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And Here She Is Again 1961-1962 ORIGINAL RECORDINGS REMASTERED SET

2CD, Import

Ann-Margret Format: Audio CD

4.3 33 ratings

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Track Listings

1	Baby Won't You Please Come Home
2	Bye Bye Blues
3	Please Be Kind
4	Chicago
5	Teach Me Tonight
6	More Than You Know
7	Blame It on My Youth
8	Kansas City
9	That's What I Like
10	I Should Care
11	You're Nobody Til Somebody Loves You
12	Lovie Joe
13	Oh Lonesome Me
14	Slowly
15	Fever
16	What Do You Want from Me
17	Heartbreak Hotel
18	I Just Don't Understand
19	His Ring
20	Could It Be
21	What Am I Supposed to Do
22	Let Me Go Lover
23	Moon River
24	My Last Date (With You)
25	There'll Be Some Changes Made
26	I Was Only Kidding
27	Make Love to Me
28	Tell Me, Tell Me
29	Please Don't Talk About Me When I'm Gone
30	Cest Si Bon (It's So Good)
31	The Rock and Roll Waltz
32	Jim Dandy
33	Thirteen Men
34	Senor Blues
35	Inka Dinka Doo
36	Begin the Beguine
37	I Really Don't Want to Know
38	How Lovely to Be a Woman
39	The Best Is Yet to Come
40	I'm in the Mood for Love
41	Lost Love
42	I Ain't Got Nobody (And Nobody Cares for Me)
43	It Don't Hurt Anymore
44	It Do Me So Good
45	Gimme Love
46	Let's Stop Kidding Each Other
47	Isn't It Kinda Fun
48	Willing and Eager
49	It's a Grand Night for Singing

Editorial Reviews

Ann-Margret was considered by many to be one of the world's most beautiful women and she became very popular in Hollywood and on the cabaret circuit in America during the early 1960s. Here on this much anticipated collection of Ann's early career Jasmine focus on three complete albums 'And Here She Is', 'On The Way Up' and 'The Vivacious One' plus thirteen bonus tracks. Features her biggest pop hit "I Just Done Understand" which was covered by The Beatles. This material has been off the market for some time and has built up a huge demand.

Product details

Is Discontinued By Manufacturer ‏ : ‎ No
Product Dimensions ‏ : ‎ 5.51 x 0.39 x 4.72 inches; 3.36 Ounces
Manufacturer ‏ : ‎ Jasmine Music
Item model number ‏ : ‎ CDJAS788
Original Release Date ‏ : ‎ 2014
Date First Available ‏ : ‎ March 25, 2014
Label ‏ : ‎ Jasmine Music
ASIN ‏ : ‎ B00J6BVBUW
Number of discs ‏ : ‎ 1

Best Sellers Rank: #68,430 in CDs & Vinyl (See Top 100 in CDs & Vinyl)
- #1,093 in Easy Listening (CDs & Vinyl)

Customer Reviews:
4.3 33 ratings

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4.3 out of 5

33 global ratings

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Robert Kochanek

Five Stars

Reviewed in the United States on December 20, 2015

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great songs from sixties

2 people found this helpful

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Cody Robert at Spokane

BRUNETTE SONGS BACK IN PRINT

Reviewed in the United States on June 4, 2015

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Before the redhead phase and the indelible visual glories of Miss Olsson gyrating with Elvis in Vegas, being John Forsythe's disturbed "kitten with a whip" and Ken Russell's cascade of baked beans smothering the star in a famous filmed "rock opera," we had this brunette vixen, already a thorough trouper, floundering in the RCA studios under inept A/R guidance as a recording artiste. She wasn't quite Arlene Dahl, Cyd Charisse, Julie London or Peggy Lee (all of whom are invoked here by reference) and she was certainly no Lena Horne, whose RCA arrangers and producer A-M shared at Miss Horne's career peak. The blame for the shoddiness and ineptitude of much of this material (two weak albums, one better one and noncompetitive singles that have curiosity and camp value) lies not with Ann-Margret Olsson the professional entertainer but with RCA suits who hadn't yet quite parsed her out musically, nor had they quite anticipated the Titian-haired bombshell of film and the Vegas Strip. I like A-M tremendously (baked beans aside, she went on to heavyweight challenges such as Blanche DuBois), but these early recordings stereotype her (in vivacious Living Stereo), skew her talents and misrepresent her ferocious kitten-with-whip-and-baked-beans appeal. (In grudging fairness to RCA's bottomline monitors in Camden, the imprint had by 1960 lost Kay Starr and Gogi Grant to more progressive West Coast labels, and RCA's really deluxe production values—Peirce and Paich for Lena Horne or Hugo, Luigi and Neal Hefti for Della Reese—were reserved for those established senior chanteuses. Vivacious young Miss Olsson did the best she could with the dodgy, crapshoot material assigned her.)

The 1961 debut album was arranged and conducted by Marty Paich as a big-budget production with fresh brassy charts, but the material is both tired and predictable. There are five standout cuts, however: "Teach me tonight" (which cries out for modulations Olsson and Paich don't deliver), "More than you know," "Kansas City" (cf. Brenda Lee's similar cover and you'll probably prefer Miss Brenda), "I should care" and "Lovie Joe." The followup album was laid down in Nashville with Chet Atkins producing very routinely and in Hollywood with RCA's usually reliable Dick Peirce [sic] producing, and it's uniformly corny and severely dated. In a sea of saccharine there are only four true keepers, the Peggy Lee smash "Fever," that Presley guy's "Heartbreak hotel," "Let me go lover" and a rather fine version of "Moon River" (that's entertainment, A-M Olsson sings Princess Audrey and Lyricist Laureate Johnny Mercer).

Everyone had a better year in 1962, A-M included. As her film career really took flight she reunited with Peirce in Hollywood for the thoroughly solid album VIVACIOUS (brunette) ONE, arranged and conducted by Joe Reisman and H.B. Barnum. I like nearly all the tracks here, particularly "Make love to me," "C'est si bon" and "Rock and roll waltz," where we hear A-M covering seasoned hitmakers Jo Stafford and Kay Starr with demonstrably increased confidence. And the absolute killer is the unusually inspired cover of "Begin the beguine," where A-M finds more romance and tropical glamour in the Cole Porter lyrics than any singer I know (in her singing phase, A-M ought have made an elegant all-Porter album just before he left us in 1964). I'd want Jasmine's smoothly remastered compilation for that stunning track alone, but there are still the really lame bonus singles to contend with, where the only real standouts are "How lovely to be a woman" and "It's a grand night for singing" as aural adjuncts to the redheaded Swede's visual vivacity on the big screen.

7 people found this helpful

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Rocnic

Five Stars

Reviewed in the United States on July 15, 2014

Verified Purchase

Everything like expected.

One person found this helpful

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J. A. Moriello

Just OK.

Reviewed in the United States on June 20, 2014

Some good stuff here, but way too much filler. I will be adding only about a dozen tunes to the old ipod. Unless you really love Ann-Margaret take a pass on this one.

3 people found this helpful

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She was more interested in her acting career, but she could sing too

Reviewed in the United States on June 21, 2014

We can only wonder at what Ann-Margret might have achieved had she focused on a singing career, but I suspect that she made the right decision to focus on acting. She certainly had a nice singing voice and was capable of using it on a diverse range of material that included, jazz, pop, easy listening and a dash of country, but that still might not have been enough to keep a singing career going through the sixties.

Her most successful recording was I Just Don't Understand, from her second album (And here she is...Ann-Margret), which became an American top 20 hit. She also had a couple of minor American hits at around that time.

I found this to be a most interesting collection, which includes all her 1961 and 1962 recordings - three complete albums the tracks she recorded for the soundtrack of State fair and other tracks not featured on those three albums.

3 people found this helpful

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K W

I have the original "Living Stereo" vinyl. When this ...

Reviewed in the United States on September 29, 2015

Verified Purchase

I have the original "Living Stereo" vinyl. When this 'remastered CD' is played against the LP, it just sounds emaciated and diminished. I ordered this double CD mainly for the extra songs. But I think I will just stick with the album and not bother with the CDs.

2 people found this helpful

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Praise The Lord, Always

Forget this one as it is not her best.

Reviewed in the United States on November 16, 2014

Verified Purchase

Her album "And Here She Is" was & is not a good album, even though she had Chet Atkins & the Anita Kerr Singers behind her. If I didn't know better, I would say that this was her last & it was just thrown together to end her contract. Some of the tracks were decent but not that great. Her "The Vivacious One" is a little better, but still not great & her cover of Bill Haley's "13 Women", which was on the flip side of Rock Around The Clock, seems like a strange song for her to cover, even though it was changed to "13 Men". Not really a good song to begin with. Her non-lp singles are great, but I can't say the same for the cuts from "State Fair". Now, as for her album "On the Way Up", it is just wonderful & shows her singing talents to the fullest. Avoid this CD & get her RCA "The Very Best of Ann-Margret". It is a whole lot better. +JMJ+

6 people found this helpful

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Osmond Fan

This is a fantastic c. d

Reviewed in the United States on May 26, 2015

Verified Purchase

This is a fantastic c.d. set !! I remember that even as a child I had a bit of a crush on Ann , then when she displayed her incredible self on the Flintstones I knew she was the one for me. This set has many great tunes done as only she could perform them. It is a great bargain at two disc and the photo on the front. I've played it many times and still love it.

One person found this helpful

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Top reviews from other countries

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Ann - Margret CD - And Here She Is Again

Reviewed in Canada on September 20, 2020

Verified Purchase

Excellent value (CD1 of 24, & CD 2 of 25) of a variety of fine songs. I knew she could sing well and act too (she was co-star in an Elvis Presley movie), though I didn't know she was excellent & so productive. As an example, the great Peggy Lee (RIP) would admire her rendition of Fever.