This four-CD set is an absolute treat to listen to, again and again, discovering each time new reasons why Armstrong was in a class by himself.
Here he is at the peak of his awesome powers. It's 1935-1939 and he's home in America. He's got big ensembles backing him up (lots of well-known folks), and what must have been a neat-as-a-pin Decca recording studio. The sound is, as the other reviewer rightly noted, crystal. There isn't a weak side-man to be found.
What's more, the diversity of the selections is remarkable. Here, in one product, you can enjoy Satchmo on standards of the times ("Pennies From Heaven," "Jeepers Creepers"), the more instrumental ("Satchelmouth Swing,", the classic version of "When the Saints Go Marching In"), "new" songs that became staples right on through the later All-Stars days ("Save It, Pretty Mama," "Our Monday Date"), a taste of the tropics ("Treasure Island") a little hokum here and there, some traditional spiritual ("Shadrack," "Going To Shout All Over God's Heaven") and even the spoken (Elder Eatmore's Sermon on Generosity").
The recording freeze that came with the onset of WWII renders this collection all the more essential, as a true representation of Armstrong's powers in his mid-30's. The playing and singing are both extraordinary. In my opinion, the same can't be said post WWII. And the sophistication of the songs sets this apart from the pioneering Hot Five and Seven earlier days.
I believe the appeal of this set transcends just the jazz aficionados. There are things for everybody to enjoy. Picking out any of the four CDs, and listening to just three or four songs, is certain to bring an added bounce to your step, and smile on your face!