AFI|Catalog

The Private Lives of Adam & Eve (1961)

86 or 88 mins | Fantasy | January 1961

Full page view
HISTORY

Preceding the opening credits, a lengthy written prologue explains that the ensuing story is a dream meant to glorify God. The opening credits include the statement, “filmed in glorious Spectacolor by Pathé.” While the portions of the film that take place in the present were shot in black-and-white, the fantasy sequences were shot in color. According to an 11 Mar 1960 DV article, Fryman Enterprises, co-owned by star and co-director Mickey Rooney and producer Red Doff, owned twenty percent of the picture, while the remainder of the film was owned by Universal and co-director Albert Zugsmith’s company, Famous Players Corp.
       According to information in the file on the film in the MPAA/PCA Collection at the AMPAS Library, several films based on the Adam and Eve story had previously been attempted, most notably by Alden Nash in 1950, Leo McCarey in 1954 and Herbert Kline in 1955, but all were rejected by the PCA because of the necessity of nudity to the story. An 11 Jun 1957 memo to Zugsmith from Geoffrey Shurlock warned that the subject would be almost impossible to tackle under Code restrictions, but later states that writer George Beck agreed that Adam and Eve could wear leaves even during the pre-fall sequence. Beck also agreed to allow Adam “infused knowledge” of God, to detract from his portrayal as “a naïve sort of boob.” On 26 Jan 1959, after the PCA deemed Fay Spain’s bikini costume unacceptable, makeup designer Bud Westmore created a cover-up for her navel.
       The PCA awarded The Private Lives of Adam and Eve a seal of approval in Aug 1959, and Universal planned to hold the film's ...

More Less

Preceding the opening credits, a lengthy written prologue explains that the ensuing story is a dream meant to glorify God. The opening credits include the statement, “filmed in glorious Spectacolor by Pathé.” While the portions of the film that take place in the present were shot in black-and-white, the fantasy sequences were shot in color. According to an 11 Mar 1960 DV article, Fryman Enterprises, co-owned by star and co-director Mickey Rooney and producer Red Doff, owned twenty percent of the picture, while the remainder of the film was owned by Universal and co-director Albert Zugsmith’s company, Famous Players Corp.
       According to information in the file on the film in the MPAA/PCA Collection at the AMPAS Library, several films based on the Adam and Eve story had previously been attempted, most notably by Alden Nash in 1950, Leo McCarey in 1954 and Herbert Kline in 1955, but all were rejected by the PCA because of the necessity of nudity to the story. An 11 Jun 1957 memo to Zugsmith from Geoffrey Shurlock warned that the subject would be almost impossible to tackle under Code restrictions, but later states that writer George Beck agreed that Adam and Eve could wear leaves even during the pre-fall sequence. Beck also agreed to allow Adam “infused knowledge” of God, to detract from his portrayal as “a naïve sort of boob.” On 26 Jan 1959, after the PCA deemed Fay Spain’s bikini costume unacceptable, makeup designer Bud Westmore created a cover-up for her navel.
       The PCA awarded The Private Lives of Adam and Eve a seal of approval in Aug 1959, and Universal planned to hold the film's premiere on 24 Feb 1960 in New Orleans. On 1 Mar 1960, however, as reported in a DV article the following day, the National Catholic Legion of Decency gave the film a "C," or condemned, rating, the first of its kind in three years. The article stated that the Legion, headed by Monsignor Little, called the film “blasphemous and sacrilegious in its presentation of man’s sex life as the invention of the devil, rather than the handiwork of God…the filmmaker resorts to indecencies and pornography.” The Legion also objected to certain shots of Mamie Van Doren that gave a strong appearance of nudity. According to a 9 Mar 1960 DV article, co-director Zugsmith responded by recalling 150 prints of the film from distributors in order to cut the offending scenes.
       On 11 Mar 1960, DV announced a feud between Zugsmith and Doff during which each man blamed the other for the sequences that the Legion found objectionable. As reported in the article, Doff stated that “Zugsmith failed to tell the truth,” while Zugsmith responded that “Red Doff is a liar...He ought to see a psychiatrist.” Var then declared on 26 Apr 1960 that the film would return to production the following week in order to shoot new footage that would more clearly establish the story as a fantasy dream sequence. That footage consisted of the prologue. According to a 22 Apr 1960 memo in the PCA files, Little also requested that several shots of “Ad” and “Evie” dreaming be inserted into the “Garden of Eden” sequence, to ensure that the fantasy nature of the sequence remained clear. The Legion gave the film a "B" rating on 24 May 1960.
       According to a 9 Jun 1959 “Rambling Reporter” item in HR, Universal originally borrowed Brad Dillman from Twentieth Century-Fox to play “Adam.” On 26 Jun 1959, HR noted that Brigitte Bardot’s younger sister Mijanou was to make her American film debut in The Private Lives of Adam & Eve, but a 27 Jul news item stated that Mijanou considered both the “role and costumes too small.” Although a 9 Jul 1959 "Rambling Reporter" item asserted that the film would feature 11 songs, including one titled "Pink Lemonade," only the title song was included in the released film. Upon its release in 1961, the Var reviewer called the revised film “less morally objectionable than artistically chaotic.”

Less

SOURCE CITATIONS
SOURCE
DATE
PAGE
Daily Variety
2 Mar 1960
---
Daily Variety
9 Mar 1960
---
Daily Variety
11 Mar 1960
---
Daily Variety
12 Jan 1961
p. 3
Hollywood Reporter
9 Jun 1959
p. 2
Hollywood Reporter
25 Jun 1959
p. 2
Hollywood Reporter
26 Jun 1959
p. 2
Hollywood Reporter
3 Jul 1959
p. 8
Hollywood Reporter
7 Jul 1959
p. 2
Hollywood Reporter
9 Jul 1959
p. 2
Hollywood Reporter
10 Jul 1959
p. 4
Hollywood Reporter
27 Jul 1959
p. 3
Hollywood Reporter
22 Mar 1960
p. 2
Hollywood Reporter
13 Dec 1960
---
Hollywood Reporter
12 Jan 1961
p. 3
Los Angeles Mirror
12 Jan 1961
---
Los Angeles Times
14 Jan 1961
---
Variety
26 Apr 1960
---
Variety
18 Jan 1961
p. 6
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION TEXT
An Albert Zugsmith Production
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTORS
Asst dir
Hank Spitz
Asst dir
Asst dir
PRODUCERS
Prod
WRITERS
Addl scenes
Addl scenes
Addl scenes
Addl scenes
Addl scenes
Addl scenes
PHOTOGRAPHY
Dir of photog
Cam op
Asst cam
Asst cam
Milt Gold
Stills
Grip
Gaffer
Best boy
ART DIRECTORS
FILM EDITOR
Film ed
SET DECORATORS
Set dec
Props
Props
COSTUMES
MUSIC
Mus comp and cond
MAKEUP
Makeup
Hairstylist
Hairstylist
PRODUCTION MISC
Dial coach
Russell F. Schoengarth
Asst to the prod
Unit pub
Scr supv
SOURCES
MUSIC
"The Private Lives of Adam & Eve," words and music by Paul Anka.
SONGWRITER/COMPOSER
DETAILS
Release Date:
January 1961
Production Date:
early Jul--mid Aug 1959; addl scenes shot early May 1960
Copyright Info
Claimant
Date
Copyright Number
Universal Pictures Co., Inc. & Famous Players Corp.
16 December 1959
LP25015
Physical Properties:
Sound
Westrex Recording System
Black & white with color sequences
Spectacolor by Pathé
Duration(in mins):
86 or 88
Country:
United States
Language:
English
PCA No:
19425
SYNOPSIS

On the road to Reno, Nevada, Doc Bayles drives a bus transporting passengers Hal Sanders, a lecherous salesman, and runaway teenager Vangie Harper. When the bus stops in the small town of Paradise, Evie Simms, a lunchroom attendant, boards in order to obtain a Reno divorce from her mechanic husband Ad, whom she recently caught kissing neighbor Lil Lewis. Following Evie is Lil and her husband Nick, a casino owner and Evie’s new paramour. Finally, beatnik Pinkie Parker, whose jalopy has just broken down, hops on the bus, where he is immediately smitten with Vangie. Before driving off, Doc counsels Ad to join the group in order to convince Evie to return to him. Ad is prevented from boarding, however, by a phone call warning him that flash floods are imminent and the roads have been closed. While Ad is on the phone, Nick persuades Doc to leave without him, and as a result Ad is forced to drive Pinkie’s abandoned jalopy in pursuit of the bus. When Doc spots Ad behind them, he pulls over, unintentionally allowing Nick to take over at the wheel and speed off. Ad chases the bus over treacherous, winding streets until Nick knocks the jalopy over a cliff. Chastened, Nick stops, and Evie is relieved to see Ad emerge over the hill, unhurt. Upon learning about the flood, Doc insists they turn back to Paradise, but they are too late to avoid the deluge. After the bus is almost washed off the road, the frightened group seeks shelter in an empty church. Inside, Doc urges them to trust in God, although Nick declares they will soon die. As water floods in under the ...

More Less

On the road to Reno, Nevada, Doc Bayles drives a bus transporting passengers Hal Sanders, a lecherous salesman, and runaway teenager Vangie Harper. When the bus stops in the small town of Paradise, Evie Simms, a lunchroom attendant, boards in order to obtain a Reno divorce from her mechanic husband Ad, whom she recently caught kissing neighbor Lil Lewis. Following Evie is Lil and her husband Nick, a casino owner and Evie’s new paramour. Finally, beatnik Pinkie Parker, whose jalopy has just broken down, hops on the bus, where he is immediately smitten with Vangie. Before driving off, Doc counsels Ad to join the group in order to convince Evie to return to him. Ad is prevented from boarding, however, by a phone call warning him that flash floods are imminent and the roads have been closed. While Ad is on the phone, Nick persuades Doc to leave without him, and as a result Ad is forced to drive Pinkie’s abandoned jalopy in pursuit of the bus. When Doc spots Ad behind them, he pulls over, unintentionally allowing Nick to take over at the wheel and speed off. Ad chases the bus over treacherous, winding streets until Nick knocks the jalopy over a cliff. Chastened, Nick stops, and Evie is relieved to see Ad emerge over the hill, unhurt. Upon learning about the flood, Doc insists they turn back to Paradise, but they are too late to avoid the deluge. After the bus is almost washed off the road, the frightened group seeks shelter in an empty church. Inside, Doc urges them to trust in God, although Nick declares they will soon die. As water floods in under the door, Ad holds Evie and convinces her to sleep. They share a dream about the beginning of life: While Adam awakens in the Garden of Eden and begins naming animals, the Devil sends one of his female companions, Lilith, to tempt Adam into betraying God. God, however, foils the Devil by reminding Adam not to eat an apple from the tree of life, and sending Eve to keep him company. Although Eve is as sweet and innocent as Adam, she quickly grows resentful of his work and jealous of Lilith. Eve, who wishes God would speak directly to her, is easily enticed by the Devil, disguised as a serpent. The snake urges Eve to eat an apple, and after she does, Adam follows suit, hoping to protect her from God’s wrath. God spares their lives, but casts them out of Eden. While seeking shelter in a cave, Adam and Eve have their first fight, after which Eve forces Adam to move rocks around the cave, pursuing the perfect “furniture” arrangement. Although Eve is being unreasonable, Adam accepts blame for their fight in order to seduce her. In the morning, the Devil visits Eve and convinces her that Adam has failed to provide her with the right clothes and social activities. He entices her with a ridiculous hat made of fruit, which befuddles Adam, who nonetheless compliments it. Later, Lilith leads Adam to her hut, while the Devil urges Eve to cut her long hair. Lilith introduces Adam to the concept of a bed and gets him drunk on wine. At home, an annoyed Eve forces Adam to swear off liquor and women, but he returns to Lilith’s the following day. As planned, Lilith kisses Adam just as the Devil leads Eve to the hut, and in a jealous rage, Eve pelts them with fruit. The Devil exults as Eve runs off, with Adam close behind. As a storm rages, Eve begs forgiveness from God, pleading with Him to speak to her. In response, God indicates to Eve that she is pregnant, and when Adam finds her, they embrace. Back in the church, as Ad and Evie awaken and realize they have shared the same dream, the group discovers that the rain has ceased. They leave the church in couples, Lil with Hal, Pinkie with Vangie and Ad with Evie, who expresses a sudden craving for dill pickles. As Nick looks back at the church, he finally understands that “the odds were with the house.”

Less

Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

TOP SEARCHES

Breakfast at Tiffany's

Paramount Pictures’ feature film adaptation of Truman Capote’s 1958 novella, Breakfast at Tiffany’s, was announced in a 12 Jan 1959 NYT news item, which ... >>

Union Station

Thomas Walsh's novel was originally published in The Saturday Evening Post under the title Manhattan Madness . The working titles of this film were Manhattan ... >>

The Wizard of Oz

The following dedication appears in the opening credits: “For nearly forty years this story has given faithful service to the Young in Heart; and Time has been powerless to ... >>

Star Wars

The film’s title card is preceded by the statement: “A long time ago in a galaxy far, far away....” Afterward, a prologue reads: “It is a period of ... >>

Gone with the Wind

[Note from the Editors : the following information is based on contemporary news items, feature articles, reviews, interviews, memoranda and corporate records. Information obtained from modern sources is ... >>

The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.