How to Develop & Sell Your Adult Animation TV Series or Film
Hosted by Jeff Fastner
$49
On Demand Webinar - Available for immediate viewing and unlimited access.
Start Learning
Hosted by Jeff Fastner
$49
On Demand Webinar - Available for immediate viewing and unlimited access.
Webinar hosted by: Jeff Fastner
Emmy-Winning Producer of FX's ARCHER and Netflix's AMERICA: THE MOTION PICTURE; Art Director, Producer & Director at Floyd County Productions | USA
Jeff Fastner has worked in the animation industry for over 25 years, spanning multiple commercial and design houses. He has been at Floyd County Productions for 14 years, working as an Art Director, Producer, and Director. As the lead in visual development for the studio for many years, he cultivated and managed the artistic staff as the company developed multiple pitches, pilots, and shorts. In 2016 he won a Primetime Emmy Award for his work on the 7th season of ARCHER as Producer. This past summer, he completed work as the Assistant Director on his first feature film, AMERICA: THE MOTION PICTURE, streaming on Netflix. He was also Supervising Director and Producer on one of FXX’s most recent properties, POORLY DRAWN LINES, produced for the anthology series CAKE. Currently, he is helping develop and produce a new pilot for the FX networks. Full Bio »
Webinar Summary
Learn everything about the state of the adult animation industry from the Emmy award-winning producer behind ARCHER.
Join the webinar and receive exclusive handouts, including scripts from the shows ARCHER, RICK AND MORTY, and BOJACK HORSEMAN.
BIG MOUTH, RICK AND MORTY, UNDONE, SOUTH PARK… the demand for adult animation projects has never been hotter.
These formats are only becoming more daring and pushing the boundaries of storytelling, visuals, and subject matter. To sell in this market with your adult animated project, you’ll need to understand the industry's current state, where it’s headed, and how to develop a great show that audiences will love.
We’re covering all this and more in this exclusive Stage 32 on-demand webinar with industry professional Jeff Fastner.
Jeff has worked in the animation industry for over 25 years and has been the Art Director, Producer, and Director at Floyd County Productions for 14 years. You’ll recognize Jeff’s work best in the hit FX series ARCHER, which nabbed him a Primetime Emmy Award for his work on the 7th season as a producer.
Recently, he completed work on his first feature film, AMERICA: THE MOTION PICTURE, now streaming on Netflix, and served as Supervising Director and Producer for an installment of the FXX anthology series CAKE. He is currently developing and producing a new project for FX Networks.
In this webinar, Jeff will cover the different styles, formats, and demographics of adult animation, as well as the key elements you must consider when developing and pitching your project. Jeff also covers the animation software you need, how to hire the right artists for your vision, current trends in the adult animation marketplace, and more. You’ll even discuss how to produce your project cost effectively by working globally to make your project more appealing to buyers.
Learn from Jeff and his decades of animation experience exclusively here on Stage 32 as you develop your adult animated project and discover the best way to produce your project in today’s market.
PRAISE FOR JEFF'S ENTERTAINMENT EXPERIENCE AND KNOWLEDGE:
“What Jeff Fastner does not know about making cartoons is not worth knowing. In the past few years alone, he has co-directed a major motion picture for Netflix, produced an award-winning TV show for FX, and art-directed multiple animated sequences for Hulu. His success is based on years of hard earned experience that gives him the knowledge to do any job up and down the pipeline. But his secret weapon is the kindness he displays in managing those on his team, making each artist better through his clear and thoughtful direction.” -- Matt Thompson Executive Producer and Owner of Floyd County Productions
What You'll Learn
Jeff’s Journey
- From Theater to Animation and how that has informed my work
- From Commercial animation long form
- Creating the hit show Archer, the company, Floyd County, and now onto features
Adult-oriented Animation Content Overview
- What is adult animation?
- The Different Formats and categories within Adult animation
- Adult Animation vs. Family-friendly animation
- Successful Series Examples
- Successful feature examples
Programming for the Audience
- Understanding the different audiences
- late teenagers
- age 18-25
- age 25-45
- age 45+
- Breaking down the different genres and formats with the category
Creating Successful Adult Animated Content
- Key considerations when developing and pitching
- Understanding the Process of animation production
- Hiring the key artists needed to execute the vision with success
- Network versus streaming
- Television versus feature film
Emerging Content and Artistic Trends
- The latest new formats, softwares, and content trends
- What’s hot now and why
State of Adult Animation Today
- The Difference in consumption of media
- What are networks, studios, and executives looking for?
- Understanding your competition for original content
Q&A with Jeff
About Your Instructor
Jeff Fastner
FAQs
Q: How do I watch my webinar live?
A: If you received a confirmation that your webinar is on Go to Webinar, you will receive an email from Go to Webinar with further instructions for participating in the live webinar. You can also access your webinar link in your purchase history located under settings in the top right-hand corner of your Stage 32 profile.
If you received a confirmation that your webinar is on Zoom, you will receive a separate email from Zoom with further instructions for participating in the live webinar. Your login link will not be in your Stage 32 profile. If you did not receive your link via Zoom please email support@stage32.com.
Q: How do I watch my webinar on demand?
A: You will be able to watch your webinar on demand as many times as you’d like inside your Stage 32 profile. The recording is processed and posted between 24-48 hours after the webinar concludes. You can follow the instructions below.
YOU MUST HAVE A STAGE 32 PROFILE TO WATCH YOUR VIDEO – STAGE 32 IS FREE TO JOIN
If You Already Have a Stage 32 Profile:
- Log into your Stage 32 profile
- Click "Settings" in the top right-hand corner (gear icon)
- Click "Purchase History"
- Choose this webinar and click the link to view
- Go to www.stage32.com
- Create a profile using the SAME email address you used to sign up for this webinar. The email addresses must match in order to watch the webinar.
- Once you have your profile set up, you can view the webinar by clicking "Settings" in the top right hand corner (gear icon)
- Click "Purchase History"
- Choose this webinar and click the link to view
Q: What is the format of a webinar?
A: Stage 32 Next Level Webinars are typically 90-minute educational broadcasts that take place online using a designated software program from Stage 32. Your webinar will be taught by a working industry professional with in-depth teaching on a topic. If you are able to attend live you will be able to ask your Stage 32 Educator questions during Q&A.
Q: What are the system requirements to watch my webinar live?
A: You will need to meet the following system requirements in order to run the webinar software: Windows 7 or later Mac OS X 10.9 (Mavericks) or later.
If you have Windows XP, Windows Vista and Mac OS X 10.9 (Mountain Lion): The webinar software does not support these operating systems. If you are running one of those operating systems, please upgrade now in order to be able to view a live webinar. Upgrade your Windows computer / Upgrade your Mac computer.
Q: What if I cannot attend the live webinar?
A: If you cannot attend a live webinar or purchase an on demand webinar, you will have access to the entire recorded broadcast, including the Q&A.
Q: Will I have access to the webinar afterward to re-watch?
A: Yes! Like all Stage 32 education, after the purchase of a live or on demand webinar, you will have on-demand access to the recording.
Q: How do I get a copy of the handouts provided?
A: If the webinar you take included handouts you can find them as downloads underneath your on demand video. You must be logged into your Stage 32 profile to view the video and get the handouts by clicking settings in the top right hand corner, then clicking purchase history.
Q: What if I need accessibility and accommodations?
A: Email support@stage32.com to request accommodations.
Thanks for your loyalty to Stage 32 Education. We value having you in the Stage 32 community.
If you have any further questions, we are always happy to help. Please contact Stage 32 support at support@stage32.com.
Relevant Tags
Share with friends:
Questions?
Other education that may be of interest to you:
Pre-Production: The Film Director's Process of Discovery
Learn how to best spearhead your pre-production to ensure your shoot goes as smooth as possible with a director and producer who was worked on over 50 projects! Pre-production is the most important time for a director because it's where you go through a "process of discovery." It's also during this time that all departments discover a director's work style, vision and expectations as to how to do their jobs and make the production run smoothly and efficiently. In most cases, if a movie doesn't turn out as expected or runs over budget, it's a failure of execution during pre-production that can be pointed to as the cause. Many directors are simply too dependent on their producers and are way too anxious to get filming. This mentality is a huge mistake. So how can you assure that you handle the pre-production process effectively and in a manner where your cast and crew want to run into fire for you? How can you know which variables are most important and where you can delegate? We're here to help. Much is expected of the director during the pre-production process. You are in charge of making crucial decisions that can either make or break any production. It can all seem very overwhelming no matter how many times you've done it. But in reality, when taken step by step, pre-production is a fun and rewarding part of the process of making a film. All this takes time - and the more time you have in prep, the more you will discover and sort out before you go to camera. It's the planning, the patience and the perseverance that wins the day and ultimately makes for a winning project for all involved. Peter D. Marshall has worked in the film industry for over 40 years as a film director, television producer, first assistant director, TV series creative consultant, and screenwriter. Peter has directed over 30 episodes of Television Drama such as John Woo's Once a Thief, Wiseguy, 21 Jumpstreet, Neon Rider, The Black Stallion, Scene of the Crime, Big Wolf on Campus and Largo Winch. As a First Assistant Director, Peter has worked on over 12 Features (including Dawn of the Dead, The Butterfly Effect, Happy Gilmore, The Fly II); 16 Television Movies; 8 Television Series; and over 20 Commercials. He has written, directed or produced over 50 hours of documentary and educational programs and his documentaries and dramas have won, or been nominated for, 14 International film awards. Peter has worked with directors such as John Woo, Phillip Noyce, Ed Zwick, John Badham, Roger Vadim, Dennis Dugan, Anne Wheeler and Zack Snyder. He has also worked with actors such as Peter O'Toole, Kevin Spacey, Morgan Freeman, John Travolta, Kathy Bates, Michelle Pfiefer, Marcia Gaye Harden, Madeleine Stowe, Mel Gibson, Ashton Kutcher, Goldie Hawn, Judy Davis and Adam Sandler. In this exclusive Stage 32 Next Level Webinar, Peter will guide you through pre-production, the most important phase for a director. He will help you navigate the business and politics with a step by step guide. He will teach you how to break down your script, how to effectively put together your shot lists, storyboards, and access the budget while explaining how to set the tone you want to have on the set early and in a non-threatening manner. Peter will teach you how you should conduct meetings with your producers, writer, 1st AD, and other department heads. You will learn how to work with your cast during pre-production so they are confident in their roles and in your vision so they're ready to go on the first day of shooting. He will take you through production meetings, wardrobe fittings, camera tests, script read throughs and rehearsals. Peter will provide you with a complete overview of a director's role in the pre-production process to assure that everything goes exactly as you wish and that your vision is served. PRAISE FOR PETER'S TEACHINGS: "I have taken several directing courses and Peter's course by far, takes the gold star. This impressive, condensed seminar saturates years of experience and learning and presents it in an easy to use package. A definite recommendation." -- Trevor M. "I really enjoyed the webinar. I liked the fact that the density of material was rich enough that I was always busy taking notes. Thanks for covering the artistic and the logistic side of directing." -- Brad L. "I'll be shooting my first film in the next 30 days. This course came as a surprise birthday present. It was a godsend. I would have been fracked if I hadn't taken the workshop. There were so many essential elements that I would have missed. Peter's course is helping me hit the ground running and as a result, I feel much more confident and sure. Thanks, Peter." -- Fredrick H.
How To Be a Power Producer In Today's Market
The director and actors may get the lion’s share of the credit, and the writer might be the one who thought up the story in the first place, but it’s the producer who actually puts a film together and who turns ideas into reality, all the way from conception through distribution and beyond. The role of a producer can be enigmatic, though. It’s not as straightforward of a job as, say, an actor or a DP, and with so many different types of producers (Line producer? Associate producer? Executive producer? Co-Executive Producer?) it’s a hard concept for people to wrap their heads around. But if you’re interested in being a producer yourself and in leading the charge in creating great content that people want to watch, it’s important you better understand the role and find ways you can separate yourself from the pack and excel. There are a lot of producers out there, a lot of people working to create content. However there are a lot fewer who are prolific, who have multiple projects under their belt and have the know-how to make any project they have their sights set on a success. So what makes these power producers stand out? How do they choose what to produce and how do they operate within the industry to make things happen? And how can you join their ranks? A good step might be to learn directly from a power producer herself. Luckly, successful producer Aimee Schoof will lend her experience exclusively to the Stage 32 community. Aimee Schoof is the co-founder of Intrinsic Value Films and has produced more than 35 feature films. Of those, nine have premiered at the Sundance Film Festival, four at the Tribeca Film Festival, three at SXSW, and one each at LA Film Festival, Toronto, Venice, New York FF, New Directors/New Films, and Berlinale, to name a few. Aimee’s company develops, produces and sells independent films that have been distributed worldwide, have won many awards and been honored with numerous nominations. Accolades include winning a Sloan Sundance Award and a Sundance Special Grand Jury Prize. Aimee’s work has led her to be nominated five times by Film Independent as a producer. She is currently both a Sundance and Film Independent Fellow and has worked in international sales attending all major markets, and regularly lecturing on film finance and production. Aimee has had more than 25 years’ experience working as a hands-on producer on projects of all shapes and sizes and knows what I takes to thrive in this role. She’s excited to share that with you. Aimee will give you a soup-to-nuts overview of what it takes to produce a film of any level and how to position yourself for success not only on your current project, but for your career moving forward. She will begin by teaching you the different types of producers on a film and what each person’s responsibility is. She’ll then give you strategies of how to choose your own path as a producer, including what it means to be an independent producer. She’ll walk you through how to find partners, collaborators, and mentors in this industry and will discuss the crucial but tricky task of finding and selecting material to produce. She’ll also break down whether a producer should focus on just one project at a time or multi-task. Aimee will illustrate what exactly a day in the life of a producer actually looks like. Aimee will then focus on relationship building, one of the biggest parts of a producer’s job. She’ll break down how to form and maintain relationships with agents and managers, actors, casting directors, and fellow producers, among others. She’ll then discuss the best practices for networking to build your connections, including how to work film festivals and markets to meet new and exciting potential partners or friends. Next, Aimee will delve into how best to source IP as opposed to working with original stories. She’ll go over the balance between holding your relationships close and expanding your network and how a good producer budgets their time when working on multiple projects. Aimee will also give you tips on how you can produce a science fiction film, even on a budget. Then, Aimee will give an honest and realistic breakdown of what a film’s timeline actually looks like—how long it actually takes to make a film and how you can stay motivated along the way. Aimee will use examples and case studies from her own past films, including projects made from existing IP, to further break down the role of a producer. Like what you heard from Aimee during this webinar? Send your script to Aimee and speak with her for an hour by clicking here. Praise for Aimee’s Webinar: “I loved this! Aimee knows so much about the subject. I really learned a lot” -Cheryl B. “Aimee was able to take these big ideas and make them feel totally accessible and easy to understand. I really enjoyed hearing from her” -Howard F. “This was great! Thank you!” -Joanne D. “I feel ready and inspired to set out on my own and make some great movies after listening to Aimee!” -Hannah W.
Your Ultimate Guide to Packaging Your Project - 4 Class Intensive
Join Tiffany Boyle, President of Packaging at Ramo Law PC - exclusively through Stage 32! Learn how to attach producers, actors, directors and financing to your project! The art of packaging—and it is an art—requires juggling many elements at the same time, but it usually comes down to three major factors—attaching a producer or production company, attaching talent (actors and director), and attaching financing. Each is its own unique process, yet at the same time, all are invariably tied to one another—your success with one will usually aid your success with the others. Beyond these three elements, understanding how to pitch your project is vital. No matter how many producers, talent, and other attachable elements you approach, none of it will come to fruition if you don’t have a good pitch and the right materials to send. So how do successfully producer or filmmaker package their project? How can you navigate politics, relationships, and the industry as a whole to secure the elements you need for success? We have you covered. Since joining Ramo Law in 2009, Tiffany Boyle has leveraged her business-oriented sales and packaging skills to bring hundreds of films and documentaries to fruition. Since 2018 alone, Tiffany has optimized clients’ financial and business positions on more than 35 films and documentaries. Through her critical review of content and strategic use of Ramo Law resources, Tiffany creates successful content packaging that bridges the needs of both client and industry demands. In addition to all these skills, Tiffany also served as a co-executive producer and brought in financing for films like SOMETHING ELSE (Tribeca 2019) and ARKANSAS starring Liam Hemsworth and Vince Vaughn. She led the sales and packaging for TRAGEDY GIRLS (SXSW 2017) and FREAKS (Toronto IFF 2018), she brought foreign financing to ASHES IN THE SNOW (Los Angeles FF 2018) starring Bel Powley, and she sold an autobiography to Hulu for development into a limited television series. Tiffany has seen it all when it comes to film and TV packaging and understands what filmmakers need to do to find success with this tricky process. In this advanced level and intensive 4-session on-demand class, Tiffany will break down the best practices and the steps you should take in securing attachments in order to give your project a strong, marketable package. In her first session she will focus on the initial step you should take of attaching a producer/production company to help shepherd your project forward. Next Tiffany will walk you through how to get both significant actors and directors to pay attention and get attached to your project. In her third session she will delve into financing and teach you everything you need before you approach financiers, the different types of financing there are, and who to approach to secure funding. Finally, Tiffany will walk you how to present your project by explaining what you should pitch, how you should pitch it, and, when you get that bite of interest, what materials you should send next.
Stage 32 Directing Workshop: Master Your Vision
Maximize your creativity with the guidance of a professional filmmaker with over 40 years of experience in this directing intensive, covering everything from development through post-production. You’ll take a deep dive into everything expected of you as a director and how to achieve your vision. Do you dream of directing your own feature but worry that you don’t have the training or experience to make it happen? Whether you want to establish yourself as an independent filmmaker, build a career within the traditional system, or become an accomplished television director, all it takes is one project to set your career in motion. But directing is more than supervising a crew and telling actors how to emote. Directing starts months before cameras start rolling, as you lock the script, determine your vision, and set a production plan to execute it. It’s an enormous task and one that you need to know what it entails before jumping in. This Stage 32 exclusive course teaches you just that. Starting with how to break down a script and design a visual story, through pre-production with scouting and casting, to the actual production and managing your cast and crew, and through post-production, where you have the last chance to create your vision. You’ll learn time-management skills and tools to collaborate with your crew and actors so that everyone is as excited and invested in the project as you. You’ll even see how directors get hired in the industry for directing jobs, so you can hit the ground running in your career. Taking you through these invaluable tools is feature film and television director Bobby Roth, who has over 40 years as a director in the business and whose films have been honored at over 70 international film festivals. He’s worked with top-tier talent, including Academy Award-winner Rita Moreno on the film THE BOSS’ SON, who won Best Supporting Actress at the Miami International Film Festival. He’s been nominated and won several awards for his work in features, including the films HEARTBREAKERS, BAJA OKLAHOMA, DEAD SOLID PERFECT, MANHOOD, and BERKELEY. He’s also directed countless hours of television on popular shows, such as GREY’S ANATOMY, MACGYVER, and AGENTS OF SHIELD. Using his decades of experience, Bobby will show you how a director learns all the filmmaking skills, such as screenwriting, casting, editing, and composing, in order to build great partnerships with every member of production and create a beautifully cohesive story. After this intensive, you will have access to this incredible resource on-demand. You will also walk away with confidence that you know everything being a director entails and how to achieve a fantastic film with your team.
How to Make the Transition from Cinematographer to Director
Getting ahead is hard in Hollywood, and taking the next step in your career can be difficult when it feels like the expectation is for you to stay in your own lane. Being a cinematographer is such an exciting, rewarding, and important role on any project, but that doesn’t mean it’s where your journey has to stop. If you have aspirations to move into directing and make your own film, that path is more possible than you might think. In fact, your background as a cinematographer might even catapult you to this position, since, in an effort to save film funds, it’s becoming more common for producers to hire cinematographers who can also direct. Many people believe that the roles of the director and cinematographer are separate, but actually they are partners in the storytelling process. This means that making the leap from cinematographer to director is not as hard as you might think. However, whether you want to exclusively direct or be a DP / director combo, you have to adhere to a certain mode of operation, master the art of collaboration, and hone your ability to speak clearly to your cast and crew in order to maximize your time on set. So how do you get that first directing job? Can you effectively direct and shoot at the same time, and if so, how do you divide your precious time between your cast and crew? With careful planning and a solid understanding of how to manage your responsibilities on set you can become the perfect “double threat” that producers love, while putting extra cash in your pocket and achieving more of your creative goals. Ryan Little is a director, producer, and cinematographer with over 20 years of experience in the industry. His first feature SAINTS AND SOLDIERS, for which he took on the dual roles of DP and director, won 16 “Best Picture” awards and two nominations at the Independent Spirit Awards including Best First Feature and Best Cinematography. Since then, Ryan has served as cinematographer and director on a slew of projects and has directed actors like Danny Glover, Vinnie Jones, Sean Astin, Neal McDonagh, Gary Cole, Dolph Lundgren, and Mickey Rourke. Most recently Ryan has worked with Producer Dean Devlin on the TNT pilot BLANK SLATE and has directed TV episodes of shows like GRANITE FLATS and EXTINCT. Ryan has built a storied background and deep well of knowledge in both cinematography and directing, and is ready to share what he knows with the Stage 32 community. Using his own experience as well as his deep understanding of the industry today, Ryan will teach you how you can make the transition from cinematographer to director and use your photography background to your advantage. He will begin by broadly discussing the prospect of switching from cinematographer to director and explaining why it’s possible. He will go over how he made the transition himself as well how other notable directors made a similar shift. He will demonstrate why your background as a DP will actually make you a better director yourself. Ryan will then delve more deeply into how best to land your first job as a director, including “planting seeds” for future opportunities, playing to your strengths as a practiced cinematographer, using the connections you’ve already built, and how to create sample work to help show your value. He will also discuss the possibility of serving as a Director/DP combo on set as a way to break in, what that looks like, and how to do both roles effectively at the same time. Next, Ryan will give you the rundown of how to best tackle your first directing gig. He’ll go over the aspects of directing you can expect to come naturally and the aspects that might be more of a challenge because of your background, as well as how to let the DP role go when directing. Ryan will teach you how to best prep for your first directing gig before going on set. He’ll talk about how to create your “style guide” for the project, finding your story moments ahead of time, making a useful shot list, and how best to use storyboards. He will then talk about how to spend your time on set as a director, including how to manage your time and break up your day and how to tell the story in your coverage. He will reveal three mistakes commonly made by directors during rehearsal and will discuss when the right and wrong times to operate the camera yourself are. He will also go over finding the balance between assertive and collaborative on set and how to set the right tone. Finally Ryan will focus on working with actors from the mindset of a cinematographer, including how to speak the actor’s language, how to hold the essential one-on-one actor preproduction meeting, and what you can do to become an “Actor’s Director”. Through all of this, Ryan will give you the tools and confidence to make the switch you might have been contemplating for a while and take the next important steps on your journey to become a bona fide film director. "I attribute a lot of my success to my background as a cinematographer. It's given me so many great opportunities and the skills to advance in my career in exciting ways. I want other cinematographers to better understand their value and potential as filmmakers, and am so excited to share what I know to empower the current DPs and future directors that are part of the Stage 32 community." -Ryan Little
6 Pitfalls To Avoid When Working With Tax Incentives
As the Vice President of Three Point Capital, Viviana Zarragoitia is one of the most prolific financiers who routinely lend on tax incentives, both domestically and internationally, on independent films. She is aware of the rules and regulations of tax incentives in many jurisdictions, and have spoken on numerous panels about tax credits. In this exclusive webinar, Viviana will be teaching what producers should be aware of when working with tax incentives. Although there are minor details that change within each state/country, there are some overall issues that come up in each jurisdiction that producers should be aware of when taking advantage of tax incentives for their film/TV project. These include, but are not limited to, things such as: corporate structure of the company applying for the tax incentive, making sure that costs in-state are qualified spend, working with tax incentive offices during pre-production, production and post-production, submitting final costs in a timely fashion, working with production accountants/CPAs on tracking qualified spend, working with lenders and filing tax returns to claim the incentives.
Register / Log In
