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The Patrick Melrose Novels: Never Mind, Bad News, Some Hope, and Mother's Milk Paperback – January 31, 2012
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NATIONAL BESTSELLER
An Atlantic Magazine Best Book of the Year
A Publishers Weekly Best Book of the Year
"The Melrose Novels are a masterwork for the twenty-first century, written by one of the great prose stylists in England." ―Alice Sebold, author of The Lovely Bones
Soon to be a Showtime TV series starring Benedict Cumberbatch and Blythe Danner
For more than twenty years, acclaimed author Edward St. Aubyn has chronicled the life of Patrick Melrose, painting an extraordinary portrait of the beleaguered and self-loathing world of privilege. This single volume collects the first four novels―Never Mind, Bad News, Some Hope, and Mother's Milk, a Man Booker finalist―to coincide with the publication of At Last, the final installment of this unique novel cycle.
By turns harrowing and hilarious, these beautifully written novels dissect the English upper class as we follow Patrick Melrose's story from child abuse to heroin addiction and recovery. Never Mind, the first novel, unfolds over a day and an evening at the family's chateaux in the south of France, where the sadistic and terrifying figure of David Melrose dominates the lives of his five-year-old son, Patrick, and his rich and unhappy American mother, Eleanor. From abuse to addiction, the second novel, Bad News opens as the twenty-two-year-old Patrick sets off to collect his father's ashes from New York, where he will spend a drug-crazed twenty-four hours. And back in England, the third novel, Some Hope, offers a sober and clean Patrick the possibility of recovery. The fourth novel, the Booker-shortlisted Mother's Milk, returns to the family chateau, where Patrick, now married and a father himself, struggles with child rearing, adultery, his mother's desire for assisted suicide, and the loss of the family home to a New Age foundation.
Edward St. Aubyn offers a window into a world of utter decadence, amorality, greed, snobbery, and cruelty―welcome to the declining British aristocracy.
- Print length688 pages
- LanguageEnglish
- PublisherPicador
- Publication dateJanuary 31, 2012
- Dimensions5.53 x 1.31 x 8.22 inches
- ISBN-109780312429966
- ISBN-13978-0312429966
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“Like Waugh, St. Aubyn writes with exquisite control and a brilliant comic touch…Patrick often seems like a Philip Roth hero transplanted into a world of English privilege…The Patrick Melrose Series forms an exhaustive study of cruelty: its varieties, its motivations, its consequences, its moral implications…At Last is an intelligent and surprising novel, a fitting conclusion to the one of the best fictional cycles in contemporary fiction.” ―The Boston Globe
“Implausibly brilliant speech…The striking gap between, on the one hand, the elegant polish of the narration, the silver rustle of these exquisite sentences, the poised narrowness of the social satire and, on the other hand, the screaming pain of the family violence inflicted on Patrick makes these books some of the strangest of contemporary novels …This prose, whose repressed English control is admired by everyone from Alan Hollinghurst to Will Self, is drawn inexorably back to a fearful instability, to the nakedness of infancy.” ―James Wood, The New Yorker
“Gorgeous, golden prose…St. Aubyn is utterly fearless when faced with the task of unpacking and anatomizing the inner lives of characters. No emotion is so subtle and fleeting he can't convey it, or so terrifying or shameful that he can't face it.” ―Lev Grossman, Time
“Parental death, heroin, childhood rape, emotional frigidity, suicide, alcoholism…nothing about the plots can prepare you for the rich, acerbic comedy of St. Aubyn's world---or more surprising---its philosophical density.” ―Zadie Smith, Harper's Magazine
“I read the five Patrick Melrose novels in five days. When I finished, I read them again.” ―Ann Patchett, The Guardian
“Extraordinary…acidic humor, stiletto-sharp.” ―Francine Prose
“Intoxicatingly witty.” ―The New York Review of Books
“Why did it take me so long to fall in love with the brilliant novels of Edward St. Aubyn?” ―Brett Easton Ellis
“The most brilliant English novelist of his generation.” ―Alan Hollinghurst
“Our purest living prose stylist.” ―The Guardian (London)
“A smoldering portrait of a class largely banished from fiction.” ―James Lasdun
“Exquisitely harrowing entertainment.” ―Sam Lipsyte
“A spectacularly toxic confection.” ―The Village Voice
“Dialogue as amusing as Waugh's and narrative even more deft than Graham Greene's.” ―Edmund White
“A staggeringly good prose stylist.” ―The Times (London)
“One of the preeminent writers of his generation.” ―Will Self
“Perversely funny.” ―People
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Product details
- ASIN : 0312429967
- Publisher : Picador; First Edition (January 31, 2012)
- Language : English
- Paperback : 688 pages
- ISBN-10 : 9780312429966
- ISBN-13 : 978-0312429966
- Item Weight : 1.28 pounds
- Dimensions : 5.53 x 1.31 x 8.22 inches
- Best Sellers Rank: #859,478 in Books (See Top 100 in Books)
- #6,686 in Humorous Fiction
- #12,249 in Family Life Fiction (Books)
- #40,006 in Literary Fiction (Books)
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All the people in this group of novels are English, rich, consider themselves part of the privileged classes, and thereby see that they are superior to everyone. They are also sex addicts, junkies, pederasts, thieves and masters of vicious sarcasm, back-biting and condescension. Their conversations consist of snarky remarks about whomever among their friends is absent at the time. Confidences are nonexistent for the most part and those which exist do so for only a brief instant, having the half-life of the rarest of radioactive elements.
Patrick Melrose, whom we meet as a five year old lad, is introduced to us behaving in so risky a fashion that, were it not for the title of the collection, we would expect him to be dead before the first half of Chapter One had expired. Get used to it. It is his modus operandi for the next forty or so years. From balancing on the lip of a treacherous well as a five year old, to walking the top of a perilous wall, to injecting questionable drugs with used needles, to shopping for goods in Harlem, to sexual liaisons with strangers and, worse yet, wives of friends, to driving blind drunk in the strange environs of New England, our Patrick operates as Harold Lloyd at his scariest throughout the novels.
Well, for those who think in terms of "as the twig is bent" or maybe "spare the rod...", or whose Freudian inclinations are finely developed, poor Patrick's behavior is well explained by cold rejection from his mother, an emotionally crippled and cowed victim of domestic abuse by Patrick's father who is a brutal and hateful creep and who, just when you think he couldn't get worse, buggers sad Patrick repeatedly between ages five and eight and laments, not about short-circuiting Patricks brain and rupturing his self esteem, but rather about how sad it is that he cannot tell his friends about the experience.
Okay. This sounds like a very long version of The Aristocrats joke. But it's not. St. Aubyn writes like the muse herself, in fascinating breadth of vocabulary, genius in phraseology, wildly inventive thoughts - if you read these on a Kindle, you will be wearing out the underline key. St. Aubyn has a gift the quality of which makes those of us who now and then fantasize about writing (that's all of us, right?) cringe with embarrassment and downsize our dreams to a substantial degree - perhaps taking up commercial jingle writing.
Take this, for instance, on Patrick's maturing:
In the eight years since his father's death, Patrick's youth had slipped away without being replaced by any signs of maturity, unless the tendency for sadness and exhaustion to eclipse hatred and insanity could be called `mature'. The sense of multiplying alternatives and bifurcating paths had been replaced by a quayside desolation, contemplating the long list of missed boats. He had been weaned from his drug addiction in several clinics, leaving promiscuity and party-going to soldier on uncertainly, like troops which have lost their commander.
Or this, from Mary, Patrick's wife, on her first visit to America:
So much road and so few places, so much friendliness and so little intimacy, so much flavour and so little taste. She longed to get the children back home to London, away from the thin rush of America and back to the density of their ordinary lives.
Or this, concerning Victor, a mildly poor but intellectual chap:
Never physically alluring, he had always relied on his cleverness to seduce women. As he grew uglier and more famous, so the instrument of seduction, his speech, and the instrument of gratification, his body, grew into an increasingly inglorious contrast.
I've got a million of them. These novels are true gems, and if you have yet to read St. Aubyns, reading these will no doubt cause you to put more of his work on your to-do list. So, if you have more than enough on your list of books to read before you die, skip these and avoid frustration over which of your selections you must delete.
The best "photographer" of English scenes since Evelyn Waugh. Philosophic, ironic, bitter yet always able to see something in a dim future that will hold him up until he gets there. This book (the compilation) is for everyone who loves literature, Booker books, interior fury, hopeless enthusiasms. So settle down and go through St,Aubyn's entire catalogue You may not be able to discuss these stories immediately with friends,but soon...soon..
Top reviews from other countries
Reviewed in India on November 7, 2023
That most certainly happened with these books. One must be prepared to read about gritty lives, in which unspeakable things happen. Read about Edward St. Aubyn to understand the author better BEFORE embarking on this journey, and how the book is semi-autobiographical. One can't be in a delicate state of mind when reading these. That said, there were a couple of episodes in the final book of the trilogy that made me laugh so hard I cried.
The writing is absolutely exquisite and that was the greatest joy derived from reading these books.
イギリス英語に浸りたかったのと、カンバーバッチが好きなので買ってしまいました。
速さは普通です。イギリス英語独特の響きがあり、耐性がない人にとってはかなり早く聞こえてしまうかも。個人的にはイギリス英語の発音、テキパキとした印象のある音が好きなのでその点満足です。
評価ですが、
残念なことにCD[全17枚]にシミ?みたいなものがあって1トラックしか聞けませんでした。
その為星一つです。
ちゃんと聞けるものを発送して欲しいです。
返金より、ちゃんとモノを送るようお願いしています。
只今、出品者の方に連絡中ですので、
返事が戻り次第、またレビュー書きます。