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  Robert Sholl’s critical biography is enhanced by his skillful use of musical, theological, philosophical and aesthetic details regarding Messiaen’s life and work, and further enriched by the inclusion of previously unexplored material from Messiaen’s archives. After situating the composer in the cultural milieu of the 1930s, Sholl dedicates chapters to essential elements of Messiaen’s multifarious career as composer, teacher, theologian and ornithologist. Writing with clarity and insight, Sholl has provided a readable and engaging contribution to understanding the complicated life and work of one of the twentieth century’s most important figures. Highly recommended.

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  Andrew Shenton, Professor of Music, Boston University

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  Robert Sholl's new biography of Messiaen sheds fresh light on the extraordinary originality of his music. Among the wealth of fascinating detail much comes from the composer himself, as well as from his teachers, contemporaries, pupils and from those who have studied, researched and performed his music. Sholl's commentaries on the music are acutely perceptive – and as a bonus to this rich feast the photographs are marvellous.

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  Peter Hill, Emeritus Professor of Music, University of Sheffield, and co-author of Messiaen (2005)

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  Robert Sholl’s book, the fruit of many years of research, undoubtedly has a great future. Its panoramic view of Messiaen’s life constitutes a way of discovering Messiaen for those unfamiliar with his work and offers much to music lovers who will find, through his synthesis of material, unpublished information and photos. This book has allowed me to rediscover the Messiaen that I knew, but also to encounter an unknown Messiaen. May everyone have as much pleasure reading this book as I have!

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  Olivier Latry, Titular Organist of the Cathedral of Notre-Dame de Paris and Professor of Organ at the Paris Conservatoire

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  Robert Sholl has distilled many years of scholarship and contemplation into a book that is compact yet capacious, brimming with information and insight. The crisp narrative provides vivid descriptions of cultural and intellectual contexts, including a breathtaking panoply of influences, both his own mentors as well as those he mentored. Sholl’s trademark intertextual methodology seamlessly interweaves materials drawn from a broad horizon of sources, including history, musicology, literature, visual arts, history, philosophy, theology and psychoanalysis. This brilliant achievement synthesizes scholarship from yesterday and up to the present moment. It is now the point of departure for any future adventures into Messiaen’s idiosyncratic universe.

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  Stephen Schloesser, Professor of History, Loyola University Chicago

Introduction: ‘All the birds of the stars’
Chapter 1: On Beginnings
Chapter 2: On Becoming ‘Messiaen’, 1927–39
Chapter 3: On Messiaen and the Second World War, 1939–45
Chapter 4: On Surrealism and Experimentation, 1945–51
Chapter 5: On Birdsong, 1952–63
Chapter 6: On Influence
Chapter 7: On the Monumental, 1964–83: Stained-Glass, Snow, Stars and a Saint
Chapter 8: On Final Works and Legacy

References
Select Discography
Select Bibliography
Acknowledgements
Photo Acknowledgements
Index

Robert Sholl teaches at the Royal Academy of Music and the University of West London. His publications include Messiaen in Context (2023). He has performed all of Messiaen’s organ music, recorded improvisations to film on the organ and piano, and given recitals in London and Paris.