User Reviews

This was almost what they call a "curiosity piece," something really odd. It's part of a "Mobsters Movies" 4-movie DVD disc of short, old crime films...but it was more of a slapstick, corny comedy than a "mobster" movie, although it did involve gangsters.

Richard Cromwell plays "Baby Face," a supposedly-notorious gangster who really is a fake and doesn't know it himself until the end. He's really just a puppet figure invented by gangster Robert Armstrong who uses him as a never-seen mob boss as a scheme to skim money from the gang. Hijinks ensue late in the film when all parties discover what exactly is going on. The craziness also involves a romance between Cromwell and Mary Carlise ("Virginia"). I didn't take much time figuring a better way to explain this screwball story, and I apologize for that. Hey, the movie didn't take long, either: one hour.

It's a silly "B' film but charming with some likable leads and cornball humor. It's not boring but it's not something you'd watch over and over, either. The picture quality is not good but that's what you often get with a DVD that gives you four films for a cheap price.

My score of 7 is very good, but relative to other B-films I'd give this one a 9--it's that good despite the tiny budget. For a lesser production made by a so-called "Poverty Row" studio (PRC--one of the cheaper and crappier studios), it's amazingly good. Normally, you'd expect ordinary or lousy writing--not a clever film like this one.

The film begins with a meeting of various mobsters. Robert Armstrong (of "King Kong" fame) is leading the discussion and he's lamenting the death of their leader years before and how he wishes the mobs would all work together like the "good old days" under Morgan's leadership. Armstrong suggests that perhaps Morgan's son MIGHT be the guy to take this leadership role. The problem that the men in the meeting are not aware of is that Morgan's son (Richard Cromwell) has no idea who his father was and is a very nice and somewhat wimpy young man. However, throughout the film, there are many opportunities where various mobsters see the guy and assume he's talking about killings and extortion--when the guy is really talking about mundane things that aren't the least bit violent. What makes it even funnier is that after he's brought to the big city to run the mob, he thinks this is a legitmiate insurance company--and he begins selling policies right and left. He's so successful, though, not because of his salesmanship but because everyone else thinks he's selling "protection". Eventually, however, "Baby Face" learns the truth--and how can he possibly extricate himself from this terrible situation?! This film made me laugh many times. The acting, writing and entire production are very crisp and clever--making it a hidden gem that is a standout among the Bs.

This was the next to last film of cute Mary Carlisle. She was disappointed that she was never able to break out of the "cute" mould and show what she could do as an actress.

Edward Morgan (Richard Cromwell) works in a drug store. His father, who he never knew, was a crime boss but headed an insurance company as a front for his shady dealings. Two henchmen call on Edward, to tell him of his father's death and to see if he wants to take over the "business". When a phone conversation is misinterpreted (in gangland talk - pineapples mean bombs not fruit!!!) Edward is given the nickname "Baby Face". "Doc" Morgan (Robert Armstrong) the real brains behind the group, instantly realises that Edward is just a country bumpkin but uses the nickname to instill fear into the frightened people that have to pay for protection.

All except Virginia (Mary Carlisle, looking like a very young Lana Turner) - she declares war on the protection gangsters. Morgan, who doesn't know he is the notorious "Baby Face" begins selling insurance for real and when trucks and shops are blown up pays the proprietors for real. Suddenly "Baby Face" isn't so frightening anymore!!!

I found it pretty funny, especially as Edward didn't realise that "Baby Face" was himself. Richard Cromwell looked such an innocent, you could really believe his disbelief!!!!!

The film was a who's who of former stars. Aside from Mary Carlisle, who was Bing Crosby's leading lady in a few of his early films, there was Robert Armstrong, who had starred in "King Kong" and "Son of Kong". Ralf Harolde, who played a variety of interesting parts in some early 30s films, including "Night Nurse" (1931) with Barbara Stanwyck, plays the disgruntled Joe Torelli. Warren Hymer spent the 30s playing dumb, comic gangsters and this film was no exception - he played Wise Willie. Chick Chandler, who introduced "How Do I Know it's Sunday" in "Harold Teen" (1934) played Edward's cousin Ollie.

I can recommend this film.

Baby Face Morgan is one frustrating film. Producers Releasing Corporation a true poverty row outfit assembled a good cast of players and had a really original idea for a story. If this had been done by a major studio with a top director this could have been one of the great comedy gems of the era.

Richard Cromwell is in the title role and he plays a hayseed young man who happens to be the son of a notorious gangster. Dad split from Mom and Cromwell never had any contact with him.

Cromwell has a Mr. Deeds like quality to him as Robert Armstrong plucks him from obscurity to use him as a front man for their protection racket. Things go well for Armstrong until Cromwell falls for Mary Carlisle who heads a trucking company that was a victim of the protection racket. It all unravels for Armstrong after that.

Any film with such colorful movie faces like Warren Hymer, Chick Chandler, Charles Judel and Ralf Harolde is going to be enjoyable on some level. But there was real potential here that was sadly wasted.

What Preston Sturges could have done with Baby Face Morgan.

When gang chief Big Mike Morgan (Jim Blaine) is killed, his lieutenant, "Doc" Rogers (Robert Armstrong) re-organizes the mob. Learning that Morgan has a son named Edward (Richard Cromwell), living in the country with his mother, Rogers has him brought to the city, and installs him as the head of Acme Protective Agency, which is a blind for gang's shakedown activities with local merchants. Edward thinks his father left him a legitimate business, and that he is running an actual insurance company.

Rogers tells the gang members that "Baby Face" Morgan is now in charge, is a cold-blooded killer and does not even want the gang members to know him. Joe Torelli (Ralf Harolde), who thinks he should be the leader of the gang, is suspicious and grows more so after the protection collection money starts to roll in, and nobody sees the money after it is turned over to Rogers, who tells them that "Baby Face" is handling the dough.

Complications arise when Edward/"Baby Face" meets Virginia Clark (Mary Carlisle), head of a transportation company, who has had a truck wrecked when she wouldn't pay the protection money. Edward writes her an insurance policy and promptly pays off when a second truck is wrecked. This starts a rash of business to Acme, and as fast as the gang shakes down trucking companies and wrecks their trucks, Edward pays the merchants on their policies, and this puts a serious dent into the gang's cash flow.

Torelli learns that Edward is "Baby Face", which puts him way up on Edward who does not know he is the infamous gang leader "Baby Face." So Torelli kidnaps Edward's sweetheart Virginia.

If you want to make a movie like this, have the threat be real. Don't surround your patsy with a bunch of Bonzos. There is no credibility here. The plot is dull and unbelievable. The acting is even worse. I thought that I was watching Arthur Lake (Dagwood) who is one of the worst actors in history, when I saw the main character. Oh well, at some point he has to face the music and get fighting mad. I don't care. Do you? There are all these long scenes set in this austere office (the furniture made out of cardboard or masonite). People talk and smoke and don't do anything. Most of the action happens in a five minute sequence. After that, it's over. Don't bother.

After "Central City" loses its mob boss to murder, partner-in-crime Robert Armstrong (as "Doc" Rogers) decides to take drastic measures To preserve criminal continuity, he recruits the dead mobster's milquetoast son, Richard Cromwell (as Edward "Baby Face" Morgan), to run the family business. The naive Mr. Cromwell is taken to the city, and installed as President of his father's "Acme Protection Agency", a front for gangsters. While Cromwell sells innocently sells insurance, his "employees" run an extortion racket. Cromwell falls for pretty client Mary Carlisle (as Virginia Clark); and, the duo find themselves in great danger… "Baby Face Morgan" catches star Cromwell and Ms. Carlisle nearing the end of their once "promising" film careers. It's a quick, light, and inoffensive little crime drama.

**** Baby Face Morgan (9/15/42) Arthur Dreifuss ~ Richard Cromwell, Mary Carlisle, Robert Armstrong

A son of a deceased mobster is unwillingly ceremoniously placed as the new leader of a racket the mob has put together, even though he is a bit naive and light headed. Through a clumsy series of events, he opens an insurance company that covers insurance claims on mob hits, even though he has no idea that this is all a front for the Mob. Soon, he gets way over his head, and eventually has to pretend to be someone that he is not to clear his name! If this whole premise sounds familiar, you may be right. This film, of all things, is a pre-successor to Corky Romano, which is about a dim-watt son of a Mobster infiltrating the FBI, unknowingly to benefit the mob. Another similarity? They're both pretty awful.

James Cromwell, who plays the title character, looks strikingly like Jude Law. Too bad he can't act like him. The film, which is typical for these type of pictures, jumps all over the place from comedy to action to drama to thriller, leaving plot holes galore. But this is never boring, just stupid in its approach.

Martin Hafer posted EXACTLY how I feel about this movie back in 2010 so I'm gonna do something I've never done before...repost the first paragraph of his review instead of posting my own. "An exceptional B-film...My score of 7 is very good, but relative to other B-films I'd give this one a 9--it's that good despite the tiny budget. For a lesser production made by a so-called "Poverty Row" studio (PRC--one of the cheaper and crappier studios), it's amazingly good. Normally, you'd expect ordinary or lousy writing--not a clever film like this one."

Flaky PRC production. Looks like the producers were aiming for a gangster comedy, with veteran goof-balls like Hymer and Barnett, along with serious types like Armstrong and Harolde, plus a gamely compliant Cromwell. What they get instead is a silly concoction, despite a cast that tries hard. Sweet-natured innocent (Cromwell) is set up by conniving gangster (Armstrong) as fall-guy for his insurance scheme. Trouble is the kid has no business sense and undercuts the scheme with wasteful spending. Meanwhile Armstrong has to contend with rival toughie Harolde who doesn't trust him. So there's trouble all around. Too bad the script is so clumsy (many gaps), along with slack direction from pedestrian director Dreifuss (check his credits). The result is 60-minutes of awkward entertainment, best left to aficionados of the 1940's.

Been years since I've seen this one, it's good to see it again. The only thing I had recalled about this film was that it was about gangsters and that I liked the film. I was thinking this was a serious drama but my memory failed to remember that it was a comedy. Oh it gets serious but it's not a pure hard-nosed drama like I was recalling it to be from my teen years -- that's OK. I finally got to see the film again and it's cute. It's a screwy jokes comedy with slapstick thrown it for good measure.

This is not the worlds greatest film - but it's a fun one. It is one mixed up mess these guys get the young, naive Edward "Baby Face" Morgan into.

7/10

Is there anything worse than a comedy film that lacks humor? The answer is Yes; one that fails to generate any interest throughout the picture. The premise is not too bad - a naive front man for an illegal business - but this is a potboiler with a poor script and screenplay and just does not work.

Was this considered a good 'B' in 1942? Hard to imagine. The only positive aspect of the picture is the cast, which contains several well-known faces from the '30's and '40's, such as Warren Hymer, Vince Barnett and Robert Armstrong (I always dismiss Richard Cromwell as the weakling who got Gary Cooper killed in "Lives of a Bengal Lancer", so I wasn't counting him).

Can't recommend this one and gave it a rating of 3 - if you have a choice, get a root canal.

For the first half I was convinced that I would give it a 3/10. It was that ridiculous. But by the end I was entertained enough to give it a 5.