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Baby Driver

Ansel Elgort (Actor), Kevin Spacey (Actor), Edgar Wright (Director) Rated:
R
Format: DVD
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Genre Action, Drama, Thriller, Crime
Format NTSC, Subtitled
Contributor Ansel Elgort, Edgar Wright, Jamie Foxx, Flea, Eric Fellner, Lily James, Kevin Spacey, Sky Ferreira, Nira Park, Lanny Joon, Eiza González, Jon Hamm, Jon Bernthal, Tim Bevan, Bambino Films UK Limited See more
Language English
Runtime 1 hour and 53 minutes
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From the manufacturer

The Stars of Baby Driver

Ansel Elgort

John Bernthal

John Hamm in Baby Driver car

Ansel Elgort

As Baby

John Bernthal

As Griff

John Hamm

As Buddy

Opening Scene of Baby Driver

Baby Driver

Baby, a music-loving orphan also happens to be the prodigiously talented go-to getaway driver for heist mastermind Doc. With the perfect soundtrack picked out for each and every job, Baby ensures Doc's violent, bank-robbing cronies - including Buddy, Bats and Darling - get in and out of Dodge before it's too late. He's not in it for the long haul though, hoping to nail one last job before riding off into the sunset with beautiful diner waitress Debora. Easier said than done.

Baby and Darling

By Director Edgar Wright

A thrillingly syncopated heist movie.

Product Description

Baby (ANSEL ELGORT) – a talented, young getaway driver – relies on the beat of his personal soundtrack to be the best in the game. When he meets the girl of his dreams (LILY JAMES), Baby sees a chance to ditch his criminal life and make a clean getaway. But after being coerced into working for a crime boss (KEVIN SPACEY), he must face the music when a doomed heist threatens his life, love and freedom.

Product details

  • Is Discontinued By Manufacturer ‏ : ‎ No
  • MPAA rating ‏ : ‎ R (Restricted)
  • Product Dimensions ‏ : ‎ 0.7 x 7.5 x 5.4 inches; 2.72 ounces
  • Audio Description: ‏ : ‎ English
  • Item model number ‏ : ‎ baby-driver-2
  • Director ‏ : ‎ Edgar Wright
  • Media Format ‏ : ‎ NTSC, Subtitled
  • Run time ‏ : ‎ 1 hour and 53 minutes
  • Release date ‏ : ‎ October 10, 2017
  • Actors ‏ : ‎ Ansel Elgort, Kevin Spacey, Lily James, Jon Bernthal, Jon Hamm
  • Dubbed: ‏ : ‎ French, Spanish
  • Subtitles: ‏ : ‎ English, Spanish, French
  • Producers ‏ : ‎ Tim Bevan, Eric Fellner, Nira Park
  • Studio ‏ : ‎ Sony Pictures Home Entertainment
  • ASIN ‏ : ‎ B073BXTPZQ
  • Country of Origin ‏ : ‎ USA
  • Number of discs ‏ : ‎ 1
  • Customer Reviews:

Customer reviews

4.6 out of 5 stars
4.6 out of 5
29,301 global ratings
Good visuals but GREAT Soundtrack (4K UHD)
5 Stars
Good visuals but GREAT Soundtrack (4K UHD)
I can only speak to this from my TV (LG E8) and soundbar (LG SKY10 Atmos).Athough a little disappointed that this does not support Dolby Vision, the 4K HDR looks amazing on my TV. The cinematography is spot on and the colors just pop. But where the movie excels is the soundtrack, which a lot of the movie revolves around. It is a must have for people with Atmos.The case itself did not come with a slip cover (which is not unusual from Amazon), but does contain a 4K UHD Bluray, a regular Blu Ray, and a digitial download. So even if you just have a regular bluray player for now and plan on upgrading in the future, still worth the extra bucks.
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Top reviews from the United States

Joey Aszterbaum, Oceanside Realtor
5.0 out of 5 stars One of our best comedic directors turns to action.
Reviewed in the United States on February 14, 2024
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Edgar Wright is the best comedic director alive, using dramatic lighting changes, musical cues, and snappy editing to an amazing degree (Shaun of the Dead, Hot Fuzz, The World's End, Scott Pilgrim) when other dumb comedies rely entirely on straight shots and dialogue--not that these other movies aren't fun, too, just that Wright approaches comedy from a very artistic place that honors the medium of film instead of just standup comedians riffing.

In this film, however, it's not the laughs that shine, but the action and the cool. Wright does use his editing skills like a boss in this film, and the cast is remarkably stacked with stars playing second to a lesser known actor in a very interesting role. The action sequences are great, especially some car chases that are the best I've seen (I am not a fan of the over-the-top, digitized mayhem of the usual car-based action films).

But where Wright really relies on his bag of tricks is in lining up the action and mood with a killer soundtrack. Pay close attention to the music as you watch something even as mundane as the character walking down the street. Wright said basically that he was making a musical without any singing, and he succeeds.

Last note: Jamie Foxx is really unhinged and menacing in this movie as the type of person I would never, ever want to meet in real life. Kevin Spacey is also menacing, though in a laconic, controlled way.
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Christina Reynolds
5.0 out of 5 stars A road to hell paved with good intentions
Reviewed in the United States on April 16, 2021
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My rating is more of a 4.5
Thanks for reading!

𝑺𝒐𝒎𝒆𝒕𝒊𝒎𝒆𝒔 𝑨𝒍𝒍 𝑰 𝑾𝒂𝒏𝒕 𝑻𝒐 𝑫𝒐 𝑰𝒔 𝑯𝒆𝒂𝒅 𝑾𝒆𝒔𝒕 𝑶𝒏 𝑻𝒘𝒆𝒏𝒕𝒚 𝑰𝒏 𝑨 𝑪𝒂𝒓 𝑰 𝑪𝒂𝒏'𝒕 𝑨𝒇𝒇𝒐𝒓𝒅 𝑾𝒊𝒕𝒉 𝑨 𝑷𝒍𝒂𝒏 𝑰 𝑫𝒐𝒏’𝒕 𝑯𝒂𝒗𝒆.
𝑱𝒖𝒔𝒕 𝑴𝒆, 𝑴𝒚 𝑴𝒖𝒔𝒊𝒄 𝑨𝒏𝒅 𝑻𝒉𝒆 𝑹𝒐𝒂𝒅.

Baby Driver is a 2017 action film written and directed by Edgar Wright. It stars Ansel Elgort as a getaway driver seeking freedom from a life of crime with his girlfriend Debora (Lily James). Kevin Spacey, Jon Hamm, Eiza González, Jamie Foxx and Jon Bernthal appear in supporting roles.

I haven’t seen Andel Elgort in much else, but I imagine this is going to change. ‘Baby Driver’ Is more than a stone’s throw away From his roles in ‘The Fault in Our Stars’ and ‘Divergent’ with his innocent demeanor making for a naturally nuanced performance. I am reminded very much of Miles Tanner ( I'm convinced they would make for a well-rounded combination of talent and #attitude) in that Elgort is a perfect representation of juvenile maturity. if I do say so myself: his nomination for a Golden Globe for this performance was more than deserved.

Before moving on I do want to give credit and attention to the easily overlooked C.J. Jones; His casting isn’t a complete accident given Wrights’ specifications in writing, but being someone born deaf has contributed to significant difficulty in scoring work that captures his abilities. Most actors seen on film and similar mediums portraying dead characters aren't actually deaf ( as a consequence of forgoing the cost of a translator) but I don't need to elaborate on the importance of sound and sensitive representation. ‘Baby Driver’ marks the 𝒇𝒊𝒓𝒔𝒕 appearance of a black deaf actor in an international Blockbuster, and the decisions leading to this are worth doting on to some degree. It also warms my heart to know that Elgort learned American sign language for the sake of being able to effectively communicate with Jones on set, and the bond between them makes for some emotionally compelling interactions on screen. I'm not surprised though. Actions speak louder, y’all.

From the very start of ‘Baby Driver’ Wright has an obvious destination in mind. This target is indefinitely reached successfully, but I will say that I am a bit underwhelmed by some of the expositional pieces and those meant to speak on the character development enclosed. I am certainly not privy to the tiniest details that would elaborate on specific formalities related to Baby’s form of “employment”, but I find myself wanting to know more about its leprous influence on his psyche and behavior as a whole. I feel largely at a loss when making sense of Baby’s motives and intermittently split second decisions that reflect some deep-seated prudence, but the overarching context makes for some interesting points of self-reflection and contention. There's much to be said about themes as they relate to nurturing and squandering the parts of an individual responsible for their separate identities, and the power of perspective is entertained and alluded to at length.

There's not much to add as it pertains to the set design, cinematography, and sound mixing - but these elements are outstandingly immersive and are a #creativeflex more than anything if I have ever seen one.The camera work is shaky - but controlled - and captures the high-energy of ‘Baby Driver’ and the chaos which ensues. Contrary to the easily assumed: the car chasing scenes are made using absolutely no CGI, and the performers are all doing their own stunts. Most impressive is the way in which the soundtrack is intertwined with the plot and it's choreography (Everything down to the gunshots is synced with the music playing) and further fortifies the understanding one has a Baby and the world he's surrounded by. As audience members are put in its titular characters’ shoes - or his headphones rather - viewers have no choice but to listen and thoughtfully engage with his charade.

Is ‘Baby Driver’ flawless? Not really. What we DO have here though is a substantial representation of Wright’s dedication to this project (he spent an estimated 10 years actually writing this film) and a piece that sets standards outside of its original objectives.
Ending on a note that ponders accountability, ‘Baby Driver’ is a road to hell that is paved with good (and possibly even the best) intentions.
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Chris
5.0 out of 5 stars Dreamy Cool...Just This Side of Oz
Reviewed in the United States on February 24, 2024
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A movie is an emotional experience. It's storytelling involves more than plot devices and character sketches. It's art includes lighting and music, place and atmosphere, subtle glances and voice inflections that when done right, deliver an immersive experience that helps you see the world in a different way. This movie delivers on all the promise of what movies can be.

Beauty matters. Casting was pitch-perfect. Editing was phenomenal. And the music? It's the driver of the story. I love when movies leave you with a sense of hope and d**n the critics who say otherwise. This movie met me in the hazy expanse when you're just wakening and the last vestige of your dreams are tantalizingly flitting away. You realize you're back in your bed, but a smile creeps to the edge of your face, and you're ready to face another day.
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Ethan
4.0 out of 5 stars Great movie
Reviewed in the United States on March 22, 2024
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Great movie
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Thrillhouse Nixon
5.0 out of 5 stars Great!
Reviewed in the United States on April 15, 2024
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This movie is awesome. I love movies where the soundtrack has songs that compliment the action. The story, soundtrack, dialogue and actors all were great.
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Patrick J
5.0 out of 5 stars great movie excellent music!
Reviewed in the United States on March 29, 2024
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This movie has a fantastic soundtrack, and the action is timed perfectly to what's happening onscreen. It is a fun watch that I really enjoy every time.
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Top reviews from other countries

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Markus Vollmer
5.0 out of 5 stars Coole Story, tolle Verfolgungsjagden!
Reviewed in Germany on April 1, 2024
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Habe mir den Film mit D-Box Motion angeschaut und muss sagen, dass speziell die Verfolgungsjagden im Film richtig Spaß machen! Neben der Story über einen traumatisierten Jugendlichen, dessen besonderes Talent hinter dem Lenkrad von einem Gangsterboss als Fluchtfahrzeugfahrer ausgenutzt wird, sticht auch die Musik hervor, die der Protagonist über seine iPods zur Unterdrückung seiner Trauma-Folgen hört. Sehenswert mit hohem Spaß-Faktor, speziell mit D-Box Motion!
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Thierry
5.0 out of 5 stars Top
Reviewed in France on March 24, 2024
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Tres bon film d action
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トシパパ
5.0 out of 5 stars カーチェイスを超えた車vs.車の壮絶格闘技+青春映画
Reviewed in Japan on April 13, 2024
Verified Purchase
『ベイビー・ドライバー』(Baby Driver)('17)
出演∶アンセル・エルゴート、リリー・ジェームズ、ケビン・スペイシー、ジェイミー・フォックス、ジョン・ハム、エイザ・ゴンザレス、ダーリン、CJ・ジョーンズ、フリー、スカイ・フェレイラ、ラニー・ジューン、ビッグ・ボーイ､ポール・ウィリアムズ、ジョン・スペンサー、ウォルター・ヒル

監督：エドガー・ライト

日本映画にはないジャンル､「逃がし屋映画」の痛快作だ。日本では"逃がし屋"というと､夜逃げなどの手引きをする非公認の業者を連想するが､欧米では､強盗などの犯罪者を車に乗せて､パトカーや警察ヘリの追跡を振り切って逃してやって報酬を貰う商売があるらしい｡(強盗メンバーの一人が車で待機して､逃げてきた仲間を拾って逃げることも多いようですが……)

モータリゼーション以前にも､そのシステム(?)の考え方はあったようで､西部劇を見ると､銀行や列車を強盗が襲う時､仲間が逃走用の馬を用意して待機している。たぶん日本じゃその昔､一部の侍以外に乗馬文化がなかったのと､モータリゼーション以降も､道の狭さや道路整備の不行届きなどがあって､逃がし屋的な発想は生まれなかったのではないでしょうか､時代劇でも現代劇でも……｡

欧米では､この『ベイビー・ドライバー』以前にも『ザ・ドライバー』('78),『トランスポーター』シリーズ('02〜),『ドライヴ』('11)など､数々のヒット作のネタになっている。逃がし屋文化のない日本だが､本作で主人公が転がすマシンが､スバル・インプレッサなどの日本車なのが嬉しい｡『007は二度死ぬ』で､ジェームズ・ボンドがトヨタ2000GTに乗ってから半世紀以上。今では､日本人俳優や女優より多くの日本車がハリウッドに進出しているようです(笑)

[物語] 銀行の前に乗り付けた車から降りたサングラス&マスク姿の３人の男女が銀行に入る。車の運転席では一人の若者が音楽にノリノリの様子で待つ。やがて強奪した金を持って出てきた３人を乗せると､若者は驚異的なドライビング・テクニックで多数のパトカーや警察ヘリの追撃を振り切って逃げ切る。若者の名はベイビー(エルゴート)､名うての逃がし屋ドライバーだ｡

彼は幼少時の事故の後遺症の重度の耳鳴りを抑え､集中力を高めるためにいつもお気に入りの音楽を聴いていた。彼の雇い主は､裏社会の大立者ドク(スペイシー)。ベイビーはかつて､ドクの車を盗んだために大損失を生じさせた過去があり､その"賠償"のために､ドクに命じられた仕事は断れないのだ｡

何度目かわからない逃がし屋仕事を終えたベイビーは､ドクから借金の完済を告げられる。馴染みのダイナーのウェイトレスのデボラ(ジェームズ)に恋心を抱き､カタギの生活に憧れるベイビーは喜ぶが､ドクには有能なドライバーを手放す気はなかった。恋人デボラや育ての親ジョー(ジョーンズ)の身に害を及ぼすことを匂わせるドクに逆らえなかった｡

新たな"仕事"の仲間は､アベック・ギャングのバディ(ハム)とダーリン(ゴンザレス)と凶暴で危険な男バッツ(フォックス)。ドクと仲間たちは､ある郵便局の内部を下見して綿密な強盗計画を進める。だが､密かな異常性を内に秘めた仲間たちの間に入った亀裂から､彼らの運命は予想もしなかった方向に暴走し始めるのだった……!!

この映画､話の流れからして「ハッピーエンドはないな」とバッドエンドを予想して見ていた(全員死ぬとか…)｡　話の途中でベイビーとデボラを評して､実在のアベック・ギャング「ボニー&クライド」に例えるエピソードがあるので､60年代後半〜70年代に一世を風靡したニューシネマの代表作『俺たちに明日はない』みたいな壮絶な最期を予想していた｡

※以下､ネタバレになりますので､未見の方は読まないでください｡

玉砕パターンのアンハッピーエンドが多かったニューシネマ時代に映画ファンになった自分としては､『俺たちに明日はない』『明日に向って撃て!』『バニシング・ポイント』みたいなラストを予想していた。さすがにニューシネマ時代から40年以上のちの映画は､ちょっと違ってました。ある意味ハッピーエンドです。未見なのに､ここまで読んでしまった方､ご安心して見てください。娯楽映画としての面白さは絶対あると思います。もちろん､アンチの方もいらっしゃるでしょうが……｡
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Ed
5.0 out of 5 stars Imprescindible
Reviewed in Mexico on August 2, 2023
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Desde la primera vez que la vi, supe que tendría que pertenecer a mi colección, y así fue como se convirtió en mi película fav. Me encanta.
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GILBERTO QUEIROZ DA SILVA
5.0 out of 5 stars Muito bom
Reviewed in Brazil on June 10, 2023
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A embagem muito frágil
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