taller than him but not 3 inches taller. Her character is also named Veronica. The second act delves into the zany characters of Bobby's family, his parents, gangster brother, and sister, and I mean Woody Allen zany.
The third act begins when Kristin Stewart's Veronica re-enters Bobby's life. But, the story never peaks again. It has no ending like the one in A Rainy Day in New York. There's no big epiphany.
The story is set in the 1930s, and WA used the great jazz standards as scoring, and beautiful renditions too. I really enjoyed the music.
So, the story has great acting, great dialogue, great music, and an intriguing plot. But, it peaks at the end of the first act. I'm not sure where it needed to go, but it needed to go somewhere.
Top reviews from other countries
Reviewed in Canada on January 6, 2020
Mais ce film prouve qu'Allen n' a rien perdu de sa suffocante maitrise , de son flair pour choisir des acteurs encore jeunes , au fort rayonnement et à la forte personnalité : ici , Eisenberg , très à l'aise et dont la palette expressive est large , et Stewart , renversante de glamour , avec son regard extraordinaire et sa voix si belle et sombre ( honte aux malheureux qui s'obstinent à regarder ces films en version française et ne semblent pas se rendre compte de ce qu'ils perdent ! ) .
Ces deux acteurs se complètent et s'équilibrent merveilleusement , donnant au film sa pleine charge de tension sexuelle ( très judicieusement , Allen , en vrai Classique , refuse de filmer des scènes d'amour " explicites " , que la quasi totalité de ses collègues tentent et loupent ! ) , de mélancolie et d'émotion , retenue mais poignante .
Le reste de la distribution est d'ailleurs excellent , aussi .
L'histoire qui est racontée est simple et elle ne revendique pas d'originalité particulière : l'histoire d'une passion amoureuse inaboutie , brisée , dans une large mesure , par les appétits sociaux et l'attrait de la " grande vie " ...
Mais le récit se déploie avec une souplesse et une limpidité remarquable .
C'est ce grand " fini " qui me semble placer Allen très haut .
Les reconstitutions d'une atmosphère d'époque sont impeccables .
La bande son comblera tout amateur de jazz " ancien " .
Le montage , qui rythme et unifie le film , est celui des Grands : quelle merveilleuse concision dans les meilleurs films d'Allen : une heure trente à peu près lui suffit , le plus souvent !
Quel contraste avec certains de nos cinéastes contemporains , à la logorrhée prétentieuse ...!
Vers la fin , beau dialogue des parents juifs autour du silence de Dieu , de la peur de la mort , Allen nous donnant ici une nouvelle variation , saisissante , de ce qui rôde depuis longtemps dans ses films : son angoisse , proprement métaphysique .
La fin est à tordre les mouchoirs avec ces plans sublimes du réveillon du Nouvel An, si gai-si triste , où les deux amoureux séparés expriment sans paroles , par leurs visages et leurs regards perdus , rêveurs , qu'ils sont passés à côté de quelque chose de capital , que les choix raisonnables n'étaient pas nécessairement les bons et qu'ils devront vivre avec ce regret .
L 'édition blu ray est la seule concevable , en 2018 : en effet , elle en met " plein les mirettes " et restitue à la perfection la plénitude et l'éclat des couleurs , dans un véritable feu d'artifice .
Pas de bonus mais on s'en fout !