Sophie Turner has been cast in an upcoming sci-fi movie alongside The White Lotus' Simona Tabasco and The Sandman's Boyd Holbrook.
The trio will appear in Goran Dukic's Cloud One, from a script written by the director and adapted from Etgar Keret's short story Windows.
The logline confirms the film is set in the future, with the amnesiac protagonist waking up in a room and trying to piece his life back together via a mysterious app.
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"In a near future, a man wakes up in a room, without the recollection of who he is, or where he's from," the synopsis says.
"With only a phone, a typewriter, two windows, and an application called 'The View', he follows a virtual memory-inducing routine, but as the days go by, the border between virtual and reality begins to blur when he falls in love with his virtual subject."
Cloud One is the most recent project Turner has signed on to. The Game of Thrones star was recently announced to lead psychological thriller Trust from director Carlson Young and produced by Twisted Pictures, best known for backing the film franchise Saw.
Related: Game of Thrones' Sophie Turner makes public debut with new boyfriend
Turner will also enjoy a reunion with former Thrones co-star Kit Harington in upcoming gothic horror The Dreadful.
Set during the War of the Roses, the movie follows Anne (Turner), who lives "a solitary, harsh life on the outskirts of society" alongside her mother-in-law Morwen (via Deadline).
Their lives are changed when a man (Harington) from their past shows up announced, setting off a chain of events that will ultimately affect Anne's quiet existence.
Turner is also returning to TV alongside Fear the Walking Dead star Frank Dillane in hotly anticipated ITV drama Joan, telling the story of real-life jewel thief Joan Hannington.
Joan will air on ITV and be available to stream on ITVX.
Reporter, Digital Spy
Stefania is a freelance writer specialising in TV and movies. After graduating from City University, London, she covered LGBTQ+ news and pursued a career in entertainment journalism, with her work appearing in outlets including Little White Lies, The Skinny, Radio Times and Digital Spy.
Her beats are horror films and period dramas, especially if fronted by queer women. She can argue why Scream is the best slasher in four languages (and a half).