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Living on a Thin Line Hardcover – January 17, 2023
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The all new, must-read memoir by legendary Kinks guitarist Dave Davies
'BOOK OF THE DAY' - Guardian
'This powerful tell-all from the Kinks guitarist puts the spotlight on his own bad behaviour, dalliances with the occult and his recovery from a stroke.' - Observer
'Heartfelt, hilarious, revealing, insightful and astonishingly candid. Boy, you really got me Dave. I can't wait to read it again.' - Mark Hamill
Dave Davies is the co-founder and lead guitarist of epoch-defining band the Kinks, a group with fifty million record sales to their name. In his autobiography, Davies revisits the glory days of the band that spawned so much extraordinary music, and which had such a profound influence on bands from The Clash and Van Halen to Oasis and Blur.
Full of tales of the tumultuous times and the ups-and-downs of his relationship with his brother Ray, along with encounters with the likes of John Lennon and Jimi Hendrix, this will be a glorious read for Kinks fans and anyone who wants to read about the heyday of rock 'n' roll.
- Print length288 pages
- LanguageEnglish
- PublisherHeadline
- Publication dateJanuary 17, 2023
- Dimensions6.22 x 1.26 x 9.29 inches
- ISBN-101472289773
- ISBN-13978-1472289773
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- Publisher : Headline (January 17, 2023)
- Language : English
- Hardcover : 288 pages
- ISBN-10 : 1472289773
- ISBN-13 : 978-1472289773
- Item Weight : 1.19 pounds
- Dimensions : 6.22 x 1.26 x 9.29 inches
- Best Sellers Rank: #1,030,565 in Books (See Top 100 in Books)
- #2,656 in Rock Band Biographies
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But I'm getting off subject. Dave Davies was the first British musician I'd ever seen with really long (in 1964) hair! And on top of that, playing a Gibson Flying V on one of the American album covers! Dave was always a top notch guitarist, and one of the reasons I became a musician, and finally a professional stage lighting designer.
His story is all over the place, but truly fascinating. Well worth the price of admission. I'd downloaded a sample of Ray Davies book months ago, but the sample didn't interest me enough to buy the book. And after reading Dave's book, I've learned a bit more about Ray, and I'm not sure I like the guy enough to hear his side of things. Ray's a very talented song writer and I always loved his voice, but he's not someone I care too much about. When I worked for Brian Wilson we did a show in London (a festival?) And I found myself seated for dinner with Ray. I don't recall why he was there (perhaps he was on the bill?) but what I do remember, is trying to have a friendly conversation with him, and he ignored me. Oh well, I won't make any judgment, but he was cold.
Regardless, great read by an extremely underrated guitarist, song writer, and of course vocalist.
God bless the Kinks. Heaviest of the British Invasion bands by far. They influenced The Beatles, and The Who as well as many other acts. Long live Dave and Ray Davies.
I wasn’t terribly surprised to learn that Dave was a rowdy hell-raiser who led the rocker’s life to the fullest in those heady years of the 60’s, going through drink, drugs, and relationships and one or two-night stands with lovers of both sexes. I was a bit surprised to learn that he was heavily into mysticism and eastern spirituality and of his account of channeling positive energy into a previously listless crowd at a Kinks concert which, within a matter of minutes, became a roaring, cheering crowd. Brother Ray didn’t know how to react to Dave’s silent power but told him the next night, “Whatever you did last night, do it again.”
‘Living on a Thin Line,’ published in 2022, covers much of the same ground but from the perspective of a much older man who had a stroke in 2004, losing much of the use of the right side of his body. With meditation he focused his energy toward learning mobility again, including relearning how to play the guitar. He did have the advantage of all those years of playing which had built up reflexes and muscles that he could call back into action. He did physiotherapy, repetitive motion, stretching, and painting. Within two years he could play guitar again.
After he was released from the hospital he still needed help from loved ones, which led him to stay with brother Ray for two weeks:
‘My brother is very talented and gifted, and I don’t want to be mean so soon, but I sometimes feel he’s like a vampire the way he draws so much energy from people. True enough, that’s helped him become a great songwriter and he knows how to channel his ability to use people in a creative way. I’m glad he has always been part of my life, but you need to be strong around him. The way he was absorbing my energy during those two weeks, eventually I thought…Ray, I love you, but really I don’t have much to give at the moment.’
This is recounted in the first chapter and brings us back to one of the perennial themes running through Dave and Ray Davies’ lives and, in turn, through the career of The Kinks.
It has been a few years since I read ‘Kink’ so I didn’t mind reading about the large Davies family, growing up in the post-war years, the six older sisters, one older brother, and extended family of cousins and aunts and how music was always in the family, the early musical attempts by the brothers to form a band with friend Pete Quaife, the heartbreaking story of Dave’s teenage affair with his first great love Sue, how their parents kept them apart, which he could see in retrospect allowed young Dave to stay focused on a music career although it formed an emotional gap over subsequent years to pursue indiscriminate sex and drugs to fill that void, later learning that Sue had given birth to Dave’s child. The ‘schoolboy in disgrace’ portion of that story formed the basis for the Kinks’ album, ‘Schoolboys in Disgrace, which included several great songs, including Dave’s favorite, “Headmaster.”
I don’t recall Dave going into as much detail with his same-sex encounters, which he viewed as less serious than his heterosexual relationships, oblivious in his breakup with one who was truly heartbroken, when Dave minimized the emotional component of the relationship, viewing their sexual activity as a frivolous bit of fun.
In this book, Dave finally provides a partial explanation for why the Kinks, in the middle of their first whirlwind tour of the U.S. were banned by the musicians’ union from playing in the country for over three years. For one thing, their managers were not as dedicated to staying with them and ensuring they went through the proper paces, often leaving them to fend for themselves.
‘Only years later did we realise that each time we cancelled a concert, or pulled one of our stunts, like playing a twenty-minute set, or driving everyone nuts with forty minutes of “You Really Got Me,’ complaints were made to the union. Each time we had an altercation with a promoter or musicians’ union representative, it was held in evidence against us. We were innocents abroad who had no idea about the power of these union people. The expectation was that US tours by British bands would tick along flawlessly. The Beatles had managed perfectly well before us, but they had Brian Epstein on their side: all they needed to do was show up and play. We had no such luck. Robert and Grenville stayed home, Larry didn’t last the distance, we failed to keep our mouths shut when things didn’t work out. In short, everyone connected with The Kinks, band and management, went wrong.’
The Kinks were virtually shut out of a U.S. market during the years of greatest experimentation and growth, missing out on even the possibility of playing at high profile festivals like Monterrey and Woodstock. The advantage of this omission was that it forced them into mining their own British culture. If The Kinks had been performing in America alongside the Rolling Stones and The Who, they probably would not have made classic albums such as ‘The Village Green Preservation Society’ and ‘Arthur (or The Decline and Fall of the British Empire),’ at least not in the same way.
Dave is very perceptive about his shortcomings, but one fact he never quite comes to terms with is, despite his insistence that his children are the center of his life, why he would leave one wife with young children once he found another young beauty with whom he is smitten. He changes partners with the casualness of trading in a car for a newer model. I lost track of how many children he fathered and how many women he had either married or lived with for an extended period.
I can understand why The Kinks will probably never reunite and the main reason stems from the distance Dave needs to keep from Ray to maintain his own psychological equilibrium. The blood relation has probably kept them involved in each other’s lives more than they would have been if they had just been friends who formed a great and enduring band together. I have never heard any of Dave’s solo albums, only basing my assessment of his songwriting ability on what he contributed to the Kinks’ output: Dave will probably never be the songwriter that Ray Davies is/was. Like it or not, he will always be the younger brother/sidekick to the Kinks’ musical visionary, no matter how much evidence he produces to set the record straight. It may not be fair, but that’s the way it is. Each of them has written two excellent autobiographies, each bearing the unique stamp of their author. For the more complete picture of most of the same events, one has only to read the account of the other brother.