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Once Upon a River: The Sunday Times bestseller Paperback – 29 Aug. 2019
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'I was completely spellbound' - Ruth Hogan, author of The Keeper of Lost Things
'Setterfield is a master storyteller' - Madeline Miller, author of Circe
Some say the river drowned her... Some say it brought her back to life
On a dark midwinter's night in an ancient inn on the Thames, the regulars are entertaining themselves by telling stories when the door bursts open and in steps an injured stranger. In his arms is the drowned corpse of a child.
Hours later, the dead girl stirs, takes a breath and returns to life.
Is it a miracle?
Is it magic?
And who does the little girl belong to?
An exquisitely crafted historical mystery brimming with folklore, suspense and romance, as well as with the urgent scientific curiosity of the Victorian age.
____________________
Praise for Diane Setterfield:
'An absolute feast of a book, which will keep you engrossed' RED magazine
'Brimming with folklore, intrigue and romance, this is a story to savour'Woman & Home
'Once Upon a River continues to demonstrate [Setterfield's] mastery of the Gothic genre in a way that will appeal to modern readers' The Independent
Readers are captivated by Once Upon a River:
***** 'Pure escapism, a beautifully written story.'
***** 'It felt as comforting as the fantastical stories you read as a child yet with a darker edge.'
***** 'I was entranced from the beginning to the end.'
- Print length544 pages
- LanguageEnglish
- PublisherBlack Swan
- Publication date29 Aug. 2019
- Dimensions12.7 x 3.2 x 19.8 cm
- ISBN-101784163635
- ISBN-13978-1784163631
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Product description
Review
Exploring themes of storytelling, parenthood, science and society on the cusp of change, this is a richly evocative novel. ― Observer
Diane Setterfield's debut novel, The Thirteenth Tale, came out in 2006 to wide acclaim. She made her mark by delivering her own take on the classic romantic mystery novel, infused with the spirit of Jane Eyre, Rebecca and The Woman in White. Once Upon a River continues to demonstrate her mastery of the Gothic genre in a way that will appeal to modern readers...Setterfield knows how to make the words sing. It is worth taking a journey down the Thames with her. ― Independent
Once Upon a River is magical, in every which way...it's the power of her storytelling that allows readers to suspend disbelief, and draws them through each tangled, dazzling chapter...This riverine novel has the mood and feel of a ghost story told late into the night, and will win over readers who enjoy a touch of age-old enchantment. ― Financial Times
I was completely spellbound by this book. Numerous strands of the same story are skilfully woven into a magical web from which I, as a reader, had no desire to escape. Setterfield’s prose is beautiful, dark and eerily atmospheric, and her rich cast of characters convincingly illustrate the best and worst of humanity. Utterly brilliant! -- Ruth Hogan,bestselling author of The Keeper of Lost Things
Once Upon a River is one of the most pleasurable and satisfying new books I've read in a long time. Setterfield is a master storyteller, her language flowing with a dark magic very like the river at the heart of her tale: swift and entrancing, profound and beautiful. Give yourself a treat and read it! -- Madeline Miller,Orange Prize-winning author of The Song of Achilles and Circe
I so didn't want to leave the world of Once Upon a River but now I have and I'm bereft of the company of country folk and river spirits. This charming story about stories and the mystery of life & death captured my heart. A truly extraordinary book. -- Dinah Jefferies
Her characters are so vivid, one feels as though one has met them, spent an evening in their company, telling stories around the hearth...Setterfield is a master storyteller herself, giving us all the depth and plot and richness of the great narrative novelists. This is dazzling, alive, all-consumer writing: one reads each page greedily, the beautiful sentences shining like jewels under the pulling current of the tale itself. ― Daily Telegraph
A satisfying, thickly characterised tale that plunges you into an evocatively realised historical setting. You care for its characters. ― Sunday Times
A finely drawn cast and bravura storytellling. ― Mail on Sunday
From the Inside Flap
Hours later, the dead girl stirs, takes and breath and returns to life.
Is it a miracle?
Is it magic?
And who does the little girl belong to?
An exquisitely crafted multi-layered mystery brimming with folklore, suspense and romance, as well as with the urgent scientific curiosity of the Darwinian age, Once Upon a River is as richly atmospheric as Setterfield's bestseller The Thirteenth Tale.
From the Back Cover
Hours later, the dead girl stirs, takes and breath and returns to life.
Is it a miracle?
Is it magic?
And who does the little girl belong to?
An exquisitely crafted multi-layered mystery brimming with folklore, suspense and romance, as well as with the urgent scientific curiosity of the Darwinian age, Once Upon a River is as richly atmospheric as Setterfield's bestseller The Thirteenth Tale.
About the Author
Product details
- Publisher : Black Swan; 1st edition (29 Aug. 2019)
- Language : English
- Paperback : 544 pages
- ISBN-10 : 1784163635
- ISBN-13 : 978-1784163631
- Dimensions : 12.7 x 3.2 x 19.8 cm
- Best Sellers Rank: 6,610 in Books (See Top 100 in Books)
- 28 in Family & Marriage Biographies
- 188 in Fairy Tales (Books)
- 220 in Myths & Fairy Tales
- Customer reviews:
About the author
Diane Setterfield is a former academic, specializing in twentieth-century French literature. She lives in Yorkshire, England.
Customer reviews
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Top reviews from United Kingdom
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“He sees to it that those who get into trouble on the river make it safely home again. Unless it is their time. In which case, he sees them to the other side of the river.”
The Swan was recognised as a magnet for storytellers, and their greatest story was just about to unfold when a stranger staggers through the door of the inn with a dead girl in his arms. Both soaked as though from the river, the child appeared drowned and the man now unconscious were both cared for by Rita. Rita is a most fascinating character, a nurse whose experience and pursuit of knowledge competes if not surpasses doctors. A woman whose rational thinking and scientific explanation is fascinating to follow and connect with. Her logical brain is puzzled with the young dead girl.
“Wherever you looked at her, this child was unmarked, unbruised, ungrazed, uncut. The little body was immaculate. ‘Like a doll,’ Jonathan had told her when he described the girl falling into his arms, and she understood why he had thought so.
…
That death had made no mark on her was strange enough, but nor had life, and that, in Rita’s experience, was unique. A body always tells a story – but this child’s corpse was a blank page.”
Rita’s examination is stretched to wonderment when the child awakes, although, she will not or cannot speak.
Several families have mysteriously lost young girls and they believe that the four-year-old child is their daughter or sister. A scenario that suggests some supernatural power, or several lying opportunists in pursuit of their own dark machinations, or grief playing with minds that can’t accept the loss of a loved one. Even those that don’t claim the girl to be their own, have a strange attraction to her and a mix of emotions that brings forward the desire to have a child.
The story towards the resolution of the young girl’s fate and the incidents that struck such loss into several lives is compelling and filled with vivid imagery that casts enthralling insights into a landscape and activity during the Victorian era. Diane Setterfield draws on historical facts to add authenticity to the narrative and one such fascinating subject was expressed through one of hte main characters, Henry Daunt, as the photographer capturing the images of people and places, and he lives on a riverboat where he operates his studio. The real Henry Taunt captured 53,000 photographs most of which now reside in Oxford.
While I loved the idea of the story, I felt that the narrative delayed at times which lost momentum by backtracking or side-stepping with material that wasn’t necessary. I was amazed at times and frustrated at others. This is a thought Ceecee and I had while we read this as a buddy read. I would recommend this book and always great to be reading Diane Setterfield.
There are parts where the words are so eloquent I wanted to read them aloud to someone.
Strongly recommended. It was a rare 10/10 from our entire bookclub.
This is a magical and mystical gothic tale. At times the storytelling is as languid as the river drifting peacefully to the sea and at others the story builds and overflows as the river in flood. It is beautifully written with magical images but it also captures the times (nineteen century) extremely well. In places is is reminiscent of the prose of Jane Austen as the inhabitants of Radcot and the surrounding area examine events minutely and repeatedly so that it goes down in the local annals and legends. The story contains mystery, trickery, duplicity, cruelty, sadness and love. The characters are richly depicted - my favourite is Rita Sunday the nurse/midwife who along with the stranger who proves to be photographer Henry Daunt sets out to apply logic and science to the mystery of the girl. The story comes together really well after Daunt forces the truth via a magic lantern show which is depicted vividly. The end is as mysterious as the beginning.
I enjoyed a lot of the book but there is some backtracking which I could have done without and there are a lot of characters to get your head around.
Overall a wonderful read.
Top reviews from other countries
This book is like a river, flowing, sometimes with a strong current, sometimes slowly, calm. It is a most moving human story about parents and grandparents and sisters and nurses and a little child. It is a story about love and the mystery of life. It is a lovely book.