Nora’s failed relationships have left her with a PTSD-like neurosis about meeting men. In perhaps the film’s most dramatic moment, after meeting Julien, when the stakes are suddenly very high, Nora commits a minor conversational faux pas, and spirals into an alarming, very nicely played, panic attack.
It stumbles at first, looking for its bearings, but by the midpoint Broken English is humming along nicely, with intimately grounded, no-nonsense direction by Zoe Cassavetes. Leaking self-confidence as she goes, Nora ping-pongs from one letdown to the next, until her best friend Audrey swoops in to the rescue. Parker Posey is pitch-perfect as Nora, while Melvil Poupaud plays the muted, carefully considerate Julien in his typically winsome way. Drea de Matteo does what some supporting performers sometimes manage, by lifting the film’s entire emotional tone in the final act. Gena Rowlands performs double Mom-duty, as both Nora’s and the director’s mothers. Colorful set that must have been.