Review: Millepied and Muhly, Partners in Space and Sound
Benjamin Millepied and Nico Muhly’s evening of minimally accessorized dance and contemporary music feels right at home at the Philharmonie in Paris.
By Roslyn Sulcas
Benjamin Millepied and Nico Muhly’s evening of minimally accessorized dance and contemporary music feels right at home at the Philharmonie in Paris.
By Roslyn Sulcas
Companies are cropping up and expanding. Is the city on the cusp of a fertile chapter in its dance history?
By Robin Pogrebin
His exuberant “Brandenburg,” which returns to City Ballet this month, was made near the end of his life, when he was physically and emotionally frail.
By Roslyn Sulcas
The choreographer is trying his hand at filmmaking with an experiment that merges drama, dance and music.
By Roslyn Sulcas
The choreographer Benjamin Millepied’s directing debut is an of-the-moment but scattered take on a classic love story.
By Joshua Barone
Benjamin Millepied’s L.A. Dance Project presents a “Romeo and Juliet” with same-sex lovers. And at Paris Opera Ballet, Alan Lucien Oyen goes Bauschian.
By Roslyn Sulcas
The best part? It’s not cosmetic. New York premieres by Madeline Hollander and Janie Taylor pair perfectly with a Bella Lewitzky revival.
By Gia Kourlas
“There are no rules,” says Janie Taylor, a former City Ballet principal, whose dances are featured in the L.A. Dance Project’s Joyce Theater season.
By Roslyn Sulcas
Hugo Marchand talks about his memoir, “Danser,” about the intensity of the company and about dancing with Anselm Kiefer paintings.
By Roslyn Sulcas
Six short works, including three premieres, were unveiled on a rooftop to benefit the new organization Dancers of N.Y.C.B.
By Gia Kourlas
Advertisement
Advertisement