The Atco Sessions 1969-1972 - Record Collector Magazine
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Album, Reviews

The Atco Sessions 1969-1972 | Lulu

After Miss Springfield’s soon-to-be-classic Dusty In Memphis, Lulu was the second mainstream British songbird to try her luck with a deep soul reinvention. If she never quite scaled the same dizzy heights as her longtime 60s rival, she nonetheless proved that there was more in her locker than the frankly annoying chart biggies Shout and Boom Bang-A-Bang.
Lulu had already hinted at what she might be capable of on 1967’s To Sir With Love, but by relocating to Muscle Shoals with producers Jerry Wexler and Tom Dowd (who also worked with Dusty), she came even closer to discovering her inner Aretha on the albums New Routes and Melody Fair, both included here in their entirety, along with numerous unreleased mixes and demos.
She’s on blistering form with Sweep Around Your Own Back Door and Burt Bacharach’s Please Stay, while her passionate reworking of the standard Mr Bojangles is genuinely goosebump-inducing. There’s the odd stumble towards the characterless MOR that swamped her later TV series (a so-so cover of The Beatles’ Good Day Sunshine, for instance), but that’s quickly forgotten and forgiven when this all-too-often underrated chanteuse gets bolder and truly lets rip.

Rhino | 8122799488
Reviewed by Terry Staunton
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Mike Oldfield: A Life Dedicated To Music

A word to the wise: Chris Dewey is the editor of Mike Oldfield fan magazine Dark Star, so it wouldn’t do to expect scrupulous impartiality. Then again, you’ll only buy this if you’re an Oldfield fanatic, so you won’t be hankering after kiss-and- tell rock’n’roll saturnalia.

How To Run Away

Backwoods craftsmen distinguish their wares from those of the big boys by concentrating on charm. Somewhat like upcycled baskets or toy dolls in the shape of pop stars, this album sets out to find glimmers of child-like magic in the familiar, but can’t quite decide whether to stick with making homemade fruit juice or to just buy some industri…

Landfall

Laurie Anderson had already begun her collaboration with San Francisco’s Kronos Quartet when Hurricane Sandy tore through New York in the autumn of 2012.

Sex & Violins

In interviews, George Martin
often complains about his lowly
wage at EMI, making John
Schroeder’s highly colourful
autobiography a revelation.
He’s not as well-known a
producer, but he’s had his
share of expensive cars, flying
lessons, bachelor flats, costly
divorces and good-looking
girlfriends. The difference
co…

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